Avant garde photography

Avant Garde Music

2009.02.02 01:56 Avant Garde Music

This all sounds improvised
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2009.01.09 08:21 AVANT_GARDE

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2012.12.24 16:18 AD1337 Avant-Garde: artist game in modernist Paris

Community for the game Avant-Garde.
[link]


2024.05.19 09:06 willsc1367 Ma mère me demande de me rasé. Mais pas envi d'accéder à sa demande. Que faire?

Ma mère me demande de me rasé. Mais pas envi d'accéder à sa demande. Que faire?
Bonjour,
J'aurais besoin de conseils, et d'avis.
La semaine prochaine c'est la fête des mères. A cette occasion. Ma mère et ma grand-mère viennent chez moi. Je suis content d'autant plus, que je vois rarement ma grand-mère.
Ma grand-mère est sgée de 86 ans. Et n'est pas au courant que je suis trans. Car selon ma famille, à son âge elle ne comprendrait pas mon changement. Ok... En sa présence j'accepte (même si c'est pénible) de me faire mégenré...
Mais voilà, cette semaine au téléphone m'a demandée au téléphone " Tu sais que je viendrais avec mamie, si tu pouvais..." Elle n'avait pzs terminais sa phrase, que j'avais compris "Oui maman je sais que je dois me rasé, a cause de mamie"...
J'aime ma grand-mère plus que tout. Et drpyis 4 ans, que mon grand-père n'est plu la. Je veux qu'elle garde une belle image de moi.
Je suis à 13 mois sous T. Je me sens super bien physiquement. Mais voilà la demande de ma mère me terrifie. Cela fait peut-être cliché. Mais sans ma barbe, je me sentirai comme nu. C'est comme je redeviendrais comme avant. J'ai 34 ans. Et je devrais encore écouté les injonctions de ma mère... Non... Et pourtan, je ne veux pas annulé ce repas de fête des mères. Est-ce qu'à 13 mois sous T. Sans barbe. Suis-je assez masculin? Y a t-il a moyen de cacher ma barbe, sans être obligé de me rasé?
Merci
William
submitted by willsc1367 to transgenre [link] [comments]


2024.05.19 08:16 xdadrunkx Besoin d'avis sur reconversion dans le domaine de la Data/IA et choix de carrière

Hello, j'aurais besoin de votre avis sur ma situation actuelle et la choix que je m'apprête à faire.
Déja je préviens, Pavé césar.
Pour résumer ma situation : j'ai bientôt 35 piges, BTS info dev, je bosse depuis l'obtention de mon diplôme dans l'IT secteur région Toulousaine mais rien d'extraordinaire niveau métier. Depuis 2 ans je suis dans une boite où je suis technicien/admin système et réseau ( je précise tech/admin parce qu'en vrai on fait un peu plus qu'un tech d'exploitation mais moins qu'un admin => on gère pas tout ce qui est développement de l'architecture l'infra etc ) J'aime ce métier et ce que je fais, et jusqu'à présent je me posais pas trop la question sur ma carrière.
Sauf que, joie de l'infogérance, on perd cet été le contrat sur lequel je suis. Mon rythme de boulot étant très particulier ( une sorte de contrat VSD ) , mon employeur veut donc me repositionner sur un contrat qui n'a plus rien à voir niveau emploi du temps. Pour résumer, je vais gagner moins pour travailler plus.
Et cerise sur le gateau, mon rythme de vie changeant drastiquement, je vais donc perdre des jours de garde de mon enfant .... Subir les bouchons à nouveau ( comme le commun des mortels je vous l'accorde)
Y'a donc rien qui va sur le papier.
Y'a un domaine par lequel j'ai toujours été fasciné : la data. ça fait plusieurs années que ça me titille mais j'ai jamais franchi le pas de quoi que ce soit pour la simple et bonne raison que j'ai toujours eu, jusqu'à présent, ce que j'appelle, un CDI prison ( avant celui où je suis donc). Le bon vieux CDI où tu gagnes pas assez pour mettre de l'argent de coté, mais tu peux pas te barrer comme ça parce que tu toucheras pas le chomage dérrière et ton employeur lachera jamais une rupture conventionnelle ... ... J'ai sur mon temps libre durant les dernières années quand même un peu taté le terrain avec des formations udemy, coursera et autres sur la data, python etc. Mais la data étant un sujet tellement complexe et vaste, j'ai vite perdu confiance car je sais très bien que c'est pas avec des formations coursera que j'obtiendrais un poste junior. Cependant avec l'arrivée massive de l'IA ces dernières années, le monde de la data n'est jamais loin dans ma tête, c'est même pire, l'IA et le machine learning me fascine niveau application et possibilité.
Avec la perte de notre contrat, je pense cependant que mon employeur si je lui demande acceptera la rupture conventionelle. Cela m'ouvrirait donc des droits au chomage, et j'ai regardé mon cpf qui est à 5k ( + 4 points pénibilité donc si je comprend bien 7k en tout )
Et c'est là où je me suis fait la réflexion : attend mais est ce que ce n'est pas le bon moment ?
J'ai trouvé par la suite après mes recherches une formation pour les métiers de la Data. Je sais que c'est pas la voie royale, je vais pas sortir du MIT avec ça en poche, mais niveau porte d'entrée je pense que c'est un bon choix. L'école en question c'est Jedha.
Le gros point positif c'est que c'est une formation reconnue par l'Etat, avec un titre RNCP bac +5 : Architecte en Intelligence Artificielle Là encore, attention, j'ai bien conscience que ce n'est "qu'un" titre RNCP et qu'il faudra que je me vende beaucoup plus qu'un diplômé master traditionnel. En plus de ça, la formation est accessible à distance en temps partiel, cela veut dire que vis à vis de mon enfant, je n'ai pas à modifier mon planning et mes jours de garde en semaine actuels. c'est un gros plus. Je peux aussi aller en présentiel sur le campus qu'ils ont à Toulouse si j'en ai envie de temps en temps.
Ils proposent de suivre un package Data Science sur 3 étapes :
Data Essentials Data Scientist Full-stack Data Engineering
Si je suis les trois modules à la suite ( c'est le dernier qui récompense d'un certificat ), ils estiment la durée totale à 11 mois avec 2h par jour minimum et un samedi sur deux complet en classe. En vrai je serais à bien plus par jour, mais c'est pas pour autant que j'irais plus vite, j'aurais juste plus de temps pour pratiquer à coté et digérer ce que j'apprend. C'est en partie ça que j'aime pas avec les formats bootcamp, j'ai l'impression que tu apprends tellement de chose sur un court laps de temps qu'à la sortie tu oublies déjà ce que tu as fait à l'entrée.
En parallèle du cursus, il y'a la possibilité également des passer des certifs éditeurs.
Niveau cout : 11k oui c'est pas rien, mais je relativise en me disant qu'avec mon cpf jamais touché, et si j'ai bien compris le fonctionnement des points pénibilité, il me resterait 4k à financer. Il y'a peut être moyen de faire passer ça via Pole Emploi ou Transitions Pro, et dans le pire des cas j'ai de l'argent de coté pour me le payer.
J'ai l'impression que ce cursus aborde à peut près tout les points que j'attendrais d'une telle formation, la spécialisation Data Engineering étant je pense celle qui pourrait vraiment peaufiner ce parcours en abordant clairement l'IA et le machine learning.
Mon parcours actuel m'ayant fait touché le monde de l'administration, de l'infra, du stockage ( pas vraiment du cloud pour le moment ) + la formation jedha qui couvre l'IA et le machine learning, je me dis que je pourrais cibler une spécialisation MLOPS : un hybride Devops / Data Engineering. Je pense pas décrocher ce genre de boulot dés la fin de ma formation cependant, enfin du moins, c'est pas ce que j'espère, j'ai consicence que ça sera plus dur que ça sur le papier à convaincre un employeur. Mais dans le "pire des cas", je pense que mon cv pourrait convaincre pour un poste junior dans la data.
Le truc ultime qui finit de me convaincre c'est que je me dis que dans le pire des scénarios, aka je trouve pas de boulot dans le domaine parce qu'on me prend pour un clown, et bah j'irais postuler pour faire admin système .... C'est à dire ce que je vais devoir faire quoi qu'il arrive bientôt.
Donc j'arrive pas trop à analyser si je suis en train d'avoir la poussée d'optimisme la plus forte de ma vie en perdant la raison et la réalité du marché de l'emploi, ou si au contraire, c'est le bon moment et tout les astres s'alignent pour essayer de push ma carrière vers le haut.
Merci en tout cas de m'avoir lu en buvant votre café.
Je vais finir par 3/4 questions randoms :
Encore merci
submitted by xdadrunkx to programmation [link] [comments]


2024.05.19 07:44 No-Fix6580 Comment gérer une séparation binationale ?

Bonjour à tous.
Bon... C'est la merde...
Sans rentrer dans les détails de comment on a pu en arriver là, mais clairement on n'arrive malheureusement plus à se comprendre. Je suis M36 avec F38, pacsés, et nous avons un enfant de bientôt 1 an. Il est probable que sans cet enfant nous serions déjà séparés. De son côté elle parle plus en plus souvent de séparation, j'ai toujours essayé d'éviter ça, sûrement que je m'accroche au modèle que j'ai toujours connu (mes parents sont toujours ensembles) mais ça semble malheureusement mal parti. La difficulté supplémentaire est qu'elle est étrangère, de mon côté je suis français. Nous envisagions de déménager dans son pays d'origine d'ici quelques mois, je suis actuellement en recherche d'emploi pour ça. Sauf que si séparation il y a, les choses ne sont pas si simples. Je pense que nous sommes tous les 2 conscients que s'il y a séparation, l'enfant a de forte chance de rester dans le pays où il est à ce moment là. Et du coup je ne sais pas trop comment ça peut se gérer. D'un côté j'ai du mal à imaginer tout quitter en France pour aller m'installer en temps que parent célibataire dans un pays où je ne connais personne, de l'autre je n'ai pas envie non plus de lui imposer de rester en France, car elle n'y a pas spécialement d'attache, elle y est depuis moins de 7 ans (avant notre rencontre), de plus elle n'aura plus de travail d'ici quelques mois, et vu son domaine particulier, c'est assez difficile pour elle de trouver un travail correspondant à ses qualifications. De façon logistique, les 2 villes sont distants de quelques heures de train, mais c'est évidemment beaucoup trop tôt pour envisager une garde partagée à distance.
Bref, malheureusement je suis bien conscient qu'il n'y a sûrement pas de solution miracle, donc je ne sais pas trop ce que j'attends, mais si jamais certains ont des témoignages je suis preneur.
Merci de avoir écouté.
submitted by No-Fix6580 to ParentingFR [link] [comments]


2024.05.19 06:33 WolfyTKer01 Where can I buy a Hatsune Miku Avant-Garde figure? The Miku-Chan moduel used in Hatsune Miku Project Diva F 2nd Akatsuki Arrival song. This is one of my favorite Miku-Chan dress outfits she wears.

Basically, the dress Hatsune Miku wears in this song looks like this. Here is the Akatsuki Arrival song she first wore the dress in. https://youtu.be/VKVB1j00Ppk?si=ZYQ6sEvEOFWOWLRX Miku Hatsune sings a duet with Megurine Luka in this song. I've never been able to find an Avant-Garde Miku Hatsune figure selling anywhere. Like my local citie, Arcade sells Hatsune Miku Project Diva, Project Sekai Colorful Stage and Snow Miku/Magical Miral figures, I've never been able to find an Avant-Garde Miku figure selling anywhere. Not eve online. If anyone had any information, please help me. Please send some links to where I can buy the figure at. Would anyone be able to make one using a 3D printer? I'd buy it off of you if you made one.
submitted by WolfyTKer01 to hatsunemiku [link] [comments]


2024.05.19 06:32 WolfyTKer01 Where can I buy a Hatsune Miku Avant-Garde figure? The Miku-Chan moduel used in Hatsune Miku Project Diva F 2nd Akatsuki Arrival song. This is one of my favorite Miku-Chan dress outfits she wears.

Basically, the dress Hatsune Miku wears in this song looks like this. Here is the Akatsuki Arrival song she first wore the dress in. https://youtu.be/VKVB1j00Ppk?si=ZYQ6sEvEOFWOWLRX Miku Hatsune sings a duet with Megurine Luka in this song. I've never been able to find an Avant-Garde Miku Hatsune figure selling anywhere. Like my local citie, Arcade sells Hatsune Miku Project Diva, Project Sekai Colorful Stage and Snow Miku/Magical Miral figures, I've never been able to find an Avant-Garde Miku figure selling anywhere. Not eve online. If anyone had any information, please help me. Please send some links to where I can buy the figure at. Would anyone be able to make one using a 3D printer? I'd buy it off of you if you made one.
submitted by WolfyTKer01 to Vocaloid [link] [comments]


2024.05.19 06:29 WolfyTKer01 Where can I buy a Hatsune Miku Avant-Garde figure? The Miku-Chan moduel used in Hatsune Miku Project Diva F 2nd Akatsuki Arrival song. This is one of my favorite Miku-Chan dress outfits she wears.

Basically, the dress Hatsune Miku wears in this song looks like this. Here is the Akatsuki Arrival song she first wore the dress in. https://youtu.be/VKVB1j00Ppk?si=ZYQ6sEvEOFWOWLRX Miku Hatsune sings a duet with Megurine Luka in this song. I've never been able to find an Avant-Garde Miku Hatsune figure selling anywhere. Like my local citie, Arcade sells Hatsune Miku Project Diva, Project Sekai Colorful Stage and Snow Miku/Magical Miral figures, I've never been able to find an Avant-Garde Miku figure selling anywhere. Not eve online. If anyone had any information, please help me. Please send some links to where I can buy the figure at. Would anyone be able to make one using a 3D printer? I'd buy it off of you if you made one.
submitted by WolfyTKer01 to hatsune [link] [comments]


2024.05.19 06:12 Digitalmodernism 33M Looking for someone who is also into obscure music and likes to discover new stuff to listen to.

I love music and it would be awesome to find a fellow music buddy to chat with. I like all kinds of weird foreign stuff and avant-garde music. If you are into that sort of thing send me a chat or message with some of your recent finds!
Right now I have been listening to a lot of Japanese Art pop like A Dip in the Pool,Ippu Do, and Mishio Ogawa.33M Looking for someone who is also into obscure music and likes to discover new stuff to listen to.
I love music and it would be awesome to find a fellow music buddy to chat with. I like all kinds of weird foreign stuff and avant-garde music. If you are into that sort of thing send me a chat or message with some of your recent finds!
Right now I have been listening to a lot of experimental Japanese pop like A Dip in the Pool,Ippu Do, and Mishio Ogawa. I like tons of stuff though.
submitted by Digitalmodernism to MakeFriendsOver30 [link] [comments]


2024.05.19 04:33 Ambitious_Pomelo_747 Took an hour or two but not too bad

submitted by Ambitious_Pomelo_747 to bitlife [link] [comments]


2024.05.19 00:50 LyraAraPeverellBlack I’ve been watching old episodes of Fashion Runway with my mom and I made an outfit for the hornworm from All Stars season 3 episode 2 (it was an avant-garde outfit). Specifically I picked a hornworm that is host to parasitic wasp eggs.

I’ve been watching old episodes of Fashion Runway with my mom and I made an outfit for the hornworm from All Stars season 3 episode 2 (it was an avant-garde outfit). Specifically I picked a hornworm that is host to parasitic wasp eggs. submitted by LyraAraPeverellBlack to fashion [link] [comments]


2024.05.18 22:40 sundays89 The CAS gods smiled upon me: I only made a few tweaks to this Sim and the only CC is the hair and skintone. Her name is Kyoko Nishimura and she's going to be the next big thing! 💖

The CAS gods smiled upon me: I only made a few tweaks to this Sim and the only CC is the hair and skintone. Her name is Kyoko Nishimura and she's going to be the next big thing! 💖 submitted by sundays89 to Sims3 [link] [comments]


2024.05.18 22:11 Definition_Novel Vytautas Montvila: the Lithuanian Diaspora’s true unsung hero.

Vytautas Montvila: the Lithuanian Diaspora’s true unsung hero.
In the age of current mass glorification via media from Lithuania and the United States of diaspora Lithuanian fascists like Adolfas Ramanauskas (Ramanauskas was born in New Britain, Connecticut, USA and later moved to Lithuania, later collaborating with Nazis during their invasion) or Lithuanian exile fascists like Jonas Mekas, few diaspora Lithuanians remember the names of revolutionary socialist Lithuanian diaspora heroes like Vytautas Montvila or Antanas Bimba. Antanas Bimba was a Lithuanian involved in the early American Communist movement, and a post will be made for him sometime later. As for the story of Montvila, It is up to Lithuanians everywhere to give this man his credit as a hero and martyr against fascism.
Vytautas was born to to an ethnic Lithuanian Catholic immigrant family in 1902 in the city of St. Charles, Illinois. His family, like many Lithuanian immigrants to America at the time, left Lithuania due to persecution by czarist Russian Empire authorities, whom sought to ban Lithuanian language as well as restrict the Catholic Church in favor of Orthodoxy. This persecution under czarism caused many minorities, particularly ethnic Lithuanian Catholics and Lithuanian Jews, to move often to the United States, Canada, or South American nations. In 1906, he and his family returned to Lithuania, moving to the city of Marijampolė. The family later moved to Degučiai, then a Marijampolė suburb.
As Vytautas grew older, between the years of 1922-26 he joined the Kėdainiai Teacher’s Seminary. It was somewhat of a social club for study, covering a wide range of topics, such as science, culture, atheism, and philosophy. Members were of various political parties, but it was here Vytautas became acquainted with local Communist activists and gained entry into the wider movement. The communists at these meetings often discussed Marxist theory, offered to share sections of the Communist Manifesto, and recruited members into local Worker’s Guilds. In 1923, he began writing his early poetry, often revolutionary in nature and influenced by avant-garde style. In his most famous poem, “Naktys be Nakvynės” (ENG: “Nights Without Accommodation”), written early in his career, he champions revolutionary socialism and personifies art of poetry as a tool for revolution. His later work from 1940-41 reflects the new Soviet period, condemns the reactionary past, hoping towards a socialist future in Lithuania. These later poems were influenced heavily by the works of fellow Soviet poet V. Mayakovsky, whose works Montvila enjoyed. These later works by Montvila were of a topical oratorical style, and he is credited often with having laid the foundation for other Lithuanian Soviet poets at the time. Montvila also wrote short stories and portions of novels. Among other feats, he translated the novel “Mother” by fellow Soviet writer Maxim Gorky, from Russian into Lithuanian, as well as translated the writer Émile Zola’s novel “The Collapse” from its original French into Lithuanian.
He shortly then studied in the Faculty of Humanities at the University of Lithuania (Today, Vytautas Magnus University in Kaunas).
Following his departure from university, he began a life fully committed to revolutionary socialist activism. In 1929, in an effort to organizationally unify leftist writers against the bourgeoisie, he published the revolutionary almanac “Raketa” (ENG: “Rocket.”) For this, he was imprisoned from his arrest in 1929 to 1931. During 1935, he moved back to Marijampolė, and published the “Skardas” (ENG: “Tin”) worker’s newspaper for the Communist faction of the Lithuanian Social Democratic Party. He also published other socialist newspapers, titled “Darbas” (ENG: “Work”), “Kultūra” (ENG: “Culture”), “Aušrine” (ENG: “Dawn”), and “Prošvaistė” (ENG: “The Light”) for various leftist organizations. He simultaneously worked odd jobs to add to his livelihood.
Upon establishment of the Soviet Lithuanian government in 1940, Montvila, like many leftist Lithuanian citizens, was thrilled and ready for change, having been oppressed in a society previously plagued by issues such as anti-communism, rural serfdom, clerical fascism, anti-Semitism, and capitalist exploitation of all of the working people of Lithuania. Vytautas dedicated specialized time to working with Soviet authorities to publish and translate revolutionary texts from various authors, as well as delivering his own revolutionary pro-Soviet speeches. He continued this into 1941, the final year of his life.
Upon the Nazi invasion of Lithuania in mid-1941, he was captured by local collaborators and Gestapo. According to documents, he did not run or resist, rather instead defiantly, in true revolutionary martyr manner, insulted his captors. He was taken prisoner to the 9th Fort in Kaunas, where he was executed, being shot to death on July 19th, 1941, killed alongside many other Jewish and leftist victims of Nazi and collaborator fascist terror. To leftists who are aware of his heroism and revolutionary martyrdom, he is often compared to fellow revolutionary and Spanish poet F. Garcia Lorca, a leftist whom was executed by the Francoists. Vytautas, Lorca, and all revolutionaries shall be remembered forever. May we remember Vytautas Montvila, a hero to all Lithuanians, but especially to Lithuanians in the diaspora! Remember Vytautas Montvila, both uniquely a hero to Lithuanian-Americans, and the people of Lithuania!
submitted by Definition_Novel to SovietDiaspora [link] [comments]


2024.05.18 21:30 peopeopee Given: 1. The Waterfall, 2. The Illuminating Gas

Given: 1. The Waterfall, 2. The Illuminating Gas
I kept coming back for another look. Most people didn't realize what was hidden here, the plaque gives no indication. The map of the museum gives some. An old wooden door isn't very erotic in itself but it definitely smells erotic when you're peeping through. My heart started feeling weird, like a panic attack. It's really special. There are theories this is a self portrait of his female alter ego, that the peepholes are actually a camera-obscure projector, that it is a black dahlia reference. (For simpletons). That glimpse of blonde hair makes you squirm to read her face in vain. I feel destroyed. What do you think? The title makes me think of eternal mystery
submitted by peopeopee to redscarepod [link] [comments]


2024.05.18 21:18 Definition_Novel Vytautas Montvila: the Lithuanian Diaspora’s true unsung hero.

Vytautas Montvila: the Lithuanian Diaspora’s true unsung hero.
In the age of current mass glorification via media from Lithuania and the United States of diaspora Lithuanian fascists like Adolfas Ramanauskas (Ramanauskas was born in New Britain, Connecticut, USA and later moved to Lithuania, later collaborating with Nazis during their invasion) or Lithuanian exile fascists like Jonas Mekas, few diaspora Lithuanians remember the names of revolutionary socialist Lithuanian diaspora heroes like Vytautas Montvila or Antanas Bimba. Antanas Bimba was a Lithuanian involved in the early American Communist movement, and a post will be made for him sometime later. As for the story of Montvila, It is up to Lithuanians everywhere to give this man his credit as a hero and martyr against fascism. Vytautas was born to to an ethnic Lithuanian Catholic immigrant family in 1902 in the city of St. Charles, Illinois. His family, like many Lithuanian immigrants to America at the time, left Lithuania due to persecution by czarist Russian Empire authorities, whom sought to ban Lithuanian language as well as restrict the Catholic Church in favor of Orthodoxy. This persecution under czarism caused many minorities, particularly ethnic Lithuanian Catholics and Lithuanian Jews, to move often to the United States, Canada, or South American nations. In 1906, he and his family returned to Lithuania, moving to the city of Marijampolė. The family later moved to Degučiai, then a Marijampolė suburb.
As Vytautas grew older, between the years of 1922-26 he joined the Kėdainiai Teacher’s Seminary. It was somewhat of a social club for study, covering a wide range of topics, such as science, culture, atheism, and philosophy. Members were of various political parties, but it was here Vytautas became acquainted with local Communist activists and gained entry into the wider movement. The communists at these meetings often discussed Marxist theory, offered to share sections of the Communist Manifesto, and recruited members into local Worker’s Guilds.
In 1923, he began writing his early poetry, often revolutionary in nature and influenced by avant-garde style. In his most famous poem, “Naktys be Nakvynės” (ENG: “Nights Without Accommodation”), written early in his career, he champions revolutionary socialism and personifies art of poetry as a tool for revolution. His later work from 1940-41 reflects the new Soviet period, condemns the reactionary past, hoping towards a socialist future in Lithuania. These later poems were influenced heavily by the works of fellow Soviet poet V. Mayakovsky, whose works Montvila enjoyed. These later works by Montvila were of a topical oratorical style, and he is credited often with having laid the foundation for other Lithuanian Soviet poets at the time. Montvila also wrote short stories and portions of novels. Among other feats, he translated the novel “Mother” by fellow Soviet writer Maxim Gorky, from Russian into Lithuanian, as well as translated the writer Émile Zola’s novel “The Collapse” from its original French into Lithuanian.
He shortly then studied in the Faculty of Humanities at the University of Lithuania (Today, Vytautas Magnus University in Kaunas).
Following his departure from university, he began a life fully committed to revolutionary socialist activism. In 1929, in an effort to organizationally unify leftist writers against the bourgeoisie, he published the revolutionary almanac “Raketa” (ENG: “Rocket.”) For this, he was imprisoned from his arrest in 1929 to 1931. During 1935, he moved back to Marijampolė, and published the “Skardas” (ENG: “Tin”) worker’s newspaper for the Communist faction of the Lithuanian Social Democratic Party. He also published other socialist newspapers, titled “Darbas” (ENG: “Work”), “Kultūra” (ENG: “Culture”), “Aušrine” (ENG: “Dawn”), and “Prošvaistė” (ENG: “The Light”) for various leftist organizations. He simultaneously worked odd jobs to add to his livelihood.
Upon establishment of the Soviet Lithuanian government in 1940, Montvila, like many leftist Lithuanian citizens, was thrilled and ready for change, having been oppressed in a society previously plagued by issues such as anti-communism, rural serfdom, clerical fascism, anti-Semitism, and capitalist exploitation of all of the working people of Lithuania. Vytautas dedicated specialized time to working with Soviet authorities to publish and translate revolutionary texts from various authors, as well as delivering his own revolutionary pro-Soviet speeches. He continued this into 1941, the final year of his life.
Upon the Nazi invasion of Lithuania in mid-1941, he was captured by local collaborators and Gestapo. According to documents, he did not run or resist, rather instead defiantly, in true revolutionary martyr manner, insulted his captors. He was taken prisoner to the 9th Fort in Kaunas, where he was executed, being shot to death on July 19th, 1941, killed alongside many other Jewish and leftist victims of Nazi and collaborator fascist terror. To leftists who are aware of his heroism and revolutionary martyrdom, he is often compared to fellow revolutionary and Spanish poet F. Garcia Lorca, a leftist whom was executed by the Francoists. Vytautas, Lorca, and all revolutionaries shall be remembered forever. May we remember Vytautas Montvila, a hero to all Lithuanians, but especially to Lithuanians in the diaspora! Remember Vytautas Montvila, both uniquely a hero to Lithuanian-Americans, and the people of Lithuania!
submitted by Definition_Novel to TheDeprogram [link] [comments]


2024.05.18 21:05 Definition_Novel Vytautas Montvila: the Lithuanian Diaspora’s true unsung hero.

Vytautas Montvila: the Lithuanian Diaspora’s true unsung hero.
In the age of current mass glorification via media from Lithuania and the United States of diaspora Lithuanian fascists like Adolfas Ramanauskas (Ramanauskas was born in New Britain, Connecticut, USA and later moved to Lithuania, later collaborating with Nazis during their invasion) or Lithuanian exile fascists like Jonas Mekas, few diaspora Lithuanians remember the names of revolutionary socialist Lithuanian diaspora heroes like Vytautas Montvila or Antanas Bimba. Antanas Bimba was a Lithuanian involved in the early American Communist movement, and a post will be made for him sometime later. As for the story of Montvila, It is up to Lithuanians everywhere to give this man his credit as a hero and martyr against fascism. Vytautas was born to to an ethnic Lithuanian Catholic immigrant family in 1902 in the city of St. Charles, Illinois. His family, like many Lithuanian immigrants to America at the time, left due to persecution by czarist Russian Empire authorities, whom sought to ban Lithuanian language as well as restrict the Catholic Church in favor of Orthodoxy. This persecution under czarism caused many minorities, particularly ethnic Lithuanian Catholics and Lithuanian Jews, to move often to the United States, Canada, or South American nations. In 1906, he and his family returned to Lithuania, moving to the city of Marijampolė. The family later moved to Degučiai, then a Marijampolė suburb.
As Vytautas grew older, between the years of 1922-26 he joined the Kėdainiai Teacher’s Seminary. It was somewhat of a social club for study, covering a wide range of topics, such as science, culture, atheism, and philosophy. Members were of various political parties, but it was here Vytautas became acquainted with local Communist activists and gained entry into the wider movement. The communists at these meetings often discussed Marxist theory, offered to share sections of the Communist Manifesto, and recruited members into local Worker’s Guilds.
In 1923, he began writing his early poetry, often revolutionary in nature and influenced by avant-garde style. In his most famous poem, “Naktys be Nakvynės” (ENG: “Nights Without Accommodation”), written early in his career, he champions revolutionary socialism and personifies art of poetry as a tool for revolution. His later work from 1940-41 reflects the new Soviet period, condemns the reactionary past, hoping towards a socialist future in Lithuania. These later poems were influenced heavily by the works of fellow Soviet poet V. Mayakovsky, whose works Montvila enjoyed. These later works by Montvila were of a topical oratorical style, and he is credited often with having laid the foundation for other Lithuanian Soviet poets at the time. Montvila also wrote short stories and portions of novels. Among other feats, he translated the novel “Mother” by fellow Soviet writer Maxim Gorky, from Russian into Lithuanian, as well as translated the writer Émile Zola’s novel “The Collapse” from its original French into Lithuanian.
He shortly then studied in the Faculty of Humanities at the University of Lithuania (Today, Vytautas Magnus University in Kaunas).
Following his departure from university, he began a life fully committed to revolutionary socialist activism. In 1929, in an effort to organizationally unify leftist writers against the bourgeoisie, he published the revolutionary almanac “Raketa” (ENG: “Rocket.”) For this, he was imprisoned from his arrest in 1929 to 1931. During 1935, he moved back to Marijampolė, and published the “Skardas” (ENG: “Tin”) worker’s newspaper for the Communist faction of the Lithuanian Social Democratic Party. He also published other socialist newspapers, titled “Darbas” (ENG: “Work”), “Kultūra” (ENG: “Culture”), “Aušrine” (ENG: “Dawn”), and “Prošvaistė” (ENG: “The Light”) for various leftist organizations. He simultaneously worked odd jobs to add to his livelihood.
Upon establishment of the Soviet Lithuanian government in 1940, Montvila, like many leftist Lithuanian citizens, was thrilled and ready for change, having been oppressed in a society previously plagued by issues such as anti-communism, rural serfdom, clerical fascism, anti-Semitism, and capitalist exploitation of all of the working people of Lithuania. Vytautas dedicated specialized time to working with Soviet authorities to publish and translate revolutionary texts from various authors, as well as delivering his own revolutionary pro-Soviet speeches. He continued this into 1941, the final year of his life.
Upon the Nazi invasion of Lithuania in mid-1941, he was captured by local collaborators and Gestapo. According to documents, he did not run or resist, rather instead defiantly, in true revolutionary martyr manner, insulted his captors. He was taken prisoner to the 9th Fort in Kaunas, where he was executed, being shot to death on July 19th, 1941, killed alongside many other Jewish and leftist victims of Nazi and collaborator fascist terror. To leftists who are aware of his heroism and revolutionary martyrdom, he is often compared to fellow revolutionary and Spanish poet F. Garcia Lorca, a leftist whom was executed by the Francoists. Vytautas, Lorca, and all revolutionaries shall be remembered forever. May we remember Vytautas Montvila, a hero to all Lithuanians, but especially to Lithuanians in the diaspora! Remember Vytautas Montvila, both uniquely a hero to Lithuanian-Americans, and the people of Lithuania!
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2024.05.18 19:19 Fearless-Yam6348 Non-death experimental metal?

Hey guys! I was finding it hard to find too many I enjoyed and wanted to hear your guys opinions so what are some of your guys favorite non-death or non-black metal avant garde bands? Things sorta like libad by a7x or most of Mr bungle.
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2024.05.18 17:08 ItsFlybye Formula 1 came back from Tag service

Formula 1 came back from Tag service submitted by ItsFlybye to tagheuer [link] [comments]


2024.05.18 16:48 Rambooctpuss Album Bucket List Favorite Albums By Genre: What's Your Favorite Standards Album?

70's Alt Rock -King Crimson-Lark's Tongue In Aspic
80's Alt Rock - Talking Heads-Remain In Light
90's Alt Rock- Nirvana- Never mind
2000's Alt Rock-The Strokes-Is This It
2010's Alt Rock Tame Impala-Lonerism
Alt Country -Wilco-Summerteeth
Alt Hip Hop-MF Doom- Mad villainy
Art Rock-Dark Side Of The Moon-Pink Floyd
Brit Rock- The Clash- London Calling
College Rock-REM-Murmur
Emo Rock-My Chemical Romance-Welcome To The Black Parade
Experimental Rock-Swans-To Be Kind
Goth-The Cure Disintegration
Grunge- Soundgarden-Superunknown
Hardcore Punk- Black Flag- Damaged
Heavy Metal-Black Sabbath-Paranoid
60's Hard Rock-Led Zeppelin I
70's Hard rock-Led Zeppelin-Physical Graffiti
80's Hard Rock- AC/DC-Back In Black
90's Hard Rock-Nirvana-In Utero
2000's Hard Rock-Queens Of The Stone Age-Songs For The Deaf
2010's ˙Hard Rock- Tool-Fear Inoculum
Indie Rock-Joy Division-Unknown Pleasures
Indie Folk-Big Thief-Dragon New Warm Mountain I Believe In You
Lo-Fi-Neutral Milk Hotel-In The Aeroplane Over The Sea
New Wave-Elvis Costello-This Year's Model
Progressive Rock- Tool- Lateralus
Punk- Ramones-Rocket To Russia
pop punk-Green Day-Dookie
Post Punk- Wire- Pink Flag
Shoegaze-My Bloody Valentine-Loveless
Blues-Nina Simone-Sings The Blues
Blues Rock-The Rolling Stones-Sticky Fingers
Avant Garde- Captain Beefheart & His Magic Band-Trout Mask Replica
Baroque Pop-The Beach Boys-Pet Sounds
Symphonic Rock-Moody Blues-Days Of Future Past
Comedy/Novelty album-Adam Sandler-They're All Gonna Laugh At You
Stand Up Comedy-George Carlin-Back In Town
Americana-The Band-The Band
Bakersfield Sound-Buck Owens-Best Of Buck Owens
Bluegrass-Old & In The Way-That High Lonesome Sound
Outlaw Country-Willie Nelson-Redheaded Stranger
Classic Country-Johnny Cash-Live At Folsom Prison
Country Rock- The Flying Burrito Brothers-The Gilded Palace Of Sin
Dance/Club-LCD Soundsystem- This Is Happening
Christmas /Holiday Album-Vince Gauralidi-A Charlie Brown Christmas
EMD/Techno-Burial-Untrue
Ambient-Brian Eno-Music For Airports
Electronic Rock-Radiohead-Kid A
Space Rock- Spiritualized- Ladies And Gentlemen We Are Floating In Space
Synthpop-Depeche Mode-Violator
Synthrock- New Order-Power, Corruption and Lies
Industrial-Nine Inch Nails-The Downward Spiral
Krautrock- Can-Tago Mago
Folk-Bob Dylan-The Freewillin' Bob Dylan
Folk Rock-Bob Dylan-Blood On The Tracks
Southern Rock-The Allman Brothers Band-At Fillmore East
80's Hip Hop-The Beastie Boys-Paul's Boutique
90's- Hip Hop Wu-Tang Clan-Enter The Wu-Tang (36 Chambers)
2000's Hip Hop-Outkast- Stankonia
2010's Hip Hop-Kendrick Lamar-To Pimp A Butterfly
2020's Hip Hop-Run The Jewels-RTJ 4
East Coast Hip Hop- Nas- Illmatic
West Coast Hip Hop-NWA-Straight Outta Compton
Southern Hip Hop-Outkast -Aquemini
Midwest Album-Kanye West-My Dark Twisted Fantasy
Trap-Travis Sott-Rodeo
Instrumental Hip Hop- DJ Shadow- Endtroducing....
Indie Pop-Belle And Sebastian-If You're Feeling Sinister
Noise Rock-Sonic Youth-Daydream Nation
Post-rock- Godspeed! You Black Emperor-Lift Your Skinny Fist Like Antennas To Heaven
Acid Jazz- Medeski ,Martin, and Wood -Shack-Man
Trip Hop -Portishead- Dummy
Gospel -Aretha Franklin-Amazing Grace
Christian- Sufjan Stevens -Illnoise
Jazz-Miles Davis-Kind Of Blue
Avant Garde Jazz-Ornette Coleman-Shape To Jazz To Come
Swing/Bebop-Art Blakey & The Jazz Messengers-Art Blakey's Jazz Messengers w/Thelonious Monk
Jazz/Fusion-Miles Davis-In A Silent Way
Jazz Rock-Miles Davis-Bitches Brew
Jazz/Funk-Herbie Hancock-Head Hunters
Jazz/Rap-A tribe Called Quest-The Low End Theory
Latin- Los Lobos-Kiko
Speed Metal/Thrash- Metallica- Master Of Puppets
Black/Death Metal-Deafheaven-Sunbather
Symphonic Metal-Haken-The Mountain
Glam Rock -T.Rex-Electric Warrior
Hair Metal-Guns N Roses-Appetite For Destruction
New Wave Of British Heavy Metal-Iron Maiden- Number Of The Beast
Sludge-Electric Wizard- Dopethron
Nu Metal-Korn-Korn
New Age-Popol Vuh - Hosianna Mantra
Pop-Prince-Sign O' The Times
60's Pop- The Beatles-Revolver
70's Pop- Carole King-Tapestry
80's Pop- Peter Gabriel-So
90's Pop-Madonna-Ray Of Light
2000's Pop-Madonna-Confessions On A Dance Floor
2010's pop-Robyn-Body Talk
2020's Pop- Perfume Genius-Set My Heart On Fire
Adult Contemporary- Billy Joel-The Stranger
Europop- ABBA- Arrival
Latin Pop-Ruben Y Seis Del Solar-Buscando America
Dance Pop-Dee-Lite-World Clique
Dream Pop- Mazzy Star-So Tonight I Might See
Power Pop- Weezer-Blue Album
R&B- Marvin Gaye-What's Going On
60's R&B-Aretha Franklin-I Never Loved A Man The Way I Loved You
70's R&B- Stevie Wonder- Songs In The Key Of Life
80's R&B- Janet Jackson- Control
90's R&B Album- Lauryn Hill-The Miseducation Of Lauryn Hill
2000's R&B- D'Angelo-Voodoo
2010's-R&B-Beyonce-Lemonade
2020's R&B- SZA-SOS
Disco-Donna Summers-Bad Girls
Doo Wop- The Chantels- We Are The Chantels
Funk-Funkadelic-Maggot Brain
Motown- Marvin Gaye-Let's Get It On
Neo-Soul-Erykah Badu-Baduizm
Psychedelic Soul- Curtis Mayfield-Curtis
Soul-Aretha Franklin-Lady Soul
Reggae-Bob Marley- Exodus
Ska-The Specials-The Specials
Swing Revival-Big Bad Voodoo Daddy-Big Bad Voodoo Daddy
Rock N Roll-The Rolling Stones-Exile On Main Street
Acid Rock- Jimi Hendrix- Are You Experienced
Arena Rock-Boston-Boston
Cock Rock-Van Halen I
Math Rock-Slint-Spiderland
Stoner Rock-Kyuss-Welcome To Sky Valley
Jam Band- Grateful Dead-American Beauty
SingeSongwriter- Neil Young-Harvest
Surf Rock-The Beach Boys-Shut Down Vol II
Soft Rock/Yacht Rock-Steely Dan-Aja
Movie Soundtrack-Singles
Movie Score-The Good, The Bad, And The Ugly
TV Soundtrack- Songs In The Key Of X:Music from and inspired by the X-Files
Musical Soundtrack-Jesus Christ Superstar
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2024.05.18 14:34 Fredrickthyme Metalworks (Piano Phase II) - A audacious take on the rules

Metalworks (Piano Phase II) - A audacious take on the rules

Exploring "Metal Works: Piano Phase II" by Deion J. Kieley: A Boundary-Pushing 21st Century Composition

In the evolving landscape of 21st-century music, few compositions stand out as starkly innovative and thought-provoking as Deion J. Kieley’s “Metal Works: Piano Phase II.” This piece, drawing inspiration from the minimalist traditions of Steve Reich and the avant-garde explorations of John Cage, boldly redefines the boundaries of contemporary composition.

A Synthesis of Influences

Kieley’s work is deeply rooted in the rhythmic complexity and repetitive structures reminiscent of Steve Reich’s pioneering phase music. Reich’s influence is palpable in the way Kieley employs phase shifting techniques, where two identical sequences are played at slightly different speeds, creating a constantly evolving rhythmic interplay. This approach generates a mesmerizing, almost hypnotic effect that captures the listener's attention through its gradual transformation.
Simultaneously, the spirit of John Cage’s experimentalism pervades “Piano Phase II.” Cage’s philosophy of indeterminacy and his use of unconventional sound sources resonate in Kieley’s composition. Kieley integrates electronic manipulation into the acoustic piano performance, disrupting the natural flow and introducing elements of unpredictability. This synthesis of acoustic and electronic elements challenges traditional notions of musical coherence and balance, much like Cage’s works defied conventional musical aesthetics.

Rhythmic Flow and Melodic Disruption

One of the most striking aspects of “Piano Phase II” is its deliberate manipulation of rhythmic flow and melodic direction. Kieley’s composition often feels unbalanced and unnatural, a conscious choice that pushes the listener out of their comfort zone. The rhythmic foundation, while initially stable, is progressively distorted through electronic tampering. This technique not only alters the tempo but also introduces irregularities that make the piece feel disjointed and unpredictable.
Melodically, Kieley eschews traditional harmonic progressions in favor of fragmented, dissonant motifs. These motifs are frequently interrupted or obscured by electronic effects, creating a sense of instability and tension. The resulting soundscape is one of constant flux, where familiar patterns are continually deconstructed and reassembled in unexpected ways. This approach compels the audience to engage with the music on a deeper, more analytical level, as they attempt to discern the underlying structure amidst the apparent chaos.

The Role of Technology in Contemporary Composition

“Piano Phase II” exemplifies the increasing role of technology in modern music. Kieley’s use of electronic manipulation not only enhances the sonic palette but also serves as a commentary on the relationship between human performers and technological intervention. The unnatural and unbalanced feel of the piece mirrors the broader societal tensions between organic and artificial, stability and disruption.
This technological integration also speaks to the accessibility and democratization of music production in the 21st century. Composers like Kieley are no longer confined to traditional instruments and methods; they can now experiment with a vast array of digital tools to expand their creative possibilities. This blurring of boundaries between acoustic and electronic, composition and production, is a hallmark of contemporary music-making.

Conclusion

Deion J. Kieley’s “Metal Works: Piano Phase II” is a testament to the dynamic and ever-evolving nature of 21st-century music. By drawing on the minimalist and experimental legacies of Steve Reich and John Cage, Kieley creates a work that challenges conventional notions of rhythm, melody, and balance. The piece’s integration of electronic manipulation not only disrupts the natural flow of the music but also invites listeners to reconsider the role of technology in artistic expression. In pushing these boundaries, Kieley not only pays homage to his influences but also carves out a unique and compelling niche in the contemporary music landscape.
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2024.05.18 13:59 adulting4kids Esoteric Subgenres Three

21. Quantum Quandaries:
Write a freewrite exploring a character's experiences as they confront and navigate paradoxes and uncertainties arising from quantum phenomena. Delve into the character's reactions, decisions, and philosophical reflections on the nature of reality.
22. Anachronistic Avant-Garde:
Craft a freewrite set in a world where characters embrace avant-garde and experimental elements across different historical periods. Explore how the characters engage with anachronistic technologies, philosophies, and artistic movements in a dynamically shifting timeline.
23. Dimensional Despair:
Freewrite a scene where a character confronts the emotional toll of existing across multiple dimensions, grappling with the isolation and despair that can arise from being fragmented across different realities.
24. Synaptic Sonnets:
Write a freewrite featuring characters whose emotional journeys and connections are explored through a series of interconnected sonnets. Consider how the structure of the sonnets reflects the characters' synaptic-like relationships.
25. Eldritch Euphony:
Craft a freewrite immersed in the eerie and otherworldly atmosphere of eldritch horror. Explore how a character encounters and responds to eldritch entities, and delve into the emotional and psychological effects of these encounters.
26. Clockwork Comedy:
Write a humorous freewrite set in a world of intricate clockwork machinery. Explore how characters navigate comedic situations arising from the quirks and peculiarities of the clockwork-inspired setting.
27. Technomancy Tragedy:
Freewrite a tragic narrative where characters grapple with the consequences of wielding technomantic powers. Explore the moral dilemmas, personal sacrifices, and emotional turmoil faced by characters entangled in a technomancy-induced tragedy.
28. Retroverse Rhyme:
Craft a freewrite in verse that captures the nostalgic and whimsical essence of a retro-inspired universe. Explore how characters interact with the retroverse, and convey the charm and quirks of this unique setting through poetic rhyme.
29. Quantum Quandaries:
Write a freewrite exploring a character's experiences as they confront and navigate paradoxes and uncertainties arising from quantum phenomena. Delve into the character's reactions, decisions, and philosophical reflections on the nature of reality.
30. Symbiotic Surrealism:
Freewrite a surreal narrative where characters engage in symbiotic relationships with fantastical beings or entities. Explore the blurred boundaries between reality and fantasy as characters navigate surreal and symbiotic experiences.
Feel free to continue or let me know if there's a specific subgenre you'd like more prompts for!
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2024.05.18 13:41 Definition_Novel Vytautas Montvila: the Lithuanian Diaspora’s true unsung hero.

Vytautas Montvila: the Lithuanian Diaspora’s true unsung hero.
In the age of current mass glorification via media from Lithuania and the United States of diaspora Lithuanian fascists like Adolfas Ramanauskas (Ramanauskas was born in New Britain, Connecticut, USA and later moved to Lithuania, later collaborating with Nazis during their invasion) or Lithuanian exile fascists like Jonas Mekas, few diaspora Lithuanians remember the names of revolutionary socialist Lithuanian diaspora heroes like Vytautas Montvila or Antanas Bimba. Antanas Bimba was a Lithuanian involved in the early American Communist movement, and a post will be made for him sometime later. As for the story of Montvila, It is up to Lithuanians everywhere to give this man his credit as a hero and martyr against fascism.
Vytautas was born to to an ethnic Lithuanian Catholic immigrant family in 1902 in the city of St. Charles, Illinois. His family, like many Lithuanian immigrants to America at the time, left due to persecution by czarist Russian Empire authorities, whom sought to ban Lithuanian language as well as restrict the Catholic Church in favor of Orthodoxy. This persecution under czarism caused many minorities, particularly ethnic Lithuanian Catholics and Lithuanian Jews, to move often to the United States, Canada, or South American nations. In 1906, he and his family returned to Lithuania, moving to the city of Marijampolė. The family later moved to Degučiai, then a Marijampolė suburb.
As Vytautas grew older, between the years of 1922-26 he joined the Kėdainiai Teacher’s Seminary. It was somewhat of a social club for study, covering a wide range of topics, such as science, culture, atheism, and philosophy. Members were of various political parties, but it was here Vytautas became acquainted with local Communist activists and gained entry into the wider movement. The communists at these meetings often discussed Marxist theory, offered to share sections of the Communist Manifesto, and recruited members into local Worker’s Guilds.
In 1923, he began writing his early poetry, often revolutionary in nature and influenced by avant-garde style. In his most famous poem, “Naktys be Nakvynės” (ENG: “Nights Without Accommodation”), written early in his career, he champions revolutionary socialism and personifies art of poetry as a tool for revolution. His later work from 1940-41 reflects the new Soviet period, condemns the reactionary past, hoping towards a socialist future in Lithuania. These later poems were influenced heavily by the works of fellow Soviet poet V. Mayakovsky, whose works Montvila enjoyed. These later works by Montvila were of a topical oratorical style, and he is credited often with having laid the foundation for other Lithuanian Soviet poets at the time. Montvila also wrote short stories and portions of novels. Among other feats, he translated the novel “Mother” by fellow Soviet writer Maxim Gorky, from Russian into Lithuanian, as well as translated the writer Émile Zola’s novel “The Collapse” from its original French into Lithuanian.
He shortly then studied in the Faculty of Humanities at the University of Lithuania (Today, Vytautas Magnus University in Kaunas).
Following his departure from university, he began a life fully committed to revolutionary socialist activism. In 1929, in an effort to organizationally unify leftist writers against the bourgeoisie, he published the revolutionary almanac “Raketa” (ENG: “Rocket.”) For this, he was imprisoned from his arrest in 1929 to 1931. During 1935, he moved back to Marijampolė, and published the “Skardas” (ENG: “Tin”) worker’s newspaper for the Communist faction of the Lithuanian Social Democratic Party. He also published other socialist newspapers, titled “Darbas” (ENG: “Work”), “Kultūra” (ENG: “Culture”), “Aušrine” (ENG: “Dawn”), and “Prošvaistė” (ENG: “The Light”) for various leftist organizations. He simultaneously worked odd jobs to add to his livelihood.
Upon establishment of the Soviet government in 1940, Montvila, like many leftist Lithuanian citizens, was thrilled and ready for change, having been oppressed in a society previously plagued by issues such as anti-communism, rural serfdom, clerical fascism, anti-Semitism, and capitalist exploitation of all of the working people of Lithuania. Vytautas dedicated specialized time to working with Soviet authorities to publish and translate revolutionary texts from various authors, as well as delivering his own revolutionary pro-Soviet speeches. He continued this into 1941, the final year of his life.
Upon the Nazi invasion of Lithuania in mid-1941, he was captured by local collaborators and Gestapo. According to documents, he did not run or resist, rather instead defiantly, in true revolutionary martyr manner, insulted his captors. He was taken prisoner to the 9th Fort in Kaunas, where he was executed, being shot to death on July 19th, 1941, killed alongside many other Jewish and leftist victims of Nazi and collaborator fascist terror. To leftists who are aware of his heroism and revolutionary martyrdom, he is often compared to fellow revolutionary and Spanish poet F. Garcia Lorca, a leftist whom was executed by the Francoists. Vytautas, Lorca, and all revolutionaries shall be remembered forever. May we remember Vytautas Montvila, a hero to all Lithuanians, but especially to Lithuanians in the diaspora! Remember Vytautas Montvila, both uniquely a hero to Lithuanian-Americans, and the people of Lithuania!
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2024.05.18 07:51 Greekcitytimes The Scandalous Delights of Yorgos Lanthimos' Avant-Garde Anthology Film at Cannes

The Scandalous Delights of Yorgos Lanthimos' Avant-Garde Anthology Film at Cannes
submitted by Greekcitytimes to GreekcityTimes [link] [comments]


2024.05.18 05:48 Pure-Jellyfish734 What is your ALL TIME favorite metal song?

What is your ALL TIME favorite metal song? The song in question can be in any subgenre of your choosing! That includes, but not limited to: avant-garde, grindcore, kawaii, metalcore, nu metal, etc.
Mine is: A Little Piece Of Heaven - Avenged Sevenfold
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