((Warning, long post))
Hello, fellow MMO enthusiast!
Before I get into my thoughts and seek your feedback on this topic, let me introduce myself and share a bit about my experience with Final Fantasy XIV. I've been a World of Warcraft player for about 14 years. Like many MMO players, I was aware of XIV but never gave it a try because it didn't initially seem appealing, especially since I'm more focused on raiding than lore, which is heavily promoted in this game.
Boy, was I wrong.
I recently switched to XIV, and I have to admit, I'm hooked. Everything about this game is perfect for me: the soundtracks, both in and out of raids, the boss design, the mechanics, the variety of glamour items, the friendly community, and the social aspects of the game. I could go on and on, but I can't believe I didn't try this game years ago. Since starting, I've been trying to convince all my WoW friends to join because this game is fantastic.
I could continue praising this game endlessly. I truly fell in love with it. The only downsides are getting used to the animation lag and the initially strange UI. But there's one aspect that really drains my enthusiasm and motivation to play, which is disappointing because everything else is so enjoyable.
Raiding in this game as a "solo" player is beyond frustrating. I know this can be countered with "just get a static, bro," but since we're at the end of the current expansion, it's tough for a new player to find one that suits me. I'm either too new for sHC/HC statics or too dedicated for casual ones. Finding good statics for older ultimate content like UWU/TEA is also challenging. So, I'll focus on the solo play via Party Finder aspect here.
I have never, and I mean this literally, encountered so many problems and frustrations with raiding in a game in such a short period as I have in FFXIV. I recently began raiding and, like most people aiming for ultimates, I started with the easiest one: UWU. It took me a few days of analyzing logs and watching videos to grasp the fight. After about four days of an incredibly painful Party Finder experience to get accustomed to everything, I got very lucky and was invited to a static group that was temporarily missing a Main Tank and was aiming for a clear. Within two days, we managed to clear it, and everything seemed fine.
However, this is where the nightmare started. After leaving the static since I got my clear and their main tank returned, I attempted to solo clear it to farm more totems. It took me 7 days of raiding for 4-6 hours each day in various Party Finder groups just to get a single re-clear. If you enjoy numbers like I do, here are some statistics, as I like to document my progress and keep track of it:
(All of this was tracked by Chat GPT, to summarise my days of raiding)
So, the total number of groups is 29.

• 28.57% of the groups reached Ultima.
• 57.14% of the groups were stuck at Titan.
• 11.43% of the groups were stuck at either Garuda or Ifrit.
• 2.86% of the groups managed to clear the raid.

It took me a staggering 29 PF Groups to secure just one re-clear. It doesn't seem to align with the typical PF experience, does it? Perhaps it's due to the upcoming expansion, with returning players trying their hand at reclearing for fun or to shake off the rust. While I understand that PF raiding isn't the gold standard, what exactly is causing this persistent issue? I've repeatedly heard from fellow PF participants that there's a rampant issue of players misrepresenting their progress. Could this be the root cause? Granted, I'm not immune to mistakes either—nobody is. Each group I joined endured for approximately an hour, sometimes more, sometimes less. It's astounding to realize it consumed nearly 40 hours of my time in re-clear attempts, and this does not even include waiting times, and mind you, these groups were meant for individuals who had cleared the Ultimate, i exclusively joined or created only re-clear [duty completion] runs.
And let's not even delve into the TEA or P4S/P8S experience, which feels even more challenging because it's significantly less popular. I'm earnestly trying to discern whether this is a consistent issue within the PF raiding landscape or if it's perhaps isolated to older Ultimate/Savage content. Have any of you encountered similar challenges with TOP/DSR ultimates or newer content in general?
It's a no-win situation. I'm stuck between wasting my time by sticking around for hours, realizing early on that the group isn't making any progress—like when folks join for P3 on TEA without grasping the mechanics even before we get there, or leaving within 30 minutes and being branded as the "toxic, impatient tank" that people might blacklist. Just to clarify, I'm always polite when I do leave early, although it's a rare occurrence.
I've developed a deep affection for this game, but the solo raiding experience is gradually sapping away my motivation, especially since raiding has always been my primary focus. It would be disheartening because every other aspect of the game is incredibly enjoyable and entertaining.
What are your thoughts on this matter?

🪞
Welcome back to the Asylum write-up, where we explore the decade-long slow-motion car crash that is the Emilie Autumn fandom.
Sorry this installment took so long to upload! Just a heads-up, I may take some time to deliver the last one too – these posts take forever to format on Reddit's finicky-ass editor, and my dumb real life is currently keeping me from precious Internet time. Thank you for your patience! You have my word that everyone who pre-ordered the final installment will receive a PERSONAL, HANDWRITTEN letter autographed and illustrated by me, a list of the snacks I consumed while composing this write-up, some exclusive behind-the-scenes secrets, and a pony.
Part 1 Part 2 Part 3 Part 4.1 – Part 4.2 Part 5

Places, everyone This is a test Throw your stones Do your damage Your worst, and your best (...) And if I had a dollar For every time I repented the sin And commit the same crime I'd be sitting on top of the world today (“God Help Me”, 2006🎵)

Quick recap of where we left off. First, there were five to ten halcyon years of pleasant and meaningful interactions between EA and her blossoming fanbase, prominently by way of her official forum. Then, circa 2009-2010, EA's online presence shifted towards sudden anger outbursts, ban-hammering, and an increasingly top-down communication style.
This created a sort of primordial rift within the fanbase, between those who supported EA's right to speak her mind and regulate her own fan spaces however she pleased – and those who thought that her reactions were rude and inappropriate (at best), and that even fan spaces should allow for reasonable, non-abusive criticism of the artist.
Between a poorly-handled book release (see Part 3), the controversial (Part 2) or dubiously true (Part 4) contents of said book, and serious shade from various former collaborators (Part 5), more and more fans had pressing thoughts about EA's work ethic and choices. EA attempted damage control through drastic forum rules that made it virtually impossible to voice any “serious” critical opinion. It didn't work, of course: instead of squashing the mutiny, she created a schism.
Critical fans and active haters started congregating on unofficial platforms.

“WITH MUFFINS LIKE THIS, WHO NEEDS ENEMIES?”: TROLL LIKE A GIRL

So here we were, the early 2010s. The official forum (which had about 700 members in 2006, if you recall) was now thousands-strong, reaching just over 12,000 registered users in 2012 – not all of them active, but still. In terms of sheer numbers and content creation, the party was POPPIN'... but increasingly in parts of the Asylum that escaped EA's jurisdiction, such as Tumblr, where they could speak their mind freely.

You play the victim very well You've built your self-indulgent hell You wanted someone to understand you Well, be careful what you wish for, because I do (“I Know Where You Sleep”, 2006🎵)

In one wing of Asylum Tumblr, a smattering of call-out blogs emerged, which laid out EA's various lies, faux pas, shitty takes, and general deep-seated terribleness in detailed timelines and screenshots (or, short of that, long-winded bullet points). While many such blogs framed it as “serious” whistleblowing and did their best to remain as fact-based and neutral as they could, there was some genuine disgust, animosity and creepiness towards EA on that side of Tumblr; for some ex-fans, “exposing the truth” was mostly justify obsessive hatred, prying and verbal abuse. Some, for instance, felt the bizarre need to side with EA's mother in their estrangement. (One user, with the URL “emilyautumnfischkopf”, argued in a serious and down-to-earth tone - but with zero sources - that EA's upbringing had been nothing but peaceful and supportive until she ungratefully kicked her loving family to the curb for no reason at all. They were later revealed 🔍 to have an alternate handle as “eaisalyingcunt”.)
Either way, through these blogs, a number of potential drama bombs that had mostly flown under the radar were dredged up from over the years – some of which were hard to ignore, even for supportive fans. Where to begin?
There was that nonsense in-joke song, captured twice on camera during the 2009 tour (to very little outrage, at the time), crassly called “Manatee Retard”📺. Or EA's scathing response, in print, to a wheelchair user who found it insensitive that she used a bedazzled wheelchair as a prop to do sexy acrobatics on stage. (“Your offence taken at my hard-won self-acceptance proves that I indeed have something to fight against”, she wrote). Spoken word tracks where she made trivializing knock-knock jokes about serious mental illnesses she didn't have, like schizophrenia and OCD. Multiple instances of calling Britney Spears a “bimbo” and a “Hollywood fucked-up”, resentfully claiming that she only shaved her head because she was “hopped up on drugs” and certainly not because she was “bipolar”, a word the press liked to wield as an insult anyway. (“That's almost like calling someone a retard!” Yeah, heaven forbid.) The meanest, most distasteful paragraphs in the book. Basically everything problematic EA had ever said or written.📝 In retrospect, it had been a long time coming, but it was a lot to take in – and certainly more off-putting, even to less emotionally invested fans, than silly lies about her age and last name.
In another wing of Asylum Tumblr, some fans had had it up to here and just wanted to have fun. 🎵 If Plague Rats had learned one valuable lesson from EA, it was how to crack a joke in the face of absurd tragedy – and the general state of the EA fandom certainly warranted a few.
In 2012, Fight Like a Girl was released. After six long years, three of which had been peaceful, the Opheliac era was officially over. The new album and ensuing tour confirmed that the Asylum had entered a process of glamorous Broadway-style militarization. 🎵📺
The mood board was “Roman general meets Vegas showgirl meets Victorian street urchin”.🪞 The color palette was, to naysayers, “musty pink and rotten, stale piss yellow”. 🐀 The keyword was “REVENGE” (through the power of... self-expression! sorority! brutal assault with rusty medical implements!). The chorus of the title song had an intriguing run-on line about getting “revenge on the world, or at least 49% of the people in it” 🎵 – which seemed like an awful lot, and was widely interpreted (to cheers, boos, or uncomfortable sighs) as a misandrist jab at literally all men on Earth.
The show was essentially a demo version of the musical, in that the setlist vaguely reflected the order of events in the story – but prior reading was essential in order to get what the hell was going on on stage. This one Broadway reviewer had not perused the literature before seeing the show 🔍, and hated: the set, the choreography, the skits, the plot, the lyrics, the music, the concept. (Seriously, you should read the review. It's not even my show and I feel like quitting show business.)
Pre-show VIP encounters, now violin-free, were lorded over by EA's new manager🐀, whose official title was “Asylum Headmistress”. (Interesting choice – she sounds fun!) The swag bags were less substantial than before, and the “greet” part of the meet-and-greet was rarely more than a quick hug and photo op.
On Twitter, EA continued to embrace her “I am very badass” fronting attitude...

Often wonder if cyberbullies r aware they’re fucking w/ a girl who’s BFs w/ maker of the SAW films & is marrying a knife-throwing scorpion. (🐀📝)

...and her taste for needlessly inflammatory statements. About an aisle sign in a supermarket:

If this does not infuriate you, then you're a fucking potato.

(Again with the confounding crypto-ableism, EA! 🔍) She also went through a phase of raging against Lady Gaga 📝, who had stolen her idea of using a wheelchair on stage as an able-bodied woman. 🔍 That failed to convince anyone that she wasn't the histrionic diva that haters made her out to be.
Spurred on by EA's rallying cries and “us vs them” mentality, loyalists turned the white-knighting up to 11. On Twitter, some Plague Rats got into cat fights with Lady Gaga's Little Monsters (what a time to be alive). Others tried to balance out the Tumblr negativity with initiatives like “Spreading a Plague of Love” – a “positive-only” confession blog, whose extreme fangirling, comically drastic rules and hyper-defensive tone📝 did not debunk the increasingly popular notion that “true Plague Rats” were a bunch of authoritarian and hopelessly brainwashed fanatics.
EA truthers and other anti-fans started lashing out at anyone who dared express any positive opinion of EA, solidifying claims that the backlash against EA was just a conspiracy of bitter, hysterical bullies.
All this to say: every passing day brought new reasons for fans to get mad at EA and each other, and everyone in the Asylum was in need of a laugh. It's not easy having a good time.🦠
Leading up to Fight Like a Girl and in the years that followed, user-submission-based meme blogs took off, most notably “Spreading a Plague of Lulz / Troll Like a Girl”. A lot of the early submissions were absurdist humor and toothless, cheezburger-Impact memes (a style that was, oddly, already dated at the time). Those often originated in good fun, and from loyal fans, on the official forum. But there was also true snark, satirizing EA's questionable ethics, outrageous claims, and easily spoofed artistic gimmicks. A new slang of Asylumspeak emerged: Glittertits (slight NSFW), GAGA!!, EA Gusta and all its memeface variants, Get outta mah house!, Are You Suffering?, Fight Like A Goat, [Random celebrity] copied EA (a subgenre in its own right), ...
Most of the “trolling” was directed at unrepentant bootlickers and, to a lesser extent, red-in-the-face haters and creeps. Meme blogs would post joke comments under “serious” or gushing submissions on Wayward Victorian Confessions, and taunt loyalist accounts by tagging them in their posts. When a few people complained on WVC that almost all of the Bloody Crumpets to date had been thin white able-bodied women, and a few fans responded by sharing their dream-casts for a more diverse line-up, the blog was flooded for days with confessions that “X should be a Crumpet” (candidates included RuPaul, Mitt Romney, Nicki Minaj, EA's therapist, and the WVC admins). Farcical shenanigans like that.
Ah, but some people will always cross the line, won't they. EA threads popped up on merciless, bully-friendly snark platforms like Lolcow, Pretty Ugly Little Liar, and Encyclopedia Dramatica. Snarkers with a mean streak and obsessive haters mingled in some of the more aggressive, 4-chan-spirited retaliation against EA – which would be called “brigading” in modern parlance. This included flooding EA's Goodreads page with one-star reviews (see part 4), repeatedly editing her Wikipedia page to include her legal name and birth year, and ensuring that Googling said name would bring up current pictures of her.
All of this compounded agitation fragmented the once-united fandom beyond recognition.🦠 Through substantial disagreements among fans, personal bickerings, layers upon layers of inscrutable in-jokes, and cross-platform telephone games, the Asylum morphed into a booby-trapped Escher room.
Satire blogs were taken in earnest. Earnest fan blogs scanned as satire. Memes would get called out as abuse. Appreciation without attached criticism would get mocked as bootlicking. Obvious jokes made by EA would be taken at face value. One divisive confession could trigger days and days of debate, to the point that WVC eventually banned confessions in response to other confessions. New waves of infighting created a confusing web of rival sub-factions🐀, each accusing the others of being toxic, cliquish, and delusional.
The shared fantasy was broken, the collective vision had crumbled, no onez was speaking the same language anymore. Fans would jump down the throat of other fans who held almost identical views about EA, except for that one thing she said or did that one time. Everyone had differing thoughts on what should or shouldn't acceptable to discuss, question, excuse, make fun of.
War is hell.

SCORCHED EARTH SHENANIGANS: HONEY, I SHRUNK THE ASYLUM

Would you tear my castle down Stone by stone And let the wind run through my windows Till there was nothing left But a battered rose? (“Castle Down”, 2003🎵)

Haters vs sycophants is not really the kind of conflict where one side can come out on top (if you're participating, you've already lost). But in the long tug-of-war between “grassroots” and “EA-sponsored” fan spaces, the ultimate winner is obvious – in that the former is gasping in agony, a shriveled husk of its former glory, while the latter... is non-existent. This is due in no small part to EA's tendency, like the Czars of old, to settle conflicts by setting Moscow on fire.🔍)
That's not entirely fair: unlike EA, the czar only did it that once.
By early 2013, as EA was gearing up for her third Fight Like a Girl tour at the end of the year, the official forum was... not as lively as it once had been. Not just because of the stifling rules and disgruntlement towards EA, or because EA herself hadn't really posted anything on there in years; the Internet was also changing, and forums in general were fast becoming passé.
This made it difficult for EA to create a safe space where she could talk to fans, and fans could talk to and about her, in a way she deemed suitable (ie, a space she could gate-keep and regulate enough to keep it completely free from negative criticism). Social media was a minefield; she still posted regularly, but didn't interact very much. So EA and the Headmistress came up with a way to filter out the unbelievers: an official fan club📝, aptly called the “Asylum Army”, with a $100 entry price.
Joining the AA came with a dog tag, a sew-on patch, and a lifetime membership certificate signed by EA and – for some reason – the Headmistress. (Unlike EA's best friend and sound engineer back in the forum's heyday, I don't think fans ever really embraced the FLAG-era manager as part of the Asylum in-group. She came across more as a coordinator / businessperson / adult chaperone, at best.🐀) So, slightly better goodies than you'd get by joining the other AA 🔍 ... but not by much. The main appeal was that members would have access to exclusive content, special merch, giveaways, early bird tickets for future shows, and regular video chats with EA.
The concept itself drew a fair amount of criticism, as you can imagine. Between the name🐀, the price, and the inherent gatekeeping of a pay-to-join fanclub, many balked at the monetizing of a concept that had once (like, three years back) been significantly more DIY, grassroots, and inclusive. 📝🐀
Then again, many also longed for a positive, drama-free space where fans could just be fans. And while the creation of the AA was generally recognized as a quick cashgrab, a lot of people were surprisingly cool with it. EA was trying to finance her dream musical, after all – although a number of fans wished she had gone about raising funds in a less sketchy way.
So around 400 fans shelled out (which, according to the Headmistress📝, “basically cover[ed] the cost of running the fanclub itself – keeping the database up, website, etc.”). Enough for a close-knit, but sizable community. But already, there was a conflict of interest: a high fanclub entry fee essentially demands that you pledge loyalty to the artist over loyalty to your fellow fans, who wish to join but can't afford to. Sharing, caring, and ensuring no one felt left out were some of the more positive values cultivated in the fandom... but leaking exclusive content would surely piss off other paying members🐀, and make EA feel betrayed all over again. (And she had barely just started to mellow out on social media!)
...But then again, this is the internet. After the first month of secret AA drops (lyric sheets, some photoshoot outtakes – nothing too juicy, really), there were, yes, some leaks. EA was predictably miffed, and retaliated by... ghosting the fanclub for weeks at a time in its first few months of existence (great look!). She eventually found the “solution” to her problem, by providing something you couldn't right-click-save (and which had been part of the promised perks to begin with): live interaction.
Over webcam, she was her usual in-person bubbly, charming, funny self. Everyone seemingly had a good time during the fanclub video chat, and this gave people faith and hope.
There were a few more events, giveaways, etc. As promised, ahead of the fall 2013 tour (the last one to date, it would turn out), AA members got priority access to show tickets and VIP bundles. The latter were much pricier than before, and only included soundcheck, a photo-op, and three goodies: a tin of loose-leaf tea, a signed printer-paper setlist, and a small flag that said “F.L.A.G.”.🔍 Some stuff continued to leak – but, as some of the outlaws pointed out (scroll down to the Disqus comments), they were mostly relaying information that was relevant to the entire fanbase, such as updates about ongoing projects (the dragged-out recording of the audiobook, for one).
In early 2014, lifetime memberships were closed, and replaced with monthly, quarterly and yearly subscription tiers. Bizarrely, you ended up paying $3 more per month if you bought a $99 yearly subscription📝 – but it did include the patch, dog tag, and piece of paper!

Sometimes I kind of want to be part of the cool kids and register to the Asylum Army. Then I remember how it came about, what you could get for the same price a couple years ago, how the whole thing was and is handled, and that I won’t support any of this bullshit. (And then I roll around naked in all the money I’m saving.) (🐀)

Still, a number of fans rejoiced at the affordable monthly option, and joined – if not for the exclusive content and merch (which were... okay, but not much to write home about), then for the friendly, drama-free exchanges with an artist they actually did love, in spite of all the frustration.
For the still-too-poor or still-undecided, there was always the forum! It wasn't as active as it used to be, but a few die-hards still managed to keep the lights on... until, inevitably, Someone Did Something and Ruined Everything. (Once again: EA's wrath is spectacular, but rarely completely unprovoked.) The incident features one notable figure in the Asylum community. Let's call him the Collector.
OK, so maybe you remember the meme I linked to in Part 4, with Christian Grey and the ginormous EA hoard. Well, that's the Collector's collection. The “Violin” promo that I called the "Holy Grail of the fandom" in the same paragraph? Also his. The handwritten lyrics that went for $940? Guess who won that auction. Over the years, the Collector had probably spent five figures on EA merch and shows, and although that fact was a little unsettling, he was a very active, easy-going, and generally well-liked fixture of the fandom.
One day in 2012, shortly after the Headmistress had replaced EA's old Chicago BFF as main forum admin, the Collector's account got banned or restricted over something dumb. When the ban wasn't lifted as quickly as he hoped, he took it... the way one takes things when one is unhealthily invested: he started spamming Headmistress and the mod team with increasingly rambling and abusive emails (lost to time, probably for the best). When that didn't work quickly enough, he tried a different route.
One of the many auctions that the Collector had won, some years prior, was EA's old iPod Touch📝 – which contained all of her favorite tunes and, buried somewhere in the data cache... a phone number. Which the Collector tried calling. And wouldn't you know it: EA picked up. She congratulated him on his sleuthing skills, listened patiently as he made his case, apologized for any distress caused by the unfair account restriction, and then they got married.
Kidding! She freaked the fuck out, hung up, and banned him for life from the forum and all EA shows and events.
After his ban, the Collector allegedly still tried to attend at least one VIP pre-show (one source in the comments says he was allowed to buy some merch, refunded for his ticket, and escorted out). He joined the Reform forum to bitch about EA and try to rally people to his cause, possibly made revenge posts about her on darker snark forums, and continued to hound the Asylum mod team. So in June 2014, EA came up with a radical and unexpected fix to the Collector problem.

The official Asylum Fan Forum has been shut down permanently. I have personally paid thousands of dollars each year to keep the forum safe and secure for you ... Unfortunately, the forum has not been kept safe and secure for me, a truth which disappoints me greatly, instead becoming a place where people who have physically threatened myself and my staff prey upon forum members, pressuring them to contact me and my staff on their behalf. If the gullible wish to humor my stalkers (who live in their parent’s basement at age 30 something) and thus put me in danger, they may do it on their own dime. They may also fuck off, because stupidity can kill, and I won’t be your victim. To those who enjoyed the forum, you know who to thank for its closure. (“On the closing of the Asylum Forum”)

Voilà! This is how a decade-long archive of shared history ends: not with a bang, but with a dirty delete and a sod-off communiqué.
The obliteration of the forum took everyone by surprise...

I was actually on the forum when it was taken down. I was navigating between posts and when I went to click on a different board, an error message came up. I honestly cried a little, I'm not ashamed to say. (WVC admin on Reddit, 2024)

...and I do mean everyone:

Chicago BFF / ex-admin, the next morning: Whoa, EA forum shut down? Ex-mod: It turns out that if someone spends enough years actively “waging war” to destroy what they can’t have, eventually they’ll be successful. * eye roll * Not even mods got prior warning. Just all the sudden, poof, gone. BFF: Really? She did not let the moderators know?! This is sounding worse and worse. Uggh. I’m so sorry. Such a loss. (...) Ok, threats are serious, but why not just put it in archive mode so no one can post? (...) Sad. I shall light a candle in the forum's honor. (Facebook posts; scroll down for screenshots)

It was a gut punch, especially for people who had poured countless hours into the community, or could have used some prior warning to save years of their own writing from the role-playing threads. One last chance to take a look around the place that had meant so much to so many.

From the wording of the announcement of closing the forum and a number of other things, it sometimes seems like EA doesn't like her fans much. :/ (🐀)

Three months after the forum was nuked, Battered Rose (a venerable EA fansite, which had been around since the Enchant era and had one of the most complete EA galleries online) announced that it was shutting down too.📝 The admin, who had also been a long-time forum mod, cited a lack of “time, energy, passion, or money” to keep the website going... and being upset at the sudden disappearance of the forum. It was, truly, the end of an era for the Asylum.
...Well, no point in living in the past. For those who could afford it, and still wanted to talk to/about EA after that (not everyone did 🐀), there was always the Asylum Army fanclub!
Over the summer of 2014, EA held regular live chats and Q&A's, and... many attendees really enjoyed them, and thought the AA was well worth the money after all. She also quietly parted ways with the much poo-pooed Headmistress around that time.

Just spent over 4 hours giggling, drinking tea and playing guessing games in chat with EA and other Asylum Army members ... No griping, no downers, just lots of fun. I think I like the way the ‘new fandom’ is going and now I’m really glad I finally decided to join the Army. (September 4, 2014🐀; Battered Rose had closed the day before)

The forum was lost forever, but perhaps that was a chance for a fresh start. Could this fanclub thing really be the Asylum Renaissance that fans had been longing for?

...I have come today to a very difficult but necessary decision, and that is to discontinue the Emilie Autumn Official Fanclub. The site itself, and the community chatroom, will remain open to you indefinitely, but I will no longer be making updates to the site. (Newsletter, September 8, 2014📝)

...Never mind, then.
Turns out the fanclub had been the Headmistress' idea all along. EA had been reluctant from the start, and although she really enjoyed the live chats with a safe community of people “who are there for the right reasons”, she couldn't overcome her fundamental discomfort with the concept. Lifetime and regular members would receive a bunch of digital downloads and a -35% coupon on the Asylum Emporium for their troubles. EA said she would definitely pop back once in a while for live chats, for free, just for fun, but to my knowledge, she never did.
And so the most devoted fans were left standing in the rain...

She is happy, she made it. She is fulfilling her dreams, found love and happiness after all the pain. I understand that she now doesn’t need “us” anymore ... That doesn’t change the fact she broke my heart with taking the Asylum Army and the forum from me. Yet, I am happy for her. (🐀)

...while naysayers pointed and laughed, Nelson-style.🦠

I don’t feel sorry at all for the people that paid for the Asylum Army fan club. Most of them knew that EA is an atrocious business woman and has broken many promises before. In fact, I laugh at them. They seriously thought that EA would actually stay consistent with this? (🐀)

EVERYTHING MUST GO: THE ASYLUM WHOLESALE

EA fans were left without an “official” home for about three years. This gave them plenty of time to be annoyed at EA for: not releasing the audiobook on time, not materializing any new project for a while... and the new sin of peddling random, ridiculously marked-up AliBaba jewelry as “merch” on her official store. Think faux-antique cameo pendants and $30 Big Ben rings (...because the Asylum story is set in London, get it?).

The whole accessories section looks like a tacky overpriced English souvenir shop. (🐀)

The fanbase lost a lost of steam in those in-between years, because there wasn't much to stick around for. As evidenced by the positive reception of the AA live chats, even in the midst of unresolved drama, out-loud interactions in a friendly environment have always been EA's saving grace. Considering the amount of online hate, there are shockingly few accounts of bad IRL encounters with EA: most people say that in live conversation, she comes across as a fun, warm, and genuinely sweet person. Some report that their negative opinion shifted after meeting her.
But there were no chats or live shows anymore. There was only social media, where she ignored questions and vague-posted about overdue projects – and the newsletter📝, which was all saccharine love-bombing to promote bland dropshipped trinkets. For fans who remembered the handcrafted merch (and two-way communication) of the early years, it was a bitter pill to swallow.

CONTINUED IN COMMENTS

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So when I try downloading episodes of an anime it downloades incredibly slow and after about two thirds of the way the downloaded fails. This happens all the time. What could be the issue?

Just got back from Vietnam - North to South tour over a couple of weeks around my partner's birthday. Absolutely loved the experience and would love to visit again and slow down the travel to take things in a bit more.
I have some tips for folk from my own experience. I'm from the UK - and specifically Cornwall where tourism is a mainstay of our local economy and I know what it's like to have your land flooded with tourists.
1: the pound is roughly 30000 Vietnamese dong, so divide by 3 and knock off some noughts. It's easier to knock off the last three 0s from the dong price first. Very important for weighing up the personal value of something you might buy/are being hassled to buy.
2: Security at airports is not like our biometric passport scanners in the UK - it's guys in very officious looking uniforms taking their sweet time to weigh up whether you should be let in (or out) of the country. Bear this in mind for planning follow up transport or arriving for a flight. Huge queues. It took about an hour after arriving to get through security, and an hour and a half when departing for our UK flight (important as they were shutting the doors by the time we got through security).
3 phone data - while queuing to get into the country in Ho Chi Minh, we opted to buy some local SIM cards from a stall next to the queues. They were £8 each and gave us unlimited data for our 2 weeks. Ideal. Might be able to get it cheaper but convenience after 20 hours of travelling was worth it.
4 airport transfers - take advantage of these where offered. Again, just takes the stress out of things as we found the country quite overwhelming, especially HCMC and Hanoi (overwhelming in a good way though).
5 city markets - we went to Hanoi, Cat Ba, Hoi An, Phú Quoc and Saigon and in each place there was a sizeable (Cat Ba was smaller) market advertised as a "must see" experience but in truth is the same place selling knock off clothes, luggage, souvenirs, food ingredients, etc. Every fourth or fifth stall is EXACTLY the same stuff. It gets boring after 10 minutes. Would advise visiting this wherever you are on your last day to buy some stuff to take home rather than lugging it around.
6 scooters - I wouldn't consider this unless you know how to ride a scooter, especially in the cities. Vietnamese traffic is an organic wonder to beyond from the safety of a taxi.
7 crossing the road - for UK folk, they drive on the other side in Vietnam. Very important to look both ways but believe the hype, pick your moment and go confidently - Vietnamese also have incredible spacial awareness to avoid you.
8 GRAB - download the app, add your card and Grab away. Again, speaking of convenience and least stress, you will quickly appreciate not walking for 20 minutes in +30° city heat and choosing to take an air conditioned taxi. For comparison, a trip that would cost about a tenner in UK costs a £1. Incredible value for your wallet, comfort and time.
9 food - try everything. OK, maybe Thit Cho on Hanoi is a stretch too far for the average Brit but everything else should be experienced. Personal favourites were Hotpot (so wish we had similar in UK) and BBQ where it's in the middle of the table and you do all the grilling. You can find Pho for equivalent of about £1 if you need shoestring food.
10 wine - some places sell local Dalat wine which is OK but wine is not a big deal in Vietnam and is usually at least UK price if not more. My partner found this hard as she doesn't like beer and didn't want to drink cocktails all holiday. Dalat is perfectly good plonk though - white and red.
11 Hoi An - don't believe the hype. We spent too long here (so sorry Saigon, you weren't as loved as you should have been). It can be done in a day and you've experienced it all. Reviews were lead to believe there was more to it. Nightlife was a laugh in a trashy way though if you want to do the whole Brits abroad thing.
12 Be respectful - my experience was that Vietnamese are a country of grinders who work all hours of the day. So speaking of Brits (or anyone else) abroad be respectful that not everyone you see is there for your photo opp or to help you and those in markets and hospitality are making a living, so don't waste their time. British especially are a nation of window shoppers and I'm not sure that came across too well on our travels. Try to be low key while you weave around the lives of Viet folk.
13 Learn to confidently say "no thanks" - politely saying "no thanks, just looking" and moving on is a valuable tool for getting through certain touristy areas. Engaging with folk will both give that person the wrong expectations and exhaust you in the process.
14 Google Translate - download this and use for basic enquiries. I don't think I was saying Xin Chao, Cam On or Tam Biet properly, so for anything beyond that, I have no clue. Don't assume people speak English - some are good enough to say Hello first to get past that.
15 Find a spot and just watch - find a coffee shop, relax and watch a very different people go about their lives. Things I enjoyed: how cool all the young people are; how obsessed the young folk are about selfies; care of children; karaoke round the dinner table (understand not to everyone's taste); friends enjoying a hotpot; lads fighting a crab into said hotpot; groups of friends having animated toasts after work; care of old folk; many and varied ways to use a scooter to carry people, goods, materials, flat screen TVs, dogs.
16 Beers in order of my personal taste - Saigon Red; Larue; Saigon Special; Hanoi; 333
17 Beer St in Saigon - go walk through it. I have never seen anything like it. Don't necessarily stop there but go observe it's wild, perverse nature.
18 If staying in a hotel, before you head out for the day, soak a flannel in water, put it in a glass, put the glass in the fridge. You will appreciate it when you get back from your enevitablely roasting walk around town (mad dogs and Englishman..).
19 pack for very hot weather (in May at least). I took a set of clothes for UK - these were worn to and from the airport and otherwise lived at the bottom on my bag. Otherwise, shorts, t-shirts and light shirts to keep the sun off. Even cotton t-shirts felt too much at times. My favourite items were a matched black linen shirt and shorts I bought out there. Pretty much lived out of them exclusively towards the end of the trip. Must have announced my musky presence from a great distance. Utilise the laundry services for sure.
20 ignore the rubbish - try to tune it out and adjust your hygiene expectations. This is important as in two weeks, I got blisters, bites, at anything and yet came away without food poisoning, infection or anything else. It's an eyesore at times to these soft UK eyes but don't let it ruin the trip. Hope Vietnam authorities can do more to handle that as it'll mount up the more the country is discovered.
Sure there's more but just offloading after getting back. Hope it helps.
EDIT: More to add

1. Cash is king but card is accepted - in the UK, because of COVID, cash has definitely taken a back seat to contactless payment. I've rarely had to use cash other than to pay for things off FB marketplace. Vietnam isn't like that, despite being at least as technologically advanced as the UK in certain respects. Always have some dong on you. Few hundred thousand covers small purchases like water, Bahn Mi for the road, restorative coffee, etc. A lot of places do accept card but can come with a 3% fee. And get ready as they take the card and put it into the machine - it's not a scam (at least, I don't think it is) just how it's done. The card machine is handed to you for pin and then half the time they need a signature on the receipt. Monzo is a good bank for travelling as you get free ATM withdrawals on their side up to £100 and you can instantly see the conversion of the latest transactions.
   
2. Ice cubes - when I got my travel vaccines, I was told to be wary of ice as much as tap water. From experience, iced coffee from most coffee shops has been fine (thankful in the heat) and cocktails with ice also fine. I'd maybe avoid the street side iced drinks and stick to modern looking bars, coffee shops and hotels to be on the safe side.
   
3. Geckos - you may see geckos in hotel rooms and elsewhere. Fear not, they are harmless and like to feast on mosquitos. As with any wild animal though - and includes all the cute looking street dogs - observe from a distance. We shared our cabin in Phu Quoc with a foot long Tokay Gecko which absolutely freaked us out for an evening until the manager told us it's fine and just to leave it be and it'll keep it's distance. Definitely the coolest wild creature I saw.
   

The primary criticism levied against Abby is that she is Joel's killer. TLOU had set up Joel and Ellie to be the main characters of the franchise and it was incredibly jarring to see a new character come out of the blue and quickly murder one of them, while irreparably changing the focus of the other. While a valid criticism, this post is not addressing this. It is instead aiming to analyse Abby's character and her choices throughout the story, and outline why they do not make her a "likeable" character.
To put it forwardly, Abby is a sociopath. While Joel is certainly not a saint, Abby is portrayed as somebody who is cold, uncaring and can revel in cruelty. Some of the most notable points highlighting this include:

1. She tortures Joel to death. It would be perfectly understandable if she had simply executed him on the spot, especially given the reveal of her backstory later. However, she undergoes the decision to draw out his pain and kill him in the most brutal and sadistic way possible. After blowing off his leg, she has Mel apply a tourniquet so that she can keep him alive and continue to make him suffer as she beats him to death. She is only stops because her crewmates eventually felt it had gone long enough. The implication is that she would have continued to torture Joel, including in front of Ellie, as long as she wanted. This action can be sympathetic to some, but there is no way it can in any way be viewed as moral or justifiable.
   
2. There is a revelation in the game's dialogue that she had previously tortured Scars to blow off some steam. This clearly demonstrates that her behaviour with Joel was not exceptional. She is somebody who regularly engages in this practice for her own satisfaction.
   
3. She sleeps with the partner of her best friend, who is pregnant. Mel had travelled with her to a remote part of the country while pregnant and risking the life of her child to ensure that she could support Abby. There was also a discussion of potentially starting a fight with Tommy's group prior to killing Joel, indicating that violence and a risk of injury and death were anticipated. Regardless of these sacrifices, Abby still allowed her own interests and desires to outweigh the trust and friendship of Mel. She grieved at the death of Mel and Owen but mostly at their loss. She did not display remorse over the fact that she had hurt Mel when she was alive.
   
4. Abby appears to take pleasure in the idea of slitting a pregnant woman's throat, specifically acknowledging that she is pregnant. This is just outright disturbing. It is almost universally accepted this is taboo, and there are even examples of animals in nature who know that there is something wrong with killing a pregnant creature. While one could definitely envision Abby killing a pregnant woman *in spite* of the fact that she is pregnant, the idea of her taking any pleasure from knowledge of this fact, even if out of spite, is horrendous.
   
5. Abby betrays the WLF, an organisation which she had become a key member and trusted companion of, in order to protect a stranger she had recently met, and decided that she wanted to protect. While it is understandable that she may have had moral hesitations to kill Lev, this may not immediately justify her killing off many of those she once considered friends and companions, and who had provided for her.
   
6. Perhaps most importantly, Abby does not reflect on how her newfound choice to protect Lev have essentially made her into a mirror of Joel. In choosing to become a guardian for Lev, she slaughters many of her own people because she protects the new person she has chosen to care about. Her journey to protect Lev strongly mirrors what Joel had done to protect Ellie from the Fireflies. Yet, in spite of this, Abby does not come to reflect on how her journey should make her more empathetic to the man who had hurt her. The main point of the game is empathy, but Abby's conscience is fully set on the idea that Joel is an unforgiveable, unrepentant murderer who took away somebody close to her, but that her own actions are thoroughly justified and immune to any form of scrutiny. She pays no heed to the fact that her actions may have just made many more traumatised Abbys. Additionally, while it would be surprising and probably unrealistic to see Abby wish she could take killing Joel back, she never once acknowledges how her actions traumatised Ellie the same way Joel had traumatised her. As far as she is concerned, she was always right to kill Joel, and any attempts by Ellie to do what she had done, even if for the same reasons, are wrong.
   

A combination of the above make Abby far too unlikeable. I believe that it there is a strong chance that many of these factors could be watered down or retconned in the new show, if part II is actually played by those working on the show who had no prior experience with the franchise.

1. Abby may not deliberately and slowly torture Joel to death. It is probably more likely that she will just bash him to death in a fit of rage. Alternatively, if this part of the story is kept it will be mitigated by other changes.
   
2. Any reference to Abby torturing random Scars will most likely be removed. Alternatively, it could be changed to killing Scars to blow off steam.
   
3. The sex scene will likely be retained (I have zero faith Neil Druckmann will let it be cut), but she will probably show more remorse for it.
   
4. This part will most likely be changed to Abby saying "an eye for an eye" or "so was Mel", as opposed to "good".
   
5. Abby will be highly hesitant at first to kill her own people, but will gradually become numb to it similarly to the game. This is arguably the most forgivable point (audiences miss this sort of thing all the time unless they want to pick on a story) so it probably won't be changed much.
   
6. There's a 50/50 chance this could be changed. In all honesty, given the events of TLOU Pt. II it feels almost as if the setup for some genuine character growth for Abby was made but eventually cut because of "executive decisions". It would definitely tie into the message of empathy that the game is supposed to invoke. However, once again noting Neil Druckmann and his tendency to make bad decisions out of spite, there's always the chance that this again could be missed.
   

These mark many of the arguments I noticed that people had made against Abby's character, and what could probably be changed in the show given how prolific they are.

I had a lot of food for thought in the past week. To be fair, the suspicion that I could be AuDHD has been rummaging in my brain for quite some time now, but it took a talk with my co-worker who was recently diagnosed with Autism for me to really dig deeper. She is very high-functioning and high-masking, but we share so many traits in various aspects that it kind of just clicked for me.
I then spoke to my mum on Friday and asked her if she thinks it possible and funnily enough, she instantly said that it is extremely likely based on my difficulties in social scenarios and stimuli. She is a care worker and has completed many courses on autism due to her job, so hearing that made me feel extremely validated. I am currently only diagnosed with ADHD because I didn't bring up the possibility of autism at that point.
My symptoms are probably on the lower end of the spectrum. It is very hard to find resources online that are written specifically for women with AuDHD. So I thought to post here and see if people diagnosed with both can relate or if I'm just completely off the mark.
For a long time I didn't really do well in groups of people. They overwhelm and overstimulate me if I am not in a setting of people who don't share my special interests. Other times I simply just am.... Extremely uninterested in talking to people who don't like what I like. The point my mum highlighted was that I always avoided social interaction, that talking to people made me extremely anxious, that I never "fit in". I know that something like this can be attributed to general anxiety or social anxiety, but for me the biggest issue is always that I simply don't know how to engage with people because I don't know how to be like them. Small talk doesn't do much for me. I learned to do it to be polite, because that's the social norm, but I don't care about it at all. I always just want to talk about my special interests and that's why it's easier for me to be social at, for example, comic cons and stuff. Because that's the only place where I feel like I can be myself. If I am forced to talk to "normal" people I feel out of place and extremely uncomfortable. I have to play a role, but always with the sense that I am an imposter.
Then there's eye contact. It makes me incredibly uncomfortable to look at a person's face when I am talking to them. I can't pinpoint why, but eye contact makes me squirm and cringe and I don't like it at all. I also force myself to do it now because again, it's kind of the norm.
My special interests absorb me and it's usually all I think about. I have always been a daydreamer, living in the world I am currently absorbed by. My partner is very likely on the spectrum too and luckily we share the same special interests, so that is an absolute blessing because he is the only person in my life I really don't have to mask with.
I have been stimming since I was a child, and textures are an especially important part for me. I always need to touch something with texture, even now.
But there's certain textures and smells that make me really uncomfortable. Oily or slimy things in particular. For the longest time I was unable to moisturise my skin because the feeling of cream is a big no for me. Therefore I've also hardly ever used sunscreen because the feeling AND smell is horrible for me. I apologise for the TMI but I struggle extremely with giving oral sex due to that reason too. I can't deal with the texture of certain bodily fluids and it makes me feel awful because my partner became insecure about it before. I tried to explain why to him, but I don't know how you explain something like that.
Empathy is a difficult subject. I always thought I was an extremely empathetic person, because I'm always there for other people and do what I can do help them. But if I really dig deep, I don't know if I truly ever understood someone's emotions in the way neurotypical people might. Big emotions make me uncomfortable because I don't know how to react. So it is likely my trying to comfort others was a way to help someone stop feeling these big feelings, so that it no longer makes me feel awkward. It sounds horrible, I know. That said, being empathetic is a lot easier when it happens on the internet, because I'm not directly next to someone who is crying. I also don't have any trouble crying at movies or stuff, and I am extremely against justice or harm against vulnerable groups (be that animals or people) and my empathy absolutely kicks in when I see injustice or harm against them. It is really tricky, and I don't know how to explain it.
However I think due to my ADHD I never struggled when my routine gets interrupted, because I'm so used to not having one. I am definitely stuck in ways to do stuff - I can't creatively think outside of the box and have to do things a certain way, be it at work or with my hobbies, and that places a huge barrier for me, because I feel like it prevents me from progressing. I did have emotional outbursts before when plans got interrupted I've prepared for in my head. But generally I can be quite spontaneous (or rather impulsive, if we're being honest) without trouble.
Sorry this got really long, but I'd be interested in hearing your stories and if you can relate. I'm probably gonna pursue a diagnosis eventually just to have a definitive answer and to be able to say "ah, this is why I am the way I am".

i keep having this dream about these taxedermied animal people that show up in random places around the area you live. there’s a fox, elk, and a wolf, and in this dream it’s rlly common to ask someone “hey is the fox still there or is it safe?” I have no idea what would happen if you encounter one bc that hasn’t happened in my dream, but they all have different temperaments, some being more aggressive than others
this is funny now but dream me was having a horrible time i was so stressed out. think fantastic mr fox but 10x more threatening

My dog, he’s about 4-5 the shelter was unsure of his age exactly, was moved shelter from shelter plus survived parvo & Lyme. Which means he had to be isolated for at least 3 weeks in the shelter for the parvo, I gave him antibiotics for the Lyme due to the shelter “missing it.” So basically when I got him, he was not labeled aggresive at all, which I’m totally aware aggression is always a risk you’re taking with an animal. But the point being, I got him and he was sooooo chill…because he was sooooo sick and almost dead. I’d walk him and he’d walk a few steps and just sit down :(. 3 days of antibiotics and he changed entirely. He became entergetic, playful etc . Don’t get me wrong my dog isn’t mean, I just genuinely think he’s been through some shit. Like when I do laundry, I lift hangers to put them in clothes and he gets scared. He’s scared of knives too, which I think is so odd for a dog to be scared of a blade. And he hates meeting new people, going to the park is super hard, and the vet is incredibly difficult. He has to be muzzled & medicated for the vet. Another thing is when I leave for work he’s in a kennel, he’s a small, maybe considers medium dog? He’s 25 lb and in a kennel large enough for a German Shepard. Lots of toys, blankets etc. I had to get a $300 hunting dog kennel for him because the other kennels despite being big enough, he kept breaking out of. When he’d break out he’d demolish the house. So I tried leaving him out? I thought maybe he just hated the kennel. So he chewed the doorframe completely off the door. Chewed holes in everything. And it’s not that I’m mad, I mean yea I’m frustrated but god I feel so bad for him. I can’t imagine being so anxious you chew through the doorframe trying to find your mom. I just wanna fix it and I don’t know how.

If you don't know who Mazu is, they're the one that created the spectacular Myth Bad Ending. That's one of my favorite animations I've seen and anyone that saw it really doesn't need an explanation as to why. They are at the top of their game.
So I just found out that Mazu has made an animation for Aster's new outfit story thingy. I don't know anything about Aster, but all I know now is... he's from NijiEN. Of course, that doesn't make him instantly a bad person, but man, having the company stamped onto his name made me just sad.
The animation is of course, incredible. I'm no animator nor an artist, but I mean one look and you know how good it is. The fights, the camera movements are all so fluid and exciting, the concept of a black hole fist is one I've been dreaming about so seeing it animated feels so cathartic, it is such an impressive animation! I absolutely love what Mazu does, and I highly encourage you follow them on Twitter and YouTube if you haven't already, but man seeing NijiEN made me so conflicted.
Think of it like this, this phenomenal animation was made, featuring a kickass power and a custom character. That makes me go "Damn, who is this character, I wanna check them out!". Then seeing it's actually a vtuber, so there's a cool persona and a good promotion for me to check out their channel. But then... they're from Nijisanji EN, a place that needs a full overhaul or collapse before I can fully enjoy any of the talents. At first I wanted to share this animation to others, but realizing that I'm promoting NijiEN in the process is infuriating. It really sucks man.
Of course, this was made way before February. Animation like these takes months, plus the sound design as well. It was probably even before Selen went silent, before the Last Cup of Coffee incident. But such a good animation, released by a person trapped inside a horrible company at the most horrible time, is disappointing.
Anyways, check the animation out if you like, it's definitely top tier, and follow Mazumaro for their bangers (looking at their timeline they're teasing a Bad End sequel, fuck yeah).

BoxOfficeTheory Presale Tracking
USA Showtimes As of May 17
Presales Data (Google Sheets Link)
BoxOfficeReport Previews
DOMESTIC PRESALES
Furiosa Thursday Comp assuming $5M for keysersoze123: $4.49M

• abracadabra1998 ($5.46M Thursday comp. GxK obviously really propping the average up but for now I could see that settling at around $5 Million, still good pace! (May 12). Really good stuff in this market (May 9). Reallyyyyyy good day 1 here. I want to note that: NO I do NOT think preview numbers will be that high; it's just highlighting the fact that this is likely a movie that will be running hot in my market, as cinephile blockbusters usually do. Next update I will have T-14 comps, which will be a lot lower due to the short release window (May 8).)
  
• AniNate (Encouraging to see the weekend fill out a bit. Been seeing a lot of promotion during the basketball playoffs so general awareness has to be getting there now. (May 15). Skimmed through ThuFri and Valley View (Cleveland vicinity) has sold roughly 60 Furiosa tix so far while Tinseltown (Canton) has sold 40. I'm guessing the upfront audience does lean more toward the urban/cosmopolitan sensibilities (May 9). Presales show there's definitely some hype for this. Regal gonna irritate trackers again, offering no upcharge IMAX for Furiosa (May 8).)
  
• Charlie Jatinder ($3.05M Thursday comp.)
  
• el sid ($5.8M average Thursday comp (without Exorcist 2) (May 12). Furiosa continues its strong performance in "my" theaters. The movie yesterday had already 1.310 sold tickets (for Thursday, May 23). Up 15% in ca. 24 hours which isn't bad at all after the first rush. Already comfortably in front of The Fall Guy's final sales (it had 1.071 counted on Thursday for Thursday) and almost on par with Civil War's final sales (1.357) and also the Apes finally had not more than 1.657 sold tickets in my theaters (May 11). I also can't complain about Furiosa's presales in my theaters, not at all. Already 1,138 sold tickets (in all of "my" 7 theaters) for May 23. 14 days left. Promising start. Civil War on Thursday of the release week for Thursday had 1,357 sold tickets and The Fall Guy finally had 1,071 sold tickets (May 9).)
  
• katnisscinnaplex ($3.94M Thursday comp.)
  
• keysersoze123 (Definitely chugging along. I am feeling good about 5m+ previews (May 15). It has way stronger sales than Garfield and that is expected. I am thinking of 5m previews for now (May 14). I think this is a solid OD presales. With a short PS window its probably looking at 5m+ previews (May 9).)
  
• TheFlatLannister ($4.71M Thursday comp. Second straight day of weak growth. Not a great sign (May 18). First meh day since presales started (May 17). Keeps climbing at a strong pace (May 11). This continues to grow at an excellent rate (May 10). Really strong day 2. The short presales is for sure a factor (May 9). Not seeing much of a breakout. Still pretty solid start to presales (May 8).)
  
• vafrow ($3.5M Thursday comp. A bit of a step back today (May 18). It's starting to heat up (May 17). Comps are showing as steady since the last update, but it actually dipped quite a bit this week before rebounding today. Advance ticket buying has been so off in this market recently for some reason. Holding pace with Apes is a good sign (May 16). It had a good day (May 12). Mediocre day 2 (May 10). Not the hottest start. IMAX is the format of choice though, so, ATP will be high (May 9).)
  
• YM! (Southeast Wisconsin: Pretty solid I guess for Furiosa. Seems that most of it's business is in the Marcus Theaters in Mequon/Waukesha so not really expecting much a diverse showing but there seems to be a fanbase around it. Feel good in everyone's 4.5-5M previews range (May 17).)
  

Hit Man

• vafrow (Getting a theatrical release up here in Canada, and early signs are that it might get a pretty decent screen count. Not super wide or anything, but a pretty decent amount for a weekend that has a lot of other releases (May 14).)

The Garfield Movie Thursday / EA+Thursday Comp: $1.22M/$1.97M

• abracadabra1998 ($0.72M EA comp and $1.19M Thursday comp. The two comps that are most helpful, Wish and Trolls (not PLF, EA on a weekend, family movies) are both pointing to a lot lower than average, so I'm inclined to give those a lot more weight. I'm thinking $500-600k for EA (May 18). Still not really accelerating, and the EA is falling against comps (May 12). Good EA numbers, but many of these comps were PLF-only EA, which this is not, so I think the ATP will be quite lower and that should be adjusted for (May 9).)
  
• AniNate (EA screenings are pretty filled to the brim here now for what that's worth. Maybe a surge in family demand will present itself later next week (May 17). EA sales look decent now, but this does feel rather weak compared to the IF presales. Not 100% certain what's going on here but based on this I buy the trades' opening estimates over the forum vibes (May 15). I definitely haven't seen as much of a rush here with Garfield as with IF (May 11).)
  
• el sid (The very even sales are a good sign (May 7). For Sunday, May 19, I can already report that also in my theaters it looks very good for Garfield. They will for sure add shows soon. It has so far only 1 show/theater and the shows are almost sold out, between 1 and 4 seats are still available. So my guess still is that this movie if it's not totally bad (and first reviews here were quite positive) will become a (big) hit. Seems not much on Thursday but it's a step in the right direction (May 6).)
  
• katnisscinnaplex ($0.91M EA comp and $1.11M Thursday comp. Lightyear probably the best comp here size-wise for Early Access, probably ends around 750-800k (May 18).)
  
• keysersoze123 (4 days later. Almost no pace so far. Sunday shows are near sellout and so limited growth. Previews are like 35% of Panda 4 and Friday is under 1/3rd. That said this will under index in MTC1 as Panda also did that. Still struggling to see this as a breakout. Looking at the current state, it looks like half of IF as well !!! Of course that had Reynolds and did not finish that great (May 17). Its definitely weaker than even Elemental. That said these movies tend to finish strong and so I am not writing it off so early. Just that the long PS window is irrelevant for them. They could rather start presales like a week before release and it would be all the same. Meh. We have to wait until next week to gauge where its going to finish. It has very low ATP as well and actual would be even lower as its going to see tons of kids tickets (May 14). Early shows are regular digital shows at 1PM this sunday. So ATP will be very low. I think 500k ish at best. Preview let us see how things go in the final week. Presales at this point are almost non existent (May 13).)
  
• TheFlatLannister ($2.18M Thursday comp. Not much movement at all in the past week. Probably heading to $2M+ (May 17).)
  
• vafrow ($0.4M Thursday comp. Comps don't paint a pretty picture though. EA shows are doing okay (May 11). Still no sales for my core sample for previews. But I did the larger sweep, which shows the interest right now is the Sunday early access shows. Looking at sales patterns, it's mainly blocks of 3/4 tickets, so likely families grabbing some. It's worth noting that the May holiday in Canada is the weekend of May 17-20th, not the weekend after with Memorial Day. I can see families prioritizing getting out the holiday weekend when they have more time (May 4).)
  
• YM! (The combined previews total for Garfield is 35 tickets with 23 tickets coming from EA, which is pretty solid. Still thinking around 2-2.75m previews with EA as while not as widespread, the showings seem like they’re filling up nicely. Think Garfield does about the same as IF though OW as due to the likely lower ATP Keyser hinted at iirc and seemingly little screen space with no PLFs. Meh, kids animation doesn't really make much notion until the Monday for release and Garfield seems indicative of that. Thinking the 1.5-2M Thursday previews range folks were spitting out makes sense. Nothing screams breakout though and the fact it's getting one screen, maybe two at most for previews makes me feel like OW might be similar to IF (May 17).)
  

Bad Boys: Ride or Die Thursday / EA+Thursday comp: $3.64M/$5.30M

• abracadabra1998 ($3.78M Thursday comp. These numbers are from last Thursday, as per my post this morning. This is a more walk-up movie a la Aquaman or Apes so I think it's a pretty good start (May 18). Pretty good start for it honestly (May 16).)
  
• katnisscinnaplex ($5.30M EA+Thursday comp.)
  
• TheFlatLannister ($3.68M Thursday comp. Well, this is a pretty good start (May 17).)
  
• YM! (Again, another solid start-ish. I expect Bad Boys to have the most diverse audience. Can't really predict much on previews but I am feeling confident in the 55-60m OW range for the past few weeks (May 17).)
  
• vafrow ($3.45M Thursday comp. Comps are not the greatest. One, surprisingly hard to find a comparable film with similar start on sales. Plus, I think ticket buying patterns have changed pretty drastically in my market over the last few months. There's very little up front sales compared to late 2023. Dune was the exception (May 17).)
  

The Lord of the Rings Extended Edition Re-Releases (June 8-10)

• BoxOfficePro (Fathom Events has also announced that select Regal Cinemas will present the films in 4DX on June 22/23/24 for Fellowship/Towers/Return respectively (May 14).)
  
• katnisscinnaplex (Up to ~1,400 shows now with new locations picking it up and others adding a second showing. LotR1 has sold 831 seats OD, LotR2 sold 715 seats OD, and LotR3 sold 735 seats OD. For comparison, Phantom Menace didn't break 800 tickets until T-3 and we're still over a month out. JW3 comp is currently around 9m (it was at 1,670 tickets sold at this point!) (May 6).)
  

Inside Out 2 Average Thursday Comp: $7.66M

• abracadabra1998 ($3.67M Thursday comp. Holy numbers of shows and seats! Multiplexes are really expecting a lot here. Sales off the bat not amazing here sadly, but we shall see where it goes (May 15).)
  
• AniNate (It is encouraging that Canton is already giving me something to work with with 12 Thursday preview sales. Same number for Fri-Sun. I do see nine sales for first Thursday at Canton now and I think that's a pretty solid start (May 15).)
  
• charlie Jatinder ($11.37M Thursday comp at MTC2.)
  
• katnisscinnaplex ($6.21M Thursday comp. Early sales just haven't been there lately except for the extreme fans. $12.27M Mario comp (May 18). Already at 180 shows for previews in my areas and still has a few theaters left to post. For comparison, Godzilla x Kong finished with 197, Kingdom of Apes 190, and Kung Fu Panda 205 (May 14).)
  
• keysersoze123 (At least the show counts show Plexes are expecting a big OW. I dont remember when we last had a animation movie start with so many shows. I wont count Mario as that was a fan driven movie. Definitely not great presales but this is not a fan driven movie. Let us see where things are in the final week (May 15). Too early to judge presales as ticket sales just started early this morning. Families dont book tickets on weekday mornings. Wait until evening today to judge it. From a release perspective its way bigger than all animation movies seen recently including Panda 4. Easily the biggest I have seen in a long time. Only movie which is not comparable is Mario but that was not just a family flick (May 14).)
  
• Porthos (VERY BAD COMPS: $8.06M Thursday comp. What a strange pre-sale pattern. Threw in Shazam 2 and Barbie simply due to having nothing suitable at T-27, and I wanted something that was backloaded in pre-sales. Was prepared to make a smart-aleck comment about the unsuitability of the pre-sale pattern of Barbie, but after today's update... Okay, yeah. Still no. But what a weird pattern. Was there some sort of promo that dropped today that I'm not aware of? Either way, just a great day (for this type of movie at this point in pre-sales) (May 17). Fairly strong day today, actually. Was concentrated at a couple of theaters (including a small group sale at one showing), but still, sales are sales (May 16). I really do not have good comps for this movie. Like, at all. Especially for D1. With that in mind, I did some digging and did manage to get the Elemental D1 numbers out of the old Tracking thread: IO2 = 5.45946x Elemental on D1 [13.10m]. Now will Inside Out 2 be as backloaded as Elemental? Well it's tough to literally sell 5.5x times the amount of tickets on the final couple of days that Elemental did, so perhaps not. But it does show how fracking backloaded purely kids animation is. Anyway, this is 30 days out and it isn't a CBM film (like AtSV) or CBM-adjacent film (like Incredibles 2). The Sonic 2 comp is perhaps a little concerning. On the other hand, nearly a weeks more of pre-sales so not exactly a great comp. 3.5% of presales are 3D and 40.1% are PLF (May 15). On the Saturday of release weekend (ie NOT EA) there is a special event screening for IO2: INSIDE OUT 2: FUNKO FAMILY EVENT! (2024) Sat June 15th. Might boost the OW slightly, depending on how wide this event is and how much more these tickets will presumably cost (May 11).)
  
• TheFlatLannister ($8.97M Thursday comp. Definitely the biggest rollout in showings since I've started tracking Florida. Bigger than even Dune 2 and it's only T-26 (May 18). This is a super super strong day 2. Probably just Orlando overindexing, but yeah starting to lean towards something big brewing. Florida presales are somehow even crazier. Sold 2357 seats and is getting a blockbuster rollout in terms of showing allocations. Kung Fu panda comp day 2: gives me $8.50M (May 15). Well, I can't really tell if this is a breakout or not yet. Looks very good especially in the first few hours. These are probably terrible comps, but might as well try something (May 14).)
  
• TwoMisfits (I'm kinda shocked at the opening set from my Cinemarks... 2 screens (1 PLF, 1 not) and 6 showings at my PLF 14 for Thursday (and 11 showings on the same screens once it runs full day - 7 PLF b/c 1 is 3d on the reg screen, 4 not)... 3 screens (.75 3d, 2.25 not) and 9 showings at the non-PLF 12 for Thursday (and 12 showings on 2.25 screens once it runs full day)... So, 2 and 2.25 screens for the weekend presale sets... Disney must be charging a huge % for themselves b/c this is an Elemental opening set at my PLF...a little more generous for Thursday at my non-PLF, but then they too drop to an Elemental opening set after the adult Disney base Thursday rush... (May 14).)
  
• vafrow (No new sales. Whatever glitches in the system on day 1 didn't push sales to day 2. I still think the lack of base ticket options will push families to wait. Cineplex has jacked up the cost of premium formats, plus they're throwing in an increase for opening weekend of major releases. It adds up quickly for families (May 16). With the site glitching yesterday, it might account for the slow start. But, what's interesting is the format breakdown. Nothing is being made available in anything close to a regular showtime. The one non 3D showing in Dolby is a matinee showing. Everything else is carrying a hefty premium. They'll likely release regular showtimes closer to release, but right now, it's priced to get eager fans to pay the premium formats (May 15).)
  
• YM! (Seems IO2 is playing more like a kid's animation than a family event in start of presales. However, it is pretty solid for what it is. Do not have comparisons for anything but I like that Majestic is healthy and it about 66% of Garfield T-6. Thinking anywhere from 75m-100m OW rn but can change as we go along (May 17). In fairness it's only been an hour but yeah sales are softer than I expected. However, it is a month out and will largely skew more towards kids than say TLM/Across so wasn't expecting a blitz like them. Here at Marcus theaters are going all out for IO2 with it having the lion share of PLFs with it getting both screens when there is two PLFs with tentpole like levels of screens (May 14). Was taking a look at Marcus Cinemas to see that they have preloaded Inside Out 2 showtimes which seem to start at 3:00 pm on a Thursday. It seems like Marcus is going all out on it as judging from showtimes it's taking away all of Bad Boys’ PLFs in that theaters that have two+ PLFs are giving all to IO2 (May 11).)
  

Deadpool and Wolverine

• keysersoze123 (Only number that matters is OD presales. after few days it will hit a trough and then it will plod along until social media reactions and reviews hit close to release. I think we can kind of predict its OW after its OD presales (May 18). RESPONSE TO PORTHOS: Captain Marvel had very strong sales on its OD despite early start. So OD is all about fans. It does not matter if you start 2 weeks before or 9 weeks. They will still book. So it would be interesting to compare OD sales not only with CM for @Porthos but also the big openers in 2022/23 period from MTC perspective. 1) DS2 - 230k ish. 2) Thor 4 - 136k ish. 3) Wakanda - 110k. 4) Ant 3 - 88K. 5) Guardians 3 - 70k ish. I wonder where Deadpool 3 will land. Anything is fine as long as it does pull in a Marvels (May 17).)
  
• Porthos (No point of comparison for a movie starting presales this early (60+ days before release). Only MCU entry which comes close was Captain Marvel back in Jan of 2019 (T-58 start date). Aside from that, the only other Disney release would be TROS starting at T-59. This is gonna be the longest pre-sale window for a major Disney release since The Last Jedi all the way back in 2017 (which looks to be around 70 days if a cursory check of when tickets went on sale is correct). Hell, it's gonna be the longest major release of any studio since Fast X's execrable 99 day pre-sale window. Have had some that came close-ish, but probably the most on-point recent comparison will be Jurassic World 3's 43 day pre-sale window, which is still over three weeks shorter than this one. I mention this because the sheer length of the pre-sale window will very likely depress the D1/D2/D3 sales somewhat. Maybe not much, but you can't tell me there'd be no difference between a T-21 launch, a T-29 launch, a T-35 launch and a T-65 launch. Sure, it's a matter of smaller degrees when comparing something like a BP2 (starting at T-38), but that extra month is probably gonna slice some numbers off the top of the pile, especially after the first day (May 17).)
  

Domestic Calendar Dates (last updated May 16):
MAY

• (May 19) Review Embargo Lifts [Garfield 9 PM EST]
  
• (May 20) Presales Start [Deadpool and Wolverine (9 AM EST)]
  
• (May 20) Opening Day [Monday: Spider-Man Homecoming Re-Release]
  
• (May 22) Presales Start [The Watchers]
  
• (May 23) Presales Start [Summer Camp]
  
• (May 23) Thursday Previews [Furiosa: A Mad Max Saga + Hit Man + The Garfield Movie + Sight]
  
• (May 26) Presales Start [Bikeriders]
  
• (May 27) Opening Day [Monday: Spider-Man Far From Home Re-Release]
  
• (May 30) Presales Start [A Quiet Place: Day One]
  
• (May 30) Thursday Previews [Ezra + Haikyu!! The Dumpster Battle + Summer Camp + Robot Dreams]
  

JUNE

• (June 3) Opening Day [Monday: Spider-Man No Way Home Re-Release]
  
• (June 5) Presales Start [Despicable Me 4]
  
• (June 6) Presales Start [Twisters]
  
• (June 6) Thursday Previews [Bad Boys: Ride or Die + The Watchers]
  
• (June 8) 1-Saturday Re-Release (1st day) [The Lord of the Rings: The Fellowship of the Ring Extended Edition]
  
• (June 9) 1-Sunday Re-Release (1st day) [The Lord of the Rings: The Two Towers Extended Edition]
  
• (June 10) 1-Monday Re-Release (1st day) [The Lord of the Rings: Return of the King Extended Edition]
  
• (June 13) Thursday Previews [Inside Out 2]
  
• (June 15) 1-Saturday Re-Release (2nd day) [The Lord of the Rings: The Fellowship of the Ring Extended Edition]
  
• (June 16) 1-Sunday Re-Release (2nd day) [The Lord of the Rings: The Two Towers Extended Edition]
  
• (June 17) 1-Monday Re-Release (2nd day) [The Lord of the Rings: Return of the King Extended Edition]
  
• (June 20) Thursday Previews [The Bikeriders + Janet Planet]
  
• (June 27) Thursday Previews [Blue Lock The Movie -Episode Nagi- + Horizon: An American Saga Chapter 1 + A Quiet Place: Day One]
  

JULY

• (July 1) Presales Start [Longlegs]
  
• (July 2) Opening Day [Wednesday: Despicable Me 4]
  
• (July 4) Opening Day [Thursday: Possum Trot]
  
• (July 4) Thursday Previews [MaXXXine]
  
• (July 11) Thursday Previews [Fly Me to the Moon + Untitled New Line Horror movie]
  
• (July 18) Thursday Previews [Twisters]
  
• (July 25) Thursday Previews [Deadpool and Wolverine + Didi + Fabulous Four]
  
• (July 29) Presales Start [Alien: Romulus]
  

AUGUST

• (August 1) Thursday Previews [Harold and the Purple Crayon]
  
• (August 8) Thursday Previews [Borderlands + Colleen Hoover’s It Ends With Us + Cuckoo + The Fire Inside + Trap]
  
• (August 15) Thursday Previews [Alien: Romulus + Horizon An American Saga Chapter 2 + Ryan’s World the Movie: Titan Universe Adventure]
  
• (August 22) Thursday Previews [Blink Twice + The Crow + The Forge + Slingshot]
  
• (August 29) Thursday Previews [City of Dreams + Reagan + They Listen]
  

Presale Tracking Posts:
April 23
April 25
April 27
April 30
May 2
May 4
May 7
May 9
May 11
May 14
May 16
Note: I have removed most tracking data that has not been updated for 2 weeks. I think there is value in keeping data for a week or two but at a certain point they start to lose their value and should not be treated the same as more recent tracking data.

I’m looking for a meme it has mr incredible lifting up the car, insinuating looking for a v@pe. I believe it says something like. “Girls looking for their v@pe” or “me looking for my v@pe”

I was 16 when I got my first paid IT job in NYC. Back then the minimum wage was $4.75. For my $10 an hour cash IT job, I created a website with animated gifs using html and photoshop, domain registration, ran email campaigns through AOL dialup. Was this a fair pay considering the age and the duties above?