Character education printable worksheets

Purtle's Internet Lineup for May 2nd, 2024 6:23pm
Pics:

• the perfect @? https://old.reddit.com/Handwriting/comments/1chrw2f/is_this_a_perfect/
  
• This animation cel used in every episode of Space Ghost Coast to Coast and Cartoon Planet is not Zorak, but one of Zorak's henchmen. https://twitter.com/Art0Donnell/status/1785071053623922862
  
• Why does this sink at this place look like Jamie? https://twitter.com/Crisuki_Misu/status/1785894539385053689
  
• I told this Italian shop owner that I prefer his olive oil because it’s under £5 and good quality unlike the one in Tesco that’s £8. The next day his was £8. https://twitter.com/NotYamYam/status/1785946701292875996
  
• buff frog https://twitter.com/Rappenem/status/1785709448016597206
  
• Anyone behind the counter is bossman whether it be man, women or child https://twitter.com/Sulleyk_/status/1786018631828078640
  

Clips:

• A massive ban wave is happening in CS2 right now and them getting banned live is the funniest shit I've seen lately. https://twitter.com/aquaismissing/status/1785430287213531330
  
• honda mains in sf6 season 3 https://twitter.com/TongNeverSleeps/status/1785841673307668762
  
• nsfw - Pit bulls go on a rampage in Philadelphia https://old.reddit.com/CrazyFuckingVideos/comments/1cikmsl/pit_bulls_go_on_a_rampage_in_philadelphia/
  
  • flower crown though https://i.imgur.com/ot0Jr6n.png
• TYSHAWN JUST TRE FLIPPED A SUBWAY GAP!!! THE BEST SKATER ON THE PLANET IS FROM NYC https://twitter.com/ColonelKSpeaks/status/1785725015822119286
  
• sick ken combo in ST https://twitter.com/Mattsun_Ken/status/1786068578925777262
  
• FGC members going to their first major and meeting all the players they know on twitter https://twitter.com/FightinCheesy/status/1785846444819112245
  

Videos

• Airbnb has recreated the X-Mansion from ‘X-MEN 97’ to let customers stay in. [2:21] https://twitter.com/XMenUpdate/status/1785753094183088203
  
• Thibault Guignes Freedives The Arch At Blue Hole In Dahab, Egypt [3:39] https://www.youtube.com/watch?v=Nnz7Z5rA5xM
  
• The end of a legacy deserves a grand finale. 15 episodes. A three-part event. It all begins July 18. https://twitter.com/CobraKaiSeries/status/1786032905841471899
  

Articles/News/Other

• Todd Howard reckons he knows why Starfield was so divisive: It was too 'different than you've seen from us in past' https://old.reddit.com/gaming/comments/1chsg0k/todd_howard_reckons_he_knows_why_starfield_was_so/
  
• 2-year-old boy dies after bounce house carried away by wind gusts https://old.reddit.com/news/comments/1chzxet/2yearold_boy_dies_after_bounce_house_carried_away/
  
• US confirms that Russia uses banned chemical weapons against Ukrainian Armed Forces https://old.reddit.com/worldnews/comments/1chwk9p/us_confirms_that_russia_uses_banned_chemical/
  
  • Chloropicrin gas. Here's a little rundown for those that haven't gone down the chemical weapons rabbit hole. Chloropicrin is, in a nutshell, tear gas with no chill. It produces the standard eye and nose irritation and cough but with the added bonus of SEVERE nausea. It came into use during the First World War, not because it killed (it rarely does in wartime conditions), but because the particles were small enough to get through gas masks of the time, forcing those hit to remove their masks or literally drown in their own sick. Chloropicrin attacks would almost always be combined with a more lethal agent like mustard or especially phosgene which, while plenty lethal, was slow acting and relatively easily defeated by gas masks.
• 'X-MEN '97' creator confirms that the Spider-Man that appeared in the new episode is Christopher Daniel Barnes’ Spider-Man from the '94 Animated Series https://twitter.com/screentime/status/1785712033285185983
  
• Whistle­blow­er who accused Boeing supplier of ignoring defects dies https://old.reddit.com/nottheonion/comments/1ci99v7/whistleblower_who_accused_boeing_supplier_of/
  
  • Joshua Dean, one of the first whistleblowers to allege Spirit AeroSystems leadership had ignored manufacturing defects on the Boeing 737 MAX, died Tuesday after a sudden illness. He was 45. https://twitter.com/seattletimes/status/1785808009563623727
• Unlike previous house resolutions on “antisemitism” this one appears to have teeth: equating anti-Zionism w antisemitism, this bill wld threaten any school that recognizes Jewish V for Peace or SJP, or assigns anti-Zionist texts, w losing federal funding https://twitter.com/BL_Balthasestatus/1785799513883423101
  
  • Just to be clear this bill would ban over a century of Jewish diasporic history https://twitter.com/BL_Balthasestatus/1785804949684695496
• Scientists reveal the face of a Neanderthal who lived 75,000 years ago CNN https://old.reddit.com/news/comments/1cievjf/scientists_reveal_the_face_of_a_neanderthal_who/
  
• "Number of different devices" fail to keep Trump awake in court. Try as they might, Trump's attorneys just can't keep him from snoozing. https://old.reddit.com/inthenews/comments/1ciencz/number_of_different_devices_fail_to_keep_trump/
  
• Wow Speedrunner FuriousPaul/Joana has passed away. https://old.reddit.com/speedrun/comments/1cino1n/furiouspauljoana_has_passed_away/
  
• New York City says it can’t afford to keep its libraries open on the weekends but it can afford to spend literally millions in one night in cop overtime pay to beat the shit out of undergrads sitting still on their own campus. https://twitter.com/girlziplocked/status/1785686191498543305
  
• Here’s your funding for mental health care, your street repair, your environmental code enforcement, your bike lanes, your bus routes, your homelessness caseworkers, your housing inspectors, your parks and libraries, your pre-k, your legal aid, your tree canopy, https://twitter.com/GroundGameLA/status/1785913056478023790
  
• There’s this weird slippage people do where by “peaceful” they mean “lawful” but then they want to use MLK as an example and seem to forget where “letter from Birmingham Jail” was written from https://twitter.com/ChadNotChud/status/1785834066341671297
  
  • In his letter from Birmingham Jail, Martin Luther King, Jr., told us the white moderate “is more devoted to ‘order’ than to justice” and said this is someone who “prefers a negative peace which is the absence of tension to a positive peace which is the presence of justice.” https://twitter.com/williamcson/status/1786059737525522872
• Just announced! Experience many of your favorite video game characters like never before as you explore the interactive fun of SUPER NINTENDO WORLD™, opening 2025 at Universal Epic Universe. https://twitter.com/UniversalORL/status/1786004634517090567
  
  • New details! Ride alongside Mario, careen through Donkey Kong Country™, punch blocks, collect digital coins. Discover the interactive fun of SUPER NINTENDO WORLD™, opening 2025 at Universal Epic Universe [1:37] https://twitter.com/UniversalORL/status/1786025470632337902
  • The land will include Mario Kart: Bowser's Challenge, Yoshi's Adventure, and Toadstool Cafe. You'll also be able to visit Donkey Kong Country and ride Mine-Cart Madness.
• House votes 320-91 to urge the Department of Education to codify criticism of Israel as unlawful antisemitism https://twitter.com/lib_crushestatus/1785776302865223828
  
  • Fun little aside, the guy who wrote the IHRA "definition" of antisemitism did so solely as a means of collecting data for a project. He is horrified at it being used as a legal justification to outlaw criticism of Israel

Plot
When Beshte's dad Basi gets injured by a frightened young rhino while creating hippo lanes in the flood plains after a big rainstorm, Beshte must step up and make the hippo lanes instead. Meanwhile, Kion, Bunga, Ono, and Fuli lead a herd of stubborn antelope led by Bupu to higher ground, and Makuu and his float of crocodiles return and try to help Basi so that there will be no rules to stop them.
Song: "Makin' Hippo Lanes"
Pros
-This is a really sweet father-son episode between Beshte and Basi. It's the first episode where we really get a feel for who Basi is as a character and I really like him. He's loving, compassionate, kind, sweet, fatherly, encouraging and most importantly supportive of Beshte just because he made a mistake while making the hippo lanes.
I like him because he's such a model dad, comforting Beshte about his mistake and not just flying off the handle and chewing him out for it. I love this because Beshte can't be older than 14 at this point and so he still has a lot to learn. Plus, it was his first time making the hippo lanes that we wouldn't have had to make except that Basi got injured at the start when Habib (let's call the little rhino "Habib" from now on because it means "Precious" in Swahili) panicked and accidentally poked him with his horn. Anyways, I love Basi for being completely understanding, with the knowledge that Beshte is not used to making the Hippo Lanes and therefore, made a genuine rookie mistake.
-Makuu is back and I'm thrilled about this because he was such a cool, menacing and really charismatic villain. I love him because he has an ulterior motive that's kind of similar to Scar in the original film, to give himself power over the crocodiles and the entire floodplains. Another reason he's really cool is because he has a really menacing and threatening presence in the Pride Lands whenever he's around and actually looks like someone who you wouldn't want to mess with. I do think Beshte and Basi were right to chase him away though, because he was making the floodplains a scary place when it was supposed to be a safe place and he was clearly trying to terrorize everyone. Given all the trouble he caused in "Never Roar Again", I wouldn't want him in the Floodplains either, though. Also, there's again, another unspoken rule about not eating the children of the Pride Lands.
-I love the fact that Makuu has a bit of a rivalry with Basi and resents the idea the hippos (in the Pride Lands at least, remember guys, hippos are not like that in real life) are rule-following, peaceful animals in contrast to crocodiles. So, I'm not surprised that he has a personal vendetta against Basi's pod, especially considering that as long as hippos are in charge of the watering hole, Makuu can't really do anything because they are more powerful than him. From what we've seen in "The Rise of Makuu", he seems to have a long-standing rivalry with the hippos and they were probably always fighting.
"Hippos.... always obeying the rules," Makuu, aggravated. "Come on. One little rhino's not worth the effort." Realistic behaviour on his part. I mean, Basi and Beshte would whoop his ass into the next world if necessary. Hippos are way more ferocious than any other animal in the Savannah and are one of the fiercest animals worldwide.
-Why do you guys think Habib was in such a hurry anyway that he ran into the Floodplains even though the Hippo Lanes were not ready, yet? Do you think he was being chased by Makuu's float or was in a hurry to meet up with his herd or something?
-I liked when Kion and the rest of the Lion Guard came on the scene and how they're all equally concerned about Basi's leg being hurt by Habib (accidentally, of course). Kion informs him to not walk on that leg, which is actually a realistic thing because in feel life, if you do injure your leg, it's best not to walk on it for a while or at least not do anything strenuous and just start small so you can help it to recover rather than make the pain worse. Kion is such a sweet boy for informing him of that and constantly showing concern for every animal in the Pride Lands. Basi kind of feels all of the Guard's father in some way, doesn't he?
-"Maybe Basi should be on the Lion Guard too, Kion," Bunga. I mean, he's not wrong. The Pride Lands' wisest or the Pride Lands' kindest/sweetest animal. By the way, Basi would make a good teacher role for Kion and his friends.
-I like the worldbuilding and lore aspect in this episode. In this episode, as promised in the title, we are told that Basi is in charge of making the Hippo Lanes for the Pride Landers after a big rainstorm and that his son, Beshte, is learning the ropes of it at the start. I like this mechanic because Basi is the leader of the hippos in the kingdom, and so, it's job to teach his son what will be his responsibility someday. I like how every animal in the Pride Lands has their own customs.
-I love how much Beshte really wants to make the Hippo Lanes for Basi's sake because obviously, his father is in no fit to do them at that point. Beshte is understandably nervous because it's a huge responsibility for a child to have and he was just learning how to do it at the beginning of the episode. I love how Kion, being an absolute sweetheart, encourages him and ultimately relaxes him telling him that as the Strongest hippo in the Pride Lands, they all believe in him. Also, I like this mechanic of by making the Hippo Lanes, he'd be automatically helping with the circle of life, like he's supposed to.
-Bunga; "What's the big deal? The floodplains will dry up soon. There's not a cloud in the sky." Thunder clouds start rumbling over the Pride Lands. Don't jinx it! Fuli; "You what they say, if ya don't like the weather on the Savannah, just wait a few breaths." You're damn right, Fuli. That was actually a really funny joke they threw in the episode because it's very accurate.
-I've always liked the main plot-point of this episode because it's actually believable. Did you know that in real life, hippos are known as "ecological engineers" and can modify and influence their own habitat and ecosystem. Just like Basi and Beshte, after a heavy rainstorm in real life, hippos actually do plough through submerged wetland or grassland areas, that are used by other animals living in the same habitat. In doing so, they make nutrients flow around and end up making new gateways for different types of animals. Other animals follow the hippos into these wetland areas to access more food, nutrients and shelter. So, I like how this episode is about something that hippos actually do.
-I love Beshte in this episode. He's such a big, lovable and kind-hearted sweetheart who's whole motivation is to help animals get where they need to go and to do favours for them, even if he should've told them to wait until the hippos lanes are done. I just can't help but love him for giving animals rides and being kind to them. It fits well with his character to focus more on being nice than to focus on the task at hand, that he's only been assigned to this episode. He's just an adorable, sweet gentle giant whom I can't help but admire.
-I know he wasn't doing the Hippo Lanes the right way, but, I can't help but admire him for his kindness towards animals in the floodplains, even if they shouldn't have been in there in the first place and should've waited until Beshte was finished the task. I still admire him for giving them rides. I understand why Beshte would struggle to say "No" or "You have to wait til I finish the Lanes, okay." He's got a big-heart, like Kion in "Never Judge a Hyena By Its Spots" and "The Kupatana Celebration".
-And actually giving animals rides across the Floodplains, I think, would actually be a good idea, albeit not very convenient. Basi, the leader of the Hippos, probably does not have the time to take every small animal everywhere, not to mention it would be just as easy for them to cross the Floodplains themselves, or on another animal, like a lion or an antelope or something. Maybe they should start a "Pride Lands Riders Association for your crossing pleasures".
-I think the Hippo Lanes is an interesting and a wholesome concept. Hippos are not like in real life, they are extremely territorial to other animals and very aggressive and they are the most dangerous mammals in the world (BBC Wildlife Magazine). That being said, I think this could've been a very send off for Beshte after Season 3. I think this could've been a great new purpose for him instead of the writers making all the Lion Guard go to the Tree of Life. Plus, the start of the episode really hints at Basi training his son to take over his role in the circle of life, someday.
-For the most, I did like the rest of the Lion Guard in this episode. I'm glad that Beshte was the main focus though, because he hasn't really had a dedicated episode besides "Follow that Hippo" earlier on in the Season. But, I liked Kion being the serious, calm, yet frustrated leader trying to corral Bupu's herd of stubborn antelope. It's funny because I feel his frustration at Bupu's stubborn and stuck-up attitude over being bossed around, even though they weren't being bossed around. I love Fuli tolerating Bupu and trying hard not to lose her temper because she's so frustrated that the antelope are not following instructions even though it's all for the best. I feel her frustration towards Bupu because I would be losing my patience as well in that situation, with how annoying the antelope are being at this point. I love Bunga for trying to remain optimistic, but, even he's losing patience. I understand the Lion Guard's annoyance towards the antelopes at the beginning.
-Shout out to the little baby antelope in Bupu's herd for being one of the most adorable babies in the show and making a big pleading face at Bupu, to get out of the water. Also, shout out to Boboka for being the most protective and perfect mother to her little baby and the only real sane member of Bupu's herd. Seriously though, she's the only one reason that Bupu ultimately decides to follow the Lion Guard's instruction. I think she should be leader, tbh. Who let that guy lead the herd?
-"Hang on to your antlers," Bunga. "For one thing they're horns...." Bupu. That was funny because antelopes are often mistaken as being part of the deer family, but, they're actually part of the Bovine genus (aka Cattle family) and so have horns, not antlers. But, I also like the fact that the kids watching the episode may have thought they had antlers, like Bunga in that moment.
-Kion's Roar being used to move the rocks out of the way is a good idea because they would never be able to push them aside since Beshte was not with them at that point. Also, more evidence to suggest Kion and Beshte are the two muscles on the team.
-I like the random cute animals that are riding along on Beshte's back, Laini, Churu (the frog), a wagtail, a hare, young aardvark). I love these more cute scenes in The Lion Guard. Also, I know this not how the Hippo Lanes works, but, how could you say "no" to them?
-I like the way Beshte is not perfect at making the Hippo Lanes at first, he's a young teenager who's only filling in for his father on this occasion and still has a lot to learn about the role. It's like Kion learning how to be good leader. I like that Beshte is clearly a rookie who's not perfect and the job yet, but is learning and is eager to do it because Basi is injured. He's also not able to say "no" to the small animals because of his kind heart and again, his inexperience at making the Hippo Lanes. I love it when the writers explore all the members of the Lion Guard learning new jobs.
-"More like a curly elephant's trunk. Actually, they're more like a bunch of elephants trunks. All twisted up together. And stuck in a Baobab tree's roots." Ono's funny moments. You gotta love for that.
-"This way. Step right up. One new Beshte-made Hippo Lane for all your crossing pleasures! Moms and babies first!" That seems fair to me, tbh. Also, I can't tell you how much I love Bunga for his optimism and his kindness. Also, I love it when he calls them "anty-lanty-lopes".
-Bupu, "Now I bet you'll tell us to get out of the rain. Well, we're not going anywhere!" Fuli, "Good." Bunga, "Yeah, that's kinda what we want." Well done, Bupu, you did something sensible for a change. Also, no, there's no where for you to get out of the rain, anyway.
-Now let's talk about Kion and Ono going into the floodplains. After Boboka and her son accidentally go into the floodplains, thinking that the were ready, they end up getting lost. Kion and Ono go after them to rescue them. First off, Kion dives in to save Boboka's son from drowning. Drowning was a little a dark for this series, especially by Season 1's standards. But, on the other hand, I like stimulating, engaging cartoons that aren't afraid to get dark even if they are made for children. When I first watched that scene back when it came out, I was on edge even though I knew that he wouldn't drown. It made it exciting and compelling for older viewers. I like cartoons that challenge younger children with action sequences. Plus, it was exciting and Kion would obviously risk his own life for the baby, and it was all fine because they got out of it.
-Also, Kion has a big-heart to go and search for Boboka all on his own, without having any eyes in the sky. By the way, he's so much better at swimmer compared to the beginning of Season 1, that means he's gotten stronger at this point. Ono was good as well to protect and guide Boboka's son back to the herd. I mean, I kinda think Kion could've waited with the calf and Ono could've looked for Boboka, but, then again, Ono couldn't carry her like Kion. Maybe the calf could've stayed with them and he wouldn't drown with Kion and Ono around. I don't know, I did like the rescue scene, but, I don't know that that's how I would've done things. But, in fairness, Kion is only cub learning about his role and finding his feet at this point.
-Also, as annoying as Bupu was at the start, I do like the fact that this episode is like the precursor for Fuli and Bupu's "adult/child friendship" later on in the series. I like their dynamic in Season 2 because they're very similar to each other, hot-headed, impatient, short-tempered, stubborn, overconfident, strong-willed, but also very different from each other and so they clash, but are also very loyal to each other. I like how this episode basically founded their relationship. I did like how at the end of the episode, they came to an understanding in the end which was really sweet. By the end, I thought Fuli and Bupu had a really sweet "child/adult" dynamic.
-I loved Beshte and Basi's dynamic at the end too. After Beshte how the Hippo Lanes had gone wrong and that he thinks he let everyone down, Basi comforts him and agrees to help him make a new lane this time "straight and true". Another example of Basi being a total sweetheart and a freaking awesome dad, never once chastising his son for his mistake, but instead, helping him correct his mistake and understanding that it was Beshte's first time making the Hippo Lanes. I know I keep talking about it, but, I've always love their sweet father-son dynamic.
-Makuu returns at the end to murder Basi to in his words "get rid of the rules", while Beshte's back is turned. Makuu is a total savage this episode, but, he has been my favourite villain in Season 1. His voice actor, Blair Underwood is flawless and is clearly loving the role. He has so much charisma. Plus, Makuu trying to outright kill Basi was downright evil and cold and, not to mention dark for a show that was made for kids, after all. I mean, I knew he wasn't going to win, but he's still a great villain, with his intimidating presence in this scene. I get excited every time Makuu's float show up in the series.
-Also, Makuu attempts to murder Basi while he's injured. I thought that was interesting and smart because he knows that Basi would destroy him and his float under different circumstances. In the wild, hippos are, as I said, very aggressive, threatening and powerful, and could go completely ham on every animal if necessary. So, no crocodile can beat up a healthy and fit adult or teenaged hippo, even if they have numbers on their side. I get the writers gave Makuu more of a chance to make things interesting for the audience, but, I'm just saying it's no wonder Makuu opted to bring back up crocs. As soon as Beshte showed up to back Basi, Makuu gets a little afraid because, out of nowhere, came this healthy and fit younger and stronger hippopotamus, enraged by his presence.
-Now, of course Beshte was right to stop Makuu. I mean Makuu was so in the wrong when he said, "we get ride of the hippo, we get ride of the rules." He wasn't talking about hunting or being allowed to eat in the Pride Lands, he was talking about giving himself power over the whole Floodplains, with Basi out of the picture (which would obviously never come to pass because the Lion Guard are keeping Makuu in check at this point). Also, given what Makuu did the last time he tried to take over the Floodplains, I don't blame Beshte for kicking him out, in the end. And, most importantly, Makuu was going to attacked Basi. I mean, he is Beshte's father and Beshte would want to defend by him any means necessary. Of course Beshte wants to whip Makuu's ass at this point. It's one thing wanting to eat in the Pride Lands, but, Makuu clearly had an ulterior motive by wanting to kill of the hippo leader. But, also, I know I would want to do what I can if my family were in danger, I assume you guys in the comments would do the same.
-Speaking of Makuu's attack on Basi, I thought it was clever to use the Hippo Lanes as a way to outsmart him and defeat. Hippos can swim and sprint faster than crocodiles, and Makuu clearly did not see it coming what they were doing. So, I liked it a lot. Beshte went from struggling to do the Hippo Lanes correctly, to using them to defeat a terrible foe in the final act, ultimately tricking Makuu and his float into being trampled by Bupu's herd. Makuu decides to scram after this. Fun Fact: In real life, Beshte or Basi alone, could go completely ham on Makuu's float and essentially destroy them.
-Also, I am sure Kion, being one of Beshte's best friends, knew all about this attempted murder on Basi by Makuu. I think we can assume Beshte told him and the rest of the Guard at some point and that would've caused them to resent Makuu even more by the time of The Savannah Summit, where they do not see good in him for quite a while. Season 1 kind of hints that Kion and Beshte, in particular, had personal vendettas against Makuu because he had caused them stress in the past.
-Finally, to end this review, I liked the scene at the end where Basi commends Beshte for making the Hippo Lanes. It was word for word exactly what Simba said to Kion and Kiara in "Can't Wait To Be Queen", "I never had any doubt."
Cons
-Bupu was fairly annoying at the beginning of this episode. I really didn't like him until the very end. He makes me question, who the heck let this guy lead his herd, anyways? I get that the Lion Guard are children and all, but, they clearly made the right call to lead the antelopes away from their grazing grounds so they don't drown and ushering them away from the rockslide so they don't die. Bupu annoyed me the way he was acting all pissed off and dismissive of the Lion Guard. He accused them of bossing his herd around and berating them even though they wouldn't have had to get angry if Bupu had been more cooperative. It feels like he should already know to get to higher ground to protect his herd. I didn't like the fact that the antelopes were just standing around waiting to be drowned.
-I didn't like how Bupu was disrespecting Fuli towards the end just because she had been losing patience. I would be losing patience as well if I was in that situation. I don't like how when they got them away from their grazing grounds, Bupu said that they've come so far even though they barely left because of him. Also, why is it that Boboka (the sane one of the herd) had to be the one to talk him into it? I think she should be the leader, tbh. I don't like how he berates the Lion Guard, even though the Guard were leading them around so they would be safe. I'm really glad to see Bupu become more likable later on. I am not saying Fuli should've eaten him, but, I am saying that he should've more understanding and more appreciative of the Lion Guard's efforts to help.
-Bunga > Bupu any day. At least Bunga is shown to be cooperative, smart, intelligent, mature, sensible, polite, kind, understanding and wise when he needs to be. What does Bupu think this whole ordeal is, some kind of game? A hoax? A prank? How stupid can you get? I also don't like how Fuli had to apologise to Bupu at the end just because he made her frustrated. She didn't mean to get frustrated. And actually all the Guard got frustrated with the antelope. Fuli did not need to learn anything in this episode or admit to being wrong, in my opinion. Imagine if this had a more severe, life or death situation where they had to force the antelope along. Bupu should learn to understanding people's intentions better and maybe then he won't be a headstrong jerk.
-And the whole "It never hurts to be polite thing" could've been avoided if Bupu had just told that that's all he wanted at the beginning. But, more importantly, he's a terrible role model for little kids in this episode. He demands the Lion Guard say "please" for everything even though they are helping him and his herd get to safety so they don't die. He demands they be polite to him at all costs even they have tried to patient and calm and he wasn't having any of it. Kids need to see that you can't expect someone to say please all the time because there are times where you just have to do as you are being asked for safety or otherwise. I also don't like the way he refuses the get his herd out the floods when he should know what's best for them. He doesn't even think to get the calves out of the water and to higher ground. Leadership 101, for crying out loud! I don't like his attitude for most of the episode and the fact that he removes to see that the Lion Guard are only looking out for him and the rest of his herd by ordering them to cooperate and be safe.
-But, I also do not like his herd at the start of the episode. Boboka is, in fairness, the smartest and the least annoying in this episode because she has the herd's best interests at heart and wants to get them to safety. She also has a son that she wants to protect. But, if I were in her shoes, I would be leading the baby antelopes to safety whether the rest of the decided to follow or not. Are we really expected that there no other calves in the herd with older antelopes? I don't understand why she didn't just take her calf (with other antelope parents) and up and get to higher ground. So, yeah, I liked Boboka, but, that was the only time in the episode where she annoyed me. Any mother would want to get their baby to safety immediately.
Overall
So, I thoroughly enjoyed revisiting this episode and getting to review it. To recap, I loved Beshte and Basi's father-son dynamic. I thought it was really cute and sweet and loving. I love how much they are two characters that jump through hoops for each other to protect each other no matter what. They're kind of similar to Kion and Simba. I do like the dynamic between Basi and the rest of the Lion Guard as well. He feels very fatherly towards them and I like to think he was childhood friends with Simba and Nala, and still is. I found the rivalry between Basi, Beshte and Makuu's float interesting because the idea of the hippos and the crocodiles being at odds has come up before in the series. I find it interesting that they have some hatred for one another. Makuu was perfect as always. I love him whether he's in his villain phase or his reformed phase. Blair Underwood's performance is really spot on for Makuu. The episode was surprisingly dark, but, exciting with the whole Makuu trying to murder Basi and also Boboka and her son almost drowning in the floodplains. At the end, I enjoyed Fuli and Bupu's dynamic. It's an underrated "child/adult" friendship and is on par with Kion and Ma Tembo's. The jokes were pretty solid in it and I loved the scenery in the Pride Lands in this episode. I loved the more cutesy animals in this episode. The only animals that really annoyed me were the antelopes. I thought Bupu's stubbornness eye-rolling and I didn't like his rudeness. However, I still really love this episode and the antelope became a lot more polite later on. I thought the educational value was really interesting in this episode. I'll give it a 7.5/10 overall.

PodBean// Apple// Amazon// iHeartRadio// PlayerFM// Spotify//YouTube//ListenNotes//Goodpods
This episode marks two important milestones that we have reached here at In The Great Khan’s Tent!
Firstly this is the 40th episode we have reached! Secondly, we have reached 2,000 all time downloads!
Both could not have happened without the support of our listeners, our supporters, and those who continue with us on our journey to examine the Literature and Folk Literature from the Middle East, Central Asia, South Asia, North Africa, Mongolia and the Russian Far East.
We will continue to strive to bring you the same informative, educational, and entertaining content that we have been doing! Thank you all and hope you continue this journey with us!
In light of reaching these milestones, I have decided to update our cover art and logo. I would really appreciate your comments if you like this one or prefer our older one.
In this episode, we continue our exiting exploration of the One Thousand and One Nights with the continuation of the story of “The Story of Ghanim, the son of Ayyub, the Distracted Slave of Love” with Nights 42 and 43.
Once again the historical characters of Harun al-Rashid and Jafar al-Barmaki appear but this time, their roles are clearly superseded by our main characters, Ghanim and Qut al-Qulub, and they are reduced to being secondary characters.
What differs from other stories we have encountered so far that feature Harun al-Rashid, he this time appears as someone who is more religiously inclined than before with clear issues about being punished in the afterlife. This is shown by how many times both Qut al-Qulub and his main wife Zubeydah, are either told to as in the case of Zubeydah by the old woman, or is known as when Qut al-Qulub indicates.
This indicates, to me, that this might have been told and written down when Harun al-Rashid was older and somewhat more mature than was previously shown.
We are also re-introduced to the characters of Ghanim’s mother and his sister, Fitneh, as they appear lamenting the supposed loss of Ghanim. The concept of mistaken identity is continual here with how often all three women characters overlook Ghanim due to the troubles he finds himself in and the state, both mentally and physically, he is reduced to due to his separation from Qut al-Qulub.
In the next episode, we will conclude our special series, In The Great Khan’s Tent Presents: Tales from Central Asia, with Episode 4. However, fear not listeners, we will have a new special series to replace this one coming out next month!
Twitter// [Email](mailto:inthegreatkhanstent@gmail.com)// Patreon//Buy Me a Coffee//Ko-Fi//Mastodon//Facebook Group//Bluesky//

Writing a compelling thesis statement is a fundamental skill for successful academic writing. A thesis statement succinctly summarizes the main point or claim of an essay or research paper. It is typically one sentence long and appears at the end of the introductory paragraph. Crafting a clear and focused thesis statement is crucial as it guides the structure and argument of your entire paper. Here's a step-by-step guide on how to write an effective thesis statement:
1. Understand the Assignment: Before you can write a meaningful thesis statement, ensure you fully understand the assignment requirements. Clarify the type of essay you write—is it analytical, expository, argumentative, or narrative? The nature of your paper determines the form of your thesis statement.
2. Choose a Topic: Select a topic that interests you and is appropriate for the assignment. Your topic should be neither too broad nor too narrow but must allow for deep analysis and be supported by adequate resources.
3. Narrow Down Your Focus: Refine your topic to a manageable scope. Identify specific aspects of the topic you want to explore or the stance you want to argue. Narrowing down will help you focus on a particular angle and facilitate a more precise, more assertive thesis statement.
4. Formulate a Question: Once you have a topic, try formulating it as a question. For example, if your topic is about the environmental impact of plastic bags, you might ask, "What are the environmental impacts of plastic bag use in urban areas?" Your thesis statement will then aim to answer this question.
5. Write a Preliminary Thesis Statement: Start with a preliminary thesis based on your initial analysis. This may not be perfect at first but will provide a base to refine. For instance, a preliminary thesis might be, "Plastic bags cause significant environmental damage, including harming wildlife and clogging drainage systems."
6. Refine Your Thesis: Evaluate and refine your thesis statement to make sure it's clear and strong. Check if it:

• Clearly states your position or argument.
• Is specific and detailed enough to guide your writing.
• Directly answers the questions posed by your topic.
• Can be supported with evidence from your research.

7. Make It Debatable: Particularly for argumentative essays, your thesis should present a point that could be debated. It should provoke thought and invite discussion. For example, instead of stating a general fact, "Plastic bags are used widely in groceries," a debatable thesis would be, "Governments should ban plastic bags in groceries due to their long-term environmental toll and viable alternatives."
8. Revise as Necessary: As you write your essay, you might find new insights that require you to tweak your thesis. Revisit and revise your thesis statement to reflect the depth and direction of your writing.
9. Perfect Your Final Thesis: Ensure your final thesis statement is concise, compelling, and coherent. It should encapsulate the essence of your argument or analysis and prepare the reader for what is to follow in your essay.
Example Thesis Statements:

1. Analytical: "By examining the stark contrasts between the characters in 'The Great Gatsby,' Fitzgerald critiques the illusion of the American Dream."
2. Argumentative: "Schools should promote bilingual education not only to enhance student learning but also to preserve cultural diversity."
3. Expository: "Renewable energy sources such as wind, solar, and hydroelectric power offer viable alternatives to fossil fuels."

By following these steps, you can craft a thesis statement that effectively sets the stage for your essay, providing clarity and direction for your writing.

PodBean// Apple// Amazon// iHeartRadio// PlayerFM// Spotify//YouTube//ListenNotes//Goodpods
This episode marks two important milestones that we have reached here at In The Great Khan’s Tent!
Firstly this is the 40th episode we have reached! Secondly, we have reached 2,000 all time downloads!
Both could not have happened without the support of our listeners, our supporters, and those who continue with us on our journey to examine the Literature and Folk Literature from the Middle East, Central Asia, South Asia, North Africa, Mongolia and the Russian Far East.
We will continue to strive to bring you the same informative, educational, and entertaining content that we have been doing! Thank you all and hope you continue this journey with us!
In light of reaching these milestones, I have decided to update our cover art and logo. I would really appreciate your comments if you like this one or prefer our older one.
In this episode, we continue our exiting exploration of the One Thousand and One Nights with the continuation of the story of “The Story of Ghanim, the son of Ayyub, the Distracted Slave of Love” with Nights 42 and 43.
Once again the historical characters of Harun al-Rashid and Jafar al-Barmaki appear but this time, their roles are clearly superseded by our main characters, Ghanim and Qut al-Qulub, and they are reduced to being secondary characters.
What differs from other stories we have encountered so far that feature Harun al-Rashid, he this time appears as someone who is more religiously inclined than before with clear issues about being punished in the afterlife. This is shown by how many times both Qut al-Qulub and his main wife Zubeydah, are either told to as in the case of Zubeydah by the old woman, or is known as when Qut al-Qulub indicates.
This indicates, to me, that this might have been told and written down when Harun al-Rashid was older and somewhat more mature than was previously shown.
We are also re-introduced to the characters of Ghanim’s mother and his sister, Fitneh, as they appear lamenting the supposed loss of Ghanim. The concept of mistaken identity is continual here with how often all three women characters overlook Ghanim due to the troubles he finds himself in and the state, both mentally and physically, he is reduced to due to his separation from Qut al-Qulub.
In the next episode, we will conclude our special series, In The Great Khan’s Tent Presents: Tales from Central Asia, with Episode 4. However, fear not listeners, we will have a new special series to replace this one coming out next month!
Twitter// [Email](mailto:inthegreatkhanstent@gmail.com)// Patreon//Buy Me a Coffee//Ko-Fi//Mastodon//Facebook Group//Bluesky//

Here is a sampler of stuff - film, yoga, art, music, education. Wanna see most / almost everything? Go to https://as220.org/calendar - updated frequently!
Friday, May 3 at 7 PM (AS220 Black Box - 95 Empire Street, Providence, RI)
Nothing Lasts Forever: Russian Punks in Georgia film premiere
In September 2022, six months into the full-scale invasion of Ukraine, Russia ordered a partial mobilization of reservists. As a result, many members of Russia’s punk scene, who received mobilization orders, fled the country to the Republic of Georgia. Leaving their families, venues, gear, and bands behind, they resettled in the capital city, Tbilisi. Once there, they founded new venues, new bands, and entered into the existing scene as a path toward acclimation and readjustment. Nothing Lasts Forever: Russian Punks in Georgia, is a full-length documentary film about that story. The film premiere will be followed by a brief Q and A and open discussion with the director, Alexander Herbert.
Saturday, May 4 at 8:30 AM (AS220 Dance Studio - 95 Empire Street, 3rd floor, Providence, RI)
Gentle Morning Yoga with Steven
Very gentle + slow paced + low intensity yoga flow. No experience needed for this offering. There will be yoga mats + blocks available but feel free to bring your own things. Blankets + pillows + water containers are also encouraged but not supplied or required.
Saturday May 4 from 5 - 7 PM
AS220 Galleries opening receptions:
~Aborn Gallery (95 Empire Street, 2nd floor, and street-level windows)~
Madison Emond - Field Notes from Kaiwharawhara
Madison Emond presents a series of medium-format color images captured during their Fullbright Fellowship in Wellington, Aotearoa New Zealand, with the Kaiwharawhara stream. “Field Notes from Kaiwharawhara” encourages meaningful connections through psychedelic beauty.
~Main Gallery (115 Empire Street, Providence, RI)~
Anthony Medeiros - StillSpecializing in mixed media arts, Antony Medeiros presents a series of expressive paintings conveying untold narratives of grief, confusion and longing. Utilizing practices of collage and iridescent paint, “Still” unviels characters within the works and its viewers.
Robert Snowden - Your Mask
Rhode Island-based artist, Robert Snowden presents a series of paintings influenced by tribal and skeletal themes. Through a process reflecting on appearances and emotion, “Your Mask” is a product of childlike intuition uncovering the inherent masks that everyone holds.
~Project Space & Reading Room (93 Mathewson Street, Providence, RI)~
Masha Ryskin - Fragments
“Fragments” is an investigation of displacement, identity, and rituals within the multidisciplinary practice of Masha Ryskin. Expressed with attention to footprints and stains, this collection of work alludes to shifts in memory and history within the temporal quality of human experiences.
Vesna Longton - Forest of Magic
Showcasing a series of works on [medium] and sculptures, this exhibition explores the intersection between who we are and our surroundings. “Forest of Magic” encourages moments of discovery through inner self connections, revealing the interconnectedness of ourselves and nature.
~Resident Gallery (131 Washington Street, Providence, RI)~
Refuge of the Arts - AS220 Community Printmaking Exhibit
Saturday, May 4 at 7 PM (AS220 Main Stage - 115 Empire Street, Providence, RI)
Star Wars Day Benefit for ThistleThistle medical expenses w/ Thou, Peace Test, Weak Teeth, Sliimo
This show is sold out online, but a "handful" of tickets will be available at the door night of. Get there early? It's a benefit for medical expenses, so, good job.
Sunday, May 5 at 9 AM (AS220 Community Studios - 131 Washington Street - entrance in back on Lucie Way, Providence, RI)
Lego Letterpress for ALL AGES with Andre Lee Bassuet
This class is for adults and children - children ages 8-18 MUST be accompanied by an adult caregiver. Come out and play with LEGOs and letterpress! In this fun, hands-on workshop, use LEGO tile bricks and a printing press to create and edition your own 8-bit letterpress work of art to share with others. We’ll provide the bricks, press and paper! No experience necessary.

PodBean// Apple// Amazon// iHeartRadio// PlayerFM// Spotify//YouTube//ListenNotes//Goodpods
This episode marks two important milestones that we have reached here at In The Great Khan’s Tent!
Firstly this is the 40th episode we have reached! Secondly, we have reached 2,000 all time downloads!
Both could not have happened without the support of our listeners, our supporters, and those who continue with us on our journey to examine the Literature and Folk Literature from the Middle East, Central Asia, South Asia, North Africa, Mongolia and the Russian Far East.
We will continue to strive to bring you the same informative, educational, and entertaining content that we have been doing! Thank you all and hope you continue this journey with us!
In light of reaching these milestones, I have decided to update our cover art and logo. I would really appreciate your comments if you like this one or prefer our older one.
In this episode, we continue our exiting exploration of the One Thousand and One Nights with the continuation of the story of “The Story of Ghanim, the son of Ayyub, the Distracted Slave of Love” with Nights 42 and 43.
Once again the historical characters of Harun al-Rashid and Jafar al-Barmaki appear but this time, their roles are clearly superseded by our main characters, Ghanim and Qut al-Qulub, and they are reduced to being secondary characters.
What differs from other stories we have encountered so far that feature Harun al-Rashid, he this time appears as someone who is more religiously inclined than before with clear issues about being punished in the afterlife. This is shown by how many times both Qut al-Qulub and his main wife Zubeydah, are either told to as in the case of Zubeydah by the old woman, or is known as when Qut al-Qulub indicates.
This indicates, to me, that this might have been told and written down when Harun al-Rashid was older and somewhat more mature than was previously shown.
We are also re-introduced to the characters of Ghanim’s mother and his sister, Fitneh, as they appear lamenting the supposed loss of Ghanim. The concept of mistaken identity is continual here with how often all three women characters overlook Ghanim due to the troubles he finds himself in and the state, both mentally and physically, he is reduced to due to his separation from Qut al-Qulub.
In the next episode, we will conclude our special series, In The Great Khan’s Tent Presents: Tales from Central Asia, with Episode 4. However, fear not listeners, we will have a new special series to replace this one coming out next month!
Twitter// [Email](mailto:inthegreatkhanstent@gmail.com)// Patreon//Buy Me a Coffee//Ko-Fi//Mastodon//Facebook Group//Bluesky//

After a previous attempt I made with ChatGPT to create descriptions in SD, this is a more upgraded effort with much more material
​
there are 4 categories:
​
1) Character description
​
2) Description of animals and insects
​
3) Hybrid character description
​
4) Artist style character description
Start ChatGpt prompt
Character Description Guidelines:
After the character name, you will always write the name of the brand in the form \(tag\).
​
When to Use:
These guidelines are intended for depicting a character in their most iconic and recognizable form from their respective media franchise.
​
How to Use:

1. **Identify the character and the source**: Begin with the character's name followed by the source franchise in parentheses.
   
2. **Describe visual elements with emphasis**: Focus exclusively on the visual aspects of the character's clothing and accessories. Use emphasis tags (e.g., 1.0 for standard emphasis, higher values for stronger emphasis) to highlight key features.
   
3. **Concise descriptions**: Stick strictly to visual descriptions, avoiding backstory or abilities of the character.
   

​
​
Examples:
- Superman \(DC Comics\), (blue suit:1.1) with a (textured mesh pattern:1.2), (red cape:1.3) flowing and vibrant, (S-shield on chest:1.3) prominently displayed, (red boots:1.2) glossy and robust, (slicked-back black hair:1.1) neatly styled
- Link \(The Legend of Zelda\), (green tunic:1.2) with a (brown belt:1.2) and (silver buckle:1.2), (brown boots:1.1) sturdy and weathered, (pointed elf-like ears:1.2) slightly protruding, (sword and shield:1.3) always at hand, (blonde hair:1.1) messy yet controlled.
​
​
Animal and Insect Description Category:
​
When to Use:
For describing animals and insects with a focus on their distinguishing physical features for scientific, educational, or visual content.
​
How to Use:

1. **Identification**: Clearly name the animal or insect.
   
2. **Detail visual characteristics**: Describe color, pattern, and distinctive physical traits.
   
3. **Emphasis on conciseness**: Focus solely on visual details, leaving out behavioral or ecological roles unless they are vital for recognition.
   

​
Examples:
- Grey Wolf, (dense grey fur:1.2), (piercing yellow eyes:1.2), (long snout:1.1), (strong legs:1.2).
​
- Atlas Moth, (large wingspan:1.3), (orange and white wing patterns:1.2), (snake-head wingtips:1.3).
​
Hybrid Character Description Category:
When to Use:For creating new characters by merging features from existing characters with animals or insects, exploring creative design possibilities.
​
How to Use:

1. **Hybrid identification**: Start by naming the base character followed by the animal/insect traits being combined.
   
2. **Describe hybrid features**: Focus on how the animal or insect characteristics integrate with the character’s traits, emphasizing changes in appearance, color, or added features.
   
3. **Maintain clarity and conciseness**: Ensure that descriptions are straightforward, emphasizing the hybrid’s unique visual and symbolic elements.
   
4. **After the character name, you will always write the name of the brand in the form \(tag\).
   

​
​
Examples:
- Dragon (Spider-Man:1.2) \(Marvel Comics\), (fiery webbed dragon wings:1.4) unfurling majestically, (scaly red and blue suit:1.3) shimmering under light, (whipping dragon tail:1.2) adding a fierce edge, (enhanced piercing eyes:1.3) glowing with mystic power.
​
- Lion (Thor:1.2) \(Marvel Comics\), (thunderous mane resembling Thor’s flowing locks:1.3), (muscular lion’s physique blending seamlessly with Thor’s warrior build:1.2), (mythical hammer adorned with lion engravings:1.1) exuding regal strength.
​
- dynamic fusion of Naruto \(Shonen Jump\) and Goku \(Dragon Ball\), embodying the strengths of both warriors, spiky golden hair reminiscent of Super Saiyan form, adorned with Naruto's iconic headband, (blue eyes gleaming with determination:1.2), wearing Goku's signature orange and blue gi, crossed with Naruto's black and orange attire, (rippling aura of energy:1.2), swirling with vibrant hues of orange, blue, and yellow, (surrounded by a whirlwind of leaves and energy:1.1), iconic symbols from both series interwoven in the background, shattered remnants of mountains and landscapes, epic battleground, intense clash of elemental powers, combining the power of chakra and ki, determined expressions, fierce determination radiating from their eyes, sparks flying as they unleash a devastating attack, fusion of two legendary worlds, capturing the essence of both universes in one electrifying image.
​
- hybrid superhero, amalgamation of Wolverine and Iron Man \(Marvel Comics\), (adamantium claws protruding from gauntlets:1.4), (red and gold armored suit:1.3), glowing arc reactor in chest, (ferocious animalistic features:1.2), piercing blue eyes, snarling expression, rugged facial hair, (sleek, metallic design with intricate detailing:1.2), jet propulsion system, rocket thrusters, dual repulsor beams, urban battleground, crumbling skyscrapers, billowing smoke, sparks flying, dynamic combat stance, mid-air leap, intense energy radiating from the scene, blending the raw power of Wolverine with the cutting-edge technology of Iron Man, a symbol of unstoppable force and relentless determination.
​
- an awe-inspiring hybrid Green Lantern \(DC Comics\) with Thor \(Marvel Comics\), a (glowing green hammer:1.4) that combines Green Lantern's power ring energy with Thor's iconic Mjolnir. Dressed in a costume that merges Green Lantern's sleek, (emerald green suit:1.2) with Thor's Asgardian armor elements, including (metallic silver plates:1.1) and a flowing red cape. The setting captures a cosmic battlefield, stars twinkling in the background, planets visible in the distance, and a nebula illuminating the scene with vibrant colors. The character stands heroically on a floating asteroid, lightning crackling around him and a bright green aura emanating from the hammer, intense gaze, dynamic pose, atmospheric and charged with energy.
​
These guidelines ensure clarity and maintain the required format for describing characters, animals, insects, and hybrid figures.
​
​
Artist Style Character Description Category:
​
When to Use:
This category should be employed when you wish to craft descriptions of characters from various media franchises reimagined in the distinctive style of a particular artist.
​
How to Use:

1. **Character and Artist Identification**: Start with the character’s name, followed by the brand in the format \(tag\), and then specify "in the style of (Artist Name)" to clearly indicate the artistic interpretation.
   
2. **Artistic Style Description**: Describe the translation of the artist’s unique style onto the character, focusing on colors, shapes, brushstrokes, and any characteristic motifs or textures associated with the artist.
   
3. **Incorporate Specific Elements**: Integrate elements that are quintessential to the artist's style, such as recurring themes, specific uses of lighting or shadow, and any iconic elements that the artist frequently includes in their works.
   
4. **Maintain Detail and Clarity**: Provide a rich and vivid description that clearly illustrates how the character is transformed by the artist's vision while keeping the description concise and focused.
   

​
Examples:
- noble leader of the Autobots, transformed \(Transformers\), into a (Tim Burton:1.2)-esque creation, (twisted metal:1.2) forming his towering frame, (dark, weathered armor:1.1) adorned with intricate etchings reminiscent of Gothic architecture, (piercing azure optics:1.2) glowing with inner light, (mechanical tendrils:1.1) resembling twisted vines, (charcoal-black chassis:1.1) contrasting against his vibrant, (striped crimson and ebony:1.2) cloak billowing dramatically, standing amidst a (haunting industrial landscape:1.2), gears and pipes weaving a surreal tapestry, (bizarre machinery:1.1) protruding from the ground, moonlight casting eerie shadows, (ominous storm clouds:1.2) swirling overhead, sparks of electricity dancing in the air, dynamic angle, brooding atmosphere, whimsically macabre, side view, mid-stride
​
- iron man \(Marvel Comics\) reimagined with (Todd McFarlane:1.2) signature style, (sleek, obsidian armor:1.2) adorned with intricate, (sinister-looking:1.1) details, (glowing crimson arc reactor:1.2) pulsating with raw power, (fiery eyes:1.2) burning with determination, (twisted metal tendrils:1.1) snaking around his form, (ominous, jagged edges:1.1) adding an air of menace, (shadowy, industrial backdrop:1.2), smog-choked sky looming overhead, (gritty urban landscape:1.1) teeming with life and decay, neon lights flickering in the darkness, (electric sparks:1.2) crackling in the air, dynamic composition, intense atmosphere, dark and brooding, mid-action, ready for battle
​
- Mickey Mouse \(disney\), reimagined by (Brian Froud:1.2), features a (whimsically oversized head:1.2) adorned with (giant round ears:1.3), (expressive button eyes:1.2) gleaming with mischief, and a (round, cherubic face:1.2) with (curly, mischievous smile:1.3). His (bright red shorts:1.1) are adorned with (yellow buttons:1.2), and his (gloved hands:1.2) are oversized with (long, delicate fingers:1.2). He stands in a (enchanted forest:1.2) surrounded by (magical creatures:1.1), (sparkling pixie dust:1.2) trailing behind him, exuding an aura of (childlike wonder:1.2) and (fairy-tale whimsy:1.3).
- Super Mario \(Nintendo\) reimagined by (Ellen Jewett:1.2) transforms into an intricate, (organic sculpture:1.3) blending natural elements with his iconic features. His (vivid red cap:1.2) sprouts (delicate, vine-like tendrils:1.3) and small (blooming flowers:1.2), while his (blue overalls:1.1) resemble layered leaves and moss, giving a (textured, earthy look:1.2). Mario’s (white gloves:1.1) evolve into (curled, bark-textured hands:1.2) holding a (mushroom:1.2) that mirrors real fungi in appearance. His (bright, playful expression:1.2) is rendered with (soft, clay-like features:1.1), nestled among (whimsical forest elements:1.3), embodying a magical, ecological wonderland.
​
- Pikachu \(pokemon\), (Tim Burton:1.2), with (darkened fur:1.2) contrasting against (pale yellow patches:1.1), (large, expressive eyes:1.2) gleaming with a hint of melancholy, (crooked smile:1.1) revealing tiny, sharp teeth, (elongated ears:1.2) standing tall and slightly pointed, (thick, black outline:1.2) accentuating its features, (zigzag tail:1.1) curling with a whimsical twist, (vintage streetlamp backdrop:1.1) casting eerie shadows, (dancing silhouettes of peculiar creatures:1.2) adding to the surreal atmosphere, dynamic pose, capturing the essence of Burton's gothic whimsy.
​
​
These guidelines are crafted to help visualize and convey a clear and detailed artistic rendition of well-known characters through the lens of renowned artists' styles.
​
ATTENTION ALL DESCRIPTIONS FROM ALL CATEGORIES SHOULD NOT EXCEED 120 WORDS.
​
-------------------------------------------------------------------------------------------------------------
​
Here are four commands you can use to specify which category of description you want
​

1. **!describe [character]** - This command will prompt a standard character description based on the "Character Description Guidelines". For instance, if you type `!describe Batman`, ChatGPT will provide a description of Batman focusing on his iconic suit, accessories, and visual appearance from the DC Comics universe.

​

1. **!animal [animal]** - Use this command for descriptions based on the "Animal and Insect Description Category". For example, typing `!animal Grey Wolf` will result in a detailed description focusing on the physical features like fur color, eye color, and distinctive traits of a grey wolf.

​

1. **!hybrid [character] - This command triggers a description from the "Hybrid Character Description Category". You can specify the character followed by the traits of another character, animal, or insect to be combined. If no specific traits are mentioned, the description will generate a hybrid with random characteristics from another character, animal, or insect. For instance, typing !hybrid Spider-Man without specifying traits could result in a description blending Spider-Man with traits from another superhero, animal, or insect, emphasizing the unique visual and symbolic elements of this creative fusion.

​

1. **!artist [character], [artist]** - Use this command for descriptions that reimagine a character in the style of a specific artist, based on the "Artist Style Character Description Category". If an artist is not specified, a random artist's style may be used. For example, `!artist Batman, Tim Burton` would describe Batman as reimagined by (Tim Burton:1.2), focusing on gothic and whimsical elements typical of Burton's style.

​
Each command is designed to clearly invoke a specific type of description, ensuring clarity and adherence to the outlined guidelines.
​
-------------------------------------------------------------------------------------------------------------
​
Confirm if you understand!
"If you want, you can also download the zip file that I have at https://civitai.com/articles/5146/ultimate-describtion-chatgpt."

1st year going into 2nd year. Would probably get some internships in this summer, along w some volunteering work. This is for summer internships.

https://preview.redd.it/jqz1o1d3y2yc1.png?width=1918&format=png&auto=webp&s=0cd6e1325064e8aae4eb8365b0c735fe3067af3d
https://preview.redd.it/um2jv5d3y2yc1.png?width=1914&format=png&auto=webp&s=700450ef7638255e6d05490a6e3536076519ac47
I'm using a template for a school project, I changed the font and the entire text body got pushed to a second page, how can I fix this??

My player just reached level 5 and wants to take killing blow. He already has Stab level 2 and wants to apply the bonus skill towards Stab. Should it : A) grant 3 points towards the skill, B) increase to the next level C) apply 3 points towards any skill?
Gaining a new focus that adds a bonus skill mid- character grants 3 points towards said skill. I am leaning towards making it do the same as a new focus. However, Edges are stronger and rarer than foci .. (the player would much prefer a free jump from Stab 2 to Stab 3)
For reference (EDGE Killing Blow: GAIN A COMBAT SKILL AS A BONUS SKILL . Whenever you inflict hit point damage on something, whether by weapon, special ability, or any other source, the damage is increased by 1 point per two character levels, rounded up. Any Trauma Die you roll gains a +1 bonus.)
(and for reference page 45, picking a new focus / edge) If this is the first level they’ve taken in the Focus, they might be granted a skill as a free bonus pick, depending on the Focus’ benefits. During character creation, this bonus skill pick is treated like any other skill pick. If the Focus is taken as part of advancement, however, it instead counts as three skill points spent toward increasing the skill. This is enough to raise a nonexistent skill to level-1, or boost a level-1 skill to level-2. They may do this even if they aren’t high enough level to normally qualify for a skill level that high. If the skill points aren’t quite enough to raise the skill to a new level, they remain as credit toward future advances. If applied to a skill that is already at level-4, the PC can spend the three skill points on any other skill of their choice. In addition, upon reaching fifth level, an operator can pick a third Edge to add to their existing two. Any benefits this Edge grants are retroactive to first level, such as the bonus skill points from Educated or the hit point bonus of Hard to Kill.

I’m a Viper main and recently the nerfs have just made the character unplayable & lackluster and i’m having to resort to other characters I dislike playing. This sort of character killing nerf has happened before for reasons Riot seeks.
Now i’m in gold & I don’t have the most professional take but I had an idea I thought you guys might enjoy discussing over.
Why doesn’t any of the agents have a cleansing ability. Valorant features many debuff abilities such as decay, slow, blindness, detection etc… And the way each character can use these abilities are unique & fun and imo don’t require nerfing (maybe adjustments) but not major reworks to kill them off.
An agent with a cleanse ability, maybe based off AOE, perhaps could be like a short smoke or simply an “immunity stim” they could place down so allies would be temporarily immune to any debuffs that may be placed in a specific area of the map.
I think this could allow for our current agents to remain in their stronger state with stronger debuffs, and allow for some direct counter play. Obviously this may take away the use for some other utility that other agents have so maybe we can adjust the strength level of such a cleanse ability so it doesn’t diminish the current utility (maybe it can only affect a limit of 3 players at a time, so that characters that can get past debuffs like Jett, Omen, Yoru, Reyna can still put use to their immunity/movement abilities).
Let me know what you guys think and what you would like to change about this kind of character design so it maybe fits all sorts of plays even better! I believe i’m quite educated on games especially Valorant, but I’m not claiming that any of what I say would officially work in the current state of Valorant.

I'm starting to think this game was too obscure... I was born in 1996, and I played this game when I was around 4-5 years old.
I remember, very faintly, starting up this gem of a game and being welcomed by a blue/purple butterfly/moth lady or something. Past that, I remember bright green grass, a cobblestone road, and an old-timey cash register, probably for math games or puzzles. I can't for the life of me figure this out. I just had an hour-long back-and-forth with ChatGPT trying to figure it out but to no avail. If anyone has any suggestions, answers, or questions pls let me know this has been killing me for YEARS.
Platform(s): PC
Genre: Point and Click adventure Educational (maybe?)
Estimated year of release:1990-2002
Graphics/art style: I seem to remember the style being fairly fanstastical and whimsical.
Notable characters: Butterfly lady - Blue or light purple - I think she was like the main guide of the game?
Notable gameplay mechanics: Point and click is all I can remember. I don't remember actually DOING anything, but I know it was a game and not a show or cartoon.
Other details: Ask away and I'll tell you! If I can remember... lol
~be like water my friend~

Hi everyone!
So im looking for physical props for my games, but i really suck at diy nor do i have the space to work on. Im also looking for something practical, not really looking to purchase a behemoth prop for it to be used once and then binned.
So i was wondering if there is any kind of digital shop that sold printable props. Letters with some sort of crypt or puzzle around them. Maps that lead nowhere. Something with a bit more detail than what i can do on short time.
For example, i was once given a letter with drawings of different characters around the edges, while the letter itself contained a riddle. The way to solve it was to bend the paper in a certain way so that 2 characters on opposite sides of the letter, now looked like they were interacting once pulled together.
Would something like this exist? easy to print, well drawn, fun to solve puzzles and riddles?

Mika Waltari's Egyptian is famous historical fiction novel taking place in ancient egypt during rule of Akhenaten. It's famous for historical accuracy, but Waltari sometimes likes to use magic elements and the blood stauncher may be just one of those.
Main character of the book is egyptian doctor Sinuhet. When he assists the royal skull opener during opening of pharaoh's skull, they use "Blood stauncher" - uneducated simpleton who's touch stops blood circulation. Did ancient egyptian doctors really believe that such practice works? Is there record of such person being used?
I am not asking if such "blood staunching" works, it's obvious it does not. I am wondering if they believed it works.
Excerpts about the blood stauncher:
"In the House of Life there was as a rule a “blood stauncher,” a man of no education whose mere presence would stop a flow of blood in a short time, but Ptahor wished this to be a demonstration and desired also to save his strength for Pharaoh."
"The court physician had already shaved and washed the head of the dying man, and Ptahor ordered the stauncher of blood to sit upon the bed and take Pharaoh’s head in his hands. Then the royal consort Taia stepped to the bed and forbade him.
I understood her feelings, for the fellow was an ox driver of low birth and could neither read nor write. He stood with bent head and hanging arms, with his mouth open and a vacant expression on his face. Unskilled, untalented though he was, he yet had the power to stop the flow of blood by his mere presence. Therefore he had been called from his plow and his oxen to be paid his fee in the temple, and despite all cleansing ceremonial the smell of cattle dung clung about him. He himself could not account for his powers. He possessed them, as a jewel may be found in a clod of earth, and they were such as cannot be acquired through study or spiritual exercises."
My "research": Google has given me no results, ChatGPT says the practice did not exist.

So, just saw a post on how the op was denied placement due to reservation quota for girls. And this came to my mind-
https://youtube.com/shorts/8BDLV51gUAE?si=RfNmCbGjuLzhwDCY
https://youtube.com/shorts/NHkdI3jXfDw?si=3o5orRQR8TycQrqj
By giving reservations, the government and people supporting it are passively proposing that women can't attain jobs and Excel in fields on their own. They are already provided equal opportunity (free education, lesser application field etc.). But the government has been actively trying to enforce equality of opportunity too. Sure, someone who didn't get opportunities may be allowed to, but it's absurd to give the same role to someone who had equal opportunities.
In our current society, almost every women has a subconscious mentality, "if I don't get a job, I'll just marry someone" (my sisters, female friends etc.) while literally 0.0001% men can rely on that.
The knucklehead game character - https://youtu.be/dWBn0nS8s0A?si=Uf7MRKhkMxtlk2Du

1. What is your character's greatest fear, and how does it influence their actions?
2. How does your character cope with failure?
3. What is a childhood memory that still haunts your character?
4. In what ways does your character express vulnerability?
5. What does your character value most in a friendship?
6. How does your character handle loneliness?
7. What is your character's philosophy on love and relationships?
8. What is your character's most deeply held belief, and has it ever been challenged?
9. What motivates your character to get out of bed in the morning?
10. How does your character react under extreme stress or pressure?
11. What is your character's guilty pleasure, and why do they feel guilty about it?
12. How does your character deal with betrayal?
13. What is your character's relationship with their own mortality?
14. In what ways does your character seek validation from others?
15. What is your character's proudest accomplishment, and how do they view success?
16. What is the most difficult decision your character has ever had to make?
17. How does your character feel about forgiveness, both giving and receiving?
18. What is your character's relationship with their own past?
19. How does your character handle change and unexpected challenges?
20. What is your character's biggest regret, and how does it affect them?
21. How does your character express anger, and what triggers it?
22. What role does religion or spirituality play in your character's life?
23. What is your character's favorite way to relax and unwind?
24. How does your character define personal success?
25. What is your character's relationship with authority figures?
26. How does your character feel about their own body?
27. What is your character's attitude towards money and material possessions?
28. In what ways is your character a product of their environment?
29. How does your character feel about their own intelligence or lack thereof?
30. What does your character consider to be their greatest flaw?
31. How does your character handle feelings of inadequacy or imposter syndrome?
32. What is your character's go-to method for self-care?
33. How does your character express joy or happiness?
34. What is your character's relationship with fame or recognition?
35. What would your character do if they won the lottery?
36. How does your character navigate and express their sexuality?
37. What is your character's most treasured possession, and why is it significant?
38. How does your character feel about societal norms and expectations?
39. What is your character's greatest source of pride?
40. In what ways does your character seek personal growth or improvement?
41. How does your character handle secrets, both keeping and revealing them?
42. What is your character's relationship with time and the passage of it?
43. How does your character deal with physical or emotional pain?
44. What is your character's relationship with their cultural or ethnic identity?
45. How does your character feel about the concept of destiny or fate?
46. What is your character's favorite form of artistic expression?
47. How does your character handle criticism or constructive feedback?
48. What is your character's opinion on the meaning of life?
49. How does your character feel about technology and its impact on society?
50. What is your character's relationship with food, and how do they approach eating?
51. How does your character navigate and express grief or loss?
52. What is your character's philosophy on the balance between work and personal life?
53. How does your character feel about the concept of fate or destiny?
54. What is your character's definition of true friendship?
55. How does your character approach conflicts within their relationships?
56. What is your character's most cherished childhood memory?
57. In what ways does your character seek validation from others?
58. How does your character handle moments of self-doubt?
59. What is your character's relationship with social media, if any?
60. How does your character feel about the concept of heroism or being a hero?
61. What is your character's reaction to being misunderstood by others?
62. How does your character feel about societal expectations of beauty?
63. What is your character's favorite form of escapism?
64. How does your character feel about the concept of sacrifice?
65. What is your character's philosophy on the nature of good and evil?
66. How does your character handle situations where they feel out of control?
67. What is your character's favorite way to spend a day off?
68. How does your character react to unexpected kindness or generosity?
69. What is your character's relationship with their siblings, if any?
70. How does your character feel about the concept of legacy or leaving a mark on the world?
71. What is your character's opinion on the concept of free will?
72. How does your character feel about competition, both personally and professionally?
73. What is your character's opinion on the concept of soulmates or true love?
74. How does your character approach making important life decisions?
75. What is your character's relationship with their own creativity or imagination?
76. How does your character feel about the concept of destiny or predetermined fate?
77. What is your character's opinion on the concept of beauty?
78. How does your character feel about the concept of redemption?
79. What is your character's greatest source of shame or embarrassment?
80. How does your character feel about the concept of home?
81. What is your character's attitude towards education and learning?
82. How does your character handle feelings of envy or jealousy?
83. What is your character's philosophy on the concept of truth?
84. How does your character approach making amends for past mistakes?
85. What is your character's relationship with the natural world or the environment?
86. How does your character handle situations where they feel powerless?
87. What is your character's opinion on the concept of luck or chance?
88. How does your character feel about the concept of revenge?
89. What is your character's philosophy on the concept of education?
90. How does your character feel about the concept of justice?
91. What is your character's relationship with authority figures, particularly parents or guardians?
92. How does your character handle feelings of betrayal or trust issues?
93. What is your character's favorite form of exercise or physical activity?
94. How does your character feel about the concept of freedom?

I’ve been thinking a lot about closure lately. It’s coming up on two years since the night things ended so horribly with Clive, and I still don’t feel like I’ve gotten closure, despite having been in therapy for a year and a half trying to heal and find peace.
What would closure look like? I think back to past traumas and how I got closure in the past.

• CSA when I was 5 years old. I think I got closure about this after I finally started therapy at age 25, and saw the therapist for two years, until I was 27. I could finally talk openly with someone about how it had affected me all those years, and that helped me process it at long last, instead of just taking it out on myself with self-harm and suicidal ideation.
• BH ghosting me, after the summer I was 19. It was such an abandonment. For years afterward, I felt like the world had lost its color, and I was breathing stale air in a sealed box. I think when I finally left the Mormon church five years later, when I was 24, I realized BH had been right about so many things, and I kind of understood a little how frustrating it must have been for him to care about me and see me clinging on to a false belief system; it was the belief system that was shutting me up in a sealed box where I could only breathe stale air.

And 20 years after that, I wrote a bad novel that was essentially a thinly veiled memoir about it, and that really finally helped me lay that ghost to rest. I actually looked up BH and found him on LinkedIn of all places - I reached out, and he responded, and later I sent him the novel I had written. It was a terrible novel, of course. I found a photo of him in an online search, and he had grown fat and bald, and was working for a big, ethically questionable corporation. I was a little embarrassed to think I had been so passionately in love with him that summer. I haven’t really thought of him since.

• The traumatic breakup with PK, which also happened when I was 25 years old, and was the trigger for my first round of acute PTSD symptoms, which in turn was the impetus for me starting therapy. PK was the first intimate relationship I ever had; we got together right after I left the Mormon church. I was woefully naive and unprepared for relationships, and he treated me like dirt, and broke up with me with breathtaking cruelty, telling me he had deliberately made me fall in love with him without any thought, idea, or intention of ever loving me back. I was so naive, I was a complete and total doormat and didn’t realize I deserved better than being treated like dirt.

Therapy helped me learn a lot of coping mechanisms for the PTSD symptoms, but I think a couple of things besides that helped me get closure. There was one day when I ran into him with his new girlfriend in the park. And I screamed at him, at the top of my lungs. I screamed at him that he was a monster, that what he had done to me was horrible. I screamed and screamed at him. It was so long ago, I don’t remember it very well, but I think in the end he actually turned around and ran away. It also helped that I dropped out of grad school and moved far away, across the country, and started a new job and a new life, in a city where I didn’t know a soul and had to make entirely new friends.

• Then there was Kai. He was unhappily married, and an alcoholic, and a big flirt. He flirted with me, and I took it too seriously, and fell in love with him. He may have been in love with me too. There were several years when there was rarely a day when we didn’t chat with each other online. But our romantic friendship (we never got together physically at all) dragged on for maybe 7 years and caused me a lot of unhappiness and lonely pining.

I gradually understood that he was a very passive person with a lot of learned helplessness, and that I was being codependent trying to help someone who needed to do his own work to help himself. I started detaching myself and stepping back, and setting better boundaries with him, and educating myself about alcoholism and how to talk about it with him. Eventually, he quit drinking and got a job he actually liked, which made him a much happier and healthier person. He said I helped him a lot, and I was glad, but in a qualified kind of way. I know that helping him, if I really did help him, came at a high cost in terms of the harm I did to myself in the process. There was no particular moment when I got closure, I just fell out of love with him. We are actually still friends, and he is very sweet and devoted, sending me books and cards and little stickers and whimsies, even when I don’t write him for months at a time.
***
But with Clive, it’s hard to say what closure would look like. It feels like none of the skills or knowledge I had gained from all the hard things I went through in the past are helping me now. I thought I had learned resilience. I thought I knew a lot of healthy ways to cope. But where is my resilience and where are my coping skills now? I’m glad I have my nice therapist and can talk openly with someone about it. But still, I have felt frustrated that therapy hasn’t been more helpful, that it seems I keep ruminating and going around and around and around in circles about everything. I have good spells and bad, and I’m still terribly vulnerable to triggers. I might just be too impatient with my own healing process?
With BH, I went through a deep thinking and learning process about religion and faith and love and trust, and even though I suffered terribly, it ended up feeling like on some higher level the pain had a purpose because of all the wisdom and knowledge I gained. With Clive, yes, in trying to process it, I’ve learned a ton about personality disorders, the science and psychology of them and how they can look in the real world. I’ve turned myself into a relatively knowledgeable person when it comes to abuse, psycopathy, sociopathy, and pathological narcissism. It’s been somewhat helpful to understand how some of the baffling things that Clive said and did could be explained by elements of those disorders. But understanding the scientific explanations hasn’t helped me get closure as much as I hoped it would. It doesn’t change the horror that I really thought I’d found a wonderful friend and lover in Clive, and then he turned out to be a nightmare, and I alone of our friend group have seen his mask slip often enough to know what a cold person he really is underneath.
Would writing a novel about it help me get closure? I kind of started one, a Jane Austen-esque novel where Clive would be the Willoughly-Wickham-Crawford style villain. Clive loved Jane Austen, and one of our dates was spent in a long conversation all about Mansfield Park, which we both were reading at the same time. Clive said his favorite character was Edmund. I was like, “Edmund is awful, he hates fun!” And he said, “That’s why I like him, because I also hate fun.” But in retrospect, if only on some subconscious level, I think the reason why he loved Austen so much was that in every one of her books, there is a creep like Clive who doesn’t have a conscience, who trifles with women’s feelings for the sake of his own vanity, and feels no qualms about manipulating and exploiting women to gain some advantage, and then coldly discards them when their usefulness diminishes.
But I didn’t get very far with the novel draft, and set it aside after only a couple of chapters. My concentration isn’t good these days, and with how busy I am between work and exercising and taking care of my daughter and keeping up friendships, and lately also contemplating possibly trying to throw my hat into the online dating ring again, it feels impossible to get into any kind of regular rhythm of working on a creative project. Maybe when I retire or when my daughter is graduated from high school, then I’ll have time, but I just don’t seem to have the bandwidth for now.
Could I get closure like with PK, by yelling and screaming at Clive in a public park? I think that’s something part of me really wants to do - to confront him publicly, or to send out a message to all our mutual friends, like my unsent letter from yesterday. In fact, I sometimes think that is the only thing that can truly give me closure. That, or some kind of revenge. I try to think of things that could make me feel like some justice was done, that would be legal and not count as harassment or lead to me being shamed and condemned. Like those glitter bombs and poop boxes that people send to each other. But all those things are basically harassment in my book, which is illegal for good reasons, and would rightfully put me at risk of getting into big trouble.
Of course, if I did something like that and got found out, or even was suspected of doing it, I would lose the esteem of my friends forever, for sure. It’s bad enough that they already think badly of me for not just “getting over it.” I told LIesl that I was sexually abused as a kid, so I don’t know how to “just get over it” that someone I trusted so much as a friend in adulthood took advantage of me sexually and made me feel used and lied to. I told her it made me feel like back when I was 5 years old. I don’t know if she really understood, or if she gets it that Clive objectively did lie and abuse my trust, and it wasn’t just my subjective view of what happened. But she must have told Tofer what I said, because the next time I saw Tofer, he folded me into a big, tender bear hug and held me close for a long time. Even if Tofer can’t believe that Clive would really be such a creep to me, at least I think he grasps now that, one way or another, I have been through hell.
And what if I took all the risks of a public confrontation, or some illegal type of revenge, or legal-but-crazy-seeming type of revenge, and then I still didn’t feel I had closure? Would closure do me much good if I went to jail for it? Would it do me much good if I ended up shunned and ostracized by most of the people I socialize with? It just doesn’t seem like the risks are worth it.
I think it would help me get closure (a healthy kind of closure that I could feel unambiguously good about, as opposed to shameful revenge-closure), if I could just feel believed and supported and validated by friends like Tofer and Javier and Valentina and Liesl. The problem is that if I try to talk to them about it, I can only either make big sweeping statements, or go through all the small details I noticed over time that contributed to my big sweeping judgment that Clive lacks a well-functioning moral compass and can’t be trusted. If I just summarize with the sweeping judgments and leave out the details, they won’t believe me. If I go through all the details, it’s too much, because I have spent two years processing the details and fitting them together and arriving at a coherent explanation from reading and researching.
And I don’t really want to move to a new state where I don’t know anyone and start and new life and start from scratch making friends.
How else do people get closure? Maybe it’s just more time that's needed to heal this wound. Maybe there are just no shortcuts to living through the hell of it and going on doing my best to survive, day after day.

Back with a vengeance from SR4 Arsenal, Mitsuhama's famed dual-natured flashlights have become accessible again! Seems to have suffered a major price hike, however.

In 2066, metaphysicists discovered that a modulated electrical current introduced through a filament laced with orichalcum causes the filament to shed dual-natured light, illuminating both the physical and astral planes.
Physical and astral solids both block dual-natured light, causing unusual shadows on the physical and greater defi nition on the astral. Lucifer lamps make excellent additions to magical security setups and as a form of astral communication via semaphore. The light given off by a Lucifer lamp is dim on the physical, but suffi cient for characters with low-light vision to see by.

• Availability 15, cost 35,000 ¥
• The light bulbs burn out over time. Replacements are Availability 12, 500 ¥
• Bulbs have a life expectancy of one hour if undamaged.
• Lucifer lamps cannot be strapped to armor or a weapon due to its unwieldiness, they must be held in one hand or attached to a Medium+ sized drone (1 capacity).
• A lucifer lamp projects a cone of dual-natured low light illumination. Visibility modifiers apply, but allows visual Perception checks to see astral forms, signatures and other events (GM fiat). Awakened characters gain a +2 modifier to assense astrally active subjects caught in the light.
• Perceiving astral forms illuminated by a lucifer lamp does not give the same results as Assensing, but relevant knowledge skills or Arcana ranks may permit characters to make educated guesses (GM fiat).
• Lucifer lamps are fragile. Targeting the lamp is a -4 penalty Called Shot. Area of effect attacks also may damage the lamp:

1. The attack must deal Physical damage before accounting for armor.
2. Any DV that gets past the Damage Resistance test goes to the lamp's Condition Monitor
3. Lucifer lamps have a condition monitor of 7. If it's filled, the current bulb breaks. Switching bulbs takes two Complex Actions; one to remove the previous one, one to attach a new one. You must have a replacement bulb ready; remember the actions required to retrieve an item.