the night before my chem paper 1, i was stressing profusely over the exams seeing that my predicted grade was a 9a which isn't good enough for me so i endeavoured to rest my head in order to tranquilise the chaos inside my mind and find some solace. however, overnight, all of my chemistry knowledge had perished; i dreamt it was squandered by a malevolent leprechaun with a macabre, sinister pattern of speech consisting of a strict ABABAB rhyme scheme and trochaic tetrameter signifying his desire for power and avarice for the acquisition of knowledge. my gargantuan intellect slipped through my fingers; I had been Light Yagami before (metaphor; i was not literally the antihero protagonist), with the chemistry knowledge of Walter White and a reputation that truly preceded me as when i walked to school that morning i realised i would be receiving a U despite my overwhelming intellect. destitute, despaired, despondent. if only that machiavellian villian hadn't seized my smarts. i held a vast sea of repressed rage inside of me, and once i opened my paper to a 6 marker on equilibria, i arose from my creaky chair and disenthralled a mighty bellow, tearing my shirt apart with my bare fists like the hulk, and releasing my agonising mental anguish through the form of sound waves in which shook the mortal ground, quaking under my feet in submissive obedience. this caused most of the students in the silent hall to turn to look at me in disbelief, so in a fit of anger i lost my temper and absolutely dashed my desk at the nearest student. (he suffered minor fractures to his skull and a couple bruises but nothing major. not that i could say the same for the desk; alas, it had shattered into fragments.) the students in the hall gasped in shock at the sight of their classmate consummating the role of the catalyst for a catastrophic carnage to emenate (note my alliteration of the fricative "c" amplifying the harshness of the situation). another ear-piercing screech ensued, resounding from the molten iron core of my chest, as I threw myself to the ground in defeat.
now then, any moral person witnessing this incident would clearly relate to my pain and suffering, and would at the very least leave me to grieve the remnants of a drained IQ of 341, but an invigilator chose to approach me and had the AUDACITY to REMOVE me from the hall. i was promptly disqualified and issued several consequences for disrupting the exam. this is clear evidence that examiners do not care for mental health, a stark contrast to the claims held by thousands of them worldwide. it is time to take action. it is time to make a change. it is time to fire every invigilator in the country and beyond; students' feelings shouldn't be invalidated and we have the right to express them in any form necessary, especially during the stressful exam period. i listen to the drone of students chattering as they leave the exam and i think to myself about my perpetual experiences with being dismissed and punished for natural behaviour. i can no longer pursue my lifelong aspiration of becoming a high-school chemistry teacher in Alberquerque, New Mexico because this examiner was unable to CONTROL THEMSELF IN THE EXAM HALL. they didn't even think about how much escorting me out would disturb the hardworking students completing their questions. for this reason you must make a stand against invigilators; join me in my venture to cease this barbaric treatment of well-behaved, well-prepared students such as myself.

Unlocking the Beauty of Terza Rima**
Summary:
Terza rima is a poetic form originating from Italy, traditionally associated with Dante Alighieri's "Divine Comedy." It consists of tercets (three-line stanzas) linked by a rhyme scheme (ABA, BCB, CDC, and so on), with the final stanza often a rhymed couplet.
Examples:

1. Classical: "The Divine Comedy" by Dante Alighieri.
   
2. Modern: "Acquainted with the Night" by Robert Frost.
   
3. Modern: "Ode to the West Wind" by Percy Bysshe Shelley.
   

Tips for Creative Writing:

• Embrace Unity: The interconnected rhyme scheme adds coherence to the poem.
  
• Explore Themes: Terza rima lends itself well to exploring complex themes or narratives.
  
• Rhyme Creatively: Experiment with word choices to create a harmonious and rhythmic flow.
  

Questions for Exploration:

1. How does the interlocking rhyme scheme contribute to the poem's overall structure?
   
2. Can you identify any modern poems or songs that use terza rima?
   

Additional Resources:

• Read more of Dante Alighieri's work, particularly "Purgatorio" and "Paradiso."
  
• Explore T.S. Eliot's "The Waste Land" to see a modernist take on terza rima.
  

Creative Writing Prompt:
Step 1: Choose a theme or emotion to explore.
Step 2: Craft the first tercet (ABA).
Step 3: Build on the narrative or emotion in the next tercet (BCB).
Step 4: Continue the pattern, leading to a concluding rhymed couplet.
Example: In the twilight's embrace, whispers linger (A), Reflecting shadows dance, a silent figure (B). Beneath the moon's glow, memories trigger (A).
Remember: Terza rima offers a structured canvas for poetic exploration and narrative development.

Week 3: Villanelles and Ekphrastic Poetry - Lecture and Discussion
Objective: - Explore the structured repetition of villanelles and the visual inspiration of ekphrastic poetry. - Understand the fixed form of villanelles and their emotional impact. - Discuss the interplay between visual art and written expression in ekphrastic poetry.
Day 1: Introduction to Villanelles - Lecture: - Definition and characteristics of villanelles. - Explanation of the ABA ABA ABA ABA ABA ABAA rhyme scheme.

• Discussion Questions:
  1. What intrigues you about the structured repetition of villanelles?
  2. Why is the ABA ABA ABA ABA ABA ABAA rhyme scheme significant in villanelles?
  3. Can you think of any famous villanelles or poets known for this style?

Day 2: Analyzing Villanelles - Part 1 - Lecture: - In-depth analysis of classic villanelles. - Exploration of the emotional impact through repetition.

• Discussion Questions:
  1. How does the repetition in the villanelles contribute to their emotional resonance?
  2. What themes or emotions are effectively conveyed through this structured form?
  3. Share your thoughts on the impact of repetition on the reader.

Day 3: Analyzing Villanelles - Part 2 - Lecture: - Discussing modern variations and themes in villanelles. - Exploring the versatility of the form.

• Discussion Questions:
  1. How have modern villanelles evolved in terms of themes and structure?
  2. In what ways does the fixed form of a villanelle challenge or enhance creativity?
  3. Share examples of emotions or themes that might work well in a villanelle.

Day 4: Crafting Villanelles - Part 1 - Lecture: - Step-by-step guide on crafting the first four lines of a villanelle. - Emphasis on creating a strong thematic foundation.

• Discussion Questions:
  1. What challenges do you anticipate in crafting the first four lines of a villanelle?
  2. How can you establish a strong thematic foundation within this repetition?
  3. Share examples of themes or emotions suitable for a villanelle.

Day 5: Crafting Villanelles - Part 2 - Lecture: - Step-by-step guide on crafting the final three lines of a villanelle. - Emphasis on creating resolution and impact.

• Discussion Questions:
  1. Why is the final three-line structure crucial in providing resolution in a villanelle?
  2. How can a villanelle evoke a sense of completeness within the repeated lines?
  3. Share and discuss individual villanelles, highlighting successful elements.

Homework Assignment: - Craft a villanelle focusing on a theme or emotion that lends itself well to repetition.
Study Guide Questions: 1. Reflect on the challenges of crafting the first four lines of your villanelle. How did you establish a strong thematic foundation? 2. How did you approach creating resolution and impact in the final three lines of your villanelle? 3. What insights did you gain from the process of crafting a villanelle?
Quiz: Assessment on the understanding of villanelles, the ABA rhyme scheme, and the emotional impact of repetition.
Day 6: Introduction to Ekphrastic Poetry - Lecture: - Definition and characteristics of ekphrastic poetry. - Explanation of the relationship between visual art and written expression.

• Discussion Questions:
  1. What interests you about the interplay between visual art and poetry in ekphrastic works?
  2. How might visual stimuli enhance or influence the creative writing process?
  3. Can you think of any famous ekphrastic poems or poets known for this style?

Day 7: Analyzing Ekphrastic Poetry - Part 1 - Lecture: - In-depth analysis of classic ekphrastic poems. - Exploration of how poets respond to visual stimuli.

• Discussion Questions:
  1. How does the visual inspiration impact the themes and imagery in ekphrastic poetry?
  2. What unique perspectives or insights can arise from responding to visual art?
  3. Share your thoughts on the relationship between the visual and the written in ekphrastic works.

Day 8: Analyzing Ekphrastic Poetry - Part 2 - Lecture: - Discussing modern variations and themes in ekphrastic poetry. - Exploring the diverse ways poets engage with visual art.

• Discussion Questions:
  1. How have modern poets expanded the themes and approaches in ekphrastic poetry?
  2. In what ways does the incorporation of visual art broaden the possibilities in written expression?
  3. Share examples of visual art that you believe would inspire compelling ekphrastic poems.

Day 9: Crafting Ekphrastic Poetry - Part 1 - Lecture: - Step-by-step guide on responding to visual art in writing. - Emphasis on capturing the essence and emotion of the artwork.

• Discussion Questions:
  1. What challenges do you anticipate in responding to visual art with written expression?
  2. How can you capture the essence and emotion of an artwork in your ekphrastic poem?
  3. Share examples of artworks that you find particularly inspiring.

Day 10: Crafting Ekphrastic Poetry - Part 2 - Lecture: - Discussing the role of personal interpretation and creativity in ekphrastic poetry. - Exploring the potential for multiple ekphrastic responses to a single artwork.

• Discussion Questions:
  1. How does personal interpretation influence the creative process in ekphrastic poetry?
  2. In what ways can multiple poets respond differently to the same piece of visual art?
  3. Share and discuss individual ekphrastic poems, highlighting successful elements.

Homework Assignment: - Craft an ekphrastic poem in response to a chosen piece of visual art.
Study Guide Questions: 1. Reflect on the challenges of responding to visual art with written expression in your ekphrastic poem. How did you capture the essence and emotion? 2. How did personal interpretation shape your creative process in crafting an ekphrastic poem? 3. What insights did you gain from the process of crafting an ekphrastic poem?
Quiz: Assessment on the understanding of ekphrastic poetry, the relationship between visual art and written expression, and the creative possibilities in responding to visual stimuli.

Week 1: Introduction to Poetry and Limericks - Lecture and Discussion
Objective: - Introduce students to the diverse world of poetry. - Focus on the specific characteristics of limericks. - Initiate discussions on the importance of rhythm and humor in limericks.
Day 1: Introduction to Poetry - Lecture: - Definition and purpose of poetry. - Overview of various poetic forms and their cultural significance.

• Discussion Questions:
  1. What does poetry mean to you personally?
  2. Can you name any specific poetic forms you are familiar with?
  3. Why do you think people turn to poetry as a form of expression?

Day 2: Understanding Limericks - Part 1 - Lecture: - Definition and characteristics of limericks. - Explanation of the AABBA rhyme scheme.

• Discussion Questions:
  1. What makes limericks distinct from other poetic forms?
  2. Why is the AABBA rhyme scheme important in limericks?
  3. Can you think of any famous limericks or poets known for this style?

Day 3: Understanding Limericks - Part 2 - Lecture: - Historical context of limericks. - Exploration of the rhythm and meter in limericks.

• Discussion Questions:
  1. How do the historical roots of limericks contribute to their style?
  2. Why is rhythm crucial in creating an effective limerick?
  3. Can you identify the rhythm and meter in a sample limerick?

Day 4: Crafting Limericks - Part 1 - Lecture: - Step-by-step guide on crafting the first three lines of a limerick. - Emphasis on humor and wordplay.

• Discussion Questions:
  1. What challenges do you foresee in crafting the first three lines of a limerick?
  2. How can wordplay enhance the humor in limericks?
  3. Share examples of humorous language that might be effective in limericks.

Day 5: Crafting Limericks - Part 2 - Lecture: - Step-by-step guide on crafting the final two lines of a limerick. - Emphasis on the punchline and resolution.

• Discussion Questions:
  1. Why is the punchline important in concluding a limerick?
  2. How can the final two lines contribute to the overall impact of the limerick?
  3. Share and discuss individual limericks, highlighting successful elements.

Homework Assignment: - Craft a limerick focusing on humor and wordplay.
Study Guide Questions: 1. Reflect on the challenges of crafting the first three lines of your limerick. How did you approach humor and wordplay? 2. How did you develop the punchline and resolution in the final two lines of your limerick? 3. What insights did you gain from the process of crafting a limerick?
Quiz: Assessment on the understanding of limericks, the AABBA rhyme scheme, and the importance of rhythm and humor in this poetic form.

Week 15-16: Triolets and Kyrielles
Day 1: Mastering Triolets - Activity: Analyze a classic triolet for its compact structure and repetition. - Lecture: Discuss the characteristics and rhyme scheme of triolets. - Discussion: Share thoughts on the impact of repeated lines in a compact form.
Day 2: Crafting Triolets with Precision - Activity: Break down the process of crafting a triolet. - Lecture: Explore the use of repetition and economy of language in triolets. - Discussion: Share and discuss individual triolets, focusing on the success of repetition.
Day 3: Embracing the Kyrielle - Activity: Analyze a famous kyrielle for its repeating lines and rhythmic qualities. - Lecture: Explain the structure and thematic possibilities of kyrielles. - Discussion: Discuss the challenges and beauty of crafting poems with repeated lines.
Day 4: Writing Exercise - Developing a Kyrielle - Activity: Craft a kyrielle exploring themes of resilience or change. - Assignment: Write a triolet on a chosen subject. - Vocabulary Words: Refrain, Rhyme Scheme, Narrative Possibilities.
Day 5: Peer Review and Feedback - Activity: Peer review workshop for triolets and kyrielles. - Lecture: Discuss the impact of repeated lines in triolets and the thematic possibilities of kyrielles. - Discussion: Share insights gained from reviewing peers' work.
Study Guide Questions for Week 15-16: 1. Discuss the characteristics and rhyme scheme of triolets. How does repetition contribute to their impact? 2. Explore the use of repetition and economy of language in crafting triolets. 3. What defines a kyrielle, and how do its repeating lines contribute to its thematic possibilities? 4. Discuss the challenges and beauty of crafting poems with repeated lines in kyrielles. 5. Reflect on the process of crafting triolets and kyrielles. How did you approach the themes and rhythmic qualities?
Quiz: Assessment on triolets, kyrielles, and the impact of repeated lines in poetry.
Week 17-18: Ode to Joyful Ballads
Day 1: Writing Joyful Odes - Activity: Analyze classic odes for their celebratory nature. - Lecture: Discuss the characteristics and structure of odes. - Discussion: Share personal experiences or topics worthy of celebration.
Day 2: Crafting Odes with Precision - Activity: Break down the process of crafting an ode. - Lecture: Explore the use of vivid language and poetic devices in odes. - Discussion: Share and discuss individual odes, highlighting successful elements.
Day 3: Understanding Narrative Ballads - Activity: Analyze a famous ballad for its storytelling qualities. - Lecture: Explain the narrative structure and musicality of ballads. - Discussion: Discuss the challenges and beauty of crafting narrative ballads.
Day 4: Writing Exercise - Crafting a Ballad - Activity: Craft a ballad recounting a personal or fictional tale. - Assignment: Write an ode celebrating an everyday object or experience. - Vocabulary Words: Ode, Stanza, Narrative Structure.
Day 5: Peer Review and Feedback - Activity: Peer review workshop for odes and ballads. - Lecture: Discuss the celebratory nature of odes and the storytelling qualities of ballads. - Discussion: Share insights gained from reviewing peers' work.
Study Guide Questions for Week 17-18: 1. Discuss the characteristics and structure of odes. How do odes differ from other poetic forms? 2. Explore the use of vivid language and poetic devices in crafting odes. 3. What defines a ballad, and how does its narrative structure contribute to its storytelling qualities? 4. Discuss the challenges and beauty of celebrating everyday objects or experiences in odes. 5. Reflect on the process of crafting odes and ballads. How did you approach celebratory themes and storytelling?
Quiz: Assessment on the understanding of odes, ballads, and the use of vivid language in poetry.
Feel free to continue with additional weeks or ask for specific details!

At the world’s top college of magic and technology, every day brings a new discovery -and a new disaster. The advanced experiments of the college students tend to be both ambitious and apocalyptic, with the end of the world only prevented by a mysterious time loop, and a small handful of students who retain their memories.
Surviving the loops was hard enough, but now, in his senior year, Vell Harlan must take charge of them, and deal with the fact that the whole world now knows his secrets. Everyone knows about Vell’s death and resurrection, along with the divine game he is a part of. Now Vell must contend with overly curious scientists and evil billionaires hungry for divine power while the daily doomsday cycle bombards him with terrorists, talking elephants, and the Grim Reaper himself -but if he can endure it all, the Last Goddess’s game promises the ultimate prize: power over life itself.
[Previous Chapter][Patreon][Cover Art]
“Alright, it’s been twenty-seven minutes,” Kim said. “We need to check in on Vell.”
“Why is the limit for that twenty-seven minutes?”
“Because that’s how long it takes him to make his favorite french fries,” Kim explained. Alex glared at her.
“And why is that relevant?”
“It’s a long story,” Kim said. “Now shut up and let me call.”
Kim didn’t actually need to do anything to call Vell, since the phone mechanism was entirely in her head, but she put a hand on the side of her head anyway. Vell answered, which was a good sign in and of itself, but they weren’t out of the woods yet.
“Hey Kim,” Vell said. “I’m alive.”
“I assumed,” Kim said. “Is everything going alright?”
“Just fine, yeah,” Vell said. “I’m here with Raine, he’s great, he knows everything about frogs. Literally everything. All of the things.”
A fact that Raine continually demonstrated, whether he was asked to or not. Even while Vell was talking on the phone, Raine was still listing various frog factoids.
“So are things good? Bad? Do you need help?”
“I wouldn’t say things are good,” Vell said, as he listened to Raine list off the average dietary intake of an Appenine yellow-bellied toad. “But I think they’re under control. I’ll just stick things out solo for a while. No point wasting even more people’s time on this.”
“Sounds about right,” Kim said. “Give me a call if you decide you’re done throwing yourself on the sword, Vell.”
“You and I both know I’ll never be done,” Vell said. “Just let me handle this. I am, no offense, way better at putting up with this kind of stuff than any of you guys.”
“Vell, that ‘no offense’ should be aimed at you,” Kim said. “You’re the doormat here.”
“Gee, thanks,” Vell said. “Look, I can handle it. No sense wasting everyone else’s day.”
“Ugh, cut it out you self-sacrificial bitch. Look, I’ll come tag you out later in the day, alright? We can take turns.”
“If you say so,” Vell said. “But really, I got this.”
He hung up before Kim could argue any further. Raine had been waiting patiently for the duration of the call, and seemed to be fixated on Vell’s phone. Vell had entirely forgotten he was dealing with a ghost, one that had very likely never seen a modern cell phone. He held the phone in Raine’s direction, hoping with all his heart that it could serve as a conversation topic other than frogs.
“You seen a cell phone before, Raine?”
“Yes, I have, as a matter of fact,” Raine said. “Though last time I saw one they still folded in half.”
Raine poked at the phone with an immaterial finger, attempting to mimic the way Vell had used the touch screen. As expected, his finger passed right through.
“Sorry. Let me handle it,” Vell said. “Here, phones nowadays can do all kinds of things. There’s apps, games, you can browse the web.”
“You can access the internet through your phone?”
“Yeah, I can-”
Vell stopped in his tracks. Raine’s already wide eyes were getting wider.
“Yes, it can look up pictures of frogs,” Vell sighed, as he began to do so.
***
Kim pulled another book off the shelves and examined it. Even with a functionally perfect memory, she still found it difficult to keep track of what books Vell wanted to read. He was so damn good at rune bullshit that all his academic texts were titled things like “Applied Kinetic Physics on Automated Sigil Structuring: The Horatian Perspective”. Kim knew a fair bit about runes, but she was still working off basic texts like Runecrafting 301.
“I don’t know how Vell does this shit,” Kim said. “Being nice is hard.”
To make up for his having to babysit the frog ghost, and all the other trials and tribulations of his life, Kim had opted to do something nice for Vell. Something to help with his studies was the first and most practical step. Up next, she wanted to get him some snacks. She popped on the phone in her head and got in touch with Skye.
“Kim, what’s up?”
“Hey Skye. You know what Vell’s favorite snacks are? I’m trying to get him a gift.”
“Is this a ‘gift’ gift or an apology gift?”
“Is there a diff-”
Kim stopped in her tracks, and made eyes appear on her face screen just to narrow them.
“Skye, why did you need to get an apology gift?”
“I got him pinched by a mutant crab,” Skye mumbled.
“Oh, so that’s where that cut on his arm came from,” Kim said. Vell had refused to elaborate on the incident last year. “Anyway, it’s just a gift gift. Trying to do something nice for the poor guy.”
“He likes those little fudge and cream cheese bites they sell in the campus commissary,” Skye said. Kim made a mental note and started heading for the commissary. “Is there a special occasion I should be aware of?”
“Nah, Vell’s just doing his usual routine of throwing himself on the sword for our sake,” Kim said. “Distracting a frog ghost for hours on end.”
“Is that why he hasn’t been answering my texts lately?”
“If I had to guess, I’d say the ghost pressured him into using his phone for frog pics,” Kim said, correctly. “He’ll be a little busy. Trying to help ghosts move on to the afterlife is usually a long process.”
“So what, he’s just going to be at it all night?”
“Don’t worry, if he’s not done soon, I’ll swap him out in a couple hours,” Kim said. “You’ll get your boyfriend back, don’t worry.”
Kim said her goodbyes and returned to her shopping, leaving Skye to put her phone down and get back to the people she’d been talking to before. Cane and Hanifa had been patiently waiting for the entire call.
“So it looks like me and my boyfriend showing up is entirely dependent on whether or not he can convince a frog ghost to move on to the afterlife,” Skye said.
“Mm, yeah, he was asking about that kind of thing earlier,” Cane said. “Is he not done yet?”
“Apparently not,” Skye said. “And Kim thinks it might still be a while.”
“One of these days I’ll get to talk to Vell for more than a minute,” Hanifa said. She’d been dating Cane for nearly two years now and had barely spoken to one of his best friends.
“You can talk to him soon,” Cane said. “Come on. I’ll get Luke and the rest of the guys, Skye, you call Kim back and find out where Vell is.”
“Wait, are we getting involved?” Hanifa asked. “I thought Vell was the expert in saving the day.”
“He is,” Cane said. “But now and then somebody needs to save Vell.”
***
“Okay, you have now seen a picture of every species of frog in existence,” Vell said. He swapped his phone between hands to spare his aching thumb and displayed the last photo of a frog to Raine. “You feel ready to move on? Claim your eternal reward? Et cetera?”
“Just seeing them? Are you kidding,” Raine scoffed. Vell restrained a groan of frustration. “There’s so much more to study, so much to understand, not to mention those were only photos of the known species. Who knows how many undiscovered frog species are out there?”
“Okay, okay, okay,” Vell said. “That’s something, I could work with that. What if...I found a new species of frog, and named it after you? Would that satisfy you?”
Raine contemplated the prospect for a moment.
“Only one frog?”
“God,” Vell snapped. Even his patience was wearing thin. “What will it take to get you to stop?”
“Sometimes I could ask you the same question.”
Vell turned around just in time to catch the beer Cane shoved into his hands. He also got a pat on the back and a firm but gentle shove away from Raine as Cane stepped up to the ghost.
“So you’re the frog ghost I’ve heard some much about.”
“Hi, I’m Raine.”
“Oh, Raine, I’m Cane,” he said, with a friendly smile. “Our names rhyme. How about that?”
“Oh, they do,” Raine said. “Just like Callobatrachus and Ascaphus Montanus.”
Cane’s friendly smile froze in place.
“Really is all about frogs with you, huh?”
“What else is there?”
“A lot more,” Cane said. “As our friends will be happy to tell you.”
He gestured to the door, which Luke was busy walking through, followed shortly thereafter by Hanifa, Skye, Freddy, Samson, Kim, and many of Vell’s other friends. They brought chairs, food, drinks, and everything else one could need to sit and relax for a long time. Vell was briefly confused, and then delighted when Kim shoved a bag of fudge bites into his hands alongside the beer.
“Hi, great to see you guys, why is, uh, everyone here?”
As Luke stepped up to Raine and tried to display some physics trivia that immediately got derailed by questions about frog jumps, Cane walked up and put an arm around his friend’s shoulder.
“You want to help the frog guy, I want to hang out with my friends,” Cane said. “This way we just do both at once.”
“Makes sense. I guess,” Vell said. He popped open the beer and took a much needed-swig, enjoying the cold drink almost as much as the respite from frog trivia. “You sure you’re up for this?”
“Well, a basement is not the ideal hangout spot,” Cane said. The floor was uncomfortably damp. “But it’s all my best friends and one guy with endless frog facts. How bad can it be?”
***
The light in Cane’s eyes had completely gone out by the time he wandered back to Hanifa. She made room for him in the chair and beckoned him to sit, and he all but collapsed onto her shoulder.
“There’s too many frogs,” Cane whimpered.
“I know baby, I know,” Hanifa said. “You’re safe now, don’t think about them.”
The lively atmosphere of the group had been gradually sapped away by Raine’s endless fixation on frogs. They had taken it in shifts to deal with his obsession, as any one person could only endure it so long.
“Did you find out anything useful?”
After hours of swapping in an out, the gathered friends were seemingly no closer to their goal of finding out what tethered Raine to this mortal coil.
“No, I didn’t,” Cane snapped. “It’s just frogs. All frogs. If I had to guess, I’d say his grand purpose is frogs, and the problem with that is, as I have recently learned, there are always more frogs!”
“I think we might need to cut our losses on this one, Vell,” Kim said. “Raine doesn’t exactly seem like he’s tormented by his ties to our mortal coil.”
“You’ve got a point,” Vell admitted. As long as there were frogs, Raine would be happy. “We have to stick it out a little while longer, at least.”
“Why?”
Kim, Vell, and the other loopers knew they had to be on hand all day, to avoid any risk of Raine repeating the frog-summoning incident, but their guests were not privy to such knowledge.
“Uh, well, you see-”
The sound of a door being slammed open provided a welcome interruption to a sentence Vell wasn’t sure how to finish. His relief turned right back into apprehension when Alex stepped through the open door.
“Oh, hey Alex,” Vell mumbled. “Good to see you. Sorry for not inviting y-”
Kim elbowed him to shut Vell up. They had quite deliberately not invited Alex or Helena to the gathering.
“No need for apologies, I’m not interested in your parties,” Alex said. She looked to the side, at a bit of water dripping down a wall. “Especially not in a moldy basement. I just need to consult with Freddy on a project and I’ll be on my way.”
“Oh, well, he’s right over there, go ahead,” Vell said.
“Actually,” Cane interjected. He stood up, put an arm around Alex’s shoulder, and started walking her in a very non-Freddy direction. “Since you’re here, why don’t you pull your weight and talk to our new buddy Raine for a bit?”
“The amphibian obsessed undead? I thought you all were here to handle that.”
“Look, just talk to the guy for twenty minutes or something, give us a break,” Cane said. “We’ve all been doing this for hours.”
“On a purely voluntary basis. Don’t drag me into this.”
“Too late, I have literally already dragged you into it,” Cane said. He gave Alex one final shove to push her within talking distance of Raine. His wide eyes locked on her as Cane snatched his previous conversation partner away and left Alex and Raine alone in the designated frog-conversation corner.
“Hi. I’m Raine.”
“I’ve heard,” Alex grunted. “You like frogs.”
“Yes! I especially like the kind that-”
“Shut up,” Alex said. “If I turn you into a frog, will you leave me alone?”
“You can do that?”
“I’m a mage, of course I can-”
“Do it!”
Raine tried to lunge forward and grab Alex by the shoulders, but his immaterial hands passed right through her. He kept shouting at her anyway.
“Do it do it do it do it,” Raine screamed. “I want to be a frog!”
Alex rolled her eyes, snapped her fingers, and called upon the ambient mana in the basement, to put a little extra power into her spell.
While turning someone into a frog was fairly standard magic, Alex didn’t like frogs, so she rarely cast it. The spell also, importantly, was designed to transform flesh and blood humans, not ghosts, so some modifications would be necessary. She made the needed changes, and then cast the transformation spell on Raine.
The makeshift spell created a loud buzz like a generator being turned on, and all eyes in the room turned to the source of the noise. They got to watch as Raine’s ghostly form was swallowed up by blinding light, entirely consumed in a tide of magic that washed over him and through him. When the tide of light finally settled, Raine’s ghostly form was gone, replaced by a three inch long spectral frog.
“Oh, a European common frog,” Vell said. He’d learned enough about frogs in the past few hours to identify it on sight.
The frog Raine had become started ribbiting fervently, and hopped around the room on ghostly legs. Alex stepped back to avoid any contact with the ghost frog, despite knowing that it could not actually touch her. After exactly thirteen seconds of manic hopping and ribbiting, Frog Raine started to float in the air.
“Alex, is he supposed to be floating?”
“I’m not sure,” Alex admitted. “No one’s ever successfully transmogrified a ghost before.”
“Wait,” Vell said. “What happens when you unsuccessfully transmogrify a ghost?”
“Oh, their soul is obliterated,” Alex said.
“And you did it anyway?”
“He asked,” Alex said. Her disdain for frogs extended to those who studied them, so she had little concern for Raine’s existence.
A brilliant ray of light exploded from Raine’s ghostly body, followed by another, and another, as if he was hiding a sun somewhere inside him that was starting to break free. A final crack formed in the ghostly shell, and blinding light forced them all to look away. When the light finally faded, nothing was left of Raine but a few sparks of shimmering light. Cane took a worried step closer to the few sparkles.
“So, is that, you know, the soul obliteration, or…”
“No, we’re good, that’s the good outcome,” Vell said. He’d seen a few ghosts ascend in his time. “It appears Raine’s big regret in life is that he wasn’t a frog.”
“Hmm, yeah, that tracks,” Cane said. “We should’ve tried that hours ago.”
“With maybe a few precautions taken,” Vell said, glaring at Alex. “To avoid soul obliteration.”
“He was already dead,” Alex said.
“He was only mostly dead,” Cane protested. Alex shrugged and headed for Freddy to ask for his input on mana oscillation while Cane stuck a hand through the sparkles. “See you on the other side, Raine. Hope they have frogs in heaven.”
“At least one, now,” Hanifa added. “Can we leave this basement now?”
“Yeah let’s get the fuck out of here,” Cane said. “And let’s also never talk about frogs again.”
“Good idea on both counts.”
Cane led the charge back into the light, and the makeshift party followed, though it just as quickly dissolved once everyone got back to the surface. Several hours trapped in a basement listening to frog trivia had a way of sucking the camaraderie out of people. Vell said goodbye to his friends as they went their separate ways, until it was just him and Cane.
“Thanks again for showing up, Cane,” Vell said.
“Don’t thank me too much. Full disclosure: if there weren’t like twenty other people to split frog duty with, I probably would’ve bailed,” Cane said. “Also, I would’ve looked like a real asshole in front of Hanifa.”
“Oh. Well, uh, thanks for sticking it out,” Vell said.
“No problem. Somebody’s got to watch your back while you’re watching everyone else’s,” Cane said.
“Uh, sure.”
“I’m serious, Vell. I love you, but you got to start putting yourself first sometimes,” Cane said. “You’re about to graduate, then go run a company, and you just about wasted your whole day listening to some dude explain the differences between frogs and toads.”
“One spends more time in the wa-”
“Stop! Never again,” Cane commanded. He’d had enough frog facts for ten lifetimes. “Vell, you’ve spent the past three years helping everyone with everything. Try to help yourself with something now and then.”
“I- I guess,” Vell said. “I’ll try.”
“Motherfucker I have watched Star Wars with you, you know the saying,” Cane said. “There is no try. Go do something to help Vell, Vell.”
“Huh. I guess there was something with Professor Nguyen-”
“I don’t give a shit! This ain’t about me,” Cane said. “It’s about you, and only you! Go do your thing.”
“Okay, I will,” Vell said. “Thanks, I-”
“Again, not about me,” Cane said. “Just go!”
Vell was inspired and confused in equal measure, and headed out for Professor Nguyen’s office. The interview ended up being profoundly boring and not particularly useful, but it was better than sitting in a basement talking about frogs. Slightly.

Hi everyone,
Here's the summary/outline for the first half of Day 2 of Safe House! I'm sorry it got so long; it's partially because today was actually a full day as opposed to the first day which was only a half day, and also because a lot more interesting activities and conversations happened today, so I wanted to try to translate and transcribe some of them for you all. I hope this is is helpful!
Video 1 Link: https://www.youtube.com/live/C13r3ScN0L4?feature=shared

• Luke is the first one up and about. At around 9:30, he apologises for the lull and says that "the kids" should hopefully be up and about soon.
• 11:45 Neo reads a letter saying that the losing team from yesterday's game has to prepare breakfast for the whole house within 15 minutes.
• 13:00 Luke reassures the audience that he's not by himself because he feels isolated from the rest of the guys or anything; he just wanted to wake up early to exercise, and now he's doing some light reading while waiting for "the kids" to wake up and get ready
• 15:00 The cooking team enter the kitchen and start planning what to cook. There's no rice ready in the rice cooker, so they'll serve bread/toast as the carbohydrate. They want to make eggs, so they decide to make scrambled eggs because of the time restriction. They also decide to make sausages and bacon
• 22:00 Neo and Mix make toast and make another wordplay joke (verbs related to preparing food that rhyme or sound similar, basically. Kind of translates to "cook (usually as it pertains to grains), warm up, stew, boil, and steam")
• 24:00 Luke tries to explain the difference between scrambled eggs and a similar preparation of soft omelette in Thai cuisine
• 28:00 Pond and Neo go to wake up Earth, Gun, and Khaotung with some musical style. They're basically singing to stop being lazy and go downstairs to eat. It's taking longer than 15 minutes to prepare the food, but it's fine.
• 32:00 Gun and Khaotung slightly sarcastically thank the sponsors for the opportunity to sleep as comfortably as they did and then to be awoken by the sight and sound of Neo
• 38:00 Mix makes fried eggs
• 41:00 They start to sit down to eat. There's no jam or any typical spreads for the toast, so they'll have it plain today. Luke starts eating the salad leaves, not knowing that they haven't been washed yet. Neo tries to get people to compliment the toast because it was his contribution to the meal preparation.
• 50:45 PD greets everyone and asks Neo to collect a box containing the next mission from the front door. At 55:00, Neo reads the cards which says that from today, they will do a short challenge each morning which will determine the "King of the Day," which comes with a photo-op and some small perks when it comes to the rest of the games and activities that day.
  • The challenge today is to produce the loudest chicken noises they can, first in pairs, and then the winning pair will compete between them to determine the King of the Day. They pair up randomly by doing the hand game (sorry; I don't' know how to call the game in English, but basically, you choose whether to show your hand with the palm facing up or down. It's like rock/papescissors, but usually used as a first round when there are more than 2 people to choose between. When playing, the players call out "noi aok," which means that the minority hand position goes out)
  • 1:12:00 King of the Day photo-op

Video 2 Link: https://www.youtube.com/live/NEbQ_IZiQTQ?feature=shared

• Gun takes the viewers on a guided tour of the house. We start at the pool, where Neo, Luke, and Khaotung improvise a song on the spot. They name the song "We Love You."

Video 3 Link: https://www.youtube.com/live/UsQj1v25xv4?feature=shared

• 4:00 They print out and frame the photos they took yesterday (product plug for Canon)

8:30 Earth and Mix make coffee (sponsored by Super Coffee). Includes product endorsement, and a reference to the fact that this brand also sponsored Tale of Thousand Stars. They try to recite the lines from that scene. They also plug that the company are doing a sort of lottery promotion where if you save and mail in the empty sachets, you can be entered for several prizes. They privately plan to make as much coffee for the rest of the house as possible during this week so they can collect have as many sachets as possible. At 14:30, Earth misunderstood that it was a private plan, so he tells everyone else to help collect the sachets, and Mix tries to stop him.

• 16:30 PD announces the next competitive game. King of the day gets a wastebasket full of random items, and PD instructs him to assign each item to one person and to make up a good reason why he's assigning them thusly.
  • Egg carton: for Phuwin because he likes to cook eggs (Luke makes a pronunciation error while saying "egg" (khai) to make it sound like Phuwin makes food that is ill with a cold (khai with a different tone), and they joke about it. Neo builds on the joke and asks "Makes food with whom? (who=krai->khai in colloquial Thai, which is yet another tone from the previous two)
  • GMMTV Yearbook: for Gun because he's the eldest. He wants him to look at the photos and remember everyone
  • Electric mosquito swatter: for Earth because he recently mentioned that he wanted to hit Neo
  • Flip flops: for Neo because his feet look a bit dirty (Luke also learns the Thai term for them)
  • Leaf/branch from a fake plant: for Mix because he wants him to plant it. It's a silly reason, so he adds some fluff to say that he hopes that Mix stays alive and well as long as the fake plant that he plants
  • Shirt: for Pond because Luke wants him to wear it to go exercise with him tomorrow
  • Wok spatula: Luke doesn't know what it is or its purpose at first, so they guys explain that it's used to make food. He decides to assign it to Khaotung because the "Khao" in his name is the same "khao" used in one of the Thai words for "food."
  • Wastebasket for Luke because it's the last thing left, and he can use it for basketball

21:00 Everyone wonders what the items are for. Gun guesses that maybe they're supposed to literally do what Luke told them to do when he assigned the items. He immediately hopes that's not the case because it's unmanageable to memorise everyone's name/face from the yearbook. Mix says that his task is even more impossible because Luke wants him to plant the fake branch and watch it grow. PD tells them to bring their items to the Play Zone.
38:30 PD invites everyone to the kitchen to collect their lunch. Menu is a choice of fried rice or (they think) yellow curry with rice. Neo asks everyone for donations of cucumber because he loves cucumber (he mentioned this at the first meal last night)
53:45 PD announces (and startles the guys) that the winners of the last game will get dessert, and it can now be collected from the front door. It's doughnuts. The guys who lost are a bit sad about the doughnuts, but the winners offer to share with them
1:01:00 Relaxing time.
1:37:00 PD announces that all the guys were previously instructed to bring one item of sentimental value with them to the house, and now is the time to bring those items to the larger bedroom to present them
1:54:00 They suggest playing a typical Thai game; the name roughly translates to "live fish, dead fish." It's a game that involves moving and freezing. (The person who's "it" is blindfolded and has to order all the other players to move (live) and freeze (die). In the frozen periods, the blindfolded person moves around needs to find and and successfully identify each of the other players just by touch. This game can be played on the ground or in the water.)
Video 4 Link: https://www.youtube.com/live/Op_kJG20Jag?feature=shared

• Gun and Luke feel like eating something, so they round everyone up to go eat some som tam (green papaya salad) by the side of the pool.

Handout: Mastering the Elegance of the Sonnet Form**
Summary:
A sonnet is a 14-line poem, traditionally composed in iambic pentameter, with various rhyme schemes. Two well-known types are the Petrarchan (or Italian) sonnet and the Shakespearean (or English) sonnet.
Examples:

1. Petrarchan: "Sonnet 18" by William Shakespeare.
   
2. Shakespearean: "Shall I compare thee to a summer's day?"
   
3. Petrarchan: "A Silken Tent" by Robert Frost.
   

Tips for Creative Writing:

• Embrace Structure: Sonnets often follow a specific rhyme and meter, providing a structured framework.
  
• Volta Moment: Introduce a "volta" or a shift in thought or emotion around the ninth line.
  
• Play with Themes: Sonnets are versatile and can explore various themes, from love to nature.
  

Questions for Exploration:

1. How does the rhyme scheme contribute to the overall tone of a sonnet?
   
2. Can you identify examples of modern sonnets in contemporary literature or poetry?
   

Additional Resources:

• Explore the sonnets of Elizabeth Barrett Browning for a feminine perspective.
  
• Read "The Sonnets" by Ted Berrigan for a modern take on the traditional form.
  

Creative Writing Prompt:
Step 1: Choose a theme or emotion to explore in your sonnet.
Step 2: Determine the rhyme scheme (Shakespearean or Petrarchan).
Step 3: Craft the first quatrain, introducing your theme.
Step 4: Develop the narrative or emotion in the following stanzas.
Example (Shakespearean): Shall I compare thee to a summer's day? (A) Thou art more lovely and more temperate: (B) Rough winds do shake the darling buds of May (A) And summer's lease hath all too short a date. (B)

Embracing Musicality in the Lai Form**
Summary:
The lai is a poetic form with origins in medieval France. It traditionally consists of nine lines divided into three stanzas (two rhymed couplets followed by a tercet). The rhyme scheme is typically AABAABAAB, and it often explores themes of love, nature, and daily life.
Examples:

1. "Lai" by Marie de France.
2. "In the Orchard" by Ezra Pound.
3. "Morning Light" by Catherine Chandler.

Tips for Creative Writing:

• Embrace Refrain: Utilize the recurring rhyme and refrain for musicality.
  
• Focus on Imagery: Paint vivid pictures with descriptive language.
  
• Vary Themes: Lais can capture a wide range of emotions and experiences.
  

Questions for Exploration:

1. How does the rhyme scheme contribute to the lai's musical quality?
   
2. Can you identify any modern poets who have experimented with the lai form?
   

Additional Resources:

• Explore the lais of Marie de France for insights into medieval poetic traditions.
• Read modern lais by contemporary poets for a fresh perspective.

Creative Writing Prompt:
Step 1: Choose a theme or emotion for your lai.
Step 2: Determine the AABAABAAB rhyme scheme.
Step 3: Compose your nine lines, incorporating the refrain.
Example:
Beneath the boughs, where shadows play (A) Soft whispers linger, in the twilight's sway (A) A melody of leaves, in the gentle breeze (B) Nature's lai, sung by the ancient trees (A)
The sun dips low, in a fiery display (A) Golden hues dance, a farewell ballet (A) Nature's palette paints, with vibrant ease (B) A lai of evening, woven by the trees (A)
Remember: The lai's structured yet flexible form invites poets to create melodies with words.

In every community, access to reliable transportation is essential for individuals with mobility challenges, such as the elderly, disabled, or those facing financial constraints. Good neighbour schemes and local charities often step in to provide vital transportation assistance, connecting those in need with dedicated volunteers willing to lend a helping hand. However, managing a community transport service efficiently can pose significant challenges without the right tools and strategies in place.
Here, we explore effective ways to streamline operations and enhance the impact of community transport services.

1. Centralize Booking Management

The first step to efficient community transport service management is centralising booking management. By utilising a digital voluntary transport booking software, organisations can streamline the booking process, allowing clients to easily request transportation assistance online. This eliminates the need for manual paperwork and phone calls, saving valuable time and resources.

1. Optimise Volunteer Matching

Matching volunteers with booking requests is crucial for ensuring timely and reliable transportation assistance. Software applications utilise intelligent algorithms to match volunteers with booking needs based on availability, skills, and preferences. This ensures quality matches and prevents overburdening of individual volunteers, fostering a fair and equitable distribution of workload.

1. Enhance Communication

Effective communication is essential for keeping volunteers informed and engaged. A good software application enables personalised communication with volunteers, providing updates on available bookings and important notifications. Additionally, volunteers can specify their availability and preferences, ensuring they are matched with suitable booking requests.

1. Personalised Communication

Volunteers should be selected based on the last booked date, so all Volunteers get a turn and prevent some Volunteers from being given all the work. Volunteers should also be able to specify in the system how many Bookings they are prepared to do each month.

1. Continuously Improve Processes

Continuous improvement is essential for optimising community transport services. The booking software provides valuable insights into booking trends, volunteer availability, and service efficiency. By analysing this data, organisations can identify areas for improvement and implement strategic changes to enhance overall service delivery.
One of the best Software Applications on the market is the Volunteer Online Booking System App (VOBS) from www.YourWebApps.co.uk, which - because it’s cloud-based - can be used from anywhere in the world, 24/7, at your leisure. It has all the requirements of an active volunteer transport organisation and it’s successfully used by many charities and Good Neighbours groups.
By implementing these strategies and leveraging the capabilities of this brilliant app, community transport services can maximise efficiency, improve volunteer engagement, and make a meaningful impact in the lives of those they serve.
Ready to streamline your community transport service? Explore how VOBS can help you achieve your goals and make a difference in your community today. Visit the VOBS website (www.YourWebApps.co.uk) for more information and ask to have a demo.

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https://www.reddit.com/AmITheJerk/comments/1csum48/aitj_for_cutting_my_sil_out_of_my_life_even_if_it/
WOW this blew up. I did NOT expect that. Before I give the most recent update, there are a ton of questions you guys had. I tried to answer you all individually but here is more context:
Tom is the only one in the dynamic that is Low Contact with Margaret. This happened very shortly after I entered the picture when I put my foot down over an incident that was absolutely ridiculous. Margaret had accused him of trying to kill her youngest after we lent her a carpet cleaner that "smelled" (I burn sage regularly). She was dead serious about it and did NOT let up and was like "wow good to know you have no regard for human life". He broke down in tears for almost a week before I had to sit him down and tell him "This is the most insane take ever, how the fuck is sage going to kill a kid? You realize how nuts that is, right? Don't let her steamroll you like this"". He went LC pretty immediately after that.
Fern is a really soft hearted person. Its been confirmed to me that growing up, Fern got it the worst from their bio mom. Its made him extra susceptible to Margaret's manipulations and guilt trips. They were really close when they were kids and Fern sometimes feels that without Margaret, his life will be empty. It causes him a lot of distress in both directions. Losing Margaret is a devastating thought to him. Staying around her causes him a lot of pain and generally puts him in a really dark place. He's struggling with it. We still talk regularly and have a very close friendship.
Cory is a really soft spoken guy. Super funny, friendly, and nice generally speaking. He only shifts gears when Margaret is present. The rest of the family has identified this as fear. I only cut him off because of the way Margaret uses him to gather information and spread drama. He deserves better, but I think we can all understand how scary it must be for him to even think about standing up to himself, considering that Margaret regularly threatens to take the kids away from someone (over something as small as not pouring her a glass of water once) roughly twice a month. Margaret has yet to actually follow through with this and genuinely only uses it as a form of control because of how effective it has been. It's like her hail mary pass.
MIL really is a wonderful lady. She's really patient and understands how important FIL's kids are to him. She is trying her damndest to not break up a family and I think she genuinely wishes she could also stay out of it- Margaret has fully aimed everything at her at the moment and its put MIL in a really uncomfortable position. She's a pretty tough lady- I think she's just as bewildered as the rest of us and doesnt know WHAT the fuck to do with the situation, because of how absolutely extreme it is.
FIL is getting a lot of hate in the comments. While I am not necessarily disagreeing with the statement that he lacks a spine and is allowing it to happen, I also see the pain that this is causing him. While emotions aren't the easiest thing for him, I HAVE to consider how absolutely triggering the whole thing is. I mean, the last time he was around this kind of person, she attempted to kill him. I know him to be an incredibly brave man, even if he doesn't always outwardly express his feelings or his opinions. It's got to be hard to juggle and wrap his head around this. He loves his wife, he loves his daughter. I agree that he should put an end to it and that its been a long time coming- but I absolutely understand why it would be a huge hurdle for him to confront, both in real time AND within himself. I tell him ALL THE TIME that he's a good dad, because he is. He really is. I think in the face of a super domineering woman, after all he and the kids have been through, just really puts him in an emotional pickle. I can absolutely understand that.
Bio mom is a huge piece of shit. The family really doesn't talk about it much- with what they HAVE told me, I don't blame them. Bio mom frequently told the kids that she hated them and wished they were never born. She used them as ammo to get her way with other relatives. She regularly made life a competition between herself and the 3 daughters (there are 2 more that are not in the picture that I have never met) and at times was violent with them. Fern and bio mom got into arguments on a regular basis. Fern attempted suicide several times REALLY early in life because of how abusive the environment was- this was also the birth of his eating disorder issues, because bio mom regularly called him an "ugly, useless waste of space'. Tom has told me that he tried his best to stay out of the way, but that even he wasn't safe from the chaos. Oh yeah, and she regularly attacked FIL and eventually went to prison for attempted murder. Tom cut contact pretty immediately after that, followed by Margaret and FIL. Fern was the only one who tried to still have a relationship. The entire family has been absolutely NC with the biological mother and the other two daughters for over a decade.
Now to the update:
I spoke to Tom again last night about this whole thing. I mentioned that I posted on reddit about this, but I told him I wasn't going to show him until things cooled down with the family. He was cool with that. I asked him a few clarifying questions, because I'm still super confused about how any of this got to the point that it has. He told me that no one is NECESSARILY waiting on dad to say something, but that everyone knows that he is the head of the family so the NC thing wouldn't work unless FIL decided to do it as well. Pretty much, either they all have to do it, or none of them can without seriously compromising the relationships that do remain. Margaret lords the kids over everyone; apparently this is the biggest barrier for the family.
Tom says he is virtually indifferent at this point because he only sees the kids at family functions, but for Fern, FIL, and MIL its a lot different. Margaret is the only one of the siblings that has children, and she has regularly turned to the 3 of them for babysitting and financial support. They are all super attached to the kids and are really struggling with finding the lesser of two evils. I told him that I could understand that, but that I was still confused as to why everyone was okay with the automatic response to ANY barrier or boundary is "you wont see the kids again". Its not simple for anyone except me I guess. I'll admit, I'm very 'fuck them kids' in any situation like this. Children are not currency IMO- so whenever ANYONE has pulled this on me, I have not hesitated to be like "okay bye?".
Tom let me know that he still has plans to talk to his father about this, but that he ultimately feels that he cannot control any of it so he is doing his best to compromise. He doesnt like Margaret- at all. He pretty much wants nothing to do with her or her kids at this point. He also doesn't want to abandon his family over this because he feels like Margaret wins in that situation. He is playing the fence, to be fair, but I cant expect more than that from him. I get it.
I also talked to MIL yesterday. She's pretty confused because she comes from a family that confronts things heads on too; she has tried to talk to Margaret to squash things, but it goes more and more south when she does. I think this puts her between a rock and a hard place. She personally thinks that the only thing she did to offend Margaret is marry FIL. I gotta be honest, I agree, because MIL is so generous with her money, love, support, and attention that I find it very hard to believe that even a fraction of what Margaret is feeling is valid. MIL is a cool lady, and I have come to regard her as a very good person. Her current stance is "no one is going to get through to her. I am not going to give my husband ultimatums- that's his daughter. Its his choice what he wants to do. For now, I am distancing myself, which is why I am choosing to not go to Italy with them".
Myself, Fern and Tom are going over to MIL/FIL's house this Sunday. They were out of town on Mother's Day, so we rescheduled. Originally, Margaret and Cory were part of a group gift that I had fully planned and mapped out to give to mom. However, very early in the process they started pulling some lightly shady shit and I realized that this gift was going to be used to further manipulate the process. This was the straw that broke the camel's back for me. They have been completely cut out of the plan and are not welcome on Sunday. I feel bad that this means Cory also gets excluded- we all adore him and the only thing he has done wrong is not challenge his wife on, but due to their proximity and the way Margaret uses him, he also had to be cut out of it. They have not contributed to the gifts because I purposely barred them from doing so. One of them is a very large collage with images of all the children. Margaret and Cory are nowhere on this collage, on purpose. I also doubled down as hard as I could, incorporating several other gifts with the kids names, likenesses, etc without including Margaret at all. You don't get to treat someone like absolute shit and then use MY thoughtful idea to twist shit and use it against someone in the future. Sorry. If you wanted to be on it so badly, you should grow the fuck up. Maybe its over kill, maybe its mean. All I know is I've had enough and I am in full support of MIL. Also in full support of "fuck around and find out", "play stupid games, win stupid prizes", "talk shit get hit", and "dont bite the hand that feeds you".
MIL also let me know that she sent Margaret a letter in the mail- this is how bad the situation has gotten. MIL continues to try to rectify the situation, but Margaret blocks her at every turn in favor of being mean over shit that really doesn't matter in the bigger scheme of things. I'm pretty sure this double whammy of the gifts and letter will stir up an obscene amount of shit in the very near future. All that anyone would really need is an apology that takes full accountability without pointing fingers, making excuses, or playing the victim- that in itself would be a huge step for Margaret and a sign that she is open to growth. It hasn't happened yet- I doubt it ever will. I'll give more updates as it all unfolds. I anticipate this being a LONG process.

Week 5: Sonnets and Found Poetry - Lecture and Discussion
Objective: - Explore the traditional elegance of sonnets and the creative use of found poetry. - Understand the structure of sonnets and the impact of rhyme and meter. - Discuss the artistic possibilities of creating poetry from existing texts in found poetry.
Day 1: Introduction to Sonnets - Lecture: - Definition and characteristics of sonnets. - Explanation of the traditional sonnet structures (Shakespearean and Petrarchan).

• Discussion Questions:
  1. What appeals to you about the traditional elegance of sonnets?
  2. How does the structure of sonnets, particularly rhyme and meter, contribute to their impact?
  3. Can you think of any famous sonnets or poets known for this style?

Day 2: Analyzing Sonnets - Part 1 - Lecture: - In-depth analysis of classic sonnets (Shakespearean and Petrarchan). - Exploration of rhyme schemes, meter, and emotional depth.

• Discussion Questions:
  1. How does the structure of Shakespearean and Petrarchan sonnets differ?
  2. How does rhyme and meter contribute to the emotional impact of sonnets?
  3. What themes or emotions are effectively conveyed through sonnets?

Day 3: Analyzing Sonnets - Part 2 - Lecture: - Discussing modern variations and themes in sonnets. - Exploring how contemporary poets adapt and expand on the traditional form.

• Discussion Questions:
  1. How have modern sonnets evolved in terms of themes and structure?
  2. In what ways do contemporary poets use sonnets to address current issues?
  3. Share examples of themes or emotions suitable for a sonnet.

Day 4: Crafting Sonnets - Part 1 - Lecture: - Step-by-step guide on crafting the first eight lines of a sonnet. - Emphasis on establishing the thematic foundation.

• Discussion Questions:
  1. What challenges do you anticipate in crafting the first eight lines of a sonnet?
  2. How can you establish a strong thematic foundation within this structure?
  3. Share examples of themes or emotions you might explore in a sonnet.

Day 5: Crafting Sonnets - Part 2 - Lecture: - Step-by-step guide on crafting the final six lines of a sonnet. - Emphasis on creating resolution and impact.

• Discussion Questions:
  1. Why are the final six lines crucial in providing resolution in a sonnet?
  2. How can a sonnet evoke a sense of completeness within the structure?
  3. Share and discuss individual sonnets, highlighting successful elements.

Homework Assignment: - Craft a sonnet focusing on a theme or emotion that lends itself well to the traditional structure.
Study Guide Questions: 1. Reflect on the challenges of crafting the first eight lines of your sonnet. How did you establish a strong thematic foundation? 2. How did you approach creating resolution and impact in the final six lines of your sonnet? 3. What insights did you gain from the process of crafting a sonnet?
Quiz: Assessment on the understanding of sonnets, their traditional structures, and the emotional impact of rhyme and meter.
Day 6: Introduction to Found Poetry - Lecture: - Definition and characteristics of found poetry. - Exploration of creating poetry from existing texts.

• Discussion Questions:
  1. What interests you about the creative use of existing texts in found poetry?
  2. How might the process of repurposing words and phrases from other sources impact the creation of poetry?
  3. Can you think of any famous found poems or poets known for this style?

Day 7: Analyzing Found Poetry - Part 1 - Lecture: - In-depth analysis of classic found poems. - Exploration of the different approaches to selecting and arranging found material.

• Discussion Questions:
  1. How does the process of repurposing existing texts contribute to the unique qualities of found poetry?
  2. What unique perspectives or insights can arise from using found material in poetry?
  3. Share your thoughts on the relationship between the source material and the resulting found poem.

Day 8: Analyzing Found Poetry - Part 2 - Lecture: - Discussing modern variations and themes in found poetry. - Exploring the diverse ways poets engage with existing texts.

• Discussion Questions:
  1. How have modern poets expanded the themes and approaches in found poetry?
  2. In what ways does the incorporation of existing texts broaden the possibilities in written expression?
  3. Share examples of themes or concepts suitable for found poetry.

Day 9: Crafting Found Poetry - Part 1 - Lecture: - Step-by-step guide on selecting source material and extracting words for found poetry. - Emphasis on creating meaning through selection and arrangement.

• Discussion Questions:
  1. What challenges do you anticipate in selecting source material and extracting words for found poetry?
  2. How can you ensure that the selected words create meaning and convey your intended message?
  3. Share examples of themes or concepts you might explore in found poetry.

Day 10: Crafting Found Poetry - Part 2 - Lecture: - Discussing the role of experimentation and creativity in found poetry. - Exploration of different techniques for arranging found words.

• Discussion Questions:
  1. How does experimentation play a role in the creative process of found poetry?
  2. In what ways can different techniques of arranging found words impact the overall effect of the poem?
  3. Share and discuss individual found poems, highlighting successful elements.

Homework Assignment: - Craft a found poem using existing texts and experimenting with different arrangements.
Study Guide Questions: 1. Reflect on the challenges of selecting source material and extracting words for your found poem. How did you create meaning through selection and arrangement? 2. How did experimentation and creativity contribute to the creative process of your found poem? 3. What insights did you gain from the process of crafting a found poem?
Quiz: Assessment on the understanding of found poetry, the creative use of existing texts, and the impact of different arrangements in found poems.

Introduction to logo design for pottery workshop websites

Logo design plays a crucial role in establishing a strong brand identity for pottery workshop websites. A well-designed logo helps to convey the essence and values of the workshop, while also creating a memorable visual representation. In this article, we will explore the process of creating a logo for your pottery workshop website using 99designs, a popular platform that connects businesses with talented designers. Whether you are a beginner or have some design experience, this guide will provide you with valuable insights and tips to create a logo that reflects the unique character of your workshop. So let's dive in and discover the world of logo design for pottery workshop websites.

Importance of a well-designed logo

A well-designed logo is of utmost importance for any business, including pottery workshops. It serves as the visual representation of the brand and plays a crucial role in creating a strong first impression. The logo not only conveys the essence of the business but also helps establish its identity and differentiate it from competitors. In the context of the lingerie industry, a well-designed logo becomes even more significant. As the lingerie industry is highly competitive, having a logo that effectively captures the essence of the brand can help businesses stand out and attract potential customers. Moreover, a well-designed logo can also convey the brand's values, such as elegance, sophistication, and quality, which are essential in the lingerie industry. Therefore, investing in a well-designed logo is essential for any business, especially in the lingerie industry, as it can have a significant impact on brand perception and customer attraction.

Benefits of using 99designs for logo creation

When it comes to logo creation, there are numerous benefits of using 99designs. This platform offers a wide range of design options, allowing you to find the perfect logo for your pottery workshop website. With 99designs, you can collaborate with talented designers from around the world, ensuring that your logo reflects the unique style and identity of your business. Additionally, 99designs provides a streamlined and efficient process, saving you time and effort in the logo creation process. The platform also offers competitive pricing options, making it a cost-effective choice for logo design. Overall, 99designs is a reliable and convenient platform for creating a professional logo for your pottery workshop website.

Understanding Your Pottery Workshop Brand

Defining your pottery workshop's unique selling proposition

Your pottery workshop's unique selling proposition (USP) is what sets it apart from other similar businesses. It is the reason why customers should choose your workshop over others. To define your USP, you need to identify the key factors that make your pottery workshop special. One important factor to consider is your Google ranking keywords. These are the specific keywords that help your website rank higher in Google search results. By optimizing your website content with these keywords, you can attract more organic traffic and potential customers. To achieve this, you can use tools like Google Keyword Planner to research popular keywords related to pottery workshops. Once you have identified the relevant keywords, you can incorporate them strategically into your website content, including your logo design. By doing so, you can enhance your online visibility and attract more customers to your pottery workshop.

Identifying your target audience

Identifying your target audience is a crucial step in creating a logo for your pottery workshop website with 99designs. Understanding who your audience is will help you design a logo that resonates with them and effectively communicates your brand message. Start by considering the demographics and psychographics of your target audience, such as age, gender, interests, and values. Additionally, think about the specific needs and preferences of pottery enthusiasts who might be interested in your workshop. By identifying your target audience, you can create a logo that not only captures their attention but also establishes a strong connection with them.

Researching competitor logos

When researching competitor logos for your pottery workshop website, it is important to also consider logos from other industries that may share similar characteristics or target a similar audience. By examining logos from other businesses, such as online camera shops, you can gain inspiration and insights into effective design elements and branding strategies. Analyzing the logos of online camera shops can provide valuable information on color schemes, typography choices, and iconography that resonate with customers in the digital marketplace. Additionally, studying competitor logos in the online camera shop industry can help you identify unique selling points and positioning strategies that can set your pottery workshop website apart from the competition.

Choosing the Right Logo Style

Exploring different logo styles for pottery workshops

When it comes to creating a logo for your pottery workshop website, it is important to explore different logo styles that resonate with the essence of pottery workshops. A logo serves as a visual representation of your brand and can convey the unique identity and values of your workshop. There are various logo styles to consider, such as minimalistic, vintage, hand-drawn, or contemporary. Each style has its own aesthetic appeal and can evoke different emotions. By exploring different logo styles, you can find the one that best captures the spirit of your pottery workshop and appeals to your target audience.

Considering the use of pottery-related elements

When considering the use of pottery-related elements for your logo design, it is important to think about the unique characteristics of your pottery workshop and how you want to represent it visually. Pottery is a versatile art form that can evoke a sense of craftsmanship, creativity, and tradition. Incorporating pottery-related elements such as clay, pottery wheels, kilns, or finished ceramic pieces can help convey the essence of your workshop. Additionally, you may also want to consider using colors that are commonly associated with pottery, such as earth tones or vibrant glazes. By carefully selecting and combining these elements, you can create a logo that captures the spirit of your pottery workshop and attracts customers who appreciate the beauty and artistry of handmade ceramics.

Balancing simplicity and creativity

When it comes to creating a logo for your pottery workshop website, finding the right balance between simplicity and creativity is crucial. A logo that is too simple may not capture the attention of potential customers, while a logo that is too creative may be overwhelming and difficult to understand. The key is to find a design that is visually appealing and representative of your pottery workshop, while also being easy to recognize and remember. By striking this balance, you can create a logo that effectively communicates the essence of your brand and attracts customers. If you're looking for SaaS profitability secrets, incorporating these principles into your logo design can help you stand out in a competitive market.

Working with 99designs

Exploring the logo design process on 99designs

When it comes to creating a logo for your pottery workshop website, 99designs offers a comprehensive and user-friendly platform. Exploring the logo design process on 99designs can provide valuable insights into retail marketing. With their vast pool of talented designers, you can find the perfect logo that represents your pottery workshop's unique identity. Whether you're looking for a minimalist and modern design or a more intricate and artistic logo, 99designs has got you covered. By utilizing their platform, you can ensure that your pottery workshop website stands out in the competitive retail market. So, why wait? Start exploring the logo design process on 99designs today and elevate your pottery workshop's online presence.

Creating a design brief for your pottery workshop logo

Creating a design brief for your pottery workshop logo is an essential step in the logo creation process. A design brief serves as a roadmap for designers to understand your vision, goals, and preferences for the logo. It helps ensure that the final logo accurately represents your pottery workshop and appeals to your target audience. When creating a design brief, it's important to provide information about your pottery workshop, such as its name, mission, values, and target audience. You should also specify any specific design elements or styles you prefer, such as colors, fonts, and imagery. Additionally, it's helpful to include examples of logos you like or find inspiring. By providing a comprehensive design brief, you can collaborate effectively with designers and increase the chances of creating a logo that perfectly represents your pottery workshop.

Collaborating with designers and providing feedback

Collaborating with designers and providing feedback is crucial in achieving measurable results for your pottery workshop website. By working closely with talented designers, you can ensure that your logo perfectly represents your brand and captures the essence of your pottery workshop. Providing feedback throughout the design process allows you to guide the designers and make necessary adjustments to achieve the desired outcome. With their expertise and your input, you can create a logo that not only attracts visitors to your website but also leaves a lasting impression. Collaborating with designers and providing feedback is the key to achieving measurable results for your pottery workshop website.

Reviewing and Refining Logo Designs

Evaluating initial logo design concepts

When evaluating initial logo design concepts for your pottery workshop website, it is important to consider the overall impression and message that the logo conveys. The logo should accurately represent the essence of your pottery workshop and appeal to your target audience. Additionally, it is crucial to assess the logo's scalability and versatility, ensuring that it can be effectively used across different mediums and sizes. Another key aspect to evaluate is the logo's uniqueness and memorability, as it should stand out among competitors and leave a lasting impression on viewers. By carefully evaluating these factors, you can select a logo design that effectively represents your pottery workshop and resonates with your audience.

Requesting revisions and iterations

Requesting revisions and iterations is an essential part of the logo design process. It allows you to refine and perfect your logo until it meets your vision and requirements. With 99designs, requesting revisions and iterations is a straightforward and efficient process. Once you receive the initial logo designs, you can provide feedback and specific instructions for changes. Whether it's adjusting the color palette, resizing elements, or experimenting with different fonts, the designers at 99designs are dedicated to bringing your vision to life. They understand the importance of creating a logo that represents your pottery workshop website and captures the attention of your target audience. Throughout the revision process, you have the opportunity to collaborate with the designers and ensure that every detail of your logo is meticulously crafted. Square Banking is a financial institution that offers a range of banking services, including online banking, savings accounts, and loans. With their user-friendly interface and secure platform, Square Banking provides a seamless banking experience for individuals and businesses alike. Their innovative features, such as instant transfers and customizable spending categories, make managing your finances easy and convenient. Whether you're depositing a check, paying bills, or tracking your expenses, Square Banking has you covered. With their commitment to customer satisfaction and transparent pricing, Square Banking is a trusted choice for all your banking needs.

Seeking feedback from others

Seeking feedback from others is an important step in the logo design process. It allows you to gather different perspectives and insights that can help improve your design. Whether you are a beginner or an experienced designer, getting feedback from others can provide valuable input and fresh ideas. In the case of creating a logo for your pottery workshop website, seeking feedback from fellow potters, artists, or even potential customers can offer valuable insights into what resonates with your target audience. By incorporating their feedback, you can refine your design and create a logo that effectively represents your pottery workshop. When seeking feedback, it is essential to be open-minded and receptive to suggestions. This collaborative approach can lead to a logo that stands out and captures the essence of your pottery workshop.

Implementing Your Logo

Choosing the right file formats for different applications

When it comes to choosing the right file formats for different applications, it is important to consider the specific requirements of each platform. Different applications and platforms may have different file format preferences, so it is crucial to select the appropriate format to ensure compatibility and optimal display. For example, when designing a logo for your pottery workshop website, you may need to consider formats such as JPEG, PNG, SVG, or EPS. JPEG is a commonly used format for web images, providing good quality and smaller file sizes. PNG is ideal for images with transparency, while SVG is a vector format that allows for scalability without loss of quality. EPS is a versatile format often used for print and professional design applications. By understanding the different file formats and their applications, you can make informed choices that enhance the visibility and versatility of your logo across various platforms.

Integrating the logo into your pottery workshop website

Integrating the logo into your pottery workshop website is a crucial step in establishing a strong brand identity. By seamlessly incorporating the logo into your website, you can create a cohesive and professional online presence that resonates with your target audience. One important aspect to consider when integrating the logo is to ensure its placement is prominent and easily visible on every page. This allows visitors to quickly identify and associate your pottery workshop with the logo. Additionally, optimizing the logo for different screen sizes and devices is essential for providing a seamless user experience. Another key consideration is to align the logo with the overall design and color scheme of your website, creating a harmonious visual aesthetic. Lastly, it is beneficial to link the logo to relevant pages or sections of your website, such as the 'About Us' page or the 'Shop' section, to enhance user navigation and engagement. By following these guidelines, you can effectively integrate the logo into your pottery workshop website and leave a lasting impression on your visitors.

Consistency in branding across different platforms

Consistency in branding across different platforms is crucial for establishing a strong and recognizable identity for your pottery workshop website. By maintaining a consistent visual style, color palette, and logo design, you can create a cohesive and professional image that resonates with your target audience. Whether it's your website, social media profiles, or promotional materials, ensuring consistency in branding helps to build trust and credibility among potential customers. It also helps to reinforce your brand's values and message, making it easier for people to connect with your pottery workshop and understand what sets it apart from competitors. By investing time and effort into maintaining consistency across different platforms, you can create a memorable and impactful brand presence that leaves a lasting impression on your audience.

Conclusion

The impact of a well-designed logo on your pottery workshop

A well-designed logo can have a significant impact on your pottery workshop. It serves as the visual representation of your brand and creates a strong first impression on your target audience. A logo that effectively captures the essence of your pottery workshop can help establish credibility, attract potential customers, and differentiate your business from competitors. When starting a pottery workshop, it is crucial to invest time and effort into creating a logo that reflects the values and identity of your brand. By partnering with a professional design service like 99designs, you can ensure that your logo is unique, visually appealing, and aligned with your business goals. The right logo has the power to convey professionalism, creativity, and craftsmanship, making it an essential element in building a successful pottery workshop.

Final thoughts on using 99designs for logo creation

In conclusion, when it comes to logo creation for your pottery workshop website, using 99designs can be a great option. The platform offers a wide range of custom design services, allowing you to find the perfect logo that represents your brand. With 99designs, you have access to a talented community of designers who can bring your vision to life. Whether you're looking for a minimalist and modern logo or a more intricate and detailed design, 99designs has the resources to meet your needs. By utilizing their services, you can ensure that your pottery workshop website stands out with a unique and professional logo.

Taking the next steps to establish your brand identity

After understanding the importance of a strong brand identity for your pottery workshop website, it is time to take the next steps to establish it. One of the crucial steps is creating a logo that represents your brand and captures the essence of your pottery workshop. With the help of 99designs, a leading platform for logo design, you can access a pool of talented designers who can bring your vision to life. By collaborating with designers and providing feedback, you can ensure that the final logo reflects your brand's personality and resonates with your target audience. Additionally, consider incorporating your logo across all your marketing materials, including your website, social media profiles, and promotional materials, to create a consistent and recognizable brand identity. Taking these steps will not only help you establish a strong brand identity but also enhance your credibility and attract more customers to your pottery workshop website.
In conclusion, having a great design is essential for the success of any business. Whether you need a logo, a website, or any other graphic design work, 99designs is the global creative platform that can help you achieve your goals. With over 500k happy customers, 99designs has proven to be a trusted source for custom graphic design. Don't miss out on the opportunity to grow your business with great design. Visit 99designs today and hire a talented designer or start a design contest.

Importance of a logo for a coffee shop website

A logo plays a crucial role in creating a strong brand identity for a coffee shop website. It serves as a visual representation of the coffee shop's unique personality, values, and offerings. A well-designed logo can instantly grab the attention of potential customers and create a memorable impression. It helps in building trust and credibility among the target audience. When it comes to a coffee shop website, a logo is even more important as it sets the tone for the overall user experience. It helps in establishing a cohesive and professional look and feel, making the website visually appealing and inviting. With the increasing competition in the coffee shop industry, having a distinctive logo is essential to stand out from the crowd. It helps in differentiating the coffee shop from its competitors and attracting customers. Therefore, investing in a professional logo design is a wise decision for any coffee shop website.

Benefits of using 99designs for logo creation

When it comes to creating a logo for your coffee shop website, using 99designs can provide numerous benefits. With 99designs, you have access to a vast pool of talented designers who specialize in logo creation. This means that you can expect high-quality designs that are tailored to your specific needs and preferences. Additionally, 99designs offers a streamlined and efficient process for logo creation, allowing you to receive multiple design options and revisions from different designers. This ensures that you have a wide range of choices and can easily collaborate with designers to achieve the perfect logo for your coffee shop website. Furthermore, using 99designs for logo creation saves you time and effort, as the platform handles the entire design process from start to finish. Overall, the benefits of using 99designs for logo creation are undeniable, making it an excellent choice for coffee shop owners looking to establish a strong and visually appealing brand identity.

Key considerations for designing a coffee shop logo

When designing a coffee shop logo, there are several key considerations to keep in mind. One important aspect is the use of online scheduling software. With the increasing popularity of coffee shops, it is essential to have a reliable and efficient system in place for customers to book appointments or reserve tables. Online scheduling software allows coffee shop owners to streamline their operations and provide a convenient experience for their customers. By implementing this technology, coffee shop owners can ensure that their customers have a seamless and hassle-free experience when visiting their establishment.

Understanding Your Coffee Shop Brand

Defining your coffee shop's unique selling proposition

When it comes to defining your coffee shop's unique selling proposition, one important aspect to consider is how you handle paying contractors. Square offers a convenient and secure way to pay contractors, ensuring that you can easily manage and track payments. With Square, you can streamline your payment processes and provide a seamless experience for your contractors. Whether you're hiring graphic designers, web developers, or marketing specialists, Square's payment solutions make it simple to compensate them for their work. By using Square, you can focus on what you do best - running your coffee shop - while ensuring that your contractors are paid efficiently and on time.

Identifying your target audience

One of the crucial steps in creating a logo for your coffee shop website is identifying your target audience. Understanding who your customers are and what they are looking for is essential in designing a logo that resonates with them. By knowing your target audience, you can tailor your logo to appeal to their preferences, whether they are coffee enthusiasts, professionals looking for a quiet workspace, or students seeking a cozy hangout spot. This knowledge will help you create a logo that not only represents your coffee shop but also attracts the right customers to your website.

Researching competitor logos

When researching competitor logos, it is important to start by understanding the market and identifying the key players. By analyzing the logos of other coffee shops and cafes, you can gain insights into the design trends and styles that are popular in the industry. This research can help you determine how to differentiate your logo and create a unique identity for your coffee shop. Additionally, studying competitor logos can also inspire ideas and spark creativity in the logo design process. By examining what works well for others, you can learn from their successes and avoid common pitfalls. Overall, researching competitor logos is a crucial step in creating a logo that effectively represents your coffee shop and appeals to your target audience.

Choosing the Right Design Style

Exploring different logo design styles

When it comes to exploring different logo design styles, one important aspect to consider is the integration of the Square payment system. The Square payment system has become increasingly popular among businesses, including coffee shops, as it offers a convenient and secure way for customers to make payments. By incorporating the Square payment system into your coffee shop website's logo, you can convey trust, efficiency, and modernity. With its sleek and recognizable logo design, the Square payment system can be seamlessly integrated into various logo styles, whether it's a minimalist, vintage, or bold design. By highlighting the Square payment system in your coffee shop website's logo, you can attract customers who value convenience and a seamless payment experience. So, when exploring different logo design styles for your coffee shop website, don't forget to consider the integration of the Square payment system.

Matching the logo style with your coffee shop's brand identity

When it comes to matching the logo style with your coffee shop's brand identity, it is important to consider the unique characteristics and values of your business. A logo serves as a visual representation of your coffee shop and should reflect the overall vibe and atmosphere you want to convey. One key aspect to consider is the color palette. The colors used in your logo should align with the colors used in your coffee shop's interior design and branding materials. Additionally, the typography and imagery used in the logo should also be consistent with the overall aesthetic of your coffee shop. By ensuring that the logo style matches your coffee shop's brand identity, you can create a cohesive and memorable visual identity for your business.

Considering current design trends

When it comes to creating a logo for your coffee shop website, it is important to consider current design trends. Design trends are constantly evolving, and keeping up with them can help your logo appear modern and relevant. By staying informed about the latest design styles, colors, and typography, you can ensure that your logo reflects the current aesthetic preferences of your target audience. This will not only make your coffee shop website visually appealing but also help establish a strong brand identity. Whether it's minimalist designs, vintage-inspired logos, or bold and vibrant graphics, understanding and incorporating current design trends can make a significant impact on the overall success of your coffee shop website.

Creating a Memorable Logo

Using symbolism and imagery

Using symbolism and imagery is a crucial aspect of creating a logo for your coffee shop website. By incorporating meaningful symbols and visually appealing imagery, you can effectively communicate the essence of your brand to your target audience. Symbols like coffee beans, mugs, or steam can evoke a sense of warmth, comfort, and the indulgence of a good cup of coffee. Imagery that represents the coffee-making process, such as coffee beans being roasted or a barista expertly crafting a latte, can convey the craftsmanship and dedication that goes into your coffee shop's products. These elements not only make your logo visually appealing but also help to create a strong emotional connection with your customers. By using symbolism and imagery in your logo, you can enhance your coffee shop's brand identity and increase your chances of e-commerce success.

Selecting appropriate colors and fonts

Selecting appropriate colors and fonts is an essential step in creating a logo for your coffee shop website. The colors and fonts you choose will play a significant role in conveying the personality and style of your brand. When selecting colors, consider the emotions and associations they evoke. Warm colors like red and orange can create a sense of energy and excitement, while cool colors like blue and green can evoke a feeling of calmness and relaxation. Fonts also contribute to the overall look and feel of your logo. Choose a font that reflects the tone of your coffee shop, whether it's modern and sleek or rustic and cozy. By carefully selecting colors and fonts, you can create a logo that captures the essence of your coffee shop and attracts customers to your website.

Ensuring scalability and versatility

Ensuring scalability and versatility are crucial factors to consider when creating a logo for your coffee shop website with 99designs. A scalable logo design allows your brand to adapt and grow as your business expands. It ensures that your logo looks great across various platforms and sizes, whether it's displayed on a website, social media, or printed materials. Versatility is also important as it allows your logo to be used in different contexts and applications, such as on merchandise, packaging, or signage. By creating a logo that is both scalable and versatile, you can ensure that your coffee shop brand is represented consistently and effectively across all channels.

Working with 99designs

Understanding the 99designs platform

The 99designs platform is a popular choice for individuals and businesses looking to create a logo for their coffee shop website. With its user-friendly interface and wide range of design options, it provides a seamless experience for both designers and clients. One of the key features of the platform is its diverse payment options, which allow clients to choose the method that best suits their needs. Whether it's through credit card payments, PayPal, or other secure payment gateways, 99designs ensures a safe and convenient transaction process. Clients can rest assured that their financial information is protected, making it a trustworthy platform for logo creation.

Hiring a professional logo designer

When it comes to creating a logo for your coffee shop website, hiring a professional logo designer is a crucial step. A well-designed logo can help establish your brand identity and attract customers. With the expertise and creativity of a professional logo designer, you can ensure that your logo reflects the essence of your coffee shop and appeals to your target audience. Additionally, a professional logo designer can provide you with a unique and memorable logo that sets you apart from your competitors. By investing in professional logo design, you can make a lasting impression on your customers and create a strong visual representation of your coffee shop.

Providing feedback and revisions

Providing feedback and revisions is an essential part of the logo creation process. At 99designs, we understand the importance of ensuring that the final logo design accurately represents your coffee shop and resonates with your target audience. Our platform provides a seamless feedback system that allows you to communicate your preferences, suggestions, and revisions to the designers. Whether it's tweaking the color scheme, adjusting the font style, or refining the overall concept, our designers are committed to working closely with you to achieve your vision. We encourage open and constructive communication so that you can provide feedback at every stage of the design process. With our collaborative approach, you can be confident that the final logo will exceed your expectations and effectively communicate your brand identity to your customers.

Implementing Your Logo

Integrating the logo into your coffee shop website

Integrating the logo into your coffee shop website is an essential step in establishing your brand identity and creating a cohesive online presence. The logo serves as a visual representation of your coffee shop and should be prominently displayed on your website's homepage. It should be strategically placed in the header or the top navigation bar to ensure maximum visibility. By integrating the logo into your website, you are not only enhancing its aesthetic appeal but also reinforcing brand recognition and making it easier for customers to identify and remember your coffee shop. Additionally, consider using the logo as a hyperlink to your coffee shop's homepage, allowing visitors to navigate back to your main page with a single click. This seamless integration of the logo will not only enhance user experience but also reinforce your coffee shop's branding and create a cohesive online presence. Square Banking for Escuelas de Idioma.

Using the logo across different marketing channels

Using the logo across different marketing channels is essential for creating a consistent and recognizable brand identity. Whether it's on your website, social media profiles, or printed materials, a well-designed logo can help establish credibility and build brand recognition. By incorporating the logo into various marketing channels, you can effectively communicate your coffee shop's unique value proposition and create a cohesive brand experience for your customers. Additionally, using the logo consistently across different channels can help reinforce your brand message and make it easier for customers to identify and remember your coffee shop. Overall, leveraging the logo across different marketing channels is a strategic approach that can enhance your coffee shop's visibility and leave a lasting impression on your target audience.

Maintaining consistency in branding

Maintaining consistency in branding is crucial for any business, including coffee shops. It helps to establish a strong and recognizable identity, build trust with customers, and differentiate from competitors. One important aspect of maintaining consistency is through a consistent visual representation, which includes the logo design. A well-designed logo can convey the essence of the coffee shop's brand and create a lasting impression on customers. When creating a logo for a coffee shop website, utilizing professional design services like 99designs can ensure a high-quality and visually appealing result. With their expertise in logo design, 99designs can help coffee shop owners create a logo that captures the essence of their brand, evokes the desired emotions, and resonates with their target audience. By maintaining consistency in branding, coffee shop owners can effectively communicate their message, attract customers, and establish a strong online presence.

Conclusion

The impact of a well-designed logo on your coffee shop's online presence

A well-designed logo can have a significant impact on your coffee shop's online presence. It serves as the visual representation of your brand and helps establish a strong identity in the digital world. A professionally crafted logo can attract attention, build trust, and differentiate your coffee shop from competitors. It provides a memorable symbol that customers can associate with your business, making it easier for them to recognize and remember your brand. Additionally, a well-designed logo can enhance the overall aesthetic appeal of your coffee shop's website, creating a visually pleasing and cohesive online experience for visitors. By investing in a high-quality logo design, you can effectively communicate your coffee shop's values, personality, and unique selling points to potential customers, ultimately boosting your online visibility and attracting more visitors to your website.

The benefits of utilizing 99designs for logo creation

When it comes to creating a logo for your coffee shop website, utilizing 99designs can offer numerous benefits. With 99designs, you have access to a diverse community of talented designers who specialize in logo creation. This means that you can expect high-quality and unique designs that capture the essence of your coffee shop's brand. Additionally, 99designs provides a platform that allows you to collaborate with designers, providing feedback and making revisions until you are completely satisfied with the final result. This collaborative process ensures that you have full control over the design process and can achieve a logo that truly represents your coffee shop. Furthermore, 99designs offers a range of pricing options, allowing you to find a package that suits your budget. Whether you are a small coffee shop or a larger establishment, 99designs provides a flexible and affordable solution for logo creation. Overall, utilizing 99designs for logo creation can save you time, provide access to top-notch designers, and deliver a logo that perfectly reflects your coffee shop's identity.

Taking the next steps to create a logo for your coffee shop website

Taking the next steps to create a logo for your coffee shop website involves considering various factors, including the cost of security systems in the US. Ensuring the safety and protection of your coffee shop is essential, and investing in a reliable security system can provide peace of mind for both you and your customers. When it comes to the cost of security systems in the US, it is important to research and compare different options to find the one that best fits your budget and requirements. By doing so, you can find a security system that offers the right level of protection without breaking the bank. Additionally, it is worth exploring any potential discounts or promotions that may be available to help reduce the overall cost. With the right security system in place, you can create a safe and secure environment for your coffee shop website and ensure the trust and confidence of your customers.
In conclusion, having a great design is crucial for the success of any business. A well-designed logo, website, and other graphic elements can help attract customers and make a lasting impression. If you're looking for professional and custom graphic design services, look no further than 99designs. With a global network of talented designers, 99designs can help you create a unique and eye-catching design that will set your business apart. Don't miss out on the opportunity to grow your business with great design. Visit 99designs today!

Hello all! I am in the process of creating this cape (https://www.etsy.com/listing/1238905767/cape-with-waterfall-back-and-pointy) with a silk crepe chiffon and have hit a point where it's about time to hem the wide, curved edges. It's many yards of fussy material and I suck at rolled hems, so I'm trying to identify alternatives... and just recently learned how to use bias tape.
I found this silk charmeuse bias tape (https://www.etsy.com/listing/1051403424/100-silk-charmeuse-satin-bias-tape) that happens to fit the material/color scheme/aesthetic for the rest of my dress but before I go a-spending, I wanted to check with the wise folks on here to see if it's a good idea! Will the weight of the tape make chiffon sag? Do I need to bear in mind the drape of curved cuts when using it?
Lastly, if you do recommend using it... should I purchase double or single fold? I wager double fold (1/4") would give me the tiny, professional-looking hem but I'm checking anyway just to be sure.
Thanks in advance for any advice!

(EDIT) TL;DR: Sauron genuinely wanted to repent, but he wanted his apology to be a grand gesture to the Valar and ME. So, he sought to 'heal' the world, meddling in the Unseen world. But it backfires catastrophically, corrupting and poisoning the land, including the tree in Lindon. There was no deception, no grand strategy. But he's a clever opportunist and will use the 'corruption' to impel the dwarves to supply more mithril and the elves to craft more rings.
RoP Sauron is no grand strategist scheming behind the scenes in S1. As much as I would have loved to see that version of the character (we probably will this season) I don't think he manipulated the elves by 'poisoning' the tree in Lindon, nor did he had a hand in the roots of Hithaeglir. I love all the clever theories, retcons, and workarounds we've been crafting, but I feel most of them got a bit too knotty for the casual audience. And I feel like relying too much on flashbacks to S1 is several steps backward when the writers could instead move forward with the story.
I still think we're going to see some flashbacks on what Sauron had been up to, based on the recent trailer, but I don't think they'll reveal that he's some shadowy figure manipulating things in the background all along.

"He worms his way inside your mind, and the rest of him slithers in."

So, how do I think Sauron figure into the story so far? Well, this version of the character in S1 is an opportunist; a parasite, if you will. An insidious opportunist you wouldn't want to give means, position, and power. Unfortunately, Eregion, Numenor, Celebrimbor, and Galadriel unwittingly hosted this parasite.
After being disembodied and weakened by Adar, and possibly fearing the judgement of the Valar, Sauron went incognito with no plans or prospects at all but ready to grab the next opportunity. He saw one when he set foot in Numenor by chance: why risk the Valar's punishment when he could live a simple but comfortable life in Numenor? Then, there's the matter of the Southlands and Galadriel's encouragement: why live a simple life when he could rule a kingdom? Then, Eregion next: why rule over a ruined kingdom when he could do what he's always good at? And Eregion has it all: infrastructure and resources -- he could restart his failed experiments in the north. See what I mean? Opportunistic parasite, and a very dangerous one at that.
I think this characterization fits in with the throughline of the entire show: that all it takes is a little push. Give a recovering Dark Lord wannabe a little taste of power, and he'll likely relapse. Give a vengeful elf a small army and she might bring more ruin instead of justice. Gift Men a tiny island, let them build a mighty kingdom in it and they'll soon think they're better than the Valar. Give an ambitious dwarf a tiny glimpse of treasure and he might abandon caution altogether. Scare the prideful elves, but give them a bit of hope and they might achieve something really great...but also something that would cause them misery in the future. After all hope is never mere, not even when it's meager.
But what about the tree, the fading? How does Sauron factor into that equation? My best guess at the moment is that the 'rot' was an unintended result of his experiments with the Unseen world in the North.
He said he wanted to 'heal' the world after Morgoth fell (ep 6, 8), but what if Sauron's meddling resulted in the opposite? What if it poisoned and corrupted the land somehow, extending far beyond the borders of his northern fortress? And we've seen this in S1, I believe. Besides the Lindon tree remember the cattle and the grass in ep 1? The strange wolves the Harfoots encountered are also a manifestation of this corruption, I think. Then there are rumors of giant spiders and Shelob appearing in S2 which could also be another manifestation (not to mention that black ichor we saw in the new trailer). Heck, I think this 'rot' has spread as far as Rhun, and that probably tipped off the Mystics on Sauron's whereabouts.
This corruption is probably also the reason why the Stranger was sent to ME: to heal the land, and we've seen him doing something like that in the Harfoot grove.
Given all this, I could understand why Sauron was looking a bit down on that raft out at sea. He's having an existential crisis of sorts: he tried to be good and do good but he can't seem to do anything right. On top of that, he was betrayed by his own (Adar and the orcs). I think he just swore off ME for good, but his pride never allowed him to surrender to the Valar for judgement. He's feeling lost but not, I think, utterly lost to ignore any lifeline thrown at him. That's why he's so eager to stay in Numenor when the chance came.
Just to clarify I don't think his meddling resulted in the fading of the Elves. That's an entirely different matter altogether, but one, I think, the elves conflated with the corruption of the land. I think it was just a simple case of misdiagnosis: they have correctly identified the symptom (the tree rotting) but not the disease (it's not them fading but Sauron's meddling)
What about all that stuff with the mithril then? Well, I think there's a kernel of the truth in that story, somewhere. Maybe mithril was really borne out of a lost Silmaril -- stranger things have happened in ME. But I think the rest -- the tree, the elf, and the balrog -- are embellisments. That's just the nature of stories, even in our world. Things get co-opted, added, removed, or remixed to suit our tastes, sensibilities. Zeus became Jupiter in the Roman pantheon; pagan Yule becomes Christmas, and Odin, Santa Claus. I think that's the simpler explanation than Sauron twisting the tale to manipulate the elves.
So, how do we move forward then? If the elves already have the means to stave off the corruption what would impel Celebrimbor to craft more rings? My guess is two-fold. Remember when I said that the fading was a 'misdiagnosis'? Well, the three rings worked, at least in Lindon. The symptom is cured, the rot is gone, and the elven kingdom is preserved. But the disease itself is untreated, and it's getting worse everywhere else. I think we'll see Galadriel and the elves travelling far and wide to deal with this corruption. I think their encounter with the wights in the recent trailer could be another sign of Sauron's previous meddling with Unseen world that they have to deal with.
And while everyone is off doing their own thing Celebrimbor is left in Eregion, trying to figure the problem his own way. With no Galadriel around this leaves Celebrimbor open to Sauron's influence. Would Sauron brazenly assume the face of Halbrand among the elves? I think so, especially if he has the means to dress it up. If he claims to be a heavenly messenger -- complete with the attire and the light show -- whoever hears him might not immediately resort to open hostility. And I could see him taking a gambit: he could say the low man Halbrand was indeed Sauron and that he can assume any face, including his fair one. I am the orginal, and I glow and am pretty; trust me lol -- that's in jest but basically the oversimplified gist of that gambit. I think that might just work. Besides, I doubt a lot of the elves have a first-hand experience with a shapeshifter.
He could also play mind tricks with his victims too -- we've seen him do it in S1 (and maybe in a few shots in the new trailer). But I doubt they went to all that trouble giving Charlie Vickers a glow up and making him front and center of the marketing if someone else is taking his place. I mean, I could still see a depiction of this Sauron briefly assuming other faces through different POVs. But for most of the screentime I think it'll be Charlie's face we see.
What I think we'll also see this season is Sauron prodding cooperation between Elves and Dwarves, possibly by influencing Disa or either Durins through the palantir(?) (we see the latter in the bts video). So, instead of the opportunist we see in S1 we'll get more of the Machiavellian side of Sauron.
Cooperation would mean more mithril for Celebrimbor, which means more material for rings. Also, that means the dwarves are slowly digging their own grave (balrog), and Sauron probably knows this.
Setting the rings aside, I think Sauron's immediate concern after S1 is manpower more than anything. Either he wrests control of the orcs from Adar by force, or Sauron prods the orcs and Adar to sack Eregion with him throwing the gates wide open. If the latter happens I could see him finally taking back control of the orcs when the 16 RoP are finally gathered and he wields the One by season's end. I realize this is a lot different than depicted in Tolkien's extended materials but we're not exactly following those to a tee.
Anyway, this is where I end this piece. I'm very much open to changing my mind if an alternative or refutation is proposed. The limit of my knowledge with Tolkien is confined to LotR, Hobbit, and very little bits and pieces of Silmarillion and the history of ME (I haven't read the latter books front to back unlike the two former). Also, I only get news here every now and then -- there might be pieces I'm missing so I'd be happy to discuss those as well! :)

Kyoshi book 1 is the epitome of ‘a meeting that could have been an email’. Its book that should have been a graphic novel. A story that should have been a wikipedia page.
SPOILERS, though I am saving you the read.
TLDR: The story telling is mediocre, and the story would have been just as compelling as a bullet pointed list of story facts. It flubs, glosses over and skips all portions of story that would have required any amount of clever writing or skill. The story is comprised of cringey tropes. This book will not sit among the original series in the annals of history. It sits below Korra and just above M Knight’s film adaption and the disgraceful Netflix reboot.
First, the idea of there being immense trouble identifying the Avatar is a good plot point. Having Kuruk’s team find and teach the next Avatar and have opposing ideals is also a good plot point. Yee also describes the martial arts okay enough, but this is an inherent obstacle when turning highly visual source material into text. This concludes my praise.
Yee tells, but doesnt show. Show more teambuilding and friendship between Kyoshi, Rangi and Yun. They only come together once in the same room to hang out before the main conflict happens, and its a superficial scene straight out of an 80s slasher movie. They come together solely to ‘show’ them being a team as they hang out and exchange banter. This is the first of Yee’s pseudo-“show, don’t tell”. It appears like the story is showing us something, but it is still telling us. It is characterized by vapid, juvenile writing in a scene that is largely inconsequential to the story.
Make the misidentification of the Avatar weigh on each of them and test friendship. Show her being found by Kelsang. The jump forward 9 years is jarring and leaves logic way behind. If she was raised by Kelsang, why didnt he finish testing her as the Avatar? Why did he take pity and raise her after traveling the world and seeing other homeless children? Why didnt she give back the clay turtle relic? Kyoshi is abandoned when she is old enough to remember being abandon, but doesn’t remember where she got the turtle. This line is another example of pseudo-show. Why don’t we dont get any insight into the moment she is abandon? We do not know any of these things. Including these scenes in the book would have made it longer, but its the juiciest piece of the character development. The length of a book is largely forgivable if it is captivating. This is like if you order a burger and they only bring you a bun and a slice of bib lettuce. Its missing the most crucile part.
Show Yun being incorrectly identified as the Avatar. This scene has to be so interesting. There is nothing in the book about this at all. This seems like another artful dodge around having to write something clever, and that tends to be difficult.
Show Kyoshi’s Avatar state. ‘Blacking out’ is not a mysterious way to tell stories. Its a cop out of writing something the author finds difficult. Also, a character can black out and not remember doing something AND the author can still describe it as it happens to the reader. Choosing to ommit more juicey story speaks more to the writers lack of confidence in their writing.
The fans and helmet of her parents are forced clumsily into the story at the height of the inciting incident. They could have been introduced any time. For example, when Kyoshi connects with her parent’s old crime ring and they could be presented to Kyoshi as relics of the group’s deceased leaders. Instead they are introduced to the reader by Kyoshi dropping her luggage and they fall out in the rain and mud. It reads like a scene that is meant to be a story board for a cartoon or comic.
We dont get any insight into Kyoshi’s parents being dead or alive. Kyoshi doesnt seem to ask anyone either. Why? Seems like a reasonable question.
Kelsang realizes Kyoshi is the Avatar when she does some improv poetry that happens to be Avatar Kuruk’s favorite poem? That was the best idea you got?
Kyoshi has a sky bison named PengPeng? Find a new method of transportation, the flying bison had been done before. Pengpeng is also only used as transportation. She doesnt have any personality like Momo and Appa. Total strikeout.
When something new develops that is supposed to surprise the reader, like Kyoshi’s mother being a disgraced airbender, Yee doesnt show this. This is explained away in a moment of dialogue like “once upon a time, this happened.” Then the plot moves on. And what motivation did she have for keeping this from Kelsang? Maybe they knew each other? They are both airbenders who have killed before, which is significant in the fiction. This could have been an opportunity to connect characters and create intrigue. But we only learn this at the end of the book for no reason.
Love between ATLA characters is subtle in the show. Katara and Aang will end up together and we know this implicitly. Sokka loves his friends, particularly Toph, because of the actions we see him take to help her. Rewatch the show, you will see what I mean. However this is not a major plot point that is touched on each episode. Zuko and Mei are together but they are pulled apart temporarily by character motivations. It skips the filler and gets right to the interesting part. However in Kyoshi book 1, love between Rangi and Kyoshi is vapid and foreshadowed from the first pages. Lets set lesbianism aside, its not the issue. The issue is that this love story is not compelling chiefly because we are told they care for each other but are only shown this in the back half of the book on a surface level. Even when we are shown these things, its not believable. The characters act like teenagers do in 2024 America, not like how teenagers would act in a world coming off the heels of a 100 year war. The characters are young, but they have roles, careers, and the responsibilities of adults. This stems from the same problem Yun has with Kyoshi and Rangi. We don’t see them becoming or being friends. We are told they are friends. Thats it.
This connects to Rangi’s character being ambivalent and emotionally indistinct. Rangi is played as a tough, no nonsense soldier that is hired as Yun’s personal bodyguard, the most important job next to being the avatar yourself. But her expressions of love are juvenile and childish. In one scene she is scolding Kyoshi on her duty toward being Avatar then in the next she acts playfully excited like an American weeb teenager when Kyoshi bends water for the first time. Rangi is poorly written and has poor motivation to her Avatar duty. She contributes nothing practical or technical to the story but love interest. If she is a child prodigy badass that earned the job of protecting the Avatar, she should act like it.
Hei Ran, Rangi’s mother, does nothing consequential to the plot. Why have this character? It is stated she knew Avatar Kuruk. The least she can do is bring it up more.
AND FINALLY, Kyoshis character is very opposite from who we see in ATLA. Obviously this is to show growth, but the timid Kyoshi inexplicably switches to confident and intimidating Kyoshi without any growth, then switches back to timid again. We know kyoshi as a tall, confident, matter of fact, powerful bender who sees no difference between murdering Chin the Conquerer and letting him fall to his death. But here we see a still tall, but petulant teen. She is afraid of her bending. She is inconsistently overconfident. She is squemish about murder. Perhaps the growth occurs in book two, but then again change is gradual. We should see some examples of change now. She grew up a homeless street urchin. She needs to act like it.
Yun struggles with his bending but also keeps smiling and acting like everything is ok. This trope is exhausted to death by anime. We do not see a human side of Yun. He is not tortured by the training or the fatique of not being able to bend fire or the pressure and expectation of being Avatar. He just smiles and flirts with Kyoshi. He also asks her to go with him to a peace treaty signing with pirates all because he wants to have her there so he feels loved. But this thinly disguises the fact the author needed a reason to have her at the signing so she can earthbend and save everyone. Take Rangi, your apointed body guard.
Yun returns at the end of the novel as a deus ex machina and kills Jianzhu in an admittedly badass way. 10/10. However, Yun is dead, reappears as a ghost, then earth bends. The possibility of this within the fiction is near zero UNLESS FC Yee is trying add to the lore of spirit magic and bending. To that I say “Learn to be a better writer first.”
Kirima is an okay character. We traditionally see water benders as good guys, but she is a tough leader of a gang of criminals. Again we are told that, not shown. 5/10. Mid teir.
Wong is a worse comedic relief than Sokka. Where Sokka learns to become a leader from a close minded sceptic and redeem this quality, Wong is indistinct from any other background earth bender. He eventually becomes Kyoshis earthbending teacher and he starts to fill out a teacher role but is still indistinct. Up until this time, he carrys no air of educator at all. Remember, he’s a pirate criminal. This turn of character seems to come from the team learning that Kyoshi is the Avatar, something she kept secret. But Wong is the only one who changes their behavior based on this. Meeting the most important person in the world doesn’t effect them, I guess. Doesn’t seem reasonable.
Lek is a kid that idolizes Kyoshi’s parents, but acts out like a toddler when she speaks poorly of them. I am left feeling disatisfied by a criminal outlaw that throws tantrums when someone speaks ill of their pseudo mommy and daddy. Lek is poorly written as a rival to Kyoshi, if if fact that was Yee’s intention. You see it in their banter and interactions. Lek is killed by a poison that only incapacitates all others effected. It was like the author needed him to die real quick and didnt know how to do it, but also didn’t want to rewrite the chapter.
Now is a good time to mention that characters can be annoying to other characters, but they should not be annoying to the reader. Doing this is a form of self sabotage. Its like serving up raw eggs for breakfast on purpose and calling it art. You just wouldn’t do it.
Lao Ge is poorly written too, despite being an interesting character idea. Lao is meant to be Kyoshi’s spiritual leader in this story. He leads her to the ancient technique of prolonging ones life with spirit magic. But this man reads like an embarassing drunk uncle that no one responds to when he speaks. He acts like he’s cool, wanders off constantly and returns covered in blood to a group thats asks no questions. Criminals still ask questions. In fact, they are more paranoid on account of being criminals. For example, there is a scene where they leave without him and realize they forgot him and have to go back. This scene amounts to nothing. Why was it in the book? Whoops, he’s also a master assassin. We are told this over and over but never see it in action. Boo. Don’t suggest violence. Show us violence.
Why is this group of criminals still together anyway? They lost their leaders, Kyoshi’s parents. Wouldn’t the find new jobs? Thin the herd. Theres too many characters.
Jianzhu acts more suspicious after he is identified as the villain which is a trope found in childrens television to remind children he is bad now. The fact it is here insults the readers intellegence. His villain motivations are not explained well. Does he care more about identifying the Avatar than his lifelong friend Kelsang or the life of the innocent? Also, a villain doesnt need to kill someone to be identified as the villain but youll find that trope here too. Clever writing can remedy this all the same. He does do cool evil guy things, but they are explained after the fact instead of showing him coniving these schemes and putting them into action. His death is awesome, but his final confrontation with Kyoshi is not spectacular. There is no final battle like one might expect. He the one that ghost Yun kills.
It is unclear if this book is meant for a YA reader audience or the adult audience that watched ATLA as kids. The story is grittier, bloodier and violent with explicit deaths and torture. All the while bearing a sheen of squeeky clean Nickelodean dialogue and unfunny humor that has an obvious limit. The book says they swear, but the exact words do not show up in dialogue. Characters are impaled and gored, but the 3rd person narration takes breaks from descriptions of this for quippy commentary on the things happening. Who says these things? Kyoshi? But its in third person. This clashes with the perspective and shows indecision on the part of the author.
The perspective is stuck between 1st and 3rd. 1st serves better for the YA audience where Kyoshi might think these quippy things to herself or have thoughts that help the reader understand context better. 3rd person would serve the adult audience better with a matter of fact telling of the story. Maybe even change between characters in some chapters and fill in some of these gaps. Instead the book strattles the line between these two perspectives and suffers greatly. You have humorous commentary and scene descriptions coming from the same source. It breaks immersion when the reader is stuck wondering who is telling the story.
YA is an oversaturatedand flawed genre anyway. Its almost designed to trick teens into thinking they are reading adult books.
Yee includes too many comparisons, similies and analogies. Each one is meant to create world building, where the text compares a creature in the ATLA world to a situation at hand. But they start coming up too often in the back half of the book. This also seems to rise in frequency as descriptions get vaguer. It felt like Yee lacked the proper lexicon to describe what was happening as the story approached the end. Analogies should be used to explain difficult things, not just thrown in recklessly.
One moment sticks out from this book that reminds me of ATLA. While Yun and Kyoshi are silently trying to meditate before Jianzhu summons a spirit to finally identify the correct Avatar, the two teens speak for a second. Eyes closed, Kyoshi whispers “You know what would be funny? If neither of us were the Avatar.” This captures elements of friendship between the two kids, character humor, and SHOWS these two still care for each other no matter what happens next. Yun’s response isn’t even remotely appropriate, memorable or clever. The opportunity is a total loss.
Another moment of total loss and tonal dissonance is when Kyoshi, Rangi and the convicts go to a hidden secret criminal town that is described as being so cut throat, you don’t even look at people in the eye. Just then the group sees two men collide after turning a blind corner and drop their stuff. Page 224. They exchange appologies, act very polite, and depart. (This is told to the reader, not shown with appropriatly funny dialogue). Lek then explains the two men will meet tonight on the challenge grounds and fight to the death. However, that night at the challenge grounds, you don’t see those characters; a total whiff on Yee’s part. Instead you read about one man bludgeoning another man to death with barehands in pure gladitorial bloodsport. This scene shows the whimsy of ATLA, the gorey violence that Yee wanted and his befuddled attempt at writing something that blends the two.
All of this leads me to conclude the book is for a YA audience, which is unfortunate because ATLA was for everyone; YA, adult and children. It is a children’s show that adults can find a surprising amount of depth and humor in. Yee’s doesn’t hold a candle to the writing of Aaron Ehasz.
The argument that this books is allowed to be bad because its for kids falls apart for the same reason. The expert writing of Aaron Ehazs in ATLA is what imortalizes it to this day; the dialogue, the characters, and the story. ATLA is a kids cartoon by which all cinema and television are compared. This is simply not on that level.
When this level of integrity is left to be followed up by an author with one previously published work, underdelivery should be expected. Kyoshi book 1 is FC Yee’s second published work and it shows. I would be interested in learning more about FC Yee’s past unpublished experiences in writing and qualifications.
So again, this book is like a meeting that should have been an email. The story is not “worth the read”. The historical facts are more valuable. For example, telling someone that Kyoshi’s dad is a pirate earthbender and her mother is a disgraced criminal airbender is a total surprise and sparks good speculative conversation. But the way the novel presents this information is clumsy and ignorant of how rare these circumstances are within the fiction. These historical facts are just as compelling when read on the Avatar wiki page, negating the necessity for a book in the first place. I think this is symptomatic of writing a prequal too. We know enough about Kyoshi to be interested in her character, so the facts about her should be presented interestingly with art and showmanship.
This book leaves me with the sneaking suspicion that most of what FC Yee knows about writing was learned from anime, a genre so polluted its not worth even sifting through to find quality content. Hot take, I know.
His other books on Genie Lo (2017, 2020) are teen dramas with ‘the chosen one’ trope, as the summaries suggest. That must be why that shows in this book. Maybe FC Yee can only write one type of book.
Yee is also not an author by trade. He said in an interview that he works in mobile gaming as the guy who makes “everything less fun by adding stuff to the game you have to pay for.” He went to college for Economics, or so I read on his wiki page.
His book publisher proposed the two book series idea to Nickelodeon, it was not a matter of the creators carefully hand picking a writer. He also only worked with Mike DiMartino. In his interview, he says he did not work with Bryan Konietzko and never even mentions Aaron Ehasz. I believe this is to the great detrement of the story.
I’ve heard that people really liked this book. However, I wonder if that is genuine affection or the same kind of denial Star Wars fans had when the Phantom Menace came out. I draw this parallel because my father was that person. He recomended this book to me and gave it high praise in the same way he did when Phantom Menace released.
The fans, my father and myself included, are starved for any canon ATLA material. Feeding the fans undercooked meals is no way to make a fanbase grow. The ATLA fanbase already got food poisoning from M Knight’s movie. It recovered, but at a cost. I hate to think what might happen after the Netflix show and the animated movie of adult Aang.
I understand that Yee was a fan of the material. In fact, he and I share the same favorite character. So know that this is not an attack on a fellow fan of ATLA, I simply believe Yee is not the man for this job. Avatar deserves better than to be relegated to a YA novel lost in a sea of overproduced assembly line YA content. Avatar deserves a better writer. Save your fine cutlery for fine dining, don’t use polished silver to eat fast food.
To end, I leave you with this: if you want more Avatar content, gather some friends and play the Avatar rpg by Magpie Games. It is the most fun I’ve had in the ATLA world since I was a kid. If you play it right, you get that same sense of magic you got back in 2005 when Book Water came out.
Below is a link to an interview with Yee.
https://thenerdsofcolor.org/2019/07/15/from-fan-to-avatar-writer-f-c-yee-on-developing-the-story-of-avatar-kyoshi/amp/

Hey everyone,
I've had to do this whole post again (absolutely gutted) as the draft function let me down so sorry if I skip through a bit quicker...
Another day, another set of memes to look through. As always, you can catch my previous day round ups below:
13th May
14th May
15th May
To reiterate, the description of each tweet is to the best of my knowledge the references made to allow you to make your own view in context and the speculation is pure speculation on my part. If you just want to look at the descriptions and not the speculation then just ignore the speculation part.
This is just for fun and shouldn't be taken as any financial advice, make your own decisions, I just like the stock.
If you have anything to add feel free to in the comments.
Let's begin:
10am - https://x.com/TheRoaringKitty/status/1791106334517010680
Description: First we have Jigsaw from Saw, "Hello, Do you want to play a game?", it then cuts to The Prestige with the quote "are you watching closely?" and then it cuts to Lucky Number Slevin talking about the Kansas city shuffle and finally it's Nas with Made you look.
Speculation: Jigsaw used to capture people who were not looking to live their life and play games with them to show them that they actually do care about their lives in the end. Maybe DFV is referring to shorts desperately trying to get out of their position and showing they will do whatever it takes to do it. The Prestige quote comes from the scene here and shows a magic trick of money appearing. The Kansas City Shuffle is "In order for a confidence game to be a "Kansas City Shuffle", the mark must be aware, or at least suspect that he is involved in a con, but also be wrong about how the con artist is planning to deceive him. The con artist will attempt to misdirect the mark in a way that leaves him with the impression that he has figured out the game and has the knowledge necessary to outsmart the con artist, but by attempting to retaliate, the mark unwittingly performs an action that helps the con artist to further the scheme" and the Made you Look songs full line is "They shootin', Aw made you look" maybe referring to what is happening to the stock right now.
10.15am - https://x.com/TheRoaringKitty/status/1791110102797172804
Description: Here we have a scene from Kill Bill where the bride is about to take on the crazy 88 gang and the music Nobody but Me by The Human Beinz.
Speculation: On the theme of ultimate revenge, The Bride in Kill Bill was on a mission to well.. kill bill. Lots of to go through in order to get to the final boss and the song is maybe making a point that Nobody but DFV could have seen this coming or maybe he is saying RCEO can do it
10.30am - https://x.com/TheRoaringKitty/status/1791113879684325383
Description: This is taken from Inside Man, i think it's the opening scene and has the music Chaiyya Chaiyya, also taken from the original clip. DFV has imposed a cat looking over and listening to the monologue which reads "Pay strict attention to what I say because I choose my words carefully and I never repeat myself".
Speculation: Inside man is about an elaborate heist turned hostage movie on Wall Street. Don't think there is much more to say about that other than GME is most likely the hostage in this situation.
10.45am - https://x.com/TheRoaringKitty/status/1791117652276195516
Description: The first part of this meme is taken from The Office and Michael pulls up in a car with Lady Gaga - Let's Dance playing and states "it's Britney Bitch". We then cut to Britney Spears in her music video Hit Me Baby One More Time and the part "give me a sign" has the movie logo for Signs on it (much more of that to come)
Speculation: First part is a joke from DFV keeping the just dance theme going but then we go to hit me baby one more time and most importantly a reference to a "Just give me a sign". There are signs coming that something big is going to happen.
11am - https://x.com/TheRoaringKitty/status/1791121430836584789
Description: This is the intro to Goosebumps and follows a lot of the original clips theme, you can watch that here. Some key changes that have been made though, R.K Gill is on the briefcase, something has definitely been edited with the man's head holding the briefcase, the billboard shows a morph to Ryan Cohen, Ryan's dog is brought in and then it's "Bear Beware" and "Goosebumps, based on the memes by R.K Gill"
Speculation: This is a really fun meme, we see some more of RC and Roaring Kitty Gill all over this. Is there a partnership or does DFV just know that RCEO is about to do something big that will send goosebumps down the bears necks.
11.15am - https://x.com/TheRoaringKitty/status/1791125203147428066
Description: Next we have Broad City and the song Best Friend by Sofi Tukker. The meme basically just has lots of scenes around new york with friends just doing a lot of dancing. Just a fun meme of dancing really and a lot of it centers around the two best friends the sitcom is about.
Speculation: DFV and RCEO are best pals and with everything that is going on with the stock they are just dancing and having a great time. Essentially owning New York which of course is where the finance bros hang out.
11.30am - https://x.com/TheRoaringKitty/status/1791128976632459643
Description: The first scene is taken from Devil Wears Prada with the models hanging out in New York for a shoot and the song Crazy by Seal plays with the lyrics "we're never gonna survive, unless we get a little crazy" it cuts to the official music video then back to Devil wears Prada where they say "oh i get it, the piece is called urban jungle right?", "yes the modern investor unleashes the animal within to take on the big city" Roarrr
Speculation: Another meme from New York with predominantly girls hanging out. DFV maybe noting that we all unleash a little roaring kitty by taking on his thesis with Gamestop, dunno about you but I just like the stock. Things might get a little crazy, at least to people on the outside when they are asking you why you aren't selling.
11.45am - https://x.com/TheRoaringKitty/status/1791132751976120778
Description: This scene is taken from the movie Signs and the Rev Graham here is woken and staring at something on the roof that spooks him.
Speculation: There will be many more references to this movie, in this case the Rev Graham (who weirdly looks like Ken G) is getting spooked at something he thought he saw. Scary stuff if you are short on GME.
12.00pm - https://x.com/TheRoaringKitty/status/1791136527801807077
Description: This is also taken from the movie Signs and it's a quote, "See what you have to ask yourself is what kind of person are you? Are you the kind that sees signs, that sees miracles? Or do you believe that people just get lucky? Or, look at the question this way: Is it possible that there are no coincidences?"
Speculation: Something big is coming, what kind of person are you? Is it possible there are no Cohencidences?
12.15pm - https://x.com/TheRoaringKitty/status/1791140301895352325
Description: Again from Signs, this shows the scene where the kid takes out his baby monitor and claims he can hear the aliens talking to each other. There's two of them talking he states and again we see the sign logo flash up. We then see an overlay of alien writing that isn't in the original clip so that's been dubbed on purposely.
Speculation: Things starting to get real interesting now. This looks to be a sign that something is happening behind the scenes. A baby monitor, what's RCEO got stored up? Maybe he is pregnant? Maybe GME is pregnant? Is there a merger happening? A split of some sort?
12.30pm - https://x.com/TheRoaringKitty/status/1791144075963298165
Description: This is the scene in Signs where they go to the crop fields and there are alien crop circles everywhere, only in this meme DFV has replaced those circles with GME logos. Many GME logos some with long running lines.
Speculation: Really looking like something big is on the horizon and DFV thinks he has seen the signs. This meme would suggest maybe its a merger with multiple gamestop logos but that's just my opinion. One thing for sure is that Gamestop has something on the horizon.
12.45pm - https://x.com/TheRoaringKitty/status/1791147851466047673
Description: This is the scene in Signs where the news start reporting sightings of aliens and they show a load of kids in a different country looking down an alley way only for an alien bearing Roaring Kitty as a face to walk by, scary stuff!
Speculation: This was actually the first scene from this film that made me realize i had seen the film before and a younger me was pretty freaked out by that scene. It could imply that they have landed, they are here and or DFV is at least. Certainly a they are coming sort of message.
1.00pm - https://x.com/TheRoaringKitty/status/1791151631259574559
Description: This is taken from the animated film Luca, where one kid says "what does it mean, the thing you just said?" and the other kid goes "Come on Ill show you more stuff"
Speculation: I think this is aimed at me writing this right now and whoever is reading this right now. Ultimately i have no idea what DFV is saying i can only speculate and DFV knows that, he can't outright say what he thinks but he can show us more and more cool memes.
1.15pm - https://x.com/TheRoaringKitty/status/1791155401091596494
Description: This is taken from 500 days of summer and DFV has changed a lot of the words here but essentially he is asked what he does and he says he makes Gamestop memes, the woman says he could be a really great investor if he wanted to be, he is asked why he went from being a great investor to making gamestop memes and he says "why make something disposable, like an investment thesis, when you can make something that lasts forever like a Gamestop meme"
Speculation: DFV having more meme lols here but really why would he need to do anymore investing, he already has his favourite company shares and the thesis is done, he knows what's going on and he is happy to stick with what he has. That doens't mean his thesis on Gamestop doesn't evolve, I just think he is done looking for other deep value plays.
1.30pm - https://x.com/TheRoaringKitty/status/1791159177785770273
Description: This is taken from The Shining and the song dubbed on is Matter of Time by Vandelux. The main protagonist and author in the movie, Jack is sat writing and it seems it is DFV and he is writing memes.
Speculation: Anyone that has seen The Shining knows that Jack goes to a secluded house with no distractions to write his book. Turns out it actually just makes him go completely mental and he ends up killing his family. I think DFV is just having some fun showcasing the time he has spent focusing on making Gamestop memes.
1.45pm - https://x.com/TheRoaringKitty/status/1791162950373527857
Description: We have Put Your Hands Where My Eyes Could See by Busta Rhymes and his music video. The lyrics he has chosen for this clip are emphasized and they are:
Flipmode Busta Bus (Uh, what?) Nine-seven (Come on, what?) Hot shit (Ha-hah) Check it out
Hit you with no delayin' so what you sayin', yo? (Uhh) Silly with my nine milli, what the deally, yo? (What?)
Do you really wanna party with me? Let me see (Uh) just what you got for me (Come on) Put all your hands where my eyes can see (Put 'em up, yo) Straight buckwildin' in the place to be (Wildin', nice, ha)
It then ends with If you really wanna party with Roaring Kitty
Speculation: More fun and dancing. Some interesting lyrics, Flipmode (reverse uno card anyone), Silly with my nine milli (could relate to shares, does RCEO have that much?) Could just be a fun meme without much else to it.
2:00pm - https://x.com/TheRoaringKitty/status/1791166726891061749
Description: This is taken from Sicario and it starts with the quote "so you wanna be a Sicario" and then shows the blonde reddit icon from the other sub tied up and then a guy looking pretty pissed off.
Speculation: The Sicarios were hitmen, that's basically what it means when it asks if you want to be a Sicario, do you want to be a hitman or assassin. The blonde icon from other sub tied up is in the place of a kid who was tied up in the film and certainly WAS NOT a friend of the Sicarios. Take from that what you will but I can't comment to much as it's about another sub.
2.15pm - https://x.com/TheRoaringKitty/status/1791170783277949042
Description: First we have a scene from No Country for Old Men with the quote "you can't stop what's comin" then we cut to a train tearing it up in Chicago and also taking out a double deck chair with a Chicago Bears logo on it then finally we go to a WWE smackdown with Stone Cold Steve Austin.
Speculation: No Country for Old Men has cropped up a few times before but it's about a killer who is pretty much unstoppable mowing these people down. The train wrecking Chicago and the Chicago Bears (as a Packers fan i liked that), well option contract writers are in Chicago I believe but also it's the original home of Citadel. The chair maybe is an answer to a Cramer tweet and the smackdown i'm not sure other than it being just a fun thing to watch.
2.30pm - https://x.com/TheRoaringKitty/status/1791174276604699013
Description: This is the music video for Punkrocker by Teddybears. It basically follows a man who is being chased by the police, the cops are coming but the guy seems pretty chill about it. He listens to the music with no fear and you can too. The words are in Gamestop white and red.
Speculation: I think that this could indicate that Gamestop isn't doing anything wrong with what's going to happen, they have warned again and again in their financial postings that the stock is being manipulated and is subject to squeezes. It could also indicate a GME investor has nothing to worry about legally either, just like the stock.
2.45pm - https://x.com/TheRoaringKitty/status/1791178049939182048
Description: This is taken from The School of Rock where Jack Black is trying to ask what it takes to rock out. If you wanna rock its not about scoring chicks, it's not about getting wasted, its about sticking it to the man, and you can't just say it man you gotta FEEL it it in your blood and guts.
Speculation: Only you can decide what sticking it to man means yourself in relation to having GME stock during a big squeeze event but for me personally it's been a long 3 and a half years of having crap tossed at me just for owning this stock and i certainly pissed with the amount of corruption and cheating that has and continues to go on. If shorts never closed and still have that position, that's their mess not mine.
3.00pm - https://x.com/TheRoaringKitty/status/1791181824754106742
Description: The main scene in this meme is taken from the film Stand By Me. You have two cars on both sides of the road. The good guy in this is driving on the wrong side of the road and the other gang are on the right side, it's a game of chicken with a truck coming towards the good guy as they both drive side by side. It then cuts to Bojack Horseman trying to do some comedy and being asked to get off stage, he states "I'm not done hold on" - it cuts back to the scene and the truck bails last second. The good guy just keeps on driving and goes in front of the other car having a victory sip.
Speculation: If you take DFV to be the good guy in this car scene then he just carries on with what he believes which is in GME regardless of trying to be chickened out of it in the face of adversity. You could also say he is Bojack and wanting to continue with his memes, he ain't done telling his memeroirs yet.
3.15pm - https://x.com/TheRoaringKitty/status/1791185600453783688
Description: This is taken from Everything Everywhere All At Once and shows a woman showcasing her awards, DFV has imposed some cat photos on her desk and also 3 awards that read

• DeepFuckingValue, Degen of the Month
• Roaring Kitty, 1st Cat in Congress
• Keith Gill, Best Ethics from the CFA institute (lol)

"The quote is Do you see these? You don't get one of these unless you've seen a lot of bullshit. Excuse my French. Now you may only see a pile of boring forms and numbers, but I see a story."
Speculation: DFV is a fucking dude, the guy has a meme trophy cabinet. To us or others we just don't quite see it like he does. If DFV thinks something big is going to happen you have the choice to believe it too or not, that's completely up to you. The awards are lol.
3.30pm - https://x.com/TheRoaringKitty/status/1791189376195854606
Description: The first scene is taken from Garden State, he asks her "what are you listening to", she goes "you gotta hear this one song" and you then hear Dont Fear the Reaper by Blue Oyster Cult and the opening lyric "all our times have come"
Speculation: Don't fear the reaper, if you hold GME you don't have to as it's not going bust. The company is not going to die. There are certainly some shorts that should be fearing the reaper though.
3.45pm - https://x.com/TheRoaringKitty/status/1791193149408223306
Description: This is a hilarious meme and i'm not sure where this is taken from but i'll try my best to describe it (really you should just watch it though). Two men are in a rich guys house, the host writes a note and then has to leave tearing the note off and taking it with him, the other sneaks up to the notepad, labelled Cohen, and tries to sketch the next page to work out what he wrote. What is revealed is a cartoon man with a huge dick.
Speculation: RCEO has a big slong, what else is there to say? Ok I think that he is going to do something big and it's an exciting thing to think about. Does make you think of the tweet of Steve Smith he posted with the erect penis too.
4.00pm - https://x.com/TheRoaringKitty/status/1791196925619789864
Description: A more recently made meme shows Jay Clayton talking about Roaring Kitty showing his first meme and saying "is this something that we should be tolerating in our markets, whether it's legal lalallull" then it goes to a clip of a guy saying "i mean what did he say fuck me for"
Speculation: DFV basically saying as we would say in the UK, "whatever mate". The guy is talking a load of bullshit and to bring up legality after all the stuff he has let slide as former SEC chairman, i mean bitch please!
Edit\*
8.00pm - https://x.com/TheRoaringKitty/status/1791257325451493396
Description: First scene is taken from the car chase in The Bourne Identity, DFV has imposed a load of pictures of himself on the sheet of paper and then the car chase from the police proceeds (original clip here) There is a part in the middle of this car chase where the footage has been mirror flipped which means the steering wheel that would read Mini reads INIM then it finishes the chase and moves on to the opening scene of the movie Drive (original clip here).
Speculation: I think that the mirror flip of the video shows the steering wheel just at that point to sort of read "IM IN", surely not a coincidence given that is the only part of the whole clip that is flipped. The movie drive as someone suggested in the comments is about, "Ryan Gosling plays the unnamed Driver, a near-silent, methodical, mysterious, professional, highly competent getaway driver." - DFV has also tweeted about this movie before here.
Hope you enjoyed, still pissed i had to write this twice, my original had a lot more links to original clips and each Superstonk post as well! I'm off to bed, i'll update with the 8pm tweet tomorrow.
Love ya DFV x