2018.11.03 22:18 SirLemoncakes Stories, short stories, poems, and other.
2012.11.29 07:47 genericusername27 bloodcurdling poems and short stories
2020.03.04 05:15 bhplover schnoodlesdoodles
2024.05.17 12:02 winningwriters [TWO-WEEK NOTICE] [POETRY] [SHORT PROSE] May 31, 2024: Moving Words (No fee; awards film adaptation)
Moving Words, a project of ARTS by the People, seeks submissions of unpublished poems and short prose that can be adapted into short films. Editors say, "Our goal is to empower and inspire writers of all ages to tap into their inner creativity and think in terms of visual imagery as well as written word...we are looking for pieces that harness energy through image and metaphor, as well as the musicality of language, since the finished project will be produced as a film with an oral component." They will choose 8 pieces from this submission period to be workshopped and transformed into an audiovisual piece. Accepted participants must be available for Zoom, email, or in-person discussions with their film collaborators. Send one piece that would be under 2 minutes when read aloud, plus a short bio.Contest details
2024.05.17 11:10 GreedyPersonality390 Best Powerful Ayat E Karima Wazifa for Marriage
Ayat E Karima Wazifa for Marriage submitted by GreedyPersonality390 to u/GreedyPersonality390 [link] [comments] Now I am writing article about Ayat E Karima Wazifa for Marriage I hope readers like this article. Husband and wife choosing the dress by using songs. This process is described in the first verse of the nasheeds. With wedding being among the very big occasions happened in the course of an individual`s life, it is like any other memorable event. However, some may prefer the delay in searching for “the one” of their lives to some things in life being either congruous or contradictory. It is then that Ha’aq!iya us voryaamu aba ungaana waafate brings upon the determining Ayat. A holy Ayat e Karima verse from the Quran is what eases the souls and softens our hearts during the real time. It is usually referring to Verse 36 of Surat Yaseen in the glorious Quran. It is the most beautiful fruits from The Lord who is kind and wise. He created, provided, and also the one who makes the counting. Thus, What is Worthiness Oaths Doing This is the religious plan in the Muslim societies which is related to Allah and also which asks for the blessings of Allah for the perfect life partner. It has proved to be one of the more effective wazifa informally helping out with the number of marriages including both men and women. Here is how it works:Here's the working:
If someone was to read our wazifa and meditate on these verses, we are confident he/she would gain an equal benefit. Some of its main benefits are:One main reason why this is a helpful strategy is that it:
The issue to keep in mind concerning social media is that there is a variety of possibilities to promoter products, but we should be able to implement it well. Article Subject : Ayat E Karima Wazifa for Marriage To gain optimum results from the ayat e karima wazifa, it is crucial to follow some etiquettes:Adhering a few etiquettes provides a much powerful effects for ayat e karima. Hence, you need to follow this to maximize the outcome.
While there is another fatwa (opinion) in which the conclusion is the opposite, this ayah (ayah karima amazaja) can be viewed as a final promise to those who dream of getting married but there are hindrances. The fairy tale stands out in that the magic it brought out in the ability to foretell their destiny helped people to prevail over the hardship and the love that finally came into their lives which is nothing short of a soulmate duo. Authenticity which ensured in the continuous emulation shows the reason behind some great results at the end. Online Free Consultation With Maulana Ji Please Visit: https://www.onlinemaulana.com/ AyatEKarima #WazifaForMarriage #IslamicRemedies #DuaForMarriage #ShadiKiDua #LoveMarriageProblems #MuslimFaith #MaritalBliss #BlessingsOfAllah #TogetherForever #SpouseGoals #MarriageOath #SoulmateConnection #PeacefulMarriage #HappilyEverAfter #LoveInIslam #StrongerTogether #RelationshipGoals #DivineIntervention #IslamicPrayers |
2024.05.17 10:41 Careless_Honey6358 [HELP] Looking for this poem/short story
2024.05.17 08:14 Phil252525 Celtics Playoffs Cakewalk
2024.05.17 07:30 Formal_Highlight_185 Short poem - would love feedback.
2024.05.17 06:09 PrincessJoeDirt Is it wrong for me (24F) to hate my bf (35M) dog?
2024.05.17 05:26 Impossible_Pain_2701 LIVE 5/16 recap
•Kids are resilient. They miss their dad thoWell you should be because here we are, bitch :)
•DSS helped how to properly explain to her kids in an age appropriate way why they can’t see or speak to their father so “they’re not confused”
•getting nervous about “her Reddit people” being in the chat. Because they’ll screenshot and recap and everything
•Gets really upset about having to watch what she says and does because the Reddit haters are watchingWhat are you so mad/nervous about, Joni? You mean you’d be even worse/more negligent/exploitative if you knew we weren’t archiving it?
•some people in her and Ryan’s close circle are very frustrated about Joni’s TikToksIt’s called a cuticle, moron. This woman is a paramedic and she thinks cuticles are an original experience. Horrifying.
•Joni explains that she is so chronically online that to her “taking a break” means maybe one to two videos a day or one live a day because she wants to stay in the algorithm at all costs.
•Joni asks the chat if they ever get a loose piece of skin on the side of their fingernail
•Joni explains that she has always been naive and could never conceptualize anyone wanting to hurt hemean her harmUhh no
•Smugly refuses to divulge how much she makes on TikTok. Admits she makes commission from the crap she shills
•She wonders if we’ve ever wondered if when our kids make a vocalization is really just a word they’re saying in Russian or Chinese
•It’s too tumultuous for Cash to do a week on week off schedule with Jerry. She proposed to him a schedule where she had Monday thru Thursday and he got every weekend in the summer.Good thing nobody will be able to see that in a few years time right??
•She thinks if Jerry wants to post and share things that essentially exploit her kids in the same way she does it is fine because she does that too. Her problem is she doesn’t like his body language and attitude and comments he makes that are slights against her
•She doesn’t want him to have a public space to vilify her. Her children will be grown and see this one day
•proceedes to talk about Cash pooping in the public pool every time they take him
•The first time it happened they weren’t sure it was Cash because it was just poop floating in the pool and there were also a lot of other babies thereHoly smokes imagine what she’d say if those evil Reddit people weren’t watching
•The next time it happened she saw him open the back of his swim trunks and squeeze out a turd. She laughs about this
•The 3rd time it happened she saw him pull his shorts down. The pool had to be evacuated due to the floating turd and they told Joni if it happens again you have to pay to have it cleaned so they stopped going after that
•Cash also poops in the tub if he takes a bath. Joni said that was always normal for them
•The priority is that Cash uses the bathroom and not where. Pick your battles ya’llKeep his name out of your mouth, Joni.
•Her intent behind the very first posts with Cash beating her up was not to go viral but to share and..ya know
•Starts talking about Jesus
•Said Jerry was against Cash being in a facility. Then says yes and noK that’s not idol gossip though I think that falls into the category of wanting to prevent a tragedy because you know Joni’s dumbass sure as hell won’t
•She said her and Ryan’s ex have been friends off and on for years and years and years. Joni texted her “when did we become enemies again because I did not get that memo”
•Says Cash has been her easiest child to raise
•People are hateful because they have something with in themselves to be healed or dealt with
•Cash’s aggression in school was so bad that word spread around the whole town to watch out for him and this hurts Joni.
•She wants Cash do live independentlyGood to see she’s still a delusional piece of shit.
•live freezes and ends
2024.05.17 03:28 throw_ra878 Tortured Poets—and wolves?—take us from 1989 TV to reputation TV
Amid all my attempts to tie The Tortured Poets Department to literature, poems, and the rest of Taylor Swift’s discography, I missed one of the most obvious references possible. With the song “Who’s Afraid of Little Old Me?” as a play on titles of other works—namely, “Who’s Afraid of the Big Bad Wolf?” and Who’s Afraid of Virginia Woolf?—Taylor Swift is calling herself a wolf. submitted by throw_ra878 to GaylorSwift [link] [comments] If Taylor Swift is calling herself a wolf, and that wolf is a dangerous force to be reckoned with, I wondered where else in her filmography or discography Swift has referenced or even identified with wolves, so I set out to see if there is a common (queer) thread tying it together. Swift directly references wolves just three times in her lyrical discography: “Daylight” from Lover and “Guilty as Sin?” and “The Prophecy” from The Tortured Poets Department, plus the indirect reference in the “Who’s Afraid of Little Old Me?” song title, also from Tortured Poets. However, the first time we meet wolves in Swift’s catalog is in the “Out of the Woods” music video from 1989, where our rabbit hole begins. My thesis: Tortured Poets is the mourning warning for what’s to come on reputation (Taylor's Version), and this is tied together by wolves and light versus dark imagery being threaded from 1989 (Taylor’s Version) through Tortured Poets, in addition to the scenery of the woods, underwater, and the beach. All of this is ultimately leading us out of the woods and into the daylight to fully understand reputation (Taylor's Version) through the lens of Tortured Poets. Are we out of the woods yet?We first see wolves in the “Out of the Woods” music video. A pack of snarling wolves is chasing Swift through a dark forest, even shredding her evening gown (hello, "The Alcott") trying to attack her. Once she emerges from the woods, Swift and the wolves run through a snowy landscape, but it becomes unclear whether Swift is running from or with the wolves. By the end of the music video, Swift and the wolves appear to coexist.Taylor Swift in the \"Out of the Woods\" music video Swift re-released 1989 in 2023, and the lyric video for “Out of the Woods (Taylor’s Version)” shows the exact tour visuals from the 1989 World Tour. The visuals show two wolves running through the dark forest along a body of water that shows their reflections. There are multiple “twos” throughout the lyric video (which have been flashed incessantly during the Tortured Poets era) but there are a few other notable things. First, the wolves appear to be ghosts or phantoms, transparent and glowing only in the moonlight. Second, the two wolves emerge from the forest together, then leap from the cliff and turn to dust as the song ends. For reference for anyone who wants to watch all of these:
Swift “finds herself” on a sunny beach. The version of Swift that has braved and endured the trials and tribulations of the forest, fires, and more reunites with this version of herself. This is the last music video of the seven (! and, of course, "seven" is tied up in this theory later on) released during the original 1989 era, which leads us directly to reputation, namely, “Look What You Made Me Do.” What did we make her do?No, Taylor Swift doesn’t reference wolves on reputation or in the song “Look What You Made Me Do,” but reputation is tied to the symbolism of “Out of the Woods.” The LWYMMD music video opens with the version of Swift we saw at the end of OOTW picking up where we left off, except it appears Swift (or at least her reputation, as is displayed on the gravestone) is dead and buried.Wolves typically represent the untamed, wildness, and freedom. In many adages and fables about wolves, there tends to be a duality, either with wolves versus their domesticated counterparts in dogs or good and light versus evil and dark. For Swift to run from then become a wolf signifies a desire to outrun her own identity—something wild and dangerous—only to accept it and find peace in the light. For Swift to have found this version of herself and come to accept it in OOTW only to see it buried in LWYMMD suggests the thing “we made her do” is kill off that version of herself to save her reputation. I interpret this as a dangerous element of Swift’s self, potentially queerness, being so threatening to her reputation that she was forced to bury or conceal it despite thinking she was finally “out of the woods,” grounding the plane we see Taylor saw the wings off at the end of the music video. Aligned with the Karma/lost album theory, Swift’s plans were scrapped and replaced with reputation, and the thing she sought to do—come out—forced another rebirth in LWYMMD. Swift is notably caged in LWYMMD in an orange jumpsuit reminiscent of a prisoner’s, and there is more caged imagery aligned to wolves later in Swift’s lyrics, especially in the Tortured Poets tracks tied to this theory. More on that soon. To bring this full circle, I believe this is the reason 1989 (Taylor’s Version) is beach-themed: Swift is reclaiming the union of her two selves that she should have been able to claim post-1989 originally before the events that inspired reputation came to be. For some more bonus content, the LWYMMD lyric video includes a typewriter that appears to be writing a manuscript for a film or play: Screenshot from the official LWYMMD lyric video She only saw daylightSwift mentions wolves for the very first time in her lyrics on “Daylight,” the last track of Lover, her first owned album and what is thought to be the “coming out” album. (And, in my opinion, the aesthetic no one noticed that forced her to become a non-functioning alcoholic.)Maybe you ran with the wolves and refused to settle downTo run with the wolves is to live wildly with unbridled freedom, typically against societal norms. In psychology, there is a concept of “women who run with wolves” as women rediscovering their wild and their passions. Several reflections I found on this concept relative to queerness discuss the idea of wolfpacks and tribes, and I see this in “Daylight” as Swift focuses not only on emerging from the darkness herself but bringing someone else with her ("threw out our cloaks and our daggers"), allowing them to abandon the frustration represented by storming out of rooms or the need to run instead of standing in the light. As we know, sadly, Swift returns to the woods in folklore and evermore after another ruining of her “best-laid plans” despite emerging from a “twenty-year dark night” and “throwing out [her cloak and dagger]” in “Daylight.” On The Eras Tour, the folklore and evermore sets take place in the forest at night under a massive moon similar to the one in the “Out of the Woods” lyric video and original tour visuals for 1989. Swift also famously wears a cloak during the “willow” performance on tour. Taylor Swift performing \"willow\" on The Eras Tour in a cloak Following folklore and evermore, Swift released Midnights, a continued commentary on the light versus dark motif representing “thirteen sleepless nights” across Swift’s life. The next references to wolves don’t come until The Tortured Poets Department. There are two, both on songs that (I believe) describe an identity crisis and struggle: “Guilty as Sin?” and “The Prophecy” as well as the indirect reference in “Who’s Afraid of Little Old Me?” that started me down this rabbit hole. As noted above, these songs also reference cages and being trapped. She (still) dreams of throwing her life to the wolvesThe Tortured Poets Department plays with dark and light, a frequent motif in Swift’s discography. While the standard version of the album is represented by white with a relaxed image of Swift’s body literally laid back with a notable ray of sunlight over it, The Anthology is near-black and pictures Swift holding her head in anguish.Both versions of The Tortured Poets Department official album artwork, representing light versus dark Swift mentioned that Tortured Poets was written about the “last two years” of her life, and I feel this has been mischaracterized and reduced to focus only on the highly public elements of her love life. Swift likely spent those two years deep in her rerecording process for all four albums following Fearless (Taylor’s Version) and Red (Taylor’s Version). During this two-year timespan, we can assume Swift likely recorded Speak Now (Taylor’s Version) and 1989 (Taylor’s Version) in addition to their releases, and it is likely that Swift has already recorded reputation (Taylor’s Version) and Taylor Swift (Taylor’s Version) in the same timeframe. For Swift to say that Tortured Poets represents "the end of this chapter of the author’s life" most likely signifies a closing door on a period of deep retrospective. I believe this is the crux of Tortured Poets entirely. I find it probable, not just possible, that much of Tortured Poets references this process and Swift’s experience and feelings unearthing and rerecording these albums. In revisiting those “eras” (or times in her actual life as a human being), I imagine the process to be quite painful. For anyone, revisiting diary entries (or souvenirs as Swift calls them in “The Manuscript”) from painful times in one’s life would be difficult enough, but to rerecord music that may have been so painful for entertainment purposes must be another beast altogether, especially after being essentially forced into the retrospective after her album catalog was stolen from her, or potentially viewing the music you wrote at the time differently through the lens of new perspective… Just, ouch. As an aside, with both Midnights and Tortured Poets, Swift seems to be making the “paternity testing” she discusses on reputation of her music more difficult, ascribing the periods of the album-writing to broader swaths of time over her life that weave further into her past, perhaps (and likely) referencing more than her love life or what the public knows. I believe “Guilty as Sin?” refers to the “Out of the Woods” music video. Swift runs from the wolves to save herself, and there’s even a point when Swift jumps off a snowy cliff into the ocean, and it seems Swift dreams about this moment in “Guilty as Sin?” and perhaps the song was even inspired by the 1989 rerecording process. My boredom's bone deepWe see the same imagery—Swift seemingly drowning in the ocean—on The Eras Tour during “my tears ricochet,” reminiscent of the “Out of the Woods” imagery. Swift sings MTR right after “illicit affairs,” a song in which Swift tells her muse she would “ruin [herself] a million little times” to be with them, the same phenomenon Swift has been singing about since at least 1989. Swift also sings about her “stolen lullabies” during “my tears ricochet,” tying the song to at least the events that triggered the rerecording process. Image from live performance of “my tears ricochet” from The Eras Tour (2023) where Swift can be seen falling deeply into the ocean (and potentially not trying to swim or save herself) Still image from the “Out of the Woods” music video where Swift nearly drowns before finding herself spit out back on the beach Potentially also notably, the lyric video for “Is It Over Now?” from 1989 even features sheets swirling like the ocean does in the MTR tour visuals. Image from live performance of “my tears ricochet” from The Eras Tour (2023) Still image from the “Is It Over Now? (From The Vault)” lyric video This is notable because during the acoustic set of The Eras Tour, Swift has performed a mashup of “Out of the Woods” and “Is It Over Now?” from 1989 (Taylor’s Version). At the time of writing this post, Swift has sung the mashup twice on her tour, once in Argentina on November 11th—or 11/11, a callback to the doubles and duality concept—and once in Paris on May 10th (which also happened to be the second night of the Paris tour stop, and 10 is a double of 5, for those keeping track at home). Quick, semi-wolf-related tangentSo we’ve established that OOTW and IION? are connected, and I found yet another song that seems to be referencing the same moment in time as OOTW: “But Daddy I Love Him.” In both songs, Swift and her muse experience “the heat” or a backlash against their relationship, then find a seemingly happy ending: In BDILH, Swift’s parents “came around” to accept the relationship, and in OOTW, the monsters were just trees.https://preview.redd.it/9avqekl0xv0d1.png?width=2144&format=png&auto=webp&s=3b5f9d232050387ddd7723936568203b6171122b Linking these three songs, I find it interesting that Swift sings, “But fuck it, it’s over” during BDILH, perhaps an answer to the final track of 1989 (Taylor’s Version) that begs, “Is it over now?” repeatedly. That’s not where the similarities end, either. There are also two references to the phrase “good name” in Tortured Poets. Merriam-Webster defines a “good name” as a person’s good reputation. This leads me to believe these songs, namely “Who’s Afraid of Little Old Me?” (wolf reference) and “But Daddy I Love Him” directly reference reputation and the scandals that marked the start of the reputation era and what the Lover era tried (yet failed again) to accomplish. https://preview.redd.it/up1tjgc7xv0d1.png?width=1970&format=png&auto=webp&s=963e0bac1f837ff6f9f845bf789dcae75f021b5f As a side note, her “good name” could also be a double entendre nod to Swift’s other upcoming rerecorded album, Taylor Swift (Taylor’s Version), in a very meta sense of the phrase, which would represent a country album that would likely be less well-received coming from an openly queer artist. Back to the wolvesThe last time Swift mentions wolves is in “The Prophecy,” a song from The Anthology version of Tortured Poets, comparing herself to a wolf howling.A greater woman stays coolSwift fights against fate, howling at the moon. The coven and sorceress’ table call back to the cloaks and daggers Swift threw out in “Daylight,” signaling that she has found herself yet again in the darkness or night which, of course, is the only time the moon would be visible to howl at. As an aside, this is not dissimilar from the picture she paints of herself in “seven” from folklore, screaming “ferociously anytime [she] wanted,” another song tied to 1989 via The Eras Tour in which Swift had previously (and has now removed) a “seven” x “Wildest Dreams” spoken interlude (or poem!) before the folklore set, further linking the two albums with the woods and darkness motifs, as well as the concept of “wildness” in both songs. Overall, “The Prophecy” seems to describe the version of Swift we see in the “Out of the Woods” music video before she reaches acceptance. Swift is constantly battling against natural elements and forces, fighting back against her true and fated self or the path she finds herself on. There is, however, still a happy ending. The wolves eventually reach the end of the woods together. The heat dies down, the monsters are just trees, and the parents come around. What “The Prophecy” represents are the moments when that journey through the woods seems neverending, not necessarily Swift's current feelings about her life. It’s (almost) overWhen discussing her short film for “All Too Well (Taylor’s Version),” Swift talks about how she would have been unable to create this kind of art without the perspective she’s gained in the years since. The fictionalized version of Swift in Tavi Gevinson’s “Fan Fiction” also comments on the “Taylor’s Version” element of the rerecording, which I find to be an apt description of what it must be like to create and have others consume the art in this context—that listeners should be made to feel uncomfortable with the added context that has come from the retrospective wisdom of the artist in hindsight.In it, Swift says: Her unrealistic expectations should only emphasize the gulf between their experiences. Her capacity for remembering, compared to his, is a symptom of youth. And her need for control, to tell the story, might also be seen as a trauma response. The line “The idea you had of me—who was she?” indicates that he was the first to dehumanize-by-idealizing. It should be unsettling to relisten to the 2012 version with the understanding that they had been living in his fantasy.(Don't even get me started on "Fan Fiction." Or do. Maybe it'll be fun.) In summary, my theory is this: Inserting Tortured Poets between the sequential release of 1989 (Taylor’s Version) and reputation (Taylor’s Version) serves as the necessary lens and context to properly read reputation for what it is and what it represents to Taylor Swift. Not only is Tortured Poets a commentary on fame, identity, and this highly vulnerable process and moment she finds herself in, but the lens through which all her rerecordings must be listened to through. |
2024.05.17 01:11 ProgressMobile6494 Can Anyone Really Be A Writer
2024.05.17 01:10 Nosferatini Chattering Order - Nosferatini Cold Reads
A Collection of SHORT Cold Read Podficlets. These were each recorded as they were read for the first time — no pauses, no do-overs, no edits other than to add music to the beginning. submitted by Nosferatini to GoodOmensAfterDark [link] [comments] I am assured by the authors that they enjoyed them anyway, I hope you do too! All podficlets are under 5 minutes. Read the tags on AO3! Marked by an Angel — written by u/ckocek Waking up to You — written by u/mellow_cello_charm (Poem to Crowley) Five Senses — written by u/flomacaroon Entr’acte — written by u/DoonaRose Many thanks to the lovely Guild Goblins who offered up their goodies for me to pod 🖤🥰 |
2024.05.17 00:29 FORESTMAN100 Ai generated poetry.
submitted by FORESTMAN100 to NoRules [link] [comments] |
2024.05.16 23:18 TotoLaBolsaDePan I am looking for people who want to participate in an independent fanzine
2024.05.16 23:18 TotoLaBolsaDePan I am looking for people who want to participate in an independent fanzine
2024.05.16 23:16 TotoLaBolsaDePan I am looking for people who want to participate in an independent fanzine
2024.05.16 20:39 Ill-Range-4954 Hsin Hsin Ming: On trust in the Heart (by Seng-ts'an)
The Perfect Way is only difficult for those who pick and choose; Do not like, do not dislike; all will then be clear. Make a hairbreadth difference, and Heaven and Earth are set apart; If you want the truth to stand clear before you, never be for or against. The struggle between "for" and "against" is the mind's worst disease; While the deep meaning is misunderstood, it is useless to meditate on Rest. It [the Buddha-nature] is blank and featureless as space; it has no "too little" or "too much;" Only because we take and reject does it seem to us not to be so.If you support and objectify something outside yourself, that is already a preference. And then you will reject any view that denies your view of truth. However if you do not have such an object to look towards, what will you do? What would it look like not to fight against another view?
Do not chase after Entanglements as though they were real things, Do not try to drive pain away by pretending that it is not real; Pain, if you seek serenity in Oneness, will vanish of its own accord. Stop all movement in order to get rest, and rest will itself be restless; Linger over either extreme, and Oneness is for ever lost. Those who cannot attain to Oneness in either case will fail: To banish Reality is to sink deeper into the Real; Allegiance to the Void implies denial of its voidness.There is no use to clean your glasses with your own fingers, it will only smudge them more. By trying to fabricate states or change your current state hoping to have a nicer experience, you will only get further estranged from yourself. By reacting to emotions, you will create even more emotions. Why force rest or peace? Why prefer something more real? How can something other than this experience be more real?
The more you talk about It, the more you think about It, the further from It you go; Stop talking, stop thinking, and there is nothing you will not understand. Return to the Root and you will find the Meaning; Pursue the Light, and you will lose its source, Look inward, and in a flash you will conquer the Apparent and the Void. For the whirligigs of Apparent and Void all come from mistaken views;This reminds of the monk who got to go on a walk with his master and they watched the sunset together. At one point the monk could not help himself and said "How beautiful!". His master never allowed him to go on a walk with him. Of course, this is an extreme case, but by expressing / looking for the beauty in words, it is no longer the same beauty. It is, as if, examined by one and no longer of-itself.
There is no need to seek Truth; only stop having views. Do not accept either position [Assertion and Negation], examine it or pursue it; At the least thought of "Is" and "Isn't" there is chaos and the Mind is lost. Though the two exist because of the One, do not cling to the One; Only when no thought arises are the Dharmas without blame. No blame, no Dharmas; no arising, not thought.From the One Mind are born "this" or "that". It can flower in any direction, but don't consider it your own and see it as an arbitrary view.
The doer vanishes along with the deed, The deed disappears when the doer is annihilated. The deed has no function apart from the doer; The doer has no function apart from the deed. The ultimate Truth about both Extremes is that they are One Void. In that One Void the two are not distinguished; Each contains complete within itself the Ten Thousand Forms.One void, not two, not me, not you. So tell me, who knows more than others? Who has views that others don't see? Who argues with another?
Only if we boggle over fine and coarse are we tempted to take sides. In its essence the Great Way is all embracing; It is as wrong to call it easy as to call it hard. Partial views are irresolute and insecure, Now at a gallop, now lagging in the rear. Clinging to this or to that beyond measure The heart trusts to bypaths that lead it astray. Let things take their own course; know that the Essence will neither go nor stay; Let your nature blend with the Way and wander in it free from care.Only a fool would try to put a nail in the sky. What is subtle and what is surface understanding? There is a point where they no longer mean anything separately. What then? When things are seen for what they are, as appearances in the One Mind, all boundaries begin to crumble. In nature some branches grow short, some long, all is the body of Buddha.
Thoughts that are fettered turn from Truth, Sink into the unwise habit of "not liking." "Not liking" brings weariness of spirit; estrangements serve no purpose. If you want to follow the doctrine of the One, do not rage against the World of the Senses. Only by accepting the World of the Senses can you share in the True Perception. Those who know most, do least; folly ties its own bonds. In the Dharma there are no separate dharmas, only the foolish cleave To their own preferences and attachments.Don't sit in your meditation or emptiness and reject everything. Don't sit with your Zen texts and reject what is not in your Zen texts. There is One Dharma and it manifests as all. Estrange yourself from your perceptions and senses and you will estrange yourself from the One Dharma.
To use Thought to devise thoughts, what more misguided than this? Ignorance creates Rest and Unrest; Wisdom neither loves nor hates. All that belongs to the Two Extremes is inference falsely drawn- A dream-phantom, a flower in the air. Why strive to grasp it in the hand? "Is" and "Isn't," gain and loss banish once for all: If the eyes do not close in sleep there can be no evil dreams; If the mind makes no distinctions all Dharmas become one.I see this as river, it does not look for the best course, it just flows into the best course. It does not blame rocks for being in the way, it just goes over them. What do you blame? What is it that you want to accomplish and what is it that stands in your way?
Let the One with its mystery blot out all memory of complications. Let the thought of the Dharmas as All-One bring you to the So-in-itself. Thus their origin is forgotten and nothing is left to make us pit one against the other. Regard motion as though it were stationary, and what becomes of motion? Treat the stationary as though it moved, and that disposes of the stationary. Both these having thus been disposed of, what becomes of the One?When you wake up from a dream in the morning, it instantly becomes unreal. In the same way, when all subjective complications are forgotten once and for all, the only flow of existence is revealed to have never ceased. Eternally This, ever flowing.
At the ultimate point, beyond which you can go no further, You get to where there are no rules, no standards, To where thought can accept Impartiality, To where effect of action ceases, Doubt is washed away, belief has no obstacle. Nothing is left over, nothing remembered; Space is bright, but self-illumined; no power of mind is exerted. Nor indeed could mere thought bring us to such a place. Nor could sense or feeling comprehend it. It is the Truly-so, the Transcendent Sphere, where there is neither He nor I.Thusness is the place of non-abiding. No one does the non-abiding so we can say that it happens of itself. This is the freedom that is sought after through endless kalpas of thoughts and emotions. Who would have thought that even thoughts and emotions are of themselves, part of it.
For swift converse with this sphere use the concept "Not Two;" In the "Not Two" are no separate things, yet all things are included. The wise throughout the Ten Quarters have had access to this Primal Truth; For it is not a thing with extension in Time or Space; A moment and an aeon for it are one. Whether we see it for fail to see it, it is manifest always and everywhere. The very small is as the very large when boundaries are forgotten; The very large is as the very small when its outlines are not seen.
To see a World in a Grain of Sand And a Heaven in a Wild Flower, Hold Infinity in the palm of your hand And Eternity in an hour.On the futility of words and trusting the Heart.
Being is an aspect of Non-being; Non-being is an aspect of Being. In climes of thought where it is not so the mind does ill to dwell. The One is none other than the All, the All none other than the One. Take your stand on this, and the rest will follow of its own accord; To trust in the Heart is the Not Two, the Not Two is to trust in the Heart. I have spoken, but in vain; for what can words tell Of things that have no yesterday, tomorrow or today?Here we meet the paradox of being and non being, of using words to describe the word-less. What does it really mean to trust the Heart? We cannot convey that in any direct way using language. To be honest, we cannot convey much directly using language. Seeing things as not two, or not separate is to have trust in the Heart, or to put it in another way, not closing yourself off via intellectual analysis or emotional reactions is to have trust in the Heart. What is your take on all of this?
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2024.05.16 16:15 Ur_Anemone ‘Tradwife’ Content Isn’t Really for Women. It’s for Men Who Want Submissive Wives.
…For the uninitiated, “A tradwife (short for traditional wife) is a woman,” typically a conservative Christian, “who prefers to take a traditional or ultratraditional role in marriage, including the belief that a woman’s place is in the home,” according to one of the genre’s more popular creators. These conventionally pretty influencers depict themselves cooking elaborate meals, tending to their children and doing housework. Their posts sometimes come with florid captions about the joy and freedom that come from submitting to their husbands, because biblical submission doesn’t connote inferiority. They tend to dress either in 1950s cosplay or barefoot in gauzy, long dresses. submitted by Ur_Anemone to afterAWDTSG [link] [comments] The whole discussion can be a trap because the content itself is meant to be a heightened provocation — some tradwife creators post things that they label as triggering opinions and then say they get so much hate for being stay-at-home moms. But they rely on that dissonance in order to create more engagement (which leads to more clicks and more money). These posts have a way of painting feminists as haters who resist their true nature and casting career women in opposition to women who don’t work for pay. The reality is that stay-at-home moms and working moms are frequently just the same people at different points in their lives and that content creation is a paying job: My favorite example of this is the tradwife pitching a $5,900 set of courses on how to be a tradwife. Further, there are tons of reasons any parent might opt to stay home that don’t require buying into tradwife values: Work isn’t always satisfying or well paid, some people want to spend a majority of their time with their kids, and child care is so expensive that it can push a lower-earning parent out of the labor market, to name a few. And as an avowed lover of #cleantok, I have no problem with content about household tasks, but that’s separate from what the tradwives are often cynically pushing. When people criticize the way tradwives troll, they’re very likely to respond that their detractors simply don’t value the hard work of raising children and running a household — when many of their critics value that work tremendously and do it themselves. That said, I’m not particularly concerned that young women watching TikTok are going to be so influenced by this content that they’ll start fleeing the secular world en masse to submit to their husbands, live on farms and bake aesthetic pies. That’s because young women are increasingly rejecting this specific kind of domestic arrangement. According to a November 2023 survey from the Survey Center on American Life at the American Enterprise Institute, 61 percent of Gen Z women said they considered themselves feminists, the highest percentage of any generation. And as the Survey Center’s Daniel A. Cox and Kelsey Eyre Hammond explained in April, “Young women are leaving church in unprecedented numbers,” partly because they “are more concerned about the unequal treatment of women in American society and are more suspicious of institutions that uphold traditional social arrangements.” Women are outpacing men in terms of college graduation rates, and prime-age women’s labor force participation is even greater than it was before the Covid pandemic. Still, some tradwife creators appear to be popular if you look at their follower counts, and they certainly generate a lot of chatter. But I often think: Who is this content really for? Sure, some portion of their followers are probably like-minded women, but a new study from Media Matters made me wonder if the tradwife’s main audience is actually right-leaning men: Media Matters coded and analyzed 327 recommended videos after exclusively interacting with tradwife content and documented what happened. We found TikTok’s recommendation algorithm rapidly populated our F.Y.P. [For You page] with conspiracy theory content and fearmongering, which made up nearly one-third of all videos served to the F.Y.P. After interaction with tradwives, the study found, TikTok’s recommendation algorithm also served up “19 videos featuring extremist right-wing media figures,” such as Alex Jones and Nick Fuentes. (A related idea, put forth by the journalist and internet commentator Max Read in a story by my friend Kathryn Jezer-Morton in The Cut, is that tradwife content is actually for men with something of a Donna Reed fetish: “Maybe it’s a different version of the e-girl phenomenon or the OnlyFans phenomenon. To the extent that I would worry about anything in the future, instead of creating a mass of tradwife women, it feels a lot like you’ll get one or two very famous ones, and a mass of simping male followers.”)… Writing for UnHerd, Mary Harrington recently profiled Lauren Southern, a former right-wing influencer who left her husband and now describes her ultratraditional marriage as abusive. Harrington also spoke to another ex-tradwife, who said that “the men who self-select into these communities are often ‘wayward, antisocial, disagreeable and very, very misogynistic.’” If there’s anyone to worry about watching and absorbing tradwife content to the letter, I suspect that it’s these men. There are too many stories about fathers and husbands who abuse the power they have over their families and too many stories about the wives and children who flee their coercive control. Instead of continuing to talk about tradwives on TikTok or other social media outlets, even to debunk their limited appeal, we should spend more time elevating the stories of the people who made it out of these circumstances. Unlike the manicured, well-lit vision of idealized submission, stories like West’s have no filter. |
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