Miranda cosgrove bra slips

I have sloped shoulders and my bra straps keep slipping! I’ve tried products to help with this years ago but is there anything new that actually works?
Usually I just wear cozy thick strapped bralettes but I got myself a few seggsy ones recently that I’d love to wear, except the slippage is bonkers! I’ve tried adjusting the straps in all directs and it still happens. So annoying! Help?

I was raised deeply religious. I’ve deconstructed a bit, and went through the normal rebellious phase that, for girls, includes dressing provocatively (by that, I mean, crop tops or leggings, gasp). But now I know I just dressed catered fully to man-centric view of “hot”.
Lately, as a fully formed woman, I struggle with how to dress myself. It feels a little silly to admit but it’s sometimes incredibly disruptive. I am aware my body is potentially being objectified every minute I’m in public. I am aware of my performative gestures, like sucking in my stomach or fluffing my hair, all for the male gaze. And yet I don’t know how to live in a world like this, wanting to be pretty for some reason and wanting to avoid the consequences of being perceived as pretty.
I went to the beach and my thought process went like this:
What swimsuit should I wear? I feel pretty in a bikini, but do I feel pretty because I know I look sexy? Why do I want to look sexy, I’m going to the beach. I don’t want old men to look at me like that. But I don’t want to wear a one piece because I don’t feel as pretty, it’s less cute and my boobs don’t look as good—yet it would feel nice to not be objectified. Who am I kidding, I’ll be objectified if I wear a trash bag. So should I wear jeans? Avoid the whole thing?? Stay home???
Like I said, I feel sort of dumb or silly, but truly I was never taught how to do this. My whole adolescence, all I knew was that men were constantly suffering from sexually perverted thoughts, so a glimpse of my slipping bra strap could send them into a frenzy, and it was my job to keep them from that sin. Then I pendulum-swung into a misguided progressive feminism perspective, that men are capable of policing their own thoughts and I could wear whatever the hell I wanted, be as sexy as I liked, getting off on their attention while condemning them for being so vacuous and simple minded. And now I know both truths coexist—men are depraved and sickened by their pornography consumption, and they are responsible for those thoughts, and their lack of concern for their habit of jacking off to misogyny and sadism directly causes violence and betrayal in all forms to every single woman on earth.
So yeah wtf do I wear to the beach?

Hola ! Welcome back to Ecuador for second discussion for The Sisters of Alameda Street. I hope you're enjoying this circus as much as I am! I will post some questions in the comments, to get you started, but you can discuss anything in this section.
Links:
Schedule
Marginalia
Chapter 9 - Alejandra, 1936
Alejandra isn't happy. She doesn't like the changes that are happening in her body and she's feeling left out of the “jorga” (gang) with her cousin Fausto. Her first period came when she was climbing a tree, and the new neighbour noticed the blood. Fausto sent him away and covered her dress with his jacket. Mama Blanca explains that she will no longer be able to play futbol or eat avocado. (Why???)
Fausto encourages her to steal money from her father so they can go to the circus, and this earns his respect. They speak to an acrobat there called Enrique Hidalgo, who Alejandra finds attractive.
Chapter 10
Back to the cliffhanger of the telephone call. Malena hangs up on Lili's mother to avoid being betrayed by her voice. Ana comments that Liliana’s boyfriend is married and his wife is pregnant.
Amanda takes Malena to the restaurant and says that Rafael doesn't believe she can manage it because she's a woman. He only lets Alejandra work because she's so good at it, but insists on it being a secret that she is the jeweller. After the death of Fausto, Alejandra was so depressed that she joined the convent. Malena wonders if that was a convenient way to hide a pregnancy.
Chapter 11 - Amanda, 1936
After winning the dance contest, Joaquin and Amanda are celebrating at a restaurant. When Joaquin is on the point of proposing, Amanda spots a handsome man in a tuxedo and red carnation and announces that she will marry this man. He is Nicolas Fornasieri, the restaurant owner. By leaving her bracelet in the Ladies, Amanda sets up a means to see him again, and a romance blossoms.
Amanda's father catches them in the car, saying good-bye quite innocently. He sends Amanda out, jumps in himself, and after a drive, tells Amanda that she WILL marry this man. A huge wedding follows, and later on Amanda sees the priest to say that they have never been intimate. She is advised to be patient and she buys a sexy nightgown.
Chapter 12
On returning home after the visit to Amanda's restaurant, Malena is dismayed to find that Javier has thrown out the accounting books. She searches the rubbish and finds a handkerchief, with an E monogram. She finds the books and buries them to examine later. Amanda notices Malena’s pendant that she wears. She says it was a gift from her grandmother. Amanda thinks it looks familiar.
One night Javier catches her trying to go outside. She pretends she's sleepwalking.
Chapter 13
Claudia and Sebastian's engagement party is held and Malena is nervous that he'll recognise her from when he saw her at the hotel. She can't help but look at him though, he's attractive. Malena rings her friend Julia who informs her that her father was involved in a fight with a bald man, which was very out of character. Claudia invites Malena to mass and she comments on Claudia's pendant. Claudia explains that it was made by her grandfather and given to Abigail, who in turn gave to Claudia before her death.
Chapter 14 - Abigail, 1936
Abigail was sick as a child, (bad kidney) and she was seen as the weak one. She was forced to go to thermal waters three times a week, while her sisters were going to dance concerts.
One day another child pushed her away from the edge of the pool, and not being able to swim, and having removed her floater, she quickly went down. She was rescued by a young man with blue eyes. Over the next months she searched for this handsome man in vain, and couldn't concentrate on school work.
Chapter 15
Sebastian was discussing the poor state of his finances over breakfast with his mother. The topic moves on to last night's engagement party. Sebastian comments on Lili's dress, but mainly her cleavage. Oops he can't even remember what his fiancée was wearing! He recalls where he'd seen "Lili" before and concludes that Javier and Liliana are lovers. He can't quite work out the mystery. He finds her to be lovely and gentle.
Chapter 16
Malena tries again to sneak outside at night. She digs up the accounting books and takes out the handwritten note from her father, kept hidden in her bra, and compares the handwriting. It was identical.
Chapter 17 - Ana 1940
Ana is at the market with her son Javier when someone slips a note into her basket. It's from a secret admirer. Rafael scolds her for not having his lunch ready.
The following day at the market, a boy drops another letter inside her basket; she tells the boy to pass on that she would like to meet the person. Finally a place and time is given and Ana goes to this café, anxious and feeling guilty. Rafael appears and asks her what she's doing.
Chapter 18
Malena is wondering what her father's real name is, Enrique or Hugo? She returns to the nightclub with Amanda and a couple of dancers turn up to audition. Malena is impressed and later Amanda teaches her to tango.
At dawn the next day she spots Mama Blanca, Amanda and Ana going out the door, in black dresses.
Chapter 19
Javier explains to Malena that the trio were visiting Fausto's grave on the anniversary of his death. Alejandra doesn't go because she's not religious and doesn't like to visit the dead.
Fausto was shot dead in a robbery, on Alejandra's birthday; which is why no one celebrates it. Malena suggests baking her a cake, but Claudia disapproves. They do it anyway. When Javier sings "Cumpleanos Feliz", Malena claps. There is silence. Alejandra thanks them but walks out crying, much to Claudia's satisfaction.
Chapter 20
While fetching Amanda's cheque book in her bedroom drawer, Malena spots a half-burned book - the diary of Abigail Platas. Malena decides she must read it, looking for her father's name. There is a diary entry about how Abigail went with Fausto and Alejandra to the circus and met the assistant manager, Enrique Hidalgo, who later brought around tickets. The father was so impressed he offered him a job as a bookkeeper.
Malena is convinced that Enrique Hidalgo is her father - his eyes used to light up when he took her to the circus.
On opening night, Leonardo's dancing partner hasn't turned up and in desperation they make Malena fill in.
Chapter 21
Malena nervously waits backstage, feeling uneasy in her skimpy red dress. Sebastian is sitting alone near the stage, watching her intently. Leonardo spots his wife coming in with her lover, and his jealous rage makes him try some steps that Malena isn't ready for - and they both fall on the floor. Her dress has risen up and the audience laughs.
Then there is a ruckus at Sebastian's table, he is fighting with a man, while Leonardo has dived on the man who is with his wife. The evening ends in disaster.
Chapter 22
The disastrous opening of Madreselva has made the front page of El Heraldo. Sebastian questions Cesar about this editorial decision, and Cesar wonders why Sebastian is so upset. Sebastian puts Cesar in his place, but he's worried about the story, because he started the fight with the drunk who made an obscene comment about Liliana. He thinks about her, how beautiful she looked and how well she danced. Claudia would be furious when she found out he went to the nightclub, and Amanda more so after she read the paper.