Emo glitter text generators
HELP ANYONE??
2024.05.17 12:57 ashplayzgames21 HELP ANYONE??
{'low_cpu_mem_usage': True, 'torch_dtype': torch.float16}
Loading checkpoint shards: 0% 0/3 [00:00 15:57:53-820724 ERROR Failed to load the model.
Traceback (most recent call last):
File "C:\Users\ash76\Downloads\text_generation_webui_main\text_generation_webui_main\installer_files\env\Lib\site-packages\transformers\modeling_utils.py", line 533, in load_state_dict
return torch.load(
^^^^^^^^^^^
File "C:\Users\ash76\Downloads\text_generation_webui_main\text_generation_webui_main\installer_files\env\Lib\site-packages\torch\serialization.py", line 998, in load
with _open_file_like(f, 'rb') as opened_file:
^^^^^^^^^^^^^^^^^^^^^^^^
File "C:\Users\ash76\Downloads\text_generation_webui_main\text_generation_webui_main\installer_files\env\Lib\site-packages\torch\serialization.py", line 445, in _open_file_like
return _open_file(name_or_buffer, mode)
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
File "C:\Users\ash76\Downloads\text_generation_webui_main\text_generation_webui_main\installer_files\env\Lib\site-packages\torch\serialization.py", line 426, in __init__
super().__init__(open(name, mode))
^^^^^^^^^^^^^^^^
FileNotFoundError: [Errno 2] No such file or directory: 'models\\notstoic_pygmalion-13b-4bit-128g\\pytorch_model-00001-of-00003.bin'
During handling of the above exception, another exception occurred:
Traceback (most recent call last):
File "C:\Users\ash76\Downloads\text_generation_webui_main\text_generation_webui_main\modules\ui_model_menu.py", line 249, in load_model_wrapper
shared.model, shared.tokenizer = load_model(selected_model, loader)
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
File "C:\Users\ash76\Downloads\text_generation_webui_main\text_generation_webui_main\modules\models.py", line 94, in load_model
output = load_func_map[loader](model_name)
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
File "C:\Users\ash76\Downloads\text_generation_webui_main\text_generation_webui_main\modules\models.py", line 166, in huggingface_loader
model = LoaderClass.from_pretrained(path_to_model, **params)
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
File "C:\Users\ash76\Downloads\text_generation_webui_main\text_generation_webui_main\installer_files\env\Lib\site-packages\transformers\models\auto\auto_factory.py", line 563, in from_pretrained
return model_class.from_pretrained(
^^^^^^^^^^^^^^^^^^^^^^^^^^^^
File "C:\Users\ash76\Downloads\text_generation_webui_main\text_generation_webui_main\installer_files\env\Lib\site-packages\transformers\modeling_utils.py", line 3677, in from_pretrained
) = cls._load_pretrained_model(
^^^^^^^^^^^^^^^^^^^^^^^^^^^
File "C:\Users\ash76\Downloads\text_generation_webui_main\text_generation_webui_main\installer_files\env\Lib\site-packages\transformers\modeling_utils.py", line 4084, in _load_pretrained_model
state_dict = load_state_dict(shard_file, is_quantized=is_quantized)
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
File "C:\Users\ash76\Downloads\text_generation_webui_main\text_generation_webui_main\installer_files\env\Lib\site-packages\transformers\modeling_utils.py", line 541, in load_state_dict
with open(checkpoint_file) as f:
^^^^^^^^^^^^^^^^^^^^^
FileNotFoundError: [Errno 2] No such file or directory: 'models\\notstoic_pygmalion-13b-4bit-128g\\pytorch_model-00001-of-00003.bin'
submitted by ashplayzgames21 to Oobabooga [link] [comments]
Loading checkpoint shards: 0% 0/3 [00:00 15:57:53-820724 ERROR Failed to load the model.
Traceback (most recent call last):
File "C:\Users\ash76\Downloads\text_generation_webui_main\text_generation_webui_main\installer_files\env\Lib\site-packages\transformers\modeling_utils.py", line 533, in load_state_dict
return torch.load(
^^^^^^^^^^^
File "C:\Users\ash76\Downloads\text_generation_webui_main\text_generation_webui_main\installer_files\env\Lib\site-packages\torch\serialization.py", line 998, in load
with _open_file_like(f, 'rb') as opened_file:
^^^^^^^^^^^^^^^^^^^^^^^^
File "C:\Users\ash76\Downloads\text_generation_webui_main\text_generation_webui_main\installer_files\env\Lib\site-packages\torch\serialization.py", line 445, in _open_file_like
return _open_file(name_or_buffer, mode)
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
File "C:\Users\ash76\Downloads\text_generation_webui_main\text_generation_webui_main\installer_files\env\Lib\site-packages\torch\serialization.py", line 426, in __init__
super().__init__(open(name, mode))
^^^^^^^^^^^^^^^^
FileNotFoundError: [Errno 2] No such file or directory: 'models\\notstoic_pygmalion-13b-4bit-128g\\pytorch_model-00001-of-00003.bin'
During handling of the above exception, another exception occurred:
Traceback (most recent call last):
File "C:\Users\ash76\Downloads\text_generation_webui_main\text_generation_webui_main\modules\ui_model_menu.py", line 249, in load_model_wrapper
shared.model, shared.tokenizer = load_model(selected_model, loader)
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
File "C:\Users\ash76\Downloads\text_generation_webui_main\text_generation_webui_main\modules\models.py", line 94, in load_model
output = load_func_map[loader](model_name)
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
File "C:\Users\ash76\Downloads\text_generation_webui_main\text_generation_webui_main\modules\models.py", line 166, in huggingface_loader
model = LoaderClass.from_pretrained(path_to_model, **params)
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
File "C:\Users\ash76\Downloads\text_generation_webui_main\text_generation_webui_main\installer_files\env\Lib\site-packages\transformers\models\auto\auto_factory.py", line 563, in from_pretrained
return model_class.from_pretrained(
^^^^^^^^^^^^^^^^^^^^^^^^^^^^
File "C:\Users\ash76\Downloads\text_generation_webui_main\text_generation_webui_main\installer_files\env\Lib\site-packages\transformers\modeling_utils.py", line 3677, in from_pretrained
) = cls._load_pretrained_model(
^^^^^^^^^^^^^^^^^^^^^^^^^^^
File "C:\Users\ash76\Downloads\text_generation_webui_main\text_generation_webui_main\installer_files\env\Lib\site-packages\transformers\modeling_utils.py", line 4084, in _load_pretrained_model
state_dict = load_state_dict(shard_file, is_quantized=is_quantized)
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
File "C:\Users\ash76\Downloads\text_generation_webui_main\text_generation_webui_main\installer_files\env\Lib\site-packages\transformers\modeling_utils.py", line 541, in load_state_dict
with open(checkpoint_file) as f:
^^^^^^^^^^^^^^^^^^^^^
FileNotFoundError: [Errno 2] No such file or directory: 'models\\notstoic_pygmalion-13b-4bit-128g\\pytorch_model-00001-of-00003.bin'
2024.05.17 12:47 Snushy_101 Unbounce Pricing: Plans & Costs Analysis
 | Looking to make the most of your marketing efforts? When it comes to Unbounce pricing and finding the right plan for custom landing pages, it can be a game-changer. With options ranging from basic to premium, including alternatives such as free and expensive plans, you can choose what suits your needs and budget. Whether you're a small business starting out or a large enterprise looking for advanced features, there's a wide range of plans with smart builder and design creation for everyone. Unbounce offers a contrast between affordability and functionality, ensuring you get the best value for your investment while building landing pages with insights using a smart builder. Dive into this guide to unravel the pricing tiers and discover which plan aligns with your goals and offers insights for users. submitted by Snushy_101 to Beyond40LeanBelly3x [link] [comments] Useful Links: Key Takeaways
Understanding Unbounce Pricing1. BuildEasily build and launch high-converting landing pages for any campaignThe Build plan is designed for businesses that need a straightforward solution to create and manage landing pages. This plan provides all the essential tools to help you launch successful campaigns with ease.$74 USD / mo$99 Billed annually (save 25%)Key Features:
https://preview.redd.it/y7t38o40vy0d1.png?width=762&format=png&auto=webp&s=d2feafdc4152a6f19bb71e9c7b294c2e0c385ce2 2. ExperimentTest your page content with unlimited multivariate and A/B testingThe Experiment plan builds on the features of the Build plan, adding advanced testing capabilities to help you optimize your landing pages and improve conversion rates.$112 USD / mo$149 Billed annually (save 25%)Everything in Build, plus:
3. OptimizeUse AI optimization to boost post-click conversions by an average of 30%The Optimize plan takes your optimization efforts to the next level with advanced AI-driven features that enhance your landing page performance.$187 USD / mo$249 Billed annually (save 25%)Everything in Experiment, plus:
4. ConciergeMaximize your conversions with dedicated support and room to growThe Concierge plan is designed for large enterprises and businesses that need dedicated support and comprehensive features to manage extensive marketing campaigns.Starting at $649 USD / moCustom pricing that grows with youEverything in Optimize, plus:
Useful Links: Comparing Unbounce PlansFeatures OverviewUnbounce offers three main plans: Essential, Premium, and Enterprise. Essential is suitable for starters with basic features like unlimited landing pages and popups. Premium adds A/B testing and dynamic text replacement, ideal for growing businesses. Enterprise caters to large-scale operations with advanced features like audit logs and single sign-on.Pricing BreakdownThe Essential plan starts at $80 per month when billed annually, while the Premium plan costs $160 per month. For the Enterprise plan, pricing is customized based on specific needs. Each plan comes with a 14-day free trial to test the features before committing.Changing PlansSwitching between plans is seamless within the Unbounce platform. Users can easily upgrade or downgrade their subscription based on evolving business requirements. This flexibility ensures that businesses can scale their marketing efforts effectively without being locked into a specific plan.Self-Hosting OptionsUnbounce allows users to self-host landing pages on their domain or WordPress website. This feature provides greater control over branding and customization, enhancing the overall user experience. By integrating Unbounce with existing websites, businesses can create a cohesive online presence for their audience.Additional Costs to ConsiderExceeding Conversion or Traffic LimitsUnbounce pricing plans offer various features and benefits, but exceeding conversion or traffic limits may result in additional costs. When conversions or traffic limits are surpassed, businesses might need to upgrade their plan to accommodate the increased volume. This can lead to unexpected expenses beyond the standard pricing.Businesses experiencing high conversion rates due to successful marketing campaigns may find themselves facing extra charges if they exceed the predefined limits. Similarly, a sudden surge in website visitors could push them over their traffic limits, prompting the need for a higher-priced plan. In such scenarios, it's crucial for businesses, especially small ones with limited budgets, to carefully monitor their conversion rates and website traffic. By keeping a close eye on these metrics, they can anticipate when they are approaching their limits and take proactive measures to avoid incurring additional costs. Legal Consultation for GDPR ComplianceAnother factor that businesses should consider when evaluating Unbounce pricing is the potential need for legal consultation regarding GDPR compliance. With data protection regulations becoming increasingly stringent, ensuring compliance with laws like GDPR is essential.Businesses dealing with customer data and using tools like Unbounce for lead generation should assess whether they need legal guidance to navigate the complexities of data privacy regulations. Failure to comply with GDPR could result in hefty fines, tarnished reputation, and loss of customer trust. Tips for Choosing the Right PlanConsider HostingWhen deciding on a plan, evaluate whether Unbounce's hosting services are included or if you need to arrange external hosting.Publishing OptionsExplore the different publishing options offered by each plan to ensure they align with your website's requirements and preferences.Potential UpgradesLook into the possibility of upgrading your plan in the future as your business grows to accommodate more features and capabilities.Managing SubscriptionsTo effectively manage your Unbounce subscription, keep track of billing cycles, renewal dates, and any upcoming changes to your selected plan.Making Plan ChangesUnderstand the process of making changes to your plan, such as upgrading from a free plan to a paid one or switching between different paid tiers.Fit for Your NeedsEnsure that the Unbounce plan you choose is a good fit for your specific needs, whether it's building landing pages, tracking campaign performance, or generating leads.Smart Builder FeaturesTake advantage of Unbounce's Smart Builder tools that simplify the page creation process and provide valuable insights for optimizing your campaigns.Final RemarksYou now have a clear understanding of Unbounce pricing in 2024, its worth, plan comparisons, additional costs, and tips for selecting the right plan. Make an informed decision based on your needs and budget. Ensure you weigh the features against the costs to maximize your investment. Remember, the right plan can boost your marketing efforts and conversions significantly.Transform leads into lasting connections đ¤ Begin your Unbounce Free Trial today! đź Frequently Asked QuestionsWhat factors determine Unbounce pricing?Unbounce pricing is based on factors like the plan you choose (Essential, Premium, Enterprise), monthly vs. annual billing, and the number of conversions your business needs. Each plan offers different features tailored to varying business needs.Is Unbounce worth the investment?Yes, investing in Unbounce can be worthwhile for businesses looking to create high-converting landing pages easily. With features like A/B testing, lead generation tools, and responsive templates, Unbounce helps optimize conversion rates and improve marketing campaigns effectively.How do Unbounce plans differ from each other?Unbounce offers three main plans: Essential, Premium, and Enterprise. The Essential plan includes core features like landing pages and popups, while Premium adds more advanced features such as client sub-accounts and AMP pages. The Enterprise plan caters to large-scale businesses with custom solutions.Are there additional costs to consider besides the plan price?In addition to the plan price, users should consider extra costs like overage charges for exceeding monthly visitor limits, custom domains (if not included), third-party integrations fees, and any add-ons or services required for specific functionalities beyond the core features.Any tips for choosing the right Unbounce plan?When selecting an Unbounce plan, consider factors like your budget, business size, marketing goals, need for advanced features like A/B testing or AMP pages, level of customer support required, and scalability options. Assessing these aspects will help you choose the most suitable plan for your business needs.Useful Links: |
2024.05.17 12:31 tommyMoro7 AI that allows for extremely detailed summaries
I am looking for a free artificial intelligence that allows me to create a summary of about 60% of the original text's words, but none of the AIs I have tried (ChatGPT, Claude 3, Haiku, Gemini) are able to follow this request, ending up generating a summary that is too short and lacking in detail. Does anyone know something better?
submitted by tommyMoro7 to ChatGPT [link] [comments]
2024.05.17 12:18 bouncybunny07 In case if you missed Google I/O 2024
Here are the updates, 1.At Google I/O 2024, the tech giant showcased the latest advancements in AI technology, introducing Gemini - a new AI model integrated into their tools for debugging code, gaining insights, and building the next generation of AI applications. 2.Project Astra was also presented, featuring agents that process information faster through continuous encoding of video frames and combining video and speech input into a timeline for efficient recall. 3.Google unveiled Veo, a new generative video model that creates high-quality videos from text, image, and video prompts. 4.The most significant transformation with Gemini was in Google search, which will begin launching the fully revamped experience in the US, bringing AI-organized search results to more countries and categories. 5. Android is being reimagined with AI at its core, with Gemini as a new AI assistant, AI-powered search, and on-device AI for fast experiences while keeping data private. The assistant is also being integrated into education and can answer specific questions about videos and PDFs.
submitted by bouncybunny07 to IndiaTech [link] [comments]
2024.05.17 12:13 Snushy_101 Unbounce Free Trial: Boost Conversions with Winning Landing Pages
| | Did you know that businesses using Unbounce see a 59.9% increase in their conversion rates? With Unbounce's free trial, you can experience this powerful landing page builder firsthand, along with testimonials and optimization tools. Create high-converting landing pages effortlessly, optimize your marketing campaigns with optimization tools for maximum impact, and test testimonials to achieve conversion goals. Say goodbye to guesswork and hello to data-driven decisions with Unbounce's user-friendly platform. Start your free trial today and unlock the potential to skyrocket your conversions like never before. submitted by Snushy_101 to Beyond40LeanBelly3x [link] [comments] Useful Links: Key Takeaways
Unlock Growth with Landing PagesCreate Custom Landing PagesCustom landing pages play a crucial role in converting visitors into customers. With Unbounce's landing page builder, you can effortlessly create custom landing pages tailored to your specific needs. These pages are designed to capture leads effectively.Seamlessly Customize Your Landing PagesTailoring your landing pages to reflect your brand identity is essential for establishing trust and credibility with your audience. With Unbounce, you can seamlessly customize every aspect of your landing page, from colors and fonts to images and messaging, ensuring a cohesive brand experience.https://preview.redd.it/o9lzx66zoy0d1.png?width=909&format=png&auto=webp&s=1c6573ae301d7e484b1ebcc5b47696520e797b38 Witness your conversions soar by 30% đ Experience Unbounce's Free Trial today! đ Optimize Performance with A/B TestingA/B testing allows you to experiment with different elements on your landing pages to determine what resonates best with your audience. By analyzing the results of these tests, you can make data-driven decisions to optimize the performance of your landing pages, ultimately driving higher conversion rates.Optimize Pages QuicklyOptimization ToolsImplement changes to landing pages in real-time for immediate impact. Optimization tools allow for swift adjustments to enhance user experience and boost conversion rates efficiently.Page BuilderAnalyze page performance metrics to identify optimization opportunities. Leveraging a page builder streamlines the process of creating and refining landing pages for optimal results.AI OptimizationUtilize Unbounce's drag-and-drop editor for quick and easy page modifications. The integration of AI optimization features ensures smart suggestions for enhancing page elements effectively.Scale Campaigns EffortlesslyExpand EffortlesslyUnbounce allows you to expand your marketing campaigns effortlessly, reaching a broader audience. By utilizing their platform, you can seamlessly extend your reach across multiple channels.With Unbounce's scalable platform, you can easily accommodate the growing needs of your campaigns. Whether you are targeting new demographics or launching additional products, Unbounce provides the flexibility to adapt and grow. Useful Links: Monitor PerformanceTracking your campaign's performance is crucial for making informed decisions. Unbounce offers tools to monitor metrics such as conversion rates and engagement levels. By analyzing this data, you can identify areas for improvement and optimize your strategies effectively.Tailored SolutionsUnbounce offers a wide range of features to support your conversion goals. From dynamic text replacement to sticky bars, their platform empowers you to create personalized experiences for your audience. Unbounce's pricing plans cater to businesses of all sizes, with various pricing tiers available to suit different needs.
Leverage Smart Features for SuccessDynamic Text ReplacementImplement dynamic text replacement to personalize landing page content for various audiences. Tailoring your message based on different demographics and preferences can significantly enhance engagement and conversion rates. By customizing the content to match the specific needs of each visitor, you can create a more compelling user experience that drives results.Utilize this feature to display relevant information such as location-based services or industry-specific solutions. This level of personalization not only improves user satisfaction but also boosts the overall effectiveness of your campaigns. With dynamic text replacement, you can adapt your messaging in real-time, ensuring that every visitor receives a tailored experience that resonates with them. Sticky Bars and PopupsEnhance your lead generation strategy by implementing sticky bars and popups on your landing pages. These tools are effective in capturing visitor attention and increasing conversions. Use eye-catching visuals and compelling copy to encourage visitors to take action, whether it's signing up for a free trial or subscribing to your newsletter.Sticky bars stay visible at the top or bottom of the page as visitors scroll, making them hard to miss. Popups, on the other hand, grab attention by appearing in the center of the screen, prompting users to engage with your offers. By strategically placing these elements throughout your site, you can effectively drive conversions and grow your customer base. Hear from Successful MarketersReal InsightsCustomers and business owners share their testimonials about how Unbounce has transformed their marketing strategies. By implementing Unbounce's features, they have significantly improved conversion rates and engaged more visitors.Effective StrategiesSuccessful marketers emphasize the importance of testing different headlines, offers, and popup strategies using Unbounce's easy-to-use platform. By continuously experimenting with various elements, they have optimized their campaigns for maximum impact.Impactful Case StudiesReal-life examples illustrate how Unbounce's tools have helped businesses thrive. From personalized email campaigns to enticing discount offers, these case studies demonstrate how Unbounce can drive conversions and boost sales.Final RemarksNow that you've learned how to unlock growth with landing pages, optimize them quickly, scale campaigns effortlessly, leverage smart features for success, and heard from successful marketers, you're equipped to take your marketing efforts to the next level. By utilizing Unbounce's free trial, you can experience firsthand the power of these tools in driving conversions and maximizing your ROI. Don't miss out on this opportunity to revolutionize your marketing strategy!Step into boundless marketing success đ Start your Unbounce Free Trial now! đ Frequently Asked QuestionsWhat is Unbounce's free trial duration?Unbounce offers a 14-day free trial for users to explore its features and functionality before committing to a subscription.How can landing pages help in unlocking growth?Landing pages are designed to drive specific actions from visitors, such as signing up for a trial or making a purchase, leading to increased conversions and business growth.What smart features does Unbounce provide for optimizing pages quickly?Unbounce offers drag-and-drop editing, A/B testing tools, and customizable templates to help users quickly optimize their landing pages for better performance.How does Unbounce assist in effortlessly scaling campaigns?With Unbounce, users can easily duplicate successful landing page templates, integrate with various marketing tools, and analyze data to scale their campaigns efficiently.Useful Links: |
2024.05.17 12:04 Pale_Ability7380 My ex bff
I'm gonna share abt my ex bff. To start off with, we're strangers now.
So basically, we're started becoming friends when I went to secondary school. Since we both in remove class (for those who fail bm đ) it's a useless class. Pls dont go cuz you'll literally die out of boredom cuz they basically teaching kindergarten syllables. Ehm anyway back to the topic, i initiated to talk to her first since I have literally no friends there and I really need help for this one Chinese hw teacher gave. Since she's good at Chinese, I asked her. Then we slowly became friends. We're unseparatable. But during that period of time, Malaysia had mco so we didn't get to meet each other much. So we'll contact through WhatsApp. Of course. We have online classes but after a period of time, we have to go back to school according to groups. Example, there's group A and B in a class. We'll basically take turns to go to school. Unfortunately, we aren't in the same group.. so we aren't very close at that time anymore. But after awhile, everyone is allowed to go to school with some kind of strict rules like wearing mask all the time, 1m social distancing etc. sometimes she would still text me asking if I'm coming to school since I don't feel motivated going to school if she's not there. At that time, I felt like she still cares for me. But when we have to split class, our friendship isnt the same anymore. We all have new friends and our friendship drifted apart. At first, I tried to built that friendship with her again but it couldn't work and get worser. She doesn't care about me anymore and text dryly to me and said that I was annoying. I was very upset and dissapointed at her. But I would still annoy her through texting anyways. But one thing I don't understand is that she would tell her friends about the whole story and situation we're in and her friend would always look at me (I SERIOUSLY DK WHYY). It's getting so annoying to the fact that one of her friend was showing middle finger to my friend. The stares they gave was so intense that I think I might have done something wrong. I remember that one time when our friendship isnt ruined yet she told me that a lot of friends leave her because they have new friends. But now I get what she meant. She basically kick them out of her life by texting so damn dryly and act uninterested to the friendship.
So I eventually stop initiating to talk to her and just completely ignore her existence (I was emo for a period of time ofc). But I moved on. But one thing I don't understand is why the hell she don't wanna make initiative to talk to me?? Isn't that hard right? Is not like she's mute or deaf. That one time I asked her why she does not want to initiate talking to me first and her answer was absurd. Bro told me that I should be the one initiating instead đđđ. Ridiculous.
Till now we're already form3 (16yrs old) and she still constantly staring at me as well as her friend. That's creepy.. (like I just feel someone staring at me and turns out it's her)
submitted by Pale_Ability7380 to redflagsTA [link] [comments]
So basically, we're started becoming friends when I went to secondary school. Since we both in remove class (for those who fail bm đ) it's a useless class. Pls dont go cuz you'll literally die out of boredom cuz they basically teaching kindergarten syllables. Ehm anyway back to the topic, i initiated to talk to her first since I have literally no friends there and I really need help for this one Chinese hw teacher gave. Since she's good at Chinese, I asked her. Then we slowly became friends. We're unseparatable. But during that period of time, Malaysia had mco so we didn't get to meet each other much. So we'll contact through WhatsApp. Of course. We have online classes but after a period of time, we have to go back to school according to groups. Example, there's group A and B in a class. We'll basically take turns to go to school. Unfortunately, we aren't in the same group.. so we aren't very close at that time anymore. But after awhile, everyone is allowed to go to school with some kind of strict rules like wearing mask all the time, 1m social distancing etc. sometimes she would still text me asking if I'm coming to school since I don't feel motivated going to school if she's not there. At that time, I felt like she still cares for me. But when we have to split class, our friendship isnt the same anymore. We all have new friends and our friendship drifted apart. At first, I tried to built that friendship with her again but it couldn't work and get worser. She doesn't care about me anymore and text dryly to me and said that I was annoying. I was very upset and dissapointed at her. But I would still annoy her through texting anyways. But one thing I don't understand is that she would tell her friends about the whole story and situation we're in and her friend would always look at me (I SERIOUSLY DK WHYY). It's getting so annoying to the fact that one of her friend was showing middle finger to my friend. The stares they gave was so intense that I think I might have done something wrong. I remember that one time when our friendship isnt ruined yet she told me that a lot of friends leave her because they have new friends. But now I get what she meant. She basically kick them out of her life by texting so damn dryly and act uninterested to the friendship.
So I eventually stop initiating to talk to her and just completely ignore her existence (I was emo for a period of time ofc). But I moved on. But one thing I don't understand is why the hell she don't wanna make initiative to talk to me?? Isn't that hard right? Is not like she's mute or deaf. That one time I asked her why she does not want to initiate talking to me first and her answer was absurd. Bro told me that I should be the one initiating instead đđđ. Ridiculous.
Till now we're already form3 (16yrs old) and she still constantly staring at me as well as her friend. That's creepy.. (like I just feel someone staring at me and turns out it's her)
2024.05.17 11:54 mcm8279 [TOS Trivia] SlashFilm: "Sloppy Scripting Put A Massive Plot Hole In Star Trek's 'And The Children Shall Lead' Episode"
SLASHFILM:
"Because Trekkies have a keen eye for details (a polite way of saying "nitpickers"), many have noticed a small error in "And the Children Shall Lead." When the children want to summon Gorgan, they perform a specific invocational chant. Kirk (William Shatner) and Spock (Leonard Nimoy) record the chant and play it back to conjure Gorgan themselves. Partway through the episode â as seen in the script archived on the Orion Press Fanzines website â Kirk requests that Spock "summon up the Gorgan." It won't be until later, however, that Kirk will be told Gorgan's name for the first time.
Prior to the "summon up the Gorgan" moment in the fourth act of the episode, Kirk hadn't been told Gorgan's name, and there was no way he could have learned it. Later, when Kirk finally confronts Gorgan, he asks the apparition's name. One of the kids, Tommy (Craig Huxley), informs Kirk for the first time. "He is Gorgan," Tommy says. "He is our friend â and he is all-powerful." Kirk's use of the name "Gorgan" appears both in the original script and in the final broadcast version of the episode. It was an error that slipped through all the way to production. The Orion Press website posits that the gaffe was the result of an editing error during the scriptwriting phase.
Spotting errors in "Star Trek" is, of course, a robust extracurricular sport commonly played by Trekkies, and is usually done playfully. Indeed, author Phil Farrand assembled several definitive texts of "Star Trek" errors in "The Nitpicker's Guide for Next Generation Trekkers" (1993), "The Nitpicker's Guide for Classic Trekkers" (1994), "The Nitpicker's Guide for Next Generation Trekkers, Volume II" in 1995, and "The Nitpicker's Guide for Deep Space Nine Trekkers" in 1996.
Farrand noted several other conspicuous errors in "And the Children Shall Lead" beyond the mere Gorgan gaffe. For one, Kirk seems to have abandoned a pair of security guards on the planet when the Enterprise left with the children. Oops. In another scene, the children watch archive footage of their parents, and the recording device can be seen in the archive footage. Oops. Later on, Kirk and Spock enter a turbolift, give no voice instructions, yet still arrive at their destination. [...]"
Witney Seibold (SlashFilm)
Link:
https://www.slashfilm.com/1578365/star-trek-and-the-children-shall-lead-kirk-gorgan-plot-hole/
submitted by mcm8279 to trektalk [link] [comments]
"Because Trekkies have a keen eye for details (a polite way of saying "nitpickers"), many have noticed a small error in "And the Children Shall Lead." When the children want to summon Gorgan, they perform a specific invocational chant. Kirk (William Shatner) and Spock (Leonard Nimoy) record the chant and play it back to conjure Gorgan themselves. Partway through the episode â as seen in the script archived on the Orion Press Fanzines website â Kirk requests that Spock "summon up the Gorgan." It won't be until later, however, that Kirk will be told Gorgan's name for the first time.
Prior to the "summon up the Gorgan" moment in the fourth act of the episode, Kirk hadn't been told Gorgan's name, and there was no way he could have learned it. Later, when Kirk finally confronts Gorgan, he asks the apparition's name. One of the kids, Tommy (Craig Huxley), informs Kirk for the first time. "He is Gorgan," Tommy says. "He is our friend â and he is all-powerful." Kirk's use of the name "Gorgan" appears both in the original script and in the final broadcast version of the episode. It was an error that slipped through all the way to production. The Orion Press website posits that the gaffe was the result of an editing error during the scriptwriting phase.
Spotting errors in "Star Trek" is, of course, a robust extracurricular sport commonly played by Trekkies, and is usually done playfully. Indeed, author Phil Farrand assembled several definitive texts of "Star Trek" errors in "The Nitpicker's Guide for Next Generation Trekkers" (1993), "The Nitpicker's Guide for Classic Trekkers" (1994), "The Nitpicker's Guide for Next Generation Trekkers, Volume II" in 1995, and "The Nitpicker's Guide for Deep Space Nine Trekkers" in 1996.
Farrand noted several other conspicuous errors in "And the Children Shall Lead" beyond the mere Gorgan gaffe. For one, Kirk seems to have abandoned a pair of security guards on the planet when the Enterprise left with the children. Oops. In another scene, the children watch archive footage of their parents, and the recording device can be seen in the archive footage. Oops. Later on, Kirk and Spock enter a turbolift, give no voice instructions, yet still arrive at their destination. [...]"
Witney Seibold (SlashFilm)
Link:
https://www.slashfilm.com/1578365/star-trek-and-the-children-shall-lead-kirk-gorgan-plot-hole/
2024.05.17 11:51 ZildjianRemo Error with torchrun and Llama model - unexpected keyword argument 'rope_theta
Hello fellow Redditors ,I'm experiencing an issue with torchrun and the Llama3 8B model, and I'm hoping someone can help me out. When I run my script with torchrun, I get the following error:
Additional context:
submitted by ZildjianRemo to LocalLLaMA [link] [comments]
TypeError: __init__() got an unexpected keyword argument 'rope_theta'The full traceback is:
[rank0]: Traceback (most recent call last): [rank0]: File "example_text_completion.py", line 69, inI've tried updating the Llama library and checking the documentation, but I'm still stuck. Has anyone encountered this error before? Any help would be greatly appreciated![rank0]: fire.Fire(main) [rank0]: File "/scratch/abgarcia/pythonvenv/lib/python3.8/site-packages/fire/core.py", line 143, in Fire [rank0]: component_trace = _Fire(component, args, parsed_flag_args, context, name) [rank0]: File "/scratch/abgarcia/pythonvenv/lib/python3.8/site-packages/fire/core.py", line 477, in _Fire [rank0]: component, remaining_args = _CallAndUpdateTrace( [rank0]: File "/scratch/abgarcia/pythonvenv/lib/python3.8/site-packages/fire/core.py", line 693, in _CallAndUpdateTrace [rank0]: component = fn(*varargs, **kwargs) [rank0]: File "example_text_completion.py", line 32, in main [rank0]: generator = Llama.build( [rank0]: File "/scratch/abgarcia/Meta-Llama-3-8B/llama/llama/generation.py", line 111, in build [rank0]: model_args: ModelArgs = ModelArgs( [rank0]: TypeError: __init__() got an unexpected keyword argument 'rope_theta'
Additional context:
- I'm using torchrun to launch my script
- I've tried setting the RANK environment variable
- I'm using the Llama model with the example_text_completion.py script
2024.05.17 11:45 offthepig Font Generator - Copy & Paste âÂÂð¬ððŠ â¹ðÂÂœðÂÂÂð¸ð Text
submitted by offthepig to u/offthepig [link] [comments]
2024.05.17 11:33 TrelisResearch Fine-tune Multi-modal Video + Text Models
In this latest video, I describe how a (good) multi-modal image+text model can be used to describe and chat with videos.
In brief: 1ď¸âŁ Set up an IDEFICS 2 endpoint 2ď¸âŁ Clip your video into images (~1 second apart) 3ď¸âŁ Send in the images + your text queries to the endpoint.
You can take things further - and improve video performance - by generating synthetic video datasets. Here's how to create a row of data:
1ď¸âŁ Clip a video into images (~1 second apart) 2ď¸âŁ Get description of each image (one at a time) from a multi-modal language model 3ď¸âŁ Feed all image descriptions (in one prompt) into a strong language model and ask it to provide a "video description" BONUS: Additionally feed in the video's captions - for added context.
With this type of dataset in hand, you can fine-tune a multi-modal model for your video applications.
Video linked in the first comment below
submitted by TrelisResearch to u/TrelisResearch [link] [comments]
In brief: 1ď¸âŁ Set up an IDEFICS 2 endpoint 2ď¸âŁ Clip your video into images (~1 second apart) 3ď¸âŁ Send in the images + your text queries to the endpoint.
You can take things further - and improve video performance - by generating synthetic video datasets. Here's how to create a row of data:
1ď¸âŁ Clip a video into images (~1 second apart) 2ď¸âŁ Get description of each image (one at a time) from a multi-modal language model 3ď¸âŁ Feed all image descriptions (in one prompt) into a strong language model and ask it to provide a "video description" BONUS: Additionally feed in the video's captions - for added context.
With this type of dataset in hand, you can fine-tune a multi-modal model for your video applications.
Video linked in the first comment below
2024.05.17 11:28 krunal_bhimani_ Demystifying AI Jargon: NLP vs. LLMs
Ever talked to a smart chatbot or read a natural-sounding machine-written article? These are thanks to AI, specifically Natural Language Processing (NLP) and Large Language Models (LLMs). But what's the difference?
NLP is like a toolkit for understanding human language, breaking down sentences, identifying key words, and grasping emotions. Think of it as the tools a carpenter uses.
LLMs, on the other hand, are the creative writers. Trained on vast amounts of text, they not only understand language but also generate human-like text, translate languages, and create content.
In short, NLP helps AI understand language, while LLMs use that understanding to create new content. Together, they're advancing AI's capabilities with human language.
https://www.seaflux.tech/blogs/llm-vs-nlp-use-case-for-business-solutions
submitted by krunal_bhimani_ to ArtificialInteligence [link] [comments]
NLP is like a toolkit for understanding human language, breaking down sentences, identifying key words, and grasping emotions. Think of it as the tools a carpenter uses.
LLMs, on the other hand, are the creative writers. Trained on vast amounts of text, they not only understand language but also generate human-like text, translate languages, and create content.
In short, NLP helps AI understand language, while LLMs use that understanding to create new content. Together, they're advancing AI's capabilities with human language.
https://www.seaflux.tech/blogs/llm-vs-nlp-use-case-for-business-solutions
2024.05.17 11:27 BridgedAI Exploring the Reddit-OpenAI Partnership: Beyond Data Access
I've been thinking a lot about the recent partnership between Reddit and OpenAI, and I wanted to share a theory about some deeper implications that might not be immediately obvious. This partnership isn't just about providing OpenAI with access to Redditâs data; they have had that for years - it seems to me there is a more mutually beneficial arrangement that could significantly impact both platform:
1. Enhancing User-AI Collaboration: One of the most intriguing aspects is the potential to measure how users utilize AI tools to create posts. By tracking these interactions, OpenAI can gather invaluable data on what makes content engaging and effective. Imagine AI-assisted posts becoming a new standard for quality content on Reddit, as the tools help users craft better, more engaging posts - and OpenAI can follow that content from inception to the very last upvote.
2. Filtering Synthetic Content: Another crucial benefit is the ability to identify and filter out purely synthetic content. With direct integration, Reddit and OpenAI can ensure that training data remains authentic, improving the quality and reliability of AI models. This is a big step towards mitigating the risks of AI bias and ensuring that models are based on genuine human interactions.
3. Pinpointing Hybrid Data: The most exciting part is the ability to pinpoint hybrid dataâwhere AI enhances human creativity. This hybrid data is gold for training models to understand and support creative processes. Itâs not just about generating text but about collaborating with users to produce high-quality content.
submitted by BridgedAI to OpenAI [link] [comments]
1. Enhancing User-AI Collaboration: One of the most intriguing aspects is the potential to measure how users utilize AI tools to create posts. By tracking these interactions, OpenAI can gather invaluable data on what makes content engaging and effective. Imagine AI-assisted posts becoming a new standard for quality content on Reddit, as the tools help users craft better, more engaging posts - and OpenAI can follow that content from inception to the very last upvote.
2. Filtering Synthetic Content: Another crucial benefit is the ability to identify and filter out purely synthetic content. With direct integration, Reddit and OpenAI can ensure that training data remains authentic, improving the quality and reliability of AI models. This is a big step towards mitigating the risks of AI bias and ensuring that models are based on genuine human interactions.
3. Pinpointing Hybrid Data: The most exciting part is the ability to pinpoint hybrid dataâwhere AI enhances human creativity. This hybrid data is gold for training models to understand and support creative processes. Itâs not just about generating text but about collaborating with users to produce high-quality content.
2024.05.17 11:23 TheGreatButz Recommendations for a structured application file / container file format?
I'm unsure about which format I should use for writing to io.Writer and reading with io.Reader. In this case, it's the custom file format for a little text editor but I'm interested in general answers. Options I've considered so far:
submitted by TheGreatButz to golang [link] [comments]
- Sqlite: exceptional reliability and ACID but involves very high overhead
- Gob: fast and integrated but if I ever switch to another language I'm in trouble
- Protobuf: fast and general but I 'd much prefer not having to deal with code generation
- Json: slow and very standard, high file size; could be a problem when file size and complexity increases
2024.05.17 11:02 Apprehensive_Dog5431 Discord Images to OBS/Twitch stream
I've been looking for something like this for a long time and I am astounded and frustrated nobody has made anything like this. I found plenty of people asking for this, but no one actually showed a solution.
I stream with friends on twitch as we are in a discord call, and they will often post pictures in discord, but there was no way for me to easily show the picture on stream without toggling the entire discord window so twitch chat can actually see what we are talking about. What I wanted was some way for it to be automated, at least as much as possible.
Through the use of a custom discord bot, I was able to make something work.
Before I get into how to make this work, let me briefly explain how it works so you can tell if this is something you're willing to do. I will be highlighting all areas you need to fill out. The rest is mostly copy paste.
Discord Bot has reading access to a discord channel of your choice>a code tells the bot to monitor this discord channel for image links and image attachments>Upon detecting a new image, the bot will edit an HTML file somewhere on your computer with the link to the image along with some other things to make it readable for OBS>OBS uses that HTML file as a local browser source.
The only potential issue here that can benefit from some improvements is the source will not properly update unless you hide and then unhide the source. If its already hidden, simply unhiding it will prompt the correct image. (Just be sure the source has "Shutdown source when not visible" enabled, to allow it to update and take less resources while not visible) I simply made this a hotkey to easily toggle the source, however there is a way to create an OBS script that will automatically hide the source after a period of time, and reveal it upon updating, I was unsuccessful in this though.
To get this to work, you will only need to create 2 text files, paste some code, and change 3 lines to match your details so it properly links to the correct channel, bot, files, etc. I will highlight these things so you wont have to go searching.
1. CREATE YOUR DISCORD BOT
-Go to https://discord.com/developers/applications -Hit "New Application" at the top right, accept terms and name it whatever you want. -On the left under Settings/Installation be sure User Install and Guild Install are checked. -Navigate to the "Bot" tab on the left and turn OFF "Public Bot" and turn ON "Message Content Intent" -Head over to the "OAuth2" tab on the left. -Under "OAuth2 URL Generator" You will see a big list of "scopes" All you need is to check "bot" -A new portion will be revealed called "Bot Permissions". For simplicity sake since you can give it "Administrator". If you are concerned about security, you can check off only what would be needed like read messages and maybe read message history. This area you will have to experiment to see what is absolutely needed. -Copy the generated URL and paste it into your browser and select what server you would like to add it to. -Once added it should have all the needed permissions to do its job, but double check roles and default permissions to make sure its not conflicting with anything on your server. -Go back to the "Bot" tab on the left and hit the "Reset Token" button. You will be given a code. (Copy and paste this somewhere for you to refer to later.)
2. PYTHON (DONT PANIC) You barely need to mess with it.
-Head over to https://www.python.org/downloads/ and download the latest version. -When installing, make sure to check the box that says "Add Python X.X to PATH" during the installation process. This ensures that Python is added to your system's PATH environment variable, allowing you to run Python from the command line. (Just stay with me here, its not as bad as it sounds) Otherwise if you don't see this, its fine.
-Open Command Prompt as an administrator.
-Create a new text file and name it "discord_bot.py" (Be sure to change the file extension from .txt to .py) -Right click the file and hit "open with" and select notepad. -Go ahead and paste the following code into the file:
'YOUR BOT TOKEN HERE' 'YOUR CHANNEL ID HERE' -and- 'YOUR TEXT FILE PATH'
-You need to replace these. Refer to your token you saved earlier and paste it in place of YOUR BOT TOKEN HERE. When you replace it, it should still have the (') at each end. Example: TOKEN = 'adnlkn34okln2oinmfdksanf342'
-For the Channel ID, head over to Discord>Settings(cogwheel bottom left)>advanced and turn on Developer Mode. -Head over to the Server where you want OBS to grab from and where you invited the bot. -Right click the text Channel you want OBS to grab pictures from and hit "Copy Channel ID" -Go back to the text file with the code and paste the ID you just copied place of YOUR CHANNEL ID HERE. (again make sure not to delete ' ' in the process.
So far we have the Bot Token and the Channel ID done.
-We need to create another text file. Create one and find a place to save it where you'll remember it. Somewhere like your documents folder will work fine. -Name it whatever you want, but be sure to save it as a .HTML file, rather than a .txt file. (for the sake of the tutorial, lets assume you named it "showimage.html" ) *-*Right click the html file you just made and click properties -Here you can see the file "Location". Go ahead and copy it. -Go back to that discord_bot.py file and replace YOUR TEXT FILE PATH with the address you just copied.
HOWEVER: BE SURE TO ADD EXTRA SLASHES TO THIS. I DONT KNOW WHY BUT ITS NEEDED. Example: TEXT_FILE_PATH = 'C:\\Users\\YOURNAME\\OneDrive\\Desktop'
There. The code is finished so go ahead and save it. Now you need to implement it into OBS
4. OBS BROWSER SOURCE
-Go ahead and open OBS. Go to your desired Scene and create a new Source, and make it a Browser Source. -I made the width and height 600x600, but you can adjust it once we get a picture on screen. -Toggle ON "Local File" and "Shutdown source when not visible" -For the local file, browse your computer for that "showimage.html" file we made earlier and select it.
5. (FINAL) LAUNCH THE BOT
We are almost done. You will have to launch this bot every time you want this image thing to work, so maybe save this last part on a note.
-Type CMD in your start menu on windows. -Right click "Command Prompt" and hit "Run as administrator" -Navigate to where the discord_bot.py file you made was saved. You can do this by typing "cd" followed by the address and hitting enter
Example: cd C:\Users\YOURNAME\OneDrive\Desktop Enter\*
-Then type: python discord_bot.py Enter\*
You should see a few lines of text that say: "Logged in as (whatever your bot name is)"
You're done!
When someone posts a link to an image, or uploads one directly to your desired channel, the bot will create a link for the obs source to refer to, and it should pop up in your scene, assuming its visible. If you still dont see anything, try restarting OBS and or go into the source properties, scroll down, and click the "refresh cache of current page" button at the bottom. Keep in mind the picture will not update unless you force the source to refresh somehow. If you dont want to keep going back to obs to hide/unhide the source to update it, you can set a hotkey to it, create an OBS script, or use a separate program like streamerbot to automate the process to your liking.
This was a huge pain in the ass to do, and I dont want anyone to go through what I did, so I wanted to have it all in a janky guide to get people started. Also I made it so the pictures have a minimum and maximum w/h size so small images arent so darn small, and big ones dont take up so much space. You can adjust this in the .py file, just be sure to close command prompt and start the bot again for the changes to go through.
Please let me know if you guys have any questions or suggestions, and Ill try my best to help/ respond. I hope someone makes use of this and it pops up in search results because I couldnt find anything like this anywhere.
submitted by Apprehensive_Dog5431 to obs [link] [comments]
I stream with friends on twitch as we are in a discord call, and they will often post pictures in discord, but there was no way for me to easily show the picture on stream without toggling the entire discord window so twitch chat can actually see what we are talking about. What I wanted was some way for it to be automated, at least as much as possible.
Through the use of a custom discord bot, I was able to make something work.
Before I get into how to make this work, let me briefly explain how it works so you can tell if this is something you're willing to do. I will be highlighting all areas you need to fill out. The rest is mostly copy paste.
Discord Bot has reading access to a discord channel of your choice>a code tells the bot to monitor this discord channel for image links and image attachments>Upon detecting a new image, the bot will edit an HTML file somewhere on your computer with the link to the image along with some other things to make it readable for OBS>OBS uses that HTML file as a local browser source.
The only potential issue here that can benefit from some improvements is the source will not properly update unless you hide and then unhide the source. If its already hidden, simply unhiding it will prompt the correct image. (Just be sure the source has "Shutdown source when not visible" enabled, to allow it to update and take less resources while not visible) I simply made this a hotkey to easily toggle the source, however there is a way to create an OBS script that will automatically hide the source after a period of time, and reveal it upon updating, I was unsuccessful in this though.
To get this to work, you will only need to create 2 text files, paste some code, and change 3 lines to match your details so it properly links to the correct channel, bot, files, etc. I will highlight these things so you wont have to go searching.
1. CREATE YOUR DISCORD BOT
-Go to https://discord.com/developers/applications -Hit "New Application" at the top right, accept terms and name it whatever you want. -On the left under Settings/Installation be sure User Install and Guild Install are checked. -Navigate to the "Bot" tab on the left and turn OFF "Public Bot" and turn ON "Message Content Intent" -Head over to the "OAuth2" tab on the left. -Under "OAuth2 URL Generator" You will see a big list of "scopes" All you need is to check "bot" -A new portion will be revealed called "Bot Permissions". For simplicity sake since you can give it "Administrator". If you are concerned about security, you can check off only what would be needed like read messages and maybe read message history. This area you will have to experiment to see what is absolutely needed. -Copy the generated URL and paste it into your browser and select what server you would like to add it to. -Once added it should have all the needed permissions to do its job, but double check roles and default permissions to make sure its not conflicting with anything on your server. -Go back to the "Bot" tab on the left and hit the "Reset Token" button. You will be given a code. (Copy and paste this somewhere for you to refer to later.)
2. PYTHON (DONT PANIC) You barely need to mess with it.
-Head over to https://www.python.org/downloads/ and download the latest version. -When installing, make sure to check the box that says "Add Python X.X to PATH" during the installation process. This ensures that Python is added to your system's PATH environment variable, allowing you to run Python from the command line. (Just stay with me here, its not as bad as it sounds) Otherwise if you don't see this, its fine.
-Open Command Prompt as an administrator.
- Enter the following command: pip install discord
- That's about it for python.
-Create a new text file and name it "discord_bot.py" (Be sure to change the file extension from .txt to .py) -Right click the file and hit "open with" and select notepad. -Go ahead and paste the following code into the file:
import discord import os import time import re TOKEN = 'YOUR BOT TOKEN HERE' CHANNEL_ID = 'YOUR CHANNEL ID HERE' TEXT_FILE_PATH = 'YOUR TEXT FILE PATH' # Create an instance of discord.Intents intents = discord.Intents.default() intents.messages = True intents.guilds = True intents.message_content = True # Pass intents to the discord.Client() constructor client = discord.Client(intents=intents) # CSS style to limit image dimensions CSS_STYLE = """ """ .event async def on_ready(): print(f'Logged in as {client.user}') .event async def on_message(message): if == int(CHANNEL_ID): print(f'Message received in correct channel: {message.content}') print(f'Attachments: {message.attachments}') if message.attachments or any(re.findall(r'(http[s]?:\/\/[^\s]+(\.jpg\.png\.jpeg))', message.content)): image_url = message.attachments[0].url if message.attachments else re.findall(r'(http[s]?:\/\/[^\s]+(\.jpg\.png\.jpeg))', message.content)[0][0] try: # Generate HTML content with image URL embedded in an ![]()
tag html_content = f""" Show Image {CSS_STYLE} Include CSS style 
""" # Update the HTML file with the generated HTML content with open(TEXT_FILE_PATH, 'w') as file: file.write(html_content) print(f'HTML file updated with image URL: {image_url}') except Exception as e: print(f'Error updating HTML file: {e}') else: print('No attachments or image links found in the message') client.run(TOKEN)message.channel.id -A few lines into the code you will see three lines that read:'YOUR BOT TOKEN HERE' 'YOUR CHANNEL ID HERE' -and- 'YOUR TEXT FILE PATH'
-You need to replace these. Refer to your token you saved earlier and paste it in place of YOUR BOT TOKEN HERE. When you replace it, it should still have the (') at each end. Example: TOKEN = 'adnlkn34okln2oinmfdksanf342'
-For the Channel ID, head over to Discord>Settings(cogwheel bottom left)>advanced and turn on Developer Mode. -Head over to the Server where you want OBS to grab from and where you invited the bot. -Right click the text Channel you want OBS to grab pictures from and hit "Copy Channel ID" -Go back to the text file with the code and paste the ID you just copied place of YOUR CHANNEL ID HERE. (again make sure not to delete ' ' in the process.
So far we have the Bot Token and the Channel ID done.
-We need to create another text file. Create one and find a place to save it where you'll remember it. Somewhere like your documents folder will work fine. -Name it whatever you want, but be sure to save it as a .HTML file, rather than a .txt file. (for the sake of the tutorial, lets assume you named it "showimage.html" ) *-*Right click the html file you just made and click properties -Here you can see the file "Location". Go ahead and copy it. -Go back to that discord_bot.py file and replace YOUR TEXT FILE PATH with the address you just copied.
HOWEVER: BE SURE TO ADD EXTRA SLASHES TO THIS. I DONT KNOW WHY BUT ITS NEEDED. Example: TEXT_FILE_PATH = 'C:\\Users\\YOURNAME\\OneDrive\\Desktop'
There. The code is finished so go ahead and save it. Now you need to implement it into OBS
4. OBS BROWSER SOURCE
-Go ahead and open OBS. Go to your desired Scene and create a new Source, and make it a Browser Source. -I made the width and height 600x600, but you can adjust it once we get a picture on screen. -Toggle ON "Local File" and "Shutdown source when not visible" -For the local file, browse your computer for that "showimage.html" file we made earlier and select it.
5. (FINAL) LAUNCH THE BOT
We are almost done. You will have to launch this bot every time you want this image thing to work, so maybe save this last part on a note.
-Type CMD in your start menu on windows. -Right click "Command Prompt" and hit "Run as administrator" -Navigate to where the discord_bot.py file you made was saved. You can do this by typing "cd" followed by the address and hitting enter
Example: cd C:\Users\YOURNAME\OneDrive\Desktop Enter\*
-Then type: python discord_bot.py Enter\*
You should see a few lines of text that say: "Logged in as (whatever your bot name is)"
You're done!
When someone posts a link to an image, or uploads one directly to your desired channel, the bot will create a link for the obs source to refer to, and it should pop up in your scene, assuming its visible. If you still dont see anything, try restarting OBS and or go into the source properties, scroll down, and click the "refresh cache of current page" button at the bottom. Keep in mind the picture will not update unless you force the source to refresh somehow. If you dont want to keep going back to obs to hide/unhide the source to update it, you can set a hotkey to it, create an OBS script, or use a separate program like streamerbot to automate the process to your liking.
This was a huge pain in the ass to do, and I dont want anyone to go through what I did, so I wanted to have it all in a janky guide to get people started. Also I made it so the pictures have a minimum and maximum w/h size so small images arent so darn small, and big ones dont take up so much space. You can adjust this in the .py file, just be sure to close command prompt and start the bot again for the changes to go through.
Please let me know if you guys have any questions or suggestions, and Ill try my best to help/ respond. I hope someone makes use of this and it pops up in search results because I couldnt find anything like this anywhere.
2024.05.17 10:43 AutoModerator ChatGPT vs Gemini: Which AI Will Power iOS 18?
With the release of iOS 18 just around the corner, there's been a lot of speculation about whether Apple will finally integrate a powerful AI assistant into its mobile operating system. While Siri has been the default assistant for years, it's often criticized for its limited capabilities compared to competitors like Google Assistant and Alexa.
Recent reports suggest that Apple is in talks with both OpenAI and Google to bring either ChatGPT or Gemini to iOS 18. Both AI models have their own strengths and weaknesses, so it's hard to say which one would be a better fit for Apple's ecosystem.
ChatGPT is known for its ability to generate creative text formats, like poems, code, scripts, musical pieces, email, letters, etc., and answer your questions in an informative way. It's also still under development, so it has the potential to learn and improve over time.
Gemini is Google's own AI model, and it's already been used to power some of Google's own products, like Search and Assistant. Gemini is known for its ability to provide factual and objective information, and it's also very good at understanding natural language.
So, which AI will Apple choose? It's possible that Apple could integrate both ChatGPT and Gemini into iOS 18, using each one for different tasks. For example, ChatGPT could be used for more creative tasks, while Gemini could be used for more factual tasks.
Ultimately, the decision of which AI to use is up to Apple. But one thing is for sure: the integration of a powerful AI assistant would be a major game-changer for iOS 18. It would make iPhones even more intelligent and versatile, and it would give Apple a major competitive edge against its rivals.
What do you think? Which AI do you think Apple should use for iOS 18?
submitted by AutoModerator to 1hub_ai [link] [comments]
Recent reports suggest that Apple is in talks with both OpenAI and Google to bring either ChatGPT or Gemini to iOS 18. Both AI models have their own strengths and weaknesses, so it's hard to say which one would be a better fit for Apple's ecosystem.
ChatGPT is known for its ability to generate creative text formats, like poems, code, scripts, musical pieces, email, letters, etc., and answer your questions in an informative way. It's also still under development, so it has the potential to learn and improve over time.
Gemini is Google's own AI model, and it's already been used to power some of Google's own products, like Search and Assistant. Gemini is known for its ability to provide factual and objective information, and it's also very good at understanding natural language.
So, which AI will Apple choose? It's possible that Apple could integrate both ChatGPT and Gemini into iOS 18, using each one for different tasks. For example, ChatGPT could be used for more creative tasks, while Gemini could be used for more factual tasks.
Ultimately, the decision of which AI to use is up to Apple. But one thing is for sure: the integration of a powerful AI assistant would be a major game-changer for iOS 18. It would make iPhones even more intelligent and versatile, and it would give Apple a major competitive edge against its rivals.
What do you think? Which AI do you think Apple should use for iOS 18?
2024.05.17 10:32 Thelostmind912 A Quick guide to Copywriting with examples
This has really helped me, I hope it helps you too. Do let me know what you think.
Summary with Examples from "A Self-Help Guide for Copywriters" by Dan Nelken
Main Idea: The book is a comprehensive resource designed to help copywriters enhance their skills in creating compelling headlines and developing creative confidence. It provides practical advice and techniques for improving the writing process, generating ideas, and crafting effective headlines.
Essential Points:
I've attached the pdf too in case you want to access the entire book
https://breadl.org/d/419333
submitted by Thelostmind912 to copywriting [link] [comments]
Summary with Examples from "A Self-Help Guide for Copywriters" by Dan Nelken
Main Idea: The book is a comprehensive resource designed to help copywriters enhance their skills in creating compelling headlines and developing creative confidence. It provides practical advice and techniques for improving the writing process, generating ideas, and crafting effective headlines.
Essential Points:
- Creative Process:
- Think First, Write Second: Emphasizes the importance of planning and brainstorming before writing.
- Example: Nelken suggests taking time to map out ideas and concepts before putting pen to paper, ensuring a clear direction and stronger end result.
- Create and Fill Buckets: Encourages organizing ideas into different categories or "buckets" and consistently adding new ideas to these buckets.
- Example: Use a "bucket" for potential headline themes, like humor or urgency, and continually add relevant ideas as they come.
- Rinse and Repeat: Stresses the importance of continually refining and iterating on ideas.
- Example: Nelken advises revisiting and revising drafts multiple times to polish and enhance the content.
- Look for Relatable Truths: Suggests finding universal truths that resonate with the audience.
- Example: A headline like "We all dread Monday mornings" taps into a common experience, making it relatable.
- Benefit of a Benefit: Focuses on understanding and highlighting the deeper benefits of a product or service.
- Example: Instead of just saying "Our product saves time," explain the deeper benefit: "More time to spend with family."
- Asking Unique Questions: Advises asking unconventional questions to spark creativity.
- Example: "What if our product could talk? What stories would it tell?" helps generate creative, engaging content.
- Think First, Write Second: Emphasizes the importance of planning and brainstorming before writing.
- Bad Ideas as Fertilizer: Views bad ideas as a necessary step towards generating good ones.
- Example: Nelken notes that even seemingly poor ideas can lead to breakthroughs when re-examined and reworked.
- Headline Techniques:
- Sack the Competition: Creating headlines that stand out from competitors.
- Example: Instead of a generic "Best Coffee in Town," use "Why Our Coffee Beats the Rest Every Morning."
- Embrace Your Dirt: Being honest and transparent to build trust with the audience.
- Example: "Our coffee isn't for everyoneâjust those who love bold, rich flavors."
- Less is More: Using concise language to make headlines impactful.
- Example: "Fast, Fresh, Delivered" conveys a strong message with minimal words.
- More is More: Sometimes, being elaborate can be more effective.
- Example: "Discover the Complex Flavors and Aromas of Our Single-Origin Coffee, Roasted to Perfection."
- Current Events: Leveraging current events to make headlines relevant and timely.
- Example: "Start Your Day Right with Our Limited Edition Winter Spice Latte."
- Twisted Visuals and Straight Lines: Combining creative visuals with straightforward text.
- Example: A visual of a coffee cup tipping over with the headline, "Don't Let Mondays Spill OverâGet Energized with Us."
- Manipulate Language: Playing with letters, words, or punctuation for effect.
- Example: "Get a 'Latte' Love in Every Cup."
- Product Inspiration: Drawing inspiration directly from the product.
- Example: "Brewed to Perfection, Just for You."
- 180-Degree Thinking: Approaching ideas from completely opposite perspectives.
- Example: Instead of "The Best Coffee," try "Why Bad Coffee is Ruining Your DayâSwitch to the Best."
- Specificity: Being specific to increase the clarity and impact of headlines.
- Example: "Experience the Rich Flavor of Ethiopian Sidamo Coffee."
- Saving the Punch for the End: Building up to a strong ending in headlines.
- Example: "Wake Up to the Best Part of Your DayâOur Coffee."
- Sack the Competition: Creating headlines that stand out from competitors.
- Types of Headlines:
- List and Twist: Combining lists with unexpected elements.
- Example: "5 Reasons Our Coffee is Betterâand 1 Shocking Fact."
- Smile Headlines: Creating headlines that evoke a positive emotional response.
- Example: "Start Your Day with a Smile and a Perfect Cup of Coffee."
- Misdirect: Using misdirection to surprise and engage the reader.
- Example: "This Isn't Just CoffeeâIt's an Experience."
- Cliffhanger: Crafting headlines that leave the reader wanting more.
- Example: "Discover the Secret Ingredient in Our Best-Selling Blend..."
- Twisting Popular Phrases: Modifying well-known phrases or quotes.
- Example: "Wake Up and Smell the CoffeeâLiterally."
- Personification: Giving human traits to inanimate objects in headlines.
- Example: "Our Coffee Misses YouâCome Back Soon!"
- No-Headline Headline: Creating impactful content without a traditional headline.
- Example: A visual of a steaming cup of coffee with minimal text.
- Exaggerate the Benefit: Amplifying the benefits to make them more appealing.
- Example: "One Sip of Our Coffee Will Change Your Morning Routine Forever."
- List and Twist: Combining lists with unexpected elements.
Authorâs Intent and Tone:
Dan Nelken aims to empower copywriters by providing them with actionable strategies and techniques to improve their craft. His tone is supportive and encouraging, seeking to instill confidence and creativity in his readers.I've attached the pdf too in case you want to access the entire book
https://breadl.org/d/419333
2024.05.17 10:04 Ekocare On the Origin of the Buddhist ArthakathĂĄs (R. C. Childers, L. C. Vijasinha)
On the Origin of the Buddhist ArthakathĂĄs Cambridge University Press (1871)
It must be admitted that the point raised by Mr. Childers is one of grave importance as affecting the credibility of Buddhaghosa and the authenticity of all the commentaries on the Tipitaka. From a missionary point of view, the astounding statement that a commentary on Buddha's discourses existed during his lifetime, and was rehearsed along with those discourses at the First Great Council, appears so improbable and unnatural as at once to justify one in discrediting the testimony; and I doubt not that missionary orientalists will hail the discovery as a valuable addition to their stock of arguments against the genuineness and authenticity of the Buddhist Scriptures.
Indeed I found it difficult at first to obtain the opinions of some of my learned friends of the Buddhist priesthood on this point, as they seemed to regard it as another thunderbolt intended to be levelled against their religion by some enthusiastic missionary ; and it was only after explaining to them the object of the inquiry, and the literary character of the gentleman who started the apparent difficulty, that I could induce them to look the question fairly in the face.
I am glad to say that most of my clerical Buddhist friends with whom I have consulted on this subject agree with me on the necessity of giving a wider and more extended signification than is generally allowed to the word AtthakathĂĄ as applied by Buddhaghosa in the passage cited. The word, as is well known, is compounded of two terms, attha, " meaning, " and katha , " a statement, explanation, or narrative," the dental t being changed to the cerebral by a latitude in the rules of permutation.1 The literal meaning of the compound term would thus amount to simply " an ex- planation of meaning. " Taking this wider sense of the word as a basis for the solution of the problem, I think the statement of Buddhaghosa in his preface to the commentary on the DĂgha NikĂĄya is not so hopelessly irreconcilable with probable and presumable facts as would at first sight appear.
On a careful perusal of the two accounts given by Buddhaghosa of the proceedings of the three famous Councils in the SumaĹgala VilĂĄsinĂ and the Samanta PĂĄsĂĄdikĂĄ, this view will, I think, be found to be very reasonable. It must be admitted that no actual commentary, in the sense that the westerns attach to that term, and like that which has been handed down to us by Buddhaghosa, existed either in the lifetime of Buddha or immediately after his death. The reasons adduced by Mr. Childers, apart from others that can easily be added, against such a supposition, are overwhelmingly convincing. But if we suppose that by the word AtthakathĂĄ in his preface Buddhaghosa only meant to convey the idea that at the various Councils held for the purpose of collocating the discourses and sayings of Buddha, the meanings to be attached to different terms were discussed and properly defined, then the difficulty of conceiving the contemporaneous existence pf the commentaries and the Pitakas would be entirely removed.
This view of the subject will appear still further borne out if we briefly glance over the history of the First Convocation, as narrated by Buddhaghosa himself. The first proposal to hold an assembly of priests for the purpose of collocating Buddha's discourses was made by MahĂĄ Kassapa, the chief of the seven hundred thousand priests who assembled at KusinĂĄra to celebrate the obsequies of the departed saint. Seven days had hardly elapsed after that mournful occurrence, when signs of discontent at monastic restraint manifested themselves, and a disaffected disciple of Buddha named Subhadda openly proclaimed that now their master was no more the ties of discipline should be relaxed, if not broken. The words of consolation offered by this old monk to his brethren in distress are certainly remarkable, as it would be difficult to say whether they betoken more the callousness of his feelings or the depravity of his heart: " Brethren, enough of this sorrow, weep not, lament not. We are well rid of that Arch-priest, having been in constant dread of his declarations, This befits you, this befits you not. Now, there- fore, what we desire we shall do; what we do not desire that shall we not do." To a sagacious mind like that of MahĂĄ Kassapa it was not difficult to perceive what language like this foreshadowed, and he instantly formed the resolve to congregate the priesthood, and to collect and arrange the laws and doctrines proclaimed by his Master. Hardly two months had elapsed before this active mind brought about what it had contemplated, and the result was the Council of the Five Hundred, convoked at KĂĄjagaha, under the auspices of King AjĂĄtasattu, for the purpose of collecting and arrang- ing the doctrines and discourses of Buddha.
The proceedings of this Council appear to have been con- ducted in a very orderly and systematic manner, which is the more surprising when we consider that monastic autocracy was about to give place to a form of church government prescribed by the great Founder himself, but which was now to be established and tested for the first time. MahĂĄ Kassapa, whom Buddha indirectly indicated as his equal in point of superhuman mental acquirements, assumed the office of Moderator, and by the unanimous consent of the synod UpĂĄli was elected as the best qualified of their order to repeat the Yinaya, and Änanda the Dhamma ; the Council having previously decided that the Yinaya was the most material for the permanence of Buddhism.
Now it is important to observe that the catechetical form was used in the collocation of both the Laws and Doctrines. "Afterwards MahĂĄ Kassapa, having seated himself in the presidential chair, questioned the venerable UpĂĄli respecting the Yinaya in this wise. Brother UpĂĄli, where was the first PĂĄrĂĄjika promulgated? My lord, at VesĂĄli. On whose account? On account of Sudinna, the son of Kalanda. With regard to what offence? To fornication. Then did the venerable MahĂĄ Kassapa question the venerable UpĂĄli on the offence, the cause, the offender, the primary law, the secondary law, the transgression and the non-transgression, relating to the first law enacted against mortal sin. And the venerable UpĂĄli explained as he was questioned." Such was also the method employed in the synod in the collocation of the Dhamma : - " Brother Ananda, where was the BrahmajĂĄla delivered ? My lord, between RĂĄjagaha and NĂĄlanda," and so on. Though it is subsequently added that " at the conclusion of the questions and answers the five hundred Arhats repeated the texts together in the order in which they had been collocated,"- it is difficult to believe that all' the five hundred rehearsed the long narratives prefixed to some of Buddha's discourses in the same words and style that they are now clothed in. Buddhaghosa's account of the synod is gathered from tradition, which was very probably embodied in the Simhalese atthakathĂĄs, and there can be little doubt that the main facts are correct ; but that he drew largely from tradition, written and oral, and possibly in some instances from imagination, will I think appear clear to any careful reader of the commentaries. Witness for instance his relation of Ananda's mysterious entrance into the assembly : pathaviyam nimujjitvĂĄ ottano ĂĄrnne y em attĂĄnam dassesi , ĂĄkĂĄsena gantvĂĄ nisĂŻdĂŽti pi eke , " He plunged into the earth and showed himself in his seat, and also some say he went through the air and sat down." He does not say which version is correct, but is quite satisfied with both accounts, and is evidently quite willing to let his readers choose whichever they like.
Buddhaghosa throughout all his writings appears to have set one great object prominently in view, namely to inspire reverence for what he considered as supreme authority. When he came to Ceylon for the purpose of translating the Simhalese commentaries, he found a great many extant at that time, and out of these commentaries, embracing no doubt various shades of opinion, and representing different schools of thought, he had to expunge, abridge, enlarge, and make a new commentary. Now how could he do all this, and at the same time preserve undiminished among future generations the same reverence and authority in which the older commentaries were held by the Buddhists of that age? The thought struck him, as no doubt it would strike any careful reader of the Buddhist Scriptures, that a large portion of the writings contained in that canon appear to be explanations and definitions of terms used by Buddha, and also that a great many discourses said to have been delivered by Buddha to certain individuals have not been recorded.
Now what more easy to conceive, or what more probable, than that they formed the nucleus of matter for the formation of a commentary, and that at the First General Council, which lasted seven months, the elders, who had all seen and heard Buddha, should have dis- cussed them, and decided on the method of interpreting and teaching the more recondite portions of Buddhist philosophy ? and what therefore if he should say in somewhat exaggerated language, " the commentary on the Digha NikĂĄya was at the beginning discussed (or composed, or merged into the body of the Scriptures) by five hundred holy elders" ? - for the original words may admit of such a construction. If or will this opinion appear merely hypothetical if we carefully peruse the account given by Buddhaghosa of the commentaries in his Samanta PĂĄsĂĄdikĂĄ. In his metrical introduction to that work, after the usual doxology, he explains the necessity of having a proper Pali Commentary on the Vinaya, and then proceeds to set forth what he is about to do : -
"In commencing this commentary, I shall, having embodied therein the MahĂĄ AtthakathĂĄ, without excluding any proper meaning from the decisions contained in the MahĂĄ PaccarĂ, as also in the famous Kurundi and other com- mentaries, and including the opinions of the Elders, - perform my task well. Let the young, the middle-aged, and the elderly priests, who entertain a proper regard for the doctrines of the TathĂĄgata, the luminary of truth, listen to my words with pleasure. The Dhamma, as well as the Yinaya, was declared by Buddha, his (sacerdotal) sons understood it in the same sense as it was delivered ; and inasmuch as in former times they (the Simhalese commentators) composed the com- mentaries without disregarding their (the sacerdotal sons') opinions, therefore, barring any erro* of transcription, every- thing contained therein is an authority to the learned in this priesthood who respect ecclesiastical discipline. From these (Simhalese) commentaries, after casting off the language, condensing detailed accounts, including authoritative deci- sions, and without overstepping any PĂ li idiom (I shall pro- ceed to compose). And as this commentary will moreover be explanatory of the meaning of words belonging. to the Suttas in conformity with the sense attached to them therein, therefore ought it the more diligently to be studied."
....continued...
On the Origin of the Buddhist ArthakathĂĄs Cambridge University Press (1871)
submitted by Ekocare to TheravadaBuddhism [link] [comments]
"âthe commentary, I say, upon this Scripture wasL. Comrilla Vijasinha, Government Interpreter to the Ratnapura Court Ceylon:
at the first Council rehearsed by five hundred holy elders
and in later times rehearsed again and yet again."
It must be admitted that the point raised by Mr. Childers is one of grave importance as affecting the credibility of Buddhaghosa and the authenticity of all the commentaries on the Tipitaka. From a missionary point of view, the astounding statement that a commentary on Buddha's discourses existed during his lifetime, and was rehearsed along with those discourses at the First Great Council, appears so improbable and unnatural as at once to justify one in discrediting the testimony; and I doubt not that missionary orientalists will hail the discovery as a valuable addition to their stock of arguments against the genuineness and authenticity of the Buddhist Scriptures.
Indeed I found it difficult at first to obtain the opinions of some of my learned friends of the Buddhist priesthood on this point, as they seemed to regard it as another thunderbolt intended to be levelled against their religion by some enthusiastic missionary ; and it was only after explaining to them the object of the inquiry, and the literary character of the gentleman who started the apparent difficulty, that I could induce them to look the question fairly in the face.
I am glad to say that most of my clerical Buddhist friends with whom I have consulted on this subject agree with me on the necessity of giving a wider and more extended signification than is generally allowed to the word AtthakathĂĄ as applied by Buddhaghosa in the passage cited. The word, as is well known, is compounded of two terms, attha, " meaning, " and katha , " a statement, explanation, or narrative," the dental t being changed to the cerebral by a latitude in the rules of permutation.1 The literal meaning of the compound term would thus amount to simply " an ex- planation of meaning. " Taking this wider sense of the word as a basis for the solution of the problem, I think the statement of Buddhaghosa in his preface to the commentary on the DĂgha NikĂĄya is not so hopelessly irreconcilable with probable and presumable facts as would at first sight appear.
On a careful perusal of the two accounts given by Buddhaghosa of the proceedings of the three famous Councils in the SumaĹgala VilĂĄsinĂ and the Samanta PĂĄsĂĄdikĂĄ, this view will, I think, be found to be very reasonable. It must be admitted that no actual commentary, in the sense that the westerns attach to that term, and like that which has been handed down to us by Buddhaghosa, existed either in the lifetime of Buddha or immediately after his death. The reasons adduced by Mr. Childers, apart from others that can easily be added, against such a supposition, are overwhelmingly convincing. But if we suppose that by the word AtthakathĂĄ in his preface Buddhaghosa only meant to convey the idea that at the various Councils held for the purpose of collocating the discourses and sayings of Buddha, the meanings to be attached to different terms were discussed and properly defined, then the difficulty of conceiving the contemporaneous existence pf the commentaries and the Pitakas would be entirely removed.
This view of the subject will appear still further borne out if we briefly glance over the history of the First Convocation, as narrated by Buddhaghosa himself. The first proposal to hold an assembly of priests for the purpose of collocating Buddha's discourses was made by MahĂĄ Kassapa, the chief of the seven hundred thousand priests who assembled at KusinĂĄra to celebrate the obsequies of the departed saint. Seven days had hardly elapsed after that mournful occurrence, when signs of discontent at monastic restraint manifested themselves, and a disaffected disciple of Buddha named Subhadda openly proclaimed that now their master was no more the ties of discipline should be relaxed, if not broken. The words of consolation offered by this old monk to his brethren in distress are certainly remarkable, as it would be difficult to say whether they betoken more the callousness of his feelings or the depravity of his heart: " Brethren, enough of this sorrow, weep not, lament not. We are well rid of that Arch-priest, having been in constant dread of his declarations, This befits you, this befits you not. Now, there- fore, what we desire we shall do; what we do not desire that shall we not do." To a sagacious mind like that of MahĂĄ Kassapa it was not difficult to perceive what language like this foreshadowed, and he instantly formed the resolve to congregate the priesthood, and to collect and arrange the laws and doctrines proclaimed by his Master. Hardly two months had elapsed before this active mind brought about what it had contemplated, and the result was the Council of the Five Hundred, convoked at KĂĄjagaha, under the auspices of King AjĂĄtasattu, for the purpose of collecting and arrang- ing the doctrines and discourses of Buddha.
The proceedings of this Council appear to have been con- ducted in a very orderly and systematic manner, which is the more surprising when we consider that monastic autocracy was about to give place to a form of church government prescribed by the great Founder himself, but which was now to be established and tested for the first time. MahĂĄ Kassapa, whom Buddha indirectly indicated as his equal in point of superhuman mental acquirements, assumed the office of Moderator, and by the unanimous consent of the synod UpĂĄli was elected as the best qualified of their order to repeat the Yinaya, and Änanda the Dhamma ; the Council having previously decided that the Yinaya was the most material for the permanence of Buddhism.
Now it is important to observe that the catechetical form was used in the collocation of both the Laws and Doctrines. "Afterwards MahĂĄ Kassapa, having seated himself in the presidential chair, questioned the venerable UpĂĄli respecting the Yinaya in this wise. Brother UpĂĄli, where was the first PĂĄrĂĄjika promulgated? My lord, at VesĂĄli. On whose account? On account of Sudinna, the son of Kalanda. With regard to what offence? To fornication. Then did the venerable MahĂĄ Kassapa question the venerable UpĂĄli on the offence, the cause, the offender, the primary law, the secondary law, the transgression and the non-transgression, relating to the first law enacted against mortal sin. And the venerable UpĂĄli explained as he was questioned." Such was also the method employed in the synod in the collocation of the Dhamma : - " Brother Ananda, where was the BrahmajĂĄla delivered ? My lord, between RĂĄjagaha and NĂĄlanda," and so on. Though it is subsequently added that " at the conclusion of the questions and answers the five hundred Arhats repeated the texts together in the order in which they had been collocated,"- it is difficult to believe that all' the five hundred rehearsed the long narratives prefixed to some of Buddha's discourses in the same words and style that they are now clothed in. Buddhaghosa's account of the synod is gathered from tradition, which was very probably embodied in the Simhalese atthakathĂĄs, and there can be little doubt that the main facts are correct ; but that he drew largely from tradition, written and oral, and possibly in some instances from imagination, will I think appear clear to any careful reader of the commentaries. Witness for instance his relation of Ananda's mysterious entrance into the assembly : pathaviyam nimujjitvĂĄ ottano ĂĄrnne y em attĂĄnam dassesi , ĂĄkĂĄsena gantvĂĄ nisĂŻdĂŽti pi eke , " He plunged into the earth and showed himself in his seat, and also some say he went through the air and sat down." He does not say which version is correct, but is quite satisfied with both accounts, and is evidently quite willing to let his readers choose whichever they like.
Buddhaghosa throughout all his writings appears to have set one great object prominently in view, namely to inspire reverence for what he considered as supreme authority. When he came to Ceylon for the purpose of translating the Simhalese commentaries, he found a great many extant at that time, and out of these commentaries, embracing no doubt various shades of opinion, and representing different schools of thought, he had to expunge, abridge, enlarge, and make a new commentary. Now how could he do all this, and at the same time preserve undiminished among future generations the same reverence and authority in which the older commentaries were held by the Buddhists of that age? The thought struck him, as no doubt it would strike any careful reader of the Buddhist Scriptures, that a large portion of the writings contained in that canon appear to be explanations and definitions of terms used by Buddha, and also that a great many discourses said to have been delivered by Buddha to certain individuals have not been recorded.
Now what more easy to conceive, or what more probable, than that they formed the nucleus of matter for the formation of a commentary, and that at the First General Council, which lasted seven months, the elders, who had all seen and heard Buddha, should have dis- cussed them, and decided on the method of interpreting and teaching the more recondite portions of Buddhist philosophy ? and what therefore if he should say in somewhat exaggerated language, " the commentary on the Digha NikĂĄya was at the beginning discussed (or composed, or merged into the body of the Scriptures) by five hundred holy elders" ? - for the original words may admit of such a construction. If or will this opinion appear merely hypothetical if we carefully peruse the account given by Buddhaghosa of the commentaries in his Samanta PĂĄsĂĄdikĂĄ. In his metrical introduction to that work, after the usual doxology, he explains the necessity of having a proper Pali Commentary on the Vinaya, and then proceeds to set forth what he is about to do : -
"In commencing this commentary, I shall, having embodied therein the MahĂĄ AtthakathĂĄ, without excluding any proper meaning from the decisions contained in the MahĂĄ PaccarĂ, as also in the famous Kurundi and other com- mentaries, and including the opinions of the Elders, - perform my task well. Let the young, the middle-aged, and the elderly priests, who entertain a proper regard for the doctrines of the TathĂĄgata, the luminary of truth, listen to my words with pleasure. The Dhamma, as well as the Yinaya, was declared by Buddha, his (sacerdotal) sons understood it in the same sense as it was delivered ; and inasmuch as in former times they (the Simhalese commentators) composed the com- mentaries without disregarding their (the sacerdotal sons') opinions, therefore, barring any erro* of transcription, every- thing contained therein is an authority to the learned in this priesthood who respect ecclesiastical discipline. From these (Simhalese) commentaries, after casting off the language, condensing detailed accounts, including authoritative deci- sions, and without overstepping any PĂ li idiom (I shall pro- ceed to compose). And as this commentary will moreover be explanatory of the meaning of words belonging. to the Suttas in conformity with the sense attached to them therein, therefore ought it the more diligently to be studied."
....continued...
On the Origin of the Buddhist ArthakathĂĄs Cambridge University Press (1871)
2024.05.17 10:03 UsualSet8535 Free Quick Response Code Generator: How to Create Custom Codes
 | https://preview.redd.it/mi7uhi1i1y0d1.png?width=2240&format=png&auto=webp&s=627950010ca6cd78ddf301e9407951cc8cc80448 submitted by UsualSet8535 to u/UsualSet8535 [link] [comments] What is a Quick Response (QR) Code?A Quick Response (QR) code is a type of matrix barcode, also known as a two-dimensional barcode, initially developed in 1994 for the automotive industry in Japan. A QR code comprises black squares arranged in a square grid on a white background. It can be scanned by an imaging device like a camera and decoded using ReedâSolomon error correction until the image can be accurately interpreted. The Free QR Code Generator Online can contain various data, such as text, URL, or other types of information.Barcodes vs. QR CodesBarcodesBarcodes are one-dimensional and consist of parallel lines of varying widths. They can only store information horizontally and typically hold about 20 characters. Barcodes are widely used in retail for product identification and inventory management.QR CodesQR codes are two-dimensional, allowing them to store information horizontally and vertically. This design enables QR codes to hold much more data than traditional barcodesâup to 7,089 characters. QR codes can also encode various types of information, such as URLs, text, contact information, and more, making them more versatile than traditional barcodes.How Do I Create a Quick Response Code?Creating a QR code is straightforward with the right tools. Here's a step-by-step guide to generating a QR code using a free QR code generator with logo:
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Long Live the Scan: The Enduring Power of QR CodesDespite being invented in the 1990s, QR codes are relevant and robust tools for various applications. Their versatility and ease of use have ensured their longevity. Here are a few reasons why QR codes remain indispensable:Contactless SolutionsThe COVID-19 pandemic accelerated the adoption of contactless solutions. QR codes have enabled touchless transactions, digital menus, contactless payments, and virtual event registrations.Enhanced Consumer EngagementBrands use QR codes to create interactive and engaging experiences for consumers. By linking to videos, augmented reality experiences, and social media, QR codes help brands connect with their audience meaningfully.Cost-Effective MarketingQR codes provide a cost-effective method for businesses to distribute information, launch promotions, and monitor campaign performance. You can save money on printed materials by using digital alternatives. They can be updated dynamically, making them a versatile marketing tool.Streamlined OperationsIn logistics, healthcare, and manufacturing industries, QR codes streamline operations by providing quick access to information. They help in tracking inventory, managing assets, and improving overall efficiency.Eco-Friendly AlternativeQR codes reduce the need for paper-based information dissemination. Businesses can use QR codes to reduce printed materials, contributing to environmental sustainability.Global AdoptionThe widespread adoption of smartphones has made QR codes accessible to a global audience. As smartphone penetration increases, the use of QR codes is expected to grow further.ConclusionCreating custom QR codes has always been challenging, thanks to free QR code generators like QRcodebrew. By understanding the differences between barcodes and QR codes, knowing how to generate them, exploring various types of custom QR codes, and following best practices, you can effectively leverage QR codes for your business or personal use. QR codes are a versatile, cost-effective, and enduring tool that continues to drive engagement and streamline processes across various industries. Whether you're a small business or a large corporation, QR codes offer endless possibilities to connect with your audience and enhance their experience.FAQWhat is a QR code?A QR code is a two-dimensional barcode that can store a large amount of data, such as URLs, contact information, and text, and can be scanned using a smartphone or QR code reader.How do I create a QR code with QRcodebrew?To create a QR code with QRcodebrew, select the type of QR code, enter the required information, customize the design, and click generate. Then, download the QR code in your preferred format.What types of custom QR codes can I make?You can create various QR codes, including URL, contact information, email, text, SMS, WiFi, app store, social media, event, and product QR codes.Why is QRcodebrew a good choice for generating QR codes?QRcodebrew offers an easy-to-use interface, extensive customization options, high-quality codes, free access, robust error correction, and versatile applications.What are some best practices for using QR codes?Ensure scannability, add a call to action, test the QR code, provide a backup URL, track performance, keep it simple, maintain contrast, optimize for mobile, and update content regularly.What is a Quick Response (QR) Code? A Quick Response (QR) code is a type of matrix barcode, also known as a two-dimensional barcode, initially developed in 1994 for the automotive industry in Japan. A QR code comprises black squares arranged in a square grid on a white background. It can be scanned by an imaging device like a camera and decoded using ReedâSolomon error correction until the image can be accurately interpreted. The Free QR Code Generator Online can contain various data, such as text, URL, or other types of information. How Do I Create a Quick Response Code?Creating a QR code is straightforward with the right tools. Here's a step-by-step guide to generating a QR code using a free QR code generator with logo:
Kinds of Custom QR Codes You Can ExploreCustom QR codes can be tailored to fit various needs and aesthetics. Here are a few types you can explore:
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2024.05.17 10:01 john_d1200 The Difference Between Retrieval-Augmented Generation (RAG) and Semantic Search
In the exciting world of AI and natural language processing (NLP), two techniques are making waves: Retrieval-Augmented Generation (RAG) and Semantic Search. Hereâs a quick breakdown of what sets them apart and their unique strengths.
Retrieval-Augmented Generation (RAG):
What are your thoughts on these technologies? Have you worked with either of them?
Read more: https://www.bombaysoftwares.com/blog/a-beginners-guide-to-retrieval-augmented-generation-rag
submitted by john_d1200 to u/john_d1200 [link] [comments]
Retrieval-Augmented Generation (RAG):
- Hybrid Approach: Combines the power of generative models with retrieval-based methods.
- Contextual Responses: Retrieves relevant information from a database and integrates it into generated text for more accurate and meaningful responses.
- Applications: Ideal for tasks like conversational AI, content creation, and complex question-answering systems.
- Understanding Meaning: Focuses on comprehending the intent and context behind search queries.
- Contextual Matching: Matches user queries with semantically relevant documents, going beyond simple keyword matching.
- Applications: Perfect for enhancing search engine accuracy, recommendation systems, and information retrieval.
- Approach:
- RAG: Blends retrieval and generation to create comprehensive and relevant responses.
- Semantic Search: Emphasizes understanding the meaning behind queries to improve search accuracy.
- Use Cases:
- RAG: Best suited for dynamic content generation and interactive applications.
- Semantic Search: Excels in refining search results and facilitating information discovery.
What are your thoughts on these technologies? Have you worked with either of them?
Read more: https://www.bombaysoftwares.com/blog/a-beginners-guide-to-retrieval-augmented-generation-rag
2024.05.17 09:56 BuckeyeReason Abortion restrictions prevent OB-GYN training, so IU sends residents to Illinois
This article explains how Indiana abortion restrictions complicates doctor training, raising the time and cost and also perhaps impacts the quality of the training.
<< Board-certified OB-GYN Dr. Jenna Beckham studied the impacts of Dobbs v. Jackson on graduate medical education with the Society of Gynecologic Surgeons. OB-GYN professionals and academic leaders were surveyed in summer 2022.
Beckham said those who train the next generation of doctors were âimmediatelyâ concerned about how to get residents and medical students the education they need.
Scott said the public usually doesnât understand what can go wrong in pregnancy and delivery. In most cases, a mother and baby are healthy, she said, but in emergencies, training and skills related to abortion care are critical.
Over 25 percent of pregnancies end in miscarriages. The U.S. has the highest maternal mortality rate among developed countries, and it looks worse in Indiana. The Hoosier state is ranked third in the country for maternal mortality. Data shows the number of mothers dying in pregnancy or one year after childbirth is increasing each year. >>
https://indianapublicmedia.org/news/abortion-restrictions-prevent-ob-gyn-training-so-iu-sends-residents-to-illinois.php
Indiana's abortion restrictions now necessitate sending medical residents to an Illinois clinic for abortion training, adding additional time and cost burdens. Indiana residents also must obtain an Illinois medical license.
<< This ban also impacts how and where OB-GYN residents can legally gain required training for abortion care and pregnancy loss. IUâs OB-GYN residency program will now send doctors out of state to complete their training, costing more time and money but providing doctors with important experience....
âThey will typically go two days out of the week to perform procedures,â Scott said. âAnd we will fully fund their travel, lodging and food.â >>
Abortion restrictions apparently make Indiana less attractive for resident applicants, impacting the quality of Indiana residents and perhaps their willingness to remain in Indiana after completing their residency.
https://www.reddit.com/Indiana/comments/1crt64k/indiana_medical_senior_residency_applicants_fall/
Concerns exist that residents aren't obtaining the same quality of abortion procedure training as in the past.
<< âWhat's that going to look like five, 10 years into the future where we have less and less physicians and providers who are able to provide full spectrum reproductive health care?â Beckham said. >>
submitted by BuckeyeReason to Indiana [link] [comments]
<< Board-certified OB-GYN Dr. Jenna Beckham studied the impacts of Dobbs v. Jackson on graduate medical education with the Society of Gynecologic Surgeons. OB-GYN professionals and academic leaders were surveyed in summer 2022.
Beckham said those who train the next generation of doctors were âimmediatelyâ concerned about how to get residents and medical students the education they need.
Scott said the public usually doesnât understand what can go wrong in pregnancy and delivery. In most cases, a mother and baby are healthy, she said, but in emergencies, training and skills related to abortion care are critical.
Over 25 percent of pregnancies end in miscarriages. The U.S. has the highest maternal mortality rate among developed countries, and it looks worse in Indiana. The Hoosier state is ranked third in the country for maternal mortality. Data shows the number of mothers dying in pregnancy or one year after childbirth is increasing each year. >>
https://indianapublicmedia.org/news/abortion-restrictions-prevent-ob-gyn-training-so-iu-sends-residents-to-illinois.php
Indiana's abortion restrictions now necessitate sending medical residents to an Illinois clinic for abortion training, adding additional time and cost burdens. Indiana residents also must obtain an Illinois medical license.
<< This ban also impacts how and where OB-GYN residents can legally gain required training for abortion care and pregnancy loss. IUâs OB-GYN residency program will now send doctors out of state to complete their training, costing more time and money but providing doctors with important experience....
âThey will typically go two days out of the week to perform procedures,â Scott said. âAnd we will fully fund their travel, lodging and food.â >>
Abortion restrictions apparently make Indiana less attractive for resident applicants, impacting the quality of Indiana residents and perhaps their willingness to remain in Indiana after completing their residency.
https://www.reddit.com/Indiana/comments/1crt64k/indiana_medical_senior_residency_applicants_fall/
Concerns exist that residents aren't obtaining the same quality of abortion procedure training as in the past.
<< âWhat's that going to look like five, 10 years into the future where we have less and less physicians and providers who are able to provide full spectrum reproductive health care?â Beckham said. >>
2024.05.17 09:38 BlackIvoryPAAC Stuckism, Punk & Heckel's Horse - extract from interview with Other Muswell Hill Stuckist founder
Read the full interview at https://edgeworth.blog/2024/04/27/me-a-doll-interview/
PUG: Jompiy are quite a lot like Damien Hirstâs spin paintings.
EJ: I liked his figurative paintings that Tate didnât include any of, in that solo show that had virtually everything else heâd ever done. I think Tate will be showing Heckelâs Horse before long.
PUG: What makes you think that?
EJ: It would be poetic. Darth Vadar comes to his senses and everyoneâs rescue. Thereâll probably be some new maverick Director that comes along and wants to make an easy name for herself.
PUG: How about a Heckelâs Horse Jr. show there instead? I liked the Heckelâs Horse Jr. book.
EJ: Thanks. Theyâre currently available to all our Fan Club members on Tiers 2 and 3. If someone was interested in finding out more, all theyâd have to do is simply visit https://blackivory.org/fan-club/
PUG: Is there anything planned for Heckelâs Horse?
EJ: As far as I can tell, itâs on the back burner till whoeverâs in charge decides the timeâs right for a show. Billyâs been trying to push things along for years, pretty much since we started doing them.
PUG: You need this new Tate Director.
EJ: We need someone to forcibly step in with the interest, clout and balls to act irrespective of any commercial consequence or fretting what the art world and its clientele think. Like some benevolent Stuckist ex-hedge fund manager who says âLetâs do a show because of all that stuff in the Stuckism manifesto.â
PUG: Like a hostile takeover. Might Heckelâs Horse Jr. being published speed things along for Heckelâs Horse?
EJ: Apparantly the opposite. It might put them off, but whatever. It shouldnât be all beholden to any audience thing. There needs to be a punk movement in Contemporary Art. Like Black Ivory but slightly more influential. None of this prissy âWeâre not allowed to do this, weâre not allowed to do that. The clients might not like this, the clients might not like that.â I donât know anything about how the art world functions but thereâs an obvious staleness and near-universal obedience to it. Then you get things like Stuckism or our semi-Stuckist-splinter-group Black Ivory that, like opt out of the audience as target idea. That are happy to be a disgrace. I think they asked the bass player from the Manics what it was like walking around dressed up in their band gear, round their local working-class mining village in skirts and makeup, and he says âWe just wanted to be hated.â I like that about Stuckism and the seemingly repellent and toe-curling bridge-burning stuff we do. The term âtarget audienceâ is business talk for a reason. Target audiences are for things like Persil Automatic, not artists. Artists worrying about this stuff is just depressing and I guess is all counter-productive to what theyâre after anyway.
PUG: How would it be counter-productive?
EJ: Because itâs like some saggy-headed donkey thatâs given up. Part of the shuffling crowd, which is shame if your art isnât. Not believing in yourself. Thatâs how it all looks to me anyway. When I see photos of Stuckists prancing around in clown costumes outside Tate itâs so appealing. Theyâre building walls between themselves and the people everyone else is so desperate to be approved by.
PUG: So can Black Ivory save Contemporary Art?
EJ: Weâll stack a load of six footer Heckelâs Horse Jr. paintings against the walls. A few in the front room with the sofas, tables and chairs and whatnot. Iâll be walking round with a full teapot. Invite some friends round and do it as Stuckism would do it. Leave the evidence on our YouTube channel as Van Goghian proof for future generations that todayâs Contemporary Art wasnât just the text book stuff.
PUG: Stuckism was quite punk influenced but the art worldâs still largely what it was beforehand.
EJ: Stuckism bothered. Like leading a horse to water. Itâs like even the anti-establishment are only considered successful when the establishment accept them. The Other Muswell Hill Stuckists should do a manifesto about it. Stuckismâs not for our benefit, itâs for yours. Our âfailuresâ are your problem. Weâre waking up and painting either way. We donât need the art world. We donât need the Turner Prize to show us what a decent painting looks like. Iâm only talking about it not shaking up the artworld obviously, not the work or anything important, but like weâve both done loads of Stuckist Turner Prize demos, published a Stuckist Turner Prize manifesto, as far as I know, the Turner Prize is still going strong. So what? Did the demos fail? Are our paintings worse now? If nothing else, itâs nice to get out the house. I like the Turner Prize demos because itâs like getting bashed on both sides. By the establishment and the hipsters. Usually itâs like, choose a team: brand A or brand B and kid yourself thereâs a difference. The establishment think theyâre winning and the hipsters think theyâre cool and anti-establishment. Stuckism chooses neither, which I see as the only real anti-establishment. Stuckismâs failures, if anything, proove its success becuase punk succeeded in itâs non-musical objectives, it became chart music. No chance of Stuckism falling for that one. Howâs that for a theory? Failure isnât failure. Failureâs success because failureâs longevity and success is failure. Stuckismâs a roaring failure.
PUG: A new punk Tate for Heckelâs Horse.
EJ: I did some assistant work for Jimmy Cauty years ago, on these glittery riot shields. I think around 2016. The tracksuit bottoms still have the gold glitter and PVA stuck to them. I canât remember if I was talking about Heckelâs Horse or something else, but Billy and I couldnât have done too many by then. It might have been something else, but I tell Jimmy weâve done all this work and nothingâs getting published, and he says âSo, whenâs the bonfire?â The man who burned a million pounds. Ten years later, he we are, same situation. Thankfully, as far as Iâm aware, still no bonfire. So overall, things are going great for Heckelâs Horse. All the paintings are still probably in existence.
PUG: Just a lot more of them now.
EJ: Iâve got this image of Heckelâs Horse paintings being taken at night to some secret billionaires island off the South Kent coast and chucked on a blazing fire with a load of men in white suits standing round drinking champagne, each with a cigar between their teeth going âHa! Ha! Fuck you Edgeworth!â
PUG: Then thereâd just be the Heckelâs Horse Jr.âs left and you could sell them for millions.
EJ: Youâre a genius.
PUG: All those paintings will end up in a show at some point.
EJ: Itâs been eleven years. Could be another twenty, thirty. I had this paranoia, theyâd pretend they were by Billy and cut my name out. If Billy and I arenât around. Even if Iâm still around, whoâs going to listen to me?
PUG: Do you reckon?
EJ: I donât even know who it was, but some lying fart-face decided it would be alright to pretend these monoprints Billy and I collaborated on would be better sold off as âby Billy Childishâ and not by both of us. So thatâs what happened. Like a click of the fingers, âBye bye Edgeworth.â Pretty unimpressive, I thought.
PUG: Didnât you say anything?
EJ: No, whatâs going to happen? Better to say nothing then moan about it ten years later. The way I see it, Iâm not the one lying so itâs not my problem. Do you know what I mean? It shouldnât be on me to object if theyâre doing it on purpose.
PUG: So itâs not like Damien Hirst and his assistantâs painting butterflies.
EJ: No. Itâs sort of, not wanting to flatter the people that erased my attribution with the idea theyâre worth bothering with. Because itâs not like I was upset or felt hard done by. It was just disillusionment in one thing, addressed by the creation of another, Black Ivory Printmaking & Audio Club. If anything itâs a net positve. âSo thatâs the kind of people you really are. What a fantastic opportunity!â
Damien Hirstâs different. Itâs all declared and everyone knows the deal. Thereâs nothing dodgy about it. Itâs not like some slippery gallerist-type shifts the goalposts after the works done, like theyâve got some licence to change the truth. The buyers know what theyâre buying, the artists know what theyâre doing. These monoprints were a thick painterly transfer technique I came up with and havenât seen anywhere else. Until I see any that look similar, as far as Iâm concerned, itâs a type of monoprint of my invention. And they think they can just sign that away from me. If people see mine now, the ones I did independently using the same technique, theyâll probably think I copied it from Billy, which I thinkâs quite a liberty. âTaking Bertyâs.â as we said at school.
PUG: Didnât they ask you about it first?
EJ: No, I just get emailed after with some apparent excuse. If youâre some no-name pushover like me, I guess they think itâs alright. It might all have been a lot more innocent than it looked from my end, but if theyâre like this with some few hundred quid monoprints, whatâs it going to be like with all these crates of 6ft paintings that are worth a fortune? Not exactly reassuring to think of Heckelâs Horse in these peopleâs hands.
PUG: Welcome to the art world.
EJ: It might end up for the best. A lot of why I started doing Heckelâs Horse Jr. was to get the Heckelâs Horse story out the door. A lots been done already. Billy and I want to get Heckelâs Horse paintings in front of people. Billyâs spoken about it in interviews that Iâve super-glue-referenced into the Billy Childish wikipedia page. L-13 have done a load of prints. Things are going pretty well. The less behind-the-scenes Heckelâs Horse is, the harder I guess it is for the truth to get fudged later. Especially if Billy and I arenât around by the time anything happens.
PUG: Youâve always got Jompiy.
EJ: Yeah, my solid backup plan. I donât need to worry about Jompiy getting nicked.
Read the full interview at https://edgeworth.blog/2024/04/27/me-a-doll-interview/
https://youtu.be/aWN2dAleE14
submitted by BlackIvoryPAAC to BlackIvory [link] [comments]
PUG: Jompiy are quite a lot like Damien Hirstâs spin paintings.
EJ: I liked his figurative paintings that Tate didnât include any of, in that solo show that had virtually everything else heâd ever done. I think Tate will be showing Heckelâs Horse before long.
PUG: What makes you think that?
EJ: It would be poetic. Darth Vadar comes to his senses and everyoneâs rescue. Thereâll probably be some new maverick Director that comes along and wants to make an easy name for herself.
PUG: How about a Heckelâs Horse Jr. show there instead? I liked the Heckelâs Horse Jr. book.
EJ: Thanks. Theyâre currently available to all our Fan Club members on Tiers 2 and 3. If someone was interested in finding out more, all theyâd have to do is simply visit https://blackivory.org/fan-club/
PUG: Is there anything planned for Heckelâs Horse?
EJ: As far as I can tell, itâs on the back burner till whoeverâs in charge decides the timeâs right for a show. Billyâs been trying to push things along for years, pretty much since we started doing them.
PUG: You need this new Tate Director.
EJ: We need someone to forcibly step in with the interest, clout and balls to act irrespective of any commercial consequence or fretting what the art world and its clientele think. Like some benevolent Stuckist ex-hedge fund manager who says âLetâs do a show because of all that stuff in the Stuckism manifesto.â
PUG: Like a hostile takeover. Might Heckelâs Horse Jr. being published speed things along for Heckelâs Horse?
EJ: Apparantly the opposite. It might put them off, but whatever. It shouldnât be all beholden to any audience thing. There needs to be a punk movement in Contemporary Art. Like Black Ivory but slightly more influential. None of this prissy âWeâre not allowed to do this, weâre not allowed to do that. The clients might not like this, the clients might not like that.â I donât know anything about how the art world functions but thereâs an obvious staleness and near-universal obedience to it. Then you get things like Stuckism or our semi-Stuckist-splinter-group Black Ivory that, like opt out of the audience as target idea. That are happy to be a disgrace. I think they asked the bass player from the Manics what it was like walking around dressed up in their band gear, round their local working-class mining village in skirts and makeup, and he says âWe just wanted to be hated.â I like that about Stuckism and the seemingly repellent and toe-curling bridge-burning stuff we do. The term âtarget audienceâ is business talk for a reason. Target audiences are for things like Persil Automatic, not artists. Artists worrying about this stuff is just depressing and I guess is all counter-productive to what theyâre after anyway.
PUG: How would it be counter-productive?
EJ: Because itâs like some saggy-headed donkey thatâs given up. Part of the shuffling crowd, which is shame if your art isnât. Not believing in yourself. Thatâs how it all looks to me anyway. When I see photos of Stuckists prancing around in clown costumes outside Tate itâs so appealing. Theyâre building walls between themselves and the people everyone else is so desperate to be approved by.
PUG: So can Black Ivory save Contemporary Art?
EJ: Weâll stack a load of six footer Heckelâs Horse Jr. paintings against the walls. A few in the front room with the sofas, tables and chairs and whatnot. Iâll be walking round with a full teapot. Invite some friends round and do it as Stuckism would do it. Leave the evidence on our YouTube channel as Van Goghian proof for future generations that todayâs Contemporary Art wasnât just the text book stuff.
PUG: Stuckism was quite punk influenced but the art worldâs still largely what it was beforehand.
EJ: Stuckism bothered. Like leading a horse to water. Itâs like even the anti-establishment are only considered successful when the establishment accept them. The Other Muswell Hill Stuckists should do a manifesto about it. Stuckismâs not for our benefit, itâs for yours. Our âfailuresâ are your problem. Weâre waking up and painting either way. We donât need the art world. We donât need the Turner Prize to show us what a decent painting looks like. Iâm only talking about it not shaking up the artworld obviously, not the work or anything important, but like weâve both done loads of Stuckist Turner Prize demos, published a Stuckist Turner Prize manifesto, as far as I know, the Turner Prize is still going strong. So what? Did the demos fail? Are our paintings worse now? If nothing else, itâs nice to get out the house. I like the Turner Prize demos because itâs like getting bashed on both sides. By the establishment and the hipsters. Usually itâs like, choose a team: brand A or brand B and kid yourself thereâs a difference. The establishment think theyâre winning and the hipsters think theyâre cool and anti-establishment. Stuckism chooses neither, which I see as the only real anti-establishment. Stuckismâs failures, if anything, proove its success becuase punk succeeded in itâs non-musical objectives, it became chart music. No chance of Stuckism falling for that one. Howâs that for a theory? Failure isnât failure. Failureâs success because failureâs longevity and success is failure. Stuckismâs a roaring failure.
PUG: A new punk Tate for Heckelâs Horse.
EJ: I did some assistant work for Jimmy Cauty years ago, on these glittery riot shields. I think around 2016. The tracksuit bottoms still have the gold glitter and PVA stuck to them. I canât remember if I was talking about Heckelâs Horse or something else, but Billy and I couldnât have done too many by then. It might have been something else, but I tell Jimmy weâve done all this work and nothingâs getting published, and he says âSo, whenâs the bonfire?â The man who burned a million pounds. Ten years later, he we are, same situation. Thankfully, as far as Iâm aware, still no bonfire. So overall, things are going great for Heckelâs Horse. All the paintings are still probably in existence.
PUG: Just a lot more of them now.
EJ: Iâve got this image of Heckelâs Horse paintings being taken at night to some secret billionaires island off the South Kent coast and chucked on a blazing fire with a load of men in white suits standing round drinking champagne, each with a cigar between their teeth going âHa! Ha! Fuck you Edgeworth!â
PUG: Then thereâd just be the Heckelâs Horse Jr.âs left and you could sell them for millions.
EJ: Youâre a genius.
PUG: All those paintings will end up in a show at some point.
EJ: Itâs been eleven years. Could be another twenty, thirty. I had this paranoia, theyâd pretend they were by Billy and cut my name out. If Billy and I arenât around. Even if Iâm still around, whoâs going to listen to me?
PUG: Do you reckon?
EJ: I donât even know who it was, but some lying fart-face decided it would be alright to pretend these monoprints Billy and I collaborated on would be better sold off as âby Billy Childishâ and not by both of us. So thatâs what happened. Like a click of the fingers, âBye bye Edgeworth.â Pretty unimpressive, I thought.
PUG: Didnât you say anything?
EJ: No, whatâs going to happen? Better to say nothing then moan about it ten years later. The way I see it, Iâm not the one lying so itâs not my problem. Do you know what I mean? It shouldnât be on me to object if theyâre doing it on purpose.
PUG: So itâs not like Damien Hirst and his assistantâs painting butterflies.
EJ: No. Itâs sort of, not wanting to flatter the people that erased my attribution with the idea theyâre worth bothering with. Because itâs not like I was upset or felt hard done by. It was just disillusionment in one thing, addressed by the creation of another, Black Ivory Printmaking & Audio Club. If anything itâs a net positve. âSo thatâs the kind of people you really are. What a fantastic opportunity!â
Damien Hirstâs different. Itâs all declared and everyone knows the deal. Thereâs nothing dodgy about it. Itâs not like some slippery gallerist-type shifts the goalposts after the works done, like theyâve got some licence to change the truth. The buyers know what theyâre buying, the artists know what theyâre doing. These monoprints were a thick painterly transfer technique I came up with and havenât seen anywhere else. Until I see any that look similar, as far as Iâm concerned, itâs a type of monoprint of my invention. And they think they can just sign that away from me. If people see mine now, the ones I did independently using the same technique, theyâll probably think I copied it from Billy, which I thinkâs quite a liberty. âTaking Bertyâs.â as we said at school.
PUG: Didnât they ask you about it first?
EJ: No, I just get emailed after with some apparent excuse. If youâre some no-name pushover like me, I guess they think itâs alright. It might all have been a lot more innocent than it looked from my end, but if theyâre like this with some few hundred quid monoprints, whatâs it going to be like with all these crates of 6ft paintings that are worth a fortune? Not exactly reassuring to think of Heckelâs Horse in these peopleâs hands.
PUG: Welcome to the art world.
EJ: It might end up for the best. A lot of why I started doing Heckelâs Horse Jr. was to get the Heckelâs Horse story out the door. A lots been done already. Billy and I want to get Heckelâs Horse paintings in front of people. Billyâs spoken about it in interviews that Iâve super-glue-referenced into the Billy Childish wikipedia page. L-13 have done a load of prints. Things are going pretty well. The less behind-the-scenes Heckelâs Horse is, the harder I guess it is for the truth to get fudged later. Especially if Billy and I arenât around by the time anything happens.
PUG: Youâve always got Jompiy.
EJ: Yeah, my solid backup plan. I donât need to worry about Jompiy getting nicked.
Read the full interview at https://edgeworth.blog/2024/04/27/me-a-doll-interview/
https://youtu.be/aWN2dAleE14
2024.05.17 09:26 thebigdude99 Image to Image - what am I missing?
 | Hi, submitted by thebigdude99 to StableDiffusion [link] [comments] I'm trying to create an image from an existing image - I want to take an existing headshot and make this character ride a bike. Trying it here: https://fireworks.ai/models/stability/sd3 But it's not working, can someone explain please what am I missing? https://preview.redd.it/f38pn20yux0d1.jpg?width=1823&format=pjpg&auto=webp&s=88c94f69f04d0613f37a7330ec3f410fcf1ce303 Thanks!! |