I just started watching bleach and I was thinking how zanpaktos are alive right, so how funny would it be if the body was the sword instead in the series, like zangetsu is standing perfectly still arms to his side while being swung, now imagine the scene where white ichigo swings him around(someone draw this)

So I just finished the book and wanted to offer my thoughts on the somewhat confusing ending that occurred. I’m not stating these as fact, just how I interpreted the events.
Spoilers ahead (I don’t know how to block spoilers on mobile so forgive me!)
>! saw some people questioning why the Atlas Six didn’t just kill Dalton to appease the archives, especially after he “snapped.” I was thinking that killing Dalton would be the solution too, but I realized that he technically isn’t one of the six in their cohort, so it might not count.!<
I also think to solve the issue of owing the archives a body, Nico died bc he was objectively the only person in the cohort that everyone liked to a certain degree (Reina just wouldn’t admit it until too late) and Libby knew the archives would want a BIG sacrifice (something something about the arrow striking most true). Parisa almost offered herself up to be slaughtered, and it probably could’ve worked, but it wouldn’t have been as heavy to the characters so the archives wouldn’t have gotten as much out of it. I do feel like if Nico was the one to be sacrificed, then it could’ve been done in a vastly different way. I still can’t decide if Libby went into the experiment knowing she would probably kill him, or if she was so confident it would work until it didnt that she had to make a snap judgement. I don’t think she truly hated him, every character suffers from unreliable narrating and we have to draw a lot of their true feelings from their interactions with other characters.
Libby is a nuke gaining speed and heading for destruction, and after killing Ezra and Atlas, Parisa can see that Libby is filled with the sure fire determination of a despot, someone who thinks they’re so right they’ll betray whoever is in their way because they assume their way is the best way. She goes a little mad and paranoid, and it’s a tragedy because it takes killing her soulmate to make her stop. If she hadn’t, she would just become another Ezra, or Atlas, or Nothazai, which is why Parisa wanted to kill her.
And I think the reason we see Nico in Gideon’s dream realm is that the archives preserved some of Nico’s magic and “essence” (Dalton alluded to the archives making copies of them) and that is who Gideon sees. Gideon compares this version of Nico to previous times he’s s hung out with Nico in dreams and sees that this is something different. So in a way, I think Nico is living on.
The appearance of Callum’s hair in the security cameras has me a little stumped: I think that could be read several ways. I initially thought that it was Callum walking into Wessex building bc of the exaggerated swagger and confidence (and sunglasses) the character possessed. And the way Tristan was speaking to James, I then assumed it was Callum disguised as Tristan via a charm. I now think Callum’s personality has just rubbed off on him.
I thought that perhaps Tristan had chosen a timeline where Callum lived, and we see Callum backing him up in the building by cutting the cameras, but that doesn’t seem like Callum’s style. I feel like he would make himself more apparent. That whole multiverse part during Tristan’s chapter honestly just told me that worlds exist where in some capacity these characters are happy(happier) so even if Callum is truly dead in this timeline then…at least there’s that small comfort. But yeah I still don’t know. Ghost?
Parish’s relationship with her husband confused me. I’m unsure of the dynamic- I thought he abused her, but he also really loved her and Parisa regretted that she couldn’t return those feelings? I could be very wrong on that observation, from the first books I thought Parisa greatly disliked him but to me, this book says she still harbors feelings for him. I might’ve missed some nuance there, or such complexity might not exist…if anyone has any further clarification, plz lemme know.
I also think, after reading the afterword, that the “point” of these characters’ arcs is largely about dealing with the corruption that comes with the pursuit of power, and realizing that chasing that power doesn’t make you any bigger than anyone else. All of them hold lofty ideals and expectations of themselves (even past the depression and self loathing) that have only grown and grown as the books progress, but this last act basically sees all of them fail where it matters most. They are brought low by their own hubris and lack of communication, and the relationships they cherish most suffer because of it. There are a lot of themes regarding the futility of doing so much to change the world, and these guys have sacrificed so much to do that and reach their potential. But in the end, they’re just small, lonely creatures who need eachother. Reina’s arc expressed this most clearly, by her depending on Callum to influence people, and anguish at losing Nico before they could reconcile. But also, her whole story fell flat in this book to me…she was very underutilized. Tristan is similar as he laments always standing by to witness tragedy unfolding and doing nothing to stop it (ie he witnessed Ezra and Atlas dying, Nico, and finally Callum.)
Some people definitely could’ve been more fleshed out (namely Dalton imo) but I enjoyed the interludes where we got to see more of Atlas’ past. Ilegit hadn’t clocked that he was dead until it was explicitly stated near the end. I thought he would appear to yell at everyone to work together…but he’s lowkey the most tragic one of all.
. Out of the three in the series, this is my least favorite book, but there were still moments I thoroughly enjoyed (honestly anytime Tristan and Callum interacted). I wish there was more to tighten up some of the big loose ends. I think the first two acts can be saved, but the last portion got sloppy.
But what do you think? And what other big questions are you left with?

Alright Apes,
I was out walking my dog, ready to get back home to go to sleep, and then it happened. I did one last check of superstonk to get my dopamine hit that is our community and well, I got more than I asked for. Now I have too much energy to sleep because I am so fucking hyped for what I found. So here I am.
This beautiful post popped up at nearly midnight my time.
When it said watch in reverse, I had mixed emotions because one of my favorite post was the one with the opening to the White Stripes glitch mob remix. Go watch the video if you haven’t already. That’s one of my favorite songs for very personal reasons and the idea that GME was about to unleash something that caused a glitch was very exciting to me. I wanted that to be the foreshadowing that RK left us with.
But I like every other GME theory I read, it consumes me. I’m obsessed. So what the heck, let’s go watch everything in reverse.
Lucky for me I realized very quickly that when you go to the X iphone app and watch the latest video in full screen, you can just swipe up to see the next video. So, the next hour of my night was planned out.
That was an hour ago. I am so hyped about what I saw that I’ve decided to sit down and write out the my whole interpretation of what I saw. I don’t have answers for every single post but there does seem to be a theme that matches the theory that these are meant to watch in reverse.
Buckle up.
One last things before I get started. I think DFV has been here all along. I think he has read all of the DD and I think he made his memes with all of that in mind. I highly doubt he knows anything for sure but is just a fan of the DD. Just like I am. And there is one DD I fell in love with from the first moment I read it. I think he did too and this is his thesis. He has read all the tea leaves and doesn't think anyone has put it together like he has so he is sharing his interoperation of the DD, the market conditions, and the news and is going to do one last DD himself.
Ok. Here we go.
Oh, and this is not financial advice.
Ok. Here we go for real.
ET: This might actually be him saying goodbye for now. Hopefully not forever (still kinda sad we never got a ET 2).
Horse Gift: Not sure how to interpret this one. Maybe foreshadowing that he found (or was gifted) the GME bull thesis and at that point, he wasn’t sure if it was a good thing for a bad things. “We’ll see”
Coldplay Backwards: GME had to pull back for him to find the right time to get in.
Forest Running: And then it started running.
Original Sheet Music: Then he started meme. The memes were “MIRACULOUS”.
My favorite post – The White Stripes Glitch Mob video intro: Seriously, if you haven’t watched the video, go now. It’s hype af. This is the video that marks the Jan 2021 glitch. The sneeze.
MIB Kitty: And then GME became RK’s galaxy.
That’s not a Knife: He was the memelord at this point but shorties wanted his gains.
Westworld’s Bernard: Then the bear thesis’ started coming out but we can’t see what we are programed not to see. We were already programed at this point thanks to the bulleproof bull thesis.
Ocean’s Gang in Prison: And then we got thrown in a prison together when so many people bought at high prices.
Beavis and Butthead: We were obsessed with Cohen at this point. We hung on to every tweet. Sex for Dummies was a very popular one. Lot’s of theories popped up with this tweet.
A Few Good Men: DFV visits Congress!
Elaine Dancing: Is this him celebrating his gains and/or not getting thrown in prison?
Aladdin: They tried to take his gains away?
Truman > Mourinho’s In Big Trouble: He was gagged.
ASIP In Therapy: RK went to therapy and found he loved making memes and GME?
Newman: Talking about his experience as his new life as the United States GameStop memer and all the requests he was getting for memes.
Eddie Murphy: Chronicling his time as a memer
SNL The Shooting AKA Dear Sister: Not sure on this one.
Steve Wilkos: RK is ours and we are going to stick beside him
Succession: RK was reading so much about how he was the villain
Borne: More struggles with his identity as the GameStop memer and deciding what to do next.
CNBC > .50: Why does everyone hate RK?
The Dude: Not sure on this one.
Garden State: foreshadowing the jam that he’s about to get into this his next (older) posts
Every Everywhere All at Once: more foreshadowing.
Stand by Me: There’s a game of chicken going on. Shorts vs HODLers?
School of Rock: Reminding us what where here for. This journey isn’t going to be perfect but it’s Rock and Roll.
TeddyBears – Punk Rocker: He has both hands off the wheel now but he’s still along for the ride.
You Can’t Stop What’s Coming: Self-explanatory with likely last-minute cameo of the Chicago (where was Citadel founded?) BEARS thanks to the world’s most famous coke rat market manipulator.
Sicario 2: He’s asking us if we are ready to be the “villain” with him.
Flip Mode: If you really want to party with the Kitty, show him what you got (make some more memes people!!!)
The Shining: Our view of RK at work making his memes for the past 3 years.
500 days of Summer: Talking about why he does what he does. Because it’s going to last forever (more foreshadowing).
Luca: Him laughing at us not knowing everything. Just forget about it if you don’t understand, he has more for you.
Signs 1: This is where things get interesting. This is where we start seeing the signs. Connecting dots. We found something legit in all the DD.
Signs 2: The signs all pointed to GameStop. It’s all about GameStop and what they are going. Nothing else matters.
Signs 3: Are we the aliens? All of our best DD writers talking to each other were some of my favorite moments over the past 3 years. [There are theories about what these signs said and I will go back and fill that in later, I’m getting sleepy]
Signs 4: He is asking us if we believe the DD.
Signs 5: RK is one of us. Assuming we are the Aliens in these signs videos, he is telling us he is one of us.
The Modern Animal: We need to get a little crazy if we are going to take on the big city (NYC? Wall Street?)
Broad City: We made our own language. Memes. SuperStonk is a place for best friend with time to shoot.
GooseBumps: I THINK THIS IS WHERE WE ARE TODAY. RK is letting his briefcase of memes open and warning bears.
Everyone’s favorite Boss: Here some the SIGNS (memes for those who are not keeping up). He is going to his us ONE MORE TIME.
Pay Attention: NOW FUCKING PAY ATTENTION because he isn’t going to do this again.
Kill Bill: It’s time to fight and we are bad asses.
JigSaw + Kansas City Shuffle: Are you ready for the game? Because GameStop has you covered. Everything up to this point has been the inciting incident and catalyst of the Kansas City Shuffle. There is a very short scene where he says, “are you watching closely”? I saw a comments days ago that I can’t find and the very high level paraphrased version is that scene is from the Prestige and all of those hats were a result of him cloning himself. I think that represents the synthetics that plague our market. (I will find that comment that explains it better and go back to watch the movie myself and update this).
Shawshank: RK is telling us all it really takes is pressure and time to break out of their prison. While he was in prison, he went back to get his financial education. We also need an activist (investor, RC). There is a lot more nuance we can try to extrapolate form this one. I’ll save that for later.
Radiohead Karma Police: They have run the price down far enough. They have been leaking gas this whole time. It’s time for the match to be lit.
Neo: This is where Neo figures out how to work the matrix. The market is fake and everyone is mad. We all know it. When it comes to the market, we all took the red pill, and we see it for what it is.
Bullet Scene: Might need some help deciphering this one. I think it’s about how we (maybe not us but the general public) perceive the market. We see cause and effect but that’s now how it works. I think he is telling us that we don’t fully understand the market but our instincts are right and we just feel it. I think we as a community have that instinct.
Fury: Every boss is going to feel like the last one. They are going to pound us with misinformation, price manipulation, and anything else they can come up. But they are just taunting us to whoop some ass.
Trueman Show: They are going to hit us with everything they have but HOLD ON!
Me, Myself, & Irene: Them tanking the price is going to change how we feel and who we are.
Red Right Hand: Might need some help with this one too. The red hand man is stalking someone and the other person can’t do anything about it? Not sure who is who here.
Beat Saber: Might need some help with this too. Is he calling all freaks to show up because we are about to go to war?
Keith and Jake SNL: Everyone thinks Keith is crazy lol
Seinfeld: Calling out the memestock docs for being stupid. He had to some back and tell everyone to “Shut Up Bitch”
Shut Up Bitch: He delivers his best line to the people making him out to be a Vilian.
Coffee Mug Breaks: He is asking us to convince him to do it again.
Bane: RK is saying everything is going as planned.
Oceans (again): RK has been waiting for this time and it was all part of the plan.
Snoop: There was so much drama at GME. People had to be fired because they were someone dressed up as something else. Moles?
Spiderman: It’s time for Keith Gill to become Roaring Kitty again.
Pizza Slices: Guy on the left is a shorty. He is getting mad with how popular things got with the thesis and how many people bought.
Missy Elliot ft Luda: Giving us confidence that he has a worldwide audience and he is about to kill all the rumors.
In Love with RC: He is telling us that RC is the right guy. Don’t doubt him.
Guardians: Everyone already knows who is in charge. Stop fighting to be in charge.
CNBC again: Some of the misinformation actually said RK is in charge. He is not. He is busy drawing dicks (memes).
Oceans (again): I think he is saying that no one person is in charge. It took everyone to give GME all that money. Or maybe it AVOCADO-IN-MY-ANUS all along?
Breaking Bad: His side still hasn’t been told?
Fight Club: RK finally accepting he is DFV
Nice Guy: He is still a nice guy despite what people are saying.
Day and Night: I think he is talking about his struggles day and night over the last 3 years.
Dave: He could’ve ignored it all but he couldn’t stand it. He’s about to keep it real with us.
Star Wars: help me fill in the blank on this one.
Ozarks: help me fill in the blank on this one.
Grim Reaper: The hedgies are trying to figure out what is going on with GameStop. They are I a holding pattern and will be coming with more hitman when what happens in the rest of the tweets goes down.
*******This is where shit gets real********
The Prestige: Alright. Put your tinfoil hat on tight. Here is my interpretation of this one. The magician makes something disappear, but the audience wants to be fooled so we are not actually looking for the secret. So, when something disappears we don’t clap because it’s not as impressive. But as soon as it comes back, the fights is on**~. I think the NFT marketplace is going to come back~**. But I think it’s going to come back as something else. I think they built the blockchain infrastructure for something other than the NFT marketplace. That is when shit is going to go crazy. Don’t believe me, keep reading.
Brand New GME: They finally embrace what everyone has been calling them. They show up one day looking sexy as fuck and blow everyone’s minds.
Prisoner: And now the prisoner (GME’s true price) has true FFFRRRREEEEEEEEEEEEEEEDDDDDDDOOOOOOOOOOOMMMMMMMM.
The fallout: The hedgies are going to beg us to sell our shares at 14 grand but the nature of us is pure CRAZY. We all knew who was calling on the phone.
Parking Lot Killer: That is who was calling. They are coming for the bears.
Requel: And just like that the requel begins production.
Old Computer Game: Now the question is, with this brand new, sexy af version of GME are we selling or are we staying? I think it’s going to be so fucking amazing we “>Stay”
Kittyman: When this all goes down, RK will return again.
How did they do it?: GME (or we?) seems stupid but apparently whoever it is really good at paperwork and the RK is so happy he’s doing backflips.
What do they need to do it?: They are going to need all of us and the target is up. HODL.
Kingsman: Shorties will then be locked in the room with us and they are going to come in fierce numbers.
The Town: They need our help we can’t ask questions but we have some sick ass rides to get there with.
Morning Affirmation Cat: Help me with this one. I’m tired.
Troy: Sick ass scene. GME just needs to land the killshot.
Pikey Reaction: They pulled the price back so far that it’s a loaded spring and when the shots are fired, it’s going to be raining money. Now “come hang so we go out with a bang”. Does he have your attention now?
Stop Fighting: NOW we can stop fighting.
Pirates of the Carrabin: The Pirate comes back from the dead (NFT Market Place?) and GME presses the red button to go into hyperdrive. This solidified my theory.
Tombstone: It’s not for revenge. It’s for something bigger. It’s a reckoning. Maybe a Glass Castle?
Standoff: Now that the red button was pressed, we have all the shorties in a stand off. But it doesn’t matter because the result of the red button is going to destroy it all? DO I HAVE YOUR ATTENTION NOW?
Avenger Initiative: We have to do it together. It’s not just one person.
Sherlok Holmes: When GME says run, RUN! And remember what it’s running for. You monther, father, children, sisters, and brothers. The DOG DAYS are over.
Drive: We think were all good here right? It’s all over. Guess again. We are going to have every governmental agency coming after us and our gains. We are going to be on the run.
Bloody Blade: Help me with this one.
But First: The overture. This will be how it starts. We must go backward to unlock the secret. Once we do, the dragon wakes up and it’s game on for the game of thrones. We are going to break the wheel.
Still Here: It’s done when we say it’s done. This tweet closes with the song from the whole days evil cept being blown up with green fire. Sick.
Thanos: This was the actual first tweet just like the ET was the actual last tweet. He has read all the tea leaves and doesn't think anyone has put it together like he has so he is sharing his interoperation of the DD, the market conditions, and the news and is going to do one last DD himself.
Hope you were sitting up in your red chair and paying attention.
Apologies for any typos and poor formatting. I've never made a post like this and I'm too tired to figure all of that out. I'll come back tomorrow and clean it all up with that and fill any gaps you guys help me out with.

I’ve always hated the smell of gun oil. It clings to everything it touches, soaking deep into the fibers of my clothes, the lining of my backpack, the coarse hair on the back of my hands. Yet here I am, kneeling on the cracked linoleum of our mudroom, a Remington .308 laid across my thighs, and the stench of gun oil sharp in my nostrils. The early morning light barely scratches at the edges of the blinds, dim and gray like the belly of a dead fish.
My dad Frank is in the kitchen, clattering around with the coffeepot and mumbling under his breath. Today we’re heading up to the woods of Northern Michigan, same as we did every year before Leah… before we lost her.
I can’t help but feel the old scars throbbing as I load bullets into the magazine. It’s been ten years since that hunting trip, the one that tore my family into before and after. Before, when Leah's laughter was a constant soundtrack to our lives; after, when every silence was filled with her absence.
We were just kids back then. I was ten, Leah was eight. It was supposed to be a typical hunting trip, one of those bonding experiences Dad was always talking about. But things went wrong. We got separated from Dad somehow. One minute we were following him, the next we were lost, the dense woods closing in around us.
Dad says when he found me, I was huddled under a fallen tree, my eyes wide, my body frozen. All I could mutter through chattering teeth was "Dogman."
It was only later, after the search parties had combed through every thicket and hollow, that they found her. What remained of Leah was barely recognizable, the evidence of a brutal mauling undeniable. The authorities concluded it was likely a bear attack, but Dad... he never accepted that explanation. He had seen the tracks, too large and oddly shaped for any bear.
As I load another round, the memory flashes, unbidden and unwelcome. Large, hairy clawed hands reaching out towards us, impossibly big, grotesque in their form. Yet, the rest of the creature eludes me, a shadow just beyond the edge of my recall, leaving me with nothing but fragmented terrors and Leah’s haunting, echoing screams. My mind blocked most of it out, a self-defense mechanism, I guess.
For years after that day, sleep was a battleground. I'd wake up in strange places—kitchen floor, backyard, even at the edge of the nearby creek. My therapist said it was my mind's way of trying to resolve the unresolved, to wander back through the woods searching for Leah. But all I found in those sleepless nights was a deeper sense of loss.
It took time, a lot of therapy, and patience I didn't know I had, but the sleepwalking did eventually stop. I guess I started to find some semblance of peace.
I have mostly moved on with my life. The fragmentary memories of that day are still there, lurking in the corners of my mind, but they don’t dominate my thoughts like they used to. I just finished my sophomore year at Michigan State, majoring in Environmental Science.
As for Dad, the loss of Leah broke him. He became a shell of himself. It destroyed his marriage with Mom. He blamed himself for letting us out of his sight, for not protecting Leah. His life took on a single, consuming focus: finding the creature that killed her. He read every book, every article on cryptids and unexplained phenomena. He mapped sightings, connected dots across blurry photos and shaky testimonies of the Dogman.
But as the tenth anniversary of Leah’s death approaches, Dad's obsession has grown more intense. He’s started staying up late, poring over his maps and notes, muttering to himself about patterns and cycles. He’s convinced that the dogman reappears every ten years, and this is our window of opportunity to finally hunt it down.
I’m not nearly as convinced. The whole dogman thing seems like a coping mechanism, a way for Dad to channel his guilt and grief into something tangible, something he can fight against. But I decided to tag along on this trip, partly to keep an eye on him, partly because a small part of me hopes that maybe, just maybe, we’ll find some kind of closure out there in the woods.
I finish loading the rifle and set it aside, standing up to stretch my legs. I wipe my greasy hands on an old rag, trying to get rid of the smell. The early morning light is starting to seep into the room, casting long shadows across the floor.
Dad comes out of the kitchen with two thermoses of coffee in hand. His eyes are bleary and tired.
“You ready, Ryan?” he asks, handing me a thermos, his voice rough from too many sleepless nights.
“Yeah, I’m ready,” I reply, trying to sound more confident than I felt.
We load our gear into the truck, the weight of our supplies and weapons a physical reminder of the burden we carry. The drive from Lansing across the Lower Peninsula is long and quiet, the silence between us filled with unspoken memories and unresolved grief.
—
The drive north is a blur of highway lines and the dull hum of the engine. I drift off, the landscape outside blending into a haze. In my sleep, fragments of that day with Leah replay like scattered pieces of a puzzle. I see her smile, the way she tugged at my sleeve, eager to explore. The sunlight filters through the trees in sharp, jagged streaks.
Then, the memory shifts—darker, disjointed. Leah's voice echoes, a playful laugh turning into a scream that pierces the air. The crunch of leaves underfoot as something heavy moves through the underbrush. I see a shadow, large and looming, not quite fitting the shapes of any creature I know.
Then, something darker creeps into the dream, something I’ve never allowed myself to remember clearly.
Before I can see what it is I wake up with a start as the truck jerks slightly on a rough patch of road. Dad glances over. "Bad dream?" he asks. I nod, rubbing the sleep from my eyes, the remnants of the dream clinging to me like the cold.
"Yeah, just... thinking about Leah," I manage to say.
As we drive, Dad attempts to bridge the silence with small talk. He asks about my finals, my plans for the summer, anything to keep the conversation going. His voice carries a forced cheerfulness, but it’s clear his heart isn’t in it. I respond when necessary, my answers brief, my gaze fixed on the passing scenery.
The landscape changes as we head further north, from flat expanses to rolling hills dotted with dense patches of forest. It's beautiful country, the kind that reminds you how vast and wild Michigan can be, but today it just feels oppressive, like it’s closing in on us.
—
We finally arrive at the cabin, nestled deep in the woods, its weathered wood blending seamlessly with the surrounding trees. The place hasn't changed much since the last time I was here—a relic from another time, filled with the echoes of our past. I can still see Leah running around the porch, her laughter ringing out into the forest.
Dad parks the truck, and we step out into the crisp air. The smell of pine and damp earth fills my nostrils. We start unloading our gear, the tension between us palpable.
“Let’s get this inside,” Dad says, his voice gruff as he hefts a duffel bag onto his shoulder.
I nod, grabbing my own bag and following him to the cabin. Inside, it’s a mix of old and new—the same rustic furniture, but with new hunting gear and maps strewn across the table. Dad’s obsession is evident in every corner of the room, a constant reminder of why we’re here.
As we unpack, we exchange strained attempts at normalcy. He talks about the latest cryptid sightings he’s read about, his eyes lighting up with a fervor that both worries and saddens me.
“Did you hear about the sighting up near Alpena?” he asks, laying out his maps on the table.
“Yeah, you mentioned it,” I reply, trying to muster some enthusiasm. “Do you really think there’s something to it?”
Dad’s eyes meet mine, and for a moment, I see a flicker of doubt. But it’s quickly replaced by grim determination. “I have to believe it, Ryan. It’s the only thing that makes sense.”
We finish unpacking, the silence between us growing heavier with each passing minute. I step outside to clear my head, the cool air a welcome relief. The sun is starting to set, casting long shadows across the clearing. I can’t shake the feeling of unease.
"You can take the upstairs room," Dad mutters. His voice is strained, trying to sound normal, but it's clear the weight of the past is heavy on him. I nod, hauling my backpack up the creaking stairs to the small bedroom that I used to share with Leah. The room feels smaller now, or maybe I've just grown too much since those innocent days.
I unpack silently, setting my things aside. The bed is stiff and cold under my touch. As I settle in, I can't help but glance at the corner where Leah and I would huddle together, whispering secrets and making plans for adventures that would never happen. I push the thoughts away, focusing on the practicalities of unpacking.
After settling in, I go back downstairs to find Dad loading up a backpack with supplies for our hunt. The intensity in his eyes is palpable, his hands moving with practiced precision. I know this routine; it's one he's perfected over countless solo trips since that fateful day.
"We'll head out early," he says, not looking up from his task. "Gotta make the most of the daylight."
I nod, though unease curls in my stomach. I'm not just worried about what we might find—or not find—out there. I'm worried about him. Each year, the obsession seems to carve him out a bit more, leaving less of the Dad I knew.
—
The morning air is sharp with the scent of pine and wet earth as Dad and I head into the deeper parts of the forest. The terrain is rugged, familiar in its untamed beauty, but there’s a tension between us that makes the landscape feel alien. Dad moves with a purposeful stride, his eyes scanning the woods around us. Every snap of a twig, every rustle in the underbrush seems to draw his attention. He’s on edge, and it puts me on edge too.
As we walk, my mind drifts back to that day ten years ago. I can almost hear Leah’s voice echoing through the trees, her high-pitched call as she darted ahead, "Catch me, Ryan!" I remember how the sunlight filtered through the leaves, casting dancing shadows on the ground. Those memories are so vivid, so tangible, it feels like I could just turn a corner and see her there, waiting for us.
Dad suddenly stops and kneels, examining the ground. He points out a set of tracks that are too large for a deer, with an unusual gait pattern. "It’s been here, Ry. I’m telling you, it’s close," he whispers, a mixture of excitement and something darker in his voice. I nod, though I’m not sure what to believe. Part of me wants to dismiss it all as grief-fueled obsession, but another part, the part that heard Leah's scream and saw something monstrous in the woods that day, isn’t so sure.
As we continue, Dad's comments become increasingly cryptic. "You know, they say the dogman moves in cycles, drawn to certain places, certain times. Like it’s tied to the land itself," he muses, more to himself than to me. His fixation on the creature has always been intense, but now it borders on mania.
We set up a makeshift blind near a clearing where Dad insists the creature will pass. Hours drag by with little to see but the occasional bird or distant deer.
The sun rises higher in the sky, casting long, slender shadows through the dense canopy. I shift uncomfortably in my spot, the forest floor hard and unyielding beneath me. My eyes dart between the trees, hoping to catch a glimpse of something, anything, to break the monotony. Dad, on the other hand, remains steadfast, his gaze fixed on the treeline as if he can will the dogman into existence by sheer force of will.
A bird chirps nearby, startling me. I sigh and adjust my grip on the rifle. I glance over at Dad.
“Anything?” I ask, more out of boredom than genuine curiosity.
“Not yet,” he replies, his voice tight. “But it’s out there. I know it.”
I nod, even though I’m not sure I believe him. The forest seems too quiet, too still. Maybe we’re chasing ghosts.
As the sun begins its descent, the forest is bathed in a warm, golden light. The air cools, and a breeze rustles the leaves. I shiver, more from anticipation than the cold. The long hours of sitting and waiting are starting to wear on me.
“Let’s call it a day for now,” Dad says finally, his voice heavy with disappointment. “We’ll head back to the cabin, get some rest, and try again tomorrow.”
I stand and stretch, feeling the stiffness in my muscles. We pack up our gear in silence and start the trek back to the cabin. The walk is long and quiet, the only sounds are the crunch of leaves underfoot and the distant calls of birds settling in for the night.
—
Dinner is a quiet affair, both of us lost in our thoughts. I try to make small talk, asking Dad about his plans for tomorrow, but it feels forced. We clean up in silence.
After dinner, I retreat to the small bedroom. The fatigue from the day's hike has settled into my bones, but sleep still feels like a distant hope. I lie down, staring at the ceiling, the room cloaked in darkness save for the sliver of moonlight creeping through the window. Downstairs, I hear the faint sound of Dad moving around, likely unable to sleep himself.
I drift into sleep, but it's not restful. My dreams pull me back to that fateful day in the woods. Leah's voice is clear and vibrant, her laughter echoing through the trees. She looks just as she did then—bright-eyed and full of life, her blonde hair catching the sunlight as she runs ahead of me.
"Come on, Ry! You can't catch me!" she taunts, her voice playful and teasing.
I chase after her, but the scene shifts abruptly. The sky darkens, the woods around us growing dense and foreboding. Leah's laughter fades, replaced by a chilling silence. I see her ahead, standing still, her back to me.
"Leah?" I call out, my voice trembling. She turns slowly, her eyes wide and filled with fear. "Ryan, you have to remember," she says, her voice barely a whisper. "It wasn't what you think. You need to know the truth."
Leah’s words hang in the air, cryptic and unsettling. Before I can respond, she turns and starts running again, her figure becoming a blur among the trees. Panic rises in my chest as I sprint after her, my feet pounding against the forest floor.
“Leah, wait!” I shout, desperation lacing my voice. The forest around me seems to close in, the trees towering and twisted, shadows dancing menacingly in the dim light. I push forward, trying to keep her in sight, but she’s too fast, slipping away like a wisp of smoke.
Suddenly, there’s a rustle, a flash of movement in the corner of my vision. Leah screams, a sound that pierces through the heavy silence. It happens too quickly—I can’t see what it is, only a dark blur that snatches her up.
“Leah!” I scream, my voice breaking. I stumble, falling to my knees as the forest spins around me. My heart races, and the terror is so real, so visceral, that it pulls me back to that awful day, the one that changed everything.
I jolt awake, my breath coming in ragged gasps.
I sit up, wiping the cold sweat from my forehead as I try to steady my breathing. The room is still dark, the shadows cast by the moonlight seem to flicker and dance on the walls. My heart is still racing from the nightmare, the echo of Leah's scream lingering in my ears.
As I struggle to calm down, the floorboards outside my room creak. The door opens slowly, and I see the silhouette of my dad in the doorway, a Bowie knife in his hand, his posture tense.
“Dad, what the hell are you doing?” I whisper, my voice shaking.
“Shh,” he hisses, holding up a hand to silence me. “I heard something. Something moving around in the cabin. Stay quiet.”
I swallow hard, my mouth dry. I glance at the clock on the nightstand—it’s just past three in the morning. The cabin is silent, the kind of deep, oppressive silence that makes every small sound seem louder. I can’t hear anything out of the ordinary, but Dad’s expression is deadly serious.
He motions for me to get up, and I do, moving as quietly as I can. My heart is racing, a mix of lingering fear from the dream and the sudden, sharp anxiety of the present moment. Dad leads the way, stepping cautiously out of the bedroom and into the hallway, the knife held ready in front of him.
We move through the cabin, checking each room in turn. The living room is empty, the furniture casting long shadows in the dim moonlight. The kitchen is just as we left it, the plates from dinner still drying on the counter. Everything seems normal, untouched.
We finish our sweep of the cabin without finding anything amiss. The silence is heavy, punctuated only by our soft footfalls. I can see the tension in Dad’s frame, his grip on the knife unwavering. After checking the last room, we pause in the dimly lit hallway, the air thick with unspoken questions.
“There’s nothing here,” I say, my voice low. “Are you sure you heard something?”
He looks at me, his eyes searching for something in my face. “I heard growling. Deep and close. It was right outside the window.”
“Maybe it was just an animal outside, a raccoon or something?” I suggest, although the certainty in his voice makes me doubt my own reassurance.
“No, it wasn’t like that. It was different,” he insists, his voice tense.
I nod, not wanting to argue, but the seeds of worry are planted deep.
The look in his eyes sends a chill down my spine. It’s not just fear—it’s desperation. The kind of desperation that comes from years of chasing shadows and finding nothing. I can see the toll this hunt has taken on him, the way it’s worn him down, turned him into a man I barely recognize.
We head back to our rooms. As I lie down, my mind races with thoughts of my dad. I can’t help but wonder if he’s losing it, if the years of grief and guilt have finally pushed him over the edge.
Dad wasn’t always like this. Before Leah’s death, he was the kind of father who took us fishing, helped with homework, and told terrible jokes that made us groan and laugh at the same time. He was solid, dependable. But losing Leah changed him. The guilt twisted him into someone I barely recognize, someone driven by a need for answers, for closure, that may never come.
I try to sleep, but my thoughts keep me awake. I can hear Dad moving around downstairs, probably pacing or double-checking the locks. His paranoia has become a constant presence, and I don’t know how to help him. I don’t even know if I can help him.
—
The next morning, the sunlight filters weakly through the cabin windows, casting a pale light that does little to lift the heavy mood. I drag myself out of bed, feeling the exhaustion of another restless night. Dad is already up, hunched over his maps at the kitchen table, his eyes bloodshot from lack of sleep.
“Morning,” I mumble, rubbing the sleep from my eyes as I pour myself a cup of coffee. “Did you sleep at all?”
He shakes his head, not looking up from his notes. “Not much. I couldn’t stop thinking about what I heard last night.”
I sip my coffee, trying to shake off the remnants of my nightmare. “Maybe it was just an animal, Dad. We’re deep in the woods, after all.”
He finally looks up, his eyes intense. “Ryan, I know what I heard. It wasn’t just an animal. It was something else.”
I sigh, not wanting to argue. “Okay, fine, Dad. What’s the plan for today?”
“We’re going back out. I found some tracks yesterday, and I want to follow them. See where they lead.”
I nod, feeling a mix of apprehension and resignation. I can see how much this means to him, how desperate he is for any kind of lead. “Alright. Let’s get packed and head out.”
We spend the morning preparing, loading up our gear and double-checking our supplies. Dad is meticulous, going over everything with a fine-toothed comb. I try to match his focus, but my mind keeps drifting back to Leah and the dream I had. Her words echo in my head, cryptic and unsettling: “You need to know the truth.”
We set off into the woods, the air crisp and cool. The forest is alive with the sounds of birds and rustling leaves, but it all feels distant, like background noise to the tension between us. Dad leads the way, his eyes scanning the ground for any sign of the tracks he found yesterday.
As we walk, I can’t help but notice how erratically he’s acting. He mutters to himself, his eyes darting around as if expecting something to jump out at us. His grip on his rifle is tight, his knuckles white.
“Dad, are you okay?” I ask, trying to keep my voice steady.
He glances at me, his expression unreadable. “I’m fine. Just focused.”
He stops frequently to examine the ground or the bark of trees, pointing out marks and signs that seem meaningless to me.
“Look at this,” he says, crouching down to examine a broken branch. “See how it’s snapped? That’s not a deer or a bear. That’s something bigger. Stronger.”
I crouch next to Dad, squinting at the broken branch. To me, it just looks like a regular broken branch, the kind you see all over the forest. "I don't know, Dad. It just looks like a branch to me," I say, trying to keep my voice neutral.
Dad's eyes flicker with frustration. "You're not looking close enough. It's the way it's snapped—too clean, too deliberate. Something did this."
I nod, not wanting to argue. "Okay, sure. But even if you're right, it could be anything. A storm, another hunter..."
His expression hardens. "I know what I'm looking for. This is different."
I sigh, feeling the weight of the past and the tension between us pressing down on me. "Dad, I had a dream last night. About Leah." The words hang in the air between us, heavy and fraught with unspoken emotions.
Dad's eyes widen, and he straightens up, his entire demeanor shifting. "What kind of dream? What did you see?" His voice is urgent, almost desperate.
"It was... strange. We were in the woods, like we are now, but everything felt different. Leah was there, running ahead of me, laughing. Then she stopped and told me I needed to know the truth, that it wasn't what I thought."
Dad grabs my shoulders, his grip tight. "What else did she say? Did she tell you anything specific? Anything about the creature?"
I shake my head, feeling a chill run down my spine. "No, that was it. She just said I needed to know the truth, and then she was gone."
Dad’s grip on my shoulders tightens, and his eyes bore into mine with a mixture of desperation and hope. “Ryan, you have to try to remember. Think hard. What did the creature look like? Did you see anything else?”
I pull back slightly, uneasy with his intensity. “Dad, I told you. I don’t remember. It was just a dream. A nightmare, really. My mind’s probably just mixing things up.”
He lets go of me and runs a hand through his hair, looking frustrated and lost. “Dreams can be important. They can hold memories we’ve buried deep. Please, try to remember. This could be a sign, a clue.”
I rub my temples, feeling the beginnings of a headache. “I’ve tried, okay? I’ve tried for years to piece together what happened that day. But it’s all just fragments, like pieces of a puzzle that don’t fit. The dream… it felt real, but I don’t think it’s telling me anything new.”
Dad’s face falls, and he looks older than I’ve ever seen him. He turns away, staring into the forest as if it holds all the answers.
—
As we make our way back to the cabin, the sun begins to set, casting long shadows through the trees. The air grows colder, and I shiver, pulling my jacket tighter around me. Dad is silent, lost in his thoughts, his face drawn and haggard.
Back at the cabin, we unload our gear once again in silence. Dad disappears into his room, muttering something about going over his notes. I decide to explore the cabin, hoping to find something that might help me understand what’s going on with him.
In the attic, I find a box of old family photos and documents. As I sift through the contents, I come across a worn journal with Dad’s handwriting on the cover. Curiosity gets the better of me, and I open it, flipping through the pages.
The journal is filled with notes and sketches, detailing his obsession with the dogman. But there’s something else—entries that talk about Leah, about that day in the woods. His handwriting becomes more erratic, the words harder to read. One entry stands out, dated just a few days after Leah’s death:
“June 15, 2013 – It was supposed to be a normal trip. Keep them close, Frank, I kept telling myself. But I failed. Leah is gone, and it’s my fault. I heard her scream, saw the shadows. I tried to get to her, but… the thing, it was there. Too fast. Too strong. My hands… blood everywhere. No one will believe me. I can’t even believe myself. I have to find it. I have to protect Ryan. I have to make it right. God, what have I done?”
Before I can read further, the attic door creaks open, and Dad’s voice slices through the stillness.
“What are you doing up here?” His tone is sharp, almost panicked.
I turn to see him standing in the doorway, his face pale and his eyes wide with something between anger and fear. I clutch the journal to my chest, my mind racing. “I found this… I was just trying to understand…”
In an instant, he crosses the room and snatches the journal from my hands. His grip is tight, his knuckles white. “You had no right,” he growls, his voice trembling.
“Dad, I just wanted to know the truth!” I shout, frustration boiling over. “What really happened to Leah.”
His eyes flash with a mix of rage and anguish, and before I can react, he slaps me across the face. The force of it knocks me off balance, and I stumble backward, my cheek stinging.
For a moment, there’s a stunned silence. We both stand there, breathing hard, the air thick with tension.
“I’m sorry,” Dad says finally, his voice barely a whisper. “I didn’t mean to… I just…” He trails off, clutching the journal to his chest like a lifeline.
I touch my cheek, feeling the heat from the slap, and take a deep breath, trying to steady myself. “Dad, what aren’t you telling me? What really happened that day?”
“Stay out of it, Ryan,” Dad growls, his eyes dark with anger. “You don’t know what you’re messing with.”
He turns and storms out of the attic. I’m left standing there, my cheek throbbing, my mind racing. What the fuck is going on? What really happened to Leah? And what is Dad so afraid of?
—
That night, I sleep with my rifle within arm's reach, more afraid of my dad than any dogman. The slap still burns on my cheek, and the look in his eyes—rage, fear, something darker—haunts me. I lie awake, listening to the creaks and groans of the old cabin, every sound amplified in the stillness. Eventually, exhaustion pulls me under, and I fall into a restless sleep.
The dream returns, vivid and unsettling. I'm back in the woods, chasing after Leah. Her laughter echoes through the trees, a haunting reminder of happier times. This time, though, I push myself harder, refusing to let her slip away.
"Ryan, catch me!" she calls, her voice playful.
"I'm coming, Leah!" I shout, my legs pumping, my breath coming in ragged gasps.
The forest around us is a twisted, shadowy maze, the trees seeming to close in on us. Leah's figure becomes clearer, her blonde hair catching the dim light filtering through the canopy. She stops suddenly, turning to face me, her eyes wide with fear.
"Leah, what is it?" I ask, my voice trembling.
"Look behind you," she whispers, her voice barely audible.
I turn slowly, dread creeping up my spine. In the shadows, I see a figure, its form indistinct and shifting. It’s not quite animal, not quite human—something in between. The sight of it sends a jolt of terror through me, and I wake up with a start, my breath coming in ragged gasps.
I’m not in my bed. The ground beneath me is cold and hard, the smell of damp earth filling my nostrils. Panic rises as I realize I’ve sleepwalked into the woods. I scramble to my feet, my eyes adjusting to the dim light. The moon casts a pale glow over the surroundings, revealing what looks like a long-abandoned animal lair.
The walls are covered in giant claw marks, deep gouges in the wood and earth. The air is heavy with the scent of decay, and a chill runs through me. I can’t shake the feeling that I’m being watched.
Carefully, I start to move, my eyes scanning the ground, desperate for a familiar landmark. That's when I see them—faded scraps of fabric caught on the jagged edges of the underbrush. My steps falter, a sense of dread washing over me as I bend down to examine them. The fabric is torn, weathered by time and the elements, but unmistakably familiar. It's part of Leah's jacket—the bright pink one she wore on the day she disappeared.
As I strain to make sense of it all, a rustling sound behind me snaps my focus. My heart leaps into my throat. I spin around, my hand instinctively reaching for the rifle I don't have—because, of course, I didn't bring it in my unconscious state.
The shadowy figure that emerges from the trees is unsettlingly familiar, mirroring the menacing forms of my nightmares. But as it steps into the moonlight, I recognize the worn jacket, the weary posture. It's Dad.
"Ryan!" he calls out, his voice a mix of relief and stern concern. "I've been looking everywhere for you. What the hell are you doing out here?"
I exhale slowly, the terror ebbing away as reality sets back in. "I—I don't know, Dad. I must've sleepwalked again." My voice is shaky, my earlier dream still clinging to the edges of my consciousness.
Dad stares at me in disbelief. "You haven't sleepwalked since you were a kid, Ry. This... this isn't just a coincidence." His eyes dart around, taking in the surroundings—the eerie, claw-marked den, the unsettling quiet of the woods. "How did you even find this place?"
I shake my head, struggling to find an answer. "I don't know, Dad. I just... I woke up here." The uncertainty in my voice does nothing to ease the tension.
His eyes lock onto the tattered remains of Leah's jacket in my hands, and something inside him snaps. The color drains from his face as he stumbles a few steps backward. "This... this is where it happened," he murmurs, his voice barely a whisper. “This is where we found Leah."
“I thought you said you don’t remember anything from that night,” he says accusingly.
"I swear, Dad, I don't know anything about this place," I insist, my own heart pounding.
“It was you, wasn’t it? You’ve been hiding this from me.” His voice is frantic. “You... last night, the growling, it was you.” His voice rises, tinged with hysteria.
I step back, my pulse racing, feeling the chill of the night and the weight of his accusation. "Dad, I don't know what you're talking ab—”
"No!" he interrupts, his voice breaking as he points a trembling finger at me. "You knew, you always knew. It was you, Ryan. All these years, the evidence was right there, but I refused to see it. You were the dogman. You killed Leah!"
His words hit me like a physical blow, absurd and horrifying in their implications. "Dad, you're not making any sense. You're talking crazy! I was just a little kid! How could I–" I protest, my voice shaky.
He steps closer, his presence looming over me, the outline of his figure distorted by the shadows of the trees. "Think about it! It all makes sense now. You led us here, to this place, because you remember. Because you did it."
"Dad, stop it!" I shout, my heart pounding in my chest. "You're scaring me. You need help, professional help. This isn't you."
But he's beyond reason, his eyes wild with a haunted grief. "I have to end this," he mutters, more to himself than to me, his hand tightening around his rifle.
His finger hovers dangerously over the trigger of his rifle. My instincts kick in, and I know I have to act fast.
I lunge toward him, trying to knock the weapon away, but he's quicker than I expected. We struggle, our breaths heavy in the cold night air, the sounds of our scuffle the only noise in the otherwise silent woods. His strength surprises me, fueled by his frantic emotions. He shoves me back, and I stumble over a root, my balance lost for a crucial second. That's all he needs. He raises his rifle, his intentions clear in his wild, pained eyes.
I dive to the ground just as the shot rings out, a deafening blast that echoes ominously through the trees. The bullet whizzes past, narrowly missing me, embedding itself in the bark of an old pine. I scramble to my feet, my heart pounding in my ears, and I start running. The underbrush claws at my clothes and skin, but I push through, driven by a primal urge to survive.
"Dad, stop! It's me, Ryan!" I shout back as I dodge between the trees. Another shot breaks the silence, closer this time, sending splinters of wood flying from a nearby tree trunk. It's surreal, being hunted by my own father, a man tormented by grief and lost in his delusions.
I don't stop to look back. I can hear him crashing through the forest behind me, his heavy breaths and muttered curses carried on the wind. The terrain is rough, and I'm fueled by adrenaline, but exhaustion is setting in. I need a plan.
Ahead, I see a rocky outcrop and make a split-second decision to head for it. It offers a chance to hide, to catch my breath and maybe reason with him if he catches up. As I reach the rocks, I slip behind the largest one, my body pressed tight against the cold, damp surface. I hear his footsteps approaching, slow and cautious now.
As I press against the rock, trying to calm my racing heart, I can hear Dad's footsteps drawing closer, each step crunching ominously on the forest floor. He's methodical, deliberate, like a hunter stalking his prey.
“Come out, Ryan!” Dad’s voice is ragged, filled with a blend of fury and pain.
My heart pounds against my chest, the cold sweat on my back making me shiver against the rough surface of the rock. I know I can't just sit here; it's only a matter of time before he finds me.
Taking a deep breath, I peek around the edge of the rock, trying to gauge his position. I see him, rifle raised, scanning the area slowly. This might be my only chance to end this madness without further violence. I need to disarm him, to talk some sense into him if I can.
As quietly as I can, I move out from behind the rock, my steps careful to avoid any twigs or leaves that might betray my position. I'm almost upon him when a branch snaps under my foot—a sound so trivial yet so alarmingly loud in the quiet of the woods.
Dad whirls around, looking completely unhinged. "Ryan!" he exclaims, his rifle swinging in my direction. Panic overtakes me, and I lunge forward, my hands reaching for the gun.
We struggle, the rifle between us, our breaths heavy and erratic. "Dad, please, stop!" I plead, trying to wrestle the gun away. But he's strong, stronger than I expected.
In the chaos, the rifle goes off. The sound is deafening, a sharp echo that seems to reverberate off every tree around us. Pain explodes in my abdomen, sharp and burning, like nothing I've ever felt before. I stagger back, my hands instinctively going to the wound. The warmth of my own blood coats my fingers, stark and terrifying.
Dad drops the rifle, his eyes wide with horror. "Oh my God! What have I done?" he gasps, rushing to my side as I collapse onto the forest floor.
As the pain sears through me, a strange, overpowering energy surges within. It's wild, primal, unlike anything I've ever experienced. Looking down in horror, my hands are no longer hands but large, hairy, clawed appendages. The transformation is rapid, consuming—my vision blurs, senses heighten, and a raw, guttural growl builds in my throat.
In that moment, a flood of understanding washes over me, mingling with the horror of realization. These are the hands of the creature from my nightmares, the creature whose face I can never fully recall because, as I now understand, it is me.
What happens next feels detached, as if I'm no longer in control of my own actions, watching from a distance as my body moves on its own. I turn towards my dad, his face a mask of terror. He stumbles back, his eyes wide with the dawning realization of what his son has become.
The forest around us seems to fall silent, holding its breath as the nightmarish scene unfolds. I can hear my own growls, guttural and deep, filling the air with a sound that's both foreign and intimately familiar. The pain in my abdomen fuels a dark, violent urge, an urge that's too strong to resist.
With a ferocity that feels both alien and intrinsic, I move towards him. My dad, paralyzed by fear and shock, doesn't run. Maybe he can't. Maybe he doesn't want to.
The encounter was brutal and swift, a blur of motion and violence. My dad barely puts up a struggle, as though resigned to his fate.
Not that there is anything he can do. The creature that I’ve become is too powerful, too consumed by the wild instincts surging through me. I tear him apart, limb from bloody limb, my hands—no, my claws—rending through fabric and flesh with disgusting ease.
The sound of my dad’s screams, of tearing fabric and flesh is drowned out by the animalistic growls that echo through the trees.
When it’s all over, the red mist that had clouded my vision begins to fade, and the fierce, uncontrollable rage that drove my actions subsides. I'm left standing, my breaths heavy and erratic, in the eerie stillness of the forest. The transformation reverses as quickly as it came on, and I find myself back in my human form. My clothes are ripped to shreds, hanging off my frame in tattered remnants. At my feet lies what’s left of my dad, his body torn and unrecognizable.
I glance down at my abdomen, expecting agony, but instead find my wound miraculously healed. No sign of the gunshot remains, just a faint scar where I expected a bloody mess.
Shock sets in, a numbing disbelief mixed with a gut-wrenching realization of what I've become and what I've done. My hands, now human again, tremble as I look at them, half-expecting to see the claws that had so effortlessly ripped through flesh and bone. But there's only blood, my father's blood against my skin.
I stand there for what feels like an eternity, trapped in a nightmare of my own making.
Eventually, the shock wears thin, and a cold practicality takes hold. I need to get out of here. I need to cover my tracks, to disappear. Because who would believe this? Who would understand that I didn't choose this, that I'm not a monster by choice?
With trembling hands, I do what’s necessary. I bury my dad in a shallow grave, the physical act of digging strangely grounding. I cover him with leaves and branches, a pitiful attempt to hide the brutality of his end. I take a moment, whispering apologies into the wind, knowing full well that nothing I say can change what happened.
I leave the forest behind, my mind a whirl of dark thoughts. As I walk, the first hints of dawn brush against the horizon, the sky bleeding a soft pink. It’s hauntingly beautiful.

Hello Agent
There isn’t much time for me to give you this mission so you must listen carefully. There is someone that we need you to befriend to get more information on. Down below is what we know about her so far.

Name: Gillian Gender: Female Age: 25 From: Wisconsin Hobbies: writing, baking, and drawing abstract Music: 80's, classical, 2000's and jazz Favorite color: doesn’t have one. Favorite food: tacos Favorite drink: Regular coca cola 

One random fact about the agent: They have a unique self-published book. Rumor has it that the pages are filled with the emotions the agent normally keeps hidden.
To establish contact with the agent you must provide the details below to her. It is a first step in the right direction of gaining trust.

Name: Age: Where you are from: Tell her something you think is interesting about you: 

We know that she is a night owl by choice based on the report from the last agent. She has a list of health issues but continues to push on even with them. Doing such shows the determination and hard-headedness that she has. Although this has helped her through life it means that it is going to be another obstacle for you, take note of that.
She is anti-drug and anti-alcohol by choice. One thing that is a must if you choose to continue is she is quiet and shy. You might ask how I can get the information quicker, you can’t, it will take time and patience. If you do not have that turn around right now because you will just frustrate yourself while she sits there calm and composed.
You get to ask the agent one free question. Meaning no matter what you will get an honest answer.
Follow these instructions carefully. If you don't there is no guarantee that you will get a response. The agency wishes you the best of luck on what is going to be a tough mission.
Transmission terminated

This song is the song where I have the most issue with when it comes to the fans' interpretation of it. Their biggest argument for this is the football references, but they fail to consider that the football metaphors were just a way for Taylor Swift to draw parallels between the (American) football world and her situation.
In this analysis, I'll be doing a line-by-line breakdown of why this is not a Travis Kelce song, but is instead a song that she wrote where she is directly addressing her fans, much like how "But Daddy I Love Him", and "Who's Afraid of Little Old Me" were written.
Here it goes. Please bear with me!
This happens once every few lifetimes

• Suggests a rare and significant event. Taylor's comeback after a major public backlash (Kim Kardashian's Snakegate incident) and hiatus was a unique moment in her career, and in anyone's public career, really.

These chemicals hit me like white wine

• The "chemicals" symbolize the rush of emotions and excitement, akin to the thrill she feels from reconnecting with her fans by organising the Eras Tour.
• "White wine" can imply a pleasant, intoxicating experience, like the support she gets from her fans (look up her sales and streaming charts).

What if I told you I'm back?

• The "you" here directly addresses her fans, announcing her return to the public eye after a period of "absence".
• IMO this line is not at all a shade to Joe, but directly references the line "but I come back stronger than a 90s trend" in willow.

The hospital was a drag / Worst sleep that I ever had

• This song is a direct reference to epiphany, and, on a bigger picture, the pandemic. We must remember that her plans ("Loverfest") were all cancelled thanks to Covid.
• The line also metaphorically refers to her time in "hiding" or dealing with the aftermath of the public fallout, which was a difficult and restless period.

I circled you on a map

• This is the easiest line - she always plans her tour ahead and would choose the locations that she would be performing at.
• This symbolises her plan to reconnect with her fans, targeting them, in each location, specifically as her focus upon her return to touring.

I haven't come around in so long / But I'm coming back so strong

• This line once again emphasises her "hiatus" and assures her fans of her strong comeback.

So when I touch down / Call the amateurs and / Cut 'em from the team / Ditch the clowns, get the crown / Baby I'm the one to beat

• "Touch down" signifies her reentry into the music industry. "Call the amateurs and cut 'em from the team" represents reclaiming her position, emphasizing that she is the top artist and dismissing those who doubted her or tried to take her place.
• "Baby I'm the one to beat" represents her thoughts that she's the one "ahead of the curve" (this is me trying). Now, couple that with her AOTY award for her albums "folklore" and "Midnights", despite the strong competition she had (SZA, Harry Styles, Dua Lipa) - no, folks, Taylor Swift is the one to beat.

Cause the sign on your heart / Said it's still reserved for me

• Indicates the unwavering loyalty of her fans who kept a place for her in their hearts despite her absence and the controversies surrounding her (in general)
• .

Honestly, who are we to fight the alchemy?

• "Alchemy" symbolizes the magical, transformative bond.
• Taylor thinks that the bond between her and her fans is a magical one, one that withstands challenges and changes.
• The Alchemy is what makes her bejeweled.

Hey you, what if I told you we're cool? / That child's play back in school / Is forgiven under my rule

• Now, this line is where she addresses her fans directly. In this line, she is suggesting that she forgave all that drama ("child's play") back during the snakegate. (disclaimer: we know she forgives, she forgets, but she never let's it go -- so let's move on from this one lol)
• But basically, between her and the general fans, she's saying that she's 'moved past' what she thought was her fans' reaction to the the public feuds and media drama.

Now, let's move on to the bridge!
Shirts off, and your friends lift you up over their heads / Beer sticking to the floor / Cheers chanted, cause they said

• This is where she uses the football metaphor to describe the celebratory atmosphere of her concerts, the unity, and the joy her fans experience together.

There was no chance, trying to be / The greatest in the league / Where's the trophy? / He just comes running over to me

• This line! Basically reflects on how she defied the odds and criticism to become the "greatest" with the support of her fans, symbolizing victory and recognition.
• By all means she is currently "the greatest".
  • She is, afterall, the first person in Grammy history to win album of the year four times.
  • Her name is definitely up there as one the greatest of all time, according to Billboard.
  • There's more but I mean, it's like repeating the same points basically.

These blokes warm the benches / We been on a winning streak

• In this line, she is trying to say that everyone else are just warming the benches, while she's the one who's been out there on a winning streak with folklore, midnights, and the eras tour.
• Her usage of "we" here indicates not only "her", but everyone involved, including her fans. This reinforces the alchemy that she has with her fans, and that all of this is a mutual success, i.e. she would not be here without the support of her fans.

He jokes that it's heroin but this time with an "E" / Cause the sign on your heart said it's still reserved for me

• This line is a controversial line, because of her usage of the word "he". Now, who is "he"? Is it Travis Kelce? Or could it be Matty Healy, considering his history with the pills? In this song, this actually does not matter. Why?
  • The point of this line is to symbolise the feeling she feels when she's performing, bejeweled, in glittery skirts, and the feeling insider of her when her fans giving her a standing ovation. To her, this feeling is euphoric. It's like taking heroin.
  • Because she is a female artist, she feels like a heroine in her show. Everyone pays attention to her, and only her. As with all heroines in movies (specifically, those movies with no heroes).
  • Combining both together, "Heroin with an 'E'" signifies as a powerful, euphoric connection (her and her fans) that's not destructive (unlike Heroin), but rather, a positive, euphoric, and uplifting feeling.
• Again, the "sign on your heart" symbolizes fans' loyalty.

and finally, this line....

• Where's the trophy? He just comes running over to me.
  • Before I do a deep dive on this, let's establish the definition of the "trophy". The "trophy" symbolizes ultimate success, victory, or recognition in a competitive field.
  • This line is a rhetorical question. There is no actual "trophy". Taylor Swift is the trophy.
  • Any dudes dating her should recognise that. That she's the trophy.

Addressing the (American) football references in this song:

As mentioned before, the football references in this song are simply metaphors to help illustrate the themes of competition, triumph, and teamwork.

• "So when I touch down"
  
  • While "Touchdown" is a direct reference to scoring in American football, it also, in a literal sense, means refers to when she has landed in her private jet. At this point, we all already know about her and her private jet "news" - I do not need to elaborate on this.
  • "Touching down" symbolizes a notable return after her hiatus and public controversies, Taylor Swift’s "touch down" represents her re-emergence into the public eye with a strong, confident, and elevated status.
  • In the context of the song, it symbolizes Taylor's return to the public eye and re-establishing her position in the music industry.
• "Call the amateurs and / Cut 'em from the team"
  
  • This phrase uses the concept of a sports team to signify separating the less dedicated or less talented (the "amateurs") from the main group. It implies that only the best and most loyal (fans) shall remain, akin to a team selection process in sports.
• "Shirts off, and your friends lift you up over their heads / Beer sticking to the floor / Cheers chanted, cause they said"
  
  • This imagery is reminiscent of celebratory scenes in sports, particularly football games where fans celebrate their team's victories with loud cheers, lifting people in celebration, and the chaotic but joyful atmosphere, very much like the Eras tour.
• "There was no chance, trying to be / The greatest in the league / Where's the trophy?"
  
  • Directly references sports league competition and winning a trophy, which signifies achieving the highest honor or success. And who is she? The Billboard Woman of the Decade. The first person in history to win the AOTY 4 times. One with one of the highest grossing tour of all time. Yes by all accounts she's the music industry.

TLDR: If you switched the "you" in this song to reference "the fans", this song will make complete sense. Now, try giving this song a listen, and think of "you" as "yourself" (the fans).
Taylor Swift's song "The Alchemy," is basically a powerful ode to her fans, chronicling her journey through public scrutiny and her triumphant return to the music industry. It draws parallels to her tumultuous period following the "snake gate" incident with Kim Kardashian and her subsequent hiatus before the release of "Reputation," the lyrics reflect a narrative of resilience, redemption, and the unwavering bond between Swift and her fans.
Once you are able to interpret "you" as "the fans", you'll be able to see, without having to do too much mental gymnastics, that the song is about the transformative and enduring connection Swift shares with her loyal supporters.
If you've made it this far, thank you for reading. Sorry for any typos or grammatical errors - but I hope I helped you made sense of the song!

Hello everyone, first time poster. I’m so sorry for the long post! I am a primary school teacher in the UK. For some context, I’m relatively new to it, overseas trained, worked as a TA and I’ve been working as a teacher in Y1 mostly for a couple of years.
I really like my peers and SLT at the state school I’m at. However, the children from reception to Y6 are absolutely out of control. Insults, throwing stuff around the classroom, physical injury (to other children and to adults) etc… it’s a rough area, lots of needs, very little parental engagement, few resources, etc. I feel like it’s going to draw me out of education altogether.
However, I have been offered to interview for a private nursery nearby. I would be working with 3&4 years olds. Low teachestudent ratio, lots of resources, easier kids, not many educational needs etc. I’m quite terrified to underperform at the interview because I don’t have infant/EYFS experience.
If anyone has any advice that could be helpful (what to look for at the school/how to sell my experience to them, considering it’s so different, what is important etc) I would be grateful. Thanks!!

I had been considering this for a while and have finally gotten an idea of how it should look. I tried to draw the image from my head but I am no artist, can anyone help? If anyone is interested I can send what I had drawn for more details.
That tattoo would be a dagger than holds and olive branch crest on the dagger. Above the dagger would be two doves, mirrored. The idea is to represent finding peace. I also am open to ideas and interpretations.

Its common knowledge she is his fav character. But for someone's fav character, she hasn't had much struggles or character development since arc 4 which is a decade old at this point. And does not feel like an equal to subaru as the main heroine because she is not allowed to suffer physically or mentally anywhere near as much as him nor her naivety is punished by the narrative.
Every author has a fav character. But to being able to portray a child subaru get beheaded while you can't even draw emilia bleeding when fighting without her just dying feels 'unprofessional' for a lack of better term. While she is hated for unfair reasons for most if the world, she hasn't had an arc where she has a personal antagonist of her own like todd or roswaal for subaru. (Pandora is endgame.
Tappei once said that both of his leads are gonna have 3 transformations to complete their journey as hero/heroine. Subaru serms to have had 2 by now. But emilia ony has had 1 in arc 4. According to the recent talkshow, she only has one left which is weird because when did she changed post timeskip ? Arc 5 cannot be it becuz she didn't understood her love yet and she was not the emotional focus nor she of it like subaru is in arc 3 and 6. Nor she did got dedicated time for any development. So either he changed his mind or is now going too easy on her to the point that its not even light favoritism but active detriment.
I hope his moments for emilia to shine are not just her being able to fight someone like sphinx currently in arc 8. It feels very annoying when you have him constantly creating more despairful situations for the mc to grow and make him feel cooler in his words but does not do that the same for the heroine for whom he created this story for in the first place. Emilia has not had any moment of serious hopelessness or a brutal antagonist of her own to struggle against and emerge victorious alone by herself. Her reunion did not felt anything emotional with subaru.
I still have hopes tho cuz Vollachia was not planned and he constantly surprises us. But I do hope we some progress in her character or her realtionship with subaru in the next arc cuz otherwise after so many years of no primary focus on the heroine feels.. strange and frustrating. He better not hold her transformation till arc 11 or something cuz then her character would be imo a permanently damaged a bit because of just how long we were made to wait for it no matter how good it will turn out to be.

The title won't do justification but I 23M and my gf 23F after a long break of about 7 months with text here and there which was a long story at the side. We started talking very well after the break and mind you she is a good girl in all aspect of life so. for about a month and after the Ramadan is over I told her I will give her the Ramadan gift she requested for after we meet (yes it was a long distance) she said okay and I asked her what time could that be? She said she doesn't know, I told her we can improve our relationship from here by having a goal which is meeting eachother and I added that i just wanted us to discuss about what time frame and what way we could meet. Along the conversation I said "I meant (what you think) and not (sure of)" just to reduce the pressure from the question. She said what I said is rude and I apologise genuinely 3 times immediately she said that, with no justification even though I'm sure it's not a rude sentence but since then she started ghosting again, won't pick my calls, won't return it even after giving her space of like a week, she replies my text once in while and chatted just like she would with a stranger. Not to make this long I told her it's exhausting and I have checked out as well but I will be very open to trying again because I want and love her but only if she can tell me the same. Further in, I said "I was always trying to show you that I love and want her at every opportunity I can get but she was just there nothing" during every issue we had She took that "nothing" as the last draw and end things. I can see her perspective of her still replying once in a while as her own of doing something and not ghosting entirely. During the first 7month break, her parent seperated and money suddenly became tight so I understand how exhausting that could be. So I can partially excused that long break but I wonder if whatever I did is really that bad cos I am not even seeing myself the same way anymore, I don't see myself as someone that can hold conversation anymore cos maybe i am truly shitty in having conversation whenever i bring anything up. I already triple text though 😂 and still left hanging. I think what I needed is the peace within myself cos I can't find it. I felt I ruined everything and I could have been more patient or something. Doubt if anyone will read this.
TL;DR; : What could I have done better?

As the title implies, I need some help figuring out how to balance what should be a theatrical moment with actual game mechanics. The reason why I brought this up is because it was during a final boss fight where a mad desperate queen was performing a ritual to revive her fallen beloved king and that my players had to stop her ritual since she had to perform blood sacrifices for it to happen. To cut a long story short the queen managed to revive the king mainly due to them rolling low on the initiative count and one of the players argued that the revived king wasnt allowed to have their legendary sword equipped upon their revival as well as the queen shouldn't be able to grab the legendary shield to give to him either nor take actions. Basically argued mechanical game reasons why since I was describing a scene to them where the King stood up drawing their blade and the queen grabbed the shield to offer to the king and that would start the real final encounter. Ended up putting the game to a bit of a halt near the climactic end. I understand where they're coming from since they want to avoid their party from being dealt tons of damage since they knew before hand that these legendary weapons contain great magic within them since the mini bosses they fought to get there also had similar versions with the effects just being glorified breath weapons. In the end what ended up happening was the same player stole the shield and prevented the King and queen from taking their turns on their initiative counts since one already did their action to cast a ritual while the other had to use theirs to only grab either the sword or the shield since dead people don't have weapons equipped. I know the argument that can be made is that these things should be hand waved away to keep the game flowing but they really weren't into the idea and still wanted to argue against it. Any help would be appreciated in case something like this happened again.

In November 2022 an ex ended a 3 year relationship with me in a very dramatic and unhealthy way. I felt relieved; later I realized our dynamic was very toxic and manipulative.
Since then I tried connecting with new people, both through my social life and the apps. My experiences were a range of ‘not great’ to ‘horrifically bad’. An example of ‘not great’: on the first meeting the guy was crying in my arms because he was still in love with another woman. We are friends now. Example of horrifically bad: the guy would not let me leave his flat and joked about kidnapping me.
I am not really the type of person who needs a relationship to feel ‘happy’. I love my work, my interests, my family, I have many friends around the world, I feel always blessed and surrounded with joy.
In November 2023 I met someone from HK and I learned that something was missing in my life that I hadn’t even realized was missing. Together we created magical worlds in poetry, drawings, stories and shared experiences. I felt more connected to my creative and playful self, I felt more present, less invested in the digital world, enjoying the slowness of the world softly turning around me. I loved how he lives his life with intention, how he connected with all the little creatures around, how he cultivated a garden. Sex was also incredible.
It lasted 5 months. A few weeks ago it ended. For several reasons, he could not commit to a relationship with me.
Now I am trapped in the ‘what if’s. Imagining what my life would be like if we could be together. I am trying to bounce back, but it is not easy. Everything that was so fulfilling before feels so faded now. But I also don’t want to long for a person who doesn’t want me. It doesn’t feel nice.

Hey! Would someone be willing to help me straighten out the bullet points on my resume before I repost it?
I have some examples ready here! If you only want to look at one bullet point that's fine and I appreciate it! I'm just struggling to make these and even after reading through the wiki and looking at success stories I'm still not including what I need to. I'll just do the work section for now and hopefully I'll get a hang of it so I can replicate it on the project sections. If you want to see the project sections I can always edit the post to add them :)

Section 1: Work

• 'Updated, corrected, or clarified company engineering drawings using SolidWorks or Autodesk depending on original file type in order to meet customer needs and maintain standards'
  
• 'Reduced the amount of parts being sent back with issues by 25% and ensured quality standards by using various inspection methods and tools such as calipers, thermometers, pyrometers, and multimeters'
  
• 'Fabricated thermocouples and RTDs using methods such as welding, brazing, and sandblasting in order to generate product that could be shipped to customers in a timely manner'
  

For my job, I create thermocouples and RTDs- small electronic parts. Also the thermowells and ceramic tubing that protects them. It's mainly shop work with TIG, Micro, and Hydrogen welding, oxy-acetylene brazing, sandblasting, mills, lathes, belt sanders, wire wheels, hydraulic tube bearers and what's essentially a horizontal impact hammer used to get MgO out of the tubing to get to internal wiring.
When I graduated I was titled 'engineer' but I still do mostly the same things, just with the added responsibility of fixing 3D drawings that are outdated, need a change, or just outright bad and confusing to read. I also will do quality control on parts shipping out and I'll take measurements with pyrometers, multimeters, and calipers in order to make sure that the parts were built to spec and are working (and look good and have the correct quantity). I also have to fix various machines as they break, though I do have help with that. And I was responsible for setting up the brand new hydrogen welder. Have been learning coding on the 5D cnc mill but I'm not listing that since the last time I did it was high school, though I do know how to do it just not that well.
Sorry that's a lot to read. Thanks for the help!! I really do want to do this right and get a job.

EXTRA: From a project

• 'Wrote code using MATLAB with Simulink block libraries to calculate needed aircraft performance parameters and revealed reasonable figures for static and dynamic damping coefficients'

I slept fine, I didn’t fall asleep so nicely. I don’t know why, I felt perfectly adequate all evening and then bam I cry myself to sleep. I don’t know how or why, and I didn’t even cry over anything in particular it was just any and everything. And I just kept crying and crying, like a baby. I had to switch pillows twice because I drenched it, but I got to sleep on my favourite pillow by the time I was almost asleep thankfully. I can be so picky with pillows, another thing mum tends to call me, even to this day - the princess and the pea. Or rather she likens me to her… I can’t entirely say I disagree tbh. I just like things a particular way, not all things, I can be relaxed about plenty, but there are some things I just to be just so. My pillows when I sleep for example, how the dishwasher top rack is stacked etc. Entirely inconsequential things really. But anyway. I didn’t fall asleep so nicely. I woke up feeling better, still a bit sad but nothing I couldn’t ignore.
It’s now 12:58pm and I’ve done next to nothing. I’ve been watching BT, I’m not writing the name of the show because I feel like that might be search heavy at the moment? So I’ve been watching that, I’m midway through the third episode now and there are four out so far. I’ve also painted some of my lil clay things with primer. And that’s about it. I really need to clean and tidy my room but the idea of it… ugh. I don’t want to :(
I’m loving BT so much. I like the stories and characters and stuff, but I mostly love the sets and costumes. They’re just so luxuriously opulent and uggghhhhhhh I want to just stare it all. Sometimes I wish they would clear out the cast and just give us a tour of the rooms and show all the details of the gowns. But like I learned in therapy, beauty is something I value highly, not in a vain way but in the way I utterly adore beautiful things whether it be a stunningly ornate wallpaper, a sparkly bead encrusted gown or even a leaf that is the perfect shade of green. I just love it all and it brings me so much joy, more than I realised now that I’m conscious of this value of mine. But the BT house itself, particularly the drawing room ommmmgggg. The blue? I think it’s called wedgewood blue from memory, with the creamy/white detailing. And all the light streaming through. It’s so dreamy. And it makes me love my blue and white bedroom more. And the gowns!!!!!!! I wish I could roll around in them, they’re so sparkly and detailed and beyond beautiful. Particularly the ones crusted in beading and with the luxurious silks and satins and velvets and taffetas and organza and all of it. And the colours! It’s all so dreamy. I don’t overly love the style of a lot of the gowns, that sort of empire line, mainly because it only looks good on women with fewer curves and a flatter chest, they can look gorrrrrrrgeous in them. But otherwise if you have any kind of cleavage it looks so weird and bleh. I love Penelope so much, she’s always been a favourite character and she honestly deserves the very best. And Colin definitely got a glow up prior to this season. His brown coat is so delicious. I’m beginning to wonder if I should read the series…? I do love a lil historical romance. Anyway I don’t even Penelope and Colin to end up together, I mean Lord Debling is so lovely and Colin is off sleeping with hookers… like? Then again I know I am wrong in how I think and feel about all of this. I know I have expectations ghat are unfair, I mean maybe not for everyone but if I’m nothing special and therefore not enough then can I criticise. This doesn’t make sense. Anyway. Actually nevermind I just watched the fourth episode and I am very much Team Colin. EEEEEEEEEEEEEEEEEH!!!!!!!! But now I have to wait for part two in mid June :(
I’m going to the office tomorrow. I don’t want to. But oh well. I’m going to make a concerted effort to get back in twice a week - I’ve been slack with it and it doesn’t help me become better. Leaving the house more is important, so this shall be one of the ways. I’m also going to get some new sneakers and a walking jacket so I can go for walks more regularly. I’d like to go several times a week, but I’ll work up to that. I love my walks, I love them a lot but I just get filled with every negative emotion when I go for them around my house, to the point I’ll start having tears running down my cheeks or shaky trembly hands - it’s pathetic. I think environment is everything, and purpose. When I walk pups at my parents I don’t feel these things, I’ll be a little anxy but nothing I can’t manage. But here? It’s so hard. It’s so stupid I know. But I love walking, I feel better when I do it regularly, so I shall keep forcing myself to do it until I feel okay about it. I know this is what I have to do, but the way it makes me feel inside… it never feels worth it. To be 20 minutes walk from home and feel on the verge of a panic attack is NOT a good feeling and it only makes my panic worsen. So baby steps. I’ve been considering on and off moving to a different area, I think I would feel more comfortable in other areas, I don’t know why I don’t here but I don’t. But moving elsewhere is no different to running from problems so I will sort it out here.
I broke his little bowl. I didn’t mean to :( I feel kind of upset about it, it’s been two weeks in the making with time to shape, dry, prime and I was doing a final layer of primer pre paint and my stupid finger went through the base. So I guess it would never have been a good present anyway because it broke so easily. But I bought a really pretty coloured paint because I thought he might like it and I just feel upset. I showed him it, idk why, I just messaged him a picture of it now and I already wish I hadn’t. I shouldn’t have even made anything for him in the first place, he’s made it abundantly clear he doesn’t care for homemade things - cards, presents, whatever. If he did like them he would comment on them, and he never does, so maybe it’s a good thing this broke. I just like sharing things with him, like when I draw and I like a tree I’ve drawn I want to show him, except I don’t because I’m utterly rubbish at drawing and it makes me look like a five year old. I at least appreciate his honesty, or transparency rather. It means I can understand what he does and doesn’t like. I just think his likes don’t mesh with my like of making homemade cards and presents. It’s not like I only give him that though. Anyway it doesn’t matter, plus it’s probably better for me to not share things like this given I don’t have any skill or natural talent with it. Just because you enjoy something doesn’t make you good at it.
I don’t feel so great this afternoon, mood wise.
I’ve done the absolute bare minimum with my room, and the bar was set very, very low today. I tidied the floor up a bit, I made my bed, did a lazy tidy of my vanity desk thing.. that’s about it. I’ll do more across the week.
I feel.. detached today. This afternoon, rather. I know I love my family, Andy, puppy… etc. I just can’t feel it. I know it’s all in there, but I feel detached and I can’t reach it. This isn’t unusual, I just always try to describe the feeling and always fail. I think knowing I care but not being able to feel myself care sums it up as well as I’ll ever be able to.
I found a little notebook of my early days of therapy, well with this current one, maybe not that early actually but idk. It was just me writing down who I am. The first is “I am a human” because I had to start with the basics. The last line is “I try my best to be friendly” - I think I will continue with this. No one really comments much on me so I will just write it as things feel write. From memory it was also a way to force myself to speak more kindly to myself, ie I am a woman vs I am a monster. And things like I’m generous, I love animals, I am quiet, I try to be patient, I love romance, I appreciate attention to detail, I like to care for others, I am a homebody, I love reading etc. And then scattered amongst it was some honesty, like I can be a control freak, I am quite particular about some things, I am indecisive, I am sensitive etc. And then next to I am a friend I have a question mark. But I want to continue writing these things, I think it’s helpful when I feel lost in myself to be able to read through a list of things I’ve written and be reminded. That sounds so silly to not know who you are sometimes, but sometimes I just feel so unbelievably lost and unmoored from everything, even myself. So I’ll write all the good things, and the bad. I’ll write things that I like, things that I don’t. I’ll write things I want in my life, things I feel like I should want but don’t, things I shouldn’t want but do etc etc etc. It’ll be a little tiny notebook of everything me. I wonder if sometimes it’s possible for me to get any lamer? Unlikely.
I’ve been thinking about stopping journaling here more and more. I get more out of posting it here, it feels like a release, like I’m letting all the thoughts go which is especially helpful with my negative ones, I don’t know.
It’s 5:23pm. I need to wash and blowdry my hair, as it’s still damp in the morning lately. I need to have something for dinner, I guess. I’ve been struggling with eating lately, I feel so ugly and it makes me not want to eat and then that sets off a bad string of things. I’ll have something little, vegemite toast maybe. I need to pack my bag for tomorrow. And that’s it.
I feel better after a shower and chat with Andy, I still feel not good but he perked me up on the outside. He makes me laugh so much :) It’s kind of weird to think I’ll be living long term in Australia, like I’ve always intended on living there - until my mental health and covid messed things up a little for me timeline wise. But to think I’ll maybe say Australian things…? That I’ll say thongs? And I definitely will because I cave quickly, like I was only in the UK two years and I said crisps and trainers and I still do to this day, which I’m actively trying to stop. I wonder what my accent would sound like after like ten years… I really doubt I’d ever lose my accent. It’s funny how I do probably sound a bit different when talking to him versus my mum. I just talk more softly with him, I naturally do anyway to the point I have people comment semi regularly on how soft spoken I am, but idk, I don’t even mean to speak to him a certain way, I just do? And then he hears me talking to mum and I probably sound like I’m wearing Jandals and stubbies while loading up the ute as I prepare for a tramp in the bush. Christ. I do love being from here though, in theory I would rather we live here than Australia, and never say never… but it makes more sense to be there. I don’t really have anyone here other than my parents whereas he has family and friends and his payments and all of it. I don’t really have any ties here. Anyway.
I get to spend time with him tonight :) Night night

Hi,
I hope I'm not breaking any rules, I have read them all and I think it is ok to post it here.
Yesterday I connected to play with a real life friend. I was going through the infinite menus of WR when I guess I accepted an invitation to play.
We start waiting for a match when I realize the player was not my friend. What draw my attention was that there was a message saying that it was going to take more time because the other player had a penalty. My inmediate reaction was to cancel "Ready". But now comes the weirdest part, somehow the other player was able to start finding a new match anyways. I cancel "Ready" again, but the other player again was able to start finding a match. We go back and forth about 30+ times. If I tried to get out from the group a message with an error appeared. Finally I was able to close WR using my phone OS. Then I come back to the game to see that I was still queing with that player!!! Fortunately, due that he had the penalty no match was found yet so I was able to cancel it. I went back and forward again trying to get out of the game. Finally I was able to I don't know how.
I tried to make a video but I was nervous so I only have a photo with the name of the player.
Can someone explain to me what was going on? Has anyone had a similar experience?
Edit: he also tried to invite me to a new lobby after I was able to get out.

I need to vent. It has become too much. In the past four months I have been harassed by hundreds of people about wearing a mask. I’ve been called a pu, re*, sheep, beta, idiot, brainwashed, loser all within the past 24 hours. Every day, every hour, someone is leaving a hateful comment on YouTube or Instagram about me wearing a mask. I do not make any political statements or try to draw any attention to it, yet the center of attention is always on the face mask I’m wearing. I am recording Casino content, which puts me in environments where I am surrounded by people smoking, coughing and entering my personal space. When I get sick, I become confused, fatigued, and experience blurry vision. I sleep away entire days and sometimes weeks from how tired I get. I truly am trying to avoid respiratory viruses because it seems like almost anything can knock me out of partaking in life. I felt confident I was doing the right thing by attempting to protect myself by wearing a mask. These awful people have me so convinced I’m in the wrong that I don’t want to go out in public or even make videos anymore.
I started the channel over a year ago prior to having MS, but since the diagnoses I don’t feel safe to go out without a mask. It made me happy to connect with millions of people, but now, I don’t know anymore. Out at the store, out grabbing coffee, I can just tell based on how people look at me and speak to me I’m being judged. I’ll go out sometimes to the same places without it on and I get treated nicely and feel welcomed.
Am I wrong to wear a mask? Do I need to explain to these people why I wear it? I’m asked all the time, but I stopped responding, because it usually posed as an invite for others to deliver more hateful things about me wearing a mask. I feel like my mental health is crumbling. I am usually able to take these comments without letting it get to me, but my patience lately has been used up by all the pain I’m in. How do I cope?