Nineteenth century xxx

Wilbur Wright

2019.09.10 18:23 ElvenBlueMage Wilbur Wright

If the nineteenth century was the age of steam, the twentieth may be the age of the conquest of the air, and who shall say positively that the potentialities of the flying machine are not as great as those of the steam engine?
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2021.09.13 04:13 okitsdrew Lamentum

Lamentum is a pixel art survival horror game, set in New England in the mid-nineteenth century.
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2014.08.05 04:17 VirgaIesseFloruit music from the mid-eighteenth to the early nineteenth century

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2024.05.19 07:53 pinkmilk999 alchemy speculation and references

i’ve seen a lot of people come up with some really wild speculations like vessel is a secret chemist and such but here’s my take he’s just a nerd for things such as mythology, alchemy, philosophy, religions which all kind of ties in together. like for example the symbol used for bloodsport is very similar to the alchemic symbol for vinegar. now normally i would think that’s a reach, however considered throughout the discography there’s many religious references and the man is a whore for details, there’s not really any coincidences i’ve realized. in catholicism wine = blood of christ.
“When we eat and drink the bread and the wine of the Supper with expectant faith, we thereby have communion with the body and blood of our Lord and receive the forgiveness of sins, life, and salvation.”
in the lyrics of bloodsport he says “I want to be forgiven I want to choke up chunks of my own sins Even if the sky cracks in mourning And the heavens just won't open up for me Would you invite me in again? Let me pay for my arrogance?”
this goes back to the alchemic symbol for vinegar. wine turns into vinegar. there’s actually a blog titled “An Alchemists Tale: Turning Wine Into Vinegar” which if you think about the concept of wine turning to vinegar, that’s kind of the whole premise of the song.
in many songs he says things that are a reference to the emerald tablet
“Beneath the stormy seas Above the mountain peaks It's all the same to me It makes no difference I've seen my days unfold Done the impossible I'll turn my walls to gold to bring you home again”
Medieval and early modern alchemists associated the Emerald Tablet with the creation of the philosophers' stone and the artificial production of gold. It has also been popular with nineteenth- and twentieth-century occultists and esotericists, among whom the expression "as above, so below "of the second verse of the Tablet has become an often cited motto.
Aqua regia is also referenced in the emerald tablet. then moving on to mythology. the whole concept of the deity Sleep seems to be a play on a combination of Morpheus and Hypnos.
Morpheus, son of Hypnos, the personification of Sleep, was the god of Dreams.
The god Morpheus’ skill at transforming himself into such a life-like apparition managed to deceive even the most discerning person. The Greek gods often chose him as their messenger to appear in the dreams of mortals. Dreams could liberate the desires, hopes, and imaginations of the sleeper. However, such dreams could also portray false realities, and so betray the receiver into untoward action.
anyways those are just some of the things i’ve noticed that i haven’t seen people talk about much i could be reaching but he’s a very intentional person and it just made sense to me
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2024.05.19 07:39 sutagi Eastern Diamond-backed Rattlesnake

Eastern Diamond-backed Rattlesnake

snakes

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2024.05.19 02:43 Due_Tell7485 [TOMT] [American gothic literature]

I’m looking for a story from the nineteenth century. It takes place in the “black forest,” but not the one of Germany. It’s a fictional forest. I believe it’s American. A formerly enslaved man walks his former master around on a leash. My academic advisor mentioned it to me, and I want to include it on my nineteenth-century reading list, but I forgot who she said wrote it or what its name was. Thanks in advance!
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2024.05.18 14:21 Significant-Notice- Why Did We Stop Building Beautiful? The Economics and Ideology Behind an Aesthetic Revolution

“Why are buildings today drab and simple, while buildings of the past were ornate and elaborately ornamented?,” that’s the question asked by Samuel Hughes in the latest Works in Progress. There are two extant theories:
The naive explanation for the decline of ornament is that the people commissioning and designing buildings stopped wanting it, influenced by modernist ideas in art and design. In the language of economists, this is a demand-side explanation: it has to do with how buyers and designers want buildings to be. The demand-side explanation comes in many variants and with many different emotional overlays. But some version of it is what most people, both pro-ornament and anti-ornament, naturally assume.
However, there is also a sophisticated explanation. The sophisticated explanation says that ornament declined because of the rising cost of labor. Ornament, it is said, is labor-intensive: it is made up of small, fiddly things that require far more bespoke attention than other architectural elements do. Until the nineteenth century, this was not a problem, because labor was cheap. But in the twentieth century, technology transformed this situation. Technology did not make us worse at, say, hand-carving stone ornament, but it made us much better at other things, including virtually all kinds of manufacturing and many kinds of services. So the opportunity cost of hand-carving ornament rose. This effect was famously described by the economist William J Baumol in the 1960s, and in economics it is known as Baumol’s cost disease.
In a twist, Hughes offers sophisticated arguments in favor of the naive theory. Hughes argues that even in the past, when labor was relatively cheap, many labor-saving devices were used to make ornament even more affordable and more such devices could have been used if demand were present. In addition, the greater scope for economies of scale and reductions in transportation costs reduced the cost of ornament.
Hughes, however, doesn’t give us the key piece of evidence, namely prices! Still, although I have written extensively on the Baumol theory, I am not wedded to it as the explanation for the decline in ornament. Indeed, I would note that Baumol predicts that the price of labor-intensive goods and services increases because productivity increases faster in other industries. It does not necessarily predict, however, that consumption declines, as it has not for medical care and education. Indeed, one virtue of the Baumol theory is precisely because the price increases are produced by productivity improvements in other industries, Baumol price increases are always accompanied by income increases. Thus, Baumol is the only unitary theory that allows for a rising price of education along with greater purchases of education. Thus, preferences must play some role in the decline in ornament at least to the extent that people weren’t willing to use more of their income to purchase ornament as the price rose.
Hughes, however, puts more weight on a large shift in tastes among the elite:
to exaggerate a little, it really did happen that every government and every corporation on Earth was persuaded by the wild architectural theory of a Swiss clockmaker and a clique of German socialists, so that they started wanting something different from what they had wanted in all previous ages. It may well be said that this is mysterious. But the mystery is real, and if we want to understand reality, it is what we must face.
I think that is correct. For many public buildings in particular, ugly was a choice.
I am also in agreement with Hughes that robots are greatly reducing the cost of stone carving as I wrote in my post Overcoming Baumol. Thus, we have two reasons for optimism. if tastes can change once they can change again and prices are falling. Thus, perhaps today we are due for some magnificent buildings that will last the ages as did many of the great buildings of the past.
The post Why Did We Stop Building Beautiful? The Economics and Ideology Behind an Aesthetic Revolution appeared first on Marginal REVOLUTION.
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Comments

](https://marginalrevolution.com/marginalrevolution/2024/05/88328.html#comments) - A whole lot of analysis of an assumption that, as far as I can ...by dan1111 - Tastes in architecture have changed considerably since the mid ...by Hadur

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2024.05.17 18:20 Scary-Helicopter-866 Anyone recognize these poems/songs?

We have an old reel-to-reel tape of my great-great grandmother reciting poetry around 1950, and I'm trying to identify the poems. She was from Fermoy in County Cork, and she emigrated to America as a child in the 1860s with her family. I know one of the poems is a variation of "Lady in her Father's Garden," which seems to have been a nineteenth-century 'broken token' song, but I can't find anything about the other two. I did my best to transcribe them below, but the audio quality wasn't great.
“[Indistinct] living at my ease When I got married, a husband to please Four small [audio cuts out] One cries ‘Mama, I want to go to bed,’ One cries, ‘Mama, I want a piece of bread,’ And bless those children and put them to bed, oh! But the father [static] ‘I wish I was dead!’”
The next one seems to have been directed at my aunt Mary, who was around 5-6 years old when the recording was made:
“Mary, did you ever hear Someone whisper in your ear? Don’t be naughty Never cry For God is looking from the sky When you are good, he’s so glad But when you’re naughty, then he’s sad Should you ever naughty grow, Then away from you he’ll go.”
I'm just curious if anyone happens to recognize them, or has any suggestions for learning more. I tried googling various phrases, and searched the National Folklore Collection and the online archives on dúchas.ie but couldn't find anything. Thanks!
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2024.05.17 17:39 thinkingstranger May 16, 2024

Seventy years ago, on May 17, 1954, the Supreme Court decided Brown v. Board of Education of Topeka, Kansas. That landmark decision declared racial segregation in public schools unconstitutional.
Brown v. Board was a turning point in American history.
It established that the U.S. government would, once and for all, use the Fourteenth Amendment to protect American citizens from discriminatory legislation written by state legislatures.
Added to the Constitution in 1868, in the wake of the Civil War, as southern state legislatures were writing laws that made Black Americans subservient to white Americans, the Fourteenth Amendment asserted that the federal government could, and must, stop such discrimination. It established that “No State shall make or enforce any law which shall abridge the privileges or immunities of citizens of the United States; nor shall any State deprive any person of life, liberty, or property, without due process of law; nor deny to any person within its jurisdiction the equal protection of the laws.” It gave Congress the power to enforce the amendment.
In the late nineteenth century, the Supreme Court nodded to racial segregation in the 1896 Plessy v. Ferguson decision, getting around the Fourteenth Amendment by asserting that separate accommodations were fine, so long as they were “equal.” But in 1954 a unanimous court under Chief Justice Earl Warren, who had previously been the Republican governor of California, ruled that racial segregation established by state law in public schools denied to Black children the equal protection of the laws guaranteed by the Fourteenth Amendment.
“Separate educational facilities are inherently unequal,” it wrote.
Just two weeks before it decided Brown v. Board, the Supreme Court had decided Hernandez v. Texas, which established that not only Black Americans, but also Mexican Americans and all other nationality groups, were entitled to equal protection under the Fourteenth Amendment.
Over the following decades, the Supreme Court used the Fourteenth Amendment to strike down state laws against interracial marriage and gay marriage, and to establish equal rights for women, including the right to abortion. It also ruled the Civil Rights Act of 1964, which prohibited discrimination on the basis of race, color, religion, sex, or national origin, constitutional.
That new legal framework, embodied in Brown v. Board, both established the equal rights that were central to the modern era and sparked a backlash against them.
The federal requirement that states desegregate their public schools spurred southern state legislatures to pass laws and resolutions to block or postpone desegregation. In 1956, ninety-nine congressmen, led by South Carolina Democrat Strom Thurmond, wrote the “Declaration of Constitutional Principles,” quickly dubbed the Southern Manifesto, denouncing desegregation as unconstitutional.
Lawmakers also found ways to transfer tax dollars to private schools, which were not covered by the Supreme Court’s decision. Attendance at so-called segregation academies exploded. By 1958, more than 250,000 students had migrated to segregation academies, a number that jumped to a million by 1965.
Those opposed to racial equality made common cause with those businessmen determined to get rid of federal regulation of business. In 1955, William F. Buckley Jr., the son of an oilman, started National Review, a periodical that promised to stand against an active government that protected labor and regulated business. Buckley said he would tell the “violated businessman’s side of the story.”
In National Review, Buckley gave Virginia newspaper editor James Kilpatrick a platform to assure readers that desegregation challenged American values. Black Americans had no right to the equality declared unanimously by the Supreme Court, Kilpatrick wrote. Rather, the white community had an established right “to peace and tranquillity [sic]; the right to freedom from tumult and lawlessness.” Desegregation would lead to bloody violence, he promised, implying that Black Americans would rage and riot, although, in fact, it was the white community that was attacking Black Americans.
In 1964, Arizona senator Barry Goldwater brought these two themes to his presidential campaign. He stood firm on the idea that the federal government had no business either regulating business or protecting equality. In The Conscience of a Conservative, published under his name in 1960, Goldwater asserted that the federal government had no power over schools at all and certainly could not order them to desegregate.
Goldwater accepted the Republican presidential nomination in July 1964, less than a month after three civil rights workers registering Black Americans to vote had disappeared in Mississippi. Goldwater told his cheering supporters: “Extremism in the defense of liberty is no vice, and…moderation in the pursuit of justice is no virtue.” Strom Thurmond publicly announced that he would vote for Goldwater.
Goldwater lost in a landslide, but his loss fed the backlash against federal protection of equality, especially after Congress passed the 1965 Voting Rights Act to expand Black and Brown voting, moving many of those voters into the Democrats’ camp. In 1968, Republican Richard Nixon courted Thurmond and white southerners with a promise to slow down desegregation and a defense of state’s rights. The so-called Southern Strategy moved the former Dixiecrats to the Republican Party.
Religious traditionalists, particularly those among the Southern Baptist Convention, also opposed the federal government’s support for equality, although they got less press in the early years of that expansion. In their view, the Bible laid out hierarchical social arrangements, especially patriarchy. Government defense of women’s equality was a direct assault on their worldview.
When he ran for the presidency in 1980, former California governor Ronald Reagan courted those religious traditionalists, and in 1985 his people made them a key part of the Republican coalition. Americans for Tax Reform brought together big business, evangelicals, and social conservatives under the leadership of Grover Norquist, who had been an economist for the U.S. Chamber of Commerce. “Traditional Republican business groups can provide the resources,” Norquist explained, “but these groups can provide the votes.”
In the following decades, Republican leaders used racist and traditionalist dislike of equal rights to turn out voters who would let them put their economic policies—cuts to taxes and deregulation of business—into place. But those opposed to equal rights found themselves out of step with a majority of voters and unable to get their policies enshrined into law as courts continued to uphold equal rights for racial and ethnic minorities, LGBTQ+ individuals, and women.
The backlash against the federal protection of equal rights based on the Fourteenth Amendment entered a new era with the election of Donald Trump. In contrast to his predecessors, Trump let the racist and sexist voter base of the party drive policy. White evangelicals, especially, found in Trump an answer to their frustration at being sidelined by the courts and a majority of American voters.
Despite his own lack of personal virtue, Trump was willing to smash through the laws and court decisions that had supported equality since the 1950s, offering to center the country on traditional religion and racial hierarchies in exchange for power. Under him, traditionalists saw the courts stacked with extremists who would prioritize their evangelical faith across society, including by ending the federal protection of abortion rights.
Their fight to return Trump to power is part of their fight to establish traditional religion, rather than the equality promised in the Fourteenth Amendment, as the nation’s fundamental law. As Trump’s chief of staff Mark Meadows wrote to Ginni Thomas, the wife of Supreme Court Justice Clarence Thomas, as they plotted to overturn the decision of voters in 2020 to reject Trump: “This is a fight of good versus evil. Evil always looks like the victor until the King of Kings triumphs. Do not grow weary in well doing. The fight continues. I have staked my career on it.”
Today, almost exactly seventy years to the day after Brown v. Board ushered in a new era of equality and democracy in the United States, MAGA Republican lawmakers Andy Biggs (R-AZ), Lauren Boebert (R-CO), Michael Cloud (R-TX), Eli Crane (R-AZ), Matt Gaetz (R-FL), Bob Good (R-VA), Diana Harshbarger (R-TN), Anna Paulina Luna (R-FL), Ralph Norman (R-SC), and Andy Ogles (R-TN) traveled to Manhattan to stand with Trump at his criminal trial for falsifying business records to interfere in an election. The lawmakers made it clear that their determination to control the country has made them give up not only on the equality promised in the Declaration of Independence and defended by the Fourteenth Amendment, but also on democracy.
Echoing the promise of the right-wing Proud Boys to Trump before they stormed the U.S. Capitol to install Trump into office despite the will of the voters, Gaetz tweeted: “Standing back and standing by, Mr. President.”

Notes:
https://www.law.cornell.edu/supremecourt/text/163/537
https://tile.loc.gov/storage-services/service/ll/usrep/usrep347/usrep347483/usrep347483.pdf
https://www.law.cornell.edu/supremecourt/text/347/475
https://babel.hathitrust.org/cgi/pt?id=mdp.39015046344738&seq=38
James Jackson Kilpatrick, “Right and Power in Arkansas,” National Review, September 28,
1957, pp. 273–275.
https://abcnews.go.com/Politics/video/archival-video-barry-goldwater-speaks-1964-republican-national-40578479
Jane Mayer, “Ways and Means Panel’s Tax-Overhaul Proposal Brings ‘Family’ Strife to Conservative Coalition,” Wall Street Journal, November 27, 1985, p. 52.
https://www.kcra.com/article/texts-between-ginni-thomas-and-mark-meadows/39531243
https://abcnews.go.com/Politics/matt-gaetz-lauren-boebert-appear-trump-trial/story?id=110319095
Twitter (X):
acnewsitics/status/1791223441179238892
https://heathercoxrichardson.substack.com/p/may-16-2024
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2024.05.17 17:04 nahimavegan (Selling) Huge List Of 1100+ Movies! Lots Of New And Rare Titles!

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Crouching Tiger Hidden Dragon 4K/MA $6
Counselor HD/MA $4
Da Vinci Code 4K/MA $6
Dagon HD/VU $4
Dark Skies HD/VU $3.5
Dear David 4K/VU $6
Dear White People HD/VU $3.5
Devil's Workshop 4K/VU $5.5
Devil's Workshop HD/VU $4.5
Devotion 4K/VU $6 or HD/VU $4.5
Diary of the Dead HD/VU $4
Dig 4K/VU $5.5
District 9 / Elysium Bundle HD/MA $7.5
Dragon Blade HD/VU $3.5
Dr. Strangelove 4K/MA $5
Dreamland HD/VU $4.5
Dream Scenario HD/VU $7
Dumb Money HD/MA $6
Dune Part 2 4K/MA $12 or HD/MA $10
Easy Rider 4K/MA $6
Emperor HD/VU $3.5
Equalizer 3 HD/MA $5.5
Evil Dead '13 4K/MA $5.5 or HD/MA $4
Evil Dead Rise 4K/MA $6 or HD/MA $4.5
Evil Under The Sun HD/VU $4
Exorcist (2-cuts) 4K/VU $6.5
Exorcist Believer 4K/MA $7 or HD/MA $5.5
Expendables 1-3 Set 4K/MA $10 or HD/VU $7
Expendables 1-4 Set 4K/VU $15 or HD/VU $11
F9 Fast Saga (Thea & Ext) HD/MA $4
Fall 4K/VU $6 or HD/VU $4.5
Fast & the Furious 10-film Set HD/MA $25
Fast X HD/MA $5
Feast (Unr) HD/VU $4
Fifth Element 4K/MA $5.5
Fifty Shades 6-Cut Set (Thea & Unr) HD/MA $12
First Purge HD/MA $3.5
Five Nights at Freddy's HD/MA $6
Fool's Paradise HD/VU $6
Force of Nature '20 HD/VU $3.5
Forger HD/VU $3
Freeheld HD/VU $4
Friendsgiving HD/VU $4
Front Runner HD/MA $4
Frozen '10 HD/VU $4
Funny Girl 4K/MA $5.5
Gandhi 4K/MA $5.5
Gateway 4K/VU $5.5
Gattaca 4K/MA $6
Ghostbusters 1 & 2 Set HD/MA $6.5
Ghostbusters Afterlife HD/MA $4
Ghoulies Go To College HD/VU $3.5
Glory 4K/MA $6
Godfather 3 Coda HD/VU $4
Good Boys HD/MA $3.5
Good House 4K/VU $5.5
Goodnight Mommy HD/VU $4
Goosebumps 2 HD/MA $3
Gran Turismo 4K/MA $7 or HD/MA $5.5
Grease Trilogy HD/VU $9 or 4K/IT $10.5
Green Knight 4K/VU $5
Green Room HD/VU $4
Groundhog Day 4K/MA $5.5
Guess Who's Coming to Dinner 4K/MA $6
Hail, Caesar! HD/VU or IT $2.5
Hammett HD/VU $4
Halloween Ends HD/MA $4.5
Halloween Kills (Ext) HD/MA $4.5
Harriet 4K/MA $6 or HD/MA $4.5
Hex 4K/VU $5.5
High Tension HD/VU $4.5
Hellbenders HD/VU $4
Hellraiser: Judgment HD/VU $4
Home Alone 1 & 2 Set HD/MA $6.5
Hook 4K/MA $6
Hot Tub Time Machine 2 HD/VU $3.5 or 4K/IT $4
Hunger Games Ballad of Songbirds & Snakes HD/VU $6.5
Ice Age Continental Drift HD/MA $3
I, Frankenstein HD/VU or IT $3
I Saw the Light HD/MA $4
Identity Thief HD/IT $3.5
Indiana Jones & the Last Crusade HD/VU $4 or 4K/IT $4.5
If Beale Street Could Talk HD/MA $4
Inhabitant HD/VU $4.5
Insidious The Last Key HD/MA $3.5
Insidious Red Door HD/MA $5
Jay and Silent Bob Reboot HD/VU $3.5
Jerry Maguire 4K/MA $6
Jesus Revolution HD/VU $4.5
John Wick 4 4K/VU $6.5
John Wick 4-Film Collection HD/VU $13
Journey to Bethlehem HD/MA $5.5
Jumanji '95 4K/MA $6
Jungle Book '67 HD/MA $4
Jurassic World 6-film Set HD/MA $18
Kandahar HD/MA $5.5
Karate Kid '84 4K/MA $6
Kiss the Girls 4K/VU $6
Knights of the Zodiac HD/MA $5
Kramer vs Kramer 4K/MA $6
Last Action Hero 4K/MA $5.5
Last Christmas HD/MA $4.5
Last Night in Soho 4K/MA $5.5
Leprechaun 8-Film Set HD/VU $15
Lincoln Lawyer 4K/VU $6
Little Mermaid '23 HD/MA $5
Lost Boys 4K/MA $6
Love Again SD/MA $2.5
Lucky Number Slevin HD/VU $4.5
M3GAN (Thea & Unr) HD/MA $5
Ma '19 HD/MA $4
Madame Web 4K/MA $10 or HD/MA $8.5
Mamma Mia Here We Go Again HD/MA $3
Manodrome HD/VU $5.5
Marsh King's Daughter 4K/VU $5.5
Martyrs HD/VU $4.5
May HD/VU $4
Memories of Murder 4K/MA $6.5
Menu HD/GP $3.5
Meryl Streep 8-Film Set HD/MA $22
MIB International HD/MA $4
Midnight Meat Train (Unr) HD/VU $4
Migration HD/MA $6
Miller's Girl 4K/VU $9.5
Miracle on 34th Street HD/MA $4
Missing HD/MA $5
Mission Impossible Dead Reckoning Pt 1 HD/VU $6
Mist 4K/VU $6.5
Mitchells vs the Machines HD/MA $4.5
Monster High Electrified HD/MA or IT $2.5
Mortal Kombat Legends Cage Match HD/MA $5.5
Mr. Holmes HD/VU $3.5
Mulan '98 HD/MA $4 or HD/GP $3.5
My Big Fat Greek Wedding 3 HD/MA $5.5
My Girl 4K/MA $6
National Champions 4K/IT $5
New Mutants HD/MA $4 or HD/GP $3.5
Next Goal Wins HD/MA $7.5
Night at the Museum Secret of the Tomb HD/MA $3
Night Swim HD/MA $8
Night Train to Lisbon HD/VU $4
No Good Deed HD/MA $3
No Hard Feelings HD/MA $5.5
Nope HD/MA $4.5
Nun 2 HD/MA $5.5
Ocean's Trilogy 4K/MA $16
Old 4K/MA $6 or HD/MA $4.5
Once Upon a Time in Hollywood HD/MA $3.5
Oppenheimer HD/MA $6
Other Side of the Door HD/MA $4
Out Of The Blue HD/VU $4
Overlord 4K/VU or IT $4.5
Parental Guidance HD/MA $2.5
Parents HD/VU $4
Parasite HD/MA $4
Paw Patrol Mighty Movie HD/VU $6.5
Pet Sematary Bloodlines HD/VU $5.5
Peter Pan Return to Neverland HD/GP $4
Philadelphia 4K/MA $5.5
Pick 1 (Black Christmas '18 4K, Dog's Purpose 4K, Sparks Brothers 4K, Raw, Agnes Bourne, Antz, Being Frank, Loving, Don't Let Go, Kicks, Final Account) HD/MA $4
Pitch Perfect 3 4K/MA $5
Pixels HD/MA $3
Plane 4K/VU $5.5
Poor Things HD/MA $7.5
Pope's Exorcist HD/MA $5
Prey for the Devil 4K/VU $5.5
Priscilla HD/VU $6
Punch-Drunk Love 4K/MA $6.5
Queen & Slim HD/MA $4
Quick & the Dead '95 4K/MA $6
Rambo First Blood HD/VU $4
Rambo First Blood Pt 2 HD/VU $4
Rango HD/VU $3
Real Genius 4K/MA $5.5
Red Rocket HD/VU $4
Red Sparrow HD/MA $3.5
Renfield HD/MA $5.5
Requin HD/VU $4.5
Resident Evil Welcome to Raccoon City HD/MA $4
Robin Hood '73 HD/MA $4
Rosemary's Baby 4K/VU $6.5
Rhythm Section HD/VU $3.5
Ruby Gilman Teenage Kraken HD/MA $5.5
Rudy (Dir Cut) 4K/MA $6.5
Run Lola Run 4K/MA $6.5
Saint Maud HD/VU $4
Samurai Jack Complete Series HD/VU $40
Saw 8-film Set (Unr except Jigsaw) HD/VU $20
Secret Life of Walter Mitty HD/MA $3.5
Shaun of the Dead HD/MA $4 or 4K/IT $4.5
Shrek 6-Film Set (1-4, Musical, Puss in Boots) HD/MA $19
Skiptrace HD/VU $3.5
Scorpion King 4-Film Set (1, 3, 4, Book of Souls) HD/MA $12
Scream 3 4K/VU $5.5
Scream 5 4K/VU $5.5 or HD/VU $4
Scream 6 4K/VU $7 or HD/VU $5.5
Sharktopus HD/VU $3.5
Shazam 2-film Set HD/MA $8
Shazam Fury of the Gods 4K/MA $6 or HD/MA $4.5
She Said HD/MA $4.5
She's the Man HD/VU $3.5
Silver Linings Playbook HD/VU $3 or HD/GP $2.5
Sisu 4K/VU $6
Sixteen Candles HD/MA $3.5 or HD/IT $3.5
Sleepless in Seattle 4K/MA $6
Smile HD/VU $4.5
Social Network 4K/MA $6
Sometimes They Come Back...Again HD/VU $4
Sometimes They Come Back...For More HD/VU $3.5
Sonic the Hedgehog 2 4K/VU $5.5
Spider-Man Across the Spider-Verse 4K/MA $7 or HD/MA $5.5
Split HD/MA $3 or 4K/IT $3.5
Spoiler Alert HD/MA $5
Star Trek First Contact 4K/VU $5.5
Star Trek Generations 4K/VU $5.5
Star Trek Insurrection 4K/VU $5.5
Star Trek Nemesis 4K/VU $5.5
Star Wars A New Hope HD/MA $4 or HD/GP $3.5
Starship Troopers 4K/MA $6
Step Brothers 4K/MA $6.5
Stillwater HD/MA $4
Studio 666 HD/MA $5
Sum of All Fears 4K/VU $5
Supercell HD/VU $4.5
Super Mario Bros Movie HD/MA $5
Super Troopers 2 HD/MA $3.5
Superfly HD/MA $4
Suspiria (2018) HD/VU $4
T2 Trainspotting 4K/MA $6
Talk to Me 4K/VU $6
Talladega Nights 4K/MA $6.5
Taxi Driver 4K/MA $5.5
Thanksgiving 4K/MA $7.5
The Batman 4K/MA $5.5
The Bay HD/VU $4
The Color Purple '23 4K/MA $8 or HD/MA $6.5
The Descent (Unr) HD/VU $4.5
The Flash HD/MA $5
The Marvels HD/MA $6.5
The Natural 4K/MA $6
The Other Guys 4K/MA $6
The Professional (Ext) 4K/MA $6
The Super '17 HD/VU $4
Ticket to Paradise HD/MA $4.5
Titanic 4K/VU or IT $6 or HD/VU $4.5
Top Gun Maverick HD/VU $4
Toy Story 3 HD/MA $4
Trading Places 4K/VU $6
Transformers Rise of the Beasts 4K/MA $7 or HD/VU $5.5
Trolls 3-Film Collection HD/MA $12
Trolls Band Together HD/MA $6.5
Truth or Dare (Unr) HD/MA $3.5
Tusk HD/VU $4.5
Umma HD/MA $4.5
Unbearable Weight of Massive Talent 4K/VU $5
Universal Monsters 4-Film Set 4K/MA $17
V for Vendetta 4K/MA $6.5
Vanilla Sky HD/VU $5.5
Velvet Goldmine HD/VU $4.5
Venture Bros Radiant is the Blood of the Baboon Heart HD/MA $5.5
Violent Night HD/MA $5
Walking Dead Season 9 HD/VU $7
Watchmen Ultimate Cut 4K/MA $7.5
Waxwork 2 HD/VU $3.5
We Summon the Darkness HD/VU $4.5
Welcome to Marwen HD/MA $4.5
Welcome to Monster High HD/MA or IT $3
Whiplash 4K/MA $6 or HD/MA $4.5
Whitney Houston I Wanna Dance w/ Somebody HD/MA $4
Wicker Man 4K/VU $5.5
Wish HD/MA $7
Witch HD/VU $3.5
Woman King 4K/MA $5 or HD/MA $4
Woman Walks Ahead HD/VU $4
You're Next HD/VU $3.5
X-Men 1-4 Set SD/MA $7.5
Zombieland Double Tap 4K/MA $5.5 or HD/MA $4
All other movies (A-Z)
10 Cloverfield Lane HD/VU $3 or 4K/IT $3.5
101 Dalmatians '61 HD/MA $3.5 or HD/GP $3
13 Hours HD/VU $2.5 or 4K/IT $3
14 Blades HD/VU $3.5
1917 4K/MA $5 or HD/MA $3.5
2 Guns 4K/MA $4 or HD/MA or IT $2.5
21 Jump Street HD/MA $3
22 Jump Street HD/MA $3.5
3 Extremes HD/VU $4
3 From Hell (Unr) 4K/VU $4 or HD/VU $2.5
3:10 to Yuma 4K/VU $5
31 HD/VU $2.5
47 Meters Down HD/IT $3.5
47 Meters Down Uncaged 4K/VU $4.5 or HD/VU $3
47 Ronin HD/MA $3 or 4K/IT $3.5
600 Miles HD/VU $3.5
71 HD/VU $3.5
A Christmas Story 4K/MA $6
A Dog's Purpose HD/IT $3
A Good Day to Die Hard (Ext) HD/VU $2.5
A Journal For Jordan HD/MA $4
A Quiet Place HD/VU $2.5 or 4K/IT $3
A Walk Among the Tombstones HD/IT $3.5
A Wrinkle in Time HD/MA $3 or HD/GP $2.5
A.C.O.D. HD/VU or IT $3.5
Abominable 4K/MA $5.5 or HD/MA $4
About Last Night HD/MA $3
Action Point HD/IT $2
Ad Astra HD/MA $4
Adaptation 4K/MA $6
Adrift HD/IT $3.5
Adverse 4K/VU $5
After Earth HD/MA $3
Aftermath HD/VU $3
Air Force One 4K/MA $6
Aladdin ‘19 HD/MA $3 or HD/GP $2.5
Aladdin ‘92 HD/MA $3.5 or HD/GP $3
Alien HD/MA $4
Alien Covenant HD/MA $2.5
Alfred Hitchcock 4-Film Set Vol 1 4K/MA $18
Alfred Hitchcock 5-Film Set Vol 2 4K/MA $21
Alien 6-film Set HD/MA $16
Alita Battle Angel 4K/MA $5 or HD/MA $3.5
All Eyez on Me HD/VU or IT $3
All is Lost HD/VU $3.5
All the Money in the World HD/MA $3.5
Allied HD/VU or IT $3.5
Almost Christmas HD/MA or IT $3
Amazing Spider-Man 2 HD/MA $3.5 or SD/MA $1.5
Amazing Spider-Man HD/MA $3.5 or SD/MA $1.5
American Assassin 4K/VU $4.5 or HD/VU $3
American Hustle HD/MA $3.5
American Reunion HD/VU or IT $3
American Ultra HD/VU or IT $4
American Underdog 4K/VU $5.5 or HD/VU $4
Anatomy of a Murder 4K/MA $5
Anchorman 2 HD/VU or IT $2.5
Angel Has Fallen 4K/VU $5 or HD/VU $3.5
Angel Heart 4K/VU $5.5
Angel of Mine 4K/VU $5.5
Angry Birds Movie HD/MA $3.5
Anna Karenina HD/IT $3.5
Annie ‘14 HD/MA $3.5
Annihilation HD/VU $3 or 4K/IT $3.5
Antebellum 4K/VU $5
Antlers HD/GP $3
Ant-Man & the Wasp HD/MA $3.5 or HD/GP $3
Ant-Man HD/MA $4 or HD/GP $3.5
Apache Junction HD/VU $3.5
Apollo 13 4K/MA or IT $5 or HD/MA $3.5
Arctic HD/MA $4
Arrival HD/VU $2.5 or 4K/IT $3
Art of Self-Defense HD/MA $4
Ash vs Evil Dead S.3 HD/VU $5
Assassination Nation HD/MA $3.5
Assassin's Creed HD/MA $3
Assignment HD/VU $4
Atomic Blonde 4K/MA or IT $4.5 or HD/MA $3
August Osage County HD/VU $3
Avengers Age of Ultron HD/GP $3
Avengers Endgame HD/MA $2.5 or HD/GP $2
Avengers Infinity War 4K/MA $4 or HD/MA $2.5 or HD/GP $2
Baby Driver HD/MA $4
Backdraft 4K/IT $5.5
Bad Grandpa HD/VU or IT $2.5
Bad Words HD/MA or IT $3
Bandslam HD/VU $4
Bank Job HD/VU $3.5
Barb & Star go to Vista Del Mar HD/VU $4
Barbie & Her Sisters in the Great Puppy Adventure HD/IT $3.5
Bart Got a Room HD/VU $4
Battle Royale HD/VU $4.5
Battleship 4K/MA or IT $4.5 or HD/MA $3
Baywatch HD/VU $2.5 or 4K/IT $3
Beauty & the Beast ‘17 HD/MA $2.5 or HD/GP $2
Beauty & the Beast ‘91 HD/GP $3
Bedknobs & Broomsticks HD/GP $3.5
Before I Fall HD/VU or IT $3.5
Begin Again HD/VU $3.5
Beiruit HD/MA $3.5
Belly 4K/VU $5.5
Ben-Hur ‘16 HD/VU $3.5
Between Worlds HD/VU $3.5
Big Hero 6 4K/MA $5 or HD/MA $3.5 or HD/GP $3
Big Lebowski 4K/MA or IT $5.5
Big Short HD/VU $3.5
Big Wedding HD/VU or IT $3
Billy Elliot HD/MA or IT $4
Birdman HD/MA $4
Black & Blue HD/MA $4
Black Christmas '19 HD/MA $4.5
Black Panther 4K/MA $4.5 or HD/GP $2.5
Black Panther Wakanda Forever HD/MA $3.5 or HD/GP $3
BlackKklansman HD/MA $4.5
Blacklight HD/MA $4
Black Widow HD/GP $3
Blackhat HD/IT $3.5
Blair Witch Project ‘99 HD/VU $4
Bleeding Steel HD/VU $3.5
Blindspotting 4K/VU $5.5 or HD/VU $4
Blood Money ‘17 HD/VU $3.5
Blood Ties HD/VU $3.5
Blue Jasmine HD/MA $3.5
Blue Ruin HD/VU $4
Blues Brothers HD/MA $4 or 4K/IT $4.5
Bob's Burgers Movie HD/GP $3
Body Cam HD/VU $4
Bohemian Rhapsody 4K/MA $5 or HD/MA $3.5
Bombshell 4K/VU $5
Book Club HD/VU or IT $2.5
Book of Life HD/MA $3.5
Boss Baby HD/MA $2.5
Bourne Identity 4K/IT $5 or HD/MA $3.5
Bourne Legacy HD/VU $2 or 4K/IT $2.5
Bourne Supremacy HD/MA $3.5 or 4K/IT $4
Bourne Ultimatum 4K/MA or IT $5 or HD/MA $3.5
Boy ‘16 HD/IT $3.5
Boy & the World HD/IT $3.5
Boyhood HD/VU or IT $2.5
Braven HD/VU $4
Breakfast Club HD/MA or IT $4
Breakthrough HD/MA $3
Brian Banks HD/MA $3
Bridge of Spies HD/GP $3.5
Brothers Bloom HD/VU $4.5
Bumblebee 4K/VU or IT $5 or HD/VU $3.5
Butler HD/VU $3
Cabin in the Woods HD/VU $2.5 or 4K/IT $3
Cake HD/MA $4
Call of Wild 4K/MA $4.5 or HD/MA $3 or HD/GP $2.5
Calvary HD/MA $4
Candyman '20 4K/MA $6 or HD/MA $4.5
Candyman 3 HD/VU $4
Captain America Civil War HD/GP $2.5
Captain America First Avenger HD/GP $3.5
Captain America Winter Soldier HD/GP $3.5
Captain Marvel 4K/MA $4 or HD/MA $2.5 or HD/GP $2
Captain Phillips HD/MA $3.5
Captain Underpants First Epic Movie HD/MA $2.5
Carol HD/VU $4
Cars 3 HD/GP $2.5
Casablanca 4K/MA $5.5
Case for Christ HD/MA or IT $2.5
Casper HD/IT $4
Celebrating Mickey HD/MA $3.5 or HD/GP $3
Chaos Walking 4K/VU $5
Chappaquiddick HD/VU $4
Chasing Mavericks HD/MA $3.5
Chicago HD/VU $4
Child 44 HD/VU $4
Children ‘08 HD/VU $4
Christopher Robin HD/MA $4 or HD/GP $3.5
Chronicles of Riddick HD/IT $4
Clerks 3 4K/VU $4.5
Clifford the Big Red Dog HD/VU $4
Cloverfield 4K/VU $5.5 or HD/VU $4
Coco HD/MA $3 or HD/GP $2.5
Cold Pursuit 4K/VU $5 or HD/VU $3.5
Collection HD/VU $3.5
Collide ‘17 HD/VU or IT $2.5
Colma The Musical HD/VU $4
Colombiana (Unr) HD/MA $4
Colony 4K/VU $5
Come & Find Me HD/VU $4
Commuter 4K/VU $5 or HD/VU $3.5
Company of Heroes HD/MA $4
Conan the Barbarian ‘11 4K/VU $5
Conspirator HD/VU $4
Contraband HD/IT $3
Contractor HD/VU $4.5
Cooler HD/VU $4
Cool Hand Luke 4K/MA $5.5
Cooties HD/VU $4
Cotton Club Encore 4K/VU $5.5
Countdown ‘16 HD/VU $3.5
Courier 4K/VU $5.5 or HD/VU $4
Craft Legacy HD/MA $4.5
Criminal HD/VU or IT $3
Croods HD/VU $3.5
Cruella HD/MA $3.5 or HD/GP $3
Crypto 4K/VU $5 or HD/VU $3.5
Daddy's Home HD/IT $2.5
Daddy's Home 2 HD/VU or IT $3
Damsel HD/VU $4.5
Dangerous 4K/VU $4.5 or HD/VU $3
Danny Collins HD/IT $3.5
Dark Crimes HD/VU $4
Darkest Minds HD/MA $4
Dark Places HD/VU $4
Dark Tower HD/MA $3.5
Darkest Hour ‘17 4K/MA $5 or HD/MA $3.5
Dawn of the Planet of the Apes HD/MA $3.5
Deadpool 2 (w/Super Duper Cut) HD/MA $4
Deadpool HD/MA $2.5
Death of Me HD/VU $4
Death on the Nile HD/GP $3
Death Wish '18 HD/VU $3
Deepwater Horizon HD/VU $2.5 or 4K/IT $3
Deliver Us From Evil HD/MA $3.5
Dentist 2-Film Set HD/VU $7
Despicable Me 2 HD/VU $3 or 4K/IT $3.5
Despicable Me 3 4K/MA or IT $4.5
Despicable Me 4K/MA or IT $4.5
Detroit HD/MA $3.5
Devil Inside HD/VU $3.5
Devil's Due HD/MA $3.5
Die Hard HD/MA $3.5
Die Hard 5-film Set HD/MA $18
Die in a Gunfight 4K/VU $5
Dilemma HD/VU $3.5
Dirty Dancing 4K/VU $5 or HD/VU $3.5
Disney Animated Short Films Set HD/MA $3.5 or HD/GP $3
Disneynature Monkey Kingdom HD/MA $3
Django Unchained HD/VU $3
Doctor Strange HD/MA $3 or HD/GP $2.5
Doctor Strange Multiverse of Madness HD/GP $3
Dolittle HD/MA $3.5
Dom Hemingway HD/MA $3.5
Don Verdean HD/VU $4.5
Doorman HD/VU $3.5
Doors 4K/VU $5.5 or HD/VU $4
Downsizing HD/VU $2 or 4K/IT $2.5
Downton Abbey A New Era HD/MA $4
Downton Abbey The Movie HD/MA $3.5
Draft Day HD/IT $3.5
Dragged Across Concrete HD/VU $3.5
Dragonslayer 4K/VU $5.5
Dream a Little Dream HD/VU $4
Dreamkatcher HD/VU $4
Dreamworks 10-Film HD/MA $25
Dredd 4K/VU $4 or HD/VU $2.5
Dying of the Light HD/VU $2.5
E.T. Extra Terrestrial 4K/MA or IT $5 or HD/MA $3.5
Early Man 4K/VU $5.5
Earth Girls are Easy HD/VU $4
Eddie the Eagle HD/MA $4
Edge of Seventeen HD/IT $3
Edward Scissorhands HD/MA $3.5
El Chicano HD/MA $4
Elysium HD/MA $3.5
Emoji Movie HD/MA $3
Empire of Light HD/MA $3.5 or HD/GP $3
Empire State HD/VU $3
Encanto 4K/GP $3.5
Enough Said HD/MA $3.5
Enter the Dragon 4K/MA $6
Epic HD/MA $3
Equalizer HD/MA $3.5
Equalizer 2 HD/MA $3.5
Escape From Planet Earth HD/VU $3
Eternals HD/MA $3.5 or HD/GP $3
Everest HD/MA $3 or 4K/IT $3.5
Everything Must Go HD/VU $4
Evil Dead 2 HD/VU $3.5
Ex Machina HD/VU $3
Exodus Gods & Kings HD/MA $3.5
Expired 4K/VU $4.5
Fair Game (Dir) HD/VU $4
Fantastic Four ‘15 HD/MA $4
Fast & Furious 4 4K/MA $5
Fast & the Furious 8-film Set HD/MA $17.5
Fast & the Furious 9-film Set HD/MA $20
Fast Color 4K/VU $5.5
Fatale ‘20 4K/VU $5 or HD/VU $3.5
Fatherhood HD/MA $4
Fault in Our Stars HD/MA $3.5
Fear of Rain 4K/VU $5.5
Fences HD/VU $2.5 or 4K/IT $3
Ferdinand HD/MA $3.5
Field of Dreams 4K/MA or IT $5.5
Fifty Shades Darker (Unr) HD/VU $2.5 or 4K/IT $3
Fifty Shades Freed HD/MA $4
Fifty Shades of Grey (Unr) 4K/MA or IT $4
Finding Dory HD/MA $2.5 or HD/GP $2
Finding Nemo HD/GP $3.5
Finest Hours HD/GP $3
Firm 4K/VU $6
First Man HD/MA $4
Flashback ‘20 HD/VU $4
Flight HD/VU or IT $3
Florence Foster Jenkins HD/VU or IT $3
Footloose ‘11 HD/IT $3
Forbidden Kingdom HD/VU $4.5
Ford v Ferrari HD/MA $4
Forest HD/IT $3.5
Forever My Girl HD/IT $3
Fortress HD/VU $3.5
Fortress Sniper's Eye HD/VU $3.5
Fox & the Hound 2 HD/MA $4 or HD/GP $3.5
Foxcatcher HD/MA $4
Frank & Lola HD/VU or IT $3
Free Guy HD/GP $3
French Dispatch HD/MA $4 or HD/GP $3.5
Friday the 13th 4K/VU $5.5
From Here to Eternity 4K/MA $5.5
Frozen (Sing-Along) HD/MA $2 or HD/GP $1.5
Frozen HD/GP $2
Frozen 2 HD/MA $2.5 or HD/GP $2
Frozen Ground ‘13 HD/VU $3.5
Fury HD/MA $3.5
Future World HD/VU $3.5
G.I. Joe Retaliation HD/VU $3 or 4K/IT $3.5
Gambit ‘12 HD/MA $4
Gambler HD/VU or IT $3
Gamer 4K/VU $5.5
Gemini Man 4K/VU or IT $4.5 or HD/VU $3
Get Out 4K/MA or IT $5 or HD/MA $3.5
Ghost in the Shell ‘17 HD/VU $3 or 4K/IT $3.5
Ghost in the Shell ‘95 4K/VU $5
Ghost Rider Spirit of Vengeance HD/MA $4
Ghost Team One HD/VU or IT $3.5
Ghostbusters ‘84 HD/MA $3.5
Ghostbusters (Thea & Ext) ‘16 HD/MA $3
Ghostbusters 2 HD/MA $3.5
Gifted HD/MA $3
Girl in Spider's Web HD/MA $4
Girl on Train HD/VU $3 or 4K/IT $3.5
Girl w/ All Gifts HD/VU $4
Giver HD/VU $3.5
Glass Castle 4K/VU $5.5
Glass HD/MA $4
God Bless The Broken Road HD/VU $3.5
God's Not Dead 2 HD/MA or IT $2.5
God's Not Dead 3 HD/MA $3
Gods of Egypt HD/VU $2.5 or 4K/IT $3
Gold ‘16 HD/VU $2.5
Good Dinosaur HD/GP $2.5
Good Kill HD/VU or IT $3.5
Grease 2 HD/VU $4
Great Wall 4K/MA or IT $4.5 or HD/MA $3
Greatest Showman HD/MA $3.5
Green Book HD/MA $4
Grey HD/VU or IT $3
Guardians of the Galaxy Vol 1 HD/MA $3.5 or HD/GP $3
Guardians of the Galaxy Vol 2 HD/GP $2
Guilt Trip HD/VU or IT $3
Gunman HD/MA or IT $3
Guns of Navarone 4K/MA $5.5
Hacksaw Ridge 4K/VU or IT $4.5 or HD/VU $3
Halloween ‘18 HD/MA $3
Hammer of the Gods HD/VU $2
Hannibal S.1 HD/VU $5
Hansel & Gretel Witch Hunters (Unr) HD/VU or IT $3
Hard Luck Love Song 4K/VU $5.5
Hard Target 2 HD/IT $1.5
Hardcore Henry HD/VU or IT $3.5
Hate U Give HD/MA $4
Hateful Eight HD/VU $3.5
Heat (Director's Cut) ‘95 4K/MA $5.5
Heaven is for Real HD/MA $3.5
Hercules ‘14 HD/VU $2.5 or 4K/IT $3
Here Comes the Boom HD/MA $3.5
Hereditary HD/VU $3.5
Hidden Figures HD/MA $3
High Note HD/MA $4
Highlander 4K/VU $5.5 or HD/VU $4
Hitchcock '12 HD/MA $4
Hitman Agent 47 HD/MA $3
Hitman's Bodyguard HD/VU $3.5
Hitman's Wife's Bodyguard 4K/VU $5.5
Hocus Pocus HD/MA $3.5 or HD/GP $3
Home HD/MA $3
Home Again HD/MA $3
Home Alone 4K/MA $5 or HD/MA $3.5
Homefront HD/MA or IT $3
Homesman HD/VU $3
Honey 2 HD/VU $3
Hostiles 4K/VU $4.5 or HD/VU $3
Hotel Transylvania 3 HD/MA $3.5
Hot Fuzz HD/VU $4
Hotel Mumbai HD/MA $4
Hours ‘13 HD/VU $4
House of 1000 Corpses HD/VU $4
House of Gucci 4K/IT $5.5
House w/ a Clock in Its Walls sHD/MA $4
How to Train Your Dragon 2 HD/MA $2.5
Hugo HD/VU $3
Hunt for Red October 4K/VU $5.5 or HD/VU $4
Huntsman Winter's War (Ext) HD/MA $3 or 4K/IT $3.5
I Can Only Imagine HD/VU $3.5
I Feel Pretty HD/IT $2
Ides of March HD/MA $4
I Know What You Did Last Summer 4K/MA $5.5
Imitation Game HD/VU $3
In a Valley of Violence HD/MA or IT $3
In Secret ‘14 HD/VU $4.5
In the Blood HD/VU $4
Incredibles 2 HD/GP $3
Independence Day ‘96 HD/MA $4
Independence Day Resurgence HD/MA $2.5
Indiana Jones & the Raiders of the Lost Ark 4K/VU or IT $5.5 or HD/VU $4
Indiana Jones & the Temple of Doom 4K/VU or IT $5.5 or HD/VU $4
Indignation HD/VU $4
Indivisible HD/MA $3.5
Inferno HD/MA $3
Initiation 4K/VU $5
Initiation HD/VU $3.5
Internship HD/MA $3
Interstellar 4K/VU or IT $5 or HD/VU $3.5
Interview HD/MA $3.5
Into the Woods HD/MA $3 or HD/GP $2.5
Invisible Man '20 HD/MA $3.5
Invisible Man ‘33 HD/MA $3.5
Iron Man 3 HD/MA $2.5 or HD/GP $2
Iron Man & Hulk Heroes United HD/GP $3.5
Iron Mask ‘19 HD/VU $4.5
It Follows HD/VU $3.5
It's a Wonderful Life HD/VU $3
Jack & Jill HD/MA $3.5
Jack Reacher 4K/IT $4.5
Jack Reacher Never Go Back HD/VU $3 or 4K/IT $3.5
Jack Ryan Shadow Recruit 4K/IT $4 or HD/VU $2.5
Jacob's Ladder HD/VU $4
Jane Got a Gun HD/VU $4
Jarhead 3 (Unr) HD/IT $2.5
Jason Bourne HD/VU $2.5 or 4K/IT $3
Jesus Music HD/VU $3.5
Jexi HD/VU $3.5
Jobs HD/MA or IT $3.5
Joe HD/VU $3.5
Joe Kidd HD/IT $4
John Wick 1 & 2 Bundle HD/VU $4
John Wick 3 Parabellum 4K/VU $4.5
John Wick Chapter 2 HD/VU $3.5 or 4K/IT $4
John Wick HD/VU $2 or 4K/IT $2.5
John Wick Trilogy (Parabellum 4K) HD/VU $9 or all HD/VU $8
Journey to the West Conquering the Demons HD/VU $3.5
Joy HD/MA $3
Judy 4K/VU $5 or HD/VU $3.5
Juliet, Naked 4K/VU $5.5
Jumanji Welcome To The Jungle HD/MA $2.5
Jungle Book ‘16 4K/MA $4.5 or HD/GP $2.5
Jungle Cruise HD/MA $4 or HD/GP $3.5
Jurassic Park 3 HD/VU $3.5 or 4K/IT $4
Jurassic Park 4K/MA or IT $5 or HD/MA $3.5
Jurassic World 5-film Set HD/MA $14
Jurassic World Fallen Kingdom 4K/MA $4.5 or HD/MA $3
Jurassic World HD/VU $2.5 or 4K/IT $3
Justice ‘17 HD/VU or IT $3
Kama Sutra HD/VU $4
Kick-Ass 2 HD/MA $3.5
Kid ‘19 HD/VU $3.5
Kid Who Would Be King 4K/MA $5.5 or HD/MA $4
Kidnap HD/VU or IT $2.5
Kill Zone ‘05 HD/VU $4.5
Killer Elite HD/IT $3
Killing Gunther HD/VU $4
Kin ‘18 4K/VU $4.5 or HD/VU $3
King Kong ‘05 4K/MA or IT $5 or HD/MA $3.5
King of Staten Island HD/MA $4
King's Man HD/GP $3.5
Kingsman The Golden Circle HD/MA $3
Kingsman The Secret Service HD/MA $3.5
Knives Out HD/VU $3.5
Knowing 4K/VU $5.5
La La Land HD/VU $3 or 4K/IT $3.5
Labor Day HD/VU or IT $3
Lady Macbeth HD/VU $4.5
Lady of the Manor 4K/VU $5
Lair of White Worm HD/VU $4.5
Lake Mungo HD/VU $4
Lara Croft Tomb Raider 4K/VU $5.5 or HD/VU $4
Last Dragon HD/MA $4.5
Last Duel HD/GP $3.5
Last Exorcism HD/VU $4
Last Knights HD/VU $3.5
Last Man ‘19 HD/VU $4
Last Stand HD/IT $2
Last Vegas HD/VU $3
Last Witch Hunter HD/VU $3 or 4K/IT $3.5
Lawrence of Arabia 4K/MA $5.5
Legend of Hercules 4K/IT $3
Legends of Oz Dorothy's Return HD/MA $3.5
Leprechaun 7-film Set HD/VU $12
Let's be Cops HD/MA $3.5
Let Him Go HD/MA $4
Let Me Explain HD/IT $2.5
Life ‘17 HD/MA $3.5
Life of Crime HD/VU $3.5
Life of Pi 4K/MA $5 or HD/MA or IT $3.5
Light of My Life HD/IT $3.5
Lightyear HD/MA $3.5 or HD/GP $3
Like a Boss HD/VU $3.5
Lilo & Stitch 2 HD/MA $4 or HD/GP $3.5
Lion HD/VU $4
Lion King ‘19 4K/MA $4 or HD/GP $2
Lion King ‘94 4K/MA $5 or HD/GP $3
Little HD/MA $3.5
Little Mermaid ‘89 HD/MA $4
Live Free or Die Hard HD/MA $4
Locked Down 4K/MA $5.5
Logan HD/MA $3
Logan Lucky HD/MA $3.5 or /IT $4
Lone Ranger HD/MA $3.5 or HD/GP $3
Lone Survivor HD/VU $2.5
Longest Ride HD/MA $3
Longest Week HD/VU $3.5
Looper HD/MA $3.5
Lorax HD/MA or IT $3
Lord of War 4K/VU $5.5
Lords of Salem HD/VU $4
Lost World Jurassic Park HD/MA $3.5
Love & Mercy HD/VU $3.5
Love the Coopers HD/VU or IT $4
Love, Simon HD/MA $3.5
Loving HD/VU or IT $3.5
Luca HD/GP $3
Lucy 4K/MA or IT $4.5 or HD/MA $3
Lyle, Lyle Crocodile HD/MA $4.5 or SD/MA $2
Madagascar 3 HD/MA $3
Maggie HD/VU $2.5
Magic Mike's Last Dance HD/MA $4.5
Magnificent Seven ‘16 HD/VU $3
Maleficent HD/MA $2.5 or HD/GP $2
Maleficent Mistress of Evil HD/GP $2.5
Man Who Fell To Earth ‘76 4K/VU $5
Man Who Shot Liberty Vance 4K/VU $5.5
Marauders HD/VU $3.5
Marksman HD/MA $4
Martian HD/MA $3.5
Mary Poppins ‘64 HD/MA $3.5 or ‘64 HD/GP $3
Mary Poppins Returns 4K/MA $4.5 or HD/GP $2.5
Mask of Zorro 4K/MA $6
Mauritanian 4K/IT $5
Max Steel HD/IT $3
Maze Runner HD/MA $3.5
McKenna Shoots for the Stars HD/IT $2
Meatballs HD/VU $4
Megan Leavey HD/VU or IT $3
Memory HD/MA $3.5
Men HD/VU $4
Men in Black 3 HD/MA $3
Men in Black 4K/MA $5.5 or HD/MA $4
MI-5 Spooks '15 HD/VU $4
Mickey & Minnie 10 Classic Shorts HD/GP $4.5
Mid-Century 4K/VU $5
Midnight in the Switchgrass 4K/VU $5 or HD/VU $3.5
Midsommar (CANADA) 4K/IT $3
Midway 4K/VU $4.5 or HD/VU $3
Mile 22 HD/IT $3
Million Dollar Arm HD/GP $2.5
MindGamers HD/MA or IT $3.5
Minions 4K/MA or IT $4.5 or HD/VU $3
Miracles from Heaven HD/MA $3.5
Miss Peregrine's Home for Peculiar Children HD/MA $3
Mission Impossible 3 4K/VU $5
Mission Impossible 6-film Set HD/VU $17
Mommy HD/VU $4
Moneyball HD/MA $3
Monster High Electrified HD/IT $2.5
Monster Hunter HD/MA $3.5
Money Monster HD/MA $3.5
Monster Trucks HD/VU $2.5 or 4K/IT $3
Monsters University HD/GP $3
Monuments Men HD/MA $3.5
Moon 4K/MA $5.5
Morbius HD/MA $4
Morgan HD/MA $4
Mortal Engines 4K/MA $5.5 or HD/MA $4
Mortal HD/VU $4
Mortal Instruments City of Bones HD/MA $3
Mortdecai HD/VU $3.5
Mother! HD/VU $2.5
Mountain Between Us HD/MA $2.5
Mr. Peabody & Sherman HD/MA $3
Mud HD/VU $2.5
Mulan 2 HD/GP $3
Mulan ‘20 4K/MA $4.5 or ‘20 HD/MA $3 or HD/GP $2.5
Mummy ‘17 4K/MA or IT $4.5 or HD/MA $3
Mummy ‘99 HD/MA $3.5
Mummy 4-Film Set (Mummy 1-3, Scorpion King) HD/MA $12
Mummy Trilogy 4K/MA or IT $14 or HD/MA $9 4K/IT
Muppets Most Wanted HD/GP $3
Murder on the Orient Express HD/MA $3.5
My All American HD/MA or IT $3.5
My Best Friend is a Vampire HD/VU $4
National Lampoon's Vacation 4K/MA $5.5
Nebraska HD/VU $3
Need for Speed HD/GP $3.5
Needle in a Timestack 4K/VU $5.5
Nerve HD/VU $3.5
News of the World HD/MA $4
Night at the Museum Trilogy HD/MA $11
Night House HD/MA $4.5 or HD/GP $4
Nightmare Alley HD/GP $3.5
Nightmare Before Christmas 4K/MA $5.5 or HD/MA $4 or HD/GP $3.5
No Time to Die 4K/IT $4.5
Noah HD/VU or IT $2.5
Nobody's Fool HD/IT $2.5
Non-Stop HD/VU or IT $3
Norm of the North HD/VU $2.5
Nostalgia ‘18 HD/MA $3.5
Now You See Me 2 4K/IT $4
Now You See Me HD/VU or IT $2.5 or SD/VU $1
Nut Job 2 HD/IT $2.5
Nut Job HD/IT $2.5
Nutcracker & Four Realms HD/MA $3.5 or HD/GP $3
Oblivion 4K/MA or IT $5 or HD/MA $3.5
Occupation ‘18 HD/VU $3.5
Occupation Rainfall HD/VU $4
Office Christmas Party 4K/IT $3.5
Olaf's Frozen Adventure HD/GP $3
Oliver! 4K/MA $5
On Chesil Beach HD/MA $4.5
One Ranger HD/VU $4.5
Onward HD/GP $2.5
Open Water 2 Adrift HD/VU $4
Open Water HD/VU $4
Operation Avalanche HD/VU $4
Other Woman HD/MA $3
Ouija HD/MA or IT $3.5
Our Kind of Traitor HD/MA $4
Outlander S.1 Vol 1 HD/VU $5
Overboard ‘18 HD/VU $3.5
Oz the Great & Powerful HD/MA $3 or HD/GP $2.5
Pacific Rim Uprising HD/MA $4
Paddington HD/VU $3.5
Pain & Gain HD/VU or IT $3.5
Paper Towns HD/MA $3
Paradise Highway 4K/VU $5
Paranormal Activity 3 (Ext) HD/VU or IT $3
Paranormal Activity 4 (Unr) HD/VU or IT $2.5
Paranormal Activity Ghost Dimension (Unr) HD/VU or IT $3.5
Paranormal Activity HD/VU $4
Paranormal Activity The Marked Ones HD/VU or IT $3.5
Passengers HD/MA $3.5
Patriot Games 4K/VU $5
Patriot's Day HD/VU $3
Paul Apostle of Christ HD/MA $3
Peanuts Movie HD/MA $3
Penelope HD/VU $4.5
Peppermint HD/IT $3.5
Percy Jackson Sea of Monsters HD/MA $3
Perfect Guy HD/MA $2.5
Perks of Being a Wallflower HD/VU or IT $3 or SD/VU or IT $1
Pet Sematary ‘19 HD/VU $3 or 4K/IT $3.5
Pet Sematary ‘89 HD/VU $3.5 or 4K/IT $4
Peter Rabbit HD/MA $3.5
Pete's Dragon ‘16 HD/MA $3.5 or HD/GP $3
Phantom Thread HD/MA $4
Philomena HD/VU $2.5
Pirates of the Caribbean 5 HD/MA $3 or HD/GP $2.5
Pirates! Band of Misfits HD/MA $3.5
Pitch Perfect 2 4K/MA $4 or HD/MA $2.5
Pitch Perfect HD/MA $2.5 or 4K/IT $3
Pixar Short Films Set Vol. 3 HD/MA $3.5 or HD/GP $3
Planes Fire & Rescue HD/GP $3
Planes HD/MA $2.5 or HD/GP $2
Planes, Trains & Automobiles 4K/VU $5.5 or HD/VU $4
Playing w/ Fire HD/VU or IT $2.5
Poltergeist ‘82 4K/MA $5.5
Poltergeist (Ext) ‘15 HD/MA $4
Pompeii HD/MA $3.5
Power Rangers ‘17 HD/VU $3 or 4K/IT $3.5
Predator ‘18 HD/MA $3
Predator ‘87 HD/MA $4
Pride & Prejudice & Zombies HD/MA $3.5
Primal HD/VU $3.5
Promise HD/MA or IT $3.5
Protege HD/VU $4
Proud Mary HD/MA $3.5
Psycho 4K/MA $5
Pulp Fiction 4K/VU $5.5 or HD/VU $4
Punisher War Zone 4K/VU $5.5
Purge Anarchy HD/MA $3 or 4K/IT $3.5
Purge Election Year HD/MA $3.5
Purge 4K/MA or IT $4.5 or HD/MA $3 or
Push 4K/VU $6
Quantum of Solace HD/VU $4.5
Quarry 4K/VU $5
Quartet HD/VU $4
Queen of Katwe HD/GP $2.5
Quiet Ones HD/VU $3.5
Rambo ‘08 HD/VU $4
Rambo 5-film Set HD/VU $18
Rambo Last Blood 4K/VU $4.5 or HD/VU $3
Ran ‘85 4K/VU $5.5
Raya & the Last Dragon HD/MA $3.5
Rear Window 4K/IT $3.5
Rebel Without a Cause 4K/MA $5.5
Reclaim HD/VU $3.5
RED 2 HD/VU $2
Red Dawn ‘12 HD/IT $3
Redline ‘10 HD/VU $4.5
Reign of Assassins HD/VU $4.5
Replicant ‘01 HD/VU $3.5
Replicas HD/VU $3.5
Rescuers Down Under HD/MA $4 or HD/GP $3.5
Rescuers HD/MA $4.5 or HD/GP $4
Reservoir Dogs HD/VU $4
Resident Evil Retribution 4K/MA $5 or HD/MA $3.5
Resurrection of Gavin Stone HD/VU or IT $2.5
Retaliation ‘17 HD/VU $4
Revenant 4K/MA $5 or HD/MA $3.5
Ricki & the Flash HD/MA $3
Riddick (Unr) HD/VU or IT $3
Ride Like a Girl HD/VU $4
Right At Your Door HD/VU $4
Right One 4K/VU $5.5
Rings HD/VU or IT $2.5
Rio 2 (Sing-Along) HD/MA $3
Riot HD/VU or IT $3
RIPD HD/IT $2.5
Risen HD/MA $3
Rob Zombie Trilogy (3 From Hell, House of 1000 Corpses, Devil's Rejects) HD/VU $8
Robin Hood ‘18 HD/VU $3
Robocop ‘14 HD/VU $2.5
Rocketman ‘19 HD/VU $3 or 4K/IT $3.5
Rocky Horror Picture Show HD/MA $4
Roman J. Israel Esq HD/MA $3
Ron's Gone Wrong HD/MA $3.5 or HD/GP $3
Room '15 HD/VU $3.5
Rough Night 4K/MA $5 or HD/MA $3.5
Run The Race HD/MA $3
Runner Runner HD/MA $3.5
Rush HD/IT $3
Safe HD/VU or IT $2.5
Same Kind of Different As Me HD/VU or IT $3
Samson HD/MA $3.5
Santa Clause HD/MA $3.5 or HD/GP $3
Santa Clause 2 HD/MA $3.5 or HD/GP $3
Santa Clause 3 HD/GP $2.5
Sapphires HD/VU $4
Sausage Party HD/MA $3.5
Saving Mr. Banks HD/GP $3
Saw (Unr) 4K/VU $4.5
Saw 7-film Set (Unr) HD/VU $16
Saw HD/VU $3
Scarface HD/MA $4 or 4K/IT $4.5
Scary Stories to Tell in the Dark 4K/VU $4.5
Schindler's List 4K/MA or IT $5.5 or HD/MA $4
Scream '96 4K/VU $5 or HD/VU $3.5
Scream Trilogy HD/VU $11
Secret Garden ‘20 4K/VU or IT $5.5
Secret in Their Eyes HD/VU or IT $3
Secret Life of Pets 4K/MA or IT $4.5 or HD/MA $3
See No Evil 2 HD/VU $3.5
Selma HD/VU or IT $2.5
Serenity ‘05 4K/MA $5.5 or HD/MA $4
Seriously Red HD/VU $4
Sex Tape HD/MA $3.5
Shack HD/VU or IT $2.5
Shallows HD/MA $3.5
Shang-Chi Legend of the Ten Rings HD/GP $3
Shape of Water HD/MA $3.5
Sherlock Gnomes HD/VU or IT $2.5
Shivers HD/VU $4
Show Dogs HD/MA $3.5
Sicario HD/VU $2.5 or 4K/IT $3
Sicario Day of the Soldado HD/MA $4
Sicario, Wind River, Hell or High Water HD/VU $7.5
Side Effects HD/IT $3.5
Silencing HD/VU $4
Silent Night, Deadly Night 3-Film Set (3-5 HD/VU $7.5
Silk Road 4K/VU $5
Sing ‘16 HD/MA $3 or 4K/IT $3.5
Sing Street HD/VU $4
Sinister HD/VU $3
Sisters (Unr) HD/IT $2.5
Skeleton Twins HD/VU $4
Skyfall HD/VU $2.5
Skyscraper 4K/MA $5 or HD/MA $3.5
Sleeping Beauty ‘59 HD/MA $4 or HD/GP $3.5
Sleepless HD/IT $2
Sleepy Hollow 4K/VU $6.5
Slender Man HD/MA $4
Smokey & the Bandit HD/MA $3.5
Smokin' Aces 4K/MA $5.5
Smurfs The Lost Village HD/MA or IT $3
Snitch 4K/IT $3 or HD/VU $2.5 or SD/VU or IT $1
Snow White & the Huntsman (Ext) 4K/VU or IT $4.5 or HD/VU $3
Snow White & the Seven Dwarfs ‘37 4K/MA $6 or HD/MA $3.5 or HD/GP $3
Snowden HD/MA or IT $3.5
Snowpiercer HD/VU $4.5
Solo A Star Wars Story HD/GP $3
Son of God HD/MA $3
Sonic the Hedgehog 4K/VU $5 or HD/VU $3.5
Soul HD/MA $3 or HD/GP $2.5
Source Code 4K/VU $5.5
Southpaw HD/VU $3
Spartacus HD/MA $3.5
Spectre HD/VU $3.5
Spider-Man 2 (Thea & Ext) HD/MA $4.5
Spider-Man 3 HD/MA $3.5
Spider-Man 4-Cut Set (Spider-Man 2 w/ Thea & Ext) HD/MA $11.5
Spider-Man Far From Home HD/MA $3
Spider-Man Homecoming HD/MA $2.5
Spider-Man Into the Spider-Verse HD/MA $4.5
Spider-Man No Way Home HD/MA $4 or SD/MA $2
Spies in Disguise HD/MA $3.5 or HD/GP $3
Spinning Man HD/VU $4
Spiral 4K/VU $5 or HD/VU $3.5
Spongebob Sponge out of Water HD/IT $2.5
Spontaneous HD/VU $4.5
Spy Who Dumped Me 4K/VU $5 or HD/VU $3.5
St. Vincent HD/VU $3
Stand Up Guys HD/VU $3.5
Star Trek 3 Search for Spock 4K/VU $5
Star Trek 4 Voyage Home 4K/VU $5
Star Trek Beyond HD/VU $3
Star Trek Into Darkness HD/VU $2.5 or 4K/IT $3
Star Trek The Motion Picture ‘79 4K/VU $5
Steel Dawn HD/VU $3.5
Still Alice HD/MA $4
Straight Outta Compton (Unr) HD/MA $3 or 4K/IT $3.5
Strange World HD/MA $4 or HD/GP $3.5
Suburbicon HD/VU $3 or /IT $3.5
Sundown The Vampire in Retreat HD/VU $3.5
Super 8 4K/VU or IT $5 or HD/VU $3.5
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2024.05.17 16:46 DustinReturns Why Yasuke was a Samurai [Compilation]

Why Yasuke was a Samurai [Compilation]
In the following I will be compiling the absolutely phenomenal work of u/ParallelPain from AskHistorians on this topic throughout the last years and most recent events. Important to note is that this user is (as it seems) capable of basic Japanese linguistics and is mainly referring to primary sources, tracking down almost ALL publicly accessible entries of Yasuke, readily engaging in any type of communication related to this topic.

TL;DR AT THE BOTTOM!

All credits go to them, but they have not yet made their own post except for comprehensive replies.
Databases they are mainly referring to, entries of the Maeda Clan from the Historiographical Institute of the University of Tokyo and generally the publicly accessible Japanese database.
Structure: Frequently asked [Q/C] question / claim followed by an [A/R] answer / response

[C] "A stipend could've been given to anyone"

[R]

Since the last time I posted about this, I went to track down the entry of Yasuke in the Maeda Clan version of the Shinchōkōki. Kaneko Hiraku (professor at the Historiographical Institute of the University of Tokyo, the most prestigious historical research institution in Japan) includes in his book below, paired with the translation in Thomas Lockley's book (which is correct):
然に彼黒坊被成御扶持、名をハ号弥助と、さや巻之のし付幷私宅等迄被仰付、依時御道具なともたさせられ候、 This black man called Yasuke was given a stipend, a private residence, etc., and was given a short sword with a decorative sheath. He is sometimes seen in the role of weapon bearer.
Ever since previously people have been arguing with me that "stipend" could be given to anyone, not just samurai, without considering the word’s meaning in Japanese. I have already mentioned how the word was used in Japanese history. Let’s look then specifically at how Ōta Gyūichi, the author of the chronicles, used it. Here are all the other entries that mention the word "stipend" (specifically 扶持), each with link to the exact page of the Shinchōkōki. I will also quote the translation by J. P. Lamers, so this time the translation is academically published.
  1. Shiba Yoshikane in 1553 – son of the previous and soon to be the next de jure lord of Owari, before Nobunaga ran him out of town.
若武衛様は川狩より直にゆかたひらのあたてにて信長を御憑み候て那古野へ御出すなはち貳百人扶持被仰付天王坊に置申され候 Lord Buei the Younger fled directly from his fishing spot on the river to Nagoya, dressed only in a bathrobe, to call on Nobunaga’s help. Accordingly, Nobunaga assigned him a stipend sufficient to maintain a retinue of two hundred men and installed him in the Tennōbō temple.
2. Saitō Dōsan. Recent research suggest this story is inaccurate, but I’m just demonstrating how Ōta Gyūichi uses the word.
斎藤山城道三は元來山城國西岡の松波と云者也一年下國候て美濃國長井藤左衛門を憑み扶持を請余力をも付られ候 The original family name of Saitō Yamashiro Dōsan was Matsunami. He was a native of the Western Hills of Yamashiro Province. One year, he left the Kyoto area for the provinces and called on the help of Nagai Tōzaemon of Mino, who granted him a stipend and assigned auxiliaries to him.
3. Nobunaga remonstrating Ashikaga Yoshiaki in 1573 for not giving out stipend properly.
一 諸侯の衆方々御届申忠節無踈略輩には似相の御恩賞不被宛行今々の指者にもあらさるには被加御扶持候さ樣に候ては忠不忠も不入に罷成候諸人のおもはく不可然事 Item [3] You have failed to make appropriate awards to a number of lords who have attended you faithfully and have never been remiss in their loyal service to you. Instead, you have awarded stipends to newcomers with nothing much to their credit. That being so, the distinction between loyal and disloyal becomes irrelevant. In people’s opinion, this is improper. ... 一 無恙致奉公何の科も御座候はね共不被加御扶助京都の堪忍不屆者共信長にたより歎申候定て私言上候はゝ何そ御憐も可在之かと存候ての事候間且は不便に存知且は公儀御爲と存候て御扶持の義申上候ヘ共一人も無御許容候餘文緊なる御諚共候間其身に對しても無面目存候勸(觀歟)世與左衛門古田可兵衛上野紀伊守類の事 Item [7] Men who have given you steadfast and blameless service but have not been awarded a stipend by you find themselves in dire need in Kyoto. They turned to Nobunaga with a heavy heart. If I were to say a few words in their behalf, they assumed, then surely you would take pity on them. On the one hand, I felt sorry for them; on the other, I thought it would be in the interest of the public authority (kōgi no ontame; sc., to your benefit). So I put the matter of their stipends before you, but you did not assent in even one case. Your hard-heartedness, excessive as it is, puts me out of countenance before these men. I refer to the likes of Kanze Yozaemon [Kunihiro], Furuta Kahyōe, and Ueno Kii no Kami [Hidetame].
4. A samurai captured in 1573 who would rather die than submit to Nobunaga.
御尋に依て前後の始末申上之處神妙の働無是非の間致忠節候はゝ一命可被成御助と御諚候爰にて印牧申樣に朝倉に對し日比遺恨雖深重の事候今此刻歷々討死候處に述懷を申立生殘御忠節不叶時者當座を申たると思召御扶持も無之候へは實儀も外聞も見苦敷候はんの間腹を可仕と申乞生害前代未聞の働名譽名不及是非 When Kanemaki, on being questioned by Nobunaga, gave a rough account of his career, Nobunaga commented that it would be a shame to lose a man with such marvelous accomplishments to his credit and stated that his life would be spared, were he to pledge his loyal service to Nobunaga. To this Kanemaki replied that he had harbored a deep grudge against the Asakura for a long time. Now that so many warriors of standing had been killed, however, he could not permit himself to stay alive by giving vent to his resentment. The moment he was remiss in his loyal service, Nobunaga would surely think that whatever he might have said at this juncture was just an expedient to save his skin and would cancel his stipend. Then Kanemaki would be unable to live with himself and with what people would say about him. He would therefore cut his own belly now. Having made this plea, he took his own life. His heroism was unprecedented, and his glory was beyond dispute.
5. Nobunaga to his own "companions" (think of Alexander’s foot and horse companions) in 1575 because he was feeling generous that day and had just given a bunch of cloth to a beggar and then felt like also rewarding his men who were supposedly moved to tears by the former act of generosity.
御伴之上下皆落淚也御伴衆何れも々々被加御扶持難有仕合無申計樣体也如此御慈悲深き故に諸天の有御冥利而御家門長久にに御座候と感申也 All of Nobunaga’s companions, those of high as of low rank, also shed tears. Each and every one of his companions had his stipend increased, and it goes without saying that they felt fortunate and thankful. It is because Nobunaga was so compassionate, everyone felt, that the heavens shed their blessings upon him and that the fortunes of his house would long endure.
6. Kuki Yoshitaka and Takigawa Kazumasu in 1578 for building big ships.
九鬼右馬允被召寄黃金二十枚並御服十菱喰折二行拜領其上千人つヽ御扶持被仰 Nobunaga summoned Kuki Uma no Jō and presented him with twenty pieces of gold as well as ten garments and two boxes containing wild duck. In addition, Nobunaga rewarded Kuki Uma no Jō and Takikawa Sakon with stipends adequate to maintaining a thousand men each.
7. A young samurai in 1579 for being a good wrestler, since Nobunaga loves wrestling.
甲賀の伴正林と申者年齡十八九に候歟能相撲七番打仕候次日又御相撲有此時も取すぐり則御扶持人に被召出鐵炮屋與四郞折節御折檻にて籠へ被入置彼與四郞私宅資財雜具共に御知行百石熨斗付の太刀脇指大小二ツ御小袖御馬皆具其に拜領名譽の次第也 A man from Kōka whose name was Tomo Shōrin, some eighteen or nineteen years old, showed good skills and scored seven wins. The next day, too, Nobunaga put on sumo matches, and Tomo again outclassed the others. As a result, Nobunaga selected Tomo to become his stipendiary. At about that time Nobunaga had to take disciplinary measures against a gunsmith by the name of Yoshirō, whom he locked up in a cage. Now Tomo Shōrin received the private residence, household goods, and other possessions of this Yoshirō. Nobunaga also gave him an estate of one hundred koku, a sword and a dagger with gold-encrusted sheaths, a lined silk garment, and a horse with a complete set of gear—glorious recognition for Tomo.
8. As part of his order preparing for his soon-to-be conquests in 1582, Nobunaga ordered his vassals to hire good local samurai.
一 國諸侍に懇扱さすか無由斷樣可氣遣事 一 第一慾を構に付て諸人爲不足之條內儀相續にをひては皆々に令支配人數を可拘事 一 本國より奉公望之者有之者相改まへ拘候ものゝかたへ相屆於其上可扶持之事 Item [5] Treat the provincial samurai with courtesy. For all that, never be remiss in your vigilance. Item [6] When the top man is greedy, his retainers do not get enough. Upon succeeding to domains, apportion them to all your retainers and take new men into your service. Item [7] Should there be any men from your home province who wish to enter your service, investigate their provenance, contact their previous employers, and only then grant them a stipend.
So Ōta Gyūichi used the word from time to time, and it was not a one-off usage. Every single usage of the word stipend by Ōta Gyūichi was, without exception, either giving it to samurai, some of whom were incredibly high ranked, or used in the context of hiring samurai or samurai’s salary. This includes a young sumo wrestler who may or may not have been a samurai, but was definitely hired by Nobunaga as his personal samurai. There is therefore no reason to think Gyūichi was using the term in Yasuke's context any differently. In fact we might even draw a slight parallel to Tomo Shōrin. Yasuke was said to have had the strength of ten men, meaning he must have demonstrated that strength and it’s certainly possible he demonstrated it through wrestling and beating everyone. Nobunaga loved wrestling, loved exotic stuff, and as shown above loved to demonstrate his generosity. So, it would certainly make sense on meeting Yasuke (coincidentally at Honnōji) for Nobunaga to make give Yasuke, who was exotic and might have been good at wrestling, a samurai’s stipend, a decorated sword, and a residence. Incidentally Tomo Shōrin was also at Honnōji when Akechi Mitsuhide attacked, though unlike Yasuke he did not survive.
EDIT: I'm adding an explanation because people are misinterpreting this post.
The meaning of the word stipend is not supposed to prove Yasuke was a samurai all by itself. What proves Yasuke was a samurai is not he received a samurai stipend, but that he received a samurai stipend and carried Nobunaga's weapons which was the job of a samurai and had and fought with a katana at Nijō and he was mobilized and followed Nobunaga on the Takeda campaign of 1582 and remained by Nobunaga's side even after Nobunaga dismissed all his "ordinary soldiers".
If you've read all my posts and links on Yasuke and still don't believe Yasuke was a samurai, then you either a) prefer to believe your own bias over historical research or b) should post an academic level publication from a PhD level researcher arguing Yasuke wasn't a samurai so I could read it.
Source

[Q] 'Is "samurai" a title in the way that High Middle Ages knighthood was? I.e. you formally take part in an accolade and are dubbed "knight," or is it more fluid than that?'

[A]

Leaving aside the actual fluidity of the word "knight," there was never a formalized requirement of a "samurai-ing" ceremony. At this point in time a samurai was basically anyone who 1) went to war armed and ready to fight and 2) either a) awarded/inherited an estate with enough income capable of supporting at least a family plus hire follower(s) for war, b) paid a stipend which was "permanent" (as in not just for the duration of the task) of about that value, or c) had enough property to be some sort of community leader so could be called upon for war often with follower(s). In the mid-sixteenth century the legal privileges of using his family name on official documentations and wearing two swords in public and having these be inheritable would be formalized. But that was many decades past Yasuke's time, and even then things were a lot more fluid than most people realize.
Actual titles were something else entirely, though many samurai of the time liked to self-style said titles, so those not officially recognized and recorded had little value. Looking through the list of names killed at Honnōji and Nijō, like Yasuke most did not have titles (officially recognized or self-styled) or if they did they were not known by the titles.
------
Yes he was a samurai. I don't know how the game portrays him and don't care, but for sure samurai was not something glorious or indeed all that rare. Neither was their lives all it's cut out to be (everyone's lives sucked in 16th century Japan) and while there were plenty of non-samurai who tried and became samurai, there were also plenty of samurai who "gave up" their status and became peasants or merchants.
Source: Paragraph 1 Paragraph 2

[C] "Yasuke is just an irrelevant character not worth mentioning with few historical records"

[A]

If I may ask, why are there so few written accounts about Yasuke?
Yasuke is mentioned in at least: one diary, one chronicle, three letters, and one ecclesiastic history (Francois Solier's, who confirms he was from the area of Mozambique and brought to Japan via India). As far as the number of written accounts that mention a historical figure goes, that's a lot. In comparison most of the other koshō at Honnōji and Nijō who fought and lost their lives, we only know them because they are mentioned in the Shinchōkōki or later works that cite or obviously reference it, and many are only mentioned in so far as having their names listed among the dead.
an African person 'becoming a samurai' without it being documented is ridiculous.
Maybe, maybe not. Good thing then Yasuke becoming a samurai was documented.
Source: Paragraph 1

[Q] "In how many battles has Yasuke fought?"

[A]

We don't know how much time he spent in Japan because he first appeared in the sources on March 27, 1581, and was last mentioned on June 21, 1582.
Our sources only clearly state him fighting at Nijō Castle, though it's possible he also fought at Honnōji that morning. That still counts as one though. He followed Nobunaga on the Takeda campaign of 1582 but there's no record of Nobunaga's direct forces engaging in combat.
Source: Paragraph 1

[C] "Having a fief is required for a Samurai"

[R]

Having a fief is not a requirement for being samurai as around the time Yasuke appeared an increasing number of samurai were employed on stipend.
Matsudaira Ietada's diary describe him as being under Nobunaga fuchi. I don't know if western internet writers mistakenly translate the term literally as "carry" but fuchi means a rice stipend or a warrior employed by such stipend. Yasuke was paid a fuchi. At the very least Lorenzo Mesia reported that Nobunaga assigned people to show him around Kyōto. Either way would make him a warrior.
Having a (long)sword is not a mark of a samurai either until the late 17th century when the Edo Bakufu outlawed the wearing of the (long)sword in public by non-samurai population of the cities.
And in any case Luis Frois recorded Yasuke having fought at Nijō where he surrendered his sword. So he had one.
So he was definitely a samurai. And considering he was among Nobunaga/Nobutada's pages/guards, a relatively important one at that.
Source: Paragraph 1
Response by a user:
I still disagree...
He was obviously one of Nobunaga’s pages, but that doesn’t mean he was Samurai. As I stated, as sandal bearer Toyotomi Hideyoshi was also one of Nobunaga’s pages while he was a peasant, a position that would have also seen him receive a stipend.
The longsword was outlawed for non-Samurai in the 16th Century when Toyotomi instituted the sword hunt, removing them from the possession of all peasantry. Either way, the only explicit reference to Yasuke’s sword type is when Nobunaga gifted him a wakizashi and I don’t think it proves anything one way or another aside from Nobunaga taking an interest in the man which also explains him being shown around Kyoto.
He may have been Samurai, but there is not enough proof to definitely say so. I also think that considering his unique status at the time, if he had been made Samurai one of the sources would have explicitly stated so as it would have been unusual if not unheard of for the Japanese and probably unheard of for any of the western missionaries in the country at the time.
Response to this:
In general, 扶持 is a term for a payment for mid-lower ranking warriors for them to hire (usually warrior) servants for (usually temporary) employment. Given the term's usual usage, and that Yasuke was clearly by Nobunaga's side in permanent employment, it doesn't make sense for Yasuke to be anything but a warrior.
Even if Yasuke was "only" a 小姓 (page) or 道具持ち (weapons-bearer), that would make him a warrior on par with Ranmaru (at least before spring of 1582 when Ranmaru received a large fief).
In contrast, the Toyokagami specifically says Hideyoshi started out taking care of Nobunaga's shoes when Nobunaga went hunting. When Hideyoshi became a samurai, the term used for Hideyoshi's servants was ずさ.
You seem to be under the impression that a samurai was someone who needed to be officially made one, like "knighted". That isn't very accurate for the knight either, but bushi was a social group determined by what one did, not a formal rank or title. Meaning Ietada describing him as Nobunaga's fuchi, and as it doesn't make sense for Ietada to think Nobunaga was someone in a position to be dealing with the hiring of servants himself, Ietada's diary is more record of Yasuke being a samurai than many others would get.
Could Ietada be using the term to mean something other than its usual meaning, or just be mistaken? Of course. But as far as I know currently no one has put forward evidence of, or really even argued such. All published authors in English and Japanese pretty much treat Yasuke as a samurai (Lockley goes so far as to say so in the title of his book).
The longsword was outlawed for non-Samurai in the 16th Century when Toyotomi instituted the sword hunt, removing them from the possession of all peasantry. Either way, the only explicit reference to Yasuke’s sword type is when Nobunaga gifted him a wakizashi and I don’t think it proves anything one way or another aside from Nobunaga taking an interest in the man which also explains him being shown around Kyoto.
Sword hunt's orders was "limited" to the country-side peasantry, and in any case was two decade's after Yasuke's time under Nobunaga. Besides, the word used by the translation of Luis Frois' report is katana.
Source

[C] "He was only a page/squire/retainer (whatever)"

[R]

No, but they were a social class of their own, and the distinction was enough that we have specific mention of ashigaru (who were not part of the samurai class until the Edo period) being raised to the samurai class.
A 小姓 (page/squire/aide/bodyguard) was a full samurai. FYI no source say Yasuke was actually a 小姓, which was a specific job title. The assumption is if he really was a weapons-bearer, as supposedly recorded in the Maeda Clan version of the Chronicles of Lord Nobunaga, he would most likely be a 小姓. Unfortunately the relevant dates of the Maeda Clan version is not available on the National Archives of Japan Digital Archives so I can't check, but I don't have a reason to doubt it.
As for the report Luis Frois uses, if I remember correctly it describes the sword given to Yasuke as a ‘short ceremonial katana’ implying, to me at least, that it was a wakizashi as you have to question whether a foreign priest would see much difference beyond their length. Again, there is room for disagreement.
Frois says no such thing. Most likely you remember wikipedia (cough) which record that in Maeda Clan version of the Chronicles of Lord Nobunaga, Yasuke was given a koshigatana (just another name for wakizashi, not sure who translated it as "short, ceremonial katana" in English) during his first meeting with Nobunaga in spring of 1581.
I already linked and translated the relevant section of Luis Frois' letter in the thread above. Even in the original Portuguese Frois uses the term katana (spelled cataná).
Source

[Misc] First Breakdown of the History about Yasuke (and why he was a Samurai)

Here are all the written accounts of Yasuke I can find. Bare with me because all of them I'm translating from Japanese:
Chronicles of Lord Nobunaga (Shinchōkōki):
2nd Month 23rd Day [March 27, 1581]. A black monk* came from the Christian countries. He looks about 26-7 of age and his entire body black as a cow. He's body is really well-built, and furthermore has the strength of over ten men. The padre brought him here to see Lord Nobunaga. I'm really grateful to be able to see such rare things among the three countries that's never been seen before, and in in such detail, all thanks to Lord Nobunaga's great influence.
*Wiki's translation use "page" but it's probably wrong. In this case Ōta Gyūichi probably mean shaved/hairless.
Letter from Luis Frois, April 14, 1581:
The Monday after Easter, Nobunaga was in the capital, but a great number of people gathered in front of our casa to see the cafre [black slave], creating such a ruckus that people were hurt and almost died from thrown rocks. Even though we had lots of guards at the gates, it was difficult holding people back from breaking it down. They all say if we showed for money, one would easily earn in a short time 8,000 to 10,000 cruzado. Nobunaga also wanted to see him, and so sent for him, so Padre Organtino brought him. With great fuss, he couldn't believe this was the natural colour and not by human means, so ordered him to take off all his clothes above his belt. Nobunaga's sons also called him over, and everyone was very happy. Nobunaga's nephew the current commander of Ōsaka also saw this and was so happy he gave him 10,000 coins.
Letter from Lorenzo Mesia, October 8, 1581:
The padre brought one cafre with him, and no one in the capital has see before, and they all admired him, and countless people came to see him. Nobunaga himself saw him and was surprised, and thought it was painted with ink and did not believe he was black from birth. He see him from time to time, and he knew some Japanese, so he never got tired of talking to him, and he was strong and knew some tricks so Nobunaga was very happy. Now he's his strong patron, and to let everyone know he has has a someone show go with him around the city. The people say Nobunaga would make him a tono*.
*Japanese word for lord or sir.
Matsudaira Ietada's Diary, Tenshō 10, fourth month:
Nineteenth [May 11, 1582], day of Teibi. Raining. His highness gave him a stipend. They say deus [the Jesuits] presented him. He had the black man with him. His body was black like ink, 6.2 feet tall. They say his name's Yasuke.
Luis Frois' report to Jesuit Society, November 5, 1582:
And the cafre the Visitador [Alessandro Valignano] gave to Nobunaga on his request, after his death went to the mansion of his heir and fought there for a long time, but when one of Akechi's vassals got close and asked him give up his sword, he handed it over. The vassals went and asked Akechi what to do with the cafre, he said the cafre is like an animal and knows nothing, and he's not Japanese so don't kill him and give him to the church of the Indian padre. With this we were a bit relieved.
So all we know about him is that he was probably the first African in central Japan, and aroused great interest from all the Japanese. He was big, healthy, strong, knew some performance tricks, and learned some Japanese. He was a slave of the Jesuits, but Nobunaga took a liking to him and the Jesuits gave him to Nobunaga. Nobunaga liked him so much he was given a stipend, so he was definitely made a samurai. After Nobunaga's death at Honnōji, he went to Nijō Castle to protect Oda Nobutada, and fought bravely. But it was for naught, and he was captured and handed over to the Jesuits. Nothing else is known about him.
One other textual reference to Africans in Japan exist. In Luis Frois' History of Japan he recorded another cafre and one from Malabar (India) working the two cannons on Arima clan's ship, with one loading and one igniting.
Otherwise there are pictorial evidence of Africans in Japan.
This is a painting of one in a sumo match who may or may not be Yasuke.
A couple of paintings here and here suggest that unlike central Japan, Africans as slaves seems not that rare in the trading ports, probably Hirado or Nagasaki.
EDIT: For those interested, the relevant section of the Jesuits' letters in the original Portuguese are below:

TL;DR

[C] 'A stipend could've been given to anyone'
[R] In the Chronicles of Oda Nobunaga by Ōta Gyūichi the usage of the word stipend (specifically 扶持) has ALWAYS been used in the context of either giving it to samurai, some of whom were incredibly high ranked, or used in the context of hiring samurai or samurai’s salary.
.
[Q] 'Is "samurai" a title in the way that High Middle Ages knighthood was? I.e. you formally take part in an accolade and are dubbed "knight," or is it more fluid than that?'
[A] It was fluid because in that time period anyone who "1) went to war armed and ready to fight and 2) either a) awarded/inherited an estate with enough income capable of supporting at least a family plus hire follower(s) for war, b) paid a stipend which was "permanent" (as in not just for the duration of the task) of about that value, or c) had enough property to be some sort of community leader so could be called upon for war often with follower(s)" was considered a Samurai.
.
[C] "Yasuke is just an irrelevant character not worth mentioning with few historical records"
[R] He is better documented than anybody else of his rank during the Sengoku period.
.
[Q] "In how many battles has Yasuke fought?"
[A] We don't know in how many battles he has actually fought.
.
[C] "Having a fief is required for a Samurai"
[R] No, it wasn't. A payment or stipend was enough to be considered a Samurai.
.
[C] "He was only a page/squire/retainer (whatever)"
[R] Even if he was, a 小姓 (page/squire/aide/bodyguard) was a full samurai.

Conclusion

AskHistorians Moderator
https://preview.redd.it/q4btyylk101d1.png?width=953&format=png&auto=webp&s=f426a78501904d6b79a7ef0d1268f695deb4626e
Source
And as u/ParallelPain previously said already "If you've read all my posts and links on Yasuke and still don't believe Yasuke was a samurai, then you either a) prefer to believe your own bias over historical research or b) should post an academic level publication from a PhD level researcher arguing Yasuke wasn't a samurai so I could read it."
Source (at the end)
Share/repost this in all reddits, so people can stop complaining. Also, if anything is broken, I'm going to fix it, but Reddit keeps messing the formatting up.
submitted by DustinReturns to assassinscreed [link] [comments]


2024.05.17 08:37 Consistent-Order-210 This item was donated to a local historical society and no one is quite sure what it is. It was found at the site of a nineteenth century brewery, but not sure if from that or from a later date and not connected to the brewery at all.

This item was donated to a local historical society and no one is quite sure what it is. It was found at the site of a nineteenth century brewery, but not sure if from that or from a later date and not connected to the brewery at all. submitted by Consistent-Order-210 to Whatisthis [link] [comments]


2024.05.17 07:53 NaskaydianCosmist EVROPA

EVROPA
"It is necessary that European culture cleanse itself of the residues of the materialistic, economistic, rationalistic and egalitarian conceptions of the nineteenth century. In its second stage, the renewed unity of Europe as civilisation or culture will have to find expression in a related political unity, to be pursued even at the cost of civil wars and of struggles against the powers which want to maintain Europe under their own control." - Julius Evola
submitted by NaskaydianCosmist to EsotericAriosophy [link] [comments]


2024.05.17 01:21 onewatt Joseph Smith's Efforts to Avoid Jail Helped Create Our Modern Standards of Extradition and Jurisdiction - Standards That Protect the Innocent From the Same Injustices Joseph Endured.

Ever wonder why Joseph & his friends had to sit in Liberty Jail for MONTHS during the winter when they hadn't been convicted of a crime?
Turns out in the 1800s, most courts only operated twice per year. So when Joseph was arrested in November, he was stuck in a jail and had no trial, no hearings, no options, until court was back in session in the following spring.
And remember, this incarceration kicked off the "Extermination Order" of Governor Boggs, which sought to exterminate or expel all Mormons from the state of Missouri. So while Joseph and other leaders are in jail they are getting reports of intense suffering endured by the saints. Beatings, rape, murder, robbery, and the worst kinds of abuse. All with no options. No rights. Just the power of the governor keeping you locked in a tiny cell because the courts can't be bothered to deal with you right now.
Man, oh man, Governor Boggs hated the Mormons. Especially Joseph Smith.
Finally, in April, Just before a trial would have to begin, Joseph was allowed to escape. Almost as if they knew they had nothing that would stick, but they could inflict 6 months of unjust imprisonment on them.
But Boggs didn't like that. He was more of a "kick out all the Mormons, but also throw them all in jail" kind of guy. He demanded Illinois arrest and extradite Joseph and others to be jailed again and face more charges. Luckily, a court found that the warrant was deficient. The saints managed to settle in Nauvoo, and Boggs was soon done as governor of Missouri.
But then someone tried to kill Boggs.
Neighbors identified somebody named Tompkins, but opponents of the church quickly asserted it must have been a Mormon, trying to get revenge.
With hostile forces gathering, Saints figured that Boggs would soon try to arrest Latter-day Saints again - even though they were now in Illinois. How to defend yourself from the power of a corrupt former governor, or illegal orders from your own governor? The saints came up with a novel idea. They created a city ordinance that allowed the municipal court to essentially examine any extradition requests, whether federal, state, or city based, under the common law of Habeas Corpus
Around that time, John C. Bennett sent letters to newspapers claiming Joseph Smith hired Orrin Porter Rockwell to assassinate Boggs.
Now with a story he could use, Boggs went to a justice of the peace to swear an affidavit that Rockwell was the shooter, and that Joseph Smith was an accessory to the attempted murder, citing "evidence and information" in his possession. (But not saying what that evidence or information was.) He used this affidavit to convince the new Missouri governor, Thomas Reynolds, to initiate the extradition process to try and bring Joseph back to the state where people were so hostile to Mormons that the jails would only release Mormon prisoners in the middle of the night due to attacks by mobs.
Receiving the demand from Missouri, Illinois governor Thomas Carlin went ahead and issued warrants without any pushback, and JS and Rockwell were arrested in Nauvoo. The two prisoners exercised their right for habeas corpus under the Nauvoo ordinance.
That stalled the arrest long enough for Joseph to enact a backup plan and reach out to the county court for the writ of habeas corpus, which was also granted.
Well now we have a pickle. We have two governors, three states (Iowa later got involved), a city marshal, a municipal court, a county court, a county constable, a sheriff, an agent of the Missouri government all barking at each other about who has authority, who can arrest who, and the rights of the accused never really given fair consideration. Looking to skip over annoying questions of law and jurisdiction, rewards were offered by the governors of Missouri and Illinois for the capture of JS and Rockwell. Mobs arrived in Nauvoo to hunt them down. For months this went on, with Joseph being shifted around from home to home to try and avoid the people who would forcibly take him to Missouri despite the writ of habeas corpus, and no higher power willing to actually look at the legality of the extradition order, or the right of Nauvoo to intercede. Things were bleak. It was like the worst days of Missouri had come again.
Really, Joseph had 2 options: submit to arrest and jail in Missouri (he knew what that was like, and rightly feared the abuses he would certainly suffer again there), or else hide until some court or government outside of mob control finally paid attention. I don't blame him one bit for choosing to hide!
A few months pass and in 1842, a former Illinois state supreme court justice was elected governor of Illinois, and the saints thought maybe they had an opening to get justice. A delegation was sent to speak with him and the US Attorney for the district of Illinois. When the US Attorney heard the details he immediately said the extradition order was illegal and requested Joseph come to Springfield to be heard before the U.S. district court - a court with Federal authority.
But how do you get Joseph to Springfield without one of these mobs or lawmen jumping him and dragging him to Missouri for that cash reward? You get the Nauvoo Legion to arrest him and escort the prisoner themselves. :D
On arriving in Springfield, hostile county officials at first refused to provide a copy of the warrant, knowing it was going to be challenged. So the Governor's office provided one and submitted the case to the district court.
Crazy arguments were made on both sides, with people arguing about jurisdiction, residency, and the facts of the alleged crime itself. Stuff that doesn't really happen today, but was common back then.
The Judge said, in essence, "Since extradition is between two states, it MUST be a federal issue and therefore heard by a federal court. (Sorry Nauvoo.) And furthermore, A governor can't just demand another state arrest somebody and send them over. The alleged criminal has to have committed a crime in that state, then ran away to another state. Joseph Smith didn't do that, so too bad, Missouri."
This ruling helped establish precedent in American extradition law, making it clear that you can't just demand somebody be extradited, even if you're a governor.
https://www.josephsmithpapers.org/paper-summary/introduction-to-extradition-of-js-for-accessory-to-assault/1#11046207362051668990
https://rsc.byu.edu/vol-16-no-1-2015/they-pursue-me-without-cause-joseph-smith-hiding-dc-127-128
https://byustudies.byu.edu/article/habeas-corpus-in-early-nineteenth-century-mormonism-joseph-smiths-legal-bulwark-for-personal-freedom/
Bennett and the state of Missouri would try one more time, and fail again, to extradite Joseph Smith. After which the state of Illinois would be the next source of charges against Joseph, including the charges that led to Carthage Jail.
submitted by onewatt to latterdaysaints [link] [comments]


2024.05.16 19:21 IrinaSophia Holy New Martyr Vukasin of Klepci (+ 1943) (May 16th)

Vukasin of Klepci was a Serbian Orthodox Christian from Herzegovina who was martyred by fascists during World War II for refusing to acknowledge the Ustashi leader.
Little is known about the life of Vukasin Mandrapa before his martyrdom, except that he was a farmer and merchant. What is known about him is from the events resulting in his martyrdom. He was born in the village of Klepci, in Herzegovina, towards the end of the nineteenth century. He and his family lived in Sarajevo and then returned to Klepci. At the beginning of World War II, in 1942, members of the Croatian fascist Ustasas arrested him and transported him, together with other Serbs of that region, into the notorious concentration camp of Jasenovac (the number of victims at this camp have been estimated to be 700,000), for both their Serbian ethnicity and for refusing to convert from Serbian Orthodox Christianity to Roman Catholicism. At least two nephews of his are said to have died in Jasenovac before he did.
After horrible days full of hard labor, in January of 1943 Vukasin was brought before an Ustashi soldier, Josep "Zile" Friganovic, who threatened to execute him due to his stoic behavior during the forced labor days and a contest of four soldiers one night as to who could slaughter the most prisoners, but who said he would spare his life if Vukasin cried loudly: "Long live Ante Pavelic!" Ante Pavelic was the leader of the Ustashi. Vukasin, who saw a knife in the hands of the soldier, replied calmly: "My child, you do what you must,"* and refused to obey the soldier`s request. The Ustashi soldier brandished his knife and cut off Vukasin's ear. The soldier then repeated his request. Vukasin repeated his answer. The soldier then cut off Vukasin's other ear, followed by his nose, and then scarred Vukasin's face. Next his tongue was cut. After repeating the request to Vukasin to utter the vicious words and hail the leader of the Ustashi (Ante Pavelic), Vukasin once again calmly replied: "My child, you do what you must." After gouging out his heart and slitting his throat, Friganovic is said to have been unable to kill more people that night, fallen into alcoholism, and years later he confessed this to a doctor named Nedelko Nedo Zets, who wrote it down. This testimony would be used later to make Vukasin Mandrapa a saint.
At the regular session of the Holy Assembly of Bishops of the Serbian Orthodox Church in 1998, Vukasin, from the village of Klepci, was entered into the List of Saints of the Serbian Orthodox Church as a courageous martyr. His feast day is May 16.
Source
submitted by IrinaSophia to OrthodoxGreece [link] [comments]


2024.05.16 19:20 IrinaSophia Holy New Martyr Vukasin of Klepci (+ 1943) (May 16th)

Vukasin of Klepci was a Serbian Orthodox Christian from Herzegovina who was martyred by fascists during World War II for refusing to acknowledge the Ustashi leader.
Little is known about the life of Vukasin Mandrapa before his martyrdom, except that he was a farmer and merchant. What is known about him is from the events resulting in his martyrdom. He was born in the village of Klepci, in Herzegovina, towards the end of the nineteenth century. He and his family lived in Sarajevo and then returned to Klepci. At the beginning of World War II, in 1942, members of the Croatian fascist Ustasas arrested him and transported him, together with other Serbs of that region, into the notorious concentration camp of Jasenovac (the number of victims at this camp have been estimated to be 700,000), for both their Serbian ethnicity and for refusing to convert from Serbian Orthodox Christianity to Roman Catholicism. At least two nephews of his are said to have died in Jasenovac before he did.
After horrible days full of hard labor, in January of 1943 Vukasin was brought before an Ustashi soldier, Josep "Zile" Friganovic, who threatened to execute him due to his stoic behavior during the forced labor days and a contest of four soldiers one night as to who could slaughter the most prisoners, but who said he would spare his life if Vukasin cried loudly: "Long live Ante Pavelic!" Ante Pavelic was the leader of the Ustashi. Vukasin, who saw a knife in the hands of the soldier, replied calmly: "My child, you do what you must,"* and refused to obey the soldier`s request. The Ustashi soldier brandished his knife and cut off Vukasin's ear. The soldier then repeated his request. Vukasin repeated his answer. The soldier then cut off Vukasin's other ear, followed by his nose, and then scarred Vukasin's face. Next his tongue was cut. After repeating the request to Vukasin to utter the vicious words and hail the leader of the Ustashi (Ante Pavelic), Vukasin once again calmly replied: "My child, you do what you must." After gouging out his heart and slitting his throat, Friganovic is said to have been unable to kill more people that night, fallen into alcoholism, and years later he confessed this to a doctor named Nedelko Nedo Zets, who wrote it down. This testimony would be used later to make Vukasin Mandrapa a saint.
At the regular session of the Holy Assembly of Bishops of the Serbian Orthodox Church in 1998, Vukasin, from the village of Klepci, was entered into the List of Saints of the Serbian Orthodox Church as a courageous martyr. His feast day is May 16.
Source
submitted by IrinaSophia to OrthodoxChristianity [link] [comments]


2024.05.16 15:42 mouthofxenu Primarch Names and Etymologies; Part 1 (I-II)

I am blown away by how much this sub and interest in a female-centric version of Warhammer 40k has become in the last week or so. You’re all amazing!
A few months ago, I had some ideas for a noblebright version of 40k where the primarchs and Emperor were female. The inspiration was cnmbwjx’s incredible art, which I am pleased to see has inspired many of you as well. I considered creating feminine versions of the primarchs’ names and came up with a list. I figure this might be a good time to share it along with my thought process behind them.
Before we begin, this is in no way an attempt to derail anyone’s canon. I have seen several names on this sub that I think are better than what I came up with. I also think there is something to be said for using the original primarchs’ names if that is your preference. Girls don’t have to have “girl names” after all~
Feel free to use these or not. I just wanted to share because I think my thoughts on the origins of the original names and ways to play with them could help others to come up with their own takes on these characters.
This is going to be a very large info dump, so I’m going to divide this thread into multiple threads released daily (hopefully). Some of the names require lengthy discussions (brace yourselves for Konrad Curze) while others require relatively little. I will go through the list according to the numbered order of the primarchs. I think about two primarchs per day will work.
Part 2 (III-IV): https://www.reddit.com/PrimarchGFs/comments/1cttrb4/primarch_names_and_etymologies_part_2_iiiiv/
Part 3 (V-VI): https://www.reddit.com/PrimarchGFs/comments/1culiut/primarch_names_and_etymologies_part_3_vvi/
Part 4 (VII-VIII): https://www.reddit.com/PrimarchGFs/comments/1cvdtpq/primarch_names_and_etymologies_part_4_viiviii/
My goal was to come up with satisfying names that stay true to the original names and their meanings / inspirations as possible. Where that was not possible or seemed to produce an unsatisfactory result, I afforded myself more creative liberties to try and capture the themes of the character and the sound of the original name.
I preserved alliteration with the all but one of the original names. I left surnames unchanged.
The majority of my posts will be an analysis of the original primarch names and an explanation of my reasoning for my feminine twist on them. It is my hope these explanations will assist others in their creative processes.
I have also included my suggested pronunciations for the names I think have unclear pronunciations. I did not use IPA phonetic notation because I do not think it is accessible for a casual reader since it requires using a reference list for the symbols. I instead use approximations of English syllables. Please let me know if any are unclear.
Several of these explanations may be straightforward to English-speakers and those familiar with 40k lore, but I think a detailed explanation is more inclusive. I have a feeling this sub will introduce many people to 40k that wouldn’t otherwise get into the official setting, so I want to help make your lore journeys easier.
Finally, I relied on Wiktionary and Wikipedia in researching the etymologies here. I am aware these are not ideals sources, but they’re the best I can do because of my work life. I would appreciate any corrections and supporting evidence. I certainly discovered some issues in my initial research going back through this list.
I: Lioness El’Jonson (Lion El’Jonson):
A lioness is a female lion, so I felt compelled to stick to that. However, Lion El’Jonson is one of the cleverer primarch names.
It’s a reference to Lionel Johnson, a nineteenth-century English poet who was both a devout Catholic and a gay man. Lionel was at war with his own identity, which led him to write the poem “The Dark Angel.” The poem is an expression of forbidden desire and the torment of keeping secrets while trying to stay loyal to a higher power that you believe will condemn you if it found out who you really are. Sounds just like the Dark Angels space marine chapter with their secret shame over something that wasn’t their fault.
While Lioness loses this literary reference, I do feel that valor and fierceness are much more a part of Lion’s character than the secretiveness of his chapter. Therefore, I stuck with referencing the animal, which is synonymous with themes of ferocity and bravery.
II: REDACTED: SIGILLITE-LEVEL AUTHORIZATION REQUIRED.
A mind without purpose will wander in dark places
Feel free to leave a comment on these submissions and this project generally. I look forward to sharing more with you next time~
submitted by mouthofxenu to PrimarchGFs [link] [comments]


2024.05.16 05:06 MirkWorks Excerpt from The Culture of Narcissism by Christopher Lasch (Changing Modes of Making It: From Horatio Alger to the Happy Hooker)

III. Changing Modes of Making It: From Horatio Alger to the Happy Hooker

From “Self-Culture” to Self-Promotion through “Winning Images”
In the nineteenth century, the ideal of self-improvement degenerated into a cult of compulsive industry. P.T. Barnum, who made a fortune in a calling the very nature of which the Puritans would have condemned (“Every calling, whereby God will be Dishonored; every Calling whereby none but the Lusts of men are Nourished: …every such Calling is to be Rejected”), delivered many times a lecture frankly entitled “The Art of Money-Getting,” which epitomized the nineteenth-century conception of worldly success. Barnum quoted freely from Franklin but without Franklin’s concern for the attainment of wisdom or the promotion of useful knowledge. “Information” interested Barnum merely as a means of mastering the market. Thus he condemned the “false economy” of the farm wife who douses her candle at dusk rather than lighting another for reading, not realizing that the “information” gained through reading is worth far more than the price of the candles. “Always take a trustworthy newspaper,” Barnum advised young men on the make, “and thus keep thoroughly posted in regard to the transactions of the world. He who is without a newspaper is cut off from his species.”
Barnum valued the good opinion of others not as a sign of one’s usefulness but as a means of getting credit. “Uncompromising integrity of character is invaluable.” The nineteenth century attempted to express all values in monetary terms. Everything had its price. Charity was a moral duty because “the liberal man will command patronage, which the sordid, uncharitable miser will be avoided.” The sin of pride was not that it offended God but that it led to extravagant expenditures. “A spirit of pride and vanity, when permitted to have full sway, is the undying cankerworm which gnaws the very vitals of a man’s worldly possessions.”
The eighteenth century made a virtue of temperance but did not condemn moderate indulgence in the service of sociability. “Rational conversation,” on the contrary, appeared to Franklin and his contemporaries to represent an important value in its own right. The nineteenth century condemned sociability itself, on the grounds that it might interfere with business. “How many good opportunities have passed, never to return, while a man was sipping a ‘social glass’ with his friends!” Preachments on self-help now breathed the spirit of compulsive enterprise. Henry Ward Beecher defined “the beau ideal of happiness” as a state of mind in which “a man [is] so busy that he does not know whether he is or is not happy.” Russell Sage remarked that “work has been the chied, and you might say, the only source of pleasure in my life.”
Even at the height of the Gilded Age, however, the Protestant ethic did not completely lose its original meaning. In the success manuals, the McGuffey readers, the Peter Parley Books, and the hortatory writings of the great capitalists themselves, the Protestant virtues - industry, thrift, temperance - still appeared not merely as stepping-stones to success but as their own reward.
The spirit of self-improvement lived on, in debased form, in the cult of “self-culture” - proper care and training of mind and body, nurture of the mind through “great books,” development of “character.” The social contribution of individual accumulation still survived as an undercurrent in the celebration of success, and the social conditions of early industrial capitalism, in which the pursuit of wealth undeniably increased the supply of useful objects, gave some substance to the claim that “accumulated capital means progress.” In condemning speculation and extravagance, in upholding the importance of patient industry, in urging young men to start at the bottom and submit to “the discipline of daily life,” even the most unabashed exponents of self-enrichment clung to the notion that wealth derives its value from its contribution to the general good and to the happiness of future generations.
The nineteenth-century cult of success placed surprisingly little emphasis on competition. It measured achievement not against the achievements of others but against an abstract ideal of discipline and self-denial. At the turn of the century, however, preachments on success began to stress the will to win. The bureaucratization of the corporate career changed the conditions of self-advancement; ambitious young men now had to compete with their peers for the attention and approval of their superiors. The struggle to surpass the previous generation and to provide for the next gave way to a form of sibling rivalry, in which men of approximately equal abilities jostled against each other in competition for a limited number of places. Advancement now depended on “will-power, self-confidence, energy, and initiative” - the qualities celebrated in such exemplary writings as George Lorimer’s Letters from a Self-Made Merchant to His Son. ” By the end of the nineteenth century,” writes John Cawelti in his study of the success myth, “self-help books were dominated by the ethos of sales-manship and boosterism. Personal magnetism, a quality which supposedly enabled a man to influence and dominate others, became one of the major keys to success.” In 1907, both Lorimer’s Saturday Evening Post and Orison Swett Marden’s Success magazine inaugurated departments of instruction in the “art of conversation,” fashion, and “culture.” The management of interpersonal relations came to be seen as the essence of self-advancement. The captain of industry gave way to the confidence man, the master of impressions. Young men were told that they had to sell themselves in order to succeed.
At first, self-testing through competition remained almost in-distinguishable from moral self-discipline and self-culture, but the difference became unmistakable when Dale Carnegie and then Norman Vincent Peale restated and transformed the tradition of Mather, Franklin, Barnum, and Lorimer. As a formula for success, winning friends and influencing people had little in common with industry and thrift. The prophets of positive thinking disparaged “the old adage that hard work alone is the magic key that will unlock the door to our desires.” They praised the love of money, officially condemned even by the crudest of Gilded Age materialists, as a useful incentive. “You can never have riches in great quantities,” wrote Napoleon Hill in this Think and Grow Rich,” unless you can work yourself into a white heat of desire for money.” The pursuit of wealth lost the few shreds of moral meaning that still clung to it. Formerly the Protestant virtues appeared to have an independent value of their own. Even when they became purely instrumental, in the second half of the nineteenth century, success itself retained moral and social overtones, by virtue of its contribution to the sum of human comfort and progress. Now success appeared as an end in its own right, the victory over your competitors that alone retained the capacity to instill a sense of self-approval. The latest success manuals differ from earlier ones - even surpassing the cynicism of Dale Carnegie and Peale - in their frank acceptance of the need to exploit and intimidate others, in their lack of interest in the substance of success, and in the candor with which they insist that appearances - “winning images - count for more than performance, ascription for more than achievement. One author seems to imply that the self consists of little more than its “image” reflected in others’ eyes. “Although I’m not being original when I say it, I’m sure you’ll agree that the way you see yourself will reflect the image you portray to others.” Nothing succeeds like the appearance of success.
<The American Religion by Harold Bloom (California Orphism)>
The Apotheosis of Individualism
The fear that haunted the social critics and theorists of the fifties - that rugged individualism had succumbed to conformity and “love-pressure sociability” - appears in retrospect to have been premature. In 1960, David Riesman complained that young people no longer had much social “presence,” their education having provided them not with “a polished personality but [with] an affable, casual, adaptable one, suitable to the losing organizations of an affluent society.” It is true that “a present-oriented hedonism,” as Riseman went on the argue, has replaced the work ethic “among the very classes which in the earlier stages of industrialization were oriented toward the future, toward distant goals and delayed gratification.” But this hedonism is a fraud; the pursuit of pleasure disguises a struggle for power. Americans have not really become more sociable and cooperative, as the theorists of other-direction and conformity would like us to believe; they have merely become more adept at exploiting the conventions of interpersonal relations for their own benefit. Activities ostensibly undertaken purely for enjoyment often have the real object of doing others in. It is symptomatic of the underlying tenor of American life that vulgar terms for sexual intercourse also convey the sense of getting the better of someone, working him over, taking him in, imposing your will through guile, deception, or superior force. Verbs associated with sexual pleasure have acquired more than the usual overtones of violence and psychic exploitation. In the violent world of the ghetto, the language of which now pervades American society as a whole, the violence associated with sexual intercourse is directed with special intensity by men against women, specifically against their mothers. The language of ritualized aggression and abuse reminds those who use it that exploitation is the general rule and some form of dependence the common fate, that “the individual,” in Lee Rainwater’s words, “is not strong enough or adult enough to achieve his goal in a legitimate way, but is rather like a child, dependent on others who tolerate his childish maneuvers”; accordingly males, even adult males, often depend on women for support and nurture. Many of them have to pimp for a living, ingratiating themselves with a woman in order to pry money from her; sexual relations thus become manipulative and predatory. Satisfaction depends on taking what you want instead of waiting for what is rightfully yours to receive. All this enters everyday speech in language that connects sex with aggression and sexual aggression with highly ambivalent feelings about mothers.
In some ways middle-class society has become a pale copy of the black ghetto, as the appropriation of its language would lead us to believe. We do not need to minimize the poverty of the ghetto or the suffering inflicted by whites on blacks in order to see that the increasingly dangerous and unpredictable conditions of middle-class life have given rise to similar strategies for survival. Indeed the attraction of black culture for disaffected whites suggests that black culture now speaks to a general condition, the most important feature of which is a widespread loss of confidence in the future. The poor have always had to live for the present, but now a desperate concern for personal survival, sometimes disguised as hedonism, engulfs the middle class as well. Today almost everyone lives in a dangerous world from which there is little escape. International terrorism and blackmail, bombings, and hijackings arbitrarily affect the rich and poor alike. Crime, violence, and gang wars make cities unsafe and threaten to spread to the suburbs. Racial violence on the streets and in the schools creates an atmosphere of chronic tension and threatens to erupt at any time into full-scale racial conflict. Unemployment spreads from the poor the white-collar class, while inflation eats away the savings of those who hoped to retire in comfort. Much of what is euphemistically known as the middle class, merely because it dresses up to go to work, is now reduced to proletarian conditions of existence. Many white-collar jobs require no more skill and pay even less than blue-collar jobs, conferring little status or security. The propaganda of death and destruction, emanating ceaselessly from the mass media, adds to the prevailing atmosphere of insecurity. Far-flung famines, earthquakes in remote regions, distant wars and uprisings attract the same attention as events closer to home. The impression of arbitrariness in the reporting of disaster reinforces the arbitrary quality of experience itself, and the absence of continuity in the coverage of events, as today’s crisis yields to a new and unrelated crisis tomorrow, adds to the sense of historical discontinuity - the sense of living in a world in which the past holds out no guidance to the present and the future has become completely unpredictable.
Older conceptions of success presupposed a world in rapid motion, in which fortunes were rapidly won and lost and new opportunities unfolded every day. Yet they also presupposed a certain stability, a future that bore some recognizable resemblance to the present and the past. The growth of bureaucracy, the cult of consumption with its immediate gratifications, but above all the severance of the sense of historical continuity have transformed the Protestant ethic while carrying the underlying principles of capitalist society to their logical conclusion . The pursuit of self-interest, formerly identified with the rational pursuit of gain and the accumulation of wealth, has become a search for pleasure and psychic survival. Social conditions now approximate the vision of republican society conceived by the Marquis de Sade at the very outset of the republican epoch. In many ways the most farsighted and certainly the most disturbing of the prophets of revolutionary individualism, Sade defended unlimited self-indulgence as the logical culmination of the revolution in property relations - the only way to attain revolutionary brotherhood in its purest form. By regressing in his writings to the most primitive level of fantasy, Sade uncannily glimpsed the whole subsequent development of personal life under capitalism, ending not in revolutionary brotherhood but in a society of siblings that has outlived and repudiated its revolutionary origins.
Sade imagined a sexual utopia in which everyone has the right to everyone else, where human beings, reduced to their sexual organs, become absolutely anonymous and interchangeable. His ideal society thus reaffirmed the capitalist principle that human beings are ultimately reducible to interchangeable objects. It also incorporated and carried to a surprising new conclusion Hobbes’s discovery that the destruction of paternalism and the subordination of all social relations to the market had stripped away the remaining restraints and the mitigating illusions from the war of all against all. In the resulting state of organized anarchy, as Sade was the first to realize, pleasure becomes life’s only business - pleasure, however, that is indistinguishable from rape, murder, unbridled aggression. In a society that has reduced reason to mere calculation, reason can impose no limits on the pursuit of pleasure - on the immediate gratification of every desire no matter how perverse, insane, criminal, or merely immoral. For the standards that would condemn crime or cruelty derive from religion, compassion, or the kind of reason that rejects purely instrumental applications; and none of these outmoded forms of thought or feeling has any logical place in a society based on commodity production. In his misogyny, Sade perceived that bourgeois enlightenment, carried to its logical conclusions, condemned even the sentimental cult of womanhood and the family, which the bourgeoisie itself had carried to unprecedented extremes.
At the same time, he saw that condemnation of “woman-worship” had to go hand in hand with a defense of woman’s sexual rights - their right to dispose of their own bodies, as feminists would put it today. If the exercise of that right in Sade’s utopia boils down to the duty to become an instrument of someone else’s pleasure, it was not so much because Sade hated women as because he hated humanity. He perceived, more clearly than the feminists, that all freedoms under capitalism come in the end to the same thing, the same universal obligation to enjoy and be enjoyed. In the same breath, and without violating his own logic, Sade demanded for women the right “fully to satisfy all their desires” and “all parts of their bodies” and categorically stated that “all women must submit to our pleasure.” Pure individualism thus issued in the most radical repudiation of individuality. “All men, all women resemble each other,” according to Sade; and to those of his countrymen who would become republicans he adds this ominous warning: “Do not think you can make good republicans so long as you isolated in their families the children who should belong to the republic alone.” The bourgeois defense of privacy culminates - not just in Sade’s thought but in the history to come, so accurately foreshadowed in the very excess, madness, infantilism of his ideas - in the most thoroughgoing attack on privacy; the glorification of the individual, in his annihilation.
<…>
Standing-Reserve.
Note a lack of the “Greek” in Lasch.
Visions of Excess: Selected Writings, 1927-1939 by Georges Bataille, Edited by A. Stoekl, Translated by A. Stoekl, C.R. Lovitt, and D.M. Leslie Jr.
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2024.05.16 05:04 MirkWorks Excerpt from The Culture of Narcissism by Christopher Lasch (The Narcissistic Personality of Our Time Continuation)

II. The Narcissistic Personality of Our Time
...
Social Influences on Narcissism
Every age develops its own peculiar forms of pathology, which express in exaggerated form its underlying character structure. In Freud’s time, hysteria and obsessional neurosis carried to extremes the personality traits associated with the capitalist order at an earlier stage in its development - acquisitiveness, fanatical devotion to work, and a fierce repression of sexuality. In our time, the preschizophrenic, borderline, or personality disorders have attracted increasing attention, along with schizophrenia itself. This “change in the form of neuroses has been observed and described since World War II by an ever-increasing number of psychiatrists.” According to Peter L. Giovacchini, “Clinicians are constantly faced with the seemingly increasing number of patients who do not fit current diagnostic categories” and who suffer not from “definitive symptoms” but from “vague, ill-defined complaints.” “When I refer to ‘this type of patient,’” he writes, “practically everyone knows to whom I am referring.” The growing prominence of “character disorders” seems to signify an underlying change in the organization of personality, from what has been called inner-direction to narcissism.
Allen Wheelis argued in 1958 that the change in the “patterns of neuroses” fell “within the personal experience of older psychoanalysts,” while younger ones “become aware of it from the discrepancy between the older descriptions of neuroses and the problems presented by the patients who come daily to their offices. The change is from symptom neuroses to character disorders.” Heinz Lichtenstein, who questioned the additional assertion that it reflected a change in personality structure, nevertheless wrote in 1963 that the “change in neurotic patterns” already constituted a “well-known fact.” In the seventies, such reports have become increasingly common. “It is not accident,” Herbert Hendin notes, “that at the present time the dominant events in psychoanalysis are the rediscovery of narcissism and the new emphasis on the psychological significance of death.” “What hysteria and the obsessive neuroses were to Freud and his early colleagues…at the beginning of this century,” writes Michael Beldoch, “the narcissistic disorders are to the workaday analyst in these last few decades before the next millennium. Today’s patients by and large do not suffer from hysterical paralyses of the legs or hand-washing compulsions; instead it is their very psychic selves that have gone numb or that they must scrub and rescrub in an exhausting and unending effort to come clean.” These patients suffer from “pervasive feelings of emptiness and a deep disturbance of self-esteem.” Burness E. Moore notes that narcissistic disorders have become more and more common. According to Sheldon Bach, “You used to see people coming in with hand-washing compulsions, phobias, and familiar neuroses. Now you see mostly narcissists.” Gilbert J. Rose maintains that the psychoanalytic outlook, “inappropriately transplanted from analytic practice” to everyday life, has contributed to “global permissiveness” and the “over-domestication of instinct,” which in turn contributes to the proliferation of “narcissistic identity disorders.” According to Joel Kovel, the stimulation of infantile cravings by advertising, the usurpation of parental authority by the media and the school, and the rationalization of inner life accompanied by the false promise of personal fulfillment, have created a new type of “social individual.” “The result is not the classical neuroses where an infantile impulse is suppressed by patriarchal authority, but a modern version in which impulse is stimulated, perverted and given neither an adequate object upon which to satisfy itself nor coherent forms of control…. The entire complex, played out in a setting of alienation rather than direct control, loses the classical form of symptom - and the classical therapeutic opportunity of simply restoring an impulse to consciousness.”
The reported increase in the number of narcissistic patients does not necessarily indicate that narcissistic disorders are more common than they used to be, in the population as a whole, or that they have become more common than the classical conversion neurosis. Perhaps they simply come more quickly to psychiatric attention. Ilza Veith contends that “with the increasing awareness of conversion reactions and the popularization of psychiatric literature, the ‘old-fashioned’ somatic expressions of hysteria have become suspect among the more sophisticated classes, and hence most physicians observe that obvious conversion symptoms are now rarely encountered and, if at all, only among the uneducated.” The attention given to character disorders in recent clinical literature probably makes psychiatrists more alert to their presence. But this possibility by no means diminishes the importance of psychiatric testimony about the prevalence of narcissism, especially when this testimony appears at the same time that journalists begin to speculate about the new narcissism and the unhealthy trend toward self-absorption. The narcissist comes to the attention of psychiatrists for some of the same reasons that he rises to positions of prominence not only in awareness movements and other cults but in business corporations, political organizations, and government bureaucracies. For all his inner suffering, the narcissist has many traits that make for success in bureaucratic institutions, which put a premium on the manipulation of interpersonal relations, discourage the formation of deep personal attachments, and at the same time provide the narcissist with the approval he needs in order to validate his self-esteem. Although he may resort to therapies that promise to give meaning to life and to overcome his sense of emptiness, in his professional career the narcissist often enjoys considerable success. The management of personal impressions comes naturally to him, and his mastery of its intricacies serves him well in political and business organizations where performance now counts for less than “visibility,” “momentum,” and a winning record. As the “organization man” gives way to the bureaucratic “gamesman” - the “loyalty era” of American business to the age of the “executive success game” - the narcissist comes into his own.
In a study of 250 managers from twelve major companies, Michael Maccoby describes the new corporate leader, not altogether unsympathetically, as a person who works with people rather than with materials and who seeks not to build an empire or accumulate wealth but to experience “the exhilaration of running his team and of gaining victories.” He wants to “be known as a winner, and his deepest fear is to be labeled a loser.” Instead of pitting himself against a material task or a problem demanding solution, he puts himself against others, out of a “need to be in control.” As a recent textbook for managers puts it, success today means “not simply getting ahead” but “getting ahead of others.” The new executive, boyish, playful, and “seductive,” wants in Maccoby’s words “to maintain an illusion of limitless options.” He has little capacity for “personal intimacy and social commitment.” He feels little loyalty even to the company for which he works. One executive says he experiences power “as not being pushed around by the company.” In his upward climb, this man cultivates powerful customers and attempts to use them against his own company. “You need a very big customer,” according to his calculations, “who is always in trouble and demands changes from the company. That way you automatically have power in the company, and with the customer too. I like to keep my options open.” A professor of management endorses this strategy. “Overidentification” with the company, in his view, “produces a corporation with enormous power over the careers and destinies of its true believers.” The bigger the company, the more important he thinks it is for executes “to manage their careers in terms of their own…free choices” and to “maintain the widest set of options possible.”
According to Maccoby, the gamesman “is open to new ideas, but he lacks convictions.” He will do business with any regime, even if he disapproves of its principles. More independent and resourceful than the company man, he tries to use the company for his own ends, fearing that otherwise he will be “totally emasculated by the corporation.” He avoids intimacy as a trap, preferring the “exciting, sexy atmosphere” with which the modern executive surrounds himself at work, “where adoring, mini-skirted secretaries constantly flirt with him.” In all his personal relations, the gamesman depends on the admiration or fear he inspires in others to certify his credentials as a “winner.” As he gets older, he finds it more and more difficult to command the kind of attention on which he thrives. He reaches a plateau beyond which he does not advance in his job, perhaps because the very highest positions, as Maccoby notes, still go to “those able to renounce adolescent rebelliousness and become at least to some extent believers in the organization.” The job begins to lose its savor. Having little interest in craftsmanship, the new-style executive takes no pleasure in his achievements once he begins to lose the adolescent charm on which they rest. Middle age hits him with the force of a disaster: “Once his youth, vigor, and even the thrill in winning are lost, he becomes depressed and goalless, questioning the purpose of his life. No longer energized by the team struggle and unable to dedicate himself to something he believes in beyond himself, … he finds himself starkly alone.” It is not surprising, given the prevalence of this career pattern, that popular psychology returns so often to the “midlife crisis” and to ways of combating it.
In Wilfrid Sheed’s novel Office Politics, a wife asks, “There are real issues, aren’t there, between Mr. Fine and Mr. Tyler?” Her husband answers that the issues are trivial; “the jockeying of ego is the real story.” Eugene Emerson Jennings’s study of management, which celebrates the demise of the organization man and the advent of the new “era of mobility,” insists that corporate “mobility is more than mere job performance.” What counts is “style…panache…the ability to say and do almost anything without antagonizing others.” The upwardly mobile executive, according to Jennings, knows how to handle the people around him - the “shelf-sitter” who suffers from “arrested mobility” and envies success; the “fast learner”; the “mobile superior.” The “mobility-bright executive” has learned to “read” the power relations in his office and “to see the less visible and less audible side of his superiors, chiefly their standing with their peers and superiors.” He “Can infer from a minimum of cues who are the centers of power, and he seeks to have high visibility and exposure with them. He will assiduously cultivate his standing and opportunities with them and seize every opportunity to learn from them. He will utilize his opportunities in social world to size up the men who are centers of sponsorship in the corporate world.”
Constantly comparing the “executive success game” to an athletic contest or a game of chess, Jennings treats the substance of executive life as if it were just as arbitrarily and irrelevant to success as the task of kicking a ball through a net or of moving pieces over a chessboard. He never mentions the social and economic repercussions of managerial decisions or the power that managers exercise over society as a whole. For the corporate manager on the make, power consists not of money and influence but of “momentum,” a “winning image,” a reputation as a winner . Power lies in the eye of the beholder and thus has no objective reference at all.
The manager’s view of the world, as described by Jennings, Maccoby, and by the managers themselves, is that of the narcissist, who sees the world as a mirror of himself and has no interest in external events except as they throw back a reflection of his own image. The dense interpersonal environment of modern bureaucracy, in which work assumes an abstract quality almost wholly divorced from performance, by its very nature elicits and often rewards a narcissistic response. Bureaucracy, however, is only one of a number of social influences that are bringing a narcissistic type of personality organization into greater and greater prominence. Another such influence is the mechanical reproduction of culture, the proliferation of visual and audial images in the “society of the spectacle.” We live in a swirl of images and echoes that arrest experience and play it back in slow motion. Cameras and recording machines not only transcribe experience but alter its quality, giving to much of modern life that character of an enormous echo chamber, a hall of mirrors. Life presents itself as a succession of images of electronic signals, of impressions recorded and reproduced by means of photography, motion pictures, television, and sophisticated recording devices. Modern life is thoroughly mediated by electronic images that we cannot help responding to others as if their actions - and our own - were being recorded and simultaneously transmitted to an unseen audience or stored up for close scrutiny at some later time. “Smile, you’re on candid camera!” The intrusion into everyday life of this all-seeing eye no longer takes us by surprise or catches us with our defenses down. We need no reminder to smile. A smile is permanently graven on our features, and we already known from which of several angles its photographs to best advantage.
The proliferation of recorded images undermines our sense of reality. As Susan Sontag observes in her study of photography, “Reality has come to seem more and more like what we are shown by cameras.” We distrust our perceptions until the camera verifies them. Photographic images provide us with the proof of our existence, without which we would find it difficult even to reconstruct a personal history. Bourgeois families in the eighteenth and nineteenth centuries, Sontag points out, posed for portraits in order to proclaim the family’s status, whereas today the family album of photographs verifies the individual’s existence: its documentary record of his development from infancy onward provides him with the only evidence of his life that he recognizes as altogether valid. Among the “many narcissistic uses” that Sontag attributes to the camera, “self-surveillance” ranks among the most important, not only because it provides the technical means of ceaseless self-scrutiny but because it renders the sense of selfhood dependent on the consumption of images of the self, at the same time calling into question the reality of the external world.
By preserving images of the self at various stages of development, the camera helps to weaken the older idea of development as moral education and to promote a more passive idea according to which development consists of passing through the stages of life at the right time and in the right order. Current fascination with the life cycle embodies an awareness that success in politics or business depends on reaching certain goals on schedule; but it also reflects the ease with which developments can be electronically recorded. This brings us to another cultural change that elicits a widespread narcissistic response and, in this case, gives it a philosophical sanction: the emergence of a therapeutic ideology that upholds a normative schedule of psychosocial development and thus gives further encouragement to anxious self-scrutiny. The idea of normative development creates the fear that any deviation from the norm has a pathological source. Doctors have made a cult of periodic checkup - an investigation carried out once again by means of cameras and other recording instruments - and have implanted in their clients the notion that health depends on eternal watchfulness and the early detection of symptoms, as verified by medical technology. The client no longer feels physically or psychologically secure until his X-rays confirm a “clean bill of health.”
Medicine and psychiatry - more generally, the therapeutic outlook and sensibility that pervade modern society - reinforce the pattern created by other cultural influences, in which the individual endlessly examines himself for signs of aging and ill health, for tell-tale symptoms of psychic stress, for blemishes and flaws that might diminish his attractiveness, or on the other hand for reassuring indications that his life is proceeding according to schedule. Modern medicine has conquered the plagues and epidemics that once made life so precarious, only to create new forms of insecurity. In the same way, bureaucracy has made life predictable and even boring while reviving, in a new form, the war of all against all. Our overorganized society, in which large-scale organizations predominate but have lost the capacity to command allegiance, in some respects more nearly approximates a condition of universal animosity than did the primitive capitalism on which Hobbes managed his state of nature. Social conditions today encourage a survival mentality, expressed in its crudest form in disaster movies or in fantasies of space travel, which allow vicarious escape from a doomed planet. People no longer dream of overcoming difficulties but merely of surviving them. In business, according to Jennings, “The struggle is to survive emotionally” -to “preserve or enhance one’s identity or ego.” The normative concept of developmental stages promotes a view of life as an obstacle course: the aim is simply to get through the course with a minimum of trouble and pain. The ability to manipulate what Gail Sheehy refers to, using a medical metaphor, as “life-support systems” now appears to represent the highest form of wisdom: the knowledge that gets us through, as she puts it, without panic. Those who master Sheehy’s “no-panic approach to aging” and to the traumas of the life cycle will be able to say, in the words of one of her subjects, “I know I can survive… I don’t panic any more.” This is hardly an exalted form of satisfaction, however. “The current ideology,” Sheehy writes, “seems a mix of personal survivalism, revivalism, and cynicism”; yet her enormously popular guide to the “predictable crises of adult life,” with its superficially optimistic hymn to growth, development, and “self-actualization,” does not challenge this ideology, merely restates it in more “humanistic” form. “Growth” has become a euphemism for survival.
The World View of the Resigned
New social forms require new forms of personality, new modes of socialization, new ways of organizing experience. The concept of narcissism provides us not with a ready-made psychological determinism but with a way of understanding the psychological impact of recent social changes - assuming that we bear in mind not only its clinical origins but the continuum between pathology and normality. It provides us, in other words, with a tolerably accurate portrait of the “liberated” personality of our time, with his charm, his pseudo-awareness of his own condition, his promiscuous pansexuality, his fascination with oral sex, his fear of the castrating mother (Mrs. Portnoy), his hypochondria, his protective shallowness, his avoidance of dependence, his inability to mourn, his dread of old age and death.
Narcissism appears realistically to represent the best way of coping with the tensions and anxieties of modern life, and the prevailing social conditions therefore tend to bring out narcissistic traits that are present, in varying degrees, in everyone. These condition have also transformed the family, which in turn shapes the underlying structure of personality. A society that dears it has no future is not likely to give much attention to the needs of the next generation, and the ever-present sense of historical discontinuity - the blight of our society - falls with particularly devastating effect on the family. The modern parent’s attempt to make children feel loved and wanted does not conceal an underlying coolness - the remoteness of those who have little to pass on the next generation and who in any case give priority to their own right to self-fulfillment. The combination of emotional detachment with attempts to convince a child of his favored position in the family is a good prescription for a narcissistic personality structure.
Through the intermediary of the family, social patterns reproduce themselves in personality. Social arrangements live on in the individual, buried in the mind below the level of consciousness, even after they have become objectively undesirable and unnecessary - as many of our present arrangements are now widely acknowledged to have become. The perception of the world as a dangerous and forbidding place, though it originates in a realistic awareness of the insecurity of contemporary social life, receives reinforcement from the narcissistic projection of aggressive impulses outward. The belief that society has no future, while it rests on a certain realism about the dangers ahead, also incorporates a narcissistic inability to identify with posterity or to feel one self part of a historical stream.
The weakening of social ties, which originates in the prevailing state of social warfare, at the same time reflects a narcissistic defense against dependence. A warlike society tends to produce men and women who are at heart antisocial. It should therefore not surprise us to find that although the narcissist conforms to social norms for fear of external retribution, he often thinks of himself as an outlaw and sees others in the same way, “as basically dishonest and unreliable, or only reliable because of external pressures.” “The value systems of narcissistic personalities are generally corruptible,” writes Kernberg, “in contrast to the rigid morality of the obsessive personality.”
The ethic of self-preservation and psychic survival is rooted, then, not merely in objective conditions of economic warfare, rising rates of crime, and social chaos but in the subjective experience of emptiness and isolation. It reflects the conviction - as much a projection of inner anxieties as a perception of the way things are - that envy and exploitation dominate even the most intimate relations. The cult of personal relations, which becomes increasingly intense as the hope of political solutions recedes, conceals a thoroughgoing disenchantment with personal relations, just as the cult of sensuality implies a repudiation of sensuality in all but its most primitive forms. The ideology of personal growth, superficially optimistic, radiates a profound despair and resignation. It is the faith of those without faith.
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2024.05.16 03:34 Delicious_Egg3002 Bad Isekai Tropes

Disclaimer: This will Not Involve all bad isekai tropes, these tropes are not present in all and sometimes even most isekai, these are not tropes that are not all always bad but are often bad when they are used.
P.s Some of these arent just in isekai or even anime but their still common in isekai so i mentioned them anyways
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2024.05.15 21:22 AutoMughal Return of the Caliphate by Shaykh Dr. Abdalqadir as-Sufi ⬇️

Return of the Caliphate by Shaykh Dr. Abdalqadir as-Sufi ⬇️
The Nineteenth Century saw the final abandonment of inhibitions against usury, and thus the evolution of usury banking onto its path towards political power. It marked the rise of the financial houses and instruments which led to the fall of the Caliphate. In this book, Shaykh Abdalqadir as-Sufi discloses the link between the technical project, the driver of the Tanzimat - railways in particular - and interest-debt mechanisms and institutions which made the two phenomena seem one; a tantalising Trojan horse. "No technology is without banker's licence."
This important text with elucidation by Asrar Rashid on how the Osmanli Caliphate was destroyed is essential reading for those seeking to understand the prevailing conditions and the present, intentional break up of Europe.
"This book is unique as the author gets to the jugular vein of the problem facing the Umma today, summarising matters in a way that removes the task of reading through voluminous source books and references to reach the same conclusion." ---Asrar Rashid.
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2024.05.15 02:48 Kunphen The Dangers of Animal Experimentation—for Doctors Nineteenth-century opponents of vivisection warned that the practice could make researchers and physicians callous toward all living creatures.

The Dangers of Animal Experimentation—for Doctors Nineteenth-century opponents of vivisection warned that the practice could make researchers and physicians callous toward all living creatures. submitted by Kunphen to EcoNewsNetwork [link] [comments]


http://rodzice.org/