Naskah teater humor
Michelle Hviid: Altså, jeg ved godt, at jeg har spurgt før😁 Men er det virkelig så lykkeligt med 6 (eller hvor mange det nu er) sammenbragte teenagere? Mener at hun selv også har været ude med, at det har været lidt svært for hans familie. Og er den mand virkelig så vidunderlig?
2023.05.12 08:47 duharikkesetmigher Michelle Hviid: Altså, jeg ved godt, at jeg har spurgt før😁 Men er det virkelig så lykkeligt med 6 (eller hvor mange det nu er) sammenbragte teenagere? Mener at hun selv også har været ude med, at det har været lidt svært for hans familie. Og er den mand virkelig så vidunderlig?
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2023.04.27 10:46 Sh4dySp1ce Skygg vs Diez
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2013.01.08 20:06 bigdsnuts My Top 20 Movies of 2012
2012 actually had a lot of great movies. A great year for genre flicks that are actually getting higher recognition. Only a few, however, blew my mind and more than a few were overhyped, but it was a solid year full of fun times at the theater.
Really upset that I missed out on Holy Motors, Perks of Being a Wallflower, West of Memphis, and The Intouchables. Managed to squeeze in everything else I wanted to see, which was a butt-loving load of films. I know I always do 20 flicks, but it was tough narrowing it down to that much. Ten movies is too few, especially this year. I know quite a few that people will be asking how the fuck could I snub Argo or Zero Dark Thirty. Those were fantastic films. That doesn’t mean everything I chose was mindless popcorn fare. I want movies that are challenging, passionate, and from a place of admiration for the material. 2012 had a plethora of counter programming. It’s easy to understand why so many year end lists are all over the place. Here’s where I stand in order from lowest to highest:
The Master- Paul Thomas Anderson’s Scientology opera wasn’t the memorable experience I’d hoped for, but thanks to unbelievable performances and a complete actor transformation from Joaquin Phoenix, as well as incredible cinematography, The Master still gets my recommendation.
Seven Psychopaths- Original and loudly unconventional, Martin McDonagh’s In Bruge follow-up has an amazing script with great performances. I’ll probably like it more and more on repeat viewings.
The Raid: Redemption- As far as martial arts movies go, The Raid might be the absolute best. Unrelenting almost to a fault. This has action classic written all over itself.
Flight- A welcomed live action directorial return from the amazing Robert Zemeckis. Flight is a challenging character study about alcoholism that isn’t preachy and is surprisingly upbeat.
The Hobbit: An Unexpected Journey- Probably higher on the list than it should be, but I can’t help love the fantasy world of Middle Earth. Rife with bad plotting and unnecessary scenes, I’ll still watch this over and over again for the action, effects, and nerdy little boy feelings it gives me.
Brave- Fuck off. I loved it. I didn’t think a Pixar movie could be misunderstood, but here we are. Brave is Pixar’s version of the fairy tale. Like Snow White, Cinderella, or Rapunzel, except it’s completely original. Oh, and I fucking love bears. At least appreciate its exceptional animation, haters.
Skyfall- Should have been more exciting, but Sam Mendes pulled off the quintessential Bond film of the new era. It’s also the best looking film of the year.
Ted- Low brow humor at its best. Seth Macfarlane finally directs a feature film, and I found his directorial debut to be the most refreshing voice in comedy since Judd Apatow’s first film, 40 Year Old Virgin.
Jeff Who Lives at Home- This small indie from the Duplass Brothers is their best yet. An interweaving plot that holds you so tight the entire time and leaves you wanting to give everyone a big gushy hug when it’s over.
Les Misérables- Gorgeous musical that made me rethink the entire genre as an adult. Supes emosh, but thanks to Hugh Jackman and Anne Hathaway’s amazing performances I finally watched and became a fan of Les Miz.
Beasts of the Southern Wild- Poetic and fantastical. Beasts has to be seen to be understood. Unconventional narrative, an amazingly original score; Beasts makes you fully believe in its own world and characters. Points for being super low budget. This is a film that still needs to be discovered by most, and isn’t getting enough of the credit it deserves.
Moonrise Kingdom- Wes Anderson whispers sweet whimsy into my ear. Moonrise Kingdom is so Wes Anderson, but a coming-of-age tale works incredibly well with his style. It’s funny, risky, and completely fantastic.
Life of Pi- Ang Lee made my favorite Ang Lee film this year. It’s a very big movie with big ideas, special effects, and emotion. Life of Pi is a challenging fantasy movie that was very effecting and heartfelt. Best visual effects and use of 3D yet.
Silver Linings Playbook- David O. Russell teaters between conventional rom-com and psycho-analytical honesty. Jennifer Lawrence plays the best female character of the year. The thinking person’s feel good movie.
The Avengers- A crockpot of fun. Marvel’s been letting this stew brew for years, and they finally spooned us a giant helping of delicious superhero epic action. I’m not looking for something challenging here. This isn’t a well prepared meal, but it’s the best tasting dish of the year.
The Dark Knight Rises- What started as a bitterness has found its way to sweetness. TDKR isn’t what I was hoping for, but after all my complaining and months of pondering all the intricacies, I still find myself loving the Bat. No other film have I quoted and debated so much this year. I have to put it this high on the list just for all of the film discussions it’s given me. Far from perfect, yet it stuck with me all this time.
The Cabin in the Woods- I still can’t believe this movie exists. It stayed with me for weeks, and even got better the more I watched it. I’ve never been a fan of horror films, but a comedic deconstruction of the genre like this is beyond anything I could’ve imagined. Cabin in the Woods is smart and fun as balls.
Cloud Atlas- No other film was more challenging and thought provoking than Cloud Atlas. Even when it’s cheesy, it’s good. Sometimes the most obvious life lessons portrayed here are so well done that they deserve to be reevaluated. This was polarizing auteur filmmaking on a massive scale. The Wachowskis and Tom Tykwer deserve recognition for making the most expansive independent film ever made. Even if you loathe it (and I know who you are before you’ve even seen it), Cloud Atlas must be commended for its revolutionary editing. The interlacing storytelling is paid incredible attention. Cloud Atlas isn’t for everyone, but it’s powerful cinema that was underseen by too many.
Looper- Why so high on the list? Because it’s original and badass. Looper was the violent science fiction film I’d been waiting years for. I’m a huge fan of original science fiction cinema, and in 2013 we’re going to get loads more. Looper is just the first one out of the gate, but it blew my mind. It’s also pure entertainment that doesn’t try to outsmart the audience. The script is well written and unexpected. Looper also has plenty of heart that made me think about morality and possibilities based on decisions. It’s a fantastic science fiction film that actually says something on top of being insanely kick ass.
Django Unchained- Django is the same brilliant work from Tarantino that the master filmmaker has done for years, except Django goes beyond that and into something more dangerous, epic, and engaging. The film reaches new levels of character nuances and intentional referencing. This is smarter than anything he’s done previously. I love a movie that breezes by at almost three hours, and you still leave invigorated and ready to pound some shots. It also left you with questions and moral struggles. Foxx, Waltz, DiCaprio, and Jackson all gave the performances of their careers. A movie this gripping, fun, and smart made Django the clear winner of 2012.
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Really upset that I missed out on Holy Motors, Perks of Being a Wallflower, West of Memphis, and The Intouchables. Managed to squeeze in everything else I wanted to see, which was a butt-loving load of films. I know I always do 20 flicks, but it was tough narrowing it down to that much. Ten movies is too few, especially this year. I know quite a few that people will be asking how the fuck could I snub Argo or Zero Dark Thirty. Those were fantastic films. That doesn’t mean everything I chose was mindless popcorn fare. I want movies that are challenging, passionate, and from a place of admiration for the material. 2012 had a plethora of counter programming. It’s easy to understand why so many year end lists are all over the place. Here’s where I stand in order from lowest to highest:
The Master- Paul Thomas Anderson’s Scientology opera wasn’t the memorable experience I’d hoped for, but thanks to unbelievable performances and a complete actor transformation from Joaquin Phoenix, as well as incredible cinematography, The Master still gets my recommendation.
Seven Psychopaths- Original and loudly unconventional, Martin McDonagh’s In Bruge follow-up has an amazing script with great performances. I’ll probably like it more and more on repeat viewings.
The Raid: Redemption- As far as martial arts movies go, The Raid might be the absolute best. Unrelenting almost to a fault. This has action classic written all over itself.
Flight- A welcomed live action directorial return from the amazing Robert Zemeckis. Flight is a challenging character study about alcoholism that isn’t preachy and is surprisingly upbeat.
The Hobbit: An Unexpected Journey- Probably higher on the list than it should be, but I can’t help love the fantasy world of Middle Earth. Rife with bad plotting and unnecessary scenes, I’ll still watch this over and over again for the action, effects, and nerdy little boy feelings it gives me.
Brave- Fuck off. I loved it. I didn’t think a Pixar movie could be misunderstood, but here we are. Brave is Pixar’s version of the fairy tale. Like Snow White, Cinderella, or Rapunzel, except it’s completely original. Oh, and I fucking love bears. At least appreciate its exceptional animation, haters.
Skyfall- Should have been more exciting, but Sam Mendes pulled off the quintessential Bond film of the new era. It’s also the best looking film of the year.
Ted- Low brow humor at its best. Seth Macfarlane finally directs a feature film, and I found his directorial debut to be the most refreshing voice in comedy since Judd Apatow’s first film, 40 Year Old Virgin.
Jeff Who Lives at Home- This small indie from the Duplass Brothers is their best yet. An interweaving plot that holds you so tight the entire time and leaves you wanting to give everyone a big gushy hug when it’s over.
Les Misérables- Gorgeous musical that made me rethink the entire genre as an adult. Supes emosh, but thanks to Hugh Jackman and Anne Hathaway’s amazing performances I finally watched and became a fan of Les Miz.
Beasts of the Southern Wild- Poetic and fantastical. Beasts has to be seen to be understood. Unconventional narrative, an amazingly original score; Beasts makes you fully believe in its own world and characters. Points for being super low budget. This is a film that still needs to be discovered by most, and isn’t getting enough of the credit it deserves.
Moonrise Kingdom- Wes Anderson whispers sweet whimsy into my ear. Moonrise Kingdom is so Wes Anderson, but a coming-of-age tale works incredibly well with his style. It’s funny, risky, and completely fantastic.
Life of Pi- Ang Lee made my favorite Ang Lee film this year. It’s a very big movie with big ideas, special effects, and emotion. Life of Pi is a challenging fantasy movie that was very effecting and heartfelt. Best visual effects and use of 3D yet.
Silver Linings Playbook- David O. Russell teaters between conventional rom-com and psycho-analytical honesty. Jennifer Lawrence plays the best female character of the year. The thinking person’s feel good movie.
The Avengers- A crockpot of fun. Marvel’s been letting this stew brew for years, and they finally spooned us a giant helping of delicious superhero epic action. I’m not looking for something challenging here. This isn’t a well prepared meal, but it’s the best tasting dish of the year.
The Dark Knight Rises- What started as a bitterness has found its way to sweetness. TDKR isn’t what I was hoping for, but after all my complaining and months of pondering all the intricacies, I still find myself loving the Bat. No other film have I quoted and debated so much this year. I have to put it this high on the list just for all of the film discussions it’s given me. Far from perfect, yet it stuck with me all this time.
The Cabin in the Woods- I still can’t believe this movie exists. It stayed with me for weeks, and even got better the more I watched it. I’ve never been a fan of horror films, but a comedic deconstruction of the genre like this is beyond anything I could’ve imagined. Cabin in the Woods is smart and fun as balls.
Cloud Atlas- No other film was more challenging and thought provoking than Cloud Atlas. Even when it’s cheesy, it’s good. Sometimes the most obvious life lessons portrayed here are so well done that they deserve to be reevaluated. This was polarizing auteur filmmaking on a massive scale. The Wachowskis and Tom Tykwer deserve recognition for making the most expansive independent film ever made. Even if you loathe it (and I know who you are before you’ve even seen it), Cloud Atlas must be commended for its revolutionary editing. The interlacing storytelling is paid incredible attention. Cloud Atlas isn’t for everyone, but it’s powerful cinema that was underseen by too many.
Looper- Why so high on the list? Because it’s original and badass. Looper was the violent science fiction film I’d been waiting years for. I’m a huge fan of original science fiction cinema, and in 2013 we’re going to get loads more. Looper is just the first one out of the gate, but it blew my mind. It’s also pure entertainment that doesn’t try to outsmart the audience. The script is well written and unexpected. Looper also has plenty of heart that made me think about morality and possibilities based on decisions. It’s a fantastic science fiction film that actually says something on top of being insanely kick ass.
Django Unchained- Django is the same brilliant work from Tarantino that the master filmmaker has done for years, except Django goes beyond that and into something more dangerous, epic, and engaging. The film reaches new levels of character nuances and intentional referencing. This is smarter than anything he’s done previously. I love a movie that breezes by at almost three hours, and you still leave invigorated and ready to pound some shots. It also left you with questions and moral struggles. Foxx, Waltz, DiCaprio, and Jackson all gave the performances of their careers. A movie this gripping, fun, and smart made Django the clear winner of 2012.