2010.04.16 07:40 The Digital Home for Vagabonds and Houseless Travelers!
2012.05.24 21:08 hairlinecrease For sports card & sports memorabilia collectors
2008.10.01 02:07 State of Arizona
2024.05.19 15:25 TheGangstaGandalf Discussion of the Diamond Handbook (Part 1)
*“If you don't believe me, just look at the chart of GME which our DD (Due Diligence/research/analysis) has been forecasting for a while now. The below pattern has only preceded massive spikes in price, but this time, those on the other side of the trade are going to have a much harder time suppressing the price like they did in January and March. Thanks to the activity on 5/25, we have entered the end-game. The MOASS is beginning.”*I think most new apes will look at this, then look at the date of posting (three years ago), and think this is delusional thinking. They will say that MOASS did not ‘begin’ because it hasn’t happened yet. This would be pretty short sighted though, GME has always been a Deep Value investment, long positions are called long for a reason. ‘Buy and HODL’ is such a repeated mantra because that is the investment strategy most apes employ. Like most investments, it takes a long time to realize gains. Your retirement account will be growing for 40+ years before you cash that thing out, GME is my retirement plan so I don’t expect it to be much different.
*“These terms are key to understanding the theory and speculated value of a GME investment. Hyperlinks to Investopedia, "the world's leading source of financial content on the web", have been included for most market terms and concepts and it is recommended to check them out if they are not clear. We will be breaking down some of the more complex terms and concepts within the post and framing them within the context of GME.”*After the introduction, this post does a great job of explaining all the concepts of the stock market that are relevant to the MOASS thesis. However, I do wish it mentioned some other stock terms for the sake of new investors. Since none of the DD is supposed to be financial advice, I can’t really blame them for these omissions, but at the beginning the OP does say they wanted the post to be good for newer investors, so I think some more pointing in the right direction should’ve been provided. I do appreciate the link to Investopedia, but this DD is already a novel, and the average reader might forget about that link by the time they finish it. So an additional link should’ve been provided at the end.
*“SPOILER: GME and \[Popcorn\] have tons of FTDs reported.”*I just kinda don’t like the mention of the Popcorn stock here, it has never been a deep value investment. If you are unfamiliar with the Deep Value investment strategy, please take a look at the old Roaring Kitty livestreams. In summary, Deep Value investing is defined by looking for stocks that are extremely undervalued and unpopular due to no fault of the company. These external factors that are making the stock undervalued can be anything, shorting, COVID, stuff like that. But what makes it a Deep Value investment is always strong management within the company. If the company is not mismanaged in any way, then it is very unlikely to go bankrupt, and will have opportunities to make a comeback. GME has Ryan Cohen leading, a proven successful businessman that has already taken precautions to ensure GameStop never goes bankrupt. Popcorn just doesn’t have that. It is very short-squeezable, but it’s not deep fucking value.
*“Short sellers must eventually close, or cover, their short position.”*Ok, but why ‘must’ they? This is another point I think has been lost in the memes. There are two problems with just saying ‘shorts must close’ without providing context. The first is the simple fact that there isn’t a due date. Unlike a common car loan or mortgage, a short position doesn’t operate on a time table. They can wait forever to close, unless they get margin called.
*“This is the GME MOASS thesis. GME is a stock that stands to hit an unprecedented price point due to the fact that manipulators of the market have failed to bankrupt GameStop thanks in huge part to the Legendary Keith Gill AKA* u(slash)DeepFuckingValue*, Ryan Cohen, and all of the GME investors who took part in this saga. It may not be today, this week, or even this month, but one day soon, these toxic participants have no choice but to buy the stock to close out their short positions.”*I don’t think this is necessarily inaccurate, but I think it’s misguided, and the language here is a bit to emotive for my taste. I think the reason the company didn’t go bankrupt is because of the strategic share offering made by Ryan Cohen to build up more cash than the company’s valuation (at the time). All the other stuff was just dressing, DFV and retail did not make RC do this, this move by RC is what ensured the company literally can’t go bankrupt, until then (and at the time this was posted) it was still a risk in my opinion. So this huge thanks feels kinda like a pre-cum celebration, and I've never really liked putting Keith on a pedestal, he's just an individual investor, just like the rest of us.
*“Why does Holding do anything?”* *“They need your shares to cover their short positions! They got greedy. Thinking GameStop would fail, the short sellers started Naked Shorting the stock. Long story short they created synthetic stocks with their special privileges as Market Makers. But they can’t cover a short with a synthetic share. So because of the Naked Shorting, the Short Sellers, multiple large greedy money managers, and Hedge Funds need a total number of shares greater than the number available to purchase. THEY NEED EVERY SHARE, EVEN YOURS CONAN!”* *“aRe YoU GuYs MaNipuLatIng THe MaRKeT?!”*Holding does something else that I think is really important. It proves that retail is not responsible for the manipulation of the price. You see it in the mainstream media every time the price fluctuates, they say that retail and Roaring Kitty is driving the price up for the memes, and that the ‘meme stock craze is dead’ whenever the price falls, claiming that retail is selling. However, it quickly becomes clear to anyone with the willingness to research that retail holds. Holding doesn’t move the price at all, so they literally can’t blame this sub for the fuckery that happens.
*“No one knows how high the squeeze could take the stock price. The best rational reasoning says that these numbers \[500k per share\] are possible through the laws of supply and demand. Furthermore, it is likely that the Short Percentage is a lot higher than reported, with many suggesting that the short-sellers, cumulatively, need more than 100% of the float to cover.”*A lot of naysayers will claim people are insane for thinking that phone number prices are possible. They will cite that it would make the company’s valuation higher than the amount of money in the world, which is true. However, with the nature of fraudulent naked shorts being fake, the price is fake too, and the valuation of the company doesn’t necessarily mean that the whole float will be sold at those prices. Yes, it shouldn’t be possible, by all accounts it wouldn’t make sense, but it is possible due to the naked shorting. Also, institutions that own shares likely won’t HODL out for the phone number prices, they will sell when they think it’s safe, and when they won’t get in trouble with the SEC for destroying the economy. The infinity pool (the shares that will be sold at these prices) will be a small fraction of the total amount even among retail investors. So the argument that I see against the possibility of this doesn’t hold a lot of weight.
*“Synthetic long positions could be used to disguise their short positions as well, the mechanisms behind this practice utilize the options markets and could explain some of the crazy options activity that we have seen in GameStop the last few months.”*So uhm… I don’t understand ‘Synthetic Longs’ at all. Could an ape with more wrinkles elaborate on this? From what I can extrapolate, this may refer to an institution purchasing a naked shorted share from someone else?
*“While at the same time they employed the use of social engineering to slowly depress the positive sentiment for the stock on Reddit and elsewhere.”* *“You may have been called a Shill for one of a number of reasons. This community is very inclusive and open to everyone, but because of the blatant attacks this forum has suffered a lot of people are understandably paranoid. (Myself included). Please, unless you really are a shill, don’t take it personally.”*I want to address this, because there is a lot of misconception about SuperStonk. A lot of people will claim that this sub is just an echo chamber cult that can’t handle anyone questioning the narrative. This may seem true on the surface, but I think the reality is just that we’ve become hyper sensitive to the social engineering the old sub fell victim to, and I remember this sub being attacked with that as well. So whenever we see a post that has extremely emotive language, we become skeptical and down vote it. Emotions have no place in investing, that is a common rule touted in even the oldest investing books, so posts that try to incite an emotional response are shot down. Apes aren’t about to be manipulated again. That being said there are emotive posts that still get upvoted, ones with positive hype-filled narratives. Since these get upvoted and the negative ones don’t that sometimes gives the impression of an echo chamber. This is because the facts do support the MOASS thesis, so a hype title and opening paragraph is just more agreeable with the facts-based narrative. Some people are just scrolling on their phone and don’t have time to read the whole post.
*“Ryan Cohen clearly believes in Gamestop, to the point of announcing that he will be taking equity as compensation. In fact, as of writing this all of the new Gamestop board members are going to be taking equity as compensation. This is seen as an incredibly bullish sign of the company's future success.”*This is one of the principles of Deep Value investing, I wish this was elaborated on more of why this is bullish. This means that the board, and more importantly Ryan Cohen, is tying their individual self-worth to the company. Due to this tie, they will essentially ‘go down with the ship’ if the company goes down. This means that the board and Ryan actually have an interest in the company doing well, instead of having an interest in making money off the company. You may think this sounds like the same thing, but it’s not. If RC cared more about money than the company, then he could destroy the company to make money (this is what’s happening to popcorn), but by tying his worth to the shares, the only way for him to become richer is for the company to flourish.
*“Below is a shortlist of some of the potential catalysts people are speculating about:*-A Stock Split, or some similar move from Gamestop that recalls shares
*“First of all, it is incredibly important to note your potential biases when determining if someone is just a shill trying to spread FUD. Not all FUD is invalid, someone may bring up a solid point against an otherwise great DD, and that could scare you. Remember that just because you do not like what someone is saying, doesn’t make it invalid. It is important users here work with constructive criticism to refine their theories.”*Damn, wasn’t I just talking about this? This critique isn’t going to just be wagging fingers, this is really good stuff that still applies today, and from what I’ve seen apes are doing a great job of distinguishing between FUD and legitimate criticism. I also want to take a second to thank the mod team, especially after their tools were restricted, they’ve been a great help.
*“…but since then retail investors have been buying on every single dip in the price… That's more than two whole months of buying-the-dip. Now, I will not speculate on numbers here, if you want to know more you will have to read the DDs on that.”*This is pretty outdated now. Apes have been buying for three years now, and with the advent of Direct Registering we have a much better idea of how much apes hold. I can say with confidence now that retail owns a floats worth of shares. Since there is so much naked shorting, a lot of institutions probably own their own floats too.
*“TL;DR - Citadel Securities has been fined 58 times for violating FINRA, REGSHO & SEC regulations. Several instances are documented as 'willful' naked shorting. In Dec 2020 they reported an increase in their short position of 127.57% YOY, and I'm calling bullsh\*t on their shenanigans.”*58 times. I don’t actually know how much that number has gone up, but I’m sure it has. I am reminded of an old saying, that if the punishment for a crime is a fine, then it only a crime for the poor. The crime being done to GME is class warfare, it’s nothing less.
*“$295,347,948,000 of that is split into options (calls & puts), while $78,979,887,238 (20.52%) is allocated to actual, physical, shares (or so they say). The rest is convertible debt securities.”*This is why I’m skeptical that it’s even possible for Citadel to get margin called by a normal price run-up. Let’s do some math here. GME’s float is at 232 million-ish shares, let’s say they shorted 300% of that, just to be conservative (lmao), so that’s 696 million. To take what the first post said, Margins don’t get called unless an entities’ collateral becomes less than 80% of what they’ve borrowed. If they use their entire $384,926,232,238 portfolio as collateral, then GME would have to soar to a price of… divide by 4, multiply by 5… $691.32 per share. That may sound relatively reasonable, but I don’t think a normal catalyst would be enough for that. I really think interest rates are the key, think about it, if they have to pay like 30% interest on all of those shares, their portfolio will be reduced by that much (kinda) and we can find a much more reasonable midpoint. Now brace yourselves, I’m about to spend an unreasonable amount of effort on something that is probably wrong because I don’t know shit about fuck about margins or getting called (I have a cash account and I lack rizz).
2024.05.19 15:16 ayds_maryjane Fishing from a boat
2024.05.19 15:01 ibid-11962 Writing and Publishing Eragon [Post Murtagh Christopher Paolini Q&A Wrap Up #6]
[When I start to write a new book] I have an image. There’s always a strong emotional component to the image, and it’s that emotion that I want to convey to readers. Everything I do after that, all of the worldbuilding, plotting, characterization, writing, and editing—all of it—is done with the goal of evoking the desired reaction from readers. In the case of the Inheritance Cycle, the image was that of a young man finding a dragon egg (and later having the dragon as a friend). [10]
Who's your favorite character to write? Well, for me, it's the dragon Saphira. She's the reason I got into writing a dragon. She came first? She came before Eragon? Like she was the catalyst? The relationship came first, her and Eragon. [33]
I was specifically inspired by a YA book called Jeremy Thatcher Dragon Hatcher by Bruce Coville, which is a delightful book. I just loved that idea so much of finding a dragon egg, I was like, "Well, what sort of a world would a dragon come from?" And I knew I wanted the sort of bond between rider and dragon that Anne McCaffrey had, but I wanted the intelligence of the dragons that you find elsewhere, and the language and the magic. And I wanted sparkly scales because it just seemed like dragons are fabulous creatures and they ought to have sparkly scales. That's the fun thing about writing your own books. You can make them exactly the way you want to make them, and hopefully then that appeals to the audience as well. [30]
All of that kind of was swirling around in my head, and I wanted to write about dragons in a way that kind of combined a lot of elements in a way that, "I like this", and "I like this piece", and "I like this piece", but I kind of wanted to have all these different pieces in one type of dragon, and no one had quite done it exactly the way I wanted. [30]
I live in Montana, and our library is an old Carnegie or Rockefeller library, and especially back in the 90s, it didn't have that many books. So once I read all the fantasy in the library, I thought I had read all the fantasy there was to read. Because I was not the smartest kid in the world sometimes. And I kind of thought, "Well, it's the library. They have all the books that exist, right? All the books that matter are in the library." And I really had no idea what to read after that. So I decided to start writing myself and to try and write the sort of story that I would enjoy reading. And of course, what I enjoyed reading was books about flying on dragons and fighting monsters and having adventures. [35]
Reading and literature was always important in our family. My father's mother was a professor of comparative literature and wrote books on Dante and all sorts of stuff like that. Was the myths and folklore part of your life at this time? Yes, but I should clarify that it wasn't formally introduced to me. It was in the house. People weren't wandering around talking about. It was just like the Aeneid is sitting on the shelf. I would go read things. I have a great uncle. He's 90 now, my mother's uncle. Guy is still sharp as a tack. It's amazing. But he gave me a set of cassette tapes of Joseph Campbell, who did Hero of a Thousand Faces. So that was my exposure to his theories of the monomyth and the eternal hero and all sorts of things like that. That got me very much interested in and thinking about the origins of the fantasy that I was reading because I was reading Tolkien and David Eddings and Anne McCaffrey and Raymond Feist and Jane Yolan and Andre Norton and Brian Jaques, and all of these you know authors who were popular at the time. I was very curious where does this come from. Tolkien, of course, felt like sort of the origin in a lot of cases but then I was discovering that, there are earlier stories that even Tolkien was drawing from. That was really a revelation to me. I really sort of got enamored with it. A lot of fantasy is nostalgic and that appealed to me because I was homeschooled and my family didn't really have a lot of relatives in the area, so I felt very unmoored from the rest of society. I think I was looking for a sense of tradition or continuity with the past and fantasy helped provide that. That's an incredibly articulate thought for a 15-year-old author. Or has that come with age? No, it was something I was feeling at the time. You were conscious of it at the time? Well, listening to the Joseph Campbell stuff, I was looking: Where are our coming of age traditions? Where is the great quest to go on to prove yourself as a young adult, as a man? Where's the great adventure? What do I do in life? Those are all things that are part of the adolescent experience and always have been which is why so many mythic stories about coming of age deal with those questions. I think it's a universal thing. That's why Harry Potter, Eragon, Twilight, all of these have appealed so much because they deal with adolescence. They deal with finding your place in the world as an adult when you're starting as a young adult or a child. [28]
What games have taught you to be a better writer either in creating characters or worldbuilding or plotting even? All of my gaming experience was computer games, video games. One that had a huge influence on me was the old Myst series. Personally I love solving puzzles, so that's the first thing. And also the concept of the series, especially with the second game, Riven, it's all based around people writing books that create new worlds. And you get to go in them and solve puzzles and understand how that world works. And that just tickled every single part of my brain back in the day. Now, I'm going to be slightly unkind here, and I apologize if the author [David Wingrove] is listening to this, but there were a couple of novels based off of Myst. And I was such a fan of the series that I got the books, and I started reading them. And my first thought was, "I could do better than this." And so I decided to rewrite the first Myst novel. And I created a document in MS Word, and I got exactly three sentences into my rewrite. And I thought to myself, "okay, I think I can do this, but I could never sell it. So I better go write something of my own." And the next thing I did was Eragon. So video games kind of had a direct influence on me writing. But actually reading something that I felt was not particularly successful was such an inspiration. Because it was like, "this got published, I know I can at least get to this level." And it was published. And then maybe I can shoot for a little bit higher. [pause] I think some people have had that experience with Eragon. [26]
I had the original idea, the concept of boy finding dragon egg, and I tried writing a couple of very short versions of Eragon when I was fourteen, and none of them panned out so I stopped writing for a while. [28]Real World Version
What do you remember about the early days of writing “Eragon?” Originally, Eragon was named Kevin and the story was set in the real world. But I only finished around 10 pages. [16]Arya Opening Fantasy Version
I wrote three versions of Eragon before I wrote the version that had the unicorn, which was the first major draft. The first version was set in the real world, and that's why he's named Kevin. And the reason it was set in the real world is I was inspired by Jeremy Thatcher Dragon Hatcher, which is set in the real world. [32]
I was specifically inspired by a book called Jeremy Thatcher Dragon Hatcher by Bruce Coville. By the way, Bruce knows this. If you haven't read it, it's a great book about this young man in the real world who, spoiler, goes into an antique shop and buys a stone that ends up turning out to be a dragon egg. And I really loved that idea of a stone that was actually a dragon egg and the young man becoming joined with the dragon. And so I tried writing the story. And I got exactly five pages or six pages into it and I ran into a brick wall, because a boy finding a dragon egg is a good event, but it is not a good story. And I needed to figure out what was going to happen after that. I didn't know that at first. [36]
But then I was going down the rabbit hole of, "Well, if there's a dragon, where did the dragon come from? What if it were an actual fantasy world where the dragons were native?" And then that led me to then write a second beginning--I didn't get very far with this--that was more of a traditional fantasy story, and it opened with Arya and a couple other elves escaping a dungeon with a big battle, and at the very end of the battle, they send the dragon egg away, and Kevin finds it. But I didn't have the rest of the story, so I stopped writing it in that format. [32]Research Break
So I tried writing a second version of the story. So the first version of that story I wrote was set in the real world. Second version was more of like a fantasy world. [36]
I had the original idea when I was fourteen. I even wrote an early version of the story where it was set in the real world. But I soon realized that it was a lot more interesting to have a dragon in a fantastical setting. [8]
I tried writing before and I always failed because I would only get like four to six pages into a story and then I didn't know what to do next. And that was because I didn't actually have my story. All I really had were the inciting incidents, like a boy finds a dragon egg in the middle of a forest. Great. But that's not a story, that's just one event. What happens as a result? So before starting Eragon, I was very methodical about this. I read a whole bunch of books on how to write, how to plot stories. [35]Unused Arya Outline
I realized I wasn't getting anywhere. And I didn't know how to do what I was trying to do. Now, fortunately for me, my parents had noticed that I was getting interested in writing. And all of a sudden, books appeared in the house. There was no comment, no one forced it, these just magically appeared, and I read them. Some of the books that were incredibly helpful to me were these books that were called The Writer's Handbook, which was a collection of essays published each year by The Writer's Digest magazine. I had one from 1998, and I had one from, I think, 1993, or something like that. And there were essays from Stephen King and John Grisham and I think Ursula Le Guin and all sorts of other authors about what it was like to be an author both professionally and creatively. And that was incredibly helpful to me because again, the internet was not a resource. But the book that really made the difference for me was a book called Story by Robert McKee. It's a book for screenwriters and it's all about the structure of story. And up until that moment, I had never really consciously thought about the fact that stories have structure and that you can control that structure for the effect on the readers. So I devoured that book and I said, okay, I'm going to try this again. [36]
Did you very much sit down and study structure and character development and etc? I did. It wasn't a formal course or anything, it's just that my parents started buying these books and they started showing up. In fact, I still have them here on my shelf. This bookcase to my right is full of research books, technical books, language books. I read a book called Story by Robert McKee, which is a screenwriting book, that was and often has been very popular in Hollywood. It's a fairly technical look at story structure. I would never say do everything he says because of course you shouldn't necessarily follow any one formula, but that book really got me thinking about the fact that stories do have structure, which I hadn't really thought about before that. And that one can control that structure, and that this gives you something to work with. Before Eragon, I tried writing a number of stories and I never got past the first four to six pages, ten pages, because I never had the plot. All I would ever have was the inciting incident which, in the case of Eragon, is a young man finds a dragon egg. Ok, fine, but that's not a story. So when I read that book, then I was like wow, so I can control the structure of this. [28]
The problem with all of my early writing was that I’d get an idea and just start — I didn’t actually have a plot. But I was a pretty methodical kid, so I started reading about how to write. Fortunately, my parents are observant, and these kinds of books magically began appearing in the house. And I read all of them. [16]
So at this point, I was 15, that's when I graduated from high school and I was very methodical about it because I hate failing. So I said, okay, I'm going to create a fantasy world. And I did that. And then I said, I'm gonna plot out an entire book in this fantasy world. And I did that too. And then I said, but I'm not gonna write this. This is just a thought exercise. I'm gonna do this and I'm gonna stick it in a drawer. And I still have that to this day, that world and that story, I still have it sitting in a drawer somewhere. [36]
Then I spent some time and I created an entire fantasy world and I plotted out an entire fantasy novel in that world and I did not write it. I just stuck it in a drawer and that's where it's been sitting for 25 years now. And then I just did that to prove to myself that I could plot out an entire book. [35]
Before writing Eragon, again I was very methodical even as a teenager, I created an entire fantasy world. Wrote pages and pages about the worldbuilding, and then I plotted out an entire story in that world just to prove to myself that I could plot a story, create a world, and then I didn't write it. I put it aside. I still have it all saved. Put it in a drawer. [28]
And then I decided okay now I'm going to plot out a trilogy, because all great fantasy stories are trilogies. I'm going to do it as the heroic monomyth, because that is, at least my understanding back then, is this is one of the oldest forms of stories. I know it works on a general sense. It's going to give me a safety net, and then I'm going to write the first book as a practice book just to see if I'm capable of producing something that's three, four, five hundred pages long. And that's what I did. That was about two and a half months of worldbuilding, plotting, creating this. Then I wrote the first book and that was Eragon. That was my practice book. I never actually planned on publishing Eragon. It was only after I'd put so much work into it and my parents read it that then we proceeded with it. I was aware of story structure. I continue to read lots of books on it. [28]The First Draft
And then version three is the version that everyone generally knows. And that's where I spent the time to plot out the whole series before writing, because having a idea of where you're going seems to help with the writing, at least for me. Usually. [32]
I originally saw Eragon as a practice novel, which is part of why it’s a very typical hero’s story. I knew that structure worked and it gave me the safety net I needed. [16]
The first draft went super fast. It went really fast because I had no idea what I was doing. And I just wrote that sucker. I wrote the first 60 pages by hand with ballpoint pen, cause I didn't know how to type on a computer. And then by the time I typed all that into the computer, I knew how to type. I did the rest in the computer. But this was back in the day when computers were fairly new. We had a Mac classic, which only had two megabytes of RAM. And the problem is that the operating system chewed up some of that memory. And my book file was around two megabytes large. So I actually had to split the book into two because I couldn't open the whole file on the computer or the computer would crash. So I had to open half the book and then close that and then open the other half. [35]
Once I finished the first draft, I was super excited and I thought, "well all of these things on how to write say that you should read your own book and see if there's any tweaks you wanna make." But I was really excited because I was getting to read my own book for the first time, and I thought this is gonna be awesome. And it didn't take very long while reading it to realize that it was awful. It was horrible. And just to give you an idea of just how bad that first draft was, in the very first draft of Eragon, Eragon wasn't named Eragon, Eragon was named Kevin. And there was also a unicorn in that first draft at one point, so you know it wasn't very good. [35]Releasing the Kevin Cut
If I heard correctly as I was reading, Eragon wasn't originally called Eragon? No, in the first draft of the book he was called Kevin. There's a reason! Look I have an explanation for it, okay. The explanation is that my original inspiration was Jeremy Thatcher Dragon Hatcher which is set in the real world. The original version of Eragon that I was developing was set in the real world and when I decided that it would make more sense to have a world where the dragons were native to and switched it over to this fantasy world and began to develop that, I just kept the name that I'd been working with, which was Kevin. Naming a main character is hard, especially when you get used to a certain name. I don't want to say I was lazy. I want to focus on the world building and writing the first draft and I'll worry about the name later. [28]
There is an early version of Eragon that no one's seen, that even my editor at Random House never saw. And that was my first draft. And in that first draft, Eragon encountered a unicorn in the Beor Mountains on the way to the Varden. And the unicorn touches him and essentially affects the transformation that he goes under during the blood oath ceremony with the elves in the second book, in Eldest. And his whole storyline with the Varden once he gets to Farthen Dûr is completely different because now he has these abilities and he and a team of people ends up getting sent on a scouting mission in the dwarven tunnels to go find the Urgal army and then they have to flee back through the tunnels to warn everyone of this huge army and I had a underground cave full of lava, and multiple shades, and a huge Urgal army. There was there was a lot of dramatic stuff. Finding the Ra'zac in Dras-Leona was completely different. This is the draft where Eragon was named Kevin. [32]
I haven't thought about that version in ages. I think Arya was awake all the way from Gil'ead to Farthen Dûr in that version. That's right, I had to completely rewrite that. It's an unpleasant ride for her. No, no, no, she was awake and healed. She was awake. That's right, God, I had to rewrite most of the last chunk of the book now that I think back, it's been a long time. [32]
The worst thing is, I think Kevin would actually take a larger budget [to adapt to film]. No, stop. Why would Kevin take a larger budget? Because the battles were bigger, there was more stuff going on. Seriously, there were more creatures, more travel. Yeah, I think Kevin would actually take more money than Eragon. [32]
You said that Eragon's name was originally Kevin. Was Eragon's name originally Kevin? It was. And I really regret I didn't stick with it because I think that as many books as I've sold, the series would have been at least twice as successful if it had been about the adventures of the great dragon writer Kevin. Especially just seeing Kevin on the front cover. Imagine the appeal to the modern youth. Kevin the dragon writer. I mean Eragon, it's confusing with Aragorn. Oregano. Oregon. But Kevin, Kevin stands out, Kevin's original. That's why I had to move away from it. [31]
So do you wanna share some of those drafts with us, Christopher? Just kidding. Well, I actually had a fan reach out to me. He's one of the big members of the online fan community on Reddit and elsewhere. And he's kind of interested in some of these early versions from almost an archivist point of view, a scholarly point of view. Which is certainly an interesting idea. I mean, there is an early version of Eragon that no one's seen, that even my editor at Random House never saw. ... I cannot describe how much the Internet absolutely needs for you to put out an edition of Eragon that just says Kevin. Should this be like Mistborn or Way of Kings Prime? This is the Kevin edition of Eragon. The Kevin cut. Oh my god. It's "Eragon: Kevin's Version". ... We absolutely need Kevin's Version of Eragon. That's something we need. It's bad. It's bad. Look, there are certainly people who can look at Eragon, the version we have now, and say, "we can tell this was a younger writer." I look at it and I can tell. I could do so much more now with the material than I could then. But if you think that about the published version of Eragon, man, if you saw the unpublished version, the early version, it really is the raw writing of a homeschooled 15-year-old, who wrote a 500 page book about Kevin. I don't know, the internet is very unhinged these days. They would love this. It needs to exist somewhere on the internet. [32]
So I wrote Eragon, and then I read the first draft and it wasn't particularly good, so I spent a good chunk of a year rewriting it as best as I could. I didn't know what I was doing but I was trying. I've heard it said that being displeased with your own work is actually a good thing because it means you know what is good work, and if you're not happy with your work because it's not good, it means you could at least have a goal to shoot for. If you read your work and you're like this is the best thing that's ever been written, you're never going to get any better. [28]Self-publishing
But I could see that the book needed work, so I decided to try to fix it as best I could, and I spent the better part of that year revising, rewriting, changing Kevin to Eragon. And then I gave the book to my parents and fortunately for me, they actually enjoyed what I had done. And they said, we think you have something, let's try to take it out into the world and see if anyone else wants to read it. [35]
[We] decided to self-publish the book as a joint venture since we didn't know anyone in the publishing world. That was again a good chunk of a year where we were editing the book as best the three of us could. Preparing it for publication, formatting, I drew the cover. [28]Promotion
Now you have to understand, my parents were always self-employed, have always been self-employed and we were always looking for things we could work on together as a family business. And Eragon was like the perfect opportunity for that. They'd had some experience self-publishing a couple of small educational books my mom had worked on. Because she was a trained Montessori teacher, and so she was trying to use that expertise to write some material herself. But I don't even think we sold 100 copies of those. So we spent another good chunk of a year preparing the book for publication with doing more editing, doing the layout, designing the cover. [35]
The first set of 50 books showed up while we were watching Roman Polanski's Macbeth, which seemed fitting because those first 50 books were all miscut from the printer. And as a result, we had to rip the covers off, send them back for credit from the printer, and then burn the insides of the books. So we had a proper book burning in our yard, and I actually saved some of those burnt pages just as a memory of that event. [35]
Self publishing wasn’t as viable then as a pathway to a career as an author as it is today. Why did it work for you? Everything completely changed because of e-readers. If you wanted to read an e-book, you had to have a PDF on your computer. There were no distribution systems like Amazon and Barnes & Noble. Back then, the lowest amount you could print and not have the book be too expensive was probably about 10,000 copies. But we were fortunate because print-on-demand had just become a thing, so books were just printed as needed. Self publishing is a lot easier these days. Of course, today’s marketplace is a lot more crowded as a result. [16]
My family and I were going around the western half of the United States with the self-published edition of Eragon. I was cold calling schools, libraries, and bookstores to set up events. I was doing two to three one-hour long presentations every single day for months on end at various times. You have to understand that because my parents were self-employed, the time they took to help prepare Eragon for publication was time they weren't working on other freelance projects that would have been bringing in money. So by the time we actually had Eragon printed and in hand, if it had taken another two to three months to start turning a profit, we were going to have to sell our house, move to a city, and get any jobs we could. Because of that financial pressure I was willing to do things I probably would have been too uncomfortable to do otherwise. Like doing all those presentations. [28]Getting traditionally published
We were doing a lot of self-promotion. I was cold calling schools and libraries and talking them into letting me do presentations. And that worked pretty well because the librarians could take pre-orders for us. If we went into a bookstore, by hand selling, I could maybe sell anywhere between 13 to 40 books in a day. 42 was like the best I ever did, but usually it was around 15 or so books, which just didn't cover printing costs and travel and food and all of that. But going into the schools, we were doing about 300 books a day, which was excellent. [34]
Can you tell me a little bit about how you and your family self-published the first Eragon book and what marketing strategies you did? Oh, it was all nepotism, you know. I wouldn't have gotten published without my parents. There's nothing as powerful as a publishing company that's four people sitting around a kitchen table in the middle of rural Montana. So yeah, without Nepotism, I wouldn't have gotten published. You have to embrace something like Nepotism if you really wanna succeed in today's world. In fact, people don't realize that you actually get a Nepotism card. There's a secret club. You go to New York and there's huge network opportunities. There's branches of the club everywhere, especially strong in Hollywood, of course, in music. Taylor Swift is an example. So if you can get into the nepotism club, I won't say you're guaranteed success, but you got about 80% chance of actually making it that you wouldn't have otherwise. Do you think your mom and dad would be willing to be my mom and dad? No, absolutely not. No, no. You don't have brown hair, so it doesn't work. You have to have brown hair to be a Paolini. Okay, I'll try to find a different way in, I guess. [31]
So you were very much looking for that partnership? Well we were wary. But the thing is is we were selling enough copies of Eragon that to scale it up we were going to have to start duplicating all the things that a regular publisher does. We were actually looking at partnering with a book packager or a book distributor just to get more copies out. To do everything a traditional publisher could do for me was a huge amount of work so it made sense to pair with Random House or someone else at that point. But it was still nerve-wracking because the book was being a success and then handing it off to another company, we didn't know if it was just going to end up in the remainder bin two weeks after it came out. [28]Gaining Confidence
People in the book world were starting to take notice because of course, if you've been to public school, you may remember the Scholastic Book Fairs and all of the Scholastic reps in the different schools were seeing me come to the schools and selling these books and hearing the kids talk about it. And it was getting attention. So we would have gotten a publisher, I would have gotten a publisher eventually. [34]
The book sold enough copies and bounced around enough that we'd heard that Scholastic—because Scholastic does all the Book Fairs in schools in the US—was interested and that we might get an offer from them. Before that happened though... [34]
Eventually another author by the name of Carl Hiaasen ended up buying a copy of the self-published edition of Eragon in a local bookstore. Which now that I'm older, I'm rather shocked at because it takes a lot to get me to buy a self-published book. It's got to look really good. [35]
Carl Hiaasen wrote the young adult book Hoot as well as many adult books. He comes up to Montana, I think he's got a vacation home here in the valley, but he was up here fly fishing and he bought a copy of Eragon for his then 12 year old son, Ryan. And fortunately for me, Ryan liked the book and Carl recommended it to Random House and it sort of bounced around among the editors for a couple of months before my editor-to-be grabbed it and said, "Yes, we will. I want to take a chance on this teenage author and we're going to offer him money for a trilogy that only exists in his head and see what happens." [34]
How did you find an agent? We had the offer from Random House, and like two days later, we had the offer from Scholastic. And so we knew we didn't know what we didn't know. My dad participated in some online self-publishing forum sort of thing. So he posted up a question and said, look, this is the situation we're in. Does anyone have any advice? And another one of the members said, "well, I was just at this publishing writing conference and there was this young agent there and I was really impressed with his presentation, or him talking about the industry." So my dad got his information online and did what you're never supposed to do, which is he called the agent directly and left this long rambling voicemail message because it was lunchtime in New York and you take your lunch breaks in New York. And only at the end of the message did he say, "oh, yes, and by the way, we have two competing offers from two publishing houses." And when I asked him, I said, "why did you do that?" He said, "well, because if he's any good as an agent, he's going to listen to the whole message before he deletes it." And we found out later that he nearly deleted the message. Because my dad started off like, "I got this teenage son, and he's written this book", and yeah, that, OK. So it was like two hours later we got a call from Simon. And Simon said overnight me a copy of Eragon and if I like it I'll represent you. And Simon has been my agent for 21 years now. [34]
It was a big risk for Random House. And it was a big risk for me because the book was successful, self-published, and we knew that giving it to a publisher, you lose the rights to a degree, and most books don't turn a profit, and it could have just ended up in the remainder bin. So what really worked in my favor is that Random House, and specifically Random House Children's Books, and specifically the imprint of Knopf, which is where I'm at were looking for their own Harry Potter, essentially. Scholastic was publishing Harry Potter. And Scholastic also gave me an offer for Eragon, but I could tell that Random House was the one that really loved the book and Scholastic was doing it because they thought it was a good business opportunity. Scholastic actually offered more money than Random House. But I went with Random House and it was the right choice. And I found out after the fact that Chip Gibson who was the head of the children's department at the time basically chose to use Eragon as sort of something to rally the troops and put the entire children's division behind it, and I was the very fortunate recipient of that love and attention. Which of course would only get you so far if people didn't enjoy reading the book. But fortunately for me, they did a great job marketing it and then people actually enjoyed the book. Which is why when people ask me how to get published, it's like, what am I supposed to say? The answer ultimately is you write a book that people want to read, and that's a facile answer, but it is true. If people want to read it, it makes everything else easier. The agent wants you, the publishers want you, and ultimately the public wants you. [34]
And I didn't realize how much was behind that email, because large publishers do not just casually say, "hey, we want to publish your book". There was a whole plan there, and they had a plan. And so they did. Eragon came out and then I had to figure out how to write a book with everyone expecting the sequel. [36]
So you kind of went and peddled your books at schools, as I understand, right? It seems to have paid off though, because it eventually landed in the hands of bestselling author Carl Hiaasen, but not right away. First, your book got in the hands of his stepson, and the kid liked it so much that he told Hiaasen about it, who then got Eragon fast-tracked with Penguin Random House. I really admire the way that you went for the weakest links, manipulating the minds of our youth and using them to shill your book for you. It's a tried and true marketing strategy from Girl Scout Cookies to coupon books, and I applaud you for your ingenuity. My biggest question here is, do you pay Carl Hiaasen's stepson the agent royalties he so rightfully deserves? He tried to collect one time, but I had to hire a couple of guys to drive him off. But, no, you always go for the weakest link. Back when I was self-published and all that I even tried to get Eragon reviewed by Entertainment Weekly, so I called up the subscription number on the back of the magazine and told them I'd made a mistake and asked them to transfer me over to corporate, and managed to get right to their book reviewer and tried to talk him into reviewing Eragon. So you always go for, as you said, the weakest link. Which is corporate. Ryan, Carl's son, though, yeah, I probably owe him a ridiculous amount of royalties. I'd say so. He made you. Oh, he did, absolutely. Without him, I'd be nothing. I guess the lesson here for aspiring authors is that it's not really about finding your target audience, necessarily. You just have to find your target prolific author's stepson and let the kid take it from there. Yeah, absolutely. As I said, that's part of the nepotism package. The sort of networking inside the industry. This is the stuff that you can never access otherwise, and you'll never get published otherwise. So it's not like you can just grow up in the middle of nowhere in Montana, self-publish a book, and then just become a success, by promoting it. You have to have connections. That's genius. I think you could have had an incredible career in designing loot boxes for mobile games based on how good you are at manipulating the world. Absolutely, microtransactions are God's work. [31]
Was anxiety something you felt moving to this deal with Random House? Was that quite pressuring? Yes, it was a big change to go from writing for yourself as a teenager, homeschooled, living in the middle of nowhere, to knowing that there was a large audience for your next book and that they had expectations. I got criticized quite a bit, critiqued quite a bit when Eragon came out for, shall we say, my lack of experience on the technical side of things with the writing. I'd say some of those were certainly fair critiques. The great advantage of youth is that you don't know how difficult things are and you have a lot of energy. The great disadvantage of youth is you don't have experience, and there's no fixing that aside from time and effort. All of that was definitely in my head when I really started work on Eldest and it was pretty nerve-wracking quite honestly. [28]
When you finished the book, I mean your parents believed in it obviously. Did you too? Or were you like, "You know what, maybe the second book, maybe go all in on the second one?" I didn't feel like I was actually an author until my third book was published. Because the first one, well, that could be a fluke. Well, the second one, yeah, but you know. But once the third book came out, then I was like, okay, maybe I'm actually a writer. But even then, even after I finished the series, I still felt like, okay, now I have to write something that's not Eragon, just to prove that I can. So every book has been its own challenge and has been a way for me to keep feeling like I'm growing as an artist and learning to become a better and better writer. [2]
It took me, I wanna say almost 10 years to feel like I wasn't an imposter and that it wasn't just gonna get yanked away. You know what my dream was when Eragon was was going to get published by Random House? Like this was my pie in the sky because I didn't think it was going to happen. But this was my dream. I did all the math and I was like, man, if I could somehow someday sell 100,000 books, which is impossible. But man, if I could sell 100,000 books, that's a darn good living. Man, I could really make a living off that. I could support a family and 100,000 books. Man, that'd be amazing. And then it kind of took off from there. [33]
2024.05.19 14:53 deathspawn2010 D5 End Game starting questions
2024.05.19 14:50 Naborsx21 29 [M4F] USA - Looking for someone to share the adventures of life with :)
2024.05.19 14:44 GreyFartBR Well, 「Ain't That A Kick In The Head」?
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2024.05.19 14:33 Ckew9239 Beginner fisherman here…
2024.05.19 14:26 Sweet-Count2557 Best Things to Do in Montauk Ny
Best Things to Do in Montauk Ny Welcome to Montauk, where adventure and relaxation await.As avid explorers, we've compiled the best things to do in this charming seaside town.From historic landmarks like Montauk Point Lighthouse, to picturesque beaches such as Ditch Plains and Hither Hills State Park, there's something for every traveler's taste.Indulge in luxury at Gurneys Star Island Resort & Seawater Spa, or immerse yourself in local culture at Deep Hollow Ranch.Quench your thirst at Montauk Brewing Company and feast on fresh seafood at Gosman's Dock.Montauk truly offers the freedom to create your perfect getaway.Key TakeawaysMontauk offers a variety of outdoor activities and attractions, including the Montauk Point Lighthouse, Montauk Point State Park, Camp Hero State Park, and Ditch Plains Beach.Visitors can enjoy beautiful ocean views, engage in water sports, go hiking or fishing, and explore historical sites in Montauk.The area also offers luxurious resorts and spas, such as Gurneys Star Island Resort & Seawater Spa, as well as unique experiences like horseback riding tours at Deep Hollow Ranch.Montauk is known for its local craft brewery, Montauk Brewing Company, as well as fresh seafood restaurants and shops at Gosman's Dock. Visitors can also explore local farmers markets for fresh produce and artisanal products.Montauk Point LighthouseWe absolutely love the rich history and breathtaking views offered by the Montauk Point Lighthouse. As one of the oldest lighthouses in the United States, it stands proudly on the easternmost tip of Long Island, New York. Constructed in 1797, this National Historic Landmark is a must-visit attraction for anyone exploring Montauk.When you arrive at the Montauk Point Lighthouse, you'll be greeted by its iconic white tower and picturesque surroundings. Step inside and embark on a guided tour to learn about the fascinating history of this maritime beacon. Explore the museum, which showcases artifacts and exhibits that highlight the lighthouse's significance. Don't forget to visit the gift shop to pick up some souvenirs to commemorate your visit.After immersing yourself in the history of the lighthouse, take a moment to soak in the captivating oceanfront views. The panoramic vistas of the Atlantic Ocean are simply breathtaking. Feel the cool sea breeze on your face as you gaze out towards the horizon.As you leave the Montauk Point Lighthouse, you'll be eager to continue your exploration of this beautiful area. Luckily, just a short distance away, you'll find Montauk Point State Park. This expansive park encompasses 862 acres and offers a wide range of activities and amenities for visitors to enjoy. So, let's head over to Montauk Point State Park and discover even more things to do in Montauk!Montauk Point State ParkLet's explore the expansive Montauk Point State Park, which encompasses 862 acres and offers a wide range of activities and amenities for visitors to enjoy. Here are five reasons why you should make a stop at this popular attraction:Picnic tables and playgrounds: Take advantage of the park's amenities and enjoy a relaxing picnic with your loved ones. The park offers plenty of picnic tables and playgrounds for children to enjoy, making it a perfect spot for a family outing.Fishing and stand-up paddleboarding: If you're a fan of water activities, Montauk Point State Park has got you covered. Grab your fishing rod and cast your line in the park's fishing areas, or try your hand at stand-up paddleboarding and explore the beautiful coastline.Stunning scenery and ocean views: Prepare to be captivated by the breathtaking views Montauk Point State Park has to offer. As you explore the park, you'll be treated to stunning scenery and picturesque ocean views that will leave you in awe.Hiking trails: Lace up your hiking boots and hit the trails at Montauk Point State Park. With a variety of trails to choose from, you can immerse yourself in nature and discover the park's diverse wildlife and plant species.Wildlife watching: Montauk Point State Park is a haven for wildlife enthusiasts. Keep your eyes peeled for a variety of bird species, including ospreys and peregrine falcons, or spot seals lounging on the rocks along the shoreline.Montauk Point State Park is a true gem on the eastern tip of Long Island, offering a little something for everyone. Whether you're seeking adventure, relaxation, or simply a connection with nature, this park has it all. So pack your bags and get ready to explore the beauty and freedom that Montauk Point State Park has to offer.Camp Hero State ParkCamp Hero State Park, located on a sprawling 754 acres, offers a captivating blend of historical significance, outdoor activities, and scenic beauty.As one of the premier destinations for fishing, the park boasts hiking trails, a beautiful beach, and opportunities for shopping and dining.From exploring the park's rich history to immersing oneself in the stunning natural surroundings, Camp Hero State Park has something to offer every visitor.Historical Significance and PreservationCamp Hero State Park, spanning roughly 754 acres, offers a fascinating glimpse into the historical significance and preservation of the area. Here are some highlights:Historic Military Base: Camp Hero was once an active military base during World War II and the Cold War, and remnants of its history can still be seen today.Bunkers and Coastal Defense: Explore the park's iconic bunkers and coastal defense structures, which played a crucial role in protecting the coast during wartime.Historical Interpretive Signs: Learn about the park's history through informative interpretive signs placed throughout the area, providing insights into its military past.Nature Trails: Take a stroll along the park's nature trails, where you can enjoy the serene beauty of the surrounding landscape while learning about the area's natural history.Scenic Beach: Relax on the park's beautiful beach, which offers stunning views of the ocean and a peaceful atmosphere.With its rich history and natural beauty, Camp Hero State Park offers a unique experience that combines historical exploration with outdoor recreation.Now, let's move on to the section about outdoor activities and recreation.Outdoor Activities and RecreationWe can explore a variety of outdoor activities and recreation options at Camp Hero State Park, such as hiking, beachcombing, and birdwatching. This sprawling 754-acre park offers something for everyone, with its beautiful beach, scenic trails, and abundant wildlife. Whether you're a nature enthusiast or simply looking to enjoy the great outdoors, Camp Hero State Park has it all. Take a leisurely hike along the well-maintained trails and immerse yourself in the stunning natural beauty of the park. Beachcombing is also a popular activity, allowing you to discover shells, stones, and other treasures along the pristine shoreline. And for those who enjoy birdwatching, the park is home to a wide variety of bird species, providing an excellent opportunity to observe and appreciate these feathered creatures in their natural habitat.Outdoor ActivitiesRecreation OptionsHikingBeachcombingBirdwatchingScenic Beauty and ViewsOur favorite part of Camp Hero State Park is its breathtaking scenic beauty and views, making it a must-visit destination. Here are five reasons why you should experience the stunning vistas at Camp Hero State Park:Cliffs overlooking the Atlantic Ocean: Stand atop the rugged cliffs and gaze upon the endless expanse of the majestic ocean.Rolling hills and lush greenery: Take a leisurely stroll through the park's picturesque landscapes, surrounded by vibrant vegetation and rolling hills.Pristine sandy beach: Enjoy a relaxing day at the beach, where the soft sand meets the cool ocean waters.Panoramic views from the bluffs: Hike up to the bluffs and be rewarded with panoramic views of the surrounding coastline.Spectacular sunsets: Witness the beauty of the setting sun as it paints the sky with vibrant hues, creating a truly magical experience.Camp Hero State Park truly offers an escape into nature's beauty, where you can immerse yourself in the breathtaking scenery and enjoy the freedom of the great outdoors.Ditch Plains BeachDitch Plains Beach offers miles of sandy shoreline and is renowned as a top-rated surfing destination. As we step onto the beach, the salty ocean breeze instantly fills our lungs, creating a sense of freedom and adventure. The crashing waves beckon us to dive in and experience the thrill of the ocean.With its wide expanse of sand, Ditch Plains Beach is perfect for sunbathing and picnicking. We can spread out our beach towels and soak up the sun's warm rays, feeling the sand between our toes. Lifeguards patrol the beach, ensuring our safety as we enjoy the refreshing waters.For those seeking a more active day at the beach, Ditch Plains offers excellent swimming and fishing opportunities. The clear blue waters are inviting, inviting us to take a dip and cool off from the summer heat. As we swim, we can't help but marvel at the beauty of the surrounding coastline and the vastness of the Atlantic Ocean.However, it's surfing that truly sets Ditch Plains Beach apart. With its consistent waves and strong swells, this beach attracts surfers from all over the world. Whether we're beginners looking to catch our first wave or experienced surfers seeking an adrenaline rush, Ditch Plains Beach provides the perfect playground. The crashing waves provide an exhilarating challenge, allowing us to ride the ocean's power and feel the freedom that comes from conquering nature.Ditch Plains Beach isn't only a paradise for surfers, but it also offers a sense of freedom and escape for anyone who visits. The expansive shoreline, the endless horizon, and the crashing waves all combine to create an atmosphere of boundless possibilities. It's a place where we can let go of our worries, embrace the present moment, and experience the pure joy of being alive.Hither Hills State ParkLocated on the beautiful Montauk peninsula, Hither Hills State Park offers a stunning beach facing the North Atlantic Ocean and a variety of outdoor activities such as hiking, skiing, and paddleboarding. Here are five reasons why you should visit Hither Hills State Park:Campgrounds and Nature Trails: Immerse yourself in the beauty of nature by camping at Hither Hills State Park. With spacious campgrounds surrounded by lush greenery, you can enjoy a peaceful night under the stars. The park also features well-maintained nature trails that allow you to explore the diverse flora and fauna of the area.Pristine Beach: The beach at Hither Hills State Park is a true gem. With its golden sands and crystal-clear waters, it's the perfect spot to relax and soak up the sun. Whether you want to take a refreshing swim or simply lounge on the beach, this idyllic setting won't disappoint.Hiking Trails: Lace up your hiking boots and hit the trails at Hither Hills State Park. The park offers a variety of hiking trails, ranging from easy strolls to more challenging treks. As you traverse the trails, you'll be rewarded with breathtaking views of the ocean and surrounding landscapes.Skiing: During the winter months, Hither Hills State Park transforms into a winter wonderland. With its gently sloping hills and well-groomed trails, it's the perfect place to enjoy cross-country skiing. Glide through the snowy landscape and marvel at the beauty of the park in winter.Paddleboarding: For those seeking a more adventurous experience, paddleboarding is a must-try activity at Hither Hills State Park. Explore the calm waters of the North Atlantic Ocean and enjoy the tranquility of the surroundings. Whether you're a beginner or an experienced paddler, this activity is sure to provide a memorable and invigorating experience.With its stunning beach, diverse outdoor activities, and serene atmosphere, Hither Hills State Park is a true paradise for nature lovers and adventure seekers alike. So pack your bags, embrace the freedom of the Montauk peninsula, and embark on an unforgettable journey at Hither Hills State Park.Lake MontaukWhen it comes to Lake Montauk, there's no shortage of boating and fishing options. The lake's sandy beaches and bustling marinas make it the perfect destination for water sports recreation.Whether you're looking to go fishing, boating, or jet-skiing, Lake Montauk has it all. Additionally, the waterfront attractions like restaurants and shops provide the perfect setting for a scenic cruise or a leisurely stroll along the lake.Boating and Fishing OptionsOne of the best boating and fishing options in Montauk is Lake Montauk, where we can enjoy sandy beaches, bustling marinas, and the opportunity to go fishing, boating, and jet-skiing.Here are some highlights of what Lake Montauk has to offer:Sandy beaches perfect for sunbathing and picnicking.Bustling marinas with a wide range of boats and watercraft.Excellent fishing opportunities, with a variety of fish species to catch.Exciting boating experiences, from leisurely cruises to thrilling water sports.Jet-skiing adventures for those seeking a more adrenaline-fueled experience.In addition to these activities, Lake Montauk is also home to waterfront attractions such as restaurants and shops, where you can enjoy delicious meals and browse for unique souvenirs.Waterfront Attractions and ShopsOur favorite part of Lake Montauk is its waterfront attractions and shops, where we can indulge in delicious meals and browse for unique souvenirs.The sandy beaches and bustling marinas offer a picturesque backdrop for a day of water sports recreation. Whether it's fishing, boating, or jet-skiing, there's something for everyone.The waterfront restaurants serve up mouthwatering dishes made with fresh seafood caught right from the lake. After a satisfying meal, we love exploring the various shops and boutiques, where we can find one-of-a-kind treasures to bring back home.And for those looking to relax and take in the scenic views, there are scenic cruises available to enjoy the beauty of Lake Montauk from a different perspective.With its vibrant waterfront atmosphere, Lake Montauk is a must-visit destination for those seeking freedom and adventure.Scenic Cruises and RestaurantsWe love taking scenic cruises and dining at the restaurants along Lake Montauk, as they offer a delightful combination of breathtaking views and delicious food.Here are some highlights of what you can expect:Sandy beaches: The lake boasts beautiful sandy beaches where you can soak up the sun and enjoy the cool breeze.Bustling marinas: The marinas along Lake Montauk are filled with boats and yachts, creating a lively and picturesque atmosphere.Fishing: Whether you're a seasoned angler or a beginner, the lake offers excellent fishing opportunities for various species.Boating and jet-skiing: Explore the lake's crystal-clear waters by renting a boat or a jet ski and enjoy a thrilling adventure.Waterfront restaurants: Indulge in mouthwatering seafood and other delectable dishes while overlooking the serene beauty of Lake Montauk.Gurneys Star Island Resort & Seawater SpaLocated on a private island, Gurney's Star Island Resort & Seawater Spa offers us stunning ocean views and a wide range of luxurious amenities. This luxurious resort and spa is the perfect destination for those seeking relaxation and rejuvenation in Montauk, NY.As we arrive at Gurney's Star Island Resort & Seawater Spa, we're greeted by the breathtaking beauty of the ocean surrounding the island. The resort boasts a private beach where we can lounge under the sun and take a refreshing dip in the crystal-clear waters. For those looking to unwind even further, the resort offers a tranquil pool area where we can lounge on comfortable sunbeds and enjoy poolside service.When it comes to dining, Gurney's Star Island Resort & Seawater Spa doesn't disappoint. The resort features several on-site restaurants and bars, offering a variety of culinary delights and refreshing beverages. From fresh seafood to gourmet cuisine, there's something to satisfy every palate.For those seeking ultimate relaxation and pampering, the resort's spa is a must-visit. With a wide range of spa services and wellness activities available, we can indulge in massages, facials, and body treatments that will leave us feeling refreshed and rejuvenated.Gurney's Star Island Resort & Seawater Spa truly offers us the freedom to escape from the hustle and bustle of everyday life. Whether we choose to relax on the private beach, indulge in delicious cuisine, or pamper ourselves at the spa, this luxurious resort provides the perfect setting for a truly memorable getaway.Frequently Asked QuestionsWhat Is the History Behind the Montauk Point Lighthouse?The history behind Montauk Point Lighthouse is fascinating. Constructed in 1797, it's a National Historic Landmark and a must-visit attraction in Montauk, NY.The lighthouse offers guided tours and houses a captivating museum. You can explore the gift shop, which sells souvenirs.The highlight is the breathtaking oceanfront views that will leave you in awe. This historic landmark is a testament to the rich maritime history of the area.Are There Any Fees for Entering Montauk Point State Park?Yes, there are fees for entering Montauk Point State Park.The fees vary depending on the time of year and the type of vehicle.For pedestrians, the fee is $10 per person.For vehicles, the fee is $10 for cars and motorcycles, and $20 for buses and RVs.There is also a fee for fishing, which is $8 per person.These fees help support the maintenance and conservation of the park.Can Visitors Swim at Ditch Plains Beach?Yes, visitors can swim at Ditch Plains Beach. It's a top-rated surfing destination with miles of sandy shoreline.The beach provides amenities such as lifeguards and beach wheelchairs. It's perfect for sunbathing, picnicking, swimming, fishing, and of course, surfing.The captivating ocean views and the sound of crashing waves make it an ideal spot for water enthusiasts.What Are the Amenities Available at Hither Hills State Park's Campgrounds?At Hither Hills State Park's campgrounds, there are a variety of amenities available for visitors. These include well-maintained campgrounds, where you can pitch your tent or park your RV.You'll also find nature trails, perfect for hiking and exploring the park's beautiful surroundings.Additionally, the park offers easy access to a stunning beach facing the North Atlantic Ocean.Whether you're into camping, hiking, or simply enjoying the beach, Hither Hills State Park has something for everyone.How Can Visitors Access Lake Montauk's Waterfront Attractions?To access Lake Montauk's waterfront attractions, visitors can take advantage of the sandy beaches and bustling marinas. Whether you're into fishing, boating, or jet-skiing, there's something for everyone.Plus, you'll find waterfront attractions like restaurants and shops that offer delicious food and unique souvenirs.And if you're looking for a scenic experience, don't miss out on the opportunity to take a leisurely cruise on the lake. It's the perfect way to relax and enjoy the beauty of Montauk.ConclusionAs we bid farewell to the beautiful town of Montauk, we can't help but reflect on the adage, 'Time flies when you're having fun.'Our journey through historic landmarks, picturesque beaches, and luxurious amenities has been an absolute delight.From the captivating views at the Montauk Point Lighthouse to the adrenaline rush of surfing at Ditch Plains Beach, Montauk has truly captured our hearts.So, until we meet again, remember to seize every moment and cherish the memories made in this charming seaside town. submitted by Sweet-Count2557 to worldkidstravel [link] [comments] |
2024.05.19 14:20 Ckew9239 Beginner Fisherman
2024.05.19 14:19 Nyxlw_ Things i’d like in the next game.
2024.05.19 14:05 OhFuknut314 Project scouting
Sorry if this kinda think isn’t allowed, I will post pictures of my first (and only) renovation below for relevance, but I wanted some advice… submitted by OhFuknut314 to Renovations [link] [comments] Finding old, outdated homes to redo isn’t especially hard, for your generic British homes, Rightmove and similar work fine. But what if you looking for something especially… knackered 😂 I’m sure most of us renovation fanatics have seen the increasing popularity of Portugal/france/spain renovation… there’s no floors and the ceiling is caved in which makes the value low, but character is so amazing that it always comes out amazing. My question is, how would you go about finding these?! I’ve done my fair share of googling “derelict properties” for sale, usually the websites are weird and hard to navigate, doesn’t even seem legit in this day and age haha. Is it more of a “go to these places and find estate agents” or “find the building you want and track down the owners to see if they’re willing to sell” ideal area for me is wales, still amazing scenery and old, characterful buildings without the obvious obstacles of plane/ferry rides, extra costs attached to that. Any info to do with buying a second property and/or actually finding these places is greatly appreciated. My, here’s my old house that I renovated during Covid, it took 5 months of full time work to do, only work I didn’t complete myself was the electrical, plumbing and carpets, I loved the work I did in the bathroom and the staircase specifically, I’m in a bigger more suitable house now but I miss this little beauty, really itching to start something special for myself and my family long term. Cheers guys |
2024.05.19 14:01 CordouroyStilts PC US Deer Isle THE REVIVAL PD, Medic, and Human Trader factions Lore Custom Areas Keycards
2024.05.19 13:34 Ckew9239 Beginner Fisherman here…
2024.05.19 13:26 Hunter3271 Looking to register Jon boat in Massachusetts with no title
2024.05.19 12:44 buzzlightyear77777 Turn based Jrpgs with adventurers and guilds?
2024.05.19 12:13 Ultimatenerdgamer1 I Am My Own Worst Enemy
2024.05.19 11:48 bonerjamz-69 A team im excited to run with the SEZA Kid Buu!
submitted by bonerjamz-69 to DBZDokkanBattle [link] [comments] |
2024.05.19 11:45 Meeples17 Boomer Cant Accept We Dont Shout and Scream when we Dont Get our Way
2024.05.19 11:31 LaurensGayStuff [PC] [2000s-2010s] Game with a girl with blue hair, has a boat level where it's raining and you get eaten by a snake.
2024.05.19 11:24 bad_advices_guy Dave the Diver made me experience a deep sense of failure
2024.05.19 11:19 CoenJC My weird MMO attitude trying to enter the genre