Hat bun knit pattern

knittit

2008.06.14 20:25 knittit

Warm, fuzzy, sometimes tangled. Due to the holiday season, it may take up to 48 hours for (1) a post to be approved/ reviewed (2) response to modmail/from a moderator. Regarding the API/blackout we're open again but also watching, listening, thinking hard. Whatever happens needs to happen thoughtfully. Please keep being excellent to each other.
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2024.05.17 10:10 Kushi-riki Winter Beanies and Neck Gaiters

Winter Beanies and Neck Gaiters submitted by Kushi-riki to u/Kushi-riki [link] [comments]


2024.05.17 09:06 pb1115 What exactly does s1wyif do?

Hello all,
I'm knitting a pattern that starts with some ribbing. I was expecting a simple knit-purl rib, but this pattern has me doing (p2 k1) on the right side, and (k2 s1wyif) on the wrong side. The ribbing looks nice for sure but what exactly does this type of ribbing achieve and how is it different from a regular knit-purl rib? That is, how does slipping a stitch differ from just purling and why might you choose this method?
Thanks in advance for any responses!
edit: typo- wrong and right side instructions were the wrong way around
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2024.05.17 08:23 Siossojowy Do you guys do seasonal knits?

Hi friends! This is my first warm season as a knitter, I started knitting after christmas. I noticed many people do the seasonal knitting meaning they will knit warm garments from like september till march and from march till august they will knit spring and summer garments. I did give warm weather garments a try, I made one top with drops belle but I am not super happy with it since it is a thick fabric so not really great for summer, one I made with drops Paris using drops free pattern, that one is even worse, super thick and way shorter and smaller than it sould be (yes, I did meet gauge and picked the correct size). In general I enjoy knitting with wool way more than with non-streachy plant based yarns. I also heard about drops not being the greatest yarn. So my question is should I give warm weather garments another try with better quality cotton or linen yarn (I was thinking sandnes garn since it seems to be really loved in the knitting community)? Or will every plant based yarn give me this heavy, thick fabric and brand doesn't really matter? I'll just add, in general I got into knitting because I looove sweaters. Seriously, no amount of sweaters is too much for me, I'll wear sweaters every day from october till february. I'm not so sure about how much wear I would get from knitted tops since I would wear them mostly when it's really hot and when I don't want any thickness in my garments.
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2024.05.17 08:13 middle_earth-dweller Mushroom grandparents

I had a beautiful experience where I met some mushroom beings. I ate a couple grams with an MAOI extract. Amongst many other profound parts of the trip, I met what I called the grandfather and grandmother of the mushroom.
They were some ancient intergalactic beings. I believe the spores were a sort of time capsule sent through space that held great knowledge of their people. Also it could change life of wherever it landed. Like maybe turn single cell organisms in intelligent beings.
I thanked them for sending out a part of them for us to find and they thanked me for finding it and using their knowledge. It was beautiful.
I did see them, it's a bit hard to describe. They had large eyes, that were loving and twinkled, a wide nose, not much for ears, and a large head. Sort of like someone with dreadlocks wrapped up in a hat, but they wore hooded robes like a jedi. Their skin was sort of a psychedelic pattern.
For moments I had all the knowledge of the universe, but it was hard to comprehend while staying in my body with a brain to process it. It was like I melted into the oneness and couldn't retain it. They gave me lots of love and I loved them. They were also my grandparents or the grandparents of the human race.
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2024.05.17 07:25 unoxstudio Help me find a pattern for a bright yarn!

I have a sweaters quantity of happy place blossom. A pretty, bright, DK weight pink that is quite gorgeous.
I’ve completed all of my current WIPs (so rare, I know!) and am at a loss for what to knit next.
Pink is so far out of my colour comfort zone but I loved the colour so much. Since it’s such a bright colour and summer is right around the corner, I’m looking for a summer knit with this yarn.
Maybe a Tee, tank or anything in between! Anything with slight pattern to it also would be a plus! I think this yarn would really shine from maybe a fisherman’s rib or eyelets.
Any pattern recs are welcomed!
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2024.05.17 07:07 knit_the_resistance Baby blanket conundrum part 3

I hate it when I have a project idea I can't execute... Grrr. Here's the plan: I'm going to knit a baby blanket with the Java program for "hello, world" knit into it. The first problem is designing the pattern in stitch fiddle so that it's not gigantic. I think I can solve that. The second is that in order for letters to look any good in relief, they really need to be at least 3 stitches wide. Four is better. Which results in an enormous blanket. What I'm REALLY good at is color work in the round. I'm bad at flat color work. What if I knit the whole blanket IN THE ROUND and then steeked it, then knit on a border? Is that insane?
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2024.05.17 06:41 Sweet-Count2557 When is the Best Time Visit Morocco? Plan Your Perfect Moroccan Vacation

When is the Best Time Visit Morocco? Plan Your Perfect Moroccan Vacation
When is the Best Time Visit Morocco? Plan Your Perfect Moroccan Vacation
Morocco is a country located in North Africa and is known for its vibrant culture, diverse landscapes, and rich history. The country attracts millions of tourists each year with its stunning beaches, bustling cities, and ancient architecture. It is a destination that offers something for everyone, whether you are interested in exploring the desert, hiking in the mountains, or experiencing the local cuisine.
One of the most important aspects of planning a trip to Morocco is deciding when to visit. The country has a unique climate and weather patterns that vary depending on the season. In this article, I will provide an overview of Morocco's climate and weather patterns and help you decide when is the best time visit Morocco. I will also provide tips on packing and preparing for your trip, as well as recommendations for accommodation options, transportation, and safety considerations.
Overview of Moroccan climate and weather patterns
When planning the best time to visit Morocco, it's essential to consider the diverse climate of the country. The northern region has a Mediterranean climate that brings mild weather throughout the year, with warm summers and mild winters. In contrast, the southern part of Morocco has a desert climate that experiences hot summers and cold winters, with temperatures dipping below freezing at night.
If you're looking for comfortable weather, then visiting Morocco's coastal areas is your best bet. However, if you prefer a more extreme experience, then the desert regions can offer you scorching hot days and freezing nights. Depending on what kind of adventure you seek, plan your visit accordingly.
Morocco has a Mediterranean climate in the north and a desert climate in the south. The weather is generally mild in the coastal areas, with warm summers and mild winters. The interior of the country experiences hot summers and cold winters, with temperatures often dropping below freezing at night. The desert regions are known for their extreme temperatures, with scorching hot days and freezing nights.
The best time to visit Morocco depends on the region you plan to visit and the activities you want to do. If you are interested in exploring the coastal areas and enjoying the beaches, the best time to visit is during the summer months of June to August. The weather is warm and sunny, and the sea is perfect for swimming.
The best time visit Morocco according to seasons
Spring (March to May)
Spring is a great time to visit Morocco, especially if you want to avoid the crowds of tourists that come during the summer months. The weather is mild and pleasant, with temperatures ranging from 18°C to 23°C. It is also the time when the country comes alive with blooming flowers and green landscapes.
Some of the top attractions to visit during the spring include the High Atlas Mountains, where you can go hiking and enjoy the stunning views of the snow-capped peaks. The Jardin Majorelle in Marrakech is also a must-visit during this time, as it is filled with beautiful flowers and plants.
Summer (June to August)
Summer is the peak tourist season in Morocco, and for a good reason. The weather is hot and sunny, with temperatures reaching up to 40°C in some areas. It is the perfect time to enjoy the beaches and water activities such as surfing and windsurfing.
Some of the top attractions to visit during the summer include Essaouira, a coastal town famous for its beautiful beaches and vibrant culture. Avoid Marrakech and Fez during Summer since it's getting too hot to enjoy them.
Fall (September to November)
Fall is another great time to visit Morocco, especially if you want to enjoy the beautiful fall foliage and mild weather. Temperatures range from 20°C to 25°C, making it a perfect time for outdoor activities such as hiking and camping.
Some of the top attractions to visit during the fall include the Todra Gorge, a stunning natural wonder located in the eastern part of the High Atlas Mountains. You can also visit the Ait Benhaddou, a UNESCO World Heritage Site, and explore the ancient fortified city.
Winter (December to February)
Winter is the best time visit Morocco if you want to experience the country's diverse landscapes covered in snow. The weather is cold, with temperatures dropping below freezing at night. It is a great time to visit the desert regions, such as the Sahara, as the temperatures are milder during the day.
Some of the top attractions to visit during the winter include skiing and snowboarding in the High Atlas Mountains. You can also visit the city of Chefchaouen, known for its blue-painted buildings and stunning mountain views.
Festivals and events to consider when planning your trip
Morocco is known for its vibrant festivals and events, which are an important part of the country's culture and traditions. Some of the top festivals to consider when planning your trip include:
Ramadan (April to May) – a month-long religious festival where Muslims fast from sunrise to sunset.
Eid al-Fitr (May to June) – a three-day festival that marks the end of Ramadan.
Festival of Roses (May) – a celebration of the roses that bloom in the Dades Valley.
Marrakech Popular Arts Festival (June) – a celebration of traditional Moroccan music and dance.
Essaouira Gnaoua and World Music Festival (June) – a music festival that brings together artists from around the world.
Festival of World Sacred Music (June) – a celebration of sacred music from different cultures and religions.
Moussem of Tan-Tan (October) – a festival that celebrates the nomadic culture of the Sahara region.
Tips for packing and preparing for your Moroccan vacation
When packing for your Moroccan vacation, it is important to consider the weather and the activities you plan to do. Here are some tips to help you prepare for your trip:
Pack comfortable and breathable clothing, such as lightweight cotton shirts and pants.
Bring a scarf or shawl to cover your head and shoulders when visiting mosques or other religious sites.
Carry comfortable walking shoes, as many of the attractions require walking on uneven surfaces.
Pack a hat and sunscreen to protect yourself from the sun.
Bring a reusable water bottle to stay hydrated throughout the day.
Carry a small backpack or bag to keep your valuables safe.
Learn a few basic phrases in Arabic or French to communicate with the locals.
Accommodation options in Morocco for different seasons
Morocco offers a wide range of accommodation options to suit different budgets and preferences. Here are some options to consider based on the season:
Spring and fall
During the spring and fall, you can find great deals on hotels and riads (traditional Moroccan houses) in popular tourist destinations such as Marrakech and Fez. You can also consider staying in a guesthouse or a traditional Berber tent if you plan to explore the desert regions.
Summer
During the summer, it is recommended to book your accommodation in advance, especially if you plan to visit popular coastal destinations such as Essaouira and Agadir. You can find a wide range of options, from luxury resorts to budget-friendly hostels.
Winter
During the winter, you can find great deals on hotels and riads in popular tourist destinations such as Marrakech and Fez. You can also consider staying in a traditional kasbah (fortified village) or a luxury desert camp if you plan to explore the desert regions.
Transportation options for getting around Morocco
Morocco has a well-developed transportation system that makes it easy to get around the country. Here are some options to consider:
Train – The train system in Morocco is efficient and affordable, and it connects most of the major cities, check the website of ONCF, the only Train system operator in Morocco
Bus – The bus system is also affordable and connects smaller towns and villages that are not accessible by train.
Taxi – Taxis are widely available in the cities and can be a convenient option for short distances, you can also use Indriver since Uber is Forbidden in Morocco.
Car rental – If you plan to explore the country on your own, renting a car can be a good option. However, it is recommended to hire a driver if you are not familiar with the local roads.
Safety and cultural considerations for tourists in Morocco
Morocco is a safe country for tourists, but it is important to take some precautions to ensure your safety. Here are some tips to keep in mind:
Dress modestly and respect the local culture and traditions.
Avoid walking alone at night, especially in the cities.
Be cautious when using public transportation and avoid carrying large amounts of cash or valuables.
Be aware of your surroundings and avoid crowded areas.
Always carry a copy of your passport and other important documents with you.
Final thoughts and recommendations for planning your perfect Moroccan vacation
Morocco is a fascinating country with a rich culture and history. Whether you are interested in exploring the desert, hiking in the mountains, or experiencing the local cuisine, there is something for everyone in Morocco. When planning your trip, consider the best time visit Morocco based on your interests and preferences. Also, remember to pack appropriately, book your accommodation in advance, and take precautions to ensure your safety. With these tips in mind, you can plan the perfect Moroccan vacation and create memories that will last a lifetime.
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2024.05.17 06:27 HopefulHarmonian Essay: Harry’s compliments and appreciation of Hermione (compared to Ron’s)

A common claim in HP fandom is that Harry doesn’t appreciate Hermione enough. A weirder assertion I sometimes see is that Ron compliments or appreciates Hermione more than Harry.
Admittedly, Hermione does a lot for Harry throughout the books, and he doesn’t always express his thoughts directly to her. Nevertheless, there are many passages where Harry directly compliments Hermione (often using words of very high praise), as well as quite a few where he expresses his admiration of her to other people.
This essay will explore those complimentary passages from the books. I won’t include simple expressions of gratitude (though those exist too between Harry and Hermione), nor will I recount here the many passages where Harry merely thinks highly of Hermione or appreciates her without saying anything aloud. Frankly, that would make this essay much too long, and I want to focus on real compliments and praise.
After we’ve explored how Harry compliments Hermione along with her reactions, we’ll take a look at how Ron tends to praise Hermione, as well as the different way she reacts to both boys. Not surprisingly to most readers here, we’ll see that Harry is the boy Hermione truly loves praise from. Unfortunately in Ron’s case, his compliments almost never land well (if they land at all).
I’m going to keep the commentary shorter here on many passages, as this is primarily intended to be a list to demonstrate just how much Harry appreciates Hermione and thinks highly of her. Nevertheless, we’ll see a number of patterns emerge as we go through.

Harry’s direct compliments

Let’s begin with one of the most well-known interactions in the early books between Harry and Hermione (PS16):
Hermione’s lip trembled and she suddenly dashed at Harry and threw her arms around him.
Hermione!
‘Harry – you’re a great wizard, you know.’
I’m not as good as you,’ said Harry, very embarrassed, as she let go of him.
‘Me!’ said Hermione. ‘Books! And cleverness! There are more important things – friendship and bravery and – oh Harry – be careful!’
There’s not much new to say about this passage—Harry is about to go on alone, putting himself in great danger. Hermione’s lip trembles in emotion, and she embraces Harry for the first time in the books, praising him as a “great wizard.” And yet, Harry claims he’s simply not as good as Hermione.
Still, the two of them go back and forth about it in a cute way, as Hermione then says “Me!” and proceeds to implicitly compliment Harry’s friendship and bravery further.
I mention this latter detail of the back-and-forth because it gets mirrored four years later, except this time with Harry being the one to say, “Me?” See OotP15:
‘Harry, you’re the best in the year at Defence Against the Dark Arts,’ said Hermione.
Me?’ said Harry, now grinning more broadly than ever. ‘No I’m not, you’ve beaten me in every test –
‘Actually, I haven’t,’ said Hermione coolly. ‘You beat me in our third year – the only year we both sat the test and had a teacher who actually knew the subject. But I’m not talking about test results, Harry. Think what you’ve done!’
We know of Harry’s prowess at DADA. Can anyone forget the insanely powerful Patronus Harry conjured at the end of PoA, which Hermione noted was “very, very advanced magic”? It’s again cute that they get into a disagreement, both modestly trying to one-up the praise of the other here while claiming they themselves aren’t the best.
But I already skipped over another moment a few chapters earlier in OotP9:
[Ron] dashed from the room, leaving Harry and Hermione alone.
For some reason, Harry found he did not want to look at Hermione. He turned to his bed, picked up the pile of clean robes Mrs Weasley had laid on it and crossed the room to his trunk.
‘Harry?’ said Hermione tentatively.
Well done, Hermione,’ said Harry, so heartily it did not sound like his voice at all, and, still not looking at her, ‘brilliant. Prefect. Great.
‘Thanks,’ said Hermione. ‘Erm – Harry – could I borrow Hedwig so I can tell Mum and Dad? They’ll be really pleased – I mean prefect is something they can understand.’
The circumstances are complicated here, because Harry’s feeling really conflicted about not getting a prefect’s badge. He doesn’t want to look at Hermione, because I think he feels like she’d be disappointed in him, as she was so enthusiastic about the idea of being prefect with him a few minutes before. I analyzed this whole section in greater depth in another essay, so I won’t get into all of that here.
For the present, let’s just note that Harry is feeling very emotional and is about to launch himself into one of the longest internal monologues in the books, feeling quite down about himself. Yet he still finds the strength to tell Hermione how “brilliant” he thinks she is. Even if he’s hurting and can’t even look at her, he wants her to know he’s proud of her.
This isn’t the only place where Harry spontaneously feels the need to give Hermione compliments even under less-than-ideal circumstances. He seems to place great importance in ensuring that Hermione knows how highly he thinks of her. We particularly see this later in the series. In HBP25, Hermione basically accuses Harry of being mildly sexist because he refuses to take her theory seriously that the “Prince” (the former owner of the potions book) might have been a woman:
‘Listen, Hermione, I can tell it’s not a girl. I can just tell.’
‘The truth is that you don’t think a girl would have been clever enough,’ said Hermione angrily.
How can I have hung round with you for five years and not think girls are clever?’ said Harry, stung by this.
Harry’s “stung” that Hermione would think of him as sexist, but he’s specifically disappointed because he knows how brilliant and clever Hermione is. He thinks she’s amazing and incredible and the best in his year at school. I wonder if this passage leads Harry to reflect a bit on how he may not always voice his opinion to Hermione enough, as there’s a marked change in DH, where Harry more frequently tells Hermione directly how highly he thinks of her.
For example, in DH9, in the scene after the trio was attacked by Dolohov and Rowle, Harry calls her “brilliant” for casting a memory charm:
She took a deep, calming breath, then pointed her wand at Dolohov’s forehead and said, ‘Obliviate.’
At once, Dolohov’s eyes became unfocused and dreamy.
Brilliant!’ said Harry, clapping her on the back. ‘Take care of the other one and the waitress while Ron and I clear up.’
Later, after Harry and Hermione escape Nagini’s attack at Bathilda Bagshot’s house, Harry calls her “incredible” (DH18):
‘You’re still really angry at me, aren’t you?’ said Hermione; he looked up to see fresh tears leaking out of her eyes, and knew that his anger must have shown in his face.
‘No,’ he said quietly. ‘No, Hermione, I know it was an accident. You were trying to get us out of there alive, and you were incredible. I’d be dead if you hadn’t been there to help me.
He tried to return her watery smile, then turned his attention to the book.
As in the OotP passage where Harry is feeling depressed about the prefect’s badge, here Harry isn’t really ready to talk. His wand is broken, he was injured by Nagini, and he spent the night having visions of Voldemort killing his parents. It’s not at all an exaggeration to say this is probably the most dire part of Harry’s journey in the books. And yet he still values Hermione enough not only to agree to talk when he’s not ready, but also to immediately forgive her and call her “incredible” for her quick thinking the previous night.
Moreover, we can see how much this means to Hermione at that moment, as she smiles in gratitude at Harry, in contrast to her tear-streaked face.
Later in DH, after Hermione was tortured at Malfoy Manor, we again see Harry expressing his understanding and gratitude for Hermione when he first talks to her (DH24):
Harry had walked up several steps before stopping and looking back.
‘I need you two, as well!’ he called to Ron and Hermione, who had been skulking, half-concealed, in the doorway of the sitting room.
They both moved into the light, looking oddly relieved.
‘How are you?’ Harry asked Hermione. ‘You were amazing – coming up with that story when she was hurting you like that –
Hermione gave a weak smile as Ron gave her a one-armed squeeze.
Harry calls her “amazing,” and once again Hermione smiles in reply. I should also pause here to note that these superlatives aren’t common for Harry. In fact, they’re unique to Hermione. Harry doesn’t call anyone else “amazing” or “incredible” anywhere in the books.
And these are far from the only times Hermione’s quick thinking saves the day. A few months earlier, she once again apparated Harry (and Ron too) away in mid-air to escape Luna’s father’s house, coming up with a detailed plan in a matter of seconds to hide Ron while exposing Harry during the escape (for strategic reasons). Harry then agrees Hermione is a genius and tells her doesn’t know what they’d do without her (DH22):
‘You’re a genius,’ Ron repeated, looking awed.
Yeah, you are, Hermione,’ agreed Harry fervently, ‘I don’t know what we’d do without you.
She beamed, but became solemn at once.
I’d note another detail here. Ron does compliment Hermione too in this passage, calling her a “genius” multiple times. Yet it’s only once Harry finally tells her how much she means to him that Hermione “beams” in reply. (In a previous essay, I examined how frequently Hermione “beams” at Harry, much more than anyone else.)
This is a pattern we see repeatedly in the books, where Ron’s praise is ignored in favor of Harry’s. Perhaps the clearest example is in HBP9:
[Slughorn:] ‘Oho! “One of my best friends is Muggle-born and she’s the best in our year!” I’m assuming this is the very friend of whom you spoke, Harry?’
Yes, sir,’ said Harry.
‘Well, well, take twenty well-earned points for Gryffindor, Miss Granger,’ said Slughorn genially.
Malfoy looked rather as he had done the time Hermione had punched him in the face. Hermione turned to Harry with a radiant expression and whispered, ‘Did you really tell him I’m the best in the year? Oh, Harry!’
‘Well, what’s so impressive about that?’ whispered Ron, who for some reason looked annoyed. ‘You are the best in the year – I’d’ve told him so if he’d asked me!’
Hermione smiled but made a ‘shush’ing gesture, so that they could hear what Slughorn was saying. Ron looked slightly disgruntled.
Harry had already praised Hermione to Slughorn privately (a fact we’ll come back to), but hearing this praise from Harry causes Hermione to turn toward Harry with a “radiant expression,” overwhelmed with joy at the idea that Harry thought of her as the “best in the year.” (The word choice of “radiant” here is rather special for JKR, as I’ve noted in a previous essay.)
Meanwhile, poor Ron is off to the side, looking “slightly disgruntled” when Hermione shushes him in class for a similar remark.

Ron’s compliments to Hermione

Unfortunately for Ron, Hermione’s reaction in the Slughorn scene is typical. We’ve seen Hermione repeatedly smiling and looking radiant at Harry’s compliments, as well as reacting by praising him in return. Ron, on the other hand, is almost exclusively met with tepid if not outright negative reactions from Hermione even when he says nice things about her.
I drew on a list of Ron compliments created by Ron/Hermione shippers here, but the original list only gave Ron’s lines, without Hermione’s reactions, which I’ve restored below. (The reason for the omission of Hermione’s responses will soon become clear.)
Ron first shows genuine admiration for Hermione back in PoA15 when she slaps Draco and then storms out of Divination. However, the first time Ron actually tries to express this appreciation verbally probably happens in OotP12:
[Hermione:] ‘About You-Know-Who. He said his “gift for spreading discord and enmity is very great. We can fight it only by showing an equally strong bond of friendship and trust –”’
How do you remember stuff like that?’ asked Ron, looking at her in admiration.
I listen, Ron,’ said Hermione, with a touch of asperity.
‘So do I, but I still couldn’t tell you exactly what –’
‘The point,’ Hermione pressed on loudly, ‘is that this sort of thing is exactly what Dumbledore was talking about. You-Know-Who’s only been back two months and we’ve already started fighting among ourselves. And the Sorting Hat’s warning was the same: stand together, be united –’
Although this isn’t a direct compliment, we’re told that Ron is actually looking at Hermione “in admiration.” Unlike his more typical annoyance with her, he’s actually impressed here by her memory. And yet Hermione responds with “asperity,” harshly putting him down for not listening better. When Ron gets defensive and tries to react, Hermione “loudly” talks over him and essentially ignores Ron completely.
This is far from the only time Hermione will ignore Ron’s occasional kind words, because she clearly knows it’s unusual behavior. She tells us this directly (OotP14):
‘OK, write that down,’ Hermione said to Ron, pushing his essay and a sheet covered in her own writing back to Ron, ‘then add this conclusion I’ve written for you.’
Hermione, you are honestly the most wonderful person I’ve ever met,’ said Ron weakly, ‘and if I’m ever rude to you again –’
‘– I’ll know you’re back to normal,’ said Hermione.
Ron was trying to thank her for help with his homework, but Hermione recognizes this praise as obviously transactional. She has noticed he’s only nice to her when she does things for him, but otherwise his “normal” behavior toward her is a bit rude. (As a sidenote: we’ve already seen Harry repeatedly refer to Hermione as “brilliant.” Ron, in contrast, does call Hermione sort of “brilliant” twice, both times sarcastically referring to theories or ideas he thinks are ridiculous. See CoS13, DH25.)
Ron’s attempts at recognizing Hermione’s achievements also look very different from Harry’s. In HBP5, when Hermione is worrying about her O.W.L. exam performance, Ron does acknowledge Hermione’s academic performance a couple times, in passages that Ron/Hermione fans will point to as evidence of his supposed admiration.
Yet they don’t come off as compliments. They are aggressive and exasperated and almost making fun of Hermione at the end. And look how Hermione reacts:
‘Hermione, will you shut up, you’re not the only one who’s nervous!’ barked Ron. ‘And when you’ve got your ten “Outstanding” O.W.L.s ...’
Don’t, don’t, don’t!’ said Hermione, flapping her hands hysterically. ‘I know I’ve failed everything!’
[…]
‘I – not bad,’ said Hermione in a small voice.
‘Oh, come off it,’ said Ron, striding over to her and whipping her results out of her hand. ‘Yep – nine “Outstandings” and one “Exceeds Expectations” in Defence Against the Dark Arts.’ He looked down at her, half-amused, half-exasperated. ‘You’re actually disappointed, aren’t you?
Hermione shook her head, but Harry laughed.
So yes, Ron acknowledges her achievements here, but he does so in the process of telling her to “shut up,” barking at her, and then becoming “exasperated” at her personal goals. I think we can all take a step back and acknowledge that Hermione is a fairly extreme perfectionist, and her level of anxiety at potentially “failing everything” comes across as weird and a bit irrational. Still, rather than helping her “calm down” (as many Ron/Hermione fans would say Ron does), Ron exacerbates Hermione’s level of disquiet, causing her to become “hysterical” and then later embarrassed, reacting in a “small voice.”
Harry would have just clapped her on the back and called her “brilliant” or something, to which she’d probably smile in reply. Harry doesn’t share Hermione’s level of academic dedication, but he still appreciates it, rather than trying to shame Hermione for being an overachiever. Yet Ron manages to make her uncomfortable in several different ways in this scene, even as he recognizes how well she would do.
And we’ve only started on the types of negative reactions Hermione has to Ron’s attempts at recognizing her achievements. In HBP21 after apparition practice in Hogsmeade, Ron cuts in to call her performance “perfect”:
‘Good one,’ said Harry. ‘How’d you do, Hermione?’
Oh, she was perfect, obviously,’ said Ron, before Hermione could answer. ‘Perfect deliberation, divination and desperation, or whatever the hell it is – we all went for a quick drink in the Three Broomsticks after and you should’ve heard Twycross going on about her – I’ll be surprised if he doesn’t pop the question soon –’
‘And what about you?’ asked Hermione, ignoring Ron.
Ron’s praise is undermined with the dismissive “whatever the hell it is,” once again making it clear that he doesn’t value Hermione’s attention to detail and high standards. Hermione’s response is, reasonably, then to simply ignore Ron.
Admittedly, Ron appears to realize some of his failings and makes an attempt in Deathly Hallows, reading the Twelve Fail-Safe Ways to Charm Witches book and trying to learn how to compliment a girl. It unfortunately doesn’t go quite smoothly for Ron at first (DH7):
Hermione made purple and gold streamers erupt from the end of her wand and drape themselves artistically over the trees and bushes.
Nice,’ said Ron, as with one final flourish of her wand, Hermione turned the leaves on the crab-apple tree to gold. ‘You’ve really got an eye for that sort of thing.’
Thank you, Ron!’ said Hermione, looking both pleased and a little confused. Harry turned away, smiling to himself. He had a funny notion that he would find a chapter on compliments when he found time to peruse his copy of Twelve Fail-Safe Ways to Charm Witches […].
Ron arguably is trying here, but as we know from OotP, Hermione knows Ron’s more typical reaction toward her is rudeness. Hence we see her a “little confused” yet still somewhat pleased.
This kind of dual reaction from Hermione is usually the best Ron can hope for. Unlike Hermione’s instant smiles and happiness from Harry’s compliments, she views Ron with suspicion. Hermione always appears to keep in mind that Ron’s pleasant reactions are atypical and thus not to be trusted. We see this again as Hermione enters before Bill and Fleur’s wedding, wearing a lovely dress (DH8):
‘[…] wow,’ [Ron] added, blinking rather rapidly as Hermione came hurrying towards them. ‘You look great!
Always the tone of surprise,’ said Hermione, though she smiled.
Note the “though she smiled” qualification here, which is pointing out that Hermione’s reaction is not exactly positive and arguably unkind. Hermione is here making a reference to an earlier conversation after the Seven Potters. When Tonks mentioned how “great” Ron was stunning a Death Eater, Hermione reacted positively with “you did?” Hermione was sincerely proud of Ron at that moment, hugging him, and yet Ron reacted with the phrase “Always the tone of surprise,” rejecting her and breaking off from her embrace.
Admittedly, Ron was a bit right in that scene to acknowledge that Hermione almost never recognizes his achievements. Yet in the wedding scene, we see Hermione throw that verbal dig back at Ron, effectively taking what appears to be a more sincere compliment from Ron and undermining it. She’s telling him (and the reader) that he doesn’t generally find her attractive and wouldn’t typically say such a nice thing to her.
In effect, she’s somewhat begrudgingly smiling while taking a swipe at Ron’s more typical behavior.
There’s really only one time in all of the books that I have found where Hermione actually reacts positively (without qualification) to Ron’s praise. That occurs in DH9 after she reveals how she had packed so much in her beaded bag in preparation for the Horcrux hunt and emergencies:
‘I told you at The Burrow, I’ve had the essentials packed for days, you know, in case we needed to make a quick getaway. I packed your rucksack this morning, Harry, after you changed, and put it in here ... I just had a feeling …’
You’re amazing, you are,’ said Ron, handing her his bundled-up robes.
Thank you,’ said Hermione, managing a small smile as she pushed the robes into the bag. ‘Please, Harry, get that Cloak on!’
We see her here at least giving Ron a “small smile,” though she quickly turns to Harry, more concerned again about him. Still, it’s a legitimate positive reaction to a compliment from Ron. We shouldn’t have to pause and reflect on that so much, except for the fact that this is a rather unique occurrence. Every other time Ron says something nice about Hermione, she ignores it, gets annoyed, dismisses it, gets suspicious or confused, or has some other negative reaction like we saw.
And even this one pleasant moment between Ron and Hermione is immediately undermined a few pages later:
Ron struggled for a moment before managing to extract his wand from his pocket.
‘It’s no wonder I can’t get it out, Hermione, you packed my old jeans, they’re tight.’
Oh, I’m so sorry,’ hissed Hermione, and as she dragged the waitress out of sight of the windows Harry heard her mutter a suggestion as to where Ron could stick his wand instead.
Yes, Ron was happy for a moment and praised Hermione for packing his stuff, but it turns out she did it wrong in Ron’s eyes. She packed the wrong jeans, and Hermione reacts very negatively, telling Ron to shove his wand up his arse. Hermione here must feel like Ron is conforming to the behavior she described back in OotP—he’s only nice until he turns back to his “normal” negative behavior toward her.

Harry complimenting Hermione to other people

We don’t really have space here to investigate the many other times Harry thinks highly of Hermione, is grateful for her, or appreciates some aspect of her in his internal thoughts. But it’s perhaps useful to end this exploration by noting how many other times Harry still manages to praise Hermione verbally, unprompted, to other people.
We can start with the scene that inspired Slughorn in the quotation discussed above, where Ron was disgruntled at Hermione’s ecstatic reaction to Harry’s compliment. See HBP4:
[Slughorn:] ‘Your mother was Muggle-born, of course. Couldn’t believe it when I found out. Thought she must have been pure-blood, she was so good.’
‘One of my best friends is Muggle-born,’ said Harry, ‘and she’s the best in our year.’
Note that there’s really no good reason for Harry to praise Hermione so specifically and highly here. Slughorn was discussing Lily, and Harry could have simply countered with the fact that he had talented Muggle-born friends too. Yet he singles out Hermione to compare to his mother’s talent and goes further—calling her the best student in his year.
Ron never has a comparable passage in the books. Many of his compliments or nice moments are very situational with Hermione, not spontaneous praise. This is probably one reason why Hermione also shushes Ron when he tries to echo Harry later with Slughorn: she knows if Harry said something, he meant it and wasn’t just trying to flatter her or be nice because of the situation.
The best Ron can manage on a couple occasions are vague acknowledgments to Harry about Hermione. Such as CoS14:
“What does she understand?” said Harry distractedly, still looking around, trying to tell where the voice had come from.
Loads more than I do,” said Ron, shaking his head.
Not exactly a compliment, but this one makes lists of Ron’s compliments sometimes, just because it’s so rare for Ron to say something even this nice about Hermione. Even when Ron is clearly impressed by Hermione slapping Draco and then storming out of Trelawney’s class in PoA15, the most he can manage to say to Harry is:
Some day Hermione’s having, eh?’ Ron muttered to Harry, looking awed.
We’re told that Ron’s “looking awed” here, but he still can barely say anything directly praiseworthy about her.
Meanwhile, Harry simply cannot stop himself from saying how amazing Hermione is. As far back as CoS2:
‘Harry Potter asks if he can help Dobby ... Dobby has heard of your greatness, sir, but of your goodness, Dobby never knew ...’
Harry, who was feeling distinctly hot in the face, said, ‘Whatever you’ve heard about my greatness is a load of rubbish. I’m not even top of my year at Hogwarts, that’s Hermione, she –
But he stopped quickly, because thinking about Hermione was painful.
Remember when we saw that Hermione tried to compliment Harry and tell him he was a great wizard in PS or the best in DADA in OotP? Harry couldn’t help deferring to Hermione, trying to praise her as better. The same thing happens when Dobby speaks of Harry’s “greatness” here—and Harry immediately thinks of the greatest person he knows: Hermione Granger.
Harry can’t even let the Quidditch team think he was smart enough to come up with the Impervius Charm for his glasses (originally during the Quidditch match back in PoA9). When Angelina proposes using the spell again in OotP18, Harry simply has to give Hermione credit:
[Angelina:] ‘[…] Harry, didn’t you do something to your glasses to stop the rain fogging them up when we played Hufflepuff in that storm?’
Hermione did it,’ said Harry. He pulled out his wand, tapped his glasses and said, ‘Impervius!’
It’s not exactly a compliment, but it just shows yet again how much he wants everyone to know how amazing Hermione is.
This reflex Harry has to praise Hermione comes up in the strangest places, getting him into arguments with his love interests. When Cho brings up the jinx that resulted in Marietta’s outbreak of pimples, Harry can’t help contradicting her (OotP28):
‘That was a really horrible trick of Hermione Granger’s,’ said Cho fiercely. ‘She should have told us she’d jinxed that list –’
I think it was a brilliant idea,’ said Harry coldly. Cho flushed and her eyes grew brighter.
‘Oh yes, I forgot – of course, if it was darling Hermione’s idea –’
Cho is actually quite insightful about the role of Hermione in Harry’s life here. She earlier got jealous when Harry prioritized Hermione on Valentine’s Day, and now she gets annoyed at how “brilliant” Harry considered “darling Hermione’s idea.”
Just as in Quidditch with his glasses, Harry can’t help acknowledging Hermione’s brilliance, even with another girl he likes. He could have been a little more diplomatic with Cho in disagreeing with her, but instead his reflex is to defend Hermione.
Perhaps the most absurd moment of praise for Hermione randomly comes up as Harry’s breaking up with Ginny (HBP30):
‘I never really gave up on you,’ [Ginny] said. ‘Not really. I always hoped ... Hermione told me to get on with life, maybe go out with some other people, relax a bit around you, because I never used to be able to talk if you were in the room, remember? And she thought you might take a bit more notice if I was a bit more – myself.’
Smart girl, that Hermione,’ said Harry, trying to smile.
Think about what’s going on in this moment. Ginny just admitted how strong her feelings for Harry are, that she “never really gave up” on him, from when she was a young girl. She’s effectively trying to inform him of her commitment, of his status as her first love. If Harry had deep feelings for Ginny, we might expect him at this point to recognize how long Ginny had cared, how much she had tried to learn to be “herself” around him, to get him to notice her.
And instead the first words from Harry’s lips are to acknowledge how smart Hermione is. He’s breaking up with his girlfriend… and praising another girl’s intelligence? I know Harry can be rather thick sometimes, but this is not the thing to do in the middle of a break-up. It’s no wonder Cho was so jealous of Hermione.

Conclusion

Once again, as in many of my other essays, I think we can see patterns emerging around Harry and Hermione’s unique relationship. We see them repeatedly praising each other spontaneously. And Harry can’t help but blurt out how brilliant Hermione is to other people, even in situations where it’s arguably inappropriate.
Ron’s efforts at compliments are nothing like that, unfortunately. We might even feel a bit bad for him when he does begin to make an effort in DH, as it’s clear Ron is never going to have the impact on Hermione that Harry’s compliments do.
I mentioned at the outset that there are many people who say Harry isn’t appreciative enough toward Hermione. It’s true that we don’t hear him say it aloud all the time, particularly in the early books. Yet it’s very clear even in the first book that Harry thinks Hermione is a better wizard than he is. And he doesn’t hesitate to tell her, or to announce it to Dobby in CoS.
As the series progresses, Harry’s outward appreciation increases, to the point where we see him calling her “amazing” and “incredible” and the “best in our year,” terms that he only ever says about Hermione. Perhaps even more importantly, we see that Hermione knows how special she is to Harry, how sincere his compliments are, as we see her repeatedly responding with emotional smiles and even a “radiant expression” to these words.
I didn’t even explore most of the passages where Hermione praises or compliments Harry in the books (and there are plenty more of those too), but we can see the strength of Harry and Hermione’s friendship and care for each other. They both strive to raise each other up, especially in stressful times when they need it the most.
I’d like to acknowledge members of the HMS Harmony Discord server for their support and suggestions. Specifically, thanks to Jiraffas for suggesting an essay on this topic. Thanks for Dragonfly for convincing me to include a section on Harry complimenting Hermione to other people and for reminding me of the Angelina moment in OotP. In general, I’m grateful for the discussion and commentary from the Harmony community.
If there are any moments you think I missed, please point them out in comments! I’d like this essay to be a resource for those who want to debunk fandom claims concerning Harry’s supposed lack of appreciation toward Hermione.
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2024.05.17 05:35 CatsGamesMemes Free (CC0) Keffiyeh crochet/knit pattern

Free (CC0) Keffiyeh crochet/knit pattern
Hi guys,
I created a crochet/knitting chart pdf for anyone who wants to make their own Kuffiyeh. I am putting it out under a CC0 license. Free to use, you can sell the finished product as long as the proceeds go to aiding the people of Palestine. Feel free to modify. Any questions can be directed my way (I'm not a very advanced crocheter though).
https://preview.redd.it/li8xmkrxpw0d1.jpg?width=1700&format=pjpg&auto=webp&s=0195fc434180a6e2724dfdbc74d18deef575755c
https://preview.redd.it/9rr1rkrxpw0d1.jpg?width=1700&format=pjpg&auto=webp&s=1a627017d8a71e3adb466f7bdc4bd0796ca4dce4
https://preview.redd.it/ovqi4lrxpw0d1.jpg?width=1700&format=pjpg&auto=webp&s=864ebb943a90ba25379e45f4473c8e116b20cd3d
https://preview.redd.it/ksnzclrxpw0d1.jpg?width=1700&format=pjpg&auto=webp&s=6827e1935aaea529be8e2977520d2b63ec670cf6
https://preview.redd.it/rf4fkkrxpw0d1.jpg?width=1700&format=pjpg&auto=webp&s=1eca4a50da4540eb1d0262171ac3b22af791bb51
https://preview.redd.it/iqiz5lrxpw0d1.jpg?width=1700&format=pjpg&auto=webp&s=43da5e3a6c7a282f0ee6b4afc2fa983ca606c38c
https://preview.redd.it/9bk5zkrxpw0d1.jpg?width=1700&format=pjpg&auto=webp&s=35e93b27a1da590a53f934089d88f8910a404750
https://preview.redd.it/stz4vkrxpw0d1.jpg?width=1700&format=pjpg&auto=webp&s=f05577315ac16b54186d3d0fa348518740f0f15b
https://preview.redd.it/4q5q2nrxpw0d1.jpg?width=1700&format=pjpg&auto=webp&s=36b965a0b8d592dce225adee56347a48e7b4b0ac
Gauge: can scale, it is meant to be about 16 x16 single crochet in a 4x4" square.
Free Palestine!

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2024.05.17 04:53 xixil1 Could someone please help me with knitting a sweater in the round questio? :-) knitting front pieces with v neck in the middle

Could someone please help me with knitting a sweater in the round questio? :-) knitting front pieces with v neck in the middle
Hello!
I’m knitting a simple sweater at the moment, my second sweater I will have made and first time knitting sormthing in the round. It’s been going pretty well, I’ve gotten through the confusing parts so far. I’m now at the bottom of the first paragraph/ start of the second paragraph point (pattern in images attached, it’s a free pattern). I’ve been working on decreasing for the V neck at the from and just decreased 3 stitches each side to start arm holes. It says now to knit front and back pieces separately - does this mean I do each shoulder side/ piece separately then come back to the other side? Because if I try to knit across to do the full front piece, I would end up joining the neck decreasing area back together, wouldn’t I? I’m confused 😅
If anyone could help I would be very grateful!
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2024.05.17 04:33 Mista9000 Perfectly Safe Demons -Ch 39- Sundresses at Night

Chapter One
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Prev
-Rooftop of the White Flame Factory-
Grigory smiled nervously at his men as they lounged on the rooftop patio. As the sun sank lower, he was happy to see them relax after the day's tensions. He’d wanted to give them their imps when they first arrived, or after the demonstration, but they seemed a little too skittish. Their reactions were causing him to doubt his strategy. If his most loyal supporters were repelled by them, wider acceptance was going to be a non-trivial hurdle. He’d been working on an improved version of the imps for months, but making them less threatening, or light forbid, ‘cute’, seemed deeply at odds with his plans. He hoped time might be the missing ingredient. Once they get a bit more familiar with them, they’ll come around. The imps were really nothing for them to fear.
The demonologist sat alone, observing how his men were dealing with the news. He was deep in thought, adjusting his plans and ruminating on his concerns. Was he forcing them to do things they weren’t comfortable with? The basis of his entire plan was that the whole world was to benefit from the imps, so it had to start somewhere, or he might as well give up. They seemed to be taking it as well as he could have hoped.
Catching a wisp of savoury smells, he thought it was scarcely fair to relax while Stanisk was busy in the kitchen. He rose to see if he could lend a hand with dinner. During their overland trek to the capital months ago, it was clear that Stanisk was a superlative cook, but Grigory was a dexterous helper. Much of what he knew about surgical techniques had been picked up preparing meals.
Grigory arrived at the great hall that served as the eating area. In the centre of the chamber, two long tables stretched across the room, capable of seating fifty, though only four simple chairs he had crafted a few weeks ago were present. His men had yet to grasp the potential of the imps' labour; instead of proper seating, they had improvised with crates and timbers haphazardly arranged around the tables. Near one table, a jute sack of potatoes lay abandoned on the floor, possibly mistaken for a makeshift seat. Grigory hoped they'd be eating the potatoes, not sitting on them.
Separated from the hall by a low half-wall, the kitchen bustled with activity. Stanisk sat on the thick timber counter, a casual sentinel over dinner’s preparations, while Jourgun and Klive stood nearby, deep in conversation with their commander.
Stanisk’s five imps, in their fancy clothes, dashed around the kitchen. Under his expert guidance they were preparing a grand feast. One was peeling potatoes, another stirred a great bubbling pot, while two were doing dishes.
“Sir, did you know that Stanisk’s imps have names? And fancy clothes! Can I have one like his?” Klive blurted when he saw his employer. “Uh, as it pleases milord, of course.”
“Plus mine bow when they bring us beers! They don't do that fresh out of hell!” Stanisk's toothy smile implied he might have been bowed at by imps a half dozen times already.
Grigory tilted his head and blinked for a second.
Surely a bit of clothes can’t have that much of an impact on their acceptance?
“Oh, Of course! Certainly!” he paused again. “Feel free to ask Stanisk for tips on how he made his.” Observing the bustling activity, “It looks like dinner is well in hand?” The kitchen was huge, far larger than the one at Planed Pine Peak Inn. A half dozen dishes simmered or baked, their aromas — exotic spices, rich gravies, and roasted meats filled the expansive space.
Stanisk replied without glancing away from the imps handling the tasks. “Well in hand, boss. Take ‘er easy tonight!” The imps' movements were quick and fluid, their antics distractingly comical at times. Grigory watched, smiling, as one imp hugged a yam to its chest that likely weighed more than it did, and made its way along the countertop from the vegetable sack to the cutting board. Each step was an exaggerated sway, the creature was badly top-heavy and teetering.
With effort he pulled his focus back, “Capital! I’ve a matter to attend to! Smells great already!”
Grigory went into the factory proper to whip up enough chairs for everyone. Simple wooden ones for now, but with cushions. Cushions were quick enough to make and he had a few cart loads of wool and woollen fabrics. He watched his imps work, glad he could share them with his whole team now. Obviously it made everything a bit riskier, but it was worth it. One of his concerns was that he’d been overlooking opportunities and uses. He was bound by only being able to think his own thoughts, so he was excited to see what non-demonologists would think of.
They carved and joined the pine chairs with their normal speed and accuracy, but watching them sew was its own reward. The imps wielded needles like longswords in their tiny hands, the points moving too fast to see clearly. They stacked up the plain cushions in a neat pile at the end of their low workbench.
He also didn’t have any utensils, placemats, serving spoons nor trivets either, since this was their first proper meal here. He commanded the imps to make those as well, and carry them like a row of ants from the workshop to the dining hall. The demonologist walked around the table, surveying his work. With a minor gesture of flame he lit the lamps, and frowned at the beige-grey of undyed wool of the chair cushions.
He pulled the chairs out, and one at a time enchanted the cushions to bright, cheerful colours. He was going to make them all company purple, but thought better of it. Enchanting colours was a fun spell to cast, because the act of changing its colour also unravelled enchantment as it went. Much like building and knocking over houses of cards, the end effect was a mundane unenchanted object, but in whatever colour he’d chosen. Having done the spell countless times for entire days to prepare for the midsummer tourney, he didn’t even have to check his notes for any of the hues.
Satisfied with his work, though slightly frustrated that his first and last red cushions weren’t quite the same shade, he sat down. He pulled a notebook out of his satchel and started making notes on his ideas for some improvements, mostly for his own use, but some to the things he’d be soon selling. Lost in his own world, he had no idea how much time had passed when Ros and Taritha joined him at the table.
“Good evening, milord,” Ros said deferentially.
The young herbalist elbowed him, “Come on, he had one rule! He was writing!”
“Oh! Terribly sorry, sir!” Ros stammered.
“Not at all, I was basically doodling. How’s your evening going, is everything to your liking?” Grigory closed his notebook and put it away.
“Amazing milord, These rooms are huge! They're bigger than some of the houses I was looking at!” Taritha said.
“Of course! No one wants to live in dingy cells! Glad to hear! It’s easy to make a place bigger when you are building fresh. Let me know if you find anything that needs fixing, our builders are still in town working on the harbour fortress now, but I can have them send someone if there is anything amiss!”
“I don’t reckon neither of us knew palaces this nice existed anywhere, milord!” Ros said with a shrug. “We might not be the best eyes for finding faults!”
“Heh! This is just the rustic first stage! Don’t worry about its crudeness for now, we’ll get there over time!” the demonologist promised, patting his satchel where the notebook of ideas was. His confidence was both unshakeable and unnecessary.
“Not to question your plans, but there are a lot more rooms than people. Are we expecting company? Are we hiring?” Taritha asked. Her eyebrows twitched slightly, having just questioned his plan for the first time.
“Big plans indeed! So that empty stretch east of the main building? That’s also part of our land grant. In a while we’ll be building a barracks there for our troops, while senior officers will stay in the main factory. That’s also why Stanisk will be taking a much more active role with civil defence. It’s central to our plan to secure the town, and by extension our own safety.”
“Our troops? Like us?” Jourgun asked, having joined them at the long table.
“Maybe? Probably not? We’ll see. The plan is to extensively recruit as we can afford it, since the pirate raid was just the beginning. We have something of incredible value, in the form of me, the imps and the factory itself. Many violent people feel they should possess every valuable thing, so we must be vigilant. Not to worry though! That’s just us planning for the worst. In reality, nothing like that will likely happen. Just by being well defended we’ll scare off the greedy.”
“Ah, like why it's dangerous for a beggar to wear a silk robe!” Rikad added as he joined them, along with a few others. The smells from the kitchen were intoxicatingly rich now, as Stanisk and Klive used the imps to finish and plate the meal.
“Just so, a lord can only have what he can defend, and because the first phases of my plan require a certain level of material wealth, I’ll need extensive defences,” Grigory explained as diplomatically as he could.
“The Empire itself will fear our might, milord!” Ros said excitedly.
“Nah, it won’t. That’s a dangerous thought. The Imperial army’s smallest deployable force is a legion, near enough to five thousand men. Even if we hit every hiring and training target, we’se not going to be in the business of fightin’ wars. Just enough to make us a spiky nut. The sort not worth chompin’,’” Stanisk called over from the kitchen.
“Oh,” Ros said, shrinking back into his seat.
“That’s more than all the men in the whole town!” Taritha lamented.
“Yeah, that’s why lil fishing villages don’t win wars. A legion is five thousand infantry with warships, supplies, siege cohorts, and command companies. If’n it’s a real fight, then they might deploy all ten Imperial legions. Then start raising more if’n they’re losing. We ain’t never gonna try to fight that. No nation in the world has ever picked that fight and won.”
To counter the grim tone settling over his celebratory dinner, Grigory chimed in with a reassuring smile, “We’re loyal Hyruxian subjects, and the legions protect us. We pay taxes in full, we’re on the right side of all this. We just want a bit of security against more, uh, regional actors. Besides, a large well equipped force lends our diplomacy weight we wouldn’t otherwise have.”
Now that the table was filling up and his men looked satisfied with his answers, he raised his voice to the kitchen, “How’s it going in there?”
“Good! I bought a deer from one of the hunters this morning, and it turned out just right!” Stanisk replied, personally putting the finishing touches on his creation. Aethlina moved across the kitchen to watch Stanisk work, making Grigory do a double take. He hadn’t realised she was even in the building.
“Oh! Capital! Everyone in the entire company is here now! Even better!” Grigory said, motioning Aethlina to sit by him. He was glad he’d made the full number of chairs!
Stanisk and Klive brought out plates heaped with slices of braised venison, steamed tubers and sautéed onions. Tubs of butter, bowls of gravy, and finally a heaping basket of fresh buns followed. Stanisk took his seat and, smiling with pride, “What’re you helpless kittens lookin’ at? Never seen dinner ‘afore? Dig in!”
The feast was a perfect end to a troubling day, and even though the conversation died down as they ate, Grigory observed every single one of his hirelings intently, relieved to see not a single one seemed put off by a meal made by demons. Catching Stanisk’s eye, he made an empty cup gesture.
“Imps! Bring us all some drinks! Wine, beer and water!” Stanisk shouted to his imps. With speed and efficiency, the little demons filled clay cups and brought everyone three drinks, exactly as ordered.
“Ah, dammit, I meant—It’s fine. Drink what you want and I’ll just dump the rest!” The chief of security’s good humour faded for an instant before returning twice as bright.
“No, I love having three drinks! And the water and beer are cold! In the summer! The gods themselves envy me!” Rikad declared.
“Uh oh! It looks like Mage Thippily made imps, but the imps made the real monster!” Kedril retorted, gesturing at Rikad holding three cups between his hands, rotating them to drink out of each, while spilling beer all over his own arm.
Their high spirits encouraged Grigory. He’d worried they would be morose and frightened tonight, after making them to live in what could be described as a hive of demons. Joking about the imps was beyond his expectations, so he smiled without speaking, sipping his red wine. Not his cherished Malaentian Red, but a nice varietal from the mainland he’d recently imported a few cases of. Once the plates were empty, Stanisk had the imps clear the table and start washing up while everyone remained seated at the long pine table, bellies full to bursting.
“That was spectacular Stanisk! Thank you!” Grigory offered, and everyone else chimed in a breath later.
“Nothing like a lifetime of bland ration bars for months to really spark an interest in what good food ought to be! I’m glad ya’se liked it,” the big veteran said dismissively.
“How is everyone finding their new accommodations? I know I don’t have all the furniture done just yet, but is everyone good for tonight?” Grigory asked, ever the eager host.
The men nodded and looked at each other. Complaining was frowned upon and nothing here was remotely a hardship.
“Capital! Glad to hear it, and by all means bring it to my attention if your needs are unmet!” Grigory sat still and everyone kept looking at him.
Now’s as good a time as any. It’s not even a surprise, I think I mentioned it a few times already.
“Ahem! So! I’d like to present each of you with your own imps! Some ground rules though; there may be people that aren’t ready for this style of magic, so I ask that you don’t mention anything about them anywhere outside of the factory. Or even imply there are any magical creatures, just that things get made here?”
He waited until they all at least nodded.
“Alright! Here you go, I have one for everyone! The imps are identical, so don’t worry about which ones you get. Um. Good luck?” With a shrug he reached down beside his chair and from a leather case he pulled a series of carved wooden boxes, and passed them out to everyone sitting at the table.
***
With a muted clatter, Taritha watched as the small dark boxes were distributed. She wasn’t sure if there was one for her, being fairly new to the company. She wasn’t sure how she felt; owning demons seemed like a big step, but the ancient urge to possess something nice or powerful was one she wasn’t immune to. Her heart leapt as a heavy box slid in front of her.
With trepidation, she touched it with one finger; it appeared to be regular wood, perhaps stained oak. The box was small and rectangular, quite thin, and she held it easily in one hand. It was narrow enough to fit comfortably between her thumb and fingers, its weight noticeable but not oppressive. She had expected dread, palpable evil, or something, but it just felt a bit heavy. Turning it over, she saw no visible clasps or hinges. The outside was covered in the flawless ornate carvings she was starting to grow familiar with. This time, the carvings depicted joyful industrial scenes—strong men swinging square hammers, smoke stacks, and laden ships and carts. The central image on each side was gilded with gold leaf, making it strikingly dignified.
Ignoring the excitement and increasing movement around her, she felt as if she were in her own universe. She slowly pulled on the lid, finding it opened on tiny hidden hinges, revealing three ebony totems inside. They were the size and shape of a fairytale wand, resting on a bed of lush green velvet, held in place by a broad ribbon tied in a perfect bow.
Even without considering the priceless nature of the artefacts, she was impressed, almost distracted, by the quality of the presentation. He didn’t have to go to such lengths; she’d expected them to be simply handed to her.
She slid one of the totems out without undoing the bow. It was cool and heavy but otherwise seemed normal. She could see layers of impossibly fine carving, this time gilded with silver. She could sense the potent magic in the object, but it felt strange. She’d examined other enchanted items before, and their enchantments were all transcendently beautiful in a complex and technical way. This was so dense it felt like nothing. Or perhaps everything? She wasn’t sure, but it wasn’t at all like the other objects. Stilling herself and trying to puzzle out its secrets brought her no closer to any revelation. She shook her head and resolved to investigate further in private. She returned the totem to its place in the box and gently closed it.
Only now did she notice the table was thick with imps, more than twenty darting and leaping energetically. Her colleagues had summoned theirs and were already giving orders.
“You two, throw the third imp as high as you can!”
“Merp!”
“All of you, cross the table as fast as you can, but walk on your hands!”
“Merp!”
“Duel with these forks!”
“Merp! Merp!”
The men were laughing and pointing between shouting out fresh orders. All the commands were pointless and frivolous, making Taritha powerfully uncomfortable. These were forces of nature, extraplanar beings of unimaginable power, and they were being made to sprint into empty mugs to see how far the mug would fly!?
She shot a questioning look to the master demonologist to gauge his reaction. He was smiling and complimenting their creativity, so maybe she was overreacting? Still, she had no interest in wasting them on silly games. Emergencies only. Or at least serious concerns only. Not for dodging knotted linen napkins, that’s for sure!
With the burden of responsibility successfully dodged, she was free to watch everyone else’s fun. The cacophony of excitement was so infectious that she found herself giggling and pointing at them racing as makeshift horses, with an imp bent over holding the tiny waist of the imp in front of him, while a third one sat atop as a rider. They were so silly looking and energetic.
“You’re sure this doesn’t hurt or anger them?” Taritha asked.
“Oh my no, it’s not like that at all. They have minds, but lack awareness, or awareness of their own mind I guess? It’s fine! They are just made out of the same stuff as demons, but not actually demonic.” The mage stood up and stretched. “They are remarkably durable, it’s unlikely anything short of silvered steel will harm them. I, on the other hand, am at risk of being badly over-tired already! I trust you will be okay, left on your own! I’ll see you in the morning!”
“I’se properly tired too, but if you want, let's pop into the factory and I’ll show you how to get them to make their own clothes. It’s just tellin’ ‘em to do that, so you’se might not need too much hand holding!” Stanisk pushed himself away from the long table, and motioned for them to follow him.
They went into the cavernous factory, just across the hallway. What was an impressive and huge room in the daylight was now an infinite blackness, like a starless night. A few men had grabbed leviathan-oil lamps off the table, and they huddled in a small circle of warm, safe light. They gathered around a long low table, and Stanisk laid out a few bolts of fabric. The fine weaves were familiar to Taritha; they were the same as those used in the clothes she’d been getting from the company.
“It’s simple enough,” Stanisk said as he put a heavy leather bag of tools on the table. “Just say what you want, with as much or as little detail, and they’ll just make that.”
“Imps, make a suit of legion plate armour, imp-sized, out of shoe leather!” Rikad said with glee.
“Merp!” replied several at once, as they began cutting and forming the leather without hesitation. The imps even used grey wool for the under-mail parts, and tiny flares of hellfire to warp the leather into the right shapes. Soon, a tiny suit of black armour lay on the table, looking like what an imperial heavy infantryman would wear, but distorted to the proportions of the gawky imps.
“I dub thee, Imperial commander, Real Imp. Don thy armour!” Rikad ordered. “Do they remember their names?” he asked over his shoulder to Stanisk.
“Oh yeah, they’re proper sharp!” he confirmed.
“Create an imp-sized lord's robe with a sash of office! When it is done, you shall be known as D’Imp Lomat! I might need a minute to think of the last one though…” Rikad said to everyone watching his imps.
Reluctantly, Taritha opened the box and invoked her three imps. She looked at them closely; as far as she could tell, they were perfectly interchangeable with every other imp.
Looking over the fabrics, she chose a striking blue, a deep red, and a golden yellow. “Imps! Make imp-sized sundresses, mainly white with these colours as a main theme. and matching coloured sun hats,” she added hastily. Their heads were distractingly inhuman, so covering them might help. She watched them work, even interrupting a few times to ask for embroidered details and minor adjustments. Once they finished, she had them don their new outfits.
Oh! The hems seem scandalously short on their long lanky legs! Better than before, but not by a lot.
“Imps, please put on the hats that match the colour of your dress.”
“Merp.”
Much better! They look like ladies now!
“You are now Lady Bluebird, Lady Crossbill, and…” She paused at the last one, thinking of songbirds that were as bright yellow as the fabric. “Miss Goldfinch!”
She leaned back and admired her little ladies. They were far less threatening now, and their dull crimson skin really made the dresses look extra vibrant.
“Dang Taritha, how did you make yours so pretty? I want some pretty ones!” Jourgun commented as he looked over.
“Drool over your own demons! These are mine!” she said playfully. There was an undercurrent of possessiveness that she didn’t expect, but these ones were hers now. “Anyways, I’m going to bed too, you guys are too slow! Have fun, boys!” she said as she devoked her imps. The new clothes fell to the work surface.
“Oh yeah, they don’t take that with ‘em, wherever they go, so just keep it in a lil bag or whatever,” Stanisk said when he saw her distress. “They gotta get dressed every time you invoke it,” he shrugged.
So much to learn today!
With a brave smile, she replaced the totems in the box and gathered the dresses and hats. “Mind if I take…” she said as she slowly lifted a lamp from near Rikad.
“Oh yeah, all yours,” he said dismissively, fully engrossed in examining the tiny lordly robes of D’Imp Lomat.
She went back to the hall, up the wide even stairs to the third floor. She’d only spent a bit of time investigating it earlier, as she and Ros had been anxious about being late for dinner. She saw the heap of her worldly possessions against the wall where she’d left them. The only furniture here was the bed, but by the sounds of it, getting some tables, chairs, and wardrobes would be easy enough tomorrow. She placed the totem box and the tiny outfits on the floor beside the bed.
The bed itself was unlike any she’d ever heard of. Crafted with thick pine beams and topped with a mattress of imported cotton, it was probably wider than her entire hovel. A family of five could sleep on it and barely touch. She couldn’t imagine a more lordly bed. Its refined look and the luxurious softness were worlds apart from the coarse fabric and straw she was used to. Sometimes in the fall, she’d add freshly fallen leaves to her straw mattress for extra comfort, but that was a fleeting pleasure. This bed, however, promised constant comfort. She eyed the pile of heavy blankets at the foot of the bed. Recently, she had bought a single blanket from the market, thin and scratchy, but these were the mage’s blankets—thick, plush, and impossibly soft.
She shut the heavy door and took off her tall boots. The floor felt smooth under her bare feet. Even having a floor was a new luxury; she was accustomed to hard-packed dirt floors like most everyone else. This wasn’t just a floor; it was a delicate herringbone pattern of different kinds of wood, obviously done by the agile imps. It was cleaner, smoother, and more level than any table she’d eaten off before the mage came to town.
She stopped admiring the floor and stripped to her shift. She felt exposed being so undressed around so many men. She reasoned it out—the iron and oak door was stronger than a hide flap, and this would doubtlessly be the safest sleep of her life. Just a reaction, not a reality. She left the lamp on the floor and got in bed.
With a panic, she yelped as the whole bed flowed underneath her, as if she’d stepped on the tail of a sleeping cat. She tried to get up but her feet were already off the floor, and she couldn’t find a stable purchase with her hands. She froze up to think her way out of it, and the bed stopped moving almost as soon as she did.
Her heart pounded in her chest.
Was this an enchantment gone awry? Some bed demon?
Slowly, she log-rolled towards the edge of the bed, and the mattress under her also slowly moved, but not enough to stop her. Slow and steady, she might get free yet. Finally, she was close enough to put a foot down and stand. The bed flowed back to being perfectly flat.
She stood up, with a hand to her sternum, trying to catch her breath.
Think! What did the mage say about this today? It would magically adjust? Maybe that was all it was doing?
She leaned over and gently pushed down with a single fist. It was super pliable, then increasingly firm. But it felt unlike anything else—stacks of clothes or hides all felt different when they got pressed.
It must be magic. No time to be timid, and it would be humiliating to go to either the mage or the chief about this.
The only spell she could reliably cast was a gesture of Mana-Visualization. It caused the invisible lines of arcane energy to glow visibly, in bright colours that hinted at their use and purpose. She cast it to better examine her bed. It wasn’t enchanted as she expected; rather, hundreds and hundreds of things inside it were, and they linked and overlapped in ways she wouldn’t understand if she studied enchantments for a decade. She involuntarily took a step back from it, like finding a hundred warhorses inside a small cabinet.
She dismissed the gesture. With renewed determination, she slowly sat down on the bed. It shifted but only a bit. It was very soft and comfortable. Slowly, she turned and laid back, fighting her panic as the mattress kept shifting everywhere her body touched it, unnervingly lifelike. Fully laying down, she stopped and the mattress stopped. Even as her eyes were still wide with terror, she started to calm down. To test her theories, she rolled onto her side, and the mattress under her hip grew softer, and the part under her ribs grew firmer, until the pressure equalised. Rolling back, she felt it shift again, and once more the mattress's firmness changed all up and down her body, stopping once it was the same shape as her body’s pressure, resulting in sublime comfort.
Oh. This is incredible. I get it now!
She reached to the foot of the bed, pulled one of the soft blankets up to her chin, reached down to extinguish the lamp and drifted off into a better sleep than anyone in the history of her family ever had.
Prev
submitted by Mista9000 to HFY [link] [comments]


2024.05.17 03:26 TacoCakes2345 Decreased too quickly on hat. How much does it matter?

I'm starting the decrease on my very first hat and misread the pattern:
*K next 3 (5, 6,7,8,9,10,11,12) sts. K2tog. Rep from * to end of round
Silly me forgot that I'm making the largest size which meant I should have knit 12 then k2tog but I knit 3 then k2tog. When I got to the end of the round it didn't work out evenly, which I thought odd but stupidly continued on to the next round of all knits. At the end of that round, I realized what I did. (Face palm).
I am knitting for the first time in the round, for the first time with dpns, and only the second time with a pattern with a decrease. (I've done mostly blankets and scarves to this point. ) I am very scared to rip out the last two rows because of the round and tinking back with the decrease terrifies me more. What are my options? Or, is it so early in the decrease maybe it's okay?
submitted by TacoCakes2345 to casualknitting [link] [comments]


2024.05.17 03:16 Fforfailinglife Question on modifying drop shoulder patterns

So I really want to try out something other than a raglan and drop shoulder patterns are super super common and I love the look of a lot of them, but I don’t really like how very oversized garments fit me (or how much they cost lol). I’m thinking about knitting one to have 4”ish of positive ease, but maybe knitting the armhole size of a size up. Just wondering if anyone else has done this and how it fit before I commit to trying it out.
submitted by Fforfailinglife to knitting [link] [comments]


2024.05.17 03:01 taetaetaetae31391 My first Nightshift Shawl

My first Nightshift Shawl
If you’ve knit this, do you have any advice you wish you had when you first started this pattern?
submitted by taetaetaetae31391 to knitting [link] [comments]


2024.05.17 01:47 longhosepipe Here’s why ALL Master tier 3rd Age will go to max and why an “above max” ge is inevitable.

I’ve been thinking, and i may be wrong and am looking for further confirmation:
Is it currently possible to bot master clues? Is it currently profitable to bot master clues? How much does a master level account cost? How long does a master level account take to make? How long is the average time to roll 1 piece of master clue 3rd age?
If the answer to all of these questions point to it not being possible, or profitable to bot then the next question is:
Is it true that in an ever outpacing supply of gold over the long term, will druidic pieces and 3rd age tools trend upwards eventually being all locked at max cash?
Well theres not much more room for this be false. There are only 2 items left in this category of rarity that are not over max cash already with some elite tier 3a already outpacing them.
Long term we all understand that the supply of gold will always further outpace the supply of 3a druidic and tools and once they all reach max cash they’re gone to the streets until jagex uses this as a catalyst for an “above max” ge. Also another economic eventual certainty. Inflations a bitch, just ask a bond buyer if they wish they stocked up last year at 6m vs this year’s 14m.
If you look past the hype, sound and simple economics are playing out. As more and more accounts get richer and richer the circulating supply can only ever move from the once in a lifetime drop clue scrollers to the banks of whales. Thats if the clue scroller ever even choses to part with it if they know it has been max cash for a while and can take their time selling their drop of a lifetime.
With the large merging of the rs3 community this past year, specifically in the last few months 3a druidic pieces and tools are officially now the new party hats of our game.
1 pump is a pump, 2 pumps is a pattern, 3 pumps and it might just be worth the price its trying to be.
They all also have the same flex appeal as partyhats, hey kid this stick is max cash. Hey kid this paper hat is max cash.
TLDR: all 3a druidic and tools to reach max eventually, sooner rather than later and it will be the required catalyst for an above max ge and we are already there due to high inflation. The elder maul profits have to go somewhere. Supply(cluescrollers) < Demand (whales, collectors, hoarders, merchers) the game is up.
submitted by longhosepipe to OSRSflipping [link] [comments]


2024.05.17 01:10 readingrainbowroad Short Row Heel Confusion - Starting WS vs RS pattern help

So I've gotten into making socks and I'm OBSESSED. I really want to do a short row heel on these socks, but I am very confused with the directions I'm following. I'm confident I understand the basics of how to do the short row heel and wrapping the stitches, but not enough to improvise my way through my confusion.. I'm not sure if I'm not understanding WS/RS instructions or the book is written incorrectly/poorly.
Pattern explanation
I have 60 sts total. The short row heel is worked on 29 sts. to center the instep pattern. The pattern says to start with a WS row, and work until I have 11 unwrapped stitches ending on a WS row. However, if I start with a WS row, I end with 11 unwrapped stitches ending on a RS row. I somehow can't work my head around just continuing the next round to start the heel on a RS row and also get the pattern to be centered on the instep...
What I think I'm supposed to be doing that turns out wrong:
  1. First row I start with working the first 27 sts, wrapping the 28th and 29th goes unworked.
  2. Then I turn and work to the last 2 sts, wrap 2nd to last st, leave last st unworked (25 sts unwrapped).
  3. From there working back and forth goes down wrapping the last st until 11 remain unwrapped.
  4. Then work increases back up to make the heel, which I think will work fine if I can get the first part right... (This also assumes I end on a WS row with 29 sts, turn, and start to knit around the whole sock again.
Ideas to fix/adjust? I have a feeling the answer is going to be SO basic I'm just overthinking it all...
(I'm working from the "MORE sensational knitted socks" by Charlene Schurch if anyone else ends up looking for this problem, I was having a terrible time trying to find any explanations on Google.)
UPDATE: I stepped away for a bit. When I came back, I figured out how to make it so I start on the RS and center the instep!! In case it ever helps anyone else, I just moved a stitch over from the center to "needle 2" (now instep stitches, 31 sts total) and first 29 sts are for the heel.
submitted by readingrainbowroad to knitting [link] [comments]


2024.05.17 00:08 Smtgirl7209 Any good sock patterns ??

I’m having issues crocheting or even Knitting socks I tried knotting in a loop and no matter what I can never get past the first row because I have difficulty switching sides with my needles when doing a magic circle. Any patterns for crochet or knit would be very much appreciated:)
submitted by Smtgirl7209 to askcrochet [link] [comments]


2024.05.16 23:52 Far-War-3804 A09 UNITED STATES MARINES ARREST Oregon AG for TREASON. May 2, 2024

A09 UNITED STATES MARINES ARREST Oregon AG for TREASON. May 2, 2024
https://preview.redd.it/vg5j1t3l0v0d1.jpg?width=696&format=pjpg&auto=webp&s=f21bff60410aa113e0527a970b11c5fd8145ad3e
A09
UNITED STATES MARINES ARREST Oregon AG for TREASON. May 2, 2024
United States Marines on Monday arrested Oregon Attorney General Ellen Rosenblum on treason charges arising from unequivocal proof that the anti-Second Amendment AG had unconstitutionally petitioned law enforcement to conduct “wellness checks” on registered firearms owners in Grant, Baker, and other Republican-heavy counties—conservative bastions in a vividly progressive state.
Rosenblum is a radically liberal Democrat who held office between 2012 and her arrest Monday morning. Her tenure was spent on a single, twisted agenda: depriving Oregonians of their Second Amendment Right to Bear Arms. In furthering that goal, she, in 2022, co-authored Ballot Measure 114, which, though still in litigation, bans the use, possession, manufacturing, and transfer of ammunition magazines over 10 rounds; requires a permit-to-purchase (or transfer) a firearm; and requires law enforcement to maintain a registry of gun owners’ personal information contained in the permit application including – applicant’s legal name, current address and telephone number, date and place of birth, physical description, fingerprints, pictures, and ANY additional information determined necessary by law enforcement. Moreover, Rosenblum encouraged fanatical district attorneys to prosecute persons involved in self-defense shootings.
In January 2024 she complained to Governor Tina Kotek, an equally reprehensible individual who is currently under White Hat investigation, that anti-gun legislation was progressing too sluggishly. Kotek said she, too, pined for a gun-free Oregon but said her immediate priority was to expand LGBTQ+ rights in the state (Kotek is a self-admitted lesbian and a suspected transexual.) She told Rosenblum she’d hop on the anti-2A agenda when time allowed.
But Rosenblum was an impatient woman. So urgent was her desire to purge Oregon of civilian-owned firearms that she embarked on an aggressive, unilateral crusade replete with blunders. Her first mistake was bullying rural sheriffs who take their constitutional oath seriously. Her second mistake was not intuiting that some of those sheriffs had friends in the Armed Forces, among them a prominent 75th Ranger Regiment officer at Fort Moore, Georgia.
“So, Gen. Smith gets this officer’s call. He tells the general that this witch of a woman AG is on a power trip commanding a sheriff’s department in central Oregon to make up excuses to grab guns from his constituents. And we’re not even talking about AR-style rifles. She meant hunting rifles, too. She sounded more like FEMA and the ATF than an AG. Anyway, the officer passes the info to Gen Smith and says he’d consider it a personal favor if his soldiers could arrest the traitor,” a source in General Smith’s office told Real Raw News.
He added that Gen. Smith ordered the Ranger to hold fast until he consulted with Vice Adm. Crandall at JAG. The admiral told Gen. Smith that if Rosenblum harassed one sheriff, she probably harried other sheriffs and asked him to discreetly probe other departments to determine the scope of Rosenblum’s treason.
“Discretion isn’t exactly my specialty,” Gen. Smith reportedly told Adm. Crandall.
“We’ll take care of that on my side, and I’ll get back in touch,” the admiral replied.
JAG quickly uncovered Rosenblum’s pervasive pattern of bias: She had tyrannized six—and possibly more—departments led by conservative, pro-2A sheriffs.
“The interesting thing is that JAG found no evidence that Rosenblum imposed her will on counties with a heavy liberal demographic,” our source said. Adm. Crandall agreed with Gen. Smith that Rosenblum was guilty of treason and was too dangerous to remain at large.”
On April 29, a Marine reconnaissance squad arrested Rosenblum as she stepped outside the front door of her Salem home. The mendacious hag flew into a fit of rage, flailing her arms and swiping at the Marines with pressed-on nails. Her tempestuous tirade ended abruptly when she hit the ground—a Marine had slugged her face so hard that her glasses went flying off her face.
The Marines found a .380 pistol in her purse and a Glock42 in her glovebox.
“The typical rules for thee but not for me mentality—hypocrisy,” our source said. “Even getting rid of the little fish benefits society. Her days of terrorizing are over.”
Rosenblum was scheduled to retire from office at the end of 2024. Now, she’ll retire to GITMO.
submitted by Far-War-3804 to CourtofAges [link] [comments]


2024.05.16 23:19 HP4evr Pattern question

Pattern question
Can someone explain the part starting at the highlighted row. I read that you can't BO at the end of a row but it looks like that's what it's saying to do.
submitted by HP4evr to knittingadvice [link] [comments]


2024.05.16 23:15 sheofthetrees Looking for a Pattern for a Shawl or Wrap for Graduation Gift

Hi Everyone, I want to knit a shawl or wrap for my niece who is graduating from college. I really like the Coldest Summer pattern on Ravelry. Then I thought I'd ask for input from you all about any others that might appeal to younger folks that I might have missed. I'd like to give her a few patterns to chose from. Her taste is refined yet natural, down to earthy, cozy. Wondering if you have any favorites. I'm an intermediate knitter. Thanks so much!
submitted by sheofthetrees to knitting [link] [comments]


2024.05.16 23:02 Violet-Flowersss Maxi-Challenge 6: Results

Maxi-Challenge 6: Results
Welcome back queens from our first ball! You had a tall order this challenge, and several of you did very well. Let’s not delay the results any longer!
Tracy Martel, you are safe
Absynthe, Mistress Anna Conda, Liz Onya, Raven Starfire, B*tch, and Miz Erie, you all represent the tops and bottoms of this challenge. Now, on to the critiques.
Absynthe: Absynthe, I love simple looks when they’re done right, and each and every one of your looks did simplicity right. I especially appreciate that you weaved a theme through all three looks. For your first look, I love that you went with a more recent trend. I can totally see Kim K wearing this in an “unexpected” paparazzi pic. At first, I was skeptical of the skirt, because tighter skirts or pants were more the style, but I actually appreciate that you didn’t directly copy a Kim K look. My only real critique is the shoes. I think the black laces, especially on clear shoes, takes away from the simplicity in the rest of the look and brings down the athleisurewear vibe. I would have preferred a sneaker or basic heel. I also kind of wish you had used a different lip, not only to break up a set, but also because big ass lips were more on trend for this style. Still, I really like this look as a whole. Now, your second look, I really really love. I instantly got this was a 60s look, yet it feels fresh to me. The dress is the perfect silhouette, and the squares you created are so crisp. The largest black square has a little blotch of gray that I immediately noticed, and I wish you had fixed it. But, that’s really the only thing here I can critique. I think my favorite part of this look is the mug, these eyes are just so right for a 60s look. Every choice your made with this second look is great. The third look is really the best in terms of simplicity done right. There’s not much going on, but all the details are so good and beautiful. I love the little belt below the waist, it helps convey the Greek/Roman feel you were going for. With the rest of the editing, there’s some small (small) issues. On the right side of the dress, there’s a gliterry piece sticking out that I think came from merging pieces together. I also feel like the shawl is oversaturated for this look. In a different look, it would be fine, but with the softness of the dress and overall feel of the look, that bright bright red doesn’t quite fit. Don’t think I didn’t notice that all the metals match this time though - I did and I appreciate it. Putting the small editing issues aside, this look is very beautiful and regal. In fact, all three looks are really great and beautiful. Great work Absynthe!
Mistress Anna Conda: Mistress, all three of your looks have a great concept, but fall short in terms of execution. For the first one, before you added a description, I really had no idea what decade or century you were going for. With the description, I kind of see the 2010s, but that should have been conveyed clearer. The wig is the main aspect thats makes this look feel older than the 2010s. And, I don’t love that you lightened it. The original color would have matched the pants, and if you didn’t want them to match, the wig should be a color thats more different than the pants. I appreciate that you recolored the necklaces to match the earrings, but I wish you had done the opposite, because the gold necklaces blend into the top, making it look even messier. The pants totally give 2010s, and the color is really nice. However, they don’t look like jeans, they look like leggings. Adding stitching or denim patterning would’ve made them look more like jeans. Its a nice look, I like the attitude and idea, but the small details are off and it missed the main goal of the challenge. Of your three looks, I think this second look is my least favorite. For one thing, this jumpsuit for a disco look is about the most expected choice ever. The recoloring is really nice, the teal and orange combo is really pretty. But, the balance is off. There is a lottt of teal and not a lot of orange. What’s really brining this look down, though, is the wig. To be frank, it looks like a dead bush with some green spores. If there was a reference, I wish you had provided it because I couldn’t find it online. I see the idea you had, and it could’ve been cute, but the colors really need to be changed. As a whole, I think this look is suffering from a lack of creativity and needs to be amped up. The third look is the best out of the three. Its very cute, and clearly reads as 1890s. She looks like a mix of little bo peep and mary poppins. The combination of pieces is really smooth, and the top and bottom come together to make a nice, cohesive dress. The only editing issue you have is on the top. Where the pink and blue meet, theres a rough, shaky black line. I think you were trying to make them look layers, but it just looks odd, and because of the fold that stretches across the shirt, that prevents the two different colors from looking like layers. Not to beat a dead horse, but another issue with the top is the stark difference in fabrics. The skirt is a very soft, almost matte material while the top is shiny and plasticy. They don’t look like they’d be a part of the same dress, ruining the illusion. The wig, hat, and gloves were a nice touch though and help elevate the look a bit. This look is mostly accurate for the 1980s, but what’s not right for the time period is the waist. The dress you’ve created is very unflattering, in that it completely eliminates your waist. Corsets were still popular in the 1890s, so at the very least, there should be a semblance of an hourglass figure. All three looks are nice, but not particularly stunning, mainly because of the details.
Liz Onya: Liz, each and every one of your looks is so great, and I can clearly tell you put a lot of thought and effort into every one. This first look of yours is so beautiful. I actually had to look up Akaska because I’ve never seen the movie, and all the references are so right. I especially like the headpiece, its very accurate to hers. My favorite part of this look is the smoke at the bottom, it really helps sell the mysterious vampire mystery. However… this is not a 2000s look. It kind of feels like a cope out. While the movie was made in the 2000s, the vampire your imitating is ancient Egyptian, and therefore dressed in a way thats meant to imitate ancient fashion. While others did imitate movie characters, their movie characters were from the 2000s canonically and therefore dressed in 2000s fashion. Vampires definitely were a big part of the 2000s, but if you had done Twilight instead, that would’ve fit the 2000s better because the fashion in that movie was from the 2000s. There’s no issues with your look, its gorgeous, but it does not fit the challenge prompt. Your second look is my favorite of the three, and dare I say, my favorite out of all the 1900s look. I could immediately tell this was from the 1980s, and I think you did the 80s in such a fun, new way. I love art, and I love when its incorporated into to fasion. The recoloring on the dress is just amazing. I love how it looks like its literally made of painted paper, and the shakiness of the lines works really well here because its accurate to the reference you provided. Even though it is very accurate to the reference, you still managed to make it your own by combining two references and through the wig and makeup choices. The body paint is fantastic, and even the white line on the wig looks like paint, a detail I love. The wig helps reinforce that this is an 80s look, and its blocky shape works perfectly with all the shapes throughout the dress. I don’t have a single negative thing to say about this look, incredible work. With your third look, I love love love that you went with a more obscure reference, and gave us a little history lesson. The editing really turns this into a stunning look. It easily could have been too basic if you left the dress as it is in the game, but that pool of blood at the bottom really amps up the horror here. The way you intertwined your fingers into the victims hair is so great and such an important detail. With the head, I do wish that the victims skin tone was different because at first glance it looks like your holding your own head. Using a different body type helped create a difference, but a different skin tone would have really hit it home. As for the victims body, I was really confused on what it was until I zoomed in on my laptop. All the dark blood all over the body makes it blend into the pool of blood, so its not clear that its a body. Less blood or a lighter outfit would have made it clearer. You do get extra credit for creating two 1800s looks, though. As for your head, the blood splatter on the face was such a great detail to add in there, I really love it. I would have liked a different mug, though. She looks almost surprised or sad - like shes not the one who just murdered a woman. A fiercer, meaner mug would’ve been better. The hair is great, it looks like the 1890s, but unkept and messy, adding the story. Overall, this look is so hauntingly beautiful, and tells such a great visual story. You just keep wowing me every challenge, Liz!
Raven Starfire: Raven, out of the three looks, I feel like you put the most thought and attention into the 1800s look, and let the others fall to the wayside. For your 2000s look… I’m really not loving it. You resubmitted it (which is fine) and I wish you hadn’t because I think the first submission was better. The blonde hair does not look good, the color is all wrong, and because it is so long, it completely ruins the rest of the look. The dark brown hair was a lot more complimentary and I felt it was a nice way for you to put your own spin on a Mean Girls look. The mismatched pinks really bother me, the jacket and the skirt aren’t the same shade and you could’ve easily fixed that. I’m not loving the top skirt combo otherwise either, the jacket is athleisurewear while the skirt is preppy. I think there was a lot more you could’ve done to make this look more cohesive and more unique; as-is, it reads as a knock-off mean girl. For the second look, I actually asked my mom if this look was accurate for the 80s (because she grew up then) and she confirmed that this is accurate for a boss bitch from the 80s. The makeup is great, she confirmed there were a lot of pastels in the 80s, and I like the expression the eye and lip combo makes. While all the pieces in the outfit are time-period accurate, I don’t love the look as a whole. Starting with the wig, I, for one, am not a fan of this wig already, but I think there were ways you could have improved it. But since you mentioned the big hair of the 80s, I really wish you had gone with a different wig entirely that was even bigger. I’ve seen my mom’s high school photos, and her hair takes up about 70% of the frame, so I would've loved to have seen you go really big. The same thing goes for the shoulder pads, I barely even noticed this top had them, which I wouldn’t care about if you hadn't mentioned big shoulder pads. The pattern on the top totally gives 80s, but I wish you had used a lower level of it, one that didn’t have the weird harness on it. If you wanted to keep the harness, I think it would've been nicer if it matched the skirt so the skirt color was tied into the shirt somehow. That also would’ve made the harness feel more like an intentional choice. I appreciate that you matched the shoes so exactly to the skirt, buttt I think white would’ve stood out more and tied into the gloves. This look is very accurate for the 80s, but I’m just not in love with it. Now, your 1800s look, I totally am in love with. It totally feels like its from the 1800s while still being unique and creative. The layering on the skirt is absolutely beautiful, I especially really appreciate the lace edges, it helps bring all the layers together into a cohesive look. The ruffles, the gloves, the pleats, its all so beautiful. Something was bothering me about the skirt, and it took me a little while to figure out what, but I realized the waist is not angled correctly. The figures of the queens in the game are angled to the right, so waistlines should be angled that same way. The waistline you created is angled head-on, and since the rest of the queen’s body and dress is not, it looks off. If that detail was fixed, this dress would be perfect. As for the mug, I love these eyes for this look. I’m not in love with the lips, though - the bright coral color doesn’t match the rest of the burnt tones in this look. I think a softer pink or orange lip would’ve worked better. But, these small issues don’t distract from the overall look too much, making for a stunning and beautiful look overall. If the other two looks were as great as the third look, you would be in the top, but the third look isnt enough to save you from the bottom on its own.
Btch: Btch, throughout all your looks, I can tell you really focused on refinement and cohesiveness. The first look is fine. It is not particularly inventive or creative, but it is cohesive. Even the small details go together. I especially appreciate how the zippers on the skirt match the jacket zippers, as do the silver hair accessories. The skirt color perfectly matches the fur on the jacket, which is great. Originally, my biggest issue was that you used the “Legally Drag” top to do an Elle Woods look, but then you deleted that reference pic. In doing so, you also deleted the decade you were referencing, which was in the challenge prompt. I still know you were going for the early 2000s, because I can’t erase my memory and you originally said so, but without the reference, it doesn’t totally give early 2000s. Elle Woods was over the top with how much pink she wore, that’s why she stood out - its not like that was an early 2000s trend. I don’t feel like this outfit is particularly inventive, even without the reference pic. I am grateful, though, that you took my note about using sets and didn’t use the matching hair or skirt for this top. The hair was a nice way to put your own spin on this style, and it gives early 2000s, I just wish you had incorporated your own twist into this look more. I also think the skirt you resubmitted with works a lot better for this look than the original skirt you had. Overall, the look is cohesive and solid, but not particularly creative or unique. This second look of yours is super cute, and I’m glad you took the time to recolor and resubmit it. Changing the green for the red helped simplify and refine the look- its a small change with a big effect. I am a little tired of seeing this top used for 90s looks, but the recoloring and pants help make it feel fresher. The hair is super cute for this look, but its reminds me more of Black Panthers from the 60s/70s than the 90s. It just makes me really want a Black Panter look, and sad that you didn’t give that to me. A beanie or bucket hat would’ve fit the 90s more. The shoes are cute, but they don’t really mesh with the rest of the outfit because there’s not cheetah print anywhere else. I like the little ankle bracelets, and the red cheetah print is cute, but a solid color shoe would’ve worked better. They also could’ve worked if cheetah print was incorporated somewhere else in the outfit. Its a very cute, fun look, but a tad basic. On the flip side, this third look of yours is super fun and unexpected! I adore that you went for a masculine look. I’m not always crazy about masc looks in this game, but when it’s done right, they’re so good. And this is done soooo right. Those rich brown tones look so good, and that mug is so sexy. With your editing, the hat got a little fuzzy. The ribbon around the hat could be clearer; it kind of blends into the hat. Similarly, while I appreciate that you went back to change the colors of the bows on the shoes, since they are so dark now, they just look like a blur from afar. Additionally, I really wish you had edited the hat onto a more masculine wig. The beautiful hair and sparkling earrings ruin the hot man fantasy I desperately want. I know I’ve been harsh on your editing before, and I hope that’s not why you chose not to fully edit this look. I really wouldn’t care that you didn’t fully edit if the hair didn’t pull me out of the fantasy so much. The rest of the outfit is really great and beautiful, the shining light against the dark outfit is just stunning. This look very much feels like the 1800s, but I can’t judge its accuracy to a decade because you didn’t specify a decade, which was in the challenge prompt. The inspo pic you provided shows looks from a lot of different years, and they vary, so I would’ve liked to know which decade you were trying to emulate. Otherwise, I really enjoy this look, it’s a nice twist that I didn’t expect from you!
Miz Erie: Miz, you had some great ideas for this challenge, but the execution of each look fell a little short. Your first look is cute. A bit basic, but cute. The hair i really like, I could very much see someone in an early 2000s movie with this hair. Lots of denim was definitely a trend in the early 2000s, and I’m glad you brought that. What was not a trend in the early 2000s was big top little bottoms. That’s a more recent trend. Even putting that aside, I still don’t love the tiny skirt with the giant jacket. I really want some baggy pants to balance the look more. The recoloring on the skirt is really nice, it matches the jacket without blending in. I also like the recoloring of the shoes, they feel very early 2000s and pull in the pink from the top and thong. The mug is really nice too, these lips are perfect for this look are totally give early 2000s frosted lips. I am assuming you went for an early 2000s look though because you did not specify that, which was in the challenge prompt. For your second look, I’m very happy that you specified that this was showgirl look and not a flapper look, and provided some reference pics. The top, bottom and shoes look good together and definitely give 1920s showgirl. I get what you were trying to do with the headpiece when looking at your reference photos, but I don’t feel like it works. It doesn’t look fun or sparkly like the one in the photo do, and the harsh spikes bring down the playfulness in the rest the outfit. The Eyevie or So Raven wig would have matched the reference pics more and fit the rest of the outfit better. Part of my dislike for the headpiece may be because of the mug. She’s supposed to be a showgirl, but she looks so depressed, its making me sad. I just don’t understand why you went for such a sad face. For the rest of the outfit, while the top and bottom match colors and look good together in that regard, the nakedness of the top against the bottom doesn’t fully work for me. The skirt is a little slutty with the leg sticking out, but its waist is solid. She either needs to be wearing less clothes or more clothes. The shoes work really well, they’re subtle but the gold details are a nice touch. The idea is nice, but these issues bring the whole look down. Your third look is the best, but theres still some issues with it. I love the idea behind your 1850s look, and parts of it are really beautiful, but the execution fell short in a few ways. The combination of the top and dress is really nice, they come together to make a cohesive dress perfectly. There’s a slight editing issue with the wig though. On the left shoulder, one strand of hair is all choppy. The hanging bow ribbons are also choppy around the edges. I like that you changed the earrings on this wig, but they’re not actually connected to the ears. They’re just floating in the wig. The recoloring and editing on the dress is perfect, but I have a few other issues with it. The darkness in the middle looks unflattering, especially when the bust has that same pattern, but lighter. The gradient on the skirt should have been reversed. While the pattern is very pretty, its a lot to have it all over. If the bust was solid, it would make the dress less busy, and make the patterning stand out more. The pattern on the bows especially doesn’t help with the busyness; the pattern is too small on them to really be effective so they just look blurry and weird. Another issue I have with this look is that the wig doesn’t work for this dress. I know the top and wig are part of a set (which I don’t love that you used them together), but the simplicity of the wig and the fact that its hanging down doesn’t work with the fullness of the dress. An updo would’ve worked better, and been more accurate for the time period. The idea was really great, and the execution was almost there, but these issues make the look feel unfinished, and the same goes for the other two looks as well.
Absynthe, your simple looks really wowed me. You are safe. You used the Golden Fig on yourself, but since you are high/safe, it has no effect.
Liz, challenge after challenge, you just keep amazing me. Condragulations, you are the winner of this challenge!
B*tch, you are safe.
Raven, your 1800s look was stunning, but the other two were not. I’m sorry my love but you are up for elimination.
Miz Erie, your ideas were great, but your execution was not. You… are safe.
That means, Mistress Anna Conda, I’m sorry my love but you are up for elimination. Now, it is time for you and Raven to looksync for your life!
submitted by Violet-Flowersss to MissFiggysDragRace [link] [comments]


2024.05.16 22:54 cats7pajamas battle of the kirstens (2024 and early 90s)

battle of the kirstens (2024 and early 90s)
ok really hoping these pics upload normally and not stretched lol. here is The Kirsten comparison post!! basic notes: New Kirsten (2024, arrived today) (NK) is always on the RIGHT in pictures where she is beside OG Kirsten. OG Kirsten (very early 90s approx, got her off Ebay) (OG) is on the LEFT in comparison photos. some differences in colouring can be attributed to OG Kirsten's age. both dolls have in their original braids (though OG's ribbons have slid a bit w/ age lol) and are shown in their original meet outfits unless otherwise stated! this post will NOT include comparisons of the bonnet or bloomers as my OG did not come w/ her bonnet and the elastic in her bloomers is in need of repair. all pics are taken in natural light. also not comparing accessories (which I didnt even realize were hidden beneath the meet Kirsten book until after hitting post LOL) bc I don't have the OG set.
pics 1-8 clothing and facial/hair comparisons:
  • obvious differences being NK's darker eye colour and slimmer face. OG has the dark brown, somewhat shorter lashes where NK has black, slightly longer lashes. NK's mouth is more vertical than OG's which is more horizontal and has slightly less lip. colouring as far as blushing is pretty similar but note OG's age.
  • hair-wise, OG Kirsten sports a more ashy shade of blonde where NK's hair has a bit more of a golden tint to it, and is somewhat shinier. bangs cover both of their eyebrows, which are both line-style. didn't get a very good pic of it, but NK's brows are a light brown whereas OG's are more similar to her hair colour. both dolls have the classic short wig-hairs to cover the braid part.
  • hair ribbons are very similar, same material roughly, NK's have a bit more shine/finish
  • ok, the clothes. as you can see in the pics, the dresses are very similar except that NK's is darker in base colour and that the patterns ARE actually different, slightly! both have velcro on the sleeves (NK's is vertical where OG's is a horizontal strip) and up the back, though NK's back velcro starts right at the waistband and has a small gap below it where OG's starts about 1.5 inches (i'm Canadian so this may be a bad approximation lol) below the waistband and has a larger gap below it. the waistband "stops" at the same point at both dresses (right below the armpit, meaning there is no waistband in the back of the dress). both have the double seam at the bottom. the collar on NK's dress is slightly thicker. the fit of NK's dress is looser than OG's.
  • the aprons are virtually the same. the straps on NK's apron are a little bit longer. NK's apron is a bit more vibrant red but account for age of OG apron.
  • the most strikingly different to me were the socks - NK's socks are grey and mustard where OG's are mustard (slightly lighter) and buttercream/beige. OG's socks have a more looser knit/handknit quality to them where NK's are more clearly machine produced and almost seem printed.
  • boots are similar. the feel/quality differs, OG's being more leatherlike and NK's more plastic. OG's lining colour is brown, NK's is grey, and there are slight variations in the colour of the boots themselves and the ties, as seen in the pics.
pics 9-11 body comparisons:
  • NK is slimmer, but not hugely? imo it's most noticeable in the midsection area and the back view. my OG may also just not be the chubbiest Kirsten, though. NK's limbs are definitely a bit slimmer, particularly her arms. NK has body tag and zip tie vs. OG's no tag/neck strings. vinyl colouring is very similar, NK is sliiiightly more tan but again, account for age.
pics 12-13 clothing swap:
  • their clothes DO fit each other. didn't struggle to get the clothes/shoes on either, but Kirsten's meet is a bit forgiving in its design so do with that what you will. OG's dress actually seems more fitted to me. as previously noted I need to repair OG's bloomers so I didn't try those on NK but they're an elastic waist so I assume the swap would be fine. didn't unlace the boots on either, just slipped them on.
pics 14-17 NK eye colour notes:
  • have seen ppl say that her eye colour aligns well with Saige so put it to the test. I don't think it's an EXACT match, Saige's seem a little lightemore aqua to me but they are definitely extremely similar.
pic 18 NK in box:
  • literally love her what a queen. also I think her face and eyes are very symmetrical so feeling blessed by the ag gods lol.
please lmk if you have any questions! I tried to be as thorough as possible haha. overall love love them both.
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submitted by cats7pajamas to americangirl [link] [comments]


http://rodzice.org/