Short hater poems

Stories, short stories, poems, and other.

2018.11.03 22:18 SirLemoncakes Stories, short stories, poems, and other.

Welcome to /SirLemoncakes! I appreciate you taking your valuable time to read my writing.
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2012.11.29 07:47 genericusername27 bloodcurdling poems and short stories

Submit your horrifyingly grotesque short stories and poems evil intellectuals.
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2020.03.04 05:15 bhplover schnoodlesdoodles

This community is for posting and praising the short and cute poems written by u/SchnoodleDoodleDo. Enjoy posting and surfing and please stick by the rules. Have your own short poem? Use the OC(Original content) flair given with other flairs.
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2024.05.17 12:02 winningwriters [TWO-WEEK NOTICE] [POETRY] [SHORT PROSE] May 31, 2024: Moving Words (No fee; awards film adaptation)

Contest summary from Winning Writers:
Moving Words, a project of ARTS by the People, seeks submissions of unpublished poems and short prose that can be adapted into short films. Editors say, "Our goal is to empower and inspire writers of all ages to tap into their inner creativity and think in terms of visual imagery as well as written word...we are looking for pieces that harness energy through image and metaphor, as well as the musicality of language, since the finished project will be produced as a film with an oral component." They will choose 8 pieces from this submission period to be workshopped and transformed into an audiovisual piece. Accepted participants must be available for Zoom, email, or in-person discussions with their film collaborators. Send one piece that would be under 2 minutes when read aloud, plus a short bio.
Contest details
Guidelines and submission information (organization's contest page)
This contest has been vetted and approved by Winning Writers
submitted by winningwriters to literarycontests [link] [comments]


2024.05.17 11:10 GreedyPersonality390 Best Powerful Ayat E Karima Wazifa for Marriage

Best Powerful Ayat E Karima Wazifa for Marriage
Ayat E Karima Wazifa for Marriage
Now I am writing article about Ayat E Karima Wazifa for Marriage I hope readers like this article.
Husband and wife choosing the dress by using songs. This process is described in the first verse of the nasheeds.
With wedding being among the very big occasions happened in the course of an individual`s life, it is like any other memorable event. However, some may prefer the delay in searching for “the one” of their lives to some things in life being either congruous or contradictory. It is then that Ha’aq!iya us voryaamu aba ungaana waafate brings upon the determining Ayat.
A holy Ayat e Karima verse from the Quran is what eases the souls and softens our hearts during the real time.
It is usually referring to Verse 36 of Surat Yaseen in the glorious Quran. It is the most beautiful fruits from The Lord who is kind and wise. He created, provided, and also the one who makes the counting.
Thus, What is Worthiness Oaths Doing
This is the religious plan in the Muslim societies which is related to Allah and also which asks for the blessings of Allah for the perfect life partner. It has proved to be one of the more effective wazifa informally helping out with the number of marriages including both men and women. Here is how it works:Here's the working:
  • The repetition is the focal point of the poem, with each line to be said 125,000 times and all over the 40 days. On the other hand, this phase calls for the equal number of times of repeating given mantra from 3,000 to 4,000 times daily in exact words daily without missing a day. According to the wazifa, the needs is the need to be practiced on a regular basis with full effort ad sincere focus of attention.
  • On this particular day, it is hoped for the concentration to be doubled in power by ‘granting nabi (saw) blessings’. This way, a good effect of the wazifa is multiplied.
  • Actually, completing even one amal in addition each day while in between prayers is what is important. The most beneficial aspect of Ramadan for me is the atmosphere after the early morning (Fajr) and Sunset (Maghrib) prayers.
  • When there is every single application, it should be made in a genuine seeking from God to give you God's blessings which shall be a new partner in life. Never waiver nor stray from the message and continue to have a great self-confidence.
  • Forty wazifa purpose is to fulfill you by all means, InshaAllah and manage to extend Allah’s blessings with this wazifa after forty days a life’s partner is destined by Allah if it’s quit for your good. God will seize this development for it to give birth to the best idea possible according to His inspiration.
Ayat E Karima Wazifa for Marriage, The awards have both up-to-sees as well as down-sides, but there is a need for improvement of the awards system for fairness.
If someone was to read our wazifa and meditate on these verses, we are confident he/she would gain an equal benefit. Some of its main benefits are:One main reason why this is a helpful strategy is that it:
  • Supports advancing rights of women and brings about renovations in those roads that hinder their access to marriage.
  • Whether rich or poor, it is necessary to be true and pair well with the kindred.
  • Leads to an increase in school attendance rates and advocates for an early marriage therefore.
  • This Vikariya of blood relatives and acquaintances—even haters—taking much delight and crowing at the couple’s soaring popularity is a source of joy for the new married couple.
  • Keeps its function in regards to looking for adequate mates.
  • Makes the understanding of customers and their motives clear that will help to succeed in matchmaking.
  • It is most likely that we, the family members in our culture, link up before marriages.
Generally speaking, this exercise of asking Allah to clarify the marital standing of the du'a and the prayer they are intending address any obstacles that stand in the way of one ultimately receiving Allah's mercy and blessings.
The issue to keep in mind concerning social media is that there is a variety of possibilities to promoter products, but we should be able to implement it well.
Article Subject : Ayat E Karima Wazifa for Marriage
To gain optimum results from the ayat e karima wazifa, it is crucial to follow some etiquettes:Adhering a few etiquettes provides a much powerful effects for ayat e karima. Hence, you need to follow this to maximize the outcome.
  • Qīyām as you are reciting with a clean body and dropped souls shall give yourself one of the biggest services.
  • Have your back to the qibla side.
  • Say it again, slowly out loud, and you’ll muster the right sounds.
  • The sentence shouldn't just be something you're trying to comprehend. It should completely capture your attention and immerse you in its meaning.
  • During the prayer of Tahley. wish upon Allah's prophet every time you do your repetition and finish the whole prayer.
  • The most important thing in production is avoiding the breaks in continuity so be always attentive to this.
  • Two start of each set, pray around for your hoped marriage between them.
  • I will complete the task by uttering astaghfaar and additional prayers because of giving a reflection on those moral outcomes.
  • Be fasting on the 40th and don't indulge in wrongdoing.
    Now, a well thought-out plan would be put in place as explained, as well, and insha`Allah, the outcomes would display themselves within a few months with marriage proposals occurring at all directions in abundance.
Conclusion About Ayat E Karima Wazifa for Marriage
While there is another fatwa (opinion) in which the conclusion is the opposite, this ayah (ayah karima amazaja) can be viewed as a final promise to those who dream of getting married but there are hindrances. The fairy tale stands out in that the magic it brought out in the ability to foretell their destiny helped people to prevail over the hardship and the love that finally came into their lives which is nothing short of a soulmate duo.
Authenticity which ensured in the continuous emulation shows the reason behind some great results at the end.
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submitted by GreedyPersonality390 to u/GreedyPersonality390 [link] [comments]


2024.05.17 10:41 Careless_Honey6358 [HELP] Looking for this poem/short story

Awhile ago my sophomore literature teacher read a poem to the class and i quite literally cant find it anywhere. I have asked her and she says she doesn't remember. It was about a person talking about their life, the key lines i can remember are "i have been very happy lately" , "my lover will return from the store with bags of vegetables", and near the end "everyone will die alone." The entire poem had a feel of "i know this happiness wont last, but I'm taking it as it goes" This is very long winded, I'm sorry, I've searched everywhere. My last ditch effort.
submitted by Careless_Honey6358 to Poetry [link] [comments]


2024.05.17 08:14 Phil252525 Celtics Playoffs Cakewalk

Sorry for my english. I am from Europe.
Short Question: Everywhere i read that our Playoff run ist the easiest ever. But what was the Run from the Nuggets Last year? They played the 8. Seed Minnesota (Far away from the good Team they are now). Then the suns. Not the scariest Team. And the Last years Lakers, also Not that good. And than the banged Up heat. Thats Not impressive at all.
What do you think?
At the end i Hope we get the Title No Matter what all the haters say. 🍀
submitted by Phil252525 to bostonceltics [link] [comments]


2024.05.17 07:30 Formal_Highlight_185 Short poem - would love feedback.

Jon
You talk about the snow,
How it drifts across the road.
I wish I could see it too,
I wish I could see it too.
submitted by Formal_Highlight_185 to poetry_critics [link] [comments]


2024.05.17 06:09 PrincessJoeDirt Is it wrong for me (24F) to hate my bf (35M) dog?

Is it wrong for me to hate my partners dog
I have always been a dog lover but since meeting his dog, I have slowly become a dog hater.
Backstory — we met from our mutual love for our dogs. It was thoroughly expressed at the beginning of our relationship how much passion/love we had for our pets. Mine: long haired, female, older dog. His: short hair, male, younger dog.
This butthole of a dog; jumps on you, marks on everything, can’t walk without pulling, barks at everything, humps at dog parks, steals toys/balls, literally uses a house and a car like it’s a jungle gym, destroys all toys, whining constantly, sheds like crazy (short hair so it’s like needles), howls when you leave him for 2 mins, NO RECALL and worst of all… sleeps in the bed.
My dog: trained so well she could be a service dog and only sheds twice a year. She is SO mannered, I can’t even explain all traits she possesses. Her only “cons” she very protective (doesn’t like other dogs in her bed or touching my purse and barks 3 times when someone rings the door bell) Recently she’s been very yappie when playing fetch with over dogs.
I’m on the verge of ending this relationship out of hatred for this ballsack. I’ve expressed my need for his dog to be trained. Especially since now my dog is picking up bad habits (pulled on the leash, barking in the car, whining).
I’ve told him my rules for the house, which I don’t think are unreasonable; No dogs on the couch while eating there, no playing/scratching the couch, dogs don’t sit on top on the couch/in the pillows, No dogs under the sheets in the bed/no sleeping in the bed, dogs sleep in there own beds, certain toys are not shared, no dogs in the garden, no begging, dogs sit nicely in the backseat of the car, no jumping on people and dogs wait for permission before jumping on the bed/couch. He always agrees but NOTHING changes!!!
His dog is not stupid, it has so much potential to be an amazing dog. I’m showing him how to train it, but he’s not consistent to see a difference.
This issue is, he think his dog has no faults. The dog will be humping another dogs and he laughs! Like wtf go get your dog. He’s dog will sneeze, he like ”I think my dog is sick” but if I hurt myself he like “oh are you okay”. He doesn’t think his dogs sheds but it’s EVERYWHERE. We have been dating for 2 years and his dog is still his background on his phone….
I’m over not being his top priority and I’ve expressed that but I don’t think it will change. I want to grow together but I think this dog will always come before me.
The WORST OF WORST, he want to breed this horrible creature and have another one of its puppy’s. I will not! I don’t believe in having the same dog breed more than once and I definitely don’t believe in having a dog that is unruly/doesn’t work for your lifestyle.
AITAH for having this hate or is this normal?
submitted by PrincessJoeDirt to u/PrincessJoeDirt [link] [comments]


2024.05.17 05:26 Impossible_Pain_2701 LIVE 5/16 recap

From where I joined
•Kids are resilient. They miss their dad tho
•DSS helped how to properly explain to her kids in an age appropriate way why they can’t see or speak to their father so “they’re not confused”
•getting nervous about “her Reddit people” being in the chat. Because they’ll screenshot and recap and everything
Well you should be because here we are, bitch :)
•Gets really upset about having to watch what she says and does because the Reddit haters are watching
What are you so mad/nervous about, Joni? You mean you’d be even worse/more negligent/exploitative if you knew we weren’t archiving it?
•some people in her and Ryan’s close circle are very frustrated about Joni’s TikToks
•Joni explains that she is so chronically online that to her “taking a break” means maybe one to two videos a day or one live a day because she wants to stay in the algorithm at all costs.
•Joni asks the chat if they ever get a loose piece of skin on the side of their fingernail
It’s called a cuticle, moron. This woman is a paramedic and she thinks cuticles are an original experience. Horrifying.
•Joni explains that she has always been naive and could never conceptualize anyone wanting to hurt hemean her harm
•Smugly refuses to divulge how much she makes on TikTok. Admits she makes commission from the crap she shills
•She wonders if we’ve ever wondered if when our kids make a vocalization is really just a word they’re saying in Russian or Chinese
Uhh no
•It’s too tumultuous for Cash to do a week on week off schedule with Jerry. She proposed to him a schedule where she had Monday thru Thursday and he got every weekend in the summer.
•She thinks if Jerry wants to post and share things that essentially exploit her kids in the same way she does it is fine because she does that too. Her problem is she doesn’t like his body language and attitude and comments he makes that are slights against her
•She doesn’t want him to have a public space to vilify her. Her children will be grown and see this one day
•proceedes to talk about Cash pooping in the public pool every time they take him
Good thing nobody will be able to see that in a few years time right??
•The first time it happened they weren’t sure it was Cash because it was just poop floating in the pool and there were also a lot of other babies there
•The next time it happened she saw him open the back of his swim trunks and squeeze out a turd. She laughs about this
•The 3rd time it happened she saw him pull his shorts down. The pool had to be evacuated due to the floating turd and they told Joni if it happens again you have to pay to have it cleaned so they stopped going after that
•Cash also poops in the tub if he takes a bath. Joni said that was always normal for them
Holy smokes imagine what she’d say if those evil Reddit people weren’t watching
•The priority is that Cash uses the bathroom and not where. Pick your battles ya’ll
•Her intent behind the very first posts with Cash beating her up was not to go viral but to share and..ya know
•Starts talking about Jesus
Keep his name out of your mouth, Joni.
•Said Jerry was against Cash being in a facility. Then says yes and no
•She said her and Ryan’s ex have been friends off and on for years and years and years. Joni texted her “when did we become enemies again because I did not get that memo”
•Says Cash has been her easiest child to raise
•People are hateful because they have something with in themselves to be healed or dealt with
•Cash’s aggression in school was so bad that word spread around the whole town to watch out for him and this hurts Joni.
K that’s not idol gossip though I think that falls into the category of wanting to prevent a tragedy because you know Joni’s dumbass sure as hell won’t
•She wants Cash do live independently
•live freezes and ends
Good to see she’s still a delusional piece of shit.
submitted by Impossible_Pain_2701 to autism_mom_lifeSNARK [link] [comments]


2024.05.17 03:28 throw_ra878 Tortured Poets—and wolves?—take us from 1989 TV to reputation TV

Tortured Poets—and wolves?—take us from 1989 TV to reputation TV
Amid all my attempts to tie The Tortured Poets Department to literature, poems, and the rest of Taylor Swift’s discography, I missed one of the most obvious references possible. With the song “Who’s Afraid of Little Old Me?” as a play on titles of other works—namely, “Who’s Afraid of the Big Bad Wolf?” and Who’s Afraid of Virginia Woolf?Taylor Swift is calling herself a wolf.
If Taylor Swift is calling herself a wolf, and that wolf is a dangerous force to be reckoned with, I wondered where else in her filmography or discography Swift has referenced or even identified with wolves, so I set out to see if there is a common (queer) thread tying it together.
Swift directly references wolves just three times in her lyrical discography: “Daylight” from Lover and “Guilty as Sin?” and “The Prophecy” from The Tortured Poets Department, plus the indirect reference in the “Who’s Afraid of Little Old Me?” song title, also from Tortured Poets. However, the first time we meet wolves in Swift’s catalog is in the “Out of the Woods” music video from 1989, where our rabbit hole begins.
My thesis: Tortured Poets is the mourning warning for what’s to come on reputation (Taylor's Version), and this is tied together by wolves and light versus dark imagery being threaded from 1989 (Taylor’s Version) through Tortured Poets, in addition to the scenery of the woods, underwater, and the beach. All of this is ultimately leading us out of the woods and into the daylight to fully understand reputation (Taylor's Version) through the lens of Tortured Poets.

Are we out of the woods yet?

We first see wolves in the “Out of the Woods” music video. A pack of snarling wolves is chasing Swift through a dark forest, even shredding her evening gown (hello, "The Alcott") trying to attack her. Once she emerges from the woods, Swift and the wolves run through a snowy landscape, but it becomes unclear whether Swift is running from or with the wolves. By the end of the music video, Swift and the wolves appear to coexist.
Taylor Swift in the \"Out of the Woods\" music video
Swift re-released 1989 in 2023, and the lyric video for “Out of the Woods (Taylor’s Version)” shows the exact tour visuals from the 1989 World Tour. The visuals show two wolves running through the dark forest along a body of water that shows their reflections. There are multiple “twos” throughout the lyric video (which have been flashed incessantly during the Tortured Poets era) but there are a few other notable things. First, the wolves appear to be ghosts or phantoms, transparent and glowing only in the moonlight. Second, the two wolves emerge from the forest together, then leap from the cliff and turn to dust as the song ends.
For reference for anyone who wants to watch all of these:
The duality of the wolves is significant, but the idea of Swift being one of the wolves works nicely when you realize Swift is one of the wolves in the original music video. I interpret the video's message as one only being able to find peace in acceptance, not desertion of, their true selves. The dark versus light motif comes up often in Swift’s discography, and we see it here as Swift coexists with the wolves as one of them in the light. The lyrics speak to the juxtaposition of Swift and the muse as being “in screaming color” versus “the rest of the world [as] black and white.”
Swift “finds herself” on a sunny beach. The version of Swift that has braved and endured the trials and tribulations of the forest, fires, and more reunites with this version of herself. This is the last music video of the seven (! and, of course, "seven" is tied up in this theory later on) released during the original 1989 era, which leads us directly to reputation, namely, “Look What You Made Me Do.”

What did we make her do?

No, Taylor Swift doesn’t reference wolves on reputation or in the song “Look What You Made Me Do,” but reputation is tied to the symbolism of “Out of the Woods.” The LWYMMD music video opens with the version of Swift we saw at the end of OOTW picking up where we left off, except it appears Swift (or at least her reputation, as is displayed on the gravestone) is dead and buried.
Wolves typically represent the untamed, wildness, and freedom. In many adages and fables about wolves, there tends to be a duality, either with wolves versus their domesticated counterparts in dogs or good and light versus evil and dark. For Swift to run from then become a wolf signifies a desire to outrun her own identity—something wild and dangerous—only to accept it and find peace in the light. For Swift to have found this version of herself and come to accept it in OOTW only to see it buried in LWYMMD suggests the thing “we made her do” is kill off that version of herself to save her reputation. I interpret this as a dangerous element of Swift’s self, potentially queerness, being so threatening to her reputation that she was forced to bury or conceal it despite thinking she was finally “out of the woods,” grounding the plane we see Taylor saw the wings off at the end of the music video. Aligned with the Karma/lost album theory, Swift’s plans were scrapped and replaced with reputation, and the thing she sought to do—come out—forced another rebirth in LWYMMD. Swift is notably caged in LWYMMD in an orange jumpsuit reminiscent of a prisoner’s, and there is more caged imagery aligned to wolves later in Swift’s lyrics, especially in the Tortured Poets tracks tied to this theory. More on that soon.
To bring this full circle, I believe this is the reason 1989 (Taylor’s Version) is beach-themed: Swift is reclaiming the union of her two selves that she should have been able to claim post-1989 originally before the events that inspired reputation came to be.
For some more bonus content, the LWYMMD lyric video includes a typewriter that appears to be writing a manuscript for a film or play:
Screenshot from the official LWYMMD lyric video

She only saw daylight

Swift mentions wolves for the very first time in her lyrics on “Daylight,” the last track of Lover, her first owned album and what is thought to be the “coming out” album. (And, in my opinion, the aesthetic no one noticed that forced her to become a non-functioning alcoholic.)
Maybe you ran with the wolves and refused to settle down
Maybe I’ve stormed out of every room in this town
Threw out our cloaks and our daggers because it’s morning now
It’s brighter now, now
To run with the wolves is to live wildly with unbridled freedom, typically against societal norms. In psychology, there is a concept of “women who run with wolves” as women rediscovering their wild and their passions. Several reflections I found on this concept relative to queerness discuss the idea of wolfpacks and tribes, and I see this in “Daylight” as Swift focuses not only on emerging from the darkness herself but bringing someone else with her ("threw out our cloaks and our daggers"), allowing them to abandon the frustration represented by storming out of rooms or the need to run instead of standing in the light.
As we know, sadly, Swift returns to the woods in folklore and evermore after another ruining of her “best-laid plans” despite emerging from a “twenty-year dark night” and “throwing out [her cloak and dagger]” in “Daylight.” On The Eras Tour, the folklore and evermore sets take place in the forest at night under a massive moon similar to the one in the “Out of the Woods” lyric video and original tour visuals for 1989. Swift also famously wears a cloak during the “willow” performance on tour.
Taylor Swift performing \"willow\" on The Eras Tour in a cloak
Following folklore and evermore, Swift released Midnights, a continued commentary on the light versus dark motif representing “thirteen sleepless nights” across Swift’s life. The next references to wolves don’t come until The Tortured Poets Department. There are two, both on songs that (I believe) describe an identity crisis and struggle: “Guilty as Sin?” and “The Prophecy” as well as the indirect reference in “Who’s Afraid of Little Old Me?” that started me down this rabbit hole. As noted above, these songs also reference cages and being trapped.

She (still) dreams of throwing her life to the wolves

The Tortured Poets Department plays with dark and light, a frequent motif in Swift’s discography. While the standard version of the album is represented by white with a relaxed image of Swift’s body literally laid back with a notable ray of sunlight over it, The Anthology is near-black and pictures Swift holding her head in anguish.
Both versions of The Tortured Poets Department official album artwork, representing light versus dark
Swift mentioned that Tortured Poets was written about the “last two years” of her life, and I feel this has been mischaracterized and reduced to focus only on the highly public elements of her love life. Swift likely spent those two years deep in her rerecording process for all four albums following Fearless (Taylor’s Version) and Red (Taylor’s Version).
During this two-year timespan, we can assume Swift likely recorded Speak Now (Taylor’s Version) and 1989 (Taylor’s Version) in addition to their releases, and it is likely that Swift has already recorded reputation (Taylor’s Version) and Taylor Swift (Taylor’s Version) in the same timeframe.
For Swift to say that Tortured Poets represents "the end of this chapter of the author’s life" most likely signifies a closing door on a period of deep retrospective. I believe this is the crux of Tortured Poets entirely. I find it probable, not just possible, that much of Tortured Poets references this process and Swift’s experience and feelings unearthing and rerecording these albums. In revisiting those “eras” (or times in her actual life as a human being), I imagine the process to be quite painful. For anyone, revisiting diary entries (or souvenirs as Swift calls them in “The Manuscript”) from painful times in one’s life would be difficult enough, but to rerecord music that may have been so painful for entertainment purposes must be another beast altogether, especially after being essentially forced into the retrospective after her album catalog was stolen from her, or potentially viewing the music you wrote at the time differently through the lens of new perspective… Just, ouch.
As an aside, with both Midnights and Tortured Poets, Swift seems to be making the “paternity testing” she discusses on reputation of her music more difficult, ascribing the periods of the album-writing to broader swaths of time over her life that weave further into her past, perhaps (and likely) referencing more than her love life or what the public knows.
I believe “Guilty as Sin?” refers to the “Out of the Woods” music video. Swift runs from the wolves to save herself, and there’s even a point when Swift jumps off a snowy cliff into the ocean, and it seems Swift dreams about this moment in “Guilty as Sin?” and perhaps the song was even inspired by the 1989 rerecording process.
My boredom's bone deep
This cage was once just fine
Am I allowed to cry?
I dream of cracking locks
Throwing my life to the wolves
Or the ocean rocks
We see the same imagery—Swift seemingly drowning in the ocean—on The Eras Tour during “my tears ricochet,” reminiscent of the “Out of the Woods” imagery. Swift sings MTR right after “illicit affairs,” a song in which Swift tells her muse she would “ruin [herself] a million little times” to be with them, the same phenomenon Swift has been singing about since at least 1989. Swift also sings about her “stolen lullabies” during “my tears ricochet,” tying the song to at least the events that triggered the rerecording process.
Image from live performance of “my tears ricochet” from The Eras Tour (2023) where Swift can be seen falling deeply into the ocean (and potentially not trying to swim or save herself)
Still image from the “Out of the Woods” music video where Swift nearly drowns before finding herself spit out back on the beach
Potentially also notably, the lyric video for “Is It Over Now?” from 1989 even features sheets swirling like the ocean does in the MTR tour visuals.
Image from live performance of “my tears ricochet” from The Eras Tour (2023)
Still image from the “Is It Over Now? (From The Vault)” lyric video
This is notable because during the acoustic set of The Eras Tour, Swift has performed a mashup of “Out of the Woods” and “Is It Over Now?” from 1989 (Taylor’s Version). At the time of writing this post, Swift has sung the mashup twice on her tour, once in Argentina on November 11th—or 11/11, a callback to the doubles and duality concept—and once in Paris on May 10th (which also happened to be the second night of the Paris tour stop, and 10 is a double of 5, for those keeping track at home).

Quick, semi-wolf-related tangent

So we’ve established that OOTW and IION? are connected, and I found yet another song that seems to be referencing the same moment in time as OOTW: “But Daddy I Love Him.” In both songs, Swift and her muse experience “the heat” or a backlash against their relationship, then find a seemingly happy ending: In BDILH, Swift’s parents “came around” to accept the relationship, and in OOTW, the monsters were just trees.
https://preview.redd.it/9avqekl0xv0d1.png?width=2144&format=png&auto=webp&s=3b5f9d232050387ddd7723936568203b6171122b
Linking these three songs, I find it interesting that Swift sings, “But fuck it, it’s over” during BDILH, perhaps an answer to the final track of 1989 (Taylor’s Version) that begs, “Is it over now?” repeatedly.
That’s not where the similarities end, either. There are also two references to the phrase “good name” in Tortured Poets. Merriam-Webster defines a “good name” as a person’s good reputation. This leads me to believe these songs, namely “Who’s Afraid of Little Old Me?” (wolf reference) and “But Daddy I Love Him” directly reference reputation and the scandals that marked the start of the reputation era and what the Lover era tried (yet failed again) to accomplish.
https://preview.redd.it/up1tjgc7xv0d1.png?width=1970&format=png&auto=webp&s=963e0bac1f837ff6f9f845bf789dcae75f021b5f
As a side note, her “good name” could also be a double entendre nod to Swift’s other upcoming rerecorded album, Taylor Swift (Taylor’s Version), in a very meta sense of the phrase, which would represent a country album that would likely be less well-received coming from an openly queer artist.

Back to the wolves

The last time Swift mentions wolves is in “The Prophecy,” a song from The Anthology version of Tortured Poets, comparing herself to a wolf howling.
A greater woman stays cool
But I howl like a wolf at the moon
And I look unstable
Gathered with a coven round a sorceress' table
Swift fights against fate, howling at the moon. The coven and sorceress’ table call back to the cloaks and daggers Swift threw out in “Daylight,” signaling that she has found herself yet again in the darkness or night which, of course, is the only time the moon would be visible to howl at.
As an aside, this is not dissimilar from the picture she paints of herself in “seven” from folklore, screaming “ferociously anytime [she] wanted,” another song tied to 1989 via The Eras Tour in which Swift had previously (and has now removed) a “seven” x “Wildest Dreams” spoken interlude (or poem!) before the folklore set, further linking the two albums with the woods and darkness motifs, as well as the concept of “wildness” in both songs.
Overall, “The Prophecy” seems to describe the version of Swift we see in the “Out of the Woods” music video before she reaches acceptance. Swift is constantly battling against natural elements and forces, fighting back against her true and fated self or the path she finds herself on.
There is, however, still a happy ending. The wolves eventually reach the end of the woods together. The heat dies down, the monsters are just trees, and the parents come around. What “The Prophecy” represents are the moments when that journey through the woods seems neverending, not necessarily Swift's current feelings about her life.

It’s (almost) over

When discussing her short film for “All Too Well (Taylor’s Version),” Swift talks about how she would have been unable to create this kind of art without the perspective she’s gained in the years since. The fictionalized version of Swift in Tavi Gevinson’s “Fan Fiction” also comments on the “Taylor’s Version” element of the rerecording, which I find to be an apt description of what it must be like to create and have others consume the art in this context—that listeners should be made to feel uncomfortable with the added context that has come from the retrospective wisdom of the artist in hindsight.
In it, Swift says:
Her unrealistic expectations should only emphasize the gulf between their experiences. Her capacity for remembering, compared to his, is a symptom of youth. And her need for control, to tell the story, might also be seen as a trauma response. The line “The idea you had of me—who was she?” indicates that he was the first to dehumanize-by-idealizing. It should be unsettling to relisten to the 2012 version with the understanding that they had been living in his fantasy.
(Don't even get me started on "Fan Fiction." Or do. Maybe it'll be fun.)
In summary, my theory is this: Inserting Tortured Poets between the sequential release of 1989 (Taylor’s Version) and reputation (Taylor’s Version) serves as the necessary lens and context to properly read reputation for what it is and what it represents to Taylor Swift. Not only is Tortured Poets a commentary on fame, identity, and this highly vulnerable process and moment she finds herself in, but the lens through which all her rerecordings must be listened to through.
submitted by throw_ra878 to GaylorSwift [link] [comments]


2024.05.17 01:11 ProgressMobile6494 Can Anyone Really Be A Writer

I know that everyone has had to write at least one paper in their life so does that make you a writer? The short answer to that is no. There are so many aspects of writing that you need to be a good writer and you need to have your work shown, aka, being published. To some, people define the word writer as someone who writes but that does not include half of what it takes to become an actual successful writer. “I like to define a writer as someone who writes, not someone who is published for their writing per se.” (Jane Friedman, 2017) This quote is exactly what a writer is not. A writer is someone who is successful at what they do and produces material that is actually known not something your parents read, and they say it's really good and you are a talented writer. “In a recent review in The New York Times Book Review, A. G. Mojtabai said, "We are all authors. Adding here, deleting there, we people the world with our needs: with friends, lovers, ciphers, enemies, villains-and heroes" (March 3, 1985, 7) All authors, to be sure, we are more particularly narrators, historians, tale tellers."(Corder, 1985) I agree to an extent we are all authors when telling our own life story because we create it but does that make you an actual author or writer...no.
To be a writer there are different skills and traits you need to be successful. You need memory, imagination, and also just pure talent. Certain people are just born to be writers. Talent is innate, not learned. Now I think that yes people can learn to write papers for school but not for writers who are trying to make a living out of it. The amount of creativity it takes to be a writer and the dedication it takes to be a successful writer. Writing has its ups but also plenty of downs and when you are in a funk and cannot write that is your only way to make money. I am not trying my hardest to create the best essay about traditional wives and have it change people’s lives. I write because I have to I do not choose to write because I want to or because I enjoy it.
There are plenty of reasons that everyone cannot be a writer and they are all skills and traits that everyone does not have. Most great writers began at a young age, for example, George Orwells first poem was published when he was just 11 years old. Jane Austen began writing between the ages of 11 and 17 years old. Besides, starting at a young age you need lots of schooling to be able to write. A big thing about writing is to be able to create coherent and grammatically correct sentences. You also need structure to create good writing that works together makes sense and flows. Nobody wants to read something that is hard to follow. Another big part of writing is patience and some people do not have enough patience to be a writer.
submitted by ProgressMobile6494 to WritingandArgument [link] [comments]


2024.05.17 01:10 Nosferatini Chattering Order - Nosferatini Cold Reads

Chattering Order - Nosferatini Cold Reads
A Collection of SHORT Cold Read Podficlets. These were each recorded as they were read for the first time — no pauses, no do-overs, no edits other than to add music to the beginning.
I am assured by the authors that they enjoyed them anyway, I hope you do too!
All podficlets are under 5 minutes. Read the tags on AO3!
Marked by an Angel — written by u/ckocek
Waking up to You — written by u/mellow_cello_charm
(Poem to Crowley) Five Senses — written by u/flomacaroon
Entr’acte — written by u/DoonaRose
Many thanks to the lovely Guild Goblins who offered up their goodies for me to pod 🖤🥰
submitted by Nosferatini to GoodOmensAfterDark [link] [comments]


2024.05.17 00:29 FORESTMAN100 Ai generated poetry.

Ai generated poetry. submitted by FORESTMAN100 to NoRules [link] [comments]


2024.05.16 23:18 TotoLaBolsaDePan I am looking for people who want to participate in an independent fanzine

Hi, I'm rs.to, a young artist new to this world. In 2023 I started an independent fanzine called Almighty Trash, I am making new editions (4th and 5th edition), where I relate love, death, and bdsm.
I am looking for people who want to share their experiences both in the world of bdsm and in the other topics mentioned above.
My main idea is to conduct short interviews with people who have knowledge about the subject, and who want (and feel comfortable) to share their experience in this world, but I also accept proposals such as photographs, poems, writings, opinions, etc., about others topics. (All of this can be credited or anonymous)
If you are interested, you can send me the following form https://forms.gle/nR3Z56GSH1mxqJwa7, so you can send your proposals for the fanzine, or you can also write to me asap privately or on my Instagram: almighty.trash
As someone new to the world of alternative sexuality, I would still appreciate it if you had sources like movies, books, documentaries, etc. to learn more about it.
submitted by TotoLaBolsaDePan to Fanzine [link] [comments]


2024.05.16 23:18 TotoLaBolsaDePan I am looking for people who want to participate in an independent fanzine

Hi, I'm rs.to, a young artist new to this world. In 2023 I started an independent fanzine called Almighty Trash, I am making new editions (4th and 5th edition), where I relate love, death, and bdsm.
I am looking for people who want to share their experiences both in the world of bdsm and in the other topics mentioned above.
My main idea is to conduct short interviews with people who have knowledge about the subject, and who want (and feel comfortable) to share their experience in this world, but I also accept proposals such as photographs, poems, writings, opinions, etc., about others topics. (All of this can be credited or anonymous)
If you are interested, you can send me the following form https://forms.gle/nR3Z56GSH1mxqJwa7, so you can send your proposals for the fanzine, or you can also write to me asap privately or on my Instagram: almighty.trash
As someone new to the world of alternative sexuality, I would still appreciate it if you had sources like movies, books, documentaries, etc. to learn more about it.
submitted by TotoLaBolsaDePan to zines [link] [comments]


2024.05.16 23:16 TotoLaBolsaDePan I am looking for people who want to participate in an independent fanzine

Hi, I'm rs.to, a young artist new to this world. In 2023 I started an independent fanzine called Almighty Trash, I am making new editions (4th and 5th edition), where I relate love, death, and bdsm.
I am looking for people who want to share their experiences both in the world of bdsm and in the other topics mentioned above.
My main idea is to conduct short interviews with people who have knowledge about the subject, and who want (and feel comfortable) to share their experience in this world, but I also accept proposals such as photographs, poems, writings, opinions, etc., about others topics. (All of this can be credited or anonymous)
If you are interested, you can send me the following form https://forms.gle/nR3Z56GSH1mxqJwa7, so you can send your proposals for the fanzine, or you can also write to me asap privately or on my Instagram: almighty.trash
As someone new to the world of alternative sexuality, I would still appreciate it if you had sources like movies, books, documentaries, etc. to learn more about it.
submitted by TotoLaBolsaDePan to artbusiness [link] [comments]


2024.05.16 20:39 Ill-Range-4954 Hsin Hsin Ming: On trust in the Heart (by Seng-ts'an)

I was reading some texts by Foyan when he mentioned Seng-ts'an and his writings. I decided to share and comment on the whole poem which is called Hsin Hsin Ming. The poem is huge, so buckle up!
On having no preferences.
The Perfect Way is only difficult for those who pick and choose; Do not like, do not dislike; all will then be clear. Make a hairbreadth difference, and Heaven and Earth are set apart; If you want the truth to stand clear before you, never be for or against. The struggle between "for" and "against" is the mind's worst disease; While the deep meaning is misunderstood, it is useless to meditate on Rest. It [the Buddha-nature] is blank and featureless as space; it has no "too little" or "too much;" Only because we take and reject does it seem to us not to be so.
If you support and objectify something outside yourself, that is already a preference. And then you will reject any view that denies your view of truth. However if you do not have such an object to look towards, what will you do? What would it look like not to fight against another view?
On taking things as they are.
Do not chase after Entanglements as though they were real things, Do not try to drive pain away by pretending that it is not real; Pain, if you seek serenity in Oneness, will vanish of its own accord. Stop all movement in order to get rest, and rest will itself be restless; Linger over either extreme, and Oneness is for ever lost. Those who cannot attain to Oneness in either case will fail: To banish Reality is to sink deeper into the Real; Allegiance to the Void implies denial of its voidness.
There is no use to clean your glasses with your own fingers, it will only smudge them more. By trying to fabricate states or change your current state hoping to have a nicer experience, you will only get further estranged from yourself. By reacting to emotions, you will create even more emotions. Why force rest or peace? Why prefer something more real? How can something other than this experience be more real?
On intellectualization.
The more you talk about It, the more you think about It, the further from It you go; Stop talking, stop thinking, and there is nothing you will not understand. Return to the Root and you will find the Meaning; Pursue the Light, and you will lose its source, Look inward, and in a flash you will conquer the Apparent and the Void. For the whirligigs of Apparent and Void all come from mistaken views;
This reminds of the monk who got to go on a walk with his master and they watched the sunset together. At one point the monk could not help himself and said "How beautiful!". His master never allowed him to go on a walk with him. Of course, this is an extreme case, but by expressing / looking for the beauty in words, it is no longer the same beauty. It is, as if, examined by one and no longer of-itself.
On duality of "Is" and "Isn't".
There is no need to seek Truth; only stop having views. Do not accept either position [Assertion and Negation], examine it or pursue it; At the least thought of "Is" and "Isn't" there is chaos and the Mind is lost. Though the two exist because of the One, do not cling to the One; Only when no thought arises are the Dharmas without blame. No blame, no Dharmas; no arising, not thought.
From the One Mind are born "this" or "that". It can flower in any direction, but don't consider it your own and see it as an arbitrary view.
On me and you.
The doer vanishes along with the deed, The deed disappears when the doer is annihilated. The deed has no function apart from the doer; The doer has no function apart from the deed. The ultimate Truth about both Extremes is that they are One Void. In that One Void the two are not distinguished; Each contains complete within itself the Ten Thousand Forms.
One void, not two, not me, not you. So tell me, who knows more than others? Who has views that others don't see? Who argues with another?
On having no fixed path.
Only if we boggle over fine and coarse are we tempted to take sides. In its essence the Great Way is all embracing; It is as wrong to call it easy as to call it hard. Partial views are irresolute and insecure, Now at a gallop, now lagging in the rear. Clinging to this or to that beyond measure The heart trusts to bypaths that lead it astray. Let things take their own course; know that the Essence will neither go nor stay; Let your nature blend with the Way and wander in it free from care.
Only a fool would try to put a nail in the sky. What is subtle and what is surface understanding? There is a point where they no longer mean anything separately. What then? When things are seen for what they are, as appearances in the One Mind, all boundaries begin to crumble. In nature some branches grow short, some long, all is the body of Buddha.
On splitting the hair in half.
Thoughts that are fettered turn from Truth, Sink into the unwise habit of "not liking." "Not liking" brings weariness of spirit; estrangements serve no purpose. If you want to follow the doctrine of the One, do not rage against the World of the Senses. Only by accepting the World of the Senses can you share in the True Perception. Those who know most, do least; folly ties its own bonds. In the Dharma there are no separate dharmas, only the foolish cleave To their own preferences and attachments.
Don't sit in your meditation or emptiness and reject everything. Don't sit with your Zen texts and reject what is not in your Zen texts. There is One Dharma and it manifests as all. Estrange yourself from your perceptions and senses and you will estrange yourself from the One Dharma.
On no differentiation.
To use Thought to devise thoughts, what more misguided than this? Ignorance creates Rest and Unrest; Wisdom neither loves nor hates. All that belongs to the Two Extremes is inference falsely drawn- A dream-phantom, a flower in the air. Why strive to grasp it in the hand? "Is" and "Isn't," gain and loss banish once for all: If the eyes do not close in sleep there can be no evil dreams; If the mind makes no distinctions all Dharmas become one.
I see this as river, it does not look for the best course, it just flows into the best course. It does not blame rocks for being in the way, it just goes over them. What do you blame? What is it that you want to accomplish and what is it that stands in your way?
On the end of complication.
Let the One with its mystery blot out all memory of complications. Let the thought of the Dharmas as All-One bring you to the So-in-itself. Thus their origin is forgotten and nothing is left to make us pit one against the other. Regard motion as though it were stationary, and what becomes of motion? Treat the stationary as though it moved, and that disposes of the stationary. Both these having thus been disposed of, what becomes of the One?
When you wake up from a dream in the morning, it instantly becomes unreal. In the same way, when all subjective complications are forgotten once and for all, the only flow of existence is revealed to have never ceased. Eternally This, ever flowing.
On freedom.
At the ultimate point, beyond which you can go no further, You get to where there are no rules, no standards, To where thought can accept Impartiality, To where effect of action ceases, Doubt is washed away, belief has no obstacle. Nothing is left over, nothing remembered; Space is bright, but self-illumined; no power of mind is exerted. Nor indeed could mere thought bring us to such a place. Nor could sense or feeling comprehend it. It is the Truly-so, the Transcendent Sphere, where there is neither He nor I.
For swift converse with this sphere use the concept "Not Two;" In the "Not Two" are no separate things, yet all things are included. The wise throughout the Ten Quarters have had access to this Primal Truth; For it is not a thing with extension in Time or Space; A moment and an aeon for it are one. Whether we see it for fail to see it, it is manifest always and everywhere. The very small is as the very large when boundaries are forgotten; The very large is as the very small when its outlines are not seen.
Thusness is the place of non-abiding. No one does the non-abiding so we can say that it happens of itself. This is the freedom that is sought after through endless kalpas of thoughts and emotions. Who would have thought that even thoughts and emotions are of themselves, part of it.
William Blake says:
To see a World in a Grain of Sand And a Heaven in a Wild Flower, Hold Infinity in the palm of your hand And Eternity in an hour. 
On the futility of words and trusting the Heart.
Being is an aspect of Non-being; Non-being is an aspect of Being. In climes of thought where it is not so the mind does ill to dwell. The One is none other than the All, the All none other than the One. Take your stand on this, and the rest will follow of its own accord; To trust in the Heart is the Not Two, the Not Two is to trust in the Heart. I have spoken, but in vain; for what can words tell Of things that have no yesterday, tomorrow or today?
Here we meet the paradox of being and non being, of using words to describe the word-less. What does it really mean to trust the Heart? We cannot convey that in any direct way using language. To be honest, we cannot convey much directly using language. Seeing things as not two, or not separate is to have trust in the Heart, or to put it in another way, not closing yourself off via intellectual analysis or emotional reactions is to have trust in the Heart. What is your take on all of this?
submitted by Ill-Range-4954 to zen [link] [comments]


2024.05.16 20:16 LoudInterruption 1997 One Night Only PPV - HBK vs British Bulldog

Hello,
First time Reddit poster. Started watching in 1998 and wound down in 2011.
I read/hear a lot about how Shawn Michaels/HHH pulled a last minute swerve for Shawn to win the European Championship over The British Bulldog at the 1997 One Night Only PPV. The detractors say that although Shawn's excuse was that he was doing it for "heat" and to make the title mean something, he didn't really do much with it and treated it as an afterthought joke. The D-X vs Hart Foundation feud happened a little bit before I started tuning in, but over the last 10-15 years, especially with more "shoot" interviews available, books/articles published, etc. it's possible the narrative of what happened at One Night Only is a mischaracterization of Shawn Michaels.
What We Know: In 1997, The British Bulldog aka Davey Boy Smith -- a member of the heel stable, The Hart Foundation -- is the European Champion and is always expected to "go over" whenever the WWE travels to Europe. 9/20/97 is the One Night Only PPV, in Birmingham, England.
What has been said by a few sources: Up till the day of the show, Davey was under the assumption that he was not going to lose the title to Shawn Michaels, since England is obviously within Europe. What made this event extra special is that there had been a plan for him to be escorted to the ring by his sister who was sadly stricken with a terminal illness. There would've then been cheers all around for this valiant hero and the 11,000 fans would then be sent home happy with a feel-good story.
Here is where things get murky: The same sources state that Shawn and HHH decided to pull a fast one on Vince McMahon an hour or so before it was show time. The two demanded that Shawn beat Davey for the European Championship. Has Shawn or HHH ever independantly admitted that it was in that short of a turnaround and that the two went behind Davey's back? Even Jim Ross says that Davey was with Shawn and HHH when the idea to change the finish was pitched and blames Davey for not "protecting himself." That means Davey agreed and was not forced. As mentioned earlier, the excuse that has been used is that Shawn felt that it would be a great way to draw "heat" since there was very much a pro-Davey crowd watching and so the return match in the Spring of 1998 (when they headed back to not just the UK, but this time in Manchester which was The Bulldog's billed hometown) would have a massive redemption arc which would be that much greater for the fans. In the meantime, Shawn would have good matches and elevate the European Championship, something, quite frankly, he was better at than Davey. It ties into the reasoning that has been given in that Shawn (arguably being at the peak of his ability), would be able to make that title mean something (like what he did for the Intercontinental Championship).
However, because of the backstage Kliq stories which continue to come out, the manner in which Shawn later dropped the European Championship, and the fact that there really was no return match for Shawn vs. Davey since both were out of the WWE by then, many fans have pointed to this PPV as an "obvious" example of the weight Shawn and HHH carried backstage. In recent shoot interviews, Bret Hart (who would leave the WWF six weeks later in spectacular fashion) has said this match was simply a way to make Davey and the rest of the Harts look foolish.
What you can't deny is the heat in the arena, after the match, was white-hot.
Okay with that background established, let's look to see why I feel that what happened at the One Night Only PPV is a mischaracterization of Shawn Michaels:
TL:DR Even if (big, if) the finish was changed an hour before showtime, Davey agreed to the finish (with what I believe is with the Hart family on board -- but seeing how it all played out over the next few months and years left a bad taste and narrative change). Shawn winning the European Championship was what was best for business. Therefore Shawn flexing his backstage power "just because" or "only to hate on the Harts" makes zero sense.
submitted by LoudInterruption to SquaredCircle [link] [comments]


2024.05.16 19:16 Similar_Economy3955 Need Wattpad Feedback

Hi! My name is Hunter, but I go by Ezrenee as a pen name. I'm new to Wattpad and am going to publish my book, The Last Sunflower, unpaid on there. I currently have a finished short story and an ongoing poem anthology published. I don't have any followers and just over 25 reads total. Please drop a comment, vote, follow, read some or all of my work, or do everything! My Wattpad username is Ezreneewrites. If you have any questions or want to talk about my work, email me at ezrenee.writes@gmail.com . Thank you!
submitted by Similar_Economy3955 to Feedbackforauthors [link] [comments]


2024.05.16 18:20 Deslimoore Gut wrenching

Looking for gut wrenching sad. I'm talking SOBBING. Does not need to be an HEA but I'd prefer not to know if it is or is not.
Sad fics I've already read-
Manacled - not sad enough
Ghost of you- not sad enough
Perfectly in pieces- lost interest halfway through
Draft of living death- too short & not sad enough
Secrets & masks- devastated me, looking for something along these lines.
Also does not need to be dramionie, but still in the HP fan fic world. (I am a Ron hater)
submitted by Deslimoore to Dramione [link] [comments]


2024.05.16 16:40 CompassWithHat Top Lasgun: Broadsides

FIRST CHAPTER
PREVIOUS CHAPTER
This product is a fanfic of the Sexy Space Babes/Between Worlds product of u/Bluefishcake and one I highly suggest you read. It was created with permission, but give the OG works some love.
Imgr gallery of Comissioned and Fan Artworks
I'm Back Bitches! Again!
//////////
Junior Systems Engineer First Class Che’keero knelt before a semi-sparking control panel and sighed. She, and a large band of her fellow Engineers with Marine support, had boarded the pirate frigate with the singular goal of ensuring that the pirates didn’t scuttle their floating hulk and doom the slaves aboard to a, if they were lucky, a swift death in space.
The problem, of course, came with the pirate’s maintenance schedules and decisions to forgo certain… safety measures when it came to repair.
Like the panel before her. Usually a perfectly functional control system for the reverse-magnetic bulkhead doors that ensured void seals in power outages, some pirate at some point in their dumb, dumb life decided to fix the panel blowing a fuse… by ripping the fuse out and replacing it with a high density power cable. Which meant the entire thing was one massive shock hazard and actively sparking as the reactors deep in the ship flickered and surged due to damage.
Che’keero swore as an arc of electricity flashed towards her face after a tool that was not supposed to be magnetized, cheap dick WaDepth requisitions, caught a magnetic field, fusing the entire system shut and turning the formerly barely functional control system into nothing but pretty, decorative wiring and cheap solder. She punched the now utterly unfunctional control box and toggled on her radio. “Three-Two to Three-Lead, this door’s fried. You’ll need to bring in the cutters if we want to get to the rest of the ship. Might as well also bring in an inflatable airlock, I’m not liking how some of the metal strain sensors are flashing at me.”
A semi-synthetic voice replied back to Che’keero, “Three-Lead copies. I’ll be over there shortly with the stuff. Double check those sensors, I’m not getting the same readings, so let’s make sure something isn’t blocking errors from reaching me.”
“Copy that Three-Lead, Three-Two ou-” Something tapped against the back of her helmet and Junior Systems Engineer First Class Che’keero mentally swore.
“Now, now, lassie, how about you sit right there and don’t move.” A nasally, unfamiliar voice called out to her while tapping what a camera she set up to watch her back revealed to be a laser pistol to Che’keero’s helmet. “I think that you’re going to be our new best friend and way off this dead end ship.”
Che’keero paused, letting the situation settle in her mind, “Wait, what? Are… are you taking me hostage?”
“Yes!” The pirate replied.
“Why?”
“Why what?”
“Why are you taking me hostage? This won’t work, none of the shuttles are jump capable and if you try anything, you’ll just end up jumped by marines. They specifically train to deal with pirates taking their engineers hostage. If you want to survive, you should just surrender and take the penal colony when it’s offered.” Che’keero mentioned, shrugging and continuing her inspection of the door.
The pirate seemed baffled at the sheer nonchalance of this response, the pistol slowly falling to merely point at her upper back instead of her head, “You… you really aren’t taking this seriously. I’m a pirate! I’ve killed people! I’ve killed boys, and you’re just sitting there like this doesn’t mean anything!”
“I mean… I wouldn’t say that.” Che’keero replied.
“THEN WHAT DO YOU MEAN!” The pirate screamed, the pistol moving away from Che’keero’s body by a fraction of an inch during an angry gesture.
It was at that point, a ceramic alloyed, carbon steel blade punched clean through the back of the pirate’s suit, slicing through their central nervous system and striking with enough force to shatter the faceplate of said pirate’s helmet on the way out. Muscles twitching, the laser pistol fired off randomly, missing Che’keero and slagging a chunk of bulkhead.
“I’m just buying time,” Che’keero replied cheekily.
“You really need to remember to check your cameras,” The semi-synthetic voice of Ventures Forth Bravely Into Great Unknowns commented as the ex-pirate fell to the ground and blue blood dripped from the long blade sprouting from her right arm and a toolbox hanging from her left hand. “This isn’t the first time you have been flanked, and this one wasn’t during training.”
“Look, I’m sorry. It won’t happen again.” Che’keero replied a bit testily.
“I’m sorry…” Ventures Forth prodded.
“I’m sorry, Ma’am.”
“Much better. Right, now what do we see in this- yeah you were right on it being fried.” Ventures Forth gently shoved the Junior Systems Engineer aside and took her place at the control panel. “Do a sweep of the strain systems. I don’t want this section of the ship breaking apart. Feel free to call up our hull patches. We’ve got plenty to share and this might have to be a lifeboat.”
“Aye, ma’am aye,” Che’keero replied with a crisp salute before rushing off to her duty.
Deeper inside the ship, Ventures Forth could hear laser fire, clashing of metal on metal, and cries for help.
The pirate ship was doomed, it was shattered and broken, but it was not destroyed. Not yet. \
And if she had her way, Ventures Forth Bravely Into Great Unknowns would keep it that way.
//////////
Roshal stood still as her steward continued to clean the dark blue and rapidly congealing blood off her armored form. “Comms,” She called out, “Do we have any contact with the shuttle we sent to the station?”
“Negative, ma’am.” The comm officer replied. She wasn’t the same one that was present when Roshal left to fend off the boarders. At the unspoken question, the woman continued “Communication’s Mate Second Class Lev’tal, ma’am. My superior got a concussion when the pirate ship rocked our ship during boarding. Strap snapped, prior damage. I took over.”
Roshal nodded approvingly, “Good initiative. Send a message to the station, see if we can’t rai-”
“Ma’am! Contact!” One of her sensor techs called out, “Belay that, two contacts. First contact, nav point 782 spinward, possible bogey, cruiser weight. Unknown movements. Second contact, nav point 102 coreward, aerospace assets inbound. Small flight. Hard to determine numbers due to damage. No less than two, no more than five.”
“Focus on getting a hard contact on that possible cruiser. Weapons, what is the status of our anti-aerospace.” Roshal demanded, holding her sword arm out for the steward to scrub at a particularly clotted chunk of blood splattered over her wrist.
The weapons officer shook her head, “If we’re lucky, then we’ve got 20% coverage on half our sides. If we’re very lucky, I might be able to bump that number up to 35%. Not going to quote doctrine, but that’s not nearly enough to fend off a flight of Aerospace assets on a strike run, and that’s assuming they don’t hit us on an unprotected flank.”
Roshal nodded once more, “Sound general quarters and get weapons and tactical back online. Tell the damage control parties to not be distracted and focus on critical systems first. Engine room, report. Can you give me maneuvering thrust?”
The nearby ship phone chimed in with a staticy hiss, “Negative, ma’am. The shot we made with the spinal mount tripped breakers up and down the reactor room. This isn’t an engine problem, we need to make sure our reactor doesn’t blow up when we siphon power. Before you ask, emergency power is still flowing and none of their circuits tripped, but that means we’re down to life support, basic systems, and dockyard thrusters. It will take at least 20 to get the reactor in a safe state. If you want 10, send the chaplain down so we have someone praying for good luck. The fact most of our structural engineers are doing an EVA boarding to ensure the pirate ship next to us doesn’t go critical and render the entire exercise moot isn’t helping matters at all.” The engine room replied Roshal bit down a bit of annoyance at the snark, but engineers were always a finicky sort with authority. They were the first to remind uptight officers that while the Captain’s word may be iron law, it was their work that truly moved the ship.
“Confirmed, engine room.” Roshal instead replied. “Chaplains will be arriving shortly. Do what you can and inform me when you’re three minutes out from full power.”
The engine room didn’t even bother replying, just sending over the affirmative light as they got to work. Roshal approved of that. Sometimes, you just had to insult someone in order to get it working right.
“Captain, we have confirmation on contact. He’s an Alliance Karcharidon class Heavy Cruiser on intercept course. Energy readings are spiking… they’re charging their guns, ma’am!”
“Issue a hostile challenge and give me a firing solution with any gun still functional.”
“No response, ma’am. Hostile Karcharidon is increasing speed. Hard contact in 15 minutes.”
Roshal snarled, emotion breaking through her mask. “Of course, the pirates had one more vessel. Helm, fire our maneuvering thrusters, use the pirate hulk as cover. Weapons, get whoever’s left of our Interceptor flight to engage the enemy. Comms, get me in contact with the merchant fleet, tell them to evacuate. We’ll provide cover.”
“Aye ma’am.” The Communications Mate Second Class said with a shiver in her voice. “Sending-”
“Update on Aerospace assets!” Her sensor tech called out.
“Deliver!” Roshal demanded, cutting off the comms officer with a slice of her hand.
“Weapons fire. Definitely less than four contacts. Seems to be two grou- negative, only two contacts remaining- weaponsfire- one contac- IFF received, oh goddesses, IT’S RUNOFF THREE! FRIENDLY AEROSPACE INBOUND!”
//////////
Milk gripped her crash harness hard as Cookie slammed the Interceptor’s fusion torch clean past its safe thrust marker and into the red as g forces crushed her chest. “Last target down.” She reported after Cookie’s final laser burst hit something critical inside the final Aerospace fighter’s frame. “That’s 20 for 20. All enemy bogeys down. All standard munitions are in the black. Static drive is 48%, dump core ejected. All we’ve got left is our ASM and front laser.”
Cookie flashed back an affirmative signal.
“We going for that cruiser?”
Another affirmative.
“Well, I’m braced and ready on the release. Ready.”
“Ready.” Cookie spoke, his voice horse.
It’s funny what people think when their lives are on the line. Because charging towards a fresh enemy Heavy Cruiser, nothing but a single anti-shipping missile worth a damn, no allied support but the faint glimmer in IFF screens of their fellow flight doing the same… all Aoibhinn McDermott could think of was a poem she had read at least a decade ago or more at the Naval Academy.
Half a league, half a league,
Half a league onward,
All in the Valley of Death
Rode the six hundred.
//////////
Ventures Forth Bravely Into Great Unknowns could do nothing but furiously swear as the basic sensor system her engineering team had restored on the thoroughly ventilated secondary command bridge of the pirate hulk revealed an enemy Heavy Cruiser bearing down upon their homeship.
“Weapons are trashed. We cored their reactor, anyway.” One of the tangential engineers reported, “Other teams are calling in. Things are worse where they are. We’ve found the slaves, though, luckily it was one of the few airtight bays. Also, have some more captives, but that really doesn’t matter right now.”
“No shit.” Ventures Forth replied, “Can we do anything?”
The engineer looked back to her, visor depolarizing so the Gearschilde can look into the black and yellow eyes of her Shil coworker.
“Pray.” The woman replied simply.
Ventures Forth Bravely Into Great Unknowns did just that.
//////////
Low chanting filled the engine bay as a small group of priests stood around the engine praying to whichever god that would listen to allow them one more shot. One more fight.
Around them, black handed engineers scurried, ripping out blown fuses and replacing them with soldered in high strength wire. A final measure of desperation. Sparks flew as engineers swore and chaplains prayed, power still remaining in circuits needing to be bled out before bypasses could be installed, turning every bit of solder and every ripped out fuse into a deadly gamble.
Already, someone was lying on the ground, no longer twitching.
They didn’t have time to check on their fallen comrade, the work was too important.
A clock ticked down. Four minutes elapsed.
//////////
Lieutenant Commander Cenywyn swore as she watched Runoff 2 die.
Their single Interceptor had mistimed a maneuver and had been caught dead in the middle of an Anti-Aerospace array, shredded in an instant. The only consolation she could take was that, seeing as the first shot went clean through the cockpit, they didn’t even notice they died.
“Runoff 4, stay in formation.” She ordered over the radio, “We’ll lead you in for the run.”
“Yes ma’am.” The hesitant voice of Junior Flight Lieutenant Griogill replied. She swallowed, “We’re- we’re ready when you are.”
“No fear, Lieutenant,” Cenywyn called back to the child she was leading to her death. “We’re pilots in the Imperial Patrol. We do our duty. No fear.”
A clock ticked down. Six minutes elapsed.
//////////
“Talk to me!” The last remaining senior engineer in the reactor bay called out to anyone who was able to reply.
Someone, she didn’t even bother looking to see who, called back “We’ve bypassed 60% of the fuses. Should be able to give ourselves a burst of combat power. No more than 10 minutes of it before the entire system overheats and we either die, or the reactor shuts off.”
“Any chance we can get more than 10 minutes?”
“Not before that Heavy Cruiser delivers us straight to the stars.”
“Fuck it, good enough.” She slammed her fist on the ship phone’s dialing button resting near the console the engineer had just ripped the last safety override out of. “Captain. We’ve got your power. You give us the word, and we’ll give you ten minutes.”
//////////
Roshal breathed in, breathed out, and nodded. 10 minutes of combat power before the entire ship shut down into uselessness. She’d done more with less. She couldn’t remember when, but she had. Luckily, this was a Patrol Carrier instead of a standard ship, so it was more than capable of combat maneuvers with nothing but RCS thrusters. That should give her some time.
Movement, movement was going to be the key.
“Comms, tell the engineering crews on the hulk that they are ordered to figure out anything that could draw the attention of the Heavy Cruiser,” She began, “Systems, break our mooring lines. We’re going to have to split from the hulk. Helm, prepare for maneuvers. RCS only. We are going to have to do this carefully. Engineroom, prepare for power activation, but hold until my command.”
This needs to be perfect, Roshal thought, A single mistimed action ruins it all.
A clock ticked down. Ten minutes elapsed. The Karcharidon had entered maximum weapon’s range.
//////////
He of Slender Tail shivered where he stood. The secondary command bridge was silent as Roshal began giving orders to fight. This was… this was insane.
They were in a ruined ship with nothing but a merchant fleet beginning to flee and a three thirds dead pirate hulk on their side against a fresh Karcharidon class Heavy Cruiser.
They couldn’t win.
This was suicide.
They would die here.
\ So why didn’t He of Slender Tail feel afraid?
He stood at his post, a secondary bridge console where he would relay orders to other departments, freeing up the other Watchkeeper to collate those orders, there was nothing he could do to help win this impossible battle, and yet…
And yet he felt heat blossoming inside his chest with every single order delivered.
“Mooring teamsss, you are to cut your linesss immediately.” He relayed to a crew of Shil scurrying around the ruined bulkheads, “Damage control, prepare for electrical firesss and arcsss.” He commanded, switching between teams instantly.
He didn’t feel fear. He could see his Watchkeeper shiver every time the sensors reported the enemy contact was still closing, but he didn’t feel the same.
What he felt… was indignation.
How dare this pirate scum threaten his vessel, his crew. How dare they ambush this valiant ship after they had fought so hard to win. How dare they.
He let his fangs fold out as he spat the next order, “Anti-Aerossspace teamsss, prepare your batteriesss for grouped fire. Gunnery calculationsss are on their way.”
How dare they stand up to him.
A clock ticked down. 12 minutes elapsed. Weapons fire.
//////////
Roshal swayed slightly as she could feel the ship beneath her feet move. Movement is life in naval warfare, movement is death. “Right RCS fire, bring us clear of the hulk. Bow thrusters, up twenty.”
“Aye, ma’am, aye, right standard and bow up twenty.” The Helmswoman replied.
“Confirmed. Next maneuver, give us rear thrust-”
“Torpedo!” The sensor operator called out in a shrill voice, “Two marks on intercept course! Range, twelve K and closing fast!”
“Decorum!” Roshal snapped at the panicking sensor technician. “Comms, order Runoff flight to divert and intercept those torpedoes. Rear RCS to full, give us momentum.”
Roshal turned away from the bridge as affirmations were shouted, and the ship began to move, “Engineering, prepare to activate combat power on my mark and prepare for hard maneuvers. Mark in five.”
//////////
Griogill swallowed bile and tried not to feel too thankful that the enemy vessel had fired torpedoes at their home ship. Being diverted from an attack run had a much higher chance of survival than striking through an AA bubble.
“Runoff 4 engaging far torpedo. Moving in for intercept. Bre’kas, give me lock.”
Griogill’s backseater muttered something, and a target lock appeared on the far torpedo as Runoff 1, their previous Drill Sergeants, dashed by in a hard burn and blazed away at their own target.
“Right. We can do this. We can do this. No fear.” The rookie muttered as the sight of her friends in Runoff 3 being turned to vapor echoed in her mind. “I can do this.”
The target locked. She fired. The torpedo detonated.
A clock ticked down.
//////////
“Mark in four.”
//////////
The Heavy Cruiser loomed closer as the comparatively tiny Patrol Carrier spat its defiance in the form of two Interceptors dancing between the stars.
As a pair of torpedoes detonated, four more were launched, the anti-shipping weapons built for this specific purpose. Destroying disabled vessels.
And so the last two remaining Interceptors on CAP dove into the fray, risking themselves against an ever approaching AA bubble in order to save their ship.
A clock ticked down.
//////////
“Mark in three.”
//////////
All Cookie could do was stare and push his meager aerospace fighter further on its nuclear thrusters as shimmering dots of torpedoes lanced out from the Heavy Cruiser attacking his new home.
He pushed his hand forward and felt the throttle once more push back against him, the lever pushed all the way past safe thrust and into the further setting on his console.
The Interceptor was fast. It didn’t feel fast enough.
And so he spoke the words he spoke once before, back when he’d had to listen to his backseater’s screams of pain and the rush of wind after shrapnel pierced his fuselage, and the hospital was so, so far away.
Father, I pray that you will not hide your face from me. Whenever I pray, Lord please hear me and answer me speedily in Jesus' name. God, I pray that you will grant me speed through your help.
A clock ticked down.
//////////
“Mark in two.”
//////////
The Heavy Cruiser shifted, engine flaring and it began to close the range. A single disabled ship on emergency RCS thrusters and a pair of Aerospace fighters was nothing it would have to deal with.
It fired a third spread of torpedoes.
A clock ticked down.
//////////
They took the bait. Roshal thought with a vicious grin.
“Mark in one.” She paused, “Execute.”
In an instant, power flowed through the ship, emergency lights flickered off as the burning red boarding lights returned their fiery glow. The entire ship shook as the main thruster came back online, and capacitors began to charge for maneuvers.
“Hard burn, full thrusters, right, on my mark.” Roshal watched as the Heavy Cruiser began to react to her movements, the enemy ship was alive, you needed to roll to broadsides to begin bombardment, come on come on…
Roshal watched as a torpedo flickered out of existence, Runoff 4 gaining another kill.
Come on, dammit, you don’t get put in charge of a Heavy Cruiser without- THERE!
The Heavy Cruiser flinched, turning her bow away from the no longer stricken vessel, preparing for broadside.
The Captain’s grin showed more teeth than smile. “Execute! Full right thrust!”
“Full right thrust! Aye ma’am aye!” Her helmswoman called out as maneuvering thrusters dead cold roared to life and physically threw the vessel to the side, causing everyone not strapped in on the bridge to rock as a barrage of fire flew past their former location, manual targeting systems in play since the automatic systems would still be getting warmed up.
“Full thrust forward, prepare to divert all power to secondary weapons. Weapons, give me a firing solution.” Roshal commanded, hand raised and pointed at the enemy’s display as if she were commanding from a tall ship.
A chant of “Aye ma’am aye” flowed out across the bridge as the weaponsmistress was silent before calling out. “Port side is up to 45% secondary fires and 32% point defense. That’ll be our best bet.”
Roshal nodded. “Make it so. Target their main weapons. Helm, get us that facing.”
“Ma’am. We’re getting a call from Runoff 3. They are entering the AO and are asking for a target.”
Roshal smiled, “Weapons, shift target. Aim for the anti-aerospace systems. Let’s give Runoff 3 the opening they need.”
A clock ticked down.
//////////
“Cookie, we’ve got a targeting path.” Milk called forward. “Putting it up on your HUD.”
“One second… I’ve got it. Moving to comply. Did the Captain give us a plan?” her front seater replied, causing her stomach to do funny things as the Aerospace Fighter maneuvered while under high thrust.
“Something like that. She asked for a munitions report and specifically about our anti-shipping weapon.”
Cookie paused.
“Ah.” He finally said.
“Yeah.” She replied.
“Well, let’s hope they’re able to open us up to a window of opportunity. Or this will be a short charge.”
“Not our place to question why.”
“Just our place to do and die.”
Time to target… three minutes.
Into the valley of Death, rode the six hundred.
A clock ticked down.
//////////
Two vessels, three Aerospace fighters, one chance.
Six minutes of power remained. All actors took their places on the stage.
One hundred kilometers, close enough to check the weld quality of hull seams, the two ships danced across from each other. Maneuvering.
Five minutes of power remained.
The Karcharidon Heavy Cruiser rolled itself trying to keep the vulnerable top deck away from the Patrol Carrier’s presumably still working main gun as Roshal’s vessel jumped to the side. Thrusters roared.
Four minutes of power remained.
Runoff 1 and 4 shot towards their formerly separated comrade, forming up behind them in a wedge. The trio climbed towards the sun as their captain continued to chase and harass the Karcharidon.
Three minutes of power remained.
Roshal spoke. The lances of her vessel fired. Laser blasts carved across the hull of the enemy ship as it rolled.
The rolling ceased. A helmswoman swore as a full broadside caught the Patrol Carrier in the flank. The port hangar pod was ruined, armor shattered and all inside exposed to hard vacuum. Those who could scream died the fastest. The Interceptors had their opening.
Two minutes of power remained.
Silent wings swept through vacuum as three Interceptors began their dive, their formerly speedy arrowhead shape giving way to an inverted t as their wings swept out for stability, the ASF dove and dove and dove.
Five Kilometers away.
The range was too wide. They had one shot. It had to be perfect.
One minute of power remained.
The Into Harm’s Way spat its defiance into the world, limited power drained to give her pilots a seconds more of time.
30 seconds of power remained.
Three Kilometers.
Hard Lock! Milk shouted from the back seat of Runoff 3. Cookie was silent. The range was still too wide.
15 seconds of power remained.
Two Kilometers.
The Karcharidon seemingly began to roll before the Patrol Carrier once more fired, its last remaining weapons spouting their defiance against the world. Deep in engineering, systems began to blow, wires that replaced fuses sparked power and delicate circuit boards shorted out into useless scrap.
The lights went out.
No power remained.
Roshal, in her head, began to count down as lances of light began to sweep across her ship. Damage control did what they could, but the beams began to cut like an overly enthusiastic shipbreaker.
Five.
One Kilometer.
Four.
Cookie’s thumb depressed the firing stud as the Interceptor screamed at him.
Three.
The ASF launched its deadly payload.
Two.
Three Interceptors pulled back hard on their sticks to avoid colliding with the deck.
One.
The thruster of the anti-shipping missile roared as it rocketed the point blank aerospace distance to target.
Impact.
The armor piercing tip of the missile punched into the upper deck plating of the Heavy Cruiser, classified alloys allowing it to pierce into the armored plating just enough to allow the shaped charge to open up a hole as momentum kept the weapon moving.
Within the frame of a single second, the warhead of the missile had entered the ship and, before the alarms even had time to sound, detonated.
A new sun appeared in the void for a split second as a plasma-fusion warhead detonated inside the Karcharidon heavy cruiser’s hull.
//////////
Roshal allowed herself to breathe a sigh of relief inside her head as the emergency power lights flickered overhead and the gravity ever so slightly lightened. What was left of their sensor arrays showed the enemy vessel powering down. “Engineering. Good work, your 10 minutes were just what she needed.” She called out, picking up the ship phone.
There was no answer from engineering.
She signed externally before pointing at one of the marines guarding the bridge, “Find a crewmate in a void suit. I have need of runners.” The marine clasped a fist to her chest before leaving to execute her captain’s commands. “Comms, do we have any contact with the engineering teams on the pirate hulk?”
The Comms officer held up a hand, Roshal waited, “No, ma’am. We aren’t getting- wait. We’ve got visual on flashing lights from the hull. Apparently, something shorted, so they’re having to rebuild broadcast arrays. They can receive just fine, though.”
“Good, once we can maneuver, bring us broadside of them. What’s the status of the merchant fleet?”
Navigation spoke up now, “Still heading for the Jump Point. Should we send the recall order?”
“Not yet, we are still unsure if the area is safe. If we have any sensors remaining, begin sca-”
The mentioned sensor technician interrupted Captain Roshal, “Ma’am, new contact, signature unknown. Just jumped in from outside the starlane!”
“Give me details. Course, range, and speed?” She demanded.
“Signal confused, can’t get a lock!” Navigation called out, “Can’t tell if confusion’s from them or us.”
Not another one… Roshal sighed, “All forces prepa-”
“Ma’am, we’re being hailed.” Communications called out.
“On squawk.”
“This is Captain Al’yosha Cal’rada of Her Imperial Majesty’s Ship Spear of the Knyaginya, responding to Merchant vessel distress calls. Imperial Patrol Carrier, are you in need of assistance at this time?”
Roshal recognized the voice. A junior officer from her days in the Navy and a fellow Sevastutavan. The memory of the fresh faced girl when she’d joined her as an Ensign straight of the Naval Academy flashed before her eyes. “Captain Cal’rada. Your timing is impeccable as always.”
Admiral?” Roshal could hear the shock in her old protege’s voice.
“That’s Captain, now, Al’yosha. I require your aid in ensuring the disabled vessel still glowing from an ASM strike remains disabled along with Search and Rescue teams for our sister Carrier.
“Whatever you want, you’ll have it, Admiral_… Helm! All ahead flank and plot course to intercept. Launch gunships and prepare to deploy Bluejackets. We’ll test our _Orcas’ teeth today!”
The line cut out a moment later than it should have, and Roshal nodded in approval.
“Captain, I still don’t have a read on new contact. What is it?” Sensors asked.
“A Drep’na inspired vision, come to life.” Roshal watched, feeling an odd sort of parental pride as Al’yosha’s experimental warship began closing the distance towards the Karcharidon at breakneck speeds. “A swift sailing vessel and ten carriage guns…” Roshal murmured the line from an old Vaasconian poem from the ancient Age of Sail. She had heard Cal’rada had succeeded in petitioning the Navy to build her dream-ship, burning every favor and passing out favors to any and everyone to see the program through. Now, there she was, standing on the bridge bearing down on a ship twice her size, but if the rumors were true, only half her guns.
“Ma’am, contact is still not resolving, but IFF confirms Imperial Navy designation. An Akula Class Attack Transport. I’ve… I’ve never even heard of this class.”
“Perhaps we shall hear of them more in the future. Fortune favors the active.”
“Contact is disgorging multiple signals, moving at speeds consistent with aerospace assets.”
“That is our signal we may disengage. Comms, inform the merchant fleet that the area is secure and to begin refueling procedures. Helm, get us alongside the pirate hulk, we have people to recover. Marine, get me a runner to the MP’s, we shall need the port hangar prepared for an old tradition the Navy has regarding pirate prisoners…” Roshal commanded. The fight was over, it was time to begin the cleanup.
//////////
So… that took a while. Sorry about that.
Turns out when a combination of writer’s block, decision paralysis and LIFE hits you over the head, it becomes a touch difficult to get your shit together long enough to write something down.
On the plus side, we are out of the “unplanned bits” and right back into the parts I have brainstormed, so I won’t be staring at a screen trying to think how to make things connect as much anymore. On the other hand, that means we are now entering the epilogue of book 1 of Top Lasgun.
Don’t worry, the story isn’t ending, I’ve got “three” books plotted out in my head, so we’ll see how that shakes out, but for the most part, this is where I start wrapping up plot threads, laying down threads for what comes next, and all that other good stuff.
So yeah, next chapter is going to involve everyone wrapping up what happened here, some fun little Military Justice, and potentially a bunch of plot. Also, I’m planning on starting a “rewrite”/edited version of this to go up on AO3, so keep an eye out for that. Early installment weirdness is a bitch and I’m not proud of what the older stuff looked like.
Well, I hope you have a wonderful morning, afternoon or evening whenever you read this and I will see you next chapter.
[NEXT CHAPTER]
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2024.05.16 16:17 adulting4kids Obscure Literary Devices Writing Prompts Challenge

  1. Epistrophe:
    Prompt: Write a short poem or paragraph about something you love, repeating a key word at the end of each line to emphasize your feelings.
  2. Anadiplosis:
    Prompt: Start a story with the words "Hope leads to dreams," then continue using anadiplosis to create a chain of positive outcomes and possibilities.
  3. Aposiopesis:
    Prompt: Begin a dialogue between two characters discussing a secret. Use aposiopesis to create suspense and leave the secret unrevealed.
  4. Epizeuxis:
    Prompt: Express your excitement about a favorite activity or hobby by writing a sentence that uses epizeuxis to highlight the joy it brings.
  5. Chiasmus:
    Prompt: Create a sentence that mirrors itself, balancing two contrasting ideas. For example, "Reading books is enjoyable; enjoyable is reading books."
  6. Enjambment:
    Prompt: Write a short poem about a journey or adventure, using enjambment to convey the sense of movement and continuous exploration.
  7. Paraprosdokian:
    Prompt: Craft a sentence that starts with a seemingly normal statement and ends with a surprising twist or contradiction, adding a touch of humor to your writing.
  8. Anaphora:
    Prompt: Share your feelings about a favorite place, activity, or person by starting each sentence with "I love," using anaphora to highlight the aspects that bring you joy.
  9. Hendiadys:
    Prompt: Describe a memorable experience or event using hendiadys to express the various emotions and details that made it special.
  10. Litotes:
    Prompt: Write a paragraph about a challenging task or problem you are facing using litotes to explain the circumstances.
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2024.05.16 16:15 Ur_Anemone ‘Tradwife’ Content Isn’t Really for Women. It’s for Men Who Want Submissive Wives.

‘Tradwife’ Content Isn’t Really for Women. It’s for Men Who Want Submissive Wives.
…For the uninitiated, “A tradwife (short for traditional wife) is a woman,” typically a conservative Christian, “who prefers to take a traditional or ultratraditional role in marriage, including the belief that a woman’s place is in the home,” according to one of the genre’s more popular creators. These conventionally pretty influencers depict themselves cooking elaborate meals, tending to their children and doing housework. Their posts sometimes come with florid captions about the joy and freedom that come from submitting to their husbands, because biblical submission doesn’t connote inferiority. They tend to dress either in 1950s cosplay or barefoot in gauzy, long dresses.
The whole discussion can be a trap because the content itself is meant to be a heightened provocation — some tradwife creators post things that they label as triggering opinions and then say they get so much hate for being stay-at-home moms. But they rely on that dissonance in order to create more engagement (which leads to more clicks and more money).
These posts have a way of painting feminists as haters who resist their true nature and casting career women in opposition to women who don’t work for pay. The reality is that stay-at-home moms and working moms are frequently just the same people at different points in their lives and that content creation is a paying job: My favorite example of this is the tradwife pitching a $5,900 set of courses on how to be a tradwife.
Further, there are tons of reasons any parent might opt to stay home that don’t require buying into tradwife values: Work isn’t always satisfying or well paid, some people want to spend a majority of their time with their kids, and child care is so expensive that it can push a lower-earning parent out of the labor market, to name a few. And as an avowed lover of #cleantok, I have no problem with content about household tasks, but that’s separate from what the tradwives are often cynically pushing. When people criticize the way tradwives troll, they’re very likely to respond that their detractors simply don’t value the hard work of raising children and running a household — when many of their critics value that work tremendously and do it themselves.
That said, I’m not particularly concerned that young women watching TikTok are going to be so influenced by this content that they’ll start fleeing the secular world en masse to submit to their husbands, live on farms and bake aesthetic pies. That’s because young women are increasingly rejecting this specific kind of domestic arrangement.
According to a November 2023 survey from the Survey Center on American Life at the American Enterprise Institute, 61 percent of Gen Z women said they considered themselves feminists, the highest percentage of any generation. And as the Survey Center’s Daniel A. Cox and Kelsey Eyre Hammond explained in April, “Young women are leaving church in unprecedented numbers,” partly because they “are more concerned about the unequal treatment of women in American society and are more suspicious of institutions that uphold traditional social arrangements.” Women are outpacing men in terms of college graduation rates, and prime-age women’s labor force participation is even greater than it was before the Covid pandemic.
Still, some tradwife creators appear to be popular if you look at their follower counts, and they certainly generate a lot of chatter. But I often think: Who is this content really for? Sure, some portion of their followers are probably like-minded women, but a new study from Media Matters made me wonder if the tradwife’s main audience is actually right-leaning men:
Media Matters coded and analyzed 327 recommended videos after exclusively interacting with tradwife content and documented what happened. We found TikTok’s recommendation algorithm rapidly populated our F.Y.P. [For You page] with conspiracy theory content and fearmongering, which made up nearly one-third of all videos served to the F.Y.P.
After interaction with tradwives, the study found, TikTok’s recommendation algorithm also served up “19 videos featuring extremist right-wing media figures,” such as Alex Jones and Nick Fuentes.
(A related idea, put forth by the journalist and internet commentator Max Read in a story by my friend Kathryn Jezer-Morton in The Cut, is that tradwife content is actually for men with something of a Donna Reed fetish: “Maybe it’s a different version of the e-girl phenomenon or the OnlyFans phenomenon. To the extent that I would worry about anything in the future, instead of creating a mass of tradwife women, it feels a lot like you’ll get one or two very famous ones, and a mass of simping male followers.”)…
Writing for UnHerd, Mary Harrington recently profiled Lauren Southern, a former right-wing influencer who left her husband and now describes her ultratraditional marriage as abusive. Harrington also spoke to another ex-tradwife, who said that “the men who self-select into these communities are often ‘wayward, antisocial, disagreeable and very, very misogynistic.’”
If there’s anyone to worry about watching and absorbing tradwife content to the letter, I suspect that it’s these men. There are too many stories about fathers and husbands who abuse the power they have over their families and too many stories about the wives and children who flee their coercive control. Instead of continuing to talk about tradwives on TikTok or other social media outlets, even to debunk their limited appeal, we should spend more time elevating the stories of the people who made it out of these circumstances. Unlike the manicured, well-lit vision of idealized submission, stories like West’s have no filter.
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2024.05.16 16:13 adulting4kids Obscure Literary Devices for Sixth Grade Students

Lesson Plan: Exploring Exciting Language Tricks
I. Introduction A. What Are Special Language Tricks? B. Why Do Authors Use Them? C. Today's Fun Journey: Discovering Language Magic!
II. Epistrophe: Echoing Words for Effect A. Definition: Repeating Words at the End B. Example: "Friends, friends, friends, we will always be friends." C. Activity: Find Repetition in a Short Poem Together
III. Anadiplosis: Building Word Bridges A. Definition: Repeating the Last Word at the Beginning B. Example: "Hope leads to dreams; dreams lead to possibilities." C. Activity: Build Your Own Sentences with a Word Bridge
IV. Aposiopesis: The Suspenseful Pause A. Definition: Leaving a Sentence Unfinished B. Example: "I was so excited, but then—" C. Activity: Create Your Own Suspenseful Dialogues
V. Epizeuxis: The Power of Repeat Power A. Definition: Repeating a Word for Emphasis B. Example: "Never, never, give up!" C. Activity: Boost Your Message with Repeat Power
VI. Chiasmus: Mirror, Mirror on the Sentence A. Definition: Flipping Words to Create Balance B. Example: "Reading books is enjoyable; enjoyable is reading books." C. Activity: Make a Balanced Sentence Mirror
VII. Enjambment: Words Skipping Happily Along A. Definition: Sentences Skipping Over Lines B. Example: "I skipped down the road,\nLaughing all the way." C. Activity: Create a Skip-and-Jump Poem
VIII. Paraprosdokian: The Sentence Surprise A. Definition: Ending a Sentence with a Twist B. Example: "I wanted a pet, so I got a fish, but now it barks!" C. Activity: Surprise Your Friends with Funny Sentences
IX. Anaphora: Friends, Friends Everywhere A. Definition: Repeating Words at the Beginning B. Example: "I love playing; I love learning; I love laughing." C. Activity: Share What You Love with Anaphora
X. Hendiadys: Two Words, Double Fun A. Definition: Using Two Words for One Idea B. Example: "Jump and dance, not sit and watch." C. Activity: Mix and Match Words for Fun Expressions
XI. Litotes: Saying More with Less A. Definition: Making a Situation Sound Less B. Example: "The homework wasn't too tricky." C. Activity: Describe Your Day with a Touch of Modesty
XII. Conclusion: Language Magic Recap A. Fun Recap of Our Language Tricks B. Exciting Homework: Pick Your Favorite Trick and Use It in a Short Story or Poem!
This toned-down lesson plan aims to introduce sixth-grade students to literary devices in a playful and engaging manner, encouraging them to experiment with language tricks in their own creative expressions.
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