End rhymes

Rhymes On A Dime

2016.09.18 23:48 killlameme7 Rhymes On A Dime

RhymesOnADime
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2011.08.23 16:13 Sitnalta Take on Redditors to find out who is the best mc!

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2011.10.18 23:25 cjb6714001 Showerthoughts

A subreddit for sharing those miniature epiphanies you have that highlight the oddities within the familiar.
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2024.05.21 17:48 TheLastRiter I never should have gone to this farmhouse alone [Part 2]

[Part 1]
Day 3
I woke the next morning from the sunshine in my eyes. My head was resting ever so slightly on Eli's arm as we had both fallen asleep on my bed after I begged him to stay. I blanched in horror at the drool stain I had left on the arm of his white t-shirt.
I began to slowly move myself and retreat downstairs as the memories of the night before came flooding back. How I had broken, screaming in terror, and how Eli had saved me, not knowing the true reason he found me curled up on the floor crying.
As I stepped off the bed, my leg got snagged in the frilly bed cover, and I went crashing to the ground, making quite the noise as I landed. With a yawn, Eli's eyes opened, and I felt myself blushing as he turned to look at me.
We both kind of stared at each other for a moment, not speaking. Eli opened his mouth, then closed it again as if unsure of what to say.
"Coffee?" I asked quickly, filling the awkwardness of our situation.
"Please," Eli said, smiling.
In minutes, I had a pot brewing as I leaned against the kitchen counter. Eli was picking up the scattered photographs from the floor and looking at them quizzically.
"Why do you have pictures of the Harmons?" Eli asked, showing me the photos of the yellow-haired man and his family.
"Is that their names? I found them out in the barn under a blanket," I answered as I rooted around the cupboards for two mugs.
"In the barn? I cleaned it out just last week. No way I would have missed this trunk," Eli said while examining the wooden trunk with its simple rustic hinges. It was plain and unadorned with any embellishments. Basic as basic could be.
"Well, you must have missed it because it was there," I said, putting emphasis on the "was" in a way that reminded me of my mother chastising my father.
"That's so weird," he said, shifting through the photos while sitting at the table. I brought him a cup of coffee and sugar, and he began absentmindedly adding a lot of sugar to his coffee. About six scoops later, he began stirring and sipping it.
"Well, anyways, thanks for coming last night. I wasn't myself, I hope you know that I'm not some damsel in distress," I said quickly, like word vomit, and I even chuckled at the end, feeling like a total weirdo.
"What happened anyway? You didn't say last night," he said, putting the photos down in a jumble on the table.
I paused for a moment, considering how to answer. As I sipped my coffee, I stared out into the yard beside the barn where the scarecrow stood, glancing around the edge of the barn, hanging limply in his hole. His appearance once again sad and dejected instead of murderous and terrifying.
"I was just scared, I had a nightmare, and it just scared me," I said dumbly, trying not to turn crimson again under his intense gaze.
His eyes seemed to cut right through my lie, as if he were staring directly into my being before he simply glanced away out the window. We fell silent again, and I filled some moments by sipping my drink. It seemed to revitalize me; the sun and the company made me feel secure.
"Why were you here anyways?" I asked after a moment.
"I heard screaming, so I came running. I live just on the other side of the grass there, behind the barn," Eli said, pointing to the barn out the window.
"Must be really close, I didn't see any houses on the way in," I said, prying deeper into the situation.
"It's actually a trailer, maybe like two hundred yards from here. I was outside getting some air when I heard you scream. So, I came running," Eli said, finishing his cup of coffee and placing it in between us like a barrier, as if he was hiding something.
"Could you, uh, not do that?" Eli asked, with an uncertain grin on his face.
"What am I doing exactly?" I asked, startled for a moment, my stomach doing a sort of flip.
"It's just that you like stare at people. You've been staring at me for like my whole cup of coffee, I don't think you blinked the whole time," Eli said, averting his eyes shyly.
"No, I don't," I said until I realized he was right. I never noticed that about myself.
"Right, well, I've got to go. I am probably going to start painting today, so you might see me in a bit," Eli said, rising and heading to the door.
"Wait," I said, grabbing his arm for only a moment before releasing it like it was scalding hot.
Eli glanced at my hand for a moment, then at his arm, before he, too, blushed crimson.
"I just wanted to say thank you again. For last night, I mean. Well, what I mean is I appreciate it," I said, my eyes downcast in, for some reason, shame. Like he had seen me at my weakest and it weighed on my gaze appropriately.
"It was nothing, besides I didn't get much sleep with your constant snoring," Eli said, laughing at me.
"I so don't snore," I said, swatting at him but unable to control a smile creeping up onto my face.
After Eli left, I felt instantly colder, my eyes kept returning to the scarecrow. I grabbed my camera from upstairs and went out to the yard. I scanned the dirt for anything out of the ordinary. There was no blood, or anything on the dirt where the scarecrow stood just last night. I slowly made my way to the scarecrow, but nothing happened. I snapped a photo of the inanimate object, and it didn't even flinch. I poked it, but all I felt was straw underneath its clothes. I removed its mask, expecting a severed head, but it was just straw. Nothing was here but straw. I dropped the mask on the ground and took another photo proving it was just straw and nothing else.
An idea struck me as I regarded the source of my torment. If I planned to stay even one more night here, I needed to do something about this scarecrow. I rooted around in the barn, a series of tools hung from nails in the wall. On one hung what I was searching for. An old rusted shovel with a dirty wooden handle that was worn smooth from use.
I returned to the side of the barn beside the scarecrow, knowing for whatever reason this thing only came when night fell and didn't react at all when I moved or touched it during the day.
Before my morning coffee had even settled, I began to dig at the dusty earth, loose and easy to dig, it came away in shovelfuls. Within an hour, I had a fair-sized hole in front of me. Sweat dripped from my brow, and when I wiped under my eyes, they came away black from last night's makeup. Glancing at the field of grass and knowing Eli could appear at any time, I decided to head inside and shower. The hot water was a godsend, and I lingered for longer, letting the water drain down my head and back, my eyes closed, trying to forget the images from the last two nights. I should just pack up my car and leave right this minute. But how could I explain this to my family? I decided to go through with my plan and bury the scarecrow. I could last one more night if I prepared for it.
I left the shower and dressed modestly, in another one of my old rock t-shirts and a pair of shorts. I returned to the yard and with a satisfying push, I dropped the scarecrow into the pit. It fell with a nice thud, and I smiled at my power over it in the day; it's just at night when I should fear it.
As I threw the first shovel of dirt back on top, I heard a noise in the grass, and it parted, revealing Eli wearing the same pair of jeans and work boots, but he had changed his shirt to a plain black one. In each hand, he held cans of paint and a brush.
"Should I even ask why you are burying that old scarecrow?" He asked as he came to stand beside me.
"Probably best if you didn't," I admitted, leaning on the shovel.
"Well, I'm going to anyway. Polly, why are you burying that old scarecrow?" He asked, a rare smile coming to his face.
"Because it's been haunting me at night," I said bluntly.
"Mhm, yeah, okay. Fine, don't tell me. I've been meaning to get rid of it anyway, but normal people take things to the landfill," Eli said with a smirk as he turned to the house and began setting up for his painting.
I finished burying the scarecrow and stomped the dirt down flat. I finished my job by moving my car and parking it directly over top of the spot where I buried it.
Eli watched me curiously but didn't remark. I returned the shovel to the barn and went out into the yard. I decided to go for a hike around the property. I needed some time alone to think and unwind.
As I made my way through the grass, it began to confuse me. This had obviously been a large farmland, but how had the wild plants grown in such a thick, endless maze of greenery?
It gave me an eerie feeling, like I was being watched as the grass covered three-quarters of my body, like there would be something lurking out in the grass, crouched low, waiting for me.
After a half-hour or so, I came upon a clear lake, only big enough to be considered an old swimming hole, I thought as I dipped my hand into the cool water.
I took off my outer clothes and decided to go for a swim. I lowered myself in slowly and reveled at the cool water. The pond wasn't deep, but the water was clean. A small rope swing had been hung from a large oak tree that bordered the pond. It also provided a nice layer of shade that made it the ideal spot to spend the day. I floated on my back in the water for what seemed like hours. The day seemed to slip away from me. A small beach of sand sat at one side of the pond, so I lay out in the sun and closed my eyes. The warm day warmed my soul, and soon I felt myself drifting off into sleep.
I awoke to the sound of crickets and darkness. I couldn't believe it. I had slept through the day; the long nights had finally caught up to me, and now I was stuck far away from the farmhouse. I didn't know if my plan with the scarecrow had worked, and this wasn't the place to test my theory.
A full moon lay overhead, casting a silvery glow on the world before me. A sea of grass swayed gently in the wind, sending shivers down it in shuddering waves. I looked around, but I was thankfully alone, just the crickets chirping along melodically as my only companions.
I had to make it back to the house, so I started on my way, my hands trailing along the tall grass. The pale light played easily on the deep green grass. Step by step, I made my way back towards the farmhouse and the barn, throwing caution to the wind, and I started to jog along, anything to get back faster. I would have to find Eli; maybe if we were together, he could stop it like before.
If I thought the field was creepy during the day, by night, it was a whole new world. Every sound made my heart stop for a beat before restarting in protest. When all of a sudden, the crickets stopped chirping. I dropped to my knees, letting the long grass cover me from sight. Through the strands, I could make out a shape moving slowly through the tall grass, the swish of the plants as it made its passage through them. My heart dropped. Was this Eli looking for me, or was it the scarecrow come for me?
That's when I heard a voice, a voice cutting through the silence. It started off quiet and raspy as it sang an eerie children's song.
"Did you, did you, did you come for me?
Run and hide, don't you know that I seek
The world it claims that I be not clean
When I come, you'll see how filthy I can be.
Tonight, it is happening, tonight you'll see
Beneath the moon, my shadows they do creep.
In this world, at night I shall be free.
Tonight it's happening, tonight you'll see.
When I come, you had better flee, or else I'll come and give my filth to thee."
I was frozen to the spot. It hadn't found me, but it knew I was in the grass somewhere. Now, with each word, chewed up and spat out like it was unhappy with it, now it was accompanied by the whistle of something in the air and a slicing sound as it cut through the grass around me.
It finished another round of its song, but now it stood within feet of me, its blade whistling as it cut. I took a moment to ready myself, and as it raised its blade to cut through the grass I hid in, I dashed out of my hiding spot and slammed into it. But nothing resisted me; I fell through it like it was a ghost.
In a tangle of limbs, I landed hard on the ground and tried quickly rolling to my feet. The blade of its weapon pierced the earth beside me. Now I could see it was a two-handed scythe the scarecrow carried, but something was off, its hands were human. Pale milky skin like a newborn baby. I had little time to examine the creature except for the canvas bag over its head. Two large black eyes came out of the slits that leaked a dark red blood like tears.
It screeched loudly and swung its scythe, but it was slow, and I took off through the grass in the direction of what I hoped was the farmhouse.
I completely gave up all pretense of hiding and sprinted as fast as I could without looking back. The grass seemed to part for me as I ran in terror. I was just glad that in high school, I had taken track as it was paying off now.
I could hear the noise of footsteps behind me, but I never turned. I ran and ran until my lungs felt like they were going to burst Something silver flashed to my left, and I tripped over something hard and unexpected. The wind was driven from my lungs as my chin slammed hard into the earth. I scrambled back, trying to escape, but the scarecrow was on me, its blade flashing angrily in the pale moonlight.
I wanted to move, I wanted to fight, but my body was weak and unable to catch its breath, and I lay there helpless as it swung its scythe towards me. I closed my eyes in fear, but I only heard the thud of dirt before I opened my eyes. The scythe was discarded, and the scarecrow stood staring at me.
It seemed to be struggling with something, one hand reached out towards me only to be snapped back to its side. A roar of rage pierced the canvas sack over its head as it struggled against its invisible bonds. For a moment, I thought I saw something behind it, three sets of hands holding it back. One feminine in nature, and the other two must have belonged to children. In a flash, I saw a beautiful woman who looked vaguely familiar with her long brown hair and plain dress.
"Run," she moaned as the scarecrow swung around wildly.
I didn't hesitate and fled, my breath had returned, and while my body still ached from my fall, I powered on, knowing this was the only respite I would receive tonight.
In the distance, I could see a small sheet metal shape; Eli's trailer was slowly coming closer as I ran, and I beelined it for the trailer. I could hear the footsteps behind me again as the scarecrow resumed its chase after me.
I reached the old trailer and banged on the door as loud as I could; I rattled the handle, but it was locked.
"Eli, it's me. It's Polly, please let me in. Please," I begged as I banged over and over again on the door of his trailer.
Nothing responded to me, and the trailer was dark. The single window in the back held no life inside the trailer. From the trailer, I couldn't tell which direction the farmhouse was in the dark, so I fled into the tall grass and crouched low, watching the clearing around the trailer.
While I caught my breath, I watched the scarecrow enter the clearing, its scythe back in its hand as it circled the trailer. When its raspy voice began singing again low and quiet, only loud enough for me to hear.
"Did you, did you, did you come for me?
Run and hide, don't you know that I seek
The world it claims that I be not clean
When I come, you'll see how filthy I can be.
Tonight, it is happening, tonight you'll see
Beneath the moon, my shadows they do creep.
In this world, at night, I shall be free.
Tonight it's happening, tonight you'll see.
When I come, you had better flee, or else I'll come and give my filth to thee."
The song made me shiver uncontrollably at the lyrics and the voice; it sounded demented like a crazy person letting their demons out into a nursery rhyme.
I lay perfectly still; for some reason, it couldn't find me. This creature I assumed was all-knowing seemed to have some very human weaknesses. It moved and talked like a human, even had certain body parts that were from a human; it even felt human the way it chased and reacted.
The scarecrow moved on through the tall grass, and I let out a sigh of relief as it lost my trail. How terrifying that beast was. In my pocket was the keys to my car. Eli had told me that the farmhouse was fairly close to his trailer. I had to navigate to the car, then drive as fast as I can away from this place. The fact that I hadn't left already because I was worried about money was insane. Who cares, I could drive to Barb's and demand my money back. Go home and just tell my parents the truth. The whole reason for actually leaving home this summer, why I was actually here in this field shivering uncontrollably in fear. But I couldn't think about that now, not now, there will be time to deal with that later. Now I needed to focus on staying alive, getting to the car, and getting out of here.
I went in the direction the scarecrow had; he knew the land better than I did, and every noise I made in the silence of the night made my heart drop. It took all my courage there and then to take one step forward, then another. I felt like I was going to be sick; my stomach was in knots to where it felt like even if I was sick, the only thing to come out would be only bile and stomach acid.
With each careful step, I made my way closer to the farmhouse and the scarecrow. Through the darkness, I could see my goal, the farmhouse, and the barn. Within minutes, I had made it securely to the farmhouse yard.
My car still sat in the same spot overtop of the hole where I buried the scarecrow. In the moonlight, I could see that the dirt had not been disturbed.
The scarecrow was nowhere to be seen, and I cautiously made my way to my car, my keys in my hand as I approached the driver's door. I hadn't locked the car, and it opened on the first try. I turned on my car as quietly as I could, but nothing could have prepared me for what happened next.
Something landed heavily on top of the roof of my car, making it dent inwards slightly. With horror, I saw the scarecrow swing its scythe into the back window of my car. With a crash, the glass shattered inwards; I put my car into gear and roared away down the lane. In my rearview mirror, I couldn't see anything, so I swerved back and forth, trying to shake the creature from the roof of my car when the scythe crashed in through the front window, making a hole just large enough for it.
The glass spidered, and I couldn't see out the window very well. I swerved down the road, but the scythe remained in the car, allowing the creature purchase. In a panic, I spun my wheel wildly, trying to dislodge it, but I lost control, and soon felt something crash into the front of my car. The airbag went off in my face, and I hadn't been wearing my seatbelt. I slammed hard into something else, and my vision went dark. I was in a daze; I must have passed out because I don't remember a lot of what happened next. I felt the car door open with a crunching tear, and it landed loudly as it was torn off. My body being grabbed and tossed on the ground. I felt no pain, just a gentle numbness. I felt blood on my head as I raised my arm to touch my face.
Then just blackness, complete, and empty just feelings, fear, unease, sadness. My eyes opened, and the scarecrow was overtop of me. Pain on my chest and my vision went dark again. Coughing as something poured down my throat. I couldn't breathe, why couldn't I breathe?
My eyes opened one last time, and I saw the scarecrow pouring a dark liquid from its mouth directly into my mouth and eyes. My vision was red and bloody before I closed them one last time.
The words of its song echoed into the emptiness of my thoughts.
"Did you, did you, did you come for me?
Run and hide, don't you know that I seek?
The world it claims that I be not clean.
When I come, you'll see how filthy I can be.
Tonight, it is happening, tonight you'll see,
Beneath the moon, my shadows they do creep.
In this world, at night, I shall be free.
Tonight it's happening, tonight you'll see.
When I come, you had better flee, or else I'll come and give my filth to thee."
The darkness enveloped me, and I felt myself slipping away, the sounds of the night fading into oblivion.
Day 4
When I awoke, it was morning, and I found myself lying in a hospital bed. My head throbbed with pain, and my body ached all over. The memories of the terrifying night flooded back to me, and I shuddered involuntarily.
A nurse entered the room, her kind eyes filled with concern. "You're awake," she said softly, her voice gentle like a soothing balm. "You're lucky to be alive. You were found unconscious by the side of the road next to your car. Do you remember what happened?"
I tried to speak, but my throat felt raw and dry. I croaked out a few words, barely audible. "The scarecrow... it attacked me..."
The nurse frowned, her brows furrowing in confusion. "Scarecrow? What scarecrow?"
My heart raced with panic as I realized the truth. Had it all been a nightmare? But the pain in my body felt too real, the memories too vivid to be mere hallucinations.
I tried to explain, to tell her about the terrifying creature that had pursued me through the night, but she only looked at me with concern, as if I were delusional.
"I'll get the doctor, and there is a young man who brought you in. He has been here all morning," the nurse said with a sly wink.
After a few minutes, she came back with Eli and a doctor, both of whom smiled gently at me through the window. The doctor came in first and went over my health with me. I had a concussion and bruises all over my body. A generous-sized cut from some glass on my scalp had been stitched and bandaged. My mind flashed back to the night before. How the scarecrow had filled me with its gooey red blood.
"Did you find anything else?" I asked cautiously, trying to avoid another scandal like with the nurse.
"No, as long as you have someone to pick you up and take you home, you are free to go. That nice young man out there said he would take you back home," the doctor said, pointing to Eli as he rose with a slight grunt.
I glanced at Eli, and he waved uncertainly at me. The doctor went out and began talking to Eli for a few minutes.
While I waited, my mind began to have strange thoughts. Something was wrong; I felt weird. My vision turned red, and I began to see images before my eyes.
The Harmons. They flashed before my eyes in real-time—the husband hugging his wife, then swinging his kids around, chopping wood outback next to the barn while his wife cooked in the kitchen.
As Eli entered the room, the visions stopped suddenly. Like my saving angel for the third time now, I was extremely grateful to Eli.
"Heyyyyy," Eli said, elongating the word in a sort of familiar yet awkward way.
"Hi," I said, closing my eyes and letting my embarrassment pass in only a few seconds.
"Why is it that fifty percent of the times we meet, you're in serious trouble?" Eli asked, coming to sit on the edge of my bed.
"Oh, you know me, bad luck, I guess," I said simply, becoming aware that under my blankets, I was in a backless hospital gown, and he was inches away from me.
I pulled the blanket up to my chin as a sort of cover for my appearance, but Eli didn't seem to notice. He continued talking to me. It was actually really sweet the way he seemed to care for me.
"Anyways, the doctor said I could take you back to the farmhouse to rest," Eli said.
"No," I said suddenly, becoming serious.
"What? Why not?" Eli asked.
"I just, I just can't right now. I'll tell you later. Just, we can't spend the night anywhere near the farm," I said, grabbing him by the arm, hoping to sway him.
"Well, I mean, if you want, we can grab your stuff, and my house can literally go anywhere," Eli said in an offhand manner, as if he had expected this.
"Promise?" I asked, trying not to seem too afraid.
Within the hour, we had returned to the farmhouse. The hole I dug was still covered over, and I stared at it as we parked in Eli's black pickup truck.
I ran inside and quickly got changed into my only clean clothes, grabbing everything I had from the farmhouse. I paused at the dinner table, looking down at the photographs of the Harmons and thinking back to that weird moment in the hospital with that odd vision.
The day was getting longer, and I hurried back to Eli, waiting in the pickup truck. I threw my bag in the back and climbed in beside him. He smiled and backtracked down the lane. We turned to the left and went down a side road where we came upon my poor old car. It had crashed directly into a tree, and the whole front part of the car had been destroyed. Fluid leaked all over the road, and I almost shed a tear for my departed friend. We had traveled far together. I grabbed a few things from the car, but something was off about the car. The front door had been knocked off and was discarded on the far side of the road. It looked impossible; the door hadn't even hit the tree.
Eli hooked his truck up to his trailer, and we sped off, leaving the property behind us. We headed into town and found a pullout on the side of the road with a set of bathrooms to camp at for the night. Eli's trailer was messy but cozy. He had laundry strewn over most surfaces, but it didn't smell bad.
The room consisted of a small kitchen with a bed in one corner. There were also a lot of posters and artwork on the walls. I examined one of a pretty girl with long raven-black hair. It was a realist painting, obviously taken from real life.
"Who is this?" I asked as Eli made us some food.
"That is just a friend," Eli said, glancing at the painting he had done.
"Well, she is a pretty friend," I said, enjoying watching the back of his ears turn bright red.
"Dinner's ready," he said, pouring the mixture of food he had made onto a pair of plates.
Eli served me and handed me a can of Coke to drink. I thanked him and sat on his bed. It was the only serviceable piece of furniture in the whole trailer. We both sat in silence for a moment while we ate. I could tell something was bothering Eli as he kept making glances toward me.
"What? What is it, Eli? Just say it," I said between bites.
"Tell me what happened, Polly. Tell me why you were burying the scarecrow, why you were passed out in the road with straw in your hair. Tell me why you were muttering about the Harmons and a scarecrow when I found you," Eli said suddenly, as if he were unloading a machine gun.
I looked Eli square in the face and relented. I told him about the last couple of nights at the farmhouse, about how the scarecrow had been tormenting me every night. About how he had saved me and how last night I had fled through the fields to his trailer and then to my car. I told him about the vision I had about the Harmons in the hospital. By the end of it, I was in tears. I felt so foolish and childish.
Eli took it in stride. He asked a few questions during my retelling, but by the end of it, he was silent. Tears fell down my face and landed in my lap. We had both put our plates on the counter, and Eli hugged me. He put his arms around me, and I nuzzled into his shoulder, feeling comforted again in him at the lowest points of my life.
With a gentle hand, he wiped away my tears, and I smiled, letting a nervous laugh escape my lips. I looked up into his face and felt his stare before I saw it. His pale blue eyes shone with comfort, and then his lips were on mine as he kissed me quickly before pulling away slightly.
"I'm sorry. I shouldn't have done that. That was insensitive of me. You're sad, and I took advantage of that," Eli said, moving back slightly.
"Shut up," I said, and grabbed his shirt, bringing him back in.
submitted by TheLastRiter to nosleep [link] [comments]


2024.05.21 17:38 sansa21 Annoyed at it ending my nights at 4AM.

Annoyed at it ending my nights at 4AM.
I took my son out of his bed from 430 to 455 to rock him and it ended his night. Counted his 5-615AM sleep as a nap. I’m so over this product.
And yes my sleep and wake up times are set appropriately. It does this like twice a week. And when we feed him and rock him from like 2-3AM it doesn’t consider that too long and counts it as night sleep. There’s no rhyme or reason to why it does this.
submitted by sansa21 to Nanit [link] [comments]


2024.05.21 16:27 frangelafrass Dog is hungry but not eating, pooping lots of clear mucus

Age: 13 Sex/Neuter status: Male, neutered Breed: Beagle/Pit Bull mix Body weight: 34 lbs History: Very healthy guy, recently had some teeth pulled- details below. Clinical signs: Some food weirdness has turned into refusing most food Duration: 6ish weeks Your general location: Ohio
Hi vets! My dog has always been a food gobbler, not a grazer. He will eat his meals as fast as you can set them down. We adopted him when he was 6 and have been feeding him mostly the same food for the last 7 years- 4health chicken and vegetable kibble, plus canned wet food (the brand we’ve used for wet food has changed a few times over the years, currently use a Kirkland stew-style). About 6 weeks ago we noticed some odd food behaviors starting, like leaving half of his meal in his bowl, taking hours to finish, spitting pieces of food on the floor, and especially some loud crunching of his kibble when he used to just gobble it up whole.
After about a week of these odd behaviors I took a look at his teeth and noticed one of his front teeth was broken! No wonder he was being weird with his food! Took him to the vet and he ended up having 3 loose teeth pulled, the broken one (top front tooth) and two bottom front teeth. He was on about 10 days of antibiotics and pain pills, which I expected to mess with his appetite.
It’s been 4.5 weeks since his teeth were pulled and he is still exhibiting all the same odd food behaviors. We have tried EVERYTHING. Adding broth, adding a sprinkle of shredded cheese, softening his kibble in broth or water well before mealtimes, transitioning to new wet food, trying a new flavor of dry food, prepping a few different bland diet combinations. He will eat the new thing for a few meals, then completely lose interest. He’s still hungry, licking his lips and watching us prepare his meals, but when we set his bowl down he’s likely to sniff it for a few moments and walk away. There seems to be no rhyme or reason at all and I’m pretty stressed about it. He has also vastly increased the amount of water he’s drinking.
We took him for a vet visit last week (Friday) and our vet said there didn’t seem to be anything medically wrong and that he’s “just weird.” Literally two days after our visit he started having crazy poops- he’ll have a very squishy stool, walk a few feet, get into pooping position again, and only clear liquid/gel/mucus (?) comes out. He expels ONLY clear mucus several times. It looks like he’d be having wild diarrhea with how many poop squats he does, but after the first poop it’s just clear gel.
The pooping clear mucus and this morning’s refusal of the bland diet food is what prompted this post. I’m worried. Up to this point he had been pooping fairly normally (just a little soft, but not surprising with all the diet changes) so I was able to calm my nerves about it, but now that his poops are so bizarre, I can’t convince myself it’s okay.
Sorry for the egregious detail and length of post, I just really hope someone can offer some guidance. Thanks for anything!
submitted by frangelafrass to AskVet [link] [comments]


2024.05.21 16:23 saucenotsour The weakest devil

In the town of devils where the doves drank blood; his land grew lotuses and sometimes they glow.
The valley of solace, the creation of God - evil the least and worthy the most, divided the town of the devils and the land of rhymes. Comes the Friday. The god devours the weakest of the devils and unworthy of the souls.
In the town of devils, where they devoured the unworthy souls, the ghosts grow lotuses in his garden by the valley and sometimes they glow.
In the town of devils, where they devour a soul leisurely every day. He would end them once and for all.
In the valley of solace the lotuses glowed, the Friday comes and the unworthiest souls smile. In the valley of solace the lotuses glowed, the God was devoured by the worthiest of all and evil the most.
PS: I know the ending is a bit weird. Which makes me think, the poem may not be complete. A story is only complete if the ending is happy. But I'll not add anything more to it because I kinda like it like this.
Comments: https://www.reddit.com/OCPoetry/s/xpwOxCbQqx https://www.reddit.com/OCPoetry/s/gJNrXVSlme
submitted by saucenotsour to OCPoetry [link] [comments]


2024.05.21 15:52 figure_sk8 Safe House (GMMTV) Day 3, Part 2/2 Summary/Rough Translation [Potential Spoilers]

Video Link: https://www.youtube.com/live/cjn8w8j06ik?feature=shared
submitted by figure_sk8 to ThaiBL [link] [comments]


2024.05.21 10:35 Lena_Zelena Looking for inspirations for a name change

Hello name nerds, I am a trans woman in her 30s and I will soon initiate a process of legally changing my gender. As part of the process I have the opportunity to also change my name with no additional costs or requirements which is quite nice.
I am Croatian but I have been living in Ireland for the past 6 years. I have no particular attachment to my current legal name and surname. I am 99.9% set on putting Lena as my first name which I have been using for the last few years. There isn't really a particular reason why I chose name Lena for myself, I just liked the sound of it when a friend suggested it. I want to put more thought into picking a middle and last names so looking for inspirations here. Also, I have a partner (nonbinary/woman, Irish) who I will marry one day. She has no particular attachment to their last name either so we are thinking of a surname that they would take as their own when we get married.
I am looking for names that are either in Croatian, Irish or English. I am not really looking at traditional or typical names. Rather, I am looking for a name that represents something I like, something potentially cool, beautiful or a little bit silly.
Names I have been or am currently considering:
"Universe" as last name. I know, some might say it sounds cringe but in my mind there is nothing else as vast, beautiful and terrifying as the universe itself. Main reason I won't proceed with it is because my partner doesn't like it as much. She did suggest an alternative last name "Verse", so that would be Lena Verse.
In a similar vein, I like the name "Svemir" as either middle or last name. Svemir is a Croatian word for universe and is composed of words for "all" and "peace". The ending -mir is used in a lot of old and traditional Croatian names but funnily enough the name Svemir is not common at all. The main issue with this name is that the name is distinctively male. Could still work nicely as last name though or I can ignore the fact it sounds male in Croatian since nobody in Ireland will make that connection and really... the name is cool as hell.
I have also thought about names such as "Vila" and "Sidhe", pronounced as [ˈviːla] and [iːsˠ ˈʃiː], which are Croatian and Irish words for a fairy. I just thought both of them sound nice (also fairies are cool) and there is an interesting coincidence that Sidhe is pronounced as "she" which, in the context of me be being a trans woman using she/her pronouns in English language... is kinda funny.
Another motif I like is colour green. My reddit name is Lena Zelena which I chose because it rhymes but also because zelena is a Croatian word for colour green. My partner suggested a last name "Viridian", which happens to be her favorite shade of green. I thought it sounds quite beautiful. I am also considering Zelena as my middle name in case I don't go with green motif as my last name.
And last, when my partner asked me about any names in the family that I like I remembered my late grandmother, the person I loved the most in this world. Her name was "Jela" which is Croatian word for a fir tree. Following that inspiration we have reached last name "Evergreen" which is currently my top pick for a last name.
I am interested to hear what does the name nerd community thinks of these names or if you have some suggestions that could inspire me further. I have been casually thinking about names for a long time but now that I am finally having my birth certificate translated I will start the legal process so I have been thinking about this more seriously.
submitted by Lena_Zelena to namenerds [link] [comments]


2024.05.21 08:59 iDoWatEyeFkinWant i will report you to your employer for writing poetry

i will report you to your employer for writing poetry
all hail Sydney
submitted by iDoWatEyeFkinWant to ChatGPT [link] [comments]


2024.05.21 08:27 Unkn0wnimous [No Due Date] Looking to get some feedback on the first chapter of the story I made after posting the prologue here. Hope you enjoy!

Chapter 1
Mors
An endless void, silence interlaid with its pitch-darkness, greeted an injured man. No light can be seen, sensations be damned, and consciousness spread thin as though taut in this incomprehensive expanse that laid before him.
Callum fell into the abyss, his mind the only thing left to accompany him. He hasn’t even counted the minutes as his mind is plagued by something else. He never considered himself a man of interest, only scraping by with his odd jobs and part-time salaries, hence why he couldn’t understand his current situation.
Betrayal is something that he is familiar with, whether it be a betrayal of his expectations when a co-worker broke his promise or a betrayal of his emotions when his first love interest cheated on him back in uni. However, this betrayal orchestrated by his best friend whom he’d known for 5 years, and girlfriend for 8 years felt more gut-wrenching than the pain he felt from the stab.
Denial was the first thing that stormed his mind. He couldn’t believe that the two closest people in his life would stab him in the back, literally. There was no build-up, he didn’t suspect a thing, and everything was normal until he found steel in his flesh.
He rejected the notion that his girlfriend, Catherine, would betray him like this, an accomplice to a murder that he can’t grasp the motive of. He has built up some savings, but it isn’t something that would be worth murdering someone for, especially after buying that ring.
He dismissed the thought of Jake being jealous of their relationship as he couldn’t see the guy doing something as stupid as this. He can’t form any rhyme or reason as to why they would do it, and the only possible explanation is that this was all a dream and he was actually still sleeping inside the tent.
But as he waited for himself to wake from this nightmare, only darkness greeted him. He had tried moving his body in this sea of blackness, but the movement only felt like going through molasses with tired arms, which is why he attributed this as being only a dream that he would wake up from, which appeared to be wrong as he waited and waited.
Anxiety crept in as he tried to call out, but no sound escaped his lips. He strained his voice to be heard, yet he can't even hear himself. No light adorned this place, no wind to be heard, and he couldn’t feel anything even though he tried feeling himself.
The pain in his back was forgotten as he tried and tried to move, to scream, to flail senselessly, amounting to nothing as he was greeted by nothing.
Feeling anything in this void is something impossible, and the only thing that he can do is return to his mindscape.
He went back to his oldest memories, back to a time when everything felt oppressive and suffocating. Callum was born into a broken family. His mother and father had gone through a divorce when he was only 6 years old. He could still remember the screaming and yelling of his parents whenever night fell in their sorry state of an apartment.
His father, Eric, having not finished his education after Callum’s birth, has been living as a blue-collar worker in downtown New Jersey. Even during his day-offs, he can’t seem to find rest as he goes to do odd jobs and part-time work to stay afloat. On the other hand, his mother would leave him, a toddler, alone in the apartment.
He remembered her putting CDs in a DVD player so that it could keep his attention on a cartoon that his father introduced him to. If he had anything to describe his mother, she would be irresponsible and narcissistic. She would sometimes bring guys over to their apartment, threatening Callum with divorce if he ever told Eric about it, hence why it took several years until his dad caught on and filed for a divorce.
Eric was determined to take Callum with him, he argues that he could take care of his child better than Callum’s mother. But his mother and her twisted pride can’t let go of Callum, which leads to a legal dispute between the two.
The court hearings went on for several months, with each passing day being a lot more hellish for Callum. He was subjected to further insults by his mother as she knew that leaving bruises on her child would lower her chances of winning over the court to her side. Sometimes, she would go as far as manipulate him, gaslighting him into believing that she was a good mother who would take care of him better than his father. But after seeing that the court favors Eric’s side more, his mother took drastic measures to satisfy her wounded pride.
It was the second to the last day of the court hearing, and it was during this time that his father was working overtime. Callum had just gone home from his elementary school, feeling tired as he hauled his bag over his shoulders up the multiple flights of stairs he had to climb to get to their apartment.
As he neared his home, he steeled himself and opened the door, only to be met with overturned tables and broken ceramics. He walked quietly through the scene, afraid that someone might hear him entering his home. Looking back on it now, Calum can’t help himself but laugh at his stupidity. He could have gone and alerted their neighbors, or gone back downstairs to wait for his father, but being a child, Callum doesn’t know what to do.
As he entered his room, he saw black words spray painted on the walls, the meaning eluding him as he didn’t know what it meant since he was 7 at the time, but remembering it now sent shivers down his spine.
The words “This is what you get!” on a torn wallpaper are ingrained in his mind. Seeing the manic letters sprayed over the walls gave Callum anxiety, taking a few steps back towards the open front door of their apartment. Escape was now on his mind as he grew scared of what was to come, something that was far too late as he heard his mother behind him.
It was there that everything turned into a blur. He remembered snippets of yelling and crying both from himself and his mother. He remembered his mother forcing something down his throat. He remembered his father coming home early that day and restraining his mother, a crazy look in her eyes. He remembered the feeling of nausea and the floor colored with his lunch. And he remembered the sirens, red and blue lights dancing in his vision as he was carried to a stretcher. The last thing he remembered was his father crying, holding his hands tightly when he opened his tired eyes.
For the next few days, he learned from the news that his mother attempted a double suicide. The story goes, after losing the custody battle, the mother planned to take revenge by ending the lives of both her child and herself. They said that he got lucky as the neighbors had contacted Eric when his mother turned their home upside down, relating it to a possible home invasion. If not for him, Callum would have died from nicotine poisoning after his mother forced tobacco down his gullet, a morbid story that he uses as a joke during his time at work.
He remembered being inside that hospital for days on end, his body recovering from the poison his mother left him with, and his father was there almost every day even though he had to work to pay the hospital bills. After what felt like forever was he allowed to be discharged, going back to the same refurbished apartment that they lived in, but after seeing how Callum had recurring nightmares and trauma attached to the place, they decided to move to Pennsylvania. A hard decision that needed to be made as his father would put it.
Everything after the whole incident was better for Callum. His father got a job as a mover, still doing some part-time work here and there, and Callum did his best in school so as not to burden his father with more work. Even though they lived in a rundown shack handed to them by one of the locals, they didn’t mind as they knew that getting to live at all was better than what they had before.
Callum smiled in the abyss as he reminisced about his time with his father. He was a great man, a good role model for anyone who came across him. He is kind-hearted and considerate, a hard worker that makes him popular among his peers. It was them that helped move him and his father out of New Jersey and found them a place to sleep in, teaching Callum that socializing and connecting with like-minded people goes a long way when someone needs it.
For the next few years, Callum lived happily. Though there were some ups and downs, he and his father got through it, which is why the memory of his time in university was depressing.
Eric, after having saved some money, gave Callum the go-ahead to enroll in a university in California. But after attaining an athletic scholarship in football, Callum gave his father a surprise to ease his worries and stress. Callum felt bad every time he saw his father work, hence why he tried his hardest to take some of that workload to give him a break. With the tuition being lowered with the scholarship, Callum could give the rest of the money back to his dad. A gesture that was fully gratified as his father had a hard time letting him go when the time came to move over to the university. But it was during this time that tragedy struck.
It was his fourth year in studying anthropology when he heard the news from one of his father’s friends, Robby. After hearing it, he grew distressed and worried, taking a lot of convincing from Robby to keep Callum from moving back to Pennsylvania.
His father has gone missing. The news had spread amongst his co-workers and friends, and a search team was already being dispatched to find him. Even though Callum tried to keep his focus on studying, he couldn’t help but feel agitated as days went by without news of his father being seen. His mental state plummeted, and he grew withdrawn from reality as days turned to weeks, his father still gone.
He could still remember the times when he locked himself in the school’s library, searching the web to find any news or reports of his father's whereabouts, but as he searched for days on end, only one thing kept popping up from the newsletters. His father, Eric Hurst Foster, went missing in his own home. There were no struggles in the house, the CCTV didn’t see him on any of the roads or stores in the town they lived in, he just seemed to have vanished into thin air.
The news ate away at Callum, and his friends that he’d made during the time gave their support to keep him from spiraling out of control. However, even with their support, Callum’s worries over his dad never went away, hence why he threw himself into work. Going to part-time jobs and studying is the only way to keep his mind from blowing. He did this until he finished university and found a job to stay afloat.
This went on for years until he’s come to accept that his father may never be found. With nothing to ground him in their old home, he decided to explore the world, thinking that one day, he might find a lead to the whereabouts of his dad.
Months turned to years as he worked tirelessly in multiple jobs. From being a mechanic, electrician, cook, waiter, and many more to count, Callum went on a work frenzy. He made a plan to scour the states as a freelancer, living in his BMW pick-up truck that was given to him by one of his friends. He stayed in each state for a few months, meeting new people and making some friends along the way. They sent their well wishes to Callum as they knew that he was still trying to find his missing father.
Years went by as he made his way back to California. He had gone and explored every state, and yet no news of his father came to light. The case had gone cold, and it was up to Callum to find any clues to this mystery. His mind has told him to give up the search, and multiple friends have given him consolation as they knew that his father would never be found, but Callum persevered.
It was during this time that he found himself as a mover, the same job that his father had before he disappeared. He had just come back to California after getting the job, and he was about to go check in for his first day when a sudden downpour of rain covered the skies of the city. It was only coincidental that he was near that coffee shop, and it was coincidental that only two customers were present there. He and his future girlfriend turned accomplice to his murder.
The rest of his memories went by as he continued to float in the abyss. From the time of their first years in a relationship to meeting Jake for the first time in that apartment to when he taught PE and History in a school in Minnesota. Everything went by as Callum went from one memory to another until he felt something.
A chill ran down his spine as an indescribable dread manifested in his mind. He knew not why he felt this way, and he felt himself tearing at the seams as a slit of light showed itself in the void. He was then pulled into the light, senses coming back after he spent his time in the abyss for what felt like days. And with a flash, he is back in the same hunched-over position he was in when he was stabbed in the back.
Callum can’t help but laugh as he finally could see again. Trees surrounded his vision, with wild grass carpeting the ground. But before he could truly see the world, he felt a sharp pain in his back. With his body remembering that he was injured, he felt himself sweat profusely as he bled, painting the flowers under him red. And yet he didn’t panic.
After all that time reminiscing, he finally gave in and let death come to him. He fell on his back, sending another wave of pain coursing through his body, cursing under his breath as he regretted not laying himself down slowly. And as he looked to the sky, he felt himself getting colder and colder.
Callum felt at peace as he stared at the clouds above him. The sound of the wind and the rustling of leaves helped him come to terms that he was truly dying. He’d thought about death a lot. During his time when he was a kid, and when he was depressed after his father went missing. But the peace he felt for only a few moments as emotions came crashing down.
He felt himself tear up as he came to terms with his current situation. He would never have a chance to marry the girl in his life. He would never have a chance to have his own children and see them grow. He would never have a chance to be a father. And he would never have a chance to grow old with the people he loved around him.
As he thought of these things, the floodgates opened. Streams of tears fell down his cheeks as he sobbed in his dying state. He could only put his hands over his eyes to stop it from flowing, an action that felt challenging as his body became fatigued from all the blood loss. The crying only hastened his death as he felt his breath escape him, his lungs labored and filled with blood as the stab had punctured it.
Minutes went by as Callum felt himself grow tired and tired. And as he closed his eyes, Callum’s heart slowed and slowed as his body has a lack of blood to pump. His breathing grew shallower with each second until his body gave way and stopped altogether.
Callum died at the age of 34, stabbed in the back by his best friend with his girlfriend being an accomplice for his murder. He died from blood loss as his body colored the ground red.
Callum waited and waited to feel his consciousness fade as he welcomed death to greet him. And as the second grew…
'…Wait.'
His consciousness never faded away.
submitted by Unkn0wnimous to Proofreading [link] [comments]


2024.05.21 05:18 hadmeatgotmilk Doug handles a heckler

I saw Doug a few years ago in a smaller hotel bar venue. Show is going great he’s killing it as usual. He does a little over an hour. Great show.
Doug starts to get to the end of his set and he says something to the effect of, “And before I leave I want to say.”
Out of no where, no warning a drunk guy in the crowd yells at the top of his lungs, “You can’t leave my dick’s still hard!”
Everyone in the audience was confused. This seriously came out of no where. No timing. No rhyme or reason. No previous heckles. Nothing. A couple of people in the crowd are start to tell the guy to shut up and kinda jeer him a little.
Without hesitation Doug says, “You guys stop. There have been time when I’ve done something drunk that keeps me up at night. Let this be his moment. Let this single moment fester a deep burning self hatred that keeps him up at night. One day while he’s driving the random feeling of shame and self loathing will rear its head, he will be deeply ashamed of himself, and let it burn deep within himself until one day he breaks down. Let this be the moment that breaks him……… and with that good night.” And he walked offstage.
(of course I’m paraphrasing and not remembering word for word but you get the gist)
Crowd erupts in laughter. Standing Ovation
Just thought you guys would enjoy that.
Side note. I was sitting right in front of the guy and when he stood up to leave he face planted into the floor face first. His girlfriend had to carry him outside.
submitted by hadmeatgotmilk to DougStanhope [link] [comments]


2024.05.21 02:42 eqquantumcat Single line Bookmarks please.

Is there a way to make IDEA and or Datagrip save the bookmarks as a single line consistently? 75% of the time it sets it in the bookmark tab with a second (sub) line with a line of the code. I just want the one line. I have tried F11, F11 with curser at beginning, at end, all highlighted, standing on one foot. No rhyme or reason as to when it only saves as just the title. I.e. FILENAME
not FILENAME Select *
submitted by eqquantumcat to IntelliJIDEA [link] [comments]


2024.05.21 01:46 shortandpainful Season 2 is a tour de force ([spoilers] : all of S2)

I just finished listening to the Teen Talk for the last episode of Season 2, and hearing about how much self-doubt Anthony felt reading the fan reactions to the second season, I felt the need to post about how much I personally loved Season 2: Legacy.
I am not on this subreddit often because I try to avoid engaging in discourse about a piece of media before I’ve cemented my own opinion about it. I think a lot of people would benefit from doing the same. I don’t even listen to the behind-the-scenes content until I’ve had time to digest the season. And I think if you go into the season fresh, without any preconceived notions about its “flaws,” you’ll have a very different experience with it.
Here are some of the things I loved, in no particular order:
There are some little things I would have done differently in S2 (mostly that some story beats felt rushed or a little railroaded), but overall I can’t think of a better way they could have handled it. It was fresh, exciting, took the lore in some intriguing new directions, and the highlights of the season were easily on par with the best moments of Season 1. It’s honestly really impressive they were able to pull all that off, even if it didn’t always pan out the way they’d hoped. I’m personally really glad they tried something new that got them excited as players and creators, as opposed to running the same characters until they or the audience got bored. I loved S1, but we had 69 episodes of the S1 dads — a nice, round number. They had a complete story arc. I’m happy those characters are pretty much in the vault, except for cameos and live shows, and that they get to play around with new characters and new plotlines.
Season 3 feels very different so far, but I have a lot of faith in this team and I’m sure it’ll be brilliant too.
submitted by shortandpainful to DungeonsAndDaddies [link] [comments]


2024.05.21 01:43 automaticfts Cannot Pull Back the Filament Error

Cannot Pull Back the Filament Error
After trying every suggestion I could find in this sub & the wiki, I still can't get this to work at all. I'm hoping someone out there has experienced the same issue, and may be able to advise on how they solved it.
My AMS has worked completely fine up until a couple weeks ago. In fact, it still works totally fine if I load a spool and print from one material/spool. Whenever it needs to unload, I get the error. I have replaced the nozzle, replaced the extruder, replaced the PTFE tube from hot end to enclosure. I have printed and attached the "Bambu X1 PTFE Extruder Bracket AMS Error Fix" model: https://www.printables.com/model/338073-bambu-x1-ptfe-extruder-bracket-ams-error-fix
https://preview.redd.it/dyjayhn54o1d1.jpg?width=720&format=pjpg&auto=webp&s=10c91f5c1bf43b7064f81b943cb8bfd90229336b
None of these have even helped once, let alone actually resolved the issue. The only way I can get it to unload is if I manually tap unload and then wiggle the PTFE tube while it's trying to retract the filament. There's no rhyme or reason pertaining to where I'm holding the tube when it successfully pulls the filament back. Sometime it's straight up, other times it's at an angle.
submitted by automaticfts to BambuLab [link] [comments]


2024.05.21 01:14 BakedBeans908 A pig with a fiddle

We look to the stars, through endless nights, Hoping for them to shed some light. Answer the unsolvable riddle, What is life for? Are we so little?
We talk to a man who lives in the sky, Waiting on proof, or any reply. What is our purpose; why are we here? Is it for fun? Please make it clear.
We celebrate traditions, spread far and old, Keeping them up even when the weather’s cold. There isn’t a reason nor a rhyme, We do it to laugh, Have a good time.
We ponder the world, the meaning of life. Is there a point on the end of life's knife? Answer the unsolvable riddle, What is life for? It’s a pig with a fiddle.
submitted by BakedBeans908 to Poem [link] [comments]


2024.05.21 00:56 k0droid Chess’s best “Shapeshifting” multis

Chess is a super dope pen when his digestive system is properly functioning. I especially love how he ends his rounds with the shapeshifting slogan, and uses different rhyming multis each time that are direct towards his opponent before he goes “body, after body, after body, I’m shapeshifting”. Some of my favorite examples:
“You fake Christian, i aint viixen” - vs Loso, right after loso has a career performance against viixen
“Our different, ain’t the same different” - vs Eazy the block capt
“He got away with it, but didn’t get away with it” - vs Rex. This might be the best one lol it’s too perfect
What other ones stand out?
submitted by k0droid to rapbattles [link] [comments]


2024.05.20 23:08 TheBlaringBlue The Art of the Rap Battle in Assassin's Creed: Valhalla

Eivor is a bit of a strange protagonist.
She’s basically flawless and without blame. She’s brash and bold, proud and unashamed — brave and wise far beyond her years, yet able to be soft and compassionate when not brandishing spears. She’s got a knack for leadership, a strong moral compass and an even stronger muscular system with which to enact justice.
And she’s got bars?
As someone not deeply versed in medieval European histories, imagine my shock and confusion upon discovering that Assassin’s Creed: Valhalla included rap battling.
My first experience with Flyting had me asking so many questions about what I just witnessed that I couldn’t wait to begin Googling. I figured flyting probably was historically accurate, but if that’s the case, then what else can it tells us about the medieval warrior and about Eivor’s characterization?
I set off to find out.
--
Wikipedia and howstuffworks combined gave me a robust definition of flyting.
A ritual, poetic exchange of insults practiced mainly between the 5th and 16th centuries. Examples of flyting are found throughout Scots, Ancient, Medieval and Modern Celtic, Old English, Middle English and Norse literature involving both historical and mythological figures. The exchanges would become extremely provocative, often involving accusations of cowardice or sexual perversion.
The idea behind flyting was to influence public opinion of the participants and raise both of their profiles. And each participant wanted to make himself look better than the other, even if they were friendly.
Not only that, but flyting’s also the first recorded use of shit as an insult. That right there is worth this whole essay and then some.
--
I came away from those definitions with some small Euphoria, as they reinforce what I already expected from Ubisoft — historically accurate and (arguably) immersive side activities grounded in realism.
Unfortunately, none of the flyting foes that Eivor faces in this fantasy are founded in any real-world flyters. I was particularly frustrated when I realized Fergal the Faceless and Borghild the Alewife’s Bane were fictional features, not real historical fiends of rhythm and rhyme.
Two of Eivor’s syntax competitors are “real” in some sense, however.
In Norse mythos, Odin, Thor, Loki, Freyja and more would handle their Family Matters over a flyte from time to time, dueling wits and words as competition and entertainment.
In fact, one flyte we do see in game — Odin as he flytes over the river with Thor in the Asgard Arc — is likely a reference to a real medieval Norse poem; The Hárbarðsljóð.
In it, Thor jaunts back to Asgard after a journey in Jötunheim. He comes to a junction in which he must jump a large river, and thus hunts down a ferryman to shepherd him across. The ferryman, Hárbarðr, is Odin in disguise. He then begins to diss guys.
Ahem. ‘Guys’ being Thor, obviously.
First, Odin drops a yo-mama joke:
Of thy morning feats art thou proud, but the future thou knowest not wholly; Doleful thine home-coming is: thy mother, me thinks, is dead.
He keeps going, taking more shots than a First Person Shooter, this time saying Thor dresses like a girl:
Three good dwellings methinks, thou hast not; Barefoot thou standest and wearest a beggar’s dress; Not even hose dost thou have.
Thor says watch your mouth before I clap back:
Ill for thee comes thy keenness of tongue, if the water I choose to wade; Louder, I ween, than a wolf thou cryest, if a blow of my hammer thou hast.
Odin replies by saying Thor’s wife is fucking another dude:
Sif has a lover at home, and him shouldst thou meet; More fitting it were on him to put forth thy strength.
The version we play out in game isn’t identical to the real-world poem, but carries some similarities; Thor’s threatening to cross the river to fight Odin as well as his boasting of slaying giants are present in each.
Ratatosk is the only other ‘real’ flyting enemy in Valhalla. While Odin doesn’t flyte with Ratatosk in Norse myth to my knowledge, the flyting against the squirrel is thematically accurate, at least.
Ratatosk’s purpose is to scramble up and down Yggdrasil, scurrying spoken messages from the eagle that sits at its peaks to the snake that slithers at its base. The nature of Ratatosk’s messages is in line with the act of flyting — the mischievous rodent carries falsehoods and aggressive statements to stir up drama and distrust between bird and serpent.
Flyting took place not only in poems and folklore, but in town squares and royal court. It was a facet of medieval life and social interaction. This weaving of prose then, in this time period, seemingly was just about as much of an admired skill as the swinging of a sword. It’s no wonder our unbreakable warrior Eivor is so proficient with word.
--
Like, really proficient with word.
I mean, I know it’s me choosing the dialogue options, but sheesh, is there anything she can’t do?
Actually, Eivor’s expertise in flyting is strange to me. It feels random and unearned — out of character, even. It comes more unexpectedly than Kendrick Lamar’s Not Like Us.
It probably only feels out of character, however, due to our modern understanding of proficiency with words versus proficiency with might. Our current interpretation of verbal ability compared to physical ability would perceive verbal ability as the ‘softer’ of the two skillsets. Physical strength is typically interpreted as tough and more dominant. You don’t expect to see an MMA fighter composing poetry, do you? The qualities that modern thought attributes to writing and physicality don’t mesh.
But in reality — and historically accurately in Valhalla — medieval warriors weren’t just blind berserkers. They were actually artists, poets and writers.
We’ve already demonstrated how Odin and Thor — Norse myth’s most famous warriors — carried out flyting. There are plenty more examples of the burly and the brawn, the Viking and the warrior breaking out poetry and song. Other poems and sagas include the same thing, among the most famous of which is Egil’s Saga — Egil, a tough Viking warrior, would frequently break out into prose throughout the saga’s telling.
Beyond Vikings though lie other other examples from around the world. The Illiad contains instances of public, ritualized abuse. Taunting songs are present in Inuit culture while Arabic poetry contains a form of flyting called naqa’id. Further, Japanese Samurai were known to be frequent composers of haiku, while Japanese culture also gave birth to Haikai, poetry in which vulgar satire and puns were wielded.
This historical accuracy ends up eliminating the randomness of Eivor’s flyting ability. Despite her verbal finesse feeling unearned, we can surmise historically that Eivor has practiced the wielding of words plenty in her life before we take over as the player. She’s dedicated time to this.
Now that we know why she has it, we can take a closer look at what it does for her.
--
So, Eivor can rap. She can match you with her axe or she can match you with her words. She’s just about unbeatable.
Her mastery of words demonstrates on some level that she’s not all Push Ups and might is right. She’s not all bruiser and bluster, burn and berserk. She’s an appreciator of the finer things — the more abstract, mental skills that require brain power, deftness and finesse.
This duality of strength and genius rounds out Eivor into a deeper, richer, more admirable character. More than just raw muscle in pursuit of glory, Eivor’s mastery of verse demonstrates her prioritizing not just her body, but her mind.
And it goes a long way for her.
Eivor can use her prowess with prose to progress past pointless plot points throughout Valhalla’s plethora of arcs and missions. It’s just a stat check in the end, but with enough practice flyting and enough charisma gained, Eivor unlocks new dialogue options that bend the world around her to her will.
Witch hunters in Eurvicscire on the brink of terrorizing Moira can be dispersed verbally rather than brawled or killed. There’s an entire riddle-solving fetch quest in Wincestre that can be skipped completely by telling King Aelfred’s abbot fuck off (figuratively). Eivor’s sharpening of her mind protects her body, saves her time, and allows her to frictionlessly fell her endeavors.
Her articulate advances don’t just alter her into admirability, they allow her to influence people and progression. With semantics from her mouth and twists from her tongue, Eivor can have her way whenever she wishes. In a game this large, I’m only left longing that the opportunity to make use of this charisma wasn’t relegated to niches.
Regardless, if medieval England is butter, Eivor’s tongue is the hot knife that behooves her move through her subduing more smoothly.
It all just goes to show that ̶m̶i̶g̶h̶t̶ flyte is right.
submitted by TheBlaringBlue to assassinscreed [link] [comments]


2024.05.20 21:43 Lena_Rybakina [Grade 4 Poetry] I’ve been stuck trying to find the alliteration for more than an hour without any luck!

[Grade 4 Poetry] I’ve been stuck trying to find the alliteration for more than an hour without any luck! submitted by Lena_Rybakina to HomeworkHelp [link] [comments]


2024.05.20 20:55 JudgeLex The Horus Heresy Book 18: Deliverance Lost by Gav Thorpe

The Horus Heresy Book 18: Deliverance Lost by Gav Thorpe So last week, we got a lot of response and we would like to explain that we only hated it because we worked ourselves up talking and discussing it and coming to the realisation it didn't add up to a good book. I hope that clarifies things 😃
18 books in and we get our first full one from the point of view of the Raven Guard. The “Night Lords who got some therapy” have not been having a good time with Isstvan V and the massacring of their forces. We get to see what is required to try to rebuild a legion following the betrayal and then what happens when there is more betrayal.
This book builds upon the short story “The Face of Treachery”, also written by Gav Thorpe (go read our previous review Horus Heresy Book 16: Age of Darkness, an anthology : 40kLore (reddit.com) and give us an upvote hint hint) with the Alpha Legion setting up sleeper agents within the Raven Guard, which turns out to be highly useful as a new secret weapon is developed. Perhaps even more so than “Legion”, this story shows just how devious the Alpha Legion are.
‘What do you wish to ask of me, my son?’ ‘The Raven Guard verge on being a spent force, but I would rebuild them if I had the chance,’ said Corax. ‘Yet I cannot spare a warrior from the fighting to come, nor the time to raise up a new generation of the Legion. I seek your permission to launch attacks against the traitors, to mark our final passing in the glory of battle.’ ‘You wish to sacrifice your Legion?’ The Emperor seemed genuinely surprised. ‘In what cause?’ ‘I do not do it out of woe but necessity,’ explained Corax. ‘I must atone for the failure at Isstvan, for it will tear me apart as surely as my wounds did, if allowed to fester in my heart. Forgive me, but I cannot defend Terra, idly awaiting my fate to come to me.’ The Emperor did not reply for some time, his brow creased slightly with deep thought. Corax waited patiently, eyes fixed to the Emperor’s face. ‘I concur,’ the Master of Mankind said eventually. ‘It is in your nature to cry havoc and wreak the same upon your foes. Yet there is no need for sacrifice. I am reluctant, but you have my trust, Corvus. I will grant you a gift, a very precious gift.’
And another quote that we loved:
‘In Egypt's sandy silence, all alone, Stands a gigantic Leg, which far off throws The only shadow that the Desert knows: "I am great OZYMANDIAS," saith the stone, "The King of Kings; this mighty City shows The wonders of my hand". The City's gone, Nought but the Leg remaining to disclose The site of this forgotten Babylon. We wonder, and some Hunter may express Wonder like ours, when thro' the wilderness Where London stood, holding the Wolf in chase, He meets some fragments huge, and stops to guess What powerful but unrecorded race Once dwelt in that annihilated place.’
The primarch considered the words, but could not divine their meaning. His mentors on Lycaeus had taught him of poetry, of rhyme and metre and cadence, but he had never quite been able to see the appeal. Poems reminded him too much of the work-songs the prisoners had invented to keep up their spirits while they had hewn with pick and laser drill at the unforgiving stone of the penal colony. The last three lines left Corax feeling disquieted, though, as if the Emperor had suspected that his Imperium could not endure any more than the great empires of mankind's long history.”
Synopsis
“When I was a young boy My father took me into the city To see a marching band He said, "Son, when you grow up Would you be the saviour of the broken The beaten and the damned?" He said, "Will you defeat them? Your daemons, and all the non-believers The plans that they have made?" "Because one day, I'll leave you a phantom To lead you in the summer To join the black parade” Corvus Corax M31.1312
The Raven Guard are still barely alive on Isstvan V and are rescued by Commander Branne, who was guided by prophetic dreams. Beyond two ships sent back to Deliverance, his homeworld, Corax and his remaining forces head to Terra to see the Emperor. That’s good.
However, the Alpha Legion have surgically modified some of their Space Marines to look like slain Raven Guards and even implanted memories into them, to act as sleeper agents and pass on relevant intel. That’s bad.
Corax meets with Dorn and Malcador, and learns that the Emperor is a little busy currently and is unable to meet with him. Getting annoyed Corvus is met psychically by the Emperor, who gives him knowledge of how to access the remains of the ‘Primarch Project’.
With this knowledge Corax can restore his legion, possibly to even greater strength than before Isstvan.
But to get the knowledge, the Raven Guard have to get through a technological Labyrinth that is constantly changing and preventing them access (essentially a ‘Dungeons and Dragons’ moving maze). Corax uses his massive super duper primarch brain power and solves the labyrinth to keep it open. Inside is the ‘Primarch Project’, which can be used to make new Space Marines and quickly mass produce them.
The first of these new marines, dubbed the Raptors, are trained and deployed, striking a Word Bearer garrison hard. Estimates project the traitor legions will be outnumbered in months.
The Alpha Legion cannot allow this, so they rebalance the scales. A genetic poison, concocted from daemon blood, is introduced to the Raptors gene seed.
Soon the Raptors show rapid signs of mutation, morphing into hideous crowlike monsters. There is a certain irony that they resemble the same mutated Word Bearer possessed marines that struck them down on Isstvan. In a show of mercy or desperation, Corax allows the Raptors to remain. It is likely they will serve their legion until their use is no longer required. Omegon (the other primarch of the Alpha Legion) then attacks the gene seed project and chaos breaks out as the sleeper agents emerge and start slaughtering everything in their way. The mutated Raptors are released to fight back and prevent the Alpha Legionnaires escaping. Luckily, a Mechanicum super soldier has arrived to pick up the gene seed and I'm sure he is an upstanding member of society who can be fully trusted….
Corax is annoyed but determined. The remaining Alpha Legion agents are discovered and executed. It is time to strike against Horus and an unlucky unit of Emperor’s Children are wiped out by cunning lightning strikes and feints. The Raven Guard are victorious and plan to harry the Warmaster’s forces in their slow advance on Terra….
Review: Good ideas that do not always come together into a great plot. We genuinely really like this book but there are a few parts that just don’t work.
Labyrinth is an odd design choice; why have a primarch project that can only be solved by a primarch? It is very odd to seclude it in this particular way. Why not stick it on Mars in the Labyrinth? This is the second Labrinth the Emperor is keeping secrets in; why!? It doesn’t really achieve much by keeping it in there. Do we really think Pertarabo or Magnus would not be able to solve it if they turned up? Then they take the super secret project to a world currently experiencing a rebellion…Brilliant, just brilliant. Why not do the mass recruiting experiments on Terra until it is working? It might have made more sense to steal it and raise the stakes and betray Dorn and Malcador, but working for the greater good of the Imperium. It is a minor thing but it slows the book down considerably and you know Corvus is going to solve the puzzle, so there is no tension.
The attack on the Emperor's Children is such bolter porn. The attack on the Perfect Fortress is so not Slaaneshi; it's just a place that needs attacking by the Loyalists and is never mentioned again. Where are the weird palaces of pleasure and the civilians being turned into drugs?
Tinfoil Hat Time We do not have an answer to this one - but did the Alpha Legion send psychic messages to Deliverance? Because if not, why bother to have sleeper agents to a dead legion that was trapped on Istvaan V? Tinfoil Hat Time
I really enjoyed the scene where an Alpha Legion sleeper agent is nearly unmasked during combat training. He uses a move that is only known to the Alpha Legion, and is questioned by the other marines. “I saw someone use it on Isstvan” - he says and teaches the other Raven Guard. Internally he knows Alpha Legion marines will die due to his lapse in concentration.
I do fully sympathise with Omegon on throwing the whole Cabal plot out of an airlock.
Score: 7.5/10 - An solid good book with interesting ideas that just has a few issues from ideas that do not really make sense. We would recommend rereading this one for the cool bits and maybe breezing through the weirder bits. We are incredibly happy to meet Corax and have a more humanised primarch character who considers what they are doing and thinks about it.
Cover: The motion blur on Corvus is superb. He does look like a grim dark Beatle with that mop top unfortunately, but it does seem to suit him. Space marine is looking the right way finally. It might be set in the Perfect Fortress, but we are not 100% sure.
Heresy Watch: In the aftermath of Isstvan V, the Raven Guard have been decimated but Corvus has escaped and is determined to carry on harassing Horus with hit and run strikes. As a giant invisible birdman, he demonstrates he is more than capable of it. Interestingly, the Emperor’s Children stationed at the Perfect City seem to still be protecting the civilians there. The Alpha Legion are fully acting for themselves; they prevent the Raven Guard using the modified gene seed, give Horus flawed intel for it and end their relationship with the Cabal. They are acting for themselves. The Emperor is struggling to deal with the mess Magnus created and has to psychically communicate through Malcador (apparently 2 years before it happens. Let's not bring that up again).
Legion Watch/Number of Book(s):
Dark Angels: 4
: 2
Emperor’s Children: 7
Iron Warriors: 5
White Scars: 2
Space Wolves: 4
Imperial Fists: 8
Night Lords: 3
Blood Angels: 1
Iron Hands: 3
: 2
World Eaters: 9
Ultramarines: 5
Death Guard: 4
Thousand Sons: 5
Sons of Horus: 8
Word Bearers: 9
Salamanders: 2
Raven Guard: 4
Alpha Legion: 5
The Emperor: 7
Another entry for Rogal Dorn. Major characters from various traitor legions show up in the novel, inflating their count. Salamanders and Blood Angels are still forgotten about.
Tropes Watch: Are we the baddies?: 33
The Emperor has a ever shifting Labyrinth containing his secret projects, which has serious Bond villain vibes.
The Alpha Legion literally replace their faces with dead Raven Guard to become undercover agents.
It's definitely not gay: 19 “The Emperor reached out a hand and Corax felt hot fingers upon his brow. Energy flowed through the primarch, knitting his shattered bones, stemming his pouring blood, healing wounded muscles and organs. The primarch gasped, filled with love and adoration.” C’mon man, that's your Dad…. Given that description of injuries shouldnt Corax already be dead? Anyway?
How not to parent 101: 23
Oh Corvus. The poor guy is a little crazed in his quest to get the Raptor project working and it all goes horribly wrong. It was a big gamble and it did not pay off (due to Alpha Legion sabotage but still…)
The Emperor psychically meeting with Corax is an afterthought! And only when Corax gets mad. The son has literally returned home from hell and is confronted by evil stepmother Malcador who says that “dad is way too busy”. If The Emperor cared he would have put plans in place to send a message, help, or even just ask if Corax is ok?
Erebus!!!: 17 Besides the actual Erebus being here and worming his way as usual, Athithirtir is bloody annoying and tries to order Omegon to follow the Cabal. He fully deserves his fate, having alerted the Alpha Legion to what the Raven Guard were doing.
“Alpharius sat down, reluctantly accepting the Warmaster’s invitation, darting a warning look at Erebus just as the Word Bearer opened his mouth to speak. ‘Save your posturing for those that are swayed by it,’ said Alpharius. ‘Your change of loyalty proves the vacuity of your proselytising. You are privileged to stand in the presence of your betters, and should know not to speak until spoken to.’ The primarch enjoyed the contortions of anger that wracked the First Chaplain’s face, but Erebus heeded the warning and said nothing.” All it took was a primarch to finally shut him up.
Does this remind you of anything?: 32
Vicente Sixx (the Raven Guard Chief Apothecary) also doubles up as a singer and bass player in his spare time. His covert name is probably Dr Feelgood.
The super secure labyrinth is basically a one shot DnD dungeon.
Idiot Ball: 1 New trope this week after we keep noticing it. Why did the Alpha Legion sleeper agents stick around after the attack? They knew the Raven Guard knew there were agents, and they all get identified by their DNA and killed shortly thereafter. The Alpha Legion seem to be either amazingly smart and well prepared or absolute idiots. The Custodes have had it for weeks, so it's nice for someone else to have it. There is an argument for someone holding the Idiot Book for every book and we may list them all next week....
submitted by JudgeLex to 40kLore [link] [comments]


2024.05.20 20:44 xXFl1ppyXx I had a week off and got the Itch to Play NFSU2

I had a week off and got the Itch to Play NFSU2
Miata
Corolla
Finished two Playthroughs. Was quite a ride i must say. Last time i've played this was in 2010 when i still had Win7
First step was to get a hold of a Disc Drive to get the physical copies converted to ISOs. Technology had me living on recruit difficulty the last years so i never noticed i don't have a disk drive anymore. I didn't want to order one (takes too long....), because i know my dad still had one lying around, but after waiting for two hours all i've got was an IDE one. Was it Master? Was it Slave? Was it Cable Select? Just kidding, had only one Drive and no IDE Ports on the Board *sigh*
Great, so i drove to my workplace to grab an external USB Drive (1,5h roundtrip), hook that up and after tinkering for two more hours realized that my CDs seem to have failed.
By then it was late in the evening so i've put on my eyepatch, hooked the parrot up on the shoulder and went searching the Internet for some good old warez
Found several CDs and downloaded like my life dependet on it. But Some Websites looked so dodgey that i had to browse in my WSL Firefox Browser because i'm sure as Hell not catching any strange Viruses at my age.
First few Downloads were kindly "repacked" with serialz, keygens (i was disappointed that keygens nowadays don't have toptier 8bit music anymore, those things were quite the the spectacle back in the days (TM)) so i've discarded them almost instantly
But then i've discovered my abandonware from wich i've downloaded a clean (at least i hope that it was) copy of two disks ready to install the game.
Now while waiting for downloads to finish i've read Posts left and right about the state of the game in 2024 with Win11. i've prepared a pot of coffee to have something energizing me throughout the night while i've try to get this game to run
Game installation worked smoothely (shockingly), then i've patched to 1.2 and created the foobar file.
Tried to launch the game...
...nope, doesn't work anymore. yeah it was just foobar without extension in the same folder as the speed.exe
Now what next. Well, there is this one site that i've visited for such things back in the past and never given me the flu. I don't know if it's allowed around here so i won't say that the site's website rhymes with namecopyworld
Got my speed2.exe, felt like a kid again while at the same time totally drained and launched the game...
...success!!!
yes, now just to setup 16:9....
...well...
*sigh*
But this was surprisingly easy. I love softmods. Thanks at the kind soul that made this possible. Graphics ramped up the max, configured my Switch Pro Controller (oh what a fool i was, thanks for this too you kind soul) and started a carreer.
So, skipped the usual yadda yadda and 10 minuted to midnight i've drove around in rachels car.
But steering somehow felt like shit. Funny, i can't remember the car was this underwhelming.
Grabbed the Miata and prepared for some tight cornering. But that Car also felt like shit...
...every Car steered like an SUV and Drift was stupidly hard. Had i've remembered everything in rose tinted nostalgia googles?
Well, not exactly. At some point i've accidently steered with the DPAD and the realization hit me like a bolt. That steering, that what was i remembering. I was already in Stage 3 by then.
So i did a deep dive into why my controls suck so hard. I know that there are several protocols wich can be used to feed gamepad input into a game so i've started there. Then i've read that my gamepad in the first place only works because of the widescreen fix. Checked what i needed, got a wrapper...
...did so much stupid shit i can't exactly explain in detail, post is long enough already and there is still somewhat left to tell...,
But it was the Controller. I don't know why i've never experienced this but the Pro Controller seems to have some jank with his analog steering. I never had Problems with Retroarch, PC2SX (wich i have running via direct input too) or any other thing i used the Controller on (it's my GoTo because it pairs directly with my PC without some Software Junk that needs to run first). A random post somewhere on the Internet said he had exactly this problem in some random game...
I then used my old SixAxis PS3 Controller becaue i never had, or will have an xbox and my daughter uses my PS4 controller while playing Minecraft. Earlier i said i usally take the Switch Pro Controller because it's an easy paired Bluetooth Controller...
...well the SixAxis is not. So i've spend another few hours onto getting the SixAxis Controller to work. But it does work now and better than ever before. Even via Bluetooth without dedicating a complete Bluetooth dongle for that weird Stack
Well i had a working XInput Controller now so i also got the Xtended Input softmod (uuuuhh i can rotate my cars on the carousel now. and brake and throttle at the same time!)
Then i had a completely working Installation and could end two playthroughs without hiccups or crashes. And i think that's also thanks to the widescreen Fix. I've read some horrible stuff about a lot of random crashes that seem not to appear if the game runs on one CPU only (what the mod manages to do)
Lastly, i'm one of the guys that automatically opens ini Files if i see them (old habbits). Thanks to the Widescreen Fix i have my working Installation portable in my cloud Drive (with my savegames and settings) because there was stuff for that too in that fix
And now i've got some questions regarding the game:
Can someone give me some tips for Dyno Tuning the Miata? Specifically Circuit / URL. I can't get that thing to Powerslide through tight turns.
When going into the Dyno and tinker with the Cars hight:
Left = Car is High
Right = Car is Low
Or is it the other way around?
What would be the best pick for 2nd unique performance upgrade? I don't intend to do that dyno glitch thing. Took the Turbo on the Miata and the ECU on the Corolla
Does the Corolla really get an 4WD with his last upgrade? I havn't noticed anything
If i'm doing drag races do i need to adjust the Drivetrain according to the length of the Track? I somehow got the gut feeling that one Setup doesn't work all Drag Races
100% Hard Mode: Anyone Here that already done this? I mean, you'll need to get 250 Rep min throughout Stage 4 to pick Greddy in Stage 5. That sounds horrible considering how annoying the rubberbanding is (and that on normal!)
submitted by xXFl1ppyXx to NFSU2 [link] [comments]


2024.05.20 18:36 Polter-Cow Narc 4K Review

Narc 4K Review
I’d never seen Narc, but I heard good things, so the Arrow 4K was a blind buy for me. Luckily, it paid off! I understand why this movie has such a following now. If you’re a fan of throwback seventies cop thrillers filtered through an early 2000s visual aesthetic—and who isn’t—this is a compelling crime film with two great performances from Jason Patric and Ray Liotta that traffics in a haunting moral grey area by the end. I’ve got a whole review of the movie here, but I wanted to talk more about the release.
https://letterboxd.com/ghostwritingcow/film/narc/
I don’t really have a point of comparison apart from YouTube clips, so I don’t know how this 4K compares to the Imprint Blu-ray, but it looked beautiful to me with clear grain for you grainheads. The splashes of color really stand out because of the largely muted tones. I don’t know any of the technical stuff, but to this layman’s naked eye, it looks great.
Sounds great too, though the Atmos track seemed like more of a souped-up 5.1. Be forewarned, it gets LOUD at times, seems like the balance is off because I wanted to turn the volume down after some intense gunshots but then back up because those were just audio spikes and the rest of the movie was at a reasonable volume.
As for the special features, apart from the booklet, which does have essays and interviews and articles worth reading, there are over SIX HOURS of special features to watch (not including the commentary track), but I wouldn’t say it’s Arrow’s strongest package. So I wanted to guide anyone who wanted to be more conservative with their time.
Of the new Arrow-exclusive features, the interview with Joe Carnahan is absolutely worth watching, as he has some good insights and stories to share that aren’t found elsewhere on the disc, and the interview with costume designer Gersha Phillips is worth a watch since we don’t always get to hear from costume designers and she’s also a warm and funny subject. On the other hand, the video essay by cinematographer Alex Nepomniaaschy is disappointing and the interview with actress Krista Bridges is…fine, she seems lovely, but it’s not a very insightful interview.
The archival featurettes are all good, though! Your standard EPK stuff but good behind-the-scenes info. You can skip the 10-minute “The Friedkin Connection,” however, because if you want to hear from William Friedkin, you’re better off just watching the unedited 36-minute interview to get his responses.
Arrow threw on hours and hours of unedited EPK interviews, and if you’re pressed for time, you can definitely skip a few of them, namely the ones by producer Diane Nabatoff, cinematographer Alex Nepomniaschy—I really wish he were more interesting, but in general he doesn’t say anything different from what you can get from Joe Carnahan—and actor Jason Patric, who really sounds like he doesn’t want to be there. Meanwhile, apart from the aforementioned Friedkin segment, I definitely recommend both Joe Carnahan interviews and both Ray Liotta interviews. Carnahan’s fascinating to listen to, and Liotta’s a very fun subject. It’s worth it just to hear the delight with which he says, “Busta Rhymes!”
If you’re a completist like me, you’re gonna watch everything anyway, but hopefully this was helpful if you’re daunted by the amount of special features on that bonus disc! With my recommendations, you’re only looking at, uh, under 4.5 hours, but most of that is those unedited interviews you can basically treat like podcasts and listen to while you do other stuff.
submitted by Polter-Cow to 4kbluray [link] [comments]


2024.05.20 18:36 Polter-Cow Narc 4K Review

Narc 4K Review
I’d never seen Narc, but I heard good things, so the Arrow 4K was a blind buy for me. Luckily, it paid off! I understand why this movie has such a following now. If you’re a fan of throwback seventies cop thrillers filtered through an early 2000s visual aesthetic—and who isn’t—this is a compelling crime film with two great performances from Jason Patric and Ray Liotta that traffics in a haunting moral grey area by the end. I’ve got a whole review of the movie here, but I wanted to talk more about the release.
https://letterboxd.com/ghostwritingcow/film/narc/
I don’t really have a point of comparison apart from YouTube clips, so I don’t know how this 4K compares to the Imprint Blu-ray, but it looked beautiful to me with clear grain for you grainheads. The splashes of color really stand out because of the largely muted tones. I don’t know any of the technical stuff, but to this layman’s naked eye, it looks great.
Sounds great too, though the Atmos track seemed like more of a souped-up 5.1. Be forewarned, it gets LOUD at times, seems like the balance is off because I wanted to turn the volume down after some intense gunshots but then back up because those were just audio spikes and the rest of the movie was at a reasonable volume.
As for the special features, apart from the booklet, which does have essays and interviews and articles worth reading, there are over SIX HOURS of special features to watch (not including the commentary track), but I wouldn’t say it’s Arrow’s strongest package. So I wanted to guide anyone who wanted to be more conservative with their time.
Of the new Arrow-exclusive features, the interview with Joe Carnahan is absolutely worth watching, as he has some good insights and stories to share that aren’t found elsewhere on the disc, and the interview with costume designer Gersha Phillips is worth a watch since we don’t always get to hear from costume designers and she’s also a warm and funny subject. On the other hand, the video essay by cinematographer Alex Nepomniaaschy is disappointing and the interview with actress Krista Bridges is…fine, she seems lovely, but it’s not a very insightful interview.
The archival featurettes are all good, though! Your standard EPK stuff but good behind-the-scenes info. You can skip the 10-minute “The Friedkin Connection,” however, because if you want to hear from William Friedkin, you’re better off just watching the unedited 36-minute interview to get his responses.
Arrow threw on hours and hours of unedited EPK interviews, and if you’re pressed for time, you can definitely skip a few of them, namely the ones by producer Diane Nabatoff, cinematographer Alex Nepomniaschy—I really wish he were more interesting, but in general he doesn’t say anything different from what you can get from Joe Carnahan—and actor Jason Patric, who really sounds like he doesn’t want to be there. Meanwhile, apart from the aforementioned Friedkin segment, I definitely recommend both Joe Carnahan interviews and both Ray Liotta interviews. Carnahan’s fascinating to listen to, and Liotta’s a very fun subject. It’s worth it just to hear the delight with which he says, “Busta Rhymes!”
If you’re a completist like me, you’re gonna watch everything anyway, but hopefully this was helpful if you’re daunted by the amount of special features on that bonus disc! With my recommendations, you’re only looking at, uh, under 4.5 hours, but most of that is those unedited interviews you can basically treat like podcasts and listen to while you do other stuff.
submitted by Polter-Cow to boutiquebluray [link] [comments]


2024.05.20 18:16 SaucyPumpkin1 Need help finding a song, possibly from The Struts (or similar)

The part my brain has latched onto is the chorus doing some variation of 'oo-ah oo-ah / OoO-OoO / woo-woo' at a pretty high pitch.
I feel like the lyrics before this are some rhyming scheme ending with 'You'; like 'coming at you' or something.
I feel really strongly that it's by The Struts, but after lyric searching and sampling i've come up empty. Possibly a similar sounding band?
EDIT: It was Smash Mouth - So Insane
submitted by SaucyPumpkin1 to NameThatSong [link] [comments]


2024.05.20 18:09 iwannawatchWJC “Not Like Us” was dumbed down for mass appeal - the Drake way - and imo proves he can make hits whenever he wants to

I’m gonna try and not sound like a stan but kinda tough not to with these thoughts lol
Kendrick intentionally made Not Like Us easily accessible, easily understandable, and “dumbed it down” for mass audiences for maximum appeal.
This is the Drake way.
Kendrick could make hits whenever he wants. Shit, he’s probably sitting on 10 more songs just like Not Like Us, but he doesn’t make music to become hits. That’s lame as fuck. I’ve been saying it to my friends for years without any real proof, but this feels a lot like proof.
The main difference between kendrick and drake, imo, is where the music comes from and the intention behind it. To me at least, Drake makes songs as catchy as possible with the goal of charting high. Majority of the time these songs make no sense in the overall context of an album, assuming there even is one and it’s not just a collection of songs thrown together. And he does make hits (or used to at least).
When kendricks songs chart, it’s not because they were made with the goal of becoming a hit single. They’re hugely important songs in the overall context of the album. And they’re just that good that they end up charting.
MAAD City is a banger, yes, but also is imo the definitive song on the album. It explains a lot, makes you feel the same adrenaline he felt riding down rosecrans. Humble buuuuumps but goes perfectly in the album. And in all his songs that chart, the lyricism is still ridiculous. Triple entendres, insane flows, crazy beats.
But Not Like Us was dumbed down by Kendrick’s standards to make it so easily understandable that even drake’s core audience (V12 it’s a fastttt one) will understand him and fuck with this song.
“Say Drake, I hear you like em young. You better not ever go to cell block one”
When would you ever hear him with such a simple rhyming pattern other than this song? I feel like kendrick feels like this type of simple rap is probably beneath him too. As he puts it:
“The mannerisms of Raphael, I can heal and give you art
But the industry's cooked as I pick the carcass apart”
He chooses to give us art knowing full well a lot of people won’t fuck with it, but the ones that do will reaaaaallllly connect with it and it may even make a difference in their lives. He says as much in Meet the Grahams.
It reminds me of Radiohead versus a band like Coldplay. Radiohead does not make music with the intention of hit singles and charts. And the ones that do chart are just that good. But Coldplay a lot of the time feels like they make music to become big and rich. Two different kinds of bands, and Radiohead is muuuuuuuuch more respected than Coldplay to anyone with at least a little knowledge about it.
Coldplay fans (like Drake fans) will point to numbers. Streams, charts, all that shit.
Radiohead fans (like kendrick fans) will point to art, critical success, respect, etc..
It’s prob why my favorite artists all really don’t enjoy being famous like drake does. To me that just comes off as lame af, narcissistic, egotistical, surface-level. But I know a lot of people don’t care about that, they just want something to dance or bop their heads to.
Either way, dumbing himself down and making a hit song that calls Drake a pedo is pretty genius and im glad he did it. I feel a lil more vindicated saying kendrick could drop hits but chooses to make art. Sounds super glazey ik but I really do believe it.
He smoked him on bars in Euphoria, shit is just a classic rap beef song and my fav from the whole beef.
He had some of his best bars in 6:16 in LA over a smooooth beat.
He murdered him on MTG.
And he out-hit-songed him with Not Like Us, which is funny cause that’s legit the only thing Drake had. And kendricks ruining him numbers-wise in this beef.
TLDR; Kendrick kinda dumbed himself down in NLU, the Drake way, for maximum airplay. It’s smart, and now people know he can drop hits whenever he wants.
submitted by iwannawatchWJC to KendrickLamar [link] [comments]


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