How much does qvar cost
HowMuchWouldThisCost
2021.01.19 20:45 DJPaulyDstheman HowMuchWouldThisCost
A place to post dope things that people build and you wonder how much it would cost.
2013.10.16 19:48 ruseweek Microdosing: sub-threshold dosing of psychedelic drugs for self-improvement, therapy or well-being
This is a community for discussion pertaining to microdosing research, experiments, regimens and experiences. The most probable candidates for microdosing are psychedelics, but we encourage dialogue on the effects of any drugs at sub-threshold dosage. No sourcing of drugs allowed! Please have a look at the microdosing Sidebar ⬇️.
2014.07.30 19:10 LL-beansandrice How much did those shoes cost?
2024.05.14 21:10 GreenAniaM Thinking of upgrading my air purifier for forest fire season.
Hey guys, so I currently own 2 Mila air purifiers that I bought during their kickstarter campaign back in 2019. I buy once a year their filters forn for fires. I lived in a 550 sq foot space so 2 was more than enough. I now have moved to a 1600 sq foot house. About 1/2 to 2/3 of it is open concept, the kitchen, family room and dinning room. My master bedroom is quite large.
The landlorn renovated the garage into a bedroom. This house was built in 1979. Most of it has central air system and I replaced all the shitty registers that looked honestly burnt with ones that have filters (I have mild asthma). The bedroom, however, has electric baseboard heaters. Also, the front door is currently not the right size for the space. The landlord has had to put a piece of wood above the door to block out that portion. So the door is definitely not sealed. Its fun times, with cheap landlords.
I've had the vents professionally cleaned because apparently the landlord didn't think of doing it during their reno. They paid for half of the cleaning. (I know they should have paid for full but my rent is super affordable for metro Vancouver).
Its still not forest fire season... technically, but due to the drought I'm guessing it gonna be a bad one.
So, why this much detailed info, well because even after doing all of this my air purifier are working overtime and I'm still getting Asthma symptoms. Didn't have daily asthma symptoms at my old place.
So my question is, what air purifiers makes sense for my space?
For example, does the crazy cost of the Alen BreatheSmart 75i Air Purifier, EspressoAlen BreatheSmart 75i Air Purifier make sense for me? I could start saving now and maybe have the amount by August but its so expensive for Canadians and it doesn't look like the warranty applies to anyone outside of the States.
I don't mind spending good money, I just need to know whats over kill. I prefer not to spend more then I have to, but I'm worried about forest fire season if this is how I'm feeling already.
I appreciate any help!
submitted by GreenAniaM to AirPurifiers [link] [comments]
The landlorn renovated the garage into a bedroom. This house was built in 1979. Most of it has central air system and I replaced all the shitty registers that looked honestly burnt with ones that have filters (I have mild asthma). The bedroom, however, has electric baseboard heaters. Also, the front door is currently not the right size for the space. The landlord has had to put a piece of wood above the door to block out that portion. So the door is definitely not sealed. Its fun times, with cheap landlords.
I've had the vents professionally cleaned because apparently the landlord didn't think of doing it during their reno. They paid for half of the cleaning. (I know they should have paid for full but my rent is super affordable for metro Vancouver).
Its still not forest fire season... technically, but due to the drought I'm guessing it gonna be a bad one.
So, why this much detailed info, well because even after doing all of this my air purifier are working overtime and I'm still getting Asthma symptoms. Didn't have daily asthma symptoms at my old place.
So my question is, what air purifiers makes sense for my space?
For example, does the crazy cost of the Alen BreatheSmart 75i Air Purifier, EspressoAlen BreatheSmart 75i Air Purifier make sense for me? I could start saving now and maybe have the amount by August but its so expensive for Canadians and it doesn't look like the warranty applies to anyone outside of the States.
I don't mind spending good money, I just need to know whats over kill. I prefer not to spend more then I have to, but I'm worried about forest fire season if this is how I'm feeling already.
I appreciate any help!
2024.05.14 21:10 Future-Hour-7450 Inaccessible for New Women
Hi, I have been in India, Thailand, the Caribbean, and South America, and have attempted to attend a Vipassana retreat in these continents as a “new women”. Now, I am back in the US and I look at every state and all of the retreats are full for new women and even the ones that are two months out have a waitlist. I reached out to a center and was told to apply for a retreat the day that it opens, but I’m looking for a 10 day retreat now or in the next couple of months.
I’m a young experienced practitioner and I’m not looking for anything fancy or something that is seemingly so inaccessible to attend. I am happy that Vipassana is free! Considering that, especially in the US, the cost of Buddhist and spiritual retreats and communities is becoming aggressively unaffordable… I wonder if there are other options for non- community oriented meditation based facilities? Otherwise I’ll have to pitch a tent up somewhere in some forest to get the necessary conditions for a meditation retreat but there’s added stress in that option too for a single young female like myself.
Does anyone have any other insight into similar conditions for a meditation retreat experience— that doesn’t have any extra community obligations or uninteresting practices included in the meditation? Perhaps even just a Temple or center with not too many people willing to house a silent practicioner for a week?
Otherwise if anyone has any insight in how to actually get into a Vipassana retreat,I’d be happy to hear! I’m in VA now, just got back from Caribbean/ SA no luck with Vipassana
Thank you very much anyone that can help!
submitted by Future-Hour-7450 to vipassana [link] [comments]
I’m a young experienced practitioner and I’m not looking for anything fancy or something that is seemingly so inaccessible to attend. I am happy that Vipassana is free! Considering that, especially in the US, the cost of Buddhist and spiritual retreats and communities is becoming aggressively unaffordable… I wonder if there are other options for non- community oriented meditation based facilities? Otherwise I’ll have to pitch a tent up somewhere in some forest to get the necessary conditions for a meditation retreat but there’s added stress in that option too for a single young female like myself.
Does anyone have any other insight into similar conditions for a meditation retreat experience— that doesn’t have any extra community obligations or uninteresting practices included in the meditation? Perhaps even just a Temple or center with not too many people willing to house a silent practicioner for a week?
Otherwise if anyone has any insight in how to actually get into a Vipassana retreat,I’d be happy to hear! I’m in VA now, just got back from Caribbean/ SA no luck with Vipassana
Thank you very much anyone that can help!
2024.05.14 21:08 Sweet-Chilli-341 Can Apple Store properly diagnose if all parts in my iPhone are genuine?
I recently bought a refurbished iPhone 12 Pro (128gb) 2 weeks ago, from a 3rd party shop(NOT authorised by Apple). They said ‘sometimes’ they use non-original display in their iPhones. In my iPhone, there is an issue with the touch sensitivity, it feels like the sensitivity is not as good as a brand new one. If I tap extremely lightly, it can’t recognise. And to me, it feels like the bezel around the screen is not fully equal (one part is thinner than the other). My iPhone doesn’t have Any AppleCare warranty.
If I take this phone to an Apple Store, can they diagnose the phone (including opening the iPhone) to see if the phone has ALL the original components? If so, how much is the cost for this diagnosis? And will they properly seal (for water resistance) the phone when closing it?
N.b: the phone doesn’t show any warning of non-original message (but it does NOT necessarily mean everything is original because now-a-days you can reprogram a non-original screen {or moving IC} so that iOS can’t catch the non-original part).
submitted by Sweet-Chilli-341 to iphone [link] [comments]
If I take this phone to an Apple Store, can they diagnose the phone (including opening the iPhone) to see if the phone has ALL the original components? If so, how much is the cost for this diagnosis? And will they properly seal (for water resistance) the phone when closing it?
N.b: the phone doesn’t show any warning of non-original message (but it does NOT necessarily mean everything is original because now-a-days you can reprogram a non-original screen {or moving IC} so that iOS can’t catch the non-original part).
2024.05.14 21:07 Sweet-Chilli-341 Can Apple Store properly diagnose if all parts in my iPhone are genuine?
I recently bought a refurbished iPhone 12 Pro (128gb) 2 weeks ago, from a 3rd party shop(NOT authorised by Apple). They said ‘sometimes’ they use non-original display in their iPhones. In my iPhone, there is an issue with the touch sensitivity, it feels like the sensitivity is not as good as a brand new one. If I tap extremely lightly, it can’t recognise. And to me, it feels like the bezel around the screen is not fully equal (one part is thinner than the other). My iPhone doesn’t have Any AppleCare warranty.
If I take this phone to an Apple Store, can they diagnose the phone (including opening the iPhone) to see if the phone has ALL the original components? If so, how much is the cost for this diagnosis? And will they properly seal (for water resistance) the phone when closing it?
N.b: the phone doesn’t show any warning of non-original message (but it does NOT necessarily mean everything is original because now-a-days you can reprogram a non-original screen {or by moving IC} so that iOS can’t catch the non-original part).
submitted by Sweet-Chilli-341 to iPhone12 [link] [comments]
If I take this phone to an Apple Store, can they diagnose the phone (including opening the iPhone) to see if the phone has ALL the original components? If so, how much is the cost for this diagnosis? And will they properly seal (for water resistance) the phone when closing it?
N.b: the phone doesn’t show any warning of non-original message (but it does NOT necessarily mean everything is original because now-a-days you can reprogram a non-original screen {or by moving IC} so that iOS can’t catch the non-original part).
2024.05.14 21:07 Independent-Spell933 I just lost my oncampus job and this concerns me about my future career
Hi guys, its my first post here. I suspect I have ADHD. I can't get officially diagnosed because well it costs money and I'm really broke. It's partly my fault and partly just how much I can earn. So, I live paycheck to paycheck.
My first job on my university is on campus that was great pay, flexible timings and remote. I'm currently an international student studying my masters and don't have experience in the career I'm going for . I have 100k debt now, first gen and potentially not much help from my parent. The market sucks, its been a pain to search for a summer internship and potentially full time. I have applied over 450 applications tailoring to each job. Its been tough as a new grad. Will this be like this all my life? I keep slacking and I keep getting fired?
So, basically the way I discovered I might have ADHD is I started working on campus and there was this significant research she requested from me and said its very important and takes a lot of time, I didn't do it on time and didn't even email her saying I would delay, she got mad and our relationship has been much worse since then. But before that too, she would berate me, made me insecure and lost all of my confidence when I spoke because I had an accent and um would use the filler like as does any other student here. Anyway she officially terminated and I'm stumped. Its been hard to search a job already but coping with that, having ADHD and potentially being really financially at risk as I don't have any way to have living expenses is making me go crazy.
This last month I had to call search & rescue in the US and they got a helicopter and told me they'll send the bill. I don't know how I can even manage to pay. I researched and it might be around $10k. I truly don't know what to do. The only means of income is my living expenses that gets dispersed $3k every 3 months until December when I graduate.
How do you guys potentially search for a new jobs? How dodyou hold onto a job?
How do you cope up with stress and not just shut down or procastinate?
I have been extremely cautious as I used to work a lot over my career and I burnt out many times so I have been trying to have some sort of balance.
I'm really trying not to loose it all and just fall apart. I have a single parent and they can't contribute as much and I'm just insanely worried about my debt. Not to say, this whole thing was a huge gamble to come out of our current financial situation and I feel like I fucked up. Any advice would really help thankyou.
submitted by Independent-Spell933 to adhdwomen [link] [comments]
My first job on my university is on campus that was great pay, flexible timings and remote. I'm currently an international student studying my masters and don't have experience in the career I'm going for . I have 100k debt now, first gen and potentially not much help from my parent. The market sucks, its been a pain to search for a summer internship and potentially full time. I have applied over 450 applications tailoring to each job. Its been tough as a new grad. Will this be like this all my life? I keep slacking and I keep getting fired?
So, basically the way I discovered I might have ADHD is I started working on campus and there was this significant research she requested from me and said its very important and takes a lot of time, I didn't do it on time and didn't even email her saying I would delay, she got mad and our relationship has been much worse since then. But before that too, she would berate me, made me insecure and lost all of my confidence when I spoke because I had an accent and um would use the filler like as does any other student here. Anyway she officially terminated and I'm stumped. Its been hard to search a job already but coping with that, having ADHD and potentially being really financially at risk as I don't have any way to have living expenses is making me go crazy.
This last month I had to call search & rescue in the US and they got a helicopter and told me they'll send the bill. I don't know how I can even manage to pay. I researched and it might be around $10k. I truly don't know what to do. The only means of income is my living expenses that gets dispersed $3k every 3 months until December when I graduate.
How do you guys potentially search for a new jobs? How dodyou hold onto a job?
How do you cope up with stress and not just shut down or procastinate?
I have been extremely cautious as I used to work a lot over my career and I burnt out many times so I have been trying to have some sort of balance.
I'm really trying not to loose it all and just fall apart. I have a single parent and they can't contribute as much and I'm just insanely worried about my debt. Not to say, this whole thing was a huge gamble to come out of our current financial situation and I feel like I fucked up. Any advice would really help thankyou.
2024.05.14 21:02 Dense-Impression3365 Has anyone implemented an chatbot that uses GPT and a PDF (or doc) with information about your company to answer customer questions?
I'm curious about what were the results/impact? Does the chatbot hallucinates to much? How much does it cost to run?
submitted by Dense-Impression3365 to EntrepreneurRideAlong [link] [comments]
2024.05.14 20:56 Iazy_Iamb Uk, Tooth damage on foreign food in popcorn at cinema
Is it possible to claim on this? A filling from a back tooth fell out after a strange large chunk (appears to maybe be hardened sugar along with cornels and possible other things) was large but around the same size of a peice of popcorn, and was disguised among a handful until eaten, and then resulting in the injury. I’ve looked and seen you’re entitled to compensation if a restaurant’s food results in tooth injury, however since this is slightly different to a restaurant unsure. Mostly unsure about the fact it’s the loss of a filling and not a direct injury to the tooth? Does it still count as injury in a claim. Honestly all I’m looking for is possible coverage of the dental cost for a refilling, not long since I got the filling and it’s frustrating to have to spend it again. It’s not much for a company of this cinemas size and not looking for thousands in claims. Already filed a report at the scene and they’ve taken my details but looking for logistics on how this might go. I have the large foreign object, not the filling think it was swallowed along with the few other pieces of popcorn I failed to spit out at the time.
submitted by Iazy_Iamb to legaladvice [link] [comments]
2024.05.14 20:55 TravisTK9 How much does all the dlcs with base game cost for ATS and ETS 2?
Can I get the dlcs for less during summer sale? I think I'll wait until then to buy.
submitted by TravisTK9 to trucksim [link] [comments]
2024.05.14 20:54 Mavmouv What the F is up with the candle ?
My friends and I have been banging our heads multiple times on the secondary objective when you need to make the ghost blow the candle.
This cost us many games where we had everything to succeed, but this justlock us in place.
Multiple times, we spend more than half an hour fooling around getting us killed because the ghost never blows it.
Sometimes, it happens in seconds, and other times, it just doesn't.
How are we supposed to do that ??
We place the candle in its room every time
We even tried to grab the candle and wander in the house, we tried placing multiple candles around the building, but nothing does it !!
Please, what are we missing here ? We enjoy the game a lot, but this candle situation is frustrating and killing all the fun for us.
Thank you very much 🙏
submitted by Mavmouv to demonologistgame [link] [comments]
This cost us many games where we had everything to succeed, but this justlock us in place.
Multiple times, we spend more than half an hour fooling around getting us killed because the ghost never blows it.
Sometimes, it happens in seconds, and other times, it just doesn't.
How are we supposed to do that ??
We place the candle in its room every time
We even tried to grab the candle and wander in the house, we tried placing multiple candles around the building, but nothing does it !!
Please, what are we missing here ? We enjoy the game a lot, but this candle situation is frustrating and killing all the fun for us.
Thank you very much 🙏
2024.05.14 20:52 Bubbly_Answer Severe Communication Avoidance / Anxiety
I have been diagnosed with anxiety for three years and am trying to go through the process of diagnosis for adhd.
Right now, my symptom that is negatively affecting my life the most and why I'm going the process of diagnosis is avoidance. I get completely paralyzed. When I get a text, I feel a rush of anxiety. It's almost physically painful to open up a text. And I know - it;s just a text! But I feel fear for some reason. And I often feel so much fear that I'm unable to respond.
I cat sit on the side, and a client wanted to give me a gift as a thank you. I couldn't respond and still haven't. The thought of them being nice and having to accept a gift and see them - it was too much. I wish that wasn't how I am.
Over time, this communication avoidance has really cost me friendships, career opportunities, and makes day to day life kind of difficult. I feel like I'm in a battle to keep up with regular communication and feeling that level of fear and anxiety every day and having to overcome it just takes a toll. It exhausts me and makes me irritable and stressed and makes me even more avoidant in my personal life.
Does anyone else have this experience? Does it ever stop? Or will I always have to cope with this level of fear?
submitted by Bubbly_Answer to adhd_anxiety [link] [comments]
Right now, my symptom that is negatively affecting my life the most and why I'm going the process of diagnosis is avoidance. I get completely paralyzed. When I get a text, I feel a rush of anxiety. It's almost physically painful to open up a text. And I know - it;s just a text! But I feel fear for some reason. And I often feel so much fear that I'm unable to respond.
I cat sit on the side, and a client wanted to give me a gift as a thank you. I couldn't respond and still haven't. The thought of them being nice and having to accept a gift and see them - it was too much. I wish that wasn't how I am.
Over time, this communication avoidance has really cost me friendships, career opportunities, and makes day to day life kind of difficult. I feel like I'm in a battle to keep up with regular communication and feeling that level of fear and anxiety every day and having to overcome it just takes a toll. It exhausts me and makes me irritable and stressed and makes me even more avoidant in my personal life.
Does anyone else have this experience? Does it ever stop? Or will I always have to cope with this level of fear?
2024.05.14 20:48 OrganizationLanky889 hi everyone, stoner here
is it hard to find weed in hungary? i know it’s illegal and highly dangerous to be caught with but let’s suppose i wanna take the risk? and how much does it cost? i’m interested specifically in budapest and debrecen cities
submitted by OrganizationLanky889 to budapest [link] [comments]
2024.05.14 20:32 shaneka69 Get A Tarot Reading Today! ALL READINGS SENT SAME DAY THEY ARE BOOKED
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submitted by shaneka69 to mytarotreadings [link] [comments]
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2024.05.14 20:21 Ill_Variation_2480 TTPD's new nickname "Female Rage: The Musical" should upset you.
Edit: If you are going to comment on the length of this post, please don't. This is not a simple snark but rather an actual critical think piece about feminism and Taylor Swift.
Taylor's target demographic has always been young or adolescent girls, more so when Swift herself was one. She made music that spoke to the awkward misfit, cultivating a para-social relationship with fans on MySpace, then later twitter, Instagram, and YouTube, where Taylor posted relatable vlogs showcasing the life of a homegrown American girl. Taylor had a delayed public "growing up" and, compared to her female pop contemporaries, Swift never "gratuitously sexualized her image and seems pathologically averse to controversy" (and, apparently, never even had a sip of alcohol until she turned 21). She was more than happy to spin this narrative to allude to an inherent moral superiority above other women in the industry (Better Than Revenge, heard of it?), engaging in the very slut-shaming that she herself endured (the Madonna and Whore archetypes). The victim complex arose with the need to prove Taylor as a different type of pop girl. Based upon her holy and clean image, Swift had been dubbed "a feminist's nightmare", and that "[To Swift] other girls are obstacles; undeserving enemies who steal Taylor’s soulmates with their bewitching good looks and sexual availability." Feminism and Tennessee-Christian country values don't exactly mix, it seems.
Years later, Swift befriended Lena Dunham and thus experienced white feminism osmosis, where Dunham taught Swift that real feminists defend rapists, makes insensitive jokes about rape and abortion, and prioritize all-white casts. Swift then declared herself a feminist in 2014, saying,
There was that time in 2015 Taylor said that Nicki Minaj was "invited to any stage [she is] on" (as if Taylor expects to have access to every stage, award, and platform that Nicki might not otherwise have as a black female artist...yikes!) in response to Nicki's criticism of the white + thin VMA nominations. Later, Nicki responded with confusion, as Swift continued, "It’s unlike you to pit women against each other. Maybe one of the men took your slot..". Of course, this 'beef' was 'squashed' when Nicki performed with Taylor at the VMAs, with Nicki quite literally only having 38 seconds of stage time without Taylor. Maybe all that parading around with a legion of famous white women - similar to the way Taylor might've done with her numerous 1989-era handbags - was in fact a stance against gender inequality, and that this display of "girl power" should be enough to constitute Swift as a feminist icon.
Even while Swift says that Dunham informed her feminist outlook, she dances around the exact contents of those beliefs: "what she believes, what she says, what she stands for" is not exactly insightful towards what beliefs Swift might have inherited. Taylor never broaches women's rights topics such femicide, FGM, forced pregnancy & marriage, sex trafficking, women in slavery, women's financial and political oppression, women's educational rights, women's health, or women's autonomy, so we can assume she only gives a fuck about "girls supporting girls" (whatever that fucking means).
Despite some questionable (and sometimes vindictive) behavior, Taylor as a young woman did not deserve every media lashing that she received. We cannot deny that most headlines and criticisms perpetuated a misogynistic rhetoric which has plagued Swift for a majority of her career. Acknowledging events such as the development of her ED, her sexual assault trial, "Famous" lyric and MV depiction of Taylor, and the explicit Twitter deepfakes, for example, as both disgusting and unfortunate things that happened to a young woman in Hollywood does not negate the fact that Taylor is mostly a performative feminist.
This was over 11 years ago, and it is still the only notable philanthropic contribution Taylor Swift has made.
For a woman of her net worth and stature, and a woman who recognizes the difficulties for women in film and music, you would think that Taylor Swift might establish a scholarship program for women to study the arts or something. Perhaps Swift might even consider becoming a member of organizations that support female artists, or one that supports LGBTQ+ causes (since she is now proudly an ally), yet she remains superficial with her graces. Broader philanthropy, such as donating relief aid to Palestinian women or women impacted by violence and discrimination will probably never receive any financial support from Miss Swift because then she'd be using her money towards philanthropies involving anyone but white entertainers.
She even says herself in Miss Americana, "My entire moral code as a kid and now is a need to be thought of as 'good'." Well, she's certainly thought of as good, though her actions say otherwise. She's more than happy to do a vaguely altruistic song and dance for a clip-worthy interview quote and mass appeasement, then fuck off to one of her mansions on a 20 minute private jet flight, rather than actually contribute to anything pertaining to the causes she has endorsed. Yet, far too many people continue to give a woman such as her their money, time, and energy, and she hoards these resources to herself.
The reason political anthems such as "The Man" and "Only the Young" of the Lover era feel disingenuous and corporate is because, well, it is. Taylor has taken every opportunity to advance her career or public image at the expense of other women. What is truly genuine to Taylor's outlook on other women is vying for male attention, taking down female competition, and vocalizing feminist injustices only if they directly impact her and her money. Some will argue that it's satisfactory for a woman with such a huge platform to even TALK about feminism, but that just isn't enough. It's even less impressive when you candidly look at the scope of her feminist lens: "If I was the man, then I'd be THE MAN", or "I really resent the ‘Be careful, buddy, she’s going to write a song about you’ angle, because it trivialises what I do", and, of course, "We all got crowns". Feminism, but only when it happens to me. It gets worse when you look at Taylor's track record of copying other famous women and removing other female artists as potential threats to her pop prowess.
It's good for PR to align yourself with certain blanket feminist and political beliefs, therefore good for branding, therefore good for ticketing and merchandise sales, therefore good for business. And Taylor Swift is a business.
She's not a feminist. Taylor Swift is a capitalist.
Swift, through her company, TAS Rights Managements, has also trademarked over 200 phrases, including "1989", where she owns the property rights to this calendar year on keychains, phone cases, sunglasses, stationary, bags, beverage ware, clothing, entertainment services, your subconscious, and, of course, Christmas ornaments.
The vapid consumerism in Swiftie culture is, frankly, disgusting. Bravado's sustainability statement is non-existent, the quality control is abysmal, and the materials they use are horrible. The materials, such as acrylic and polyester, are made from petrochemicals. This means they are non-renewable, shed microplastics, and are quite toxic in production. The manufacturing process to make all of those lazy-rushed Eras Tour logo graphic tees is a huge blow to environmental well-being. Apparently, though, Swifties don't give a fuck. They sell out products in seconds and either have to face the manufactured scarcity or buy from a scalper that resells for 200% of the already ridiculous retail price. This doesn't include the environmental impact of vinyl records, CD, and cassette production, of which Taylor produces many variants that sell unsustainable amounts.
If we're talking about women's rights violations, why is no one acknowledging the women that work in the inhumane sweatshop conditions that have to pump out fugly t-shirts and hats? The millions of plastic microfiber dander they are inhaling, or the toxic dyes that touch their bare skin? Are they being compensated fairly for their skilled labour and are they in safe working environments? Do these women have minimal bargaining power, and do they have authority over their worker's rights? Is Taylor Swift female raging at their injustices? Does Taylor Swift ever feels bad that her wealth was built on the backs of women of color, disadvantaged by the demands of the global economy and garment industry? Do you think she ever says a little white feminist prayer for them before she goes to sleep at night?
What's even crazier is not that Taylor herself doesn't care, it's that Swifties don't care. There CANNOT BE ethical billionaires. You only make a billion dollars if you are exploiting other human beings for capital gain. Based on public perception of the possible "Female Rage: The Musical" trademark, it seems like Swifties are already asking for merch with this phrase. "If Taylor made it, I'd buy it." Oh, cool. So not only do you champion Miss Swift's avarice and billionaire status, but you also are unashamed to admit to your blind consumption of her music and merchandise, no matter where they might originate in production or sincerity. Just as Swift takes and takes and takes, Swifties' consumerism of Taylor Swift cannot be quelled.
The tortured artist's most vulnerable and sincere poetry...available now in 21 different versions!
Yet Taylor Swift still has no grounds to be claiming that TTPD best exemplifies female rage and therefore she, in the context of this album, is female rage incarnate. As the daughter of a stock broker and mutual fund marketing executive, Taylor was born into wealth and allowed privileges like trips and subsequent relocation to Nashville all so that she might get a record deal. Her father even invested at least $120,000 into the then-fledgling label, Big Machine Records, which ensured Taylor's place with Borchetta after leaving her dead-end development deal with Sony. The fact that her parents were able to buy her a fucking brand new guitar for Christmas and pay for music lessons says so much about the financial security and safety of her childhood.
Money is privilege and protection, and despite Swift's experiences with misogyny and loser boyfriends, she does not know what female rage is.
Her rage is derived from her frustrations with her obsessive fans pulling the moral superiority card on Taylor in response to her rebound with Matty Healy. That's literally it. She's just pissed that the monster she created is no longer obediant, it's become a feral, sovereign entity that depletes the world of its natural resources and thinks it is more intelligent than it actually is because it's mommy has started to talk to it with big words. Apparently, 'illicit', 'elegy', 'nonchalant', and 'precocious' are considerably big words for the oafish monster, and I find it strange that this level of literacy is present in a group of fans that allegedly have GPAs of 3.5 or higher, but I digress.
Taylor Swift has never been one paycheck away from destitution. Taylor Swift has never experienced racial discrimination. She may have instances of gender discrimination, but she possesses the ideal white, blonde American beauty standard and therefore reaps the benefits of being a conventionally attractive woman. Taylor Swift has sufficient social capital. Taylor Swift is a billionaire woman prolonging her victimhood though she, as a woman, has mostly had control over her image and music (unlike her contemporaries). Taylor Swift is NOT entitled to be championed for her "female rage", nor should she be. Taylor Swift has never even been the struggling artist, for fuck's sake. I don't give a fuck if she's trying to fill the empty lunch tables of her past. Taylor Swift purporting herself, her unpolished album, and her lukewarm feminism as a musical bleeding with female rage is asinine.
Fame is somewhat of a choice. If at any moment Taylor feels that she is misunderstood, misconstrued, or overwhelmed by public opinion, she can LEAVE the public eye - Lord knows she has the retirement fund and residuals to do so. In "I Can Do It With a Broken Heart", the TTPD song about meeting the demands of your career-zenith mega-tour while in the relationship trenches, Taylor ends the song by rambling,
It's funny. Taylor Swift often said that being famous wasn't hard, that she "isn't complaining". I'm sure it is difficult to always have to present in a good mood, else you'll end up misrepresented in the media, and I'm sure it's invasive to virtually have no privacy or semblance of anonymity. Still, Taylor Swift shows up each night of tour and performs. For a majority of her career, she has penned her sad songs while on the road. Most of "Red", her breakup album, was written in the thick of the Speak Now World tour. Now, some Swifties say they almost "feel bad" for attending the Eras Tour with Swift's revelations in this song, that they have had a 'dimmed experience' upon hearing Taylor's misery whilst performing. Despite the fact that Taylor said that "this was the happiest she's ever been" at Gilette Stadium in May, the lyrics "boohoo, woe is me, smile for the cameras and make the fans happy!!!" are jarring for Eras attendees.
While Taylor Swift was making double-digit millions a night in Rio de Janeiro, Brazil and feeling miserable, Ana Clara Benevides Machado passed away due to heat exposure. The concert promoters, Time For Fun, are now the subject of a criminal investigation due to their lack of adequate hydration and safety. Taylor Swift cancelled the Sunday show that was to follow and offered VIP tent tickets to Benevides Marchado's family, which was a kind gesture, but perhaps incongruous to the incident of which they were offered as consolation. Everyone grieves differently, of course, but I'm not sure attending the very show at the very same venue that my daughter or sister passed away in two days prior, where the singer CONTINUED the show despite her death, would be healthy for closure.
There was no female rage at the show as Swift never saw Benevides Machado pass out. There was no female rage towards the disregard for fans as humans while Swift elected to proceed with her Brazil tour dates despite the country being in historic heatwaves (at risk of overheatting herself). If Taylor Swift was so shaken by touring with a broken heart or a fan's passing, she wouldn't have added an additional North American leg of Eras just two months after the Matty breakup. She's brokenhearted but willing to mend the cracks with your money and move onward with her worldwide female rage induced pillaging.
No matter what happens, even if you die at a Taylor Swift concert, Taylor collects a big fat check and flies away. She doesn't know you as anything other than a conversion rate or earning potential despite what her nearly 20-year long parasocial relationship with fans might otherwise indicate. She knows that, while some Swifties are without disposable income, they feel obligated to spend on a "48 Hours Only!" exclusive vinyl variant instead of necessities because they are so entrenched in Taylor Swift's intoxicating celebrity, they'll prioritize materialistic fandom before their needs. This is good enough for her because this means she can expand her real estate portfolio and finance her cat's lavish lifestyles. They're worth an estimated $100 million dollars. Her three cats could pool their net worth and solve world hunger.
While you and I might be denied bereavement leave and barely surviving the current political and economic climate, Taylor Swift has to, instead of gets to, perform for stadiums at full attendance for three nights in a row across the globe. You and I might be replaced by AI at our longtime jobs, but Taylor Swift is threatened with losing more and more money each time you listen to a "Stolen Version" of her songs. If we don't buy every variant of all of her albums, then who is going to pay for the fucking cats?
It is tone deaf to spend as she spends and lives as she lives in this economy, but this is her reality. She was able to donate $100,000 to all of her tour truck drivers, and that's wonderful, but it leads me to wonder about the ethos of the 2020s where one woman can hoard such life-changing amounts of money. Remember in 2014 when she gave a fan $90 ($120 in today's money) to get Chipotle because she had no fucking clue how much it cost? This is a 34-year-old woman who is increasingly out of touch with the reality for working class people and women in general. Normal everyday adults must wake up and go to their thankless jobs, and yet Taylor Swift, despite all her riches, incessantly references the lows of her life and career as a public figure and entertainer to farm sympathy and drive sales. And still, the corporate women have latched onto "I cry a lot, but I am so productive! It's an art!" as their cubicle battle cry.
Do you think that, from up in her private jet, Taylor Swift gazes at the world through her poetic, tortured eyes, and thinks, "All the little people, in their cars, walking, going about their lives...all those girls that don't support girls...do they know that I've made an album about female rage?"
TLDR: Taylor Swift is a bad feminist and is delusional to think that the TTPD eras set exemplifies female rage at women's injustice.
submitted by Ill_Variation_2480 to travisandtaylor [link] [comments]
Introduction
Pertaining to Taylor Swift, "Female Rage" has deviated from its intended meaning after Swift debuted a new performance of The Tortured Poets Department during the Eras Tour. Now, according to Swift's use of the phrase, female rage is interpreted as public backlash against Swift's dating choices rather than as a response to the broader injustices against women and women's rights. This post examines Taylor Swift's flawed feminism, philanthropy, branding, and the controversial trademark petition for the phrase "Female Rage: The Musical". Swift's background as an entertainer, indeterminate politics, and alignment with capitalism over feminism pervades her legacy, again threatening her public tolerance as not just an individual but as a brand.Once Upon a Female Rage...
If you were cognizant in the early 2010's, you've heard countless jabs at Taylor Swift in the media. Magazines, radio, or online. Music critics did not take her seriously as a songwriter; parents put a woman on an unrealistic pedestal as the ideal role model for their children; she dated too much and used men as lyrical fodder. No matter the story, it inevitably spread, conjoined with everyone's respective opinions, and you'd be left to wonder, "Why does everyone hate this girl so much?"Taylor's target demographic has always been young or adolescent girls, more so when Swift herself was one. She made music that spoke to the awkward misfit, cultivating a para-social relationship with fans on MySpace, then later twitter, Instagram, and YouTube, where Taylor posted relatable vlogs showcasing the life of a homegrown American girl. Taylor had a delayed public "growing up" and, compared to her female pop contemporaries, Swift never "gratuitously sexualized her image and seems pathologically averse to controversy" (and, apparently, never even had a sip of alcohol until she turned 21). She was more than happy to spin this narrative to allude to an inherent moral superiority above other women in the industry (Better Than Revenge, heard of it?), engaging in the very slut-shaming that she herself endured (the Madonna and Whore archetypes). The victim complex arose with the need to prove Taylor as a different type of pop girl. Based upon her holy and clean image, Swift had been dubbed "a feminist's nightmare", and that "[To Swift] other girls are obstacles; undeserving enemies who steal Taylor’s soulmates with their bewitching good looks and sexual availability." Feminism and Tennessee-Christian country values don't exactly mix, it seems.
Years later, Swift befriended Lena Dunham and thus experienced white feminism osmosis, where Dunham taught Swift that real feminists defend rapists, makes insensitive jokes about rape and abortion, and prioritize all-white casts. Swift then declared herself a feminist in 2014, saying,
"Becoming friends with Lena – without her preaching to me, but just seeing why she believes what she believes, why she says what she says, why she stands for what she stands for – has made me realize that I’ve been taking a feminist stance without actually saying so."I suppose the male-centric songwriting subject that permeates Swift's discography contained covert feminism and that we just didn't see that. Perhaps, the "Bad Blood" song and music video were written only in jest and not about poor Katy Perry, for Swift, as a feminist, would "never make it a girl fight" or tear other women down (though all Katy did was date your terrible ex-boyfriend and allegedly steal three backup dancers from your tour). In 2013, Swift said, in response to Tina Fey and Amy Poehler's joke towards her serial dating, "There is a special place in hell for women who don't help other women."
There was that time in 2015 Taylor said that Nicki Minaj was "invited to any stage [she is] on" (as if Taylor expects to have access to every stage, award, and platform that Nicki might not otherwise have as a black female artist...yikes!) in response to Nicki's criticism of the white + thin VMA nominations. Later, Nicki responded with confusion, as Swift continued, "It’s unlike you to pit women against each other. Maybe one of the men took your slot..". Of course, this 'beef' was 'squashed' when Nicki performed with Taylor at the VMAs, with Nicki quite literally only having 38 seconds of stage time without Taylor. Maybe all that parading around with a legion of famous white women - similar to the way Taylor might've done with her numerous 1989-era handbags - was in fact a stance against gender inequality, and that this display of "girl power" should be enough to constitute Swift as a feminist icon.
Even while Swift says that Dunham informed her feminist outlook, she dances around the exact contents of those beliefs: "what she believes, what she says, what she stands for" is not exactly insightful towards what beliefs Swift might have inherited. Taylor never broaches women's rights topics such femicide, FGM, forced pregnancy & marriage, sex trafficking, women in slavery, women's financial and political oppression, women's educational rights, women's health, or women's autonomy, so we can assume she only gives a fuck about "girls supporting girls" (whatever that fucking means).
Despite some questionable (and sometimes vindictive) behavior, Taylor as a young woman did not deserve every media lashing that she received. We cannot deny that most headlines and criticisms perpetuated a misogynistic rhetoric which has plagued Swift for a majority of her career. Acknowledging events such as the development of her ED, her sexual assault trial, "Famous" lyric and MV depiction of Taylor, and the explicit Twitter deepfakes, for example, as both disgusting and unfortunate things that happened to a young woman in Hollywood does not negate the fact that Taylor is mostly a performative feminist.
Get Your Fucking Ass Up and Be a Philanthropist, It Seems Like Nobody Wants to Be a Philanthropist These Days
In 2013, Taylor Swift cut the ribbon at the grand opening of the Taylor Swift Education Center at the Country Music Hall of Fame in Nashville, Tennessee. The donation amount - $4 million - was the largest individual artist gift ever donated to the Country Music Hall of Fame, which is, of course, mentioned on Swift's website. The two-story facility features three classrooms, an instrument room, and an interactive children's exhibit gallery. Swift also performed at "All for the Hall" charity shows and has donated numerous artifacts from her career (such as notable guitars, tour costumes, etc) to the museum.This was over 11 years ago, and it is still the only notable philanthropic contribution Taylor Swift has made.
For a woman of her net worth and stature, and a woman who recognizes the difficulties for women in film and music, you would think that Taylor Swift might establish a scholarship program for women to study the arts or something. Perhaps Swift might even consider becoming a member of organizations that support female artists, or one that supports LGBTQ+ causes (since she is now proudly an ally), yet she remains superficial with her graces. Broader philanthropy, such as donating relief aid to Palestinian women or women impacted by violence and discrimination will probably never receive any financial support from Miss Swift because then she'd be using her money towards philanthropies involving anyone but white entertainers.
She even says herself in Miss Americana, "My entire moral code as a kid and now is a need to be thought of as 'good'." Well, she's certainly thought of as good, though her actions say otherwise. She's more than happy to do a vaguely altruistic song and dance for a clip-worthy interview quote and mass appeasement, then fuck off to one of her mansions on a 20 minute private jet flight, rather than actually contribute to anything pertaining to the causes she has endorsed. Yet, far too many people continue to give a woman such as her their money, time, and energy, and she hoards these resources to herself.
I Like Some of the Taylor's Songs, But What the Fuck Does She Know About Feminism?
Swift continued with her self-proclaimed feminist campaign, positioning herself as a political activist and LGBTQ+ ally in the Miss Americana documentary. The primary focus of the documentary consists of the sexual assault trial, Andrea Swift's cancer diagnosis, Taylor's ED and body dysmorphia, media scrutiny, and, largely, finally speaking up about her politics publicly, mostly her opposition to the 2018 Tennessee Republican senate candidate, Marsha Blackburn, and Blackburn's beliefs. Swift says, following a scene discussing her experience during the trial,"I just couldn't really stop thinking about it. And I just thought to myself, next time there is any opportunity to change anything, you had better know what you stand for and what you want to say."We must ask ourselves, though: when has Swift ever spoken up to change anything? Okay, pulling her entire catalogue from Spotify because they didn't pay their artists enough and similarly pulling her catalogue from Apple Music are changes that she leveraged due to her revenue potential and power, but they are not pertinent to the average woman's rights. Moreover, these are issues that directly impacted Taylor's income, which was enough reason for her to protest in the first place. Swift has sold the most units for a female artist in first week sales, is the first female artist with 100k monthly Spotify listeners, is the first female artist to win the Album of the Year Grammy 4 times, and is the first female artist to do X, Y, and Z, all while being inoffensive and family-friendly to boot. The actual Taylor Swift seems unwilling to compromise the brand of Taylor Swift by contributing in meaningful ways to feminist causes, especially if it is for women outside of America and Hollywood.
The reason political anthems such as "The Man" and "Only the Young" of the Lover era feel disingenuous and corporate is because, well, it is. Taylor has taken every opportunity to advance her career or public image at the expense of other women. What is truly genuine to Taylor's outlook on other women is vying for male attention, taking down female competition, and vocalizing feminist injustices only if they directly impact her and her money. Some will argue that it's satisfactory for a woman with such a huge platform to even TALK about feminism, but that just isn't enough. It's even less impressive when you candidly look at the scope of her feminist lens: "If I was the man, then I'd be THE MAN", or "I really resent the ‘Be careful, buddy, she’s going to write a song about you’ angle, because it trivialises what I do", and, of course, "We all got crowns". Feminism, but only when it happens to me. It gets worse when you look at Taylor's track record of copying other famous women and removing other female artists as potential threats to her pop prowess.
It's good for PR to align yourself with certain blanket feminist and political beliefs, therefore good for branding, therefore good for ticketing and merchandise sales, therefore good for business. And Taylor Swift is a business.
She's not a feminist. Taylor Swift is a capitalist.
I Can't Pay Those Sweatshop Workers a Livable Wage or Benefits! How Else Would I Make My Billions?
Recently, Taylor's team filed to trademark the phrase "Female Rage: The Musical" after Taylor said during Paris N1 of the Eras Tour,"So you were the first ones to see The Tortured Poets at the Eras Tour...or as I like to call it, 'Female Rage: The Musical'."This trademark petition was filed last week on Saturday, and news comes about just as numerous unofficial fan-made merch designs have cropped up with this phrase plastered on Fruit of the Loom basics. I'm of the opinion Swift's team motioned for a trademark so that they can send out cease & desists to all those that make knockoff merch, which disrupts potential sales for Bravado, UMG's choice merchandising company; however, since it was filed earlier, perhaps Swift has bigger plans with the bizarre use of the gendered phrase. One Swiftie referred to the phrase "female rage" as "a funny Eras Tour joke". Could it be a possible fourth version of the Eras Tour Movie? Whatever the reason, the motion to capitalize off of such a concept is disgusting, but not unsurprising, for a woman that profits on her vain feminism.
Swift, through her company, TAS Rights Managements, has also trademarked over 200 phrases, including "1989", where she owns the property rights to this calendar year on keychains, phone cases, sunglasses, stationary, bags, beverage ware, clothing, entertainment services, your subconscious, and, of course, Christmas ornaments.
The vapid consumerism in Swiftie culture is, frankly, disgusting. Bravado's sustainability statement is non-existent, the quality control is abysmal, and the materials they use are horrible. The materials, such as acrylic and polyester, are made from petrochemicals. This means they are non-renewable, shed microplastics, and are quite toxic in production. The manufacturing process to make all of those lazy-rushed Eras Tour logo graphic tees is a huge blow to environmental well-being. Apparently, though, Swifties don't give a fuck. They sell out products in seconds and either have to face the manufactured scarcity or buy from a scalper that resells for 200% of the already ridiculous retail price. This doesn't include the environmental impact of vinyl records, CD, and cassette production, of which Taylor produces many variants that sell unsustainable amounts.
If we're talking about women's rights violations, why is no one acknowledging the women that work in the inhumane sweatshop conditions that have to pump out fugly t-shirts and hats? The millions of plastic microfiber dander they are inhaling, or the toxic dyes that touch their bare skin? Are they being compensated fairly for their skilled labour and are they in safe working environments? Do these women have minimal bargaining power, and do they have authority over their worker's rights? Is Taylor Swift female raging at their injustices? Does Taylor Swift ever feels bad that her wealth was built on the backs of women of color, disadvantaged by the demands of the global economy and garment industry? Do you think she ever says a little white feminist prayer for them before she goes to sleep at night?
What's even crazier is not that Taylor herself doesn't care, it's that Swifties don't care. There CANNOT BE ethical billionaires. You only make a billion dollars if you are exploiting other human beings for capital gain. Based on public perception of the possible "Female Rage: The Musical" trademark, it seems like Swifties are already asking for merch with this phrase. "If Taylor made it, I'd buy it." Oh, cool. So not only do you champion Miss Swift's avarice and billionaire status, but you also are unashamed to admit to your blind consumption of her music and merchandise, no matter where they might originate in production or sincerity. Just as Swift takes and takes and takes, Swifties' consumerism of Taylor Swift cannot be quelled.
The tortured artist's most vulnerable and sincere poetry...available now in 21 different versions!
I Am Tortured Poet, Hear Me Whinge
Look - even if Taylor's intention is to characterize TTPD as more "tortured" and "angry", the main thread of the album is "I was ghosted by my decade-long situationship with a controversial indie boy and my fucking stupid fans wrote a 'Speak Up Now' open letter prompting me to drop him" anger, which is adequately expressed in the lyrics and performances. The extent of Taylor's "female rage" on TTPD is on tracks such as "Who's Afraid of Little Old Me?", which contends with relentless media scrutiny; "But Daddy I Love Him", where Swift firmly states she'll date whoever she likes no matter how "Sarahs and Hannahs" may react; and "The Albatross", a track mythologizing her reputation and the consequences of dating her. Of course, these coincide with deep psychological wounds that formed during Swift's early years in the media, and so, from her feminist perspective, these subjects tackle the misogyny and double standards that she faced.Yet Taylor Swift still has no grounds to be claiming that TTPD best exemplifies female rage and therefore she, in the context of this album, is female rage incarnate. As the daughter of a stock broker and mutual fund marketing executive, Taylor was born into wealth and allowed privileges like trips and subsequent relocation to Nashville all so that she might get a record deal. Her father even invested at least $120,000 into the then-fledgling label, Big Machine Records, which ensured Taylor's place with Borchetta after leaving her dead-end development deal with Sony. The fact that her parents were able to buy her a fucking brand new guitar for Christmas and pay for music lessons says so much about the financial security and safety of her childhood.
Money is privilege and protection, and despite Swift's experiences with misogyny and loser boyfriends, she does not know what female rage is.
Her rage is derived from her frustrations with her obsessive fans pulling the moral superiority card on Taylor in response to her rebound with Matty Healy. That's literally it. She's just pissed that the monster she created is no longer obediant, it's become a feral, sovereign entity that depletes the world of its natural resources and thinks it is more intelligent than it actually is because it's mommy has started to talk to it with big words. Apparently, 'illicit', 'elegy', 'nonchalant', and 'precocious' are considerably big words for the oafish monster, and I find it strange that this level of literacy is present in a group of fans that allegedly have GPAs of 3.5 or higher, but I digress.
Taylor Swift has never been one paycheck away from destitution. Taylor Swift has never experienced racial discrimination. She may have instances of gender discrimination, but she possesses the ideal white, blonde American beauty standard and therefore reaps the benefits of being a conventionally attractive woman. Taylor Swift has sufficient social capital. Taylor Swift is a billionaire woman prolonging her victimhood though she, as a woman, has mostly had control over her image and music (unlike her contemporaries). Taylor Swift is NOT entitled to be championed for her "female rage", nor should she be. Taylor Swift has never even been the struggling artist, for fuck's sake. I don't give a fuck if she's trying to fill the empty lunch tables of her past. Taylor Swift purporting herself, her unpolished album, and her lukewarm feminism as a musical bleeding with female rage is asinine.
Sigh Try and Come For My Job, Poors
Out there in the world right now is a 23-year-old woman, a recent college grad, who works as a barista. She has to wake up and get ready to go into a minimum wage job because she cannot get a job in her field. She doesn't have healthcare benefits or sick time, so she has to go into work no matter how she's feeling. All day long she is berated by vicious customers and creepy men, and, exhausted from being on her feet, she knows she has to go home to her shitty roommate that never does the dishes and her roommate's shitty dog. To comfort herself, she considers getting a treat, but thinks against it when she remembers that matcha lattes cost $15 and they taste like milky dirt. She knows that she needs to buy groceries this week, and so the woman resolves to go home, but notices that her gas tank is low. She goes to put gas in the car, but the pump stops at $27.86 because that's all that she has in her checking account. The woman, bereft and reeling, sinks into the driver's seat. "Well," she thinks, her head in her hands, "at least I don't have Taylor Swift's job. I just couldn't imagine."Fame is somewhat of a choice. If at any moment Taylor feels that she is misunderstood, misconstrued, or overwhelmed by public opinion, she can LEAVE the public eye - Lord knows she has the retirement fund and residuals to do so. In "I Can Do It With a Broken Heart", the TTPD song about meeting the demands of your career-zenith mega-tour while in the relationship trenches, Taylor ends the song by rambling,
"You know you're good when you can even do it with a broken heart...you know you're good...and I'm good, cause I'm miserable, and no one even knows!...try and come for my job."Yeah, obviously we wouldn't know, you recently passed the billionaire threshold and are the most famous and in-demand performer in the world right now. Taylor Swift makes an estimated $10 to $13 million dollars A NIGHT on the Eras Tour. Furthermore, the Eras Tour movie grossed $261.6 million globally, (which, as the producer, Taylor takes home 57% of the ticket sales) not counting the streaming revenue from Amazon Prime Video and the estimated $75 million deal that Disney paid to have it on Disney+. We're not even considering the income from cheap plastic popcorn buckets and drink cups plastered with colored squares in her Era-specific likeness.
It's funny. Taylor Swift often said that being famous wasn't hard, that she "isn't complaining". I'm sure it is difficult to always have to present in a good mood, else you'll end up misrepresented in the media, and I'm sure it's invasive to virtually have no privacy or semblance of anonymity. Still, Taylor Swift shows up each night of tour and performs. For a majority of her career, she has penned her sad songs while on the road. Most of "Red", her breakup album, was written in the thick of the Speak Now World tour. Now, some Swifties say they almost "feel bad" for attending the Eras Tour with Swift's revelations in this song, that they have had a 'dimmed experience' upon hearing Taylor's misery whilst performing. Despite the fact that Taylor said that "this was the happiest she's ever been" at Gilette Stadium in May, the lyrics "boohoo, woe is me, smile for the cameras and make the fans happy!!!" are jarring for Eras attendees.
While Taylor Swift was making double-digit millions a night in Rio de Janeiro, Brazil and feeling miserable, Ana Clara Benevides Machado passed away due to heat exposure. The concert promoters, Time For Fun, are now the subject of a criminal investigation due to their lack of adequate hydration and safety. Taylor Swift cancelled the Sunday show that was to follow and offered VIP tent tickets to Benevides Marchado's family, which was a kind gesture, but perhaps incongruous to the incident of which they were offered as consolation. Everyone grieves differently, of course, but I'm not sure attending the very show at the very same venue that my daughter or sister passed away in two days prior, where the singer CONTINUED the show despite her death, would be healthy for closure.
There was no female rage at the show as Swift never saw Benevides Machado pass out. There was no female rage towards the disregard for fans as humans while Swift elected to proceed with her Brazil tour dates despite the country being in historic heatwaves (at risk of overheatting herself). If Taylor Swift was so shaken by touring with a broken heart or a fan's passing, she wouldn't have added an additional North American leg of Eras just two months after the Matty breakup. She's brokenhearted but willing to mend the cracks with your money and move onward with her worldwide female rage induced pillaging.
No matter what happens, even if you die at a Taylor Swift concert, Taylor collects a big fat check and flies away. She doesn't know you as anything other than a conversion rate or earning potential despite what her nearly 20-year long parasocial relationship with fans might otherwise indicate. She knows that, while some Swifties are without disposable income, they feel obligated to spend on a "48 Hours Only!" exclusive vinyl variant instead of necessities because they are so entrenched in Taylor Swift's intoxicating celebrity, they'll prioritize materialistic fandom before their needs. This is good enough for her because this means she can expand her real estate portfolio and finance her cat's lavish lifestyles. They're worth an estimated $100 million dollars. Her three cats could pool their net worth and solve world hunger.
While you and I might be denied bereavement leave and barely surviving the current political and economic climate, Taylor Swift has to, instead of gets to, perform for stadiums at full attendance for three nights in a row across the globe. You and I might be replaced by AI at our longtime jobs, but Taylor Swift is threatened with losing more and more money each time you listen to a "Stolen Version" of her songs. If we don't buy every variant of all of her albums, then who is going to pay for the fucking cats?
It is tone deaf to spend as she spends and lives as she lives in this economy, but this is her reality. She was able to donate $100,000 to all of her tour truck drivers, and that's wonderful, but it leads me to wonder about the ethos of the 2020s where one woman can hoard such life-changing amounts of money. Remember in 2014 when she gave a fan $90 ($120 in today's money) to get Chipotle because she had no fucking clue how much it cost? This is a 34-year-old woman who is increasingly out of touch with the reality for working class people and women in general. Normal everyday adults must wake up and go to their thankless jobs, and yet Taylor Swift, despite all her riches, incessantly references the lows of her life and career as a public figure and entertainer to farm sympathy and drive sales. And still, the corporate women have latched onto "I cry a lot, but I am so productive! It's an art!" as their cubicle battle cry.
Do you think that, from up in her private jet, Taylor Swift gazes at the world through her poetic, tortured eyes, and thinks, "All the little people, in their cars, walking, going about their lives...all those girls that don't support girls...do they know that I've made an album about female rage?"
Conclusion/TLDR
Thank you for reading. I would love to hear your critical insights towards this entire ordeal: TTPD, the trademark, the implications of it all.TLDR: Taylor Swift is a bad feminist and is delusional to think that the TTPD eras set exemplifies female rage at women's injustice.
2024.05.14 20:17 __revelio__ Fast Food Prices
Not sure where to post this but I was curious what others thought of fast food pricing. For example, McDonald’s has been known to be an affordable and quick meal. It’s made with terrible ingredients but it taste good and it’s been cheap so a lot of folks don’t mind sacrificing quality ingredients for affordability.
As of today, McDonald’s bacon quarter pounder meal is $11.99. This comes with a large fry and a drink. I could also go to chilis and get a 3 for me bacon cheeseburger, fries, appetizer (whole bag of chips and salsa), and a drink for $14.99. So it cost almost as much to eat at McDonalds as it does to eat at chilis. You also get more from chilis.
I’m curious how McDonald’s is able to justify the increase in prices since 2014, leaning away from being an affordable meal and instead being similar to a restaurant like chilis.
I’m sure it’s related in some way to wage increases, manufacturing cost increase, etc. but I can’t wrap my head around 100%+ price increases on McDonald’s items.
Also, there’s many other examples of fast food prices being too expensive (in my opinion) but this is what came to mind.
submitted by __revelio__ to economy [link] [comments]
As of today, McDonald’s bacon quarter pounder meal is $11.99. This comes with a large fry and a drink. I could also go to chilis and get a 3 for me bacon cheeseburger, fries, appetizer (whole bag of chips and salsa), and a drink for $14.99. So it cost almost as much to eat at McDonalds as it does to eat at chilis. You also get more from chilis.
I’m curious how McDonald’s is able to justify the increase in prices since 2014, leaning away from being an affordable meal and instead being similar to a restaurant like chilis.
I’m sure it’s related in some way to wage increases, manufacturing cost increase, etc. but I can’t wrap my head around 100%+ price increases on McDonald’s items.
Also, there’s many other examples of fast food prices being too expensive (in my opinion) but this is what came to mind.
2024.05.14 20:11 llamalady08 [US-VA] Landlord charging me for $2340 worth of damage at move out?
Last year I rented a property through a leasing agency in my area that I had heard could be a little sketchy. I typically would not have even entertained working with them but I was in a crunch and this location would keep my children from disrupting their lives during a difficult period. This all does not matter much, except that because I knew they were a little sketchy I tried to be absolutely the best tenant possible. Paying rent early, dealing with any issues on my own as per the lease agreement, etc.
I was shocked when I received by disposition letter and was flagged for $2340 worth of repairs and issues.
The sketchy part of this is, my lease was up March 31, 2024. The asked for notice of whether I would renew on December 12, 2023, I already knew I would not be renewing. January 10th they sent an electronic move out inspection to be completed by me within 5 days of receiving it. I completed it to the best of my ability with anything that needed to be fixed, the majority were items I listed on my move in inspection that were not repaired. Over the next three months they scheduled multiple people to come over and fix these areas, it was incredibly annoying that I had to work so many people around my schedule when they could have just repaired once I was out.
I was never notified, or given a copy of the move out inspection which should have occurred within 72 hours of my key handoff. I had a list of cleaning tasks they required, with the vendos they approved for use, which cost about $800 to complete in order to have a better chance of getting a deposit back. I completed all of these items, and provided receipts.
I reached out over the next 30 days to inquire about my deposit or disposition as I heard from them DAILY during my last 2 weeks with constant reminders on my tasks to complete and when to handover keys, but heard NOTHING the second they had keys. I was told they had 45 days as per the lease to provide any documentation regarding my deposit.
On the 43rd day of their timeline they release the Disposition Letter with no receipts, no details on when this work was done.
https://preview.redd.it/runk1kq6mf0d1.png?width=866&format=png&auto=webp&s=8c26e42b65d11c6f14c2e6c2e0652575b87de035
How is this possible they can charge all of this? They state they found wipes and assessed a plumbing lease violation. I've never used wipes, don't even buy them because they wreck plumbing. The drains and toilet were functional when I moved out, but how the heck do you prove that with pictures? They bill for a new storm door when the door I was given was old and not fully functional and I noted it in my move in assessment. The reinspection and scheduling fees being lumped and not listed as to when they were assessed seems unfair, per their lease agreement these fees would be $75 per occurrence. I'm just absolutely shocked, appalled, irritated.
I moved to a home near this property, literally a block away. They had a new tenant in within 10 days of me being moved out.
submitted by llamalady08 to Tenant [link] [comments]
I was shocked when I received by disposition letter and was flagged for $2340 worth of repairs and issues.
The sketchy part of this is, my lease was up March 31, 2024. The asked for notice of whether I would renew on December 12, 2023, I already knew I would not be renewing. January 10th they sent an electronic move out inspection to be completed by me within 5 days of receiving it. I completed it to the best of my ability with anything that needed to be fixed, the majority were items I listed on my move in inspection that were not repaired. Over the next three months they scheduled multiple people to come over and fix these areas, it was incredibly annoying that I had to work so many people around my schedule when they could have just repaired once I was out.
I was never notified, or given a copy of the move out inspection which should have occurred within 72 hours of my key handoff. I had a list of cleaning tasks they required, with the vendos they approved for use, which cost about $800 to complete in order to have a better chance of getting a deposit back. I completed all of these items, and provided receipts.
I reached out over the next 30 days to inquire about my deposit or disposition as I heard from them DAILY during my last 2 weeks with constant reminders on my tasks to complete and when to handover keys, but heard NOTHING the second they had keys. I was told they had 45 days as per the lease to provide any documentation regarding my deposit.
On the 43rd day of their timeline they release the Disposition Letter with no receipts, no details on when this work was done.
https://preview.redd.it/runk1kq6mf0d1.png?width=866&format=png&auto=webp&s=8c26e42b65d11c6f14c2e6c2e0652575b87de035
How is this possible they can charge all of this? They state they found wipes and assessed a plumbing lease violation. I've never used wipes, don't even buy them because they wreck plumbing. The drains and toilet were functional when I moved out, but how the heck do you prove that with pictures? They bill for a new storm door when the door I was given was old and not fully functional and I noted it in my move in assessment. The reinspection and scheduling fees being lumped and not listed as to when they were assessed seems unfair, per their lease agreement these fees would be $75 per occurrence. I'm just absolutely shocked, appalled, irritated.
I moved to a home near this property, literally a block away. They had a new tenant in within 10 days of me being moved out.
2024.05.14 19:48 Less_Physics_689 AITAH for being mad that I had to pay for my brother's cremation?
My brother passed away at age 42 from meth cut with fentanyl in Oct. 2021. I had to use my stimulus money to pay for his cremation and to be shipped back home. I did it mostly because my mom was taking it hard, I never let her know how it bothered me. It cost me $1000 that would have helped my family out after I lost my job because of Covid. Why does this still bother me so much?
submitted by Less_Physics_689 to AITAH [link] [comments]
2024.05.14 19:36 SpammableCantrips Plasma Siege-breaker - A strong, fun, accessible Plasma Flamer build (Full health, no VATs, no PA)
Introduction & Disclaimer
Good evening all. I've been playing for about a month now, but I've had a lot of experience with the Fallout series previously. After starting off my FO76 adventure with a shotgun build, then a pistol build, but I was having problems with some of the mechanics.Essentially, I am disabled. I have a degenerative disease and articulating my hands at times is a bit of nightmare. For this reason, VATs and some of the other mechanics in FO76 for me is not ideal.
I've been playing around with this build for about two weeks, and the results have been staggering. I'm currently just below level 100, and even without all the perks I am about to list, I'm having a lot of fun.
I've not actually finished this build to completion yet on my own character (I have all of the perks listed, but not at the max level). I've had a few people PSN asking me what I was running as I was keeping up with some bloodied builds that were several hundred levels higher than me. In some cases, out DPSing them with only the first couple of stages of the "core" perks. Daily Ops and expeditions have been a breeze since switching to this build, and I'm never looking back!
That being said, I would highly encourage tailoring this build for your own needs and make adjustments where suitable (or desired).
Core Components
Essentially the core components of the build are as follows:- A Plasma flamer with the "Vampire's" legendary effect.
- Various damage reduction perks, and perks that improve the player's survivability.
- Various damage buffing perks that apply negative effects as well as increase damage output.
Gameplay
Mechanics-wise, your job is to charge in to the centre of combat and essentially use your plasma flamer against groups of enemies. This may sound challenging, but it's generally just a case of holding down the right trigger on large groups of enemies (short bursts on single enemies to conserve cartridges).Your plasma flamer with the "Vampire's" effect essentially will keep you alive the more you use it. Make sure you break away from enemies, or get a friend to cover you, when you need to reload as this is when you're vulnerable.
As your Plasma flamer has a high rate of fire, all of the perks I'll be going on to list are continuously running the chance to trigger per shot, or re-applying the timers.
There has been times during expeditions and daily ops where I've seen guys in Power Armour go down, while I'm holding my own against a horde of enemies without too much effort.
S.P.E.C.I.A.L
I would recommend the following S.P.E.C.I.A.L as a base:Strength: 3 Perception: 12 Endurance: 6 Charisma: 6 Intelligence: 9 Agility: 10 Luck: 10
Legendary Perks
I would recommend the Luck, Agility and Endurance legendary perks, with Taking One for the Team. As mentioned earlier, your job is essentially "charge in, tank everything, survive" so some of the more offensive perks aren't necessary.Perks
So, this is essentially the "meat" of the build. I'm not going to explain the effects of each perk, as the wiki does a better job of that than I could ever hope to word, but I will highlight anything of note relating the perks where appropriate.For Strength, you need to have Blocker (3).
For Perception, Commando (3), Expert Commando (3), Master Commando (3) and Tank Killer (3) I would say are pretty essential.
For Endurance, I would say Adamantium Skeleton (3) and Fireproof (3) are very important for survivability. I would put the remaining points into perks that suit your playstyle, I am using Aquaboy and Lifegiver personally.
For Charisma, I would get Tenderizer (3) and Suppressor (3) as these will keep your teamates alive during group content, by weakening the capability of your enemies.
For Intelligence, Science (2), Expert Science (2), Master Science (2) and Batteries Included (3) are a must. You need the extra damage and the ability to craft mods for your Plasma guns. You're also going to be carrying a ton of plasma cartridges and the weight reduction makes a massive difference to inventory management.
For Agility, Evasive (3), Adrenaline (5), Dodgy (3) and Action Boy (3). Feel free how to use the last point how you want, but you want to have high AP for Dodgy to be able up a lot of the time.
For Luck, Bloody Mess (3), Serendipity (3), Tormentor (3), Ricochet (3) and Scrounger (3) I'd say are very important. Most of these are self-explanatory, but Ricochet appears to work with the legendary effect of the gun you are holding, meaning more heals! Scrounger will also keep your flamer topped up and ready to go, as you will literally be burning through ammo.
Perk TLDR Summary
Damage:- 15% flat damage bonus.
- Energy weapons have a 30% damage bonus.
- 60% damage increase from automatic rifles.
- Shots ignore 36% of armour and have a 9% chance to stagger.
- Your rifle attacks have a 15% chance of crippling a limb.
- Gain 10% (max 60%) damage for 30s per kill. Timer refreshes on another kill.
- Targets receive 10% more damage for 10 seconds after you attack.
- Targets deal 30% less damage for 2 seconds after you attack.
- Each AGI point adds +3 Damage and Energy Resist (Max 45). (No Power Armor)
- Avoid 30% of incoming damage at the cost of 30 Action Points per hit.
- 45% reduced damage from melee.
- While below 35% health, gain a 45% chance to avoid damage.
- You no-longer take limb damage.
- 45% less damage from explosions and flame attacks.
- Gain a 18% chance to deflect back some of enemies' ranged damage. (No PvP)
- 80% chance to find extra ammo when you "Search" an ammo container.
Enclave Plasma Gun vs Plasma Gun
So, the Enclave Plasma Gun is certainly slightly better than the regular one. That being said, it's somewhat irrelevant in the context of this build. I would recommend getting a regular "Vampire's" legendary plasma gun BEFORE attempting to get an Enclave version.The Enclave versions are a lot harder to source, and as a result they're also harder to get the mods for. Worry about this another day.
Closing Thoughts
I'm sorry for the length! I hope the following helps. After being asked about it a couple of times while playing, as well as seeing some conversations over the last few days relating to Plasma gun flamers, I just thought this may be of use to some of the newer players who may be in a similar position.2024.05.14 19:32 cache_ing Fossil prepping equipment recommendations
I’ve been trying to prep more of my own fossils lately, currently just with my eyes a light and a dental pick, and I’m needing an upgrade
As far as I’ve read, people typically use microscopes and sandblasters, and I’m wanting a more professional set up like that. I know I get what I pay for but I was hoping to start out a little cheaper instead of jumping right into something really expensive, and I’m looking for recommendations.
I know sandblasting is a different story all together, but I would at least like a microscope. I know nothing about them but I’ve heard for prepping you typically want a certain lense. Would something like a dissection microscope work? Or is there a different set up you’d recommend? What magnification would you recommend?
And as far as sandblasters go, I’ve found some cabinets for fairly cheap online. If I have a cabinet, how much will a decent set up typically cost me? Is it worth it?
I work almost exclusively with shale and limestone, does anyone have experience with those? I’ve heard people use baking soda, or do I need something harder than that?
Any thoughts/recommendations welcome
submitted by cache_ing to fossils [link] [comments]
As far as I’ve read, people typically use microscopes and sandblasters, and I’m wanting a more professional set up like that. I know I get what I pay for but I was hoping to start out a little cheaper instead of jumping right into something really expensive, and I’m looking for recommendations.
I know sandblasting is a different story all together, but I would at least like a microscope. I know nothing about them but I’ve heard for prepping you typically want a certain lense. Would something like a dissection microscope work? Or is there a different set up you’d recommend? What magnification would you recommend?
And as far as sandblasters go, I’ve found some cabinets for fairly cheap online. If I have a cabinet, how much will a decent set up typically cost me? Is it worth it?
I work almost exclusively with shale and limestone, does anyone have experience with those? I’ve heard people use baking soda, or do I need something harder than that?
Any thoughts/recommendations welcome
2024.05.14 19:32 Sylesth Combat Artificer - 67
My car's transmission is on the fritz, so it's in the shop and I'm working from home for at least today. Thank goodness I can even work from home, or things would be a lot more complicated. Anyways, that's just a bit of a vent. I've also decided that I might do little lore-esque prechapter bits for some extra flavor. Hope you guys enjoy them! I find them to be fun little thought experiments on how people might perceive the world I've created from within vs from my own perspective. Enjoy some crafting and some romance!
First Previous Next
We know that the spots that are caused by looking at a source of light are, in fact, damage of some sort to the eye. This is confirmed by the spots rapidly disappearing should someone be healed whilst experiencing them. But why? Is there a divinity within light, beyond what our mortal eyes can withstand? Is there some sort of invisible emanation that comes alongside the light that damages us in some way? The discovery of light damaging the eye has opened more questions for me than it has closed.
-Musings on the Relations of Light and Fire, by Jarwic Leftun
\***
Xander carefully opened the door, finding Gabrelle already asleep, and sat down on a chair. Maybe he could get that adaptive camouflage to work right on bright colors. Surely he had some colorful things in his inventory.
He did in fact have a few colorful things in his inventory, and he whiled the rest of the night away making small adjustments to the runic array that was embroidered into the cloth. He was satisfied before dawn, the cloth now performing as well with light colors as it had with darker colors. Now he just needed to make a cloak out of it. He briefly considered coating his armor with the array, but discarded it. There might be times where he’d want to be seen. Besides, a hooded cloak would better break up the outline of his figure, the ripples of fabric, especially if he were to crouch or lay prone, obscuring his outline even more. In little time at all, he had a long, deep hooded cloak of the color shifting, runed cloth in his hands. He stashed it in his inventory for now, as he had no particular need to sneak up on something right now. The rest of the time before dawn he spent silently sitting in the chair he’d chosen, trying to keep his thoughts to a minimum, just daydreaming. Night dreaming? He couldn’t sleep anymore, but that didn’t mean he couldn’t try to let his mind wander.
As the dawn came and the sun began to shine through the window of the room, Gabrelle slowly awoke, once more finding Xander sitting in a chair rather than in bed.
“Mmf,” She grunted as she stretched. “Morning, Xander. You got back late.”
“Morning, yourself,” Xander said, turning his head to look at Gabrelle. “Yeah... Yeah, I guess I did.”
“What were you doing, anyway?” She asked, curious. “You didn’t mention that you’d be out late, just that you were going to go to see Valteria at her shop.”
“I uh... went on a date.”
“I knew it! ‘Comparing notes’ was a date!” Gabrelle exclaimed triumphantly.
“It was not!” Xander complained. “But we went to a tavern in the evening and it sort of... turned into a date on the way there.”
“Awhh, that’s so cute,” Gabrelle said. “Did it go well? Is she nice? Did you kiss?”
“I think it went well. We talked a lot about different projects and ideas we had. I also got to meet another [Godsmarked] - he owns the tavern we went to. I think she’s nice. Maybe a little shy. I think she’s gotten used to being treated differently by people. I don’t think she really believed that I wanted to go on a date with her, at first. ...And yes. We kissed.”
“Ooooh, look at you! You’re growing up so fast!” Gabrelle teased.
“Oh hush. I’m older than you!” Xander huffed, then returned to seriousness. “But ah, if I’m going to be dating someone... we need to have a conversation, Gabrelle.”
“We need to stop sleeping together?” Gabrelle quickly deduced before Xander could say it himself.
“Yeah... It doesn’t feel right, even though it’s just platonic between us. I don’t think I would appreciate being in Valteria’s situation and knowing that the person I was seeing was sleeping with someone else at night.”
“Well, I figured this would happen eventually,” Gabrelle said. “Either you or I were bound to find someone eventually. Don’t worry, I’m not upset. Don’t get me wrong, the snuggles were nice, but like I told you a while ago, I don’t have nearly as much trouble sleeping when I’m with the team.”
“Thanks for not being upset, Gabrelle.”
“You know this means you have to start paying for your own room, though, right?”
“Ah, shit, you’re right. I forgot.”
Xander left the room to allow Gabrelle some privacy to get dressed and meandered back down the stairs to see if any other members of the team were already up. Looking around, he spied Graffus eating breakfast at at table and moved to sit with the dwarf.
“Mornin’” Graffus greeted Xander through a mouthful of bread.
“Morning,” Xander greeted back.
“Glad to see you made it back, we were wondering if you’d be out all night,” Graffus told him, after swallowing his bread.
“I was out a bit late, I suppose. I let the time get away from me.” Xander said, not really wanted to be teased again about going out on a date. “So what are you planning to do today?”
“Bah, Frazay has roped me into helping her do research for the drakeling. So reading is what’s in store for me.” Graffus tore himself off another piece of bread from his plate and slathered it with jam. “You going to be going back to that [Tinker] you’ve been spending time with lately?”
“Yeah, that’s the plan. I’m supposed to learn more about converting mana types today, and also help her fix the suit of armor that I wrecked.”
“Welp,” Graffus said, now on his last piece of bread, “I hope ya learn something new. Never had much to do with [Tinker]s – not saying I dislike them, just that I haven’t had much experience with them – so it don’t make much sense to me. Using a hammer is about the only overlap in our professions.”
“I think your hammer is significantly larger than the one most [Tinker]s would use,” Xander chuckled. Thinking about what he should be doing before he headed to Valteria’s, he asked Graffus, “Hey, I might need to buy some monster parts or elemental cores, something like that, for practice. You know where I would go to find stuff like that?”
Graffus shrugged. “Dunno. My guess would be an alchemy and reagents shop. That’s generally what we’ve sold monster parts to that didn’t go to a smith or leatherworker.”
“Thanks, Graffus.”
The two of them chatted for a while longer, catching up on what each other had been doing. Graffus excused himself to finish getting ready for the day, saying he needed to tend to his beard, leaving Xander downstairs. Deciding to be productive and proactive, Xander stood as well and headed out of the inn to find an alchemy shop.
It wasn’t long before he found one, a familiar scene of an eclectic collection of powders, liquids, crystals, and strange organic things floating in jars inside the building. The proprietor was a dwarf, seated at a workbench. They were grinding something into a powder as Xander entered. He received a distracted greeting before the dwarf returned to his work.
Xander wandered about the shop for a few minutes, looking at the various materials throughout the shop. He identified what he thought might be an elemental core, a jagged piece of crystal looking material that seemed to have an inner flame. As for the monster parts in jars, Xander had no idea what was what. He finally felt he’d waited long enough and moved closer to the worktable that the dwarf was still sitting at, working away at the mortar and pestle.
“Excuse me,” Xander said, grabbing the shopkeep’s attention.
“Mm?” The dwarf said questioningly. “Can I help you find something?”
“I was wondering if you had any elemental cores. Something small, I just need one to practice with.”
“Aye, I’ve a few of them around the shop. You want something to practice with? So a relatively weak core, then – not all the small ones are weak. Do you need any particular type?” The dwarf stood up and stretched, moving to one of the shelves.
“Uhm no, just whatever is cost effective, I suppose.”
The alchemist rifled through the various bits and bobs on one of the shelves nearby before producing a small chip of what looked to be a semi-translucent stone. It was tinged slightly yellow with streaks of white. “This here is a chip off a lightning attuned core. Pretty weak, but it does still produce mana.”
Xander could see the dwarf’s arm hair standing up as if from static electicity as he held up the stone. “How much?” He asked.
“Twenty gold.”
Xander shrugged. Twenty gold wasn’t an issue for him anymore, and he didn’t feel like haggling. He always hated haggling. “Sure.” He fished out the coin and handed it over to the dwarf.
The dwarf handed over the stone to Xander and the pop of a static electric shock could be heard as a tiny arc passed between the two of them. The dwarf grunted and shook his hand. “Thanks for the business,” he told Xander. “Anything else you find yourself in need of?”
“Not at the moment, but thanks for asking.” Xander waved goodbye to the dwarf and pocketed the tiny elemental core. He continued down the street in the direction of Valteria’s shop, thinking about how he was going to undo the welding job he’d done on Valteria’s armor. He’d need her to guide his repair efforts.
Xander returned to the inn momentarily to grab one of his golems. He settled on Atlas for now, as it was the most basic of the humanoid forms he’d created. No extra arms or weird feet on him, no sir.
Arriving at the building that contained Valteria’s home and shop, Xander knocked before opening the door. “Morning,” he called out.
“Xander! Hello!” Valteria called out. She was at the same work bench she’d been at yesterday. Jarrett didn’t seem to be in the shop at the moment, as Xander wasn’t able to spot the man.
Commanding Atlas to follow him in and closing the door behind him, Xander started walking towards Valteria. “How’s it going?” He asked.
“Good, it’s going good,” Valteria responded as Xander brought a stool over to her workbench. “How about yourself?”
“Not bad. The upside of not sleeping is that I never struggle in the mornings now. I used to hate waking up.” Xander laughed. “I even ran an errand before I came here! Picked up this.” Xander fished around in his pocket until he found the small chip of elemental core and held it up for Valteria to see.
“Core?” She asked distractedly, staring at Atlas. She tore her eyes away and looked closely at the small crystalline stone. “Lightning attuned?”
“That’s what the [Alchemist] at the shop said,” Xander affirmed. “Said it was a very weak one, but that it did still produce mana.”
“Mmm, a good practice piece, then.”
“I thought it would be, too. Not that I know what to do with it, yet.”
“Well, how about this: I teach you to set the stone and make some conduit, and then you can help me fix my armor. All the glue has turned to dust by now, thank the gods.”
“Sounds fair enough. So, how do mana conduits work?”
“Well, the concept is simple enough. It’s a tube which conducts mana,” Valteria began to explain.
“Mmhm.” Xander nodded along.
“What you need is a setting – usually of silver, as it has good mana conductivity – which will be the first step of conduction, taking the mana from the stone. Simply wrapping the core in silver wire can work well enough, drawing in the mana that the core puts out through its surface, but for a more effecient setting, small holes are usually drilled into the core to set the wire into as well, giving more surface area to draw from.”
“So we care about the mana conductivity of the material, then? That makes sense, I just hadn’t thought about it. I actually did a little experiment with my rune work to test which fillings were the most conductive.”
“Oh really?” Valteria said, interested. “What were your results?”
“Well, gold and silver were high up there in conductivity, and probably make the most sense for someone who has to physically manipulate material without use of a skill – both for a core setting and for inlaying a rune – but I did find that sapphires and rubies were even more efficient at transferring mana than gold and silver.”
“Mmm... interesting. I’ve heard of gemstones being used in very high-grade settings, as well as various other exotic materials. I read an account of one [Mechanist] who used tubes of mercury to conduct mana, though the relative effectiveness compared to silver wasn’t mentioned.” Valteria cleared her throat. “Uhm, now, where was I? Right, basic settings. Once you have your core – or monster organ, if you’re going that route – you connect it to the conduit. Usually, this is also silver wiring. I like to braid several smaller wires together, personally. I find it to be sturdier and hold up to flexing better. From there, it needs to be tied into a device. Which is a topic for tomorrow.” Looking around the shop, Valteria seemed to identify something on one of the shelves nearby. “I have a core that you could watch me set, and then you could try setting your own, if you’d like.”
“That sounds good to me,” Xander said. “I always love to see a master as work,” he added, opting for a little flattery.
“Follow me, then.” Valteria said, standing up from her stool and waving for Xander to follow.
Xander followed Valteria as she walked over to the shelf she’d been looking at earlier and took a palm sized, bright green stone from it. “Nature attuned core,” She explained, holding it for Xander to see. “I’m told it was taken from some kind of moving tree.” Valteria then moved to another worktable, on which were several of what looked to be drill bits to Xander. There was also an apparatus that look like it was designed to hold the bits, which was confirmed for him when Valteria slotted one of the small drill heads into the device. “This thing,” Valteria said, waving the drill a little bit, “is a life saver. I used to have to drill holes with a hand cranked one. Worth every single coin I paid for it to get an enchanted one.” She turned a dial on one side of the handheld device, which Xander was coming to think of as a magic dremel tool, and it began to come to life, the drill bit beginning to spin with a quiet whirring sound.
“Neat.” Xander commented. He watched patiently as Valteria drilled a series of shallow holes in the stone, the distinct screeching of metal on stone echoing through the shop floor. “So where’s Jarrett today?” He asked.
“Oh, he has the day off today. He asked for it about a week ago, not sure what for, though,” Valteria said distractedly. Soon she was finished with the holes she was drilling into the core, and moved to another workbench. “Now we create a setting for the core. This is a fairly simple way of doing it, mind you, but it is effective.”
Xander watched as she took sections of pre-braided silver wire and fitted the ends into the holes she had drilled. Once each hole was filled with a section of wire, Valteria began to pull wire from a spool, wrapping the stone until it was completely covered with silver wire and binding the braided sections to the stone in the process. “There,” she said, setting the stone down on the workbench. “A perfectly serviceable setting."
“So, if I understand correctly, you coat the core in a mana conductive material – the more surface area, the better, hence the holes – to create a setting?”
“Mmhmm,” Valteria said, nodding.
“Seems fairly straighforward. And then you connect the silver wiring that’s wrapped around it to more wiring, and attach that to your device? Why the distance? Why not just connect the setting directly to the device?”
“You absolutely can, if space isn’t an issue. Technically, the connection between the mana battery and the device, even if it’s just a single point with no distance, is still referred to as a conduit, though, so it’s considered a three part creation.”
“Oh, I see.”
“Do you want to try making your own, now? I don’t mind lending you a little wire.”
“Sure, but I should be good on material, I can produce it with my skills. Doesn’t last without a source of mana, but I guess the core itself might provide enough. Think this little chip is a bit small to put holes in, though.”
Xander looked at the small piece of crystal in his hand. If he just need as much contact as possible with a mana conductive material, his best bet would be to embed it into a sapphire or ruby. He decided on ruby, for no particular reason. Still holding the chip of core in his hand, he concentrated on his [Creation] ability. Valteria watched, amazed, as a ruby began to take form and grow around the piece of core until it was completely coated in a thin layer of gemstone.
“So, you can just... make things?” Valteria asked, sounding jealous.
“Well, it costs mana, and anything I make that isn’t provided a source of mana that leaves my person disintegrates in a day, but, yes. I can just make things with my skills. But,” he added, cutting off Valteria’s complaint of unfairness, “I have never received a skill that actually lets me improve a material. Sure, I have runes, which generally makes up the difference, but I don’t have any skills that improve the things I make. So, if you made a mana battery, and I made a mana battery the same way with identical materials, yours is going to be better, I assume, because you have skills that passively improve the things that you make, am I right?”
“Okayyy,” Valteria huffed. “I guess that does make it a little less unfair. But ugh! It would be so nice not having to source materials.” She looked at the ruby with a piece of core set inside it that Xander had made. “Well, I guess that about does it for making a setting... I thought it might have taken you longer to make one. I guess we can move on to fixing my armor even sooner! It’ll be nice to have it up and moving again.”
“Sure, sure, we can do that. Where is it, anyway?” Xander asked, looking around the shop again like he somehow would have missed the eight foot tall suit of armor.
“It’s in a shed behind the house,” Valteria explained. “I have it on a hoist so I can work on it.”
“Ah, that would explain why I haven’t seen it around.”
Exiting the shop, stopping for Valteria to put a small ‘closed’ sign on the door, the two of them made their way around the building, where Xander saw the small shed that presumably held Valteria’s armor. It looked like it could just barely hold the armor and one person – two, if they were comfortable with each other – inside it.
“So this is where the magic happens?” Xander asked.
“If by ‘magic’ you mean maintenance and upgrades, then yes,” Valteria agreed. She opened the door of the shed, which comprised most of the front of the tiny little building, revealing her suit of armor, which was currently hanging from several chains attached to pulleys on the ceiling. Plates of armor were laying strewn about the suite, leaving the joints and inner workings more exposed.
Xander whistled, looking at the inner workings of the suit. He could see gears, cogs, and joints, and throughout the entirety of the armor were running filaments of silver wire, which he assumed were mana conduits running to and from elemental cores and the various mana powered aspects of the suit. “This thing really is impressive. Almost as impressive as the woman who made it,” he said.
Valteria giggled, “Stop it! You’re supposed to be fixing this mess, not flirting with me!”
“Awh, can’t I do both?” Xander asked, trying to sound as saccharine as possible.
“Mmm, I suppose that if you are sufficiently skilled at multitasking, I might allow it,” Valteria said in a mockingly thoughtful tone.
“Well, I just so happen to be an expert, so flirt away I shall,” Xander replied. “Now, how about the beauty in front of me shows me exactly where the other beauty in front of me needs some repairs?”
Valteria sighed at Xander’s antics, but he could see the slight flush in her face. “Well, you welded the wrist joints, elbows, and knees. They aren’t welded all the way round, it’s more like you smoothed over a portion of it like it was wet clay. So if you could just... put it back? Shape it back to how it was, that’s should be all that’s needed.”
“Pretty straightforward,” Xander said, standing behind Valteria as she pointed out each joint. He could see the misshapen parts where he’d slapped a weld onto the metal. He leaned over her and put his hands on the elbow joint that they were closest to and began to shape the metal back to its original form.
“You’re... very close,” Valteria murmured to him as he formed the metal.
“Would you like me not to be?” He asked, carefully.
Valteria was silent for a moment before answering, “No...” quietly.
Xander carefully shifted to be a little closer, but still not quite touching, as he moved on to the wrist joint of the same arm. The process itself was simple, but he was enjoying taking his time. As he finished the wrist, he turned to look at Valteria. He found himself looking right into her eyes, as she was staring back at him. Unable to resist the temptation he leaned in a little closer, gauging Valteria’s reaction. When she, too, leaned towards him, he closed the small gap between them, drawing her into another kiss. Valteria pressed herself against him, the shed hiding them from any prying eyes on the street, and let out a small noise as Xander squeezed her tight. She was breathing a little bit harder than before the kiss as they separated again.
Valteria let out a breath. “You’re… a really good kisser.”
“Yeah?” Xander said, pleased with himself. “You’re not so bad yourself.”
“And you’re a tease, looming over me like that in this tiny little shed,” Valteria continued. “Now you’ve got me all flustered, how am I supposed to work now?” She mock complained.
Xander was glad to see that Valteria was comfortable enough with him to joke like that. “Forgive me,” he said formally, making a deep bow, “How ever can I make it up to the lady?”
“Oh stop it, I will tolerate no bowing and scraping, even in jest,” Valteria said, slapping him lightly on the shoulder, as he was still holding the bow. “You can make it up to me by fixing the rest of these joints! And by taking me out to dinner?” She added, hopefully.
“I think that can be arranged,” Xander said. “Is there anywhere you have in mind? I will admit, I haven’t become very familiar with the local restaurant scene, what with my… dietary restrictions.”
“It doesn’t… make you feel bad to go out to a restaurant, does it?” Valteria asked softly, watching his face for a reaction.
“Nah, don’t worry,” Xander said, waving off the question with one hand. “It doesn’t bother me too much. Sure, I miss the taste of a good cut of steak, but I was never that into food. Eating was more of a thing I did because I had to, so I’m not completely devastated by the loss. And I can still get some vicarious enjoyment out of watching someone else enjoy their food. Really the worst part is awkwardly having to refuse ordering anything,” he said with a laugh.
“Alright, if you say so,” Valteria said, letting out a slight breath of relief. “I was just worried that it might be upsetting to you, is all. I know I would miss eating.” She paused for a moment, something clearly on her mind. “What do you miss? If you don’t mind my asking. I just… well, I’m curious what it’s like for you.”
“Mmm, in a lot of ways, life is still the same, and in other ways, I’m technically doing better than I was before. I’m incredibly resistant to damage now, even without my armor. I do miss sleeping, though. I try to give my mind a rest and just sort of daydream and let my thoughts wander or do some meditation during the nights, but it’s just not the same. Also means I’m the one that pulls guard duty through the night,” he grumbled. “Let’s see, what else, what else. Ah, right. I can’t smell anything. Or taste. I haven’t worked out how to recreate those senses, yet. Though no sense of smell can be handy sometimes, I suppose. I don’t know if you’ve done much merc work – you mentioned being surprised that I’m not just moonlighting – but uh… the smells that you encounter on a battlefield are… unpleasant. To say the least. It was weird not having a sense of touch either, but I’ve resolved that. It’s a little bit different than my previous, natural sense of touch, but I’ve become accustomed to it to the point that I don’t much think about the difference anymore. I think I’ve even got the density of receptors down in certain areas compared to others, so I'm more sensitive in some areas than others now, just like I used to be. I’m still immune to being tickled though, so don’t even think about it – that’s a fight you’ll lose.” Growing a bit more somber, Xander continued on. “I think… the biggest thing I miss is just the feeling that I fit in more. Now I always worry about being different, there’s that nagging fear that anyone I get to know well is going to reject me once they find out what I am. Like I’m secretly lying to everyone around me with this façade I have going on.”
Valteria nodded sadly. “I get that. I’ve been… rejected before, too. At least it happens or not right from the beginning for me. I get to know if they look down on me for being different immediately instead of fearing they might later down the road.”
“Yeah,” Xander said. “People can really suck sometimes. But at least I can just, like, not tell people what I am if I so chose. You, my teammates, and the guild, since it’s on my status sheet, are really the only people who know. I keep it pretty private. You can’t do that, so I think you probably have to deal with a lot worse than I do. Not that I’d want you to hide what or who you are,” he added. “I happen to be quite enamored with who you are,” he said, teasing a smile from Valteria’s sad face.
“Sorry to bring up such a dour topic,” Valteria apologized. “I didn’t think much on it before I asked.”
“No worries,” Xander told her. “Honestly, I think it’s good to be able to talk about it with someone. It’s healthy to be able to get you feelings out there. And it helps that I feel like you understand where I’m coming from with it, though from a slightly different perspective.”
“You’re surprisingly thoughtful sometimes,” Valteria said, only half teasing.
“Only sometimes?” Xander asked with a faux expression of hurt on his face. “By the way, you didn’t react much to my comment about moonlighting as a merc. Do you ever go on contracts?”
Valteria shrugged. “I certainly wouldn’t describe myself as a professional mercenary. Moonlighter is an apt descriptor, for me, I think. I have gone on a couple, here and there, mostly on kill contracts that would net me a core or organ that would be useful for my work.”
“Mm, that makes sense. I suppose it could be handy having access to the ability to take contracts that would give you access to specialty materials,” Xander said.
“It’s also good for business,” Valteria explained. “Mercs tend to like to buy from someone who has at least been out on a contract or two before.”
“Ah, that makes sense. What kind of things do you sell to mercenaries, anyways? I saw Jarrett with a crossbow yesterday, but I imagine you make other things, too.”
“Oh all kinds of little things. Portable, flameless heaters for cooking. Water purification sieves. Mm, let’s see… I’ve made a few custom order devices, too. One customer wanted to be able to shoot a jet of flame from their gauntlet, that was a fun one.”
“Ooh, that does sound fun… reminds me of my flamethrower.”
“Your flamethrower?”
“Yeah, it’s basically a big tank with a hose attached to it. At the end of the hose is a pump that causes the flammable liquid – I use dragon’s tar – to shoot out. Add a flame that the tar passes over and bam! You’ve got a giant stream of flame that will coat anything it hits with sticky, flammable tar,” Xander said, excitedly describing the device.
“That’s… impressive. And kind of horrifying,” Valteria responded.
“Mm… I guess you’re right. I mostly use it on giant spiders. Blugh,” Xander shuddered. “But yeah, I suppose it’s not the nicest of ways to go. Very effective for area denial, though. Ah, actually I have an idea for crossbow bolt head that would ignite when it shatters! We should make that sometime and see if it sells.”
“Hmm, I think that would draw some buyers. A flaming bolt head you didn’t have to light first could be desirable to certain buyers.”
“Put that on the list and we’ll get around to it sometime.”
“We have a list?” Valteria said confusedly.
“We should!” Xander said with a laugh. “Now let’s get the rest of these joints done.”
The repair of the other arm and the leg joints that Xander had locked into position during the tournament was a short affair. Looking over the bare metal frame of the armor still hanging from the ceiling, Xander clapped his hands together, mimicking dusting them off. “Good as new!” He exclaimed. Looking over to Valteria he asked concernedly, “It is good as new, right?”
Valteria had been staring at the armor as well, lost in thought about how she was going to improve it next. “Hmm? Oh, yes. It’s right as rain again, ready for use. Thank you, by the way. For fixing it,” She said awkwardly.
“Well I’m the one who broke it, so it’s only fair that I fix it. So what do you want to work on next?” Xander asked. “I could do some rune work for you. Orrr… we could kiss some more?”
Valteria flushed at the question, but didn’t immediately say no.
A few minutes later, she found herself on her tip toes and lightly pressed against the interior wall of the shed, her lips pressed against Xanders.
Once the two of them were done acting like teenagers parked in a secluded parking lot, they made their way back into the shop. Stepping inside and closing the door behind them, Valteria let out a breath. “I think… you are going to have to do a lot of rune work to make up for how much you just kissed me, Xander.”
“What, you didn’t like it?” He said with a raised eyebrow.
“I didn’t say that,” Valteria said with a smirk.
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-Musings on the Relations of Light and Fire, by Jarwic Leftun
\***
Xander carefully opened the door, finding Gabrelle already asleep, and sat down on a chair. Maybe he could get that adaptive camouflage to work right on bright colors. Surely he had some colorful things in his inventory.
He did in fact have a few colorful things in his inventory, and he whiled the rest of the night away making small adjustments to the runic array that was embroidered into the cloth. He was satisfied before dawn, the cloth now performing as well with light colors as it had with darker colors. Now he just needed to make a cloak out of it. He briefly considered coating his armor with the array, but discarded it. There might be times where he’d want to be seen. Besides, a hooded cloak would better break up the outline of his figure, the ripples of fabric, especially if he were to crouch or lay prone, obscuring his outline even more. In little time at all, he had a long, deep hooded cloak of the color shifting, runed cloth in his hands. He stashed it in his inventory for now, as he had no particular need to sneak up on something right now. The rest of the time before dawn he spent silently sitting in the chair he’d chosen, trying to keep his thoughts to a minimum, just daydreaming. Night dreaming? He couldn’t sleep anymore, but that didn’t mean he couldn’t try to let his mind wander.
As the dawn came and the sun began to shine through the window of the room, Gabrelle slowly awoke, once more finding Xander sitting in a chair rather than in bed.
“Mmf,” She grunted as she stretched. “Morning, Xander. You got back late.”
“Morning, yourself,” Xander said, turning his head to look at Gabrelle. “Yeah... Yeah, I guess I did.”
“What were you doing, anyway?” She asked, curious. “You didn’t mention that you’d be out late, just that you were going to go to see Valteria at her shop.”
“I uh... went on a date.”
“I knew it! ‘Comparing notes’ was a date!” Gabrelle exclaimed triumphantly.
“It was not!” Xander complained. “But we went to a tavern in the evening and it sort of... turned into a date on the way there.”
“Awhh, that’s so cute,” Gabrelle said. “Did it go well? Is she nice? Did you kiss?”
“I think it went well. We talked a lot about different projects and ideas we had. I also got to meet another [Godsmarked] - he owns the tavern we went to. I think she’s nice. Maybe a little shy. I think she’s gotten used to being treated differently by people. I don’t think she really believed that I wanted to go on a date with her, at first. ...And yes. We kissed.”
“Ooooh, look at you! You’re growing up so fast!” Gabrelle teased.
“Oh hush. I’m older than you!” Xander huffed, then returned to seriousness. “But ah, if I’m going to be dating someone... we need to have a conversation, Gabrelle.”
“We need to stop sleeping together?” Gabrelle quickly deduced before Xander could say it himself.
“Yeah... It doesn’t feel right, even though it’s just platonic between us. I don’t think I would appreciate being in Valteria’s situation and knowing that the person I was seeing was sleeping with someone else at night.”
“Well, I figured this would happen eventually,” Gabrelle said. “Either you or I were bound to find someone eventually. Don’t worry, I’m not upset. Don’t get me wrong, the snuggles were nice, but like I told you a while ago, I don’t have nearly as much trouble sleeping when I’m with the team.”
“Thanks for not being upset, Gabrelle.”
“You know this means you have to start paying for your own room, though, right?”
“Ah, shit, you’re right. I forgot.”
Xander left the room to allow Gabrelle some privacy to get dressed and meandered back down the stairs to see if any other members of the team were already up. Looking around, he spied Graffus eating breakfast at at table and moved to sit with the dwarf.
“Mornin’” Graffus greeted Xander through a mouthful of bread.
“Morning,” Xander greeted back.
“Glad to see you made it back, we were wondering if you’d be out all night,” Graffus told him, after swallowing his bread.
“I was out a bit late, I suppose. I let the time get away from me.” Xander said, not really wanted to be teased again about going out on a date. “So what are you planning to do today?”
“Bah, Frazay has roped me into helping her do research for the drakeling. So reading is what’s in store for me.” Graffus tore himself off another piece of bread from his plate and slathered it with jam. “You going to be going back to that [Tinker] you’ve been spending time with lately?”
“Yeah, that’s the plan. I’m supposed to learn more about converting mana types today, and also help her fix the suit of armor that I wrecked.”
“Welp,” Graffus said, now on his last piece of bread, “I hope ya learn something new. Never had much to do with [Tinker]s – not saying I dislike them, just that I haven’t had much experience with them – so it don’t make much sense to me. Using a hammer is about the only overlap in our professions.”
“I think your hammer is significantly larger than the one most [Tinker]s would use,” Xander chuckled. Thinking about what he should be doing before he headed to Valteria’s, he asked Graffus, “Hey, I might need to buy some monster parts or elemental cores, something like that, for practice. You know where I would go to find stuff like that?”
Graffus shrugged. “Dunno. My guess would be an alchemy and reagents shop. That’s generally what we’ve sold monster parts to that didn’t go to a smith or leatherworker.”
“Thanks, Graffus.”
The two of them chatted for a while longer, catching up on what each other had been doing. Graffus excused himself to finish getting ready for the day, saying he needed to tend to his beard, leaving Xander downstairs. Deciding to be productive and proactive, Xander stood as well and headed out of the inn to find an alchemy shop.
It wasn’t long before he found one, a familiar scene of an eclectic collection of powders, liquids, crystals, and strange organic things floating in jars inside the building. The proprietor was a dwarf, seated at a workbench. They were grinding something into a powder as Xander entered. He received a distracted greeting before the dwarf returned to his work.
Xander wandered about the shop for a few minutes, looking at the various materials throughout the shop. He identified what he thought might be an elemental core, a jagged piece of crystal looking material that seemed to have an inner flame. As for the monster parts in jars, Xander had no idea what was what. He finally felt he’d waited long enough and moved closer to the worktable that the dwarf was still sitting at, working away at the mortar and pestle.
“Excuse me,” Xander said, grabbing the shopkeep’s attention.
“Mm?” The dwarf said questioningly. “Can I help you find something?”
“I was wondering if you had any elemental cores. Something small, I just need one to practice with.”
“Aye, I’ve a few of them around the shop. You want something to practice with? So a relatively weak core, then – not all the small ones are weak. Do you need any particular type?” The dwarf stood up and stretched, moving to one of the shelves.
“Uhm no, just whatever is cost effective, I suppose.”
The alchemist rifled through the various bits and bobs on one of the shelves nearby before producing a small chip of what looked to be a semi-translucent stone. It was tinged slightly yellow with streaks of white. “This here is a chip off a lightning attuned core. Pretty weak, but it does still produce mana.”
Xander could see the dwarf’s arm hair standing up as if from static electicity as he held up the stone. “How much?” He asked.
“Twenty gold.”
Xander shrugged. Twenty gold wasn’t an issue for him anymore, and he didn’t feel like haggling. He always hated haggling. “Sure.” He fished out the coin and handed it over to the dwarf.
The dwarf handed over the stone to Xander and the pop of a static electric shock could be heard as a tiny arc passed between the two of them. The dwarf grunted and shook his hand. “Thanks for the business,” he told Xander. “Anything else you find yourself in need of?”
“Not at the moment, but thanks for asking.” Xander waved goodbye to the dwarf and pocketed the tiny elemental core. He continued down the street in the direction of Valteria’s shop, thinking about how he was going to undo the welding job he’d done on Valteria’s armor. He’d need her to guide his repair efforts.
Xander returned to the inn momentarily to grab one of his golems. He settled on Atlas for now, as it was the most basic of the humanoid forms he’d created. No extra arms or weird feet on him, no sir.
Arriving at the building that contained Valteria’s home and shop, Xander knocked before opening the door. “Morning,” he called out.
“Xander! Hello!” Valteria called out. She was at the same work bench she’d been at yesterday. Jarrett didn’t seem to be in the shop at the moment, as Xander wasn’t able to spot the man.
Commanding Atlas to follow him in and closing the door behind him, Xander started walking towards Valteria. “How’s it going?” He asked.
“Good, it’s going good,” Valteria responded as Xander brought a stool over to her workbench. “How about yourself?”
“Not bad. The upside of not sleeping is that I never struggle in the mornings now. I used to hate waking up.” Xander laughed. “I even ran an errand before I came here! Picked up this.” Xander fished around in his pocket until he found the small chip of elemental core and held it up for Valteria to see.
“Core?” She asked distractedly, staring at Atlas. She tore her eyes away and looked closely at the small crystalline stone. “Lightning attuned?”
“That’s what the [Alchemist] at the shop said,” Xander affirmed. “Said it was a very weak one, but that it did still produce mana.”
“Mmm, a good practice piece, then.”
“I thought it would be, too. Not that I know what to do with it, yet.”
“Well, how about this: I teach you to set the stone and make some conduit, and then you can help me fix my armor. All the glue has turned to dust by now, thank the gods.”
“Sounds fair enough. So, how do mana conduits work?”
“Well, the concept is simple enough. It’s a tube which conducts mana,” Valteria began to explain.
“Mmhm.” Xander nodded along.
“What you need is a setting – usually of silver, as it has good mana conductivity – which will be the first step of conduction, taking the mana from the stone. Simply wrapping the core in silver wire can work well enough, drawing in the mana that the core puts out through its surface, but for a more effecient setting, small holes are usually drilled into the core to set the wire into as well, giving more surface area to draw from.”
“So we care about the mana conductivity of the material, then? That makes sense, I just hadn’t thought about it. I actually did a little experiment with my rune work to test which fillings were the most conductive.”
“Oh really?” Valteria said, interested. “What were your results?”
“Well, gold and silver were high up there in conductivity, and probably make the most sense for someone who has to physically manipulate material without use of a skill – both for a core setting and for inlaying a rune – but I did find that sapphires and rubies were even more efficient at transferring mana than gold and silver.”
“Mmm... interesting. I’ve heard of gemstones being used in very high-grade settings, as well as various other exotic materials. I read an account of one [Mechanist] who used tubes of mercury to conduct mana, though the relative effectiveness compared to silver wasn’t mentioned.” Valteria cleared her throat. “Uhm, now, where was I? Right, basic settings. Once you have your core – or monster organ, if you’re going that route – you connect it to the conduit. Usually, this is also silver wiring. I like to braid several smaller wires together, personally. I find it to be sturdier and hold up to flexing better. From there, it needs to be tied into a device. Which is a topic for tomorrow.” Looking around the shop, Valteria seemed to identify something on one of the shelves nearby. “I have a core that you could watch me set, and then you could try setting your own, if you’d like.”
“That sounds good to me,” Xander said. “I always love to see a master as work,” he added, opting for a little flattery.
“Follow me, then.” Valteria said, standing up from her stool and waving for Xander to follow.
Xander followed Valteria as she walked over to the shelf she’d been looking at earlier and took a palm sized, bright green stone from it. “Nature attuned core,” She explained, holding it for Xander to see. “I’m told it was taken from some kind of moving tree.” Valteria then moved to another worktable, on which were several of what looked to be drill bits to Xander. There was also an apparatus that look like it was designed to hold the bits, which was confirmed for him when Valteria slotted one of the small drill heads into the device. “This thing,” Valteria said, waving the drill a little bit, “is a life saver. I used to have to drill holes with a hand cranked one. Worth every single coin I paid for it to get an enchanted one.” She turned a dial on one side of the handheld device, which Xander was coming to think of as a magic dremel tool, and it began to come to life, the drill bit beginning to spin with a quiet whirring sound.
“Neat.” Xander commented. He watched patiently as Valteria drilled a series of shallow holes in the stone, the distinct screeching of metal on stone echoing through the shop floor. “So where’s Jarrett today?” He asked.
“Oh, he has the day off today. He asked for it about a week ago, not sure what for, though,” Valteria said distractedly. Soon she was finished with the holes she was drilling into the core, and moved to another workbench. “Now we create a setting for the core. This is a fairly simple way of doing it, mind you, but it is effective.”
Xander watched as she took sections of pre-braided silver wire and fitted the ends into the holes she had drilled. Once each hole was filled with a section of wire, Valteria began to pull wire from a spool, wrapping the stone until it was completely covered with silver wire and binding the braided sections to the stone in the process. “There,” she said, setting the stone down on the workbench. “A perfectly serviceable setting."
“So, if I understand correctly, you coat the core in a mana conductive material – the more surface area, the better, hence the holes – to create a setting?”
“Mmhmm,” Valteria said, nodding.
“Seems fairly straighforward. And then you connect the silver wiring that’s wrapped around it to more wiring, and attach that to your device? Why the distance? Why not just connect the setting directly to the device?”
“You absolutely can, if space isn’t an issue. Technically, the connection between the mana battery and the device, even if it’s just a single point with no distance, is still referred to as a conduit, though, so it’s considered a three part creation.”
“Oh, I see.”
“Do you want to try making your own, now? I don’t mind lending you a little wire.”
“Sure, but I should be good on material, I can produce it with my skills. Doesn’t last without a source of mana, but I guess the core itself might provide enough. Think this little chip is a bit small to put holes in, though.”
Xander looked at the small piece of crystal in his hand. If he just need as much contact as possible with a mana conductive material, his best bet would be to embed it into a sapphire or ruby. He decided on ruby, for no particular reason. Still holding the chip of core in his hand, he concentrated on his [Creation] ability. Valteria watched, amazed, as a ruby began to take form and grow around the piece of core until it was completely coated in a thin layer of gemstone.
“So, you can just... make things?” Valteria asked, sounding jealous.
“Well, it costs mana, and anything I make that isn’t provided a source of mana that leaves my person disintegrates in a day, but, yes. I can just make things with my skills. But,” he added, cutting off Valteria’s complaint of unfairness, “I have never received a skill that actually lets me improve a material. Sure, I have runes, which generally makes up the difference, but I don’t have any skills that improve the things I make. So, if you made a mana battery, and I made a mana battery the same way with identical materials, yours is going to be better, I assume, because you have skills that passively improve the things that you make, am I right?”
“Okayyy,” Valteria huffed. “I guess that does make it a little less unfair. But ugh! It would be so nice not having to source materials.” She looked at the ruby with a piece of core set inside it that Xander had made. “Well, I guess that about does it for making a setting... I thought it might have taken you longer to make one. I guess we can move on to fixing my armor even sooner! It’ll be nice to have it up and moving again.”
“Sure, sure, we can do that. Where is it, anyway?” Xander asked, looking around the shop again like he somehow would have missed the eight foot tall suit of armor.
“It’s in a shed behind the house,” Valteria explained. “I have it on a hoist so I can work on it.”
“Ah, that would explain why I haven’t seen it around.”
Exiting the shop, stopping for Valteria to put a small ‘closed’ sign on the door, the two of them made their way around the building, where Xander saw the small shed that presumably held Valteria’s armor. It looked like it could just barely hold the armor and one person – two, if they were comfortable with each other – inside it.
“So this is where the magic happens?” Xander asked.
“If by ‘magic’ you mean maintenance and upgrades, then yes,” Valteria agreed. She opened the door of the shed, which comprised most of the front of the tiny little building, revealing her suit of armor, which was currently hanging from several chains attached to pulleys on the ceiling. Plates of armor were laying strewn about the suite, leaving the joints and inner workings more exposed.
Xander whistled, looking at the inner workings of the suit. He could see gears, cogs, and joints, and throughout the entirety of the armor were running filaments of silver wire, which he assumed were mana conduits running to and from elemental cores and the various mana powered aspects of the suit. “This thing really is impressive. Almost as impressive as the woman who made it,” he said.
Valteria giggled, “Stop it! You’re supposed to be fixing this mess, not flirting with me!”
“Awh, can’t I do both?” Xander asked, trying to sound as saccharine as possible.
“Mmm, I suppose that if you are sufficiently skilled at multitasking, I might allow it,” Valteria said in a mockingly thoughtful tone.
“Well, I just so happen to be an expert, so flirt away I shall,” Xander replied. “Now, how about the beauty in front of me shows me exactly where the other beauty in front of me needs some repairs?”
Valteria sighed at Xander’s antics, but he could see the slight flush in her face. “Well, you welded the wrist joints, elbows, and knees. They aren’t welded all the way round, it’s more like you smoothed over a portion of it like it was wet clay. So if you could just... put it back? Shape it back to how it was, that’s should be all that’s needed.”
“Pretty straightforward,” Xander said, standing behind Valteria as she pointed out each joint. He could see the misshapen parts where he’d slapped a weld onto the metal. He leaned over her and put his hands on the elbow joint that they were closest to and began to shape the metal back to its original form.
“You’re... very close,” Valteria murmured to him as he formed the metal.
“Would you like me not to be?” He asked, carefully.
Valteria was silent for a moment before answering, “No...” quietly.
Xander carefully shifted to be a little closer, but still not quite touching, as he moved on to the wrist joint of the same arm. The process itself was simple, but he was enjoying taking his time. As he finished the wrist, he turned to look at Valteria. He found himself looking right into her eyes, as she was staring back at him. Unable to resist the temptation he leaned in a little closer, gauging Valteria’s reaction. When she, too, leaned towards him, he closed the small gap between them, drawing her into another kiss. Valteria pressed herself against him, the shed hiding them from any prying eyes on the street, and let out a small noise as Xander squeezed her tight. She was breathing a little bit harder than before the kiss as they separated again.
Valteria let out a breath. “You’re… a really good kisser.”
“Yeah?” Xander said, pleased with himself. “You’re not so bad yourself.”
“And you’re a tease, looming over me like that in this tiny little shed,” Valteria continued. “Now you’ve got me all flustered, how am I supposed to work now?” She mock complained.
Xander was glad to see that Valteria was comfortable enough with him to joke like that. “Forgive me,” he said formally, making a deep bow, “How ever can I make it up to the lady?”
“Oh stop it, I will tolerate no bowing and scraping, even in jest,” Valteria said, slapping him lightly on the shoulder, as he was still holding the bow. “You can make it up to me by fixing the rest of these joints! And by taking me out to dinner?” She added, hopefully.
“I think that can be arranged,” Xander said. “Is there anywhere you have in mind? I will admit, I haven’t become very familiar with the local restaurant scene, what with my… dietary restrictions.”
“It doesn’t… make you feel bad to go out to a restaurant, does it?” Valteria asked softly, watching his face for a reaction.
“Nah, don’t worry,” Xander said, waving off the question with one hand. “It doesn’t bother me too much. Sure, I miss the taste of a good cut of steak, but I was never that into food. Eating was more of a thing I did because I had to, so I’m not completely devastated by the loss. And I can still get some vicarious enjoyment out of watching someone else enjoy their food. Really the worst part is awkwardly having to refuse ordering anything,” he said with a laugh.
“Alright, if you say so,” Valteria said, letting out a slight breath of relief. “I was just worried that it might be upsetting to you, is all. I know I would miss eating.” She paused for a moment, something clearly on her mind. “What do you miss? If you don’t mind my asking. I just… well, I’m curious what it’s like for you.”
“Mmm, in a lot of ways, life is still the same, and in other ways, I’m technically doing better than I was before. I’m incredibly resistant to damage now, even without my armor. I do miss sleeping, though. I try to give my mind a rest and just sort of daydream and let my thoughts wander or do some meditation during the nights, but it’s just not the same. Also means I’m the one that pulls guard duty through the night,” he grumbled. “Let’s see, what else, what else. Ah, right. I can’t smell anything. Or taste. I haven’t worked out how to recreate those senses, yet. Though no sense of smell can be handy sometimes, I suppose. I don’t know if you’ve done much merc work – you mentioned being surprised that I’m not just moonlighting – but uh… the smells that you encounter on a battlefield are… unpleasant. To say the least. It was weird not having a sense of touch either, but I’ve resolved that. It’s a little bit different than my previous, natural sense of touch, but I’ve become accustomed to it to the point that I don’t much think about the difference anymore. I think I’ve even got the density of receptors down in certain areas compared to others, so I'm more sensitive in some areas than others now, just like I used to be. I’m still immune to being tickled though, so don’t even think about it – that’s a fight you’ll lose.” Growing a bit more somber, Xander continued on. “I think… the biggest thing I miss is just the feeling that I fit in more. Now I always worry about being different, there’s that nagging fear that anyone I get to know well is going to reject me once they find out what I am. Like I’m secretly lying to everyone around me with this façade I have going on.”
Valteria nodded sadly. “I get that. I’ve been… rejected before, too. At least it happens or not right from the beginning for me. I get to know if they look down on me for being different immediately instead of fearing they might later down the road.”
“Yeah,” Xander said. “People can really suck sometimes. But at least I can just, like, not tell people what I am if I so chose. You, my teammates, and the guild, since it’s on my status sheet, are really the only people who know. I keep it pretty private. You can’t do that, so I think you probably have to deal with a lot worse than I do. Not that I’d want you to hide what or who you are,” he added. “I happen to be quite enamored with who you are,” he said, teasing a smile from Valteria’s sad face.
“Sorry to bring up such a dour topic,” Valteria apologized. “I didn’t think much on it before I asked.”
“No worries,” Xander told her. “Honestly, I think it’s good to be able to talk about it with someone. It’s healthy to be able to get you feelings out there. And it helps that I feel like you understand where I’m coming from with it, though from a slightly different perspective.”
“You’re surprisingly thoughtful sometimes,” Valteria said, only half teasing.
“Only sometimes?” Xander asked with a faux expression of hurt on his face. “By the way, you didn’t react much to my comment about moonlighting as a merc. Do you ever go on contracts?”
Valteria shrugged. “I certainly wouldn’t describe myself as a professional mercenary. Moonlighter is an apt descriptor, for me, I think. I have gone on a couple, here and there, mostly on kill contracts that would net me a core or organ that would be useful for my work.”
“Mm, that makes sense. I suppose it could be handy having access to the ability to take contracts that would give you access to specialty materials,” Xander said.
“It’s also good for business,” Valteria explained. “Mercs tend to like to buy from someone who has at least been out on a contract or two before.”
“Ah, that makes sense. What kind of things do you sell to mercenaries, anyways? I saw Jarrett with a crossbow yesterday, but I imagine you make other things, too.”
“Oh all kinds of little things. Portable, flameless heaters for cooking. Water purification sieves. Mm, let’s see… I’ve made a few custom order devices, too. One customer wanted to be able to shoot a jet of flame from their gauntlet, that was a fun one.”
“Ooh, that does sound fun… reminds me of my flamethrower.”
“Your flamethrower?”
“Yeah, it’s basically a big tank with a hose attached to it. At the end of the hose is a pump that causes the flammable liquid – I use dragon’s tar – to shoot out. Add a flame that the tar passes over and bam! You’ve got a giant stream of flame that will coat anything it hits with sticky, flammable tar,” Xander said, excitedly describing the device.
“That’s… impressive. And kind of horrifying,” Valteria responded.
“Mm… I guess you’re right. I mostly use it on giant spiders. Blugh,” Xander shuddered. “But yeah, I suppose it’s not the nicest of ways to go. Very effective for area denial, though. Ah, actually I have an idea for crossbow bolt head that would ignite when it shatters! We should make that sometime and see if it sells.”
“Hmm, I think that would draw some buyers. A flaming bolt head you didn’t have to light first could be desirable to certain buyers.”
“Put that on the list and we’ll get around to it sometime.”
“We have a list?” Valteria said confusedly.
“We should!” Xander said with a laugh. “Now let’s get the rest of these joints done.”
The repair of the other arm and the leg joints that Xander had locked into position during the tournament was a short affair. Looking over the bare metal frame of the armor still hanging from the ceiling, Xander clapped his hands together, mimicking dusting them off. “Good as new!” He exclaimed. Looking over to Valteria he asked concernedly, “It is good as new, right?”
Valteria had been staring at the armor as well, lost in thought about how she was going to improve it next. “Hmm? Oh, yes. It’s right as rain again, ready for use. Thank you, by the way. For fixing it,” She said awkwardly.
“Well I’m the one who broke it, so it’s only fair that I fix it. So what do you want to work on next?” Xander asked. “I could do some rune work for you. Orrr… we could kiss some more?”
Valteria flushed at the question, but didn’t immediately say no.
A few minutes later, she found herself on her tip toes and lightly pressed against the interior wall of the shed, her lips pressed against Xanders.
Once the two of them were done acting like teenagers parked in a secluded parking lot, they made their way back into the shop. Stepping inside and closing the door behind them, Valteria let out a breath. “I think… you are going to have to do a lot of rune work to make up for how much you just kissed me, Xander.”
“What, you didn’t like it?” He said with a raised eyebrow.
“I didn’t say that,” Valteria said with a smirk.
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submitted by shaneka69 to mytarotreadings [link] [comments]
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2024.05.14 19:28 ForPOTUS Will Zimbabwe's new gold-backed currency help tame their persistent hyperinflation problem?
I guess that the idea behind backing the 'ZiG' with gold is that it will constrain the central bank's ability to print money on demand, as and when they please. This would then raise business confidence throughout the economy and boost growth.
I feel like the issue of hyperinflation in Zim is one of low productivity growth though. If the goods and services aren't being produced in sufficient quantities, as a result of low worker productivity, or low rates of technological adoption, or inefficient value chains, then I don't see how playing around with the money is going to do much to change that.
Hopefully I am wrong, I do want to see the country succeed. This just feels like a gimmick though, it doesn't speak to any real structural change. I read that foreign investors have to fork over 51% of their investment equity if they want to extract minerals from there.
Such a law sounds wonderful on paper, but is not realistic for a country like Zimbabwe. Why would companies fork out so much on potential sunk costs, only to hand over a controlling stake to a government that's not their own? There are more gold mine reserves in other African countries with much better business environments.
A business environment like this does not help Zim build on growth. Me thinks one too many a Zim government officials do not want to compromise their control over the economy and their personal riches.
submitted by ForPOTUS to AskAnAfrican [link] [comments]
I feel like the issue of hyperinflation in Zim is one of low productivity growth though. If the goods and services aren't being produced in sufficient quantities, as a result of low worker productivity, or low rates of technological adoption, or inefficient value chains, then I don't see how playing around with the money is going to do much to change that.
Hopefully I am wrong, I do want to see the country succeed. This just feels like a gimmick though, it doesn't speak to any real structural change. I read that foreign investors have to fork over 51% of their investment equity if they want to extract minerals from there.
Such a law sounds wonderful on paper, but is not realistic for a country like Zimbabwe. Why would companies fork out so much on potential sunk costs, only to hand over a controlling stake to a government that's not their own? There are more gold mine reserves in other African countries with much better business environments.
A business environment like this does not help Zim build on growth. Me thinks one too many a Zim government officials do not want to compromise their control over the economy and their personal riches.
2024.05.14 19:20 DANJCOLEMAN1991 Sound Like ASIAN KUNG-FU GENERATION Pt.2: Kensuke Kita (2024 version)
 | IntroductionKensuke Kita performing live, 2017^(\This article is an updated version of my "Sound Like" article from 2021. I have reposted this article due to difficulties editing the original version*, and have included additional information and recommendations based on the increased popularity of amp simulator pedals*)*Hello fellow musicians and Ajikan fans! I have been a fan of ASIAN KUNG-FU GENERATION for roughly 16 years and as a guitarist was greatly inspired by the band's alt rock sound. After a few years of research I have written a series of "sound like" articles for ASIAN KUNG-FU GENERATION. The purpose of these articles is to provide context on how the band create their signature sound, and to support beginning musicians or tribute acts who may wish to replicate it. At the end of each article I have drafted a Budget Rig, which you could use for both at home and in a live environment. I have also provided some general amp settings to tweak and try, which are based on the band's live sound and be can used to help replicate their tones. This is a 3-part series and if you enjoy this article I would recommend checking out the other articles: Sound Like ASIAN KUNG-FU GENERATION Pt.1: Masafumi Gotoh (2024 version) : AsianKungFuGeneration (reddit.com) ASIAN KUNG-FU GENERATION Sound Like Part 3: Yamada : AsianKungFuGeneration (reddit.com) To help you recognise the individual guitar tones, Gotch's guitar parts are normally panned to the left earphone and Kita's are panned to the right earphone on the band's albums. (On 2016's Sol-Fa, Hometown and some of the Planet Folks singles the panning was swapped, with Gotch instead in the right ear and Kita on the left) Kensuke KitaKita during the Hometown UK/FR tour 2019In this article we are focusing on lead guitarist and backing vocalist Kensuke Kita. Responsible for many of the band's iconic melodies and riffs, Kita's rig setup is a classic rock setup: A Gibson Les Paul into a Marshall-esque amp. Inspired by 90's alt rock and Brit Pop groups such as Supergrass, Blur, Manic Street Preachers and Radiohead, Kita has constantly evolved as a musician and became more involved with the song writing process from Fanclub onwards. (Kita has writing credits on Blue Train) This evolution can be seen clearly when you compare the punk rock style of Houkai Amplifier with the more experimental, pop inspired Planet Folks. While the earlier records reflected a focus on riffs and octave chord melodies, Kita now prefers playing major and minor third chords, triad chords and arpeggios, reflecting his "melody-maker" role in the band. A triad chord is a chord made of 3 separate notes. They are commonly played on the higher strings and Kita uses them a lot, in tracks such as Aru Machi no Gunjou, Sayonara Lost Generation and Gekkou. Major and Minor third chords are sometimes referred to as Dyads.During live performances Kita will experiment with ambient tones, but remains the lead guitar sound, with Gotch acting as a anchor for the overall band. GUITARSKita's primary guitar is a Gibson Les Paul. You want to capture the power and sustain of the humbucker pickups, so single coils will generally not work. Furthermore, I would not recommend active pickups, such as EMG pickups, and to avoid anything that creates too much gain. Remember, Kita sound is rooted in a traditional rock setup.His most recognisable and iconic guitar is his Historic Collection 1959 Les Paul Standard Reissue. Kita bought the 59's reissue in 2004 and has been a mainstay ever since, using it on every Ajikan album from Fanclub onwards. Kita's Historic Collection 1959 Les Paul Standard Reissue Kita's backup guitar is a Historic Collection 1958 Les Paul Standard Reissue, which is also used for Eb/D# standard tuning for songs such as After Dark, Yoru No Call and Empathy. Kita's other standout guitar is his Gibson ES-335, which is used occasionally for songs with a capo. A good example of this would be the live performance of Natsu no Hi, Zanzou from the 10th Anniversary shows and live performances of Juuni Shinhou no Yuukei and Maigo Inu to Ame no Beat. Kita has also experimented with Fender Telecasters, Jazzmasters and Stratocasters on the band's albums, although neither have been seen on stage so far. In a interview with Guitar Magazine, Kita confirmed that he used a Fender Jazzmaster on Empathy. Kita with his Gibson ES-335, during the Quarter Century Tour If you are looking to capture Kita's guitar sound, a Les Paul style guitar with vintage sounding pickups would be the best place to start. Between 2002-2007, Kita armed his Les Pauls with Gibson Burstbucker 2 in the bridge position and the Burstbucker 1 in the neck position. Since 2007, Kita has used Custombuckers in both positions. Like Gotch, Kita uses Tortex Flex picks and are most likely .73mm or .88mm variants AMPLIFIERSIn the band's early years of success, Kita used a Marshall JCM 900-4100 head with a Marshall 1960A cabinet. In late 2005, Kita replaced the Marshall amp with the Bogner Ecstasy 101b and Bogner 4x12 Cabinet, which he has used ever since as his main live amplifier.Kita's JCM900 amp, used during the early 2000's and Sol-Fa 2004 tour The Bogner has 3 channel settings, with the "green" channel based on traditional Vox amp, the "blue" channel based on a Marshall JCM800 & Marshall Plexi and the "Red" channel as a higher drive channel. The Bogner also has a boost feature that Kita uses for solos. Both the JCM900 and Ecstasy amps are based on vintage Marshall sounds, whereas the modern Marshall amps have a darker, more compressed sound. Between 2000-2011 Kita would only use the Marshall or Bogner stack for live performances and simply switch between the amp channels. In 2012, Kita introduced the Shinos Luck 6V combo to his live setup. The Shinos amps were set up by a former VOX Chief engineer and in general has a blend of Fender and Vox amps sound wise. They have also been compared to Matchless amps, which Kita has used occasionally on international tours. Kita's Bogner Ecstasy 101b and Shinos Luck V6 Kita has experimented with more amplifiers in the studio and has been known to use JCM800's, VOX and Matchless amps on albums, but for the purpose of this article we will keep the focus on matching his vintage Marshall & Bogner tone. Kita's clean sound can be heard on Angou No Waltz, Mustang and Yuugure no Aka, while his distorted sound can be heard on Standard, Re:Re: and Kouya wo Aruke. Kita used 4x12 Greenback speakers in his Marshall cabinet (this was 2004 sound & since 2005 he has likely use Celestion Vintage 30 speakers. The Shino is likely set up with a Celestion Classic Lead 80 speaker.) PEDALSAlongside the amp pairing, Kita uses a wide variety of pedals that has only grown in recent years. Previously, Kita stuck to a small collection of pedals which included a delay pedal and a preamp pedal.Kita's 2004 pedalboard, used during the Sol-Fa tour This collection has since rapidly grown, but has generally included a compressor, phaser, wah and a delay. During the Eizo Sakushin Shu Vol. 6 performance, where he used a Boss DD-20 Giga Delay, an MXR M-132 Super Comp, Boss PH-2 Super Phaser, a Guyatone WR3 Wah Rocker and VoxV847 Wah pedal. Kita also used a BOSS TR-2 Tremolo at this time. Kita's 2009 Pedalboard, which was used during the Eizo Sakushin Shu Vol. 6 performance The Super Comp is used as a boost for lead melodies and solos, and the Super Phaser can be heard in performances of Mustang and Shinkokyuu. The Giga Delay can be heard in tracks such as Night Diving, Re:Re: and Mugen Glider, as well as the band's ambient jams. The Wah Rocker can be heard in Kugenuma Surf & Enoshima Escar Since 2010 Kita's pedal board has gradually evolved to include more delay & modulation effects. (Such as the Boss Harmonist and BOSS MD-200 Modulation) He has also used fuzz and distortion pedals from time to time. For example, he has added the BOSS Tone Bender and Earthquaker Transmisser for ambient noises between tracks. In recent years, Kita has also used octave pedals for lead parts (which recreates what the guitarist plays but at a higher or lower pitch), such as Blood Circulator, Boys & Girls and Clock Work. The Electro Harmonix POG2, which can be seen on his current rig below, is used for the intro of Kakato de Ai o Uchinarase. Kita's current 2022 Pedalboard: (1) FREE THE TONE/JB-41S (Junction Box) (2) Jim Dunlop/535Q Crybaby Multi-Wah (Wow Pedal) (3) Custom Audio Japan/RS 616 (Programmable Switcher) (4)MXSuper Comp (Compressor) (5) Electro-Harmonix/POG2 (Octave) (6) BOSS/TB-2W (Fuzz) (7)EarthQuaker Devices/Transmisser (Modulation/Reverb) (8) strymon/ZELZAH (multi-phaser) (9) BOSS/MD-200 (multi-modulation) (10)(11) BOSS/DD-20 (multi-delay) (12) BOSS/FRV-1 (reverb) (13) Electro-Harmonix/FREEZE (sustainer)(14) BOSS/FS-5U (foot switch) (15) BOSS/TU-2s (tuner) (16) RJM/Amp Gizmo (amplifier channel switcher) (17) FIREGLOW/PPS-05 (power supply) (18) Vital Audio/VA-08 Mk-II (Power Supply) To help manage his massive pedalboard on stage, Kita has been using a Custom Audio Switcher to control his pedals, which also allows him to create "loops" of saved settings for each song. I've included a list of his pedals from the current board on the picture below. The guitar runs into the Junction box (top right) and wah pedal before going into the switcher. Kita can control the Comp and reverb from the switcher, along with the amp settings. The guitar line then runs from the Dyna Comp through the rest of the pedals, which are controlled in separate loops by the switcher, before running into an amp switcher for the Bogner and Shinos. You can see these loops below: Loop 1: Dyna Comp Loop 2: Dyna Comp, POG 2, Tone Bender, Transmisser Loop 3: Dyna Comp, Zelzah Loop 4: Dyna Comp, BOSS MD-200 (using the tremolo effect) Loop 5: Dyna Comp, 2x BOSS DD-20s Loop 6: Dyna Comp, 63' Fender ReverbKita has a few additional pedals on the board, such as the Electro Harmonix Freeze, which can hold a note for a sustained amount of time and a separate BOSS footswitch to tap in a count for his delay sound. While this may seem complicated (and it is!) bear in mind that many of the pedals are to recreate certain sounds from the band's 10 albums, or to allow Kita to experiment during live performances. You do not need to build a pedalboard this big to sound like Kita. Instead, I would focus on Kita's main pedals, which include the MXR Super Comp, his two Boss DD-20 Giga Delay pedals, the Dunlop535Q Crybaby Multi-Wah, the Strymon ZELZAH (phase) and BOSS MD-200. (phase/auto-wah/tremolo) Sound Like Kita ...On a BudgetKita, Quarter Century tour, 2022To buy Kita's current rig would cost thousands of pounds (the 59' Les Paul alone could be worth £5,000) so much like the Gotch's post we have a few more affordable options that could get you close. The idea is to create a rig that can be used at home or in small venues to perform live. Also bear in mind that information provided are based on Kita's Live setup, which is aimed at finding a medium between all of the sounds formed on the albums. Please also note that these are personal suggestions as a fan and if you find that works better for you, then great! The main areas to consider are:
In terms of guitar options there are plenty of Les Paul copies, but for look and sound Epiphone is a no-brainer. The Epiphone 1959 Les Paul Standard is the newer, more expensive option but is based on the 59' Les Paul model, much like Kita's main guitar. You can buy one for around £749. Epiphone 1959 Les Paul Standard The more affordable option is the Epiphone Les Paul Standard '50s, which is also a solid pick and goes for around £500. AMPLIFIER In terms of affordable amps, Bogner have recently released the Ecstasy Mini 30W Head which costs around £349. You would need a speaker to plug the head into, this solid-state amp would get you close to Kita's sound and could be used for gigging with a big enough speaker. Bogner Ecstasy Mini 30W Head You could also try out the Marshall MG50 and Marshall Origin amps as affordable Marshall amps with a classic sound, closer to the JCM900/Bogner style. Another approach you could take would be to use the Bogner Ecstasy pedals, which are pedals designed to emulate the Bogner Ecstasy amps. (Please bear in mind that you would need to tweak the settings more to work with the amp you use) The BOSS Katana series and Blackstar amps (which have a dial to set a more British sound) have Marshall-esque settings and could also work, but would require more tweaking. PEDALS There are a wide variety of pedals to choose from, but to keep the pedal suggestions simple but versatile. Because of its importance to Kita's sound, I would recommend the MXR Super Comp. MXR Super Comp A great example of how this would sound can be on tako wasa YouTube channel, who demonstrated the pedal on this live stream. (tako also has a solid pedal board that is worth taking inspiration from!) An alternative approach would be to buy a Booster pedal to create the same effect, such as the Xotic EP-3 Boost A delay pedal is also must for a sound like rig (Especially those keen to play the Re:Re: 2016 intro) and so the recommendation would be a Boss DD Delay pedals. The DD-6 or DD-8 are more affordable options that can definitely do the job, while the DD-200 gives you a more versatile option and the ability to save pre-sets for different tracks. Boss DD-8 Cheaper alternatives that you could also consider are the Tone City Tape Machine and the TC Electronic Flashback 2 Mini, which are both good options for the price. Another pedal for Kita's sound to consider would be a Wah pedal. As the Dunlop535Q Crybaby is quite a steep price for casual players, so I would recommend the Vox 845 Wah Wah Pedal. At £69 its considerably cheaper than the Dunlop535Q and should get close to Kita's original Wah sound. Finally, we are going to focus on the modulation sounds for Kita, and ultimately this is down to preference and what songs you would like to emulate. BOSS MD-200 If you wanted to have a mix of sounds, the BOSS MD-200, which Kita uses, covers many of the sounds he uses, including the phaser, auto-Wah and tremolo sounds. For more specific roles, the BOSS PH-3 Phase Shifter will get you close to his original phase sound (try to avoid the Phase 90 style pedals for Kita's sound), while the BOSS Harmonist or a different Octave pedal would help capture some of his lead tones for the current era. You could also consider a reverb pedal if you want to capture some of the ambient sounds Kita creates live or if the amp you choose doesn't include reverb. AMP SIMULATOR PEDAL OPTIONS? The final option to consider would be a Amp Simulator pedal. This type of pedal has become increasingly popular in the last few years and would be used in place of a traditional amp and effect pedals. You would then use the Amp Simulator with a IR Cabinet (a powered cabinet speaker) or with a Power Amp in between the Amp Simulator and a traditional cabinet. They can be fairly expensive to buy and I would only advise buying one if you do intend to move on from your traditional amp/pedal setup, however the Quad Cortex DSP & Headrush Pedalboard would be good starting points. They are both aimed at capturing more traditionally hi gain amps such as the Bogner and Marshall amps, so should be able to do a good job at capturing Kita's sound. Recommended Amp SettingsThe following amp settings were based on photos from live performances and you should bear in mind that the volume may be quite loud for home use, so I would suggest bringing it down. Also bear in mind that every musician and amp will slightly differ so you may need to tweak with your settings to find the right blend.My personal advice is to keep the gain around the middle and to use the volume to crunch up the sound. Kita does use a cabinet, so you may need to add more low end for a combo amp, and again bear in mind that the volume may need to be lower for home use. Shino Luck V6: Vol: 5, Treble: 5, Middle: 5, Bass: 3.5, Master: 3.5, Boost: 7, Level: 4 Bogner Green Setting: Presence A: 8.5, Presence B: 8, Vol. 1: 5, Treble: 4:5, Mid: 4, Gain 1: 5.5 Bogner Blue Setting: Vol. 2: 5.5, Vol. 3: 5.5, Treble: 5, Middle: 5/5.5, Bass: 5, Gain 2: 4.5, Gain 3: 5.5 ConclusionThank you again for reading this and I hope it's been insightful for you. Feel free to leave feedback below and any of your own tips |