Ralph lauren personalized flutes

I (26f) have a sister Lauren (24f) who always felt like we were competing with each other. I never competed with her but she's always copied me and tried to do things better. It annoyed me for years but then I grew out of caring because it got SO old. She'd get the same hairstyle as me, she took all the same classes in high school and she even turned down a spot on the girls basketball team because I didn't do basketball and she took up art class instead, which she quickly dropped when she realized she didn't fit in and didn't have any artistic talent like the rest of her group. She would always bring up how stuff looked better on her, how she did better at something. Our brother (23m) always said it was like watching someone fight with a wall. Our sister being the person and me being the wall.
Five months ago I gave birth to my daughter Aster. And we had a baby blanket made for her with the flowers on it. My sister was pregnant at the same time but not due until April was aware we went with a flower name. She actually saw our other choice (Calla) and believed it was that. I assumed she might use the name too. But instead she went with Poppy for her daughter. I really didn't care. My sister did.
I said nothing about the names being two flower names or similar but she did. She told me she had decided my daughter shouldn't be the only one named after a flower. I smiled but said nothing. She gave me another week but then I said nothing still and she told me how unfair I was being. She said I should be furious that she copied me and named her daughter like I named mine. I told her I didn't see it as copying. The names aren't the same and flower names have been used for centuries. So she was free to do what she wanted. She said it should still bother me.
What surprised me was our parents told me I shouldn't have ignored it because it's not fair to our girls. That I should have acknowledged what she did and told her to stop. I pointed out to them that Lauren is free to do what she wants and I can't claim flower names in the family and forbid others from using them. They said I knew what she was up to though.
Lauren texted me yesterday saying I should care more!!!
AITA?

https://docs.google.com/document/d/12MNgy3t99tbSrH7drVBItWI0D3bb25RlTpBPmnBJdVw/edit

Tier List: https://imgur.com/a/RjE3PTc
There's something special about this battle from the very beginning, with how the announcer is doing these hushed whispers with this ominous music playing.
"Look alive, crème de la Kremlin's arriving! Try to serve Ivan; no surviving!" Ivan saying "look alive" as we get a close-up shot of his face is an attention-grabbing opener. The wordsmithing here with crème de la Kremlin and serve Ivan/surviving is magical. The background looks gorgeous too, great use of colors. "You're a land rover; I'm a land expander! Here to hand you your first loss, Alexander!" Well this is simultaneously a top-tier boast and diss; Alexander's empire fell apart when he died while Ivan's conquerings remained a part of Russia, so he's already making a strong case for being better at the thing Alexander's famous for. "I'll school you like Aristotle; smack you harder than you hit that bottle!" This is fine. A reference to the fact that Aristotle taught Alexander and a diss against Alexander for being a drunk. These aren't particularly powerful lines, but they're functional. I do love the way Ivan's eyes wander to the rhythm when he says 'hit that bottle'. "You're nothing but an overrated lush; I'll crush ya! I'm the first Tsar of all of Russia!" Interesting tidbit that does make Ivan the Terrible seem like a much more significant historical figure than he otherwise would have if you didn't know that. Getting all the guys from the Russian battle in the background is a fun touch, even if the dancer dude does not feel like he remotely belongs up there with the rest of those guys. "You're an asshole with an anastole! I'm heaven-sent, divine and holy!" The first line is quite mediocre, and the second line is mostly just serving to build up to the next line. "So don't even try to approach the God, or you'll get a huge sack like Novgorod!" God fucking damn, this is easily in my top ten closing lines. Not only is it a clever line and a gloriously epic boast, but the line delivery. His voice is so low and monstrous-sounding, especially with how they seem to have layered extra copies of the line recording on top of it. And the visual with all the Ivans on-screen, and the versions on the right and left turning to the camera join the one in the center in delivering this wham line... UNF. I love this!
"Hey fella, swell diss." Gotta cut in early here to acknowledge how funny and iconic this reaction is. "But now you got the Panhellenist from Pella hella pissed." This line speaks for itself, it's got some of the best wordplay ERB has ever crafted. "Stepping up's foolish as well as useless, little Vasilyevich! Let me spell out the list!" Pretty cool wordsmithing here, nice setup to something bigger though I don't think what follows quite lives up. "I brought foes to their knees in Phonecia! Breezed through Gaza to Giza! Had the Balkans, Persia, Syria, Iraq, and Pakistan in my expansion pack!" This comes pretty close to just being a straightforward history lesson, there's not a ton of cleverness here. The expansion pack joke is a little corny. There's a little bit of wordplay going on with bits like knees/Phonecia and Gaza/Giza. Flow's weaker than in the rest of his verse too. The visual with the map is a nice touch. "While you died in the middle of a game of chess; you got vodka bars: flavorless!" Some competent disses here. I really like the visual of the chess board: he even knocks over a King, which is presumably supposed to represent him defeating Ivan. I think the way Alexander paints Ivan as a disconnected figure who's just playing games whilst Alexander is actually out conquering in-person is a nice way to preserve his credibility after that land expander bit from Ivan. "And what I'm about to spit will be the craziest, so go fix me a drink so I can stay refreshed!" Nothing too great here, although I do like the dismissiveness inherent in Alexander ordering Ivan to make him a drink. "Kudos! Greek for the glory I got from winning every single war that I fought." Nothing much to say, this is a good boast, it checks out. "So this will be straightforward: I'll take up this sword that I brought, and slice you in half like the Gordian knot." This isn't the most substantive way of saying he's better than Ivan, but referencing the Gordian knot legend is something. "And I'll soar to the top, like the eagle whose feather I would sport in the helmet I wore, as I swatted my many enemies; shattered them like a porcelain pot, and they'd be praying for the torture to stop!" Okay, now Alexander is just witlessly rambling. This is easily the low point of his verse. "But I would leave 'em contorted and they'd be screaming and roaring until their vocal cords were torn up and shot!" Again, he's just rambling, but I will say that his flow and line delivery starts being so awesome here that I can give it a pass. I also like how the way the music stopped after he yelled "stop!" last line before dropping into this one. "And I would holler "Bucephalus!", hop on my horsey, and trot! I win, Ivan; I vanquish! I'm an immortal; you're not!" He's still mostly just rambling about how great he is without being clever about it, but again, he sounds so awesome here that it works. And the Ivan/I vanquish is good wordplay and a nice parallel to the serve Ivan/surviving bit, so it does have that much going for it in terms of substance. Also the visuals cutting back to Ivan pouring a drink in the creepiest possible manner are fan-fucking-tastic.
Ivan concedes defeat, having actually prepared Alexander a drink. You'd think a little interim bit like this would hurt the battle in repeat viewings/listens, but I enjoy it every time. Zach Sherwin's line delivery of "I WEEP, it's all so EEEEAAAASY!!!" is hilarious. Love the way Ivan comes poking out of the shadows all rat-like as he asks what's wrong. I also dig the way Alexander's facial expression changes when he says 'queasy' and he falls down and his head moving out of the shot gives way to Ivan standing behind him celebrating and it's just so GOOD. This battle is so much fun! The "HA!!! You've been poisoned!" is fun, as is Zach Sherwin's deliberately bad acting with his final words. Ivan declares that he is Terrible and that there's no Great who could defeat this Russian, but a mysterious shadow materializes and quietly suggests a flute-busting Prussian might manage it.
What the FUCK. The flute solo! The chanting of "Old Fritz!" The bird's eye camera angle that Lloid looks up at as the emblem of what is probably his house or country or some other organization related to him is on the floor! That dapper-ass outfit! The little pose he strikes as his title card appears! This is without a doubt the greatest entrance any contestant has ever had in ERB to this day. This new music track kicks ass too. "Out the gate, first servant of state! Oblique attack tactics, ain't exactly straight!" As if he wasn't cool enough already, the king is a queen! Good use of consonance too. Also apparently this is referencing a famous tactic for battle that Frederick used. I looked up 'first servant of state prussia' and was informed that Frederick pursued a policy of religious tolerance and abolished torture immediately when he came to power. What an absolute chad. I wish he brought that up here; at best he vaguely alludes to it. "I've got creative talents and battle malice; hard as steel on the field, genteel in the palace!" These lines aren't substantive, but the line delivery is a ton of fun. And the visuals with him jabbing his cane and sipping from a cup are immaculate. "Russia's fucked up but no wonder why; with your tundras and taigas and bears oh my!" Great flow, the visuals are absolutely top tier. The line itself is competent, definitely getting carried by the presentation, but the tigers/taigas swapout is good. "I would pay a guy to tear out my eyes if I had to look at your troll face every night!" Man... why can't mediocre lines in all of the battles get such good line deliveries? Lloid is selling the absolute fuck out of this weaksauce diss and making it work. "Now, bring me my chair! I'm weary from tearing you a new derrière from here to Red Square!" Wait a minute, is that... chair... wear... tear... derrière... square... IT IS!!! IT'S A 5X RHYME COMBO!!! "Fought a Seven Years' War, I ain't scared of a Tsar! 'Cause beating you only took me twelve bars!" A truly fabulous boast and iconic verse closer.
These interims continue the trend of being hilarious by having Frederick die in his chair without the need for Ivan's intervention, which is a reference to how he actually died! Fancy that. I do think this one doesn't quite stand up to repeat encounters the way the first intermission did; the line about saving money and the little song Ivan sings are a bit drab to sit through again and again, but hey, they were funny the first time and it's still a fun performance from Peter. Pompey comes in to seemingly start rapping, but immediately gets decapitated by Catherine the Great. Poor guy. I would have liked for this to be a five-way battle and to have gotten a verse from Pompey first, but ah well.
"Macedonians, Prussians, and Romans; those aren't worthy opponents. It takes a Russian to take down a Russian. I'm Cat; I'm a cat; you're a rodent!" This is a pretty good opener, except for the fact that she's singing. Introducing singing into these rap battles is always a serious momentum-killer. She's got a great costume, though. "How are you the head of our state when the state of your head was such a crazy one? Such sick shit going through your brain that you stuck a spike through your own son!" Good wordplay in that first line, great visuals with these dancers up to chicanery in the background. "You're unbalanced like I unbalanced the European powers with the wars I waged! I brought the Russian empire straight out the olden days and right into the golden age!" That first line feels a little forced, competent boast in the second line. "I'm the boss bitch that you just can't meddle with! This whole battle's like Alaska 'cause I settled it!" Nice closer.
Ivan briefly interjects as he tries and fails to seduce Catherine with a horse. Peter continues giving the best performance of his career, though I can't help but wish we got a little more here. Feels weird that this is the last we see Ivan onscreen. Would've been nice to at least see an upset reaction to his ploy failing.
Catherine proceeds to inform Ivan that this rumor about her sexual proclivities is false: "That horse story is a pile of shit, though I do keep 'em chomping at the bit." There's three different layers to 'chomping at the bit' going on here, and that's cool. "But you're never gonna get it, nyet! Couldn't spin in my chamber of this were Russian roulette." This is pretty funny, and I think it's for sure her best line. The little interjection of 'nyet' is great. "I'm picking up where Peter the Great left off! Bringing sexy back to House Romanov!" Not much to say here. Kind of filler. "So don't call me Queen, I'm far more great! Empress to Tsar 8, bitch! Checkmate!" This is literally a killer closing line; she's referencing how Ivan died in the middle of a game of chess, as Alexander said, and years later I'm only just getting that now.
So all of these verses have considerable flaws, I think. Ivan's is too short, for as much screentime as he gets he doesn't get much in terms of actual rapping. We could have at least used a few more lines in his first verse. There's a lot of Alexander the Great's verse that is just him droning on about how great he is without actually having much substance or cleverness to what he's saying. It's his godlike FLOW that is carrying him through a lot of this. And that's a legitimate factor to consider in his performance and it does make his verse great to listen to, but I wish there were more meat there underneath Sherwin's kickass performance. Frederick the Great is the most entertaining part of the battle(saying a LOT when Ivan the Terrible is present) and his lines are probably the most consistently good, but none of them are great, y'know? He could have used a killer burn or two in there, his diss game wasn't great. And Catherine the Great... well, she sang for both of her verses. I hate it when rappers sing, it kills the energy, and when going back to listen to this battle(which is very often!) I usually stop once her verse starts. She's got some good lines, they're decent verses on paper, and her actress is obviously a good singer, but I just do not want to listen to a solid minute of someone singing in a rap battle.
And really, having so much of this battle be skippable to me is reason enough to justify putting it in A Tier rather than S. I certainly intended to put it in A Tier for a long time. But... even if I feel Catherine's verse ends up being a drag, and even if the verses that come before have some flaws that might keep them from being S Tier on their own... it's all just so fun. Peter and Lloid and Zach are all at their best, and I genuinely do think Ivan is the best character Peter ever played. I love the performances, and the visuals, and the music(mostly), and the structure of having all these Greats dying off to the Terrible. This has got to be in the top five rap battles in terms of which ones I go back to the most; probably exactly number five. And if that isn't worthy of S Tier, then there's only gonna be four S Tiers on this list, and that seems like too few. Bottom of S Tier.
Ivan = Frederick>Alexander>Catherine. Maybe a little controversial, but I do think that you could make a valid and substantive case for any one of these rappers being the winner.

Previously, on Hell’s Kitchen…
The final 10 were given a challenge not seen in over a decade, creating their own menus in the revival of Red vs Blue Menu Night. While the blue team worked together, with a strong concept provided by Melody, the red team found themselves being led by Thomas, whether they liked it or not. However, as the chefs were returning to the kitchen to begin cooking their dishes, disaster struck, as Travis re-injured his ankle, and had to be taken to the hospital. Despite being down a man, and Grace feeling shortchanged by not getting anything on the menu, the blue team’s cohesive selection still managed to impress Ramsay and his special guests: three previous winners of Hell’s Kitchen. The red team’s menu had mixed results, which led to friction between Thomas and some of his teammates
In service, the blue team’s menu had the edge in popularity, but thanks to poor communication between Grace and Carole, the kitchen ground to a halt multiple times. Meanwhile, the red kitchen managed to push out their food in a timely manner thanks to strong teamwork on entrees. With the red team named the winners of service, it was time for the blue team to nominate two chefs to send home.
At elimination, though, everyone was in for a shock when Travis, who had been one of the early favorites, returned and announced that due to injury, he would be leaving Hell’s Kitchen for good. Ramsay still insisted on hearing from the blue team’s nominees, who were Grace, Carole and Melody after they failed to come to a consensus. But with Travis’ dream of becoming the next head chef at Gordon Ramsay Steak in Vancouver, British Columbia already having come to a heartbreaking end, Ramsay gave everyone another chance to show him why they were the chef he was looking for, but assured them that he was not taking any more excuses from now on.
https://reddit.com/link/1ctwn9g/video/oifsieupww0d1/player
And now, the continuation of Hell’s Kitchen…
After witnessing the shocking withdrawal of Travis from the competition, no one was in a celebratory mood as Ramsay dismissed them to the dorms for the night. Carole said in her confessional that he had been the main one supporting her in the blue team, and now it felt like she was truly on her own. As the blue team returned to the dorms, a very upset Melody unleashed her frustration, saying that Travis did not deserve to go home tonight over either Carole and Grace, and they needed to cut the bullshit and start thinking and working as a team. Lauren said in her confessional that it seemed like something snapped in Melody tonight, as she was well and truly fed up with the drama, which definitely made two of them. Even so, after noticing that Melody was sitting alone and nearly in tears, Lauren went over to comfort her, as Melody admitted that she hated to have to talk that way to her teammates, but she was sick and tired of the drama. Lauren assured her that it had to be said, and was proud of her for stepping up. Meanwhile, Grace said in her confessional that Melody seemed to be losing her composure, and would hopefully go down in flames soon.
On the red team’s side of the dorm, Faye was also feeling sadness over the way Travis had gone out, as she admitted to Michael that it reminded her too much of her own exit last season, only at least she had made the choice to walk away, while Travis never had one. Meanwhile, another chef had mixed feelings on the sudden turn of events, as Thomas said in his confessional that Travis had been a strong chef and a good person, and while losing him would cut the competition down, he would have rather seen him go out with dignity. Ramona and Everett, meanwhile, continued to stick closely together, with Ramona saying in her confessional that it felt good to have the security of the immunity pass, because she and Everett were definitely the most likely to be nominated if service went wrong, though she admitted she would feel some guilt if he went out because of it, but this was her career and future at stake. Everett said in his confessional that he couldn’t afford to worry about what might happen if he went up on the chopping block, and was just focused on trying to help the red team win.
The chefs were still trying to take in all the events of the night, but finally, tiredness overtook them, and they turned in for the night.
Challenge
The next day, the final 9 came downstairs to find Ramsy waiting for them, as well as a detailed diagram of a cow. Ramsay explained that he still had not forgotten the disaster that was Steak Night, and that was why, for this next challenge, he wanted to give both teams a chance to prove how far they had come by preparing dishes using five cuts: ribeye, top sirloin, hanger, flank, and striploin. Thomas said in his confessional that the red team had no business fucking this up, as they had several chefs who were strong on the meat station in services, while Lauren was nervous in her confessional, as she wasn’t sure about Grace or Carole. Since the blue team had one less member, one chef would have to prepare two dishes, which Lauren volunteered to do. With their instructions having been given, Ramsay told the chefs that their time started now.
The chefs rushed into their respective kitchens and quickly tried to sort out who would be responsible for which cuts of steak. In the blue kitchen, Lauren decided to take on the hanger and flank steak, while Grace took the ribeye, over Carole’s objections, and Carole was left with the striploin, while Melody took the top sirloin. Grace said in her confessional that she fought for this ribeye and she was going to carry her team to victory whether they liked it or not, while Carole said she would’ve felt much safer if anyone else were cooking the ribeye besides Grace. While Carole still seemed undecided on which direction to go with her New York Strip, at least one chef already had her dish planned out, and that was Melody, who went into detail in her confessional on how she wanted to plate her top sirloin. Meanwhile, Lauren was working hard to manage two separate cuts of meat, saying in her confessional that taking on the extra workload could either make her look really good in front of Chef Ramsay or totally blow up in her face.
In the red kitchen, Thomas was on the top sirloin, Ramona had the ribeye, Faye had hanger steak, Michael had flank steak, and Everett had striploin. Ramona said in her confessional that she had to deliver on the ribeye, as she already had the most losses of any chef here, and didn’t need to add any more to her resume with black jackets approaching. Thomas was confident that he could handle the top sirloin, as he said in his confessional that no one still here should have any issues cooking meat, and he would be disappointed in himself if he didn’t achieve perfection on this dish. Michael noticed Ramona seemed to be having some trouble with her ribeye, and tried to offer some advice, but Ramona said in her confessional that she had to do this alone, and told him she had it under control. Michael was annoyed, saying in his confessional that this was still a team effort, and it was no time to let egos get in the way. Meanwhile, Faye and Everett were seemingly in good spirits, with Everett saying in his confessional that meat was where he felt the most at home, and if he failed at this challenge, he might as well go home now, while Faye said in her confessional that it was nice to see Everett so energetic, and she hoped his dish could match that.
With the time nearly up, the chefs put the finishing touches on their dishes as Ramsay called out the final seconds and told the chefs to bring their plates to the pass. Ramsay then announced that he would be joined by a special guest judge for this competition, who was a familiar face to viewers of MasterChef: Ramsay’s former co-host on that show, Graham Elliot. The chefs were starstruck, with Melody saying in her confessional Graham was the best, and easily her favorite judge on MasterChef…after Ramsay, of course. After exchanging a warm greeting, Ramsay said it was time to get down to business, starting with the battle of the flank steak. This round would pit Lauren against Michael, with Michael saying in his confessional that this was his first time going against Lauren in a challenge, and he knew it wouldn’t be easy to take her down, given how consistently strong she had been. After tasting Lauren’s dish, both Ramsay and Elliot had high praise, saying the meat was tender and nicely cooked, although Elliot did say he might have done something different for the garnish. Lauren was second-guessing herself in her confessional, but In the end, both judges gave it four stars out of five. Michael said in his confessional that as expected, Lauren put up a good dish, but he was confident in his as well. Indeed, Michael’s flank steak was also found to be nicely cooked, and despite the somewhat simple presentation, Ramsay said this was a great start for both teams, as again, both he and Elliot each gave it a four.
With the score tied at 8, it was time for the battle of the hanger steak. Lauren stayed where she was while Faye brought her dish up to the pass. Elliot was impressed that Lauren had cooked two dishes for the challenge, although he noted that the hanger steak could’ve used a little more cooking time, which Ramsay agreed with, saying that was the one thing holding it back, and Lauren kicked herself in her confessional, as she said she should have been able to stay on top of it. Elliot only gave it a three due to the undercooked steak, though Ramsay said it still delivered enough flavor to get a four. Faye’s dish also got mixed reviews, as both chefs praised the cook of the meat, but questioned her garnish choices, with Ramsay pointing out that the presentation seemed slightly off. Elliot said she got the most important part right though, and gave it a four, to which Ramsay agreed, which put the red team ahead 16-15. In the third round, the teams’ ribeye dishes went head to head, for which Ramona and Grace stepped forward. Unfortunately for Ramona, her ribeye was badly overcooked, and Ramsay took her to task for serving something practically inedible to him and his guest. Ramona groaned in her confessional, as she couldn’t believe she had fucked up this badly. Both judges gave her a one, and Ramsay said she was lucky to get even that. Grace’s dish got mixed reviews, with Ramsay saying the presentation was shocking, while Elliot noted that the ribeye again was overcooked, though not nearly as much as Ramona’s. Ramsay said this was not what he expected from these chefs at this stage of the game, and gave Grace a one, but Elliot was more generous and gave it a two, as at least it had some flavor.
With the scores now tied at 18, it was time for the battle of the top sirloin, as Thomas and Melody brought their dishes forward. Melody’s dish earned praise for it’s stylish presentation and garnish, and after tasting the steak itself, Ramsay noted that it was cooked perfectly, and said this dish was a strong four, but Elliot went a step further and said it deserved a five, which made Melody giddy in her confessional, as she never could have imagined hearing those words before. Next was Thomas, with Elliot again noting the stunning presentation, and after tasting, he said that these two had really raised the bar today. Ramsay agreed and said it was the best pair of dishes yet, and this time, he would be giving out a five. Elliot agreed, giving Thomas a perfect score, which he took with a calm smile in his confessional, as he said Melody gave him a good run, but he never had any doubts. With the red team now back in the lead 28-27, it was time for the final round, as Everett and Carole would face off in the battle of the New York Strip. Everett went first, with Elliot saying, after a long pause…that the strip was absolutely delicious. Ramsay agreed, also praising the presentation, and said this was one of Everett’s best dishes yet in Hell’s Kitchen, as that deserved a very strong four. Elliot gave the same score, bringing the red team’s total up to an impressive 36, meaning Carole needed close to a perfect score to keep the blue team in it. Everett was absolutely fired up in his confessional, saying this was just the boost that he needed, and there was no stopping him now. Meanwhile, Carole presented her dish, which got good marks for presentation, but as Elliot sliced into the strip, he said it looked undercooked, to which Ramsay agreed, and said it was a great shame. Though it was only a formality, both Elliot and Ramsay gave the dish a two, giving the red team a 36-31 win.
Reward / Punishment
Ramsay thanked Elliot for helping him judge the challenge, and once he had left, Ramsay turned back to the chefs and congratulated the red team on winning the challenge, in particular praising the efforts of Everett and Thomas. He then said they were in for a fun reward, as he was sending all of them off for a day of paintball, followed by dinner at an exquisite LA steakhouse. Ramona was relieved in her confessional, as she knew she could have blown it for the red team with her ribeye, while Everett was ecstatic to have redeemed himself in this challenge, as he said in his confessional that he was still a beast at cooking meat. While the red team ran off to get changed, Ramsay turned his attention to the blue team and said that for today’s punishment, he had decided to put it towards a good cause by volunteering them for community service, which meant picking up trash on the side of the road. Grace moaned in her confessional, as she said that they always seemed to save the worst punishments for her. Ramsay reminded Melody that she still had that punishment pass, and offered to let her use it. Melody replied that she was never a paintball type of girl, and would rather help out the environment. Ramsay accepted her choice and told the blue team that they too would be changing…into their stunning orange uniforms.
The red team came back downstairs, and Michael joked in his confessional that it looked like Hell’s Kitchen had turned into a prison, while Faye apologetically said goodbye. While on the way to the paintball ground, the red team talked amongst themselves in the car, with Thomas saying that no one else was going home from the red team, and Michael agreed, saying they were all getting black jackets. Faye wondered aloud who their biggest competition might be from the blue team, but everyone quickly agreed that Lauren was the strongest. Ramona said in her confessional that she knew everyone was sleeping on her, but she would simply have to prove them wrong in service. Later, the chefs arrived at the paintball ground, and Faye said she hoped none of them would go easy on her just because she was a woman. Everett joked that she had nothing to worry about there, and the team ended up having an enjoyable afternoon, with Ramona and Everett trying to team up against Thomas, but he was able to shoot both of them. Michael said in his confessional that it felt great to just get outside and let loose without having to do some exhausting punishment. As evening approached, the red team were then taken to dinner, which Everett said in his confessional was some of the finest quality steak he had ever tasted, though not quite as good as the home cooking back in Oklahoma, which got some laughs from the others. Faye said that the next winner was sitting right here at this table, to which the others enthusiastically toasted, and the chefs continued to bond as a team over their meal.
While the red team were living the good life, the blue team were working in the hot sun to ensure that the environment could do the same. While the others tried to get on with their task, though, Grace’s constant complaining quickly got on all of their nerves, as Carole said in exasperation in her confessional that they were all well aware of the fact that Grace didn’t want to be here, and she didn’t need to broadcast it every five seconds. Lauren joked with Melody that she wouldn’t mind going on that paintball reward just to take a few shots at Grace, which Melody said in her confessional was tough to argue with, as even her optimistic outlook was being challenged right now by Grace’s incessant whining. Carole said in her confessional that she and Grace were definitely the most vulnerable on the team, but as long as Grace kept this up, she was making the decision easy for everyone, and as far as Carole was concerned, that was perfectly fine. Despite having their patience tested, the blue team worked through their physically exhausting community service and, for the most part, left feeling that at least some good had come of it.
Back in Hell’s Kitchen, the blue team arrived first and tried to unwind in the dorms until the red team returned later in the night. Grace quickly became annoyed with the red team talking about their reward, while Ramona said in her confessional that she didn’t mind rubbing it in her old rival’s face a bit. Lauren said in her confessional that the red team could have this one, as she was keeping her eyes on service. As the night dragged on, another topic came up, that being Travis, as everyone on the blue team aside from Grace admitted to missing him, and Lauren jokingly said even the punishments just weren’t the same now. Faye sympathized, as she said it was tough to watch a chef who had put everything on the line and pushed through an injury go out like that, even if this was a competition. Thomas agreed and said that everyone here deserved a chance to fight for their dream, as for these chefs, it was a potentially life changing opportunity, and he knew he would be devastated to lose it. Michael said in his confessional that it was no time for fucking around anymore, as they all needed to cook like it was their last night in Hell’s Kitchen.
The chefs chatted amongst themselves for a while longer before finally trying to get some sleep.
Pre-Service
The next day, the chefs went downstairs to begin prep, as Ramsay said that this was the stage in the competition where he wanted to see the best begin to shine, and warned that there would be nowhere to hide for chefs who were struggling to keep up. With that, he told the blue team that despite being a man down, he expected absolutely nothing less than a stellar performance, and told the red team not to get too comfortable with their challenge win, as they still needed to be locked in for service. With all nine chefs seemingly read to go, Ramsay allowed them to get started on prep.
In the blue kitchen, Melody and Lauren were in good spirits, though Melody admitted she still missed having Travis here, despite the fact that the blue team was all women now. Carole said in her confessional that the ladies should have no problems taking this service, as while she didn’t mind the format change, having all girls on one team was how it was done in the old days, and it would be even better if Grace was gone. Grace, meanwhile, seemed to be in a bad mood after her ribeye flopped in the challenge, as she said in her confessional that it couldn’t have been as bad as Ramsay said, as much as she respected his opinion, and refused to acknowledge Melody’s attempts to talk to her. Melody said in her confessional that nobody wanted Grace here, but the least she could do was try to reach out, as futile as it seemed. Lauren said in her confessional that in order for the blue team to win tonight, they needed Carole and Grace to step up big time, as she and Melody couldn’t do all the work here.
While the blue team was hoping for a miracle, the red team seemed loose and ready to go, with Michael saying that he had a good feeling about tonight, as there were no excuses for losing to the blue team now. Ramona said to Everett that this was their redemption night, with Everett agreeing and saying they were going to kick some culinary ass, and Faye said it was great to see both of them committed to bouncing back and leading the red team to another win. Everett replied that Grace was going home tonight for sure, which got some laughs from the others, as Michael said in his confessional that this was the one thing he was sure literally everyone else could agree on. Thomas, though, said in his confessional that everyone being this hyped up actually worried him, as he hoped they weren’t getting distracted and forgetting that they still had to earn the win. Michael encouraged him to lighten up, as they had a virtual all-star team here, but Thomas still maintained his serious demeanor, with Ramona saying in her confessional that this guy seriously needed to get a hobby.
Ramsay reminded the chefs again that he was looking for these chefs to show him why they deserved to become the head chef of Gordon Ramsay Steak, and with that, he called out to Marino and told him to open Hell’s Kitchen.
Dinner Service
Guests began to enter Hell’s Kitchen by the dozens, as it was once again the center of the culinary world for tonight, filled to the brim with celebrities and Hollywood elites. It was not long before orders began to make their way back to both kitchens.
In the blue kitchen, they were looking to Grace on appetizers and Carole on fish to give the blue team an early edge, while Lauren was on garnish and Melody was on meat. Early on, Grace managed to successfully deliver her first table of lobster tail risottos and capellini, with nicely cooked tails from Carole along with an acceptable order of scallops. Carole said in her confessional that they absolutely needed to keep this up, as both of them were effectively cooking for their lives right now. Unfortunately, communication issues cropped up again, with Grace not talking to Carole and bringing up her dishes without waiting for Carole’s scallops. Ramsay called out for the scallops, saying food was dying at the pass, and demanded to know why the fuck they couldn’t just work together as a team. Carole did eventually bring up the scallops, but they were raw, much to Ramsay’s disgust, and Grace said in her confessional that Carole just needed to get out of here as she clearly wasn’t cutting it. Despite these issues, and an overly salty risotto from Grace, the blue team did manage to finally start getting appetizers out into the dining room, with Ramsay even praising Grace’s risottos at one point, and telling her that’s what she could do if she would focus more on cooking than starting shit with her team. The blue team did eventually complete appetizers and began working on entrees.
In the red kitchen, Everett was working appetizers, while Michael was on fish, Ramona was on garnish, and Thomas and Faye were together on meat. Everett was glad to be working closely with Michael again, as he said in his confessional that they made a good team in the last service on meat. Early on, that familiarity seemed to be paying off, as Everett and Michael worked in sync with each other on the first few tickets and got their orders out in a timely fashion. Things did get bumpy, however, when Everett served mushy, overcooked capellini, and started dragging on orders, while Michael served overcooked scallops due to them getting mixed up on their times. Michael said in his confessional that they needed to get it together quickly, as they couldn’t afford to be falling behind so early in service. Meanwhile, Ramsay wanted to know where the energy was, as right now, Everett was going quiet and not responding when asked for times, and nothing was going out. Michael urged Everett to wake up and fight through it, and Everett did manage to get his next attempt at the capellini accepted. In his confessional, Everett said he was trying his best to keep it together, and admitted he had been thrown off his game, but he was far from done. With Everett’s newfound determination, the red kitchen finally had some life again, and after Ramsay praised both Michael’s scallops and Everett’s risottos, the two of them managed to get their rhythm back and serve the rest of their tables.
In the blue kitchen, they looked fo Melody to lead the way from the meat station, and thanks to strong communion between her, Lauren on garnish, and Carole on fish, they managed to get their dishes to the pass for the first table, but Carole’s turbot was undercooked, which left the entire order waiting for her, but she was able to recover quickly on her second attempt. On meat, Melody said in her confessional that it was pretty overwhelming to have to serve all of the blue team’s customers by herself for the first time, but despite dragging a bit on orders, she managed to push high quality Wellingtons and New York Strip out into the dining room consistently. Lauren, meanwhile, seemed at home driving tickets from the garnish station, and the blue team was finally starting to settle into a groove. Melody did serve a rare New York Strip, while Carole served raw turbot, but both were able to bounce back, and entrees were soon flying out to grateful diners. Melody and Lauren once again had no problems communicating and working in sync from their stations, with Lauren saying in her confessional that she and Melody could probably run the kitchen by themselves. But it was Carole who once again held up the kitchen when she inexplicably fired off halibut despite it not being on the ticket, which got her schooled by Ramsay for not paying attention to the ticket when he was standing less than five feet away. Despite this, the blue team managed to complete the rest of their entrees, and were soon ready to get started on desserts.
The red team was starting on entrees with Thomas and Faye on the meat station, and Faye said in her confessional that with meat being a station she felt comfortable in, she hoped tonight could be the night she stood out for the red team. On the first ticket, she and Thomas managed to serve beautifully cooked Wellingtons and New York Strip, along with nicely cooked turbot from Michael, but Ramona was holding the table up by dragging on garnish. Though she eventually managed to bring it up, Ramona would continue to drag on her section, frustrating her team, but especially Ramsay, as he kept calling out for times, with Ramona becoming flustered and not responding to her team. Ramona said in her confessional that the nerves were absolutely getting to her right now, and she seriously needed to bounce back. Meanwhile, Faye ran into some trouble on her Wellingtons, as she undercooked them for one table and said she would need several minutes for a refire, though she was able to recover. Thomas also had a rare mistake as he served undercooked New York Strip, and Ramsay said he didn't expect that from the executive chef. Thomas kicked himself in his confessional, saying that could not happen again, and he did manage to serve a beautiful New York Strip on his refire. However, on the next ticket, Ramona served a pot of runny mashed potatoes, and also seemed lost on what was actually going, as she couldn’t recall the ticket when Ramsay asked her. Ramsay had seen enough and took her into the pantry, asking her what the fuck she was doing, and if it was some kind of joke to her. Ramona insisted it wasn’t and said it was just nerves, but Ramsay replied that she needed to shake those nerves right now, or he would send her out the front door, immunity pass or not. Ramona said in her confessional that it was do or die, and she did manage to finally serve acceptable garnishes. Faye was still dragging on Wellingtons, which frustrated Ramsay, but finally, the red team managed to complete their remaining entrees.
Both teams finished their desserts in good time, and Ramsay told them to clear down.
Post-Mortem
Ramsay had the teams line up and started by saying that this was still not the complete performance he had been looking for. For the blue team, appetizers had been underwhelming, but they improved on entrees. For the red team, it was a decent start on apps, followed by a nightmare on entrees. However, he noted that one team in particular had a slight edge, and that was the blue team, as despite their issues, their customer comment cards gave them a satisfaction rating of 90%, to 84% from the red team. Ramsay said that the fiasco on entrees cost the red team this service, and told them to think long and hard about which two should be going up for elimination tonight. With that, he dismissed both teams to the dorms.
Back in the dorms, the red team’s deliberations were kicked off by Thomas, as he said he hoped everyone could agree that Ramona had dropped the ball tonight on garnish. The others seemed to agree, with Michael saying it was her worst performance in a while. Ramona only half-heartedly fought back, as she said she was better than this, and knew she still deserved to be here, but said if they wanted to put her up, it was their choice. In her confessional, she said she knew that immunity pass wouldn’t last forever, and it was better to get her bad service out of the way now, than during black jackets. With the first nominee having been an easy choice, the second would be more challenging, as Everett acknowledged that Michael and Thomas both had great services despite each having a mistake, and didn’t deserve to go up, which left either him or Faye. Thomas said that he felt Faye had struggled on meat, and that Ramsay rightfully had high expectations of both of them, due to his experience and her being a past chef, so he would vote for her. Michael, though, said that he had to vote for Everett, as he was just too inconsistent at this stage. Faye seemed torn but said she had to vote for Everett, even though they were friends, as he had struggled the most of the available options. Ramona was left with the deciding vote, and said in her confessional that it was impossibly difficult, as Faye had been a mentor for her here, while she had also bonded with Everett.
On the blue team’s side of the dorm, everyone was pleased to have won service and avoided having to send anyone home…well, almost everyone. Lauren admitted to Melody that it sucked having to put up with Grace for another day, while Melody tried to get her to think more positively, as if they were winning with Grace on their team, Ramsay definitely had to be taking notice. Lauren smiled and said she was definitely right about that, and the two of them continued chatting together while Carole sat off by herself and pondered her future in Hell’s Kitchen, In her confessional, she said she was damn lucky that the blue team won tonight, as she and Grace would have gone up otherwise, and that could have been it for her and her dream. Meanwhile, Grace felt that she had done well, and could have done even better without Carole getting in the way, saying in her confessional that it would be nice to get rid of dead weight, but she would settle for seeing someone from the red team go home.
Elimination Ceremony
The red team entered the dining room anxiously and lined up before Ramsay, who said that this was supposed to be the best five on the red team, but instead, it looked like two completely different teams, and while he didn’t know what the hell was going on, he was going to get to the bottom of it. With that, he asked Thomas for the red team’s first nominee and why. Thomas announced that the red team had nominated Ramona, due to her terrible performance on garnish, and being the weakest chef on the team. Ramsay asked for the second nominee and why. Thomas hesitated briefly before announcing that…the red team was nominating Everett, due to his declining performances and up and down service on appetizers. Before getting to any elimination pleas, though, Ramsay told Ramona to step forward and had her hand over the immunity pass. As she did so, Ramsay said that if not for the pass, Ramona would have gone home tonight, and urged her to take advantage of this second chance, before sending her back in line. Ramona appeared visibly shaken as she went to rejoin the red team. Ramsay said that the red team now had 30 seconds to talk amongst themselves and come up with another nominee. In the huddle, the chefs quickly determined that Faye would go up, as she had been their other consideration. As they broke the huddle, Thomas announced that Faye was the red team’s new nominee. Ramsay accepted this and told Everett and Faye to step forward.
Deliberation music
First, Ramsay asked Faye why she should stay in Hell’s Kitchen.
Faye: “My time away from Hell’s Kitchen gave me a whole new perspective on cooking, it made me realize why I’m doing this. It’s for my family, it’s for me, I can’t imagine doing anything else. That’s why I’ll never give up on myself or my team.”
Ramsay asked Faye if she thought she was a better chef than Everett.
Faye: “...Everett is a fighter, chef, and a good teammate, but yes, I do believe I’m stronger than him in terms of consistency and leadership.”
Ramsay moved on to Everett, asking him why he should stay in Hell’s Kitchen.
Everett: “This competition is a marathon, chef. I’ve had my ups and downs, I’ve had my stumbles, but I feel like I’m just on the cusp of hittin’ my stride.”
Ramsay said he had been waiting and waiting for Everett to emerge, and it seemed like he was trending downwards.
Everett: “I’ve had a slump, chef, I ain’t gonna deny that. But I’m fightin’ through it. I know I can be your next head chef.”
Ramsay asked Everett if he thought he was a stronger chef than Faye.
Everett: “Chef…”
Dramatic music
Ramsay waited on Everett’s answer, and after a tense moment, he finally spoke…
Everett: “Chef…at this time, no, I can’t say that I am.”
Faye glanced over at Everett in shock, as did everyone else from the red team, and even some of the blue team.
Ramsay: “I appreciate the honesty. Please, give me your jacket, your time is done in Hell’s Kitchen.”
Elimination music
Everett handed over his jacket and shook Ramsay’s hand.
Everett: “Thank you so much for this opportunity, chef.”
Ramsay: “Let me tell you something, young man, you have so much passion and fightback within you, I’ve seen it throughout this competition. Unfortunately, I didn’t see enough of it in service, or just now, but I hope you can find it again, because you are bloody talented. I wish you all the best.”
Everett thanked Ramsay again and waved goodbye to his team as he exited Hell’s Kitchen.
Everett’s comment
“Oh man…when I first entered Hell’s Kitchen, I never thought I’d be walkin’ out the door like this. I thought I was headed straight for the top, no problem. Each day was like this crazy mixture of anxiety, thrills, and drama. I fought, and I fought, and I fought for my place, until, I guess I just couldn’t fight no more. I’ll always have good memories of my time here, but I sure as hell wouldn’t do it again! (laughs)

With Everett’s elimination, Ramsay told Faye to get back in line, and addressed the chefs collectively as the final 8, saying that tonight should be a reminder to each of these chefs that a downward spiral at this point was unacceptable, as things were not going to get any easier. With that, Ramsay told them all to get some rest, because tomorrow, he was going to start separating the chefs from the cooks.
As the chefs went back to the dorms, several of them had confessionals. Thomas said that Ramona was definitely a bigger liability than Everett, but hopefully losing her immunity would wake her up. Michael said that it sucked that Everett left when he was far from the worst tonight. Ramona was clearly still shaken from the experience, as she said she felt awful about Everett going home when she had a worse performance, and knew she had to bounce back tomorrow or it would all be over for her. Melody said that between Travis and Everett, watching their fellow chefs go home was just getting more and more difficult, but she knew there were still seven more between her and the grand prize. Grace said none of these chefs were on her level, and she was going to keep being herself and kicking ass in the kitchen, regardless of her team’s hate for her. Lauren said that with only four on each team, there was nowhere left to hide, and everything they had done up until now was just the warm up for the real tests that lay ahead.
​Placement
https://preview.redd.it/rpdx9533yw0d1.png?width=2447&format=png&auto=webp&s=52806b2d14807ba57be90bfa8261368e2dbea4cb

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Hercules 2014 HD VD/IT $3
Here Comes The Boom SD MA $2
Hereditary HD Vudu $4
Hilary's America SD Vudu $2
Hillsong Let Hope Rise HD MA $1 HD iTunes $1
Hitman's Bodyguard 4K Vudu $5 4K iTunes $4.50 HD Vudu $3
Hitman's Wife's Bodyguard 4K VD/IT $5.50
Hocus Pocus HD MA $5 HD GP $3
Home 2015 HD MA $3.50
Home Alone HDMA/4KIT $5
Home Alone 2 HD MA $4
Hope Springs HD MA $3.50 SD MA $2
Hotel Transylvania HD MA $4
Hotel Transylvania 3 SD MA $2.50
Hostiles 4K VD/IT $6
How To Train Your Dragon 1-3 Film Collection HD MA $10
Hugo SD VD/IT $2
Hunger Games 4K Itunes $3.50 HD Vudu $1 SD Vudu $0.50
Hunger Games Catching Fire 4K Vudu $4.50 4K Itunes $4 HD Vudu $1.50 SD Vudu $0.50
Hunger Games Mockingjay Part 1 4K Itunes $4 HD Vudu $1.50
Hunger Games Mockingjay Part 2 HD Vudu $3
Hunger Games 4 Film Collection 4K Vudu $15 HD Vudu $6.50
Hunter Killer HD Vudu $3.50
I Can Only Imagine HD VD/IT $3
I Feel Pretty Itunes $2.50
I Frankenstein HD VD/IT $3.50
Ice Age 5 Film Collection HD MA $18
Ice Age HD MA $4.50
Ice Age Christmas Special HD MA $4.50
Ice Age Continental Drift HD MA $4.50
Ice Age Dawn Of The Dinosaurs HD MA $4.50
Ides Of March HD MA $4.50
Incarnate iTunes $4
Incredibles 2 4K MA $6 HDMA/4KIT $4.50 HD GP $3
Indiana Jones 4 Kingdom Of The Crystal Skull 4K VD/IT $6
Indiana Jones 5 Dial Of Destiny HD MA $5.50
Independence Day 2 Film HD MA $8
Independence Day HDMA/4KIT $4.50
Independence Day Resurgence HDMA/4KIT $4.50
Inferno HD MA $4
Inside Out HDMA/4KIT $5.50 HD GP $3.50
Instructions Not Included HD Vudu $4 SD Vudu $2
Interstellar 4K VD/IT $5.50 HD Vudu $3
Into The Woods HD MA $4 HD GP $3
Iron Man HD GP $4.50
Iron Man 3 HD GP $3.50
Iron Man And Hulk Heroes United HD MA $5
Iron Mask HDVD/4KIT $5.50
It's A Wonderful Life 4K VD/IT $6
Jack And Jill HD MA $4
Jack Reacher Never Go Back 4K Itunes $3.50 HD Vudu $2
Jack Ryan Shadow Recruit 4K Itunes $3.50 HD Vudu $2
Jackass 3 HD VD/IT $4.50
James Bond Connery Collection Volume 1 HD Vudu $14
James Bond Connery Collection Volume 2 HD Vudu $14
James Bond Daniel Craig 4 Film Collection HD Vudu $11
James Bond Skyfall HD Vudu $1.50
James Bond Spectre HD Vudu $3.50
Jarhead 2 HD MA $3 iTunes $2.50
Jarhead 3 HD MA $3 iTunes $2.50
Jaws 4K MA $6
Jay And Silent Bob Reboot HD VD/IT $4.50
Jigsaw 4K VD/IT $4.50 HD Vudu $3
Joe Dirt 2 HD MA $4.50
John Wick 1 4K iTunes $3 HD Vudu $1
John Wick 1 And 2 Combo HD Vudu $2.50
John Wick 2 HD Vudu $2
John Wick 3 HDVD/4KIT $4
Journey To Bethlehem HD MA $5
Jumanji 2 Film (Welcome To The Jungle/Next Level) HD MA $6.50
Jumanji Welcome To The Jungle HD MA $3.50 SD MA $2
Jungle Book 1967 HD GP $4.50
Jungle Cruise 4K MA $6 HD MA $4 HD GP $3
Jurassic Dominion 4K MA $5.50
Jurassic Park 4K MA $4 HD MA $3
Jurassic World 4K Itunes $2.50 HD MA $1
Jurassic World Fallen Kingdom HD MA $3
Jurassic 5 Film Collection 4K MA $15
Jurassic 6 Film Collection HD MA $15
Justice 2017 HD MA $4
Justin Bieber Never Say Never Itunes $1.50
Kickass 2 HD MA $4
Kickboxer HD Vudu $4.50
Killer Elite iTunes $3
King Kong 2005 4K MA $6
Kingsman The Golden Circle 4K ITunes $4
Kingsman The Secret Service 4K Itunes $4 HD MA $3
Knock At The Cabin HD MA $4.50
Krampus iTunes $4.50
Lady And The Tramp HD MA $5
Lady And The Tramp 2 Scamps Adventure HD MA $6 HD GP $5
La La Land HD Vudu $3.50
Lara Croft Tomb Raider HD Vudu $4
Last Vegas HD MA $4 SD MA $2
Lee Daniels The Butler HD Vudu $4
Legends Of Oz Dorothy's Return HD MA $5
Leperchaun 8 Film Collection HD Vudu $13
Leprechaun Origins HD VD $3
Let Him Go HD MA $4
Life Of Pi Itunes $4 HD MA $3
Lightyear 4K MA $6 HD MA $3.50 HD GP $2.50
Lilo And Stitch HD MA $4.50 HD GP $4
Lilo And Stitch 2 HD MA $3.50 HD GP $3
Lion King 1994 HD MA $4 HD GP $2.50
Lion King 2019 HD MA $4 HD GP $2.50
Little Mermaid 1989 HD MA $4 HD GP $3
Little Mermaid 2023 HD MA $5.50
Lone Ranger HD MA $4.50 HD GP $4
Lone Survivor 4K MA $5.50 4K Itunes $4 HD MA $2.50
Longest Ride 4K iTunes $4 HD MA $2
Looper HD MA $4.50
Lorax 2012 HD MA $4 HD iTunes $3.50
Lucy 4K MA $4.50 4K iTunes $4 HD MA $3
Machine Gun Preacher iTunes $4
Madea's Witness Protection VD $2
Maggie HD Vudu $3
Maleficent 4K MA $6 HDMA/4KIT $4 HD GP $2.50
Maleficent Mistress Of Evil HD GP $3.50
Marvins Room HD VD/IT $4
Mary Poppins HD MA $3.50 HD GP $2
Mary Poppins Returns 4K MA $5.50 HDMA/4KIT $4.50 HD GP $3
Max Payne Unrated iTunes $4
Mechanic Resurrection 4K Itunes $3.50 HD Vudu $2.50
Megan Leavey HDMA/iTunes $2
Men In Black 3 HD MA $3
Men In Black International 4K MA $5
Mickeys Christmas Carol HD MA $6
Mickey Classic Shorts Volume 1 HD MA $6 HD GP $5
Mickey Classic Shorts Volume 2 HD MA $6
Midsommar HD Vudu $5.50
Midway 4K VD/IT $5 HD GP $3
Mile 22 4K iTunes $5
Million Dollar Arm HD MA $3.50 HD GP $3
Mike And Dave Need Wedding Dates HD MA $4.50
Miss Peregrines Home For Peculiar Children HD MA $4
Mission Impossible 1 HD Vudu $3.50
Mission Impossible 2 HD Vudu $3.50
Mission Impossible 4 Ghost Protocol 4K iTunes $4 HD Vudu $2
Mission Impossible 5 Rogue Nation 4K Vudu $4.50 4K Itunes $4 HD Vudu $2
Mission Impossible 6 Fallout 4K Vudu $4.50 4K iTunes $4 HD Vudu $2
Moana 4K MA $6.50 HDMA/4KIT $4 HD GP $3
Moneyball HD MA $4
Monsters University HD MA $6.50 HD GP $4.50
Morbius 4K MA $5.50 SD MA $2
Mr Peabody And Sherman HD MA $4.50
Mud HD Vudu $3
Mulan 1 HD MA $6 HD GP $5
Mulan 2 HD MA $5 HD GP $4
Mulan 2020 HD MA $4 HD GP $2.50
Mummy 1932 4K iTunes $4.50
Murder On The Orient Express HD MA $4.50
My All American HD MA $4 iTunes $3.50
My Girl 1 And 2 Film Collection SD MA $6
Need For Speed HD MA $4.50 HD iTunes $4.50 HD GP $4
News Of The World HD MA $4.50
Night At The Museum Secret Tomb HD MA $3
Nightmare Before Christmas 4K MA $6 HD MA $5 HD GP $4
No Escape HD Vudu $4
No Good Deed 2014 HD MA $3.50
Noah 2014 Itunes $3.50
Nonstop 4K Itunes $5 HD MA $4
Norm Of The North HD Vudu $3
Now You See Me HD VD/IT $2 SD Vudu $1
Now You See Me 2 SD Vudu $1.50
Nutcracker And The Four Realms 4K MA $5 HD GP $3
Oblivion 4k iTunes $4 HD MA $3
Office Christmas Party 4K iTunes $5.50 HD Vudu $4.50
Olympus Has Fallen HD MA $4.50
Onward HD MA $3.50 HD GP $3
Overdrive HD Vudu $4 iTunes $2.50
Oz The Great And Powerful HD MA $3 HD GP $2
Paddington HD Vudu $4.50
Pain And Gain HD Vudu $4
Paranormal Activity 3 HD VD/IT $1
Paranormal Activity Ghost Dimensions HD VD/IT $3
Parental Guidance HD MA $4 iTunes $3
Parker SD MA $2
Patriots Day 4K iTunes $4 HD Vudu $3
Paul Blart Mall Cop 2 SD MA $2.50
Peanuts The Movie HDMA/4KIT $4.50
Percy Jackson Sea of Monsters HD MA $2.50
Pet Semetary 2019 4K Vudu $5 4K Itunes $4.50
Peter Pan HD MA $5.50 HD GP $4
Peter Pan 2 Return To Neverland HD MA $6 HD GP $5.50
Petes Dragon 2016 HD MA $4 HD GP $3
Pinocchio 1940 HD MA $5 HD GP $4
Pirates Of The Caribbean DMTNT HD MA $3.50 HD GP $2
Pitch Perfect 4K iTunes $4 HD MA $2
Pitch Perfect 2 4K ITunes $4 HD MA $2
Planes HD MA $3.50 HD GP $2
Planes Fire And Rescue HD MA $3.50 HD GP $2
Planes Trains And Automobiles HDVD/4KIT $5.50
Planet Of The Apes "Dawn" HDMA/4KIT $3.50
Pocahontas HD MA $5.50 HD GP $4.50
Pocahontas 2 HD MA $5.50 HD GP $4.50
Poltergeist 4K MA $5.50
Precious Cargo HD VD/IT $3.50
Predator 4 Film Collection 4K MA $19
Premium Rush HD MA $4.50 SD MA $2
Prey For The Devil 4K Vudu $5.50 HDVD/4KIT $4.50
Psycho HD MA $4
Public Enemies iTunes $4
Queen And Slim 4K MA $6
Queen Of Katwe HD MA $4 HD GP $3
Rambo First Blood HD Vudu $3
Rambo Last Blood 4K iTunes $4 HD Vudu $3
Raya And The Last Dragon HD MA $4 HD GP $3
Red 2 4K iTunes $3.50 HD Vudu $2 SD Vudu $1
Red Dawn 2012 HD MA $4.50 iTunes $4
Redemption HD VD $3
Replicas HDVD/4KIT $5.50
Rescuers HD MA $4.50 HD GP $4
Rescuers Down Under HD MA $4.50 HD GP $4
Reservoir Dogs 4K VD/IT $5
Resident Evil Death Island HD MA $4.50
Riddick Unrated Directors Cut HD MA $4 iTunes $4
Ride Along iTunes $3.50 HD MA $3
Ride Along 2 ITunes $3.50 HD MA $3
Rio 2 Sing Along HD MA $4
RIPD 4K ITunes $4.50 HD MA $3.50
Rise Of The Guardians HD MA $4
Rob Zombie Firefly 3 Film Collection HD Vudu $8
Robin Hood Disney 1973 HD MA $4 HD GP $2
Robocop HD Vudu $4.50
Rocketman 4K iTunes $4 HD Vudu $3
Rocky 2 4K VD/IT $5
Rogue Warfare The Hunt SD VD/IT $2
Roman J Israel HD MA $3
Rons Gone Wrong 4K MA $6 HD MA $3.50 HD GP $2.50
Saban's Power Rangers 4K VD/IT $5 HD Vudu $3
Safe HD VD/IT $2.50
Same Kind Of Different As Me HD VD/IT $3
Samson HD MA $3
Savages iTunes $4
Saving Mr Banks HD MA $5 HD GP $4
Saw 7 Film Collection HD Vudu $13
Scarface 4K ITunes $5
Scream 1996 4K VD/IT $6 HD Vudu $4.50
Scream 2022 4K VD/IT $6
Scream 2 HDVD/4KIT $5.50
Scream 5 HDVD/4KIT $5.50
Season Of The Witch iTunes $4
Second Act iTunes $4
See No Evil 2 SD Vudu $3
Selma HD Vudu $2.50 HD Itunes $2
Serenity 4K MA $6
Seventh Son iTunes $3.50
Shang Chi HD MA $4.50 HD GP $3
Shaun Of The Dead 4K iTunes $5 HD MA $4
Show Dogs HD MA $4
Sicario 4K iTunes $4.50 HD Vudu $3.50
Sing 4K ITunes $5 HD MA $4
Sisters Unrated Itunes $3
Sixteen Candles HD MA $4 HD iTunes $3.50
Skyscraper HD MA $3
Sleeping Beauty HD MA $4.50 HD GP $3.50
Sleepless Itunes $3.50
Smurfs Lost Village HD MA $4
Snatched HDMA/4KIT $4
Sniper HD MA $5
Sniper 2 HD MA $5
Sniper 3 HD MA $5
Sniper 4 Reloaded HD MA $4.50
Sniper 5 Legacy HD MA $4.50
Sniper 6 Ghost Shooter HD MA $4.50
Sniper 7 Ultimate Kill HD MA $4.50
Sniper 8 Assassins End HD MA $4.50
Snitch 4K Itunes $4 HD Vudu $3 SD Vudu $2
Snow White Disney 4K MA $6.50 HD MA $5 HD GP $4
Snow White And The Huntsman 4K Itunes $3.50 HD MA $3
Snowden HD MA $4.50 HD iTunes $4
Sonic Hedgehog 4K VD/IT $6 HD Vudu $5
Soul 4K MA $5.50 HD MA $3 HD GP $2
Southpaw HD Vudu $4.50
Speed 4K MA $6.50
Spider-Man Across The Spiderverse HD MA $4.50 SD MA $3
Spider-Man Amazing Spider-Man 4K MA $6 HD MA $4
Spider-Man Amazing Spider-Man 2 4K MA $6 HD MA $4 SD MA $2
Spider-Man Far From Home HD MA $4
Spider-Man Homecoming 4K MA $6 HD MA $2
Spider-Man Into The Spiderverse HD MA $4.50
Spider-Man No Way Home 4K MA $6 HD MA $4
Spider-Man Tobey HD MA $4
Spider-Man 2 Tobey 2 Film Collection Theatrical/Extended HD MA $4.50
Spider-Man 3 Tobey HD MA $4
Spies In Disguise HD MA $4.50HD GP $3
Spy Unrated HD MA $4
St Vincent HD Vudu $4.50
Star Trek Beyond 4K VD/IT $4.50 HD Vudu $2.50
Star Trek Into Darkness 4K Itunes $3 HD Vudu $1
Star Trek 2 Wrath Of Khan 4K VD/IT $4 50
Star Wars Rogue One HDMA/4KIT $4 HD GP $2
Star Wars Solo HD GP $4.50
Star Wars Ep 4 A New Hope HD GP $5.50
Star Wars Ep 5 Empire Strikes Back HD GP $5.50
Star Wars Ep 6 Return Of The Jedi HDMA/4KIT $6.50
Star Wars Ep 7 Force Awaken 4K MA $6 HDMA/4KIT $3 HD GP $2
Star Wars Ep 8 The Last Jedi 4K MA $5 HDMA/4KIT $3 HD GP $2
Star Wars Ep 9 Rise Skywalker 4K MA $6.50 HD GP $3.50
Step Up All In SD Vudu $2.50
Step Up Revolution HD Vudu $3
Straight Outta Compton Unrated 4K iTunes $4.50 HD MA $3.50
Strange World HD MA $5 HD GP $4
Suburbicon 4K Itunes $4
Super 8 HD Vudu $3.50
Superfly HD MA $3
Superman 5 Film Collection 4K MA $20
Super Mario Bros Movie 4K MA $6 HD MA $5
Sweetwater HD MA $4
Taken iTunes $4
Taken 2 HDMA $4 iTunes $3.50
Tangled HD GP $4.50
Ted Unrated HD MA $3
Teenage Mutant Ninja Turtles Mutant Mayhem 4K VD/IT $6.50
Teenage Mutant Ninja Turtles 2014 4K Vudu $4 4K Itunes $3.50 HD Vudu $2
Teenage Mutant Ninja Turtles Out Of Shadows HD Vudu $4
Terminator Dark Fate 4K Vudu $5.50 4K iTunes $4.50
Terminator Genesis 4K Vudu $5.50 4K Itunes $4.50 HD Vudu $3
The A Team iTunes $4
The Adventures Of Tin Tin SD Vudu $2
The Artist SD MA $2
The Art Of Self Defense HD MA $3
The Best Man Holiday 4K iTunes $4.50
The BFG HD GP $4
The Boy HD MA $3.50 Itunes $3
The Bye Bye Man HD iTunes $4
The Cabin In The Woods 4K iTunes $4.50 HD Vudu $3
The Call HD MA $4.50
The Call Of The Wild HD GP $4
The Children HD Vudu $4.50
The Choice HD Vudu $3.50 iTunes $3 SD Vudu $2
The Commuter 4K VD/IT $5 HDVD/4KIT $4
The Croods HD MA $4.50 Itunes $3.50
The Croods 2 Film Collection HD MA $8
The Dentist 2 Film Collection HD Vudu $6
The Departed 4K MA $7
The Devil Inside SD Vudu $2
The Dilemma HD MA $4.50 HD iTunes $4
The Duff HD Vudu $3
The Emoji Movie HD MA $3
The Exorcist 2 Film Theatrical/Extended 4K MA $6
The Gambler HD VD/IT $3.50
The Ghost Writer HD Vudu $4.50
The Girl On The Train 4K Itunes $4 HD MA $3.50
The Good Dinosaur HD MA $4 HD GP $3
The Greatest Showman HD MA $4
The Gunman HD MA $2.50 HD iTunes $2
The Heat HD MA $3 Itunes $2.50
The High Note HD MA $3
The Host iTunes $4
The Imitation Game HD Vudu $4.50
The Internship HD MA $3 iTunes $2.50
The Interview HD MA $4.50
The King Of Staten Island HD MA $4.50
The Last Duel HD MA $5 HD GP $4
The Last Witch Hunter 4K Vudu $4.50 HD Vudu $3.50
The Legend Of Hercules HD VD/IT $3
The Machine HD MA $4.50
The Magnificent Seven 2016 HD MA $4
The Marksman HD MA $4
The Martian HDMA/4KIT $5
The Mask Of Zorro 4K MA $6
The Menu HD GP $4
The Mist 4K Vudu $6
The Monuments Men HD MA $3.50 SD MA $2
The Mountain Between Us HD MA $4
The Mummy "Tom Cruise" 4K ITunes $5 HD MA $4
The Night Before HD MA $3.50
The Nut Job HD MA $4 iTunes $3.50
The Nut Job 2 HD MA $4 Itunes $3.50
The Perfect Guy SD MA $2
The Perks Of Being A Wallflower HD VD/IT $3.50 SD Vudu $2
The Possession HD VD/IT $3.50 SD Vudu $2
The Purge 4 Film Collection HD MA $14
The Purge 5 Film Collection HD MA $17
The Purge 4K MA $5 4K Itunes $4.50 HD MA $4
The Purge Anarchy 4K MA $5.50 4K Itunes $4.50 HD MA $4
The Purge Election Year 4K MA $5.50 4K iTunes $4.50 HD MA $4
The Purge Forever Purge HD MA $4.50
The Raven iTunes $4
The Rocker iTunes $4
The Santa Clause HDMA/4KIT $5 HD GP $3
The Santa Clause 2 HDMA/4KIT $5 HD GP $3
The Santa Clause 3 HDMA/4KIT $5 HD GP $3
The Secret Garden 2020 4K Vudu $5 Itunes $3.50
The Secret Life Of Pets 4K Itunes $4 HD MA $2.50
The Shack HD VD/IT $3.50
The Shallows HD MA $4.50
The Spectacular Now HD Vudu $4 SD Vudu $2
The Star SD MA $2
The Sting 4K iTunes $5
The Sum Of All Fears 4K VD/IT $5.50
The Upside iTunes $4
The Vanishing HD VD $3.50
The Vow SD MA $1.50
The Warriors Way iTunes $3
The Whale HD Vudu $6
The Wedding Ringer HD MA $3
The Witch HD Vudu $4.50
The Wolf On Wall Street 4K Vudu $5.50 4K iTunes $5
This Is 40 HD MA $4
This Is The End HD MA $4
Thor HD GP $4
Thor Dark World HDMA/4KIT $5 HD GP $2
Thor Love And Thunder HD MA $4.50 HD GP $3
Thor Ragnarok 4K MA $6 HD MA $3 HD GP $2
Three Billboards Outside Missouri HD MA $4.50
Thumbelina HD MA $6
Tinkerbell Pirate Fairy HD MA $3.50 HD GP $2
Titanic 4K VD/IT $6
To Kill A Mockingbird 4K iTunes $4.50 HD MA $3.50
Tommy Boy HD VD/IT $5
Top Gun 4K VD/IT $5 HD Vudu $3.50
Top Gun Maverick 4K VD/IT $5
Total Recall 1990 HD Vudu $4
Tower Heist Itunes $3
Toy Story 4K MA $6 HDMA/4KIT $5.50 HD GP $3
Toy Story 4 4K MA $4.50 4KIT/HDMA $3.50 HD GP $2
Trainwreck 4K iTunes $5
Transformers 3 Dark Of The Moon 4K iTunes $4.50 HD Vudu $3
Transformers 4 The Last Knight 4K VD/IT $4.50 HD Vudu $3
Transformers 5 Age Extinction 4K VD/IT $4 HD Vudu $3
Transformers Bumblebee 4K iTunes $4.50 4K HD Vudu $3
Transformers Rise Of The Beasts 4K VD/IT $6
Trauma Center HDVD/4KIT $3.50
Trolls HD MA $3.50
True Blood Season 2 Itunes $4
Turning Red HD MA $4 HD GP $3
Twilight Eclipse HD Vudu $4.50
Twilight Breaking Dawn Part 1 HDVD/4KIT $5
Twilight Breaking Dawn Part 2 4K iTunes $2 HD Vudu $1 SD Vudu $0.50
Twilight Complete 5 Film Collection 4K Vudu $19
Tyler Perry Madea Christmas Vudu $3
Tyler Perry Neighbors From Hell Vudu $3
Unbreakable 4K MA $5.50 HD GP $3.50
Unbroken 4K iTunes $4.50 HD MA $4
Uncharted 4K MA $6
Uncle Drew HDVD/4KIT $4.50
Underworld Awakening HD MA $3.50 SD MA $2
Unfinished Business HD MA $4.50
Universal Rewards Monthly Movies You Pick HD/4K MA "1 for $3.50 or 2 for $6"
Unknown iTunes $4
Valerian And The City Of A Thousand Planets HD VUDU $4
Van Helsing 4K iTunes $5.50 HD MA $4.50
Vanquish HDVD/4KIT $5.50
Venom 4K MA $6 HD MA $3
Venom Let There Be Carnage HD MA $4.50
Violent Night 4K MA $6.50
Walking With Dinosaurs HD MA $3.50 HD iTunes $3
Wanted iTunes $4
War Room HD MA $3
Warcraft 4k iTunes $3.50 HD MA $2
Warhunt 4K Vudu $5
Warm Bodies 4K Itunes $4.50 HD Vudu $3.50
Warrior iTunes $4
Water For Elephants Itunes $4
We Die Young HD VD/IT $4
What Happens In Vegas Stays In Vegas iTunes $4
West Side Story 2021 HD MA $3 HD GP $2.50
What To Expect When Your Expecting HD Vudu $3.50
When The Game Stands Tall SD MA $1.50
White House Down HD MA $4 SD MA $2
Winnie Pooh Springtime With Roo HD MA $4.50
Winnie Pooh A Very Merry Pooh Year HD MA $4 HD GP $3.50
Wonder Park 4K Itunes $4 HD Vudu $2.50
World War Z 4K iTunes $5 HD Vudu $4
Wreck It 2 Ralph Breaks The Internet 4K MA $6 HD MA $4 HD GP $3
Wrong Turn 5 Bloodlines iTunes $4
X-Men 3 Film Collection (X-Men/X-2/Last Stand) HD MA $13
X-Men 3 Film Collection (Apocalypse/Days Of Future Past/First Class) HD MA $12
X-Men Apocalypse HDMA/4KIT $5
X-Men Days Of Future Past HDMA/4KIT $5
X-Men Days Of Future Past Rogue Cut HDMA/4KIT $6
X-Men Logan 4K Itunes $4 HD MA $3
X-Men Wolverine Unrated HD MA $4 SD iTunes $2
XXX Return Of Xander Cage 4K iTunes $4 HD VD/IT $2.50
Zero Dark Thirty HD MA $4
Zootopia HD GP $3
TRADES FOR PERSONAL REDEEM LOOKING FOR LIST
These are some new release movies im looking for
American Society Of Magical Negroes
Ghostbusters Frozen Empire
Imaginary
Killers Of Flower Moon
The Kill Room
These are some older movies I know have codes I'm looking for
Battle For Sky Ark
Doubt
Judge Archer
Little Stranger
Once Upon A Time In The West
One From The Heart Reprise
Piercing
Stonewall
Throwdown

Leadership auditions for band were last week and I had been preparing for drum major auditions for a while so I could perfect my technique and prepare answers for possible interview questions just so my nervousness didn't throw my answers off. I got in there and put all my work out on the table and did my best. Results came out the other day and I didn't get it. There were only 4 who tried out and 1 was a previous drum major (they were one as a junior) and the other was a flute section leader who is quite literally the quietest yet rude person ever. P.s. I saw her conducting and it is terrible she has no bounce point whatsoever and it's way too flowy and slower than the beat. The flute section leader and I will both be Juniors next year so it isn't a thing of seniority and honestly even the other drum majors said I was better suited then her. Heres why I didn't get it 1. I'm dating the other choice for drum major (our relationship isn't lovey in front of others we keep it closed off and professional in band) and 2. They claimed that the trumpets still needed me (we have 12 trumpets). This choice made by the directors has made me question if I'm good enough for anything if my best wasn't enough. Also my girlfriend/ the other drum major is pissed because she hates the flute player and calls them a narcissist. On top of that I am friends with almost everyone in the band she has maybe 10 friends and everyone I have talked to including a few of her friends say they would rather of had me be a drum major than her. Is their choice of someone who isn't remotely fit for the position better than them choosing me?

Today I'm writing about the Aprile Family "Plot".
I'll describe how the Aprile family, (Namely Richie, partly Janice, Jackie Jr, and finally Ralph) all laid seeds to bring down Tony.
I've stated before on previous write-ups, but I'll state once more that Jackie Sr was the beloved leader of the Sopranos crew. This is highlighted in season 3, specifically the episode to "To Save us All from From Satan's Power" when in Tony's flashbacks we see a Jackie Sr that has his doors opened for him by Silvio and we see other crew members let out their chairs for him.
He was a man HONORED by his crew. He had support from NJ/NY through HONORABLE means. This is NOT the case with Tony. Tony built up his power through FEAMURDER first. We see Tony, though I believe it isn't 100% authentic, completely honors and overall respects Jackie Sr until his death. It's then Tony has to show his true character and sought the top spot.
Fast forwarding, as Richie is released, we see IMMEDIATELY he doesn't respect Tony's authority. This is highlighted in Season 2 first during Tom/Barbara elder's funeral when Tony sees Livia/Janice/Richie all together for the first time. Tony while getting a half-hearted apology from Richie tells him to BACK OFF AND RESPECT THE TITLE.
On another note, ALL of tony's enemies that he PHYSICALLY has to subdue call him "Anthony." These are all the people who saw him from his early years. This is why they have it out for him the most. They all KNOW he isn't fit to be "king". Yet his selfish nature can have it no other way. From Junior to Richie, Ralph, Feech, Blundetto (Out of jealousy), Hesh, Phil, etc each of his direct/in-direct enemies call him by his government name.
They do this is a way to MOCK him and usually due to their standing with him, (meaning he NEEDS them for some particular reason), Tony allows it. It's a very subtle clue into who has it out for Tony during the entire series.
Richie was used as a pawn for Janice, who mimics Livia's use of Corrado in the same way to bring down Tony. Richie, originally does not know/knew that Janice was using him as an overall pawn, but he himself, due to Tony not seeing him as equal and their issues of currency/the garbage business led to him being in direct conflict with Tony.
Richie, with his own personal baggage and theories on his sexuality, never has the respect to fully follow through on attacking Tony directly, Thus, he seeks out Junior to HELP aide him in his quest to retake the family/crew back from the Sopranos. Richie didn't mind Junior being in charge because him being out of the can meant all he had to do was wait and Junior's age would likely mean that eventually Richie would be in charge.
Also, Richie by episode 12 Knight in White Satin had already begun the plot to keep the Aprile family in charge by grooming Jackie Jr who then was still a student at Rutgers. We also see the closeness (though they never talk on screen) between Rosalie/Richie. She is front and center almost like the queen as Janice/Richie have their engagement ceremony.
As previously stated, I believe Janice was the overall chess player in that she was using Richie and he didn't realize it, but on the surface, Richie was marching headfirst into challenging Tony for the top spot by merging the families together and moving into a identical huge mansion with everyone noticing.
Once Richie goes to Junior to finally push through the need to usurp Tony, Junior agrees but understanding that he CAN"T be allowed to be noticed by Tony, he warns Richie to not fully commit to Albert. Junior is much sharper than Richie/Tony as far as being a consigliere (his true natural position), so he basically is the hidden middleman and puppet master for Richie. He deep down understands how the crew thinks/acts now. (End of season 2).
He knows that Richie hasn't been around long enough to garner the respect NOR FEAR needed to carry out what he wants against Tony. Junior understands that Tony will basically go to war and fight to the death (right or wrong) to keep his position. (Which basically what happens in season 6 more or less). Therefore, he plays possum and sends Richie out to do the deed and never attach his name to this second hit against Tony.
When Richie fails to pursue Albert, we see off screen that Jackie JRichie TOGETHER go to Junior to exclaim the bad news. As Junior yells ( I KNEW IT I FUCKING KNEW) he is verbally yelling out his subconscious that Richie is too week as he thought to carry out the plan against Tony.
Richie, who off camera with Jackie Jr likely already talked about strategy, THEN states to Junior that if YOU (JR) take out Tony, everybody will fall in line.
Richie in his street way, is now telling Corrado that hey, if YOU do it, everything will still work out because I don't have the muscle to do so. (Also notice that when Richie yells how he has "guys" in federal lock up who would love nothing better than to take out Barese; Junior gives him a perplexed kinda faint look like YEAH RIGHT. You can't even handle this yourself on the streets).
Junior then, realizing that Tony can NEVER find out he'd come after him twice, exclaims to Bobby his internal thoughts and says we must cut bait with Richie and let Tony know so he doesn't kills us for plotting to kill him twice. He convinces Tony that he wasn't apart of it and throws shade at Janice by telling Tony "Wonder where she is at in all this. My little Niece." Tony knows Janice's true character.
Janice provoke and kills Richie. Likely to save herself. Tony understands that now, by also getting rid of the body FOR Janice, that he OWNS her now as well. Not only did he have the proof he need that she plotted, but she also has a rivals blood on her hands AND only Tony can help her get rid of it. This was a deep and complex plot relationship most don't speak about between Tony/Janice.
In season 3, we see a now Christian-hypocritical Janice that literally is MUCH NICER to Tony than in season 2 in her initial arrival where she had this air of superiority due to age and life experience. Richie's plot to take down Tony by his OWN means dies with him at the hands of another Soprano.
PARTII of the plot now begins with Ralph/Jackie Jr.
As stated, it wasn't by accident that in season 3, Rosalie IMMEDIATELY sought out Ralphie as a spouse. This is the same method that Janice used in going after Richie except it's much more subtle. Rosalie never was away. She was the widow of the beloved boss. She was best friends (frenemies ) of Carmela the new Queen. Therefore, she didn't have to utilize the same approach as Janice. It had to be different. Not to mention, there is no way she didn't have silent ANIMOUSITY towards the Sopranos after Richie abruptly disappears. She knows how things roll. As Richie died, her standing also takes hit because the power is still not in HER family's corner still.
Thus, Jackie Jr now steps up. He started accompanying Richie in late season 2 on business disputes and Tony SHOULD have noticed him as a threat then that COULDN"T be changed. Christopher in episode Fortunate Son, is told by Tony to "keep Jackie out off it". Christopher states Jackie Jr is heir apparant prior to this.
Feech also spoke later about how power always gets passed to the son. Tony partially doesn't want Jackie Jr in involved because he understands that he becomes a rival who he'd have to deal with. It's the same in the Lion kingdom ironically.
Jackie, despite his actions was nothing more than a 21st century Tony without his dad there to carry him. Same academic profile, same Jock profile, and only difference is Jackie is being forced in the wrong direction partially due to Tony and his associates. The main one in season 3, being Ralphie who emerges more openly.
Namely, in Employee of the Month episode 4, when at at Sack's welcoming party, we see outside that Sack is secretly conversing with Ralph and Tony's worried glances notice this. The scene is very subtle in that the viewer SHOULD understand that Ralph/Sack are high level business men who have the propensity to drive home major dollars through construction. We never see Tony utilize anything but prior connects TAKEN from Junior when it comes to his business dealings. The HUD scam was grafted by Brian WITH Ralph in attendance. Tony never makes any spectacular business moves or scams that make you go wow.
The viewer finds out season 5 that the guy can't even write and is likely dyslectic. This makes total sense in why leading up, all his rivals usually don't respect him and only his closest friends do out of fear.
Tony is NOT a great or savvy businessman .He is a charming/brutal sociopath that charms up until a degree and then uses violence to take what he wants. Ralph is NOT that. He has business savvy. He is a PSYCHOPATH nevertheless.
Ralph is attempting through Johnny Sack, to plot his own rise to power in the NJ faction. This plot thickens in season 3, when Ralph, after realizing that Jackie Jr is making his move to become a member of the family. Several scenes, Ralph is bringing Jackie Jr deeper into the world with the gun, the x dealer suggestion, and taking him on missions to extort.
Ralph is poisoning Jackie with the trappings of the life. He, I believe is doing so to strengthen him to get the courage to challenge Tony and make a move while he can stay in the background and reap the fallout.
Tony/Ralph/Jackie Jr all kind of have parallels with the Lion King. Tony & Ralph playing the mufasa/scar roles while Jackie Jr is that of Simba. In a criminal way.

Seven
...
In 1945, Allen Ginsberg and Jack Kerouac were students at Columbia University and were lodging in Joan Vollmer’s apartment on West 115th Street. Kerouac, a Catholic who had gotten in on a football scholarship described Ginsberg as “this spindly Jewish kid with horn-rimmed glasses and tremendous ears sticking out…burning black eyes”; the two men had a brief, awkward affair. Their friend William Burroughs was living nearby, on Riverside Drive, and after Kerouac and Ginsberg set him up with their landlady, he moved in, too. The gaunt and lanky Burroughs was more than a decade older than Ginsberg and Kerouac, and already seemed, Ginsberg recalled, to have the “ashen gray of an old-age cheek.” The younger pair admired him, Ginsberg wrote, like “ambassadors to a Chinese emperor.” Kerouac hailed him as “the last of the Faustian men.” Burroughs returned the compliment by introducing the other members of the “libertine circle,” as they dubbed themselves, to drugs, sailors, porn, bathhouses, and Wilhelm Reich.

After leaving Harvard in 1936, Burroughs had enrolled at the University of Vienna’s medical schools, Reich’s alma mater, with vague plans of becoming a psychoanalyst, but his stay was dominated by the administration of arsenic shots for the syphilis he had contracted in America, which left him feeling nauseated and depressed. He left after a semester. Back in New York, Burroughs was analyzed by Paul Federn, who had been Reich’s first therapist but whom Reich came to consider his nemesis. Burroughs was institutionalized in 1940 after he chopped off the tip of his finger in a Van Gogh - like gesture of unrequited love (Bellevue psychiatrists diagnosed him as a paranoid schizophrenic). Burroughs’s parents gave him an allowance of two hundred dollars a month on the condition that he seek further help, and in 1946 Burroughs was undergoing narco-analysis with Dr. Lewis Wolberg, who used nitrous oxide and hypnosis to stimulated the unconscious.
Burroughs would return from his sessions with Wolberg to practice “wild analysis” on his friends, interpreting their dreams from the comfort of a wing chair. He also played a game that parodied the Reichian character analysis that he’d become interested in. The group would play an adaption of charades to facilitate the exploration of the onion layers of their personality armor. Burroughs referred to these exercises in amateur dramatics as “routines.” For example, underneath Burroughs’s public persona as the distinguished heir of an important St. Louis family lurked a prissy, lesbian English governess (“My dear, you’re just in time for tea. Don’t say those dirty words in front of everybody!”). Scratch the governess surface and you reached Old Luke, a gun-toting, tobacco-chewing sharecropper from the Deep South (“Ever gut a catfish?”). The last stratum, at his very core, held a silent Chinaman, a contemplative, impassive character who sat meditating on the banks of the Yangtse. Ginsberg’s hidden self was “the well-groomed Hungarian,” and Kerouac liked to play the naïve American lost in the sophistications of Paris.
Alfred Kinsey met Burroughs, Ginsberg, and Kerouac on one of their nocturnal trips to Time Square through their friend Herbert Huncke, the male prostitute who coined the term “beat” and introduced Burroughs to recreational drugs. Kinsey paid Huncke
Taking advantage of the proximity of Cott’s office to his father’s home, and still buzzing in the mouth, Ginsberg chose to come out during a posttherapeutic visit. “You mean you like to take men’s penises in your mouth?” his father said unsympathetically. But Cott thought homosexuality a perversion, as Reich did, and was working toward establishing heterosexual primacy rather than trying to persuade Ginsberg to come to terms with his queerness. “Frankly I won’t trust that kind of straight genital Reichian,” Burroughs wrote in disgust at this dogmatism. “Feller say, when a man gets too straight he’s just a god damned prick.”
Cott terminated Ginsberg’s therapy after three months because he continued to smoke pot against the doctor’s advice. Ginsberg though cannabis an integral part of his aesthetic education; Cott feared that it would lead to a psychotic episode. The summer he quit therapy, Ginsberg began experiencing auditory hallucinations. “It was like God had a human voice,” Ginsberg wrote of his transcendental experience, in which he discovered his calling as a poet, “with all the infinite tenderness and mortal gravity of a living Creator speaking to his son.” Consumed by a desire to share his amazing experience, Ginsberg crawled out onto his fire escape and tapped on the next-door neighbor’s windows, declaring to the two frightened girls inside, “I’ve seen God!”
His father, still reeling from the discovery of his son’s sexuality, feared that he was suffering from the paranoid schizophrenia that had caused his mother to be institutionalized in Pilgrim State, a mental hospital on Long Island. She also heard voices, feared her husband was trying to poison her, hallucinated Hitler’s mustache in the sink, and thought spies were following her. When Ginsberg entered Reichian analysis, she was reportedly banging her head against the wall so ferociously that the doctors recommended a lobotomy.
Ginsberg phoned up Dr. Cott, his former therapist, and told him, “It happened, I had some kind of breakthrough or psychotic experience.” Cott, who followed Reich in rejecting the talking cure, and who was obviously still angry at Ginsberg for choosing pot over therapy, said, “I’m afraid any discussion would have no value” and hung up on him. Soon afterward, when Ginsberg was involved in a car chase in a stolen vehicle that ended in a dramatic crash, he was encouraged by a law professor at Columbia, where he was still a student, to plead insanity. Dr. Cott appeared in court to testify to his mental instability, and two months later Ginsberg was admitted to the Columbia Presbyterian Psychiatric institute, where he stayed for eight months.
During Ginsberg’s hospitalization, Burroughs wrote to Jack Kerouac to ask him to find out from Ginsberg what the “gadget made by Reichians” looked like. “I want especially to know its shape and if there is a window, and how one gets into it.” Kerouac doesn’t seem to have been much help in providing a blueprint. Burroughs built his first accumulator in the spring of 1949 when he was living on a rented farm in Pharr, Texas, with Kells Elvins, a friend from his Harvard days. They were both enthusiastically reading Reich’s The Cancer Biopathy and decided to build an accumulator in the orange grove Kells owned in the Rio Grande Valley. Built without recourse to any plans, the resulting device included some curious innovations. “Inside was an old icebox,” Burroughs explained, “which you could get inside and pull on a contrivance so that another box of sheet steel descended over you, so that the effect was presumably heightened.” It took them a few days to construct the box. The result was eight feet high, much taller than the ones Reich manufactured: “It was a regular townhouse,” Burroughs recalled.
The pair took turns sitting in the accumulator and obtained, Burroughs wrote, “unmistakable results.” Burroughs wondered what the Mexican farm laborers thought of this strange box that they entered “wrapped in old towels,” and came out of feeling “much sexier and healthier,” “with hard-ons.” Burroughs and Kells also made one of Reich’s smaller shooter boxes, with a funnel, which they used as a supplement to the big box. Their DIY was, Burroughs admitted, “a very sloppy job,” but it still have a powerful “sexual kick.”
"I have just been reading Wilhelm Reich’s latest book The Cancer Biopathy,” Burroughs wrote excitedly to Kerouac. “I tell you Jack, he is the only man in the analysis line who is on that beam. After reading the book I built an orgone accumulator and the gimmick really works. The man is not crazy, he’s a fucking genius.” Kerouac described Burroughs enthusiastically promoting the box in On the Road (1955). According to Kerouac, Burroughs said, “Say, why don’t you fellows try my orgone accumulator? Put some juice in your bones. I always rush up and take off ninety miles an hour for the nearest whorehouse, hor-hor-hor!”
Burroughs used an orgone box on and off for the rest of his life. (There is a picture of the rock star Kurt Cobain waving through the port-hole of Burrough’s last box, a scruffy, patched-up shed that he kept in the garden behind his house in Lawrence, Kansas.) In the 1970s he wrote an article for Oui magazine entitled “All the accumulators I have owned” in which he boasted, “Your intrepid reporter, at age thirty-seven, achieved spontaneous orgasm, no hands, in an orgone accumulator built in an orange grove in Pharr, Texas. It was the small, direct-application accumulator that did the trick.”
….
Perls concluded that any positive claims for the orgone box were attributable to the placebo effect. “I invariably found a fallacy,” he said of the orgone box users he met, “a suggestibility that could be directed in any way that I wanted.” Reich, Perls thought, had made a major contribution in giving Freud’s notion of resistance a body, but he erred in trying to make a verifiable reality out of the libido. “Now resistances do exist, there is no doubt about it,” Perls explained, “but libido was and is a hypothesized energy, invented by Freud himself to explain his model of man.” He thought Reich had hypnotized himself and his patients into the belief of the existence of the orgone as the physical and visible equivalent of libido.
Perls found that users of orgone boxes usually exhibited some paranoid symptoms. “Then I had another look at the armor theory,” Perls went on, “and I realized that the idea of the armor itself was a paranoid form. It supposes an attack from, and defense against, the environment.” Perls criticized vegetotherapy for encouraging the formation of paranoid features by encouraging the patient to “externalize, disown, and project material that could be assimilated and become part of the self.” Orgone energy, Perls concluded from his investigations into the orgone box, was “an invention of Reich’s fantasy which by then had gone astray.” The realization that the Reich he had met in New York was different from the one he had known in Europe, and that orgone mysticism was at the crackpot end of science, was tinged with melancholy. “The enfant terrible of the Vienna Institute turned out to be a genius,” Perls wrote in his autobiography, “only to eclipse himself as a ‘mad scientist.’”
In his own elaboration of character analysis, which he called Gestalt therapy, Perls turned the idea of armor around: where Reich had come to see character armor as a defense against a hostile external world, Perls saw that same layer of self as a shield for one’s own true drives - a straitjacket designed to safeguard against explosions of excitement from within. Thus, it wasn’t a shell to be crushed but something integral, to be owned. (Laura Perls said they tried to convince Rosenfeld to give up his box, that he could increase his physical vitality and mental agility “entirely on his own, without external devices.”) He wanted his patients to be aware of their bodies, to feel the present vividly in the “here and now,” to be “authentic,” to act on their desires.
Perls got his patients to act out their feelings so that they could assimilate and take responsibility for them. He had originally wanted to be a theater director - he’d been a student of Max Reinhardt’s when he was growing up in Berlin, and he’d become closely associated with the avant-garde Living Theatre troupe in New York. Julian Beck, a founder of the Living Theatre, explained to Perls’s biographer, Martin Shepard, of Gestalt therapy, “[Perls] had something in mind that was halfway between the kind of performance we were doing [direct spectacle, aimed at challenging the moral complacency of the audience] and therapeutic sessions.”
“You are my client,” Perls told one female patient. “I care for you like an artist, I bring something out that is hidden in you.” He described therapy as if it were a magic trick; the rabbit he claimed to pull out of the hat was a person shorn of the “neurosis of normalcy” and all the bourgeois niceties associated with it. This person, he hypothesized, was confident enough to be selfish, to act on rather than repress all her desires, whatever the social consequences. All the energy that others wasted on repression and concealment, Perls thought, should be available for creative self-expression. Another of Perls’s patients recalled, “Fritz loved some types - open bastard-bitch - open defenses, that type. He didn’t like anyone who would placate him or be too good to him or used good-girl or good-boy defenses - that drove him up the wall.”

Perls’s views ,and some of his methods, were much indebted to those pioneered by Reich in the thirties: Perls would habitually accuse his patients of being “phony” and was deliberately aggressive, much as Reich had been with him. Yet, his observations about the paranoid deviations in Reich’s terminology and thinking were painfully perceptive, precisely because he had built on those very ideas.
In 1951, Perls, Paul Goodman, and a Columbia professor of psychology named Ralph Hefferline published Gestalt Therapy: Excitement and Growth in the Human Personality. Rewritten by Goodman, and bearing all the hallmarks of Goodman’s exasperating style, the book blends Reich’s ideas about energy blocks and flows with Sartre’s cafe philosophy to create an American brand of existentialism turned therapy. The authors intended their self-help book to provide the reader with the tools for revolution: “In recommending [these experiments] to you,” they warned of their mass-market therapy, “we commit an aggressive act aimed at your present status quo and whatever complacency it affords.” They promised immediate liberation, without the hard grind of political struggle; all you had to do was unleash your “authentic” self.
The “excitement” to which the subtitle of the book refers is a generalized libido, an elan vital that is seeking various outlets, not all of them sexual. Life, for Perls, was a series of “unfinished” or “undigested” situation, frustrations that were all waiting their turn for satisfactory closure. “After the available excitement has been fully transformed and experienced, then we have good closure, satisfaction, temporary peace and nirvana,” Perls summarized his position. “A [mere] discharge will barely bring about the feeling of exhaustion and being spent.”
It sounded very like the Reichian orgasm. But for Perls, excitement was no longer exclusively genital, as it was for Reich, and this shift only served to open up numerous other slipways to pleasure. In Reich’s view, the libido theory was an inviolable article of faith. In broadening its range to celebrate oral and anal pleasures, Perls heralded a polymorphously perverse and heretical vision - one that, ironically, would prove particularly amenable to exploitation under capitalism.
In 1952, Perls, his wife, Goodman, Isidore From, Elliott Shapiro, and two others founded the New York Institute for Gestalt Therapy, headquartered in the Perleses’ apartment and with treatment rooms at 315 Central Park West. The seven founding members met on a weekly basis for group therapy. There was no bureaucratic hierarchy and everyone, including Perls, was subject to the honest criticism that was seen as the key to self-discovery. It was a very public form of character analysis: members of the group would draw one another’s attention to every repression or hang-up, none of which was to be tolerated.
Elliot Shapiro, an ex-boxer and the head of a psychiatric school attached to Kings County Hospital in Brooklyn, brought a friend to one session; Shapiro’s friend said he “had never witnessed the aggressive and profound battling that went on in those groups. Nobody, virtually nobody, was safe at any time.” Shapiro recalled, “We hammered at each other, and hammered, and hammered - every week. And it was the most vigorous hammering you can image….If you could live through these groups and take the corrections, the insults, the remarks…” Not all the participants had sufficiently thick skins to take such brutal candor. The psychotherapist Jim Simkin left the group because he felt that everyone was “loading elephant shit on him,” as did Ralph Hefferline, a coauthor of Gestalt Therapy.
To promote this new school, Perls traveled from city to city, introducing an audience of psychiatrists, social workers, and other interested parties to his “here and now” philosophy. He taught groups in Cleveland, Detroit, Toronto, and Miami how to be sensitive to their bodily needs and to follow their impulses, to be honest and unalienated. He’d be sharp and confrontational as he pushed his awareness techniques on the participants: What are you doing now? What are you experiencing? What are you feeling? Isadore From, who was part of the original New York group, remembers that these occasions were often very dramatic, with “a lot of shaking, trembling, anxiety” - effects that he thought were the result of the audiences’ hyperventilating under the strain of Perls’s relentless goading and questioning.
The New York Institute of Gestalt Therapy also ran public seminars, including one by Goodman, “The Psychology of Sex” (“What you can’t do, teach,” he said with a laugh). Following Reich, it was thought that neurosis could be treated by exposure to sexual pleasure. Goodman made this his area of expertise and people with sexual problems were often referred to him. One was a man who was worried about the quality of his orgasms after prostate surgery. Another thought he might be homosexual; the bisexual Goodman got his penis out and demanded that the patient touch it to help him make a diagnosis. In so doing he was no doubt influenced by Hitschmann, the Viennese analyst who once asked Perls, then tormented by sexual inadequacy, to show him his penis .
In one of Goodman’s group sessions, when someone complained of the lack of sexual companionship, Goodman went around the circle and set up a week’s worth of dates. “See, that wasn’t so difficult,” he reassured her. He was not beyond offering his own neurosis-busting services to patients of either sex, and once agreed to accompany a patient who invited him on an all-expenses-paid trip to Europe. He joked about setting up a College of Sex so as to put his vast experience to educational use. “I’m a sociopath,” he wanted a potential client. In a diary entry written in 1957, Goodman looked back on the previous decade and concluded that he’s made a “false cultus-religion (an obsession)” of sex: “The sexual act itself had just about the meaning of a ritual communion sacrifice.”

He's obviously the person the trope is named after but I don't think that's fair. He was always religious and that got ramped up really early into the shows run with him moving away from his original characterisation by the fourth season. I don't find him anymore religious in the later seasons than he is in the golden years, which has stuff like him and the other Flandereses singing Bible songs at Homer because he won't go to church, with his biggest character traits being related to his love life. Generally, I'd argue the show paid more respect to someone like Flanders during it's later years than characters like Skinner, Ralph, Moe or even Homer.

The origins of this list came about when the Denver Nuggets won the NBA chip last year. I asked my bball group chat if winning the NBA chip made Jamal the best NBA player named Jamal/Jamaal. I then made this list:
Jamal Murray Jamal Crawford Jamal Mashburn Jamaal Magloire Jamaal Tinsley
After some research we learned about Jamaal Wilkes and then we made Tinsley an honorable mention.
With the NBA playoffs coming, I thought I tried to do something similar but on a much larger scale and share it with the NBA subreddit community.
I'm not sure if such a list has been done before. If it has, please send me the link to it so I can read it.
Also this is how I came up with the list. The list is not in any specific order per letter. Its more like the first name for each letter is the first name I thought of. Whenever I have trouble finishing up the list, I go to Google and basketball reference. I indicate when I do so.
The list is done by first name and not last. So for example, Kareem Abdul-Jabbar will fall under K and not A. The other thing is players will be listed by their actual given name and not nicknames. For example, magic Johnson will be under I for Earvin "magic" Johnson.
Please let me know what you think about the list and let me know what players you feel I missed. Also let me know which letter has the best NBA players. EDIT: I added Joel Embiid, Anthony Edwards and William "Bill" Russell on this list because they shamefully slipped my mind last time.
A:

1. Alex English
2. Allen Iverson
3. Anthony Davis
4. Adrian Dantley
5. Andre Iguodala
6. Amar'e Stoudemire
7. Alonzo Mourning
8. Anfernee "Penny" Hardaway
9. Artis Gilmore
10. Allan Houston

Honorable mentions: Aaron Gordon Arron Afflalo Al Jefferson Antoine Walker Andre Miller Antawn Jamison Al Horford, Anthony Edwards
B:

1. Baron Davis
2. Bernard King
3. Bradley Beal
4. Ben Wallace
5. Ben Gordon
6. Blake Griffin
7. Brook Lopez
8. Brad Daugherty
9. Brad Miller
10. Bam Adebayo

Honorable mentions Buddy Hield Byron Scott Bonzi Wells Ben Simmons
C:

1. Chris Paul
2. Charles Barkley
3. Clyde Drexler
4. Chris Webber
5. Carmelo Anthony
6. Chauncey Billups
7. Chris Bosh
8. Chris Mullin
9. Christian Laettner
10. Carlos Boozer

Honorable mentions
C.J. McCollum Cedric Maxwell Chris Kaman Corey Maggette Cuttino Mobley
D:

1. Dirk Nowitzki
2. David Robinson
3. Dwyane Wade
4. Dwight Howard
5. Damian Lillard
6. Draymond Green
7. Dikembe Mutombo
8. Dominique Wilkins
9. Dennis Rodman
10. Derrick Rose

Honorable mentions
DeAndre Jordan Domantas Sabonis Demar DeRozan DeMarcus Cousins
E:

1. Elgin Baylor
2. Elton Brand
3. Elvin Hayes
4. Eddie Jones
5. Emanuel David "Manu" Ginóbili
6. Eric Gordon
7. Evan Turner
8. Eric Bledsoe
9. Earvin "Magic" Johnson
10. Eddie Johnson

Honorable mention Enes Kanter Emeka Okafor Evan Mobley
F: (I had to use basketball reference for the majority of these)

1. Furkan Korkmaz
2. Fred Brown
3. Frederick "Freddie" L. Lewis
4. Franz Wagner
5. Francis "Frank" Stanley Kaminsky III
6. Francisco García
7. Fredderick Edmund "Fred" VanVleet
8. Frank Vernon Ramsey Jr
9. Franklin Delano Selvy
10. Fred Hoiberg

G:

1. Giannis Antetokounmpo
2. Gary Payton
3. George Gervin
4. Grant Hill
5. Gail Charles Goodrich Jr
6. George Mikan
7. Glen Rice
8. Gilbert Arenas
9. Glenn Robinson
10. Goran Dragic

Honorable mention Gerald Wallace Gordon Hayward Gordan Giriček
H: (had to use basketball reference for #9&10)

1. Hakeem Olajuwon
2. Harold Everett "Hal" Greer
3. Hersey Hawkins
4. Hubert Davis
5. Horace Grant
6. Harrison Barnes
7. Hassan Whiteside
8. Hedo Türkoğlu
9. Harthorne Wingo
10. Hamidou Diallo

I: (had to use basketball reference for #6-7)

1. Isiah Thomas
2. Isaiah Thomas
3. Ish Smith
4. Iman Shumpert
5. Immanuel Quickley
6. Isaiah Rider
7. Isaac Okoro
8. Ime Udoka
9. Isaiah Stewart
10. Isaiah Hartenstein

J:

1. Jason Kidd
2. Julius Erving
3. John havlicek
4. Jerry West
5. Jimmy Harden
6. James Worthy
7. Jayson Tatum
8. John Stockton
9. Jimmy Butler
10. Joel Embiid

Honorable mention Jamal Crawford Jamal Mashburn Jack Sigma Jason Terry Joe Johnson Jerry stackhouse Jamal Murray Joe Dumar John "hot rod" Williams Joakim Noah, Jermaine O'Neal
K:

1. Kareem Abdul Jabbar
2. Kobe Bryant
3. Kevin Durant
4. Kyrie Irving
5. Klay Thompson
6. Kevin Garnett
7. Kevin Love
8. Kahwi Leonard
9. Kevin McHale
10. Karl Malone

Honorable mention Kevin Love Karl Anthony Towns Kevin Johnson Kemba Walker Chris Middleton
L:

1. LeBron James
2. Larry Bird
3. LaMarcus Aldridge
4. Lou Williams
5. Lafayette "Fat" Lever
6. Luol Deng
7. Luka Dončić
8. Latrell Sprewell
9. Larry Johnson
10. Lamar Odom

Honorable mentions Lonzo Ball Lamelo Ball Luis Scola Landry Shamet Lance Stephenson
M:

1. Michael Jordan
2. Mark Jackson
3. Moses Malone
4. Manu Ginóbili
5. Marc Gasol
6. Mark Price
7. Mike Conley
8. Mitch Richmond
9. Monta Ellis
10. Maurice Edward Cheeks

Honorable mentions Metta world Peace (formerly Ron artest) Micheal Finley Mike Bibby Michael Redd Michael Beasley Michael Cooper Maurice "Mo" Williams Mahmoud Abdur-Raouf
N: (used basketball reference for norm Nixon)

1. Nate Robinson
2. Nikola Jokić
3. Nikola Vučević
4. Nick Anderson
5. Norman Powell
6. Nicolas Batum
7. Nene Hilario
8. Norm Nixon
9. Nick Van Exel
10. Nate "the great" Thurmond

Honorable mentions Nikola Mirotić Nikola Peković
O: (used basketball reference for #7)

1. Oscar Robertson
2. Otis Thorpe
3. Otto Porter
4. O.J. Mayo
5. Omer Asik
6. Omri Casspi
7. Onyeka Okongwu
8. OG Anunoby
9. Obi Toppin
10. Otis Birdsong

P:

1. Paul George
2. Paul Pierce
3. Patrick Ewing
4. Pau Gasol
5. Paul Millsap
6. Pascal Siakam
7. Pooh Richardson
8. Paul Westphal
9. "Pistol" Pete Maravich
10. Purvis Short

Honorable mentions Patrick Beverly Patty Mills Pat Connaughton
Q: (used bball reference from #4-10)

1. Quentin Richardson
2. Quincy Acy
3. Quincy Pondexter
4. Quincy Douby
5. Quinn Cook
6. Quinndary Weatherspoon
7. Quinn Snyder
8. Quentin Grimes
9. Quintin Dailey
10. Quinton Ross

R:

1. Ray Allen
2. Russell Westbrook
3. Rajon Rondo
4. Robert Parish
5. Reggie Miller
6. Robert "Bob" Lanier
7. Robert "Bob" Cousey
8. Ralph Sampson
9. Robert E. Lee "Bob" Pettit
10. Robert "Bob" McAdoo

Honorable mention Rasheed Wallace Rudy Gay Rik Smits Rick Barry Richard "RIP" Hamilton Rod Strickland Ron Harper Rudy Gobert Ronaldo Blackman
S:

1. Shaquille O'Neal
2. Scottie Pippen
3. Steve Nash
4. Stephen Curry
5. Shawn Kemp
6. Serge Ibaka
7. Sidney Moncrief
8. Shawn Marion
9. Shai Gilgeous-Alexander
10. Sam Cassell

Honorable mentions
Samuel Dalembert Shareef Abdur-Rahim Sam Perkins Stephen Marbury Stephen Jackson Steve Francis Steve Smith
T:

1. Tim Duncan
2. Tony Parker
3. Tracy McGrady
4. Terry Porter
5. Tom Chambers
6. Thaddeus Young
7. Tyrese Haliburton
8. Toni Kucoc
9. Trae Young
10. Tayshaun Prince

Honorable mentions Terry Rozier Tobias Harris Tyreke Evans Tyler Herro Ty Lawson
U: (literally used bball reference for everyone after udonis)

1. Udonis Haslem
2. Uwe Blab
3. Usman Garuba
4. Udoka Azubuike
5. Ulice Payne
6. Uluss Thompson
7. Uroš Slokar
8. Ulysses Cleon Reed
9. N/A
10. N/A

V:

1. Vince Carter
2. Victor Oladipo
3. Vlade Divac
4. Vin Baker
5. Vernon Maxwell
6. Vinnie Johnson
7. Vince Edwards
8. Vern Fleming
9. Vince Taylor
10. Vinny Del Negro

Honorable mentions
Voshon Lenard
W: (used basketball reference for #8-10)

1. Wilt Chamberlain
2. Walt Bellamy
3. Walt Frazier
4. Willis Reed
5. Westley Sissel "Wes" Unseld
6. Willie Anderson
7. William "Bill" Russell
8. Wesley Person
9. Walter Davis
10. Wayne Embry

Honorable mention Willie Cauley-Stein Wayne Ellington Wesley Matthews
X (used basketball reference for all except #1&2)

1. Xavier Tillman
2. Xavier Henry
3. Xavier McDaniel
4. Xavier Munford
5. Xavier Cooks
6. Xavier Rathan-Mayes
7. Xavier Sneed
8. Xavier Silas
9. Xavier Rey
10. Xue Yuyang

Y. (Used bball reference for #5-10)

1. Yao Ming
2. Yi Jianlin
3. Yuta Watanabe
4. Yogi Ferrell
5. Yakhouba Diawara
6. Yaroslav Korolev
7. Yinka Dare
8. York Larese
9. Yuta Tabuse
10. Yante Maten

Z (used bball reference for #7-9)

1. Zion Williamson
2. Zach Randolph
3. Zach Lavine
4. Zaza Pachulia
5. Zach Collins
6. Ziaire Williams
7. Zoran Planinić
8. Zydrunas Ilgauskas
9. N/A
10. N/A

Thank you for the read to all those who read. Let me know your thoughts on the players I chose for each letter and if I missed any players or if I put someone on the list who doesn't deserve to be on it. Also let me know which letter has the best NBA players.
Looking forward to reading your comments!

So my daughter is 11 1/2. We just finished Gilmore Girls. (Not really finished, AYITL episode 2 she straight up quit) She’s starting middle school this year but she’s actually like 58 years old🤣.
Parenthood was on my list because it’s great and I know I can get her into it with Lauren Graham. Currently we’re at S2E1. It has been absolutely hilarious to rewatch through her eyes. Here are some quotes so far.
-“Please tell me Jabbar stays like this. He’s the only one that seems sane and normal”
-“I hate watching Adam and Kristina talk. They just talk over each other and it gets loud and confusing. How have they stayed married?”
-“Drew is ok. He needs his own personality though.”
-“Mom, Sarah is a bartender and a single mom like you! Does she also have bad taste in men?” (OUCH🤣)
-“Jasmine and Crosby are the most normal couple. I bet he grows up a lot.”
-“Why does the grandmas hair look like THAT?! Did she forget to do half of it?” (At the art gallery)
-“Hattie is annoying but it’s probably because her parents ignore her over Max.”
-“Ugh I hate Raquel. Why is she such a pick me?”
-“Can you fast forward through Sydney please?”
-“Zeke seems like he’d tell me I couldn’t do ‘boy things’ and ask me to make him a sandwich.”

Deeptown was aflame.
A large inferno raged, washing the town square in waves of sweltering heat and spitting sparks. The babbling surge of the River of Dreams was overwhelmed by the roaring of flames; heavy smoke stacks obscuring the light of the thin, silvery moon that stood vigil above the valleyed town. The windowed houses that ensconced the town square, built of oak and plaster, reflected back the orange illumination in haunting visage. Even the incessant warblings of hundreds of cicadas and katydids were drowned out by the sharp snap of stacked burning logs. There was only one sound that trumped all others.
Music.
Thin, bright trilling flutes. Heavy, rumbling drums. A singular lute whose owner took liberties in the finer points of playing. And, more than that, dozens of hesitant yet warm voices sang. They sang of life and love and hope. They sang of Tohlen and Sayn. They sang for the Festival of Plenty. Large stalls packed the corners of the space and, betwixt these stalls, a man from a group of pack-laden individuals cried out, "Trader, merchant, mender! Vendor, gossip, letter handler!" The merchants, misty-eyed and smiling wide, trudged down the road with graying travel packs nestled between peaked shoulders. "I've got gut and needle and knives and wines! Water for travel and open to haggle!" Each flat-footed step upon the ground lent itself to a grand chorus; a jumbled mess of metals, glassware, and other oddities heralding their arrival. Nervous lovers made wide, clumsy steps around one fire. In the center, a hurried stage had been constructed and was lit by the four bonfires. A troupe of performers acted out some bawdy play or another, making indecent jokes and enrapturing their growing audience.
At the height of this reverie, miles and miles away, a group of robed figures rode hard and fast with a purpose that would cause a few wandering paths and destinies to begin to intertwine…
—
🠪 20+ is a must on my end. I’d like experienced and mature writers who don’t have any qualms telling a story that veers into mature topics at times. 🠪 Third person literacy. This one is pretty self explanatory. I write strictly in third person and put my focus into quality before quantity. 🠪 Has a focus on pushing the story alongside the DM. There should be enough meat in the post and enough new content to give adequate space to formulate a response for all parties involved. I cannot tell you how many times I've worked up a post only to be greeted by a word by word response of what occurred in my own post and nothing more, leaving a sour taste in my mouth with nothing for me to build off of or react to. I hold to the philosophy of a 'give and take' in roleplay. No one person should be in control of the conflict or cliffhangers or what have you, though I as DM will have a heavier hand on presenting information. Poison a drink, introduce new character traits, or even piss off a new antagonist. Anything works as long as it's communicated and brings something of value to the roleplay. 🠪 Comfortable with expanding the world and creating the plot together. Like I previously mentioned, the pieces of The Marked Lands are together, though the specifics are things that must be worked out. I don’t care much for plotting out every exhausting detail prior to writing. I would just enjoy someone who didn’t mind adding their own twists and ideas into the story. 🠪 Discord only! — If any of this has caught your interest, feel free to send me a message detailing any ideas you might have and a little about yourself! The world of The Marked Lands is one of my new favorite pet projects that I’ve worked on and I’m excited to get to explore and flesh it out more in depth to tell awesome stories in.

Deeptown was aflame.
A large inferno raged, washing the town square in waves of sweltering heat and spitting sparks. The babbling surge of the River of Dreams was overwhelmed by the roaring of flames; heavy smoke stacks obscuring the light of the thin, silvery moon that stood vigil above the valleyed town. The windowed houses that ensconced the town square, built of oak and plaster, reflected back the orange illumination in haunting visage. Even the incessant warblings of hundreds of cicadas and katydids were drowned out by the sharp snap of stacked burning logs. There was only one sound that trumped all others.
Music.
Thin, bright trilling flutes. Heavy, rumbling drums. A singular lute whose owner took liberties in the finer points of playing. And, more than that, dozens of hesitant yet warm voices sang. They sang of life and love and hope. They sang of Tohlen and Sayn. They sang for the Festival of Plenty. Large stalls packed the corners of the space and, betwixt these stalls, a man from a group of pack-laden individuals cried out, "Trader, merchant, mender! Vendor, gossip, letter handler!" The merchants, misty-eyed and smiling wide, trudged down the road with graying travel packs nestled between peaked shoulders. "I've got gut and needle and knives and wines! Water for travel and open to haggle!" Each flat-footed step upon the ground lent itself to a grand chorus; a jumbled mess of metals, glassware, and other oddities heralding their arrival. Nervous lovers made wide, clumsy steps around one fire. In the center, a hurried stage had been constructed and was lit by the four bonfires. A troupe of performers acted out some bawdy play or another, making indecent jokes and enrapturing their growing audience.
At the height of this reverie, miles and miles away, a group of robed figures rode hard and fast with a purpose that would cause a few wandering paths and destinies to begin to intertwine…
—
🠪 20+ is a must on my end. I’d like experienced and mature writers who don’t have any qualms telling a story that veers into mature topics at times. 🠪 Third person literacy. This one is pretty self explanatory. I write strictly in third person and put my focus into quality before quantity. 🠪 Has a focus on pushing the story alongside the DM. There should be enough meat in the post and enough new content to give adequate space to formulate a response for all parties involved. I cannot tell you how many times I've worked up a post only to be greeted by a word by word response of what occurred in my own post and nothing more, leaving a sour taste in my mouth with nothing for me to build off of or react to. I hold to the philosophy of a 'give and take' in roleplay. No one person should be in control of the conflict or cliffhangers or what have you, though I as DM will have a heavier hand on presenting information. Poison a drink, introduce new character traits, or even piss off a new antagonist. Anything works as long as it's communicated and brings something of value to the roleplay. 🠪 Comfortable with expanding the world and creating the plot together. Like I previously mentioned, the pieces of The Marked Lands are together, though the specifics are things that must be worked out. I don’t care much for plotting out every exhausting detail prior to writing. I would just enjoy someone who didn’t mind adding their own twists and ideas into the story. 🠪 Discord only! — If any of this has caught your interest, feel free to send me a message detailing any ideas you might have and a little about yourself! The world of The Marked Lands is one of my new favorite pet projects that I’ve worked on and I’m excited to get to explore and flesh it out more in depth to tell awesome stories in.