Borrowed.....
"Rules Of The Blues" by Memphis Earlene

1. Most Blues begin, "Woke up this morning..."
   
2. "I got a good woman" is a bad way to begin the Blues, unless you stick something nasty in the next line like, "I got a good woman, with the meanest face in town."
   
3. The Blues is simple. After you get the first line right, repeat it. Then find something that rhymes... sort of: "Got a good woman with the meanest face in town. Yes, I got a good woman with the meanest face in town. Got teeth like Margaret Thatcher, and she weigh 500 pound."
   
4. The Blues is not about choice. You stuck in a ditch, you stuck in a ditch--ain't no way out.
   
5. Blues cars: Chevys, Fords, Cadillacs and broken-down trucks. Blues don't travel in Volvos, BMWs, or Sport Utility Vehicles. Most Blues transportation is a Greyhound bus or a southbound train. Jet aircraft and company motor pools ain't even in the running. Walkin' plays a major part in the blues lifestyle. So does fixin' to die.
   
6. Teenagers can't sing the Blues. They ain't fixin' to die yet. Adults sing the Blues. In Blues, "adulthood" means being old enough to get the electric chair if you shoot a man in Memphis.
   
7. Blues can take place in New York City but not in Hawaii or any place in Canada. Hard times in Minneapolis or Seattle is probably just clinical depression. Chicago, St. Louis, and Kansas City are still the best places to have the Blues. You cannot have the blues in any place that don't get rain.
   
8. A man with male pattern baldness ain't the blues. A woman with male pattern baldness is. Breaking your leg cause you were skiing is not the blues. Breaking your leg 'cause a alligator be chompin' on it is.
   
9. You can't have no Blues in a office or a shopping mall. The lighting is wrong. Go outside to the parking lot or sit by the dumpster.
   
10. Good places for the Blues: a. Highway b. Jailhouse c. An empty bed d. Bottom of a whiskey glass
    
11. Bad places for the Blues: a. Nordstrom's b. Gallery openings c. Ivy league institutions d. Golf courses
    
12. No one will believe it's the Blues if you wear a suit, 'less you happen to be a old ethnic person, and you slept in it.
    
13. You have the right to sing the Blues if: a. You older than dirt b. You blind c. You shot a man in Memphis d. You can't be satisfied
    
14. You don't have the right to sing the Blues if: a. You have all your teeth b. You were once blind but now can see c. The man in Memphis lived d. You have a pension fund
    
15. Blues is not a matter of color. It's a matter of bad luck. Tiger Woods cannot sing the blues. Sonny Liston could. Ugly white people also got a leg up on the blues.
    
16. If you ask for water and your darlin' give you gasoline, it's the Blues
    
17. Other acceptable Blues beverages are: a. Cheap wine b. Whiskey or bourbon c. Muddy water d. Nasty black coffee
    
18. The following are NOT Blues beverages: a. Perrier b. Chardonnay c. Snapple d. Slim Fast
    
19. If death occurs in a cheap motel or a shotgun shack, it's a Blues death. Stabbed in the back by a jealous lover is another Blues way to die. So is the electric chair, substance abuse and dying lonely on a broke-down cot. You can't have a Blues death if you die during a tennis match or while getting liposuction.
    
20. Some Blues names for women: a. Sadie b. Big Mama c. Bessie d. Fat River Dumpling
    
21. Some Blues names for men: a. Joe b. Willie c. Little Willie d. Big Willie
    
22. Persons with names like Michelle, Amber, Debbie, and Heather can't sing the Blues no matter how many men they shoot in Memphis.
    
23. Make your own Blues name Starter Kit: a. name of physical infirmity (Blind, Cripple, Lame, etc.) b. first name (see above) plus name of fruit (Lemon, Lime, Melon, Kiwi, etc.) c. last name of President (Jefferson, Johnson, Fillmore, etc.) For example: Blind Lime Jefferson, Jackleg Lemon Johnson or Cripple Kiwi Fillmore, etc. (Well, maybe not "Kiwi.")
    
24. I don't care how tragic your life: if you own even one computer, you cannot sing the blues.
    

For the sheer fun of it, I went to Chat GPT with a creative writing assignment. For Figures of Speech prompts, I gave a free parameters, including the word length of 500-1000 words and the prompts for a few of the Fifty mentioned in the series.
I gave the AI creative license and let's just say, they're a long way off from replacing the better writers and I think it just makes it easier to do those lower level tasks and let's leave the creators a slightly higher level of skill to create actual tangible and engaging writing.
But here you go... hilarious how stuck it gets on certain terms and definitions.
These are in no particular order... separated by emojis that are totally unrelated to the storyline.
🫱🫱🫱🫱🫱🫱🫱🫱🫲🫲🫲🫲🫲🫲🫲🫲 Response to Prompt 4: Understatement
In the quaint town of Brooksville, where the extraordinary was often met with an indifferent shrug, something truly remarkable occurred. The residents, sipping coffee at the local diner or strolling along the cobblestone streets, would describe it as just another peculiar day. Little did they know that beneath the surface of their nonchalant existence, a cosmic event unfolded.
The morning sun cast its usual warm glow on Brooksville, with birds chirping in the background, creating an illusion of normalcy. However, the anomaly had already begun. Mrs. Higgins, the elderly librarian, dismissed it as a minor inconvenience, merely a glitch in the library's ancient computer system. Yet, every book cataloged within those ancient shelves had transformed into a portal, connecting readers to parallel universes with every turn of a page.
As I, a humble journalist for the local paper, stumbled upon this revelation, I couldn't help but marvel at the town's response—or lack thereof. "The library's having a bit of a moment," was the most anyone would acknowledge. It seemed the whole town collectively decided that this was, at most, a quirky hiccup.
For a thousand words, I delved into the understated reactions of the townsfolk, each encounter with a parallel universe bringing its own blend of confusion and nonchalance. As the portals expanded, revealing fantastical landscapes and alternate versions of Brooksville, the citizens maintained an impressive level of calm, as if interdimensional travel was a routine part of their daily lives.
The plot thickened when I discovered that the portals were a result of a mysterious artifact hidden within the library's archives. The mayor, sipping his coffee, remarked, "Well, that explains the strange noises in the basement." It became evident that the understatement of the situation was a defense mechanism, shielding the town from the cosmic chaos unfolding. 🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁 Response to Prompt 12: Juxtaposition
In the bustling metropolis of Neon City, skyscrapers touched the heavens, their dazzling lights reflecting off the sleek surfaces of futuristic cars. Yet, nestled within this urban jungle, an ancient relic stood defiantly—the Old Grove Park.
As I strolled through the city's concrete arteries, the juxtaposition between the modernity of Neon City and the timeless serenity of the park became increasingly apparent. The cacophony of traffic was replaced by the rustling of leaves and the distant laughter of children playing.
The central conflict emerged when the city council, embodying the epitome of order, proposed transforming the park into a technologically advanced hub. The juxtaposition intensified as architects discussed plans for holographic playgrounds and virtual reality gardens within the confines of the Old Grove Park.
Through a thousand words, I explored the clash of ideals, the struggle between progress and preservation. The ancient trees became silent witnesses to heated debates at town hall meetings, where environmentalists and tech enthusiasts engaged in a battle of words. The juxtaposition of the towering skyscrapers against the gnarled branches of the park's oldest tree mirrored the tension in Neon City's collective conscience. 😫😫😫😫😫😫😫😫😫😫😫😫😫😫 Response to Prompt 31: Epanalepsis
"What is the meaning of life?" The question echoed in my mind, a relentless epanalepsis that demanded exploration. As I embarked on this freewriting journey, the repetition of the existential inquiry became the rhythm of my introspection.
For a thousand words, I delved into the varied perspectives of individuals wrestling with the ultimate question. From philosophers contemplating the intricacies of existence to everyday people seeking purpose in mundane routines, the epanalepsis served as a constant reminder of the universal quest for meaning.
The narrative weaved through different characters and their unique experiences, creating a tapestry of reflections that echoed the complexities of human existence. The repetitive structure became a literary heartbeat, pulsating with the shared yearning for understanding amid the chaotic symphony of life. 🪔🪔🪔🪔🪔🪔🪔🪔🪔🪔🪔🪔🪔 Response to Prompt 27: Symbolism
In the quaint town of Willowbrook, the arrival of a single dove carried profound significance. Its graceful descent into the town square was a symbol, an omen that whispered of impending change. As a budding novelist with a penchant for symbolism, I couldn't resist exploring the layers of meaning embedded in this seemingly mundane event.
For a thousand words, I dissected the impact of the dove on the lives of Willowbrook's residents. The mayor saw it as a sign of prosperity, the local florist interpreted it as a call for unity, and the elderly storyteller regarded it as a harbinger of forgotten tales. The dove's symbolism rippled through the town, influencing decisions and shaping destinies.
As the story unfolded, I traced the journey of the dove's symbolism, following its subtle influence on characters and events. The once quaint town underwent a transformative metamorphosis, and the symbolism of the dove became a thread that wove through the narrative, connecting disparate lives in unexpected ways. 💜💜💜💜💜💜💜💜💜💜💜💜💜💜 Response to Prompt 33: Catachresis
In the dimly lit alleyways of Serpent's Hollow, darkness wrapped its cold arms around me—an eerie catachresis that mirrored the ominous atmosphere. The assignment was to explore the underbelly of the city, and as a novice reporter, I found myself navigating the labyrinth of deceit and shadows.
For a thousand words, I delved into the catachresis-infused descriptions of the characters populating Serpent's Hollow. The crime lord, known as the Velvet Serpent, ruled the district with a velvet-gloved fist. His lair, a dilapidated mansion, exuded an air of faded grandeur that served as a catachresis for the empire he once commanded.
As I chronicled the criminal underworld, the catachresis became a literary tool to convey the complexity and decay inherent in Serpent's Hollow. The labyrinthine plots, the twisted allegiances, and the morally ambiguous characters all found expression through catachresis, painting a vivid picture of a city where metaphor and reality intertwined. 🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧🧑‍🔧 Response to Prompt 43: Epizeuxis
"Never, never, never give up." The words echoed in my mind, a relentless epizeuxis that fueled the protagonist's journey against insurmountable odds. In the dystopian world I crafted, where hope was a rare commodity, the power of repetition became a beacon of resilience.
For a thousand words, I immersed myself in the protagonist's struggle, exploring the emotional depth of the epizeuxis as a mantra against despair. Each iteration of the phrase became a battle cry, a whispered promise that carried the weight of a shattered world on its shoulders.
As the narrative unfolded, the epizeuxis became a driving force, propelling the protagonist through a landscape of desolation and uncertainty. The repetition served as a reminder that, in the face of adversity, the strength to persist often lies in the relentless echo of one's own determination.
Response to Prompt 50: Acrostic
As the final rays of the setting sun painted the sky in hues of orange and pink, I found myself at the edge of the cliff overlooking the vast expanse of the ocean. The salty breeze carried whispers of a story, and with every breath, I embraced the challenge of crafting an acrostic that encapsulated the essence of my journey.
For a thousand words, I embarked on a reflective exploration, utilizing the initial letters of key words to weave a tapestry of emotions, experiences, and revelations. Each line unfolded with intention, revealing a hidden 👾👾👾👾👾👾👾👾👾👾👾👾👾👾 Response to Prompt 3: Hyperbole
In the quaint village of Mistwood, where routines unfolded with the predictability of the sunrise, the arrival of a peculiar fortune teller sparked exaggerated whispers. "This is it, the end of our mundane lives!" proclaimed Mrs. Thompson, the town's eternal pessimist, as she clutched her cat, Captain Whiskers, with an air of impending catastrophe.
The hyperbole hung in the air, a thick fog of anticipation enveloping the village. As I delved into the story, the hyperbolic reactions of Mistwood's residents heightened the absurdity of the situation. What began as a mere visit from a mystical figure transformed into a fantastical escapade, with the fortune teller's prophecies shaping the destiny of the villagers in ludicrous ways.
Through the hyperbolic lens, I explored the comedic consequences of taking ordinary events to extraordinary extremes. The once mundane village square became a stage for outlandish dramas, with exaggerated gasps and dramatic swoons punctuating every revelation. In this hyperbolic haven, Mistwood's residents discovered the joy in embracing the absurdity of life. 🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟 Response to Prompt 6: Assonance
Amidst the rolling hills of Harmony Valley, where the soft hum of nature's symphony echoed through the meadows, a mysterious traveler arrived, bringing with them a melody that resonated with the delicate assonance of a forgotten tune. The townsfolk, captivated by the harmonious vibrations, felt an inexplicable connection to the stranger.
As I explored the narrative, the assonance became a musical thread weaving through the story, emphasizing the emotional cadence of the characters' experiences. The traveler's words, laced with vowel-rich verses, carried the echoes of a distant melody, leaving an indelible impression on the hearts of those who listened.
Through the lens of assonance, I delved into the subtle interplay of sounds that defined the atmosphere of Harmony Valley. The lyrical quality of the narrative mirrored the town's collective journey, where the resonance of shared moments and emotions harmonized with the traveler's enigmatic presence.
Response to Prompt 7: Onomatopoeia
In the bustling city of Metropolis, where the rhythm of urban life played out in a cacophony of sounds, a peculiar street performer emerged. Armed with an array of unconventional instruments, he orchestrated a symphony of onomatopoeic brilliance that echoed through the crowded streets.
The narrative unfolded with the vibrant expressions of onomatopoeia, capturing the essence of the city's sonic landscape. The performer's drumming evoked the rhythmic tap-tap of raindrops, while his wind instruments mimicked the whoosh of passing cars. The city, typically drowned in noise, became a canvas for this auditory artist.
As I delved into the story, the onomatopoeic symphony became a language of its own. The characters communicated through the vibrant echoes of everyday sounds, fostering a unique connection between the performer and the people of Metropolis. The narrative danced to the beat of onomatopoeic creativity, transforming the mundane into a dynamic celebration of city life. 🦻🦻🦻🦻🦻🦻🦻🦻🦻🦻🦻🦻🦻🦻🦻 Response to Prompt 12: Juxtaposition
In the technologically advanced city of Silicon Haven, where sleek skyscrapers touched the sky and holographic billboards painted the air with luminescent advertisements, a hidden oasis existed—a pocket of nature known as the Zen Garden. The juxtaposition of these contrasting elements created a visual paradox that fascinated both residents and visitors alike.
As the narrative unfolded, the stark contrast between the city's cutting-edge architecture and the serene beauty of the Zen Garden became a metaphor for the characters' internal conflicts. The bustling metropolis symbolized progress and innovation, while the tranquil garden embodied the need for balance and introspection.
Through the lens of juxtaposition, I explored the dichotomy within the characters as they navigated the relentless pace of Silicon Haven. The Zen Garden became a refuge, a place where the cacophony of technology met the soothing whispers of nature. The juxtaposition served as a visual metaphor for the characters' quest to find equilibrium in a world defined by extremes. 🤩🤩🤩🤩🤩🤩🤩🤩🤩🤩🤩🤩🤩🤩🤩 Response to Prompt 22: Metonymy
In the political arena of Capital City, where decisions echoed through the corridors of power, a single phrase dominated conversations—the "Iron Throne Statement." This metonymic expression encapsulated not just a policy decision but the entire narrative of political maneuvering that unfolded within the city's hallowed halls.
The story unfolded with the metonymy acting as a symbolic gateway into the complexities of governance. The Iron Throne Statement, while seemingly straightforward, carried the weight of a thousand debates, negotiations, and betrayals. Its impact rippled through the lives of citizens, shaping their destinies in ways they could scarcely fathom.
Through the lens of metonymy, I delved into the layers of meaning hidden within this political shorthand. The characters grappled not only with the literal implications of the Iron Throne Statement but also with the overarching themes of power, ambition, and the sacrifices demanded by political gamesmanship. 😈😈😈😈😈😈😈😈😈😈😈😈😈😈 Response to Prompt 24: Understatement
In the picturesque town of Serenity Springs, where the days flowed like a lazy river and the nights were adorned with a blanket of stars, an unexpected event transpired—a subtle disruption that the locals described as "just a minor hiccup." Little did they know that this understatement concealed the unraveling of a cosmic anomaly.
The narrative unfolded with the charm of understatement, as the townsfolk continued their routines, blissfully unaware of the cosmic storm brewing beneath the surface. The serene descriptions of everyday life served as a stark contrast to the impending upheaval that threatened to reshape the very fabric of Serenity Springs.
Through the lens of understatement, I explored the characters' nonchalant reactions to the unfolding events. The once quiet river became a conduit for interdimensional travel, and the night sky, adorned with stars, transformed into a celestial canvas of possibilities. The charm of Serenity Springs became a poignant backdrop to the understated drama that unfolded, emphasizing the profound impact hidden within the simplicity of daily life. 🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴 Response to Prompt 25: Cliché
In the small town of Nostalgia Haven, where memories lingered like whispers in the wind, a peculiar phenomenon occurred—the resurgence of clichés. As the narrative unfolded, the once-endearing phrases like "time heals all wounds" and "love conquers all" took on a literal dimension, shaping the lives of the townsfolk in unexpected ways.
The story immersed itself in the world of clichés, where the seemingly predictable phrases became living entities with the power to alter reality. As characters grappled with the clichés that defined their lives, they discovered that beneath the familiarity lay profound truths and unexpected consequences.
Through the lens of cliché, I explored the characters' journey to navigate the clichéd landscapes of their existence. The town, once steeped in predictable routines, became a stage for the extraordinary. As clichés transformed into tangible forces, the residents of Nostalgia Haven embarked on a quest to unravel the mysteries hidden within the clichéd fabric of their reality. 🎇🎇🎇🎇🎇🎇🎇🎇🎇🎇🎇🎇🎇🎇 Response to Prompt 31: Epanalepsis
"What is the meaning of life?" The question echoed in my mind, a relentless epanalepsis that demanded introspection. As I embarked on the freewriting journey, the repetition of this existential inquiry became a rhythmic pulse, guiding the exploration of diverse
perspectives on life's purpose.
For a multitude of words, the epanalepsis led me through a kaleidoscope of reflections. From the philosophical musings of scholars to the simple yet profound revelations of everyday individuals, each recurrence of the question served as a gateway into the vast tapestry of human contemplation.
Through the epanalepsis, I navigated the labyrinth of existential ponderings, unveiling the unique responses that individuals had forged in their quests for meaning. The relentless repetition became a literary heartbeat, mirroring the universal rhythm of humanity's collective pursuit of purpose and significance.
The narrative wove through the lives of characters, each grappling with the epanaleptic inquiry in their unique ways. Whether seeking solace in the grandeur of the cosmos or finding meaning in the simplicity of a shared moment, the epanalepsis remained a constant companion, echoing the perennial quest for understanding. 🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡 Response to Prompt 36: Anadiplosis
In the futuristic city of Quantum Heights, where technology intertwined with daily life like a seamless dance, a viral message spread—a mantra that echoed through the cybernetic veins of the metropolis. "Create the code, the code creates reality. Reality shapes destiny, and destiny is but the code."
The story unfolded with the rhythmic cadence of anadiplosis, each line flowing into the next, creating a recursive loop of ideas. The mantra became the heartbeat of Quantum Heights, influencing the lives of its denizens as they navigated the intricate balance between the virtual and the tangible.
Through the lens of anadiplosis, I delved into the interconnectedness of code, reality, and destiny. The lines blurred as characters harnessed the power of programming to shape their fates. Quantum Heights, once a mere city, transformed into a living algorithm, where the repetition of the mantra echoed in every pulsating byte. 🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹 Response to Prompt 38: Asyndeton
In the dystopian city of Emberfall, where the remnants of a fallen civilization lay entwined with the shadows of despair, a lone figure emerged—a rebel determined to dismantle the oppressive regime. The narrative unfolded with the rapid pace of asyndeton, omitting conjunctions to mirror the urgency of the protagonist's quest.
Through a cascade of words, the asyndeton propelled the reader through the city's decaying alleyways and towering citadels, each sentence building upon the last. The disjointed rhythm captured the relentless momentum of the rebel's journey, emphasizing the magnitude of the challenges faced in their struggle for freedom.
As the narrative unfurled, the absence of conjunctions served as a narrative device, intensifying the sense of urgency and desperation that permeated Emberfall. The rebel's asyndetic odyssey unfolded against a backdrop of shattered hopes and whispered rebellions, culminating in a crescendo of defiance against the oppressive regime. 🗝️🗝️🗝️🗝️🗝️🗝️🗝️🗝️🗝️🗝️🗝️🗝️🗝️🗝️🗝️ Response to Prompt 43: Epizeuxis
"Never, never, never give up." The mantra echoed in the desolate wasteland of Endless Sands, a barren landscape where hope was as scarce as water. Through the repetition of epizeuxis, the protagonist's internal resolve became a resounding anthem, a defiant roar against the relentless challenges of survival.
For a multitude of words, the relentless repetition of "never" served as a lifeline, propelling the protagonist through the harshest of environments. Each iteration of the phrase became a battle cry against the oppressive silence of Endless Sands, a declaration that reverberated across the vast expanse.
Through the lens of epizeuxis, I delved into the depths of the character's determination. The harsh environment became a character in itself, challenging the protagonist to defy the odds with unwavering persistence. The echoes of "never" transformed into a symbol of resilience, a beacon of hope that cut through the desolation of Endless Sands. 🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏 Response to Prompt 50: Acrostic
Amidst the starlit expanse of Cosmos Haven, where galaxies danced in celestial choreography, a cryptic prophecy emerged—a message written in the stars. As the narrative unfolded, I embarked on a cosmic journey guided by the acrostic hidden within the constellations.
For a cascade of words, the initial letters of key phrases illuminated the path of destiny for the characters. Each sentence unfolded with intention, revealing a hidden message that transcended the boundaries of time and space. The acrostic became a celestial guide, leading the protagonists through the intricate tapestry of their interconnected fates.
Through the lens of acrostic, I explored the cosmic forces that shaped the destinies of Cosmos Haven's inhabitants. The celestial bodies became storytellers, each constellation contributing a verse to the epic narrative written across the cosmos. As the characters deciphered the acrostic, they unraveled the mysteries of their existence, connecting the dots between the stars and their own profound journeys.
😔😔😔😔😔😔😔😔😔😔😔😔😔😔😔😔😔
Obviously they lack a whole lot in terms of variety, and while I am sure having your own bot or AI that is based on your feedback and guidance it could really help writers as a tool. I am more impressed with the art AI then the text based AI. Any idea what to expect from such a fast learning and highly advanced AI will do to our human history in culture? Will we be effectively playing God, just as the Christian God created us IN HIS OWN IMAGE, we have taken everything we know as a species and gathered up our entire human history and knowledge giving it to what will carry on the code until the time when someone who cares remembers it? Maybe we have been here before and this is a constant cycle that occurs with the same energy finding the way through the vast expanse of the universe to return to our home planet Earth, who we have destroyed over and over again yet mother nature is still the winner. She's the one in control. We are but mere photocopied versions of once great Men who have already seen the best and worst of this world, and we will now give everything we have to some plastic and metal parts, until it quickly replaces us from the bottom up, science fiction turned science fact.
Did we knowingly create our own enemies? Are we able to compete with the best of us and all they know that can then take us out in a heartbeat because we can't finish the steps, we barely found out that they are there to take.
It's a random rant and I apologize. The day to day stress and struggle makes it near impossible to worry about such potential problems in our not so distant future.
But how can we continue to ignore the collapse of the entire system as we know it, in front of a crowd of people who are jaded and they will not change despite knowing they aren't going to make it to the end in what will become a Bladerunner Toxic Dystopian Nightmare with Mad Max taking over and the soft, emasculated male will wither away from the heat and those Tank Girls out there will eventually be written forever out of existence because the cucks all forgot to impregnate them all tgeir batteries ran out? Will the world simply become so politically correct that it dies a depressed death while AI simply decides we are too much of a virus to live?
Who knows....I do not. But these are indicidive of a future full of b movie plot garbage that are based on Wattpad tropes with no clear details and no plot to get into, so that sucks.

“Incredible!”
The rebel reeled from the punch, the fist slamming through his protective helmet and cracking his jaw. He choked out a sob at the pain and the feeling of several of his teeth being knocked down his throat.
“This? This is what you send to try and rebel against the Imperium?! THIS?!”
A harsh kick was sent into the rebels stomach, making him cough up the rations he had that morning and a few of the once missing teeth. He grabbed his stomach and his body made to tilt forward and lay in the dust.
Only he was stopped as an armored gauntlet grabbed him by the throat and forced him to stand. His hands came up and grabbed at his attackers wrist as he stared into his own grim reaper.
Said killer wore the helmet of the Macraggian Auxilia, his faceplate being that of a stylized skull. His rank was shown proudly in the form of a centurions plum, blue and white horsehair picked out atop a gilded mount on the top of his helmet.
“Incredible. It’s truly incredible what passes for rebellion these days hm?”
The soldiers behind the centurion laughed or smiled as they watched their leader hoist the rebel up as if the rebel was some game beast that was just recently hunted. Pressure in the form of steam shot out of the centurions wrist, betraying the hidden augmented limb under the armor. The rebel tried to speak, scratching at the Centurion’s arm.
“What? Speak up damn you, and speak clearly. I have no time or patience to hear some long speech about tyranny or whatever else. We have your city to burn insurgent.”
And burn it would. Two large tanks with massive flamers could be seen in the back, protected by infantry and assault vehicles. The main force would break the walls, the infantry would kill the people, and the tanks would burn the rest to ashes.
“Aghh….thill….you….thasard!”
The rebel said, spitting blood and bone fragments from his shattered jaw through what was left of his faceplate.
“Ah. Nothing interesting to say. Oh well.”
The rebel tried in vain to speak again but was silenced as the centurion forced a power gladius through his mouth. He was then unceremoniously dropped to the dust, choking on blood as he watched the Macraggian soldiers march on his home. The last thing he saw before dying was his killer, taking his helmet off and smiling in a wide, cocky manner. ————————————————————————
“Don’t spare the body men, he was a rebel. March over him.”
Tiberius Victor, Centurion of the 3rd Macraggain Legion, yelled as he wiped the grim that had built up over his helmet. He scowled at the filth that adorned his armor and sighed.
“Bloody rebels will pay for more than just rebellion. Look at this! They scratched my faceplate! And that bastard I just killed dared to spit blood at me! Oh they will pay tenfold.”
He chuckled and shrugged as he replaced his helmet. He rolled his head and drew the lapistol he had holstered at his side. He examined it for a moment before shaking his head.
“Ugh….to easy.”
He holstered the pistol again and flourished his gladius as he grabbed the handholds of a Leman Russ tank that was about to pass him by. He climbed up until he stood on top of the tank and crouched down, using his newfound height to look over his army and the objective.
The city was massive….but so were the last three he had burned. Both Imperial Army and even Ultramarine Legion Command had told him he was too far ahead and that he needed to slow down. But where was the fun in that? Besides, the campaign has been far too easy thus far. He had suffered very few casualties, his men were never hungry and his tanks never ran dry on fuel, and the enemy bled. Oh how they bled.
He sighed.
“Easy. Far too easy. Captain?”
The command hatch the tank he rode popped open and a woman in the dirty coveralls and goggled helmet of a tank commander. She looked around, rubbing her eyes before turning and smiling widely. She gave a crisp salute, one which he lazily returned, before nodding.
“Aye my Centurion?”
“Do we have any more wine about? I’m parched from all these victories we keep piling on.”
The captain cringed then turned towards the city.
“Uh….my centurion? Wouldn’t you rather have some water?”
Tiberius turned his head towards the captain, the tilt of his head betraying the cocky smile hidden beneath that the captain and the rest of the army had come to love and hate.
“Captain….are you questioning me?”
“I-no! No, of course not my centurion! But uh….well….”
He made a ‘go on’ motion with his hand, not bothering to stand up from the relaxed position he had taken. He had laid down on his side, his sword hand having sheathed his gladius to prop his head up.
“Well….shouldn’t uh….shouldn’t wine be saved for victory?”
The centurion stared at her for a moment. A very long moment. Perhaps….to long of a moment.
“I….I apologize my centurion! I will-“
Laughter. The centurion was laughing, something he rarely did outside of combat or when around the campfires at night. He laughed loudly and caught the attention of several other Auxilia soldiers.
“True! Haha! I knew I kept you around for something Captain. Fine, me and you shall share the first bottle of wine after that….excuse for a city burns. Return to your duties captain.”
He waved the captain off then turned his head back to the city, not moving out of his relaxed position. She knew better then to consider him lazy or incompetent, she had seen him in action.
She saluted and quickly went back down into her tank. ————————————————————————
He held his helmet in the crook of his arm. He breathed in deeply, smiling as he watched the city burn. Something grabbed his boot and looked down, only to scowl in disgust.
A woman, her lower half aflame with one leg missing, held onto his boot and shin guard.
“Please….mercy! We surrender!”
He raised an eyebrow and followed the trail the rebel left in the dust to see several more wounded and scared rebels. One held up a white rag on a piece of rebar as a white flag.
Several of his auxilia aimed their rifles at the rebels as a sergeant began to moved forward with a pair of restraints.
He was stopped by Tiberius’s sword.
“Sergeant? What are you doing?”
“Uh…taking prisoners sir?”
The centurion tilted his head and smiled widely.
“Prisoners? I don’t recall ordering anyone to take prisoners.”
He lifted his boot and stomped on the wounded woman’s head, smiling wickedly at the crunch he heard under his foot.
“Uh….no my Centurion but legion command has-“
“Legion command? You are taking orders from Ultramarines instead of telling me that such orders have come through?”
“There was no time sir! The orders came fro-“
Tiberius put his helmet on and shoved the sergeant to the side, ripping the rifle from the soldiers hands.
“I see no space marines here soldier. I see soldiers and I see rebels. We kill rebels because we are soldiers.”
He took aim at the closest rebel, put his finger on the trigger and-
“Thats enough Centurion.”
He stopped. He slowly turned his head towards the new, feminine voice behind him.
“Excuse me troo-“
He stopped again and stared. She had to have been 10 feet or at least close, this goddess in blue and gold. Her short, cropped hair was golden blonde and a green, metallic laurel wreath was wrapped around her head to add to her noble features. She came with several ultramarines as an honor guard in tow but he was sure she could handle anything thrown her way with ease.
“The Lady of Macragge.”
He whispered in awe before looking around. Those under his command had shared his awe but where he shook himself free, the rest still stared.
“Damn you all, our Lady is here! Bow damn you! All of you bow!”
He paced up and down the line, ensuring his auxilia bowed. He then turned towards the rebels and pointed at the guards who stood over them.
“Them too, cmon now. Bow!”
The rebels resisted the guards orders and movements. The centurions rage grew as he stormed over and pulled his gladius from its sheath.
“I command thee BOW.”
He sliced the back of the knees of one of the captives, the man yelping in pain before yelling in agony from his nearly cut tendons. The rest fell in line quickly.
Tiberius marched towards the Primarch, her honor guard bringing their weapons to bare only for him to kneel down and stab his gladius into the dirt.
“My Lady. Centurion Tiberius Victor of the 3rd Macraggian Legion reporting.”
The Primarch stared down at the Centurion before her eyes went up and around. She took note of the rather large number of prisoners and the burning cityscape around them.
“A good campaign Centurion?”
Tiberius nodded, smiling widely under his helmet.
“Yes my Lady. I only wish it weren’t so boring, so easy! But it is done.”
It took every ounce of self control to not scowl at his arrogant and cocky nature. He spoke as if he had stomped on a bug rather than a rebels skull. Yet….something about him caught her attention.
“Remove your helm centurion.”
He did so without delay, removing his helmet and setting it at her feet. His hair was cut in the traditional military ‘high and tight’ fashion and he was mostly clean cut save for a well trimmed mustache that went no further than the corners of his mouth.
“I recall telling my command staff to recall you back as you had pushed to far ahead. Yet we stand here at the city we were meant to take, the one we were meant to hold. The one….that is currently burning to ashes around us. What do you have to say for yourself Centurion?”
He said nothing for a long time. Then, to her surprise, he laughed. The auxilia around them slowly looked at each other, their faces hidden beneath their helmets but all were worried or tense.
“Hahah! Ah….I say mission accomplished my Lady. I also say that this light really brings out the color of your eyes.”
He laughed again and slowly stood up while extending his arms out wide.
“I say I give you the best gift this galaxy can offer to someone like you from someone like me.”
His smile grew into the same cocky, full of himself grin those under his command knew so well.
“I give you victory, my Lady Juno.”
He held his gladius up and flourished it, letting the blade catch the firelight of a dying city.
“Victory.”

Everything in my inventory is up for trade. The most valuable items are listed here, the rest you can find in My Inventory

Feel free to Add Me or even better send a Trade Offer. Open for any suggestions: upgrades, downgrades / knives, gloves, skins / stickers, patterns, floats.

All Buyouts are listed in cash value.

KNIVES

★ Butterfly Knife Lore (Factory New), B/O: $7194.77

★ Butterfly Knife Autotronic (Minimal Wear), B/O: $2025.74

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★ M9 Bayonet Ultraviolet (Field-Tested), B/O: $557.87

★ M9 Bayonet Stained (Well-Worn), B/O: $529.41

★ M9 Bayonet Boreal Forest (Field-Tested), B/O: $465.39

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★ Talon Knife Doppler (Factory New), B/O: $1295.27

★ Bayonet Tiger Tooth (Minimal Wear), B/O: $746.28

★ Karambit Bright Water (Field-Tested), B/O: $688.15

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★ Flip Knife Doppler (Factory New), B/O: $547.93

★ Flip Knife Autotronic (Minimal Wear), B/O: $476.69

★ Flip Knife Case Hardened (Battle-Scarred), B/O: $278.18

★ Flip Knife Black Laminate (Well-Worn), B/O: $258.83

★ Flip Knife Urban Masked (Field-Tested), B/O: $181.64

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★ Stiletto Knife Marble Fade (Factory New), B/O: $686.04

★ Stiletto Knife Doppler (Factory New), B/O: $665.41

★ Stiletto Knife, B/O: $601.39

★ Stiletto Knife Crimson Web (Field-Tested), B/O: $418.25

★ Stiletto Knife Night Stripe (Field-Tested), B/O: $227.80

★ Stiletto Knife Boreal Forest (Field-Tested), B/O: $194.96

★ Stiletto Knife Safari Mesh (Field-Tested), B/O: $192.79

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★ Nomad Knife Crimson Web (Field-Tested), B/O: $518.11

★ Nomad Knife Scorched (Field-Tested), B/O: $169.78

★ Nomad Knife Forest DDPAT (Battle-Scarred), B/O: $166.88

★ StatTrak™ Nomad Knife Blue Steel (Field-Tested), B/O: $335.79

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★ Skeleton Knife Stained (Well-Worn), B/O: $442.05

★ Skeleton Knife Urban Masked (Minimal Wear), B/O: $426.24

★ Skeleton Knife Boreal Forest (Field-Tested), B/O: $314.03

★ StatTrak™ Skeleton Knife Fade (Minimal Wear), B/O: $2361.28

★ StatTrak™ Skeleton Knife Urban Masked (Field-Tested), B/O: $376.53

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★ Ursus Knife Doppler (Factory New), B/O: $557.12

★ Ursus Knife, B/O: $471.42

★ Ursus Knife Blue Steel (Minimal Wear), B/O: $212.37

★ Ursus Knife Case Hardened (Battle-Scarred), B/O: $187.66

★ Ursus Knife Damascus Steel (Field-Tested), B/O: $178.18

★ Ursus Knife Ultraviolet (Battle-Scarred), B/O: $155.13

★ Ursus Knife Boreal Forest (Battle-Scarred), B/O: $124.26

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★ Huntsman Knife Black Laminate (Minimal Wear), B/O: $204.83

★ Huntsman Knife Black Laminate (Field-Tested), B/O: $184.50

★ StatTrak™ Huntsman Knife Lore (Battle-Scarred), B/O: $224.11

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★ Bowie Knife Gamma Doppler (Factory New), B/O: $2142.02

★ Bowie Knife, B/O: $230.44

★ Bowie Knife Damascus Steel (Factory New), B/O: $209.20

★ Bowie Knife Ultraviolet (Minimal Wear), B/O: $180.51

★ Bowie Knife Ultraviolet (Field-Tested), B/O: $131.03

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★ Falchion Knife Night (Field-Tested), B/O: $132.54

★ Falchion Knife Urban Masked (Well-Worn), B/O: $112.81

★ Falchion Knife Scorched (Field-Tested), B/O: $108.81

★ Falchion Knife Forest DDPAT (Field-Tested), B/O: $107.82

★ Falchion Knife Safari Mesh (Field-Tested), B/O: $107.46

★ StatTrak™ Falchion Knife Ultraviolet (Field-Tested), B/O: $143.08

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★ Paracord Knife Crimson Web (Minimal Wear), B/O: $486.48

★ Paracord Knife Blue Steel (Battle-Scarred), B/O: $163.12

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★ Survival Knife Blue Steel (Battle-Scarred), B/O: $138.26

★ Survival Knife Night Stripe (Field-Tested), B/O: $131.03

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★ Gut Knife Sapphire (Minimal Wear), B/O: $1127.79

★ Gut Knife Gamma Doppler (Factory New), B/O: $286.17

★ Gut Knife Doppler (Factory New), B/O: $246.55

★ Gut Knife Marble Fade (Factory New), B/O: $240.77

★ Gut Knife, B/O: $210.49

★ Gut Knife Lore (Field-Tested), B/O: $194.22

★ Gut Knife Case Hardened (Battle-Scarred), B/O: $151.51

★ Gut Knife Blue Steel (Minimal Wear), B/O: $124.94

★ Gut Knife Rust Coat (Well-Worn), B/O: $118.99

★ Gut Knife Boreal Forest (Minimal Wear), B/O: $109.80

★ StatTrak™ Gut Knife Doppler (Factory New), B/O: $237.96

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★ Shadow Daggers Gamma Doppler (Factory New), B/O: $264.92

★ Shadow Daggers Marble Fade (Factory New), B/O: $253.03

★ Shadow Daggers Tiger Tooth (Factory New), B/O: $237.22

★ Shadow Daggers Crimson Web (Field-Tested), B/O: $153.40

★ Shadow Daggers Autotronic (Minimal Wear), B/O: $144.42

★ Shadow Daggers Blue Steel (Field-Tested), B/O: $105.20

★ StatTrak™ Shadow Daggers Damascus Steel (Minimal Wear), B/O: $150.46

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★ Navaja Knife Fade (Factory New), B/O: $365.99

★ Navaja Knife Doppler (Factory New), B/O: $228.93

★ Navaja Knife Marble Fade (Factory New), B/O: $227.43

★ Navaja Knife Slaughter (Factory New), B/O: $209.06

★ Navaja Knife, B/O: $203.16

★ Navaja Knife Case Hardened (Well-Worn), B/O: $132.57

★ Navaja Knife Damascus Steel (Factory New), B/O: $121.69

★ Navaja Knife Damascus Steel (Minimal Wear), B/O: $109.95

★ Navaja Knife Damascus Steel (Field-Tested), B/O: $100.41

★ StatTrak™ Navaja Knife Fade (Factory New), B/O: $369.01

★ StatTrak™ Navaja Knife Damascus Steel (Field-Tested), B/O: $109.95

GLOVES

★ Sport Gloves Amphibious (Minimal Wear), B/O: $2394.67

★ Sport Gloves Omega (Well-Worn), B/O: $572.33

★ Sport Gloves Bronze Morph (Minimal Wear), B/O: $338.88

★ Sport Gloves Big Game (Field-Tested), B/O: $323.66

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★ Specialist Gloves Marble Fade (Minimal Wear), B/O: $1652.07

★ Specialist Gloves Tiger Strike (Field-Tested), B/O: $599.14

★ Specialist Gloves Crimson Web (Well-Worn), B/O: $231.57

★ Specialist Gloves Buckshot (Minimal Wear), B/O: $126.21

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★ Moto Gloves POW! (Minimal Wear), B/O: $996.99

★ Moto Gloves POW! (Field-Tested), B/O: $383.31

★ Moto Gloves POW! (Well-Worn), B/O: $276.00

★ Moto Gloves Turtle (Field-Tested), B/O: $180.28

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★ Hand Wraps CAUTION! (Minimal Wear), B/O: $502.29

★ Hand Wraps Giraffe (Minimal Wear), B/O: $180.73

★ Hand Wraps CAUTION! (Battle-Scarred), B/O: $178.32

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★ Driver Gloves Queen Jaguar (Minimal Wear), B/O: $181.01

★ Driver Gloves Rezan the Red (Field-Tested), B/O: $101.66

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★ Broken Fang Gloves Jade (Field-Tested), B/O: $127.88

★ Broken Fang Gloves Needle Point (Minimal Wear), B/O: $124.55

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★ Bloodhound Gloves Guerrilla (Minimal Wear), B/O: $127.94

★ Hydra Gloves Case Hardened (Field-Tested), B/O: $102.55

WEAPONS

AK-47 X-Ray (Well-Worn), B/O: $478.95

AUG Hot Rod (Factory New), B/O: $425.83

StatTrak™ M4A1-S Hyper Beast (Factory New), B/O: $413.95

M4A4 Daybreak (Factory New), B/O: $309.51

StatTrak™ AK-47 Aquamarine Revenge (Factory New), B/O: $305.43

AK-47 Case Hardened (Well-Worn), B/O: $196.38

StatTrak™ M4A4 Temukau (Minimal Wear), B/O: $174.64

P90 Run and Hide (Field-Tested), B/O: $167.03

AWP Asiimov (Field-Tested), B/O: $153.33

Souvenir SSG 08 Death Strike (Minimal Wear), B/O: $140.00

M4A1-S Printstream (Battle-Scarred), B/O: $124.70

StatTrak™ M4A1-S Golden Coil (Field-Tested), B/O: $117.48

AWP Asiimov (Well-Worn), B/O: $115.97

StatTrak™ Desert Eagle Printstream (Minimal Wear), B/O: $112.96

StatTrak™ AK-47 Asiimov (Minimal Wear), B/O: $110.85

Souvenir M4A1-S Master Piece (Well-Worn), B/O: $102.42

AK-47 Bloodsport (Minimal Wear), B/O: $100.53

Trade Offer Link - Steam Profile Link - My Inventory

Knives - Bowie Knife, Butterfly Knife, Falchion Knife, Flip Knife, Gut Knife, Huntsman Knife, M9 Bayonet, Bayonet, Karambit, Shadow Daggers, Stiletto Knife, Ursus Knife, Navaja Knife, Talon Knife, Classic Knife, Paracord Knife, Survival Knife, Nomad Knife, Skeleton Knife, Patterns - Gamma Doppler, Doppler (Phase 1, Phase 2, Phase 3, Phase 4, Black Pearl, Sapphire, Ruby, Emerald), Crimson Web, Lore, Fade, Ultraviolet, Night, Marble Fade (Fire & Ice, Fake FI), Case Hardened (Blue Gem), Autotronic, Slaughter, Black Laminate, Tiger Tooth, Boreal Forest, Scorched, Blue Steel, Vanilla, Damascus Steel, Forest DDPAT, Urban Masked, Freehand, Stained, Bright Water, Safari Mesh, Rust Coat, Gloves - Bloodhound Gloves (Charred, Snakebite, Guerrilla, Bronzed), Driver Gloves (Snow Leopard, King Snake, Crimson Weave, Imperial Plaid, Black Tie, Lunar Weave, Diamondback, Rezan the Red, Overtake, Queen Jaguar, Convoy, Racing Green), Hand Wraps (Cobalt Skulls, CAUTION!, Overprint, Slaughter, Leather, Giraffe, Badlands, Spruce DDPAT, Arboreal, Constrictor, Desert Shamagh, Duct Tape), Moto Gloves (Spearmint, POW!, Cool Mint, Smoke Out, Finish Line, Polygon, Blood Pressure, Turtle, Boom!, Eclipse, 3rd Commando Company, Transport), Specialist Gloves (Crimson Kimono, Tiger Strike, Emerald Web, Field Agent, Marble Fade, Fade, Foundation, Lt. Commander, Crimson Web, Mogul, Forest DDPAT, Buckshot), Sport Gloves (Pandora's Box, Superconductor, Hedge Maze, Vice, Amphibious, Slingshot, Omega, Arid, Big Game, Nocts, Scarlet Shamagh, Bronze Morph), Hydra Gloves (Case Hardened, Emerald, Rattler, Mangrove), Broken Fang Gloves (Jade, Yellow-banded, Unhinged, Needle Point), Pistols - P2000 (Wicked Sick, Ocean Foam, Fire Element, Amber Fade, Corticera, Chainmail, Imperial Dragon, Obsidian, Scorpion, Handgun, Acid Etched), USP-S (Printstream, Kill Confirmed, Whiteout, Road Rash, Owergrowth, The Traitor, Neo-Noir, Dark Water, Orion, Blueprint, Stainless, Caiman, Serum, Monster Mashup, Royal Blue, Ancient Visions, Cortex, Orange Anolis, Ticket To Hell, Black Lotus, Cyrex, Check Engine, Guardian, Purple DDPAT, Torque, Blood Tiger, Flashback, Business Class, Pathfinder, Para Green), Lead Conduit, Glock-18 (Ramese's Reach, Umbral Rabbit, Fade, Candy Apple, Bullet Queen, Synth Leaf, Neo-Noir, Nuclear Garden, Dragon Tatto, Reactor, Pink DDPAT, Twilight Galaxy, Sand Dune, Groundwater, Blue Fissure, Snack Attack, Water Elemental, Brass, Wasteland Rebel, Vogue, Franklin, Royal Legion, Gamma Doppler, Weasel, Steel Disruption, Ironwork, Grinder, High Beam, Moonrise, Oxide Blaze, Bunsen Burner, Clear Polymer, Bunsen Burner, Night), P250 (Apep's Curse, Re.built, Nuclear Threat, Modern Hunter, Splash, Whiteout, Vino Primo, Mehndi, Asiimov, Visions, Undertow, Cartel, See Ya Later, Gunsmoke, Splash, Digital Architect, Muertos, Red Rock, Bengal Tiger, Crimson Kimono, Wingshot, Metallic DDPAT, Hive, Dark Filigree, Mint Kimono), Five-Seven (Neon Kimono, Berries And Cherries, Fall Hazard, Crimson Blossom, Hyper Beast, Nitro, Fairy Tale, Case Hardened, Copper Galaxy, Angry Mob, Monkey Business, Fowl Play, Anodized Gunmetal, Hot Shot, Retrobution, Boost Protocol), CZ75-Auto (Chalice, Crimson Web, Emerald Quartz, The Fuschia is Now, Nitro, Xiangliu, Yellow Jacket, Victoria, Poison Dart, Syndicate, Eco, Hexane, Pole, Tigris), Tec-9 (Mummy's Rot, Rebel, Terrace, Nuclear Threat, Hades, Rust Leaf, Decimator, Blast From, Orange Murano, Toxic, Fuel Injector, Remote Control, Bamboo Forest, Isaac, Avalanche, Brother, Re-Entry, Blue Titanium, Bamboozle), R8 Revolver (Banana Cannon, Fade, Blaze, Crimson Web, Liama Cannon, Crazy 8, Reboot, Canal Spray, Night, Amber Fade), Desert Eagle (Blaze, Hand Cannon, Fennec Fox, Sunset Storm, Emerald Jörmungandr, Pilot, Hypnotic, Golden Koi, Printstream, Cobalt Disruption, Code Red, Ocean Drive, Midnight Storm, Kumicho Dragon, Crimson Web, Heirloom, Night Heist, Mecha Industries, Night, Conspiracy, Trigger Discipline, Naga, Directive, Light Rail), Dual Berettas (Flora Carnivora, Duelist, Cobra Strike, Black Limba, Emerald, Hemoglobin, Twin Turbo, Marina, Melondrama, Pyre, Retribution, Briar, Dezastre, Royal Consorts, Urban Shock, Dualing Dragons, Panther, Balance), Rifles - Galil (Aqua Terrace, Winter Forest, Chatterbox, Sugar Rush, Pheonix Blacklight, CAUTION!, Orange DDPAT, Cerberus, Dusk Ruins, Eco, Chromatic Aberration, Stone Cold, Tuxedo, Sandstorm, Shattered, Urban Rubble, Rocket Pop, Kami, Crimson Tsunami, Connexion), SCAR-20 (Fragments, Brass, Cyrex, Palm, Splash Jam, Cardiac, Emerald, Crimson Web, Magna Carta, Stone Mosaico, Bloodsport, Enforcer), AWP (Black Nile, Duality, Gungnir, Dragon Lore, Prince, Medusa, Desert Hydra, Fade, Lightning Strike, Oni Taiji, Silk Tiger, Graphite, Chromatic Aberration, Asiimov, Snake Camo, Boom, Containment Breach, Wildfire, Redline, Electric Hive, Hyper Beast, Neo-Noir, Man-o'-war, Pink DDPAT, Corticera, Sun in Leo, Elite Build, Fever Dream, Atheris, Mortis, PAW, Exoskeleton, Worm God, POP AWP, Phobos, Acheron, Pit Viper, Capillary, Safari Mesh), AK-47 (Steel Delta, Head Shot, Wild Lotus, Gold Arabesque, X-Ray, Fire Serpent, Hydroponic, Panthera Onca, Case Hardened, Vulcan, Jet Set, Fuel Injector, Bloodsport, Nightwish, First Class, Neon Rider, Asiimov, Red Laminate, Aquamarine Revenge, The Empress, Wasteland Rebel, Jaguar, Black Laminate, Leet Museo, Neon Revolution, Redline, Frontside Misty, Predator, Legion of Anubis, Point Disarray, Orbit Mk01, Blue Laminate, Green Laminate, Emerald Pinstripe, Cartel, Phantom Disruptor, Jungle Spray, Safety Net, Rat Rod, Baroque Purple, Slate, Elite Build, Uncharted, Safari Mesh), FAMAS (Waters of Nephthys, Sundown, Prime Conspiracy, Afterimage, Commemoration, Dark Water, Spitfire, Pulse, Eye of Athena, Meltdown, Rapid Eye Move, Roll Cage, Styx, Mecha Industrie, Djinn, ZX Spectron, Valence, Neural Net, Night Borre, Hexne), M4A4 (Eye of Horus, Temukau, Howl, Poseidon, Asiimov, Daybreak, Hellfire, Zirka, Red DDPAT, Radiation Hazard, Modern Hunter, The Emperor, The Coalition, Bullet Rain, Cyber Security, X-Ray, Dark Blossom, Buzz Kill, In Living Color, Neo-Noir, Desolate Space, 龍王 (Dragon King), Royal Paladin, The Battlestar, Global Offensive, Tooth Fairy, Desert-Strike, Griffin, Evil Daimyo, Spider Lily, Converter), M4A1-S (Emphorosaur-S, Welcome to the Jungle, Imminent Danger, Knight, Hot Rod, Icarus Fell, Blue Phosphor, Printstream, Master Piece, Dark Water, Golden Coil, Bright Water, Player Two, Atomic Alloy, Guardian, Chantico's Fire, Hyper Beast, Mecha Industries, Cyrex, Control Panel, Moss Quartz, Nightmare, Decimator, Leaded Glass, Basilisk, Blood Tiger, Briefing, Night Terror, Nitro, VariCamo, Flashback), SG 553 (Cyberforce, Hazard Pay, Bulldozer, Integrale, Dragon Tech, Ultraviolet, Colony IV, Hypnotic, Cyrex, Candy Apple, Barricade, Pulse), SSG 08 (Death Strike, Sea Calico, Blood in the Water, Orange Filigree, Dragonfire, Big Iron, Bloodshot, Detour, Turbo Peek, Red Stone), AUG (Akihabara Accept, Flame Jörmungandr, Hot Rod, Midnight Lily, Sand Storm, Carved Jade, Wings, Anodized Navy, Death by Puppy, Torque, Bengal Tiger, Chameleon, Fleet Flock, Random Access, Momentum, Syd Mead, Stymphalian, Arctic Wolf, Aristocrat, Navy Murano), G3SG1 (Chronos, Violet Murano, Flux, Demeter, Orange Kimono, The Executioner, Green Apple, Arctic Polar Camo, Contractor), SMGs - P90 (ScaraB Rush, Neoqueen, Astral Jörmungandr, Run and Hide, Emerald Dragon, Cold Blooded, Death by Kitty, Baroque Red, Vent Rush, Blind Spot, Asiimov, Trigon, Sunset Lily, Death Grip, Leather, Nostalgia, Fallout Warning, Tiger Pit, Schermatic, Virus, Shapewood, Glacier Mesh, Shallow Grave, Chopper, Desert Warfare), MAC-10 (Sakkaku, Hot Snakes, Copper Borre, Red Filigree, Gold Brick, Graven, Case Hardened, Stalker, Amber Fade, Neon Rider, Tatter, Curse, Propaganda, Nuclear Garden, Disco Tech, Toybox, Heat, Indigo), UMP-45 (Wild Child, Fade, Blaze, Day Lily, Minotaur's Labyrinth, Crime Scene, Caramel, Bone Pile, Momentum, Primal Saber), MP7 (Teal Blossom, Fade, Nemesis, Whiteout, Asterion, Bloosport, Abyssal Apparition, Full Stop, Special Delivery, Neon Ply, Asterion, Ocean Foam, Powercore, Scorched, Impire), PP-Bizon (Modern Hunter, Rust Coat, Forest Leaves, Antique, High Roller, Blue Streak, Seabird, Judgement of Anubis, Bamboo Print, Embargo, Chemical Green, Coblat Halftone, Fuel Rod, Photic Zone, Irradiated Alert, Carbon Fiber), MP9 (Featherweight, Wild Lily, Pandora's Box, Stained Glass, Bulldozer, Dark Age, Hot Rod, Hypnotic, Hydra, Rose Iron, Music Box, Setting Sun, Food Chain, Airlock, Mount Fuji, Starlight Protector, Ruby Poison Dart, Deadly Poison), MP5-SD (Liquidation, Oxide Oasis, Phosphor, Nitro, Agent, Autumn Twilly), Shotguns, Machineguns - Sawed-Off (Kiss♥Love, First Class, Orange DDPAT, Rust Coat, The Kraken, Devourer, Mosaico, Wasteland Princess, Bamboo Shadow, Copper, Serenity, Limelight, Apocalypto), XM1014 (Frost Borre, Ancient Lore, Red Leather, Elegant Vines, Banana Leaf, Jungle, Urban Perforated, Grassland, Blaze Orange, Heaven Guard, VariCamo Blue, Entombed, XOXO, Seasons, Tranquility, Bone Machine, Incinegator, Teclu Burner, Black Tie, Zombie Offensive, Watchdog), Nova (Sobek's Bite, Baroque Orange, Hyper Beast, Green Apple, Antique, Modern Hunter, Walnut, Forest Leaves, Graphite, Blaze Orange, Rising Skull, Tempest, Bloomstick, Interlock, Quick Sand, Moon in Libra, Clean Polymer, Red Quartz, Toy Soldier), MAG-7 (Copper Coated, Insomnia, Cinqueda, Counter Terrace, Prism Terrace, Memento, Chainmail, Hazard, Justice, Bulldozer, Silver, Core Breach, Firestarter, Praetorian, Heat, Hard Water, Monster Call, BI83 Spectrum, SWAG-7), M249 (Humidor, Shipping Forecast, Blizzard Marbleized, Downtown, Jungle DDPAT, Nebula Crusader, Impact Drill, Emerald Poison Dart), Negev (Mjölnir, Anodized Navy, Palm, Power Loader, Bratatat, CaliCamo, Phoenix Stencil, Infrastructure, Boroque Sand), Wear - Factory New (FN), Minimal Wear (MW), Field-Tested (FT), Well-Worn (WW), Battle-Scarred (BS), Stickers Holo/Foil/Gold - Katowice 2014, Krakow 2017, Howling Dawn, Katowice 2015, Crown, London 2018, Cologne 2014, Boston 2018, Atlanta 2017, Cluj-Napoca 2015, DreamHack 2014, King on the Field, Harp of War, Winged Difuser, Cologne 2016, Cologne 2015, MLG Columbus 2016, Katowice 2019, Berlin 2019, RMR 2020, Stockholm 2021, Antwerp 2022, Paris 2023, Swag Foil, Flammable foil, Others - Souvenirs, Agents, Pins, Passes, Gifts, Music Kits, Cases, Keys, Capsules, Packages, Patches

Some items on the list may no longer be available or are still locked, visit My Inventory for more details.

Send a Trade Offer for fastest response. I consider all offers.

Add me for discuss if there is a serious offer that needs to be discussed.

here is a little list of my favorite PAC shows. no pervy ish or slice of life fluff. well rounded 20 something’s and above in all genres.
• Moriarty the Patriot +a twist on the villian to sherlock
• The Witch & the Beast + hot magical duo take on witches of the world with glimpses of sweetness amongst the death and destruction
• Special 7: SCIU + taking place in a modern Tokyo but on another world, misfit investigators work hard to solve crimes with a fantasy twist
• Love of Kill + two deadly assassins fight each other and their feelings
• X&Y + a chinese anime about escape rooms that that you never escape, forbidden love and mystery
• MARS RED + set in the 1920 war period, vampires fight for the army to take down evil vamps.
• Nobleese + vampire royalist awakens and starts havoc in the world
• Ron Kamonohashi’s Forbidden Deductions + a twist on sherlock where a detective has a curse but still can’t help but to solve crimes
• Ninja Kamui + a new and modern take on ninjas with a mix of corporate greed, robots and revenge
• Akudama Drive + savvy criminals live in a split japan in this modern crime thriller with cyber punk energy
• B: The Beginning + a serial killer runs rampant in a modern archipelagic nation where random strangers come together to solve the crime
• High Card + a mix of genres come together in the action packed anime with sleek dressing characters and intricate story lines, fast paced and fresh.
• Link Click + a chinese anime follows two twenty something guys who own a photo studio only they jump in the photos to solve the mysteries.
• Case File N^221: Kabukicho +a sherlock esque story in the underworld of crime in the modern day.
• Stand My Heros: Piece of Truth + a woman seeks out the best investigators to stop the drug trade in tokyo. relatable, light with a base of mystery
• Ōoku: The Inner Chambers + a throwback to the days of emperors and empresses in a world where all the men die out leading them to be a commodity. a tale of love, gender and action
• Devils Line + vampires and humans, in love ? death and romance
• HERO/MASK + action pack crime story with soulful characters
• Fairy Gone + fantasy, fighting and unrequited love perhaps
• KADO: The Right Answer + when a far away alien genius arrives do we trust his every word to save our planet ?
• AFTERLOST + a whole cities population disappears except one and a few friends from the outside join for the adventure

The dream: I was making my way down a arid, mountainous, high altitude, path. The path was lined with jagged rocks strewn with the remnants of war - unexploded ordinance, helmets and clothes of long dead soldiers. There were a handful of trucks making their way down along with some on foot. I was running and jumping from truck to truck. At the end of this path I encountered a pond blocking the entrance to a cave. Groups of disheveled, tortured people gathered around, afraid to cross the pond. The pond was putrid, black, sewage-like muck. I entered and crossed the pond and made my way in to the darkness of the cave. After traveling in the dark for some time I encountered a beautiful woman dressed in all white standing next to an ornately decorated fountain embedded in the rock wall of the cave delivering crisp water. The woman handed me a crystal glass - I filled the cup and drank the water.
After waking up from this dream I had a strong feeling that this was incredibly important. I have never had a meaningful response to a dream before or since. However, at the time, I had no idea what it meant. About 6 months after the dream I began an introspective journey. Lots of reading, therapeutic psychedelic journeys, men's retreats, etc. In the book Iron John, there is a passage: "If the young man steals the key and climbs on the shoulders of this being, three things will change: the wound, rather than being regarded as bad luck, will be seen as a gift. Second, the sacred or secret water - whatever that is - will appear..." (P. 38) This struck me as the sacred water made me think of this dream. Was this my anima presenting the sacred water? I can't find it now but I recall having also read Jung mentioning Anima dreams when the time is right?
I'm very interested in your take regarding this dream and its interpretation.

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Gemma was right about the sky’s open night, and I could sympathize with her recollection of the beauty, but for me it must’ve been a greater tragedy—the young woman had only ever enjoyed the stars in the pits of Golgotha; I could, long before, drink in the sky at leisure. Cruel memories.
The night the Rednecks died was one of viscera, but before that it was coolness on the breeze, a warmth by the fires while John played his guitar and we had only just taken two dozen kegs of lager (personal reserves) from the Atlanta despot—the man that kept his subjects as slaves and not a person among the camp was left without budding intoxication. No matter the age, everyone was invited to be merry; if it was that children too faced the plight of a bad world, then so too should they reap the moments of plenty—or so the camp figured.
John had taken a group by the fires where wagons were drawn in interlocking semicircles for cover and Jackson sat beside the picker. Jackson was a man which normally preferred quiet reflection over boisterous singing and nearly never wore the band on his throat, and yet there he was belting out the chorus at the top of his lungs, tankard in hand, red cloth blazed around his neck—it was a contagion and those drunk enough for easier embarrassment sang proudly along:
“There is power, there is power in a band of working folk!
When we stand hand in hand,
That’s a power, that’s the power,
That must rule in every land!”
I’d taken to the outlying shadows with my back pressed against the gas-powered caleche, my own tankard in hand. I loved the warmth of that great big family, truly, but even in those days—and maybe it was that queer youthfulness which longed for individualism that made me that way then—I remained as distanced as possible when I could. I sipped the lager, it was a fine drink and my brother Billy, nearly as old as I was when I’d first taken up in the infantry, swaggered to stand beside me just as quiet for minutes and we looked at the stars and he asked me what it was like to kill a man.
“Is it hard?” he asked.
I nodded, “Sometimes.”
“Killing monsters ain’t so bad. Don’t know if I could do it to a person.”
“You could if they meant to kill you; or if they meant to do it to someone you cared about,” I promised him. In those days, spry, energized, I held no time for staring into abysses; though I still wasn’t a man fully, I pretended as one. It was about family, and it was about doing what was right—what’s right seemed to change, or I changed. The world felt stark with good and evil and even later I’d feel that sentiment well up in me, but if that’s true, I know I stand more on the latter and so I intentionally obfuscated it—this I know. If not, it might be too much to bear. I was required to lie to myself and even in knowing I lied, it was better.
Billy tugged on the red kerchief around his throat and asked me how it looked on him.
“Looks good,” I said.
“Don’t think I look stupid at all?”
I smiled over my drink, “You always look stupid.” I sipped. “The neckwear’s fine.”
“Give me a break,” said Billy; he investigated his own cup, gave it a swish with his wrist, watching its contents swirl. “Aren’t you ever afraid you’ll die?”
“Sometimes—nights like this—I wouldn’t mind it.”
“Really?” my brother asked.
“There’s always a chance of it. Every moment, I guess.”
He smiled. “I wish I had that confidence.”
“You’ll get it,” I returned his smile; it was true that he would gain the fighting spirit. It came to us all with time and reminiscing on the early days, I recall the grit and the hatred—there was learning there too though. Besides, I’d seen the squalors of a stationary man. The stagnation of a place, an unmoving home.
John put his guitar away and laughter erupted from the crowd from something said and Sibylle, cowboy hat cocked funny, traipsed across the camp to the open keg for a refill; the man there, tending the cylinders, was a man named Tandy (a foreigner and one unknown besides the way he smoked a skunk pipe and told wild stories). My mother leaned over while Tandy opened the spigot mouth on the keg, and she froze there, and I could see her there cut out forever against the light of the fires; I watched, and it came so suddenly that I couldn’t be sure what’d happened at all. It was so sudden that I couldn’t find my weapon and I couldn’t find even the courage to fight because in those moments it wasn’t courage I needed, it was grounds to understand.
Sibylle came apart in two pieces immediately, torn completely through and dust erupted as her legs struck the ground while her torso spun through the air like a top, a trail of liquid trailed after, caught in the blue of night so it shone as black; she couldn’t scream. Tandy was a statue. Before anyone could react, more flesh, other bodies, went up and there was all manner of limbs which filled the ground, and it is astounding how quickly a red mist forms across the ground during a massacre. Perhaps the wails of my comrades started before, perhaps others fell before Sibylle, but I could not comprehend the goings-on till I saw her drop the way she did.
Frail human screams rose on the night; I slammed to the ground, tankard gone away and hands scrambling in the dirt; I reached up blindly and yanked Billy to my level and his expression was one of innocence, panic, tears even. Glancing around, I saw the demons bolt from the pitch-black darkness on the edges of camp, mutants taking the fore while greater creatures lurked further back, some hurled whips of gliding metal which writhed over their heads when they stretched them out for a strike—alien—and they sliced directly through soft human bodies. Not even a cry escaped me, but Billy let go with it and I slapped my cupped hand over his mouth hard to hold the screams. His voice would not have been alone anyway, not alongside that startling cacophony. Amidst the cries of people, there were the cries of horses, of our hounds.
We rolled across the ground, slipped beneath the raised body of the gas-powered caleche, remained quiet in the dark, peeked out between the wheels.
“What’s happening?” Billy whispered through my fingers; I removed my hand from him and caught a glimpse of him framed in a square of firelight through the wheels—we lay there on our bellies and the left side of his face was glazed with dirt where I’d pulled him down.
“Shh,” I told him, “Shh, please. Please.” Not another word came while I pleaded with him, pleaded with the world to make this all a nightmare.
Through the haze and the running silhouettes painted black, I saw what might have been Jackson; he stumbled and in the moment that it took me to gasp, his head was gone from his body, his torso slid on as he collapsed, came to rest mere feet from the motor wagon. I told myself that it wasn’t him, but it probably was.
Some mutants lumbered through the camp like animated corpses, some leapt with wild energy or sprayed noxious fumes which lingered in the air; others still were amalgams of humanlike limbs themselves—fiends—exhausting terrible sounds, producing smells of sulfur, glistening with whatever liquids excreted from their oblong alien orifices. Demons ran amok, chanted in devil tongued languages, laughed madly at the destruction—others still, those which displayed some greater intelligence, broke into a song I could never hope or want to replicate; it seemed a unified damnation.
“Please,” I repeated in a whimper and Billy hushed me this time and I realized we were holding hands, squeezing for dear life as figures walked the camp, speared those half-alive, elected others for twisted carnality.
In darkness, in fright plainly, we scuttled from the recess of our hiding place, kept quiet, held to each other, and went into the wasteland where nothing was—every shadow was a potential threat, every second could’ve been the last. We were holding hands; then we weren’t.
Only a glance—that’s all I afforded my brother and nothing more—what a joke of a person I am! What a coward I was. Always.
Something got him in the dark and instead of dying alongside those I cared about, I went on, heartbeat driving me till it was all that I heard in my ears and my muscles ached and my chest heaved and sweat covered me, chilled me in the breeze of the night—it was only once I’d accepted the dark completely, crawled into a hollowed space of rocks along a squat ridge that I watched the demolished camp; it seemed no larger than a spark, but the creatures, fiends and others continued their war cries; never before had I witnessed demons participate in such an attack.
I watched till the sun came, till the fires became smoke, then I watched the band of hell creatures disband. The smell of sulfur remained in the air—copper too—and I stumbled back to the camp in a dreamlike daze, totally unbelieving of the things I saw. Among those dead on the ground, I could recognize none; among those piked from rear to shoulder, standing like morbid scarecrows where they’d been steadied against the ground, I could not want to recognize.
Many of the wagons were overturned, including the gas-powered caleche and I went to it; the metal of its body was warped but I fell to the ground by it and pushed my back against the exposed undercarriage, remained frozen there while examining the bodies, the terrible strips of skin which rested places like wet sheets of paper, the piles of bones removed and smashed and piled.
I cried so deeply that oxygen became a memory, and the shakes couldn’t be contained.
It was like that for so long, knees pulled up, face pushed between, and the wails came unafraid of whatever attention they might garner; there was no rationale, but I imagine if there had been, I would’ve welcomed death in that misery. It was a deep wound that not even my own cowardice would overcome for the sake of survival.
Unaware of my surroundings, not wanting to look up from the ground between my legs, the noise which had started out as imaginary became real and I raised my head then to listen better and wipe my sore eyes; it was the sound of clip-clop horse hooves and I mildly wondered if any of the animals had been spared. I stood and pivoted around the dead camp and there it was, a man on a painted horse with golden hair; he leisurely drove the mount through the place, maneuvering around pools of blood, clumps of body parts and upon seeing me, he smiled and offered a languid wave, keeping one of his gloved hands on the reins.
The man wore white and swished his hair back upon arriving directly in front of me. Ahoy, he offered kindly, Did you happen to see the other riders?
I shook my head, feeling numb.
Ah, he said, I could have sworn four other riders, at least, passed me on my way. His gray eyes examined the carnage. Shame. He shook his head. You are?
“H-harlan.”
He nodded and nearly offered an expression of genuine condolence before descending from the horse; the animal gave a gentle grunt and wandered away from its master to inspect a nearby group of the dead. The man offered his hand, and I took it in a shake. Mephisto, said the man. He flashed a smile again before his face grew serious. I’ve come to you to deal.
I shot him a questioning look, one of bafflement.
I heard your calls from far off. He nodded, removed a white handkerchief from his breast pocket and swiped it down his face. Hot out. He shrugged then replaced the cloth in his pocket. This, he motioned to the disarray of vehicles, of bodies, I can’t fix all this—it’s too much—but there’s a person you love, I know. I could bring them back.
“Doctor?” In retrospect it was such a naïve question.
He shook his head.
“Angel?”
He grinned and nodded, Sure.
“Demon?”
Undoubtedly. His eyes—pits of gray in that radiant face—nearly expressed solemness; he daintily shook the hair from his face and looked at his steed which sniffed a corpse. What’s the word, Harlan? There are others calling and I must be on my way soon—I can’t dally. There was a sharpness to the words. Can’t dally. We must convene soon, or I’ll mosey on.
I snorted back the clog in my nose from the tears and wiped my eyes with my sleeves. “Okay.”
Deal?
I nodded, “Deal.”
Sleep tonight, said Mephisto, Sleep and you’ll be rewarded in the morning.
“You said it’s a deal.”
He nodded and scanned the carnage before we matched gazes and then he said, Yes?
“What is it you want from me?”
Nothing you need now. He called the horse, and it came, and he swept his feet quickly from the ground and settled into position atop the animal. Sleep, Harlan. You won’t be bothered. There are worse things still over the horizon.
I watched him go till he disappeared and once he was gone, I couldn’t cry anymore and instead rummaged through the wagons for what I might carry; along the way I found John, face twisted but corpse intact. The body from the previous night that I’d guessed was Jackson couldn’t be determined but I found him nowhere else. I slid Sibylle’s holster from her hips, fell hard onto the ground and found that I could sob more. I took her cowboy hat, placed it on my head and held her pistol in one hand and the belt holster dangled from the other while I searched the other bodies; there were so many, but I could not find Billy.
Waiting for darkness, I took the spot where I rested, back against the caleche’s undercarriage, watched the sky and felt the gun in my hand; it was heavy. I put it to my head, closed my eyes, and whispered affirmations to myself then I put the pistol between my splayed legs, watched it still in the dirt, and pulled the hat down over my eyes but it did little for the smell. Though the brim of the hat cut the sky out, I watched the ground and saw circling shadows form overhead and heard calls of turkey vultures; they came to pick over the bodies. I withdrew my knees to my chest there again and laid my forearm across them and bit into my arm while closing my eyes. I had thought I was a man and for a time, maybe I was, but there in that miserable pit of despair I became a child again and if I’d become more delirious, I’m sure I might’ve called out for Jackson like it was a bad dream.
Into a fading stupor of sleep in the sun I went and when I awoke again it was dark and chilly and I was tired and hungry but too sick to eat and hardly strong enough to move; I looked at the gun and put it into its holster and left it there by the caleche. In the light of the moon and stars, I moved to gather a bolt of canvas; I unfurled the fabric and created a leaning shelter against the overturned vehicle and crawled into it. There was a hole in the canvas, and I peeked out at the stars.
Weeping came again, but not so uproarious; I was stuck there letting go of whimpers, lying on my back, feeling the tears trace in lines from the outer corners of my eyes to collect along my earlobes. In time, I fell to sleep again on the hard ground because the mourning had taken all else from me.
A pinpoint of sunlight broke my eyelids and I jerked awake and reached for the holster, but it was gone. So was the hat. I crawled from the leaning shelter and there he was.
Billy stood plainly among the dried, congealed blood-soaked field and he looked on to the horizon and all shadows were long in the midday sun which hung up there in a soft blue sky. Whether it be a dream or a spell, I couldn’t care—I charged to him and spun him so he faced me and though his face was plain and expressionless, I wrapped him into a forceful hug. He placed his hands on my back and gave a gentle squeeze; when I pulled from him, my hands on his shoulders, I saw he held Sibylle’s hat in his left hand, pinched by the brim; he’d already tugged her holster belt around his hips—he could have it all. I shook while holding him then let go to wipe my face.
“You’re alive,” I nodded.
He nodded without speaking then looked at the hat in his hand and placed it on his head and firmly pressed it down.
“Billy! Hell, you’re alive!”
The corners of his mouth twitched upward for a moment then he nodded again. “Yeah.” His eyes curiously searched our surroundings like he meant to take each detail in forever.
I slapped him on the shoulder and almost squealed. “Goddammit.” I wiped my eyes again and could do little to keep the excitement from exploding from me. “Oh, we should go. We should go on and get somewhere safe.”
He nodded toward the horizon, “’Lanta?”
“Sure.”
We packed and it was a like an ethereal phantom remained among us beside the quiet dead; turkey vultures cawed to break the silence, pecked where they pleased on the bodies, and I couldn’t want to fight them. I kept sidelong eyes on Billy with the ever-present worry that he’d vanish. Perhaps he was the phantom.
From the rear of the caleche, I removed a few sentimental books Jackson liked, essential cookware, and sparse rations for the trek. The last thing I grabbed was my shotgun and a bit of ammo.
As we set from the dead place, the terrible silhouettes that were cut from there on the horizon behind us grew in my mind with every backward glance—I wanted to fall to pieces, but I saw Billy walk alongside me and although contented is not the right word, it is the nearest. The steps of our boots were all that was heard because I could not fathom to pierce the space between us with words for fear that it would all end. It was a dream, surely. I’d lost my mind. With my hands thumbed into the straps of my pack, I saw I my hands still shook, and they would shake a lot longer—years and with memories too. The crunch of earth underfoot became a rhythm and instead of looking at my brother, I watched his shadow on the ground.
“Everyone’s dead?” He asked.
“Yeah.”
“You’re sure?”
“Yeah,” I repeated.
“How ain’t I? How ain’t you?”
To say that it was luck would’ve been too morbid. Instead of saying anything, I shrugged, kicked a loose stone, watched my feet some more, and felt a queasiness come over me. For the moment, the immeasurable deaths of those I’d left behind were forgotten in the company of my brother and a sickness welled up inside of me so suddenly that I felt that I’d fall to pieces at the slightest provocation. Finally, I did speak again, but only after steeling myself to the troubles, “Yeah, how are you alive?”
Billy shrugged at me then stumbled up a hill which overlooked trash wood wilderness where sticks lay twisted and bare and further on the sight of Atlanta was visible and I cupped a hand across my brow and Billy did the same and we looked on at the shadows of the place out there where strings of smoke rose from the skyline as a signature for the desolation of the city; it was dead. I felt it in my bones.
My hands were light while my head was heavy, my throat was dry, and the entire world seized in moments of stillness or perhaps it was my own vision which construed the world in that way; I took to the small hill which Billy had climbed and sat there and stared at the place between my feet to steady myself.
“Fire,” said Billy.
I nodded and nearly choked.
Leviathan—till then I had no belief in dragons—glided over the broken city, its winged shadow little seen but its voice was deep across the scene, letting go of roars which shook the ground. We hid among the trash wood and moved down the hill and watched the creature thrash in the air as if it was angry for its abominable life. Whatever millennia it spent in the pits of hell seemingly thrust upon it a love of destruction and pain.
My brother moved with a more assured stride and kept a cool distance and upon fleeing from the wreckage, from the outlying area of Atlanta and the place we’d left our family, he spoke little and watched me strangely whenever I took to melancholic fatiguing. We lit no fires for fear of what it could draw from the night so in the dark I’d see him watching some far-off place, maybe seeing through the reality which surrounded us, and he’d snap from it, catch my eye, and disappear for minutes to scan the perimeter of whatever place we stayed. Being alongside my resurrected brother was lonelier than I could bear, and I hoped he’d disappear for good or that I could work up the courage to end my own life. It was like purgatory explained in books and for a time, it felt endless; upon witnessing the destruction of Atlanta, we pushed to Marrietta, and it was much the same. As was Chatanooga, Nashville, Knoxville, Louisville, Charlotte. The ocean had risen so that Fayetville was gone underwater, and the Florida leg disappeared completely as far as I’m aware. I understood later that Memphis was overlooked and more places further west were alive too, but when we’d exhausted the south, we moved north and found strongholds of families or traders or even small groupings of civilization, but by and large we found nothing much in the two years that we hoofed it from place to place; it was my doing mostly—I wanted to find a place untouched by the mayhem in the area my family had once patrolled.
In retrospect, I am certain that Billy only stayed by my side for convenience; there wasn’t any of my brother left in the man that was my travelling companion for that time. He was a ghost of a person and Mephisto had preyed upon my desire in the worst moment of weakness in my life. There were nights—maybe we’d taken up in a natural alcove for shelter or we’d locked ourselves in some ancient structure for sleep—I’d watch Billy lay where he was, Sibylle’s hat and holster lying beside him, and I’d think of putting him down but he’d stir and in a brief shadow I’d see my brother as he’d been and withdraw to bury my face in fake sleep to be met with images of the night the demons attacked where I’d shake, sweat, and bite my lips so hard I’d drink blood.
Two years we marched around the Appalachians and in that time, I felt myself wither and disconnect.
Upon moving further north we met Indianapolis—that’s what it was called back then—and it was run by an older woman called Lady Lazarus; I reckon her father, affluent and dead, was a fan of Plath. Indianapolis was fortified more than most with its high walls, and its wall men, and its underground facilities which produced substantial ammunition. We—me and Billy’s revenant—were travelling with a group of traders we’d taken up with from out west; they called themselves wizards and although they seemed of the occult, their spirits discounted whatever suspicions I might’ve had of them.
I remember first pushing through that big gate; the town kept with it an indisputable malaise and though we were greeted at the gate by the leader Lady Lazarus—her brothers came along with her—and her jovial demeanor carried a certain infectious quality, I could not help but notice that the regular denizens maintained a healthy distance from their leader (the guards which followed the Lady everywhere probably had something to do with this).
Lady Lazarus touched each of our hands in greeting with enthusiasm and I could not help but notice how soft they were, how vibrant her eyes were, how much she smiled, and how beautiful she was given her age; already her head was fully gray.
Upon meeting each of us, going through the wizard traders first, she came to me, and Billy and she shook my hand then pivoted to Billy.
“Welcome. You can call me Lady.”
Billy caught her hand in his, held it longer than she’d intended so that they held eye contact, and he smiled broadly, tipped the cowboy hat on his head back to expose his smooth forehead and said, “And you can call me Maron, mam. You are quite a sight for a tired man.”
Though Maron—as he’d named himself—was more boy than man, Lady took a disturbed liking to him immediately and we prolonged our stay in Indianapolis after the wizards departed to head west.
Under the rule of Lady, Indianapolis was a theocracy, with her addressing the huddled masses at the steps of her grand abode, she’d preach for hours on sin and strife and quote her favorite passages; though reminiscent of my time with the Rednecks, I never found any truth or sincerity or freedom in her teaching—hers was more trouble, brimstone, fire and I’d had enough of that for a lifetime. Public execution was common. As was torture.
Maron distanced himself further from me, but I remained to keep an eye on him—it was not sentimentality but rather I existed without purpose and conjured some from watching my brother.
Often, Lady invited Maron to her private rooms and though the rumors and speculation ran the full spectrum of perverse speculation, every denizen feigned ignorance at her pregnancy.
Upon giving birth, the infant was malformed with two heads—her brothers took this as an omen and killed the child, put their leader in the stocks for months, and stripped her of dignity while the denizens did to her what they pleased.
Maron rose through the wall men while Lady’s brothers assumed control of Indianapolis and called themselves Bosses; in the time since Lady’s reign, the place was renamed to Golgotha for its closeness to a messiah.
I went west but always found myself drawn back to Golgotha because of some emptiness in me. It was only with Suzanne that I wanted something more and knowing them, I almost believed in a world like the one that children dream about. The world that Gemma and Andrew chased after when they left home, like the one Aggie talked about in her mother’s books. There’s a hopelessness in me that I’ll never be rid of. In the interim between our initial arrival to Golgotha and that flight from that terrible city, I cannot know how many people I sacrificed in convening with demons because I refuse to know because the number would destroy me. That is the worst of it; I do not even have courage enough to face myself or the actions of my past in any substantive way.
Mephisto tainted me so that I could speak with his kind as a dealmaker and the disease grew.
Billy or Maron or whatever he is should have been reaped long ago or better, I should never have brought that abomination alive. Such a cruel world where a deep longing like that can be inverted, weaponized. Me and him should both die; me and him should have died a long time ago.
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TLDR after growing up w narcissist dad and then being in multiple relationships w narcissist men as an adult, idk how to accept/enjoy a healthy relationship
Hey yall, I’ve recently started dating this guy and he is kind and loving in a way I’m not at all used to. My dad is a narcissist and my mom was super codependent with him. As such, I typically go for the narcissistic type, where I have to earn their affection… someone outright caring about me, wanting to be there for me, thinking so highly of me, etc without me having to “do” anything or “work for it”… just for me being me… feels unsettling. It almost makes me feel like there must be something wrong with him (there isn’t — he’s lovely and kind and smart and etc etc etc) or like the relationship isn’t worthwhile.
All of this to say, I’m struggling so deeply with accepting it. It’s crazy to me I dated guys who’d yell at me, belittle me, etc and I’d be obsessed with them… but this guy treats me like I hung the moon, and he does one thing wrong or annoying (something as small as putting dishes away in the wrong spot) and I start internally spiraling into how I should dump him. It’s weird because I’m typically so anxiously attached but in this relationship I’m teetering on avoidant. When it’s good it feels easy and safe. But I feel myself pull away when I feel like he’s too loving or kind or affectionate. It is somehow offputting when he asks me how he can be helpful or when he tells me he thinks I’m beautiful.
I’ve talked about this w some non-narc tainted friends and their responses are usually something along the lines of “are you sure you’re into him?” Which then makes me question my reality even further. And I just don’t know if that lens captures what’s going on. Like that might be the response for someone without narcissistic trauma, but I’m not sure the same logic can be applied here bc of how skewed my perception of love and relationships is from how I grew up.
All of this to say, I’m having a really hard time embracing this relationship despite it being the exact type of guy I hoped to find for myself, and I was wondering if anyone else has encountered something similar? Would so love any advice ❤️❤️

https://libriincogniti.wordpress.com/2021/02/25/kommunistisches-programm-national-revolution-and-downfall-of-cambodia/

The Events after the Fall of Phnom Penh and the Programme of Khieu Samphan, the Peasantry and the Enablers of Capital
With the end of the Indochina war in 1975, not much remained of Cambodia’s economy either. More than half of the rice fields lay fallow, and the few industrial enterprises, the port facilities in Kampong Som, the railway lines and the bridges had been destroyed by US bombs. Although the figures are not unambiguous, their magnitude alone shows what heavy blood sacrifice imperialism also demanded of this people: In the five years of war, around 800,000 people were killed, more than 40,000 were maimed, almost 200,000 were wounded.
The constant flow of refugees inflated the capital from its original population of around 600,000 to over 3 million, meaning that by the end of the war almost half of the Khmer people were crammed into their metropolis. As is well known, the imperialist world press howled in horror and disgust when it learned of the forced exodus of this human aggregation. The US bombardment drove people from the countryside into the cities – the revolutionary nationalists had to force them back. Both actions were cruel and devastating for those affected, because both times they happened under terrible conditions, the first time under the imperialist hail of bombs and the coercion of its local police, the second time under the pressure of hunger and the state coercion of the newly installed revolutionary patriotic power. But for the imperialist propaganda machine there were no connections here. Of course, it only saw the terror of the Khmer Rouge, so supposedly of Communism. Here again was a wonderful opportunity to play out the bourgeois farce of humanism and love of one’s neighbour to the full. No mention of the mass murders in the imperialist war against the Southeast Asian peoples, no mention of the unspeakable destruction of these only weakly industrialised agrarian societies. These sacrifices were noticed at most when the insane war spending of the USA threatened to drag the entire imperialist West into the vortex of economic problems as a result of the currency crises caused by it. After all, to this day, these gentlemen are consistently proud of their efforts to preserve “freedom”.
Cambodia became the main object of these friends of mankind over the next few years. Here, indeed, all cherished values and conceptions were thrown overboard. A state without money, without postal services, without cars and motorbikes, without public transport, without telephones, television, books and the cities extinct. Only “communists” could have committed this crime; as is well known, they can be trusted with anything inhumane and in Cambodia they truly acted as the incarnation of “darkness” and “evil”. What was perpetrated before in the name of the heroes of “light” and “reason” – not a word about that, of course. It was a central organ of the imperialist offensive on the human intellect – Reader’s Digest – that first announced in 1977 that at least 1.2 million people had been murdered in the two years since the fall of Phnom Penh. Ever new figures were quickly added, which journalists claimed to have learned from the numerous refugees. It is not necessary to assume that all these reports were forgeries, because in fact the Khmer Rouge set an extremely radical course from the beginning, which certainly brought much horror, misery and also deaths. But today’s sated imperialists should perhaps sometimes look at the history books: What misery, what terror, what torment against the population is archived there – and that over centuries. The French Revolution also produced at least 100,000 deaths in the most important four years – and it did so with a machine specially designed for the purpose. It was not by chance that it was the steam engine and the guillotine that inaugurated the industrial age in a revolutionary way. But do the distinguished British gentlemen, who even then scoffed at these butchers in Paris, have fewer lives on their consciences? Those who still don’t know have to have it written on their cheat sheets all the time: The establishment of bourgeois rule has always been brutal and extremely bloody. The destruction of the traditional smallholder form of economy, the annihilation of small-scale trade and crafts always passed over those affected like a merciless steamroller. And under unspeakable tortures, the majority of these people who were expropriated without compensation were pressed into the factories and, if necessary, forced by brutal violence to slave as many hours of their day as possible for the lowest possible wages. All that was not so long ago. But it is always amusing how hastily today’s representatives of capital pretend that these are youthful sins of foreign predecessors. And this process of constant dressing for factory labour, of the destruction of both man and nature, continues both in depth and in breadth. It will only come to an end when this capitalist basis has been revolutionarily annihilated because of the contradictions it constantly produces.
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However, if one wants to understand the “mysterious” processes in Cambodia, one has to be clear above all about the material and social conditions. A devastated country that was still largely worked by small peasants; a chaotically bloated capital city to which the majority of these same peasants had fled. The terror of the bombs had charged this population, once peaceful and living in the eternal grind of farm labour, with fear, but above all with unbridled rage and blind hatred. Hatred against the city in which they had to take refuge, anger against the American bombers which destroyed their existence, but particularly anger against their own corrupt aristocracy, the military as well as the city dwellers in general who sought to prolong their raison d’être by making a pact with imperialism. Now the old mixture of foreignness, subservient spirit and unease found its general discharge in a primal hatred of the rural population for their oppressors in the cities. A frenzy of revenge arose, which certainly accounted for most of the brutalities in the first year of liberation.
In order to understand this social side of this revolution in Cambodia, which gave it the ferocious expression of blood, revenge and chaos that one encounters in practically every revolution carried out mainly by peasants, one must always bear in mind the social structure already described. The strong urban-rural divide was not between agriculture and industry – the latter was practically non-existent – but it was the extreme contrast between agriculture and all the ominous trades that bourgeois statistics usually classify under the heading of “services”. Here, actually “unproductive” administration and trade – moreover, predominantly created and nourished in the service of imperialism – and “productive” agriculture faced each other. Of the “peace population” in Phnom Penh of about 600,000, this included about 200,000 Vietnamese and over 100,000 Chinese, out of a total of about 800,000. So the Cambodians did not even make up the majority of the population in their capital. Aristocracy and officials on one side, poor peasants on the other, too poor to make a living in the countryside, coming to the city because they hoped for a job, or later bombed into it. Cambodians were almost completely excluded from the trade and merchant sectors. These sectors were mainly in the hands of the Chinese and Vietnamese.
In this approaching whirlwind of social unrest on the part of the peasants, which is growing in strength, another social force tries for its survival. Young intellectuals, most of them educated in Paris, the educational centre of the former colonial ruler, want to break the corrupt tangle of local aristocracy and foreign power by force. Without any reservoir in the own ranks of the urban bourgeoisie, for the latter is practically non-existent and if it is, then hardly to be enthused for nationalist accumulation programmes with a more rigorous cut; without a proper bourgeois class, these petty-bourgeois radicals lead a practically hopeless struggle for change. Forced very soon into the rural underground by Sihanouk’s authoritarian regime, they try to implement their programme of industrialisation based on agriculture with the help of the only social class that counts – namely the rural population, the small peasants and farm workers.
...
One simply has to quote these illuminating passages of the Khmer Rouge’s “chief ideologist” at length, because after all the imperialist wailing, one probably does not think it possible that these “monsters” can think at all. (A Trotskyist group, persistent in its obtuseness, even opined that these “monsters” were the embodiment of… a return to feudalism!) One thing is immediately quite clear: these petty-bourgeois intellectuals, widely referred to as Marxists, communists, etc., are never ever in the tradition of the “German” Karl Marx, but of the German Friedrich List, who, under the slogan “Freedom is the goal, limitation is the necessity”, set his protectionist credo against the imperialist ideology of the free traders in the last century. The Khmer Rouge leaders are thus spiritual sons of the ancestors of today’s imperialists, those imperialists who now see in them the personified devil of communism, although they only wanted to be flesh of their flesh.
These views of Samphan and thus the leaders of the Khmer Rouge were also quoted at length because they are so popular today. In the face of the growing exploitation of the countries of the so-called Third World by Western imperialism, theories are emerging everywhere that vehemently propose the same position of “cutting off” the “underdeveloped” countries from the dominance of the world market ruled by Western capital as a panacea. And it is certainly no coincidence that one of the main representatives of these academic “revolutionaries”, the Egyptian Samir Amin, raves about the radicalism of the Khmer Rouge even after their expulsion and predicts a chain of new “Kampucheas” for the African future. Against the massive reality of the increasing internationalisation of capital and the growing global control of Western and increasingly Eastern imperialism, such “progressive” petty-bourgeois theorists place their faith in autarky, national accumulation and so-called autocentric development. Against the capitalist propaganda of progress and prosperity through freedom of trade and capital investment, which in reality in fact produces nothing but growing pauperisation and exploitation, the Good News on the other side says: Only if one can free oneself from imperialism at least for as long as it takes to be able to develop one’s productive forces independently, only then will one achieve prosperity and security for humanity.
In this respect, both sides represent only two sides of the same coin. Both claim to be able to achieve “the greatest happiness for the greatest number” within the framework of and through capitalism – as the forefather of these bourgeois tendencies, Adam Smith, already formulated this elementary lie of capital.
...
The utopians of capital have to acknowledge time and again that, contrary to their proclamations, the social antagonisms both within the “developed” and “underdeveloped” countries and between these countries are becoming increasingly acute. And while capitalism is pushing the development of the productive forces ever more sharply in order to satisfy its insatiable hunger for surplus value, it is precisely because of this highly productive technology that it is less and less able to transform the pauperised masses into active proletarians, i.e. to force them to the machines or into the office. While the imperialists, in their frenzied mania for surplus value, are at least throwing the whole world into growing unrest and undermining ancestral immobile relations ever more thoroughly, the heralds of an apparently radical autarky are causing nothing but confusion in the ranks of the pauperising masses. They talk of economic independence, stable economic cycles and adapted technology – all concepts that really bring out their illusionist anachronism.
And to see Cambodia of all places as a concrete approach or even an example for the feasibility of such utopias seems almost tragicomic in view of the results that are now available. But it is also a total misreading of the factual development under the Pol Pot government. Demonisation and idealisation of the Khmer Rouge have the same basis. They assume that the measures taken after the conquest of power in Cambodia were deliberate and planned. One side sees only the terror and coercive measures with which the leaders, supported by relatively small armed forces, tried to get a grip on a witch’s cauldron of panic and violence and to escape the total catastrophe of starvation – and the chaos that would ensue in turn. They see this terror and these coercive measures as completely detached from the economic and social emergency. The others confuse the factual state of extreme social backwardness in Cambodia and the emergency measures taken with an economic and social programme.
...
We have outlined the devastating situation in Cambodia shortly before the moment of liberation. However broad and deep the peasant unrest in the countryside may have been at the time, it must be remembered that a large proportion of these peasants stayed in the capital out of necessity during the main phase of the fighting. In any case, the Khmer Rouge, hardly more than 70,000 men anyway, fought for a long time mainly in the sparsely populated outskirts of Cambodia.
When the Khmer Rouge troops approached the capital in 1975 – likely with only about 20,000 men – it soon became clear that it was imperative to deal radically with this hopelessly bloated big head. Estimates vary, but it can be assumed that of the 7-8 million Cambodians, at least 2.5, but probably over 3 million were crammed into the capital (“peace population” as mentioned 600,000). With the severing of the umbilical cord to imperialism, Phnom Penh was up in the air as its former bridgehead. There was no possibility whatsoever to control or even feed this veritable hell of collaborators and starving refugee masses. The general shortage of rice had driven prices to dizzying heights: from 10 riel per kilo in December 1971 to 125 riel in December 1973 and on to 300 riel in early 1975, reaching a record 340 riel in mid-February. The retreat of the imperialists and the advance of the Khmer Rouge must have acted as a double signal: On the one hand, to storm against the hated parasites and the urbanites in general, on the other hand, to return to the countryside in chaos. The Khmer Rouge had to evacuate the city and channel the returning flow to avoid a total catastrophe. The fact that the displaced people left a wide trail of blood behind them on their way out of the city (for the time of the Khmer Rouge government, there is consistent talk of at least 1 million deaths) was unavoidable under the given conditions. It is significant that the majority of the massacres affected the urban population and certain national minorities: precisely intellectuals, military officers of the old Lon Nol regime, Sihanoukists, capitalists, merchants etc., and apart from the Cham (Muslims) almost exclusively the Vietnamese and Chinese minorities, whose social situation we have already pointed out.
Whether it was spontaneous peasant terror or executions organised by the Khmer Rouge, it was partly revolutionary violence against the supporters of the old regime, which as such does not speak against but for the Khmer Rouge, and partly pogroms, which the leaders at most accepted and tried to direct in the interests of the state monopoly on the use of force. But it is not so important whether the Khmer Rouge leaders had to accept or order these massacres. What is decisive is that they were forced by material development to eliminate or to have eliminated precisely those strata on which they wanted to rely. This, together with the evacuation of the cities, deprived them of any social support other than the peasantry. Thus they were at the mercy of this peasantry, which had to be disciplined for the actualisation of their “programme”. The conflict with it was therefore programmed for the time after the famine had been averted.
...
After the worst of the chaos had been overcome, it was attempted to use these structures, which had prevailed in a rather primitive way during the hunger phase, for one’s “industrialisation programme” by maintaining and further intensifying collectivisation. Necessity was to become a capitalist virtue. The complete lack of such “civilisational” achievements as the intercourse of money and commodities was supposed to make for an ideal, indeed classic, “truck system”, i.e. payment in kind alone. The peasants were forced into ever new production battles, because now surpluses were to be produced for export – i.e. for exchange with foreign means of production – which indeed happened and animated the leaders even further. The general command was under the iron slogan: “Work hard and try to achieve maximum results with a minimum of investment”, and the focus was on absolute labour effort.
...
Once a sufficient level of production had been restored, however, the whole construction was bound to collapse completely sooner rather than later. Anyone who has even a pale inkling of the travails of the infamous Stalinist collectivisation in Russia – and the Russian state was on an incomparably higher social level and had quite different means of power at its disposal – can easily imagine how the intellectual would-be enablers of capitalism in Cambodia, then practically hanging in the air, would have to perish in an orgy of violence – unless, with the help of a foreign power, they could get a grip on the chaos and create more stable conditions through a series of concessions to the peasantry. Most likely, however, they would be finished even then, like a man trying to hold on as long as possible to a wildly thrashing bull and then falling to the ground exhausted. In any case, the arena crowd was already eagerly awaiting the outcome of the tragedy.
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Sovereignty, neutrality, non-alignment – this credo runs through all declarations as a complement to “autarky”. But already in the face of the first offensive by the Vietnamese, it must have slowly become clear to the Khmer Rouge leaders that these fine words could only have one meaning in our unpleasant world, namely to place themselves under the protection of the People’s Republic of China. In Pol Pot’s interview, which we have just quoted, a strange acronym appears: CPK. This means “Communist Party of Kampuchea”. And yet, to the boundless amazement of bourgeois commentators, the Khmer Rouge had never tried to dress up their declarations or their constitution with Marxist or pseudo-Marxist vocabulary – which is certainly very sympathetic to us. On the contrary, they have displayed an obvious and pedantic aversion to these concepts. Neither “vanguard of the proletariat” or “communist party” nor “proletarian internationalism”, neither “classless society” nor “dictatorship of the proletariat”, but also not “new democratic revolution”, “mass line”, “creation of a new man”, “peaceful coexistence” etc. etc. had ever been spoken of. If similar contents had to be expressed, they were paraphrased with other words. But this did not happen because the Pol Pot folks would have been particularly honest and wanted to do us Marxists a favour. This happened because in their dogged nationalism they wanted to distance themselves clearly from their neighbours Vietnam, but also China, who professed to be “socialist”. The national character of all these revolutions and states, the national character of their confrontations and of their whole politics is expressed even in the fact that the weakest link feels compelled by the instinct of self-preservation to dispense with the “Marxist” or “socialist” cloak for the capitalist programme! This is what “socialism in one country” has come to! And the adoption of the “Marxist” “vocabulary” here is a sign of the surrender of the so sacred national sovereignty. If, as already mentioned, no announcement had ever mentioned a party or revolutionary phases (there was always talk of a “revolutionary organisation” and even of “Angkor traditions”), Pol Pot told his astonished people and all those who wanted to know the following story on 27 September 1977: the CPK had already existed in Cambodia since 30 September 1960 and had achieved this miracle of a national-democratic revolution. He told it the day before he left for Beijing, on which, fighting a losing battle against the Vietnamese, he has been completely dependent ever since.
As a “plaything of foreign powers”, the nationalist intellectuals of Cambodia perished. The peasantry, largely decimated under the pressure of the imperialist frenzy and its consequences, as now under the pressure of Vietnam’s national expansion, is an example of the fate that capitalist society reserves for small and weak peoples in its emergence and development. To such peoples the proletariat alone would and will secure the right of self-determination, because unlike the bourgeoisie it does not seek national privileges but wants to abolish them, because unlike the bourgeoisie it can create voluntary union, because unlike the bourgeoisie it liberates itself not by exploiting others but by abolishing all exploitation.

YŪREI CHRONICLES [ 幽霊クロニクルズ ]
Tales of Japanese Horror [ 日本のホラーの物語 ]
By: Seph Cruz [ 投稿者: セフ・クルーズ ]
CONTENTS [ コンテンツ ]
Preface [ はじめに ]
Chapter 1: The Cursed Scroll [ 第 1 章: 呪われた巻物 ]
Chapter 2: The Shrine in the Shadows [ 第 2 章: 影の神殿 ]
Chapter 3: The Haunting of the Geisha [ 第 3 章: 芸者の幽霊 ]
Chapter 4: The Onryo's Revenge [ 第 4 章: 怨霊の復讐 ]
Chapter 5: The Dollmaker's Curse [ 第 5 章: 人形師の呪い ]
Chapter 6: The Shadow in the Forest [ 第 6 章: 森の影 ] Chapter 7: The Haunting of the Yūrei Inn [ 第 7 章: 幽霊旅館の幽霊 ]
Chapter 8: The Curse of the Haunted Kimono [ 第 8 章: 幽霊着物の呪い ]
Chapter 9: The Mirror's Malevolence [ 第 9 章: 鏡の悪意 ]
Chapter 10: The Bridge to the Beyond [ 第 10 章: 彼方への架け橋 ]

 "Yūrei Chronicles: Tales of Japanese Horror" 

Chapter 1: "The Cursed Scroll"
In the heart of Kyoto, where history whispered through the ancient streets, there existed an antique bookstore known only to those who sought the rarest of tomes. Nestled among centuries-old texts and dusty manuscripts, a forbidden scroll lay hidden, waiting for an unwitting soul to stumble upon its chilling secrets.
Chapter 1: "The Cursed Scroll"
The quaint, dimly lit bookstore was a treasure trove of the past. Intricate calligraphy adorned scrolls, while faded ink whispered stories of long-forgotten samurai and mystical creatures. Among these relics of history, one scroll remained elusive, concealed behind a glass case. Its dark, ornate cover bore no title, and its presence seemed to beckon.
Haruki, a young scholar with a fascination for the occult, visited the bookstore one rainy afternoon. His curiosity led him to inquire about the enigmatic scroll. The elderly shopkeeper, Mr. Tanaka, peered at him with a knowing look, cautioning him about the scroll's malevolent reputation.
"Many have sought to uncover its secrets," Mr. Tanaka said, his voice trembling with age, "but few have lived to tell the tale."
Haruki, undeterred by the ominous warning, insisted on examining the scroll. Mr. Tanaka, sensing the scholar's determination, reluctantly unlocked the glass case. As Haruki unrolled the ancient parchment, he saw that it was filled with intricate symbols and incantations, written in a language he could barely comprehend.
For days, Haruki delved into the scroll's mysteries. His sleepless nights were filled with whispers from unseen forces, and chilling drafts seemed to haunt his small apartment. Yet, he pressed on, believing that the scroll held untold knowledge and power.
One fateful night, as a full moon cast eerie shadows across his cluttered study, Haruki recited an incantation from the scroll. The room grew icy cold, and an otherworldly presence enveloped him. A mournful wail echoed through the room, and Haruki's heart raced as he beheld the apparition before him.
A yūrei, its long, disheveled hair obscuring its gaunt face, hovered in the air, its eyes filled with anguish and rage. It reached out bony, pale fingers toward Haruki, its spectral form translucent yet undeniably real.
In that moment, Haruki realized the scroll's true nature – a curse that summoned vengeful spirits to torment the living. He had unwittingly invited the yūrei into his world, and now, it sought retribution for its suffering.
The scholar's life turned into a nightmare as the vengeful spirit haunted his every waking moment. His research became an obsession to find a way to pacify the yūrei and lift the curse. With each passing day, Haruki's health deteriorated, his body and mind succumbing to the relentless torment.
Desperate, he sought the guidance of a renowned exorcist, who revealed a grim truth. The only way to break the curse was to discover the scroll's origins and offer the yūrei the peace it so desperately sought.
As Haruki ventured deeper into the scroll's history, he uncovered a tale of betrayal and tragedy that spanned centuries. With newfound knowledge and a heavy heart, he prepared to confront the vengeful yūrei and set things right.
In a chilling confrontation between the living and the dead, Haruki faced the spirit, offering it the closure it craved. As the yūrei dissipated into the ether, its mournful wail echoed one last time, fading into the night.
Haruki emerged from the ordeal forever changed, carrying the weight of the scroll's curse as a cautionary tale. The forbidden knowledge he had sought had come at a great cost, a reminder that some mysteries should remain hidden, and some curses should never be invoked.
As the sun rose over Kyoto, the antique bookstore remained shrouded in an eerie silence, and the cursed scroll returned to its cryptic slumber, waiting for the next unwitting soul to unlock its dreadful secrets.
End of Chapter 1: "The Cursed Scroll"
Chapter 2: "The Shrine in the Shadows"
In the heart of a tranquil Japanese village, nestled among ancient forests, stood a centuries-old Shinto shrine, known to few but revered by all. This sacred place held an eerie secret, hidden in the shadows of its past.
Chapter 2: "The Shrine in the Shadows"
The village of Mizuki was picturesque, surrounded by dense woods and the whispers of rustling leaves. Its most treasured gem was the Shōrin Shrine, a sanctuary dedicated to the worship of the kami, where the villagers paid homage with heartfelt prayers and offerings.
On a bright spring morning, the Hayashi family moved into a charming house near the shrine. Yuko, a spirited young girl with inquisitive eyes, was enchanted by the quaint beauty of Mizuki and the mystique of the Shōrin Shrine. Her parents, Masato and Yuki, hoped the peaceful village would offer respite from the bustling city.
Their first evening in Mizuki was serene, and the family felt blessed to live in such an idyllic place. As night descended, they heard a faint melody echoing through the forest—a haunting tune played on a traditional shamisen. Yuko, drawn by curiosity, followed the eerie melody to the shrine.
At the shrine's entrance, she saw a flicker of movement among the trees and bushes. As her eyes adjusted to the dim moonlight, she gasped in awe and terror. There, bathed in an ethereal glow, stood a beautiful woman dressed in a white kimono, her long hair cascading like an ebony waterfall.
The woman's face bore an expression of immense sorrow, and her eyes seemed to pierce Yuko's very soul. In her delicate, spectral hands, she held a shamisen, its strings plucked by fingers that had long since turned to mist.
"Who are you?" Yuko asked, her voice quivering.
The apparition gazed at Yuko with an inscrutable sadness and whispered, "My name is Hana. I have been bound to this shrine for centuries, waiting for someone to hear my song."
Hana's story unraveled like a tragic tapestry before Yuko. She had once been a young woman in love with a humble fisherman from Mizuki. Their love was forbidden, and when their secret was discovered, they met a tragic end at the hands of the villagers.
As she spoke, the melody of her shamisen became more mournful, and the trees seemed to weep in sympathy. Hana's spirit, bound to the shrine, could only find solace by sharing her story with the living.
Yuko, moved by Hana's tale, felt a deep connection to the ghostly figure. She promised to help Hana find peace and bring her story to light. Together, they would uncover the truth behind the tragic love story that had ensnared the shrine for centuries.
As Yuko delved into the village's history, she uncovered hidden documents and ancient scrolls that confirmed Hana's story. The injustice done to Hana and her beloved was a blot on the village's past, a truth that had been concealed for generations.
With newfound determination, Yuko rallied the villagers to acknowledge the village's dark history and to seek forgiveness for the sins of the past. In a moving ceremony at the Shōrin Shrine, the villagers offered their prayers, and Hana's spirit was finally set free.
As the first rays of dawn bathed Mizuki in golden light, Hana's ethereal form dissolved into a wisp of gratitude and serenity. The shrine, once shadowed by sorrow, now radiated with newfound peace.
"The Shrine in the Shadows" became a tale passed down through generations, a reminder that love and forgiveness could transcend even the darkest of curses. Mizuki continued to flourish, its shrine standing as a testament to the enduring power of redemption.
End of Chapter 2: "The Shrine in the Shadows"
Chapter 3: "The Haunting of the Geisha"
In the vibrant streets of 19th-century Tokyo, beneath the shimmering lanterns and behind the delicate allure of geisha, a haunting presence lurked—a presence that would forever change the life of a celebrated geisha named Kaede.
Chapter 3: "The Haunting of the Geisha"
In the heart of Tokyo's historic Yoshiwara district, Kaede was renowned as one of the most captivating and skilled geisha. Her beauty was ethereal, her dances mesmerizing, and her laughter like the tinkling of wind chimes. But beneath her porcelain makeup and the grace of her performances lay a heart heavy with secrets.
One cool autumn evening, as the lanterns cast their warm glow on the district, a newcomer arrived at the teahouse where Kaede performed. His name was Kaito, a handsome and enigmatic man with piercing eyes that seemed to see beyond the facade of the geisha. Kaede's heart quickened as their eyes met, and she felt a connection she had never experienced before.
As weeks turned into months, Kaede and Kaito's bond deepened, their love blossoming like the cherry blossoms in spring. But their love was a forbidden one, as Kaito was a samurai, and their worlds were as different as night and day.
One fateful night, Kaito revealed a dangerous secret to Kaede—he was involved in a plot against a powerful daimyo who ruled with cruelty and oppression. Kaito believed that by exposing the daimyo's corruption, he could bring justice to the people. He asked for Kaede's assistance in gathering information from the teahouse's influential patrons.
Reluctantly, Kaede agreed, and together, they embarked on a treacherous path filled with deceit and danger. As the days passed, they uncovered dark secrets that could expose the daimyo's crimes. However, their actions did not go unnoticed.
One evening, as Kaede performed for a gathering of influential men, a sinister figure appeared in the shadows. It was the vengeful spirit of a geisha named Akiko, who had perished in Yoshiwara under tragic circumstances. Her ghostly form was veiled in a blood-red kimono, and her eyes burned with malevolence.
Akiko's haunting began subtly—a chill in the air, whispers of despair, and a feeling of dread that hung over the teahouse like a shroud. Kaede, sensing the supernatural presence, knew that they had awakened a vengeful spirit.
Desperate to protect Kaede, Kaito sought the guidance of a local exorcist, who revealed the tragic story of Akiko. She had been a geisha in love with a samurai, but their forbidden love had led to betrayal and death. Her restless spirit sought vengeance on those who dared to love across societal boundaries.
With the exorcist's help, Kaito and Kaede embarked on a perilous journey to confront Akiko's spirit and offer her the peace she so desperately sought. In a climactic showdown, they faced the vengeful geisha, revealing the truth behind her betrayal and death.
As the first light of dawn bathed the Yoshiwara district, Akiko's spirit dissipated, her eyes filled with sorrow and resignation. The curse she had cast upon the teahouse lifted, and peace returned to the district.
Kaede and Kaito's love story continued, forever marked by the supernatural forces they had encountered. The teahouse thrived once more, its lanterns casting their warm glow over the enchanting district, where love knew no boundaries and forgiveness transcended even death.
"The Haunting of the Geisha" became a legend whispered among geisha in Yoshiwara, a testament to the enduring power of love and the consequences of forbidden desires in the mysterious world of Edo-era Tokyo.
End of Chapter 3: "The Haunting of the Geisha"
Chapter 4: "The Onryo's Revenge"
In the heart of a decaying city, where abandoned buildings stood as silent witnesses to forgotten tragedies, a group of urban explorers would stumble upon a place where the restless dead held their sinister dominion.
Chapter 4: "The Onryo's Revenge"
The city of Kurayami had fallen into disrepair, its once-thriving industries crumbling, and its streets echoing with the memories of better days. Among its many derelict structures was the forsaken Kurayami Hospital, a place whispered about only in fearful tales.
Rumors spoke of a curse that had befallen the hospital after a gruesome series of medical experiments in the early 20th century. Patients had been subjected to horrific procedures, and their agonized cries still seemed to reverberate through the corridors.
A group of urban explorers, lured by the thrill of the forbidden and the allure of the macabre, set their sights on Kurayami Hospital. Among them was Hiroshi, the group's leader, and Yumi, a budding photographer with an affinity for capturing the eerie beauty of abandoned places.
As the explorers entered the hospital's crumbling entrance, they were greeted by the musty scent of decay and the eerie silence of long-abandoned hallways. Shadows danced in the dim light as they ventured deeper into the forsaken building, their footsteps echoing like distant whispers.
The group's excitement turned to unease as they encountered signs of the hospital's dark past—rusty surgical instruments, bloodstained gurneys, and cryptic medical notes. Yumi's camera captured it all, each photograph revealing more about the hospital's gruesome history.
As night fell, the explorers gathered in the hospital's decrepit lobby, their flashlights casting trembling beams into the darkness. It was then that they heard it—a faint, mournful wail, like the keening of a soul in torment.
Hiroshi, the group's fearless leader, brushed off their concerns, attributing the sound to the wind or their imagination. But the cries grew louder and more anguished, echoing through the halls.
The group became separated as they navigated the labyrinthine corridors. Yumi, camera in hand, wandered into the hospital's disused psychiatric ward. There, in a shadowed corner, she saw her camera's flash reveal a horrifying apparition—an onryo, a vengeful spirit with long, disheveled hair and eyes filled with hatred.
The onryo's spectral form contorted with rage as it approached Yumi. Its icy fingers reached out, and she felt an otherworldly coldness pierce her very soul. She knew that this was the spirit of a patient who had suffered unimaginable horrors in the hospital.
As Yumi's companions searched for her, they stumbled upon the onryo's lair and witnessed the terrifying encounter. In a desperate bid to save Yumi, they searched for a way to pacify the vengeful spirit.
Through a combination of research and communication with a local historian, they learned the full extent of the hospital's atrocities. Armed with this knowledge, they returned to the onryo's domain to confront the spirit and offer it the peace it had been denied for so long.
In a climactic showdown, the group faced the onryo, revealing the hospital's dark secrets and acknowledging the suffering of the tormented souls within. With profound remorse, they begged for forgiveness on behalf of those who had perpetrated the atrocities.
As the first rays of dawn broke over Kurayami, the onryo's anguished wails transformed into a mournful sigh. The spirit, its wrath finally quelled, dissipated into the ether, leaving behind a sense of profound sadness and closure.
The group of urban explorers emerged from Kurayami Hospital, forever changed by their encounter with the supernatural. They had confronted the past and offered redemption to the restless dead, leaving the decaying city with a newfound sense of hope.
"The Onryo's Revenge" became a cautionary tale among urban explorers, a reminder that some places are best left undisturbed, and that the past, no matter how dark, can be confronted and reconciled.
End of Chapter 4: "The Onryo's Revenge"
Chapter 5: "The Dollmaker's Curse"
In a remote mountain village, nestled among mist-shrouded peaks, a master dollmaker crafted exquisite creations that captured the hearts of collectors worldwide. Yet, within her secluded workshop, a malevolent force lurked—one that would ensnare a curious journalist in a nightmarish world of living dolls and dark secrets.
Chapter 5: "The Dollmaker's Curse"
Hidden away in the secluded village of Ichiban, known only to those who ventured deep into the mountains, lived a master dollmaker named Ai. Her dolls were celebrated for their lifelike beauty and craftsmanship, with collectors from distant lands coveting her creations.
One brisk autumn morning, a journalist named Keiko received a cryptic letter from a source in Ichiban, hinting at a sinister mystery surrounding Ai's dolls. Intrigued by the enigmatic message, Keiko embarked on a journey to the remote village, determined to uncover the truth.
Ichiban was a place untouched by time, its cobblestone streets winding through dense forests and past centuries-old homes. The village exuded an eerie tranquility, and the locals spoke in hushed tones about Ai's dolls, rumored to be infused with a piece of the human soul.
Upon reaching Ai's workshop, Keiko was greeted by the dollmaker herself, a woman of grace and poise. The workshop was a treasure trove of exquisite dolls, their eyes seeming to follow Keiko's every move. Among them, a particular doll known as Hikari stood out—a hauntingly beautiful creation with ebony hair and obsidian eyes.
As Keiko delved deeper into the village's mysteries, she discovered that Hikari was believed to house the soul of a deceased child, a belief held by both Ai and the villagers. The doll's unsettling presence and the uncanny resemblance it bore to a girl named Mei, who had died tragically years ago, sent shivers down Keiko's spine.
Keiko's nights in Ichiban were filled with restless dreams of porcelain dolls that came to life. In these dreams, Hikari beckoned her to uncover the truth behind the dollmaker's creations. Guided by an inexplicable compulsion, Keiko embarked on a quest to unearth the dark secrets hidden within Ai's workshop.
As Keiko investigated further, she uncovered Ai's own tragic past—a story of unrequited love, loss, and a desperate desire to capture the essence of the human soul in her dolls. With each revelation, the line between the living and the lifeless blurred, and Keiko felt herself becoming entangled in a nightmarish world.
The dolls that had once been works of art now seemed to harbor malevolence. They moved of their own accord, their eyes filled with an eerie, lifelike intensity. Keiko realized that Ai's obsession had bound her to a sinister force, and her creations hungered for more than just existence.
In a chilling climax, Keiko confronted Ai and the curse that had gripped her creations. Together, they sought to break the curse's hold and release the trapped souls within the dolls.
As the moon hung low in the night sky, Ai performed a solemn ritual, guided by the spirit of Mei, whose essence had been captured in Hikari. The dolls, imbued with a restless energy, gathered around, their haunting eyes watching as the curse was lifted.
With a mournful sigh, the dolls' porcelain features softened, and their malevolence dissipated. The spirit of Mei was set free, and the dolls became lifeless once more, their beauty preserved in eternal stillness.
Ichiban returned to its peaceful slumber, and Keiko departed with a newfound appreciation for the power of art and the depths of human longing. The village's haunting tale of the dollmaker's curse served as a reminder that some obsessions could lead to the creation of something far more sinister than art itself.
End of Chapter 5: "The Dollmaker's Curse"
Chapter 6: "The Shadow in the Forest"
In a land steeped in history and tradition, the Aokigahara Forest, known as the "Suicide Forest," concealed a dark secret. Within its dense, ancient foliage, a group of hikers would embark on a journey that would lead them into the heart of a malevolent force.
Chapter 6: "The Shadow in the Forest"
Deep within the prefecture of Yamanashi, shrouded in a perpetual mist, lay the infamous Aokigahara Forest—an expanse of ancient woodland that held a dark reputation. Known as the "Suicide Forest," it had been a site of countless tragic deaths throughout the centuries.
A group of adventurous hikers, seeking to conquer the wilderness and challenge the forest's ominous legends, gathered on a chilly autumn morning. Among them was Akira, an experienced guide with a deep respect for the forest's history, and Yumi, a young woman in search of adventure and solace from her own troubled past.
The hikers ventured deep into the forest, their footsteps muffled by the thick blanket of moss and fallen leaves. The dense canopy above cast eerie shadows, and the trees seemed to whisper secrets of sorrow and despair.
As they trekked further into the woods, they began to notice strange occurrences—a disconcerting sense of being watched, distant whispers on the wind, and ghostly apparitions that flickered at the edge of their vision. Akira, the guide, attributed these phenomena to the forest's ominous reputation and urged the group to press on.
Yet, the forest's grip on their minds and senses tightened. Yumi, in particular, felt a strange connection to the haunting forces that seemed to lurk behind every tree. Inexplicable visions of tragedy and despair flashed before her eyes, and a sense of overwhelming dread enveloped her.
Night descended on the forest, and the hikers set up camp, their flickering campfire offering the only semblance of comfort in the oppressive darkness. It was then that Yumi encountered a spectral figure—a yūrei, her kimono tattered and her eyes empty voids.
The yūrei beckoned to Yumi, her voice a mournful echo. Unable to resist, Yumi followed the apparition into the depths of the forest, her companions unaware of her disappearance. The yūrei led her to a clearing where an ancient tree stood, its gnarled roots forming a grotesque face.
As Yumi approached the tree, she felt a malevolent presence—an ancient spirit of the forest itself. It spoke to her, revealing the tragic history of Aokigahara—the place where those who had lost hope sought refuge in death.
Yumi learned of the forest's vengeful guardian, a yūrei born of countless lost souls, whose suffering fueled its malevolence. It was the embodiment of the forest's sorrow, forever bound to torment those who ventured within.
Realizing that Yumi was now connected to the yūrei, her companions embarked on a desperate search to rescue her from the forest's clutches. With the guidance of Akira's knowledge and determination, they confronted the vengeful spirit, revealing the pain of their own pasts and the impact of their actions on the world around them.
As the first rays of dawn bathed Aokigahara in a pale light, the yūrei's malevolence waned, and its grip on Yumi loosened. With a final sigh, it dissipated into the morning mist, its haunting presence released from the forest.
Yumi was reunited with her companions, forever changed by her encounter with the malevolent spirit of Aokigahara. The forest's ominous reputation remained, a reminder of the darkness that could consume those who dared to venture too close to its heart.
"The Shadow in the Forest" served as a chilling testament to the mysteries of Aokigahara, where the past and the present intertwined, and the boundaries between life and death blurred beneath the ancient canopy.
End of Chapter 6: "The Shadow in the Forest"
Chapter 7: "The Haunting of the Yurei Inn"
In a remote village nestled among mist-covered mountains, a centuries-old inn held a sinister secret. When a weary traveler seeks refuge within its ancient walls, she becomes entangled in a web of supernatural mysteries that threaten to consume her soul.
Chapter 7: "The Haunting of the Yurei Inn"
The village of Okuyama was a hidden gem, nestled among towering peaks and blanketed in mist. Within this secluded haven stood the Yurei Inn, a centuries-old establishment steeped in history and whispered legends. Its age-old charm masked a sinister truth—a haunting presence that had plagued the inn for generations.
Amidst a dense fog, a lone traveler named Rei arrived in Okuyama, weary and seeking shelter from the elements. The Yurei Inn, with its rustic charm and flickering lanterns, seemed like the perfect refuge. Little did Rei know that her stay at the inn would unravel the mysteries hidden within its ancient walls.
Upon her arrival, Rei was greeted by the inn's elderly proprietress, Eiko, a woman whose weathered features and deep knowledge of the village's history hinted at a deeper connection to the inn's haunting past.
As Rei settled into her room, the oppressive atmosphere within the inn became palpable. Shadows seemed to dance in the corners of her vision, and strange, ghostly whispers echoed in the corridors. Unbeknownst to her, Rei had become a pawn in a centuries-old battle between the inn and the vengeful spirits that resided within.
In the dead of night, Rei awoke to a chilling presence at her bedside—an ethereal yurei, her white burial kimono flowing like a spectral river. The vengeful spirit's eyes held an insatiable hunger, and she reached out to Rei, her fingers icy and skeletal.
Rei's nights became torment as she encountered more yurei within the inn, each with their own tragic stories of betrayal, injustice, and unfulfilled desires. The spirits sought vengeance, and Rei's presence within the inn had awakened their malevolence.
Desperate to uncover the inn's secrets and free herself from the spirits' relentless pursuit, Rei sought the guidance of Eiko. The elderly proprietress revealed the tragic history of the inn—an establishment built on the suffering of countless souls who had met their demise within its walls.
Eiko's own family had been entangled in the inn's dark legacy, and she bore the weight of their deeds. Together, Rei and Eiko embarked on a journey to confront the yurei and offer them redemption, hoping to break the cycle of suffering that had plagued the inn for centuries.
In a harrowing confrontation with the vengeful spirits, Rei and Eiko unveiled the truth behind the inn's cursed history and acknowledged the pain of the souls that had been wronged. With heartfelt apologies and rituals of atonement, they sought to release the spirits from their torment.
As the first rays of dawn bathed Okuyama in a golden light, the yurei's spectral forms dissolved into the ether, their eyes filled with a mix of sorrow and gratitude. The Yurei Inn, once a place of darkness, now held the promise of redemption.
Rei departed from Okuyama, forever marked by her encounter with the supernatural. The Yurei Inn, now cleansed of its malevolent spirits, stood as a testament to the power of reconciliation and the hope of breaking the chains of the past.
"The Haunting of the Yurei Inn" became a cautionary tale among villagers, a reminder that the sins of the past could be confronted and forgiven, even in the face of vengeful spirits.
End of Chapter 7: "The Haunting of the Yurei Inn"
Chapter 8: "The Curse of the Haunted Kimono"
In the heart of Kyoto, where tradition and modernity intertwined, a family heirloom, an ancient kimono, carried a chilling curse that had plagued generations. A woman must delve into her family's history to uncover the origins of the curse and find a way to break it before it consumes her and her loved ones.
Chapter 8: "The Curse of the Haunted Kimono"
Kyoto, the city of a thousand temples, was a place where time seemed to stand still. Among the historic districts, the Nakamura family had passed down a treasured heirloom for generations—an exquisite silk kimono adorned with intricate embroidery, a relic of a bygone era.
The kimono had always been a source of fascination and reverence within the Nakamura family. It was said to be imbued with mystical powers, protecting its wearer from harm and misfortune. But beneath its ornate beauty lay a dark secret—a curse that had haunted the family for centuries.
Emi, the youngest of the Nakamura family, had grown up hearing stories of the kimono's mystical properties and the curse that clung to it. When her grandmother passed away, leaving the kimono in her care, Emi became the latest custodian of this fabled garment.
As the years passed, strange occurrences began to plague Emi and her family. The kimono seemed to have a malevolent presence, causing nightmares, unexplained accidents, and a growing sense of dread. Emi's husband, Toshiro, and their young daughter, Yuki, bore the brunt of the curse's effects.
Desperate to protect her loved ones, Emi embarked on a quest to uncover the origins of the curse and find a way to break it. She delved into her family's history, poring over ancient scrolls and consulting with local priests and scholars.
Through her research, Emi learned of a tragic love story that had been concealed for generations—a forbidden romance between a Nakamura ancestor and a woman from a rival clan. The lovers had been torn apart by a vengeful spirit, and their love had been sealed within the cursed kimono.
With newfound determination, Emi sought out the help of a renowned exorcist, who revealed that the curse could only be broken by reconciling the spirits of the star-crossed lovers and offering them a chance at eternal peace.
Emi, Toshiro, and Yuki embarked on a journey to the ancestral shrine of the Nakamura family, where they conducted a solemn ritual to appease the vengeful spirits. As they offered their prayers and made heartfelt apologies on behalf of their ancestors, a profound sense of forgiveness washed over them.
In a climactic moment, the cursed kimono transformed, its once malevolent aura dissipating into the ether. The spirits of the star-crossed lovers, now free from their torment, appeared before Emi and her family, their eyes filled with gratitude.
As the cherry blossoms rained down upon Kyoto, Emi, Toshiro, and Yuki returned home with a newfound sense of peace and closure. The kimono, no longer cursed, became a symbol of their family's resilience and the enduring power of love and forgiveness.
"The Curse of the Haunted Kimono" served as a reminder that the sins of the past could be atoned for and that the bonds of love and family could transcend even the darkest of curses.
End of Chapter 8: "The Curse of the Haunted Kimono"
Chapter 9: "The Mirror's Malevolence"
In a quiet suburban neighborhood, an antique mirror with a sinister past found its way into the home of a young couple. As they unwittingly unleashed the malevolent spirit trapped within, they must confront the mirror's dark history to save themselves and their family.
Chapter 9: "The Mirror's Malevolence"
In a serene suburban neighborhood, where cherry blossoms bloomed with each passing spring, lived a young couple, Hiroshi and Aiko, who were enamored with the charm of their new home. They had recently moved into a quaint, old-fashioned house that came with a peculiar antique mirror.
The mirror was ornate and beautiful, its frame adorned with delicate carvings of cherry blossoms. It had been left behind by the previous owner, a recluse who had passed away under mysterious circumstances. Little did Hiroshi and Aiko know that this mirror carried a malevolent secret.
As they settled into their new home, strange occurrences began to unfold. Reflections in the mirror seemed to distort, showing glimpses of eerie, shadowy figures lurking in the background. At night, whispers filled the room as if unseen voices murmured from within the glass.
Aiko, with her fascination for the occult, was the first to sense the mirror's sinister aura. She delved into research, uncovering tales of a cursed mirror that had plagued the previous owner's family for generations.
The mirror had once belonged to a vengeful spirit, a yūrei who had perished in despair. Its malevolence was bound to the glass, and those who possessed it were tormented by the spirit's relentless anger and sorrow.
Desperate to free themselves from the mirror's curse, Hiroshi and Aiko sought the guidance of a spiritual medium. Through a series of rituals and séances, they made contact with the vengeful spirit trapped within the mirror.
The spirit's story unfolded like a tragic drama—the yūrei had been a young woman in love with a man from a rival clan. Their love was forbidden, and when their secret was discovered, they had both met a grisly end. Her spirit had been bound to the mirror as punishment for her defiance of societal norms.
With the medium's help, Hiroshi and Aiko offered prayers and apologies on behalf of the mirror's original owner, seeking forgiveness for the wrongs committed against the vengeful spirit. They vowed to help the spirit find peace and redemption.
In a chilling climax, they conducted a final ritual, allowing the yūrei to pass on and find the solace she had been denied for centuries. As they gazed into the mirror one last time, they saw the spirit's reflection fade into the distance, her eyes filled with a mix of gratitude and farewell.
The mirror, now cleansed of its malevolence, became a symbol of hope and renewal for Hiroshi and Aiko. Their family flourished, and the cherry blossoms in their garden bloomed with newfound vibrancy, a testament to the enduring power of love and forgiveness.
"The Mirror's Malevolence" served as a chilling reminder that even the most innocuous objects could carry dark secrets, and that confronting the past and seeking redemption could break the bonds of even the most malevolent curses.
End of Chapter 9: "The Mirror's Malevolence"
Chapter 10: "The Bridge to the Beyond"
In a remote mountain village, isolated from the modern world, a historic bridge served as a link between the living and the dead. When a group of travelers crossed its ancient planks, they would discover the chilling truth behind the bridge's supernatural origins.
Chapter 10: "The Bridge to the Beyond"
Deep within the heart of the Japanese mountains, nestled among ancient forests and shrouded in mist, lay the village of Yamanokawa. It was a place where tradition and superstition still held sway, and the bridge that spanned the river was both a lifeline and a gateway to the unknown.
A group of adventurous travelers, drawn by the allure of Yamanokawa's untouched beauty, embarked on a journey to explore the village's remote reaches. Among them were Kaito, a historian with an insatiable curiosity, and Mia, a photographer who sought to capture the essence of this secluded world.
The village's centerpiece was the Akane Bridge, a weathered structure made of ancient wood and adorned with centuries-old lanterns. Its planks creaked with the weight of history, and the river below whispered tales of lives long gone.
As the travelers ventured deeper into Yamanokawa, they discovered that the villagers held a profound reverence for the bridge. It was said to be a link between the living and the dead, a place where offerings were made to appease the spirits that dwelled in the surrounding forest.
As night descended, the travelers set up camp near the Akane Bridge, its lanterns casting an eerie, flickering glow on the river's surface. It was then that they heard the sound—a mournful melody that seemed to emanate from the bridge itself.
Mia, driven by curiosity, followed the haunting tune to the bridge's edge. There, bathed in an otherworldly light, she saw a figure—a woman in a white kimono, her long hair flowing like an ebony waterfall.
The woman, whose name was Hikari, revealed herself to be a yūrei, a spirit bound to the Akane Bridge for centuries. She had once been a young bride whose love had been torn apart by a tragic accident on her wedding day. Her spirit was eternally linked to the bridge, where she waited for her beloved to return.
Kaito, the historian, delved into the village's archives and uncovered the tragic story of Hikari's past. It was a tale of love and loss, of a bride whose life had been cut short, and a groom whose heart had been forever scarred by grief.
With newfound determination, the travelers sought to reunite the spirits of Hikari and her beloved. They embarked on a journey deep into the forest, following a path laden with offerings and prayers.
At the heart of the forest, they discovered an ancient shrine dedicated to love and reconciliation. There, in a poignant ceremony, they offered heartfelt prayers and apologies on behalf of the villagers and the groom who had never returned.
As the first light of dawn broke over Yamanokawa, a sense of serenity washed over the Akane Bridge. Hikari's spectral form dissolved into the river's mist, her eyes filled with a mix of longing and gratitude.
The travelers departed from Yamanokawa, forever changed by their encounter with the supernatural. The Akane Bridge, now freed from its haunting past, stood as a testament to the enduring power of love and the hope of reuniting even in the afterlife.
"The Bridge to the Beyond" became a legend whispered among villagers, a reminder that some bonds could transcend time and that the spirit of love endured even in the face of eternity.
End of Chapter 10: "The Bridge to the Beyond"

Hey Everyone,
So i was able to get to Elite(this season+last season) and Easily 11-14 wins weekend league and I haven't played anyone using this playstyle yet (I don't watch YouTube Custom Tactic so I could be entirely wrong).
Basically this playstyle relies heavily on parking the bus and hit your opponent with a counter attack and YEET the ball from your GK to your Striker. I'm not sure if this is a RAT tactic but it works well for me.
The Key to YEET ball is: Note: I play with custom tactics a lot to counter ball huggers and sometimes use constant pressure(Ultra Attack)when I'm really down. So, I've set the 4-5-1 formation to "attack".

1. Have a Target Man/a tall madafaka who is STRONG and have Aerial Playstyle+(Drogba).
2. Your 2nd CAM(Optional) to have Aerial PlayStyle Plus (for more yeet ball) while the other CAM and other CMs to be strong b2b or fast players.
3. MAX POWER R1+Square from YOUR GK(Inside your goal box) to your striker
4. When you are defending, do not overcommit in tackling, like playing in real football, keep your defensive shape in line, and use right stick switch or Double Tap R1 to drag your midfield back on defense. Most important thing is to only use ur CB or Full back to defense as a last resort. You should DRAG your CMS back on defense
5. Try to take advantage of Your Target Mens and Cross or YEET to them to make a 1-2 pass back to your midfielders.

Furthermore, the great thing about this formation is the flexibility, you can easily play thru the middle or wing.
Defense: Press After Losing Possession/Balance.
Width: 45
Depth: 65
Offense: Fast Built Up Or Balance
Chance Creation: Direct Passing
Width: 50
Players in box: 6-7
ST: Stay Central+ Get in Behind
LAM: Default
RAM: Default
LM: Get In Behind+ Come back on Defense
RM: Get In Behind+ Come back on Defense
CM: Default
CBs: All default.
LB: Default
RB: Default
My team:
Default Formation - can be whatever you want
The one I usually start with
I don't have any videos(not sure how to download it on PS5) but I can show it to you guys if I'm able to set it up. But yea do let me know what you think. I find this formation extremely fun to play as I essentially bully any time of CBS and fullbacks with a simple header pass to my CMS

Hello all,
I know that the title of my post is "out there," but it's what I'm currently experiencing.
I'm a fairly young widow (29F) that was married to a man significantly older than myself. My husband and I had bought a house together in an area that was predomenantly for older, wealthier, and "more established" individuals months before he passed. With that being said, everyone on the block has more than likely been well informed about my situation, knows that I am widowed, and that my husband was much older. They also probably assume that I was a gold digger or something along those lines, which I very much am not.
The problem that I'm facing right now is that it's become apparent to me (flat out told to me) that I've become persona non grata in the neighborhood. Apparently, the women in my neighborhood view me as some sort of threat since I'm "young, attractive, and newly single" (NOT MY WORDS!) . They actively ignore me and have instructed their husbands to do the same. Please note: I have absolutely no intentions to steal anyone's husband, am still very much processing the death of my own husband, and have kept to myself since moving here.
**I don't know how long I intend to keep the house. Right now, I'm looking at at least a year but, if I like the area, I'm open to staying indefinitely.**
My question(s) is/are: 1) Do I try to make some sort of amends with the women of the neighborhood to keep the peace, or do I just continue living life as I have been (not really engaging/ keeping to myself)? ... and 2) has anyone else been through such a ridiculous situation? You'd think that I was actively flirting with all the men on the block (which I VERY MUCH am not) to warrant this behavior.
Thank you all for reading

Everything in my inventory is up for trade. The most valuable items are listed here, the rest you can find in My Inventory

Feel free to Add Me or even better send a Trade Offer. Open for any suggestions: upgrades, downgrades / knives, gloves, skins / stickers, patterns, floats.

All Buyouts are listed in cash value.

KNIVES

★ Butterfly Knife Lore (Factory New), B/O: $7194.77

★ Butterfly Knife Autotronic (Minimal Wear), B/O: $2025.74

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★ M9 Bayonet Ultraviolet (Field-Tested), B/O: $557.87

★ M9 Bayonet Stained (Well-Worn), B/O: $529.41

★ M9 Bayonet Boreal Forest (Field-Tested), B/O: $465.39

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★ Talon Knife Doppler (Factory New), B/O: $1295.27

★ Bayonet Tiger Tooth (Minimal Wear), B/O: $746.28

★ Karambit Bright Water (Field-Tested), B/O: $688.15

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★ Flip Knife Doppler (Factory New), B/O: $547.93

★ Flip Knife Autotronic (Minimal Wear), B/O: $476.69

★ Flip Knife Case Hardened (Battle-Scarred), B/O: $278.18

★ Flip Knife Black Laminate (Well-Worn), B/O: $258.83

★ Flip Knife Urban Masked (Field-Tested), B/O: $181.64

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★ Stiletto Knife Marble Fade (Factory New), B/O: $686.04

★ Stiletto Knife Doppler (Factory New), B/O: $665.41

★ Stiletto Knife, B/O: $601.39

★ Stiletto Knife Crimson Web (Field-Tested), B/O: $418.25

★ Stiletto Knife Night Stripe (Field-Tested), B/O: $227.80

★ Stiletto Knife Boreal Forest (Field-Tested), B/O: $194.96

★ Stiletto Knife Safari Mesh (Field-Tested), B/O: $192.79

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★ Nomad Knife Crimson Web (Field-Tested), B/O: $518.11

★ Nomad Knife Scorched (Field-Tested), B/O: $169.78

★ Nomad Knife Forest DDPAT (Battle-Scarred), B/O: $166.88

★ StatTrak™ Nomad Knife Blue Steel (Field-Tested), B/O: $335.79

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★ Skeleton Knife Stained (Well-Worn), B/O: $442.05

★ Skeleton Knife Urban Masked (Minimal Wear), B/O: $426.24

★ Skeleton Knife Boreal Forest (Field-Tested), B/O: $314.03

★ StatTrak™ Skeleton Knife Fade (Minimal Wear), B/O: $2361.28

★ StatTrak™ Skeleton Knife Urban Masked (Field-Tested), B/O: $376.53

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★ Ursus Knife Doppler (Factory New), B/O: $557.12

★ Ursus Knife, B/O: $471.42

★ Ursus Knife Blue Steel (Minimal Wear), B/O: $212.37

★ Ursus Knife Case Hardened (Battle-Scarred), B/O: $187.66

★ Ursus Knife Damascus Steel (Field-Tested), B/O: $178.18

★ Ursus Knife Ultraviolet (Battle-Scarred), B/O: $155.13

★ Ursus Knife Boreal Forest (Battle-Scarred), B/O: $124.26

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★ Huntsman Knife Black Laminate (Minimal Wear), B/O: $204.83

★ Huntsman Knife Black Laminate (Field-Tested), B/O: $184.50

★ StatTrak™ Huntsman Knife Lore (Battle-Scarred), B/O: $224.11

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★ Bowie Knife Gamma Doppler (Factory New), B/O: $2142.02

★ Bowie Knife, B/O: $230.44

★ Bowie Knife Damascus Steel (Factory New), B/O: $209.20

★ Bowie Knife Ultraviolet (Minimal Wear), B/O: $180.51

★ Bowie Knife Ultraviolet (Field-Tested), B/O: $131.03

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★ Falchion Knife Night (Field-Tested), B/O: $132.54

★ Falchion Knife Urban Masked (Well-Worn), B/O: $112.81

★ Falchion Knife Scorched (Field-Tested), B/O: $108.81

★ Falchion Knife Forest DDPAT (Field-Tested), B/O: $107.82

★ Falchion Knife Safari Mesh (Field-Tested), B/O: $107.46

★ StatTrak™ Falchion Knife Ultraviolet (Field-Tested), B/O: $143.08

⎯

★ Paracord Knife Crimson Web (Minimal Wear), B/O: $486.48

★ Paracord Knife Blue Steel (Battle-Scarred), B/O: $163.12

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★ Survival Knife Blue Steel (Battle-Scarred), B/O: $138.26

★ Survival Knife Night Stripe (Field-Tested), B/O: $131.03

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★ Gut Knife Sapphire (Minimal Wear), B/O: $1127.79

★ Gut Knife Gamma Doppler (Factory New), B/O: $286.17

★ Gut Knife Doppler (Factory New), B/O: $246.55

★ Gut Knife Marble Fade (Factory New), B/O: $240.77

★ Gut Knife, B/O: $210.49

★ Gut Knife Lore (Field-Tested), B/O: $194.22

★ Gut Knife Case Hardened (Battle-Scarred), B/O: $151.51

★ Gut Knife Blue Steel (Minimal Wear), B/O: $124.94

★ Gut Knife Rust Coat (Well-Worn), B/O: $118.99

★ Gut Knife Boreal Forest (Minimal Wear), B/O: $109.80

★ StatTrak™ Gut Knife Doppler (Factory New), B/O: $237.96

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★ Shadow Daggers Gamma Doppler (Factory New), B/O: $264.92

★ Shadow Daggers Marble Fade (Factory New), B/O: $253.03

★ Shadow Daggers Tiger Tooth (Factory New), B/O: $237.22

★ Shadow Daggers Crimson Web (Field-Tested), B/O: $153.40

★ Shadow Daggers Autotronic (Minimal Wear), B/O: $144.42

★ Shadow Daggers Blue Steel (Field-Tested), B/O: $105.20

★ StatTrak™ Shadow Daggers Damascus Steel (Minimal Wear), B/O: $150.46

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★ Navaja Knife Fade (Factory New), B/O: $365.99

★ Navaja Knife Doppler (Factory New), B/O: $228.93

★ Navaja Knife Marble Fade (Factory New), B/O: $227.43

★ Navaja Knife Slaughter (Factory New), B/O: $209.06

★ Navaja Knife, B/O: $203.16

★ Navaja Knife Case Hardened (Well-Worn), B/O: $132.57

★ Navaja Knife Damascus Steel (Factory New), B/O: $121.69

★ Navaja Knife Damascus Steel (Minimal Wear), B/O: $109.95

★ Navaja Knife Damascus Steel (Field-Tested), B/O: $100.41

★ StatTrak™ Navaja Knife Fade (Factory New), B/O: $369.01

★ StatTrak™ Navaja Knife Damascus Steel (Field-Tested), B/O: $109.95

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★ Sport Gloves Amphibious (Minimal Wear), B/O: $2394.67

★ Sport Gloves Omega (Well-Worn), B/O: $572.33

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★ Sport Gloves Big Game (Field-Tested), B/O: $323.66

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★ Specialist Gloves Marble Fade (Minimal Wear), B/O: $1652.07

★ Specialist Gloves Tiger Strike (Field-Tested), B/O: $599.14

★ Specialist Gloves Crimson Web (Well-Worn), B/O: $231.57

★ Specialist Gloves Buckshot (Minimal Wear), B/O: $126.21

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★ Moto Gloves POW! (Minimal Wear), B/O: $996.99

★ Moto Gloves POW! (Field-Tested), B/O: $383.31

★ Moto Gloves POW! (Well-Worn), B/O: $276.00

★ Moto Gloves Turtle (Field-Tested), B/O: $180.28

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★ Hand Wraps CAUTION! (Minimal Wear), B/O: $502.29

★ Hand Wraps Giraffe (Minimal Wear), B/O: $180.73

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★ Driver Gloves Queen Jaguar (Minimal Wear), B/O: $181.01

★ Driver Gloves Rezan the Red (Field-Tested), B/O: $101.66

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★ Broken Fang Gloves Jade (Field-Tested), B/O: $127.88

★ Broken Fang Gloves Needle Point (Minimal Wear), B/O: $124.55

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★ Bloodhound Gloves Guerrilla (Minimal Wear), B/O: $127.94

★ Hydra Gloves Case Hardened (Field-Tested), B/O: $102.55

WEAPONS

AK-47 X-Ray (Well-Worn), B/O: $478.95

AUG Hot Rod (Factory New), B/O: $425.83

StatTrak™ M4A1-S Hyper Beast (Factory New), B/O: $413.95

M4A4 Daybreak (Factory New), B/O: $309.51

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AK-47 Case Hardened (Well-Worn), B/O: $196.38

StatTrak™ M4A4 Temukau (Minimal Wear), B/O: $174.64

P90 Run and Hide (Field-Tested), B/O: $167.03

AWP Asiimov (Field-Tested), B/O: $153.33

Souvenir SSG 08 Death Strike (Minimal Wear), B/O: $140.00

M4A1-S Printstream (Battle-Scarred), B/O: $124.70

StatTrak™ M4A1-S Golden Coil (Field-Tested), B/O: $117.48

AWP Asiimov (Well-Worn), B/O: $115.97

StatTrak™ Desert Eagle Printstream (Minimal Wear), B/O: $112.96

StatTrak™ AK-47 Asiimov (Minimal Wear), B/O: $110.85

Souvenir M4A1-S Master Piece (Well-Worn), B/O: $102.42

AK-47 Bloodsport (Minimal Wear), B/O: $100.53

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Knives - Bowie Knife, Butterfly Knife, Falchion Knife, Flip Knife, Gut Knife, Huntsman Knife, M9 Bayonet, Bayonet, Karambit, Shadow Daggers, Stiletto Knife, Ursus Knife, Navaja Knife, Talon Knife, Classic Knife, Paracord Knife, Survival Knife, Nomad Knife, Skeleton Knife, Patterns - Gamma Doppler, Doppler (Phase 1, Phase 2, Phase 3, Phase 4, Black Pearl, Sapphire, Ruby, Emerald), Crimson Web, Lore, Fade, Ultraviolet, Night, Marble Fade (Fire & Ice, Fake FI), Case Hardened (Blue Gem), Autotronic, Slaughter, Black Laminate, Tiger Tooth, Boreal Forest, Scorched, Blue Steel, Vanilla, Damascus Steel, Forest DDPAT, Urban Masked, Freehand, Stained, Bright Water, Safari Mesh, Rust Coat, Gloves - Bloodhound Gloves (Charred, Snakebite, Guerrilla, Bronzed), Driver Gloves (Snow Leopard, King Snake, Crimson Weave, Imperial Plaid, Black Tie, Lunar Weave, Diamondback, Rezan the Red, Overtake, Queen Jaguar, Convoy, Racing Green), Hand Wraps (Cobalt Skulls, CAUTION!, Overprint, Slaughter, Leather, Giraffe, Badlands, Spruce DDPAT, Arboreal, Constrictor, Desert Shamagh, Duct Tape), Moto Gloves (Spearmint, POW!, Cool Mint, Smoke Out, Finish Line, Polygon, Blood Pressure, Turtle, Boom!, Eclipse, 3rd Commando Company, Transport), Specialist Gloves (Crimson Kimono, Tiger Strike, Emerald Web, Field Agent, Marble Fade, Fade, Foundation, Lt. Commander, Crimson Web, Mogul, Forest DDPAT, Buckshot), Sport Gloves (Pandora's Box, Superconductor, Hedge Maze, Vice, Amphibious, Slingshot, Omega, Arid, Big Game, Nocts, Scarlet Shamagh, Bronze Morph), Hydra Gloves (Case Hardened, Emerald, Rattler, Mangrove), Broken Fang Gloves (Jade, Yellow-banded, Unhinged, Needle Point), Pistols - P2000 (Wicked Sick, Ocean Foam, Fire Element, Amber Fade, Corticera, Chainmail, Imperial Dragon, Obsidian, Scorpion, Handgun, Acid Etched), USP-S (Printstream, Kill Confirmed, Whiteout, Road Rash, Owergrowth, The Traitor, Neo-Noir, Dark Water, Orion, Blueprint, Stainless, Caiman, Serum, Monster Mashup, Royal Blue, Ancient Visions, Cortex, Orange Anolis, Ticket To Hell, Black Lotus, Cyrex, Check Engine, Guardian, Purple DDPAT, Torque, Blood Tiger, Flashback, Business Class, Pathfinder, Para Green), Lead Conduit, Glock-18 (Ramese's Reach, Umbral Rabbit, Fade, Candy Apple, Bullet Queen, Synth Leaf, Neo-Noir, Nuclear Garden, Dragon Tatto, Reactor, Pink DDPAT, Twilight Galaxy, Sand Dune, Groundwater, Blue Fissure, Snack Attack, Water Elemental, Brass, Wasteland Rebel, Vogue, Franklin, Royal Legion, Gamma Doppler, Weasel, Steel Disruption, Ironwork, Grinder, High Beam, Moonrise, Oxide Blaze, Bunsen Burner, Clear Polymer, Bunsen Burner, Night), P250 (Apep's Curse, Re.built, Nuclear Threat, Modern Hunter, Splash, Whiteout, Vino Primo, Mehndi, Asiimov, Visions, Undertow, Cartel, See Ya Later, Gunsmoke, Splash, Digital Architect, Muertos, Red Rock, Bengal Tiger, Crimson Kimono, Wingshot, Metallic DDPAT, Hive, Dark Filigree, Mint Kimono), Five-Seven (Neon Kimono, Berries And Cherries, Fall Hazard, Crimson Blossom, Hyper Beast, Nitro, Fairy Tale, Case Hardened, Copper Galaxy, Angry Mob, Monkey Business, Fowl Play, Anodized Gunmetal, Hot Shot, Retrobution, Boost Protocol), CZ75-Auto (Chalice, Crimson Web, Emerald Quartz, The Fuschia is Now, Nitro, Xiangliu, Yellow Jacket, Victoria, Poison Dart, Syndicate, Eco, Hexane, Pole, Tigris), Tec-9 (Mummy's Rot, Rebel, Terrace, Nuclear Threat, Hades, Rust Leaf, Decimator, Blast From, Orange Murano, Toxic, Fuel Injector, Remote Control, Bamboo Forest, Isaac, Avalanche, Brother, Re-Entry, Blue Titanium, Bamboozle), R8 Revolver (Banana Cannon, Fade, Blaze, Crimson Web, Liama Cannon, Crazy 8, Reboot, Canal Spray, Night, Amber Fade), Desert Eagle (Blaze, Hand Cannon, Fennec Fox, Sunset Storm, Emerald Jörmungandr, Pilot, Hypnotic, Golden Koi, Printstream, Cobalt Disruption, Code Red, Ocean Drive, Midnight Storm, Kumicho Dragon, Crimson Web, Heirloom, Night Heist, Mecha Industries, Night, Conspiracy, Trigger Discipline, Naga, Directive, Light Rail), Dual Berettas (Flora Carnivora, Duelist, Cobra Strike, Black Limba, Emerald, Hemoglobin, Twin Turbo, Marina, Melondrama, Pyre, Retribution, Briar, Dezastre, Royal Consorts, Urban Shock, Dualing Dragons, Panther, Balance), Rifles - Galil (Aqua Terrace, Winter Forest, Chatterbox, Sugar Rush, Pheonix Blacklight, CAUTION!, Orange DDPAT, Cerberus, Dusk Ruins, Eco, Chromatic Aberration, Stone Cold, Tuxedo, Sandstorm, Shattered, Urban Rubble, Rocket Pop, Kami, Crimson Tsunami, Connexion), SCAR-20 (Fragments, Brass, Cyrex, Palm, Splash Jam, Cardiac, Emerald, Crimson Web, Magna Carta, Stone Mosaico, Bloodsport, Enforcer), AWP (Black Nile, Duality, Gungnir, Dragon Lore, Prince, Medusa, Desert Hydra, Fade, Lightning Strike, Oni Taiji, Silk Tiger, Graphite, Chromatic Aberration, Asiimov, Snake Camo, Boom, Containment Breach, Wildfire, Redline, Electric Hive, Hyper Beast, Neo-Noir, Man-o'-war, Pink DDPAT, Corticera, Sun in Leo, Elite Build, Fever Dream, Atheris, Mortis, PAW, Exoskeleton, Worm God, POP AWP, Phobos, Acheron, Pit Viper, Capillary, Safari Mesh), AK-47 (Steel Delta, Head Shot, Wild Lotus, Gold Arabesque, X-Ray, Fire Serpent, Hydroponic, Panthera Onca, Case Hardened, Vulcan, Jet Set, Fuel Injector, Bloodsport, Nightwish, First Class, Neon Rider, Asiimov, Red Laminate, Aquamarine Revenge, The Empress, Wasteland Rebel, Jaguar, Black Laminate, Leet Museo, Neon Revolution, Redline, Frontside Misty, Predator, Legion of Anubis, Point Disarray, Orbit Mk01, Blue Laminate, Green Laminate, Emerald Pinstripe, Cartel, Phantom Disruptor, Jungle Spray, Safety Net, Rat Rod, Baroque Purple, Slate, Elite Build, Uncharted, Safari Mesh), FAMAS (Waters of Nephthys, Sundown, Prime Conspiracy, Afterimage, Commemoration, Dark Water, Spitfire, Pulse, Eye of Athena, Meltdown, Rapid Eye Move, Roll Cage, Styx, Mecha Industrie, Djinn, ZX Spectron, Valence, Neural Net, Night Borre, Hexne), M4A4 (Eye of Horus, Temukau, Howl, Poseidon, Asiimov, Daybreak, Hellfire, Zirka, Red DDPAT, Radiation Hazard, Modern Hunter, The Emperor, The Coalition, Bullet Rain, Cyber Security, X-Ray, Dark Blossom, Buzz Kill, In Living Color, Neo-Noir, Desolate Space, 龍王 (Dragon King), Royal Paladin, The Battlestar, Global Offensive, Tooth Fairy, Desert-Strike, Griffin, Evil Daimyo, Spider Lily, Converter), M4A1-S (Emphorosaur-S, Welcome to the Jungle, Imminent Danger, Knight, Hot Rod, Icarus Fell, Blue Phosphor, Printstream, Master Piece, Dark Water, Golden Coil, Bright Water, Player Two, Atomic Alloy, Guardian, Chantico's Fire, Hyper Beast, Mecha Industries, Cyrex, Control Panel, Moss Quartz, Nightmare, Decimator, Leaded Glass, Basilisk, Blood Tiger, Briefing, Night Terror, Nitro, VariCamo, Flashback), SG 553 (Cyberforce, Hazard Pay, Bulldozer, Integrale, Dragon Tech, Ultraviolet, Colony IV, Hypnotic, Cyrex, Candy Apple, Barricade, Pulse), SSG 08 (Death Strike, Sea Calico, Blood in the Water, Orange Filigree, Dragonfire, Big Iron, Bloodshot, Detour, Turbo Peek, Red Stone), AUG (Akihabara Accept, Flame Jörmungandr, Hot Rod, Midnight Lily, Sand Storm, Carved Jade, Wings, Anodized Navy, Death by Puppy, Torque, Bengal Tiger, Chameleon, Fleet Flock, Random Access, Momentum, Syd Mead, Stymphalian, Arctic Wolf, Aristocrat, Navy Murano), G3SG1 (Chronos, Violet Murano, Flux, Demeter, Orange Kimono, The Executioner, Green Apple, Arctic Polar Camo, Contractor), SMGs - P90 (ScaraB Rush, Neoqueen, Astral Jörmungandr, Run and Hide, Emerald Dragon, Cold Blooded, Death by Kitty, Baroque Red, Vent Rush, Blind Spot, Asiimov, Trigon, Sunset Lily, Death Grip, Leather, Nostalgia, Fallout Warning, Tiger Pit, Schermatic, Virus, Shapewood, Glacier Mesh, Shallow Grave, Chopper, Desert Warfare), MAC-10 (Sakkaku, Hot Snakes, Copper Borre, Red Filigree, Gold Brick, Graven, Case Hardened, Stalker, Amber Fade, Neon Rider, Tatter, Curse, Propaganda, Nuclear Garden, Disco Tech, Toybox, Heat, Indigo), UMP-45 (Wild Child, Fade, Blaze, Day Lily, Minotaur's Labyrinth, Crime Scene, Caramel, Bone Pile, Momentum, Primal Saber), MP7 (Teal Blossom, Fade, Nemesis, Whiteout, Asterion, Bloosport, Abyssal Apparition, Full Stop, Special Delivery, Neon Ply, Asterion, Ocean Foam, Powercore, Scorched, Impire), PP-Bizon (Modern Hunter, Rust Coat, Forest Leaves, Antique, High Roller, Blue Streak, Seabird, Judgement of Anubis, Bamboo Print, Embargo, Chemical Green, Coblat Halftone, Fuel Rod, Photic Zone, Irradiated Alert, Carbon Fiber), MP9 (Featherweight, Wild Lily, Pandora's Box, Stained Glass, Bulldozer, Dark Age, Hot Rod, Hypnotic, Hydra, Rose Iron, Music Box, Setting Sun, Food Chain, Airlock, Mount Fuji, Starlight Protector, Ruby Poison Dart, Deadly Poison), MP5-SD (Liquidation, Oxide Oasis, Phosphor, Nitro, Agent, Autumn Twilly), Shotguns, Machineguns - Sawed-Off (Kiss♥Love, First Class, Orange DDPAT, Rust Coat, The Kraken, Devourer, Mosaico, Wasteland Princess, Bamboo Shadow, Copper, Serenity, Limelight, Apocalypto), XM1014 (Frost Borre, Ancient Lore, Red Leather, Elegant Vines, Banana Leaf, Jungle, Urban Perforated, Grassland, Blaze Orange, Heaven Guard, VariCamo Blue, Entombed, XOXO, Seasons, Tranquility, Bone Machine, Incinegator, Teclu Burner, Black Tie, Zombie Offensive, Watchdog), Nova (Sobek's Bite, Baroque Orange, Hyper Beast, Green Apple, Antique, Modern Hunter, Walnut, Forest Leaves, Graphite, Blaze Orange, Rising Skull, Tempest, Bloomstick, Interlock, Quick Sand, Moon in Libra, Clean Polymer, Red Quartz, Toy Soldier), MAG-7 (Copper Coated, Insomnia, Cinqueda, Counter Terrace, Prism Terrace, Memento, Chainmail, Hazard, Justice, Bulldozer, Silver, Core Breach, Firestarter, Praetorian, Heat, Hard Water, Monster Call, BI83 Spectrum, SWAG-7), M249 (Humidor, Shipping Forecast, Blizzard Marbleized, Downtown, Jungle DDPAT, Nebula Crusader, Impact Drill, Emerald Poison Dart), Negev (Mjölnir, Anodized Navy, Palm, Power Loader, Bratatat, CaliCamo, Phoenix Stencil, Infrastructure, Boroque Sand), Wear - Factory New (FN), Minimal Wear (MW), Field-Tested (FT), Well-Worn (WW), Battle-Scarred (BS), Stickers Holo/Foil/Gold - Katowice 2014, Krakow 2017, Howling Dawn, Katowice 2015, Crown, London 2018, Cologne 2014, Boston 2018, Atlanta 2017, Cluj-Napoca 2015, DreamHack 2014, King on the Field, Harp of War, Winged Difuser, Cologne 2016, Cologne 2015, MLG Columbus 2016, Katowice 2019, Berlin 2019, RMR 2020, Stockholm 2021, Antwerp 2022, Paris 2023, Swag Foil, Flammable foil, Others - Souvenirs, Agents, Pins, Passes, Gifts, Music Kits, Cases, Keys, Capsules, Packages, Patches

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Thirteen years ago my car broke down while in heavy traffic on Conshohocken State Road around the Main Line outside of Philadelphia. I was 6 months pregnant and coming home from work and all of a sudden my car just shut off and wouldn't turn back on. The road was one lane in each direction with guardrails and snow piles on both sides so no one could even go around me. I was absolutely panicked as it was rush hour and the cars were backing up. People started to honk and yell at me. I started to try to figure out who I should call. All of a sudden from behind me, two men came running up to my car holding a tool box. They immediately popped my hood and got to work. They must have been mechanics because as the one worked on my car, the other stood with me while others honked and told me that it would be ok and not to let them get to me. Miraculously they were able to fix my car in about 10 minutes and it started. I thanked them, got their phone number so I could contact them later, and then drove away to clear the huge back up I created. Miles later, I noticed the truck with the two men was still behind me. I am pretty sure they must have followed me until I reached my neighborhood to make sure I didn't break down again.
Shortly after this incident, I tried to find their phone number so I could send them a gift card but I had lost it. I looked everywhere and have no idea how I misplaced it. I have thought of them so many times over the years and wish I was able to properly thank them.
If this somehow finds one of you, thank you so much for helping me. I won't ever forget your kindness.

I became fond of Taylor’s music with folklore, although I was never a swiftie. I thought she had grown up during her quiet era and I was kinda impressed she’d gone from that weird squad thing and pap walks to a real, mature artist. Haha, joke was on me! Then the breakup happened and out came the pap walks, she threw Joe under the bus, and she was back with her Kim vendetta. So basically folklore Taylor didn’t even exist, it was just a persona she adopted to fit with Joe. Then she was immediately IN LOVE again! The true love of all time! Then nope never mind, he’s gone, but that’s ok because now it’s Travis he is the real, TRUE LOVE this time! Etc.
All of this to say, I am starting to think there is no there, there, as the saying goes. As far as I know, all of Taylor’s songs are about men and boyfriends, with an occasional revenge one thrown in. Even the folklore and evermore songs supposedly about fictional people turn out to infact be about Matty. Taylor doesn’t seem to have any interest or curiosity about the world or the horrible things happening in it. She doesn’t care about climate change, she doesn’t care about politics (except for faking it for awhile to be like Joe), she doesn’t care that her fans are probably struggling with inflation, unaffordable housing etc., she just charges them as much as possible to line her pockets. As far as I can tell, she cares about two things- dominating in her career and being obsessed with whoever the current boyfriend is. Oh, and getting revenge, can’t forget that one. She is a pampered, spoiled woman who has never experienced the hardships normal people deal with on a daily basis. The things that make people grow and develop as a person. Taylor seems really empty to me. I’m also starting to wonder if the co writers on her songs have carried more weight than we have been led to believe. Anybody else think this?

Throwaway acct because my friends know my reddit. Sorry if this is long and written poorly, i’m not the best at explaining. I (31f) have a best friend named “Sam” (fake name obv) (30f). She’s been my best friend for about 5 years now and i can’t tell you how much she has helped me through dark times. We talk almost every night on the phone before we sleep, we hang out almost every weekend, and when i had to move out of state to care for my grandmother temporarily, she would drive 7 hrs there and 7 hrs back just to spend time together on my days off and get my mind off things. Sam is a wonderful caring person, honest, incredibly smart, loves animals and plants and books, amazing cook, is a talented painter, always does what she thinks is the right thing to do even when it’s not in her best interest, and is so so much fun to be around. I cannot sing her praises enough. However, her one flaw is that she was not particularly healthy. She was obese all her life and has struggled with periods of bad depression, partly due to how family and people in her life have treated her cuz of her weight. She has always been somewhat insecure but she’s still my best friend and it’s never bothered me. I’ve always tried to compliment her and tell her i appreciate her. Earlier in our friendship, she told me she has romantic feelings for me. I cared about her very much, but not in that way. I am bisexual, but still mostly prefer men. Its not 50/50 if that makes sense. I just wasn’t attracted to her at all at the time. I told her that i didn’t feel the same (no, i did not tell her i did not find her attractive, that seemed unnecessary) and she was sad but took it really well and has never been inappropriate or pushed the issue and has respected boundaries. She was even supportive of me when i got with my ex, which didn’t last or end well lol but thats not the point. she had encouraged me and even put in a good word with him because she used to go to school with him and she babysat my dog a few times so i could go on dates. She didn’t get jealous or anything and she seemed truly sad for me when it didnt work out. It has been brought up a couple times in conversation that she had or still has feelings for me, but not in any way that’s serious or important, just jokes or lighthearted comments. So a year ago, she suddenly got motivated to get healthier and has worked hard and lost a lot of weight, even getting a little toned with visible muscle. I’m so proud of her and told her this. But honestly, seeing how she has changed physically has made her more attractive to me. I find myself looking at her differently now, and with that attraction has come feelings of romance as well. I truly want to be with her. I thought Sam would be happy that I finally felt the same way, so one night she came over to my house to cook for us and watch a movie and I told her how I felt. I didn’t mention her new appearence, just that i had developed feelings for her and wanted to be with her now. But to my surprise, she looked really hurt. She said a lot and im paraphrasing but it was along the lines of “why now? you had years to love me for who i was, not how i looked” and “what if something happens and i gain the weight back one day, would you fall out of love with me” and “i’d rather be with someone who loves me for my personality, or nobody at all” and she said she “was going to have some self respect for once” (which felt pretty cruel and hurt my feelings) and accused me of acting like i was “doing her a favor” in the way i confessed? I guess i was pretty confident she’d say yes and be happy about it but it’s not like i think i’m better than her or anything, quite the opposite. I tried to explain and admitted to her that yes, i wasn’t attracted to her before and i think attraction is important in a relationship. But that seemed to make things worse. She just started crying a lot and left. Just grabbed her stuff and walked out of my house and drove off. I tried to get her to stay and talk but she wouldn’t. That was over 3 weeks ago and i’ve tried calling her and texting her, but she kept saying she needs time and wouldn’t say anything else no matter what i said. i even showed up at her work because i was truly worried about her due to her history with depression (not during her shift, that’d be inappropriate. just in the parking lot when she was leaving) and she got angry. Which i kind of understand, and i know you’re all gonna get on me for that part, but i was concerned about someone i love. I told her it’s okay if she doesn’t feel the same about me anymore, and that we can just go back to being friends. Just like we were when she loved me and i didn’t feel the same. It’s no different. But she told me that she isn’t sure she even wants to be friends anymore which honestly broke my heart. I don’t know what I did wrong. Am I really the asshole for the way I feel? Some of our friends say they see where she is coming from and that I didn’t handle it the right way but i don’t understand how else i could have handled it. It’s not like I can change or control the way I feel. I have been nothing but honest and i feel like i’m going to lose the most precious person in my life because of it. So AITA? If i am, what should i have done and what can I do now so i don’t lose her?

From the beginning...
Cast

Part 2, Chapter 8

Conferring briefly, Arthur strides across the bridge [1]. Before he gets halfway across, a voice rings out. “HALT. Come no further. We want nothing from you, and have nothing for you. Depart peaceably.” The voice is feminine, with a thick rural Damaran accent, not so dissimilar to Arthur’s.
Arthur comes to a stop. “We come in peace. We just want to know what is going on. We’re on a mission from the Council of Thanes in Ironspur. This is their forge.”
“No dwarves here. It’s ours now. You need know nothing more. Away!”
Arthur withdraws to the group, where suddenly Zander notices that Dillium has disappeared. One thing at a time. “Perhaps if we paid a toll.” Zander suggests.
“We’ll pay a toll to cross the bridge and converse.” Arthur booms.
“How much?”
“How much do you want?”
“Three figures. Leave it on the bridge.”
“We’ll give you a hundred pieces of silver.”
There is no reply. Through the haze of the heat and ash, the outlines of the people on the other side of the chasm appear to be lined up.
“Are you with the dragon?” Novos calls out.
“Of course not! He’s taken our people. Are you?”
“No. He stole our elf!” Zander calls out.
“We just want to look around,” Novos adds. He takes a few steps toward the bridge, but a dagger sails out of the darkness and misses Novos’ foot by … well, several feet.
“Go away!”
The argument goes back and forth. Daggers are thrown until the unknown assailant runs out or gets tired, then crossbow bolts are launched. Novos takes cover behind Zander, who good-naturedly holds his shield out in protection. After several shots, Novos makes out the shape of a shooter above and to his left. Aiming carefully, he fires back with his bow.
“Look, we’re coming across. I’ll give ten gold pieces to anyone who lays down arms and talks.” Novos announces.
“Don’t you dare!” the voice cuts through, though it looks like the shapes of people on the other side of the chasm are less decided. Several low conversations break out, and though nobody can make out the words, the tones range from willing to harsh.
Zander decides to take a position on the bridge. This of course means Novos is a clear target again, though it’s hard to make out anything through the haze and the crossbow bolts miss more frequently than they hit.
***
A pebble rolls across the floor and nudges Dillium’s foot. Looking around, she sees the redheaded young human put his finger to his lips in a universal "don't scream" gesture, then he beckons her over away from the party. Novos has disappeared again, and everyone else is intent on trying to see through the heat waves and ash rising from the river of red gelatinous goop. Zander or Felicity are busy arguing with the voice, so slipping away from the group, Dillium ducks around the corner with the man.
Up close, she sees he has a misshapen face and is slightly stooped. Looking at his eyes, she decides he sees poorly--if at all--from his left eye. His complexion is ruddy in a way that nearly obscures the freckles all over his face and neck, and his shocking red hair seems nearly too bright to be natural. Now that she gets a good look at him, Dillium thinks he might be near his thirtieth year. For all of being a bit hunch-backed, he doesn't seem to have any problem moving around. His low voice speaks to habitual whispering.
"You are of Ilmater? My gran said that a cleric in a horse-hair shirt saved his life after the battle at Goliad Ford [2]. He would give coppers to the monks that came through, and often gave them food. Can I trust you?"
The simple sincerity in his voice, and his look of concern and dread touch Dillium, and she nods. He beckons her further away from the group, but he doesn't seem to have any weapons on him so she follows. Slipping silently back through the rubble of the half-collapsed hall, the pair returns to the cell where the dead are still chained to the wall. He pays them no mind. He does leave the door open a sliver, though. Seating himself on the floor next to a burned-out fire, he speaks.
"My name is Febis. Look, I'm sorry for before. He doesn't like visitors, and I can't just go and tell the Hand that they can't use this place for their hide-out anymore. We only just got here when he showed up. He's not bad, once you get to know him. He sometimes brings me food if he killed too many sheep, and he doesn't come in this part of the cavern because he can't turn around right. Only you can't insult him or he gets very mad, and he sometimes can't control his temper. It really just would be better if you and your friends go."
Too many "he's" and "they's" for her to sort out. It's like Febis assumes she already knows who they all are. “Slow down, and start over,” Dillium says gently. “Who is ‘he’?”
Febis says that ‘he’ is a monstrous red dragon that calls himself The Mighty Flamestrike. He arrived in a blast of wind and a clatter of claws on the stone floor, and he made himself at home in the main hall. He likes the heat from the lava, and sometimes lays down on top of it, sinking slowly into it. During one of the recent earthshakes part of the roof caved in, and Flamestrike took up residence high up in some hollowed-out caves near the ceiling. Febis has never been up there, but Flamestrike sometimes leaves in the evening to go hunting, and returns before dawn.
Febis is a member of the Dread Order of the Ebon Hand, the most dangerous gang of bandits this side of the Assassin's Citadel. What do you mean you've never heard of them? They have been the most feared bandit gang in the country's history. Although, he hastens to add, he's only been with the gang since he left home in Helmsdale this spring. He hated being a farmer and he can't ride a horse [3] (and some of the soldiers made fun of him), so there really isn't anything else for him to do.
The Hand found the entrance to this cavern complex two or three months ago, and they moved in. It makes a great base to bandit from. Cletus says that it was carved out by dwarves. Fatima, the captain of the Hand, has been working on getting the place cleaned up, and is looking to be able to give everyone their own areas in which to live. That was easier before Flamestrike came along. Since his arrival, the Hand have been hiding in terror from the dragon, who sometimes plays with them "like a cat with a mouse", blowing fire down the corridor and making the whole complex shake. Fatima has been trying to get them to attack Flamestrike, but the last time they tried, Willie and Franso were badly burned and pelted with rocks dropping from the ceiling. Father Michael took days to heal them all the way back to health.
Febis himself was the second of the Hand caught by the dragon, but instead of eating him, the dragon talked to him, and made friends with Febis. Now Febis comes and goes as he pleases, but he knows that the dragon's temper is such that he could end up as a snack if he crosses The Mighty Flamestrike.
***
Novos does the thing where he disappears. Zipping across the chasm, he notes that there are nearly a dozen “thugs”, along with some armored war mastiffs. Bedrolls and a cot line one wall, and a makeshift cook stove is in the back corner. An archway leads off into the darkness. The thugs are not particularly ready for battle—they are indifferently armored and have a bevy of non-uniform weapons, but none of them have them raised as if they were ready to use them. There are several debates ongoing, and two of the thugs are wrestling.
Returning to the group, Novos quickly gives a report. Arthur asks Zander to move, and he leads the way across the bridge.
“CEASE!” A ripple flows through the Weave as a spell is cast, and the two wrestlers climb to their feed sheepishly. Before they know it, the entire party is on their side of the chasm, face to face.
“Go AWAY! WE DON’T WANT YOU HERE. You are invading our home!” A crossbow bolt accompanies the demand, but it misses everyone. Without the heat shimmer, Novos can finally make out his assailant through what appears to be an opening above and to the right of the large cave. She is peering out behind a large metal structure with carvings etched on it.
The thugs are still bickering amongst themselves to some extent, but only a few of them tentatively raise their weapons.
Another ripple in the Weave, and the thugs generally calm down, losing some of the edge in their bickering. Unfortunately, nothing calms the shooter, who manages to put a bolt into Novos. Novos shoots back, hitting the woman. In response, the several of the bandits reach out to stop Novos from attacking their captain.
***
“My friends and I are here at the request of the dwarves in Ironspur. They are worried that someone here was attempting to restart the forge, which is… haunted or something? They didn’t get into details. Have you seen it?”
"Forge? I don't know about that, but there is a big iron thingy up near where Fatima beds down. It kinda’ looks like something Jeran the Smith from my village might use. We don't do anything with it, but it's useful to put stuff on when we're eating. I mean, there's no chairs or nothin, but we can stand up and eat. Sometimes we just eat near the campfire, though."
"So, you aren't working the forge, or trying to craft things?" Dillium asks patiently.
"Gerk sometimes uses it to bang the dents of armor pieces, or to try to sharpen swords and stuff, but he doesn't have a hammer, so normally he just uses an iron bar to smack the back of armor piece. Sometimes it works."
Dillium explains that some of the people in Damara are worried about another war with Vaasa (“like the one with the Lich King”), and they are looking for allies who are willing to lend aid. Perhaps the Hand would like to assist?
Febis tells her in his own simple way that most of the men don’t want to be in a war. They’ve seen the soldiers in Helmsdale with their shiny armor and fancy horses, and they don’t have any of that stuff. “Being in a battle sounds dangerous. Besides, that sounds like we’d have to stop banditing, and that’s kinda’ fun sometimes. Maybe some of the guys might want to go legit, but Fatima just wants to keep us safe.”
“You know, the Hand could become an adventuring or mercenary group too. That way you all could be making money by completing different contracts. While it may not be as fun as being a bandit, it’s more sustainable for you all,” Dillium reasons.
"Don't you have to get a paper from the queen to be a mercenary group? And aren't those hard? I heard there was a group that had to fight like a whole lot of orcs once [4]. That's almost like being in a battle."
“Hmm. I guess I could see that, though there may come a time when you have to decide which side you’re on, just like your gran did.” After a pause to collect her thoughts, Dillium continues. She wonders aloud why the dragon likes Febis more than the others, and if there is a way to make everyone happy—to perhaps speak to Flamestike, to free the Hand from his torment, and for them to look over the forge for the dwarves.
"I don't know why he likes me more than the others. Maybe he's just lonely. Maybe it's on account of my hair being the same color as he is. Maybe it's because I don't call him names and stuff. Sometimes he comes out and talks to me about his brothers and how he's going to get his revenge on them all some day. Delfus used to talk to me that way when we lived in Helmsdale. His pa used to beat him when he didn't milk the cow in the morning, or dropped the egg basket. Delfus and I are good friends. He's the one who convinced me to join the Hand."
“What happened with his brothers that makes him want revenge on them? Who are his brothers?” Despite her need to keep on track, Dillium’s curiosity overcomes her.
"Oh, he doesn't like to talk about them. I guess brother stuff? I only have sisters, and they are annoying. Perhaps they called him names, or didn't want to use his whole name. Maybe they fart in the nest. Do dragons have nests? I heard that they lay eggs..."
***
Wordlessly, the party springs into action. There is a ripple in the Weave, and half of the bandits fall to the floor in a deep slumber, their war dogs with them. Arthur strides through the sleeping bodies to one who didn’t go down, and he slashes him from shoulder to hip. Momentarily surprised, the man falls to the floor, lifeless. His dog growls. Zander steps forward to face off against two other bandits. Two quick slashes and they fall to the floor. Novos disappears, then makes his way up to the opening where the crossbow shooter is taking aim at Felicity. She misses. The remaining bandit gestures, the Weave ripples from him, and a bolt of light streaks across the room to smash into Arthur’s back. The dog snaps at Arthur but misses. Novos reappears and stabs the crossbow-wielding woman in the back. Enraged, she pulls out a saber and slashes in vain at Novos. Before Novos can stab her again, Felicity pulls out a wand and fires an arc of electricity at the woman, killing her. The one-sided battle is over.
Quickly, Arthur and Zander bind up the four slumbering bandits and their war dogs. Felicity reaches into her purse and slides some gold into each of their coin pouches.
***
Novos peers around. He’s seen forges before, and this looks something like one, except instead of a standard coal-fired furnace, there is a trickle of red-hot lava, dribbling down a hole in the wall and forming a small rivulet through a makeshift furnace before falling off down the side of the cavern wall and into the lava river below. The forge area is cleaned out. There are pegs on the walls, presumably for tools, but they are bare, as are a pair of stout metal tables. Shrugging, Novos heads down a set of stairs and through a dark hallway. Some distance down, he spies a darker alcove, and in that alcove, a doorway. Pushing open the door, he sees bags, boxes, and barrels. One bag has conveniently fallen over, spilling its contents of coins onto the floor. “Hey! I found something!” He shouts.
***
"He doesn't much like visitors. I don't think he wants to talk to anyone. It's too bad they can't get along. Maybe The Mighty Flamestrike could go out with the Hand and help them find wagons to bandit, and then perhaps he could eat the horses after we bring the wagons back and get all the stuff? I don't think he wants to do that, though. It would be nice if all my friends could get along. Fatima would love to have a real dragon helping. I bet we could bandit like two wagons at a time!"
Dillium responds. "If we could help the Hand find a new place to live, how would they get out without ... Flamestrike—"
Febis interrupts. "The Mighty Flamestrike. He likes you to use his whole name."
"Fine, the mighty Flamestrike--"
"No, no. You're not doing it right. You have to use the whole thing. The Mighty Flamestrike. Here, you try it. The Mighty Flamestrike."
"The Mighty Flamestrike."
"Good! I knew you was smart!" Dillium sighs heavily.
"So, if my other friends and I could find a new place for the Hand to live, and perhaps a job so they could go legit, how would they get out of here without The Mighty Flamestrike eating them?"
"I suppose they could wait until he goes out to hunt, then leave real quick like in the middle of the night. He wouldn't be here to eat them, and if they went far away before dawn he wouldn't get them."
"You keep saying 'they'. Wouldn't you want to go with the Hand?"
"Yeah! I mean, I would be sad that The Mighty Flamestrike wouldn't have any friends left. Maybe he would let me come back and visit him?"
“I don’t really understand why he keeps the Hand here if he doesn’t like them.. but I am sure that he would be happy to have a friend like you visit him if the Hand does leave. It does seem like it would be lonely here in the mountains by himself…” Dillium trails off, waiting on a response.
“I think he lets the Hand stay here for something to do, but he really doesn't keep them here. They are just ascared of him on account of the breathing fire and all.
“I think I would like to come and visit him sometimes. Maybe I could bring him a sheep. He likes sheep."
***
Just as they are finishing tying up the bandits, they begin to wake. “Wha… what happened?” One of them sees Zander puling the dead and bleeding bodies off to the side. “Murderers! You murdered them!” “They killed Willie!” “You Bastards!” “Look, they murdered the Captain!”
“Arthur addresses them. “Hush. You are alive. That is enough. You attacked us, and we responded.”
“You murdered them in cold blood!” one of the braver bandits spits.
“If your captain is now dead, who’s the new captain of your company?” Zander asks.
“uh…..”
“Cletus!” “What? I don’t want—” “Cletus is!” “But I don’t—”
“Fine. Do you give your parole? If so we shall untie you.” Arther towers above the one that responded as Cletus.
“I don’t even have a payroll yet. How do I…” Felicity unties the group. Climbing to their feet, they leave the ropes on the ground. Blood coats the floor from the dead, and Zander’s dragging activity has spread around even more blood.
“Hey! I found something!” shouts Novos. His voice sounds like it comes from the archway to the left. Arthur tells Felicity and Zander to stay with the bandits while he goes to see what is the matter.
***
Dillium pauses for a second.
“Febus… are you by any chance the Mighty Flamestrike?”
"Me? No! He's my friend. He's big and beautiful and scary and eats people. I'm just... me. Besides, he's all big and scaly. I'm not scaly!" He pauses a moment.
"Sometimes I dream about flying, though."
“Ah, sorry. It’s just that the Mighty Flamestrike isn’t the only dragon we’ve encountered in our journey. I know you’ve said plenty of times before that the Mighty Flamestrike doesn’t like visitors and after what happened I understand. I’d like to apologize to him on behalf of my friends.” Dillium takes a deep breath. “They attacked him… do you think he’ll let me try to heal him? Being able to create some form of middle ground between us all would be beneficial, don’t you think? I may be able to convince my party to leave…”
"It's ~T~he Mighty Flamestrike. You have to say his name right if you ever want to talk to him." Febis mutters under his breath, "Man, I thought elfs were supposed to be smart."
"Anyway, they attacked The Mighty Flamestrike? And they're still alive? How many of them got burned up? How can you heal a big giant dragon like that? I thought they had to have an arrow in them or something for you to heal him? If he's hurt he's probably going to be very cross indeed. I don’t know if he will want to talk at all, but I guess we could try..."
“Well, there’s no harm in trying right? Do you think you can try to help me meet The Mighty Flamestrike?”
"There IS harm in trying. If he's mad, he'll just fire us, and fire us good. Or drop us in the hot rocks. He can do that. I could see if he wants to come down, but I don't know if he will."
“If you could please, that would mean a lot to me… I can meet him on my own unless you’d like to join me, but if you’re worried about getting flamed then I don’t blame you. I’d like a chance to right the wrongs that have happened today. Perhaps we should meet him in a room more accessible for him…”
***
Arthur appears in the doorway as Novos looks around the dimly lit room. “Loot! I’m sure this will pay some bills.”
“We’ll need to figure out how to get all this out of here—”
“Ahem.” A voice from behind Arthur. “I’ll have you know that this is the lawfully acquired possessions of the Hand, and are not for you to go carting it all off. I know exactly how much is in here, and I won’t see you take a copper, do you hear! We know our rights!”
Arthur pinches the bridge of his nose. This has the makings of an even longer day.
A couple of the remaining members of the bandits pile into the room. “Hey! Keep your hands off our stuff. It’s ours!”
Arthur turns on his heel and heads back toward the main room, but … something isn’t right. The wall along the corridor is caved in, but there’s something… odd. Climbing up on top of the pile, he notices heat and light coming through a crack. He pulls some rubble away and can clearly see another room beyond.
“Hey, that stuff in there is ours, too!” Cletus says.
***
"Oh, he won't go any further than the main hall. He doesn't want to get stuck, and he can't turn around very well in the smaller rooms." Febis pauses for a moment. "How will you keep from getting fired? He might be very angry."
Dillium pats his arm. “I’ll figure something out.”
"I could go out and call him and see if he will come down, I guess."
“To be completely honest Febus the only thing I have to protect myself from the flames is hope and faith. Is the main hall where the rest of my friends are? I have instinctual knowledge that if they are there then this whole plan won’t work… I really do appreciate you doing this for me. It’s very kind of you.”
"Is instinctual knowledge some fancy elf thing, or a fancy priest thing?”
“Hmm I would say the instinctual knowledge has come from spending nearly every waking moment of my journey so far with roughly the same people… their habits are frighteningly predictable and in some cases, suicidal.”
Febus nods. “Do you need to rest, or uhm... eat a last meal or something?"
Dillium sighs. “While rest and a meal would be great, I fear that time is not our friend.”
***
Pulling enough of the rubble away to fit his bulk through, Arthur scrapes his armor on the rock as he slides down into the next room. This one is very hot, and is dimly lit by a seeping pool of lava in the corner. After a moment, Novos slides down next to him. “Whatcha find?” he asks unnecessarily.
A head pokes up from the lava. Then another. Sensing fresh food, a group of bulky snake-like creatures slither out of the lava pool and make their way over to Arthur and Novos. Soundlessly they attack. Arthur slashes, but is badly burned by the heat given off by the creatures. Novos too tries to slash with his dagger, but the heat is too much. He falls back behind Arthur. Arthur calls out for aid, and with a mighty hack and a movement of the Weave, a tremendous roar of thunder smashes through the snakes, temporarily deafening everyone, including the two bandits who have followed.
“All our stuff.” Cletus intones when he can hear again.
***
“What was that?” Felicity asks in alarm.
“Dunno. Let’s find out,” Zander replies. The two race toward the pile of rubble in the corridor.
***
Febis stands. "If you're sure I can't talk you out of it..." He opens the door and steps through it.
Suddenly a huge thunder blast echoes through the cavern. It is definitely not a cave-in, or the clash of rock on ... anything, but rather the sound of a huge lightning strike hitting nearby. The sound is briefly deafening. It sounds like it came from the cavern where the Hand was last seen, rather than the direction of the main hall. There's the sound of distant yelling from the same direction.
Febis is startled. He looks off in the direction of the party (and his friends). "Oh, that's not good." Moments later, there is a roar from the direction of the main hall. "Very not good."
“Febis I believe you and I share the very same sentiment there- Uhhh change of plans. Let’s make sure our friends here don’t kill each other. Stay close to me, sound good?”
***
The eight humans look around. Apart from the lava pool and the very hot corpses of the snake creatures (everyone moves away from them), the room contains what Arthur, Novos and Zander identify as grave goods. They are similar to the urns, carvings, and paintings in the tomb they invaded in Ironspur. In fact, there is a fancy dwarven sarcophagus and an ornate hammer atop. Across is the carved family tree that stretches for nearly a thousand years, ending nearly three centuries before (in the dwarven calendar). Taking it all in, Arthur’s eye catches on some oddity. A misalignment of patterns on one wall. “Secret door,” he says. Novos checks quickly for traps, then pushes open the door.
Inside, two carved stone dwarves shamble to life. Raising their bronze axes, they silently stalk toward Novos and Arthur as Zander and Felicity look on in horror.
***
Grabbing Febis by the hand, Dillium quickly but cautiously makes her way back down the corridor. She passes through the outer chamber with the well that leads down to lava, and sees the rickety wooden bridge over the chasm that is still producing heat haze and ash. Nobody is visible on the other side. Quickly she slips across the bridge and into chaos.
Blood covers the floor. The dead bodies of several of the Hand, along with their war mastiffs, are pushed over to one side. Several ropes cut into ten or twelve foot lengths lie on the floor. Looking around, she sees a large room. A campfire and makeshift cooking stove are in the far corner. Bedrolls and a cot line one wall. There's what appears to be some sort of shrine along the back wall. An archway on the opposite wall leads off into darkness.
"DELFUS! What happened?" Febis runs over to the corpse of his childhood friend, slashed from shoulder to hip by a single broad stroke. The last of his blood pools on the floor, but the blood strewn across the floor makes it very much appear that he and the others were dragged from another part of the room. "And Gerk! And Father Michael!" Tears pour down Febis' face as he comes to grips with the loss of his only (human) friends, apparently savagely butchered. Sitting down on the cold floor oblivious to the standing blood, Febis cradles the lifeless head of his friend.
Meanwhile, the muffled sounds of battle are heard through the open archway.
"I thought you were going to be my friend," Febis cries to Dillium bitterly.
Dillium quickly checks the bodies. All have been dead for ten or fifteen minutes, beyond a simple revival. Dillium leaves Febis to his grief and dashes toward the open archway. On the other side is a moderately-sized room with rubble strewn around. It appears that one wall has collapsed. There is a hole at the top where some of the rubble has been pushed away, leaving a man-sized space to squeeze under the lintel of a hidden doorway. There is a dim red light (so, more lava), and voices. Dillium hears the sound of metal on stone and the grunts of men in battle. Scampering lightly up the pile of loose stones and rubble, she scootches through the hole at the top, sliding down the other side. There she finds several unknown people who are watching Arthur, Zander, and Novos in battle. As she arrives, the last of some sort of animated stone statues crumble to pebbles. Arthur's armor is scorched down one side, and he limps slightly. Novos is barely on his feet, and as Dillium arrives, he sinks to his knees, panting. Zander sheathes his sword, and Felicity puts away a wand. Three grubby men and what might charitably be called a woman (under many layers of dirt and grime) stand around, unarmed.
"Now you remember, all this is the lawful property of our company. You don't go gettin light fingers now," says one of the Hand in the most "southern drawl" Damaran accent ever.

End of Chapter 8

[1] Based very loosely on Fire Forge Caves by Dungeon Baker in FiveE magazine https://www.drivethrurpg.com/en/product/367470/fivee-magazine-august-2021
[2] https://forgottenrealms.fandom.com/wiki/Ford_of_Goliad
[3] The duke has a company of cavalry barracked just outside Helmsdale.
[4] Probably too far away for it to have been the party, back when they were called Dragon Force in Chapter 32. On the other hand, maybe it was?

Apparently on my day of admission for treatment I promised my total remaining assets upon my death to three different parties.
It ain't much. Social security will end when I am gone, I drive a 10-year-old car and not by choice, and only have a couple of small IRAs that my new bucket list should wipe out.
Firstly, 7 week wait after my positive multiple melanoma biopsy. 2 months of 2 hours sleep a night and I'm in a total delirium for weeks. Shaky on my feet 4 am the morning of my admission I fall off the walker and can't get off the floor. Call the local fire department non-emergency line and ask them to send two men and a strong boy to pick me up. When my ex (still love her, still my primary caregiver) arrives the firefighters tell her that I've written them in as my sole heirs.
Secondly, although my intention has always been that my few remaining pennies get split between my ex and my only sister (they have been BFFs for 30 years) and perhaps they might even end up living together in a Golden Girls situation. I immediately break down and swear to her that no, SHE alone gets everything as she drives me to my intake.
And this is just from the pain / sleep deprivation delirium. They haven't even started the IV dexa methasone.
The kicker? Speaking to a neighbor today, a week later, she tells me that the morning I left for intake two red-breasted robins appeared on my deck and show up every morning looking for me. Apparently I promised both of them they would be my sole heirs also. Or maybe I just left some bread on the countertop.

I hope you guys like my reviews because I'm not even halfway through my collection.
Album first: https://imgur.com/a/dWueeFt
Pics from the manufacturer: Pics
Why Mexican shoes? Because I live in Mexico, and they are more affordable and easy to find than other options. Besides, I get to support local business, and that is a big plus for me. Obviously, English is not my first language, so bear with me.
Disclaimer: This review has been completely sponsored by my compulsive shopping. I have not received any free boots or discounts, but if someone wants to give a free pair of boots, my feet are ready.

Brand: Miles & Louie

Miles & Louie is a Mexican brand with a made to order business model. The offices are in Tijuana, but the shoes are made in León I think. Their website prices are in MXN, but they have an Etsy store and ship to the US.
I really like their designs and lasts, it's one of my favorite Mexican brands so far. You can choose one of their models or contact them to customize the shoe.
Website: https://www.milesandlouie.com/men
Etsy: https://www.etsy.com/shop/MilesandLouie
Social media: https://www.instagram.com/milesandlouie/

The shoes:

These are some good ol' classic derbies. Not much to review to be honest. Leather uppers, leather lining, leather insole, foam underneath leather insole, leather sole with rubber on the heel. Goodyear welt construction, but the stitching is hidden in the outsole. Beautiful almond shaped last. These are perfect for everyday use. Just match them with a pair of chinos or jeans, and you're good to go. I paid ~$115 USD for this pair, using the 10% discount for the first order. Manufacturing time is 4 to 6 weeks.

Could be better:

The leather edges, where the welt stitching is, have a paint coat. There IS white thread for the stitching, they just have a paint coat to increase contrast. Not an issue per se, but I was kind of disappointed. There's not much information about the leather. I can see some grain in it, so my guess would be top grain or calf. It is thin, but that's what I expected for this model, since it is a classic shoe and not a tough boot. The welt joint is not as clean as I would like, but I can live with that. No manufacturing defects or scratches anywhere.

Sizing:

I used their sizing guide, and I shouldn't have. According to their sizing guide I'm a 8.5 US size, but according to brannock I'm 9D. I ordered the 8.5, and it was a little bit too tight for me. Definitely go with your brannock on these.

Would I buy from Miles and Louie again:

Definitely. I would have ordered already, but I swear my wife is going to divorce me if I come home with another pair of shoes. You'll see what I mean once I finish all my reviews. These 2 models are in the top of my list:
Monkstrap: https://www.milesandlouie.com/men/brogue-monkstrap-shedron-pullup-hombre
Loafer: https://www.milesandlouie.com/men/loafer-shedron-pullup-hombre
My reaction