Simple to complex sentences worksheet
Porn that gives you a wholesome feeling
2017.01.13 14:18 BlackSnakeMoaning Porn that gives you a wholesome feeling
The sub is closed permanently because of people harassing our mods and Reddit not doing anything about it. Don't message us.
2013.09.12 23:57 drumcowski IsItBullshit?
A community for asking whether programs, products, or services are legitimate.
2012.06.19 00:19 Peterb77 Woodturning : We take square stuff and make it round!
The Reddit corner for all things woodturning. If you have questions, projects, updates, gripes, or any other spiny wood, resin, or metal related thing, here is the place to post it. Check the /turning wiki for answers to some of the most frequently asked questions, including which lathe NOT to buy.
2024.05.14 21:32 2002LuvAbbaLuvU "Future plans: have computers do most of central nervous system, such as thalamus, auditory cortex, visual cortices, homunculus, to parse 2gbps of video (suchas 1024*1280@60fps) to output text at close to 2kbps"
Sources: https://swudususuwu.substack.com/p/future-plans-have-computers-do-most
Allows all uses.
For the most new sources, use programs such as Bash or Termux to run this:
cxx/ClassResultList.cxx has correspondances to neocortex. which is what humans use as databases. cxx/VirusAnalysis.cxx + cxx/ConversationCns.cxx has some correspondances to Broca's area (produces language through recursive processes), Wernicke’s area (parses languages through recursive processes), plus hippocampus (integration to the neocortex + imagination through various regions). cxx/ClassCns.cxx (HSOM + apxr_run) is just templates for general-purpose emulations of neural mass. https://www.deviantart.com/dreamup has some equivalences to how visual cortex + Broca's area + hippocampus synthesizes visual outputs (from text inputs.) To have autonomous robots produce all goods for us [ https://swudususuwu.substack.com/p/program-general-purpose-robots-autonomous ] would require visual cortex (parses inputs from photoreceptors) + auditory cortex (parses inputs from malleus + cortical homunculus (parses inputs from touch sensors) + thalamus (merges information from various classes of sensors, thus the robot balances + produces maps)) + hippocampus (uses outputs from sensors to setup neocortex, plus, runs inverses this for synthesis of new scenarios) + Wernicke's region/Broca's regions (recursive language processes)
Just as a human who watches a video performs the following tasks: Retinal nervous tissue has raw photons as inputs, and compresses such into splines + edges + motion vectors (close to how computers produce splines through edge detection plus do motion estimation, which is what the most advanced traditional codecs such as x264 do to compress) passes millions/billions of those (through optic nerves) to the V1 visual cortex (as opposed to just dump those to a .mp4, which is what computers do), which groups those to produce more abstract, sparse, compressed forms (close to a simulator's meshes / textures / animations), passes those to V1 visual cortex, which synthesizes those into more abstract datums (such as a simulator's specific instances of individual humans, tools, or houses), and passes the most abstract (from V2 visual cortex) plus complex (from V1 visual cortex) to hippocampus (which performs temporary storage tasks while active, and, at rest, encodes this to neocortex). Just as humans can use the neocortex's stored resources for synthesis of new animations/visuals, so too could artificial central nervous systems (run on CPU or GPU) setup synapses to allow to compress gigabytes of visuals from videos into a few kilobytes of text (the hippocampus has dual uses, so can expand the compressed "text" back to good visuals).
That was the simple version; humans also have layers of various auditory cortex tissues, so that sound compresses, plus a thalamus (which merges your various senses, thus the hippocampus has both audio+visual to access and compress, which, for a computer, would be as if you could all speech + lip motions down to the subtitles (.ass)).
Sources: https://wikipedia.org/wiki/Visual_cortex, Neuroscience for Dummies plus various such books
Not sure if the arxiv.org articles[1][2] are about this, but if not, could produce this for us if someone sponsors.
For the most new sources, use programs such as Bash or Termux to run this:
git clone https://github.com/SwuduSusuwu/SubStack.git cd SubStack/cxx && ls
cxx/ClassResultList.cxx has correspondances to neocortex. which is what humans use as databases. cxx/VirusAnalysis.cxx + cxx/ConversationCns.cxx has some correspondances to Broca's area (produces language through recursive processes), Wernicke’s area (parses languages through recursive processes), plus hippocampus (integration to the neocortex + imagination through various regions). cxx/ClassCns.cxx (HSOM + apxr_run) is just templates for general-purpose emulations of neural mass. https://www.deviantart.com/dreamup has some equivalences to how visual cortex + Broca's area + hippocampus synthesizes visual outputs (from text inputs.) To have autonomous robots produce all goods for us [ https://swudususuwu.substack.com/p/program-general-purpose-robots-autonomous ] would require visual cortex (parses inputs from photoreceptors) + auditory cortex (parses inputs from malleus + cortical homunculus (parses inputs from touch sensors) + thalamus (merges information from various classes of sensors, thus the robot balances + produces maps) + hippocampus (uses outputs from sensors to setup neocortex, plus, runs inverses this for synthesis of new scenarios) + Wernicke's region/Broca's regions (recursive language processes)
Just as a human who watches a video performs the following tasks: Retinal nervous tissue has raw photons as inputs, and compresses such into splines + edges + motion vectors (close to how computers produce splines through edge detection plus do motion estimation, which is what the most advanced traditional codecs such as x264 do to compress) passes millions/billions of those (through optic nerves) to the V1 visual cortex (as opposed to just dump those to a .mp4, which is what computers do), which groups those to produce more abstract, sparse, compressed forms (close to a simulator's meshes / textures / animations), passes those to V1 visual cortex, which synthesizes those into more abstract datums (such as a simulator's specific instances of individual humans, tools, or houses), and passes the most abstract (from V2 visual cortex) plus complex (from V1 visual cortex) to hippocampus (which performs temporary storage tasks while active, and, at rest, encodes this to neocortex). Just as humans can use the neocortex's stored resources for synthesis of new animations/visuals, so too could artificial central nervous systems (run on CPU or GPU) setup synapses to allow to compress gigabytes of visuals from videos into a few kilobytes of text (the hippocampus has dual uses, so can expand the compressed "text" back to good visuals).
That was the simple version; humans also have layers of various auditory cortex tissues, so that sound compresses, plus a thalamus (which merges your various senses, thus the hippocampus has both audio+visual to access and compress, which, for a computer, would be as if you could all speech + lip motions down to the subtitles (.ass)).
Sources: https://wikipedia.org/wiki/Visual_cortex, Neuroscience for Dummies plus various such books
Not sure if the arxiv.org articles[1][2] are about this, but if not, could produce this for us if someone sponsors.
[1] A Computationally Efficient Neural Video Compression Accelerator Based on a Sparse CNN-Transformer Hybrid Network
[2] Advances In Video Compression System Using Deep Neural Network: A Review And Case Studies
Because the arxiv.org pages do not list compression ratios, have doubts, but if someone has done this, won't waste resources to produce what someone else has. Expected compression ratios: parse 2gbps of video (suchas 1024*1280@60fps) to output text at close to 2kbps, and should allow to reproduce the original with small losses.
submitted by 2002LuvAbbaLuvU to Serious [link] [comments]
Allows all uses.
For the most new sources, use programs such as Bash or Termux to run this:
git clone cd SubStack/cxx && lshttps://github.com/SwuduSusuwu/SubStack.gitPull requests should goto: https://github.com/SwuduSusuwu/SubStack/issues/2
cxx/ClassResultList.cxx has correspondances to neocortex. which is what humans use as databases. cxx/VirusAnalysis.cxx + cxx/ConversationCns.cxx has some correspondances to Broca's area (produces language through recursive processes), Wernicke’s area (parses languages through recursive processes), plus hippocampus (integration to the neocortex + imagination through various regions). cxx/ClassCns.cxx (HSOM + apxr_run) is just templates for general-purpose emulations of neural mass. https://www.deviantart.com/dreamup has some equivalences to how visual cortex + Broca's area + hippocampus synthesizes visual outputs (from text inputs.) To have autonomous robots produce all goods for us [ https://swudususuwu.substack.com/p/program-general-purpose-robots-autonomous ] would require visual cortex (parses inputs from photoreceptors) + auditory cortex (parses inputs from malleus + cortical homunculus (parses inputs from touch sensors) + thalamus (merges information from various classes of sensors, thus the robot balances + produces maps)) + hippocampus (uses outputs from sensors to setup neocortex, plus, runs inverses this for synthesis of new scenarios) + Wernicke's region/Broca's regions (recursive language processes)
Just as a human who watches a video performs the following tasks: Retinal nervous tissue has raw photons as inputs, and compresses such into splines + edges + motion vectors (close to how computers produce splines through edge detection plus do motion estimation, which is what the most advanced traditional codecs such as x264 do to compress) passes millions/billions of those (through optic nerves) to the V1 visual cortex (as opposed to just dump those to a .mp4, which is what computers do), which groups those to produce more abstract, sparse, compressed forms (close to a simulator's meshes / textures / animations), passes those to V1 visual cortex, which synthesizes those into more abstract datums (such as a simulator's specific instances of individual humans, tools, or houses), and passes the most abstract (from V2 visual cortex) plus complex (from V1 visual cortex) to hippocampus (which performs temporary storage tasks while active, and, at rest, encodes this to neocortex). Just as humans can use the neocortex's stored resources for synthesis of new animations/visuals, so too could artificial central nervous systems (run on CPU or GPU) setup synapses to allow to compress gigabytes of visuals from videos into a few kilobytes of text (the hippocampus has dual uses, so can expand the compressed "text" back to good visuals).
That was the simple version; humans also have layers of various auditory cortex tissues, so that sound compresses, plus a thalamus (which merges your various senses, thus the hippocampus has both audio+visual to access and compress, which, for a computer, would be as if you could all speech + lip motions down to the subtitles (.ass)).
Sources: https://wikipedia.org/wiki/Visual_cortex, Neuroscience for Dummies plus various such books
Not sure if the arxiv.org articles[1][2] are about this, but if not, could produce this for us if someone sponsors.
- [1] A Computationally Efficient Neural Video Compression Accelerator Based on a Sparse CNN-Transformer Hybrid Network
- [2] Advances In Video Compression System Using Deep Neural Network: A Review And Case Studies
For the most new sources, use programs such as Bash or Termux to run this:
git clone https://github.com/SwuduSusuwu/SubStack.git cd SubStack/cxx && ls
cxx/ClassResultList.cxx has correspondances to neocortex. which is what humans use as databases. cxx/VirusAnalysis.cxx + cxx/ConversationCns.cxx has some correspondances to Broca's area (produces language through recursive processes), Wernicke’s area (parses languages through recursive processes), plus hippocampus (integration to the neocortex + imagination through various regions). cxx/ClassCns.cxx (HSOM + apxr_run) is just templates for general-purpose emulations of neural mass. https://www.deviantart.com/dreamup has some equivalences to how visual cortex + Broca's area + hippocampus synthesizes visual outputs (from text inputs.) To have autonomous robots produce all goods for us [ https://swudususuwu.substack.com/p/program-general-purpose-robots-autonomous ] would require visual cortex (parses inputs from photoreceptors) + auditory cortex (parses inputs from malleus + cortical homunculus (parses inputs from touch sensors) + thalamus (merges information from various classes of sensors, thus the robot balances + produces maps) + hippocampus (uses outputs from sensors to setup neocortex, plus, runs inverses this for synthesis of new scenarios) + Wernicke's region/Broca's regions (recursive language processes)
Just as a human who watches a video performs the following tasks: Retinal nervous tissue has raw photons as inputs, and compresses such into splines + edges + motion vectors (close to how computers produce splines through edge detection plus do motion estimation, which is what the most advanced traditional codecs such as x264 do to compress) passes millions/billions of those (through optic nerves) to the V1 visual cortex (as opposed to just dump those to a .mp4, which is what computers do), which groups those to produce more abstract, sparse, compressed forms (close to a simulator's meshes / textures / animations), passes those to V1 visual cortex, which synthesizes those into more abstract datums (such as a simulator's specific instances of individual humans, tools, or houses), and passes the most abstract (from V2 visual cortex) plus complex (from V1 visual cortex) to hippocampus (which performs temporary storage tasks while active, and, at rest, encodes this to neocortex). Just as humans can use the neocortex's stored resources for synthesis of new animations/visuals, so too could artificial central nervous systems (run on CPU or GPU) setup synapses to allow to compress gigabytes of visuals from videos into a few kilobytes of text (the hippocampus has dual uses, so can expand the compressed "text" back to good visuals).
That was the simple version; humans also have layers of various auditory cortex tissues, so that sound compresses, plus a thalamus (which merges your various senses, thus the hippocampus has both audio+visual to access and compress, which, for a computer, would be as if you could all speech + lip motions down to the subtitles (.ass)).
Sources: https://wikipedia.org/wiki/Visual_cortex, Neuroscience for Dummies plus various such books
Not sure if the arxiv.org articles[1][2] are about this, but if not, could produce this for us if someone sponsors.
[1] A Computationally Efficient Neural Video Compression Accelerator Based on a Sparse CNN-Transformer Hybrid Network
[2] Advances In Video Compression System Using Deep Neural Network: A Review And Case Studies
Because the arxiv.org pages do not list compression ratios, have doubts, but if someone has done this, won't waste resources to produce what someone else has. Expected compression ratios: parse 2gbps of video (suchas 1024*1280@60fps) to output text at close to 2kbps, and should allow to reproduce the original with small losses.
2024.05.14 21:27 Hoppss GPT-4o's Drop in Reading Comprehension
While in most benchmarks GPT-4o has moved forward, there's one important area where it's actually taken a step backward: reading comprehension.
The DROP (f1) test measures how well an AI can answer complex questions that require understanding and reasoning.
It's not just about finding a word in a text, it's about figuring out the meaning of the whole thing. It tests an AI's ability to glean information from multiple sentences, perform simple calculations based on the text, and even apply common sense reasoning.
And GPT-4o scored worse than GPT-4 on this test, scoring 83.4 compared to GPT-4's 86.0.
Llama 3 400b, a still-under-development open source model, is (only slightly) better than GPT-4o at this task with it's current checkpoint reaching 83.5
While GPT-4o might have improved in other areas, its performance on DROP (f1) suggests it might struggle more with tasks involving complex reasoning or long-form text compared to it's predecessor. With this in mind GPT-4 might still be a better choice for tasks where accurate and thorough comprehension of lengthy documents is important.
submitted by Hoppss to LocalLLaMA [link] [comments]
The DROP (f1) test measures how well an AI can answer complex questions that require understanding and reasoning.
It's not just about finding a word in a text, it's about figuring out the meaning of the whole thing. It tests an AI's ability to glean information from multiple sentences, perform simple calculations based on the text, and even apply common sense reasoning.
And GPT-4o scored worse than GPT-4 on this test, scoring 83.4 compared to GPT-4's 86.0.
Llama 3 400b, a still-under-development open source model, is (only slightly) better than GPT-4o at this task with it's current checkpoint reaching 83.5
While GPT-4o might have improved in other areas, its performance on DROP (f1) suggests it might struggle more with tasks involving complex reasoning or long-form text compared to it's predecessor. With this in mind GPT-4 might still be a better choice for tasks where accurate and thorough comprehension of lengthy documents is important.
2024.05.14 21:15 Faithhal Unveiling the Best Website to Catch a Cheater: Safeguarding Trust in Relationships
In today's digital age, fidelity and trust are constantly put to the test. The rise of social media, dating apps, and online communication has made it easier for individuals to stray from their committed relationships. However, with technological advancements come innovative solutions. Among these solutions, one stands out as a beacon of hope for those seeking to uncover infidelity: the best website to catch a cheater.
Gone are the days of relying solely on intuition or hiring costly private investigators. With the advent of specialized online platforms, individuals now have access to powerful tools that can help them uncover the truth and protect their relationships.
So, what makes the best website to catch a cheater stand out from the rest? Firstly, it offers a comprehensive range of services designed to cater to different needs and suspicions. Whether you're concerned about your partner's online activities, suspicious text messages, or questionable social media interactions, these websites provide a variety of tools to help you gather evidence discreetly.
Moreover, the best websites prioritize user privacy and security, ensuring that your investigations remain confidential. From encrypted communication channels to secure payment gateways, these platforms employ state-of-the-art technology to safeguard your information and identity.
One of the most valuable features of these websites is their user-friendly interface. You don't need to be a tech-savvy sleuth to navigate through the tools and gather the evidence you need. With simple instructions and intuitive design, anyone can use these platforms to uncover the truth behind their partner's behavior.
Furthermore, the best websites to catch a cheater often offer additional resources and support to help individuals cope with the emotional fallout of infidelity. From expert advice on relationship counseling to community forums where users can share their experiences, these platforms strive to provide holistic support to those navigating the complexities of trust and betrayal.
For more>> Best website to catch a cheater
Of course, it's important to approach the use of these websites with caution and ethical considerations. While uncovering infidelity can be devastating, it's essential to weigh the consequences and consider the possibility of reconciliation before taking any drastic actions.
In conclusion, the best website to catch a cheater represents a beacon of hope for those grappling with doubts and suspicions in their relationships. By harnessing the power of technology and innovation, these platforms empower individuals to uncover the truth and make informed decisions about their future. However, it's crucial to remember that trust is the cornerstone of any healthy relationship, and while these tools can provide clarity, ultimately, it's up to individuals to nurture and protect the bonds of trust and fidelity.
submitted by Faithhal to u/Faithhal [link] [comments]
Gone are the days of relying solely on intuition or hiring costly private investigators. With the advent of specialized online platforms, individuals now have access to powerful tools that can help them uncover the truth and protect their relationships.
So, what makes the best website to catch a cheater stand out from the rest? Firstly, it offers a comprehensive range of services designed to cater to different needs and suspicions. Whether you're concerned about your partner's online activities, suspicious text messages, or questionable social media interactions, these websites provide a variety of tools to help you gather evidence discreetly.
Moreover, the best websites prioritize user privacy and security, ensuring that your investigations remain confidential. From encrypted communication channels to secure payment gateways, these platforms employ state-of-the-art technology to safeguard your information and identity.
One of the most valuable features of these websites is their user-friendly interface. You don't need to be a tech-savvy sleuth to navigate through the tools and gather the evidence you need. With simple instructions and intuitive design, anyone can use these platforms to uncover the truth behind their partner's behavior.
Furthermore, the best websites to catch a cheater often offer additional resources and support to help individuals cope with the emotional fallout of infidelity. From expert advice on relationship counseling to community forums where users can share their experiences, these platforms strive to provide holistic support to those navigating the complexities of trust and betrayal.
For more>> Best website to catch a cheater
Of course, it's important to approach the use of these websites with caution and ethical considerations. While uncovering infidelity can be devastating, it's essential to weigh the consequences and consider the possibility of reconciliation before taking any drastic actions.
In conclusion, the best website to catch a cheater represents a beacon of hope for those grappling with doubts and suspicions in their relationships. By harnessing the power of technology and innovation, these platforms empower individuals to uncover the truth and make informed decisions about their future. However, it's crucial to remember that trust is the cornerstone of any healthy relationship, and while these tools can provide clarity, ultimately, it's up to individuals to nurture and protect the bonds of trust and fidelity.
2024.05.14 21:14 YouExcellent1831 I just walked out on my first ever sous chef position. Contemplating leaving industry.
Context:
I am 25. I grew up in a family who owned and operated pizzerias in NY. I had started working on the register when I was 13 and started summer jobs as a Bussehost when I was 14. The restaurants I worked FOH were 4star high end (worked for 3). I have also always had a serious passion for cooking. When I was 18 I moved out of my home and began working for a dairy farm, then transitioned to a smoothie/salad/vegan gluten free oriented places (19-21). I was a manager making specials like gf desserts, ready to eat salads, and also worked on their equivalent of a “line”. It was not refined whatsoever, clean, simple food. Did that for 2 years. Then quit during Covid after having tremendous stress, after helping reorient the entire business to be more grocery focused as we had a store front with organic, superfood tonics, meats, plant based stuff, etc. I had issues with the kitchen manager as she treated me differently than the other staff. I immediately applied for a junior sous position at a restaurant that was upscale dining, and after a trial day they were willing to train me on garde manger. I worked their and trained under two very capable chefs who were willing to teach me everything. One 36m another 29m who was actually head chef. I moved my way up to hotline after a yr and a half and was enjoying the job, environment, coworkers, and we would do about 200 covers a night in the summer. I carried on with the company for another year even after my head chef gave a months notice and took a much better more cdc job for a larger more high end company. I took on more responsibilities and and finally decided I had reached my ceiling of learning from that restaurant and I wanted to move overseas to broaden my skillset and resume but felt like I picked the wrong country/restaurants as the food was not on par even with the smoothie salad place I started at. I moved home a year later (2024) and was offered by my now cdc chef, same one who trained me and really vouched for me. I executed a 7 course tasting for the first time ever, dishes ranging from quiche, to pork chop, sole(which I had never cooked before), chicken pot pie, croquettes, salad, basque cheesecake, I made my own stock even, and I had a day of prep and the following day to plate. I landed the job over 4 other people. It was for a “family oriented” but upscale bistro as it was on main street in a very affluent town in NY. We have investors, had a full reno as the spot had been a local favorite for 30 years a recently sold. We lost a lot of time we were supposed to be in the kitchen and the prospective opening day was for May 3rd. It got pushed back to the 10th, friends and family 7th and 8th, training of staff was 5th and 6th, while simultaneously doing recipe testing with chefs that had been brought in from other existing locations. Unbeknownst to my cdc, the investor, and restaurant owner, they hired a head chef from nyc that made good food, but could not complete 95% of tasks that were crucial to opening a restaurant, onboarding employees, understanding the kind of volume our town does in summer, actually cooking volume, properly executing recipes, having any recipes of his own that weren’t fresh off google, said he spoke Spanish and then couldn’t communicate to our staff which were all Hispanic spare 1 line cook I hired and use to work with at my first job, the wastage was off the charts, he couldn’t do inventory properly, and spent half of the time speaking constantly and ignoring everyone thinking he’s “working hard”. I took it upon myself to try and execute recipes I had 3 days to learn, make stocks, train employees and learn how to schedule, organize a kitchen from the top down, clean kitchen after a full Reno, and my cdc and the business owner kept assuring me it was not my fault that things were going sideways and that the head chef was completely incompetent and they were actively looking for a replacement. I couldn’t keep up with the prep as hard as I tried, the walk in was a disaster. Felt like every time I organized it my head chef would receive an order and do things like put raw chicken on top of produce. I found cheeses on shelves and raw ground beef in dry storage left out overnight bc of him. He would just constantly talk and talk and talk about everything and nothing, call me in the off hours to talk about a tart mold that he wanted to make in house for 2 hours. Mention things I could do to loose weight, and it was just constant stimulation leading up to the actual opening and during. All the while he would delegate every single one of the the more complex recipe tasks to our untrained employees (sauce work, chopping herbs for garnish, cutting salmon, tuna for line and for Tartares) and I felt obligated to try and pick up as much of his slack. And if I’m being realistic, I as much as the owner and former cdc who hired me believed in me, I still had a lot of refinement to do in my skillset. I have very shakey hands by nature so my knife skills leave a lot to be desired. Also I can’t just bang out a beurre blanc or mornay without thinking about it. I still have to watch and follow a recipe a few time to get the hang of it even though I understand the principles well. I anticipated a balance between my head chef and I and direction. And the worst part is, he would agree to certain tasks and I was the only one trying to organize our flow of prep, made a detailed prep list because his made absolutely no sense, and we would split tasks, I’d execute mine, and he would spend 4 hours chopping mushrooms and par cooking them even though the pick up was raw as per the owner and cdc. It was absolutely maddening. I started having break downs everyday after work NEVER on site; even when to a psychiatrist in between one of our friends and family days to get the non narcotic equivalent of Xanax. I ended up walking out yesterday (13th). More like called and said I wasn’t coming back after my first day off in a week of straight 14 hour days constantly trying to pick up the pieces my head left behind. I have never walked out a job. But now after all of this, I am questioning whether I will ever be able to have a management position in the kitchen. Asking myself, did I progress too quickly? Am I just not capable? Have I completely exhausted myself in the kitchen? Also, I am sober spare nicotene which I consume like an absolute fiend right now. Any insight is appreciated. Please feel free to ask for more context as this is quite the ramble. Also have photos for reference of the food I’ve cooked over the years .
submitted by YouExcellent1831 to Chefit [link] [comments]
I am 25. I grew up in a family who owned and operated pizzerias in NY. I had started working on the register when I was 13 and started summer jobs as a Bussehost when I was 14. The restaurants I worked FOH were 4star high end (worked for 3). I have also always had a serious passion for cooking. When I was 18 I moved out of my home and began working for a dairy farm, then transitioned to a smoothie/salad/vegan gluten free oriented places (19-21). I was a manager making specials like gf desserts, ready to eat salads, and also worked on their equivalent of a “line”. It was not refined whatsoever, clean, simple food. Did that for 2 years. Then quit during Covid after having tremendous stress, after helping reorient the entire business to be more grocery focused as we had a store front with organic, superfood tonics, meats, plant based stuff, etc. I had issues with the kitchen manager as she treated me differently than the other staff. I immediately applied for a junior sous position at a restaurant that was upscale dining, and after a trial day they were willing to train me on garde manger. I worked their and trained under two very capable chefs who were willing to teach me everything. One 36m another 29m who was actually head chef. I moved my way up to hotline after a yr and a half and was enjoying the job, environment, coworkers, and we would do about 200 covers a night in the summer. I carried on with the company for another year even after my head chef gave a months notice and took a much better more cdc job for a larger more high end company. I took on more responsibilities and and finally decided I had reached my ceiling of learning from that restaurant and I wanted to move overseas to broaden my skillset and resume but felt like I picked the wrong country/restaurants as the food was not on par even with the smoothie salad place I started at. I moved home a year later (2024) and was offered by my now cdc chef, same one who trained me and really vouched for me. I executed a 7 course tasting for the first time ever, dishes ranging from quiche, to pork chop, sole(which I had never cooked before), chicken pot pie, croquettes, salad, basque cheesecake, I made my own stock even, and I had a day of prep and the following day to plate. I landed the job over 4 other people. It was for a “family oriented” but upscale bistro as it was on main street in a very affluent town in NY. We have investors, had a full reno as the spot had been a local favorite for 30 years a recently sold. We lost a lot of time we were supposed to be in the kitchen and the prospective opening day was for May 3rd. It got pushed back to the 10th, friends and family 7th and 8th, training of staff was 5th and 6th, while simultaneously doing recipe testing with chefs that had been brought in from other existing locations. Unbeknownst to my cdc, the investor, and restaurant owner, they hired a head chef from nyc that made good food, but could not complete 95% of tasks that were crucial to opening a restaurant, onboarding employees, understanding the kind of volume our town does in summer, actually cooking volume, properly executing recipes, having any recipes of his own that weren’t fresh off google, said he spoke Spanish and then couldn’t communicate to our staff which were all Hispanic spare 1 line cook I hired and use to work with at my first job, the wastage was off the charts, he couldn’t do inventory properly, and spent half of the time speaking constantly and ignoring everyone thinking he’s “working hard”. I took it upon myself to try and execute recipes I had 3 days to learn, make stocks, train employees and learn how to schedule, organize a kitchen from the top down, clean kitchen after a full Reno, and my cdc and the business owner kept assuring me it was not my fault that things were going sideways and that the head chef was completely incompetent and they were actively looking for a replacement. I couldn’t keep up with the prep as hard as I tried, the walk in was a disaster. Felt like every time I organized it my head chef would receive an order and do things like put raw chicken on top of produce. I found cheeses on shelves and raw ground beef in dry storage left out overnight bc of him. He would just constantly talk and talk and talk about everything and nothing, call me in the off hours to talk about a tart mold that he wanted to make in house for 2 hours. Mention things I could do to loose weight, and it was just constant stimulation leading up to the actual opening and during. All the while he would delegate every single one of the the more complex recipe tasks to our untrained employees (sauce work, chopping herbs for garnish, cutting salmon, tuna for line and for Tartares) and I felt obligated to try and pick up as much of his slack. And if I’m being realistic, I as much as the owner and former cdc who hired me believed in me, I still had a lot of refinement to do in my skillset. I have very shakey hands by nature so my knife skills leave a lot to be desired. Also I can’t just bang out a beurre blanc or mornay without thinking about it. I still have to watch and follow a recipe a few time to get the hang of it even though I understand the principles well. I anticipated a balance between my head chef and I and direction. And the worst part is, he would agree to certain tasks and I was the only one trying to organize our flow of prep, made a detailed prep list because his made absolutely no sense, and we would split tasks, I’d execute mine, and he would spend 4 hours chopping mushrooms and par cooking them even though the pick up was raw as per the owner and cdc. It was absolutely maddening. I started having break downs everyday after work NEVER on site; even when to a psychiatrist in between one of our friends and family days to get the non narcotic equivalent of Xanax. I ended up walking out yesterday (13th). More like called and said I wasn’t coming back after my first day off in a week of straight 14 hour days constantly trying to pick up the pieces my head left behind. I have never walked out a job. But now after all of this, I am questioning whether I will ever be able to have a management position in the kitchen. Asking myself, did I progress too quickly? Am I just not capable? Have I completely exhausted myself in the kitchen? Also, I am sober spare nicotene which I consume like an absolute fiend right now. Any insight is appreciated. Please feel free to ask for more context as this is quite the ramble. Also have photos for reference of the food I’ve cooked over the years .
2024.05.14 21:13 Icy-Heart800 AITA for telling my new friend she's not that important in my life?
I (F21) have had tattoos since I was 17.
Most of them are on my arms and just a couple of others on the rest of my body. My back was completely blank until this morning. Keep this in mind for later.
A few months ago I met this girl and we kind of became friends, we see each other every day for work reasons, but even outside of that we've hung out at her place a few times and we went clubbing together.
I knew she had a back tattoo because I saw some photos on insta and I've always thought it looked good but nothing more. It's a pretty simple tattoo, just a cursive sentence on her spine, so I never really thought too much about it.
Until one day she puts on a backless dress and I see it in real life. It was nothing like the photos, it was ten times better. So cool and pretty and elegant and feminine and so much more. It cut the spine in half just perfectly and it kind of slimmed the zone. I fell in love with the overall vibes of that tattoo by seeing it in person.
So I decided to get a similar spine tattoo as well but of course with my own sentence. It was something that I was already thinking about tattooing for a while, but my original idea was to do it on my arm and with a very different font and framing(?), my idea was way uglier than how it turned out. I got the tattoo this morning.
I posted a picture of it on my instagram stories and that friend replied with "are you copying me?". I assumed she was joking so I replied with something like "busted". She left me on read but I didn't even notice, until I saw her at work today and she ignored me the whole time. She barely acknowledged me even when she needed me for our job.
I asked a friend in common if he knew what was wrong and he told me she was cringed and annoyed that I copied her tattoo. Mind you, not only the sentence is completely different, mine is also smaller, shorter and it has a little doodle connected to it. And on top of that, I genuinely do not even remember what her says. I just liked the vibes and felt inspired by that placement. The font is somewhat similar but just because they're both in cursive.
I confronted my friend about this whole situation but she kept saying it was just "too weird" how after seeing her tattoo I suddenly got a similar one. Then she told me something about how special it was for her because it was something related to her dad (?) and that I copied something that I should have stayed just hers.
I told her that she didn't invent spine tattoos and she replied by saying that however she was definitely the reason why I got mine. That's when I told her she's not that important for me to be getting a whole tattoo just to be like her. After that she just left without saying anything and we haven't talk ever since.
AITA?
submitted by Icy-Heart800 to AmItheAsshole [link] [comments]
Most of them are on my arms and just a couple of others on the rest of my body. My back was completely blank until this morning. Keep this in mind for later.
A few months ago I met this girl and we kind of became friends, we see each other every day for work reasons, but even outside of that we've hung out at her place a few times and we went clubbing together.
I knew she had a back tattoo because I saw some photos on insta and I've always thought it looked good but nothing more. It's a pretty simple tattoo, just a cursive sentence on her spine, so I never really thought too much about it.
Until one day she puts on a backless dress and I see it in real life. It was nothing like the photos, it was ten times better. So cool and pretty and elegant and feminine and so much more. It cut the spine in half just perfectly and it kind of slimmed the zone. I fell in love with the overall vibes of that tattoo by seeing it in person.
So I decided to get a similar spine tattoo as well but of course with my own sentence. It was something that I was already thinking about tattooing for a while, but my original idea was to do it on my arm and with a very different font and framing(?), my idea was way uglier than how it turned out. I got the tattoo this morning.
I posted a picture of it on my instagram stories and that friend replied with "are you copying me?". I assumed she was joking so I replied with something like "busted". She left me on read but I didn't even notice, until I saw her at work today and she ignored me the whole time. She barely acknowledged me even when she needed me for our job.
I asked a friend in common if he knew what was wrong and he told me she was cringed and annoyed that I copied her tattoo. Mind you, not only the sentence is completely different, mine is also smaller, shorter and it has a little doodle connected to it. And on top of that, I genuinely do not even remember what her says. I just liked the vibes and felt inspired by that placement. The font is somewhat similar but just because they're both in cursive.
I confronted my friend about this whole situation but she kept saying it was just "too weird" how after seeing her tattoo I suddenly got a similar one. Then she told me something about how special it was for her because it was something related to her dad (?) and that I copied something that I should have stayed just hers.
I told her that she didn't invent spine tattoos and she replied by saying that however she was definitely the reason why I got mine. That's when I told her she's not that important for me to be getting a whole tattoo just to be like her. After that she just left without saying anything and we haven't talk ever since.
AITA?
2024.05.14 20:54 Phinoutte Barely 30 ep in thoughts if anybody might have fun reading this...
Just finished the « Cheating death » episode, can't stop thinking about elements of this series.
I will still not look at the other posts of this sub or any other thread related to the fandom until I've finished watching but here are some of my after thoughts regarding the episodes I've watched so far.
Obviously I don't want any actual answer to any of the questions I will write below because that's just what I'm currently wondering about and explaining any part of it would most definitely spoil me.
So, I've started to take notes about things seeming more important than the rest : some people's names, places, groups, weird things mentioned or said. Mostly things bugging me. But unfortunately I've started doing it around episode 9, very lightly at the time. So I feel like I'm not putting some parts together even if I could probably do so if I've started writing down elements at the beginning. (I never thought the stories would be intertwined but they do.) There's a few stories without a connection to any other, at least not that I've gathered but all the others are somewhat linked. Might it be all the creepy books of Lietner. Several forms of “living” darknesses. Jane Prentice and all the flesh hive business. All the strange impostors posing as humans, especially since some seems to be related, some don't [whatever the heck is “Michael” seems related to ep 3, if not directly what Graham became. There seems to be so many stretched out figures with unnaturally long limbs in this show but so far, not all of them appear to me as part of the same faction ? / Species ? I don't know how to say it.] Also, Michael ?! What ?! Why ?! Friendly (?) at least non aggressive eldritch horror... For now I suppose ?! And I'm not hallucinating by thinking the Jane Prentice hive is basically playing a stalker death trap game with any members of the Archives at this point, right ? Just messing with them for it's fun ? ←I would actually like a simple yes or no answer to these last 2 questions.
Also, why are there eyes EVERYWHERE ?!?! An eye on the pamphlet of the weird cult (which, so far, I suppose is the Cult of the divine host, even if I have no fucking idea about what that really entails), Gerald Key as a lot of eyes tattoos, it's on the pendants mentioned, on the video footage of the nurse story, etc etc.
The Lightless flame definitely feels like the name of something but we haven't heard of it again since the first time it was mentioned.
So, the crimson fate talked about by Jane Prentice Flesh hive is basically a form of apocalypse, right ? I don't know how to interpret that otherwise at the moment.
I just have so many questions and theories. Some are stupid but I feel some of them might actually, not necessarily be correct because I feel like this is a deeply complicated set of stories, but be on the right path ?
It's not just the fears that are shared between episodes, the themes too. Fire, eyes, any forms of undeath, books, flesh and bones tales, music, (dark) magic, darkness, spiders, infections, supernatural impostors, mysterious disappearances, coffins, death, strange swirling patterns, knocks, murders, being isolated or trapped against will, “mind controlled”.
I've seen somewhere on the internet before the sentence « If you have a fear, the Magnus Archive has an episode for you. » or something close. I haven't listened to any really triggering me at the moment. But looking at the titles of the episodes to come of the full playlist, I know I would probably hate the « Boatswain's call », « High pressure » and « Too deep » ones (Yes, I have thalassophobia).
submitted by Phinoutte to TheMagnusArchives [link] [comments]
I will still not look at the other posts of this sub or any other thread related to the fandom until I've finished watching but here are some of my after thoughts regarding the episodes I've watched so far.
Obviously I don't want any actual answer to any of the questions I will write below because that's just what I'm currently wondering about and explaining any part of it would most definitely spoil me.
So, I've started to take notes about things seeming more important than the rest : some people's names, places, groups, weird things mentioned or said. Mostly things bugging me. But unfortunately I've started doing it around episode 9, very lightly at the time. So I feel like I'm not putting some parts together even if I could probably do so if I've started writing down elements at the beginning. (I never thought the stories would be intertwined but they do.) There's a few stories without a connection to any other, at least not that I've gathered but all the others are somewhat linked. Might it be all the creepy books of Lietner. Several forms of “living” darknesses. Jane Prentice and all the flesh hive business. All the strange impostors posing as humans, especially since some seems to be related, some don't [whatever the heck is “Michael” seems related to ep 3, if not directly what Graham became. There seems to be so many stretched out figures with unnaturally long limbs in this show but so far, not all of them appear to me as part of the same faction ? / Species ? I don't know how to say it.] Also, Michael ?! What ?! Why ?! Friendly (?) at least non aggressive eldritch horror... For now I suppose ?! And I'm not hallucinating by thinking the Jane Prentice hive is basically playing a stalker death trap game with any members of the Archives at this point, right ? Just messing with them for it's fun ? ←I would actually like a simple yes or no answer to these last 2 questions.
Also, why are there eyes EVERYWHERE ?!?! An eye on the pamphlet of the weird cult (which, so far, I suppose is the Cult of the divine host, even if I have no fucking idea about what that really entails), Gerald Key as a lot of eyes tattoos, it's on the pendants mentioned, on the video footage of the nurse story, etc etc.
The Lightless flame definitely feels like the name of something but we haven't heard of it again since the first time it was mentioned.
So, the crimson fate talked about by Jane Prentice Flesh hive is basically a form of apocalypse, right ? I don't know how to interpret that otherwise at the moment.
I just have so many questions and theories. Some are stupid but I feel some of them might actually, not necessarily be correct because I feel like this is a deeply complicated set of stories, but be on the right path ?
It's not just the fears that are shared between episodes, the themes too. Fire, eyes, any forms of undeath, books, flesh and bones tales, music, (dark) magic, darkness, spiders, infections, supernatural impostors, mysterious disappearances, coffins, death, strange swirling patterns, knocks, murders, being isolated or trapped against will, “mind controlled”.
I've seen somewhere on the internet before the sentence « If you have a fear, the Magnus Archive has an episode for you. » or something close. I haven't listened to any really triggering me at the moment. But looking at the titles of the episodes to come of the full playlist, I know I would probably hate the « Boatswain's call », « High pressure » and « Too deep » ones (Yes, I have thalassophobia).
2024.05.14 20:39 kendamahackysack I need help making custom silicone bracelets. Could you point me toward the right company?
I would like to put a 33 word sentence on a simple standard silicone bracelet but the companies I keep visiting max me out at just a few words in their text box. Any help is appreciated. Thanks!
submitted by kendamahackysack to braceletcraft [link] [comments]
2024.05.14 20:36 ThrowRA777123 Read! MTHFR Gene Mutation?
Could this help change your life? I wrote this in very simple terms, please read!
If you have MTHFR gene mutation, it could be making you or your family very ill with cognitive/mental and/or physical issues. It could even be contributing to our symptoms of SCT. You might be able to take something to help effects of your MTHFR Gene Mutation. Apparently, this gene also affects our neurotransmitters etc. It’s a very involved bodily process.
Hiiiii. 🤣 Please read this! 🫠 It’s long but it’s worth it.
Important! Do you have MTHFR gene mutation? You can test for it! People have two MTHFR genes, inheriting one from each of their parents. Mutations can affect one (heterozygous) or both (homozygous) of these genes.
If you do, your body may not be efficient at the process of methylation (the body’s process of “detoxifying” itself) and it could be contributing to symptoms of SCT. Please read this! Let me know what you think.
I’m going to try to share some of my blood results in the comments if I can, I see a connection to this. Please note that my Bones, Heart, Calcium, Iron, Eyes, Joints, Metabolism on the Rootine platform all read NORMAL. Please read comments.
(Before you run away, this isn’t based on a natural medicine thing, although I like that stuff. This is real deal science.)
I think it’s interesting. It’s a lot and a lil complex but I think it’s intriguing! I wrote this quickly and I’m still learning so don’t flame me too hard plz.
As I try to reclaim my life in some ways lately, I’m doing lots of reading. I’m totally not saying that this is a cure for SCT/CDS or ADHD. What I am saying is that maybe this could help some of us and alleviate some of our symptoms. I’m just throwing this out there as it might be helpful to some of us. I do think it’s worth the read though. Also, I really want to share my Rootine blood test results. I think you’ll find them interesting and I see some type of correlation with this information I found.
Long story short, I remembered I had taken a test from the company Rootine quite a few years back. I’m doing everything I can to help my severe depression and moderate anxiety so that’s why I was looking at it. I never even thought I’d find something relating to SCT/CDS. Basically, the concept of Rootine is to give them a blood sample. They test your genes to help create vitamins for you blah blah blah.
I have a poorly working MTHFR Gene. Basically, my body really sucks at the body’s natural process of detoxification. The Rootine test isn’t that specific but it shows that I have this issue. I want to get tested further to learn more about this, I’m pretty confident I have a MTHFR Gene Mutation. Notably, there is a lot of mental health issues as well as physical issues they describe in videos I posted in my family.
I’m literally just learning about it now so forgive my huge amount of ignorance. Apparently, having this gene mutation can cause/contribute to a lot of mental and physical issues, some even pointing to ADHD. (Paraphrasing majorly here for simplicity). The concept is a bit technical so I’m still navigating it.
Basically, in layman’s terms, my body is very poor at “detoxing” itself (for lack of a better term)- methylation process. Not like “natural detox” but the body’s natural process of detoxification. Apparently, this can cause a lot of issues as well as issues pertaining to mental health.
From what I gather, it’s said that folic acid is basically my enemy as my body cannot process folic acid (a synthetic substance). Apparently, my body can process folate (a natural substance in vegetables etc.) It’s a little tricky because a lot of websites will say folic acid when they actually mean natural folate in vegetables, etc. However, it appears that folic acid is in a lot of “enriched” and “fortified” foods. Think pasta product/cereal etc. I don’t know all the foods. So I’m gathering that I need to avoid folic acid like the plague because this just builds up in my body and adds to my problem. Apparently, organic pastas and stuff you don’t really find so much of folic acid. I guess folic acid (this is synthetic) is added to food. FOLATE (naturally found in some foods) is good for me but not folic acid (synthetic form) because my body can’t process it.
Then there’s high homocysteine levels….. changes in the MTHFR gene can cause increased levels of homocysteine (I’m still connecting the dots). However, mutations of the MTHFR gene can significantly affect your ability to turn vitamin B12 and folate into forms the body can utilize. This has ill effects on our bodies.
Apparently, my body isn’t good at “detoxifying” itself. Eating folic acid can make this even worse. To help my body detox and aid in its process of methylation, it’s suggested that I take b12 in the form of l-methylcobalamin and folate in the form of l-methylfolate as well as avoid foods with added synthetic folic acid (it’s okay to eat foods with natural folate- this could be a little tricky as it often just reads folic acid on labels). Check the ingredient list for folic acid as well.
Like I said, I’m jussssst learning about this and it’s pretty complex. I just kinda wanted to share this. I’m gonna take what is suggested and I’m also going to avoid eating folic acid (remember this is the synthetic) as much as I can. I really wanna dive even more into this but I’m just trying to get myself healthy enough to go back to work right now. Lemme know your thoughts if you’d like.
There’s a lot of videos on MTHFR but I found these to be really simple to understand so far so I’m sharing them. Just go to YouTube and search MTHFR.
Doctor: https://m.youtube.com/watch?v=Vlu7k-zhUd4&pp=ygUFbXRoZnI%3D
(Before anyone flames me too much, these next two links are from Joe Rogan podcast but they are very simple to understand. I think that they throw a lil shade at Adderall in the clip. I’m not knocking mainstream healthcare in any way, I took Adderall today. So just be advised.)
https://m.youtube.com/watch?v=X9Qqt-Rr7Hk&pp=ygUPbXRoZnIgam9lIHJvZ2F
https://m.youtube.com/watch?v=AkCyLBbZVhI&pp=ygUPbXRoZnIgam9lIHJvZ2Fu
submitted by ThrowRA777123 to SCT [link] [comments]
If you have MTHFR gene mutation, it could be making you or your family very ill with cognitive/mental and/or physical issues. It could even be contributing to our symptoms of SCT. You might be able to take something to help effects of your MTHFR Gene Mutation. Apparently, this gene also affects our neurotransmitters etc. It’s a very involved bodily process.
Hiiiii. 🤣 Please read this! 🫠 It’s long but it’s worth it.
Important! Do you have MTHFR gene mutation? You can test for it! People have two MTHFR genes, inheriting one from each of their parents. Mutations can affect one (heterozygous) or both (homozygous) of these genes.
If you do, your body may not be efficient at the process of methylation (the body’s process of “detoxifying” itself) and it could be contributing to symptoms of SCT. Please read this! Let me know what you think.
I’m going to try to share some of my blood results in the comments if I can, I see a connection to this. Please note that my Bones, Heart, Calcium, Iron, Eyes, Joints, Metabolism on the Rootine platform all read NORMAL. Please read comments.
(Before you run away, this isn’t based on a natural medicine thing, although I like that stuff. This is real deal science.)
I think it’s interesting. It’s a lot and a lil complex but I think it’s intriguing! I wrote this quickly and I’m still learning so don’t flame me too hard plz.
As I try to reclaim my life in some ways lately, I’m doing lots of reading. I’m totally not saying that this is a cure for SCT/CDS or ADHD. What I am saying is that maybe this could help some of us and alleviate some of our symptoms. I’m just throwing this out there as it might be helpful to some of us. I do think it’s worth the read though. Also, I really want to share my Rootine blood test results. I think you’ll find them interesting and I see some type of correlation with this information I found.
Long story short, I remembered I had taken a test from the company Rootine quite a few years back. I’m doing everything I can to help my severe depression and moderate anxiety so that’s why I was looking at it. I never even thought I’d find something relating to SCT/CDS. Basically, the concept of Rootine is to give them a blood sample. They test your genes to help create vitamins for you blah blah blah.
I have a poorly working MTHFR Gene. Basically, my body really sucks at the body’s natural process of detoxification. The Rootine test isn’t that specific but it shows that I have this issue. I want to get tested further to learn more about this, I’m pretty confident I have a MTHFR Gene Mutation. Notably, there is a lot of mental health issues as well as physical issues they describe in videos I posted in my family.
I’m literally just learning about it now so forgive my huge amount of ignorance. Apparently, having this gene mutation can cause/contribute to a lot of mental and physical issues, some even pointing to ADHD. (Paraphrasing majorly here for simplicity). The concept is a bit technical so I’m still navigating it.
Basically, in layman’s terms, my body is very poor at “detoxing” itself (for lack of a better term)- methylation process. Not like “natural detox” but the body’s natural process of detoxification. Apparently, this can cause a lot of issues as well as issues pertaining to mental health.
From what I gather, it’s said that folic acid is basically my enemy as my body cannot process folic acid (a synthetic substance). Apparently, my body can process folate (a natural substance in vegetables etc.) It’s a little tricky because a lot of websites will say folic acid when they actually mean natural folate in vegetables, etc. However, it appears that folic acid is in a lot of “enriched” and “fortified” foods. Think pasta product/cereal etc. I don’t know all the foods. So I’m gathering that I need to avoid folic acid like the plague because this just builds up in my body and adds to my problem. Apparently, organic pastas and stuff you don’t really find so much of folic acid. I guess folic acid (this is synthetic) is added to food. FOLATE (naturally found in some foods) is good for me but not folic acid (synthetic form) because my body can’t process it.
Then there’s high homocysteine levels….. changes in the MTHFR gene can cause increased levels of homocysteine (I’m still connecting the dots). However, mutations of the MTHFR gene can significantly affect your ability to turn vitamin B12 and folate into forms the body can utilize. This has ill effects on our bodies.
Apparently, my body isn’t good at “detoxifying” itself. Eating folic acid can make this even worse. To help my body detox and aid in its process of methylation, it’s suggested that I take b12 in the form of l-methylcobalamin and folate in the form of l-methylfolate as well as avoid foods with added synthetic folic acid (it’s okay to eat foods with natural folate- this could be a little tricky as it often just reads folic acid on labels). Check the ingredient list for folic acid as well.
Like I said, I’m jussssst learning about this and it’s pretty complex. I just kinda wanted to share this. I’m gonna take what is suggested and I’m also going to avoid eating folic acid (remember this is the synthetic) as much as I can. I really wanna dive even more into this but I’m just trying to get myself healthy enough to go back to work right now. Lemme know your thoughts if you’d like.
There’s a lot of videos on MTHFR but I found these to be really simple to understand so far so I’m sharing them. Just go to YouTube and search MTHFR.
Doctor: https://m.youtube.com/watch?v=Vlu7k-zhUd4&pp=ygUFbXRoZnI%3D
(Before anyone flames me too much, these next two links are from Joe Rogan podcast but they are very simple to understand. I think that they throw a lil shade at Adderall in the clip. I’m not knocking mainstream healthcare in any way, I took Adderall today. So just be advised.)
https://m.youtube.com/watch?v=X9Qqt-Rr7Hk&pp=ygUPbXRoZnIgam9lIHJvZ2F
https://m.youtube.com/watch?v=AkCyLBbZVhI&pp=ygUPbXRoZnIgam9lIHJvZ2Fu
2024.05.14 20:33 ThrowRAxreppp1234 How do I resolve communication issues with this girl (19F) I'm (21M) seeing?
So I've been seeing this girl for a while now. We have kissed already but it's nothing too serious so far. Today, she messaged me asking how I was doing. I replied that I was just heading home from another city and asked "Why do you ask?"
Suddenly, out of the blue, she responded with: I see that you're already tired of me.
I replied: What do you mean?
She answered: I feel like you’re already tired of me.
I asked: Why do you think that?
She said: Because we hardly have any contact with each other and when we do, it’s only for a short time. That makes me feel like you’re tired of me.
I replied: Well, you had your final exams recently, so I didn’t want to bother you.
She said: I told you that you never bother me.
I replied: I understand. But besides the exams, I feel like I haven't really been able to catch a common language with you.
She said: so what's next?
I replied: I don't know, maybe we should talk about it, like back when I told you about my feelings, but you ignored me?
I replied with another one: From the start, it’s been a bit awkward. I’ve tried to have conversations, but it rarely work out. (she would always answer with a really short sentence or just single word and don't ask me back anything) You never initiated any conversations, physical contacts or gave compliments, (yes, she never gave me any compliments, even a simple "you too" after my compliments towards her or something like that) so I thought you were just shy and decided to give you time to open up. I’ve been patient, but after a couple of months not much has changed. The last time I told you face-to-face that I struggle to talk with you, you didn’t say anything. No reaction at all, which honestly discouraged me a bit.
She responded: I told you I’m quiet and I can’t keep a conversation going, even if I want to. (I don’t remember her ever saying this)
Her response to the part where I mentioned telling her I struggle to talk to her face-to-face was: What was I supposed to say to that? (anything???)
Her response to my part about discouragement was: So I discouraged you, I see 🙂
I didn't respond to this because I had to think about this whole situation.
Then she sent another text: So I was right, you are tired of me. If you don’t want to have contact with me, just fucking tell me.
So, what do you guys think about this whole situation? What should I do? She seems to be manipulative and gaslight all the blame on me when I try to discuss the situation. I like her but don't know if it's worth pursuing anymore.
TL;DR: I've been seeing a girl recently, and she accused me of being tired of her due to our limited communication. Despite my efforts to be patient and understanding, She gets defensive and manipulative when I try to discuss it. Looking for advice on how to handle this situation and improve our communication.
submitted by ThrowRAxreppp1234 to relationship_advice [link] [comments]
Suddenly, out of the blue, she responded with: I see that you're already tired of me.
I replied: What do you mean?
She answered: I feel like you’re already tired of me.
I asked: Why do you think that?
She said: Because we hardly have any contact with each other and when we do, it’s only for a short time. That makes me feel like you’re tired of me.
I replied: Well, you had your final exams recently, so I didn’t want to bother you.
She said: I told you that you never bother me.
I replied: I understand. But besides the exams, I feel like I haven't really been able to catch a common language with you.
She said: so what's next?
I replied: I don't know, maybe we should talk about it, like back when I told you about my feelings, but you ignored me?
I replied with another one: From the start, it’s been a bit awkward. I’ve tried to have conversations, but it rarely work out. (she would always answer with a really short sentence or just single word and don't ask me back anything) You never initiated any conversations, physical contacts or gave compliments, (yes, she never gave me any compliments, even a simple "you too" after my compliments towards her or something like that) so I thought you were just shy and decided to give you time to open up. I’ve been patient, but after a couple of months not much has changed. The last time I told you face-to-face that I struggle to talk with you, you didn’t say anything. No reaction at all, which honestly discouraged me a bit.
She responded: I told you I’m quiet and I can’t keep a conversation going, even if I want to. (I don’t remember her ever saying this)
Her response to the part where I mentioned telling her I struggle to talk to her face-to-face was: What was I supposed to say to that? (anything???)
Her response to my part about discouragement was: So I discouraged you, I see 🙂
I didn't respond to this because I had to think about this whole situation.
Then she sent another text: So I was right, you are tired of me. If you don’t want to have contact with me, just fucking tell me.
So, what do you guys think about this whole situation? What should I do? She seems to be manipulative and gaslight all the blame on me when I try to discuss the situation. I like her but don't know if it's worth pursuing anymore.
TL;DR: I've been seeing a girl recently, and she accused me of being tired of her due to our limited communication. Despite my efforts to be patient and understanding, She gets defensive and manipulative when I try to discuss it. Looking for advice on how to handle this situation and improve our communication.
2024.05.14 20:26 tempmailgenerator Automating Email Operations in Excel with VBA
Unlocking Email Automation in Excel VBA
Excel's versatility extends beyond data analysis and reporting, delving into the realm of automation that simplifies tedious tasks, such as email communications directly from your worksheets. The integration of Visual Basic for Applications (VBA) within Excel allows users to create custom functions, enabling the automation of creating and sending emails without leaving the comfort of their spreadsheet environment. This capability is particularly beneficial for professionals who rely on timely communication and data distribution, ensuring that reports, notifications, and updates are dispatched directly from their workbooks with minimal manual intervention.However, navigating the VBA landscape to automate email operations can present challenges, particularly in ensuring the new mail item is prominently displayed in front of the worksheet and is sent after the contact is selected. Addressing this issue not only enhances the user experience by making email management more efficient within Excel but also leverages the full potential of Excel's automation capabilities. By streamlining these processes, users can focus more on their core tasks, knowing that their communication needs are handled efficiently and effectively.
| Command | Description |
|---|---|
| CreateObject("Outlook.Application") | Creates an instance of Outlook Application, allowing VBA to control Outlook. |
| .CreateItem(0) | Creates a new email item. |
| .Display | Displays the email item to the user in Outlook. |
| .To, .CC, .BCC | Specifies the recipient(s) of the email in the To, CC, and BCC fields. |
| .Subject | Defines the subject of the email. |
| .Body | Sets the body content of the email. |
| .Send | Sends the email item. |
Expanding Email Automation with Excel VBA
Delving deeper into the integration of Excel VBA for email automation unveils a powerful toolset at the disposal of users aiming to streamline their communication workflows directly from their spreadsheets. This capability is not just about sending basic emails; it's about creating a highly personalized and dynamic communication channel. Through VBA, Excel can interact with Outlook to manipulate various aspects of email creation, from adding attachments to customizing the email body with data directly sourced from the spreadsheet. This level of automation can significantly enhance productivity, especially for those dealing with customer inquiries, periodic reports, or regular updates that require personalization based on spreadsheet data.Moreover, the automation process extends to handling responses. By automating email operations, users can set up rules within Outlook to sort incoming emails based on specific criteria, such as sender, subject, or keywords. This can be particularly useful for managing feedback or responses to the emails sent through Excel VBA. Such automation ensures that the workflow is not just one-way but creates a loop of communication that is both efficient and manageable. Implementing these advanced features requires a good understanding of both Excel VBA and Outlook's capabilities, highlighting the importance of integrating these powerful tools to maximize efficiency and effectiveness in professional communication.
Automating Outlook Emails from Excel VBA
VBA in Excel Dim outlookApp As Object Dim mailItem As Object Set outlookApp = CreateObject("Outlook.Application") Set mailItem = outlookApp.CreateItem(0) With mailItem .Display .To = "recipient@example.com" .CC = "ccrecipient@example.com" .BCC = "bccrecipient@example.com" .Subject = "Subject of the Email" .Body = "Body of the email" ' Add attachments and other email item properties here End With End Sub Enhancing Communication through Excel VBA
Integrating email automation within Excel using Visual Basic for Applications (VBA) significantly boosts the efficiency of communication processes, particularly in professional settings where time is of the essence. This integration allows for seamless creation, customization, and sending of emails directly from Excel, leveraging data within spreadsheets to personalize messages. The automation goes beyond mere convenience, enabling users to send bulk emails tailored to each recipient, schedule emails for future delivery, and even trigger emails based on specific events or conditions met within the spreadsheet. Such capabilities are invaluable for marketing campaigns, customer service follow-ups, and internal communication within organizations, ensuring that the right messages reach the right people at the right time.Furthermore, Excel VBA's email automation can be enhanced with advanced features such as dynamic attachment inclusion, where files relevant to the spreadsheet's data or analysis are automatically attached to the outgoing emails. Users can also implement error handling to manage issues that may arise during the email sending process, such as invalid email addresses or network problems, ensuring that all communications are delivered successfully. With these advanced functionalities, Excel VBA becomes not just a tool for data management but a comprehensive solution for managing professional communications, reducing manual effort, and increasing the reliability and effectiveness of email interactions.
FAQs on Email Automation with Excel VBA
- Question: Can Excel VBA send emails without Outlook?
- Answer: Typically, Excel VBA uses Outlook for email automation, but it's possible to send emails via other email clients or SMTP servers with additional scripting and configuration.
- Question: How do I attach files to an automated email in Excel VBA?
- Answer: Use the .Attachments.Add method within your VBA script to attach files to your email. You can specify the file path directly in the code.
- Question: Can I automate emails based on cell values in Excel?
- Answer: Yes, by using VBA scripts, you can trigger email sending based on specific cell values or changes in the data within your spreadsheet.
- Question: How do I ensure my automated emails are not marked as spam?
- Answer: Ensure your emails have a clear subject line, avoid excessive links or attachments, and send emails through recognized email servers. Personalization can also help reduce the risk of being marked as spam.
- Question: Is it possible to send HTML formatted emails with Excel VBA?
- Answer: Yes, you can set the .HTMLBody property of the MailItem object to send emails in HTML format, allowing for rich text formatting, images, and links.
- Question: Can automated emails include dynamic data from Excel?
- Answer: Absolutely. You can dynamically insert data from your Excel sheets into the email's body or subject line, customizing each message based on the spreadsheet's contents.
- Question: How do I schedule emails to be sent at a later time using Excel VBA?
- Answer: Direct scheduling within VBA is complex; however, you can create the email and then use Outlook's Delay Delivery feature to specify a sending time.
- Question: Can I send emails to multiple recipients using Excel VBA?
- Answer: Yes, you can list multiple email addresses in the .To, .CC, or .BCC properties, separated by semicolons, to send emails to multiple recipients.
- Question: How do I handle errors during the email sending process in VBA?
- Answer: Implement error handling routines in your VBA script to catch and respond to errors, such as using Try...Catch blocks or checking for specific error codes.
- Question: Is it necessary to have programming knowledge to automate emails with Excel VBA?
- Answer: Basic programming knowledge is helpful for customizing and troubleshooting your VBA scripts, but many resources and templates are available to help beginners.
Mastering Excel VBA for Efficient Email Management
Excel VBA's email automation presents a transformative approach to managing communications, allowing users to leverage the powerful features of Excel to streamline their email-related tasks. By integrating VBA scripts, professionals can automate the sending of personalized emails, manage attachments, and even handle incoming responses, all within the familiar environment of Excel. This not only saves valuable time but also reduces the risk of errors associated with manual email handling. Furthermore, the ability to customize email content based on spreadsheet data ensures that communications are relevant and timely. As we continue to seek efficiencies in our professional workflows, the role of Excel VBA in automating and enhancing email communications cannot be overstated. It represents a significant step forward in how we manage data-driven communication, providing a robust toolset for professionals looking to optimize their email workflows and enhance their productivity.https://www.tempmail.us.com/en/excel/automating-email-operations-in-excel-with-vba
2024.05.14 20:21 Ill_Variation_2480 TTPD's new nickname "Female Rage: The Musical" should upset you.
Edit: If you are going to comment on the length of this post, please don't. This is not a simple snark but rather an actual critical think piece about feminism and Taylor Swift.
Taylor's target demographic has always been young or adolescent girls, more so when Swift herself was one. She made music that spoke to the awkward misfit, cultivating a para-social relationship with fans on MySpace, then later twitter, Instagram, and YouTube, where Taylor posted relatable vlogs showcasing the life of a homegrown American girl. Taylor had a delayed public "growing up" and, compared to her female pop contemporaries, Swift never "gratuitously sexualized her image and seems pathologically averse to controversy" (and, apparently, never even had a sip of alcohol until she turned 21). She was more than happy to spin this narrative to allude to an inherent moral superiority above other women in the industry (Better Than Revenge, heard of it?), engaging in the very slut-shaming that she herself endured (the Madonna and Whore archetypes). The victim complex arose with the need to prove Taylor as a different type of pop girl. Based upon her holy and clean image, Swift had been dubbed "a feminist's nightmare", and that "[To Swift] other girls are obstacles; undeserving enemies who steal Taylor’s soulmates with their bewitching good looks and sexual availability." Feminism and Tennessee-Christian country values don't exactly mix, it seems.
Years later, Swift befriended Lena Dunham and thus experienced white feminism osmosis, where Dunham taught Swift that real feminists defend rapists, makes insensitive jokes about rape and abortion, and prioritize all-white casts. Swift then declared herself a feminist in 2014, saying,
There was that time in 2015 Taylor said that Nicki Minaj was "invited to any stage [she is] on" (as if Taylor expects to have access to every stage, award, and platform that Nicki might not otherwise have as a black female artist...yikes!) in response to Nicki's criticism of the white + thin VMA nominations. Later, Nicki responded with confusion, as Swift continued, "It’s unlike you to pit women against each other. Maybe one of the men took your slot..". Of course, this 'beef' was 'squashed' when Nicki performed with Taylor at the VMAs, with Nicki quite literally only having 38 seconds of stage time without Taylor. Maybe all that parading around with a legion of famous white women - similar to the way Taylor might've done with her numerous 1989-era handbags - was in fact a stance against gender inequality, and that this display of "girl power" should be enough to constitute Swift as a feminist icon.
Even while Swift says that Dunham informed her feminist outlook, she dances around the exact contents of those beliefs: "what she believes, what she says, what she stands for" is not exactly insightful towards what beliefs Swift might have inherited. Taylor never broaches women's rights topics such femicide, FGM, forced pregnancy & marriage, sex trafficking, women in slavery, women's financial and political oppression, women's educational rights, women's health, or women's autonomy, so we can assume she only gives a fuck about "girls supporting girls" (whatever that fucking means).
Despite some questionable (and sometimes vindictive) behavior, Taylor as a young woman did not deserve every media lashing that she received. We cannot deny that most headlines and criticisms perpetuated a misogynistic rhetoric which has plagued Swift for a majority of her career. Acknowledging events such as the development of her ED, her sexual assault trial, "Famous" lyric and MV depiction of Taylor, and the explicit Twitter deepfakes, for example, as both disgusting and unfortunate things that happened to a young woman in Hollywood does not negate the fact that Taylor is mostly a performative feminist.
This was over 11 years ago, and it is still the only notable philanthropic contribution Taylor Swift has made.
For a woman of her net worth and stature, and a woman who recognizes the difficulties for women in film and music, you would think that Taylor Swift might establish a scholarship program for women to study the arts or something. Perhaps Swift might even consider becoming a member of organizations that support female artists, or one that supports LGBTQ+ causes (since she is now proudly an ally), yet she remains superficial with her graces. Broader philanthropy, such as donating relief aid to Palestinian women or women impacted by violence and discrimination will probably never receive any financial support from Miss Swift because then she'd be using her money towards philanthropies involving anyone but white entertainers.
She even says herself in Miss Americana, "My entire moral code as a kid and now is a need to be thought of as 'good'." Well, she's certainly thought of as good, though her actions say otherwise. She's more than happy to do a vaguely altruistic song and dance for a clip-worthy interview quote and mass appeasement, then fuck off to one of her mansions on a 20 minute private jet flight, rather than actually contribute to anything pertaining to the causes she has endorsed. Yet, far too many people continue to give a woman such as her their money, time, and energy, and she hoards these resources to herself.
The reason political anthems such as "The Man" and "Only the Young" of the Lover era feel disingenuous and corporate is because, well, it is. Taylor has taken every opportunity to advance her career or public image at the expense of other women. What is truly genuine to Taylor's outlook on other women is vying for male attention, taking down female competition, and vocalizing feminist injustices only if they directly impact her and her money. Some will argue that it's satisfactory for a woman with such a huge platform to even TALK about feminism, but that just isn't enough. It's even less impressive when you candidly look at the scope of her feminist lens: "If I was the man, then I'd be THE MAN", or "I really resent the ‘Be careful, buddy, she’s going to write a song about you’ angle, because it trivialises what I do", and, of course, "We all got crowns". Feminism, but only when it happens to me. It gets worse when you look at Taylor's track record of copying other famous women and removing other female artists as potential threats to her pop prowess.
It's good for PR to align yourself with certain blanket feminist and political beliefs, therefore good for branding, therefore good for ticketing and merchandise sales, therefore good for business. And Taylor Swift is a business.
She's not a feminist. Taylor Swift is a capitalist.
Swift, through her company, TAS Rights Managements, has also trademarked over 200 phrases, including "1989", where she owns the property rights to this calendar year on keychains, phone cases, sunglasses, stationary, bags, beverage ware, clothing, entertainment services, your subconscious, and, of course, Christmas ornaments.
The vapid consumerism in Swiftie culture is, frankly, disgusting. Bravado's sustainability statement is non-existent, the quality control is abysmal, and the materials they use are horrible. The materials, such as acrylic and polyester, are made from petrochemicals. This means they are non-renewable, shed microplastics, and are quite toxic in production. The manufacturing process to make all of those lazy-rushed Eras Tour logo graphic tees is a huge blow to environmental well-being. Apparently, though, Swifties don't give a fuck. They sell out products in seconds and either have to face the manufactured scarcity or buy from a scalper that resells for 200% of the already ridiculous retail price. This doesn't include the environmental impact of vinyl records, CD, and cassette production, of which Taylor produces many variants that sell unsustainable amounts.
If we're talking about women's rights violations, why is no one acknowledging the women that work in the inhumane sweatshop conditions that have to pump out fugly t-shirts and hats? The millions of plastic microfiber dander they are inhaling, or the toxic dyes that touch their bare skin? Are they being compensated fairly for their skilled labour and are they in safe working environments? Do these women have minimal bargaining power, and do they have authority over their worker's rights? Is Taylor Swift female raging at their injustices? Does Taylor Swift ever feels bad that her wealth was built on the backs of women of color, disadvantaged by the demands of the global economy and garment industry? Do you think she ever says a little white feminist prayer for them before she goes to sleep at night?
What's even crazier is not that Taylor herself doesn't care, it's that Swifties don't care. There CANNOT BE ethical billionaires. You only make a billion dollars if you are exploiting other human beings for capital gain. Based on public perception of the possible "Female Rage: The Musical" trademark, it seems like Swifties are already asking for merch with this phrase. "If Taylor made it, I'd buy it." Oh, cool. So not only do you champion Miss Swift's avarice and billionaire status, but you also are unashamed to admit to your blind consumption of her music and merchandise, no matter where they might originate in production or sincerity. Just as Swift takes and takes and takes, Swifties' consumerism of Taylor Swift cannot be quelled.
The tortured artist's most vulnerable and sincere poetry...available now in 21 different versions!
Yet Taylor Swift still has no grounds to be claiming that TTPD best exemplifies female rage and therefore she, in the context of this album, is female rage incarnate. As the daughter of a stock broker and mutual fund marketing executive, Taylor was born into wealth and allowed privileges like trips and subsequent relocation to Nashville all so that she might get a record deal. Her father even invested at least $120,000 into the then-fledgling label, Big Machine Records, which ensured Taylor's place with Borchetta after leaving her dead-end development deal with Sony. The fact that her parents were able to buy her a fucking brand new guitar for Christmas and pay for music lessons says so much about the financial security and safety of her childhood.
Money is privilege and protection, and despite Swift's experiences with misogyny and loser boyfriends, she does not know what female rage is.
Her rage is derived from her frustrations with her obsessive fans pulling the moral superiority card on Taylor in response to her rebound with Matty Healy. That's literally it. She's just pissed that the monster she created is no longer obediant, it's become a feral, sovereign entity that depletes the world of its natural resources and thinks it is more intelligent than it actually is because it's mommy has started to talk to it with big words. Apparently, 'illicit', 'elegy', 'nonchalant', and 'precocious' are considerably big words for the oafish monster, and I find it strange that this level of literacy is present in a group of fans that allegedly have GPAs of 3.5 or higher, but I digress.
Taylor Swift has never been one paycheck away from destitution. Taylor Swift has never experienced racial discrimination. She may have instances of gender discrimination, but she possesses the ideal white, blonde American beauty standard and therefore reaps the benefits of being a conventionally attractive woman. Taylor Swift has sufficient social capital. Taylor Swift is a billionaire woman prolonging her victimhood though she, as a woman, has mostly had control over her image and music (unlike her contemporaries). Taylor Swift is NOT entitled to be championed for her "female rage", nor should she be. Taylor Swift has never even been the struggling artist, for fuck's sake. I don't give a fuck if she's trying to fill the empty lunch tables of her past. Taylor Swift purporting herself, her unpolished album, and her lukewarm feminism as a musical bleeding with female rage is asinine.
Fame is somewhat of a choice. If at any moment Taylor feels that she is misunderstood, misconstrued, or overwhelmed by public opinion, she can LEAVE the public eye - Lord knows she has the retirement fund and residuals to do so. In "I Can Do It With a Broken Heart", the TTPD song about meeting the demands of your career-zenith mega-tour while in the relationship trenches, Taylor ends the song by rambling,
It's funny. Taylor Swift often said that being famous wasn't hard, that she "isn't complaining". I'm sure it is difficult to always have to present in a good mood, else you'll end up misrepresented in the media, and I'm sure it's invasive to virtually have no privacy or semblance of anonymity. Still, Taylor Swift shows up each night of tour and performs. For a majority of her career, she has penned her sad songs while on the road. Most of "Red", her breakup album, was written in the thick of the Speak Now World tour. Now, some Swifties say they almost "feel bad" for attending the Eras Tour with Swift's revelations in this song, that they have had a 'dimmed experience' upon hearing Taylor's misery whilst performing. Despite the fact that Taylor said that "this was the happiest she's ever been" at Gilette Stadium in May, the lyrics "boohoo, woe is me, smile for the cameras and make the fans happy!!!" are jarring for Eras attendees.
While Taylor Swift was making double-digit millions a night in Rio de Janeiro, Brazil and feeling miserable, Ana Clara Benevides Machado passed away due to heat exposure. The concert promoters, Time For Fun, are now the subject of a criminal investigation due to their lack of adequate hydration and safety. Taylor Swift cancelled the Sunday show that was to follow and offered VIP tent tickets to Benevides Marchado's family, which was a kind gesture, but perhaps incongruous to the incident of which they were offered as consolation. Everyone grieves differently, of course, but I'm not sure attending the very show at the very same venue that my daughter or sister passed away in two days prior, where the singer CONTINUED the show despite her death, would be healthy for closure.
There was no female rage at the show as Swift never saw Benevides Machado pass out. There was no female rage towards the disregard for fans as humans while Swift elected to proceed with her Brazil tour dates despite the country being in historic heatwaves (at risk of overheatting herself). If Taylor Swift was so shaken by touring with a broken heart or a fan's passing, she wouldn't have added an additional North American leg of Eras just two months after the Matty breakup. She's brokenhearted but willing to mend the cracks with your money and move onward with her worldwide female rage induced pillaging.
No matter what happens, even if you die at a Taylor Swift concert, Taylor collects a big fat check and flies away. She doesn't know you as anything other than a conversion rate or earning potential despite what her nearly 20-year long parasocial relationship with fans might otherwise indicate. She knows that, while some Swifties are without disposable income, they feel obligated to spend on a "48 Hours Only!" exclusive vinyl variant instead of necessities because they are so entrenched in Taylor Swift's intoxicating celebrity, they'll prioritize materialistic fandom before their needs. This is good enough for her because this means she can expand her real estate portfolio and finance her cat's lavish lifestyles. They're worth an estimated $100 million dollars. Her three cats could pool their net worth and solve world hunger.
While you and I might be denied bereavement leave and barely surviving the current political and economic climate, Taylor Swift has to, instead of gets to, perform for stadiums at full attendance for three nights in a row across the globe. You and I might be replaced by AI at our longtime jobs, but Taylor Swift is threatened with losing more and more money each time you listen to a "Stolen Version" of her songs. If we don't buy every variant of all of her albums, then who is going to pay for the fucking cats?
It is tone deaf to spend as she spends and lives as she lives in this economy, but this is her reality. She was able to donate $100,000 to all of her tour truck drivers, and that's wonderful, but it leads me to wonder about the ethos of the 2020s where one woman can hoard such life-changing amounts of money. Remember in 2014 when she gave a fan $90 ($120 in today's money) to get Chipotle because she had no fucking clue how much it cost? This is a 34-year-old woman who is increasingly out of touch with the reality for working class people and women in general. Normal everyday adults must wake up and go to their thankless jobs, and yet Taylor Swift, despite all her riches, incessantly references the lows of her life and career as a public figure and entertainer to farm sympathy and drive sales. And still, the corporate women have latched onto "I cry a lot, but I am so productive! It's an art!" as their cubicle battle cry.
Do you think that, from up in her private jet, Taylor Swift gazes at the world through her poetic, tortured eyes, and thinks, "All the little people, in their cars, walking, going about their lives...all those girls that don't support girls...do they know that I've made an album about female rage?"
TLDR: Taylor Swift is a bad feminist and is delusional to think that the TTPD eras set exemplifies female rage at women's injustice.
submitted by Ill_Variation_2480 to travisandtaylor [link] [comments]
Introduction
Pertaining to Taylor Swift, "Female Rage" has deviated from its intended meaning after Swift debuted a new performance of The Tortured Poets Department during the Eras Tour. Now, according to Swift's use of the phrase, female rage is interpreted as public backlash against Swift's dating choices rather than as a response to the broader injustices against women and women's rights. This post examines Taylor Swift's flawed feminism, philanthropy, branding, and the controversial trademark petition for the phrase "Female Rage: The Musical". Swift's background as an entertainer, indeterminate politics, and alignment with capitalism over feminism pervades her legacy, again threatening her public tolerance as not just an individual but as a brand.Once Upon a Female Rage...
If you were cognizant in the early 2010's, you've heard countless jabs at Taylor Swift in the media. Magazines, radio, or online. Music critics did not take her seriously as a songwriter; parents put a woman on an unrealistic pedestal as the ideal role model for their children; she dated too much and used men as lyrical fodder. No matter the story, it inevitably spread, conjoined with everyone's respective opinions, and you'd be left to wonder, "Why does everyone hate this girl so much?"Taylor's target demographic has always been young or adolescent girls, more so when Swift herself was one. She made music that spoke to the awkward misfit, cultivating a para-social relationship with fans on MySpace, then later twitter, Instagram, and YouTube, where Taylor posted relatable vlogs showcasing the life of a homegrown American girl. Taylor had a delayed public "growing up" and, compared to her female pop contemporaries, Swift never "gratuitously sexualized her image and seems pathologically averse to controversy" (and, apparently, never even had a sip of alcohol until she turned 21). She was more than happy to spin this narrative to allude to an inherent moral superiority above other women in the industry (Better Than Revenge, heard of it?), engaging in the very slut-shaming that she herself endured (the Madonna and Whore archetypes). The victim complex arose with the need to prove Taylor as a different type of pop girl. Based upon her holy and clean image, Swift had been dubbed "a feminist's nightmare", and that "[To Swift] other girls are obstacles; undeserving enemies who steal Taylor’s soulmates with their bewitching good looks and sexual availability." Feminism and Tennessee-Christian country values don't exactly mix, it seems.
Years later, Swift befriended Lena Dunham and thus experienced white feminism osmosis, where Dunham taught Swift that real feminists defend rapists, makes insensitive jokes about rape and abortion, and prioritize all-white casts. Swift then declared herself a feminist in 2014, saying,
"Becoming friends with Lena – without her preaching to me, but just seeing why she believes what she believes, why she says what she says, why she stands for what she stands for – has made me realize that I’ve been taking a feminist stance without actually saying so."I suppose the male-centric songwriting subject that permeates Swift's discography contained covert feminism and that we just didn't see that. Perhaps, the "Bad Blood" song and music video were written only in jest and not about poor Katy Perry, for Swift, as a feminist, would "never make it a girl fight" or tear other women down (though all Katy did was date your terrible ex-boyfriend and allegedly steal three backup dancers from your tour). In 2013, Swift said, in response to Tina Fey and Amy Poehler's joke towards her serial dating, "There is a special place in hell for women who don't help other women."
There was that time in 2015 Taylor said that Nicki Minaj was "invited to any stage [she is] on" (as if Taylor expects to have access to every stage, award, and platform that Nicki might not otherwise have as a black female artist...yikes!) in response to Nicki's criticism of the white + thin VMA nominations. Later, Nicki responded with confusion, as Swift continued, "It’s unlike you to pit women against each other. Maybe one of the men took your slot..". Of course, this 'beef' was 'squashed' when Nicki performed with Taylor at the VMAs, with Nicki quite literally only having 38 seconds of stage time without Taylor. Maybe all that parading around with a legion of famous white women - similar to the way Taylor might've done with her numerous 1989-era handbags - was in fact a stance against gender inequality, and that this display of "girl power" should be enough to constitute Swift as a feminist icon.
Even while Swift says that Dunham informed her feminist outlook, she dances around the exact contents of those beliefs: "what she believes, what she says, what she stands for" is not exactly insightful towards what beliefs Swift might have inherited. Taylor never broaches women's rights topics such femicide, FGM, forced pregnancy & marriage, sex trafficking, women in slavery, women's financial and political oppression, women's educational rights, women's health, or women's autonomy, so we can assume she only gives a fuck about "girls supporting girls" (whatever that fucking means).
Despite some questionable (and sometimes vindictive) behavior, Taylor as a young woman did not deserve every media lashing that she received. We cannot deny that most headlines and criticisms perpetuated a misogynistic rhetoric which has plagued Swift for a majority of her career. Acknowledging events such as the development of her ED, her sexual assault trial, "Famous" lyric and MV depiction of Taylor, and the explicit Twitter deepfakes, for example, as both disgusting and unfortunate things that happened to a young woman in Hollywood does not negate the fact that Taylor is mostly a performative feminist.
Get Your Fucking Ass Up and Be a Philanthropist, It Seems Like Nobody Wants to Be a Philanthropist These Days
In 2013, Taylor Swift cut the ribbon at the grand opening of the Taylor Swift Education Center at the Country Music Hall of Fame in Nashville, Tennessee. The donation amount - $4 million - was the largest individual artist gift ever donated to the Country Music Hall of Fame, which is, of course, mentioned on Swift's website. The two-story facility features three classrooms, an instrument room, and an interactive children's exhibit gallery. Swift also performed at "All for the Hall" charity shows and has donated numerous artifacts from her career (such as notable guitars, tour costumes, etc) to the museum.This was over 11 years ago, and it is still the only notable philanthropic contribution Taylor Swift has made.
For a woman of her net worth and stature, and a woman who recognizes the difficulties for women in film and music, you would think that Taylor Swift might establish a scholarship program for women to study the arts or something. Perhaps Swift might even consider becoming a member of organizations that support female artists, or one that supports LGBTQ+ causes (since she is now proudly an ally), yet she remains superficial with her graces. Broader philanthropy, such as donating relief aid to Palestinian women or women impacted by violence and discrimination will probably never receive any financial support from Miss Swift because then she'd be using her money towards philanthropies involving anyone but white entertainers.
She even says herself in Miss Americana, "My entire moral code as a kid and now is a need to be thought of as 'good'." Well, she's certainly thought of as good, though her actions say otherwise. She's more than happy to do a vaguely altruistic song and dance for a clip-worthy interview quote and mass appeasement, then fuck off to one of her mansions on a 20 minute private jet flight, rather than actually contribute to anything pertaining to the causes she has endorsed. Yet, far too many people continue to give a woman such as her their money, time, and energy, and she hoards these resources to herself.
I Like Some of the Taylor's Songs, But What the Fuck Does She Know About Feminism?
Swift continued with her self-proclaimed feminist campaign, positioning herself as a political activist and LGBTQ+ ally in the Miss Americana documentary. The primary focus of the documentary consists of the sexual assault trial, Andrea Swift's cancer diagnosis, Taylor's ED and body dysmorphia, media scrutiny, and, largely, finally speaking up about her politics publicly, mostly her opposition to the 2018 Tennessee Republican senate candidate, Marsha Blackburn, and Blackburn's beliefs. Swift says, following a scene discussing her experience during the trial,"I just couldn't really stop thinking about it. And I just thought to myself, next time there is any opportunity to change anything, you had better know what you stand for and what you want to say."We must ask ourselves, though: when has Swift ever spoken up to change anything? Okay, pulling her entire catalogue from Spotify because they didn't pay their artists enough and similarly pulling her catalogue from Apple Music are changes that she leveraged due to her revenue potential and power, but they are not pertinent to the average woman's rights. Moreover, these are issues that directly impacted Taylor's income, which was enough reason for her to protest in the first place. Swift has sold the most units for a female artist in first week sales, is the first female artist with 100k monthly Spotify listeners, is the first female artist to win the Album of the Year Grammy 4 times, and is the first female artist to do X, Y, and Z, all while being inoffensive and family-friendly to boot. The actual Taylor Swift seems unwilling to compromise the brand of Taylor Swift by contributing in meaningful ways to feminist causes, especially if it is for women outside of America and Hollywood.
The reason political anthems such as "The Man" and "Only the Young" of the Lover era feel disingenuous and corporate is because, well, it is. Taylor has taken every opportunity to advance her career or public image at the expense of other women. What is truly genuine to Taylor's outlook on other women is vying for male attention, taking down female competition, and vocalizing feminist injustices only if they directly impact her and her money. Some will argue that it's satisfactory for a woman with such a huge platform to even TALK about feminism, but that just isn't enough. It's even less impressive when you candidly look at the scope of her feminist lens: "If I was the man, then I'd be THE MAN", or "I really resent the ‘Be careful, buddy, she’s going to write a song about you’ angle, because it trivialises what I do", and, of course, "We all got crowns". Feminism, but only when it happens to me. It gets worse when you look at Taylor's track record of copying other famous women and removing other female artists as potential threats to her pop prowess.
It's good for PR to align yourself with certain blanket feminist and political beliefs, therefore good for branding, therefore good for ticketing and merchandise sales, therefore good for business. And Taylor Swift is a business.
She's not a feminist. Taylor Swift is a capitalist.
I Can't Pay Those Sweatshop Workers a Livable Wage or Benefits! How Else Would I Make My Billions?
Recently, Taylor's team filed to trademark the phrase "Female Rage: The Musical" after Taylor said during Paris N1 of the Eras Tour,"So you were the first ones to see The Tortured Poets at the Eras Tour...or as I like to call it, 'Female Rage: The Musical'."This trademark petition was filed last week on Saturday, and news comes about just as numerous unofficial fan-made merch designs have cropped up with this phrase plastered on Fruit of the Loom basics. I'm of the opinion Swift's team motioned for a trademark so that they can send out cease & desists to all those that make knockoff merch, which disrupts potential sales for Bravado, UMG's choice merchandising company; however, since it was filed earlier, perhaps Swift has bigger plans with the bizarre use of the gendered phrase. One Swiftie referred to the phrase "female rage" as "a funny Eras Tour joke". Could it be a possible fourth version of the Eras Tour Movie? Whatever the reason, the motion to capitalize off of such a concept is disgusting, but not unsurprising, for a woman that profits on her vain feminism.
Swift, through her company, TAS Rights Managements, has also trademarked over 200 phrases, including "1989", where she owns the property rights to this calendar year on keychains, phone cases, sunglasses, stationary, bags, beverage ware, clothing, entertainment services, your subconscious, and, of course, Christmas ornaments.
The vapid consumerism in Swiftie culture is, frankly, disgusting. Bravado's sustainability statement is non-existent, the quality control is abysmal, and the materials they use are horrible. The materials, such as acrylic and polyester, are made from petrochemicals. This means they are non-renewable, shed microplastics, and are quite toxic in production. The manufacturing process to make all of those lazy-rushed Eras Tour logo graphic tees is a huge blow to environmental well-being. Apparently, though, Swifties don't give a fuck. They sell out products in seconds and either have to face the manufactured scarcity or buy from a scalper that resells for 200% of the already ridiculous retail price. This doesn't include the environmental impact of vinyl records, CD, and cassette production, of which Taylor produces many variants that sell unsustainable amounts.
If we're talking about women's rights violations, why is no one acknowledging the women that work in the inhumane sweatshop conditions that have to pump out fugly t-shirts and hats? The millions of plastic microfiber dander they are inhaling, or the toxic dyes that touch their bare skin? Are they being compensated fairly for their skilled labour and are they in safe working environments? Do these women have minimal bargaining power, and do they have authority over their worker's rights? Is Taylor Swift female raging at their injustices? Does Taylor Swift ever feels bad that her wealth was built on the backs of women of color, disadvantaged by the demands of the global economy and garment industry? Do you think she ever says a little white feminist prayer for them before she goes to sleep at night?
What's even crazier is not that Taylor herself doesn't care, it's that Swifties don't care. There CANNOT BE ethical billionaires. You only make a billion dollars if you are exploiting other human beings for capital gain. Based on public perception of the possible "Female Rage: The Musical" trademark, it seems like Swifties are already asking for merch with this phrase. "If Taylor made it, I'd buy it." Oh, cool. So not only do you champion Miss Swift's avarice and billionaire status, but you also are unashamed to admit to your blind consumption of her music and merchandise, no matter where they might originate in production or sincerity. Just as Swift takes and takes and takes, Swifties' consumerism of Taylor Swift cannot be quelled.
The tortured artist's most vulnerable and sincere poetry...available now in 21 different versions!
I Am Tortured Poet, Hear Me Whinge
Look - even if Taylor's intention is to characterize TTPD as more "tortured" and "angry", the main thread of the album is "I was ghosted by my decade-long situationship with a controversial indie boy and my fucking stupid fans wrote a 'Speak Up Now' open letter prompting me to drop him" anger, which is adequately expressed in the lyrics and performances. The extent of Taylor's "female rage" on TTPD is on tracks such as "Who's Afraid of Little Old Me?", which contends with relentless media scrutiny; "But Daddy I Love Him", where Swift firmly states she'll date whoever she likes no matter how "Sarahs and Hannahs" may react; and "The Albatross", a track mythologizing her reputation and the consequences of dating her. Of course, these coincide with deep psychological wounds that formed during Swift's early years in the media, and so, from her feminist perspective, these subjects tackle the misogyny and double standards that she faced.Yet Taylor Swift still has no grounds to be claiming that TTPD best exemplifies female rage and therefore she, in the context of this album, is female rage incarnate. As the daughter of a stock broker and mutual fund marketing executive, Taylor was born into wealth and allowed privileges like trips and subsequent relocation to Nashville all so that she might get a record deal. Her father even invested at least $120,000 into the then-fledgling label, Big Machine Records, which ensured Taylor's place with Borchetta after leaving her dead-end development deal with Sony. The fact that her parents were able to buy her a fucking brand new guitar for Christmas and pay for music lessons says so much about the financial security and safety of her childhood.
Money is privilege and protection, and despite Swift's experiences with misogyny and loser boyfriends, she does not know what female rage is.
Her rage is derived from her frustrations with her obsessive fans pulling the moral superiority card on Taylor in response to her rebound with Matty Healy. That's literally it. She's just pissed that the monster she created is no longer obediant, it's become a feral, sovereign entity that depletes the world of its natural resources and thinks it is more intelligent than it actually is because it's mommy has started to talk to it with big words. Apparently, 'illicit', 'elegy', 'nonchalant', and 'precocious' are considerably big words for the oafish monster, and I find it strange that this level of literacy is present in a group of fans that allegedly have GPAs of 3.5 or higher, but I digress.
Taylor Swift has never been one paycheck away from destitution. Taylor Swift has never experienced racial discrimination. She may have instances of gender discrimination, but she possesses the ideal white, blonde American beauty standard and therefore reaps the benefits of being a conventionally attractive woman. Taylor Swift has sufficient social capital. Taylor Swift is a billionaire woman prolonging her victimhood though she, as a woman, has mostly had control over her image and music (unlike her contemporaries). Taylor Swift is NOT entitled to be championed for her "female rage", nor should she be. Taylor Swift has never even been the struggling artist, for fuck's sake. I don't give a fuck if she's trying to fill the empty lunch tables of her past. Taylor Swift purporting herself, her unpolished album, and her lukewarm feminism as a musical bleeding with female rage is asinine.
Sigh Try and Come For My Job, Poors
Out there in the world right now is a 23-year-old woman, a recent college grad, who works as a barista. She has to wake up and get ready to go into a minimum wage job because she cannot get a job in her field. She doesn't have healthcare benefits or sick time, so she has to go into work no matter how she's feeling. All day long she is berated by vicious customers and creepy men, and, exhausted from being on her feet, she knows she has to go home to her shitty roommate that never does the dishes and her roommate's shitty dog. To comfort herself, she considers getting a treat, but thinks against it when she remembers that matcha lattes cost $15 and they taste like milky dirt. She knows that she needs to buy groceries this week, and so the woman resolves to go home, but notices that her gas tank is low. She goes to put gas in the car, but the pump stops at $27.86 because that's all that she has in her checking account. The woman, bereft and reeling, sinks into the driver's seat. "Well," she thinks, her head in her hands, "at least I don't have Taylor Swift's job. I just couldn't imagine."Fame is somewhat of a choice. If at any moment Taylor feels that she is misunderstood, misconstrued, or overwhelmed by public opinion, she can LEAVE the public eye - Lord knows she has the retirement fund and residuals to do so. In "I Can Do It With a Broken Heart", the TTPD song about meeting the demands of your career-zenith mega-tour while in the relationship trenches, Taylor ends the song by rambling,
"You know you're good when you can even do it with a broken heart...you know you're good...and I'm good, cause I'm miserable, and no one even knows!...try and come for my job."Yeah, obviously we wouldn't know, you recently passed the billionaire threshold and are the most famous and in-demand performer in the world right now. Taylor Swift makes an estimated $10 to $13 million dollars A NIGHT on the Eras Tour. Furthermore, the Eras Tour movie grossed $261.6 million globally, (which, as the producer, Taylor takes home 57% of the ticket sales) not counting the streaming revenue from Amazon Prime Video and the estimated $75 million deal that Disney paid to have it on Disney+. We're not even considering the income from cheap plastic popcorn buckets and drink cups plastered with colored squares in her Era-specific likeness.
It's funny. Taylor Swift often said that being famous wasn't hard, that she "isn't complaining". I'm sure it is difficult to always have to present in a good mood, else you'll end up misrepresented in the media, and I'm sure it's invasive to virtually have no privacy or semblance of anonymity. Still, Taylor Swift shows up each night of tour and performs. For a majority of her career, she has penned her sad songs while on the road. Most of "Red", her breakup album, was written in the thick of the Speak Now World tour. Now, some Swifties say they almost "feel bad" for attending the Eras Tour with Swift's revelations in this song, that they have had a 'dimmed experience' upon hearing Taylor's misery whilst performing. Despite the fact that Taylor said that "this was the happiest she's ever been" at Gilette Stadium in May, the lyrics "boohoo, woe is me, smile for the cameras and make the fans happy!!!" are jarring for Eras attendees.
While Taylor Swift was making double-digit millions a night in Rio de Janeiro, Brazil and feeling miserable, Ana Clara Benevides Machado passed away due to heat exposure. The concert promoters, Time For Fun, are now the subject of a criminal investigation due to their lack of adequate hydration and safety. Taylor Swift cancelled the Sunday show that was to follow and offered VIP tent tickets to Benevides Marchado's family, which was a kind gesture, but perhaps incongruous to the incident of which they were offered as consolation. Everyone grieves differently, of course, but I'm not sure attending the very show at the very same venue that my daughter or sister passed away in two days prior, where the singer CONTINUED the show despite her death, would be healthy for closure.
There was no female rage at the show as Swift never saw Benevides Machado pass out. There was no female rage towards the disregard for fans as humans while Swift elected to proceed with her Brazil tour dates despite the country being in historic heatwaves (at risk of overheatting herself). If Taylor Swift was so shaken by touring with a broken heart or a fan's passing, she wouldn't have added an additional North American leg of Eras just two months after the Matty breakup. She's brokenhearted but willing to mend the cracks with your money and move onward with her worldwide female rage induced pillaging.
No matter what happens, even if you die at a Taylor Swift concert, Taylor collects a big fat check and flies away. She doesn't know you as anything other than a conversion rate or earning potential despite what her nearly 20-year long parasocial relationship with fans might otherwise indicate. She knows that, while some Swifties are without disposable income, they feel obligated to spend on a "48 Hours Only!" exclusive vinyl variant instead of necessities because they are so entrenched in Taylor Swift's intoxicating celebrity, they'll prioritize materialistic fandom before their needs. This is good enough for her because this means she can expand her real estate portfolio and finance her cat's lavish lifestyles. They're worth an estimated $100 million dollars. Her three cats could pool their net worth and solve world hunger.
While you and I might be denied bereavement leave and barely surviving the current political and economic climate, Taylor Swift has to, instead of gets to, perform for stadiums at full attendance for three nights in a row across the globe. You and I might be replaced by AI at our longtime jobs, but Taylor Swift is threatened with losing more and more money each time you listen to a "Stolen Version" of her songs. If we don't buy every variant of all of her albums, then who is going to pay for the fucking cats?
It is tone deaf to spend as she spends and lives as she lives in this economy, but this is her reality. She was able to donate $100,000 to all of her tour truck drivers, and that's wonderful, but it leads me to wonder about the ethos of the 2020s where one woman can hoard such life-changing amounts of money. Remember in 2014 when she gave a fan $90 ($120 in today's money) to get Chipotle because she had no fucking clue how much it cost? This is a 34-year-old woman who is increasingly out of touch with the reality for working class people and women in general. Normal everyday adults must wake up and go to their thankless jobs, and yet Taylor Swift, despite all her riches, incessantly references the lows of her life and career as a public figure and entertainer to farm sympathy and drive sales. And still, the corporate women have latched onto "I cry a lot, but I am so productive! It's an art!" as their cubicle battle cry.
Do you think that, from up in her private jet, Taylor Swift gazes at the world through her poetic, tortured eyes, and thinks, "All the little people, in their cars, walking, going about their lives...all those girls that don't support girls...do they know that I've made an album about female rage?"
Conclusion/TLDR
Thank you for reading. I would love to hear your critical insights towards this entire ordeal: TTPD, the trademark, the implications of it all.TLDR: Taylor Swift is a bad feminist and is delusional to think that the TTPD eras set exemplifies female rage at women's injustice.
2024.05.14 20:10 RepugnantSemiotician An Eccentric Interpretation of Empty Offices
French philosopher Jean Baudrillard once wrote about the effects of private telematics on the living subject (preferably metropolitan or suburban, like the majority of this sub and myself), and I've always found his account acutely prescient,
As the sub is aware, the sharp decline in office occupancy in our downtown finds its immediate cause in the severity of the pandemic. I believe, however, that what is underemphasized in this reorientation is the total reconsideration of the logic of business communications that's happened. In an article about the history of office buildings, published by Morgan Lovell (a British firm specializing in interior office design), there is an idea of the administrative necessity of physical centralization. The article uses historical examples to undergird this point,
Simply put, the local economy in this section of town was still too predicated on the necessity of the physical presence of labor-power, for work to ensue. For a long time, the purpose of communications tech was to close interpersonal gaps, lessening relational latencies between various 'nodes' in an organizational network. A filmic example of this would probably be something like Demon lover (don't watch this with children), where you have this mobile business class who use telematics and telephonics to compensate for the fact that their physical presence is not instantaneous; a phone call to Tokyo is followed up by a business trip, &c. Furthermore, they return back to their offices, and still conceive of their itinerary as beginning and ending in the office. Personal interface was still superior, mediated interface ameliorative. This state/conception of technology still works in confluence with a "presentist" mindset that values a physical center, hence the relatively high pre-pandemic occupancy, even with more complex informing networks.
The burgeoning logic constitutive of the continued lacking occupancy is one where telematics and telephonics no longer compensate for interpersonal latencies, but totally supplant a classic conception of presence, forcing a logical reconsideration of the utility of forced travel and physical convention. Perhaps, in the vein of Jean Baudrillard and Umberto Eco, telematics offers us something BETTER than the the real of classical presence, that being the variable hyperreal of omnipresence, of being here, there, and everywhere else by way of "remote control." One of Baudrillard's great themes is the demand of capital surpassing the limits of the real, and the terrestrial real of geography becomes, as Baudrillard would later write, a "vast, useless body." In summary, what has happened in D.C. since the pandemic is precisely another instance of a larger movement in media relations, which is the making-superfluous of physical spaces, redrawing new lines of relation for business and the social reproduction of the worker.
submitted by RepugnantSemiotician to washingtondc [link] [comments]
"today one's private living is conceived of as a receiving and operating area, as a monitoring screen endowed with telematic power, that is to say, with the capacity to regulate everything by remote control. Including the work process, within the prospects of telematic work performed at home, as well as consumption, play, social relations, leisure. One could conceive of simulating leisure or vacation simulations in the same way that flight is simulated for pilots [...] We know that the simple presence of a television transforms our habitat into a kind of archaic, closed-off cell, into a vestige of human relations whose survival is highly questionable."Jean Baudrillard, The Ecstacy of Communication, 1987:88, pp. 17-8
As the sub is aware, the sharp decline in office occupancy in our downtown finds its immediate cause in the severity of the pandemic. I believe, however, that what is underemphasized in this reorientation is the total reconsideration of the logic of business communications that's happened. In an article about the history of office buildings, published by Morgan Lovell (a British firm specializing in interior office design), there is an idea of the administrative necessity of physical centralization. The article uses historical examples to undergird this point,
"Organisations such as the Royal Navy and East India Company were established to further Britain’s interests overseas. A central base of operations needed to be built to manage their incredibly varied tasks and organisation. East India House was built in 1729 on Leadenhall Street in the City of London as the HQ from which the East India Company administered its Indian interests. Thousands of employees were based in the building to process the necessary paperwork [...] Like the Roman politicians, The East India Company understood the necessity for centralised administration, and the efficiency this brought to what was essentially a process of making and distributing vast amounts of money. In this way, many non-political organisations followed suit – such as Sir John Soane’s Four Percent Office in the Bank of England, erected in 1793."While centralized organization seems to remain essential for modern business, this centralization is growing less dependent (through contemporary technics) on a final site in three dimensional space, whose utility has always been founded on its ability to concentrate resources and information. Urbanists will (and probably already have) descend on the post-pandemic office landscapes of D.C. to articulate the rational blunder of such a monofunctional zoning schema, and why shouldn't they? Now is the most opportune time for advocating new zoning possibilities. It ought be maintained, however, that considering this downtown contraction to simply be the result of bad zoning, is incomplete. This development is only possible through the timely innovations of communications technology, which have engendered a change in what private telematics are good for.
Simply put, the local economy in this section of town was still too predicated on the necessity of the physical presence of labor-power, for work to ensue. For a long time, the purpose of communications tech was to close interpersonal gaps, lessening relational latencies between various 'nodes' in an organizational network. A filmic example of this would probably be something like Demon lover (don't watch this with children), where you have this mobile business class who use telematics and telephonics to compensate for the fact that their physical presence is not instantaneous; a phone call to Tokyo is followed up by a business trip, &c. Furthermore, they return back to their offices, and still conceive of their itinerary as beginning and ending in the office. Personal interface was still superior, mediated interface ameliorative. This state/conception of technology still works in confluence with a "presentist" mindset that values a physical center, hence the relatively high pre-pandemic occupancy, even with more complex informing networks.
The burgeoning logic constitutive of the continued lacking occupancy is one where telematics and telephonics no longer compensate for interpersonal latencies, but totally supplant a classic conception of presence, forcing a logical reconsideration of the utility of forced travel and physical convention. Perhaps, in the vein of Jean Baudrillard and Umberto Eco, telematics offers us something BETTER than the the real of classical presence, that being the variable hyperreal of omnipresence, of being here, there, and everywhere else by way of "remote control." One of Baudrillard's great themes is the demand of capital surpassing the limits of the real, and the terrestrial real of geography becomes, as Baudrillard would later write, a "vast, useless body." In summary, what has happened in D.C. since the pandemic is precisely another instance of a larger movement in media relations, which is the making-superfluous of physical spaces, redrawing new lines of relation for business and the social reproduction of the worker.
2024.05.14 20:09 itsjackjohens Top 100 tools for Spatial Computing Builders: Entrepreneurs, Developers, Designers, Creators
Hey guys. I've created a list of the 100 best tools for spatial computing builders that I use. Each tool has been carefully curated, tested and validated.
Immersed: Immersed offers a virtual reality workspace where users can create multiple virtual monitors without additional hardware. This app excels in enabling focused solo work and efficient remote collaboration, allowing users to share screens and engage in virtual whiteboarding.
Fluid: Virtual workstation, wherever you are. Fluid turns your VR headset into a spatial computer that you can use for work, media streaming, gaming, and more.
Warp VR: Transform your training with immersive 360° scenarios, outperforming traditional e-learning and live actor simulations in engagement and retention.
Zoom for Vision Pro: Zoom’s Apple Vision Pro app banks on a future where virtual meetings will feel like real ones, already offering immersive meeting experiences from wherever you are.
PowerPoint for Vision Pro: You can use Microsoft PowerPoint on Vision Pro to create and update presentations. One unique feature is the “Immersive Environment” feature, which allows you to practice your presentation as if you were presenting it to an audience.
Arthur: Arthur enables your organization to meet, collaborate and manage work
Navi: Navi adds subtitles to your conversations! Perfect for business meetings abroad. Connect directly to other Navi-enabled devices around you, and what they say will be displayed directly on your Mac screen.
Lenslist: Amplify Your Marketing Using AR Filters.
SAP Analytics Cloud: SAP Analytics Cloud on Apple Vision Pro lets users arrange their most critical business workflows and apps in their physical space while using contextual 3D maps and graphics to gain new insights.
Mozilla Hubs: The go-to virtual platform for educators, teams, and organizations. Powered by Mozilla, we’ve designed our platform to make virtual collaboration and learning effortless.
Mindesk: Mindesk is a real-time CAD and VR software that allows designers to create and edit 3D models directly in virtual reality, providing a more intuitive and immersive design experience.
Gravity Sketch: Gravity Sketch is a 3D design tool that enables designers and developers to create immersive 3D models and environments in VR, facilitating collaboration and rapid prototyping.
Substance Painter: Substance Painter is a texturing tool that supports VR painting, allowing developers to create high-quality textures and materials directly in VR for use in their VR applications.
Unity: One of the most popular game engines, Unity offers robust support for VR development with its built-in VR support and extensive asset store.
Unreal Engine: Another powerful game engine, Unreal Engine provides advanced tools for creating high-quality VR experiences, including built-in VR support and Blueprint visual scripting.
Google VR SDK: Google VR SDK provides developers with the tools and APIs for building VR applications for Android devices, including Google Cardboard and Daydream.
VRTK: VRTK is a popular open-source toolkit for Unity that simplifies VR development by providing a collection of scripts and prefabs for common VR interactions and mechanics.
NVIDIA VRWorks: NVIDIA VRWorks provides developers with a suite of tools and APIs for optimizing VR performance on NVIDIA GPUs, including features like Multi-Res Shading and Lens Matched Shading.
ShapesXR: ShapesXR helps you design spatial experience together.
JigSpace: JigSpace helps you create spatial presentations, combining 3D content, audio, video and text in an interactive, step-by-step experience that energizes the communication of complex ideas, products or processes.
SwiftXR: A powerful 3D and immersive design tool that is easy to use
SketchAR: SketchAR is an AR drawing app that enables designers to sketch and visualize their ideas in augmented reality, allowing for immersive and interactive design processes.
Adobe Aero: Adobe Aero is an AR authoring tool that allows designers to create interactive AR experiences using 2D and 3D assets from Adobe Creative Cloud applications like Photoshop and Illustrator.
Blender: Blender is a free and open-source 3D modeling and animation software that supports AR and VR content creation, making it a valuable tool for designers to create 3D assets for their projects.
Reality Composer: Easily prototype and produce AR experiences directly in AR with no prior 3D experience.
Reality Composer: Reality Composer is an AR authoring tool developed by Apple for creating interactive AR experiences without writing any code, making it accessible to designers and artists.
Reality Converter beta: The Reality Converter app makes it easy to convert, view, and customize USDZ 3D objects on Mac. Simply drag-and-drop common 3D file formats, such as .obj, .gltf and .usd, to view the converted USDZ result, customize material properties with your own textures, and edit file metadata.
Adobe Lightroom: Lightroom for Vision Pro lets you edit photos on a truly big screen. It’s been redesigned for the VisionOS, so it’s easier to navigate with hand gestures than the desktop version, which has many more features.
Liv: LIV is your complete toolset for VTubing, Mixed Reality Capture and VR native utilities like in-headset stream chat, alerts and notifications!
XCode + Reality Composer: Record 4K video in Apple Vision Pro using the Reality Composer kit on Xcode. Click here for the full tutorial.
The list is gradually being added to, and all 100 tools will be present by June 2024 (progressive updating).
Immersed: Immersed offers a virtual reality workspace where users can create multiple virtual monitors without additional hardware. This app excels in enabling focused solo work and efficient remote collaboration, allowing users to share screens and engage in virtual whiteboarding.
Fluid: Virtual workstation, wherever you are. Fluid turns your VR headset into a spatial computer that you can use for work, media streaming, gaming, and more.
Warp VR: Transform your training with immersive 360° scenarios, outperforming traditional e-learning and live actor simulations in engagement and retention.
Zoom for Vision Pro: Zoom’s Apple Vision Pro app banks on a future where virtual meetings will feel like real ones, already offering immersive meeting experiences from wherever you are.
PowerPoint for Vision Pro: You can use Microsoft PowerPoint on Vision Pro to create and update presentations. One unique feature is the “Immersive Environment” feature, which allows you to practice your presentation as if you were presenting it to an audience.
Arthur: Arthur enables your organization to meet, collaborate and manage work
Navi: Navi adds subtitles to your conversations! Perfect for business meetings abroad. Connect directly to other Navi-enabled devices around you, and what they say will be displayed directly on your Mac screen.
Lenslist: Amplify Your Marketing Using AR Filters.
SAP Analytics Cloud: SAP Analytics Cloud on Apple Vision Pro lets users arrange their most critical business workflows and apps in their physical space while using contextual 3D maps and graphics to gain new insights.
Mozilla Hubs: The go-to virtual platform for educators, teams, and organizations. Powered by Mozilla, we’ve designed our platform to make virtual collaboration and learning effortless.
Mindesk: Mindesk is a real-time CAD and VR software that allows designers to create and edit 3D models directly in virtual reality, providing a more intuitive and immersive design experience.
Gravity Sketch: Gravity Sketch is a 3D design tool that enables designers and developers to create immersive 3D models and environments in VR, facilitating collaboration and rapid prototyping.
Substance Painter: Substance Painter is a texturing tool that supports VR painting, allowing developers to create high-quality textures and materials directly in VR for use in their VR applications.
Unity: One of the most popular game engines, Unity offers robust support for VR development with its built-in VR support and extensive asset store.
Unreal Engine: Another powerful game engine, Unreal Engine provides advanced tools for creating high-quality VR experiences, including built-in VR support and Blueprint visual scripting.
Google VR SDK: Google VR SDK provides developers with the tools and APIs for building VR applications for Android devices, including Google Cardboard and Daydream.
VRTK: VRTK is a popular open-source toolkit for Unity that simplifies VR development by providing a collection of scripts and prefabs for common VR interactions and mechanics.
NVIDIA VRWorks: NVIDIA VRWorks provides developers with a suite of tools and APIs for optimizing VR performance on NVIDIA GPUs, including features like Multi-Res Shading and Lens Matched Shading.
ShapesXR: ShapesXR helps you design spatial experience together.
JigSpace: JigSpace helps you create spatial presentations, combining 3D content, audio, video and text in an interactive, step-by-step experience that energizes the communication of complex ideas, products or processes.
SwiftXR: A powerful 3D and immersive design tool that is easy to use
SketchAR: SketchAR is an AR drawing app that enables designers to sketch and visualize their ideas in augmented reality, allowing for immersive and interactive design processes.
Adobe Aero: Adobe Aero is an AR authoring tool that allows designers to create interactive AR experiences using 2D and 3D assets from Adobe Creative Cloud applications like Photoshop and Illustrator.
Blender: Blender is a free and open-source 3D modeling and animation software that supports AR and VR content creation, making it a valuable tool for designers to create 3D assets for their projects.
Reality Composer: Easily prototype and produce AR experiences directly in AR with no prior 3D experience.
Reality Composer: Reality Composer is an AR authoring tool developed by Apple for creating interactive AR experiences without writing any code, making it accessible to designers and artists.
Reality Converter beta: The Reality Converter app makes it easy to convert, view, and customize USDZ 3D objects on Mac. Simply drag-and-drop common 3D file formats, such as .obj, .gltf and .usd, to view the converted USDZ result, customize material properties with your own textures, and edit file metadata.
Adobe Lightroom: Lightroom for Vision Pro lets you edit photos on a truly big screen. It’s been redesigned for the VisionOS, so it’s easier to navigate with hand gestures than the desktop version, which has many more features.
Liv: LIV is your complete toolset for VTubing, Mixed Reality Capture and VR native utilities like in-headset stream chat, alerts and notifications!
XCode + Reality Composer: Record 4K video in Apple Vision Pro using the Reality Composer kit on Xcode. Click here for the full tutorial.
The list is gradually being added to, and all 100 tools will be present by June 2024 (progressive updating).
submitted by itsjackjohens to AppleVisionPro [link] [comments]
🤵♂️ Best entrepreneurs spatial tools
Great White(board): Great White(board) is a simple, uncomplicated working tool. Take a note, sketch an idea, diagram a process, or think through the details of a complex idea.Immersed: Immersed offers a virtual reality workspace where users can create multiple virtual monitors without additional hardware. This app excels in enabling focused solo work and efficient remote collaboration, allowing users to share screens and engage in virtual whiteboarding.
Fluid: Virtual workstation, wherever you are. Fluid turns your VR headset into a spatial computer that you can use for work, media streaming, gaming, and more.
Warp VR: Transform your training with immersive 360° scenarios, outperforming traditional e-learning and live actor simulations in engagement and retention.
Zoom for Vision Pro: Zoom’s Apple Vision Pro app banks on a future where virtual meetings will feel like real ones, already offering immersive meeting experiences from wherever you are.
PowerPoint for Vision Pro: You can use Microsoft PowerPoint on Vision Pro to create and update presentations. One unique feature is the “Immersive Environment” feature, which allows you to practice your presentation as if you were presenting it to an audience.
Arthur: Arthur enables your organization to meet, collaborate and manage work
Navi: Navi adds subtitles to your conversations! Perfect for business meetings abroad. Connect directly to other Navi-enabled devices around you, and what they say will be displayed directly on your Mac screen.
Lenslist: Amplify Your Marketing Using AR Filters.
SAP Analytics Cloud: SAP Analytics Cloud on Apple Vision Pro lets users arrange their most critical business workflows and apps in their physical space while using contextual 3D maps and graphics to gain new insights.
Mozilla Hubs: The go-to virtual platform for educators, teams, and organizations. Powered by Mozilla, we’ve designed our platform to make virtual collaboration and learning effortless.
Mindesk: Mindesk is a real-time CAD and VR software that allows designers to create and edit 3D models directly in virtual reality, providing a more intuitive and immersive design experience.
📟 Best spatial developers tools
Tilt Brush: Developed by Google, Tilt Brush is a VR painting application that allows artists and developers to create 3D artwork in virtual reality, making it a valuable tool for prototyping and visualization.Gravity Sketch: Gravity Sketch is a 3D design tool that enables designers and developers to create immersive 3D models and environments in VR, facilitating collaboration and rapid prototyping.
Substance Painter: Substance Painter is a texturing tool that supports VR painting, allowing developers to create high-quality textures and materials directly in VR for use in their VR applications.
Unity: One of the most popular game engines, Unity offers robust support for VR development with its built-in VR support and extensive asset store.
Unreal Engine: Another powerful game engine, Unreal Engine provides advanced tools for creating high-quality VR experiences, including built-in VR support and Blueprint visual scripting.
Google VR SDK: Google VR SDK provides developers with the tools and APIs for building VR applications for Android devices, including Google Cardboard and Daydream.
VRTK: VRTK is a popular open-source toolkit for Unity that simplifies VR development by providing a collection of scripts and prefabs for common VR interactions and mechanics.
NVIDIA VRWorks: NVIDIA VRWorks provides developers with a suite of tools and APIs for optimizing VR performance on NVIDIA GPUs, including features like Multi-Res Shading and Lens Matched Shading.
🖼️ Best spatial designers tools
Spatial Icon: Download Free Spatial Icons for your Spatial Apps.ShapesXR: ShapesXR helps you design spatial experience together.
JigSpace: JigSpace helps you create spatial presentations, combining 3D content, audio, video and text in an interactive, step-by-step experience that energizes the communication of complex ideas, products or processes.
SwiftXR: A powerful 3D and immersive design tool that is easy to use
SketchAR: SketchAR is an AR drawing app that enables designers to sketch and visualize their ideas in augmented reality, allowing for immersive and interactive design processes.
Adobe Aero: Adobe Aero is an AR authoring tool that allows designers to create interactive AR experiences using 2D and 3D assets from Adobe Creative Cloud applications like Photoshop and Illustrator.
Blender: Blender is a free and open-source 3D modeling and animation software that supports AR and VR content creation, making it a valuable tool for designers to create 3D assets for their projects.
Reality Composer: Easily prototype and produce AR experiences directly in AR with no prior 3D experience.
Reality Composer: Reality Composer is an AR authoring tool developed by Apple for creating interactive AR experiences without writing any code, making it accessible to designers and artists.
Reality Converter beta: The Reality Converter app makes it easy to convert, view, and customize USDZ 3D objects on Mac. Simply drag-and-drop common 3D file formats, such as .obj, .gltf and .usd, to view the converted USDZ result, customize material properties with your own textures, and edit file metadata.
Adobe Lightroom: Lightroom for Vision Pro lets you edit photos on a truly big screen. It’s been redesigned for the VisionOS, so it’s easier to navigate with hand gestures than the desktop version, which has many more features.
👩🎤 Best content creators spatial tools
QuestCam: A system for third person recording that imposes minimal performance constraints and unlocks maximum creativity. QuestCam.Liv: LIV is your complete toolset for VTubing, Mixed Reality Capture and VR native utilities like in-headset stream chat, alerts and notifications!
XCode + Reality Composer: Record 4K video in Apple Vision Pro using the Reality Composer kit on Xcode. Click here for the full tutorial.
The list is gradually being added to, and all 100 tools will be present by June 2024 (progressive updating).
🤵♂️ Best entrepreneurs spatial tools
Great White(board): Great White(board) is a simple, uncomplicated working tool. Take a note, sketch an idea, diagram a process, or think through the details of a complex idea.Immersed: Immersed offers a virtual reality workspace where users can create multiple virtual monitors without additional hardware. This app excels in enabling focused solo work and efficient remote collaboration, allowing users to share screens and engage in virtual whiteboarding.
Fluid: Virtual workstation, wherever you are. Fluid turns your VR headset into a spatial computer that you can use for work, media streaming, gaming, and more.
Warp VR: Transform your training with immersive 360° scenarios, outperforming traditional e-learning and live actor simulations in engagement and retention.
Zoom for Vision Pro: Zoom’s Apple Vision Pro app banks on a future where virtual meetings will feel like real ones, already offering immersive meeting experiences from wherever you are.
PowerPoint for Vision Pro: You can use Microsoft PowerPoint on Vision Pro to create and update presentations. One unique feature is the “Immersive Environment” feature, which allows you to practice your presentation as if you were presenting it to an audience.
Arthur: Arthur enables your organization to meet, collaborate and manage work
Navi: Navi adds subtitles to your conversations! Perfect for business meetings abroad. Connect directly to other Navi-enabled devices around you, and what they say will be displayed directly on your Mac screen.
Lenslist: Amplify Your Marketing Using AR Filters.
SAP Analytics Cloud: SAP Analytics Cloud on Apple Vision Pro lets users arrange their most critical business workflows and apps in their physical space while using contextual 3D maps and graphics to gain new insights.
Mozilla Hubs: The go-to virtual platform for educators, teams, and organizations. Powered by Mozilla, we’ve designed our platform to make virtual collaboration and learning effortless.
Mindesk: Mindesk is a real-time CAD and VR software that allows designers to create and edit 3D models directly in virtual reality, providing a more intuitive and immersive design experience.
📟 Best spatial developers tools
Tilt Brush: Developed by Google, Tilt Brush is a VR painting application that allows artists and developers to create 3D artwork in virtual reality, making it a valuable tool for prototyping and visualization.Gravity Sketch: Gravity Sketch is a 3D design tool that enables designers and developers to create immersive 3D models and environments in VR, facilitating collaboration and rapid prototyping.
Substance Painter: Substance Painter is a texturing tool that supports VR painting, allowing developers to create high-quality textures and materials directly in VR for use in their VR applications.
Unity: One of the most popular game engines, Unity offers robust support for VR development with its built-in VR support and extensive asset store.
Unreal Engine: Another powerful game engine, Unreal Engine provides advanced tools for creating high-quality VR experiences, including built-in VR support and Blueprint visual scripting.
Google VR SDK: Google VR SDK provides developers with the tools and APIs for building VR applications for Android devices, including Google Cardboard and Daydream.
VRTK: VRTK is a popular open-source toolkit for Unity that simplifies VR development by providing a collection of scripts and prefabs for common VR interactions and mechanics.
NVIDIA VRWorks: NVIDIA VRWorks provides developers with a suite of tools and APIs for optimizing VR performance on NVIDIA GPUs, including features like Multi-Res Shading and Lens Matched Shading.
🖼️ Best spatial designers tools
Spatial Icon: Download Free Spatial Icons for your Spatial Apps.ShapesXR: ShapesXR helps you design spatial experience together.
JigSpace: JigSpace helps you create spatial presentations, combining 3D content, audio, video and text in an interactive, step-by-step experience that energizes the communication of complex ideas, products or processes.
SwiftXR: A powerful 3D and immersive design tool that is easy to use
SketchAR: SketchAR is an AR drawing app that enables designers to sketch and visualize their ideas in augmented reality, allowing for immersive and interactive design processes.
Adobe Aero: Adobe Aero is an AR authoring tool that allows designers to create interactive AR experiences using 2D and 3D assets from Adobe Creative Cloud applications like Photoshop and Illustrator.
Blender: Blender is a free and open-source 3D modeling and animation software that supports AR and VR content creation, making it a valuable tool for designers to create 3D assets for their projects.
Reality Composer: Easily prototype and produce AR experiences directly in AR with no prior 3D experience.
Reality Composer: Reality Composer is an AR authoring tool developed by Apple for creating interactive AR experiences without writing any code, making it accessible to designers and artists.
Reality Converter beta: The Reality Converter app makes it easy to convert, view, and customize USDZ 3D objects on Mac. Simply drag-and-drop common 3D file formats, such as .obj, .gltf and .usd, to view the converted USDZ result, customize material properties with your own textures, and edit file metadata.
Adobe Lightroom: Lightroom for Vision Pro lets you edit photos on a truly big screen. It’s been redesigned for the VisionOS, so it’s easier to navigate with hand gestures than the desktop version, which has many more features.
👩🎤 Best content creators spatial tools
QuestCam: A system for third person recording that imposes minimal performance constraints and unlocks maximum creativity. QuestCam.Liv: LIV is your complete toolset for VTubing, Mixed Reality Capture and VR native utilities like in-headset stream chat, alerts and notifications!
XCode + Reality Composer: Record 4K video in Apple Vision Pro using the Reality Composer kit on Xcode. Click here for the full tutorial.
The list is gradually being added to, and all 100 tools will be present by June 2024 (progressive updating).
2024.05.14 20:07 itsjackjohens 100 best tools for spatial computing builders (Entrepreneurs, Developers, Designers, Creators)
Hey guys. I've created a list of the 100 best tools for spatial computing builders that I use. Each tool has been carefully curated, tested and validated.
Immersed: Immersed offers a virtual reality workspace where users can create multiple virtual monitors without additional hardware. This app excels in enabling focused solo work and efficient remote collaboration, allowing users to share screens and engage in virtual whiteboarding.
Fluid: Virtual workstation, wherever you are. Fluid turns your VR headset into a spatial computer that you can use for work, media streaming, gaming, and more.
Warp VR: Transform your training with immersive 360° scenarios, outperforming traditional e-learning and live actor simulations in engagement and retention.
Zoom for Vision Pro: Zoom’s Apple Vision Pro app banks on a future where virtual meetings will feel like real ones, already offering immersive meeting experiences from wherever you are.
PowerPoint for Vision Pro: You can use Microsoft PowerPoint on Vision Pro to create and update presentations. One unique feature is the “Immersive Environment” feature, which allows you to practice your presentation as if you were presenting it to an audience.
Arthur: Arthur enables your organization to meet, collaborate and manage work
Navi: Navi adds subtitles to your conversations! Perfect for business meetings abroad. Connect directly to other Navi-enabled devices around you, and what they say will be displayed directly on your Mac screen.
Lenslist: Amplify Your Marketing Using AR Filters.
SAP Analytics Cloud: SAP Analytics Cloud on Apple Vision Pro lets users arrange their most critical business workflows and apps in their physical space while using contextual 3D maps and graphics to gain new insights.
Mozilla Hubs: The go-to virtual platform for educators, teams, and organizations. Powered by Mozilla, we’ve designed our platform to make virtual collaboration and learning effortless.
Mindesk: Mindesk is a real-time CAD and VR software that allows designers to create and edit 3D models directly in virtual reality, providing a more intuitive and immersive design experience.
Gravity Sketch: Gravity Sketch is a 3D design tool that enables designers and developers to create immersive 3D models and environments in VR, facilitating collaboration and rapid prototyping.
Substance Painter: Substance Painter is a texturing tool that supports VR painting, allowing developers to create high-quality textures and materials directly in VR for use in their VR applications.
Unity: One of the most popular game engines, Unity offers robust support for VR development with its built-in VR support and extensive asset store.
Unreal Engine: Another powerful game engine, Unreal Engine provides advanced tools for creating high-quality VR experiences, including built-in VR support and Blueprint visual scripting.
Google VR SDK: Google VR SDK provides developers with the tools and APIs for building VR applications for Android devices, including Google Cardboard and Daydream.
VRTK: VRTK is a popular open-source toolkit for Unity that simplifies VR development by providing a collection of scripts and prefabs for common VR interactions and mechanics.
NVIDIA VRWorks: NVIDIA VRWorks provides developers with a suite of tools and APIs for optimizing VR performance on NVIDIA GPUs, including features like Multi-Res Shading and Lens Matched Shading.
ShapesXR: ShapesXR helps you design spatial experience together.
JigSpace: JigSpace helps you create spatial presentations, combining 3D content, audio, video and text in an interactive, step-by-step experience that energizes the communication of complex ideas, products or processes.
SwiftXR: A powerful 3D and immersive design tool that is easy to use
SketchAR: SketchAR is an AR drawing app that enables designers to sketch and visualize their ideas in augmented reality, allowing for immersive and interactive design processes.
Adobe Aero: Adobe Aero is an AR authoring tool that allows designers to create interactive AR experiences using 2D and 3D assets from Adobe Creative Cloud applications like Photoshop and Illustrator.
Blender: Blender is a free and open-source 3D modeling and animation software that supports AR and VR content creation, making it a valuable tool for designers to create 3D assets for their projects.
Reality Composer: Easily prototype and produce AR experiences directly in AR with no prior 3D experience.
Reality Composer: Reality Composer is an AR authoring tool developed by Apple for creating interactive AR experiences without writing any code, making it accessible to designers and artists.
Reality Converter beta: The Reality Converter app makes it easy to convert, view, and customize USDZ 3D objects on Mac. Simply drag-and-drop common 3D file formats, such as .obj, .gltf and .usd, to view the converted USDZ result, customize material properties with your own textures, and edit file metadata.
Adobe Lightroom: Lightroom for Vision Pro lets you edit photos on a truly big screen. It’s been redesigned for the VisionOS, so it’s easier to navigate with hand gestures than the desktop version, which has many more features.
Liv: LIV is your complete toolset for VTubing, Mixed Reality Capture and VR native utilities like in-headset stream chat, alerts and notifications!
XCode + Reality Composer: Record 4K video in Apple Vision Pro using the Reality Composer kit on Xcode. Click here for the full tutorial.
The list is gradually being added to, and all 100 tools will be present by June 2024 (progressive updating).
Immersed: Immersed offers a virtual reality workspace where users can create multiple virtual monitors without additional hardware. This app excels in enabling focused solo work and efficient remote collaboration, allowing users to share screens and engage in virtual whiteboarding.
Fluid: Virtual workstation, wherever you are. Fluid turns your VR headset into a spatial computer that you can use for work, media streaming, gaming, and more.
Warp VR: Transform your training with immersive 360° scenarios, outperforming traditional e-learning and live actor simulations in engagement and retention.
Zoom for Vision Pro: Zoom’s Apple Vision Pro app banks on a future where virtual meetings will feel like real ones, already offering immersive meeting experiences from wherever you are.
PowerPoint for Vision Pro: You can use Microsoft PowerPoint on Vision Pro to create and update presentations. One unique feature is the “Immersive Environment” feature, which allows you to practice your presentation as if you were presenting it to an audience.
Arthur: Arthur enables your organization to meet, collaborate and manage work
Navi: Navi adds subtitles to your conversations! Perfect for business meetings abroad. Connect directly to other Navi-enabled devices around you, and what they say will be displayed directly on your Mac screen.
Lenslist: Amplify Your Marketing Using AR Filters.
SAP Analytics Cloud: SAP Analytics Cloud on Apple Vision Pro lets users arrange their most critical business workflows and apps in their physical space while using contextual 3D maps and graphics to gain new insights.
Mozilla Hubs: The go-to virtual platform for educators, teams, and organizations. Powered by Mozilla, we’ve designed our platform to make virtual collaboration and learning effortless.
Mindesk: Mindesk is a real-time CAD and VR software that allows designers to create and edit 3D models directly in virtual reality, providing a more intuitive and immersive design experience.
Gravity Sketch: Gravity Sketch is a 3D design tool that enables designers and developers to create immersive 3D models and environments in VR, facilitating collaboration and rapid prototyping.
Substance Painter: Substance Painter is a texturing tool that supports VR painting, allowing developers to create high-quality textures and materials directly in VR for use in their VR applications.
Unity: One of the most popular game engines, Unity offers robust support for VR development with its built-in VR support and extensive asset store.
Unreal Engine: Another powerful game engine, Unreal Engine provides advanced tools for creating high-quality VR experiences, including built-in VR support and Blueprint visual scripting.
Google VR SDK: Google VR SDK provides developers with the tools and APIs for building VR applications for Android devices, including Google Cardboard and Daydream.
VRTK: VRTK is a popular open-source toolkit for Unity that simplifies VR development by providing a collection of scripts and prefabs for common VR interactions and mechanics.
NVIDIA VRWorks: NVIDIA VRWorks provides developers with a suite of tools and APIs for optimizing VR performance on NVIDIA GPUs, including features like Multi-Res Shading and Lens Matched Shading.
ShapesXR: ShapesXR helps you design spatial experience together.
JigSpace: JigSpace helps you create spatial presentations, combining 3D content, audio, video and text in an interactive, step-by-step experience that energizes the communication of complex ideas, products or processes.
SwiftXR: A powerful 3D and immersive design tool that is easy to use
SketchAR: SketchAR is an AR drawing app that enables designers to sketch and visualize their ideas in augmented reality, allowing for immersive and interactive design processes.
Adobe Aero: Adobe Aero is an AR authoring tool that allows designers to create interactive AR experiences using 2D and 3D assets from Adobe Creative Cloud applications like Photoshop and Illustrator.
Blender: Blender is a free and open-source 3D modeling and animation software that supports AR and VR content creation, making it a valuable tool for designers to create 3D assets for their projects.
Reality Composer: Easily prototype and produce AR experiences directly in AR with no prior 3D experience.
Reality Composer: Reality Composer is an AR authoring tool developed by Apple for creating interactive AR experiences without writing any code, making it accessible to designers and artists.
Reality Converter beta: The Reality Converter app makes it easy to convert, view, and customize USDZ 3D objects on Mac. Simply drag-and-drop common 3D file formats, such as .obj, .gltf and .usd, to view the converted USDZ result, customize material properties with your own textures, and edit file metadata.
Adobe Lightroom: Lightroom for Vision Pro lets you edit photos on a truly big screen. It’s been redesigned for the VisionOS, so it’s easier to navigate with hand gestures than the desktop version, which has many more features.
Liv: LIV is your complete toolset for VTubing, Mixed Reality Capture and VR native utilities like in-headset stream chat, alerts and notifications!
XCode + Reality Composer: Record 4K video in Apple Vision Pro using the Reality Composer kit on Xcode. Click here for the full tutorial.
The list is gradually being added to, and all 100 tools will be present by June 2024 (progressive updating).
submitted by itsjackjohens to VisionPro [link] [comments]
🤵♂️ Best entrepreneurs spatial tools
Great White(board): Great White(board) is a simple, uncomplicated working tool. Take a note, sketch an idea, diagram a process, or think through the details of a complex idea.Immersed: Immersed offers a virtual reality workspace where users can create multiple virtual monitors without additional hardware. This app excels in enabling focused solo work and efficient remote collaboration, allowing users to share screens and engage in virtual whiteboarding.
Fluid: Virtual workstation, wherever you are. Fluid turns your VR headset into a spatial computer that you can use for work, media streaming, gaming, and more.
Warp VR: Transform your training with immersive 360° scenarios, outperforming traditional e-learning and live actor simulations in engagement and retention.
Zoom for Vision Pro: Zoom’s Apple Vision Pro app banks on a future where virtual meetings will feel like real ones, already offering immersive meeting experiences from wherever you are.
PowerPoint for Vision Pro: You can use Microsoft PowerPoint on Vision Pro to create and update presentations. One unique feature is the “Immersive Environment” feature, which allows you to practice your presentation as if you were presenting it to an audience.
Arthur: Arthur enables your organization to meet, collaborate and manage work
Navi: Navi adds subtitles to your conversations! Perfect for business meetings abroad. Connect directly to other Navi-enabled devices around you, and what they say will be displayed directly on your Mac screen.
Lenslist: Amplify Your Marketing Using AR Filters.
SAP Analytics Cloud: SAP Analytics Cloud on Apple Vision Pro lets users arrange their most critical business workflows and apps in their physical space while using contextual 3D maps and graphics to gain new insights.
Mozilla Hubs: The go-to virtual platform for educators, teams, and organizations. Powered by Mozilla, we’ve designed our platform to make virtual collaboration and learning effortless.
Mindesk: Mindesk is a real-time CAD and VR software that allows designers to create and edit 3D models directly in virtual reality, providing a more intuitive and immersive design experience.
📟 Best spatial developers tools
Tilt Brush: Developed by Google, Tilt Brush is a VR painting application that allows artists and developers to create 3D artwork in virtual reality, making it a valuable tool for prototyping and visualization.Gravity Sketch: Gravity Sketch is a 3D design tool that enables designers and developers to create immersive 3D models and environments in VR, facilitating collaboration and rapid prototyping.
Substance Painter: Substance Painter is a texturing tool that supports VR painting, allowing developers to create high-quality textures and materials directly in VR for use in their VR applications.
Unity: One of the most popular game engines, Unity offers robust support for VR development with its built-in VR support and extensive asset store.
Unreal Engine: Another powerful game engine, Unreal Engine provides advanced tools for creating high-quality VR experiences, including built-in VR support and Blueprint visual scripting.
Google VR SDK: Google VR SDK provides developers with the tools and APIs for building VR applications for Android devices, including Google Cardboard and Daydream.
VRTK: VRTK is a popular open-source toolkit for Unity that simplifies VR development by providing a collection of scripts and prefabs for common VR interactions and mechanics.
NVIDIA VRWorks: NVIDIA VRWorks provides developers with a suite of tools and APIs for optimizing VR performance on NVIDIA GPUs, including features like Multi-Res Shading and Lens Matched Shading.
🖼️ Best spatial designers tools
Spatial Icon: Download Free Spatial Icons for your Spatial Apps.ShapesXR: ShapesXR helps you design spatial experience together.
JigSpace: JigSpace helps you create spatial presentations, combining 3D content, audio, video and text in an interactive, step-by-step experience that energizes the communication of complex ideas, products or processes.
SwiftXR: A powerful 3D and immersive design tool that is easy to use
SketchAR: SketchAR is an AR drawing app that enables designers to sketch and visualize their ideas in augmented reality, allowing for immersive and interactive design processes.
Adobe Aero: Adobe Aero is an AR authoring tool that allows designers to create interactive AR experiences using 2D and 3D assets from Adobe Creative Cloud applications like Photoshop and Illustrator.
Blender: Blender is a free and open-source 3D modeling and animation software that supports AR and VR content creation, making it a valuable tool for designers to create 3D assets for their projects.
Reality Composer: Easily prototype and produce AR experiences directly in AR with no prior 3D experience.
Reality Composer: Reality Composer is an AR authoring tool developed by Apple for creating interactive AR experiences without writing any code, making it accessible to designers and artists.
Reality Converter beta: The Reality Converter app makes it easy to convert, view, and customize USDZ 3D objects on Mac. Simply drag-and-drop common 3D file formats, such as .obj, .gltf and .usd, to view the converted USDZ result, customize material properties with your own textures, and edit file metadata.
Adobe Lightroom: Lightroom for Vision Pro lets you edit photos on a truly big screen. It’s been redesigned for the VisionOS, so it’s easier to navigate with hand gestures than the desktop version, which has many more features.
👩🎤 Best content creators spatial tools
QuestCam: A system for third person recording that imposes minimal performance constraints and unlocks maximum creativity. QuestCam.Liv: LIV is your complete toolset for VTubing, Mixed Reality Capture and VR native utilities like in-headset stream chat, alerts and notifications!
XCode + Reality Composer: Record 4K video in Apple Vision Pro using the Reality Composer kit on Xcode. Click here for the full tutorial.
The list is gradually being added to, and all 100 tools will be present by June 2024 (progressive updating).
🤵♂️ Best entrepreneurs spatial tools
Great White(board): Great White(board) is a simple, uncomplicated working tool. Take a note, sketch an idea, diagram a process, or think through the details of a complex idea.Immersed: Immersed offers a virtual reality workspace where users can create multiple virtual monitors without additional hardware. This app excels in enabling focused solo work and efficient remote collaboration, allowing users to share screens and engage in virtual whiteboarding.
Fluid: Virtual workstation, wherever you are. Fluid turns your VR headset into a spatial computer that you can use for work, media streaming, gaming, and more.
Warp VR: Transform your training with immersive 360° scenarios, outperforming traditional e-learning and live actor simulations in engagement and retention.
Zoom for Vision Pro: Zoom’s Apple Vision Pro app banks on a future where virtual meetings will feel like real ones, already offering immersive meeting experiences from wherever you are.
PowerPoint for Vision Pro: You can use Microsoft PowerPoint on Vision Pro to create and update presentations. One unique feature is the “Immersive Environment” feature, which allows you to practice your presentation as if you were presenting it to an audience.
Arthur: Arthur enables your organization to meet, collaborate and manage work
Navi: Navi adds subtitles to your conversations! Perfect for business meetings abroad. Connect directly to other Navi-enabled devices around you, and what they say will be displayed directly on your Mac screen.
Lenslist: Amplify Your Marketing Using AR Filters.
SAP Analytics Cloud: SAP Analytics Cloud on Apple Vision Pro lets users arrange their most critical business workflows and apps in their physical space while using contextual 3D maps and graphics to gain new insights.
Mozilla Hubs: The go-to virtual platform for educators, teams, and organizations. Powered by Mozilla, we’ve designed our platform to make virtual collaboration and learning effortless.
Mindesk: Mindesk is a real-time CAD and VR software that allows designers to create and edit 3D models directly in virtual reality, providing a more intuitive and immersive design experience.
📟 Best spatial developers tools
Tilt Brush: Developed by Google, Tilt Brush is a VR painting application that allows artists and developers to create 3D artwork in virtual reality, making it a valuable tool for prototyping and visualization.Gravity Sketch: Gravity Sketch is a 3D design tool that enables designers and developers to create immersive 3D models and environments in VR, facilitating collaboration and rapid prototyping.
Substance Painter: Substance Painter is a texturing tool that supports VR painting, allowing developers to create high-quality textures and materials directly in VR for use in their VR applications.
Unity: One of the most popular game engines, Unity offers robust support for VR development with its built-in VR support and extensive asset store.
Unreal Engine: Another powerful game engine, Unreal Engine provides advanced tools for creating high-quality VR experiences, including built-in VR support and Blueprint visual scripting.
Google VR SDK: Google VR SDK provides developers with the tools and APIs for building VR applications for Android devices, including Google Cardboard and Daydream.
VRTK: VRTK is a popular open-source toolkit for Unity that simplifies VR development by providing a collection of scripts and prefabs for common VR interactions and mechanics.
NVIDIA VRWorks: NVIDIA VRWorks provides developers with a suite of tools and APIs for optimizing VR performance on NVIDIA GPUs, including features like Multi-Res Shading and Lens Matched Shading.
🖼️ Best spatial designers tools
Spatial Icon: Download Free Spatial Icons for your Spatial Apps.ShapesXR: ShapesXR helps you design spatial experience together.
JigSpace: JigSpace helps you create spatial presentations, combining 3D content, audio, video and text in an interactive, step-by-step experience that energizes the communication of complex ideas, products or processes.
SwiftXR: A powerful 3D and immersive design tool that is easy to use
SketchAR: SketchAR is an AR drawing app that enables designers to sketch and visualize their ideas in augmented reality, allowing for immersive and interactive design processes.
Adobe Aero: Adobe Aero is an AR authoring tool that allows designers to create interactive AR experiences using 2D and 3D assets from Adobe Creative Cloud applications like Photoshop and Illustrator.
Blender: Blender is a free and open-source 3D modeling and animation software that supports AR and VR content creation, making it a valuable tool for designers to create 3D assets for their projects.
Reality Composer: Easily prototype and produce AR experiences directly in AR with no prior 3D experience.
Reality Composer: Reality Composer is an AR authoring tool developed by Apple for creating interactive AR experiences without writing any code, making it accessible to designers and artists.
Reality Converter beta: The Reality Converter app makes it easy to convert, view, and customize USDZ 3D objects on Mac. Simply drag-and-drop common 3D file formats, such as .obj, .gltf and .usd, to view the converted USDZ result, customize material properties with your own textures, and edit file metadata.
Adobe Lightroom: Lightroom for Vision Pro lets you edit photos on a truly big screen. It’s been redesigned for the VisionOS, so it’s easier to navigate with hand gestures than the desktop version, which has many more features.
👩🎤 Best content creators spatial tools
QuestCam: A system for third person recording that imposes minimal performance constraints and unlocks maximum creativity. QuestCam.Liv: LIV is your complete toolset for VTubing, Mixed Reality Capture and VR native utilities like in-headset stream chat, alerts and notifications!
XCode + Reality Composer: Record 4K video in Apple Vision Pro using the Reality Composer kit on Xcode. Click here for the full tutorial.
The list is gradually being added to, and all 100 tools will be present by June 2024 (progressive updating).
2024.05.14 20:01 compressandequalize 31 - France - Click me! Let me change your life forever!
Alright, so first things first, I lied about changing your life! I really just wanted you to click me, but c'mon don't leave, you curious person you, read a lil about me first!
31 years old from France (cocorico! as we say), with you know, strengths, vulnerabilities and gratuitous amounts of energy!
But let me try and summarize who I am in a few short sentences:
I believe there is no wrong move, if you decide to throw yourself out there and message me, don't overthink it! I sincerely believe that even the deepest connections can start with a simple "hey!". So I hope you get over the goosebumps you had from reading me, and fire away!!
submitted by compressandequalize to MakeNewFriendsHere [link] [comments]
- So who am I?
31 years old from France (cocorico! as we say), with you know, strengths, vulnerabilities and gratuitous amounts of energy!
But let me try and summarize who I am in a few short sentences:
- I love music, and the tools we use to create it.
- I love nature, and the ways we can protect it.
- I love politics, and the struggles that come with it.
- I love humanity, and all the connections we can make.
- What am I looking for?
- Me?
I believe there is no wrong move, if you decide to throw yourself out there and message me, don't overthink it! I sincerely believe that even the deepest connections can start with a simple "hey!". So I hope you get over the goosebumps you had from reading me, and fire away!!
2024.05.14 19:57 Erwinblackthorn Review: Tales of the EdgeWorlds Volume 1
Today’s review is for Tales of the EdgeWorlds Volume 1 by Shawn Frost. I was given an ARC copy back in July of 2023, but didn’t finish reading it until recently because I bogged myself down with too many activities, and something this long takes me a while. I will go through the things I liked about it, the things I hated, and wrap it up with a score from 1-10. My scoring system goes through 5 key components, with each one going over the creative aspect and the technical aspect. I will explain that part when we get to scoring later on, so let’s plow on through.
This is a collection, about 266 pages long, and is meant to be the first installment of a comedy series. Shawn runs a Youtube channel where he covers lolcows and does gaming streams, so comedy should come naturally to him. As a volume, this holds 4 short stories, each one holding about 8 chapters, with each story running for about 20k words. Technically, we can say it’s 4 novelettes, but as I explain the situation, you’ll see why they are so long. The plot may seem complex but the main characters go through the same situations: the dimensional merge occurred, between all of our creative properties and C-197, with a group of rambunctious penguins doing mercenary work.
Sadly, it’s not really the Chris-Chan version of a dimensional merge, so we do not see Sonichu or any of that wacky world… yet. It's volume 1, so it's too early to say it's not open to the possibilities. The style runs close to internet memes and those old Newgrounds cartoons, with the focus aimed at action scenes and descriptions of the creative world around their setups. But, as you read through the massive amount of descriptions and banter, you'll realize that very little happens in each story. I would say each one is very simple and with a low reading level needed to get through them, which is a double-edged sword in this case.
I say this because the writing tries too hard to claim a joke was made when it wasn’t really a “ha-ha” joke to begin with. It’s more like “ah… humor is detectable somewhere in these pages” kind of comedy. It relates to the offensive animals of Fritz the Cat, where the comedy comes from the absurdity of a setup, rather than a punchline that is found. Unfortunately, because the satire is absent and it focuses too much on the premise, the result becomes more like my favorite episode of Heil Honey I’m Home, minus Hitler and his annoying neighbors. The banter bogs down the pacing, turning each chapter into a short, yet overly long, sample of a scene, chained together by constantly shifting points of view.
Thankfully, this simple way of approaching a story allows a casual reader to speed on by. Things are easy to follow and characters are easy to remember. The main cast of Edgy, Jeff, Todd, and Hylus are separated by their brand of chaotic addictions. Addiction to drugs, addiction to hentai, addiction to video games, addiction to murder; all greatly expressed in what are meant to be running gags that resemble a sitcom cast. The ship they travel around in, from job to job, can easily be imagined as a "That '70s Show basement" version of the ship in The Orville, as each story goes to different planets where they meet different aliens.
There is enough in each story to understand what is going on, with the stories more as an exploration of lore than an exploration of character or theme. The lack of focus, as well as the indifferent prose, harms the way each tale is told. I would never say these are bad ideas or bad concepts, just bad ways to get them across. High concept, low composition. I would say the main value is from the promise of more to come than what is presented in the pages.
Time for the rating, which will be given between 0-2. 1 point goes to the technical aspect and 1 point goes to the creative side of things. Flaws within a point will reduce it into smaller decimals, but a single aspect is not able to entirely kill a story on its own. If it’s all technical or all creative, a story will be treated as mediocre. Even if I like something, it is still possible to get a 5/10, meaning it’s not suitable for the average reader who is more accepting of a 7 or an 8.
Plot: 1.5 Things happen and people go places in the form of a violent travelog. The pacing bogs down the destination with tourist traps.
Characters: 1.5 The characters play their roles well, even though their roles don’t play well with the plot. Their banter and quirks fall flat in parts.
Prose: 1 With clear points between A and B, wet and sloppy ideas are delivered dry and brittle. With each paragraph shoving lore down the reader’s throat, it can become death by a thousand detours.
Theme: 1 There is a great message about how chaos and anarchy transforms people into primitive animals. Unfortunately, the author couldn’t find it in the infinite vastness of subspace.
Setting : 2 It is a world you want to know more about and look forward to the next bit of info. Creative, exotic, to the proper point of chaotic, yet still comprehensible. Everything about this book is in the setting.
Final verdict: 7/10
The book is niche, it takes a while to heat up, and even then it’s as appealing as a mystery flavor hot pocket. If you’re into absurdity, you will enjoy it. I just wish the absurdity had some life behind it. There is room for expansion and I hope that opportunity is taken.
submitted by Erwinblackthorn to TDLH [link] [comments]
This is a collection, about 266 pages long, and is meant to be the first installment of a comedy series. Shawn runs a Youtube channel where he covers lolcows and does gaming streams, so comedy should come naturally to him. As a volume, this holds 4 short stories, each one holding about 8 chapters, with each story running for about 20k words. Technically, we can say it’s 4 novelettes, but as I explain the situation, you’ll see why they are so long. The plot may seem complex but the main characters go through the same situations: the dimensional merge occurred, between all of our creative properties and C-197, with a group of rambunctious penguins doing mercenary work.
Sadly, it’s not really the Chris-Chan version of a dimensional merge, so we do not see Sonichu or any of that wacky world… yet. It's volume 1, so it's too early to say it's not open to the possibilities. The style runs close to internet memes and those old Newgrounds cartoons, with the focus aimed at action scenes and descriptions of the creative world around their setups. But, as you read through the massive amount of descriptions and banter, you'll realize that very little happens in each story. I would say each one is very simple and with a low reading level needed to get through them, which is a double-edged sword in this case.
I say this because the writing tries too hard to claim a joke was made when it wasn’t really a “ha-ha” joke to begin with. It’s more like “ah… humor is detectable somewhere in these pages” kind of comedy. It relates to the offensive animals of Fritz the Cat, where the comedy comes from the absurdity of a setup, rather than a punchline that is found. Unfortunately, because the satire is absent and it focuses too much on the premise, the result becomes more like my favorite episode of Heil Honey I’m Home, minus Hitler and his annoying neighbors. The banter bogs down the pacing, turning each chapter into a short, yet overly long, sample of a scene, chained together by constantly shifting points of view.
Thankfully, this simple way of approaching a story allows a casual reader to speed on by. Things are easy to follow and characters are easy to remember. The main cast of Edgy, Jeff, Todd, and Hylus are separated by their brand of chaotic addictions. Addiction to drugs, addiction to hentai, addiction to video games, addiction to murder; all greatly expressed in what are meant to be running gags that resemble a sitcom cast. The ship they travel around in, from job to job, can easily be imagined as a "That '70s Show basement" version of the ship in The Orville, as each story goes to different planets where they meet different aliens.
There is enough in each story to understand what is going on, with the stories more as an exploration of lore than an exploration of character or theme. The lack of focus, as well as the indifferent prose, harms the way each tale is told. I would never say these are bad ideas or bad concepts, just bad ways to get them across. High concept, low composition. I would say the main value is from the promise of more to come than what is presented in the pages.
Time for the rating, which will be given between 0-2. 1 point goes to the technical aspect and 1 point goes to the creative side of things. Flaws within a point will reduce it into smaller decimals, but a single aspect is not able to entirely kill a story on its own. If it’s all technical or all creative, a story will be treated as mediocre. Even if I like something, it is still possible to get a 5/10, meaning it’s not suitable for the average reader who is more accepting of a 7 or an 8.
Plot: 1.5 Things happen and people go places in the form of a violent travelog. The pacing bogs down the destination with tourist traps.
Characters: 1.5 The characters play their roles well, even though their roles don’t play well with the plot. Their banter and quirks fall flat in parts.
Prose: 1 With clear points between A and B, wet and sloppy ideas are delivered dry and brittle. With each paragraph shoving lore down the reader’s throat, it can become death by a thousand detours.
Theme: 1 There is a great message about how chaos and anarchy transforms people into primitive animals. Unfortunately, the author couldn’t find it in the infinite vastness of subspace.
Setting : 2 It is a world you want to know more about and look forward to the next bit of info. Creative, exotic, to the proper point of chaotic, yet still comprehensible. Everything about this book is in the setting.
Final verdict: 7/10
The book is niche, it takes a while to heat up, and even then it’s as appealing as a mystery flavor hot pocket. If you’re into absurdity, you will enjoy it. I just wish the absurdity had some life behind it. There is room for expansion and I hope that opportunity is taken.
2024.05.14 19:57 ResponsibleBerry6764 How do I resolve communication issues with this girl (19F) I'm (21M) seeing?
So I've been seeing this girl for a while now. We have kissed already but it's nothing too serious so far. Today, she messaged me asking how I was doing. I replied that I was just heading home from another city and asked "Why do you ask?"
Suddenly, out of the blue, she responded with: I see that you're already tired of me.
I replied: What do you mean?
She answered: I feel like you’re already tired of me.
I asked: Why do you think that?
She said: Because we hardly have any contact with each other and when we do, it’s only for a short time. That makes me feel like you’re tired of me.
I replied: Well, you had your final exams recently, so I didn’t want to bother you.
She said: I told you that you never bother me.
I replied: I understand. But besides the exams, I feel like I haven't really been able to catch a common language with you.
She said: so what's next?
I replied: I don't know, maybe we should talk about it, like back when I told you about my feelings, but you ignored me?
I replied with another one: From the start, it’s been a bit awkward. I’ve tried to have conversations, but it rarely work out. (she would always answer with a really short sentence or just single word and don't ask me back anything) You never initiated any conversations, physical contacts or gave compliments, (yes, she never gave me any compliments, even a simple "you too" after my compliments towards her or something like that) so I thought you were just shy and decided to give you time to open up. I’ve been patient, but after a couple of months not much has changed. The last time I told you face-to-face that I struggle to talk with you, you didn’t say anything. No reaction at all, which honestly discouraged me a bit.
She responded: I told you I’m quiet and I can’t keep a conversation going, even if I want to. (I don’t remember her ever saying this)
Her response to the part where I mentioned telling her I struggle to talk to her face-to-face was: What was I supposed to say to that? (anything???)
Her response to my part about discouragement was: So I discouraged you, I see 🙂
I didn't respond to this because I had to think about this whole situation.
Then she sent another text: So I was right, you are tired of me. If you don’t want to have contact with me, just fucking tell me.
So, what do you guys think about this whole situation? What should I do? She seems to be manipulative and gaslight all the blame on me when I try to discuss the situation. I like her but don't know if it's worth pursuing anymore.
TL;DR: I've been seeing a girl recently, and she accused me of being tired of her due to our limited communication. Despite my efforts to be patient and understanding, She gets defensive and manipulative when I try to discuss it. Looking for advice on how to handle this situation and improve our communication.
submitted by ResponsibleBerry6764 to relationships [link] [comments]
Suddenly, out of the blue, she responded with: I see that you're already tired of me.
I replied: What do you mean?
She answered: I feel like you’re already tired of me.
I asked: Why do you think that?
She said: Because we hardly have any contact with each other and when we do, it’s only for a short time. That makes me feel like you’re tired of me.
I replied: Well, you had your final exams recently, so I didn’t want to bother you.
She said: I told you that you never bother me.
I replied: I understand. But besides the exams, I feel like I haven't really been able to catch a common language with you.
She said: so what's next?
I replied: I don't know, maybe we should talk about it, like back when I told you about my feelings, but you ignored me?
I replied with another one: From the start, it’s been a bit awkward. I’ve tried to have conversations, but it rarely work out. (she would always answer with a really short sentence or just single word and don't ask me back anything) You never initiated any conversations, physical contacts or gave compliments, (yes, she never gave me any compliments, even a simple "you too" after my compliments towards her or something like that) so I thought you were just shy and decided to give you time to open up. I’ve been patient, but after a couple of months not much has changed. The last time I told you face-to-face that I struggle to talk with you, you didn’t say anything. No reaction at all, which honestly discouraged me a bit.
She responded: I told you I’m quiet and I can’t keep a conversation going, even if I want to. (I don’t remember her ever saying this)
Her response to the part where I mentioned telling her I struggle to talk to her face-to-face was: What was I supposed to say to that? (anything???)
Her response to my part about discouragement was: So I discouraged you, I see 🙂
I didn't respond to this because I had to think about this whole situation.
Then she sent another text: So I was right, you are tired of me. If you don’t want to have contact with me, just fucking tell me.
So, what do you guys think about this whole situation? What should I do? She seems to be manipulative and gaslight all the blame on me when I try to discuss the situation. I like her but don't know if it's worth pursuing anymore.
TL;DR: I've been seeing a girl recently, and she accused me of being tired of her due to our limited communication. Despite my efforts to be patient and understanding, She gets defensive and manipulative when I try to discuss it. Looking for advice on how to handle this situation and improve our communication.
2024.05.14 19:48 plsstopprocreating SOTD 14 May 2024
 | Good morning all! Hope you are having a great week! submitted by plsstopprocreating to ArtsyWeirdoPerfume [link] [comments] Today I'm wearing Nui Cobalt's Sacred Space (A misty, moss-covered glen, a simple wooden pagoda, steam from a cup of black tea, a tendril of incense smoke) and although I can't say I necessarily pick out all the notes, I'd describe it as a lovely herbal and a little woody scent with some depth and complexity to it. It's very well blended and easy to wear despite not smelling like a "perfume." |
2024.05.14 19:39 PhantasmagoriaLuna Phantasphere-Genocide Reigns Part 1
Genocide Reigns
(note: I'm an indie game developer making an action/horror title called Phantasphere. This story is a spin off set in the same universe)
Year 2480X Ryze County Police Department
He's coming. The ensuing panic spread like a virus infecting all present with symptoms of looming dread. Officers worked steadfast to prepare also taking what time remained to train the few combat hardened civilians whom had fled to the station earlier. If only they knew. This demon that presented itself as a man had led a string of senseless massacres across the country. Only recently had it begun to prioritize police stations and army bases as a means of breaking the will of civilians who knew they would be next. Officers from several counties across the states were transferred here for this last stand. This Genocide must not continue. Gracia checked her pistol. Some 20 bullets remained. "I can do this", she thought, "I have to". She had dealt with similar cases before. Some poor soul is overtaken by some inextricably evil force and makes it their life's work to propagate death. Gracia had killed quite a few already. Live arrests weren't always possible. Beyond saving, careful interrogations of the scarce live catches yielded a startling connection. These killers all alluded to a well of overwhelming hatred and despair that consumed them after making eye contact with...Pale, black eyed entities. Some type of demon? Ghost maybe? The idea seemed nonsensical, but there was evidence nonetheless that some outside force was using them to fulfill some unknown purpose. At the present time, all they could do was stop the killers after they had killed. It was always too late by then and more would appear randomly elsewhere. What good could be done here in an isolated station hoping to stop one guy out of possibly hundreds? "The guy we're waiting for is different from the others," detective Evans spoke from the center of a crowd nearby. Gracia moved in closer. "The others typically strike from the shadows, hide their faces behind masks, and prefer to get up close and personal with their victims. What we're dealing with is on a completely different scale. The trail of bloodshed this guy leaves is too difficult for the media to cover up. He loves the spectacle. Headlining the news. We can't keep using the burst pipeline excuse for 6 stations being destroyed in a row. We have to stop him before the world at large finds out. You wonder why we need so many people here? Its simple. We're gonna out-man this one man. He always attacks stations through the front door. Like other killers he's fast, strong- you know the usual, but he also uses guns." "What!", a voice rang out from the crowd. "They aren't supposed to do that!" another gasped. Officer Lary spoke with a cheesy grin" Ya tellin' me we just gotta deal with a regular ass gunman eh? That's a welcome change of pace init? Heck I'm too old to be running around being chased like I'm in some scary movie". The detective rebutted" You don't get it. He uses guns. Not a handgun, not rifles, not boom sticks, not rpgs, not knives not grenades but ALL of them. He uses guns. Plural. It'll take essentially an army to match his arsenal. He used to be a man named -redacted-, but in his pursuit of chaos he has become Genocide." A dark form manifests from the night outside the station. Genocide is coming.
Bang! something slams into the front door. Everyone freezes. Officer Tatum edges slowly to it, shockgun in hand. By no means lethal, the shockgun was lighter, easy to control, and could stun targets temporarily. If Genocide was here, Tatum could stun him and duck for cover leaving the station free to light him up like a Christmas tree. That was the plan they came up with. He got closer to the glass door and peered outside. He was met with hate filled bloodshot eyes framed by an unkempt beard and wild straggly hair. Tatum felt some relief. He knew the man outside. It was Jim Jimenez. Jim was a former drug dealer turned informant. He was found out and had to flee from his old life. He became homeless, hiding in plane sight. This allowed him safety at the cost of his mental health. Tatum knew the man, but those eyes were not his. Tatum blinked and saw that the look of malice had vanished. What he instead saw was a helpless, wounded man, bleeding from the right arm pleading for help. Tatum looked behind Jim, eyeing the empty lot. The coast seemingly clear Tatum unlocked the door and let Jim in. Jim had been roaming the town looking for shelter and tried squatting in an abandoned looking apartment complex. There he found that the building contained several murdered families some succumbing to gunshots but the majority having met their end to fire and suffocation. Jim had decided to make his way to the station to tell police what happened and met trouble on the way. He described getting stabbed by a man wearing a trench coat with long dark hair. Despite the injuries, Jim could move surprisingly well and seemed to ignore the pain. Jim insisted that the man had spared him on the condition he deliver a message. "What message?" Tatum asked. Jim beckoned him to come closer. Tatum leaned in and Jim whispered, "Tell them. Tell them that Genocide is coming closer." The following events were a blur. Jim had concealed the knife he was stabbed with. He stabbed Tatum 4 times in the chest and wrestled his shockgun away. Using Tatum as a shield, Jim engaged everyone in the lobby. Jim wasn't himself. He was stronger. He was faster. He was tactical. He would stun an officer in place only to stab them and use their as a body shield. No one could get a clear shot without hitting a colleague. Gracia watched the scene unfold. In minutes Jim had acquired a magnum from the holster of one of his victims. In seconds 3 officers had their heads exploded. The magnum rounds coated the walls red with those they hit and stained the clothes of those they missed. Gracia felt fear rising in her chest. She calmed herself and tried to think. She saw the bodies on the ground. The blood. She saw how dismissively Jim stepped over them. Like they were nothing. Like trash. She saw the man firing erratically into groups of people, not so much to kill but as to cause panic. That's it! As Gracia contemplated her next move it hit her. She was knocked backwards and landed on the ground. She weakly clutched her chest. Her breathing grew shallow. Jim mad his way deeper into the station. The officers were retreating from their standoff. Jim stepped over her body and saw red staining her uniform. Just another casualty. He moved on. At this point the civilians began panicking. Everyone gave up trying to save their allies and fired blindly at the madman. "Don't shoot the messenger," Jim laughed as he stripped his latest meat shield of an automatic rifle. Detective Evans took cover behind an overturned desk. To his left Larry struggled to light a cigar. "You still think this is a cakewalk?" Evans shouted firing 2 quick shots from his gun before ducking back down. Lary lost hold of his lighter and it clattered on the ground." Crap." He reached for it and looked in the corner of the room. A mirror. He looked at it for what seemed like ages and his smirk returned " Y'know that mex'n gal with the short hair. Where is she? I didn't see her get shot." Evans glanced a peak at Jim spraying lead in all directions. Behind him was a corpse. Evans blinked. It seemed to be getting closer. Its her. Gracia painstakingly inched her way into Jim's blind spot. She was roughly 6 feet away from him. Flanking him seemed like a brilliant idea but waiting idly by for the right moment as the people around her died filled her with anger. Worse still, she had to steal a blood soaked shirt from one of the deceased officers to keep up the facade. Inching ever so steadily she mad it within 3 feet of Jim. She reached behind her belt and unclipped a pair of handcuffs. Screams could be heard as more people were hit. Gracia couldn't wait any longer. Fluidly she got to her feet and rushed Jim. She kicked the back of his knee causing him to stumble as she put the handcuffs on him. Figuratively. The handcuffs were around Jim's neck. She yanked him back causing his gun to drop. "You don't know what you're doing." Jim spat. "We all need to accept it. The end of days is upon us. Death rides his horse through these forsaken lands. We must serve or be sacrificed in turn. Accept it!"He elbowed Gracia in the ribs causing her to let go. He spun around and lunged at her. She landed on her back, Jim steadily choking her. Gracia thought fast. She couldn't struggle. Jim was too strong. She delivered a precise chop to the center of Jim's neck which was exposed. Jim lurched back to catch his breath. A clean shot. A bullet pierced through Jim's back. Weakened, Gracia rolled him over and began punching him repeatedly using the handcuffs as brass knuckles. The sound of Jim's skull cracking echoed through the station. This would go on for nearly 20 seconds before Gracia stopped, checked his pulse, confirmed Jim was still alive, then finally put the cuffs on Jim's wrists.
Click. Bodies are wrapped and moved to a makeshift storage room. Click. The available weapons are gathered and redistributed. Click. Officers are assigned to sniping positions on neighboring buildings. Click. Police cruisers circle the lot outside. Click. In the holding cell, Jim opens his eyes. Click. Lary flicks his lighter. Click. Gracia sips coffee from a paper cup. Click. Shells hit the ground at the feet of Genocide. Click. Genocide walks outside a cafe and looks at the station in the distance. Click. Lary clicks his lighter.
"All ya'll gon' fall," Jim ranted." You can't drain the ocean. You can't put out the sun. Evil will always exist. That there Genocide is proof . I saw him. Saw myself within his eyes. Saw the evil in me that I could no longer try to hide. He taught me to embrace the darkness within. Its in all of us begging to be let out. Can you hear it!" Lary clicked his lighter and got up from his chair. He grabbed a cup of liquor from another officer mid sip and walked over to Jim. He doused it on Jim, the liquid stinging his open wounds. Jim yelped. Across the station, radios blurred to life. Several of their lookouts on the outside had been killed. "He's gon' get ya," Jim smiled imitating Lary's signature grin. "Genocide! Genocide! Genocide!" The other inmates saw the chance to irritate Lary and joined in all shouting in unison,"Ge-No-Cide! Ge-No-Cide! Ge-No-Cide!" The chanting grew louder. Unbearable. They invoked upon the name of the beast, and so it came.
Genocide is upon us. A wave of dread spread across the officers. They could feel its presence. Gracia knew the sensation. The awful aura that the other killers gave off. This was different. Far more oppressive. She struggled to breathe as the air got colder. Her instincts screamed for her to run. She could only imagine what the others were going through. Its time. Across the lot Genocide stood. A siren blared over the intercom. "Everyone get into positions!" Evans yelled. Wayne finished setting the last of the c4 near the station entrance. "That's the last of them. Have remote triggers set around all the major hallways. I'll be in the security room ready to pull the switch." Wayne acted as an explosives expert. His job was to detonate bombs placed throughout the station to slow down Genocide should it enter the building. He would stay in the security room, monitoring the cameras and giving real time updates on the officers' positions. From the holding cell, inmates chanted for Genocide. Lary got off his phone" That bastard mixed us up. How did we not notice?" Evans asked what he meant. Lary, dumbfounded, said that most of the town was already dead. Genocide had broken his usual pattern. He went on a killing spree across a defenseless town BEFORE attacking the police station. They had let everyone down. The people they swore to protect. This Genocide was a monster, but he was still a man. Capable of learning from his past actions. Planning. Adapting. It wasn't in his style to stealthily kill his victims or even use a silencer on any of his guns, but an exception had been made for tonight. An exception that would cost them. Gracia was stationed on the second floor. She peered out the window. Her heart skipped a beat. Two cruisers made slow donuts patrolling the lot and standing unmoving between them was a man all in black. Gracia called in to Wayne asking if he saw anything outside. Wayne said the monitors were all clear then checked again. He cursed. He noticed small details were off. The cameras showing the outside of the station were wrong. Sure they showed the same scenery and weather but cars passed by on screen too frequently for a dead town. Too many to make sense for the quarantine they had set in place. Wayne concluded that the cameras had been hacked. Different prerecorded footage was being shown on the live feed to misdirect them. Gracia saw the man look up at her. A light rain started to fall. The officers patrolling outside were contacted. From the holding cells, inmates called for genocide.
submitted by PhantasmagoriaLuna to DrCreepensVault [link] [comments]
(note: I'm an indie game developer making an action/horror title called Phantasphere. This story is a spin off set in the same universe)
Year 2480X Ryze County Police Department
He's coming. The ensuing panic spread like a virus infecting all present with symptoms of looming dread. Officers worked steadfast to prepare also taking what time remained to train the few combat hardened civilians whom had fled to the station earlier. If only they knew. This demon that presented itself as a man had led a string of senseless massacres across the country. Only recently had it begun to prioritize police stations and army bases as a means of breaking the will of civilians who knew they would be next. Officers from several counties across the states were transferred here for this last stand. This Genocide must not continue. Gracia checked her pistol. Some 20 bullets remained. "I can do this", she thought, "I have to". She had dealt with similar cases before. Some poor soul is overtaken by some inextricably evil force and makes it their life's work to propagate death. Gracia had killed quite a few already. Live arrests weren't always possible. Beyond saving, careful interrogations of the scarce live catches yielded a startling connection. These killers all alluded to a well of overwhelming hatred and despair that consumed them after making eye contact with...Pale, black eyed entities. Some type of demon? Ghost maybe? The idea seemed nonsensical, but there was evidence nonetheless that some outside force was using them to fulfill some unknown purpose. At the present time, all they could do was stop the killers after they had killed. It was always too late by then and more would appear randomly elsewhere. What good could be done here in an isolated station hoping to stop one guy out of possibly hundreds? "The guy we're waiting for is different from the others," detective Evans spoke from the center of a crowd nearby. Gracia moved in closer. "The others typically strike from the shadows, hide their faces behind masks, and prefer to get up close and personal with their victims. What we're dealing with is on a completely different scale. The trail of bloodshed this guy leaves is too difficult for the media to cover up. He loves the spectacle. Headlining the news. We can't keep using the burst pipeline excuse for 6 stations being destroyed in a row. We have to stop him before the world at large finds out. You wonder why we need so many people here? Its simple. We're gonna out-man this one man. He always attacks stations through the front door. Like other killers he's fast, strong- you know the usual, but he also uses guns." "What!", a voice rang out from the crowd. "They aren't supposed to do that!" another gasped. Officer Lary spoke with a cheesy grin" Ya tellin' me we just gotta deal with a regular ass gunman eh? That's a welcome change of pace init? Heck I'm too old to be running around being chased like I'm in some scary movie". The detective rebutted" You don't get it. He uses guns. Not a handgun, not rifles, not boom sticks, not rpgs, not knives not grenades but ALL of them. He uses guns. Plural. It'll take essentially an army to match his arsenal. He used to be a man named -redacted-, but in his pursuit of chaos he has become Genocide." A dark form manifests from the night outside the station. Genocide is coming.
Bang! something slams into the front door. Everyone freezes. Officer Tatum edges slowly to it, shockgun in hand. By no means lethal, the shockgun was lighter, easy to control, and could stun targets temporarily. If Genocide was here, Tatum could stun him and duck for cover leaving the station free to light him up like a Christmas tree. That was the plan they came up with. He got closer to the glass door and peered outside. He was met with hate filled bloodshot eyes framed by an unkempt beard and wild straggly hair. Tatum felt some relief. He knew the man outside. It was Jim Jimenez. Jim was a former drug dealer turned informant. He was found out and had to flee from his old life. He became homeless, hiding in plane sight. This allowed him safety at the cost of his mental health. Tatum knew the man, but those eyes were not his. Tatum blinked and saw that the look of malice had vanished. What he instead saw was a helpless, wounded man, bleeding from the right arm pleading for help. Tatum looked behind Jim, eyeing the empty lot. The coast seemingly clear Tatum unlocked the door and let Jim in. Jim had been roaming the town looking for shelter and tried squatting in an abandoned looking apartment complex. There he found that the building contained several murdered families some succumbing to gunshots but the majority having met their end to fire and suffocation. Jim had decided to make his way to the station to tell police what happened and met trouble on the way. He described getting stabbed by a man wearing a trench coat with long dark hair. Despite the injuries, Jim could move surprisingly well and seemed to ignore the pain. Jim insisted that the man had spared him on the condition he deliver a message. "What message?" Tatum asked. Jim beckoned him to come closer. Tatum leaned in and Jim whispered, "Tell them. Tell them that Genocide is coming closer." The following events were a blur. Jim had concealed the knife he was stabbed with. He stabbed Tatum 4 times in the chest and wrestled his shockgun away. Using Tatum as a shield, Jim engaged everyone in the lobby. Jim wasn't himself. He was stronger. He was faster. He was tactical. He would stun an officer in place only to stab them and use their as a body shield. No one could get a clear shot without hitting a colleague. Gracia watched the scene unfold. In minutes Jim had acquired a magnum from the holster of one of his victims. In seconds 3 officers had their heads exploded. The magnum rounds coated the walls red with those they hit and stained the clothes of those they missed. Gracia felt fear rising in her chest. She calmed herself and tried to think. She saw the bodies on the ground. The blood. She saw how dismissively Jim stepped over them. Like they were nothing. Like trash. She saw the man firing erratically into groups of people, not so much to kill but as to cause panic. That's it! As Gracia contemplated her next move it hit her. She was knocked backwards and landed on the ground. She weakly clutched her chest. Her breathing grew shallow. Jim mad his way deeper into the station. The officers were retreating from their standoff. Jim stepped over her body and saw red staining her uniform. Just another casualty. He moved on. At this point the civilians began panicking. Everyone gave up trying to save their allies and fired blindly at the madman. "Don't shoot the messenger," Jim laughed as he stripped his latest meat shield of an automatic rifle. Detective Evans took cover behind an overturned desk. To his left Larry struggled to light a cigar. "You still think this is a cakewalk?" Evans shouted firing 2 quick shots from his gun before ducking back down. Lary lost hold of his lighter and it clattered on the ground." Crap." He reached for it and looked in the corner of the room. A mirror. He looked at it for what seemed like ages and his smirk returned " Y'know that mex'n gal with the short hair. Where is she? I didn't see her get shot." Evans glanced a peak at Jim spraying lead in all directions. Behind him was a corpse. Evans blinked. It seemed to be getting closer. Its her. Gracia painstakingly inched her way into Jim's blind spot. She was roughly 6 feet away from him. Flanking him seemed like a brilliant idea but waiting idly by for the right moment as the people around her died filled her with anger. Worse still, she had to steal a blood soaked shirt from one of the deceased officers to keep up the facade. Inching ever so steadily she mad it within 3 feet of Jim. She reached behind her belt and unclipped a pair of handcuffs. Screams could be heard as more people were hit. Gracia couldn't wait any longer. Fluidly she got to her feet and rushed Jim. She kicked the back of his knee causing him to stumble as she put the handcuffs on him. Figuratively. The handcuffs were around Jim's neck. She yanked him back causing his gun to drop. "You don't know what you're doing." Jim spat. "We all need to accept it. The end of days is upon us. Death rides his horse through these forsaken lands. We must serve or be sacrificed in turn. Accept it!"He elbowed Gracia in the ribs causing her to let go. He spun around and lunged at her. She landed on her back, Jim steadily choking her. Gracia thought fast. She couldn't struggle. Jim was too strong. She delivered a precise chop to the center of Jim's neck which was exposed. Jim lurched back to catch his breath. A clean shot. A bullet pierced through Jim's back. Weakened, Gracia rolled him over and began punching him repeatedly using the handcuffs as brass knuckles. The sound of Jim's skull cracking echoed through the station. This would go on for nearly 20 seconds before Gracia stopped, checked his pulse, confirmed Jim was still alive, then finally put the cuffs on Jim's wrists.
Click. Bodies are wrapped and moved to a makeshift storage room. Click. The available weapons are gathered and redistributed. Click. Officers are assigned to sniping positions on neighboring buildings. Click. Police cruisers circle the lot outside. Click. In the holding cell, Jim opens his eyes. Click. Lary flicks his lighter. Click. Gracia sips coffee from a paper cup. Click. Shells hit the ground at the feet of Genocide. Click. Genocide walks outside a cafe and looks at the station in the distance. Click. Lary clicks his lighter.
"All ya'll gon' fall," Jim ranted." You can't drain the ocean. You can't put out the sun. Evil will always exist. That there Genocide is proof . I saw him. Saw myself within his eyes. Saw the evil in me that I could no longer try to hide. He taught me to embrace the darkness within. Its in all of us begging to be let out. Can you hear it!" Lary clicked his lighter and got up from his chair. He grabbed a cup of liquor from another officer mid sip and walked over to Jim. He doused it on Jim, the liquid stinging his open wounds. Jim yelped. Across the station, radios blurred to life. Several of their lookouts on the outside had been killed. "He's gon' get ya," Jim smiled imitating Lary's signature grin. "Genocide! Genocide! Genocide!" The other inmates saw the chance to irritate Lary and joined in all shouting in unison,"Ge-No-Cide! Ge-No-Cide! Ge-No-Cide!" The chanting grew louder. Unbearable. They invoked upon the name of the beast, and so it came.
Genocide is upon us. A wave of dread spread across the officers. They could feel its presence. Gracia knew the sensation. The awful aura that the other killers gave off. This was different. Far more oppressive. She struggled to breathe as the air got colder. Her instincts screamed for her to run. She could only imagine what the others were going through. Its time. Across the lot Genocide stood. A siren blared over the intercom. "Everyone get into positions!" Evans yelled. Wayne finished setting the last of the c4 near the station entrance. "That's the last of them. Have remote triggers set around all the major hallways. I'll be in the security room ready to pull the switch." Wayne acted as an explosives expert. His job was to detonate bombs placed throughout the station to slow down Genocide should it enter the building. He would stay in the security room, monitoring the cameras and giving real time updates on the officers' positions. From the holding cell, inmates chanted for Genocide. Lary got off his phone" That bastard mixed us up. How did we not notice?" Evans asked what he meant. Lary, dumbfounded, said that most of the town was already dead. Genocide had broken his usual pattern. He went on a killing spree across a defenseless town BEFORE attacking the police station. They had let everyone down. The people they swore to protect. This Genocide was a monster, but he was still a man. Capable of learning from his past actions. Planning. Adapting. It wasn't in his style to stealthily kill his victims or even use a silencer on any of his guns, but an exception had been made for tonight. An exception that would cost them. Gracia was stationed on the second floor. She peered out the window. Her heart skipped a beat. Two cruisers made slow donuts patrolling the lot and standing unmoving between them was a man all in black. Gracia called in to Wayne asking if he saw anything outside. Wayne said the monitors were all clear then checked again. He cursed. He noticed small details were off. The cameras showing the outside of the station were wrong. Sure they showed the same scenery and weather but cars passed by on screen too frequently for a dead town. Too many to make sense for the quarantine they had set in place. Wayne concluded that the cameras had been hacked. Different prerecorded footage was being shown on the live feed to misdirect them. Gracia saw the man look up at her. A light rain started to fall. The officers patrolling outside were contacted. From the holding cells, inmates called for genocide.
2024.05.14 19:26 Petechap18 The Ultimate Guide to Commercial Appliance Repair
Whether you own a restaurant, hotel, or any other business that relies on commercial appliances, it's crucial to keep them in top working condition. In this article, we'll cover everything you need to know about commercial appliance repair, including common issues, maintenance tips, and the benefits of hiring a professional repair service. For more information and expert advice, be sure to visit CooperFix for all your commercial appliance repair needs.
Common Commercial Appliance Issues:
Commercial appliances are built to withstand heavy use, but they can still experience issues from time to time. Some common problems include refrigeration issues, faulty wiring, water leaks, and temperature inconsistencies. It's essential to address these issues promptly to avoid downtime and ensure the smooth operation of your business.
Maintenance Tips:
Regular maintenance is key to preventing costly repairs and extending the lifespan of your commercial appliances. Simple tasks like cleaning coils, checking seals, and inspecting electrical connections can help identify potential issues early on. Additionally, scheduling routine maintenance with a professional service provider can help keep your appliances running efficiently.
Benefits of Hiring a Professional Repair Service:
While DIY repairs may seem like a cost-effective solution, hiring a professional repair service offers numerous benefits. Experienced technicians have the knowledge and tools needed to diagnose and fix complex appliance issues quickly and effectively. They also have access to quality parts and can provide valuable maintenance tips to prevent future problems.
Why Choose CooperFix:
When it comes to commercial appliance repair, CooperFix is your go-to solution. With years of experience in the industry, our team of skilled technicians is committed to providing top-notch service at competitive prices. From refrigerators and ovens to ice machines and dishwashers, we have the expertise to handle all types of commercial appliances with precision and care.
For more information on commercial appliance repair tips and services, be sure to visit CooperFix at https://sites.google.com/view/cooperfix/commercial-appliance-repair . This website features helpful resources, FAQs, contact information, and testimonials from satisfied customers. Don't let appliance issues disrupt your business operations – trust CooperFix for all your commercial appliance repair needs.
Conclusion:
By following the tips outlined in this blog post and seeking professional assistance when needed from CooperFix or similar reputable services will help ensure that your commercial appliances operate smoothly and efficiently for years to come. Remember that regular maintenance is key to preventing costly repairs down the line – so don't wait until an issue arises before addressing it proactively! Stay informed, stay prepared with CooperFix by your side!
submitted by Petechap18 to cooperfix [link] [comments]
Common Commercial Appliance Issues:
Commercial appliances are built to withstand heavy use, but they can still experience issues from time to time. Some common problems include refrigeration issues, faulty wiring, water leaks, and temperature inconsistencies. It's essential to address these issues promptly to avoid downtime and ensure the smooth operation of your business.
Maintenance Tips:
Regular maintenance is key to preventing costly repairs and extending the lifespan of your commercial appliances. Simple tasks like cleaning coils, checking seals, and inspecting electrical connections can help identify potential issues early on. Additionally, scheduling routine maintenance with a professional service provider can help keep your appliances running efficiently.
Benefits of Hiring a Professional Repair Service:
While DIY repairs may seem like a cost-effective solution, hiring a professional repair service offers numerous benefits. Experienced technicians have the knowledge and tools needed to diagnose and fix complex appliance issues quickly and effectively. They also have access to quality parts and can provide valuable maintenance tips to prevent future problems.
Why Choose CooperFix:
When it comes to commercial appliance repair, CooperFix is your go-to solution. With years of experience in the industry, our team of skilled technicians is committed to providing top-notch service at competitive prices. From refrigerators and ovens to ice machines and dishwashers, we have the expertise to handle all types of commercial appliances with precision and care.
For more information on commercial appliance repair tips and services, be sure to visit CooperFix at https://sites.google.com/view/cooperfix/commercial-appliance-repair . This website features helpful resources, FAQs, contact information, and testimonials from satisfied customers. Don't let appliance issues disrupt your business operations – trust CooperFix for all your commercial appliance repair needs.
Conclusion:
By following the tips outlined in this blog post and seeking professional assistance when needed from CooperFix or similar reputable services will help ensure that your commercial appliances operate smoothly and efficiently for years to come. Remember that regular maintenance is key to preventing costly repairs down the line – so don't wait until an issue arises before addressing it proactively! Stay informed, stay prepared with CooperFix by your side!
2024.05.14 19:23 Higgz221 Difference between である and です
I can already tell this might be a simple and silly question but I want to verify before I get too deep with it into my anki.
Im using the practice sentence: これが実験 の結果けである to remember the purpose of である. Is it *just* the informal version of です？ （just a little add-on, if it does just mean informal です, what is the difference between である and がある?)
(((im 95% sure it is, but id like to verify with someone further along than I am. I learnt solely text book ~keigo~ but now that im living here im finding it hard to switch to informal speech with friends so Im really trying.)))
submitted by Higgz221 to LearnJapanese [link] [comments]
Im using the practice sentence: これが実験 の結果けである to remember the purpose of である. Is it *just* the informal version of です？ （just a little add-on, if it does just mean informal です, what is the difference between である and がある?)
(((im 95% sure it is, but id like to verify with someone further along than I am. I learnt solely text book ~keigo~ but now that im living here im finding it hard to switch to informal speech with friends so Im really trying.)))
2024.05.14 19:10 Douglasjm Magic is Programming B2 Chapter 1: Catching Up
Synopsis:
Carlos was an ordinary software engineer on Earth, up until he died and found himself in a fantasy world of dungeons, magic, and adventure. This new world offers many fascinating possibilities, but it's unfortunate that the skills he spent much of his life developing will be useless because they don't have computers.
Wait, why does this spell incantation read like a computer program's source code? Magic is programming?
___
Here we go with book 2!
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Carlos lounged comfortably on one of the mayor's fancy sofas. At 23 years old with a healthy body he really didn't need cushioned upholstery, but he liked how it felt. Honestly, he was probably more comfortable with high quality furniture than someone of his relatively low-income background should be in this world. Spoiled by the mass production factories of modern Earth, I suppose. All of this stuff here is probably handmade. Er, make that definitely handmade. Unless they have magic factories I haven't heard about, or something. He mentally shrugged. There was no point trying to change his attitudes toward furniture now. While this world might have higher prices for a lot of things than he was used to, he was also a lot richer than he was used to thanks to having become a noble lord. People would expect him to treat fine furniture as cheap because of his station.
I might have the physical habits of a couch potato, but at least I don't look like one. Too skinny. Not as skinny as Amber, though. He smiled as he watched the young woman next to him on the sofa continue animatedly expounding on their recent adventures together. She was lanky, with few curves to speak of and spindly limbs, far from any conventional picture of feminine beauty. Her hair, a slightly lighter shade of brown than his own, was cropped short. He thought she was 18 or 19 years old, but wasn't sure. Have I really never asked her age before? ... Would that be a rude question here? Regardless of her age, she had grown her confidence a lot since their first meeting a few weeks ago. She'd found her footing in a new life that she'd seized with utter determination, and he saw no sign of the shyness that she'd first greeted him with. The way her potential was finally blooming was beautiful to watch.
Carlos turned his gaze to the sofa across from them and carefully held back from laughing at the expressions Trinlen was making as Amber wrapped up explaining the events and developments they'd gone through since their introduction to him at the Royal Mage Academy. Carlos had contributed a fair amount to the explanation at first, but Amber had taken to it with enthusiasm when she arrived, and he could tell she was enjoying it. The young man in front of them, newly graduated from said academy, was on the edge of his seat and leaning forward, hanging attentively on every word. His casual attire, plain and made of cheap materials, looked thoroughly out of place on the finely embroidered velvet of the sofa, but he'd shown no sign of even noticing the finery around him. Excitement warred for control of his face with surprise, disbelief, envy, and dismay.
Amber finished her impromptu monologue, and Trinlen slowly schooled his face into a neutral expression. His voice was tense and tightly controlled. "So... In short, you're telling me that in the mere two weeks since you met me, you discovered a mana-poaching conspiracy of nobles, were abducted right under the noses of two royal guards without them even noticing, absorbed mana so fast that you gained 6 levels in a day and a half - so unfair, by the way - somehow learned an obscure portal spell from just its name and description, found evidence of a conspiracy against the Crown, and personally met a princess." He paused, then threw his hands up as he wailed in frustration and disappointment. "And I missed it!?"
Carlos threw back his head and burst out laughing. He couldn't help it. Trinlen just sounded so much like a little kid who'd barely missed out on a candy store giving away its entire stock for free. It was such an incredible light-hearted contrast with how everyone else viewed these same events that the sheer ridiculousness of it was overwhelming. Amber joined the laughter a moment later, shaking her head in amused disbelief, and after a few more seconds Trinlen started chuckling too.
Carlos's laughter eventually trailed off, and he took a deep breath to settle down. "Thanks, Trinlen. It's been a very stressful two weeks, and laughing like that helped release a lot of it. Feels good. Anyway, what have you been up to? I thought you would take a whole month to graduate?"
"Technically I only said 'next month', not that it would be at the same point in the month. But yes, this is earlier than I expected. The normal graduation ceremony is still a week and a half away." Trinlen shrugged. "They didn't explain the reasons, but after what you said I'm guessing your meeting with the princess prompted her to do something. The vice headmaster called me to his office yesterday morning, a few teachers grilled me on my classwork, and they declared I'd passed my exams. Then they told me to pack because I'd be teleported to my new employers the next day, and here I am." He sighed. "Hmph. Now I won't get to humiliate Norla in front of the whole academy when she gives her speech." Then he perked up and grinned widely. "But it sounds like you two are going to be so much fun that I'll get over it in no time!"
"I'm not sure if I agree with your idea of fun, Trinlen, but if it motivates you to help us more then that's good enough for me." Carlos chuckled again. "Anyway, do you need some time to get settled in? You might need to think about lesson plans for us too. We don't need just catalogues of incantations to learn anymore, at least not for simple ones, but I believe you learned other things in the academy too. You mentioned creating your own spells, as I recall."
Trinlen nodded. "I did mention that, yes. I'm guessing your lack of need for a catalogue is because of your newfound ability to somehow pull entire incantations from thin air? You'll have to at least tell me about the limitations of that so I'll know what I still need to teach you, but yeah, there are other things. For one thing, there's your sloppy terminology! Why does no one outside of the academy care about properly distinguishing between the states of mana? Is it really that hard to understand that calling aether, mana, and essence all by the same term obscures your meaning and often causes confusion? Or are people so stupid that they can't even understand the difference?"
Carlos blinked and exchanged a look with Amber. His comprehension aid informed him about the distinction the instant Trinlen spoke the terms. That would have been nice to know earlier. The comprehension aid is a house secret, so we should let him explain. "At least for us, it's just ignorance. I don't think I've even heard the other two terms you mentioned, and certainly no one ever explained them. So, what is the difference?"
Trinlen paused, cocked his head for a moment, and slowly deflated after his impassioned rant. "Yeah, okay, that's fair. I don't think I ever heard about it before going to the academy either." He sat up straight. "Aether is what you've been calling ambient mana. It's thin like air, and it's everywhere. Its only use is converting it to mana or essence. Mana, using the term with proper precision, is thicker but still fluid like water. It exists primarily in people or creatures and is used as fuel to supply power for spells and magical effects. Essence is hard and solid. It is the material that soul structures are made of, as well as the forms of active spells and enchantments. Am I clear so far?"
Amber answered first. "Yes, I'm familiar with each of the forms you described. I have questions about more details - so many questions - but you should get properly settled in, and maybe eat lunch, before we really get down to it. Have you spoken with Mayor Stelras yet? Do you have lodging sorted out?"
"I went by his office first. He's having someone take my luggage to an inn. The Adventurer's Haven, I think? He said something about a 'low-value target' and having an empty suite already booked." Trinlen's eyes widened. "Waaait a minute. Is he putting me in the room you two were abducted from?"
Carlos shrugged. "Sounds like it."
"Nice! Think there'll be any evidence left of how it was done?"
"Haha! Probably not by this point, but you're welcome to look. Now go get unpacked, eat a meal, and start planning your lessons for us. I'm glad you're here, but we have some other things to do too."
Trinlen nodded and stood up. "Sure. I'll be back before you miss me."
Carlos waved as Trinlen sauntered out the door. He and Amber sat in companionable silence for a while as he felt the mana - or essence? - of Trinlen's soul moving off into the distance. "Well. That was interesting. It's good to have him, but I was expecting a bit more time to think and plan before he'd get here."
"Yeah." Amber stretched and then leaned back into the sofa's cushions, luxuriating in their soft firmness. "So, how much are we going to tell him? How useful will his knowledge even be for us, now that we have, what did you call it, the reference documentation? That bit about the states of mana is good to know, but is it really relevant and important, and how much more can there be that's not in the documentation?"
"Be careful talking about that out loud, remember?" Carlos relaxed and draped his arms across the sofa's back as he focused his mind on their mental bond through Purple, their friendly dungeon core. [On Earth, we made many languages similar to the language of incantations, and we had the reference documentation for all of them. We even published that documentation free for everyone to have. Teachers for those languages were still useful, and even critically important for many people. Having access to knowledge doesn't mean you automatically understand how to properly apply it. There may be related knowledge we have no idea even exists. There could be techniques and patterns for how to use the language that are simply outside the scope of the documentation. Perhaps most importantly, a teacher can use their experience to notice a student's mistakes and correct them before they become problems.]
[Hmm.] Amber bit her lip, thinking. [Like how I knew about making soul structures and synergies between them, but had no idea about the importance of being able to examine and fix them, I suppose.]
Carlos nodded. [Yeah. And that's a really simple example. I know some that are a lot more complex, though I'm not sure how many of them are even applicable for incantations. Inversion of control, dependency injection, factory patterns...] He shook his head. [Just the context knowledge needed to be able to fully understand those could take days or weeks to teach well enough for you to use them. I could maybe explain the basic ideas faster with some simplified analogies, but that would lose so many details that I doubt it would still be useful.]
Amber paused. [... Even my comprehension aid is baffled by the terms you just said. It translated the individual words that you said, but all I got for the phrases is a confusing jumble.] She chuckled. [Anyway, I concede the point. Trinlen will still be able to teach us important and useful things. We still need to decide what secrets to share with him.]
[A lot depends on how good he is at keeping secrets. We don't actually know him all that well yet. He's certainly fun, and he seems clever, but for assessing his integrity we're leaning pretty hard on just a janitor vouching for him.] Carlos frowned in thought. [In order for him to do his job, he needs to know that we can only "pull an entire incantation from thin air" if it's a simple one. He does not need to know the full details of help, however, and most certainly does not need to learn to use it himself. That secret is a very sensitive one, where even just letting too much knowledge of it spread would lose us a major advantage.]
[Definitely. No casting help where he can hear it, and don't say anything about it that's not directly relevant for his teaching, either. Not until he's earned our full trust.] Amber lapsed into silent consideration. [We should introduce him to Purple. We'll kind of have to at some point anyway, and the really valuable thing there is Purple himself, not just the knowledge of his existence.]
Carlos nodded. [True. I think that probably is the least sensitive of our house secrets, and being able to call him through a bond with Purple would be useful.] He chuckled. [And maybe his cleverness will end up producing some good ideas for Purple to use. See if he can find a more productive outlet than pranks for his creativity. And then... If he keeps that secret well enough for long enough, we can consider trusting him with more secrets.]
Amber sent back wordless agreement.
Carlos started sitting up, lifting himself out of the comfortable cushions. "Well, we should get some food ourselves, too. And maybe introduce Trinlen to everyone else along with Purple." He stood up and spotted a letter he'd set aside when Trinlen arrived. "Oh yeah, and what do you think we should do about Kindar?"
"Wait, what's this about Kindar?"
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submitted by Douglasjm to HFY [link] [comments]
Carlos was an ordinary software engineer on Earth, up until he died and found himself in a fantasy world of dungeons, magic, and adventure. This new world offers many fascinating possibilities, but it's unfortunate that the skills he spent much of his life developing will be useless because they don't have computers.
Wait, why does this spell incantation read like a computer program's source code? Magic is programming?
___
Here we go with book 2!
<< First < Previous Next > (RR) or Next > (Patreon)
Carlos lounged comfortably on one of the mayor's fancy sofas. At 23 years old with a healthy body he really didn't need cushioned upholstery, but he liked how it felt. Honestly, he was probably more comfortable with high quality furniture than someone of his relatively low-income background should be in this world. Spoiled by the mass production factories of modern Earth, I suppose. All of this stuff here is probably handmade. Er, make that definitely handmade. Unless they have magic factories I haven't heard about, or something. He mentally shrugged. There was no point trying to change his attitudes toward furniture now. While this world might have higher prices for a lot of things than he was used to, he was also a lot richer than he was used to thanks to having become a noble lord. People would expect him to treat fine furniture as cheap because of his station.
I might have the physical habits of a couch potato, but at least I don't look like one. Too skinny. Not as skinny as Amber, though. He smiled as he watched the young woman next to him on the sofa continue animatedly expounding on their recent adventures together. She was lanky, with few curves to speak of and spindly limbs, far from any conventional picture of feminine beauty. Her hair, a slightly lighter shade of brown than his own, was cropped short. He thought she was 18 or 19 years old, but wasn't sure. Have I really never asked her age before? ... Would that be a rude question here? Regardless of her age, she had grown her confidence a lot since their first meeting a few weeks ago. She'd found her footing in a new life that she'd seized with utter determination, and he saw no sign of the shyness that she'd first greeted him with. The way her potential was finally blooming was beautiful to watch.
Carlos turned his gaze to the sofa across from them and carefully held back from laughing at the expressions Trinlen was making as Amber wrapped up explaining the events and developments they'd gone through since their introduction to him at the Royal Mage Academy. Carlos had contributed a fair amount to the explanation at first, but Amber had taken to it with enthusiasm when she arrived, and he could tell she was enjoying it. The young man in front of them, newly graduated from said academy, was on the edge of his seat and leaning forward, hanging attentively on every word. His casual attire, plain and made of cheap materials, looked thoroughly out of place on the finely embroidered velvet of the sofa, but he'd shown no sign of even noticing the finery around him. Excitement warred for control of his face with surprise, disbelief, envy, and dismay.
Amber finished her impromptu monologue, and Trinlen slowly schooled his face into a neutral expression. His voice was tense and tightly controlled. "So... In short, you're telling me that in the mere two weeks since you met me, you discovered a mana-poaching conspiracy of nobles, were abducted right under the noses of two royal guards without them even noticing, absorbed mana so fast that you gained 6 levels in a day and a half - so unfair, by the way - somehow learned an obscure portal spell from just its name and description, found evidence of a conspiracy against the Crown, and personally met a princess." He paused, then threw his hands up as he wailed in frustration and disappointment. "And I missed it!?"
Carlos threw back his head and burst out laughing. He couldn't help it. Trinlen just sounded so much like a little kid who'd barely missed out on a candy store giving away its entire stock for free. It was such an incredible light-hearted contrast with how everyone else viewed these same events that the sheer ridiculousness of it was overwhelming. Amber joined the laughter a moment later, shaking her head in amused disbelief, and after a few more seconds Trinlen started chuckling too.
Carlos's laughter eventually trailed off, and he took a deep breath to settle down. "Thanks, Trinlen. It's been a very stressful two weeks, and laughing like that helped release a lot of it. Feels good. Anyway, what have you been up to? I thought you would take a whole month to graduate?"
"Technically I only said 'next month', not that it would be at the same point in the month. But yes, this is earlier than I expected. The normal graduation ceremony is still a week and a half away." Trinlen shrugged. "They didn't explain the reasons, but after what you said I'm guessing your meeting with the princess prompted her to do something. The vice headmaster called me to his office yesterday morning, a few teachers grilled me on my classwork, and they declared I'd passed my exams. Then they told me to pack because I'd be teleported to my new employers the next day, and here I am." He sighed. "Hmph. Now I won't get to humiliate Norla in front of the whole academy when she gives her speech." Then he perked up and grinned widely. "But it sounds like you two are going to be so much fun that I'll get over it in no time!"
"I'm not sure if I agree with your idea of fun, Trinlen, but if it motivates you to help us more then that's good enough for me." Carlos chuckled again. "Anyway, do you need some time to get settled in? You might need to think about lesson plans for us too. We don't need just catalogues of incantations to learn anymore, at least not for simple ones, but I believe you learned other things in the academy too. You mentioned creating your own spells, as I recall."
Trinlen nodded. "I did mention that, yes. I'm guessing your lack of need for a catalogue is because of your newfound ability to somehow pull entire incantations from thin air? You'll have to at least tell me about the limitations of that so I'll know what I still need to teach you, but yeah, there are other things. For one thing, there's your sloppy terminology! Why does no one outside of the academy care about properly distinguishing between the states of mana? Is it really that hard to understand that calling aether, mana, and essence all by the same term obscures your meaning and often causes confusion? Or are people so stupid that they can't even understand the difference?"
Carlos blinked and exchanged a look with Amber. His comprehension aid informed him about the distinction the instant Trinlen spoke the terms. That would have been nice to know earlier. The comprehension aid is a house secret, so we should let him explain. "At least for us, it's just ignorance. I don't think I've even heard the other two terms you mentioned, and certainly no one ever explained them. So, what is the difference?"
Trinlen paused, cocked his head for a moment, and slowly deflated after his impassioned rant. "Yeah, okay, that's fair. I don't think I ever heard about it before going to the academy either." He sat up straight. "Aether is what you've been calling ambient mana. It's thin like air, and it's everywhere. Its only use is converting it to mana or essence. Mana, using the term with proper precision, is thicker but still fluid like water. It exists primarily in people or creatures and is used as fuel to supply power for spells and magical effects. Essence is hard and solid. It is the material that soul structures are made of, as well as the forms of active spells and enchantments. Am I clear so far?"
Amber answered first. "Yes, I'm familiar with each of the forms you described. I have questions about more details - so many questions - but you should get properly settled in, and maybe eat lunch, before we really get down to it. Have you spoken with Mayor Stelras yet? Do you have lodging sorted out?"
"I went by his office first. He's having someone take my luggage to an inn. The Adventurer's Haven, I think? He said something about a 'low-value target' and having an empty suite already booked." Trinlen's eyes widened. "Waaait a minute. Is he putting me in the room you two were abducted from?"
Carlos shrugged. "Sounds like it."
"Nice! Think there'll be any evidence left of how it was done?"
"Haha! Probably not by this point, but you're welcome to look. Now go get unpacked, eat a meal, and start planning your lessons for us. I'm glad you're here, but we have some other things to do too."
Trinlen nodded and stood up. "Sure. I'll be back before you miss me."
Carlos waved as Trinlen sauntered out the door. He and Amber sat in companionable silence for a while as he felt the mana - or essence? - of Trinlen's soul moving off into the distance. "Well. That was interesting. It's good to have him, but I was expecting a bit more time to think and plan before he'd get here."
"Yeah." Amber stretched and then leaned back into the sofa's cushions, luxuriating in their soft firmness. "So, how much are we going to tell him? How useful will his knowledge even be for us, now that we have, what did you call it, the reference documentation? That bit about the states of mana is good to know, but is it really relevant and important, and how much more can there be that's not in the documentation?"
"Be careful talking about that out loud, remember?" Carlos relaxed and draped his arms across the sofa's back as he focused his mind on their mental bond through Purple, their friendly dungeon core. [On Earth, we made many languages similar to the language of incantations, and we had the reference documentation for all of them. We even published that documentation free for everyone to have. Teachers for those languages were still useful, and even critically important for many people. Having access to knowledge doesn't mean you automatically understand how to properly apply it. There may be related knowledge we have no idea even exists. There could be techniques and patterns for how to use the language that are simply outside the scope of the documentation. Perhaps most importantly, a teacher can use their experience to notice a student's mistakes and correct them before they become problems.]
[Hmm.] Amber bit her lip, thinking. [Like how I knew about making soul structures and synergies between them, but had no idea about the importance of being able to examine and fix them, I suppose.]
Carlos nodded. [Yeah. And that's a really simple example. I know some that are a lot more complex, though I'm not sure how many of them are even applicable for incantations. Inversion of control, dependency injection, factory patterns...] He shook his head. [Just the context knowledge needed to be able to fully understand those could take days or weeks to teach well enough for you to use them. I could maybe explain the basic ideas faster with some simplified analogies, but that would lose so many details that I doubt it would still be useful.]
Amber paused. [... Even my comprehension aid is baffled by the terms you just said. It translated the individual words that you said, but all I got for the phrases is a confusing jumble.] She chuckled. [Anyway, I concede the point. Trinlen will still be able to teach us important and useful things. We still need to decide what secrets to share with him.]
[A lot depends on how good he is at keeping secrets. We don't actually know him all that well yet. He's certainly fun, and he seems clever, but for assessing his integrity we're leaning pretty hard on just a janitor vouching for him.] Carlos frowned in thought. [In order for him to do his job, he needs to know that we can only "pull an entire incantation from thin air" if it's a simple one. He does not need to know the full details of help, however, and most certainly does not need to learn to use it himself. That secret is a very sensitive one, where even just letting too much knowledge of it spread would lose us a major advantage.]
[Definitely. No casting help where he can hear it, and don't say anything about it that's not directly relevant for his teaching, either. Not until he's earned our full trust.] Amber lapsed into silent consideration. [We should introduce him to Purple. We'll kind of have to at some point anyway, and the really valuable thing there is Purple himself, not just the knowledge of his existence.]
Carlos nodded. [True. I think that probably is the least sensitive of our house secrets, and being able to call him through a bond with Purple would be useful.] He chuckled. [And maybe his cleverness will end up producing some good ideas for Purple to use. See if he can find a more productive outlet than pranks for his creativity. And then... If he keeps that secret well enough for long enough, we can consider trusting him with more secrets.]
Amber sent back wordless agreement.
Carlos started sitting up, lifting himself out of the comfortable cushions. "Well, we should get some food ourselves, too. And maybe introduce Trinlen to everyone else along with Purple." He stood up and spotted a letter he'd set aside when Trinlen arrived. "Oh yeah, and what do you think we should do about Kindar?"
"Wait, what's this about Kindar?"
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