• Login to your FFXIV account at "Mog Station" -> http://sqex.to/Msp
• Under "Registration Codes" select "Enter Recruitment Code"
• Follow the on-screen instructions to enter the code RNJH8G42

• Friendship Circlet: Increases EXP earned by 20% when level 25 and below
• Aetheryte Ticket (x99): Using an Aetheryte Ticket lets you Teleport for free.
• Ballroom Etiquette Improper Greetings: unlocks a new emote - Fist Bump (/fistbump, /brofist).
• 10 Silver Chocobo Feathers: Trade to the Calamity Salvager NPC for equipment

1. Prompt: A Coding Duo
   Inspiration: Explore a neurotypical software developer's initial skepticism when paired with a highly functioning autistic colleague who excels in problem-solving and attention to detail. Dive into their collaborative journey as they create an innovative software project, challenging workplace stereotypes and fostering an unexpected friendship.
   
2. Prompt: Silent Symphony
   Inspiration: Write about a neurotypical music student forming an unlikely bond with a highly functioning autistic classmate who communicates through music. Explore how this unique friendship leads to a groundbreaking musical collaboration, breaking down communication barriers and inspiring those around them.
   
3. Prompt: The Art of Friendship
   Inspiration: Depict an art student's journey of understanding when they befriend a highly functioning autistic classmate with a passion for abstract painting. Explore how the neurotypical character learns to appreciate and celebrate the unconventional beauty of their friend's artwork, challenging artistic norms and fostering a supportive creative space.
   
4. Prompt: Sensory-Friendly Café
   Inspiration: Imagine a neurotypical entrepreneur opening a sensory-friendly café after witnessing the challenges faced by their highly functioning autistic sibling. Explore the daily operations, emphasizing the neurotypical character's commitment to inclusivity and understanding, creating a safe haven for neurodiverse individuals in the community.
   
5. Prompt: Workplace Advocacy
   Inspiration: Write about a neurotypical manager becoming an advocate for neurodiversity in their corporate office after working closely with a highly functioning autistic team member. Explore how the manager introduces sensory-friendly spaces, promotes inclusive practices, and organizes awareness programs, fostering a more supportive and accepting workplace culture.
   

one guy walking in video. he doing somthing on air and display holgram like virtual game and he spawn some "violin"(not sure is violin. it is string instrument, but i'm not good of music) he play that's 'violin', some time he play some code and do somthing than that 'violin' than it reapeat again of that code like roof station. end of music video 'violin' stop play music and holgram display score and rank. rank is not good(C D or F? not sure) and he complain rank.

• Physical attraction. I'm gonna want to see a picture of you sooner rather than later pretty please. 🤗
• Politically liberal. We probably won't get along otherwise 😂.
• Monogamous. You can still call other guys hot on TV though.
• A sex drive. I'm not looking for someone asexual is all I'm saying.

• Physical attraction. I'm gonna want to see a picture of you sooner rather than later pretty please. 🤗
• Politically liberal. We probably won't get along otherwise 😂.
• Monogamous. You can still call other guys hot on TV though.
• A sex drive. I'm not looking for someone asexual is all I'm saying.

Big issues

• Out of key (OOK): This refers to wrong key signature (e.g. mixing A Minor with B Minor), not blue notes from modes or short moments of modulation. Key rule of thumb: If you're going to use key databases, verify by ear. Tunebat is the least accurate. If you must do so, use a reliable key database like the ones in this post. DJ software can work, but some automatic key detection performs better than others and are far from perfect. Above all, databases are not perfect and some will be far from it, so ears will be the final judge of whether a pairing sounds good.
• Out of tempo/time (OOT): this usually refers to wrong tempo (e.g. mixing a 116 BPM track with a 118 BPM track) or not constant tempo and going out of time. Key rule of thumb: Sync your tracks and if you need to use any form of warping (see Ableton), be prepared to do so.
• Too much going on (a.k.a. playing both songs at the same time): This happens when playing multiple main elements at the same time to the point where multiple elements or entire songs played together clash in key, progression, or other things to make the combination sound unpleasant and hard to listen to. Sometimes this can sound really good if the progressions are compatible, but generally, less is more.
• Incorrect/bad beat alignment: This is more for when a vocal or element is offbeat enough that it really sticks out as a trainwreck when mixed together
• Wrong beat/out of structure/off structure/bad phrasing: This is when a vocal or other element is placed on a beat that doesn't make sense for what it's combined with (e.g. placing the first word of a vocal over an instrumental on beat 2 when it was meant for beat 1). Mileage will vary, sometimes the vocal beat placement only makes sense for the original song and makes less sense on others.
• Distortion from going in the red: This is when the overall mix or elements sound distorted because the volume of each track channel is too loud and either alone or combined goes well above 0 dBFS (a.k.a. into the red). Key rule of thumb: Start your track volumes at -6 dB (not 0 dB) and then adjust to taste. Don't go into the red unless you absolutely know what you're doing.
• Elements way too soft or loud: This is more along the lines of not being able to hear the added vocals or elements at all or they're too loud that you can't hear the other elements in the mix.
• Big mood mismatch: This tends to be less egregious, but if sources don't cooperate at all to a point of completely ruining the vibe, the mashup could stick out like a sore thumb from the start. Mileage will vary, and sometimes your audience would appreciate this especially with genre clashes even to the point of creating memes. But it depends on what you're going for, and sometimes you want consistency for certain albums and groups of tracks.

Smaller issues

• Fifth traps/not picking the right keys to use: This is a specific version of another problem I'll touch on, but this happens when you mix keys fifths or fourths away (e.g. F Major and C Major) and the chord progressions don't cooperate. What makes this a trap is that the pairing might appear to sound good at first glance, but when you look back at what you made, you probably could have made a better sounding pairing if you had just picked sources in key, relative key (e.g. A Minor and C Major), or parallel to the mode type (i.e. A Minor with A Dorian since Dorian is a minor mode). This Berklee Online article is a really good starting point to modes. With modes, mileage will vary.
• Out of progression/blue notes: This can happen when there are short moments where the element clashes on top of other elements (e.g. modes or short moments of different modulation). Sometimes the tracks may not be compatible, but other times it's just a part with notes outside the scale. This can be fixed by doing small note changes, but be careful not to make it too obvious, otherwise it might sound like you're forcing the pairing to work. It may also follow the same theme as fifth traps, where you could have made a better sounding pairing if you had just picked sources in key, relative key (e.g. A Minor and C Major), or parallel to the mode type (i.e. A Minor with A Dorian since Dorian is a minor mode). This Berklee Online article is a really good starting point to modes. With modes, mileage will vary.
• Low quality sources: This happens with YouTube or other rips where the elements are lower quality due to a lower frequency cutoff (YouTube is usually 15.5 kHz for AAC, other platforms may be 15-16 kHz for 128 kbps MP3, etc.). Bottom line: Get the highest quality sources you can, and use Spek or another spectrum analysis software to check rips or record pool sources. Your ears and processing algorithms will thank you. Again, you never know who will listen to or play out your track, could even be a big sound system.
• Stem separation artifacts: This can take several different forms, but can happen when either the invert or stem separation algorithm being used adds noise or other unwanted high end artifacts like high hats that once amplified, will absolutely stand out in a mix. This also includes artifacts from stem separation algorithms like Utagoe which make vocals sound like they're underwater at default settings. Key rule of thumb: Remember that the instrumental and original could be mixed and mastered differently depending on the production environment and how masters spread. If an invert makes a vocal stand out more but just needs extra cleaning, don't be afraid to combine the invert technique (original + instrumental) with stem separation. When using multiple stem separation techniques or using different sources (like remix + remix instrumental), think about how they sound on parts of the instrumental and consider picking the best extraction for a given part; remember that this includes using the original song (this is called comping in the production world). If there are parts of vocals intended to be silent and there are artifacts, don't be afraid to replace the reverb + delay with your own. Keep up to date with stem separation algorithms by keeping up with developments on the Audio Separation Discord server: https://discord.gg/wY3AAaTvHT
• A little too much going on: This happens in many cases when looking at megamashups, megamixes, and even simpler overlap of vocals where too many elements are competing for space at some point (e.g. two vocals at the same time competing for mono or midrange). Key rule of thumb: In production just as in life, leave elbow room! With vocals, this can be done by overlapping a lead source that's more mono (e.g. lead vocal) with a background source that's more stereo (e.g. background vocals or vocal pad). When transitioning, it's also really useful to slightly pan or automate pan and volume of the vocal you're trying to brief in, which can include repeating the first word or few words of a phrase. Volume and EQ may also be useful here to properly convey space.
• Weird time-stretch and pitch-shift artifacts: This can happen when using a lower quality time-stretch or a time-stretch that can destroy transients/drum hits (Audacity or Elastique Efficient on vocals, older Elastique Pro on full instrumentals) or pitching too much and/or with too much/little formant preserve. The best way to reduce these effects on instrumental is to think about combining stem separation with ways to improve quality (pitch everything BUT the drums unless tonal, experiment with different time stretch methods on different elements, etc.). For too much pitch or formant preserve, either pick sources that are closer in key (+/- 2 semitones is a good rule of thumb) and try to control the amount of formant preservation and/or envelope (in Ableton) to make the vocals sound more natural. Formant preserve is usually a good idea for pitched vocals, but can sound bad for pitched instrumentals especially drums depending on the track.
• Pops or clicks while editing: This tends to happen when elements like vocals are cut off when not at zero volume. Key rule of thumb: Edit to zero crossing and/or use fades to cut off regions or when combining different regions together.
• Flanging, phasing, or flamming while editing: Sometimes these effects are on purpose, but oftentimes when crossfading between different parts of an instrumental, both parts of the edit don't align on beat. Flanging and phasing applies for sample level edits (ms or more), flamming for tenths or hundredths of seconds (e.g. 0.05 sec or 0.1 sec). Flamming is a drumming term for when the same part of the drum kit (usually the snare drum) is hit twice with different sticks at close to but not exactly the same time.
• Starting the first part of the mix you can hear too early or too late: This basically falls into starting immediately at 0:00 (0 seconds) or starting two seconds in, so you end up starting the mix you can hear in the overall track too early that it's hard to correctly rewind in a media player or starts way too suddenly, or too late that it feels like an eternity for the track to start. Basic rule of thumb: Always start your track with a little bit of silence (think about 0.2 seconds minimum but all depends on source material).
• Incorrect end of loop region/end of track marker too early or too late: This falls into one of two categories. One category is forgetting to listen for the reverb tail or tail end of one of the tracks and setting the end of track marker too early to the point of hearing the mix completely cut off. The other category is when you forget to set the end of track marker, so it defaults to the end of the project, which leaves a lot of silence (think tens of seconds instead of a few to fade out) at the end due to the end of track marker being far too late.
• Vocals or other elements end too suddenly in an edit: You may want to get different vocals to interact with each other or edit out of artifacts from vocal stem separation, but the other vocal (or elements) sound like they were cut off. Key rule of thumb: Have a reverb effect handy, and if you're working in a DAW, take advantage of wet/dry automation and combine the reverb with delay afterwards in the effect chain for vocals and other elements so when you crank up the wet the decay helps fade out the element gracefully.
• Vocals or other elements start too suddenly or out of place when connecting them or transitioning: This also considers getting different vocals or other elements to work together or going to a new part, but refers to a new part using vocals or other elements sounding out of place at the beginning of a region in a transition. Key rule of thumb: Watch your crossfades and when you're in a pinch and want to start the next part gracefully, don't be afraid to use reverse reverb or other effect like a riser to introduce a completely new element or different part in a pinch. Reverse reverb is exactly what it sounds: Adding reverb to a short snippet of an element like a cymbal, vocal note, or pad, and then applying reverse on it. Often this is done by choosing a tonal center to transition into, choosing a small snippet to add reverb to, choosing reverb with a long decay time and big space (usually I do a Cathedral reverb), reversing it, and then carefully aligning the reverse reverb so the end of it hits the beginning of the next region. Whew that was a lot! Tutorials will do this much more justice but this is the general idea.
• Vocals too dry or too wet for the instrumental: Usually this depends on the instrumental's genre. For genres like pop or EDM, vocals tend to have some reverb applied to make them shine. For others like alternative and some classic hip-hop, the reverb might be less or no wet or a completely different type. This issue usually refers to too little reverb (too dry) or too much reverb (too wet). Key rule of thumb: Don't forget to have reverb handy. You might need it. Keep your wet low in the middle of a vocal depending on what you're trying to do (think 3-5% wet or - on the low side
• Vocals or other elements slightly too loud or soft: Self-explanatory, this is usually an issue where elements should be the right volume for elements to work well together.
• Vocals or other elements drowned out/don't gel due to hypercompression: This usually happens when using a vocal not from an EDM, hyperpop, hard rock, or other genre where there is hypercompression but no matter how much volume amount you try elements like vocals don't gel and compete for space in the mid range. Two common techniques take the form of adding more compression to a vocal to stand up to an hypercompressed instrumental and/or reducing mid band EQ of the other source (which could come from sidechaining). For the added compression, it tends to be done with either multiple compressors in series (e.g. two compressors using low threshold + high ratio and high threshold + low ratio) or through various guitar distortion plugins on settings meant for vocals (e.g. Camelcrusher with British Clean or certain presets of OTT). Don't be afraid to experiment.
• Master too loud or soft for the genre: This usually takes the form of using limiters and other effects to make certain tracks too loud for the genre intended, or not using anything at all and the track is too soft for the genre/commercial sound. This can come down to taste, but how a track was produced can affect how loud you master. Mileage will vary; listen to how loud tracks are made and emulate your favorites assuming nothing too egregious.
• Stereo issues: This can happen if there are elements out of phase when trying to combine mono and stereo or applying other effects. It's a bit more difficult to diagnose, but one rule of thumb is to test your overall track on different playback systems (from headphones to big speakers and even your phone or small bluetooth speaker which will effectively test mono depending on the device).

at net.minecraft.class\_3242.method\_14357(class\_3242.java:175) \~\[client-intermediary.jar:?\] at net.minecraft.server.MinecraftServer.method\_3813(MinecraftServer.java:908) \~\[client-intermediary.jar:?\] at net.minecraft.server.MinecraftServer.method\_3748(MinecraftServer.java:824) \~\[client-intermediary.jar:?\] at net.minecraft.class\_1132.method\_3748(class\_1132.java:105) \~\[client-intermediary.jar:?\] at net.minecraft.server.MinecraftServer.handler$cci000$carpet$modifiedRunLoop(MinecraftServer.java:23942) \~\[client-intermediary.jar:?\] at net.minecraft.server.MinecraftServer.method\_29741(MinecraftServer.java:650) \~\[client-intermediary.jar:?\] at net.minecraft.server.MinecraftServer.method\_29739(MinecraftServer.java:265) \~\[client-intermediary.jar:?\] at java.lang.Thread.run(Unknown Source) \~\[?:?\] 

at net.minecraft.class\_1309.handler$meb000$star$checkIfCustomFluidIsBreathable(class\_1309.java:44201) \~\[client-intermediary.jar:?\] at net.minecraft.class\_1309.method\_6094(class\_1309.java:347) \~\[client-intermediary.jar:?\] at net.minecraft.class\_1309.thermoo$ignoresFrigidWater(class\_1309.java:45181) \~\[client-intermediary.jar:?\] at com.github.thedeathlycow.frostiful.survival.EntityTemperatureController.getWetnessFreezeModifier(EntityTemperatureController.java:76) \~\[frostiful-1.0.8.jar:?\] at com.github.thedeathlycow.frostiful.survival.EntityTemperatureController.getEnvironmentTemperatureForPlayer(EntityTemperatureController.java:71) \~\[frostiful-1.0.8.jar:?\] at com.github.thedeathlycow.thermoo.api.temperature.EnvironmentControllerDecorator.getEnvironmentTemperatureForPlayer(EnvironmentControllerDecorator.java:62) \~\[thermoo-2.3.jar:?\] at com.github.thedeathlycow.thermoo.api.temperature.EnvironmentControllerDecorator.getEnvironmentTemperatureForPlayer(EnvironmentControllerDecorator.java:62) \~\[thermoo-2.3.jar:?\] at com.github.thedeathlycow.thermoo.api.temperature.EnvironmentControllerDecorator.getEnvironmentTemperatureForPlayer(EnvironmentControllerDecorator.java:62) \~\[thermoo-2.3.jar:?\] at com.github.thedeathlycow.thermoo.api.temperature.EnvironmentControllerDecorator.getEnvironmentTemperatureForPlayer(EnvironmentControllerDecorator.java:62) \~\[thermoo-2.3.jar:?\] at com.github.thedeathlycow.thermoo.api.temperature.EnvironmentControllerDecorator.getEnvironmentTemperatureForPlayer(EnvironmentControllerDecorator.java:62) \~\[thermoo-2.3.jar:?\] at net.minecraft.class\_1657.handler$mjl00f$thermoo$onTick(class\_1657.java:34911) \~\[client-intermediary.jar:?\] at net.minecraft.class\_1657.method\_5773(class\_1657.java:283) \~\[client-intermediary.jar:?\] at net.minecraft.class\_3222.method\_14226(class\_3222.java:510) \~\[client-intermediary.jar:?\] at net.minecraft.class\_3244.method\_18784(class\_3244.java:269) \~\[client-intermediary.jar:?\] at net.minecraft.class\_2535.method\_10754(class\_2535.java:259) \~\[client-intermediary.jar:?\] at net.minecraft.class\_3242.method\_14357(class\_3242.java:172) \~\[client-intermediary.jar:?\] ... 7 more 

• Unofficial skyrim special edition patch (USSEP) *almost every source says that this must be installed. It fixes core bugs in the game that developers have not bothered to update themselves

• Convenient horses *allows you to summon your horse from anywhere, store items on your horse, give followers horses, etc.

• Guard dialogue overhaul
• Follower commentary overhaul
• Misc dialogue edits and more
• Relationship dialogue overhaul

• Font replacer - eadui

• Vanity Mirror *this is to fix the makeup bug where your lips are off center when you create your character. I have not tested this yet, but apparently if you open up the customization menu with the vanity mirror then the makeup will work again. Cheat room also works for the makeup issue, but I didn’t want so many extra cheats in my game just to fix this one ridiculous bug
• Get no more dead followers *functionally turns off friendly fire for followers

• Flute finder - a skyrim gps tracker for npcs *this is because I always lost my followers in vanilla and it was super annoying
• Multiple Marriages *haven’t tested this yet so cannot vouch for its effectiveness
• Auto unequip ammo *unequips arrows when you uneauip your bow so that you’re not always walking around with a sheath on your back

• Master of Destruction (xb1) *adds new high level spells that target specific characters instead of killing everyone in the area
• Mining spell *I hate carrying a stupid pickaxe everywhere, so this spell mines for you. I haven't tested this mod yet though

• Better gold *adds slightly more gold when looting specific high level enemies
• Master trader 1x *this replenishes merchant gold each time you speak to them

• Chapter II - Jeremy Soule inspired music *Jeremy Soule composed the original game soundtrack. This adds a few hours of similar sounding music that blend in with the game

• Divine Atmosphere: Aetherius *my favorite setting is vivid or grim
• Divine Atmosphere: Aetherius vanilla snowflakes option
• Ultra realistic snow flakes (custom snowflake texture) *if searching for this mod, search for “snow flakes” instead of “snowflakes”

• pristine vanilla movement
• XP32 maximum skeleton special edition plus *changes some physics for smoother movement

• 360 walk and run *at first I put this in the gameplay mechanics category, but it did not work there. In the animation category it works as intended

• Wear multiple rings *this mod is more useful for stacking enchantments rather than pure aesthetics. Not necessary if you want a more vanilla game
• Divine texture pack - architecture
• Dark ages: fantasy dungeons
• Dark ages: dragon Textures
• Divine creatures texture pack
• Omen armors weapons and clothing *I highly recommend this one!
• Fluffy snow
• Dark ages - landscapes
• Divine skins and bodies for men *misleading name: this is actually unisex. Make sure this goes above^ divine people otherwise you might experience an occasional face glitch. This must be used along with divine people in order to work correctly
• Granite mountains *another mod I highly recommend
• Dark Ages: Trees of the north
• Divine SMIM *Static mesh improvement mod. SMIM mods redesign lots of small items in the game
• Lucidaps’ high poly project v5.x *This corrects blocky items to make things look more realistic. It cooperates with the SMIM to create beautifully textured and realistic item designs, such as the ridiculously good looking head of cabbage

• Divine people of skyrim: celestial *For more vanilla/gritty looking people, try the dark ages texture pack. Both divine people and dark ages people mods must be paired with its corresponding skins mod, otherwise the textures will get cut off at the neck due to mismatching colors

• Divine interiors shadows and light *my favorite setting is glimmer or default if the game looks too oversaturated because of the lighting. I highly recommend this mod, it makes the game feel much richer

• Unique bridges of skyrim
• Divine forests
• Get more smelters *haven’t tested this extensively but I don’t foresee any issues since it doesn’t interfere with anything big

• Auto Harvest Ring *because I like alchemy but hate picking flowers. Equipping this ring automatically harvests ingredients in range. Just remember to ditch the cabbages to reduce your carry weight

• Dark ages: immersive dragon ai
• Better stealth ai for followers *followers will not start fighting automatically while you are trying to be sneaky

• More to say 9.0.2 *this dialogue mod is here because it adds new quests. The other dialogue mods I’ve added are less consequential and simply add a little immersion. I’m unsure if this conflicts with the other dialogue mods

• A quality world map - vivid with stone roads *map mods use up VRAM and many people recommend against using them. I’m not a tech person, so forgive me if this isn’t accurate, but VRAM is similar to regular RAM. This means you can reset VRAM if you hard restart your console. If you are playing with tons of heavyweight mods all the time then maybe you should skip map mods, however in this LLO I have not noticed any FPS changes at all and personally, it’s worth it to me to hard restart the console every once in a while so that I can keep this mod. Source for the tech info (posted Oct. 2023) - https://www.xboxforums.com/threads/ram-and-vram.24007/
• Pastel map markers *Can you tell I like organizing? Color coding the map makes it more readable and gives locations a touch more personality