Autobody sanding curves

My Baby Rey

2024.05.19 13:37 BxbyBrxt02 My Baby Rey

My Baby Rey
Hia! This is my baby Mexican Red-Knee, Rey, Lil Rey, Reymond. I just bought him/her and I just introduced them to their new enclosure! Is there anything I should improve??
Shes got springtails currently, The wood is barely off the substrate, I got a piece that has a very shallow curve, so he can still hide under it. The water bowl is currently a bottle cap, I sanded the edges just to make sure it wasn't sharp, and I plan on doing regular rotations with the leaves, for enrichment! I'm also going to be buying leaf litter soon!
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2024.05.19 10:58 jenajiejing The Secret of Human Bodies – Examples Proving the Existence of the Greatest Creator

Xue Feng Though the modern medicine has limited knowledge of human bodies, what we have known is enough for us to admire the excellent human body structure and functions. Each system and organ in the human body is designed by the Greatest Creator. Even those trivial body parts have great functions. For example, there are several types of hairs on human bodies with distinct forms and functions. The head hair is designed to protect and beautify the head. It can grow long. According to the Bible, “But if a woman has long hair, it is a glory to her: for her hair is given her for a covering.” The eyebrows can divert sweat and rain, preventing them into the eyes. That’s why they are lined above the two eyes. Eyelashes can prevent the dust and other things from entering the eyes. That’s why they are lined on the sides of the eyelids. Also they stand forward in a special curve because it wouldn’t hinder the eyesight or pierce into the eyes when closing the eyes. If the eyebrows and eyelashes are too long, they will hinder the eyesight. That’s why they wouldn’t grow as long as the hair or beards. The nasal hairs can filter the inhaled air. That’s why they grow inside the nostril and stand sideways and outwards. If they stand inwards, the other things will find it easy to come into the nostrils and difficult to go out. The armpit hairs can prevent the partial friction and help the sweat evaporate. Without the armpit hairs, we have to raise our arms. Otherwise the skin under the arm will become inflamed because of the friction and moist. Required by the function, the armpit hairs cannot grow as long as the head hairs, or as short as the eyebrows. Besides, they are soft and curving. If they are rigid and coarse, they will hurt the skin. And cilia grow on the intestinal epithelium. The cilia grow downward and vibrate together. The vibrating waves move downward from upward to help move down the intestinal contents. Cilia also grow on the airway and bronchus epithelium. However, they grow and vibrate in the opposite direction as those on the intestinal epithelium. Only in this way can they move the sputum upward to the throat and spit them. If they grow downward, the airway and bronchus would get stuck by the sputum and the humans would die from it. Now I wish to take two simple reflections of human bodies as an example. When foreign matters enter the nostrils or airways, they will arouse two protective reflections, sneeze or cough, which is designed to repel the foreign matters. But due to different situation, these two reflections differ in their approaches. The foreign matters in the nostrils are not urgent so the sneeze reflection can be prepared in a composed way. First, inhale slowly; open the mouth, and the soft place move upward to block the nostril. Then breathe in enough air through the mouth, and the pleural body contracts sharply to emit the air in the lungs quickly. When the emitting reaches its peak, the tongue rises abruptly to block the mouth to repel the air to go out swiftly through the nostrils. In this way the foreign matters in the nostrils are driven out. However, if the foreign matters enter the airway, it is an emergent situation. If the foreign matters are not driven out timely, the life will be put at risk. The inhaling is strictly forbidden because it will make the foreign matters go deeper and cause suffocation. So the cough doesn’t include the inhaling. Instead, the glottis closes immediately. At the same time, the pleural body contracts suddenly and adds the lung air pressure extremely. When the pressure is at its strongest point, the glottis opens suddenly and the lung air sends out explosively, compelling the foreign matters in the airway to the throat via the glottis. At this time, the soft place rises to block the nostrils. The foreign matters are spit out through the mouth. If the tongue and the soft place perform the same way as in the sneeze, the foreign matters emitted out of the airway will enter the nostrils, causing another trouble. In these two reflections, the body parts must cooperate closely. Any failure in the coordination will lead to the failure of the reflection, causing serious consequences. So these activities are not done freely. Instead, they are done as required by their functions and set procedures. These procedures are not learnt or practices. The program has been rooted in our brain nerve structure (nerve nucleus) when we are born. Otherwise, the babies will not survive. The advanced computer science has made it possible to simulate these activities. However, the simulation requires 3 conditions: 1. Device simulating the inhale and exhaling of human mouth, nose, throat, pleural and the sensing device; 2. The central control equipment simulating nerves and body system (compute, input and output devices). The above two devices are hardware. And software is also needed, namely (3). A program composed in strict compliance with the requirements to control the performance and procedure of each link, and arrange them in perfect coordination. All the three conditions are imperative. Otherwise the reflections can’t be realized. The program itself is not a substance structure. Instead, it is a smart use and spiritual result. There will be no such a thing as the program without the smart use. So we have to ask, the program is composed by the humans and stored in the computer, how about the control program in the human brain. Is it also composed by someone and stored in the human brain? Sneeze and cough are the simplest examples. There are numerous automatically controlled physical, bio-chemical and pathological human body activities, which are even more sophisticated than reflections of cough. Even today, some of them remain mysteries to us. So how are these sophisticated control programs composed? And where do they come from? Now let’s have a look at the sensory organs on human bodies. Why do we have two ears? The reason is that one ear is not able to identify the direction. With the ears lying on two sides of the head, the sound reaches the ears in sequence of time. Based on the slight receiving time difference, the brain can judge where the sound comes from. The auricle is the most outward component of the ear. It can introduce the sound into the external auditory canal. Within the auricle there is a thin layer of cartilage helping to retain the form of auricle, giving it wonderful elasticity and protecting it from the clashes. Without the cartilage, the auricle is just two useless pieces of skin hanging on the head side. If the thin bone is inside the auricle, it will break easily even if when you are sleeping on your side, damaging the auricle. There is fuzz on the outer segment of the external auditory canal preventing the sand and dust. The inner segment secretes cerumen to prevent insects. When foreign matters enter the external auditory canal, it will trigger head shaking, instead of sneeze or cough, to get the matters out. Because the external auditory canal is a blind passage, it is impossible to repel the foreign matters with air. Why don’t the foreign matters in the nostrils arouse the head-shaking reflection to repel them? That’s because the nostrils of humans almost lie in the middle of the head. The shaking is not able to produce enough centrifugal force. Besides, the human nostrils face downward and it is improper to repel the foreign matters by shaking the head. The sound is produced by the mechanical vibration of objects and is transmitted by the air fluctuation, or the sound waves. The human ears are actually working like a precise mechanical vibration monitor. In the inner ear there are a number of keyboards with different sizes, producing nerve impulses produced by echoing with corresponding frequencies. The brain, in accordance with the features of these impulses, identifies the strength, tunes and timbre of the sounds. We must note though there are many sensory organs in human bodies, only the inner ear is protected by the most solid and firm bones. In fact, it lies in the cave part of the temporal bone. Of all the sensory organs, only the ears monitor the mechanical vibration, which needs a relatively fixed position. Otherwise, it is not able to monitor the sound. If the inner ear lies in the soft tissues, when the sound wave arrives, the inner ear will vibrate with it. Thus it can hear nothing. Now the inner ear lies in the firm bone and it can’t sense the air vibration. So it is imperative to reduce the density waves to the mechanical vibrations before sending them to the inner ear. And there is such a reduction device at the middle bottom of the external auditory canal, which is called the eardrum. The eardrum has enough space to receive the air pressure. It is thin enough to vibrate when the sound wave arrives. Meanwhile, the eardrum is strong enough to push the transmission device. The long handle of the middle ear cartilage is attached to its inner side, the tensile force of which makes the eardrum sink inside slightly to maintain certain tension. This allows the eardrum to accurately reduce the arriving sound waves into the mechanical vibrations. No matter what the temperature is, the vibration function is not impacted. After the sound waves are reduced into the mechanical vibration, some rigid objects are needed to transmit the vibration to the inner ear. Of all body tissues, the most rigid objects are the bones. However, the bones are heavy in general and covered by the soft tissues, which are not suitable for the audio vibration. However, in the tympanic cavity between the eardrum and the inner ear, there are three unique tiny bones with delicate forms measured in millimeters. They are almost completely exposed to the air in the tympanic cavity. These three tiny bones are connected by ligament and form a transmission chain in curve with excellent audio vibration function, able to transmit accurately the vibration of the eardrum to the inner ear. The transmission device can properly multiply the weak vibration and reduce the strong sound wave. All of these structures are the super designs required by the acoustics. There are even smarter designs in the hearing organ. For example, to make the eardrum vibrate freely following the arriving sound waves, the two sides of the eardrums must be exposed to the air. As a result, there is a tympanic cavity full of air in the middle ear. If the cavity is filled by liquids, just as other cavities are, the eardrum is not able to vibrate because the liquids can’t contract. Besides, the cavity does not only need to be filled with air, but also needs to be connected to the outside world with a proper passage, to balance the static air pressure in the cavity with the outside air pressure. Otherwise, the air in the cavity will gradually be absorbed, causing the eardrum to sink excessively or damaging it. When the outside air pressure changes, (such as in mountain climbing, diving, the airplane takeoff or climate change), it will arouse uncomfortable feelings or lead to hearing malfunction. But the middle ear can’t be opened to the outside world directly, just like the external auditory canal or nostrils can. The reason is that the direct exposure will make the arriving waving sound reach the two sides of the eardrums at the same time via the external auditory canal and middle ear passage, counteracting the sound pressure. Thus the eardrums will not vibrate at all, unable to produce the hearing. So it is a difficult problem to connect the middle ear and the outside world. However, the human body, with a smart design, solves this problem. The middle ear is opened at the two sides in the upper rear of the pharynx via a half-opened passage (the so-called auditory tube). The auditory tube is locked in common times and only opened temporarily when taking the swallowing actions, balancing the air pressure in the middle ear shortly. After the swallowing action is over, the auditory tube is locked again. Apart from eating, human body would regularly take swallowing action unconsciously, even when he or she is sleeping. Thus the air pressure in the middle ear can be adjusted from time to time and avoid the hearing from being hindered. Besides, when swallowing, the swallowing segment and the soft palate will definitely rise, blocking the mouth and nostrils against the outside world. So on the moment when the ear and throat are opened shortly, though the air in the throat can enter the middle ear, the sound waves from the outside world are blocked against the middle ear. As a result, the hearing will not be interfered and can receive the outside sound and voice. Only the throat in the body can meet the special demand of the hearing organs. The throat is originally designed as part of the digestion and breathing system, it does not belong to sensory system. However, it can cooperate so smartly with the hearing organs. We have to admire the extremely delicate body-wise design. The vestibule in the inner ear controls the balance of the body. In the vestibule there are 3 semicircular canals. When the body loses balance, the mutually-vertical semicircular canals produce the balance impulse, which triggers the corresponding reflection via the balance center in the medulla brain. Why are there 3 semicircular canals instead of 2 or 4? And why are they mutually vertical? The reason is apparent. Humans live in the 3-dimensional space. There are 3 mutually-vertical movement directions, namely, front and rear, left and right, upward and downward. So the 3 mutually-vertical semicircular canals can monitor the movements. The number less than 3 or more than 3 would be insufficient or redundant. We can see the delicate and smart structure and function, and the supreme wisdom in them. They can’t be the accidental results. As the most important perception of human bodies, vision provides more information than that provided by all other perceptions. The vision is the perception of image and space and the visual organs must have the most precise and accurate structure completely different from other sensory organs. As a result, in the perspective of the embryo-genesis or neuro-anatomy, the main structure of the eyes is not just the common receptor. Instead, it is part of the cerebral cortex. The so-called optic nerves are completely different from other cerebrospinal nerves. In essence, the optic nerves are inner structure in the brain, transmitting the most sophisticated visual information. The eyes function like a precise camera. The retina composed of the photoreceptor cells is just like the films. The crystal, iris and the cornea works like the lens, diaphragm and the filter. However, the precision and automatic adjustment of the eyes is no match of any high-quality cameras. For example, the lens in modern cameras is made of special glass or hard plastics with fixed focal distance. When taking pictures for the landscapes with different distances, the lens position must be adjusted. Otherwise, the image will not be produced on the films. But this is an awkward approach. Imagine when the eyes are watching landscapes with different distances, the eyeballs have to protrude or recess alternatively, which looks ugly or damages the health and function of the eyes. However, the crystal in the eyes are transparent and elastic colloid, which can adjust automatically the focal distance in accordance with the distance of the objects to make sure all the objects can be imaged on the retina, without changing the position of the crystal. Such automatic adjustment function can’t be fulfilled by any camera. If we observe the eyes in the perspective of modern TV technologies, the eyes are more like the television camera, but thousands of times more precise than the television cameras. The TV image is composed of dense pixels (the mixed dark or brilliant light spots). Till now, the best TV image only contains less than 1 million pixels. However, the human eyes can produce image containing 20 billion pixels. Only the eyes can see the details of objects. No matter how clear or accurate the image is, it is still a plan view image. Then how the eyes can provide the dimensional image is a key issue of providing the complete vision. But it is not an easy task at all to convert the flat view image into the dimensional one. For a long time, people have been puzzled by how the conversion is done. Of course, we later knew the smartness and delicacy of the human body shown here. The two eyes send the flat view images they receive into the same nerve center, which contrasts and analyzes the images and judges the distance of the objects based on the slight visual angle difference caused by the position difference of the two eyes. Thus the dimensional image is produced. That’s why people have to have 2 eyes to establish the complete vision. Based on such understanding, humans have invented the dimensional movies. But the above is only the external process of how vision is formed. People have little knowledge about how the visual center works inside. We have to admit that the mysteries of human body structure and functions are beyond the intelligence of mankind. As a matter of fact, the distance judgment with two eyes is the triangulation technique which is precise and automatic. The accurate measurement needs two premises. First, the two eyes must focus on one object at the same time. Otherwise, there will be double vision, which means the one objects will be seen as two objects. As a result, the complete neuromuscular system is equipped on the outside of the eyeballs, making the eyeballs the most flexible and accurate organs. The ciliary muscle inside the eyeballs can adjust the conversion rate of the crystal at any time to focus on the object and form the clearest image. Second, the retina of the two eyes must be strictly symmetrical. Otherwise, the image contrast of the two eyes will become impossible. Furthermore, the images received by the two eyes must be transmitted at the same time to the same visual center for contrast and analysis. There are two visual nerves on the left and right side of the brain, supervising respectively the two sides of the vision field. The objects in the left of the vision field are reflected, via the eye pupil, on the retina of the right sides of the two eyeballs. The corresponding images in the two eyes, via the visual nerve, are sent to the visual center on the right side of the brain. The objects in the right of the vision field are reflected, via the eye pupil, on the retina of the left sides of the two eyeballs. The corresponding images in the two eyes, via the visual nerve, are sent to the visual center on the left side of the brain. The two visual nerves contrast the corresponding images coming from the eyes and produce the full-field dimensional images. The pairs of human parts are often symmetrical on the outside. Only the retinas are symmetrical in the same position. Namely, the left side is symmetrical to the left side and the right side symmetrical to the right side of the two retinas. That’s because the light rays come in directly. Otherwise, the visual centers can’t receive the corresponding images or get the coordinated vision. The structural symmetry of the retinas in the two eyes must be accurate to the utmost. Otherwise the images in the two eyes will not comply with each other and the ambiguity will occur. Besides, the corresponding images from the two eyes must be sent to the same visual center. Thus the optic nerves must have the corresponding special structure to realize the cross-transmission of the images. This is the unique “chiasma opticum” unique to the optic nerves. This function is not possessed by any other nervus cerebrospinalis because they don’t handle the information of images and space. If we use the computers and monitoring cameras to simulate the process of human vision, the input network of the computers has to have a similar chiasm. No other design can do it. Judging from the above, we can find all the human organs, structures and functions have shown the supreme wisdom. And these are the ways they should be. Some people think that human body has some useless organs, such as the thymus gland, appendix, tonsil and coccyx, in order to prove the human structure is imperfect. Some people used to believe that these organs were not that useful. Instead, they tend to arouse diseases such as appendicitis and tonsillitis. If these organs are cut off, it will not have much impact on the human body. In the past, people used to classify spleens and other organs into the useless organs. There was a list of useless organs in the past which included over 100 organs. But the list was long not because these organs are useless but because people at the time were ignorant. As more we know about the organs, most of them have been deleted from the list and there are only a few still remain in the list. Some people think that these organs are the leftovers of human evolution, which are called the “waste back organs” and use them as one of the evidences of evolution theory. This is a complete misunderstanding. Till not we have understood there are no such things as the “obsolescent organs”. It is simply the lack of knowledge of these organs. Take the thymus gland as an example. In the past, people didn’t know its function. Now we have understood it is the warning device of the human body against the inner and outer infection sources. As a result, the thymus gland contributes a lot to the human health. Another example, if the coccyx fractures, it will cause serious functional disturbance. So the coccyx is also an imperative part of human body. Some people might say these organs can trigger diseases. Then all human organs can lead to diseases, even brain and heart are of no exceptions. Why don’t we say the brain and heart are useless? Some organs, though they are not as important as the heart and brain and wouldn’t endanger life immediately when eliminated, are also useful. Just like if the hands or feet are lost, though not fatal, the human body is handicapped. After knowing the supreme and smart design of human structures and functions, you might want to know how they come into being. Who has designed and made such sophisticated and precise organs? We cannot avoid the question. Any truth-seeking person would admit that the extremely delicate organs and structures are not produced naturally or accidently. For instance, if someone gives you a top-class camera and tells you it is a natural one without designer or manufacturer; do you think his words are scientific and acceptable? The human body, which is even more delicate, accurate, flexible and practical, must have a supremely wise and capable creator behind it. On a spring Sunday morning in 1954, I saw a young stranger sitting in the chamber of a Church. When we started to talk, I knew that he was a student at Peking Union Medical College. He said to me, “Since I studied anatomy and physiology, I have felt the human body is really a wonder. It is not possible to understand it unless we interpret the wonder with a God.” He came to the church to seek an answer. The wonder of this young man is not the only example. I remember that when I was studying anatomy and physiology in school, some students surrounded our physiology teacher and kept asking him questions. Finally, the teacher, annoyed by so many questions, told us, “Please stop the questions because they will lead to religion in the end.” Because of the special political background at the time, the teacher’s warning silenced all the students. But his warning impressed me deeply and remained in my memory till today. My thought at that time was that the teacher was right because all the things were created by the God. Though he was not a Christian, he had to admit the truth and the further probe into the human body mysteries (part of the Universe mysteries) would definitely lead to the existence of the God (religion) in the end. Otherwise, it would be impossible to explain the wonders of the human body. The Bible says, “For the invisible things of him from the creation of the world are clearly seen, being understood by the things that are made, even his eternal power and Godhead; so that they are without excuse.”(1:20 Romans 1) Was the teacher demonstrating his scientific spirit? No. The scientific spirit means the truth and boldly pursuit of the truth without avoiding any controversy. The teacher knew very clearly that one more step forward would lead to the God but he dared not move onto the path towards the truth. Instead, he asked his students to stop there. It has shown that many people refuse to admit the existence of God not because they don’t have the scientific spirit but because of the social pressure, individual consideration for their interest and prospect, just as what the teacher was doing at that time. Nevertheless, the existence of the God would not change. And we cannot live in such considerations for the reality forever. One day in the future, when we have to face the ultimate choice, we will have to face the supreme master who has created the Universe and the human beings. The Bible says, “And as it is appointed unto men once to die, but after this the judgment.” If we don’t accept the immoral God now, we have no excuse when it comes to the day. When we talk about the origin of all things in the Universe, some young people often ask, “You have said the humans are created by the God, then who has created the God?” The analogizing logics seem to be reasonable. But it is not true. Because the God is the creator instead of the created, you can’t link these together. The table is made by the carpenter. But you cannot say the carpenter and the table have the same origin. Human benings’ understand of the God is only limited to the enlightenment from the God to the humans. Otherwise, humans cannot understand the mystery of God’s nature. The God says, “I am Alpha and Omega, the beginning and the ending, saith the Lord, which is, and which was, and which is to come, the Almighty.” (Exodus 3:14 and Revelation 1:8). For the God, there is only the eternality, and there is no time, beginning or ending. Even in the scientific field, too many analogizing questions won’t be tolerated. One scholar was talking about the belief in the God with his students. One student asked suddenly and proudly, “Where does the Universe come from?” The scholar answers, “The Universe is created by the God.” The student continued to ask, “Who has created the God?” The scholar answered, “The God is Alpha and Omega and I am not created.” The student said, “This is not scientific at all.” The scholar then asked the student, “Where does the Earth come from?” The student answered, “The Earth comes from the Sun.” The scholar continued to ask, “Where does the Sun come from?” The student answered, “The Sun comes from the Galaxy.” The scholar asked again, “Where does the Galaxy come from?” The student hesitated and answered, “The Galaxy comes from the nature.” The scholar continued to ask, “Where does the nature come from?” The student couldn’t answer this question and said in anger, “The nature is the nature and comes naturally.” The scholar then laughed, “This is not scientific at all.” So we can conclude that the “scientific” answers are not scientific. Another example is that the sciences tell people that substances are composed of the molecules. Then what are the molecules composed of? The molecules are composed of the atoms. But what are the atoms composed of? They are composed of the electrons, protons and neutrons. Then what are the electrons, protons and neutrons composed of? Till now, we cannot find an answer to this question. The atomic physicists are now working hard to find the “elementary particle”. They are called “basic particles” because the scientists don’t expect the substances to be divided limitlessly. So they believe that one day they will find the ultimate component, the “elementary particle”. Of course, the scientists will not ask such question of “what is something composed of?” This is the extremity and everything ends here. The materialists claim that the Universe is limitless and that the materials are eternal and can be divided limitlessly, etc. They are simply the groundless conclusion of the philosophers. And there is an extremity in their logics, the materials. They say that the materials are Alpha and Omega but can’t tell where the materials come from. Now let’s have a look at the math. All numbers come from 1, followed by 2, 3…. You can’t ask what the 1 is because 1 is 1, and not other numbers. It means that 1 is the origin of all numbers. The Greatest Creator has created all things and the Greatest Creator is the origin of them. It will be meaningless to ask where the Greatest Creator comes from.
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2024.05.19 10:57 jenajiejing The Secret of Human Bodies – Examples Proving the Existence of the Greatest Creator

The Secret of Human Bodies – Examples Proving the Existence of the Greatest Creator

Xue Feng

https://preview.redd.it/inye2mb6lc1d1.jpg?width=606&format=pjpg&auto=webp&s=91a7161a35c1824c81442d04ca1efb17d2cbda20
Though the modern medicine has limited knowledge of human bodies, what we have known is enough for us to admire the excellent human body structure and functions. Each system and organ in the human body is designed by the Greatest Creator. Even those trivial body parts have great functions. For example, there are several types of hairs on human bodies with distinct forms and functions. The head hair is designed to protect and beautify the head. It can grow long. According to the Bible, “But if a woman has long hair, it is a glory to her: for her hair is given her for a covering.” The eyebrows can divert sweat and rain, preventing them into the eyes. That’s why they are lined above the two eyes. Eyelashes can prevent the dust and other things from entering the eyes. That’s why they are lined on the sides of the eyelids. Also they stand forward in a special curve because it wouldn’t hinder the eyesight or pierce into the eyes when closing the eyes. If the eyebrows and eyelashes are too long, they will hinder the eyesight. That’s why they wouldn’t grow as long as the hair or beards. The nasal hairs can filter the inhaled air. That’s why they grow inside the nostril and stand sideways and outwards. If they stand inwards, the other things will find it easy to come into the nostrils and difficult to go out. The armpit hairs can prevent the partial friction and help the sweat evaporate. Without the armpit hairs, we have to raise our arms. Otherwise the skin under the arm will become inflamed because of the friction and moist. Required by the function, the armpit hairs cannot grow as long as the head hairs, or as short as the eyebrows. Besides, they are soft and curving. If they are rigid and coarse, they will hurt the skin. And cilia grow on the intestinal epithelium. The cilia grow downward and vibrate together. The vibrating waves move downward from upward to help move down the intestinal contents. Cilia also grow on the airway and bronchus epithelium. However, they grow and vibrate in the opposite direction as those on the intestinal epithelium. Only in this way can they move the sputum upward to the throat and spit them. If they grow downward, the airway and bronchus would get stuck by the sputum and the humans would die from it.
Now I wish to take two simple reflections of human bodies as an example. When foreign matters enter the nostrils or airways, they will arouse two protective reflections, sneeze or cough, which is designed to repel the foreign matters. But due to different situation, these two reflections differ in their approaches. The foreign matters in the nostrils are not urgent so the sneeze reflection can be prepared in a composed way. First, inhale slowly; open the mouth, and the soft place move upward to block the nostril. Then breathe in enough air through the mouth, and the pleural body contracts sharply to emit the air in the lungs quickly. When the emitting reaches its peak, the tongue rises abruptly to block the mouth to repel the air to go out swiftly through the nostrils. In this way the foreign matters in the nostrils are driven out. However, if the foreign matters enter the airway, it is an emergent situation. If the foreign matters are not driven out timely, the life will be put at risk. The inhaling is strictly forbidden because it will make the foreign matters go deeper and cause suffocation. So the cough doesn’t include the inhaling. Instead, the glottis closes immediately. At the same time, the pleural body contracts suddenly and adds the lung air pressure extremely. When the pressure is at its strongest point, the glottis opens suddenly and the lung air sends out explosively, compelling the foreign matters in the airway to the throat via the glottis. At this time, the soft place rises to block the nostrils. The foreign matters are spit out through the mouth. If the tongue and the soft place perform the same way as in the sneeze, the foreign matters emitted out of the airway will enter the nostrils, causing another trouble. In these two reflections, the body parts must cooperate closely. Any failure in the coordination will lead to the failure of the reflection, causing serious consequences. So these activities are not done freely. Instead, they are done as required by their functions and set procedures. These procedures are not learnt or practices. The program has been rooted in our brain nerve structure (nerve nucleus) when we are born. Otherwise, the babies will not survive.
The advanced computer science has made it possible to simulate these activities. However, the simulation requires 3 conditions: 1. Device simulating the inhale and exhaling of human mouth, nose, throat, pleural and the sensing device; 2. The central control equipment simulating nerves and body system (compute, input and output devices). The above two devices are hardware. And software is also needed, namely (3). A program composed in strict compliance with the requirements to control the performance and procedure of each link, and arrange them in perfect coordination. All the three conditions are imperative. Otherwise the reflections can’t be realized. The program itself is not a substance structure. Instead, it is a smart use and spiritual result. There will be no such a thing as the program without the smart use. So we have to ask, the program is composed by the humans and stored in the computer, how about the control program in the human brain. Is it also composed by someone and stored in the human brain? Sneeze and cough are the simplest examples. There are numerous automatically controlled physical, bio-chemical and pathological human body activities, which are even more sophisticated than reflections of cough. Even today, some of them remain mysteries to us. So how are these sophisticated control programs composed? And where do they come from?
Now let’s have a look at the sensory organs on human bodies. Why do we have two ears? The reason is that one ear is not able to identify the direction. With the ears lying on two sides of the head, the sound reaches the ears in sequence of time. Based on the slight receiving time difference, the brain can judge where the sound comes from. The auricle is the most outward component of the ear. It can introduce the sound into the external auditory canal. Within the auricle there is a thin layer of cartilage helping to retain the form of auricle, giving it wonderful elasticity and protecting it from the clashes. Without the cartilage, the auricle is just two useless pieces of skin hanging on the head side. If the thin bone is inside the auricle, it will break easily even if when you are sleeping on your side, damaging the auricle. There is fuzz on the outer segment of the external auditory canal preventing the sand and dust. The inner segment secretes cerumen to prevent insects. When foreign matters enter the external auditory canal, it will trigger head shaking, instead of sneeze or cough, to get the matters out. Because the external auditory canal is a blind passage, it is impossible to repel the foreign matters with air.
Why don’t the foreign matters in the nostrils arouse the head-shaking reflection to repel them? That’s because the nostrils of humans almost lie in the middle of the head. The shaking is not able to produce enough centrifugal force. Besides, the human nostrils face downward and it is improper to repel the foreign matters by shaking the head. The sound is produced by the mechanical vibration of objects and is transmitted by the air fluctuation, or the sound waves. The human ears are actually working like a precise mechanical vibration monitor. In the inner ear there are a number of keyboards with different sizes, producing nerve impulses produced by echoing with corresponding frequencies. The brain, in accordance with the features of these impulses, identifies the strength, tunes and timbre of the sounds.
We must note though there are many sensory organs in human bodies, only the inner ear is protected by the most solid and firm bones. In fact, it lies in the cave part of the temporal bone. Of all the sensory organs, only the ears monitor the mechanical vibration, which needs a relatively fixed position. Otherwise, it is not able to monitor the sound. If the inner ear lies in the soft tissues, when the sound wave arrives, the inner ear will vibrate with it. Thus it can hear nothing. Now the inner ear lies in the firm bone and it can’t sense the air vibration. So it is imperative to reduce the density waves to the mechanical vibrations before sending them to the inner ear. And there is such a reduction device at the middle bottom of the external auditory canal, which is called the eardrum. The eardrum has enough space to receive the air pressure. It is thin enough to vibrate when the sound wave arrives. Meanwhile, the eardrum is strong enough to push the transmission device. The long handle of the middle ear cartilage is attached to its inner side, the tensile force of which makes the eardrum sink inside slightly to maintain certain tension. This allows the eardrum to accurately reduce the arriving sound waves into the mechanical vibrations. No matter what the temperature is, the vibration function is not impacted. After the sound waves are reduced into the mechanical vibration, some rigid objects are needed to transmit the vibration to the inner ear. Of all body tissues, the most rigid objects are the bones. However, the bones are heavy in general and covered by the soft tissues, which are not suitable for the audio vibration. However, in the tympanic cavity between the eardrum and the inner ear, there are three unique tiny bones with delicate forms measured in millimeters. They are almost completely exposed to the air in the tympanic cavity. These three tiny bones are connected by ligament and form a transmission chain in curve with excellent audio vibration function, able to transmit accurately the vibration of the eardrum to the inner ear. The transmission device can properly multiply the weak vibration and reduce the strong sound wave. All of these structures are the super designs required by the acoustics.
There are even smarter designs in the hearing organ. For example, to make the eardrum vibrate freely following the arriving sound waves, the two sides of the eardrums must be exposed to the air. As a result, there is a tympanic cavity full of air in the middle ear. If the cavity is filled by liquids, just as other cavities are, the eardrum is not able to vibrate because the liquids can’t contract. Besides, the cavity does not only need to be filled with air, but also needs to be connected to the outside world with a proper passage, to balance the static air pressure in the cavity with the outside air pressure. Otherwise, the air in the cavity will gradually be absorbed, causing the eardrum to sink excessively or damaging it. When the outside air pressure changes, (such as in mountain climbing, diving, the airplane takeoff or climate change), it will arouse uncomfortable feelings or lead to hearing malfunction. But the middle ear can’t be opened to the outside world directly, just like the external auditory canal or nostrils can. The reason is that the direct exposure will make the arriving waving sound reach the two sides of the eardrums at the same time via the external auditory canal and middle ear passage, counteracting the sound pressure. Thus the eardrums will not vibrate at all, unable to produce the hearing. So it is a difficult problem to connect the middle ear and the outside world. However, the human body, with a smart design, solves this problem. The middle ear is opened at the two sides in the upper rear of the pharynx via a half-opened passage (the so-called auditory tube). The auditory tube is locked in common times and only opened temporarily when taking the swallowing actions, balancing the air pressure in the middle ear shortly. After the swallowing action is over, the auditory tube is locked again. Apart from eating, human body would regularly take swallowing action unconsciously, even when he or she is sleeping. Thus the air pressure in the middle ear can be adjusted from time to time and avoid the hearing from being hindered. Besides, when swallowing, the swallowing segment and the soft palate will definitely rise, blocking the mouth and nostrils against the outside world. So on the moment when the ear and throat are opened shortly, though the air in the throat can enter the middle ear, the sound waves from the outside world are blocked against the middle ear. As a result, the hearing will not be interfered and can receive the outside sound and voice. Only the throat in the body can meet the special demand of the hearing organs. The throat is originally designed as part of the digestion and breathing system, it does not belong to sensory system. However, it can cooperate so smartly with the hearing organs. We have to admire the extremely delicate body-wise design.
The vestibule in the inner ear controls the balance of the body. In the vestibule there are 3 semicircular canals. When the body loses balance, the mutually-vertical semicircular canals produce the balance impulse, which triggers the corresponding reflection via the balance center in the medulla brain. Why are there 3 semicircular canals instead of 2 or 4? And why are they mutually vertical? The reason is apparent. Humans live in the 3-dimensional space. There are 3 mutually-vertical movement directions, namely, front and rear, left and right, upward and downward. So the 3 mutually-vertical semicircular canals can monitor the movements. The number less than 3 or more than 3 would be insufficient or redundant. We can see the delicate and smart structure and function, and the supreme wisdom in them. They can’t be the accidental results.
As the most important perception of human bodies, vision provides more information than that provided by all other perceptions. The vision is the perception of image and space and the visual organs must have the most precise and accurate structure completely different from other sensory organs. As a result, in the perspective of the embryo-genesis or neuro-anatomy, the main structure of the eyes is not just the common receptor. Instead, it is part of the cerebral cortex. The so-called optic nerves are completely different from other cerebrospinal nerves. In essence, the optic nerves are inner structure in the brain, transmitting the most sophisticated visual information. The eyes function like a precise camera. The retina composed of the photoreceptor cells is just like the films. The crystal, iris and the cornea works like the lens, diaphragm and the filter. However, the precision and automatic adjustment of the eyes is no match of any high-quality cameras. For example, the lens in modern cameras is made of special glass or hard plastics with fixed focal distance. When taking pictures for the landscapes with different distances, the lens position must be adjusted. Otherwise, the image will not be produced on the films. But this is an awkward approach. Imagine when the eyes are watching landscapes with different distances, the eyeballs have to protrude or recess alternatively, which looks ugly or damages the health and function of the eyes. However, the crystal in the eyes are transparent and elastic colloid, which can adjust automatically the focal distance in accordance with the distance of the objects to make sure all the objects can be imaged on the retina, without changing the position of the crystal. Such automatic adjustment function can’t be fulfilled by any camera.
If we observe the eyes in the perspective of modern TV technologies, the eyes are more like the television camera, but thousands of times more precise than the television cameras. The TV image is composed of dense pixels (the mixed dark or brilliant light spots). Till now, the best TV image only contains less than 1 million pixels. However, the human eyes can produce image containing 20 billion pixels. Only the eyes can see the details of objects. No matter how clear or accurate the image is, it is still a plan view image. Then how the eyes can provide the dimensional image is a key issue of providing the complete vision. But it is not an easy task at all to convert the flat view image into the dimensional one. For a long time, people have been puzzled by how the conversion is done. Of course, we later knew the smartness and delicacy of the human body shown here. The two eyes send the flat view images they receive into the same nerve center, which contrasts and analyzes the images and judges the distance of the objects based on the slight visual angle difference caused by the position difference of the two eyes. Thus the dimensional image is produced. That’s why people have to have 2 eyes to establish the complete vision. Based on such understanding, humans have invented the dimensional movies. But the above is only the external process of how vision is formed. People have little knowledge about how the visual center works inside. We have to admit that the mysteries of human body structure and functions are beyond the intelligence of mankind.
As a matter of fact, the distance judgment with two eyes is the triangulation technique which is precise and automatic. The accurate measurement needs two premises. First, the two eyes must focus on one object at the same time. Otherwise, there will be double vision, which means the one objects will be seen as two objects. As a result, the complete neuromuscular system is equipped on the outside of the eyeballs, making the eyeballs the most flexible and accurate organs. The ciliary muscle inside the eyeballs can adjust the conversion rate of the crystal at any time to focus on the object and form the clearest image. Second, the retina of the two eyes must be strictly symmetrical. Otherwise, the image contrast of the two eyes will become impossible. Furthermore, the images received by the two eyes must be transmitted at the same time to the same visual center for contrast and analysis. There are two visual nerves on the left and right side of the brain, supervising respectively the two sides of the vision field. The objects in the left of the vision field are reflected, via the eye pupil, on the retina of the right sides of the two eyeballs. The corresponding images in the two eyes, via the visual nerve, are sent to the visual center on the right side of the brain. The objects in the right of the vision field are reflected, via the eye pupil, on the retina of the left sides of the two eyeballs. The corresponding images in the two eyes, via the visual nerve, are sent to the visual center on the left side of the brain. The two visual nerves contrast the corresponding images coming from the eyes and produce the full-field dimensional images. The pairs of human parts are often symmetrical on the outside. Only the retinas are symmetrical in the same position. Namely, the left side is symmetrical to the left side and the right side symmetrical to the right side of the two retinas. That’s because the light rays come in directly. Otherwise, the visual centers can’t receive the corresponding images or get the coordinated vision. The structural symmetry of the retinas in the two eyes must be accurate to the utmost. Otherwise the images in the two eyes will not comply with each other and the ambiguity will occur. Besides, the corresponding images from the two eyes must be sent to the same visual center. Thus the optic nerves must have the corresponding special structure to realize the cross-transmission of the images. This is the unique “chiasma opticum” unique to the optic nerves. This function is not possessed by any other nervus cerebrospinalis because they don’t handle the information of images and space. If we use the computers and monitoring cameras to simulate the process of human vision, the input network of the computers has to have a similar chiasm. No other design can do it. Judging from the above, we can find all the human organs, structures and functions have shown the supreme wisdom. And these are the ways they should be.
Some people think that human body has some useless organs, such as the thymus gland, appendix, tonsil and coccyx, in order to prove the human structure is imperfect. Some people used to believe that these organs were not that useful. Instead, they tend to arouse diseases such as appendicitis and tonsillitis. If these organs are cut off, it will not have much impact on the human body. In the past, people used to classify spleens and other organs into the useless organs. There was a list of useless organs in the past which included over 100 organs. But the list was long not because these organs are useless but because people at the time were ignorant. As more we know about the organs, most of them have been deleted from the list and there are only a few still remain in the list. Some people think that these organs are the leftovers of human evolution, which are called the “waste back organs” and use them as one of the evidences of evolution theory. This is a complete misunderstanding. Till not we have understood there are no such things as the “obsolescent organs”. It is simply the lack of knowledge of these organs. Take the thymus gland as an example. In the past, people didn’t know its function. Now we have understood it is the warning device of the human body against the inner and outer infection sources. As a result, the thymus gland contributes a lot to the human health. Another example, if the coccyx fractures, it will cause serious functional disturbance. So the coccyx is also an imperative part of human body. Some people might say these organs can trigger diseases. Then all human organs can lead to diseases, even brain and heart are of no exceptions. Why don’t we say the brain and heart are useless? Some organs, though they are not as important as the heart and brain and wouldn’t endanger life immediately when eliminated, are also useful. Just like if the hands or feet are lost, though not fatal, the human body is handicapped.
After knowing the supreme and smart design of human structures and functions, you might want to know how they come into being. Who has designed and made such sophisticated and precise organs? We cannot avoid the question. Any truth-seeking person would admit that the extremely delicate organs and structures are not produced naturally or accidently. For instance, if someone gives you a top-class camera and tells you it is a natural one without designer or manufacturer; do you think his words are scientific and acceptable? The human body, which is even more delicate, accurate, flexible and practical, must have a supremely wise and capable creator behind it.
On a spring Sunday morning in 1954, I saw a young stranger sitting in the chamber of a Church. When we started to talk, I knew that he was a student at Peking Union Medical College. He said to me, “Since I studied anatomy and physiology, I have felt the human body is really a wonder. It is not possible to understand it unless we interpret the wonder with a God.” He came to the church to seek an answer. The wonder of this young man is not the only example. I remember that when I was studying anatomy and physiology in school, some students surrounded our physiology teacher and kept asking him questions. Finally, the teacher, annoyed by so many questions, told us, “Please stop the questions because they will lead to religion in the end.” Because of the special political background at the time, the teacher’s warning silenced all the students. But his warning impressed me deeply and remained in my memory till today. My thought at that time was that the teacher was right because all the things were created by the God. Though he was not a Christian, he had to admit the truth and the further probe into the human body mysteries (part of the Universe mysteries) would definitely lead to the existence of the God (religion) in the end. Otherwise, it would be impossible to explain the wonders of the human body. The Bible says, “For the invisible things of him from the creation of the world are clearly seen, being understood by the things that are made, even his eternal power and Godhead; so that they are without excuse.”(1:20 Romans 1) Was the teacher demonstrating his scientific spirit? No. The scientific spirit means the truth and boldly pursuit of the truth without avoiding any controversy. The teacher knew very clearly that one more step forward would lead to the God but he dared not move onto the path towards the truth. Instead, he asked his students to stop there. It has shown that many people refuse to admit the existence of God not because they don’t have the scientific spirit but because of the social pressure, individual consideration for their interest and prospect, just as what the teacher was doing at that time. Nevertheless, the existence of the God would not change. And we cannot live in such considerations for the reality forever. One day in the future, when we have to face the ultimate choice, we will have to face the supreme master who has created the Universe and the human beings. The Bible says, “And as it is appointed unto men once to die, but after this the judgment.” If we don’t accept the immoral God now, we have no excuse when it comes to the day.
When we talk about the origin of all things in the Universe, some young people often ask, “You have said the humans are created by the God, then who has created the God?” The analogizing logics seem to be reasonable. But it is not true. Because the God is the creator instead of the created, you can’t link these together. The table is made by the carpenter. But you cannot say the carpenter and the table have the same origin. Human benings’ understand of the God is only limited to the enlightenment from the God to the humans. Otherwise, humans cannot understand the mystery of God’s nature. The God says, “I am Alpha and Omega, the beginning and the ending, saith the Lord, which is, and which was, and which is to come, the Almighty.” (Exodus 3:14 and Revelation 1:8). For the God, there is only the eternality, and there is no time, beginning or ending.
Even in the scientific field, too many analogizing questions won’t be tolerated. One scholar was talking about the belief in the God with his students. One student asked suddenly and proudly, “Where does the Universe come from?” The scholar answers, “The Universe is created by the God.” The student continued to ask, “Who has created the God?” The scholar answered, “The God is Alpha and Omega and I am not created.” The student said, “This is not scientific at all.” The scholar then asked the student, “Where does the Earth come from?” The student answered, “The Earth comes from the Sun.” The scholar continued to ask, “Where does the Sun come from?” The student answered, “The Sun comes from the Galaxy.” The scholar asked again, “Where does the Galaxy come from?” The student hesitated and answered, “The Galaxy comes from the nature.” The scholar continued to ask, “Where does the nature come from?” The student couldn’t answer this question and said in anger, “The nature is the nature and comes naturally.” The scholar then laughed, “This is not scientific at all.” So we can conclude that the “scientific” answers are not scientific. Another example is that the sciences tell people that substances are composed of the molecules. Then what are the molecules composed of? The molecules are composed of the atoms. But what are the atoms composed of? They are composed of the electrons, protons and neutrons. Then what are the electrons, protons and neutrons composed of? Till now, we cannot find an answer to this question. The atomic physicists are now working hard to find the “elementary particle”. They are called “basic particles” because the scientists don’t expect the substances to be divided limitlessly. So they believe that one day they will find the ultimate component, the “elementary particle”. Of course, the scientists will not ask such question of “what is something composed of?” This is the extremity and everything ends here. The materialists claim that the Universe is limitless and that the materials are eternal and can be divided limitlessly, etc. They are simply the groundless conclusion of the philosophers. And there is an extremity in their logics, the materials. They say that the materials are Alpha and Omega but can’t tell where the materials come from. Now let’s have a look at the math. All numbers come from 1, followed by 2, 3…. You can’t ask what the 1 is because 1 is 1, and not other numbers. It means that 1 is the origin of all numbers. The Greatest Creator has created all things and the Greatest Creator is the origin of them. It will be meaningless to ask where the Greatest Creator comes from.
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2024.05.19 08:06 Mantis_Shrimp47 The monster in the sand dunes turned my brother into a bird

"You gotta know that there's an art to it, Ezra," Hitch said, cutting another piece of duct tape.
The sleeves of his weather-beaten coat were shoved all the way up his arms, to stop the fabric from falling over his knuckles while he was working, and goosebumps lined his skin. He was strapping a rubber chicken to the back of his truck, over the lens of the shattered backup camera, with the legs pointing down so that they hung a couple inches above the ground. There were dents in the hood from the crash last week, and scratches along the door from scraping into a curb. The chicken, hopefully, would keep him from breaking anything else.
"You can't go cheap," Hitch said. "The cheap rubber chickens only make noise when pressure lets go. That's no good. As soon as I back up into something, I want this chicken to be screaming like it’s in the depths of hell."
“Sure thing,” I said in a monotone, leaning against the side of the truck.
There were scrambled electronic parts piled in the back of the truck, the innards of a radio, a broken computer, tangled wires, a couple loose pairs of earbuds. He found the parts in alleyways or bummed them off his friends for a couple bucks or stole them from the vacation homes that were left empty for most of the year. Then he sold them for a profit at the scrapyard. Hitch had bounced between minimum-wage jobs for a while after high school, spending a couple months as a bagger at the grocery store or as a seasonal worker at the farm two hours down the highway. He'd never stuck with it. At the very least, the scrapyard got him enough money to eat and occasionally spend a night in a motel when he got tired of sleeping in his car.
Hitch pressed the last piece of tape in place and grinned up at me. "I've got something for you, duck."
The nickname came from when I’d broken my leg as a child and waddled around in a cast until it was healed. I hated it with a burning passion, and I glared at Hitch with the ease of twenty-one years of practice. He had a duck tattoo at the base of his thumb that he’d gotten in a back-alley shop as a teenager. He said that he’d gotten it to remind him of me, and the fact that I hated the nickname was just a bonus. It was shaky-lined, with an uneven face, but he loved it anyway.
The handle stuck when Hitch tried to open the door, a consequence of the rust collecting in the crevices of the car and running down the sides like blood from a cut. The car groaned when the door finally popped open, a metal against metal screech that had me flinching away. Hitch dug through the cluttered fast food containers in the passenger-side footwell, eventually coming up with a crinkly paper bag. He waved away the flies buzzing around the opening of the bag and held it out to me.
The last time Hitch had brought me food, I’d gotten food poisoning because he’d left it out in the midday sun for two days. The donut was squished slightly, and the icing was stuck to the bag. I still ate it, grimacing at the harsh citrus flavor. Taking Hitch’s food was an instinct engraved from the days when Dad had given us a can of kidney beans for dinner and Hitch had drank the juice, leaving the beans for me.
I rarely went hungry anymore, three mostly square meals a day and granola in my pockets just in case, but habits didn’t die easy.
These days, Hitch only brought me food when he wanted my help, like when he saw a place he wanted to hit but was worried about doing it alone.
I got in the car, like I always did.
We drove past the cluster of seafood-themed restaurants with chipped paint decks, the beachfront park where there were always shifty-eyed men sitting under the slide, the single room library where all the books had been water damaged in the flood last year. The change was quick as we drove across Main Street, heading closer to the beach. The roads were freshly paved, the concrete a smooth black except where the sun had already started to pick away at it. The three-story homes lining the sides of the street were crouched on elegant stilts, with space underneath for a car or three. Most of the garages were empty, with the lights off and curtains drawn in the house. Come summer, the streets would be swarming with tourists and vacationers, but until then, most of the buildings nearest to the beach were unoccupied.
Hitch stopped as the sun started to go down at a house that was leaning precariously out towards the beach, tilted ever so slightly, the edge of its foundation buried in the shifting sand of the beach. It certainly looked deserted, with an overgrown yard and blue paint peeling off the door in sheets.
Hitch took his hammer out of the backseat, hoisting it over his shoulder. It was two feet of solid metal with rags wrapped around the head to muffle the sound of the hits. Hitch squared up, bending his knees and holding the hammer like a baseball bat. Before he could swing, though, the door creaked open on its own, the hinges squeaking. The house beyond was dark enough that I could only make out general shapes, glimpsing the curve of a sofa to the left, what was maybe the shimmer of a chandelier on the other side.
Hitch lowered his hammer, looking vaguely disappointed that he didn’t get to use it. “That’s…weird as hell.”
“Maybe the deadbolt broke, maybe they forgot to lock it, it doesn’t matter,” I hissed, checking our surroundings for other people again. “Just hurry up and get inside before someone calls the cops.”
Hitch flicked the lightswitch on the wall, and the lights flickered on. They were dim, buzzing audibly and blinking off occasionally. The walls were plastered with contrasting swatches of wallpaper and splattered with random colors. There was neon orange behind the dining table, a galaxy swirl in the kitchen, and on the ceiling there was a repeating floral pattern covered in nametag stickers. Each of the stickers was filled out with The Erlking. Chandeliers hung in every room, three or four for each, and rubber ducks sat on every table. A miniature carousel sat in the corner along with a towering model rocket.
Sand was heaped on every surface, at least a couple inches everywhere. It was piled in the corners and stuck to the walls, and it covered the floor in a thick blanket. Our hesitant steps into the house left footprints clearly outlined in the sand.
Hitch took a cursory look around and headed immediately for the TV mounted on the wall. “Look out the windows and tell me if anyone is coming.”
I shook the sand out of the blinds and pulled them open, then had to brush sand off of the window before I could see anything.
Hitch was quick, practiced at finding and appropriating the things that were worth taking. He came back to me with an armful of electronics and chandeliers, dumping it at my feet before turning to head deeper into the house again.
There was a thump, somewhere upstairs, and then footsteps, slow and deliberate. Hitch froze at the threshold of the room, then ran for the door with me just ahead of him, sand flying out from under our feet.
My hand was almost brushing the doorknob, close enough that I could see the light from the streetlamp outside streaming in through the cracks in the door. My fingers touched the wood and it gave under my touch, becoming malleable and warm. I yelped, stumbling backwards, and the door started to melt. The paint ran down in thick drops, pooling at the bottom of the door, and the wood warped like metal being welded. The soft edges of the door ran into the walls until there was no sign of an exit ever being there.
“Well, well, well,” said a cultured voice with just an edge of snooty elitism. “What do we have here?”
The man was well over eight feet tall, with long black hair covering his eyes. He was wearing a yellow raincoat with holes cut out of the hood to accommodate the deer antlers jutting upwards from his head. There was sand settled on his shoulders and hovering around his head like a halo.
“Who the fuck are you?” Hitch said, inching towards a window.
He smiled, just a little bit, and his teeth shone in the dim light. “I am the Erlking.”
Hitch nodded, and seemed about to respond. I grabbed him by the hand and pulled him towards the window. I could feel sand in the wind roaring against my back as the Erlking growled in anger, the grains scraping harshly against my cheeks.
We were almost to the window when Hitch was ripped away from me, and I came to a startled halt. The sand had formed long grasping arms that pressed Hitch against the floral wallpaper. His wrists were held tight, and as I watched, a sandy hand wrapped around his mouth and forced its way between his teeth. He gagged, and sand trickled out of the corners of his mouth.
The Erlking strolled towards him, not seeming to be in any sort of rush. “You know, I’m not very fond of your yapping.”
He made an idle gesture and the sand wrapped around my ankles, tethering me in place.
“I yap all the time,” Hitch said. “Three-time olympic yapper, that’s me. Best to just let me go now and save yourself some trouble.”
The Erlking tapped a manicured nail against Hitch’s mouth, hard enough to hurt, judging by the way he flinched away. “But why would I ever let you go when I’ve gone to this much trouble to catch you and your sister? It’s so hard, these days, to find people that no one will miss.”
Hitch struggled against the sand, trying to escape and failing. “What do you want with us, then? You just said it, we’re nobody.”
“I’m fae, dear one,” the Erlking said. “I get my power from my followers. And I think that you two will make lovely additions to my flock.”

He flicked Hitch's nose and Hitch gasped. Feathers started to form on his arms, popping out from under his skin in a spray of blood.
Hitch pushed off the wall, using his bound hands as a fulcrum, and his knees crashed into the Erlking’s stomach. The Erlking fell backwards, wheezing, and the sand around my ankles loosened.
Hitch made desperate eye contact with me as feathers shot up his neck and jerked his head towards the window. The message was obvious. Run.
The last thing I saw before crashing out the window and into freedom was Hitch’s body twisting, his arms wrenching into wings and feathers covering every inch of his skin. By the time I landed on the concrete outside, he was a small black bird, held tightly in the Erlking’s hands. The whole building was sinking into the ground, burnished-gold sand piling up over top and streaming from the windows.
Thirty years later, I saw Sam’s Supernatural Consultation and Neutralization written in neat, looping handwriting on a piece of paper taped to the door. The tape was peeling at the corners and the paper was yellowed with age, but there was obviously care put into the sign, in its perfectly centered text and looping floral designs drawn over the edges in gold marker.
I knocked, hesitantly, drawing my woolen coat closer around my shoulders. I’d bought it as a fiftieth birthday gift for myself, and I took comfort in the heavy weight of it over my shoulders.
“Coming!” someone called from within the depths of the office.
There were a couple crashes, and the sound of paper shuffling. Eventually, the door was opened by a young woman with ketchup stains on her shirt and pencils stuck through her hair.
“Hi, I’m Sam, I specialize in supernatural consultation and hunting, how may I help you today?” Sam said, customer-service pep in her voice. She stood in the doorway, solidly blocking entry into the office.
“My name is Ezra, I’m for a consultation. I emailed you but you didn’t respond?” I shifted in place, suddenly feeling awkward.
“Oh! Yeah, I lost the password for the email ages ago. Sorry for the bad welcome, I get lots of people thinking I’m crazy or pulling a prank and harassing me.”
She ushered me into the office, clearing papers off one of the chairs to make room for me to sit down. There was a collection of swords along one wall, all of them polished to perfection, several with deep knicks in the metal which indicated that they’d been used heavily.
“So what can I help you with?” Sam asked again, more sincere this time.
“Thirty years ago, my brother was turned into a bird,” I started. I’d told this story so many times that it barely felt ridiculous to say anymore. I was used to the disbelieving looks, the careful pity. But Sam just nodded along, face open and welcoming.
“I’ve almost given up on finding him, at this point,” I said. “But I saw your ad in the newspaper, and…here I am, I suppose.”
“Here you are,” Sam echoed, smiling. She pulled one of the pencils out of her hair and took a bit of paperwork off of one of her stacks, turning it over so that the blank side sat neatly in front of her. “Tell me everything.”
I told Sam everything, and she wrote it all down, pencil scratching along the paper.
The last part of the story was always the hardest to tell. “I left him there. I ran and I didn’t look back.”
I had been to dozens of detectives and investigators over the years, once the police had dropped Hitch’s case. I’d been to professional offices with smartly-dressed secretaries and met scraggly men in coffee shops. All of them had given me the same look, pity and annoyance all mixed up into a humor-the-crazy-lady soup. Sam, though, just seemed thoughtful.
Sam leaned forward and put a hand over mine, carefully, like she thought that I would pull away. “Sometimes you have to leave people behind.”
I tightened her hold on Sam’s hand and drew it towards me, like I could make Sam listen if only I squeezed tight enough. “But that’s why I’m here. I don’t want to leave him behind.”
“Okay then. I’ll do my best to help you.” Sam agreed, finally. Then she paused, and said softly, “You know…I think I met your brother once. He might have saved my life. He’s certainly why I started in this business.”
“Really? What happened?” I asked.
This is the story that Sam told me, related to the best of my abilities:
It was a new moon, so the only illumination came from the stars gazing idly down and distant porch lights shining across the scraggly brush of the dunes. Sam’s neighbors were decent people who cared about baby turtles, so the lights were a low, unobtrusive red, and the ocean sloshed like blood. Sam walked on the beach almost every night, drawing back the gauzy pink curtains and clambering out her bedroom window. She didn’t often bother to be quiet; her mama worked the late shift and came home exhausted. As long as Sam got home before the sun, her mama would never find out that she paced the shoreline and dreamed of inhaling sand until her lungs became their own beach.
The sky was lightening. The sun would come up soon, and that meant Sam’s time on the beach was over. She needed to get back to her real life, go to her fifth grade class and stop that nonsense, as her mother would say. Her mother loved to say things like that, pushing Sam into her proper place by implication alone.
“She’s a good kid, of course, but she’s a bit…” Her mother would trail off there, usually getting a commiserating expression from whoever she was talking to. Sam always wondered how that sentence would have finished. She’s a bit strange, maybe. She’s a bit intense. She’s a bit abrasive. She’s quiet enough but when Jason tried to steal her pencil in math class, she stabbed him in the hand so hard that the lead tattooed him.
Her mother was better, for the most part. The days of her stocking up the fridge, and leaving a post-it note on the counter, and leaving for days at a time were gone. But Sam still stepped around the place on the kitchen tile where her mother had collapsed and caved her head in, even though the bloodstains had been replaced with new tile.
“Your auntie got an abortion, you know,” her mother had said from her place on the couch, slurring her words. “Pill in the mail and then bam, no more baby.”
She had clapped her hands together to illustrate her point. Her mother jerked forward and grabbed Sam by the wrist, then, staring up at her until Sam met her eyes.
“I love you, you know? But sometimes I wonder…” She settled back onto the couch. “Yeah. I wonder.”
She’d gotten up, then, back to the kitchen. She’d been stumbling, a shambling zombie of a woman. The ground in the entryway of the kitchen was raised, ever so slightly, and her mother went down hard. Her head cracked against the tile, chin first, and she didn’t move.
Sam had been the one to call the ambulance. She had stared at the scattering of loose teeth on the ground while she waited, and considered what her life would be like with a dead mom. Not so bad, she thought, and immediately felt guilty for it.
Her mom was better, now, for the most part. But Sam still stepped around the place on the kitchen floor where she had collapsed. There was still a matchbox hidden under her bed with the gleaming shine of her mother’s lost teeth, two canines and a molar. It was nice, having a piece of her mom to keep. Even if she left again, Sam would still have part of her.
Sam sighed, and turned away from the ocean. As she faced towards the low dunes further up the beach, she saw a sandcastle sitting nestled among them. It was such a strange sight that her eyes skipped over it at first, almost automatically, disregarding it because it was so out of place.
Sam found sandcastles out on the beach sometimes, usually half-collapsed and on the verge of being washed away by the waves, but she had never seen anything like the sandcastle in front of her. It was life-sized, something that wouldn’t have looked out of place in the Scottish highlands, with spires shooting up above her head and carefully etched out bricks lining each side. The front wall was dominated by an arched set of double doors, twice her height, with a portcullis nestled at the top, ready to be dropped. All of it was lovingly detailed, down to the rust on the tips of the towers and the wood grain of the door. It was made out of wet, densely-packed sand, held together impossibly. It had not been there two hours ago, when she had come to the beach.
There was a bird sitting on the overhang of the door, small and black.
As soon as she took a step towards the sandcastle, the bird shook out its feathers and swooped down towards Sam, landing at her feet with a little stumble.
“Hey, kid, get out of here,” said the bird.
Sam closed her eyes, very deliberately. When she opened them, the bird was still there. Sam considered herself a very reasonable person, so she immediately drew the most logical conclusion. The bird was, she was almost certain, a demon.
“Trust me, you don’t want to run into Mr. Salty, the queen bitch himself,” the bird said.
“Mr. Salty?” Sam inquired, polite as she knew how to be. She edged to the side, trying to get a good angle to kick the bird like a soccer ball.
The bird did something similar to a wince, all its feathers fluffing up then settling back down. “Ah, don’t call him that. He’d turn you into a toad.”
The bird gestured with its head, towards the looming sand structure. “That’s his castle. He’s in there, probably scuttling along the ceiling or some shit because that’s the sort of weirdo he is.”
Sam nodded, encouraging. She pulled back her foot and lined up her shot, the way she’d seen athletes do on TV. She aimed right for its sharp beak and let loose. The bird saw it coming, its beady eyes widening, and it cawed in distress. It flapped away, avoiding her kick only to fall backward into the sand in a scramble of wings.
“What’s your fucking problem?” it squawked. “I was trying to help you!”
“I don’t need the help of a demon,” Sam yelled, trying to remember the exorcism that her mama had taught her once, because her mama believed in being prepared for anything.
“I’m not a demon,” the bird said indignantly.
It was at about that moment that Sam gave up and just decided to roll with it.
“What are you, then?” Sam asked.
The bird shuffled its clawed feet, looking about as awkward as it could, given that it didn’t really have recognizable facial expressions. “Technically I’m a familiar of the Erlking, prince of the fae, but I prefer to be called Hitch.”
“You can’t blame me for assuming, though,” Sam said. “Ravens do tend to be associated with murder.”
“Hey, excuse you,” Hitch said. “I’m a rook, not a raven. Ravens are way bigger.”
“Sure,” Sam said, not really paying attention. Her eyes had caught on the details of the sandcastle, and she was transfixed by the slow spirals of the sand, the strange beauty of it. She found herself stepping towards the great doors, lifting a hand to knock, and as she did, the sand warped in front of her eyes, heaving itself towards her with bulging slowness. The door creaked open before her, revealing a vast, empty room. Just before she stepped inside, she felt a piercing pain in her foot, and she yelped, leaping backwards.
Hitch pecked her again, really digging his beak in. “Don’t be an idiot.”
Sam glared at him, rubbing her foot. About to retort, she finally really took in the room inside the sandcastle, and her words died in her throat.
There was a body just past the threshold of the door, face down and limbs hanging limp at its sides. Long hair splayed out in a halo around its head.
“Don’t,” Hitch warned, suddenly serious. “Just leave, kid, I mean it. I’ve seen too many people go down this road and you don’t want to be one of them.”
Sam ignored him. She made her way across the beach, slipping with every step. The sand felt deeper, piling up around her feet in silent drifts. She picked up the nearest stick and poked the body with it through the door, ready to leap back if anything went wrong, staying firmly outside of the sandcastle.
This close, Sam could tell that it used to be a woman. Her head wasn’t attached to her body. It hadn’t been a clean amputation, either. Her upper body was bruised, with chunks taken out of it, and the bones in her neck hung mangled, not connected to anything.
“Well, I warned you,” Hitch said, defeated. “I did warn you.”
Sam nudged the head with the end of the stick, nudging it over so that she could see the face. Her mother stared back at her, torn to pieces, breath still wheezing from her lungs. She wasn’t blinking, just gazing forward with glazed eyes. Sweat dripped down from her hairline.
Sam screamed and dropped the stick, tripping over herself in her haste to get away.
Her mother’s eyes were wide and pleading, and she was mouthing desperate words at Sam. Her vocal cords were broken to bits, and the only sound that came out was a strained groan.
The head rolled, inching closer to Sam like a grotesque caterpillar.
Her mother gasped for air, torn lips fluttering. Finally, comprehensible words came out. “Help. Help me, daughter.”
“That’s not your mother,” Hitch said, quiet.
Sam knew that. Her mother was sleeping back at home, and anyways her mom had never asked for her help. She had an aversion to accepting charity, as she put it.
“Okay,” Sam said, shaking all over. “Okay.”
She backed away from the sandcastle, not looking away.
“Failure,” her mother hissed as she stepped away. “I never wanted a daughter like you.”
The sun came up over the horizon. The sandcastle, Hitch, and her mom all disintegrated into sand as the light hit them.
The beach, the next night, was almost exactly how I remembered it. The beams of our flashlights sent light bouncing across the dunes, illuminating the waves, and I imagined faces in the foam of the waves.
“I’ve been back here a hundred times. There’s nothing left,” I said.
Sam took the car key out of her purse and pointed it at the sand, adjusting the sword slung over her shoulder in order to do it. The key had belonged to Hitch; Sam had requested an item of his, and it was the only thing I had left. She rested the key on the sand and drew a circle around it, inscribing symbols around the borders.
“What are you doing?” I asked.
Sam shrugged. “Not much, really. I’m…I guess you could say that I’m knocking.”
The key laid inert on the sand for long enough that I was just about to give up and go home, admit to myself that Hitch was dead and that I was a fool to believe that Sam could actually help me. Then a building started to take shape, flickering in and out like it was struggling to get away. With a pop of displaced air, the sandcastle settled into existence.
Sam banged on the entryway. Nothing happened. She did it again, harder, and scowled when the door still didn’t open.
“We demand entrance, under your honor,” Sam yelled. There was a hard rush of wind, and I gripped Sam’s arm to keep my balance, but the doors cracked open reluctantly.
The inside of the sandcastle consisted of one enormous hall, the roof arching up out of sight. Rafters crisscrossed from wall to wall, and a cobbled path led further into the building, but other than that, it was completely empty, except for the birds. There were thousands of them, perched on the rafters or hopping along the ground. They parted in front of Sam and I, and reformed behind us, leaving us in a small pocket of open space. They were all black-feathered, with sharp beaks and beady eyes.
The Erlking sat on a throne at the end of the hall, lounging across it with his feet up on the armrest. He watched them as they came forward, the soft caw of the birds the only sound.
“I am here to bargain for the life of my brother,” I said, with as much dignity as I could muster, before the Erlking could say anything.
The Erlking ignored her, tilting his head to look at Sam. “I remember you. I almost got you, once.”

Sam glared at him but didn’t respond.
“You want your brother,” The Erlking said to me, and he almost sounded amused. “Then go get him.”
As if by some sort of silent signal, every bird in the room took flight at once, and their cawing made me think of screams. I covered my head against the flapping of their wings, and my vision was quickly obscured by the chaotic movement of them. I found myself on my knees, just trying to escape them.
A hand met my shoulder. Sam urged me to my feet, and together we ran for the edge of the room, where the swarm was the thinnest. We pressed ourselves into the corner and the swarm spiraled tighter and tighter at the center of the room. It went on until there seemed to be no differentiation between the birds, all of them fused together into one creature.
When the chaos died down, the birds had become one mass, with wings and eyes and talons sticking out of its flesh, thrashing and chirping. Human body parts stuck out of it, bulging out from the feathers. It was hands, mostly, with a couple knees or staring eyes. The bird amalgamation had no recognizable facial features, but there was one long beak extending from the front of its head. Most of the body parts were concentrated around the beak, and they peeked out from where the beak connected with muscle, or grew from the tongue, nestled between the two crushing halves of the beak.
It turned its beak down and crawled forward, using the hands to balance. The fingers scrambled over the ground. I was afraid of centipedes as a child, and I felt that same crawling dread when it started moving.
“Holy shit,” Sam whispered, which was rather disappointing, because I had been hoping that at least one of us knew what to do.
The creature turned, a lurching movement that crushed some of the hands underneath it, and started heaving itself slowly towards our corner.
“Better hurry up!” the Erlking called from his throne.
It was blocking the exit, by then. The shifting body of it had moved to block us off. It ambled towards us and I tried to sink further into the corner.
As it approached, getting close enough that I could smell the stink of it, I saw a flash of a tattoo on one of the hands. I leaned in, trying to find it again, like looking for dolphins surfacing in the ocean. And again, I caught a glimpse of a duck tattoo, the tattoo that Hitch had gotten on his hand as a teenager.
I ripped away from Sam’s death grip and ran for the monster.
I fell to my knees in front of it, wincing as I impacted the ground, and reached into the nest of hands. I could feel them tearing at my forearms and ripping into me with their sharp nails, but I kept going. I pressed further in, up to my shoulder in a writhing mass of limbs, aiming for the spot where I had last seen that tattoo.
The hands were tugging at me, wrapping around my back and hair. They were pulling together, trying to draw me completely into the mass of them. I was aware of Sam at my side, anchoring me in place and bashing any hand that got too close with her sword or the sparks that leapt from her hands with muttered words. But I didn’t think it would be enough. They were too strong, and there were too many of them.
I was up to my waist in the hands when something grabbed my palm. I felt the way it clung to me, and the calluses on its palm, and I knew that I had found my brother.
I flung herself back. The hands didn’t want to let me go, and they fought the whole way, but slowly, I made progress. I kept hold of Hitch’s hand in mine the whole time, gripping it as hard as I could. I finally broke free, Hitch with me, and Sam was immediately charging the creature, able to use her sword with much greater strength without being worried about injuring Hitch. She swung it forward, and it sliced through the wrist of one of the hands. It fell without a sound, red sand flowing out of it. It deflated until it looked like dirty laundry, just a piece of limp flesh. The creature shrieked, scuttling away enough that the door was finally accessible. The three of us ran for it, Sam and I supporting Hitch between us.
I looked back as I left and found the Erlking staring right at me.
“Interesting,” he murmured, his voice carrying impossibly across the vast space between us.
The sandcastle collapsed behind us, the great walls falling in on themselves. We were out in the morning sun, the sandcastle disappearing as we watched. Hitch was on the ground in front of me, as young as he’d been thirty years ago, when he was captured. He started laughing, feathers puffing out of his mouth. He laughed until he cried and I hugged him in the way that he’d held me when I was young, in the times when my life had been defined by hunger and fear.
Hitch left, afterwards. He scratched at the pinhole scars covering his body, where feathers burst through his skin, and pulled his long sleeves down around his wrists. He didn’t know where he was going but he told me that he needed time
I had spent thirty years worth of time without him. I wanted to grab my brother by the shoulders and beg him to stay. But he flinched when I hugged him goodbye and he refused to go near sand and he stared distrustfully at the birds chirping in the trees. Hitch needed to go away and I loved him too much to stop him.
I sat out on the beach every morning. I felt the sun on my face and I waited for Hitch to come home.
submitted by Mantis_Shrimp47 to nosleep [link] [comments]


2024.05.19 03:32 JoshAsdvgi Navajo Skinwalkers

Navajo Skinwalkers
In the Navajo culture, a skinwalker is a type of harmful witch who has the ability to turn into, possess, or disguise themselves as an animal.
This witch is called “yee naaldlooshii” by the Navajo, which translates to “with it, he goes on all fours.”
It is just one of several types of Navajo witches and is considered the most volatile and dangerous.
For the Navajo people, witchcraft is just another part of their spirituality and one of the “ways” of their lives.
As such, witchcraft has long been part of their culture, history, and traditions.
Witches exist alongside humans and are not supernaturals.
The Navajo believe there are places where the powers of both good and evil are present and that those powers can be harnessed for either.
Medicine men utilize these powers to heal and aid members of their communities, while those who practice Navajo witchcraft, seek to direct the spiritual forces to cause harm or misfortune to others.
This type of Navajo witchcraft is known as the “Witchery Way,” which uses human corpses in various ways such as tools from the bones, and concoctions that are used to curse, harm, or kill intended victims.
The knowledge of these powers is passed down from the elders through the generations.
The Navajo are part of a larger culture area that also includes the Pueblo people, Apache, Hopi, Ute, and other groups that also have their own versions of the Skinwalker, but each includes a malevolent witch capable of transforming itself into an animal.
Among these tribes, a number of stories and descriptions have been told throughout the years about the Skinwalkers.
Sometimes, these witches evolved from living their lives as respected healers or spiritual guides, who later chose to use their powers for evil.
Though they can be either male or female, they are more often male.
They walk freely among the tribe during the day and secretly transform under the cover of night.
In order to become a Skinwalker, he or she must be initiated by a secret society that requires the evilest of deeds – the killing of a close family member, most often a sibling.
After this task has been completed, the individual then acquires supernatural powers, which gives them the ability to shape-shift into animals.
Most often, they are seen in the form of coyotes, wolves, foxes, cougars, dogs, and bears, but can take the shape of any animal.
They then wear the skins of the animals they transform into, hence, the name Skinwalker. Sometimes, they also wore animal skulls or antlers atop their heads, which brought them more power.
They choose what animal they wanted to turn into, depending on the abilities needed for a particular task, such as speed, strength, endurance, stealth, claws, and teeth, etc.
They may transform again if trying to escape from pursuers.
Because of this, the Navajo consider it taboo for its members to wear the pelt of any predatory animal. However, sheepskin, leather, and buckskin are acceptable.
The skinwalkers are also able to take possession of the bodies of human victims if a person locks eyes with them.
After taking control, the witch can make its victims do and say things that they wouldn’t otherwise.
Once they were shape-shifted, one way that others could tell that they were not a real animal is that their eyes are very different than those of the animal.
Instead, their eyes are very human, and when lights are shined on them, they turn bright red.
Alternatively, when they are in human form, their eyes look more like animals.
The evil society of the witches gather in dark caves or secluded places for several purposes – to initiate new members, plot their activities, harm people from a distance with black magic, and perform dark ceremonial rites.
These ceremonies are similar to other tribal affairs, including dancing, feasts, rituals, and sand-painting, but were “corrupted” with dark connotations.
The evildoers are also said to engage in necrophilia with female corpses, commit cannibalism, incest, and grave robberies.
During these gatherings, the Skinwalkers shape-shift into their animal forms or go about naked, wearing only beaded jewelry and ceremonial paint.
The leader of the Skinwalkers is usually an old man, who is a very powerful and long-lived Skinwalker.
Skinwalkers also have other powers including reading others’ minds, controlling their thoughts and behavior, causing disease and illness, destroying property, and even death.
Those who have talked of their encounters with these evil beings describe a number of ways to know if a skinwalker is near.
They make sounds around homes, such as knocking on windows, banging on walls, and scraping noises on the roof.
On some occasions, they have been spied peering through windows.
More often, they appear in front of vehicles in hopes of causing a serious accident.
It is said that, in addition to being able to shapeshift, the Skinwalker is also able to control the creatures of the night, such as wolves and owls, and to make them do its bidding.
Some are able to call up the spirits of the dead and reanimate the corpses to attack their enemies.
Because of this, you shouldn't ventured out alone.
Its supernatural powers are uncanny, as they are said to run faster than a car and have the ability to jump high cliffs.
They are extremely fast, agile, impossible to catch and leave tracks that are larger than those of any animal. When they have been seen, they have been described as not quite human and not fully animal.
They are usually naked, but some have reported seeing the creature wearing tattered shirts or jeans.
The Skinwalker kills out of greed, anger, envy, spite, or revenge.
It also robs graves for personal wealth and to collect much-needed ingredients for use in black magic.
These witches live on the unexpired lives of their victims and they must continually kill or perish themselves.
Skinwalkers and other witches have long been blamed for all manner of unexpected struggles and tragedies through the years, including sickness, drought, poor crops, and sudden deaths.
Even smaller or individual problems such as windstorms during dances, alienation of affection by mates, the death of livestock, and reversal of fortune, were often believed to be the work of a witch.
This was most apparent with the Navajo Witch Purge of 1878, which initially evolved from a cultural response to so many people moving across and onto their lands.
After a series of wars with the U.S. Army, the Navajo were expelled from their land and forced to march to the Bosque Redondo (Fort Sumner) in New Mexico in what is known as the Long Walk of the Navajo in 1864.
There, the people suffered from bad water, failed crops, illness, and death, reducing their numbers dramatically.
After four years, the government finally admitted they had made a mistake and the Navajo were allowed to return to their homeland in the Four Corners area.
During these years, many of the tribe’s members were said to have turned to shape-shifting to escape the terrible conditions.
In the meantime, the rest of the tribe were convinced that their gods had deserted them.
Once the people had returned to their homeland, their conditions improved, but the dreaded skinwalkers, for whom they blamed for their years on the bleak reservation, were still among them.
Accusations of witchcraft and the hunting of the skinwalkers began.
When someone found a collection of witch artifacts wrapped in a copy of the Treaty of 1868, the tribal members unleashed deadly consequences.
The “Navajo Witch Purge” occurred in 1878, in which 40 Navajo suspected witches were killed in order to restore harmony and balance for the tribe.
Today, most of the tales of sightings of these witches do not include death or injury, but rather, are more “trickster-like.”
Numerous people have told stories of swift animals running alongside their vehicles, matching their speed. After a short period, however, they run off into the wilderness.
Along the way, these animals sometimes turn into a man, who sometimes bangs on the hood.
Another story tells of a man who was making repairs on an old ranch home when he began to hear loud laughter coming from the nearby sheep pens.
Thinking he was alone, he went to investigate and found all of the sheep but one huddled in one corner of the pen.
However, there was a lone ram separated from the group that was standing upright and laughing in a very human manner.
After the man locks eyes with the ram, he sees that his eyes are not that of an animal, but very like a human’s. The animal then casually walked away on all four legs.
Some say they have seen them running through the night, sometimes turning into a fiery ball, leaving streaks of color behind them.
Others have seen angry-looking humanoid figures looking down on them from cliffs, mountains, and mesas.
In the 1980s one of the most notable events occurred when a family was driving through the Navajo Reservation.
As they slowed to make a sharp curve, something jumped from the ditch.
It was described as black, hairy, and wore a shirt and pants.
A few days after this event, at their home in Flagstaff, Arizona, the family was awakened to the sounds of loud drumming and chanting.
Outside their home were three dark forms of “men” outside their fence.
However, these shadowy creatures were seemingly unable to climb the fence and soon left.
These events have occurred in the Four-Corners area of southwest Colorado, southeast Utah, northeast Arizona, and northwest New Mexico.
In the 1990s, a ranch in northeast Utah, far away from the Navajo Reservation, became the partial focus of the Skinwalkers.
Called the Sherman Ranch, the Skinwalker Ranch, and the UFO Ranch, this place has a history of UFOs, aliens, cattle mutilations, and crop circles.
Located near the Ute Indian reservation, these people have long thought that the Navajo put a curse on their tribe in retribution for many perceived transgressions and since then, the skinwalkers have plagued the Ute people.
Witchcraft represents the antithesis of Navajo cultural values and is not tolerated.
They work to avoid it, prevent it, and cure it in their daily behaviors.
However, when it exists, their laws have always said that when a person becomes a witch, they have forfeited their humanity and their right to exist, so they should be killed.
However, skinwalkers are notoriously hard to kill and attempts are usually unsuccessful.
Trying to kill one will often result in the witch seeking revenge.
Successful killing generally requires the assistance of a powerful shaman, who knows spells and rituals that can turn the Skinwalker’s evil back upon itself.
Another alternative is to shoot the creature with bullets that have been dipped into white ash.
However, this shot must hit the witch in the neck or the head.
Traditionally, the Navajo will not speak with outsiders about these creatures, for fear of retribution by the skinwalkers.
For that matter, it is a taboo subject amongst the natives themselves.
“These are not things that need or should be discussed by outsiders.
At all.
I’m sorry if that seems ‘unfair,’ but that’s how our cultures survive.” – Dr. Adrienne Keene, Native American academic, writer, and activist
submitted by JoshAsdvgi to Native_Stories [link] [comments]


2024.05.18 01:34 aaronspandex White water stains on black-painted wood, help!

White water stains on black-painted wood, help!
https://preview.redd.it/cwlkczljt21d1.jpg?width=4032&format=pjpg&auto=webp&s=1a90ac0504e49ae4c29eb610c0ce009f2c53ca78
Hi... I made a big mistake and left a very wet towel to dry overnight on this fairly old black-painted wooden chair. It was a glossy black paint and now it's completely covered in white marks. The picture just shows a part of the chair, the marks are all over and very visible. I've read a bunch of previous posts here and on the web which indicate this is moisture trapped beneath the finish and suggest a number of DIY and other solutions, but most of these posts are about natural wood rather than painted wood. Some of the suggestions are:
  1. Applying Mayonnaise / Mineral oil / Petroleum jelly / Olive Oil+Vinegar
  2. Ironing - Not viable as it's all curved wood
  3. Hairdryer - Possible, but I'm worried because the paint is old and somewhat peeling already.
  4. "Guardsman Reusable Water Mark Remover" - seems to have many reviews on Amazon, but differing results (PS - this is not a plug, but a number of articles suggested it)
  5. For various reasons sanding, painting, is not an option.
Does anyone have any recommendations, especially if you've dealt with this problem on specifically dark-painted wood?
submitted by aaronspandex to CleaningTips [link] [comments]


2024.05.17 23:05 Lucid_Presence Action too high! How would you lower this bridge?

Action too high! How would you lower this bridge?
Sanding from the top of the wood bridge piece would not be ideal because it's already thin. Sanding from the bottom would be difficult because it has a curve to it. What would you do?
submitted by Lucid_Presence to Luthier [link] [comments]


2024.05.17 07:14 tab_rick What is the Best Kitchen Island Countertop?

What is the Best Kitchen Island Countertop?
The kitchen island countertop is more than a functional surface; in modern homes, it stands as the heart of the kitchen. With a plethora of materials available, from granite and quartz to laminate and solid surface, selecting the ideal one can be challenging. Let’s explore the best options.

What Makes a Kitchen Island Countertop Great?

When considering a countertop, aesthetics alone won’t suffice. An outstanding kitchen island countertop combines durability, low maintenance, visual allure, and versatility. Let’s delve into these criteria further.

Good Durability

Durability is a critical attribute for countertops. Envision accidental wine spills or the impact of dropping heavy utensils. Materials like granite, quartz, solid surface and stainless steel are designed to resist such challenges, making them preferred choices for many homeowners. On the other hand, hardwood and butcher block, while also durable, provide a warmer aesthetic compared to the sleek appearance of stainless steel. For households with high activity or children, a strong yet aesthetically pleasing countertop is crucial.

Easy Maintenance

Maintaining a pristine countertop shouldn’t require excessive time and effort. Prioritizing easy maintenance is essential. For example, solid surface countertops are non-porous, offering stain resistance. A swift cleaning suffices for its upkeep. Laminate is another user-friendly choice, though it may not match the durability of quartz. While stainless steel is effortless to clean, it might display fingerprints and scratches. It’s crucial to consider the advantages and disadvantages of each material.

https://preview.redd.it/iefuw1xv5x0d1.png?width=612&format=png&auto=webp&s=392547d94a44e4ae472e2b51c3544357dc273278

Visual Appeal

The kitchen often stands as the centerpiece of a home, demanding both aesthetic and functional considerations. Granite countertops, renowned for their distinctive patterns and shades, add a touch of visual allure. For those with a penchant for a modern and minimalist design, solid surface countertops are a fitting choice. Marble countertops, with their unique veining, exude an artistic elegance. Yet, while aesthetics play a role, it’s imperative to ensure that functionality isn’t compromised in the pursuit of beauty.

Multitasking

A versatile kitchen island countertop provides notable benefits, especially in smaller kitchens with limited space. For example, a butcher block countertop functions both as a working area and an integrated chopping board. Moreover, countertops with integrated charging stations or storage features elevate their functionality and efficiency.

Solid Surface Countertop

Solid surface countertops offer design versatility, adeptly mimicking the aesthetics of natural stone, wood, or various other materials. Comprised primarily of natural minerals fused with high-quality resins, these countertops are gaining popularity among homeowners and design professionals alike.
Examining the composition in detail, the predominant component in solid surface countertops is aluminum powder. This powder is a precise blend of 15+25+75, leading to a high-density, non-porous surface with minimal water absorption. The texture is smooth to the touch. Additionally, the incorporation of isophthalic resin guarantees the countertop exhibits an exceptional texture, augmented hardness, and increased resistance to discoloration and environmental pollutants. In simpler terms, its quality and performance are outstanding.

Characteristics of Solid Surface Countertop

Solid surface kitchen countertops have garnered attention in recent times. But what sets them apart? Let’s delve into their key features.
  • Easy to Maintain and Clean: Solid surface countertops stand out for their simplicity in upkeep. Any inadvertent spills, whether coffee or red wine, can be swiftly wiped away using a damp cloth. Their non-porous quality ensures they resist staining, sidestepping the persistent marks often seen with alternative countertop materials.
  • Smooth and Uniform Look: Solid surface countertops cater to those seeking a harmonious and uninterrupted appearance. Unlike natural stones like granite or marble, which may display variations, these countertops offer a uniform look. Such consistency aligns well with homeowners desiring a contemporary and polished kitchen aesthetic.
  • Unique Appearance: The design patterns of solid surface countertops stand out because of their uniqueness, our solid surface sheet can also be made into a unique pattern plate. Carefully crafted by experienced masters, the lines are smooth and delicate, beautiful and generous. In addition to their visual appeal, the patterns capture the rich color and luster of marble, looking like marble countertops but feeling softer and more refined.
  • Absolutely Free from Formaldehyde and Odor: Our solid surface countertops are crafted from materials devoid of harmful radiation and formaldehyde emissions, promising a safe haven for prolonged usage. The inherent odorless nature further enhances your living space, promising a fresh and healthy environment at all times.
  • Antibacterial, Mold-Resistant, and Designed to Repel Moisture: Experience the hygienic brilliance of non-porous countertops that stand tall against bacteria, mold, and mildew, refusing to offer a habitat for their growth. Their suitability extends especially to kitchens and bathrooms, spaces known for moisture retention, offering a surface that is not just easy to clean but promises sustained hygiene.
  • Exceptional Durability: One of the defining characteristics of solid surface countertops is their robustness. Crafted to withstand daily wear and tear, they maintain their luster even with frequent use. Whether faced with hot kitchenware or routine tasks, these countertops prove resilient.
  • Diverse and Customizable Designs: Solid surface countertops impress with their wide array of styles. Whether you’re inclined towards a minimalist approach or detailed patterns, there’s a design tailored for you. Additionally, the customization scope is broad, encompassing integrated sinks to unique edge designs, expanding the design horizons.
The growing preference for solid surface countertops is rooted in their maintenance ease, visual charm, lasting durability, and adaptability in design. They truly present a blend of attributes that’s compelling to consider.

Granite Countertop

Granite countertops epitomize a blend of sophistication and resilience. Recognized for its aesthetic allure and practical advantages, granite has long been a preferred choice for discerning homeowners. Let’s explore the attributes that position granite as a premium countertop material.
What gives granite its distinct properties? Granite is an igneous rock, formed from cooled molten lava. This implies that your countertop might have originated from volcanic activity. Its primary constituents are quartz, feldspar, and mica, which contribute to its speckled appearance. The minerals present in granite provide a spectrum of colors, ranging from earthy browns and muted pinks to profound blacks and radiant whites.

Characteristics of Granite Countertops

  • Unique Patterns and Colors: Granite stands out for its unparalleled individuality. Each slab is distinct, ensuring that your kitchen island countertop is truly unique. The vast array of colors and designs provides ample opportunities for tailored preferences.
  • Long-Lasting: Granite is renowned for its durability. With appropriate maintenance, including periodic sealing, a granite countertop can serve for decades, proving to be a long-term investment.
  • Heat and Stain Resilience: Kitchens are prone to spills and high temperatures. Granite’s heat-resistant nature allows for direct placement of hot cookware without causing harm. When sealed correctly, it also resists stains, facilitating easy cleaning.
In summary, granite offers more than aesthetic appeal; it’s a blend of beauty and practicality. Regardless of your culinary expertise, a granite countertop remains a dependable and elegant option for your kitchen island.

Marble Countertop

Marble epitomizes luxury and refinement. Commonly linked with magnificence, marble countertops elevate the sophistication of any kitchen. But what attributes make marble stand out as a choice for kitchen island countertops? Marble is a metamorphic rock, evolved from limestone. Under specific heat and pressure conditions, it transforms into the distinguished stone recognized as marble. Its signature veining arises from impurities like clay, silt, and sand present during its formation.

Characteristics of Marble Countertops

  • Distinctive Veining: Marble’s hallmark is its distinctive veining, a natural masterpiece where each slab narrates a singular tale. This ensures that your kitchen island countertop transcends functionality to become a focal point of conversation.
  • Heat Resistant: Marble naturally remains cool even in elevated temperatures, providing an ideal surface for tasks such as rolling out dough. While it is resistant to heat, utilizing trivets is recommended to prevent potential damage to the surface.
  • Porous and Delicate: While marble’s porous nature renders it somewhat delicate, necessitating regular sealing to maintain its immaculate appearance, this characteristic also lends it a refined and elegant aesthetic. Ensuring prompt cleanup of spills will aid in preserving its pristine condition.

Quartz Countertop

In the dynamic realm of kitchen design, quartz countertops stand out as a preferred choice for both homeowners and designers. What makes quartz so captivating? Let’s delve into the unique characteristics of this exceptional material.
Quartz, at its essence, is a prevalent natural mineral. However, when discussing quartz countertops, we’re addressing an engineered stone. This signifies that while it’s produced, it’s not wholly synthetic. The creation involves pulverizing natural quartz crystals into a refined powder, which is then amalgamated with other minerals and resins. A standard quartz countertop is composed of approximately 90% quartz and 10% resins, polymers, and colorants. This distinct blend yields a material that combines the aesthetics of natural stone with features unattainable by pure natural stones.
Thanks to the manufacturing technique, there’s an expansive array of colors and designs available. This adaptability is a pivotal reason for quartz’s rising popularity in kitchen countertops.

Characteristics of Quartz Countertop

  • Wide Designs: Engineered quartz stands out for its adaptability and range of aesthetic options. Whether you desire a countertop that embodies the sophistication of marble without the upkeep, or you prefer a modern, striking design adorned with metallic specks, quartz meets your needs. Its wide variety of designs and hues guarantees a match for every preference and kitchen motif.
  • Easy to Clean and Maintain: Kitchens are prone to spills and stains, but with quartz countertops, clean-up is a breeze. Its non-porous surface resists staining, safeguarding against the likes of coffee spills or beetroot splashes. A quick wipe with a damp cloth restores its pristine condition, eliminating the need for frequent sealing or specialized cleaning solutions.
  • High Durability: Quartz countertops are synonymous with endurance, resisting scratches, chips, and cracks effectively. Their hard-wearing nature makes them ideal for bustling kitchen environments, capable of withstanding daily culinary endeavors whether you are a beginner or a proficient chef.
  • Consistent Appearance: In contrast to natural stones, which may exhibit variations in shade and pattern even within a single slab, quartz presents a uniform facade. This attribute is vital when utilizing multiple slabs for a project, facilitating a harmonious and uninterrupted visual flow.

Stainless Steel Countertop

Stainless steel countertops, once predominantly seen in commercial kitchens, are now gaining popularity in residential settings. Their appeal? A combination of a sleek, contemporary look and a host of functional advantages tailored for active kitchens.
Stainless steel owes its “stainless” characteristic to its chromium composition. This element creates a protective layer on the surface, granting resistance against rust and everyday stains—a crucial feature in a space where spills are commonplace. Beyond its aesthetic appeal, stainless steel stands out for its remarkable durability. It can endure high temperatures and resist scratches, positioning it as a robust and almost unbeatable choice for kitchen surfaces.

Characteristics of Stainless Steel Countertops

  • Stain Resistance: A notable advantage of stainless steel is its ability to resist stains. Common kitchen spills like coffee, wine, or juice can be effortlessly cleaned up, making it invaluable in a bustling kitchen environment.
  • Easy to Clean: Maintaining stainless steel’s shine is simple—just a swift swipe with a moist cloth does the trick. There’s no demand for special cleaners or polishes, making it a top pick for those who value hassle-free care.
  • Corrosion Resistance: Stainless steel robustly defends against corrosion, ensuring common household chemicals and substances don’t harm it. Its durability makes it a go-to for experimental chefs.
  • Sleek Aesthetic: For enthusiasts of a modern or industrial look, stainless steel is the way to go. Its lustrous finish and sleek design add a touch of sophistication to any kitchen environment.
  • Hygienic: Stainless steel’s non-porous nature guarantees a sanitary surface, providing minimal hiding spots for germs and pathogens.
In summary, if you’re in the market for a countertop material that marries aesthetic charm with functional advantages, stainless steel is a commendable option. Its durability, simple care, and modern aesthetic render it a fitting choice for today’s kitchens.

Porcelain Countertop

Porcelain, traditionally linked with elegant tea sets and intricate vases, has now gracefully transitioned into the realm of kitchen island countertops. Its allure isn’t solely based on its aesthetic charm. Porcelain countertops combine both visual elegance and practical advantages, setting them apart from many other materials.
Porcelain is a specialized ceramic, fired at exceptionally high temperatures to attain its robustness and longevity. Crafted from natural elements such as clay, feldspar, and quartz, these components are meticulously pulverized and then fused. The outcome is a compact, resilient material that stands up well against scratches, stains, and high temperatures.

Characteristics of Porcelain Countertops

  • Lightweight and Easy to Install: Porcelain has a knack for being light, making it a breeze to install compared to the heavyweights like granite or quartz.
  • Easy to Maintain: Thanks to its non-porous nature, porcelain doesn’t soak up liquids or become a breeding ground for bacteria. A swift swipe with a wet cloth is all it usually needs.
  • Appealing Appearance: Porcelain has this modern, chic vibe. Plus, it’s available in so many colors and designs, letting homeowners get just the right look for their kitchen island tops.
  • Robust Durability: Don’t let its elegant appearance fool you; porcelain can take a beating. It’s great at fending off scratches, chips, and the harsh sun, ensuring it stays beautiful for years.
  • Heat and UV Resistance: For those who love to cook, porcelain is a dream. You can place hot pots right on it without a worry. And if it’s under the sun? No problem. It won’t fade, thanks to its UV resistance.
When it comes to kitchen island tops, porcelain is making waves. Its blend of good looks and rugged strength makes it a top pick for homeowners wanting the best of both worlds.

What is the Ideal Kitchen Island Countertop?


Countertop Material Short Description Pros Cons
Solid Surface Countertop Durable, man-made material offering a seamless appearance. Non-porous, stain-resistant, seamless, repairable, available in various colors and patterns. Can be scratched, but easy to repair.
Granite Countertop A natural stone known for its unique patterns and durability. Heat-resistant, scratch-resistant, every slab is unique, adds value to homes. Porous (needs sealing), can chip or crack, heavy.
Marble Countertop Elegant natural stone with classic veining. Timeless beauty, heat-resistant, unique patterns. Porous (needs sealing), can scratch and stain, sensitive to acidic foods.
Quartz Countertop Engineered stone with consistent patterns. Non-porous, stain-resistant, scratch-resistant, consistent patterns, low maintenance. Not as heat-resistant as granite, can be expensive.
Stainless Steel Countertop Sleek, modern, and industrial look. Non-porous, heat-resistant, hygienic, durable, easy to clean. Can scratch and dent, shows fingerprints, can be cold to the touch.
Porcelain Countertop Thin, lightweight, and highly durable material. Stain-resistant, UV-resistant (won’t fade), heat-resistant, lightweight, versatile. Can chip or crack, installation can be tricky, might need specialized care.
Selecting the perfect kitchen island countertop is a decision influenced by individual tastes, lifestyle, and budget. Among the myriad of choices, the solid surface has notably risen in popularity.
What makes it stand out? Solid surface countertops strike a harmonious balance between visual allure and practical advantages. They are not only easy to maintain and durable but also come in a diverse array of colors and patterns, ensuring adaptability to any kitchen aesthetic. In addition, the solid surface countertop can be designed into a unique pattern, which feels better than marble and is as warm as jade.
Beyond their aesthetic charm, these countertops are pragmatically designed. Their non-porous nature renders them resistant to stains and bacterial growth. Their robustness ensures they endure daily kitchen wear and tear. For those with a penchant for personalization, the customization possibilities are boundless.
In your quest for a new kitchen island countertop, the solid surface merits consideration. It seamlessly marries elegance with functionality.

How to Design Solid Surface Kitchen Island Countertop?

  • Purpose:
Usage: Is it for food prep, dining, or both?
Storage: Need for cabinets or shelves?
Appliances: Integration of sink, cooktop, or outlets?
  • Dimensions:
Size: Measure the space, ensuring comfortable movement.
Overhang: For seating, allow at least 12 inches for legroom.
Shape: Options include rectangular, L-shape, U-shape, or curved.
  • Material:
Type: Solid surfaces are favored for their durability and seamless look.
Color & Pattern: Select a hue that matches your kitchen. Decide on solid, veined, speckled, or patterned.
Edge Profile: Choices range from square, beveled, bullnose, to ogee, based on your kitchen’s style.
  • Features:
Sink: Opt for undermount or integrated for a cohesive appearance.
Cooktop: Ensure adequate ventilation if included.
Outlets: Think about pop-up or under-counter outlets.
Backsplash: Consider one, especially with a sink or cooktop. Match or contrast with the countertop.
Seating: Plan the seating type and quantity, ensuring ample spacing.
Lighting: Evaluate pendant, recessed, or under-cabinet options
  • Maintenance
Use cutting boards to avoid scratches and refrain from placing hot items directly.
  • Budget
Set a budget and align your design accordingly. Ensure the island’s base can bear the countertop’s weight. Professional installation is advised for best results.
In essence, blend functionality with aesthetics, ensuring the island aligns with your kitchen’s overall design.

Get the Outstanding Solid Surface Countertop From KKR

In the realm of solid surface countertops, quality and craftsmanship can significantly vary, positioning KKR as a beacon of reliability and excellence in the industry. Leveraging its established reputation as a trustworthy manufacturer of solid surface sheets and countertops, KKR stands synonymous with unparalleled quality.
Drawing from a rich history of expertise, KKR has cultivated a deep understanding of homeowner necessities, offering an expansive selection of solid surface countertops to cater to diverse preferences. Whether your aesthetic leans towards the understated elegance of minimalist designs or the rich details of more elaborate styles, KKR promises to meet your specifications with precision.
What distinctly delineates KKR from others is an unwavering dedication to quality. Every countertop emanates meticulous craftsmanship, meeting the apex of quality and durability standards. Moreover, KKR facilitates a smooth installation process, with a team of seasoned experts ensuring a flawless finish, harmoniously integrating the countertop into your space.
Entrust your countertop needs to KKR, a brand epitomizing reliability and delivering products characterized by both beauty and longevity. When contemplating a solid surface countertop acquisition, KKR emerges as the preeminent choice, fulfilling its commitments with products that resonate with elegance and enduring quality.

Conclusion

Choosing the right countertop for your kitchen island is a pivotal decision that necessitates meticulous consideration. The array of materials on offer might initially appear overwhelming; however, understanding the pros and cons of each can facilitate a judicious choice. It is imperative that your selection not only resonates with your stylistic preferences but also adheres to your budgetary limitations.
Solid surface countertops stand as a viable and economical alternative. These offer a blend of durability and affordability, without compromising on the diversity of design options available.
To encapsulate, the quintessential countertop for your kitchen island is attainable. Through a thoughtful evaluation of each material’s strengths and weaknesses, you can arrive at a decision that harmoniously blends functionality with your aesthetic aspirations and financial framework.
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2024.05.16 09:42 Coegawear258 Dive into Comfort and Style: The Ultimate Guide to Ladies' Swim Leggings

Dive into Comfort and Style: The Ultimate Guide to Ladies' Swim Leggings
For many women, summertime evokes images of refreshing dips in the pool, sun-kissed skin, and the joy of movement by the water. However, traditional swimwear can sometimes feel restrictive, unflattering, or simply not practical for all activities. Enter the world of ladies' swim leggings, a stylish and functional solution that offers a perfect blend of comfort and coverage.
This comprehensive guide delves into the exciting world of ladies' swim leggings, exploring their benefits, features, and how to choose the perfect pair for your unique needs. Whether you're a poolside lounger, a fitness enthusiast seeking peak performance, or someone prioritizing sun protection, swim leggings offer a versatile and flattering option for all your aquatic adventures.

Beyond Bikinis: Why Choose Ladies' Swim Leggings?

Ladies Swim leggings have become increasingly popular for a multitude of reasons, offering a unique combination of style and functionality that caters to a wider range of body types and preferences. Here are some key benefits that make swim leggings an attractive alternative to traditional swimwear:
  • Unmatched Coverage: Unlike bikinis or some swimsuits, swim leggings provide full leg coverage, offering comfort and confidence for women who prefer a more modest approach to swimwear. This is particularly appealing for those seeking additional coverage while swimming, lounging, or participating in water sports.
  • Sun Protection First: Many swim leggings are specifically designed with UPF (Ultraviolet Protection Factor) fabrics. This built-in protection shields your legs from harmful UV rays, making them ideal for extended periods in the sun, whether you're swimming laps or soaking up the rays on a beach chair.
https://preview.redd.it/wa7ogwzysq0d1.png?width=950&format=png&auto=webp&s=eed0d00611140b8bf72cc0ab70e9b31576628d73
  • Flattering Fit for All: Swim leggings come in a variety of styles and cuts, allowing you to find a pair that flatters your body type and preferences. They can elongate your legs, smooth out curves, and offer a more secure and comfortable feel compared to looser-fitting swimsuit bottoms.
  • Comfort and Mobility in the Water: Crafted from stretchy and quick-drying materials, swim leggings provide exceptional comfort during any aquatic activity. They allow for a full range of motion, making them perfect for swimming, paddleboarding, beach volleyball, or any waterside workout where flexibility and comfort are key.
  • Versatility Beyond the Pool: The beauty of swim leggings lies in their versatility. They can be worn not just in the water but also on the beach or poolside. Pair them with a swim top, rashguard, or tankini for a complete outfit that transitions effortlessly from pool to patio, allowing you to enjoy the sun and sand without changing.

Unveiling the Variety: Types of Ladies' Swim Leggings

The world of ladies' swim leggings boasts a diverse range of styles, catering to different preferences and activities. Here's a breakdown of some popular options to help you find your perfect fit:
  • High-Waisted Swim Leggings: These leggings offer maximum coverage and a flattering silhouette. They smooth your midsection and provide a secure fit, making them ideal for those who prefer a more supportive and confident feel.
  • Capri-Length Swim Leggings: Providing a versatile option, capri-length leggings offer coverage and mobility, making them a great choice for a variety of activities, both in and out of the water.
  • Ankle-Length Swim Leggings: For those seeking maximum sun protection or simply preferring a more modest style, ankle-length swim leggings offer full leg coverage.
https://preview.redd.it/0of37b81tq0d1.png?width=2000&format=png&auto=webp&s=1a31cab03aa84088179b319ddba20e9a1c31bd55
  • Skirted Swim Leggings: This innovative style combines the benefits of leggings with a built-in swim skirt, providing additional coverage and a touch of femininity. It's a perfect choice for those who want the practicality of leggings with a more traditional swimsuit aesthetic.
  • Mesh Panel Swim Leggings: Featuring stylish mesh panels on the sides or calves, these leggings offer improved breathability while adding a modern touch to your aquatic look. To know more about swim leggings you can click here.

Finding Your Perfect Match: Choosing the Right Swim Leggings

To ensure you find the ideal pair of swim leggings, consider these key factors:
  • Fit is Paramount: Opt for a snug but comfortable fit that allows for movement without being restrictive. Ensure the waistband sits comfortably without digging in or feeling too loose.
  • Length Matters: Choose the length that best suits your comfort level and desired coverage. Consider your activity level and whether you prioritize full leg protection or prefer a bit more freedom of movement.
  • Material Magic: Look for quick-drying, chlorine-resistant fabrics like nylon, spandex, or polyester blends. For additional sun protection, prioritize fabrics with a UPF rating.
  • Style Speaks Volumes: High-waisted, capri, or ankle-length? Skirted or with mesh panels? Choose a style that flatters your body type and complements your preferred swim top. Don't be afraid to experiment!

Conclusion: Making a Splash with Confidence

Swim leggings have revolutionized the world of swimwear, offering a stylish and practical option for women of all shapes and sizes. With their unmatched comfort, sun protection, flattering fit, and versatility, ladies' swim leggings allow you to embrace your aquatic adventures with confidence. So, dive into summer, make a splash, and rock your perfect pair of swim leggings!
submitted by Coegawear258 to u/Coegawear258 [link] [comments]


2024.05.16 01:56 PrimaryWedding6 How much of the old paint do I need to remove from this exterior trim?

How much of the old paint do I need to remove from this exterior trim?
I'm painting this door and trim tomorrow and am struggling to remove the paint in the curved portions of the trim. I'm wondering if I can just scuff it with a sandpaper and paint over it?
I know there are specially shaped scrapes and infrared paint removers and such but I'm wondering what I can do with sand paper and my 5-in-1 paint tool. I also have an electric orbital sander and trim sander which I've used on the flat parts of the door, threshold and trim with 80 grit.
I'm planning to use Zinsser Cover Stain Primer (oil based) on the threshold and any bare spots on the door. And then follow that with Benjamin Moore Regal Select. I'd be grateful for any pointers or tips. I'm wondering if I should take the door off the hinges or just try and carefully paint it in place? Thank you!
submitted by PrimaryWedding6 to Housepainting101 [link] [comments]


2024.05.15 22:17 KebabCardio Orcs eat grass...

Orcs are green because they eat grass.. They are like strong as bulls and big as cows..
High elves drink piss so they are yellow.. They piss on snow to mark their teritorry in skyrim..
meanwhile Nords are white because they eat snow.. Cold freezes their brains so they become dumb get invaded..
Dunmer snort volano ash so they are ashlanders.. They fart ash in the name of dagoth, but some houses cucks themselves for the imperials..
Bretons likes cuckery because they drink milk.. not that kind of milk.. cocks milk. They pretend to be house husbandos thats how they survive, otherwise they die as lowly bandits in forts..
khajjits drink milk.. the proper milk that makes them high and they forget how to fight so they become rugs or farmtools..
Argonians are pure adventurers, they go away from trees into shitty places to monopolise the lowliest city places..
But none have bad taste as wood elves.. they eat shit or animal droppings to make sure forests are clean of trash and nobody steps in a pile of shit while walking.
Redguards are more boring - they eat sand and create curved swords..curved swords to shove them into their enemy assholes..
Imperials are the generic abominations of a race that has no redeeming qualities. They live in a cock city and build lighthouses, they have bravil and claim its in their teritory.
p.s. shitfield sucks!
submitted by KebabCardio to TrueSTL [link] [comments]


2024.05.14 16:30 Corruptfun As If It Were Kismet Prologue & Chapters 1-5

As If It Were Kismet: Prologue
Matt tore through the brush, blind in the dark. He didn’t care where he was going. He only knew he needed to be elsewhere. Far from here.
Behind him a creature howled that shocked his mind. It’s form was cruel and dangerous, though female. Nothing like the young woman she had once been. Nothing but a girl, a small and slight female.
It’s guttural growls and howls only grew closer as Matt tried to pick between seeing where he was going and getting away. The few times he looked he caught sight of the creature behind him. Hopping through the air with a speed that told him he was being toyed with. As if he were a mouse being played with by a cat.
But the reflex in him to run kept him going. His adrenaline going as hard as it could. The tightness and burning in his core tensing and locking up as his legs felt like there were being burned from within while taking on more of a heaviness.
His lungs were starting to betray him as he tried to gulp big breaths of air but only rapid and shallow breaths were all that he could manage. His brain was starting to burn….and then he was falling.
Falling down the side of a hill he saw the creature dart in a spring towards him, imperceivably fast almost. Catching him in mid air it seemed.
Managing to wrap its body around him and cushion his impact against the ground as they rolled. His mind barely took in what was happening during the roll. Only starting to understand what was happening once they were still.
The creature's triple D-cup breasts were unmistakably pressed hard against his back as he laid facing up at the night sky.
For a few seconds the world stilled and the needle light pain hitting the center of his brain took over for the cooking heat his brain had felt. His whole body felt heavy and reluctant to move.
Even if he could have really moved, a dull ache came over his limbs making them feel stilled and trapped as if by immeasurable amounts of sand that had engulfed him.
Slowly the arms holding him started to move. Moving so the creature's hands could start exploring him. Causing Matt to unstoppably let out a pathetic moan that made him go cold inside as hands lifted up his shirt and started to touch his exposed stomach and then his chest.
He would have whimpered so pathetically had he not still been in the depths of terror.
As its hands felt and groped his pecs he tried to situp as if to get away. For his efforts, his reward was a hand around his throat and a collection snarls and growls against his ear. A beastly, guttural voice spat words at him while somehow holding a feminine tone.
“Don’t move….I don’t know if I can calm down…”
Her words were not helped by her moans in his ear and the subsequent kissing of his ear. The flesh of his ear going between her lips as she moaned and seemed to pant. Releasing it and licking the side of his face with a moist warmth. He could feel its spittle, viscous and coating his flesh where the tongue touched. He could smell something in his saliva. Something that subtly entranced him.
Matt went stock still with fear and the confusion of mixed arousal. He barely perceived her right hand traveling lower on his body. A surprised moan and shudder echoed in the night from Matt’s lips as she took ahold of him. Her hand above his pants but still….stimulating him.
A light squeezing and almost probing of her digits kept him aroused and confused within her grasp. Resigning himself to the strange fate, Matt looked up at the stars as his mind tried not to shatter under the strange maelstrom of events and sensation that had started mere minutes ago.
His mind was only more confused as a slight figure, feminine in build, how it seemed to thunk the ground audibly as she landed on her feet out nowhere. Her knees barely bending under the pressure of the landing. Yet dirt was kicked up anyways and some of it onto Matt. Feeling it pepper his shirt and pants as it fell.
The figure, lit only faintly by moonlight, roared some dark tone Matt could only perceive as a demon as her eyes went bright with a crimson light. A light in the darkness that should not have been. “Let him go you bitch.” Was its words following the roar. Spittle escaping its mouth with faint droplets hit Matt's face.
The creature holding him by his throat and crotch seemed to tighten the grasp of both hands as it roared back. “HE IS MINE!”
The figure paused with a moment's hesitation. He was also her quarry. She had felt his fear without him knowing. His confused arousal. His fear. His terror.
And now he laid at the center of a struggle between two monsters. Unsure of who he wanted to win.
As If It Was Kismet Ch. 1
Matthew Berkshire hadn’t seen his mom in two years. Not that he had seen her much over the last six years.
A messy divorce between messy people and mom’s chaotic want for a life in Alaska had been one of the most…upsetting times in life. Setting him up for so much of what had defined his life thus far but then that had really started two years before he ever turned.
His ear buds were basic and simple. A part of cheap five pack, common for his life as he was known to lose little things. Small things. They had a mix of metal and hard rock playing in them. Some classics, some alternative. Whatever made him feel something, anything. Even if it was hate. Anger. Rage. It was better than feeling numb. Not belonging.
The escalator down to his lone bag to go with his lone carry on showed his mom waiting for him. His had a type, that’s for damn sure. Not that it helped him in the genetics department as he was stuck at 5’9” to go along with his mother’s five foot even as his dad stood six foot. Forever leaving him to feel small, to pale, under his dad’s shadow. Did he ever stand a chance?
The guy next to her with the unkempt former seventies porn stache was “Dave.” He’d met him twice when his mother came and visited him in Florida. To his credit the guy didn’t look annoyed. Kind of concerned kind of which made Matthew want to break his frozen look but he was well practiced. Having removed any note of sadness from his face through much…tribulation.
His mother’s look on her face betrayed a hint of worry as the bruises on his face lightly showed up close. Saying his name was his like a distant echo that belonged to someone else.
Dave cut in and pulled out his right headphone. “What the hell bud, they knock you hard enough to hurt hearing? Your mom’s asking how you are doing.”
Matthew pulled out the other bud and grunted an empty “sorry.”
“You still have bruises after two week? What did they do to you?” His mom’s voice was full of worry. Something he hadn’t heard in….too long. Too long to make him feel anything. To ever make him believe there was any sincerity to her words. To not think her voice and mannerisms were an act. An act by someone who…wasn’t really there.
“It’s only fair. I took a nose. Fractured a couple orbital bones. Left one with having to get his jaw wired shut. And one will never walk right again for what I did to his knee cap.” Matthew said it all with a bored and disinterested tone. Perhaps well rehearsed.
“My man, handing out ass kickings, not bothering to take names.” Dave was quick to be the typical man’s man about it. Matthew wasn’t quite done yet. Lifting up his shirt to expose the right side near his kidney. Revealing a nasty scar from a six inch blade. “Luckily they gave me this first so they could rule it all in self-defense. The fuck didn’t get it in more than inch before I ruined his knee cap and then I took the nose of one of the fucks holding me.” Now he chose to smile keeping the well practiced dead look in his eyes.
No retorts. No questions. Just horrified looks on their faces. As he liked. As he preferred. They could hate him. They could be disgusted by him. But by God they would fear him.
“Well the doc did a good job sewing you up.” Dave commented uncomfortably. “Dissolving sutures. Ain’t they grand.” He smiled again and let it abruptly fall off his face and started walking to the carousel for the baggage claim.
Waiting and making small talk with Dave as his mother stood in silence. He was not the little boy she abandoned. The little boy she left with an angry man. While never hitting him. Left him in constant fear till he turned twelve and just didn’t care anymore. Something snapped. Broke. And he didn’t care if he died. Didn’t care if he stole. Didn’t even care if he killed. He just knew not to get caught. Something left over from his grandfather’s wisdom which came to make more and more sense with each passing year of life since that thing inside him broke.
Finally his bag came around and Dave went to try first to grab it but Dave practically leapt ahead of him. “Is that your grandfather’s rucksack bag?” his mother asked in a perplexed voice.
“Figured it’s been around since Viet Nam. So it’d serve me better than any of the worthless stuff they called luggage.” Dave commented after Matthew’s words. “Well hell yeah I still got mine from Desert Storm. You know the first one.” Dave laughed and Matthew eyed him oddly. Be it in the south or whether it was Alaska, country boys are country boys he guessed.
The car ride to the two people’s house, as Matthew thought of them. Was uneventful and full of vistas he imagined metropolitan types wetting themselves over. At most they meant isolation to him. Furtherness from the world as there were no mountains in Florida. And what mountains he had last seen in another state had been when he was eight. Another life, to Matthew it felt like. A life alien to him.
As If It Was Kismet Ch 2
Dave and his mom’s place was some two story type tucked into a tree line far up an elevated point. It was by no means the highest point in the mountain but it certainly felt up there.
Rocks were where the driveway should have been Matthew thought. Grabbing his backpack and rucksack from Dave’s jeep was no hard thing for him. Matthew was in formidable shape for someone his age, maybe even five years older. He had gotten a mix of fairly big shoulders and arms along with the chest to go for it when compared to most kids his age. A side effect of working out at least twice a day. First thing in the morning, some time in the evening, and the school’s gym when had had a good semester in school before he had to leave Florida.
Dave tried to come up and help him but Matthew walked past him towards the house. His mom was not sure what to make of his demeanor. Matthew was not the sweet kind boy he had once been. But she had been gone from his life essentially for a long time.
Ushering him into the house she cracked some joke he did not hear. He was too busy looking about and seeing a mix of old outdated decorating mixed with the strange and odd flair of his mother. Color contrasting against drab and dated. Like brightly painting over an old home that was falling apart he thought.
“Your room is this way Mattie.” His mom brightly intoned.
Without expressing any interest he followed his mother. Still faced and nonplussed. Just going along with the current. Pushed and pulled with its roll like a piece of driftwood.
The room was simple. A single small bed. A set of rubber weights with a curl bar and barbells. “Your dad said you were into weight lifting so we got you a bunch of stuff. Dave says it looks like his department’s gym almost. The woman’s smile felt very alien to him.
“Thank you. I appreciate it. I’ve got most of my stuff from home.” Matthew starting unpacking his rucksack and pulled out cables of repetitive and mixed colors. A single plastic barbell handle. The ruck sack could be filled with water bottles for added weight during pushups he figured. Remembering a Michael Keaton movie he watched with his dad post-Batman movies where he played a convicted killer using plastic bags filled with water for weights.
Matthew caught movement outside his lone fairly large window that could let him step out onto the roof of the house given its layout.
He saw a number of people running together through what he guessed was the backyard of the property, not that it had any fences to mark boundaries
They wore clothes that looked similar yet different from each other at the same time.”Oh those are the Johnston’s. Really nice bunch of people. Been on the mountain for a long time Dave tells me.”
Matthew looked at the group of people running and noticed the lack of resemblance. “They are related?” Matthew quizzically asked. Seeing a black and possibly a hispanic person amongst the bland looking white people.
“Oh well they are all adopted but for one or two of them…besides the parents of course. The family has a long tradition of taking in orphans they say. Real nice of them to do that don’t you think.”
Matthew looked at his mother and the hosier accent made no sense to him as he arched his left eye brow. Her and his dad were both from Florida. Born and raised. Sure her parents were from New York city but…
Matthew shook his lightly without turning to look at his mother as his vision was grabbed by one of the runners in particular. A girl of moderate height. Soft brunette. A plain beauty he figured with a slim build….and lack of remarkable breasts and rear to make any note of but….girls in general were his type at his age.
She was pretty enough. He couldn’t deny that but he found himself transfixed by her visage.
But the way she turned and looked at him, especially at that distance felt very disconcerting to him. Even if she was smiling like…she was a taste of a bright shiny day. Somehow.
Matthew’s mom noticed the exchange and smiled to herself with closed lips. “Oh that’s Vicky. She’s your age I think. Very sweet girl, who does the charity functions. You know bake sales, blood drives, car washes and the like. I think you should get to know her. Might be good for you.”
A truck horn sounded a couple of beeps in rather succession. “Oh that must be Mack, he said he might come by later this evening but he seems early.”
Matthew’s mother turned and left his room. Leaving Matthew to exchange a few looks with the alluring Vicky as she turned her head away from him to talk to the others in her group and look back at him.
Still Matthew’s left eyebrow was arched. In a way that reminded him of Spock from Star Trek that he and his grandpa used to watch on some streaming service or another.
As he heard ambient chatter elsewhere outside the house he figured to check it out as the alluring sight of Vicky would be around he figured. It was dull to stare at artwork. He was a boy who preferred jet skis and the like. Something he could ride and enjoy immensely. Even if at times it got him stabbed.
As If It Was Kismet Ch 3
Matthew sauntered out of the house and down the rockway that stood in for a driveway.
A few new people had come over from what he could first surmise of the situation. As he got closer it was obvious they were indigenous people. A couple of grown men…and a girl?
She was mousey. Maybe five foot. Hiding behind glasses and a big camo jacket that was far too big for her. It looked made for a grown man and the backwards trucker hat on her head kept her long black a beautiful mess of sorts.
She was cute in a way. A little androgynous but she had a cute energy to her. She reminded him of the more tomboyish Puerto Rican girls he had gotten into back in Florida. Given the deer corpses in the back of the truck….probably more dangerous to play with given the men in her family.
Small chatter passed between the adults when the girl noticed but turned away, trying to hide the tiny hint of a smile.
“Oh Mattie, this is Mack. He works with Dave at the sheriff’s department and John, he’s with fish and wildlife.” Matthew nodded at his mom’s words with some blankness as he looked at the deer the in the back of the pickup truck.
“Gale tells us you hunted with your dad some in Florida and Georgia.” Mack offered with a light hearted laugh camouflaged by his big simple and cheery but husky way he spoke.
Looking in the back of the truck he spoke. “We used lever action thirty-thirties and Mosin Nagants in seven-six-two-fifty-four-rimmed.” Mack and John whistled in an exaggerated fashion. Leaving Matthew to wonder if they were mocking him.
Mack spoke. “Well we just used thirty-odd-six in a custom gussied Garand.” That caught Matthew’s attention. “You have a Garand…” Matthew finally demonstrated interest in anything. “My dad has an SVT-40 and a Hakim 8mm but he always wanted a Garand but was too cheap to buy one.”
Gale, his mother, chimed in loudly. “Oh his Dad loved his guns but was such an odd duck about how he bought or why he bought them. Never made sense to me how he wasn’t a collector but he didn’t get the latest and greatest.” Gale laughed uncomfortably. At least it seemed that way to Matthew.
Matthew pointed to the girl with an underhanded pointing hand. “And who is this? A cute little mute mouse or does she have a name?” Dave and the other men laughed.
Mack again spoke. “Well you people call her Rebecca, she’s my adopted daughter.” Matthew was taken aback by what he heard. “You people?”
Rebecca kindly spoke with a soft but almost melodic voice as she struggled to maintain eye contact. “White people or rather not members of our tribe. It’s just easier to appease the colonizer kind of thing. Borrowed from when the Jesuit missionaries chased us up here.”
Mack stepped in. “It’s just easier to have white people names than have them try to say our tribal names. And we don’t want them shortening or Anglicising our names kind of thing.” Rebecca stepped back into the conversation cutting off her adopted father. “It’s an insult to our history basically.”
Matthew cocked his head sideways raising his eyebrows shortly before letting them drop. “Well as soon as I’m eighteen I’m out of here and back to Florida so I’m a sort of involuntary colonizer of sorts. So I won’t be taking any of your land from you. The Seminoles on the other hand are still shit out of luck.”
Rebecca’s smile caused Matthew to reflexively smile. Mack made the moment more awkward. “See Becca, I told you someone off the reservation would like you some. You just have to be creative.” Mack laughed in a chiding manner…Matthew presumed. He sensed that he was the butt of some kind of cultural joke. Like marrying a white guy was some sort of insult or mark of shame. That kind of thing.
Rebecca turning away from him was not something he had been expecting. Her then getting in the truck in a huff left the group in a silence for a moment.
Dave spoke to break the awkward silence. “Well just bring the truck to work on Monday and leave it for me to grab up.” Mack acknowledged Dave and they started to get off as Rebecca looked at Matthew for another instance. Matthew couldn’t look away for some reason as the two seemed to lock eyes for an instance.
Till Vicky and family seemed to come jogging down the road. While Matthew’s eyes diverted from Rebecca’s. Hers did not till she realized he was looking elsewhere. And her vision found Vicky and what had been a hint of smile on her face turned glum and disappointed.
Matthew did not look away from the vision of Vicky but instead of a starry eyed fool looking longingly. It was a baffled look. Well baffled for him, with his eyes drawn narrow and night with a focus.
There was something about her…he couldn’t quite put a name too. The way she appeared to him. One second brunette. The next second blonde or blonde like. As if the color appeared in her air and disappeared in fractions of seconds. Much the same way her body almost seemed to…shift…very subtly…smoothly. A nicer bum. Larger breasts. And then back to a simple and plain form. Feminine no doubt. Attractive. But not so…remarkable.
As If It Was Kismet Ch 4
The next two days passed without incident. Nothing of any real substance or challenge to note.
Matthew got settled somewhat and started working out almost immediately. Exploring around the woods but Dave told him not to go far. Especially without a hunting rifle. Dave had left a simple semi-auto Winchester out for him. His bear gun as Dave referred to it with its four round magazine. But Matt figured till he got some practice with the rifle to leave it alone. He made a hiking stick like his grandpa taught him and treated it over a low fire. He would take some electrical tape for the end his hand would grip around. Plenty enough to ward off anything smaller than a bear he figured.
The ride to school was a pain in the neck but simple enough. Dave would let him use a clunker pickup truck he had laying around. It wasn’t pretty but it would get him to and from. Even if it was from the eighties and still backfired on occasion. But for now Dave and his mom took him on their way to the sheriff’s department.
It wasn’t much of a school. It wanted to be modern but its fifties original construction was very obvious. It serviced the pipeline families and familys’ of fisherman who worked the seasons in between their time at the pipeline.
Matt was to report to the principal for some reason Dave and his mom wouldn’t share. Which annoyed him but he figured it was to read him the law of land. Small towns with their big views of the outside world and like.
Dressed in jeans, a grey sweatshirt under a light jacket with steel toed boots set him more apart then he expected. His buzzed head didn’t help matters. Already he was feeling like a stranger in a strange land but he was quite strange after all. And he liked it that way. Normal people were so pathetically disappointing to him.
A secretary or assistant or some such led him to the principal’s office. Where it reeked of real wood that was old and fabric and upholstery that needed to be updated for the last twenty years, Matt figured.
“This is Matthew Berkshire, Principal Andrews.” The man was turned with his back to the door and he was quick to wave her off as he turned her around.
He was an older man. Fat and large. Tall with a body built like he had once been fit and a demeanour of annoyed and irate already as he fixed Matt with a scowl and look of disgust. Another worthless government whore. Matt thought to himself. His father and his grandfather had bestowed unto him a natural disrespect for government workers and the figures that wore unjustified authority as a shield but pretended the weight of the state was not at their back ready to crush all who resisted. Little figures of valor pretending to be mighty and alone but acting with the tyranny of the state and all the backing.
“Mr. Berkshire, please sit down.” His tone wasn’t unusually hostile, just gruff. As if he had better things to do.
Matt complied and took a seat in the chair while maintaining a friendly facade. Not everyone was an enemy. And not everyone needed to be an enemy. Even if anybody could be any enemy. There was no reason to make enemies you didn’t have to. Another of his grandfather’s bastardised wisdoms.
“Well I looked over you file and you have quite the history Mr. Berkshire.” Matt resisted qiuping back a joke. Instead he waited for Principal Andrews to continue as he remained nonplussed and looking as if he felt no need to respond. A simple head tilt with dead eyes looking back at the principle as if he was not even there would suffice.
Matt’s reaction or lack of a reaction rather made Principal Andrews only narrow his eyes with examination. He was not used to a kid not responding to him. Especially with his gruff and hard act going on.
“Well by all accounts you moved here after some problems at your last school. A fight broke out and you did some real harm to your fellow students it appears.” Of course, he would take the side of the perpetrators. School administrators always did. Especially when they weren’t white. Just a fact of the times. Cowardice and pathetic mediocrity was the way they leaned, like good government workers sucking the dick of Big Daddy government. Worthless whores.
Matt chose to reply. “Oh you mean the criminals that stabbed me. Got arrested at the hospital and then pled to felonies. Yeah Florida, with the American counties are good like that.” Principal Andrews went real still. No shame. No fear. No penitence. He didn’t like that.
“Well be it as it may Mr. Berkshire we don’t tolerate that kind of behaviour here…” Matt cut him off responding with a deadpan tone. “You mean self-defense meant to save one’s own life while the cowardly and pathetic school workers look on with zero interest but to keep their money rolling in and will allow known gang members with records of violent acts and crimes that should have them expelled many times over, where in certain Democrat counties such cowardice and idiocy empowered a couple school shooters?”
Principal Andrews looked at the Matt with a note of disgust. “Look here Mr. Berkshire, your beliefs matter not one bit here. This isn’t Florida. We don’t like our way of life being disrupted by outside agitators who have problems with authority.”
Matt did his best not to roll his eyes and let the older fat man drone own as he dead-stared him. Lifeless and without emotion.
The man came to a finish and Matt spoke up without having listened to him or paid him any attention. “Great now that’s taken care of. Can I please get to class and finish my sentence of two years at your wonderful school?”
Principal Andrews huffed and snorted before calling in Vicky. Vicky stood in the corner after entering with a quiet and seamless presence. Matt felt disturbed and tried not betray his feelings as the young Vicky was perceived and not perceived to be moving.
Principal Andrews made the introductions and Matt nodded back. She was to be his chaperone for the day. They had the same classes and she was to show him the ropes so to speak. The ins and outs of the school. The locations of their classes.
He recognized her. It was hard not to. The way her appearance seemed to shift fluidly almost. The petite and skinny brunette ever so lightly had a big bust and blonde hair with curves added when she seemed to shift before his eyes. Like watching a film but each frame had a different person.
Matt didn’t say anything about it. Even if he did he would only be acknowledging his crazed state, if he had one. If.
Unlike an obedient puppy dog he got up in a slow and awkward fashion and followed behind her as his oddly disproportionate frame allowed. Causing her a note of concern for some reason. As if she was seeing something she shouldn’t have been….Or he was just weird. And Matt could admit to himself he was just weird. Part of his charm, he would jest about it at times. Not that he had many people to jest to now.
As If It Were Kismet Ch. 5
Following Vicky into the hall off to their first class was simple. She exchanged small talk and he slightly smiled as if to obviously suggest he was just being polite.
Inside his head, Matt was trying to figure out if he was having a psychotic break. The way Vicky looked kept changing and he looked at the other people around him and they stayed the same.
He was searching his mind as they were walking. And thus he wasn’t paying attention to where he was looking and so fell to his face forward over his feet seemingly out of nowhere.
A series of laughs erupted as it sunk in that he was obviously tripped. Like in prison this was a challenge to his superiority. If he let this pass he would be mocked and sneered at by this same group of boys. He wouldn’t walk to them like he was going to do nothing like a little bitch.
In a rage he turned and punched the stomach of the first face he saw. Some typical blonde haired wannabe jock. He knew from experience not to aim for the ribs. Instead he needed to aim for where he thought the belly button was.
Yells and screams blindly echoed around him as his after the punch he followed up his elbow of the opposite arm slamming into the face of the jock. Harder than a fist, the elbow struck the jock’s jaw and seemingly dropped him against a locker. Just in time to catch an errant and soft punch to the nose that sure enough hurt but did little to slow him down as his dad had taught him to fight through the pain. Blood and scars happened. They were a natural consequence of life to a man.
Taking the punch and falling further into his red state Matt headbutted the punch thrower before another guy arm bared his throat from behind. Which he managed to get his grip on the arm over a letterman jacked and jerk the unprepared boy to the side with him still latched on.
A few feet away from the lockers Matt knew his only chance was to jump and push off the lockers and knock the boy to the ground and so he did. He heard a thunk of the boy’s skull bouncing off the ground and he turned to pull out of the grapple.
The beatings he had taken from his father, the grapples, being choked unconscious. Had prepared him for fighting little bitches who didn’t know what a fight was. It wasn’t gay porn with rabbit punch fists flying.
Blood was running down his face and the pain started to hit him as the threats had been eliminated. Only then did he remember to breathe. Taking breathes as Vicky came up to him with tissues and took a hold of his nose.
“Owww owww owww what the fuck my nose could be broken.” He said to Vicky as she pulled his head up and back.
“It’s ok Carl. It’s done.” Matt tried to look to see who Vicky was talking to. It was a boy taller than his 5’9” by more than a small margin. The boy eyed him bored and annoyed before speaking. “What happened here?” An unoriginal line but one Matt couldn’t be a smart aleck about. “Well you see there was an outbreak of tripping and we all tripped over my dick. It happens.” Matt was about to laugh when Vicky seemed to pull up while still gripping his nose causing Matt no small amount of pain which he audibly evidenced.
Vicky spoke in a tone he wasn’t expecting. As if she was accustomed to issuing orders. “Keep Iris away from the hall till we sanitize the site. We have blood from at least three people contaminating the site. And have Jake bring me a spare jacket and shirt for this moron.”
Carl seemed to acknowledge her orders and seemed to blink away. Maybe the punch hit harder than he expected. He had no time to wonder as Vick took her hand away from his and pushed him against the lockers. With ease he had not been expecting from her form and stature.
Before he could respond Vicky licked his blood covered chin and then his lips and spoke to him. “Focus on me you little blood bag.” Her tone had an annoyed yet feminine sneer.
“Look into my eyes. Look at me. You belong to me. You are just another food source in a collection of food sources.” Her eyes were a beautiful hazel Matt thought. Almost green. Pretty like jewels in some old treasure collections. The eyes he could get lost in before kissing her. Finally Vicky was just a slight and petite brunette and he thought she was beautiful.
She would make a hell of a girlfriend. Some cute thing he could see laying on the beach in Florida on their sides laughing and smiling before trading light kisses while hands wandered innocently. Before his mind could drift further he felt her lips on his. It took him a second to mentally grasp the kiss but his arms were around her back as her hands were at his sides. His eyes reflexively closed as he saw hers close.
It was ineffable to Matt. Beyond words, what was happening. The kiss, the moments beforehand. The way his brain tickled with electricity and gentle warmth. He had never had a kiss like this and he had traded more than a few kisses with at least a few girls.
The kiss was like a warm bath with his consciousness slipping beneath the surface. Their lips only parted to try new angles and approaches as Matt struggled to take in breath. It was a moment he could have stayed trapped in for….he didn’t know. But a curt throat clearing by another girl pulled them out of the moment.
The girl was taller than Vicky. Blonde. With slight curves. Vicky addressed her bewildered and gobsmacked, and perhaps a bit embarrassed. “Tina?”
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2024.05.13 15:01 ajcpullcom 1929 Alpha Romeo — build video linked below

1929 Alpha Romeo — build video linked below
This is a replica of a 1929 Alpha Romeo 6C 1750 SS Zagato which I finished yesterday. I copied the design from a rare antique car I found online here. The model features opening doors, working rack-and-pinion steering, and a full replica engine.
I’ve posted a video of its moving parts and the build here. I tried to remain as faithful as possible to the original, less the decaling. The woods are mahogany (chassis), ebony (seat and tires), walnut (framing), and maple (windshield surround and fascia), plus a few cedar and padauk accents. No stains or CNC.
I started by carving the hood covers, the tops of which I shaped with an angle grinder and joined to the sides with hidden dowels. I cut a strip, rounded it with a spot sander, and sliced it up for the hood vents. I cut and shaped panels for the rest of the chassis and mounted them to a flat base, including the doors with dowel hinges. I shaped the fascia, cut a veneer to simulate a grille screen, and drew the Alpha Romeo insignias with a thin marker. The dashboard face is mostly dowel heads with drawn-on dials.
I based the steering mechanism on this gif and this gif I found online. First I made a gear by cutting two small discs with a hole saw and gluing tiny wood squares between them as the cogs. Then I cut the rack teeth on a table saw like finger joints. I stuck a dowel into the gear and mounted it through the passenger and engine compartments. The headlights and reflectors are dowel heads rounded on a drill press.
I cut the tires and rims with hole saws, and made a simple jig to rotate the rims in my drill press for equidistant holes to fit the spokes, which are toothpicks. I used a low-quality hole saw for the outer edge of the tires because it leaves deep diagonal grooves that look like treads. (I left the wheels detached until the end of the project so it wouldn’t move while I was working on it.)
The interior seating was an ebony blank that I cut into strips, rounded over with a router, and glued back together. I cut more ebony into curves, cut grooves into them with a router, and slid them on top of the doors and dashboard before adding toothpick rivets. Polished up, they look just like leather.
The engine components were really fun to create, many by using my drill press as a lathe. I made the cables by boiling toothpicks, bending and sanding them to shape, and coloring them with a marker. I cut the windshield from a sheet of hobby plastic and framed it with grooved strips of maple. I’ve never worked with plastic before, but it cuts just like wood — sanding too, except the edges melt if you’re too aggressive. Other than the windshield, the only pieces in the whole project that aren’t wood are tiny magnets I embedded to hold the hood covers in place (which I decided to add after one hood slipped off onto the floor and shattered).
The chassis is sanded to 10,000 grit and everything is finished with tung oil. I’ll apply wax later this week to get a nice shine. The project took about 90-100 hours total over 7 weeks. I made two unfixed errors: the wheels are a little undersized, and one side of the hood vents face the wrong direction (stupid mistake I noticed after rebuilding it when it shattered). But overall I’m very proud of the finished product. I’ve posted some of my other vehicle replicas here, here, here, and here. I’d be happy to exchange tips and ideas with anyone working on similar projects.
submitted by ajcpullcom to woodworking [link] [comments]


2024.05.13 04:21 SympathyUseful4012 Fixing these chair backs

Fixing these chair backs
I got these chairs for very little but they were more damaged than I thought. The curved plywood layers are separating and the veneer finish is pretty rough plus has some paint overspray and bumpy spots. I knew I’d have to work on the veneer but what is my best bet to try to get the layers back together? Wood glue and clamps?
The edge is really rough, too, so once the layers are glued together it will need to be sanded smooth. It looks
submitted by SympathyUseful4012 to furniturerestoration [link] [comments]


2024.05.13 02:52 StupidGuy911 Echoes From Deep Rock Mine Chapter 1 [Dark Fantasy - 5,279 words]

Bright illuminescant flashes bolted through the dark-lit sky, rushing and raging through clouds seemingly made of gossamer and finely woven felt. You could almost reach out and touch them if not for the raging storm ripping and hollering. It shone and splintered along the sky, splitting into a thousand arcs, each converging and convexing along the stars. Electrical currents spun like lavender spider webs along a farmhouse wall. The arcs traveled, painting a vibrant tapestry along its wake before reaching their climax and releasing a wicked KRAK as the lights slowly faded.
The gossamer clouds wept tears of dull acidic rain that fell, cascading downwards. Down to the swampy fetid fields below. Their droplets splashed and sizzled against the sand, slowly fizzing before hardening into a thin velvet glass before beginning all over again. A sad display of god’s fury laid bare and plain for all to see. The rain had begun just a week prior, but its assault had persisted in a constant pattern ever since. The swamp ached and squirmed in an agonizing way as the rain melted away any sign of basic life.
Puddles of the acidic deluge collected along a road leading to the once fertile silver mine, just three miles from the town of Crestfall. Near the edge of the road, a fork splits off into multiple directions. South of the fork leads to the entrance of Deep Rock Mine. The mine’s entrance stands agape, resting at the base of a mountain. The mine’s layout, a cavern of crisscrossing and haphazardly formed tunnels, awaited past the thick darkness entrapping the entrance. They curve and wind up the spine of the mountain, as well as descend deep into the now dead earth.
The face of the mountain was bare but rough. Rocks jutted and sloped along its curvature, forming a near mesmeric pattern of spiked granite. Towards the peak, a malicious and not all entirely natural pattern emerged. As the acidic rain fell, framing the mountainous backdrop, the pattern watched and waited. An almost human-like visage stretched along the face of the mountain like canvas pulled over a wooden frame. It’s design scorn into the rock itself as if meticulously laid out to warn any who dared breach the confines of the swamp.
Silence lingered amongst the misty atmospheric dredge, save for the muffled and subtle ambietic sounds of the rain. Through the dead foliage and gnarled remains of creatures recently passed, a sound rang forth. Distant exclamation and reverberated clanging rhythmically sounded from deep within the mine. Up and down the mine laid stalactites and stalagmites haphazardly stationed around every corner. Their abrupt positioning cast shadows wherever light felt unable to reach. The mine walls were smooth from years of work and toilage, along with the long uninterrupted tunnels, created an almost echo chamber for sound.
Abrupt crashes and distant thrashes echoed through the winding chamber. Its sounds detailed a fierce battle between clashing swords and fervent blows.
Or so it would seem.
A sword, emblazoned with the sigil of a raven, flew across the dimly lit room. Its body crashes and clings as it skips along the floor, its blade slashing and carving thin lines into the granite flooring as it makes contact with the ground. A fierce shadow sprawls along the cave walls, depicting a struggle between foes.
The wanderer-and recent owner of the raven crested blade-crashes to the floor. Leather straps firmly tied around his shoulder blades catch most of the weight of the fall, but pain still echoed through his nerves.
“Hells! You slimy bastard!” The wanderer winces and yells in a blinded fury. “You don’t play fair, and here I thought we were having a nice sport of it.”
No reply immediately came from his opponent, still standing off near a downed torch. Flame wisped and flicked along the ground, casting shadows and dreaded omens as if they were ripped directly from a child’s nightmare.
At once, the foe stepped forward. The shadows sprawled across the walls painted a disturbing picture of horror and grotesque form. Imaginative figures born from shadows were always so much more terrible than the beings that cast them, but in this case it was clearly the other way around. The foe opposite The Wanderer lurched forward, it's body a gnarled vestige of exoskeleton and mandibles. It almost resembled a large insect, like a praying mantis that decided its evolutionary cycle had not quite finished yet.
On multi-socketed legs, it snapped and convulsed along. Every movement of its body felt agonizing, as if the creature was hastily thrown together by a quite absent god. Various olive and violet fluids oozed and dripped from its husk like body as it vocalized terrible sounds. The creature-seemingly unable to speak-produced noises from its mouth that resembled a mix of gargles and marbles being tossed along a wooden floor. All the while, its grotesque pincer like appendage snapped and clicked almost involuntarily.
The wanderer-still recovering from his fall-slowly pushed his body along the cold rocky ground, his arm still pulsing with pain.
“Oh my, what big mouths you have.” The wanderer teased sounding much more worried than he intended. ‘Always good to keep in control of the situation. Confidence is key.’ As he was always want to say, but this wasn’t an ordinary situation.
His arm traced along the ground, reaching and prodding for his recently lost weapon. Daring not look away from the oncoming threat, he felt nothing. His sword was currently resting near the opposite side of the cave room, resting flat along the ground. Away from The Wanderer’s grasp, far away from being of any further use here it seemed.
Doubt surged through his mind, but only for a short time. ‘Doubt breeds more doubt, and further doubt breeds ruin’, another favorite.
Clenched palms moved along the granite flooring. Leather gloves scraped and bruised as The Wanderer lifted back to his feet, regaining balance and fervor. The arm that had broken his fall felt numb and altogether absent.
‘Dislocated most likely, not a big enough fall to break.’
The insect-like foe-still closing the distance between them-snapped and gurgled in an almost territorial display of aggression.
The Wanderer grinned, placing his uninjured arm against its opposite’s elbow, before violently, yet methodically, pushing it upwards. A clear snap, followed by a dull pop echoed through the room. Feeling began pouring back into his arm as the vibrating itch of numbness faded. Both arms began to raise, fists clenched, the leather gloves creased and squelched from the sheer pressure as his hands formed tightly wounded fists. Fists pointed squarely towards the all not entirely normal creature still gurgling and jerking along the shadow filled room.
“Oh...” The Wanderer began. “I’d be lying if I said I wouldn’t enjoy every second of this.” His fists raised up, reaching level with the bridge of his nose. “Come one now, give us yer best.”
As if understanding -and altogether disliking- the series of vulgar remarks thrusted toward it, the creature squealed through its deformed face. The jerking motion its movement seemed to have before was replaced with a fluid dash as it quickly closed the distance between the two adversaries. Arms outstretched as its gnarled and jagged hands opened and closed with violent snaps and twinges. Reaching out, grasping the air between them. The gap closed quickly, much quicker than he anticipated, but not enough to catch him entirely off guard as he shifts weight from right the left. The slender frame of his body flanking to the side of the creature.
Shadows arched and flailed with each movement, creating a strange optical illusion across the cave walls. The subtle shifting wind and osculation of the two fighters created an almost mural of events through the flames. Clashing swords, trumpeting horns and creatures that rivaled the tallest spires in Etheral began to converge into an unrecognizable painting of events. The fire loomed, gazing at the creature, at The Wanderer. Its gaze almost purposeful and full of intent. Neither the two beings made any note of the grand display unfolding around them. Fire is known to be a harsh mentor, and an even harsher ally. If one was to wander too deeply into its wounding gaze, one might find themselves trapped, forever living in the tapestry it painted.
The creature was fast, but nowhere as fast as him. Once useless, now repaired, the dislocated arm wrapped between the creatures glistening forearm, interlocking before weight shifted again. The creature stalled as if to reorient itself to face the man, but its movements were not its own. Quickly and deftly, The Wanderer placed immense weight on his forward foot, counterbalancing against the creature as their locked arms rotated and shifted sideways. Arching forward, the shift in balance quickly broke as the creature began to lift in the air as The Wanderer’s rear leg lifted to relegate pressure onward. Flailing and spewing its noxious fluid, the creature flipped entirely, finally crashing to the floor in a savage crunch. The Wanderer stands above, looking downward as it convulses in a fit of pain (could it even quantify pain) and anger.
A greyish foul-smelling slime coated The Wanderer’s chest and forearm. Small indentions formed along the hard leather surface of his jacket, most likely from the not entirely cosmetic spikes embedded into the creature.
“Alright, now I’d say we’re fairly close to a draw here.” The Wanderer began. “How’s say we handle the rest with a bit more diplomacy and grace? No point and making a bigger stink than we already got, but telling by the state of yourself, I’d say you know all about stink.”
The maddening gurgle of the creature slowed as its body began to calm. Its arms moving outward, sprawling along the hard granite rock as its legs raise along with the rest of it. Wet dew drips along the ground, rippling and casting weird reflections from all directions as the creature steps slowly along their puddles. Slow anxious steps it takes. Its demeanor changes from a wild and disturbed animal to a more methodic and wary being. Eyes of bluish gray sink into its head, pupils moving slowly, analyzing and taking in information. It stands straight, back locked into an opposing stance. God it was big. The man couldn’t much get a good measurement before with its body slouched over in a hermit like stance. It must be at least seven feet tall, equally proportioned from its legs to its torso. The head was rounded, almost human, with its bug-like mandibles protruding in a horrific fashion.
The Wanderer had dealt with creatures before. Along his travels he had come across a litany of monstrous beings; Wargs, Secrolants, Jittering Fiends, Goblins, Spiderlings. None of them quite matched the state of this one. Although he had heard of such beings, none had crossed paths before. The way it moved, the way it thought, it all was abnormal. It's quite simple to take a beast down, some you anger and gain the advantage, some you outsmart, others you can simply scare away. But this one.... oh, he was a different breed entirely. The way its mood could change mid-fight, or how it seemingly understood what was being said. And the way it stared. Thoughts were jutting along in the bug brain of its, and when monsters start thinking, all strategy and preparation goes out the window. Unpredictable is what they become, and prediction was The Wanderer’s bread and butter.
Wary now he waits, staring back at the creature. Locked eyes, they waited. Eyes filled with thought, filled with understanding and reasoning -but most egregiously- they were filled with malice. The fight was not over, they had just reached half-time.
“Let it not be stated that I did not strive for peace and harmony at every turn.” The Wanderer quipped, his hand raised once more, ready for another assault.
A flame flickers, casting shadows once again. Shadows of a man holding wolves at bay, hands outstretched to create a distance between them. The wolves circled and plotted, looking for weakness at every tune, but finding none. Leaves fell, becoming ash as they reached the ground. A fire spreads amongst the ash laden floor, consuming the visage, the man, the wolves. All in consumed in an immense concentrated heat, until the shadows fade to nothingness once more.
The creature meanders onward, just a few steps at a time; looking on as The Wanderer holds his footing, fists raised and ready. Each step of its hard glistening exoskeleton crunches against small rocks and debris sprawled along the cave floor, knocking them aside, producing echoed wails that seemingly bounced from surface to surface. After the third step it abruptly launches at the man, arms outstretched once more in a fit of animalistic fury. Thought seemingly left its eyes as they glazed over into a dull grey, the feeling and reasoning sinking further and further to the back of its mind. The Wanderer grinned, his stance loosening as the soles of his feet began to trace an outline of movement, preparing and readying for a counteroffensive. As its dripping breached the outline, The Wanderer shifted his weight once more, quickly flanking the creature to the side once again, but something was off. His eyes traced the movements of its body, of its arms, of its legs. The animosity in them seemed to almost shift mid attack, becoming lucid and methodical. As if the creature was dancing along with him. Even tracing down to the ground, the footing was wrong. Not his footing. He was always perfect. The dance was memorized, trained, honed to a sharp edge. No, it was the creature’s.
Abruptly the creature’s body shifted, its legs tracing backwards, its torso shifting to the side. A corrective action, a counterattack to his counterattack. Shadows of the pair danced along the cave wall, depicting a wickedly abstract waltz. The creature’s arm whipped outward, its claws barreling towards the thin leather separation between his elbow and forearm. God, it was fast. Faster than The Wanderer. Rip, flash, a bright light, then the crashing of feet as the two returned to their original standing.
It all happened so fast. Faster than he could articulate. He was used to speed, used to tracking and understanding battle situations, creating countermeasures, analyzing the most likely move and executing it within a fraction of a second. All of that was done, but it was all wrong. The creature moved in peculiar fashion, acted as if it were moving on instinct while simultaneously acting with thought and strategy. How could it possibly go both ways?
As he thought, mouth slightly open, breath pouring between his lips in a hot and heavy fashion, he hardly thought of anything else. They had made contact, but there was no feeling. Checking for wounds mid-encounter was generally out of the question with beasts. Often, they gave little time for thought or first aid, but the creature stood and waited. The dull grey look in its eyes were gone again, replaced with the methodical gaze of a strategist analyzing a battlefield. The Wanderer lowered his right arm and traced it along the path of his elbow, reaching his shoulder before he felt it. A definite gash traced about two inches wide, the depth of it couldn’t be guessed, but it had breached the leather. As his hand returned to a fist, warm fresh blood dripped between the fingers, falling and coagulating against the dust and pebbles along the ground. He had indeed been injured, but there was no feeling to it. All felt well, and that’s precisely why all was, in fact, not well.
“You’re a strange one. Not quite like anything I’ve seen before, but I’ll get to know you real well soon enough.”
His eyes moved from the creature, scanning along the ground. Before when this was a simple clean-up, a weapon would be handy, but hardly required of someone with his skills, but this was anything but simple. Parameters had changed, he’d very much like his sword back now.
It was nowhere to be seen initially. The room was dark, with little else than a soft glow from the fallen torch illuminating a small area and casting shadows that obscured others. Then it appeared. Near the feet of the creature, the raven crested blade sat where it had since the beginning of this strange dual. Thoughts echoed along in his head, casting suspicions and doubt in every facet of the encounter. Things were not as they appeared.
A slight grin crept along his face again, before quickly subsiding. “Think I have enough time for one more go of it. Care to lead?”
The creature stood, watching and plotting before the dull grey of its eyes appeared once again, launching it into another fury. It lunged, arms outstretched again, running full speed to the man. He simply stood, his hands loosening from tightly wound fists of rock to loosely packed fists of snow. His palms opened slightly; his footing loosened as the heels of his feet digging into the hard rocky floor. They began to move slightly, tracing a straight horizontal line where he stood as he slowly began to back away. The creature, still in a frenzy, closes the distance fast. Seemingly faster than any previous assault as The Wanderer ceased his slow backing retreat, his feet returning to a strong stance, soles digging deep into the earth. He takes in a breath, his heartrate slowing. The light sounds of the cave begin to grow, becoming more apparent and concentrated. Small droplets of dew falling from the ceiling, wind softly blowing along, echoing through the harrowed halls and the flickering of a flame slowly speaking its ancient language. They all converged, mirroring themselves as The Wanderer’s eyes closed. Time seemed to slow as the creature came closer, its steps further apart, its maddening gurgling seemingly floating away. It stepped, stepped and stepped along the ground, pushing pebbles and dust without thought.
Finally, it reached the line carved into the rock. Its foot crunched, making contact with the earth, and in an instant its eyes reverted again. The grey dullness seeping away to its methodically stategistic norm. In that instant, The Wanderers eyes erupted open. The chittering thing’s arms stretch out for his neck, hoping to seize his artery with its horrific claws. Quickly, quicker than anything that day, The Wanderer moved in a fast range of motions that all seemingly happened at once. His weight once again shifted, flanking the creature. His arms locked into a position of counterattack. The creature quickly issued its own countermeasure, once again whipping its body and throwing its claw outward, aiming higher than before, aiming for his neck.
A flame moved. Shadows formed along the walls once more, although they showed a different scene. A scene depicting two swordsman locked in deathly combat. Their swords swinging violently but with grace and purpose. They clashed a thousand times. Each time sending a spray of bright sparks that swelled through the air creating intricate patterns that lingered before slowly fading.
The creature was stuck, unable to move, unable to continue its assault and unable to return to its desired location. The Wanderer's palm grasped the creature's wrist tightly, locking it into a hold. The grey of the creature’s eyes were completely gone now as its pupils darted around in panic. His hand arched forward, his foot kicking –what would assumedly be- the creature’s calf, buckling its knees and forcing it to the ground. Cracking and popping erupted from the joints of its arm as his grip tightened. It’s gurgling became sporadic, as if pleading to be set free. He simply watched it, once against studying its behavior, its patterns, its mannerisms.
“You really are special. Not like anything in the world I imagine, but what makes you so special.” The Wanderer clenched his hold tighter, the creature falls lower, its face pushing into the cold rock. “You were playing a game, weren’t you? You understand what I’m saying too, and that I can assure you is indeed something special. Predicting my movements, using the techniques against me. You weren’t just fighting for a meal. You were learning, weren’t you?”
The creature clicked and gurgled, chittering against the ground as the hard surface of its arm began to crack.
“Now, I’m not opposed to teaching if I aim to gain something from it, but what I won’t abide is being played with. Now...” He plants his foot against the back of the creature's neck, both arms holding its locked appendage in a pulling motion. “I think I deserve to know a little more about you my foul-smelling friend, and if I’m right up until this point, you outta know exactly what I’m saying. I also assume you know a threat when you hear one. So...” His grip tightens, his leather boot slowly crunched against the creature’s skull. “Tell me what you are, and where you learned to be so damn special.”
The creature’s eyes widen, the dull grey returning, filling its retinas as it begins to violently convulse. A shrill screech fills the room, echoing along the walls, traveling through the twisting and winding tunnels of the long-forgotten mine. Shadows creep along the cave walls once more, scattering and convulsing, twisting into horrid and unimaginable shapes. Creatures that belong to fables and horror tales begin flooding along the shapes as the flame whips and crackles. The torch quickly combusts, the flames turning a sharp blackish violet. Heat bellows from the waves of ember emitting from the now monumental display of hellfire as the shadows multiply, taking over every inch of coverage. The Wanderer’s ears tremble at the immense noise, his vision begins to weaken as the shrill echo reaches a climactic crescendo. Any more of this and it’s all over, lights out.
He looks downward to the creature, its mind warped with whatever dark arts influenced it. His grip tightens as his foot presses firmly against the back of its head. Slow crunching and cracking sounds begin to intermingle with the terrible sounds of its cry. As the boot came down, harder and harder, the creature’s terrible screech began to thin and grow in pitch, like the air being slowly released from a balloon. Then, a horrendous snap before the head was no more. Violet and green brain matter covered the area around its neck as small fragments of skull of tissue caked along the sides of his boots. All at once the cry stopped, and along with it the room slowly began to darken. The flame began to slowly dwindle back to its original size, its color returning to a soft orange glow.
The Wanderer stepped back; his eyes firmly planted on the now deceased creature lying before him. A pool of its blood slowly trickled along the floor, reaching for his sword. Slowly, his body lumbered to the lost blade. Its handle was wrapped in scaled pitch blade leather, its blade a vibrant silver, still glistening with oil. The visage of a raven prominently scorn into the finish of the blade itself. Before the foul-smelling blood reaches the blade, the man slowly leans down to collect it. His body ached, his arms felt heavy and as the world around him began to dim, he retrieved the blade. Weighing it in his hand he felt secure, like a lost piece of him was restored with its retrieval. It felt so much heavier than before, or maybe he had just been weakened from the encounter. He gazed down upon it, his hand clenched hard around the dark leather handle. A dark fluid began to pool around his hand, streaming softly down from his arm.
The Wanderer turned his arm over, now looking at the wound he had taken from the creature’s first counterattack. It didn’t seem very bad, or at least not as bad as previous wounds he’d sustained, but the bleeding was alarming. It streamed softly, almost without notice. The blood itself was dark as well, as if it had already begun coagulation. A strange wound. A worrying wound. Suddenly his head became light, the room began to dim, and the walls started to blur. No, everything about this was wrong.
In the strange lucid state he was left in, he almost didn’t notice the changes around him. A quite fell over the room, the flickering flame seemed to even quite down to a faint whisper. A soft noise crept along the ground. Soft tapping, the sound of pebbles and rock being pushed aside, dust parting between single soft strides. The pain in his head grew louder, his heartbeat thumping from his chest to his forearm, ending finally against his forehead.
What is happening to me?
As if to answer, a rapid movement jostled him back to reality as he quickly turned, sword still gripped tightly in hand. A quick flash of movement rushed towards him, its motioned and sounds all too familiar to him. As nimbly as he can muster, he raises his blade outward in an attempt to impale the newfound enemy now barreling towards him, but a twinge of searing pain in his shoulder halts the attack. All he manages is a defensive stance, sword raised, arm placed behind the blade to prepare for impact as the creature crashes into him.
They both fall, splashing into the violet puddle of dank smelling blood that has pooled along the cave floor. A creature –almost identical to the one lying dead beside him- lies atop the blade protecting his body. Its arms crash against the leather bracers protecting his soft flesh. Claws come crashing down, scrapping against leather, making large slashes in them but not enough to break fully through the thick coating. Slime and mucus drip down from its maw, coating The Wanderer’s arms and neck. His arms are placed defensively against the side end of the blade, separating the two, but he can feel himself weakening further and further. Rough outlines of the creature emerge through blurred vision. Heat travels along his arm and forehead, casting confusion and sweat to pour over his body.
What the hell is happening!?
Suddenly, the creature lunges its head down, breaching the space between the blade and The Wanderer’s neck. Its snapping pincer like mandible opening and shutting in rapid and rabid bites. Before it has a chance to make contact, The Wanderer frees one of his trapped hands and grapples the creature’s head. With strength slowly fading from his body, he fruitlessly pushed back the creature's disgusting face. With every inch he pushes, the creature seemingly gains two. A battle of attrition begins. Snapping, clawing, drooling the creature continues its unending assault. Reach for the soft part of his neck in hopes of ending the encounter in a single bite. Just one slip, and its lights out. Forgotten and left to be fed on to a host of disgusting bugs. The thought rips through his mind, his veins fill with hot fire, his muscles contract creating energy that wasn’t there before. He pushes hard against the creature’s head, pushing it past the breach in the sword until his arm reaches full length.
The energy’s fading, the small window of opportunity’s closing, and for once in his miserable life, he can’t think of a thing to do. The hand not grappling with the creatures head pulls free from the back of the sword. His fingers slowly begin moving, drawing a pattern in the air. Faint lines form, like strokes from a dry paintbrush. Lines sparkle and faintly crackle with weak power, power being sapped away. The pattern is rough and unfinished, its edges not straight, its lines fumbling. The feeling in his fingers is weak. Strength fading, the pattern breaks as his hand twitches before returning to the blade. Fire begins erupting from the torch again, the strange violet flame re-emerges and casts strange shadows once again along the cave walls. Shadows depicting men falling in the thousands, figures standing above them. A strange light emits from the wrecked battlefield as the dominant figures rise, floating above, breaching unending clouds and sending a cleansing fire downward. Fire spreads along the walls, engulfing the shadows, casting them far away as it shrieks and flickers violently. The Wanderer’s vision begins to fade. The world around begins to dull. Rocky walls, granite floors, the creature all fade, losing color and becoming shadows themselves. Heat wells in his head, as tears stream down his cheek.
I can’t.
Shadows slowly engulf him as the energy drains from his arms.
I won’t
The creature’s face inches closer and closer to its target.
This is where it ends.
The fire erupts, banishing the shadows away once more, filling the room with soft orange light as the creature lunges uninterrupted at its prize.
Then nothing. The pain of stabbing pincers ripping along his throat never occurs. Instead, a loud CLAP echoes along the walls. It’s deafening and almost endless, but it's over in an instant. A river of fluid splashes along The Wanderer’s face and body. It’s warm and thick like syrup but smells like rotten apple cores. For a moment, he contemplates if this is death. A strange death, and a strange place to end up, but who’s to know. Before long his eyes opened. The creature that stood hunched over him was still there, but its head was entirely missing. Fragments of skull and viscera lined the walls and floor around him as the creature stood cold, dead. Seemingly out of nowhere, its head just seemed to explode.
“Did...” The Wanderer began quizzically. “Did I do that?”
Before an answer could be given, a shuffle could be heard across the room, hidden against the far wall deep within the dark. Slowly The Wanderer rose, knocking the deceased creature away from him, the feeling and strength slowly returning to his body. He stared off to the dark corner, waiting in vain for his eyes to adjust to the dark. They didn’t. Bending down, he grasped his sword in one hand, and what remained of the faint torch in the other as he cautiously meandered to the muffled sound coming from the dark corner.
“Gods, if it’s one more of these disgusting fucking things, I’m straight gone.”
Slowly, the image of a man appears. He almost seemed affixed to the wall due to some form of slightly translucent webbing sprawled across his body. His feet were a few inches raised from the floor as he hung limply against the wall. A thin layer of the same substance covered his mouth as he muffled violently to The Wanderer, his eyes red and spread as wide as they could go. Near the middle of the webbing his right hand was tightly bound, unable to move. On the other side, it seemed he was able to shake loose enough to free it. A silver revolver with gold carved inlays held tightly between his fingers. Faint trails of smoke emanated from the pistol’s barrel. The smell of spent gunpowder lingered In the air, a smell The Wanderer had memorized.
The Wanderer looked puzzlingly at the man stuck to the wall, before a spark of remembrance and realization came to life in his eyes. Sweat beaded down the side of his head, slowing before soaking into his shirt collar. That chance encounter had taken its toll, and had gone on for longer than he thought, longer than he had hoped.
“Hells man, I had forgotten entirely of you. Why not speak up next time?”
The stuck man convulsed in a fit of annoyance and fury as The Wanderer laughed heartily.






submitted by StupidGuy911 to fantasywriters [link] [comments]


2024.05.13 01:49 No-Task2657 Advice for cutting and sanding this product

Advice for cutting and sanding this product
I have had a product manufactured with polypropylene and the factory has sent me three hundred of this product with sprue still attached, and now I have to cut the sprues off and sand down the stubs manually (myself) for 300 products. The products are large and the edge is curved. I have used a diagonal cutter to try and cut this sprue on the curved side, but due to the location it is hard to cut the curve.
  1. What is a better tool to use to get as close to the edge as I can but cut a curve cleanly?
Also, I have sanding down the rough edges afterwards with wet sanding paper (made for plastic sanding) all by hand.
Is there some kind of mini electrical sanding/buffing tool I can use instead that I can use different grit sandpapers on including the micro sanding papers to sand these curved edges?
Please forgive this post, but I am a complete novice to manufacturing processes.
https://preview.redd.it/vaggha8r230d1.jpg?width=320&format=pjpg&auto=webp&s=ecbf6aee8b058211540df975a2c3bd2c85da958f
https://preview.redd.it/9z53eyrr230d1.jpg?width=240&format=pjpg&auto=webp&s=4b871786d902bc3ba628263015389a3800779a18
submitted by No-Task2657 to manufacturing [link] [comments]


2024.05.13 00:52 DanAmrich Rondo SX Liquid "Kybercaster" project is complete

Rondo SX Liquid
https://preview.redd.it/ibivni67r20d1.jpg?width=3024&format=pjpg&auto=webp&s=035460382fc037996ccc2060d2593cf99209fbde
Following up from this post two weeks ago, I finished my modifications to a Rondo SX Liquid this weekend. It was originally SSH and I wanted a no-brainer EVH setup but with a visually interesting pickup. I had planned to replace the chunky neck, but the heel was a bit wider than standard, so I decided to try removing the poly with a heat gun and sanding it down to be more to my tastes. Finished with Tru Oil and wax. Not only was that cheaper but it was successful and I got exactly the profile and depth I wanted.,..and of course, off-spec neck fit the off-spec body perfectly. I was surprised at my success and would reshape a neck again in the future.
I then upgraded everything else, including Hipshot tuners, Wilkinson locking bridge, GFS curved tailpiece and a GFS Pro-Tube lipstick humbucker (9K neck model in bridge for less aggro). I scanned in the old pickguard, worked with my brilliant wife to alter the shape in Illustrator, then cut it on a laser, along with the headstock "decal" to cover the SX logo (which was under poly).
The excuse for all this was that I play in an Star Wars band called The Kyberpunks, so I wanted something that looked like it fit in that universe. The headstock is in Aurebesh, the Star Wars alphabet.
submitted by DanAmrich to offset [link] [comments]


2024.05.12 21:31 tldredditnope Glossary of Golf Slang

The alphabetized items below are from golf-drives.com. What are the other need-to-know slang terms that would arm someone for being a non-stop infinitely-annoying color commentator for a full round?
I’ll add a few to get things started:
Pure: A fairway shot which is flushed.
Flushed: A pured shot.
Nutted: Means pured or nuked.
Nuked: Flushed hard.
Nice: Classier way of saying nutted.
Solid: Nice.
Mashed Potato (or anything else yelled instantaneously after a tour player’s shot): I have severe mental issues, and I’m drunk.
Beaver tail: Massive divot.
Piss Missle: Slightly higher trajectory than a worm burner, but normally not hit with wedge.
Worm Burner: Ground contour hugging supersonic shot often struck with leading edge of pitching wedge.
A-Z Golf Slang and Terminology
A
“A” Game: A golfer’s best game which is executed on a regular basis.
Ace: Hitting the ball into the hole in one swing of the club.
Afraid of The Dark: When the putted ball refuses to fall into the hole.
Airmail: A golf shot which travels a considerably longer distance than planned.
Albatross (aka Double Eagle): This means a score of three strokes under Par, which as you can imagine is very rare.
All square: Tied score in match play.
Army Golf: Like a marching rhythm: Left-right-left, in the game of golf it means hitting the ball out of bounds to the left then to the right the next time.
B
Backhander: When you hit the ball casually with the back-side of the putter to “Hole” a very short putt.
Banana Ball: The ball travels in a ”banana-shaped” curve. A very sharp fade shot known as a “slice”.
Barkies: Hitting the golf ball at trees and obtaining a good score despite it.
Beach: Term used for a sand bunker.
Birdie: A score of one less than par.
Bite: If a ball has lots of backspin it is said to “bite” because it stays close to where it landed or may spin back toward the player. If a ball appears to be going past the hole a player may shout “pray” or a more humorous way can be to shout, “grow teeth!”.
Bogey: A score of one over par.
Bracket: To be prepared for a different situation where you need to hit a certain shot you will need to take additional clubs – one higher and one lower known as a Bracket.
Buzzard (aka Double Bogey): A score of two over par.
C
Cabbage (aka Spinach): If you hit the ball into inescapable thick rough.
Can: Refers to the “Cup” on the Green.
Carpet: Term which refers to the “Green”.
Casual water: A build-up of water on the golf course after heavy rain that is not part of a water hazard.
The player can move the ball without penalty.
Cat Box: A sand bunker.
Chicken Stick: If faced with a difficult shot, a golfer will choose a play-it-safe club that is within his capabilities to properly complete the shot.
Chili Dip (aka Fat/Chunk shot): Hitting the ground behind the ball before impact with the ball.
Chipping: Short shot usually made from just off the green.
Cuban: Putting action where the ball stops short of dropping into the cup.
Cup: The hole on the green – 4.5-inch diameter, 4-inch-deep.
D Dance floor: Refers to the green.
Dawn patrol: Golfers who play at sunrise.
Dew Sweepers: Reference to players in a Professional Tournament who have the earliest Tee times (when the dew is still on the course), in the third or fourth round of the tournament.
Dog Track (aka Goat track): When a golf course is in poor condition.
Dribbler (aka Fat Shot): When a shot that only goes forward a few feet.
Duck Hook (aka Snap Hook): A ball that curves right to left on a low trajectory and off target.
Duffer (aka Hacker): An “inexperienced” or mediocre golfer.
Deep: A hole/flagstick that is located on the back of the green.
Divot: The small chunk of turf that is dislodged when a club head strikes the ground as a player hits the ball.
Drained: Slang term for having sunk a putt.
Draw: A golf shot (for a right-handed golfer) where the ball slowly moves right to left.
Drive: The first shot taken at the teeing ground at each hole.
Driver: The longest club with the biggest head, used for tee shots as it’s designed to hit the ball the farthest.
Duff: A bad shot.
E
Eagle: A score of two under par.
Executive course: A golf course that is shorter and has a lower par than regular golf courses suitable for beginner golfers and juniors. F Fade (aka Cut Shot): A golf shot (right handed golfer) in which the ball gradually moves left to right. Fairway: The centre, short-mown portion of a golf hole in between the teeing ground and the green. First tee: Where a round of golf play begins. Flyer: Hit from the rough, a ball which goes a lot further than envisioned. Fly the green: A shot that goes over the green. Fore: Shouted when the ball is heading towards someone. Forward tees: The teeing ground located closest to the green. Flop shot: A golf shot which is hit quite high and short, which upon contact with the Green, rolls very little and stops. The ball is “Flopped” onto the putting surface. Flub: A terrible shot which causes a loss in scoring. Foot Wedge: Where the golfer uses his “foot” to push the ball into a better position. Four-jack: On any given Green taking four putts to get the ball in the hole. Fried Egg (aka Plugged): Where only the top half of the ball is visible when buried in a Sandtrap. Frog Hair: Closely mown grass surrounding the Green. G Gimme: A shot so close that only a short putt is needed, and the other players agree can count automatically without being played. Get up: An expression shouted at a ball that looks like it’s going to land short of the target. Grounding: Setting the heel of the golf club on the ground. H Handicap: A numerical representation of a golfer’s playing ability. Honours: The right to tee off first based on having the best score on the last hole or being furthest away from the hole. Hook: When a right-handed player strikes the ball such that it curves sharply from right to left. Hot: A shot that goes faster than intended. Hacker: An “inexperienced” or mediocre golfer. Hand Wedge: Where the golfer uses his “hand” to nudge the ball into a better lie. I Iffy lie: A ball that is in an unfortunate lie and dubious whether the ball can be struck well for a good golf shot. In the Leather: A putted ball close enough to the hole to be accepted by the other players. J Juicy lie: Offers a nice clean hit. A juicy lie indicates the ball is sitting on top of grass as if it is mounted on a short Tee. Jungle: A ball hit into the deepest and rough area on the golf course. K Kick: A golfer who asks for a good kick is hoping for the ball to bounce in a good position. Knee-knocker: A nervous reaction when a golfer has a short putt (3 to 4 feet) remaining for the next Putt. L Lay up: When trying to reach the Green could be a risky shot and it is a lot safer to hit a drive or fairway shot short of the Green. Lip out: You have “lipped out” when your ball hits the lip but doesn’t go in the hole. Loop: Refers to one 18-Hole circuit around the Golf Course. Lumberjack: When a golfer hits a ball into a wooded area numerous times during a round and continues to hit the trees trying to get out of the woods. Lie: While in play the Lie is the position/location of the golf ball. Loft: The degree/angle of the face of the club. M Mickey Mouse course: Refers to a course with many short holes and bad maintenance. Mulligan: Referring to a second shot from the Tee, after a bad first shot. Match play: A golf format where the goal is to win individual holes rather than tallying the total of all the strokes. Modified scramble (aka Shamble/ Texas Scramble): Tournament format where golfers select the best shot off the tee, move all balls to that spot, and play individual stroke play for the rest of the hole. N Nineteenth (19th) hole: The Clubhouse Bar. Nip it: A Clean hit which tends to lessen the amount of backspin. Nuked: When you gain a greater distance than your average or typical distance. O Out of Bounds (OB): The area of the course is often marked by white stakes which should be avoided where play is not allowed. P Pin (aka The Stick): The flagstick on the green standing inside the cup. Playing through: When a group of golfers pass by another group of slower playing golfers. Provisional ball: A second ball that is played if the first ball is or may be lost or out of bounds. Putting: The golf stroke used to roll the ball on the green. Q Quick: Rushing your swing or trying to hit too hard. R Rainmaker: A golf shot with a very high trajectory. Ready golf: To speed up or maintain the pace of play players will hit when ready. Rough: The long grass bordering the fairway. S Scratch: A golfer with Zero handicap. Snowman: Reference to scoring an 8 on a hole. Skull: A stroke made above the equator of the ball which is mis-hit, resulting in a line-drive trajectory. Sticks: The plural “sticks” means golf clubs not to be confused with flagstick. Stroke play: A golf format in which the objective is to finish the game using the fewest total shots. T Tap in: A short, easy to make Putt. Tester: Tends to test a golfer. It is where a Putt is too far away for a “Gimmie”, but short enough a good putting golfer can hole it. The Tips (aka Championship Tees/Back Tees): The farthest teeing ground from the green, usually defined by blue, black or gold tee markers. Thin (aka Skinny): A shot strike near the centre of the ball, characteristically causing a low flight. The turn: The halfway point in a round of golf. U Up and down: Only taking two strokes to get the golf ball into the hole when your ball is resting around the green. U-turn: A Putt that rolls almost all the way around the edge of the “Cup” before actually coming out and around without falling in. V Valleys: Relatively flat areas with sharp undulations between mounds on a green. Victory lap: The circle a Putt makes around the rim of the Cup before going in. Velcro: Is the speed of the Putting Green on a golf course. W Worm burner: A golf shot (not a putt) in which the ball never gets but a few feet off the ground. Watery Grave: A final resting place for your “Miss-Hit” shot over a water hazard. Whiff: A poor golf swing with a complete miss of the ball. Y Yips: Due to nervousness and lack of a smooth putting stroke, Yips is the inability to make short putts. Yank: When a Putt is pulled sharply to the left. Z Zone: You’re said to be “in the zone” if you are playing well.
submitted by tldredditnope to golf [link] [comments]


2024.05.12 14:03 Dansco112 The Scarred Ship and its People

Wave Scars by Joel Lane
Originally Published in Sugar Sleep (1993) edited by Chris Kenworthy
Excerpted from The Earth Wire and Other Short Stories (1999) by Joel Lane
After a while, he stopped and pointed down towards the sea. 'Look,' he said quietly. The mist was rising to expose patches of grey shimmering water. Sharp fragments of rock broke the surface, distorting it into a network of tiny ripples. The wind's teeth combed through the dark waves, bringing up highlights of spray. Then I could see what Steven was pointing at: a boat coming rapidly inland, between us and the promontory. It was like an elongated yacht, or a barge with a sail; the jib swung erratically as the boat tried to slow down. There were several people on board, and for an insane moment I could make out their terrified shiny faces.
A few yards ahead of us, a very steep flight of stone steps led down to the beach. Steven ran down ahead of me, gripping the rail for support. The boat was lurching closer, coming in to land. They had some kind of lamp on board, but they didn't appear to be navigating with its help. At the head of the beach, Steven lost his footing and fell over a rock. I helped him up; he was shaking, and seemed about to pass out. In spite of the cold, his face was drenched in sweat. We were still standing there when the boat hit something, rode up out of the water and then capsized. At first, I thought nobody had surivied.
By the time Steven and I reached the water, a few dark figures were struggling towards us over the rocks. They appeared to be badly hurt. The nearest of them was covering his face with one arm. I pulled him up onto the sand before realising that his head was in some way joined to his forearm, so that there was no face to cover. Both his arms ended in smoothly healed stumps.
I turned back to the water, where Steven had caught hold of somebody and was trying to lift him. More of the survivors were emerging from the wreck. Some were holding onto each other. One of them collapsed as a wave struck him from behind; I caught his arms and helped him to stand up. A rock had gashed his shoulder, but there was no blood. His eyes and mouth appeared to be incapable of opening, so that his sealed face gave an impression of peace. He stepped past me onto the sand, and fell again. From behind him, a woman reached up with a child in her arms. I caught hold of the child; but her arms were joined to its body, her fingers spread across the child's shoulders like embryonic wings. A few yards away, Steven was carrying someone whose back was crusted with broken ribs. He looked at me, and I could see in his face the same question I was asking myself. How could there be so many of them?
But there was no question of what to do about the survivors when they were on the beach. They simply came apart. Their faces, if any, misted over with a pain so great it left them no identity. They became glass, snow, driftwood. They wrapped their damaged limbs around themselves, and bled their own substance into the sand. In less than an hour, the beach was empty. The only marks on the sand were the long curved ridges left by the outgoing tide. I looked out towards the rocks; but there was no sign of the boat. Then I turned and followed Steven up the stone steps to the cliff top. It was getting light; I could just see the outlines of trees and distant buildings inland.
submitted by Dansco112 to Extraordinary_Tales [link] [comments]


2024.05.12 05:26 plenoto I just finished my worst delivery ever!

As the title states, I did the worst run since I started playing the game (FYI over 60 hours on Steam, 69 deliveries completed). It was like everything bad was to happen during this run. he cargo was cars from Voltison Motors in Bend (OR) to the Phoenix Airport (AZ).
It's the first delivery that is not delivered intact, so it could have been way worse. I was pretty pissed but let's get real, it's quite funny how bad things were on this delivery 😅 Next thing I need to do, go to the nearest repair shop and get this mess fixed!
That said, do you have any stories of deliveries that went so bad despite you tried to do everything right? I'm curious to hear your stories!
submitted by plenoto to trucksim [link] [comments]


2024.05.12 04:30 Marigold_Panda Budget Nukes

What are your personal budget decks (~50$) that you would be super confident in bringing to a high level edh pod?
Here's mine; https://www.moxfield.com/decks/PIE0oU0pFEigWw6RWnSQ1g
It's a [[krenko, mob boss]] deck with a super low mana curve. It's able to consistently flood the board and knocks out players pretty regularly. I've had it for 3 years and I update it with each set. It's withstood the test of time and it's probably my favorite deck when put against the other monsters I play. When I built it, my only constraint was to keep it sub $50 and I've never broke it. There's probably better krenko builds but this one's my child.
Some of my favorite interactions have been using [[Sting, glistening dagger]] after getting krenko out to amass an army after a turn around the board. Playing a turn 1 sol ring, a turn 2 krenko, a turn 3 [[goblin assassin]], and having all the other players scoop on turn 5. Using [Shrieking mogg]] to strike a deal with an opponent and tap all blockers for a KO. Or buffing [[cacophony scamp]] or [[fireblade charger]] and throwing them at someone.
Notable includes are:
[[Boggart forager]] for it's tutor hate
[[Mogg raider]] for it's misprint that makes me laugh whenever I have to explain it
[[Scouring sands]] for it's token hate plus scry
[Tectonic reformation]] I've never needed more than six lands in play when playing this deck
submitted by Marigold_Panda to EDH [link] [comments]


2024.05.11 21:32 Stumpy-JIm Want honest feedback on short story The Beach girl [1103], I am dyslexic but I have tried to be as grammatically correct as possible and with spellings too, if possible I'd also like to know where I could improve

Seafoam-green eyes urged me to follow. A tan willowy beauty beyond imagination, held firm my rough hand, hewn from years of hard labour, in her delicate, welcoming touch. Each step carried us nearer to those crystalline waters of the sea, bloody warm hues of a sunset reflected.
“Come,” she said, voice as warm as the ocean breeze that wafted over the secret cove where my bare feet trod through pearl-white sands. “Let’s have some fun!”
A giggle, innocent and impetuous all at once tickled my ears; eyes focused on the plump pinkness of her lips, down her statuesque body masterfully carved by a renaissance artist, perfectly proportioned in every way that seemed a fantasy made real. She turned, still she dragged me, my eyes drifted down the breathing masterpiece before me, her golden locks cascaded down to her round buttocks where sand stuck to the underside curves; long legs in an easy, amorous, rolling stride, skin unblemished and silky smooth.
Eyes closed, burned to the back of the eyelids the first encounter. A beachside bar, shaded from midday sun, bitter beer in one hand, the other deep in a bowl of acidy pineapple and ripe mango chunks. I ate and drank, glances to the people who played, laughed, sunbathed.
“Hey there,” a voice materialised from my left, sweet and tickled the primitive brain.
Head swivelled, eyes widened, mouth gaped, and beer drained into the sand, as I drank in instead the athletic beach girl so unlike any other. Blinked, mouth worked as words had tried to form in my head, when after minutes, I simply gave a nod and gestured to a chair.
“Thanks,” the girl beamed with teeth the purest of white. Eased into the chair, she ordered up a beer for herself and locked those hypnotic eyes to mine. Leaned forward on both hands, she offered an impish smirk, her generous bust pressed into the table surface, threatened to spill out of her navy-blue bikini top. “It’s nice, isn’t it?”
“Yeah, it is,” I stammered, my gaze thrown back to the sea and sand. “Calms the nerves, doesn’t it?”
The girl hummed.
“Easy to see why so many people want to live near a beach or in the tropics. The trees’ gentle sway, warm sand and water, good fruit, food, a nice beer in hand—”
“—beautiful women too…”
Head spun about, there on the woman’s face, a smoky lusty expression that could drive any man mad with lust.
“I love it too,” she said, beer snatched from the server’s tray. She took a gulp, sighed, and played with the bottle. “I live close to here, you know. Have some knowledge of nice places that tourists don’t know about. Want to go to one with me?”
“You hardly know me.”
“I know your type.”
“What’s my type then?”
The girl giggled, drank more of her beer, bit her bottom lip as she leaned forward. “My type, of course…”
From there, all memory blurred as if with a lusty spell concocted effortlessly by an enchantress of some olden fairy tale. No recollection of ever having left the bar, faintest hint of a vehicle, the journey along the road, not even the passing memory of the first step on the beach.
Just her beauty.
She laughed; eyes glistened like sunlit waters. “You daydreaming? Why do that, when this is all real?”
“I just can’t believe it…” I mumble, lost in the smile she gave so easily. Yet something began to rattle in my skull, a warning, a growing fear, something primal and deep.
“Don’t worry, we’re almost there,” her musical voice urged.
Each step through perfect white sands, we came closer to the lusty waves lapped, sensual surf silvery from moon beams peeked over black palms. A jagged crimson rockface flanked all sides of the cove, vicious, hateful, vampiric; a maw of some gluttonous anglerfish turned monstrous through years and decades of endless feast. Gentle winds whispered kindly through the cove; a dreadful bite of cold that stung through the soul hidden within. Sand once warm and friendly, now icy as arctic snows.
I slowed.
“What’s wrong?” the question came through lips pursed through worry.
Eyes past the beauty, where waters became a grim blackness of death where once it shone of jewels. Waves great and crashing, the warm bubbling now greed slapping against the sand.
I stopped.
Her lovely hand tugged and jerked with demand. “Hurry, we’re almost there. Don’t you want to have fun? Just some more steps, come on!”
Her face, those lovely features creased with annoyance and wrinkled with hurry. I frown, then swallow. “Can’t I enjoy this a little longer? The view, I mean.”
My hand fell from hers; she spun to face me, a smirk on her face as she backed up several steps. “View…?” she asked, she struck a sinuous pose; she shone with the dying light, those last vestiges accented every curve, a stunning goddess of twilight. “You can enjoy more of this, after we play in the waves. Enjoy much more.”
Deep within, a voice screamed warnings, drowned under animal lust for the woman. Against the dying throes of that voice, I followed. All the way to the edge of the waves, where restless and excited they became when at last those freezing waters licked past my ankles.
“Yes, come…come closer with me.”
Despite fierce winds and waves crashing, the whisper of her voice seemed clear. As the light flickered it’s last, her eyes became a venomous lambent green. My eyes took in the unearthly woman; hair once blonde now pure as silver, skin radiant with the glow of the moon; taller, slimmer, soft features turned sharp and predatory. Wind thrashed, waves roared, ice rattled through the bones as the sun sunk into the silvery void of the horizon, all consumed but the moon and the daemon that stood before me.
That drowned voice of warning resurfaced, a single question surfaced:
“What are you?”
She cackled, cruel and amused, and still dreadfully lovely. Through the waves she strode, with confidence of a cat that caught the mouse. “Come, find out…”
Eyes squeezed shut, thoughts feuded over choices. Hands clenched, deciding, thinking, wondering, debating. Those winds that howled only added to the cacophony of the inner voices. To flee the trap that was set with the sweetest bait, or to join the goddess there in those doom filled waters.
At last, leg lifted, I took the step that would decide it all. Eyes squeezed shut, I let only my body decide my fate. That goddess or daemon, whatever it was, waited for that primal answer.
submitted by Stumpy-JIm to WritersGroup [link] [comments]


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