Cricket chair replacement cushions

The HRRFY.
It’s the horror movie festival where something genuinely fucked happens every year. And I mean every year.
Like, there are some screenings that unleash hordes of bats while the movie is playing. You're free to leave whenever you want, but the movie will still play for 2 hours and 15 minutes.
Other screenings hire actors to turn at you and scream at some point in the movie. You have no idea when, or how many times.
It's a festival where the word "illegal" can't even begin to describe what happens. You'd only attend if you were a young, stupid edgelord like me who was trying to prove he was hardcore to his friends.
Trust me. DO NOT GO.
You have nothing to prove to anyone. Don't be stupid.
Wait for the lamer film versions to come out streaming. That's what everyone else does. They're neutered edits but they're fine.
All they lack is the real gleaming thing everyone wants to see at HRRFY, but who cares. At least you don’t get traumatized. At least you’re not risking your life.
Anyway, if you really want to know what attending HRRFY is like. I’ll be quick and summarize the one screening I went to. It was the 20th anniversary, and I was lucky enough to get in.
***
I had signed up for the HRRFY mailing list, and joined the subreddit. Through a series of cryptic online emails I solved a sequence of riddles and was entered in the lottery for a HRRFY entry.
Lady Luck took a shine to me, because one day in my mailbox, I received a physical ticket. I had done it.
I was going.
The actual ‘ticket’ was a black USB key that announced the location of the festival the night before (which I won’t disclose here) and it did force me to pay for a very expensive flight in order for me to make it on time.
You see, to prevent getting shut down, the location of HRRFY changes every year. Some years the local police have managed to stop it, but for the most part, authorities have given up. What’s the point of arresting or charging anyone, if all the organizers and attendees actually want to be there?
Upon arrival, I had to pick between three participating theaters.
Based on title alone, I decided to go see “Many Drownings” (directed by Oleksander Gołański.) It was in the theater that was furthest away from the downtown core, which meant it was likely the one where the craziest shit was bound to happen.
That’s what I came here for right?
I lined up a solid two hours before the screening like everyone else. The entire line was jittering, just vibrating with excited twenty-somethings. Rumors flew left and right.
“I heard they’re going to force everyone to take acid.”
“I heard an actor’s gonna run in and shotgun the ceiling.”
“I heard they’re going to disappear like four more people this year. At this screening!”
Each year people disappeared. And each year the same people were ‘found.’ And yes this is the worst part, and why should never, ever, ever go to this event.
Again I will repeat myself. DO NOT GO.
No one has ever truly gone 'missing' at HRRFY in any legal or physical sense, because every missing person always shows up a day later, convinced that they are fine—refusing to elaborate further.
There are some small support groups for people who have family members who had gone to HRRFY, and came back irrevocably changed after being ‘found.’
These few unlucky people lose all semblance of personality. They don’t want interviews, or help, or therapy, or contact of any kind. And they never, ever want to talk about what they saw.
Some HRRFY fans think that these ‘found’ people were body-snatched. Cloned in a lab or replaced by a cyborg, or something stupid like that.
But I think there’s a far simpler explanation. The ‘found’ are still the same people. They're just terrified. They got shaken by something that shattered the foundation of their mind, body and soul. They got too scared.
They got HRRFY’d.
***
I should mention I had a cough the day I went. And I was worried my sickly appearance might give me trouble at the airport.
So I invested in an intense double N95 mask which I wore for the whole flight, and continued to wear even at the screening of “Many Drownings.”
It made my face hot and uncomfortable, but it still didn’t stop me from yelling “excuse me, excuse me!” as I ran to snag a seat in the back of the theater.
I always preferred sitting in the far back. You get a good view of the whole screen, and a good view of the whole audience.
Beside me sat a big dude named Sylvester, who apparently flew all the way from Australia to attend HRRFY.
“Worth the full Seventeen hours mate! It’s gonna be epic!” he dropped a massive camping backpack beside me, which I assume contained all of his luggage.
The lights dimmed, and the production company logos started to play.
The whispering, giggling and suspense all stacked upon each other to create an electric feeling in the air. I was giddy. It's like the entire audience was embarking on a massive roller coaster.
The anticipation was the best part for sure. It might have been the only good part.
Then the movie started.
It was a wide shot of a gray, stormy sea. The waves were massive, and the thunderclouds were looming. There was no land visible in any direction.
All we could hear was the sound of waves foaming, swirling, and crashing over and over. Lightning crackled. Rain poured. The camera held perfectly still over this storm as if it was mounted on a perfectly hovering drone. A drone so resilient that it didn’t waver at all.
I thought it had to be CGI.
The shot held like this for the next few moments. Everyone sat glued to their seats. Everyone was thinking the same thing.
What’s going to happen? How are they going to scare us?
People chuckled. People cheered. People wanted to tease whatever was going to happen—to happen already.
But nothing did.
Five, ten, maybe fifteen minutes went by without any change. People started snoring.
I looked beside me and saw that Sylvester—the most excited audience member of them all—had fallen totally asleep. The jet lag must’ve gotten to him.
Then I peered beyond the rest of the audience members and saw other people snoozing too. Heads were keeled over, some people were curled in their seats, some had even spilled out into the aisle and were dozing on the floor.
I looked above the bright screen, at the huge vents in the corner of the theater. I saw a faint white gas emerging from the vents.
Holy shit. What have we been breathing? I tightened the straps on my N95 mask, and made my breathing shallower.
The gas must have been pumping since the opening credits—because how else would an audience of two hundred people all fall asleep?
As I moved my hand through the air in front of me, I could sense the thickness. It was definitely hazier than usual. I took the scarf off my neck and wrapped it around my mouth as well.
Then I spotted movement in front of the screen.
It was a tall blonde man, wearing a black trenchcoat and military-grade gas mask. Beside him arrived six hazmat suits who started pointing at various audience members.
I slunk in my chair, pretending to sleep like everyone else.
Two hazmats walked over to the front row and picked out a sleeping guy in flannel. They lifted flannel up, under the armpits and by his ankles, carrying him between them both like a hammock.
The hazmats walked back up to the stage, where the blonde leader inspected the flannel man and tapped his head. Something was approved?
The hazmats began to swing flannel back and forth, as if they were getting ready to toss him. Despite their masks, I could hear a very muffled, very distant countdown.
“Three…”
“Two…”
“One…”
The flannel audience member was tossed into the screen.
I literally watched him fly into the image of stormy waves … andfallinto them. The flannel man sank into the gray water like a rock, leaving a few bubbles and foam. A wave came crashing down. All trace of him was gone.
What the fuck.
All six hazmats began grabbing more audience members with much more urgency. It became a minute-long process where they would pick the sleeping person up, bring them beside the screen, and then swing-toss them into it.
How was this possible?
I turned slightly to see if there was a projector above me, and realized there was none. Which meant maybe there was no screen on stage.
Which meant … maybe it was a portal?
I tried to wake Sylvester by shaking him. I pinched his leg and arm a bunch.
He was out cold.
The hazmats started grabbing audience members from the middle rows now. They were emptying the whole theater. What the hell was I supposed to do?
I waited until they grabbed another batch, only a few rows down from me. When all hazmats had their backs turned—I broke into a run.
With my left arm, I tightly gripped my mask and scarf against my face, while my right arm vaulted me over seat after seat.
I had never breathed so hard—through so much fabric—in my life.
The hazmats all turned to me. “Hey! Hey!” But their hands were full with their next victims.
I ran all the way down the aisle, to the big exit sign on the left. My heartbeat filled my head. My plan was to dropkick through the exit door.
I imagined myself breaking through like some flying gazelle.
I jumped.
I angled my kick.
It might as well have been a brick wall. I fell ass-first to the ground, followed by my head. Of course the door was locked.
Through a muffled mask I heard a sneering scoff.
“Where do you think you’re going?”
Above me stood the one wearing a trenchcoat. I could see his piercing gray eyes through his gas mask.
I rolled aside and tried to run by him. He lifted a foot and tripped me without effort.
My forehead bashed into an empty seat. It dazed me.
The blonde leader bent down and grabbed me by the neck, tearing away my scarf and mask.
“No! No!”
A sweet, ether-like smell filled my nostrils. I did my best to hold my breath, but I could already feel myself getting light-headed.
The other hazmats joined in, grabbing me from all sides. Even if I had the strength to struggle, there was no escape now.
Above me, all I could see was the dark theater ceiling, and some of the light behind me from the cinema screen.
“Three…”
“Two…”
“No. Please. Don’t do thi—”
SPLASH.
I was plunged deep into cold, wet chaos. My head was completely underwater.
Gagging. Bubbles. Spinning.
I fought for dear life, dog-paddling like a maniac.
Churning. Freezing. Panic.
For a second, my head popped above the water. I inhaled all the air my lungs could muster. I stared across a vast, violent ocean.
An enormous thirty foot wave came in my direction.
My whole body lifted higher and higher as the wave approached. I did my best to tread water. It seemed to be working.
Then a series of smaller waves arrived and smacked my chest.
SPLASH.
Spinning. Kicking. Flipping.
My view alternated between the pitch dark ocean beneath me, and the moonlit night sky above.
Again I swam to the surface, popped my head out. Ravenously sucked in air.
There was a small lull in the water.
Around me I now registered the other theater goers. Most of them were lying face-down or sinking … but a few were flapping about like me, fighting for their life.
And above all of us, a floating white shape.
It was painfully bright, I had to lift one hand to look at it.
My jaw dropped.
It was the movie screen, hanging completely still in the air. It showed a dark, empty theater. The exact same theater we all occupied moments ago.
It was tremendously high, above all of our heads. There was no way of reaching it.
Then I saw another thirty foot wave come our way. It grazed the bottom of the screen.
I knew what had to be done.
***
One of the theater goers happened to be on a college swim team. She was the first one able to traverse one of the giant waves and climb into the screen.
Once she was up there, she found a firehose in the theater and reeled it out to us like a rope.
One by one, we swam as hard as we could, praying to God we could reach the rope. Everyone’s energy was sapped. Your body can only sustain itself on adrenaline and fear for so long.
By some miracle, five of us got out.
I was the last.
I climbed the rope coughing and vomiting. I had swallowed so much water that my stomach felt swollen.
When I reached the top and they pulled me into the screen, I sobbed. I couldn’t stop crying.
My life had flashed countless times before my eyes. In bubbling, suffocating visions, I saw both my parents and my brother. I saw my highschool graduation. I saw my favorite Christmas from when I was six years old.
I had almost lost all of that. I had lost almost everything.
On the dirty, carpeted theater floor, I lay with my face down, savoring the fact that I now lay on a hard surface. God bless ground. God bless this filthy, popcorn-strewn ground.
Beside me I heard bantering, hugging, the wringing of wet clothes. Sylvester was the second last to be saved, and he was particularly vocal.
“Wooooooaaaaahh!” He came and drummed me on the back, lifted me up. “Oh my god dude! Holy shit!”
I sat on my knees, wiping the tears and snot off my mouth.
Sylvester clapped his hands, held his face and screamed some more.
“Holy shit dude! That was so fucking scary! Like literally people were dying beside us. Like I SAW people die!”
I nodded, shivering in my drenched clothes. “ I know it was—”
“—That was craaaaazy!”
He laughed and stood up, patting everyone on the back. He kept clapping his hands like this was some sports event.
“That was sick! That was siiiiiiiiick!”
He ruffled someone’s hair then ran up to me with an open palm.
“High five dude! WE MADE IT! High five!
“Don’t leave me hangin’ dude!”

The HRRFY.
It’s the horror movie festival where something genuinely fucked happens every year. And I mean every year.
Like, there are some screenings that unleash hordes of bats while the movie is playing. You're free to leave whenever you want, but the movie will still play for 2 hours and 15 minutes.
Other screenings hire actors to turn at you and scream at some point in the movie. You have no idea when, or how many times.
It's a festival where the word "illegal" can't even begin to describe what happens. You'd only attend if you were a young, stupid edgelord like me who was trying to prove he was hardcore to his friends.
Trust me. DO NOT GO.
You have nothing to prove to anyone. Don't be stupid.
Wait for the lamer film versions to come out streaming. That's what everyone else does. They're neutered edits but they're fine.
All they lack is the real gleaming thing everyone wants to see at HRRFY, but who cares. At least you don’t get traumatized. At least you’re not risking your life.
Anyway, if you really want to know what attending HRRFY is like. I’ll be quick and summarize the one screening I went to. It was the 20th anniversary, and I was lucky enough to get in.
***
I had signed up for the HRRFY mailing list, and joined the subreddit. Through a series of cryptic online emails I solved a sequence of riddles and was entered in the lottery for a HRRFY entry.
Lady Luck took a shine to me, because one day in my mailbox, I received a physical ticket. I had done it.
I was going.
The actual ‘ticket’ was a black USB key that announced the location of the festival the night before (which I won’t disclose here) and it did force me to pay for a very expensive flight in order for me to make it on time.
You see, to prevent getting shut down, the location of HRRFY changes every year. Some years the local police have managed to stop it, but for the most part, authorities have given up. What’s the point of arresting or charging anyone, if all the organizers and attendees actually want to be there?
Upon arrival, I had to pick between three participating theaters.
Based on title alone, I decided to go see “Many Drownings” (directed by Oleksander Gołański.) It was in the theater that was furthest away from the downtown core, which meant it was likely the one where the craziest shit was bound to happen.
That’s what I came here for right?
I lined up a solid two hours before the screening like everyone else. The entire line was jittering, just vibrating with excited twenty-somethings. Rumors flew left and right.
“I heard they’re going to force everyone to take acid.”
“I heard an actor’s gonna run in and shotgun the ceiling.”
“I heard they’re going to disappear like four more people this year. At this screening!”
Each year people disappeared. And each year the same people were ‘found.’ And yes this is the worst part, and why should never, ever, ever go to this event.
Again I will repeat myself. DO NOT GO.
No one has ever truly gone 'missing' at HRRFY in any legal or physical sense, because every missing person always shows up a day later, convinced that they are fine—refusing to elaborate further.
There are some small support groups for people who have family members who had gone to HRRFY, and came back irrevocably changed after being ‘found.’
These few unlucky people lose all semblance of personality. They don’t want interviews, or help, or therapy, or contact of any kind. And they never, ever want to talk about what they saw.
Some HRRFY fans think that these ‘found’ people were body-snatched. Cloned in a lab or replaced by a cyborg, or something stupid like that.
But I think there’s a far simpler explanation. The ‘found’ are still the same people. They're just terrified. They got shaken by something that shattered the foundation of their mind, body and soul. They got too scared.
They got HRRFY’d.
***
I should mention I had a cough the day I went. And I was worried my sickly appearance might give me trouble at the airport.
So I invested in an intense double N95 mask which I wore for the whole flight, and continued to wear even at the screening of “Many Drownings.”
It made my face hot and uncomfortable, but it still didn’t stop me from yelling “excuse me, excuse me!” as I ran to snag a seat in the back of the theater.
I always preferred sitting in the far back. You get a good view of the whole screen, and a good view of the whole audience.
Beside me sat a big dude named Sylvester, who apparently flew all the way from Australia to attend HRRFY.
“Worth the full Seventeen hours mate! It’s gonna be epic!” he dropped a massive camping backpack beside me, which I assume contained all of his luggage.
The lights dimmed, and the production company logos started to play.
The whispering, giggling and suspense all stacked upon each other to create an electric feeling in the air. I was giddy. It's like the entire audience was embarking on a massive roller coaster.
The anticipation was the best part for sure. It might have been the only good part.
Then the movie started.
It was a wide shot of a gray, stormy sea. The waves were massive, and the thunderclouds were looming. There was no land visible in any direction.
All we could hear was the sound of waves foaming, swirling, and crashing over and over. Lightning crackled. Rain poured. The camera held perfectly still over this storm as if it was mounted on a perfectly hovering drone. A drone so resilient that it didn’t waver at all.
I thought it had to be CGI.
The shot held like this for the next few moments. Everyone sat glued to their seats. Everyone was thinking the same thing.
What’s going to happen? How are they going to scare us?
People chuckled. People cheered. People wanted to tease whatever was going to happen—to happen already.
But nothing did.
Five, ten, maybe fifteen minutes went by without any change. People started snoring.
I looked beside me and saw that Sylvester—the most excited audience member of them all—had fallen totally asleep. The jet lag must’ve gotten to him.
Then I peered beyond the rest of the audience members and saw other people snoozing too. Heads were keeled over, some people were curled in their seats, some had even spilled out into the aisle and were dozing on the floor.
I looked above the bright screen, at the huge vents in the corner of the theater. I saw a faint white gas emerging from the vents.
Holy shit. What have we been breathing? I tightened the straps on my N95 mask, and made my breathing shallower.
The gas must have been pumping since the opening credits—because how else would an audience of two hundred people all fall asleep?
As I moved my hand through the air in front of me, I could sense the thickness. It was definitely hazier than usual. I took the scarf off my neck and wrapped it around my mouth as well.
Then I spotted movement in front of the screen.
It was a tall blonde man, wearing a black trenchcoat and military-grade gas mask. Beside him arrived six hazmat suits who started pointing at various audience members.
I slunk in my chair, pretending to sleep like everyone else.
Two hazmats walked over to the front row and picked out a sleeping guy in flannel. They lifted flannel up, under the armpits and by his ankles, carrying him between them both like a hammock.
The hazmats walked back up to the stage, where the blonde leader inspected the flannel man and tapped his head. Something was approved?
The hazmats began to swing flannel back and forth, as if they were getting ready to toss him. Despite their masks, I could hear a very muffled, very distant countdown.
“Three…”
“Two…”
“One…”
The flannel audience member was tossed into the screen.
I literally watched him fly into the image of stormy waves … andfallinto them. The flannel man sank into the gray water like a rock, leaving a few bubbles and foam. A wave came crashing down. All trace of him was gone.
What the fuck.
All six hazmats began grabbing more audience members with much more urgency. It became a minute-long process where they would pick the sleeping person up, bring them beside the screen, and then swing-toss them into it.
How was this possible?
I turned slightly to see if there was a projector above me, and realized there was none. Which meant maybe there was no screen on stage.
Which meant … maybe it was a portal?
I tried to wake Sylvester by shaking him. I pinched his leg and arm a bunch.
He was out cold.
The hazmats started grabbing audience members from the middle rows now. They were emptying the whole theater. What the hell was I supposed to do?
I waited until they grabbed another batch, only a few rows down from me. When all hazmats had their backs turned—I broke into a run.
With my left arm, I tightly gripped my mask and scarf against my face, while my right arm vaulted me over seat after seat.
I had never breathed so hard—through so much fabric—in my life.
The hazmats all turned to me. “Hey! Hey!” But their hands were full with their next victims.
I ran all the way down the aisle, to the big exit sign on the left. My heartbeat filled my head. My plan was to dropkick through the exit door.
I imagined myself breaking through like some flying gazelle.
I jumped.
I angled my kick.
It might as well have been a brick wall. I fell ass-first to the ground, followed by my head. Of course the door was locked.
Through a muffled mask I heard a sneering scoff.
“Where do you think you’re going?”
Above me stood the one wearing a trenchcoat. I could see his piercing gray eyes through his gas mask.
I rolled aside and tried to run by him. He lifted a foot and tripped me without effort.
My forehead bashed into an empty seat. It dazed me.
The blonde leader bent down and grabbed me by the neck, tearing away my scarf and mask.
“No! No!”
A sweet, ether-like smell filled my nostrils. I did my best to hold my breath, but I could already feel myself getting light-headed.
The other hazmats joined in, grabbing me from all sides. Even if I had the strength to struggle, there was no escape now.
Above me, all I could see was the dark theater ceiling, and some of the light behind me from the cinema screen.
“Three…”
“Two…”
“No. Please. Don’t do thi—”
SPLASH.
I was plunged deep into cold, wet chaos. My head was completely underwater.
Gagging. Bubbles. Spinning.
I fought for dear life, dog-paddling like a maniac.
Churning. Freezing. Panic.
For a second, my head popped above the water. I inhaled all the air my lungs could muster. I stared across a vast, violent ocean.
An enormous thirty foot wave came in my direction.
My whole body lifted higher and higher as the wave approached. I did my best to tread water. It seemed to be working.
Then a series of smaller waves arrived and smacked my chest.
SPLASH.
Spinning. Kicking. Flipping.
My view alternated between the pitch dark ocean beneath me, and the moonlit night sky above.
Again I swam to the surface, popped my head out. Ravenously sucked in air.
There was a small lull in the water.
Around me I now registered the other theater goers. Most of them were lying face-down or sinking … but a few were flapping about like me, fighting for their life.
And above all of us, a floating white shape.
It was painfully bright, I had to lift one hand to look at it.
My jaw dropped.
It was the movie screen, hanging completely still in the air. It showed a dark, empty theater. The exact same theater we all occupied moments ago.
It was tremendously high, above all of our heads. There was no way of reaching it.
Then I saw another thirty foot wave come our way. It grazed the bottom of the screen.
I knew what had to be done.
***
One of the theater goers happened to be on a college swim team. She was the first one able to traverse one of the giant waves and climb into the screen.
Once she was up there, she found a firehose in the theater and reeled it out to us like a rope.
One by one, we swam as hard as we could, praying to God we could reach the rope. Everyone’s energy was sapped. Your body can only sustain itself on adrenaline and fear for so long.
By some miracle, five of us got out.
I was the last.
I climbed the rope coughing and vomiting. I had swallowed so much water that my stomach felt swollen.
When I reached the top and they pulled me into the screen, I sobbed. I couldn’t stop crying.
My life had flashed countless times before my eyes. In bubbling, suffocating visions, I saw both my parents and my brother. I saw my highschool graduation. I saw my favorite Christmas from when I was six years old.
I had almost lost all of that. I had lost almost everything.
On the dirty, carpeted theater floor, I lay with my face down, savoring the fact that I now lay on a hard surface. God bless ground. God bless this filthy, popcorn-strewn ground.
Beside me I heard bantering, hugging, the wringing of wet clothes. Sylvester was the second last to be saved, and he was particularly vocal.
“Wooooooaaaaahh!” He came and drummed me on the back, lifted me up. “Oh my god dude! Holy shit!”
I sat on my knees, wiping the tears and snot off my mouth.
Sylvester clapped his hands, held his face and screamed some more.
“Holy shit dude! That was so fucking scary! Like literally people were dying beside us. Like I SAW people die!”
I nodded, shivering in my drenched clothes. “ I know it was—”
“—That was craaaaazy!”
He laughed and stood up, patting everyone on the back. He kept clapping his hands like this was some sports event.
“That was sick! That was siiiiiiiiick!”
He ruffled someone’s hair then ran up to me with an open palm.
“High five dude! WE MADE IT! High five!
“Don’t leave me hangin’ dude!”

The HRRFY.
It’s the horror movie festival where something genuinely fucked happens every year. And I mean every year.
Like, there are some screenings that unleash hordes of bats while the movie is playing. You're free to leave whenever you want, but the movie will still play for 2 hours and 15 minutes.
Other screenings hire actors to turn at you and scream at some point in the movie. You have no idea when, or how many times.
It's a festival where the word "illegal" can't even begin to describe what happens. You'd only attend if you were a young, stupid edgelord like me who was trying to prove he was hardcore to his friends.
Trust me. DO NOT GO.
You have nothing to prove to anyone. Don't be stupid.
Wait for the lamer film versions to come out streaming. That's what everyone else does. They're neutered edits but they're fine.
All they lack is the real gleaming thing everyone wants to see at HRRFY, but who cares. At least you don’t get traumatized. At least you’re not risking your life.
Anyway, if you really want to know what attending HRRFY is like. I’ll be quick and summarize the one screening I went to. It was the 20th anniversary, and I was lucky enough to get in.
***
I had signed up for the HRRFY mailing list, and joined the subreddit. Through a series of cryptic online emails I solved a sequence of riddles and was entered in the lottery for a HRRFY entry.
Lady Luck took a shine to me, because one day in my mailbox, I received a physical ticket. I had done it.
I was going.
The actual ‘ticket’ was a black USB key that announced the location of the festival the night before (which I won’t disclose here) and it did force me to pay for a very expensive flight in order for me to make it on time.
You see, to prevent getting shut down, the location of HRRFY changes every year. Some years the local police have managed to stop it, but for the most part, authorities have given up. What’s the point of arresting or charging anyone, if all the organizers and attendees actually want to be there?
Upon arrival, I had to pick between three participating theaters.
Based on title alone, I decided to go see “Many Drownings” (directed by Oleksander Gołański.) It was in the theater that was furthest away from the downtown core, which meant it was likely the one where the craziest shit was bound to happen.
That’s what I came here for right?
I lined up a solid two hours before the screening like everyone else. The entire line was jittering, just vibrating with excited twenty-somethings. Rumors flew left and right.
“I heard they’re going to force everyone to take acid.”
“I heard an actor’s gonna run in and shotgun the ceiling.”
“I heard they’re going to disappear like four more people this year. At this screening!”
Each year people disappeared. And each year the same people were ‘found.’ And yes this is the worst part, and why should never, ever, ever go to this event.
Again I will repeat myself. DO NOT GO.
No one has ever truly gone 'missing' at HRRFY in any legal or physical sense, because every missing person always shows up a day later, convinced that they are fine—refusing to elaborate further.
There are some small support groups for people who have family members who had gone to HRRFY, and came back irrevocably changed after being ‘found.’
These few unlucky people lose all semblance of personality. They don’t want interviews, or help, or therapy, or contact of any kind. And they never, ever want to talk about what they saw.
Some HRRFY fans think that these ‘found’ people were body-snatched. Cloned in a lab or replaced by a cyborg, or something stupid like that.
But I think there’s a far simpler explanation. The ‘found’ are still the same people. They're just terrified. They got shaken by something that shattered the foundation of their mind, body and soul. They got too scared.
They got HRRFY’d.
***
I should mention I had a cough the day I went. And I was worried my sickly appearance might give me trouble at the airport.
So I invested in an intense double N95 mask which I wore for the whole flight, and continued to wear even at the screening of “Many Drownings.”
It made my face hot and uncomfortable, but it still didn’t stop me from yelling “excuse me, excuse me!” as I ran to snag a seat in the back of the theater.
I always preferred sitting in the far back. You get a good view of the whole screen, and a good view of the whole audience.
Beside me sat a big dude named Sylvester, who apparently flew all the way from Australia to attend HRRFY.
“Worth the full Seventeen hours mate! It’s gonna be epic!” he dropped a massive camping backpack beside me, which I assume contained all of his luggage.
The lights dimmed, and the production company logos started to play.
The whispering, giggling and suspense all stacked upon each other to create an electric feeling in the air. I was giddy. It's like the entire audience was embarking on a massive roller coaster.
The anticipation was the best part for sure. It might have been the only good part.
Then the movie started.
It was a wide shot of a gray, stormy sea. The waves were massive, and the thunderclouds were looming. There was no land visible in any direction.
All we could hear was the sound of waves foaming, swirling, and crashing over and over. Lightning crackled. Rain poured. The camera held perfectly still over this storm as if it was mounted on a perfectly hovering drone. A drone so resilient that it didn’t waver at all.
I thought it had to be CGI.
The shot held like this for the next few moments. Everyone sat glued to their seats. Everyone was thinking the same thing.
What’s going to happen? How are they going to scare us?
People chuckled. People cheered. People wanted to tease whatever was going to happen—to happen already.
But nothing did.
Five, ten, maybe fifteen minutes went by without any change. People started snoring.
I looked beside me and saw that Sylvester—the most excited audience member of them all—had fallen totally asleep. The jet lag must’ve gotten to him.
Then I peered beyond the rest of the audience members and saw other people snoozing too. Heads were keeled over, some people were curled in their seats, some had even spilled out into the aisle and were dozing on the floor.
I looked above the bright screen, at the huge vents in the corner of the theater. I saw a faint white gas emerging from the vents.
Holy shit. What have we been breathing? I tightened the straps on my N95 mask, and made my breathing shallower.
The gas must have been pumping since the opening credits—because how else would an audience of two hundred people all fall asleep?
As I moved my hand through the air in front of me, I could sense the thickness. It was definitely hazier than usual. I took the scarf off my neck and wrapped it around my mouth as well.
Then I spotted movement in front of the screen.
It was a tall blonde man, wearing a black trenchcoat and military-grade gas mask. Beside him arrived six hazmat suits who started pointing at various audience members.
I slunk in my chair, pretending to sleep like everyone else.
Two hazmats walked over to the front row and picked out a sleeping guy in flannel. They lifted flannel up, under the armpits and by his ankles, carrying him between them both like a hammock.
The hazmats walked back up to the stage, where the blonde leader inspected the flannel man and tapped his head. Something was approved?
The hazmats began to swing flannel back and forth, as if they were getting ready to toss him. Despite their masks, I could hear a very muffled, very distant countdown.
“Three…”
“Two…”
“One…”
The flannel audience member was tossed into the screen.
I literally watched him fly into the image of stormy waves … andfallinto them. The flannel man sank into the gray water like a rock, leaving a few bubbles and foam. A wave came crashing down. All trace of him was gone.
What the fuck.
All six hazmats began grabbing more audience members with much more urgency. It became a minute-long process where they would pick the sleeping person up, bring them beside the screen, and then swing-toss them into it.
How was this possible?
I turned slightly to see if there was a projector above me, and realized there was none. Which meant maybe there was no screen on stage.
Which meant … maybe it was a portal?
I tried to wake Sylvester by shaking him. I pinched his leg and arm a bunch.
He was out cold.
The hazmats started grabbing audience members from the middle rows now. They were emptying the whole theater. What the hell was I supposed to do?
I waited until they grabbed another batch, only a few rows down from me. When all hazmats had their backs turned—I broke into a run.
With my left arm, I tightly gripped my mask and scarf against my face, while my right arm vaulted me over seat after seat.
I had never breathed so hard—through so much fabric—in my life.
The hazmats all turned to me. “Hey! Hey!” But their hands were full with their next victims.
I ran all the way down the aisle, to the big exit sign on the left. My heartbeat filled my head. My plan was to dropkick through the exit door.
I imagined myself breaking through like some flying gazelle.
I jumped.
I angled my kick.
It might as well have been a brick wall. I fell ass-first to the ground, followed by my head. Of course the door was locked.
Through a muffled mask I heard a sneering scoff.
“Where do you think you’re going?”
Above me stood the one wearing a trenchcoat. I could see his piercing gray eyes through his gas mask.
I rolled aside and tried to run by him. He lifted a foot and tripped me without effort.
My forehead bashed into an empty seat. It dazed me.
The blonde leader bent down and grabbed me by the neck, tearing away my scarf and mask.
“No! No!”
A sweet, ether-like smell filled my nostrils. I did my best to hold my breath, but I could already feel myself getting light-headed.
The other hazmats joined in, grabbing me from all sides. Even if I had the strength to struggle, there was no escape now.
Above me, all I could see was the dark theater ceiling, and some of the light behind me from the cinema screen.
“Three…”
“Two…”
“No. Please. Don’t do thi—”
SPLASH.
I was plunged deep into cold, wet chaos. My head was completely underwater.
Gagging. Bubbles. Spinning.
I fought for dear life, dog-paddling like a maniac.
Churning. Freezing. Panic.
For a second, my head popped above the water. I inhaled all the air my lungs could muster. I stared across a vast, violent ocean.
An enormous thirty foot wave came in my direction.
My whole body lifted higher and higher as the wave approached. I did my best to tread water. It seemed to be working.
Then a series of smaller waves arrived and smacked my chest.
SPLASH.
Spinning. Kicking. Flipping.
My view alternated between the pitch dark ocean beneath me, and the moonlit night sky above.
Again I swam to the surface, popped my head out. Ravenously sucked in air.
There was a small lull in the water.
Around me I now registered the other theater goers. Most of them were lying face-down or sinking … but a few were flapping about like me, fighting for their life.
And above all of us, a floating white shape.
It was painfully bright, I had to lift one hand to look at it.
My jaw dropped.
It was the movie screen, hanging completely still in the air. It showed a dark, empty theater. The exact same theater we all occupied moments ago.
It was tremendously high, above all of our heads. There was no way of reaching it.
Then I saw another thirty foot wave come our way. It grazed the bottom of the screen.
I knew what had to be done.
***
One of the theater goers happened to be on a college swim team. She was the first one able to traverse one of the giant waves and climb into the screen.
Once she was up there, she found a firehose in the theater and reeled it out to us like a rope.
One by one, we swam as hard as we could, praying to God we could reach the rope. Everyone’s energy was sapped. Your body can only sustain itself on adrenaline and fear for so long.
By some miracle, five of us got out.
I was the last.
I climbed the rope coughing and vomiting. I had swallowed so much water that my stomach felt swollen.
When I reached the top and they pulled me into the screen, I sobbed. I couldn’t stop crying.
My life had flashed countless times before my eyes. In bubbling, suffocating visions, I saw both my parents and my brother. I saw my highschool graduation. I saw my favorite Christmas from when I was six years old.
I had almost lost all of that. I had lost almost everything.
On the dirty, carpeted theater floor, I lay with my face down, savoring the fact that I now lay on a hard surface. God bless ground. God bless this filthy, popcorn-strewn ground.
Beside me I heard bantering, hugging, the wringing of wet clothes. Sylvester was the second last to be saved, and he was particularly vocal.
“Wooooooaaaaahh!” He came and drummed me on the back, lifted me up. “Oh my god dude! Holy shit!”
I sat on my knees, wiping the tears and snot off my mouth.
Sylvester clapped his hands, held his face and screamed some more.
“Holy shit dude! That was so fucking scary! Like literally people were dying beside us. Like I SAW people die!”
I nodded, shivering in my drenched clothes. “ I know it was—”
“—That was craaaaazy!”
He laughed and stood up, patting everyone on the back. He kept clapping his hands like this was some sports event.
“That was sick! That was siiiiiiiiick!”
He ruffled someone’s hair then ran up to me with an open palm.
“High five dude! WE MADE IT! High five!
“Don’t leave me hangin’ dude!”

The HRRFY.
It’s the horror movie festival where something genuinely fucked happens every year. And I mean every year.
Like, there are some screenings that unleash hordes of bats while the movie is playing. You're free to leave whenever you want, but the movie will still play for 2 hours and 15 minutes.
Other screenings hire actors to turn at you and scream at some point in the movie. You have no idea when, or how many times.
It's a festival where the word "illegal" can't even begin to describe what happens. You'd only attend if you were a young, stupid edgelord like me who was trying to prove he was hardcore to his friends.
Trust me. DO NOT GO.
You have nothing to prove to anyone. Don't be stupid.
Wait for the lamer film versions to come out streaming. That's what everyone else does. They're neutered edits but they're fine.
All they lack is the real gleaming thing everyone wants to see at HRRFY, but who cares. At least you don’t get traumatized. At least you’re not risking your life.
Anyway, if you really want to know what attending HRRFY is like. I’ll be quick and summarize the one screening I went to. It was the 20th anniversary, and I was lucky enough to get in.
***
I had signed up for the HRRFY mailing list, and joined the subreddit. Through a series of cryptic online emails I solved a sequence of riddles and was entered in the lottery for a HRRFY entry.
Lady Luck took a shine to me, because one day in my mailbox, I received a physical ticket. I had done it.
I was going.
The actual ‘ticket’ was a black USB key that announced the location of the festival the night before (which I won’t disclose here) and it did force me to pay for a very expensive flight in order for me to make it on time.
You see, to prevent getting shut down, the location of HRRFY changes every year. Some years the local police have managed to stop it, but for the most part, authorities have given up. What’s the point of arresting or charging anyone, if all the organizers and attendees actually want to be there?
Upon arrival, I had to pick between three participating theaters.
Based on title alone, I decided to go see “Many Drownings” (directed by Oleksander Gołański.) It was in the theater that was furthest away from the downtown core, which meant it was likely the one where the craziest shit was bound to happen.
That’s what I came here for right?
I lined up a solid two hours before the screening like everyone else. The entire line was jittering, just vibrating with excited twenty-somethings. Rumors flew left and right.
“I heard they’re going to force everyone to take acid.”
“I heard an actor’s gonna run in and shotgun the ceiling.”
“I heard they’re going to disappear like four more people this year. At this screening!”
Each year people disappeared. And each year the same people were ‘found.’ And yes this is the worst part, and why should never, ever, ever go to this event.
Again I will repeat myself. DO NOT GO.
No one has ever truly gone 'missing' at HRRFY in any legal or physical sense, because every missing person always shows up a day later, convinced that they are fine—refusing to elaborate further.
There are some small support groups for people who have family members who had gone to HRRFY, and came back irrevocably changed after being ‘found.’
These few unlucky people lose all semblance of personality. They don’t want interviews, or help, or therapy, or contact of any kind. And they never, ever want to talk about what they saw.
Some HRRFY fans think that these ‘found’ people were body-snatched. Cloned in a lab or replaced by a cyborg, or something stupid like that.
But I think there’s a far simpler explanation. The ‘found’ are still the same people. They're just terrified. They got shaken by something that shattered the foundation of their mind, body and soul. They got too scared.
They got HRRFY’d.
***
I should mention I had a cough the day I went. And I was worried my sickly appearance might give me trouble at the airport.
So I invested in an intense double N95 mask which I wore for the whole flight, and continued to wear even at the screening of “Many Drownings.”
It made my face hot and uncomfortable, but it still didn’t stop me from yelling “excuse me, excuse me!” as I ran to snag a seat in the back of the theater.
I always preferred sitting in the far back. You get a good view of the whole screen, and a good view of the whole audience.
Beside me sat a big dude named Sylvester, who apparently flew all the way from Australia to attend HRRFY.
“Worth the full Seventeen hours mate! It’s gonna be epic!” he dropped a massive camping backpack beside me, which I assume contained all of his luggage.
The lights dimmed, and the production company logos started to play.
The whispering, giggling and suspense all stacked upon each other to create an electric feeling in the air. I was giddy. It's like the entire audience was embarking on a massive roller coaster.
The anticipation was the best part for sure. It might have been the only good part.
Then the movie started.
It was a wide shot of a gray, stormy sea. The waves were massive, and the thunderclouds were looming. There was no land visible in any direction.
All we could hear was the sound of waves foaming, swirling, and crashing over and over. Lightning crackled. Rain poured. The camera held perfectly still over this storm as if it was mounted on a perfectly hovering drone. A drone so resilient that it didn’t waver at all.
I thought it had to be CGI.
The shot held like this for the next few moments. Everyone sat glued to their seats. Everyone was thinking the same thing.
What’s going to happen? How are they going to scare us?
People chuckled. People cheered. People wanted to tease whatever was going to happen—to happen already.
But nothing did.
Five, ten, maybe fifteen minutes went by without any change. People started snoring.
I looked beside me and saw that Sylvester—the most excited audience member of them all—had fallen totally asleep. The jet lag must’ve gotten to him.
Then I peered beyond the rest of the audience members and saw other people snoozing too. Heads were keeled over, some people were curled in their seats, some had even spilled out into the aisle and were dozing on the floor.
I looked above the bright screen, at the huge vents in the corner of the theater. I saw a faint white gas emerging from the vents.
Holy shit. What have we been breathing? I tightened the straps on my N95 mask, and made my breathing shallower.
The gas must have been pumping since the opening credits—because how else would an audience of two hundred people all fall asleep?
As I moved my hand through the air in front of me, I could sense the thickness. It was definitely hazier than usual. I took the scarf off my neck and wrapped it around my mouth as well.
Then I spotted movement in front of the screen.
It was a tall blonde man, wearing a black trenchcoat and military-grade gas mask. Beside him arrived six hazmat suits who started pointing at various audience members.
I slunk in my chair, pretending to sleep like everyone else.
Two hazmats walked over to the front row and picked out a sleeping guy in flannel. They lifted flannel up, under the armpits and by his ankles, carrying him between them both like a hammock.
The hazmats walked back up to the stage, where the blonde leader inspected the flannel man and tapped his head. Something was approved?
The hazmats began to swing flannel back and forth, as if they were getting ready to toss him. Despite their masks, I could hear a very muffled, very distant countdown.
“Three…”
“Two…”
“One…”
The flannel audience member was tossed into the screen.
I literally watched him fly into the image of stormy waves … andfallinto them. The flannel man sank into the gray water like a rock, leaving a few bubbles and foam. A wave came crashing down. All trace of him was gone.
What the fuck.
All six hazmats began grabbing more audience members with much more urgency. It became a minute-long process where they would pick the sleeping person up, bring them beside the screen, and then swing-toss them into it.
How was this possible?
I turned slightly to see if there was a projector above me, and realized there was none. Which meant maybe there was no screen on stage.
Which meant … maybe it was a portal?
I tried to wake Sylvester by shaking him. I pinched his leg and arm a bunch.
He was out cold.
The hazmats started grabbing audience members from the middle rows now. They were emptying the whole theater. What the hell was I supposed to do?
I waited until they grabbed another batch, only a few rows down from me. When all hazmats had their backs turned—I broke into a run.
With my left arm, I tightly gripped my mask and scarf against my face, while my right arm vaulted me over seat after seat.
I had never breathed so hard—through so much fabric—in my life.
The hazmats all turned to me. “Hey! Hey!” But their hands were full with their next victims.
I ran all the way down the aisle, to the big exit sign on the left. My heartbeat filled my head. My plan was to dropkick through the exit door.
I imagined myself breaking through like some flying gazelle.
I jumped.
I angled my kick.
It might as well have been a brick wall. I fell ass-first to the ground, followed by my head. Of course the door was locked.
Through a muffled mask I heard a sneering scoff.
“Where do you think you’re going?”
Above me stood the one wearing a trenchcoat. I could see his piercing gray eyes through his gas mask.
I rolled aside and tried to run by him. He lifted a foot and tripped me without effort.
My forehead bashed into an empty seat. It dazed me.
The blonde leader bent down and grabbed me by the neck, tearing away my scarf and mask.
“No! No!”
A sweet, ether-like smell filled my nostrils. I did my best to hold my breath, but I could already feel myself getting light-headed.
The other hazmats joined in, grabbing me from all sides. Even if I had the strength to struggle, there was no escape now.
Above me, all I could see was the dark theater ceiling, and some of the light behind me from the cinema screen.
“Three…”
“Two…”
“No. Please. Don’t do thi—”
SPLASH.
I was plunged deep into cold, wet chaos. My head was completely underwater.
Gagging. Bubbles. Spinning.
I fought for dear life, dog-paddling like a maniac.
Churning. Freezing. Panic.
For a second, my head popped above the water. I inhaled all the air my lungs could muster. I stared across a vast, violent ocean.
An enormous thirty foot wave came in my direction.
My whole body lifted higher and higher as the wave approached. I did my best to tread water. It seemed to be working.
Then a series of smaller waves arrived and smacked my chest.
SPLASH.
Spinning. Kicking. Flipping.
My view alternated between the pitch dark ocean beneath me, and the moonlit night sky above.
Again I swam to the surface, popped my head out. Ravenously sucked in air.
There was a small lull in the water.
Around me I now registered the other theater goers. Most of them were lying face-down or sinking … but a few were flapping about like me, fighting for their life.
And above all of us, a floating white shape.
It was painfully bright, I had to lift one hand to look at it.
My jaw dropped.
It was the movie screen, hanging completely still in the air. It showed a dark, empty theater. The exact same theater we all occupied moments ago.
It was tremendously high, above all of our heads. There was no way of reaching it.
Then I saw another thirty foot wave come our way. It grazed the bottom of the screen.
I knew what had to be done.
***
One of the theater goers happened to be on a college swim team. She was the first one able to traverse one of the giant waves and climb into the screen.
Once she was up there, she found a firehose in the theater and reeled it out to us like a rope.
One by one, we swam as hard as we could, praying to God we could reach the rope. Everyone’s energy was sapped. Your body can only sustain itself on adrenaline and fear for so long.
By some miracle, five of us got out.
I was the last.
I climbed the rope coughing and vomiting. I had swallowed so much water that my stomach felt swollen.
When I reached the top and they pulled me into the screen, I sobbed. I couldn’t stop crying.
My life had flashed countless times before my eyes. In bubbling, suffocating visions, I saw both my parents and my brother. I saw my highschool graduation. I saw my favorite Christmas from when I was six years old.
I had almost lost all of that. I had lost almost everything.
On the dirty, carpeted theater floor, I lay with my face down, savoring the fact that I now lay on a hard surface. God bless ground. God bless this filthy, popcorn-strewn ground.
Beside me I heard bantering, hugging, the wringing of wet clothes. Sylvester was the second last to be saved, and he was particularly vocal.
“Wooooooaaaaahh!” He came and drummed me on the back, lifted me up. “Oh my god dude! Holy shit!”
I sat on my knees, wiping the tears and snot off my mouth.
Sylvester clapped his hands, held his face and screamed some more.
“Holy shit dude! That was so fucking scary! Like literally people were dying beside us. Like I SAW people die!”
I nodded, shivering in my drenched clothes. “ I know it was—”
“—That was craaaaazy!”
He laughed and stood up, patting everyone on the back. He kept clapping his hands like this was some sports event.
“That was sick! That was siiiiiiiiick!”
He ruffled someone’s hair then ran up to me with an open palm.
“High five dude! WE MADE IT! High five!
“Don’t leave me hangin’ dude!”

The HRRFY.
It’s the horror movie festival where something genuinely fucked happens every year. And I mean every year.
Like, there are some screenings that unleash hordes of bats while the movie is playing. You're free to leave whenever you want, but the movie will still play for 2 hours and 15 minutes.
Other screenings hire actors to turn at you and scream at some point in the movie. You have no idea when, or how many times.
It's a festival where the word "illegal" can't even begin to describe what happens. You'd only attend if you were a young, stupid edgelord like me who was trying to prove he was hardcore to his friends.
Trust me. DO NOT GO.
You have nothing to prove to anyone. Don't be stupid.
Wait for the lamer film versions to come out streaming. That's what everyone else does. They're neutered edits but they're fine.
All they lack is the real gleaming thing everyone wants to see at HRRFY, but who cares. At least you don’t get traumatized. At least you’re not risking your life.
Anyway, if you really want to know what attending HRRFY is like. I’ll be quick and summarize the one screening I went to. It was the 20th anniversary, and I was lucky enough to get in.
***
I had signed up for the HRRFY mailing list, and joined the subreddit. Through a series of cryptic online emails I solved a sequence of riddles and was entered in the lottery for a HRRFY entry.
Lady Luck took a shine to me, because one day in my mailbox, I received a physical ticket. I had done it.
I was going.
The actual ‘ticket’ was a black USB key that announced the location of the festival the night before (which I won’t disclose here) and it did force me to pay for a very expensive flight in order for me to make it on time.
You see, to prevent getting shut down, the location of HRRFY changes every year. Some years the local police have managed to stop it, but for the most part, authorities have given up. What’s the point of arresting or charging anyone, if all the organizers and attendees actually want to be there?
Upon arrival, I had to pick between three participating theaters.
Based on title alone, I decided to go see “Many Drownings” (directed by Oleksander Gołański.) It was in the theater that was furthest away from the downtown core, which meant it was likely the one where the craziest shit was bound to happen.
That’s what I came here for right?
I lined up a solid two hours before the screening like everyone else. The entire line was jittering, just vibrating with excited twenty-somethings. Rumors flew left and right.
“I heard they’re going to force everyone to take acid.”
“I heard an actor’s gonna run in and shotgun the ceiling.”
“I heard they’re going to disappear like four more people this year. At this screening!”
Each year people disappeared. And each year the same people were ‘found.’ And yes this is the worst part, and why should never, ever, ever go to this event.
Again I will repeat myself. DO NOT GO.
No one has ever truly gone 'missing' at HRRFY in any legal or physical sense, because every missing person always shows up a day later, convinced that they are fine—refusing to elaborate further.
There are some small support groups for people who have family members who had gone to HRRFY, and came back irrevocably changed after being ‘found.’
These few unlucky people lose all semblance of personality. They don’t want interviews, or help, or therapy, or contact of any kind. And they never, ever want to talk about what they saw.
Some HRRFY fans think that these ‘found’ people were body-snatched. Cloned in a lab or replaced by a cyborg, or something stupid like that.
But I think there’s a far simpler explanation. The ‘found’ are still the same people. They're just terrified. They got shaken by something that shattered the foundation of their mind, body and soul. They got too scared.
They got HRRFY’d.
***
I should mention I had a cough the day I went. And I was worried my sickly appearance might give me trouble at the airport.
So I invested in an intense double N95 mask which I wore for the whole flight, and continued to wear even at the screening of “Many Drownings.”
It made my face hot and uncomfortable, but it still didn’t stop me from yelling “excuse me, excuse me!” as I ran to snag a seat in the back of the theater.
I always preferred sitting in the far back. You get a good view of the whole screen, and a good view of the whole audience.
Beside me sat a big dude named Sylvester, who apparently flew all the way from Australia to attend HRRFY.
“Worth the full Seventeen hours mate! It’s gonna be epic!” he dropped a massive camping backpack beside me, which I assume contained all of his luggage.
The lights dimmed, and the production company logos started to play.
The whispering, giggling and suspense all stacked upon each other to create an electric feeling in the air. I was giddy. It's like the entire audience was embarking on a massive roller coaster.
The anticipation was the best part for sure. It might have been the only good part.
Then the movie started.
It was a wide shot of a gray, stormy sea. The waves were massive, and the thunderclouds were looming. There was no land visible in any direction.
All we could hear was the sound of waves foaming, swirling, and crashing over and over. Lightning crackled. Rain poured. The camera held perfectly still over this storm as if it was mounted on a perfectly hovering drone. A drone so resilient that it didn’t waver at all.
I thought it had to be CGI.
The shot held like this for the next few moments. Everyone sat glued to their seats. Everyone was thinking the same thing.
What’s going to happen? How are they going to scare us?
People chuckled. People cheered. People wanted to tease whatever was going to happen—to happen already.
But nothing did.
Five, ten, maybe fifteen minutes went by without any change. People started snoring.
I looked beside me and saw that Sylvester—the most excited audience member of them all—had fallen totally asleep. The jet lag must’ve gotten to him.
Then I peered beyond the rest of the audience members and saw other people snoozing too. Heads were keeled over, some people were curled in their seats, some had even spilled out into the aisle and were dozing on the floor.
I looked above the bright screen, at the huge vents in the corner of the theater. I saw a faint white gas emerging from the vents.
Holy shit. What have we been breathing? I tightened the straps on my N95 mask, and made my breathing shallower.
The gas must have been pumping since the opening credits—because how else would an audience of two hundred people all fall asleep?
As I moved my hand through the air in front of me, I could sense the thickness. It was definitely hazier than usual. I took the scarf off my neck and wrapped it around my mouth as well.
Then I spotted movement in front of the screen.
It was a tall blonde man, wearing a black trenchcoat and military-grade gas mask. Beside him arrived six hazmat suits who started pointing at various audience members.
I slunk in my chair, pretending to sleep like everyone else.
Two hazmats walked over to the front row and picked out a sleeping guy in flannel. They lifted flannel up, under the armpits and by his ankles, carrying him between them both like a hammock.
The hazmats walked back up to the stage, where the blonde leader inspected the flannel man and tapped his head. Something was approved?
The hazmats began to swing flannel back and forth, as if they were getting ready to toss him. Despite their masks, I could hear a very muffled, very distant countdown.
“Three…”
“Two…”
“One…”
The flannel audience member was tossed into the screen.
I literally watched him fly into the image of stormy waves … andfallinto them. The flannel man sank into the gray water like a rock, leaving a few bubbles and foam. A wave came crashing down. All trace of him was gone.
What the fuck.
All six hazmats began grabbing more audience members with much more urgency. It became a minute-long process where they would pick the sleeping person up, bring them beside the screen, and then swing-toss them into it.
How was this possible?
I turned slightly to see if there was a projector above me, and realized there was none. Which meant maybe there was no screen on stage.
Which meant … maybe it was a portal?
I tried to wake Sylvester by shaking him. I pinched his leg and arm a bunch.
He was out cold.
The hazmats started grabbing audience members from the middle rows now. They were emptying the whole theater. What the hell was I supposed to do?
I waited until they grabbed another batch, only a few rows down from me. When all hazmats had their backs turned—I broke into a run.
With my left arm, I tightly gripped my mask and scarf against my face, while my right arm vaulted me over seat after seat.
I had never breathed so hard—through so much fabric—in my life.
The hazmats all turned to me. “Hey! Hey!” But their hands were full with their next victims.
I ran all the way down the aisle, to the big exit sign on the left. My heartbeat filled my head. My plan was to dropkick through the exit door.
I imagined myself breaking through like some flying gazelle.
I jumped.
I angled my kick.
It might as well have been a brick wall. I fell ass-first to the ground, followed by my head. Of course the door was locked.
Through a muffled mask I heard a sneering scoff.
“Where do you think you’re going?”
Above me stood the one wearing a trenchcoat. I could see his piercing gray eyes through his gas mask.
I rolled aside and tried to run by him. He lifted a foot and tripped me without effort.
My forehead bashed into an empty seat. It dazed me.
The blonde leader bent down and grabbed me by the neck, tearing away my scarf and mask.
“No! No!”
A sweet, ether-like smell filled my nostrils. I did my best to hold my breath, but I could already feel myself getting light-headed.
The other hazmats joined in, grabbing me from all sides. Even if I had the strength to struggle, there was no escape now.
Above me, all I could see was the dark theater ceiling, and some of the light behind me from the cinema screen.
“Three…”
“Two…”
“No. Please. Don’t do thi—”
SPLASH.
I was plunged deep into cold, wet chaos. My head was completely underwater.
Gagging. Bubbles. Spinning.
I fought for dear life, dog-paddling like a maniac.
Churning. Freezing. Panic.
For a second, my head popped above the water. I inhaled all the air my lungs could muster. I stared across a vast, violent ocean.
An enormous thirty foot wave came in my direction.
My whole body lifted higher and higher as the wave approached. I did my best to tread water. It seemed to be working.
Then a series of smaller waves arrived and smacked my chest.
SPLASH.
Spinning. Kicking. Flipping.
My view alternated between the pitch dark ocean beneath me, and the moonlit night sky above.
Again I swam to the surface, popped my head out. Ravenously sucked in air.
There was a small lull in the water.
Around me I now registered the other theater goers. Most of them were lying face-down or sinking … but a few were flapping about like me, fighting for their life.
And above all of us, a floating white shape.
It was painfully bright, I had to lift one hand to look at it.
My jaw dropped.
It was the movie screen, hanging completely still in the air. It showed a dark, empty theater. The exact same theater we all occupied moments ago.
It was tremendously high, above all of our heads. There was no way of reaching it.
Then I saw another thirty foot wave come our way. It grazed the bottom of the screen.
I knew what had to be done.
***
One of the theater goers happened to be on a college swim team. She was the first one able to traverse one of the giant waves and climb into the screen.
Once she was up there, she found a firehose in the theater and reeled it out to us like a rope.
One by one, we swam as hard as we could, praying to God we could reach the rope. Everyone’s energy was sapped. Your body can only sustain itself on adrenaline and fear for so long.
By some miracle, five of us got out.
I was the last.
I climbed the rope coughing and vomiting. I had swallowed so much water that my stomach felt swollen.
When I reached the top and they pulled me into the screen, I sobbed. I couldn’t stop crying.
My life had flashed countless times before my eyes. In bubbling, suffocating visions, I saw both my parents and my brother. I saw my highschool graduation. I saw my favorite Christmas from when I was six years old.
I had almost lost all of that. I had lost almost everything.
On the dirty, carpeted theater floor, I lay with my face down, savoring the fact that I now lay on a hard surface. God bless ground. God bless this filthy, popcorn-strewn ground.
Beside me I heard bantering, hugging, the wringing of wet clothes. Sylvester was the second last to be saved, and he was particularly vocal.
“Wooooooaaaaahh!” He came and drummed me on the back, lifted me up. “Oh my god dude! Holy shit!”
I sat on my knees, wiping the tears and snot off my mouth.
Sylvester clapped his hands, held his face and screamed some more.
“Holy shit dude! That was so fucking scary! Like literally people were dying beside us. Like I SAW people die!”
I nodded, shivering in my drenched clothes. “ I know it was—”
“—That was craaaaazy!”
He laughed and stood up, patting everyone on the back. He kept clapping his hands like this was some sports event.
“That was sick! That was siiiiiiiiick!”
He ruffled someone’s hair then ran up to me with an open palm.
“High five dude! WE MADE IT! High five!
“Don’t leave me hangin’ dude!”

The HRRFY.
It’s the horror movie festival where something genuinely fucked happens every year. And I mean every year.
Like, there are some screenings that unleash hordes of bats while the movie is playing. You're free to leave whenever you want, but the movie will still play for 2 hours and 15 minutes.
Other screenings hire actors to turn at you and scream at some point in the movie. You have no idea when, or how many times.
It's a festival where the word "illegal" can't even begin to describe what happens. You'd only attend if you were a young, stupid edgelord like me who was trying to prove he was hardcore to his friends.
Trust me. DO NOT GO.
You have nothing to prove to anyone. Don't be stupid.
Wait for the lamer film versions to come out streaming. That's what everyone else does. They're neutered edits but they're fine.
All they lack is the real gleaming thing everyone wants to see at HRRFY, but who cares. At least you don’t get traumatized. At least you’re not risking your life.
Anyway, if you really want to know what attending HRRFY is like. I’ll be quick and summarize the one screening I went to. It was the 20th anniversary, and I was lucky enough to get in.
***
I had signed up for the HRRFY mailing list, and joined the subreddit. Through a series of cryptic online emails I solved a sequence of riddles and was entered in the lottery for a HRRFY entry.
Lady Luck took a shine to me, because one day in my mailbox, I received a physical ticket. I had done it.
I was going.
The actual ‘ticket’ was a black USB key that announced the location of the festival the night before (which I won’t disclose here) and it did force me to pay for a very expensive flight in order for me to make it on time.
You see, to prevent getting shut down, the location of HRRFY changes every year. Some years the local police have managed to stop it, but for the most part, authorities have given up. What’s the point of arresting or charging anyone, if all the organizers and attendees actually want to be there?
Upon arrival, I had to pick between three participating theaters.
Based on title alone, I decided to go see “Many Drownings” (directed by Oleksander Gołański.) It was in the theater that was furthest away from the downtown core, which meant it was likely the one where the craziest shit was bound to happen.
That’s what I came here for right?
I lined up a solid two hours before the screening like everyone else. The entire line was jittering, just vibrating with excited twenty-somethings. Rumors flew left and right.
“I heard they’re going to force everyone to take acid.”
“I heard an actor’s gonna run in and shotgun the ceiling.”
“I heard they’re going to disappear like four more people this year. At this screening!”
Each year people disappeared. And each year the same people were ‘found.’ And yes this is the worst part, and why should never, ever, ever go to this event.
Again I will repeat myself. DO NOT GO.
No one has ever truly gone 'missing' at HRRFY in any legal or physical sense, because every missing person always shows up a day later, convinced that they are fine—refusing to elaborate further.
There are some small support groups for people who have family members who had gone to HRRFY, and came back irrevocably changed after being ‘found.’
These few unlucky people lose all semblance of personality. They don’t want interviews, or help, or therapy, or contact of any kind. And they never, ever want to talk about what they saw.
Some HRRFY fans think that these ‘found’ people were body-snatched. Cloned in a lab or replaced by a cyborg, or something stupid like that.
But I think there’s a far simpler explanation. The ‘found’ are still the same people. They're just terrified. They got shaken by something that shattered the foundation of their mind, body and soul. They got too scared.
They got HRRFY’d.
***
I should mention I had a cough the day I went. And I was worried my sickly appearance might give me trouble at the airport.
So I invested in an intense double N95 mask which I wore for the whole flight, and continued to wear even at the screening of “Many Drownings.”
It made my face hot and uncomfortable, but it still didn’t stop me from yelling “excuse me, excuse me!” as I ran to snag a seat in the back of the theater.
I always preferred sitting in the far back. You get a good view of the whole screen, and a good view of the whole audience.
Beside me sat a big dude named Sylvester, who apparently flew all the way from Australia to attend HRRFY.
“Worth the full Seventeen hours mate! It’s gonna be epic!” he dropped a massive camping backpack beside me, which I assume contained all of his luggage.
The lights dimmed, and the production company logos started to play.
The whispering, giggling and suspense all stacked upon each other to create an electric feeling in the air. I was giddy. It's like the entire audience was embarking on a massive roller coaster.
The anticipation was the best part for sure. It might have been the only good part.
Then the movie started.
It was a wide shot of a gray, stormy sea. The waves were massive, and the thunderclouds were looming. There was no land visible in any direction.
All we could hear was the sound of waves foaming, swirling, and crashing over and over. Lightning crackled. Rain poured. The camera held perfectly still over this storm as if it was mounted on a perfectly hovering drone. A drone so resilient that it didn’t waver at all.
I thought it had to be CGI.
The shot held like this for the next few moments. Everyone sat glued to their seats. Everyone was thinking the same thing.
What’s going to happen? How are they going to scare us?
People chuckled. People cheered. People wanted to tease whatever was going to happen—to happen already.
But nothing did.
Five, ten, maybe fifteen minutes went by without any change. People started snoring.
I looked beside me and saw that Sylvester—the most excited audience member of them all—had fallen totally asleep. The jet lag must’ve gotten to him.
Then I peered beyond the rest of the audience members and saw other people snoozing too. Heads were keeled over, some people were curled in their seats, some had even spilled out into the aisle and were dozing on the floor.
I looked above the bright screen, at the huge vents in the corner of the theater. I saw a faint white gas emerging from the vents.
Holy shit. What have we been breathing? I tightened the straps on my N95 mask, and made my breathing shallower.
The gas must have been pumping since the opening credits—because how else would an audience of two hundred people all fall asleep?
As I moved my hand through the air in front of me, I could sense the thickness. It was definitely hazier than usual. I took the scarf off my neck and wrapped it around my mouth as well.
Then I spotted movement in front of the screen.
It was a tall blonde man, wearing a black trenchcoat and military-grade gas mask. Beside him arrived six hazmat suits who started pointing at various audience members.
I slunk in my chair, pretending to sleep like everyone else.
Two hazmats walked over to the front row and picked out a sleeping guy in flannel. They lifted flannel up, under the armpits and by his ankles, carrying him between them both like a hammock.
The hazmats walked back up to the stage, where the blonde leader inspected the flannel man and tapped his head. Something was approved?
The hazmats began to swing flannel back and forth, as if they were getting ready to toss him. Despite their masks, I could hear a very muffled, very distant countdown.
“Three…”
“Two…”
“One…”
The flannel audience member was tossed into the screen.
I literally watched him fly into the image of stormy waves … andfallinto them. The flannel man sank into the gray water like a rock, leaving a few bubbles and foam. A wave came crashing down. All trace of him was gone.
What the fuck.
All six hazmats began grabbing more audience members with much more urgency. It became a minute-long process where they would pick the sleeping person up, bring them beside the screen, and then swing-toss them into it.
How was this possible?
I turned slightly to see if there was a projector above me, and realized there was none. Which meant maybe there was no screen on stage.
Which meant … maybe it was a portal?
I tried to wake Sylvester by shaking him. I pinched his leg and arm a bunch.
He was out cold.
The hazmats started grabbing audience members from the middle rows now. They were emptying the whole theater. What the hell was I supposed to do?
I waited until they grabbed another batch, only a few rows down from me. When all hazmats had their backs turned—I broke into a run.
With my left arm, I tightly gripped my mask and scarf against my face, while my right arm vaulted me over seat after seat.
I had never breathed so hard—through so much fabric—in my life.
The hazmats all turned to me. “Hey! Hey!” But their hands were full with their next victims.
I ran all the way down the aisle, to the big exit sign on the left. My heartbeat filled my head. My plan was to dropkick through the exit door.
I imagined myself breaking through like some flying gazelle.
I jumped.
I angled my kick.
It might as well have been a brick wall. I fell ass-first to the ground, followed by my head. Of course the door was locked.
Through a muffled mask I heard a sneering scoff.
“Where do you think you’re going?”
Above me stood the one wearing a trenchcoat. I could see his piercing gray eyes through his gas mask.
I rolled aside and tried to run by him. He lifted a foot and tripped me without effort.
My forehead bashed into an empty seat. It dazed me.
The blonde leader bent down and grabbed me by the neck, tearing away my scarf and mask.
“No! No!”
A sweet, ether-like smell filled my nostrils. I did my best to hold my breath, but I could already feel myself getting light-headed.
The other hazmats joined in, grabbing me from all sides. Even if I had the strength to struggle, there was no escape now.
Above me, all I could see was the dark theater ceiling, and some of the light behind me from the cinema screen.
“Three…”
“Two…”
“No. Please. Don’t do thi—”
SPLASH.
I was plunged deep into cold, wet chaos. My head was completely underwater.
Gagging. Bubbles. Spinning.
I fought for dear life, dog-paddling like a maniac.
Churning. Freezing. Panic.
For a second, my head popped above the water. I inhaled all the air my lungs could muster. I stared across a vast, violent ocean.
An enormous thirty foot wave came in my direction.
My whole body lifted higher and higher as the wave approached. I did my best to tread water. It seemed to be working.
Then a series of smaller waves arrived and smacked my chest.
SPLASH.
Spinning. Kicking. Flipping.
My view alternated between the pitch dark ocean beneath me, and the moonlit night sky above.
Again I swam to the surface, popped my head out. Ravenously sucked in air.
There was a small lull in the water.
Around me I now registered the other theater goers. Most of them were lying face-down or sinking … but a few were flapping about like me, fighting for their life.
And above all of us, a floating white shape.
It was painfully bright, I had to lift one hand to look at it.
My jaw dropped.
It was the movie screen, hanging completely still in the air. It showed a dark, empty theater. The exact same theater we all occupied moments ago.
It was tremendously high, above all of our heads. There was no way of reaching it.
Then I saw another thirty foot wave come our way. It grazed the bottom of the screen.
I knew what had to be done.
***
One of the theater goers happened to be on a college swim team. She was the first one able to traverse one of the giant waves and climb into the screen.
Once she was up there, she found a firehose in the theater and reeled it out to us like a rope.
One by one, we swam as hard as we could, praying to God we could reach the rope. Everyone’s energy was sapped. Your body can only sustain itself on adrenaline and fear for so long.
By some miracle, five of us got out.
I was the last.
I climbed the rope coughing and vomiting. I had swallowed so much water that my stomach felt swollen.
When I reached the top and they pulled me into the screen, I sobbed. I couldn’t stop crying.
My life had flashed countless times before my eyes. In bubbling, suffocating visions, I saw both my parents and my brother. I saw my highschool graduation. I saw my favorite Christmas from when I was six years old.
I had almost lost all of that. I had lost almost everything.
On the dirty, carpeted theater floor, I lay with my face down, savoring the fact that I now lay on a hard surface. God bless ground. God bless this filthy, popcorn-strewn ground.
Beside me I heard bantering, hugging, the wringing of wet clothes. Sylvester was the second last to be saved, and he was particularly vocal.
“Wooooooaaaaahh!” He came and drummed me on the back, lifted me up. “Oh my god dude! Holy shit!”
I sat on my knees, wiping the tears and snot off my mouth.
Sylvester clapped his hands, held his face and screamed some more.
“Holy shit dude! That was so fucking scary! Like literally people were dying beside us. Like I SAW people die!”
I nodded, shivering in my drenched clothes. “ I know it was—”
“—That was craaaaazy!”
He laughed and stood up, patting everyone on the back. He kept clapping his hands like this was some sports event.
“That was sick! That was siiiiiiiiick!”
He ruffled someone’s hair then ran up to me with an open palm.
“High five dude! WE MADE IT! High five!
“Don’t leave me hangin’ dude!”

I've been struggling to find info on certain things regarding this machine, so I'm going to compile a few things I've learned from tinkering here in hopes that anyone furiously googling their weird question about legion towers can find this post.

• If your PC is making a "cricket" noise, it's the PSU. They are not very good. You should replace it. It's not difficult. Cables are very well managed and unlike earlier models, the side of the newer towers have metal hooks you can bend back and forth to secure cables (as opposed to zipties). There are also a couple of ziptied cables, but you can remove things without worrying about them. Look up videos from technitwit on PSU replacement for Legion towers.
  
• It's far, far easier to remove the top grill by pushing the clips up from the inside as opposed to using a spudger from the outside like the manual suggests.
  
• You can pull the front panel really hard from the lip at the bottom to get it off. It's going to feel scary but it's fine.
  
• Most PWM fans aren't going to play nice with lenovo's fan curve and just run at a constant 800 RPM. Maybe there are ways around this.
  
• Adding top fans in either intake or exhaust do absolutely nothing to the temps in this case.
  
• There are cutouts for mesh filters under the front and side panels. Just get some you can cut yourself off amazon.
  
• While there is physical space for a third fan at the front, there are no mounting holes, so don't bother.
  
• You probably won't fit a triple fan card in this case. If you do, it's gonna be tight. Your best bet is a dual card.
  
• The GPU bracket is a real pain to get off. You REALLY need to push hard on the screws to get them out of the GPU.
  
• A square of electrical tape over the power button LED perfectly solves the blinking it does when in sleep mode.
  
• If you randomly get really high temps (especially after changing a part), reset your bios and power off the machine for a few minutes. No idea, man.
  
• If you add a fan and then remove it, vantage will piss and shit itself and claim your rear fan is breaking with an error code. It isn't. Don't be like me and replace it, only to put it back. Just reset your bios and lighting settings.
  
• Be very careful of the RGB headers on the Mobo. They WILL get bent to shit with the slightest touch. But you can bend them back (within reason).
  
• If you want to control the CPU fan, use the steps outlined on this post: https://forums.lenovo.com/t5/Lenovo-Desktop-Towers/Lenovo-Legion-T5-26AMR5-CPU-overheating/m-p/5069785?page=9. Any fan control software, including Legion Fan Control, is non-functional on these machines for some reason.
  
• Vantage is the enemy. Configure things once and then never use it again. It will break out of nowhere and do weird things. Keep the machine on balanced mode with legion ai off, make your lights look pretty, and just never look again, man. It has so many weird bugs.
  
• Your PSU has a dust filter! Check the bottom of the machine. You should probably go clean that.
  
• Your SSD is behind the GPU, probably. Seems to be the case with most models, but consult your manual.
  
• There are SATA cables plugged into nothing at the bottom of the motherboard. They can get caught in the GPU fans. Don't ask me how I know, lol. You should just take them out unless you plan to add an extra sata drive in.
  

That should be about all. If I come up with anything else, I'll try to remember to add it in.

 The necropolis was gorgeous, for what it was. Its white outer walls hiding the darker Victorian Gothic interior. The tech that was hidden in the walls though was able to move bodies in their caskets from a designated place in the necropolis to the "viewing area" as the necropolians called it. This was where I waited for my, for lack of a better term, escort to take me to the mortuary. Since science has grown surprisingly fast our abilities for forensic sciences have also grown, and that's to whom I was headed. (S)He was an, unusual (wo)man to say the least. An expert in their field and about as learned as a doctor, if not multi-doctorate. If you ever asked them why they never pursued an actual doctorate, they would get angry and act all prissy while saying that going to school would've slowed them down and all they needed were the basic certificates for their work. The reality though, revealed to me during a drunken bout, they just never liked school and believed that it ultimately stunted a person's growth and ability to question the reality around them, that everything that you need to learn is already in books and in some form or another in digital content online. They were brilliant, if a little wacky. About five minutes after I had arrived and was sitting down in the viewing area, a little box rolled up to me making a couple of beeps to let me know to follow it and immediately started rolling towards the wall opposite of where it came from. When it looked like it was about to hit the wall, a hidden door opened up by the casket viewer, inside was a set of stairs leading down into the darkness. Stepping through the doorway I became acutely aware of sounds seemingly coming from all around me suddenly. It really is impressive, as though I just stepped from a tomb to a busy workshop, the sounds of gas escaping pistons, whirring, and clanking chains flooded my ears. I continued down the stairs following my helpful little box, which despite its size and shape would suggest was actually quite nimble on the stairs. It seemed to have wheels that would extend down to the next step as the edge rolled over it and once the back of the box was clear of the step it would drop back into its squat position, hiding its wheels as quickly as possible. It continued to do so the entire way. The box seemed to notice me watching it and made a kinda shrill whistle and its undercarriage light went from a comfortable yellow to a, is that... Peach? Is it blushing? My god I think it is! I let out a small chuckle and my little blushing box stopped dead in its tracks mid-step, its light suddenly going white, almost blinding me from behind and lighting up the hallway for a split second. Luckily both of my feet were solidly on a step so I didn't take a tumble or anything, but I couldn't help doing anything but laughing harder. 

After a second the little box crept up behind me and continued down, its status light continuing to show pinkish. I followed it slowly, the chuckle slowly dying in my throat as we reached Ceriths office. Well "office" was being nice. Morgue, mortuary, both of these fit just as well. Cerith was, for the most part, a recluse. We reached the door and the little robot continued through a little hole in the wall. I waited a second and knocked. "Enter!" Came the voice on the other side. I opened the door and stepped through. Along one wall set doors that normally housed the dead waiting to be processed. One out of dozens were open, its occupant missing from its silver slab. The middle of the room was brightly lit from a single overhead light. In the middle of the circle of light stood a figure, long Raven colored hair bound in a single braided ponytail, the rest of them bound in medical examination garb. They seemed to be engrossed in the corpse in front of them. The little robot rolled up next to Ceriths feet and made a little chiming noise. "Thank you Tabitha. That'll be all," said a voice that was neither male nor female from beneath the mask. Just sort of in the middle. "Tabitha? Never knew you to be sentimental," I said gently, the chuckle in my voice making itself clear. "I see you still find even the darkest things funny," Cerith quipped back. "My line of work Cer, you take the laughs where you get them. Look who's talking anyway, you're usually elbows deep inside someone 25/8. Even you have a seriously fucked up sense of humor." That got Cerith laughing, sounding like thunder and the whip crack of lightning at the same time. "You've got me there Julius," Cerith said after his laughter subsided. I think he suits him today. Which is both a good and bad sign. When Cerith is acting like a man, it usually means some grim news, but they are going to try to make it seem like not a big deal and laugh a lot. Plus they almost never call me Julius. Something was wrong. Very seriously wrong. As this realization hit me I got this odd tingle in the small of my back. Like someone had put several freezing needles under the skin and into my spine, something I'm familiar with from the anima-games from the cyber sphere. Halos: Divine Retribution If I remember right. Those Angels were sadistic bastards. I shuddered at both the memories from the game and the shockingly similar feeling I was experiencing. Dread, that feeling is dread my friend, the quiet part of my mind whispered to me. "Cer, what's wrong bud," I asked. He didn't say anything. For a long time. After a few minutes I was about to ask again, but then he spoke. And what came out will haunt me, quite possibly till the day I die. "This ones temporal lobes are gray matter. Nothing even close to being coherent. Just. Dead neurons. And he's not the first." Gone was the jovialness of the past ten minutes. This was Cerith the whisperer. In an almost dead tone they continued, "the others didn't fare nearly as well as this one. Most of the brain is intact here, which means that if they didn't deliver a massive shock or something similar to fully kill him he would have possibly lived as a vegetable with memory issues, but that's not what I'm looking for in this one here now. Now I'm trying to figure out what else the others had in common with him, and so far that's brought up all but naught. Well this one has a bit of liver damage. But that's about it. So Mr John was a drinker. Not much there." When Cerith is "whispering" the best thing to do is just let him be. But I couldn't help but prick my ears up at mentions of others with similar wounds, and the fact that this one had liver issues.... "Cer. You said... CERITH," I finally snapped out and caught his attention mid ramble. "Thank you. You said liver problems. But nothing similar to the others? No drugs? Alcohol? Not even a synth brain-pattern? You checked Everything?" "Well let's see, John here was a drinker that's for sure," Cerith said his hands never ceasing their work as he started to put 'John' back together seemingly satisfied that he found nothing else, " Mr Lombardo in chest 3 had cocaine mostly, and Mr Lei in chest 9 had opium. Although to tell you where it came from for both I'd have to do a molecular analysis and see what it compares to. Other than that, no. Absolutely nothing connecting any of them. As far as I can tell they are all unique cases completely separate from each other except for the damages to the brain. And I only found this by accident. During a routine scan I happened to look at the screen as it passed through the brain and noticed an odd density in his temporal lobes. Just slightly higher than normal. Hell to be honest with you it had the density of a fresh cutie, you know those little oranges?" I nodded, and he continued, "Right of course you do, who hasn't? Anyways it's just super dense compared to the surrounding tissues, and I take a sliver probe and drop it in like you do. And when I turn the damn thing on to look at the neurons the area all I see are dead cells packed on top of one another. Not natural decay death, but forced to die. Most of the cell walls were torn open like they had blown up from the INSIDE. That's when I called you." He finished up with 'John' putting the final few perfect stitches in place and sealing him up for good. Once he seemed happy with his work he called out to his seemingly empty morgue, "Grom I'm done! Can you put Mr John Doe here back in his room? Number 11 if you please." He turned away from the body on the table and removed the giant rubber gloves that went to his elbows. He walked into the dark calling out over his shoulder, "I'll be back in a sec I gotta scrub out, want a drink? I have beer, whiskey, vodka, I might have some Cognac somewhere, and bourbon. Your choice, just call out what you want and Tabitha will be there with it. Also have a seat! We have much to discuss." With that he disappeared from both sight and sound in the dark. It was a neat trick I have to admit, and it had something to do with how he had his morgue set up. Even the giant war machine that was Grom was absolutely quiet unless you managed to catch him through the gloom. I thought for the longest time the reason why I could never catch him sneaking around was from some sort of stealth program put into place, but when he goes up and down those stairs he's as loud as can be. So it was definitely not his program but the way the morgue was built. I'm confident in saying that because when I turned back to look at the table, or rather where it was, there was now a chair that looked like it had just grown out of the floor and the body was gone. Also the thought of something as big as a fridge just sneaking up on some poor combatants and snapping their necks as quietly as he walks in the morgue just gives me the heebies. As I sat in the chair a thought occurred to me. Considering how advanced the morgue seemed to be it would make sense that it had some sort of AI or integrated computer. "Computer?" I had been here a million times but I'd never had a chance to think about it nor try anything. But not even a second after I had said anything a response came. "Yes Detective Julius. My name is DANNA. Or Dynamically Actualized Neural Net AI. How can I be of service?" The voice seemed to come from everywhere and nowhere, slightly feminine and breathy, all service but no sex. Honestly I was just surprised that it worked. "DANNA, I was just wondering if I could take a look at the files that Cerith had mentioned? If it is as bad as they claim I think I might need to know anyway. Also if you can get those blood works done for me I'd appreciate it. Also something with whiskey or rum would be amazing." "Of course Detective. I will have Tabitha bring it shortly. And how would you like the information to be displayed? Desktop or dynamic?" That piqued my interest. "Dynamic please." No sooner than I had said a series of screens blinked into existence in front of me. It was some sort of Holographic display. I reached out and touched the display and was surprised that I got stopped by something. It was hard but surprisingly I found that I could push into the screen with my finger if I pushed hard enough. It kinda felt like... Oobleck. I also found that by pinching the corner I could pull the screens closer or further from me. I even found that I could grab individual pages of the reports off the screen and hold it. It felt like a thin sheet of plastic and responded like both a tablet and a singular document. If I switched pages the old one would appear back onto the screen and the next would pop onto it. This was about as slick a set up as I had ever seen and whistled my appreciation under my breath, I'm definitely going to have to ask Cerith about where they got DANNA from. "See something you like, big boy?" A very DEFINITELY female voice said in my ear from behind, soft and throaty, screaming come hither. I felt small dainty hands gently caress the tops of my shoulders before slipping down the front of my chest, pulling me back into the chair that I didn't realize I had been slouching in. "You know better than that, Jules. Your back is important and slouching will destroy the muscles and cause some to atrophy." The voice left no room for argument, and left me more than a little bit flushed. I closed my eyes and dropped my head back as far as it would go, the back of my head hitting something soft and warm, stretching my neck and back out. "Damnit Cer I thought you were scrubbing out, not completely changing." I hadn't realized it, but at least an hour had passed from when I started playing with the computer and working with the files if the clock on the computer was to be believed. "You looked like you were pretty into it so I decided not to disturb you. Plus you know how much fun it is for me to tease you like this. Especially after, well these..." One hand waved at the screens in front of me. The small hands' nails were painted the darkest black and almost made them blend into the void that existed outside of the screens. "I do Cer, and that's part of the problem, we both know that it's never going to happen. Least of all for you." She laughed a little, a clear beautiful sound and the body beneath my head bounced slightly telling me I was against her stomach. "Still I know you enjoy these little moments," she said, the pressure on the back of my head disappearing and was replaced by the voice right by my ear again as she whispered, "especially when we both know that's not at all true." At the last words she nibbled my ear gently. I couldn't help but roll my eyes at her, in spite of my baser instinct rising to meet her VERY juicy insinuations. But for as long as I've known Cerith and as many times as we have both been VERY drunk, they have NEVER cashed in. I just assumed that it was a quirk of theirs. "Anyways," she said standing back up, "what are you thinking so far about the files? Spooky, right? Like I said, nothing that I can see connects them." Her hands gestured in front of me in an approximation of a shrug. She then clasped them together, wringing the knuckles and effectively trapping me in the chair and back against her abdomen. I scrubbed my eyes with my fingertips acutely aware of the growing headache that suddenly made itself known. "Your right from the medical side. I can't see everything you can, of course. I don't have near the knowledge that you have," which is true being that Cerith is at least 200 years old. I never asked directly, the old adage still holding about women and their age. Still though her answers to certain questions would lead one to believe her being her first adult car was a Bing Cherry 2201 Firebird GT with white walled hover trim and chrome accents. From pictures that I could find it looked like a slick piece. Looking back to the screens I couldn't help but feel that itch again. I couldn't explain it. That prickly feeling of ice needles again, this time in the back of my skull. As much as I'd hate to admit it. I think Cerith is right. I sighed heavily before saying "send me everything. I'll open a new case file and have the team start working on it first thing." She made a happy noise and bounced slightly, clearly satisfied with my decision to take it on. I reached out and to my left and a glass was placed gently into my hand by Tabitha. I hadn't even realized she had come over while I was working and was now ready for that drink. Room temperature rum and cola. The drink went down smoothly enough considering I drained the glass in one gulp, during which time I finally got a good eyeful of Ceriths current form. Or rather the underside of part of it. From what I could tell she was wearing a black T-shirt. That was it. I put the glass back down, it's job done without moving my head and said, "What a lovely view Cerith. I'm guessing you chose this to try to get a rise out of me?" I couldn't lie though it was affecting me, but I couldn't let her know that. Not when she's like this. Otherwise she'll continue to tease me till she leaves me with the absolute worst case of blue balls this side of the City. Her hands came up and cupped my chin almost lovingly, and her voice said "Of course Detective. Do you not approve? Or would you rather I change back to my medical examination form? Or something else?" Her words dripped with implied sex. I groaned, loudly, and said, "This is fine. Jesus Cer." Before we could continue our most scintillating of conversations there was a sudden PING! And DANNA said, "I'm sorry to interrupt, but there's a message for you Cerith. It says 'If you can get to the department Cerith, do so. We need you to explain your paperwork. And if Detective Julius is still with you have him come in too.' signed the Chief. Would you like to reply?" 'shit, I forgot the morgue kills all signals,' I thought to myself as I stood up gently (regretfully) prying myself from Ceriths grasp with a, "duty calls. Need a lift?" I stretched gently, the scales in between my shoulders clicking appreciatively for the stretch, and turned around to notice she was indeed, just wearing a black T-shirt that hugged her voluptuous figure closely. The scales in my back clicked shut in surprise. Cerith let out a small cute chuckle, "I see after all this time I can still surprise you," she said blowing a kiss my way, reminding me of a little Gothic pixy. I rolled my eyes away from her and willed my scales to relax. I grabbed my jacket off the back of the chair, slinging it on and clicking the neck clasp shut under the cord that connected my scales to the unit in my head. I was awarded the cybernetics upon completing my training and getting all my licenses to have them. The force had allowed me to customize it, I had chosen top of the line. A dual unit with custom built AI. The individual scales were ceracoated titanium microprocessors all running in both series and parallel, and could move to expel heat or react. The main unit was the same except it was one solid unit that replaced a chunk of skull. Once that was done I zipped up the front of the leathers and ran the scales through the racer setting. They clicked and flattened against the outside of the jacket, securing it to my back. I shrugged making sure it was comfortable. "I'll take the fact that you're only in a t-shirt you'll be along shortly?" "Certainly detective." Her voice was filled with dismissive submission... And sadness? I looked back at her and noticed her makeup was gone. Or had she had any on in the first place? I gave myself a mental shake. There's no way. This was Cerith, veritable goddess of the necropolis. I put the last few minutes away for review later. Chief called. I have to go. On an instinct I thought long dead, I reached out and squeezed her hand. I felt a slight squeeze back. And then she let go with a, "Go on, be a good detective. I'll be along shortly." I left with Tabitha as my guide. Before Cerith disappeared into the darkness I thought I heard her whisper, "please don't leave." My scales raised in a saddened response. I couldn't be sure I heard her right though. If I heard her at all. I reached back and stroked them, knowing my ai probably heard her, and knowing it could feel me touch the scales. After a few seconds the scales settled down. 'I know buddy,' I thought to the AI. It couldn't respond like usual AI. The force thought that was too dangerous. What if it went rogue? What if it tried to kill the host and take over? The list went on and eventually they decided the basics were ok. When I got my unit one of the first things I did was jack it into a diagnostic to see what kind of hardware I was dealing with exactly because manufacturer specs from real use are sometimes different with AI if the bits and bobs are in place. When I did, all I got on the screen was 'Hello?'

I saw a lot of people claiming that armrests should only be used for resting, and not while typing. They claim that while typing or using a mouse your arms should float freely, and if it hurts then maybe it's the wrong height. I have a couple of questions

1. Does floating mean not even using a wrist rest? Just no support for the arms at all?
2. If this is the case, I'm not sure what I'm doing wrong. I have an adjustable table, an adjustable chair with 4D armrests etc. When I try to type "floating" without resting my arms on armrests or wristrest, it starts to ache quickly. Do other people experience the same or should I continue experimenting with the height etc.?

edit: to clarify, by wrist rests I don't mean some gel cushions. Just a hard wrist rest. E.g. right now I type on a laptop and it already has a "wrist rest" built-in, kind of. Or the wooden wrist rest you can buy from keychron, stuff like this.
edit2: I meant a palm rest not a wrist rest 🤦🏼‍♂️

The stress of the last six months has nearly killed me. Besides the general cratering of the outside world—political strife, climate change, inflated rents, corporate greed, and the baffling resurgence of crew socks—my internal life was falling apart, too. I'm at the point where I can't see a way out of the darkness, and that feeling has only grown in the last few days.
My struggles ramped up exponentially in the last two weeks. It started when my long-term girlfriend and I called it quits after five years. There was no definitive relationship-altering fight or infidelity. It was simply the boring banality of the "roommate-ification" of our lives together. We both felt the shift but never talked about it. Turns out communication is important.
Truthfully, we'd stayed together for so long because we couldn't afford to live apart. Our rent had nearly doubled the last time we re-upped our lease but even that was a bargain compared to what was out there currently. We were trapped by our need to have a roof over our heads.
My job had stagnated, and I couldn't find anything better. I was stuck. Like me, she'd been job hunting as well. Unlike me, she had a master's, and her prospects should've been higher. They weren't. For five months, she applied to hundreds of jobs and couldn't break through. If she got a rejection email, it was a win. Most of the time, the companies never responded.
Finally, she found a great opportunity at a Fortune 500 company. It was an involved process. She nailed the five interviews, and her "test project" was well received. She was offered the position, and it came with a massive pay increase—double her current salary. I was proud of her—she needed a win. We celebrated with pizza and beer that night.
Two days later, she dropped the bomb that she was breaking things off. The relationship ending wasn't a surprise. The timing was. The discussion was brief, and there was zero chance of reconciliation. She declined when I asked if she could stay until the lease ended. Mentally, it would've been too much for her. Two days after that, she moved out, taking half the rent with her. I was stuck in a lease I couldn't afford on my salary for the next six months.
My free time evaporated as I took on two extra gigs to help make ends meet. In addition to my office nine to five, I drove for a delivery app on the weekends and took a part-time night job stocking shelves at a local grocery store. When I wasn't hustling for housing, I slept or ate. I did nothing beyond that. Nothing brings me joy. There is no spark.
This drudgery has become my daily routine, and it's killing me.
To help cover some cost gaps, I've started selling off some of my stuff online. It was just me here, and I decided that the Spartan lifestyle would have to work for now. Anything I could fetch a decent amount for went up for sale. My apartment is so empty now every noise causes an echo.
Before my shift at the grocery store, I agreed to meet someone who wanted to take a look at my kitchen table. It was a lovely table – my ex had obsessed over it – but I didn't see a need at the moment. Now that I was a bachelor, my TV trays became my default kitchen tables anyway. I wasn't planning on any dinner parties in the future anyway.
A couple showed up later than they said they would. It was a bored-looking guy and a fastidious young woman. She made friendly small talk as she looked over the table. Her boyfriend (I think) stayed quiet and played bodyguard. I gave him a friendly nod at one point, and he just looked away. She said they'd take it without trying to talk me down. I took the small win.
She asked if I could help carry it down to their truck. I was running late, but feeling helpful, even for a fleeting few seconds, was worth it. Her silent boyfriend and I hauled the table through the hallway and even managed to avoid hitting the walls the entire way down.
I placed it in their truck, got my money, and turned to leave. The girl said thanks, and the boyfriend finally returned the nod. I gave a weird half-wave to them both and started to walk away when I heard the passenger window being rolled down.
"Hey man," the boyfriend said, his voice higher pitched than I thought it would. "What was up with your brother giving us the evil eye in the lobby when we got here?"
I turned around, "Huh? I don't have a brother."
"A cousin then?"
"My family lives about a thousand miles away. What happened in the lobby?"
"A dude that looked just like you was hiding in a dark hallway in the lobby and staring at my girl's ass."
"Jacob, really," she said.
"I'm sorry that happened, but I had nothing to do with it. We do have the occasional homeless guy meander in. Maybe you saw one of them," I said. "Did he say or do anything bad?"
"Jacob, I asked you to not say something," the girl said, burying her head in her hands.
Jacob's frosty attitude to me made sense now. "He said something about running up that ass. I dunno, he was mumbling. I told him I'd beat his ass if he didn't stop staring. Seemed to shut him up."
"Oh. Well, congrats," I said. "I'll tell the manager. Thanks for letting me know."
"You should do a better job keeping jokers like that out of the building."
"Jacob, he's not a security guard."
"He should still be a man and protect his home."
"Have a good night," I said, ending the conversation and heading back up to my apartment. I had about five minutes to change and head out before I'd be late. Last thing my ego needed was to be fired from my backup job.
Thankfully, I was able to slip into work and not get spotted by my boss. That was the last of the good news, though. We had a massive weekly order come in, which meant I'd be there late, plus someone had called out. Worse, our hand truck had a flat tire, and I spent the next few hours torturing my muscles, schlepping heavy boxes around the store. I soldiered on, counting down the minutes until I left and fantasizing about going to bed for the night.
If wishing for sleep wasn't a sad statement to my mental well-being, nothing was.
I came home after my shift at the grocery store and plopped down on the couch. I had contemplated selling it, but it was an older Ikea number, and I didn't think the value would replace my desire to sit. I could feel my body sink into the cushions, and the day's tension seep out. I was beat and tired to the point that turning on the TV was a chore.
I picked up my phone and thought I'd doomscroll until sleep overtook me. I didn't expect it to be a long scroll, as even the methadone that is my phone has failed me lately. As I lowered myself from a slumped position to a supine one, I heard footsteps outside my apartment door. This was not unusual, but the noise I heard sounded like kid footsteps. That was unusual, as nobody on our floor had kids, and it was almost midnight.
Despite my body screaming at me to not move, my brain suggested I check it out. I rolled myself off the couch and eventually stood up. I listened again and heard the kid running down the hallway. I walked over to my door and looked out the peephole. I didn't see anyone.
"Maybe I'm dreaming," I said to myself. "Maybe I'm not staring out a peephole, expecting to see a kid running down the hall at midnight, but instead, I'm cuddled up in my bed, snoozing." I pinched my arm and felt the pain. I was definitely in the waking world.
I turned to head back to the couch when I heard the running again, this time louder. I opened my door and peeked out into the hallway. Nobody was there. The door from the apartment across me opened up, too. Gloria, a young at heart grandma who was friendly/constantly buzzed in a wine mom kind of way, gave me a once over.
"You heard that, too?" she asked.
"Kids?"
"No rugrats around. I assumed it was some drunk assholes stumbling home from the bar."
I laughed. Gloria was, as always, blunt. "I didn't see any assholes," I said.
"Then you're not watching the right kind of internet videos," she said with a wink and a hoarse cackle.
I blushed. How do you respond to that? I just kind of nodded in agreement and shrugged.
"Gotta get your jollies while you can," she said before adding, "You need some rest, dear. You look like hammered shit." She shut her door and went back inside.
She was right. I felt like hammered shit. Since I wasn't going to solve the case of the mysterious runner and was sure it wasn't some lost kid, I decided to call it a night. I went back inside, shut down the apartment, and crawled into bed.
I thought about watching one of the "right kind of internet videos" but fell asleep as soon as my head hit the pillow.
***
"Your problem is you think the world owes you something."
John, my elderly coworker at the grocery store, was standing by while I unloaded a pallet of cereal. I liked John, and when I first started, we instantly clicked. He's quick with a joke and fun to talk to. He's also about thirty years older than me and speaks with the Boomer combination of accumulated wisdom, backhanded compliments, and fringe conspiracy nonsense. Still, regardless of how couched the kindness is in gobbledygook, he's usually coming from a good place.
"What?" I said, putting a box of Captain Crunch on the shelf.
"You're complaining about your situation, right? Saying it ain't fair. The world took a paddle to your hind quarters? Hey brother, that's the way the cookie crumbles. Gotta just pick yourself up and start over. You're smart enough – figured this job out right quick – you can do it."
The job was wheeling pallets around the store and stocking shelves. It wasn't much to figure out, but I understood his meaning. The other stuff wasn't necessary, though. "I'm just in a funk. I don't see a way forward."
"Hey, so you've bottomed out. No shame in that. Happens to us all. Silver lining, you can only go up," he said before adding, "Unless some other bad shit happens to you like your car dies or your apartment building burns down. But after that, it's only up."
"The apartment building burning down would be a blessing," I said, hoisting another little Captain on the shelf. "The rent is killing me."
"Have you tried negotiating a lower rent? They used to do that when I was your age."
"I think they'd evict me if I even asked."
"Hell, then you'd have at least thirty days, maybe forty, before they'd kick you out. Plenty of time to turn things around."
"Uh-huh," I said, "Any chance you could give me a hand here?"
"My back is screaming like a pretty young thing after prom," he said, holding his back for emphasis.
I didn't push. "Hey, I meant to tell you about some weird shit that happened the other night."
"Lay it on me. I love the strange."
"So, after my shift the other day, I got home around midnight and was flopped on the couch. I heard someone running down the hallway outside my apartment. I wasn't the only one. A few other neighbors heard it, too. When we checked, though, nobody was there."
"That ain't strange," John said, waving his hand, "that's a man who's plowing another man's wife running for his life."
I laughed. "That's not the weird part. So, for the next two nights, it's the same thing. Around midnight, someone runs down the hallway. Only this time, they're trying the door handles as they pass. So, I asked the front desk to check the security cameras, and they do."
"They see a man running away holding his clothes?"
"There wasn't anyone running down the hall," I said, "But the weird thing was, you could see the door handles turning on the video."
"Damn, that's a good one," John said, "You sure it wasn't just a camera glitch. These new ones from overseas aren't as reliable as they want you to think. Chinese probably using them to spy on you, too."
He continued as my brain tried to reconcile John's two opposing comments. "Weird shit happens at night, man. Before working here, I only worked the day shift. Even when they offered me more money to work nights, I turned it down. Even when they promised me a promotion, I turned them down."
In a previous life, John had worked as a paramedic. He came by it after serving in a medical unit in the army. He'd told me he loved the rush of the job, but after a while, the death and hurt in people's eyes got to be too much to handle. But he worked there for almost twenty years. So, the man had a tolerance for shenanigans and odd occurrences.
"Why'd you agree to work nights here?"
"Shit, we're home before the witching hour. This is like late afternoons, at best. But if it was overnights, hell no. Captain Crunch can anchor his own ship to the shelves. I'd take my ass to 7-11 for a day shift before agreeing to work an overnight."
"Something happen to you during the army?”
“I got the clap,” he offered.
I sighed. “What turned you off nights?"
"Oh. I heard enough stories from coworkers to know I didn't want to experience any of that hoo-doo shit," he said, "trying to save someone's life is hard enough without adding in demon kids and ghosts."
"Did your coworkers see demon kids?" I asked, moving on from the good Captain to the Trix rabbit.
He nodded, "They saw too much. I find it odd, even with all the surveillance we have now and all the science we know about these days, that the night still scares us. You ever know someone who worked a night shift?"
I had. My ex. During college, she worked the overnight desk at a hotel for a while. She quit because the job gave her bad vibes. I told John as much.
He pointed and laughed, "See! Don't you find it odd that every person who works at night always has a story of something eerie happening to them? Every person, buster. That's what they call an irrefutable fact."
"Maybe the ghost running down the hallway is an old employee still doing his rounds."
"In that case, keep that door double locked. I'd even wedge a towel under the door just in case."
"Maybe they're friendly? Casper-like in that way."
"You ever heard someone tell you about a friendly ghost outside the funny papers?"
"I'm sure it happens," I said, "The scary ghosts are more popular though."
“We think we know everything there is to know but we are just babes in the woods when it comes to night things.” John shook his head. "Imma tell you one or three things that happened to a guy I worked with back when I first got hired on to chase after corpses in the ambo. Guy's name was Gil. Quiet man, kept to himself. Didn't rock the boat or demand a bigger paddle. Just rowed with us. Good cat to learn under," John said, finally handing me a cereal box.
I took it, and he kept going, "Now, Gil, ya see, he had a little wifey that would pester him about working days. She was a cop and worked evenings at that time, so they never saw each other. When married people can't align their genitals every now and then, it spells doom."
"A little too much information but sure," I said, shelving another box of Trix.
"Probably part of what happened with you and yours," he said. He wasn't wrong, but that didn't mean I wanted to hear it.
John kept on, "Gil finally got approved to move to nights. Little pay boost and a happy, 'fulfilled' wife should've made that man happy. But it didn't. I saw him a few months later, and he had changed. He might've been quiet when he was working with me, but he'd talk to you if you engaged. When I saw him that time, though, oh boy. He looked sick."
"Wasn't a fan of working nights?"
"Wasn't a fan of living anymore is the feeling I got," John said, "After some prodding, he got to talking with me some. Told me he missed days because the nights were messing with him. I thought it had to do with the schedule change, but that wasn't the case. He said he saw things in the dark he couldn't explain. Things that would turn James Brown into James White, ya dig?"
"I...dig," I said.
"Told me they got a call to an abandoned apartment building one night, around three in the morning. Wasn't unusual. Old buildings in the city are where hop-heads congregate and share drugs. Sometimes, the drugs are too much. Sometimes, they find a person passed out or, worse, dead. When you work in the ambo, you aren't scared of death like a civilian. You've been around it. Probably seen a few folks take their last breaths. It doesn't bother you the way Mother Nature intended it should."
He handed me another box, continuing his assist streak, and kept going, "Ambo pulled up, Gil stepped out and looked for someone to talk to. Nobody there, though. Not uncommon. Some people want to help but not be involved. There's not a soul around. He calls out, but nothing comes back. Tells me he turns to get back in the ambulance when he hears a scream from inside the run-down building. They're calling for help. He's gotta go in the abandoned building in the dark."
"No thanks," I said.
"But it don't bother a medic like that. Gil's done a million of these calls. No big deal. He runs into that building but doesn't come back out until twenty minutes later. Just goes missing. After five, the crew heads in to back him up but can't find him. Gil tells me his crew called the cops. It was like he had vanished."
"What happened?"
"I asked him and he got real quiet. Said he fell into some place that looked like here but wasn't here. Said he felt their eyes on him. Judging him. Told me they followed him home and wouldn't leave him be."
"Who?"
John shrugged, "He didn't say. Shut down after that and left. Just walked past me like I was shit on the sidewalk. He quit about a week later. Heard he had a stroke a year later and was a tombstone owner three months after that. Good guy, though."
"Your aversion to overnights makes a little more sense."
"Never in a million years. You don't want something like that coming after you."
"In my case, could it get much worse?" I said with a half-smile.
"Man, I wouldn't even joke about that," he said, making the sign of the cross, "You don't want that shit attachin' itself to you. With your luck, you'd bring him in here, and it'd hop over to me. I can't have a ghost crimping my style."
After a bit, he got called away to sign off on a delivery. I finished out my shift and headed out to the parking lot. When I exited the building and spotted my car, I froze. My doors were all open, and the interior lights were on. Someone had broken in.
I glanced around the lot to see if the thief was still around, but there wasn't another person near me. I walked over to the car and peered inside. My glovebox had been ripped open, and my registration was pulled out, but nothing else was missing.
I found little hand prints in the dirt all along the body and the windows. I held mine up for comparison, and they were about half the size. It must've been some tweens or teens who did this. Maybe they were going to steal some things and got cold feet. I contemplated calling the cops, but since nothing had happened and they wouldn't do anything anyway, there was no reason to delay sleep any longer than I had to. I closed all the doors and climbed inside.
I started the car and heard something rattling in the AC vents. I pulled out my phone and shined the light at the vent. There was a small piece of paper inside. I looked around my car for some tool to pull it out and only found an ink pen and a bent-up paperclip. After McGuyvering the vent for a bit, the paper finally came out.
I held it up and unfolded it. There was a handwritten note. It simply read, "I know you're here. I know you're hiding him. I will find you both, and then it'll be your turn to run the race. We all have to run at some point."
I had no idea what that meant, but my body still provided goosebumps. Who was trying to find me? Who was the second person? Why leave a note in my AC vent? What the hell did run the race mean? I hadn't run a race since elementary school and wasn't planning to do so any time soon. Did they mean the rat race? Because I was basically marathoning that motherfucker already.
"Jesus Christ," I said, shaking my head. "What else, universe?"
As if it were a well-practiced comedy routine, the universe responded. My back passenger door swung open, and I heard footsteps running away from my car. I sprung up and scrambled to get out. There wasn't anyone else in the lot that I could see, but very clearly, someone had been hiding in my backseat.
My nerves were shot already, and this was not something I wanted to deal with at the moment. My brain decided that to avoid a breakdown, I needed to shift into automatic mode and just get back to the safety of my apartment. I'd be more prepared to deal with this – whatever it was – in the morning.
Either that or I'd jump in front of a bus. Both sounded satisfying, albeit in different ways.
***
"There he is," Gloria said as soon as I turned down the hallway. I looked up and noticed a small cabal of my neighbors standing in a semi-circle, waiting for me. They all look displeased.
"Hey guys," I said, confused. "I miss an invite for a block party?"
"What do you have to say for yourself?"
"About?"
"Don't play dumb," another neighbor said, jabbing their finger in my direction.
"I'm not playing," I said, realizing the self-burn only after the words escaped my lips.
Gloria showed me the screen on her phone. It was a static shot of her door from across the hall. She pressed play, and nothing happened for a beat until something darted across the screen. That was the whole thing. I looked up at her, my face twisted up in confusion.
"Well," she said, "What do you have to say?"
"What was that?" I asked.
"That was you!" the pointing neighbor said, pointing harder than I thought possible.
"What?" I said, laughing. "Are you all serious?" They didn't laugh, and I realized they weren't joking. "How can you even tell it's me? It's a blur. Never mind the fact I've been at work for the last five hours. Plus, this blur is half my size. I get we're all weirded out about the Phantom Runner, but it's not me. I swear to God. I don't even have the energy to think about running, let alone the physical desire to."
"Then explain this," Gloria said, slightly swaying from the half bottle of Pinot Noir coursing through her blood. She rewound the video and froze it on a specific frame. I couldn't believe my eyes, but I was looking at...me. Or, rather, something pretending to be me.
"What the fuck?" I said, my jaw dropping.
"Still think we're lying?" the pointer said smugly.
"No, but, guys, this isn't me. I... I've been at work. Wanna see my schedule?"
I reached into my phone and pulled it out. There was an email with my work schedule that confirmed what I was saying. They relaxed, and, for the first time, anger gave way to fear. Their very plausible explanation was suddenly invalid. It left two implausible answers floating in the ether: either I had a pint-sized doppelganger terrorizing the hallways of my apartment, or a ghost was haunting the building.
"I'm...gonna go inside," the pointer said, walking back to their home. Everyone else drifted away until it was just Gloria and I standing alone in the hallway.
She looked at me and sighed, "I feel like an asshole," she said. "Sorry I accused you of causing the racket."
"If I had seen the video, I would've thought the same thing," I said. "We're good."
"What do you think it is?" she asked.
I shrugged and let out an exhausted sigh. "Honestly, Gloria, I've had a screwed-up night already, and this is the cherry on top of the shit sundae; forgive my language. I don't have the mental bandwidth to even comprehend what's on the video at the moment."
"Think it's after you?" she asked, though I suspected the wine had forced her to put that idea out into the universe. As I had already seen, the universe seemed to take requests on my behalf.
"Maybe it's after you?" I said, coming off a little meaner than I intended, but I didn't care. I left her there to contemplate that scenario and went into my apartment.
As soon as the door shut behind me, I felt on edge. Just because I didn't have the mental bandwidth to discuss the doppelganger didn't mean it wasn't dominating my thoughts. I saw the frame of the video. The damn ghost looked exactly like me. What could that possibly mean? I know I had wished for death, but I was very still alive. I had rent due to prove that.
Did I happen to live in a place haunted by a ghost that looked strikingly like me? Was it some kid with a passing resemblance just causing chaos? Was it something else I couldn't even comprehend – an alien? A clone? A secret government project?
There was a thumping coming from the hallway. The mini Usain Bolt was at it again. I knew the neighbors would ignore it. Since they had all thought it was me, which was proven to be untrue, they would avoid the running man from now on. While curious and confused by the creature, they'd never put themselves in harm's way to discover what it was. They were not a brave lot.
Neither was I, but maybe my life crumbling around me had forced my hand. I walked over to my door and swung it open. I hit record on my phone, stuck it out like a periscope, and glanced around the hallway. Nobody was there. No neighbors were looking. No person was running.
"You gotta stop, man. I need to go to sleep," I said to the empty space. No response, not that I was expecting one.
I turned to walk back in, and I caught something out of the corner of my eye. A face at the end of the hallway peeked around the corner. For a quick second, we locked eyes, and it was like I was looking into a mirror. This thing was me. But...how?
I tried to get it on video, but it ducked back into the shadows. I took that as a cue to shut and lock my door. My heart was racing, and I didn't want to think about this anymore, but I couldn't help it. There was a me in the hallway who enjoyed pestering my neighbors. Worse, they liked to run for some ungodly reason.
I put my phone on the counter, the video still rolling, when there was a knock at my door. It echoed in my near-empty apartment. I tried to ignore it and convince myself it was something else, but it wasn't. The ghost was knocking on my door. Even with my brain paralyzed, I couldn't help but think that it was awfully polite to knock.
Another knock, this one more forceful. I wondered if the neighbors thought I was making this up?
"I know you're in there," a voice said. It sounded just like me. "This is about the race. We all have to run the race. It's your turn now."
I froze. My legs went wobbly like a boxer on the brink of a blackout, but I stayed tall. I opened my mouth to speak and found the words dying in my throat. I grabbed a nearby bottle of water and took a chug.
"We all have to run the race."
"What race?" I choked out, "What are you talking about?"
"Open up. They're in there already, and I need to get them."
I glanced all around my empty apartment. I didn't see anyone else in here. I didn't hear anything. Whatever this thing was, it was lying. I grabbed my phone and held it in my hand. I wanted to document this to prove that I wasn't crazy.
“Did you leave the note?”
“I know they’re in there with you,” it repeated.
"There's no one in here," I said.
"They're hiding. I think I know where. I can hear them."
"You've gotta get out of here," I said. "There's nothing here, and you're scaring people."
"I'm scared, and you should be! You have to run the race, man! Open up, and I can show you."
The handle started to shake. I peered through the keyhole and only saw the top of the other me's head. They began to shoulder the door, and it crunched against my nose. I screamed out in pain and stumbled back. I tripped over my feet and landed hard on my ass.
The thing slammed into the door two more times, shaking the walls. The strength seemed unnatural. On the third hit, the door burst open. I finally got a view of the thing. It was me. Scaled down by half, but it was me. We both seemed shocked.
"You're so much taller up close," the other me said.
"Who the fuck are you?"
I felt a buzzing in my feet that seemed to climb up my body until it reached my brain. There was an intense pain that rippled through the folds of my mind. Through the pain, I could hear a disembodied voice whisper, "We all must run the race. We all have to run. Chase it. Chase yourself." It felt like my skull was going to split in two. I clutched the sides of my head and let out a primal scream that hurt my own ears.
Then it was gone. But I could still feel the echoes in my mind. "We all have to run the race. We all have to run." The thought would waver between making no sense and making complete sense. One second, I was questioning what was happening to my mind, and the next, all I felt was the desire to continue the race.
"There he is!" the other me yelled, pointing at the hallway.
I glanced over and saw another version of me standing in the hallway. It was half the size of the other me that had broken into my place. When tiny me locked eyes with my intruder, he ran for the open hallway closet.
The other me followed, screaming that it would catch the little bastard if it was the last thing he'd do. I pushed myself up to my feet and felt queasy. I watched as the other me ran head-first into the closet without slowing. I expected to hear a loud thump as it hit the back wall but none came.
"We all have to run the race," the voice in my head said, soothing my nerves. "It's your time to run the race."
I moved down the hallway, each footfall echoing loudly in the empty apartment, each step bringing me closer to the closet door. Something was drawing me there. The voice's words echoed in my mind as well: "We all have to run the race. It's your turn now."
I grabbed the door and stopped. Something was compelling me to move forward. To go into the closet. To chase myself. To run the race.
"No," I whispered and yanked my hand from the door. I pulled out my still recording phone, and stared into the camera. My face was devoid of color, and you could see the fear etched into me. "I'm freaking out because...because…"
I stopped. I felt an invisible hand grab my body and tug. "Because...because if I don't run the race, something bad will happen. I have to chase it. I...I have to."
My phone dropped from my hand, and I didn’t care. The force pulling me forward stopped but my body kept going. I could feel the last strands of my rational mind splintering. My thoughts became focused on one thing: I had to catch myself, find out what was happening, and run the race. If I ran, maybe I'd win.
I needed a win.
I walked into the back of the closet and felt a door handle sticking out of the wall. I'd been in that closet a million times before and never had seen this. But a sense of calm washed over me. This….this was supposed to be here. This was perfectly fine.
I turned the handle and pulled open the invisible door. In front of me was a hallway that looked strikingly like the one outside my apartment. At the end of the hallway, I saw Gloria step out of their home to leave for the night. She was huge. Twice my size, easy.
Another door opened, and I saw...me—a giant version of me. The Hulk version of me was getting ready to go to the grocery store for work. I watched as the giant Gloria and giant me joked and laughed. I was stunned.
I stared, and a new thought came to me. I have to find the smaller me and talk to it. I needed to find out if there's a way out of this...this….
"It's your turn to run," the voice said.
Calm embraced me. "It's my turn to run," I repeated. As the giant me took off and the giant Gloria re-entered her apartment, the hallway beckoned.
"We all have to run the race," I said softly, "It's my turn now."
I started running.

I'm considering purchasing the Workplace 2.0 Ayalon chair and I see it has a 10 year warranty, but I'm concerned about the chair's cushion bottoming out in a few years as most chair cushions tend to do. I can't really afford the extra $50 protection plan right now even though I know Asurion is generally worth it hence why I'm wondering if the chair's warranty would cover such a thing. Anyone have any idea? Thank you for any help anyone can provide.

My roommate (25F) and I (23F) met each other on our job. We quickly start a friendship with other girls, creating our own friend group. After my ex-boyfriend and I broke up, I moved out to a room very close to our workplace. After that, we really became close, and we started to meet after work for drinks and talks, but I didn`t really think of them as my best friends. Yeah, we were friends, but not very close. I mean, we knew each other for like 5 months and didn't have a lot of friends in common.
One night, while we were having a drink (I don`t drink, but I don`t mind being around), I commend that I was searching for a new place because in the one where I was, there was a pub litterally down my room, and I couldn't sleep on the weekends. She asked me if I thought about shearing with a friend and proposing herself. TBH, I didn`t really tell her how I liked to live, but we kind of talked about the important stuff, like how it needed to be a place with 2 rooms and where she could have her dog, and how it needed to be close and in our price range (700 euros in total, or about 350 euros).
After searching, we found a cute apartment near our place of work for 670 euros. The only problem was that it was very small, about 50 m2, and one of the rooms was very small, like, it had a twin bed and a little wardrobe, and that was it. no more room. We decided that we would pay the same, but we would change rooms every 3 months. To be honest, I don`t know how we think that was a good idea, but at that time, it seemed good.
The problems start about a month after moving in. She asked me to cover the security deposit during that part of the first month when we started, and I was starting to see how I was the one paying for everything (food, cleaning, needed electronics like a microwave), and she didn`t really look like she was going to pay. So I started to comment about it, not really pushing it but keeping it in mind. Maybe that is not the best, but I have to say that I did not have money. I was being paid at least 800 euros while hers was 1000, and I was having to ask my mother for money to eat at the end of the month because she never paid me back and was eating everything I bought for me. But one day, about 2 months ago, I got super stressed because, after she got fired from her job and resigned for the other 2 months, I started getting mad because it was the 5th and I had 29 euros on my name for the rest of the month. I am very bad at confronting so I decided to lie and tell her that I had a family emergency and I needed her to send me some of the money she own me. At that time, the total of the debt was about 500 euros. She started to tell me that I was very inconsiderate because she didn't have a job and was also helping to pay her parents rent.
After that, I decided that I didn't really want to keep the friendship; we didn't really have anything in common (culturally, about relationships, boundaries, etc.), and she didn't talk to me for a week. After that, we stay cordial, but we start to have big problems. Her dog.
She didn't take care of him; he peed and pooped in the living room or kitchen and didn't get clean for hours; he ate two different pairs of my shoes; he ate all the sofa cushions; and he bit every inch of the table, chairs, and wood he could find.
I just told her she should start cleaning after her dog and even offered to take him for a walk if she was working. A week passes, and one day, while I was cooking, she got out of her room and started telling me that she was tired of cleaning my sh*t. I have to admit that I am not the most tidy, but I try to keep everything clean, even if it is not organiced. After she tells me that I kind of exploded, I tell her that I was tired of living with her dog sh*t.
After that, we start to argue about why I'm not clean or organiced, i repond how I'm being ordering take away to not have to cook whit her dogs dirt, and why I haven't even been in the living room in a week because it's full of shit and oddor of her dog. After that, she started to scream (tbh, I don't remember how she started screaming, but we both ended up doing it) about how I didn't have the right to tell her how to take care of her dog, and I yell back that I was the one living with it because she was ether at work, sleeping, or parting (nothing wrong with that life, but if you don't have a dog to take care of),. After that, we just insulted each other, and she ended up going to work. and was the start of a 3-week strait where we didn't have any interaction.
A week ago, we started to talk and kind of say sorry to each other, but that was it.
But now it's time to change rooms, like we talked about at the beginning, and she decided not to. So now, I am stuck with the small room, without my money, and having to pay for food for two.
But regardless of the state we are in, she invited "our" friends, who, btw, don't talk to me anymore, to our house at 2/3 am and listen to loud music or talk bad about me (the door of my room leads directly to the living room, so I listen to everything). But now they are telling me that I am the one creating a bad vibe in the home while I am the one who tries to keep everything calm because I don't like confrontation, but maybe that's the problem. Idk
So AITAH?
PD: Sorry for any mistakes; English is not my first language.

I am trying to take advantage of the memorial day sale for couches as I heard it is usually the best time to buy sofas.
I have been doing my research and seems like a lot of people recommend these companies, but would like any input on these are any other suggestions.

• What A Room is having a 10% Off, but they emailed me a coupon code for 15% (MDS24-EM15). I've been reading that people have great customer service experience with them as they have a lot of customization with a lot of sizes/configurations, free fabric samples with a lot of options, different cushion firmness. I really like that you are able to choose different depth levels as there are some sofas I really like from other brands but limited customization options as I am a bit taller so having a deeper sofa would be nice.
• LoveSac is having a 30% off which seems like one of their better deals. I like that they are modular and that I can always add additional parts if I need to add more seats. Also their covers seem removal so its nice that you can change it up or replace it when necessary. Heard good things about them, but their options are quite limited, but they are quite expensive so 30% seems like a steal.
• Crate & Barrel is having a few couches on sale at about 20% on their Unwide slipcofa sectional sofa or their Lounge deep sofa is 10% off. They are also having a promo with 20% rewards if I sign up for their Credit Card which seems quite promising. I don't know their credit too well though but may seem worth it if I buy more furniture from them later on.
• I am looking for mostly a quality sofa that would last longer than 5 years so these are the one's I narrow down to for now.

Time Stamp
https://imgur.com/a/M7QAbGz
NO TRADES PLEASE.

1. SPK lamia gen 2 cruwear. Second owner. I disassembled, completely cleaned, re-lubricated with non-fluorinated lube, tuned the pivot to be flickible with no blade play, and applied blue Loctite. Comes with a purple anodized pivot that I didn’t care for. Also comes with alternate polyurethane washers. Knife is in perfect shape and comes with pouch and sticker. Never sharpened, carried once. Centered. SV $700

STILL AVAILABLE. IS GEN 2 not 1
https://imgur.com/a/OCB5Vbg

1. Benchmade mini cricket crooked river. Bench made custom shop with carbon fiber, scales, copper pivot, S 90 V. like a lot of bench maids, this one was not centered. In the process of disassembling to correct this, which I’ve done many times with benchmades I stripped a t6 screw near the blade. All other screws were them near the blade. All other screws were them replaced with titanium screws were then replaced with titanium screws. However, blade is now perfectly centered, action is very good. Never sharpened. Carried once.

No scratches or dings. I miss placed the box, but comes with the blue pouch.
SV $180 obo
https://imgur.com/a/SwNX18r

1. Pena X Mula with sheepsfoot m390 and micarta inlay. Production model manufactured by Reate. Extremely smooth action and drop shut. Never disassembled. Touched up on ceramic. This one was carried quite a bit with some scratches on the milled titanium clip, but the blade and handle are in excellent shape, like new. This one comes with the box and cleaning rag.

SV $225 obo
https://imgur.com/a/6kHZxj7

1. Chaves RCK-9 production model. Full titanium. M390. Comes with skull clip and box. I am the first donor, carried once. Never sharpened. Perfect action.

SV $250 obo
https://imgur.com/a/eEodAep

1. We Esprit. 20cv with flamed titanium handle. This one was also carried moderately and has some snails on the titanium anodization. Blade is perfect, action crisp, drop shut. Touched up on ceramic. Never disassembled. This one does not come with the box.

SV $175 obo
https://imgur.com/a/tRe5mTI

1. Asher spiro acuto I’m s35vn. Comes with pouch. Never disassembled or modified. Carried <3x

SV $115 SOLD
https://imgur.com/a/wiOVYyN
All prices are slightly negotiable. Anyone who bundles two or more will get a free Land Small Sebenza Clone in S 35 VN that has a light scratch on the blade, pics available at request. No, this is not for straight up sale.
All will be shipped USPS priority. PayPal only. YOLO trumps all.

Thanks to Patron Member u/Entharo_entho - Here is the wiped out Tweet retrieved
Context - Wiped out from Internet
In March, I got a chance to work with filmmaker Sanjay Leela Bhansali right after he made Gangubai Kathiawadi, and Alia Bhatt, playing the titular character in the film, retweeted me.
The headline (in my head) was going to be, ‘The Boy From Kamathipura Goes To Bhansali Mandi.’
Then reality struck in April.
One of my closest friends Sweta called me from the Shivapuri National Park near Kathmandu and put me on speaker. Two other friends Mona and Ayush were listening to the WhatsApp call.
‘How’s it going with Bhansu?’ Sweta asked.
‘We are not working together anymore,’ I said.
‘Whaaaaaaaat?’ the three people shrieked, creating a wavy disturbance in audio frequency.
‘Whyyyyy?’ they cried, collectively anguished.
‘He said he is not feeling the vibes.’
‘What?’
‘Vibes,’ I said aloud, causing a seismic tremor in the audio frequency.
‘What vibes?’ Sweta jibed, ‘Maybe he can’t feel the vibrator.’
Laughter upped the vibes.
First, a little context on how I got that far. Check this, this, this & this.
So my tweets were going viral in February-March.
In the second week of March, a woman DM’d me saying she loves the tweets. I said thank you. She said she works at Bhansali Productions.
Whoopsie Daisy!
I asked if I could be a part of the production. She checked with SLB and team. He said he wants to meet now.
NOW!
How?
I was in Calcutta.
I called an actor friend in Bombay and told him about it.
“They will book your tickets and put you up in 5-star,” he said, “Like Hollywood.”
“This is Bhansaliwood,” I said, “Yahan dhanda hamesha manda hai.”
I flew (on my own expense) and met him.
I was ‘prepared’ by his team for the meeting with His High and Mightiness.
I was told:

Arre, then what do I say?
I sashayed in a brown kurta and white linen trousers. Please see Madhuri Dixit-Nene’s brown ghagra for aesthetic reference I used from my very limited wardrobe of the only kurta I had at the time. By the way, the chorus sings ‘Jhanak Jhanak Payal Baaje,’ aesthetically referencing you know what, right?
He was lunching with his minions (strictly calling them minions from his pov) when I arrived in his pristine white dining hall in a building called Magnum Opus. Where else should he reside, no? Both his house, and his office (where I was ‘prepared’ earlier) were tastefully done in creamy white.
It was, as I said to my friend later, like walking into a cumulus cloud, or like sitting on his favourite singer Lata Mangeshkar’s lap. Calm, serene and quite surreal. I was inside his snow globe. Violins from a Bach concerto (in my head) were replaced with say Madan Mohan’s doleful rendition of ‘Mai ri main ka se kahoon peedh apne jiya ki.’ (Side effect of writing this on Mother’s Day.)
I look for books when I enter a house for signs of intelligent life. There were lots of lamps and candelabras but where were the stacks of books they were perched on? The aesthetic was high on film set disposable kitsch. I stared into a cumulative void.
The minions were intensely debating Darjeeling momos. What’s that? I spent my childhood there. Never heard of this GI tag!
SLB relished his meal and said, “I want puranpoli today.”
Puranpoli appeared not out of thin air, but a house-help flipping wishes instantly on a griddle on the fifth floor. We were on the first floor. Although the puranpoli is shaped like a flying saucer, it doesn’t fly, perhaps burdened by the weight of excess ghee and crowd-pleasing expectation. It does, however, reach SLB’s plate at the speed of light.
‘Give him some,’ he asked a minion to serve me while I waited on the sofa.
‘I’ve had lunch, thank you,’ I said, trying to behave. The plate arrived. I took a mousy bite to exhibit my failing attempt to transform into a champion minion.
When he came to chat, he noticed the unfinished food and gently reminded me how there were days he went hungry. I should have rolled my eyes for my own lean days.
‘One should not waste food,’ he said.
‘I don’t,’ I said, ‘I was going to parcel it home in a doggy bag.’
Hearing the word doggy, his well-behaved dog came over to inspect me.
He observed me. I petted her perfunctorily. Am a cat person. Stereotypical writer stuff — allergic to undesired petting and attention.
‘So, what have you done?’ he asked, sitting on a sort of empire-style bergere chair. Full marks for faux-ornate.
‘A novel, some writing for a series,’ I said nervously, dismissively.
‘Anything I might have seen?’ he asked.
‘No, not worthwhile.’
‘Are you interested in direction also?’
‘No, am not delusional.’
A moment passed. I might have displayed an errant repartee.
‘I mean, I can only write, or am trying to,’ I said. L’esprit de l’escalier.
He gave me a spiel on writing, how screenplay is an art not many understand, etc, et cetera.
I nodded to make his voice disappear.
‘What are you writing now?’
I showed him the cover of my new book, The Last Courtesan, featuring my mother, on my phone.
‘Oh, this is so fascinating,’ he said.
He spoke rapturously about Calcutta’s great food and colonial architecture when I mentioned growing up in Bowbazar kothas. If you watch any of his interviews now on YouTube you will realise he only speaks in raptures. He’s always explaining things like an impassioned conductor at a dime-store opera. It can exhaust the boorish audience immediately. He spoke about living in the Kamathipura area as a child when I said I had lived there. The mythmaker was interested in exoticising his own legend as an ‘outsider’.
‘But how will you work here if your mother is in Calcutta?’ he said, ‘I am a maa-ka-bhakt.’
Everything is about him or his mother. I have reached that stage too, though only by circumstances unavoidable.
‘Actually it was my mother who asked me to come here. I told her it would only work out if you understand that I will have to vacillate between the two cities initially. Jaise Sanjay ki Leela hai, waise meri Rekha.’
Corny dialogue, but worked. No one calls him by his first name, except perhaps his own mother. He is sir for everyone.
‘If I am speaking to you for so long means I like you,’ he said. ‘Otherwise, I would have asked you to leave long ago.’
Barely five minutes into the conversation, he asked me to return to his office and inform his team that I was going to be a part of his writer’s room.
I went back to his office and read a script. This is the part I cannot mention. His legal team sits in the adjacent room.
I flew to Calcutta and was to return after a week. I had to make arrangements for my mother’s tri-weekly dialysis sessions at a nearby hospital, figure out a tiffin-delivery service for her, find a house help (she sent four nurses scurrying in the past), all of which is a bit of a task in this retrograde city.
Remember the woman who had DM’d me about my tweets? She messaged. She had met SLB after my meeting. He said this about me: ‘What a wonderful find. That boy has so much potential and is talented. Most importantly, he is sensitive.’
I told her I’d get this engraved on my tombstone.
Like how he wants to take Alia Bhatt’s golchakkar in Dholida to his grave.
“It’s a shot that I will take to my grave. If there’s any shot that I want to be played when I breathe my last, it would be Alia doing that shot. It is the best thing I have seen an actor do in a very long, long time.”
I was only emulating the high priest of hyperbole in my tombstone comment. Perhaps I was regressing into a minion.
I had only managed a few tasks for mother when I was back in Bombay. It worried me that the old, frail woman with shaky limbs and slurred speech was trying to be brave to send me to work. I hadn’t worked since the pandemic; she was in and out of hospitals so frequently that I had surrendered the thought of getting another job ever again. Taking care of her was my full-time job.
The first day in his office was to chill in my new, aesthetically pleasing kurta I had shopped for in Gariahat. There was a security camera in every corner that was apparently accessible on his phone. My skin tingled with this information. Chilled. He was at home. Probably watching. That’s a great way to create a myth.
The next day, there were more minions on the lunch table in his first floor apartment. The magically appearing steamy and fragrant sheera was delicious. A minion deemed it the best sheera in the city. I nodded to make that statement evaporate.
A courier boy interrupted for a document signature. SLB flared at a spelling mistake in the document papers.
‘Go wash your face and come back,’ he yelled at the young man.
The minions at the table laughed nervously. I so wished I was wearing a mask to cover my surprise emoji face.
The minions on the table were writers and assistant directors.
‘Dastavez,’ SLB said, ‘would that be correct to use?’
‘Kaaghzaat,’ the minion replied.
‘Kaaghzaat is paper, dastavez is document,’ said the second minion.
‘You always mislead me,’ SLB sternly reprimanded the first minion. ‘Don’t ever do that again.’
Only that minion tried to laugh, offering an apology. He shut the minion down.
My mask, my mask emoji face.
A third minion was sulking in a corner before I arrived for the writing session. This minion had reportedly offered a script suggestion, which he disliked and barked down. I liked this minion the most. Relatable.
A faint noise of a person running or perhaps just a rumbling sound from somewhere outside interrupted the room. He looked up at the ceiling and said, ‘No one lives there. Am certain it is a ghost. I hear running sounds all the time. I have heard sounds of furniture being dragged.’
I wondered if he actually believed in half the things he uttered, or was he just saying it to create enigma about himself. Mythical thoughts certainly kept him preoccupied.
Reality bored him. SLB had nothing good to say about the ‘current plague’ of South Indian films upsetting the Bollywood cartel. He compared them to a circus. He wasn’t kind to the actors he had worked with in his last film. He cracked lame jokes about everyone and everything. The minions laughed and kept him busy. I chuckled a few times to blend in. The mythmaker revelled in his prophesies about the impending doom of charlatans with no aesthetics: just crass, commercial peddlers pimping art. It was all said to amuse and bemuse while he fussed over the yellow shade of fabric from several swatches.
When he left for his music session, the minions bitched him out, and how! All the horror stories I had heard over the years about his moods, behaviour, language and violent temper were true. How else will he create myth about himself as a maestro? The Glomar response. Let the plebs indulge in hearsay. I will neither confirm nor deny. The minions sang effigy songs in happy tunes, if I may stretch this part a bit like his penchant for high camp.
That night, when I went to my actor friend’s house, where I was temporarily staying, I said to him, ‘I don’t think I will last a week there.’
I was rattled by how he spoke to the courier boy and the minions, with no filter. Well, at least it was clear he had no tact, endearing as that might be of a ‘genius’ if one compromises with his erratic behaviour. The CEO of his company does it beautifully and advises to develop a ‘thick hide’ around him. Cows, essentially.
Verve
The words genius, great, master, maverick, were so loosely bandied by his office staff even in his absence that I was tempted to add auteur, if they could spell or pronounce it. They worked in perpetual fear of him turning up at any hour and checking on their tidiness. A minion whined she wasn’t dressed appropriately for his surprise visit. Once, he even cut pay for unscheduled leave, said another minion. A minion narrated a shot he copied from a photographer in Gangubai Kathiawadi. Another minion recounted how he made her cry on shoot by screaming at her for a silly mistake. Minions couldn’t leave the office till his evenings were scheduled. It was a well-paying job so long as they did not have to see ‘chacha’s’ face and only applaud his cinematic sorcery.
His office team would assign me desk-work and warn me not to inform him about it.
‘What am I supposed to say if he asks?’
‘Make up something,’ I was told.
‘Why should I?’
‘You will slowly understand,’ I was told.
His team of assistants would sneak around me. I didn’t know who was reporting what back to him. He would interrogate the management team. They would lash out at me for informing the assistants. The management wanted to control me a certain way because ‘sir’ does not need to know everything. It was quite a guessing game. He had created an ecosystem of complete chaos and loved the hubbub. New people were hired for him to use the ‘new energy’ to rekindle the ‘old energy’ that needed to be reminded it could be snuffed out and replaced. He thrived on confusion because it all boiled down to him to sort out the mess. He was the provider so long as the minions ingratiated and served their grand master.
One time he called me upstairs, what his CEO called the god’s chamber aka the Shahenshah’s durbar: his office on the seventh floor. Walls were lined with giant posters of his films. We minions sat on the fifth floor. I was of course by now a week old in the toady mill. On the seventh floor, production team members, set designer, director assistant, young people sat on the floor, armed with notebooks and laptops, alert and sugar-tongued. He sat on a throne and dictated each one about their duty. A masseur massaged his leg. He asked me what I thought of a script. I said it was lovely. He asked me to elaborate. I said I liked a character’s resolve. He denied it was written. I said that’s my interpretation. A minion promptly backed me.
‘What changes do you suggest?’ he asked.
‘We should sit on it collectively and decide,’ I said.
He mumbled something. My suggestion was dismissed. I was dismissed. I bowed out. A minion whispered to me, ‘We all walk on eggshells around him.’ I had to be a chicken in a coop I suppose.
Another time he dismissed my suggestion for a scene saying, ‘That’s not how art is made.’ I had referenced a scene from Bandit Queen to illustrate my point. Just like his entire oeuvre is homage to a classic. How else does he make his art?
Allow me to illustrate with a frame from his first film Khamoshi: The Musical. The second image is from Pakeezah.
Hum Dil De Chuke Sanam references Red Beard, Woh 7 Din.
Devdas references Pakeezah more than once.
Black references The Miracle Worker.
Saawariya references Pyaasa, Awaara.
Guzaarish references Whose Life Is It Anyway?
Goliyon Ki Raasleela: Ram-Leela references Franco Zeffirelli’s Romeo and Juliet, West Side Story.
Bajirao Mastani references Mughal-E-Azam.
Padmaavat references Mirch Masala.
Gangubai Kathiawadi, let’s give him the benefit of doubt is all his own, original artistry.
The American filmmaker Jim Jarmusch once meta quoted the French filmmaker Jean-Luc Godard when he said:
“Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don’t bother concealing your thievery — celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from — it’s where you take them to.”
SLB believes he takes art and betters it, removing the grubby coat of slime from the sublime, often not concerned with acknowledging the source. He is a master’s master, elevating it to an otherworldly experience, the creator of a mythoverse.
He asked me to rewrite a scene I didn’t agree with. He banged the script folders on the table like a petulant, little child. I watched his posture change into a frump. Tiger Shroff’s ‘Bacchi ho kya,’ dialogue comes to mind.
‘You are talking like those critics who find fault but don’t know how to write. They should write the film,’ he said.
That argument will never make sense to me but since I write movies now and not just about them, I rewrote the scene in half an hour and showed it to him. He found it rubbish.
I was not called to the writer’s room for a week.
His CEO said I should go to his house; hang around him, like the other assistants whose only purpose in life is to feed his ego. We are slaves to his vision, she said. She thought I was a better writer than the team he had assembled. ‘From whatever I read, only three lines of your work on social media, I could sense it,’ she said.
Either she was encouraging, or bluffing with a perfectly Zen face. From the hundreds of Ganesh idols stacked in her room, it was clear she wasn’t a reader. She was good at reading numbers, data, and stats. She would sense a sign if one of the metal idols sucked milk from a spoon on the day she enquired about box –office figures.
There was more than one right-wing hardliner in his office. Secular staff was invisible. A pretty minion in baby pink t-shirt, whose main grouse was that another minion called him a Barbie doll, said he was happy with the Modi government building roads in his home state Bihar. Another minion countered him by asking: What about the persecution of minorities by the same government? The pretty minion said he didn’t care for that. He was assisting ‘sir’ because he wanted to be an actor. Which lead me to wonder how many Muslim actors has this production worked with? Silly of me to think, right? Given that I myself don’t use my Muslim surname. I’ve now successfully planted a myth in your head. That’s how it works.
In the time that I was in Versova during my brief stint at Bhansali Productions, I met several people with their own SLB horror story. A producer said, ‘He is a difficult man but life changes for good after you work with him. Some people want to go through hell first. Life bann jaati hai.’ I didn’t understand why purgatory was necessary. Another former assistant said, ‘When you work with the worst (SLB) and the best (KJO), you are ready for the rest.’
A young woman gave him a thesis she wrote on his films. He asked her to write a book on her. She said she wanted to assist as a director. She never heard from him. A filmmaker said SLB was too friendly with another assistant, suggesting intimacy. A writer wasn’t given credit in a film.
Another writer was promised his script will be turned into a film but it never took off and now he feels his life has been ruined. A young filmmaker’s debut movie SLB produced was delayed, not promoted, and called ‘kachra’ to his face.
The young man said SLB is sexist, homophobe, classist, fat shamer, emotional abuser, and a body shamer. “He is a joyless pit of darkness where happiness goes to die. And those are the nicest words I can think of to describe him,” he said. Another filmmaker said a choreographer was in a relationship with SLB and wanted to marry him but he wouldn’t even touch her, a hotly discussed conversation amongst his minions.
Everything sounds hokum. A successful man is likely to upset a few. The few will talk. Their words may ring true through a gossamer veil of implausibility. Myths magnifying his persona.
There are too many myths about his personal life, aroused by his silence on the subject but all too obvious in his work. When people want to confirm with me, I am equally appalled at their lack of aesthetics. Like the great reader of curtains, Edgar Allan Poe, you only have to look at SLB’s use of billowy curtains in films to guess.

Above stanza, courtesy Poe, poem: The Raven.
Hope you get the drift, or draft, hawa ka jhonka! By the way, am digressing now, is the weirdly named character Sameer Rosselline in Hum Dil De Chuke Sanam the first mainstream Hindi film hero to pass wind? The ruffled curtains are first to be cautioned though.
Unlike most people willing to swallow their pride to work with SLB, few like the eponymous Gangubai character choose izzat. The house-help employed in my actor friend’s house was asked to work as a cook in his house. When she heard the whimsy, dessert-craving demands, she declined the offer. I identify with her no-nonsense style.
In November 2021, a filmmaker read a film script I wrote and said, ‘This is SLB territory. Only he can make it. It is the modern love-story he has been wanting to make for a long time.’
‘Are you sure?’ I asked, somewhat flattered but also bewildered.
‘Yes, we just have to change the setting from Calcutta-Bombay to Calcutta-New York. It is what he has been trying to crack. I’ll get him to read it.’
I never spoke to SLB about my script. I did not want to look like a schemer. I had only got a chance because of my mother’s story. I had come to write courtesan songs. Hindi films are recognised by their songs. His films have show tunes that live on long after the sequins and mirrors reflect a decadent style. He employs the old-fashioned method of making Hindi films, which is to stitch scenes around a song, not the other way round. And when you glean your references from the best of classical melodies, how can you falter?
My own SLB story is that after watching Saawariya in 2007, I wrote a few songs, moved to Bombay, lived in Versova, close to Magnum Opus, and hoped to meet him, but made no effort even though I came in close contact with people who worked directly with him. I never requested for a meeting. Over the years, I too had heard a few horror stories about him. I only believe in what I see. I waited when he would call for me, my work would have to speak for itself.
A day before Good Friday, his CEO sat me down and said it’s not working out.
There’s a mythical story of how Lata Mangeshkar was on her way to record a song for SLB but the heavens poured and she had to turn her car back. A typical SLB frame of hope and hopelessness.
Never work with your idols. You’ll have a better story to imagine and create myths.
I was so relieved to leave. I hadn’t got a moment to read, or write, let alone think since I got here. Why I wanted to work with SLB was to not believe in hearsay. I will either confirm or deny.
‘Great,’ I said, ‘everyone deserves an off on Good Friday.’
The office was unsure about public holidays. SLB’s mood dictated the calendar.
Before returning to Calcutta, I met a friend entrenched in the film business.
When she heard of the fiasco, she said, ‘I’ve heard he is very anal, is he?’
The vibrator jokes never stop.

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TL;DR- anyone have any good headphone cushion replacements?