Bachi ki gand mari
Haul from the other day
2024.05.19 04:26 cousinbrick00 Haul from the other day
2024.05.18 19:46 bbd_123 Career is fucked
Hi, I am a stranger. Currently mere career ki gand Mari hui hai. Though I am earning but maja nahi araha hai. Behenchod masters ke liye bhi colleges accept nahi kar rahe hai. Jobs se bhi reject, colleges se bhi reject. Abhi Betichod karu toh karu kya?
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2024.05.18 16:46 GamblerMonke Ye har bkl kyu post kar rha apne gifts
Chutmariko ke percentage bhi jhat bhar aarhe phir bhi kuch na kuch mil rha (meri gand jal rhi) but har chalta phirta post kar rha h ki mujhe ye gift mujhe ye gift (mere 89 aaye ik theek thak h but itne bhi ni ki mujhe gaming pc mil jaye) ab to app khol rha hu to YouTube shorts ke comments jaisi vibe aati
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2024.05.18 15:56 _thinking_shi_05 Am I doomed?
Today was my last CUET Exam and it was good I guess...I had chosen economics, history, pol science and English...in history I am expecting 194/200 and in pol science 200/200..but in English and economics idk if i would be able to get marks like his/pol sci although I am sure it'll be above 170...right now I am so anxious I feel like ki mujhe koi accha college aab nahi mileage...my dream college was LSR (BA hons in psychology) I don't think I will get into this...even my second option (Jesus and Mary college) is hard to get into...am I doomed?? P.s. I'm from general category đ and even my board marks weren't good (93.4%) but for CUET i tried to give my best but still i feel like a failure now
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2024.05.18 08:31 ResponsibleCommand79 Life chudi padi heh bhai
Basically i'm 20 ,doing my bachelor's fucking my clg is tier-3 , there are some girls but i don't have tactics to approach em' and whenever i try to approach em' bc kuj n kuj glt ho jata heh bhai meri kundli k ajeeb s greh heh kya? Bc aj tk kisi k saath relation m nhi aya , pta nhi kitne hi saal ho chuke heh ki mene kisi lrdki c online chats nhi ki , bkchodi ho rkhi heh uppr s jb reddit m yeh grp dekho to aur gand jlne lgti heh . I don't act creep among girls. What to do and how to heal from this feeling??
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2024.05.18 07:27 Exotic-Television581 Raste mai strike
Centre 50 km dur hai aur abhi jis raste se jata tha waha se nhi Jane Diya dusre road PE divert kar diya ab pata chal yaha ake ye raste mai bhi strike hai .𼲠Mera exam ki gand margai
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2024.05.18 07:19 Amazing_Scientist643 Randi
| Ye mere school se hai jab sab chalegai to mana iske gand chati thi usme thodi tati bhi lagi thi kya mast laga ye mere upar bathi thi iski Gand ki khusbu uske bad isne mujhe blowjob dia aur mana iske mu ma cum kia tell me your fantasies about this bitch submitted by Amazing_Scientist643 to Ashlesha_ThakurRandi [link] [comments] |
2024.05.17 20:45 SomeOk6957 Counselling
Koi mere ko ye counselling ka 0 to 100 process bata sakta h kya pls bata do Mai poora fuked up hua pada hu wase he boards ma gand mari h Sahi sa ek clg mil jye degree he leni Pls pls help your bro out đ
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2024.05.17 17:40 Cartierkey What is this new zil she has started? Replying to comments with her so called sarcasm, taking screenshots and posting it in her broadcast channel. Is it cool for her? In frame- Sarah Sarosh.
2024.05.17 15:59 Desperate_Donkey_169 I have only two choices, suggest me one.
| so here's the thing: meine almost 11th mid mein decide kiya ki mein JEE dunga and when I told my father about It he said "JEE toh har koi deta hai, tu harvard aur cambridge try kar" and I then thought ki sachme ek baar try toh dena padega. Gave a practice paper and realised that SAT (exam for foreign universities) is easy to crack, except the english part though (gand mardi meri) and I then went on a research of all the pros and cons of these exams and colleges. Now I am strangled between JEE or SAT, which one to give. here is a table of all the things about these two exams and you guys suggest me which one should I choose. Apparently I am thinking to give both simultaneously. https://preview.redd.it/267jxof5tz0d1.png?width=489&format=png&auto=webp&s=1f5db4a85bb40bd5878f2b50558d2e3fa010a9f2 submitted by Desperate_Donkey_169 to JEENEETards [link] [comments] |
2024.05.17 10:51 Impressive_Play_1320 Saand ne mari gand
2024.05.17 00:35 justindrown My Cormac Shelf
2024.05.16 23:18 Purplemembrane100 Regret choosing pcb. đĽ˛
My fellow CUETIESđ. Gave physics paper today, was just lying down and doing some introspection at 2 amđ. As title says mai pcb lekar pachta raha hun. Drop liya tha neet ke liye fir bhi 506 arahe hain(expected). Ye chutiya neet ne gand chod di aur Sala 25lakh lodu Har Saal same paper de rahe hain aur saale badte ja rahe hain.
Bhai agar gandu society ke pressure me aake science he lene thee to mc maths bhi leleta maths me mai theek thak tha(10th me maths me 85+% the). Math se bachne ke liye chutiya biology leli. Lekin interest to sst me tha đ. Aur Sst me Mera 98 the marks 10th me wo bhi ek week padhke. Aur sala ye chutiya biology me koi scope he nahi hai sirf mmbs, mds ya Sala chutiya bscđ¤Ą. Wo bhi mmbs karene me 6 Saal fir uske baad 4-5 Saal specialization đ. Tum 10 saal padhe sirf 1, 2 lakh monthly earn Kama ne liye.
Udhar maths ke bina kuch hai hi nahi hai nahi sst me aur nahi science me, looking at you biođĽ˛).
Btech bcs karne wale to sirf 4 Saal ke baad hi earn karna start kar dete hain AGAR achi placement mile to. Aur usko karne ke liye 20lakh jee karne ko bhag te hain chodu mals, aka one of the toughest exam of the world with extreme competition. Not including jee adv aka THE TOUGHEST EXAM đđđđđđ
Aur usme be 25 to 30 percent IIT wale jobless hain to socho normal btech karne wale ka kya hoga.
Aur finally sala ye cuet ka bhi physics aur maths ka azeeb sa tha paper 40 mins ( excluding 20 mins of randi rona of signatures by chutiya nta) me esa paper jo tum neet aur jee ke level ke questions karna. Pyq aur mock to bada easy tha bhai ye lodu cuet ne wakt Badal diya jazabat Badal deye. Ye oil drop wala question mene to puri aakash ki module me Asa question na deka mc.
Kash mene apne boards ke marks dekh ke select kari hoti apne stream.đĽ˛đĽ˛
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2024.05.16 22:19 aadityavsingh999 This sub does not deserve me. Goodbye.
| This is what I face everyday. Maine kya wrong kiya h kisi ne bataya bhi nahi. Downvoting is fine. Mujhe samjha vo Tejuuu-esque trend tha jo ki sab masti me kar rahe the and usse mujhe dikkat bhi nahi. Maine pahle bhi kaafi baar bola hai as long as 100+ karma h tab tak mujhe farak nahi padta. Bakchodi jahan chal rahi h vahan karo downvote, fine. My question is jab Mai genuinely help karta hun logon ki us time bhi downvote kyun hote h?? Next time kis muh se karun help (phew, now there will be no next time on this sub). Maine ek bhi baar kisi se khudse rudely nahi baat ki h jabtak saamne wale ne na ki ho and i stand proud knowing i have done nothing wrong on this sub ever. Har baar koi suicidal person dikha maine usko approach kiya. Numerous comments on advice posts. Always promoting people to push forward and succeed. And uske baad bhi ye treatment?? /// Keeping all that aside, maine ek jagah bola tha 'IMS is the most cuck sub on reddit'. I was wrong, medicoretards h vo. Obviously i am not generalizing because of some people, ik many of you are fine but as far as i have understood, majority of this sub lacks people with brains. Tum sabne apna conscience kill kardiya h. If getting any GMC was the goal then itni fees kyun baha di coaching me? Bas school jaoge toh bhi 620 630 aa hi jane chahiye saari MTG solve karke, vo kyun nhi kiya?? I get Lesser Marks than expected and then rant on this sub toh mai showoff hogaya. Ok theek tum log ko lag raha hoga. Then I am still sad but i move on and start studying MBBS FY subjects to forget my bad score (a score which betrays my potential), tab bhi mai showoff hun tum log ke hisaab se. Ok theek h. And agar mai khud akela padh raha hota FY ka tab samajh bhi aata ki m khud updates daal raha hun, koi interested nahi, hence show off. But That is clearly not the case, I have received countless DMs regarding the thread which clearly shows people are interested (And there are consistent members on the thread, just to add to the evidence). /// This sub is a huge long orgy of mindless zombies sucking each others cocks, spanning multiple drop years, with all involved members moaning "650+ aajaye toh mauj aajayegi" blind to the truth. 650+ will be the new 600+ next year. And I'm not even sure about this year. Agar sirf GMC lena hi goal tha toh jisne coaching li vo chutiya hi h. This rant can be endless but maine apna point clear kardiya. Tum sab ke sab jo is echo chamber ke part ho uska selection nahi hoga. Gand maralo sab. (tum log jaante ho kon kon, by sab I dont mean all). I am leaving this sub for good, not because I have been intimidated but because you people do not deserve me. And jo log thread me involved the batao ab kya karna h?? medicoretards pr toh nahi post karunga m, is sub ke general populace ke liye MBBS me kya padhna hota h usko mystery hi rahne dete h. I guess they'll never know đ. (This is the first and last time I have flexed my selection) My DMs will always be open for people seeking help (and do know how to ask for it respectfully). /// May this orgy continue. Goodbye. submitted by aadityavsingh999 to MEDICOreTARDS [link] [comments] |
2024.05.16 15:49 haygurlhay123 âThis Time, I Will Never Let You Goâ: Cloudâs Mission and the Hidden Purpose of the Remake Trilogy - Literary and Musical Analysis of FFVII - Part 4
(continuation of
part 3)
Since
Fatal Calling is all about Cloud facing his past and his origins, Tifaâs musical theme is most appropriate for the ending cutscene. For all of these reasons, Tifaâs theme is absolutely appropriate for the conclusion of
Fatal Calling. It makes a lot of sense then that once Cloud has finished revisiting the past and vanishes with the crystal to find his Promised Land, Tifaâs theme stops and Aerithâs theme begins.
Thereâs a lot to be said about Sephiroth in
Fatal Calling. Sephiroth feeds off of despair, and deems Palameciaâs suffering inadequate: he seeks a much greater source of power than this realm. He states that Palamecia isnât âthe world that was promised to [him]â, referencing his desire to become the god of his core world of
FFVII:
âSephiroth: Melding with the planet, I will cease to exist as I am now only to be reborn as a âgodâ to rule over every soulâ (FFVII OG, disk 1, chapter 25).
Sephirothâs line âNow, let us return [Cloud]. Back to the Promised Landâ reveals he wants to return to their shared core world of
FFVII, like we established in our review of the Remake timelines theory (see section âI. a) vii.â). Sephiroth wants to go back to
FFVII and modify the OG timeline to achieve his evil goals. This is his ideal scenario, his place of complete happiness: his desired Promised Land.
Fatal Calling is setting up Sephirothâs plans for
Remake. In fact, the after-credits scene wherein Sephiroth stands in Nibelheim as it burns confirms his return to the
FFVII OG timeline.
However, he isnât the only one returning. Now that Cloud has revisited his past in
Fatal Calling, heâs ready to reach his Promised Land. After Sephirothâs after-credits scene, the OG
FFVII title and logo turn into the
FFVII Remake title and logo, indicating a shift: we are now officially in the
Remakeera or world. Cloud and Sephiroth disappeared at the end of
Fatal Calling, and now the game is telling us where theyâve gone. Combined with Hamaguchiâs recommendation that players complete the collaboration event before playing
Remake, I think this is a solid indication that the Cloud and Sephiroth we see in this collaboration event are those we encounter in the
Remake world. Once the switch to Remake occurs, Aerithâs theme returns. This communicates that she is indeed âas weâve proven countless times alreadyâ Cloudâs Promised Land. But it also conveys her importance to the story of
Remake. Scenario writer Nojima confirmed this:
âAerith's the most important character in the remake so we paid special attention to her linesâ (FFVII Remake Ultimania, section 08 âSecretsâ, âDevelopment Staff Interviews, Part 2: Tetsuya Nomura, Yoshinori Kitase, Kazushige Nojimaâ, page 744).
Aerith was already important to OG, so what couldâve motivated Nojima to state her importance to
Remake? Could it be that sheâs even more important in the latter than she was in the former? In what way?
That was the collaboration! Before we move on from
MFF x FFVII Remake entirely though, letâs glean some more relevant information from some of the collaborationâs promotional material and special features.
III. e) iii. Promotional Material and Special Features
Two particular pieces of promotional material for this collaboration stick out to me as extremely relevant. The first is a promotion for a new summons batch in the
Mobius FF game, created in honor of the collaboration.
MFF x FFVII Remake Summons Batch Cloud Promo The summons batch contains three
FFVII Remake-themed cards, including a Cloud card. As you can see, this promo reads âWho awaits in the Promised Land?â under Cloudâs picture.
The second is a promotion of an Aerith and summons and an Aerith Job Card (in
MFF, Job Cards allow a character to embody an archetype or another character, giving them certain physical traits, clothing, weapons and abilities):
MFF x FFVII Remake Aerith Summons and Job Card Promo I couldnât find this picture in English, but the text relevant to us translates to:
âMidgar's Flower Vendor Summons
âI'm searching for you. I want to meet⌠you.â
The witch protects the planet, imbues it with power, and leads to the Promised Land.â
A few things here. First, Aerith is referenced by name, and we see a picture of her in her famous praying pose. Secondly, both Cloud and Aerithâs images are attached to the notion of the Promised Land. Cloudâs card asks who awaits there, and Aerithâs evokes a guiding role, as though in response. Thirdly, both Cloud and Aerith are attached to the notion of searching: Cloud searches for the Promised Land and whomever awaits there, and Aerith searches for Cloudâs true self. Speaking of which, the promo also includes parts of Aerithâs famous gondola date quote from OG:
âAeris: I'm searching for you.
Cloud: �
Aeris: I want to meet you.
Cloud: But I'm right here.
Aeris: I know, I know... what I mean is... I want to meet... youâ (disk 1 chapter 24).
In case youâre wondering about the lady in Aerithâs clothes on the left-hand side, thatâs Meia, a character in
MFF. She is the âwitchâ being referred to in the promotional material. Sheâs often called the Azure Witch. Meia is wearing Aerithâs clothes because a Meia-type Job Card called âFlower Girl of Midgarâ was created in honor of the
MFF x FFVII Remake collaboration:
MFF x FFVII Remake \"Flower Girl of Midgar\" Job Card Thereâs even an Aerith outfit you can have Echo wear, and it appears with Wolâs Cloud outfit in the promotional picture:
MFF x FFVII Remake Echo's Aerith Outfit and Wol's Cloud Outfit To be fair, Tifa also appears in one of these summons promos. However, unlike Aerithâs, her appearance doesnât reference the Promised Land or her version of the gondola date. She is not presented in connection to Cloud at all. On top of that, while the Aerith and Cloud outfits are promoted together, Tifa is paired with Vincent in the promotional image:
MFF x FFVII Remake Summons Promo Tifa and Vincent This is hardly indicative of Cloti content in the event collaboration or in
Remake.
III. e) iv. Cloudâs Promised Land
All in all, the collaboration tells the story of Cloud searching for his Promised Land, just as post-OG Cloud has been shown doing for years and years of canon SE content. Cloud is searching for Aerith in the
MFF x FFVII Remake collaboration, just like he was in
FFT and
DFF, and just like he was shown doing in the 30th
FF Anniversary Exposition. This is nothing new. However, the collaboration informs us that this mission to be reunited with Aerith is what leads Cloud to enter the world of
Remake. Echo noted that people obtain the Promised Land they deserve rather than the one they want. What does Cloud deserve? I believe the answer is: another chance at saving Aerith.
Cloud needs to start over, from the top. He needs to go back to the very moment he and Avalanche arrived at mako reactor 1 to bomb it. He needs to return to the beginning of the OG game. He needs a redo, a fix-it, another shot at happiness; a remake.
IV. The Hidden Plot Point: Mission Theory
a) Thesis
Here lies the heart of my theory. My dear Cleriths, Sephiroth isnât the only one who travelled back in time to undo destiny and create a reality where things go his way:
Remake is also âI would even say primarilyâ Cloudâs chance to free Aerith from her fate, save her life and secure his shot at happiness with her. Thatâs why he experiences MOTFs in
Remake: heâs done
FFVII before and now heâs back, although with only fragments of his memories from OG, to save Aerith. Thatâs why his triggers all involve Aerith: he doesnât consciously remember anything from OG, but his grief over Aerith is so strong that it rises from his subconsciousness at the slightest trigger.
In
Remake, Cloud remembers some but not all elements of the OG timeline (MOTFs), and it appears he only remembers the most important things: all his MOTFs revolve around Aerith and her fate. Our theory explains why Aerith triggers Cloudâs MOTFs in
Remake quite perfectly: he traveled back in time to prevent Aerithâs death from happening.
Remake Cloud remembers Aerith because, well, he knows her from OG. Post-OG Cloud has returned to the past to save Aerith, resulting in
Remake. This is why seeing her in
Remake triggers visions and memories of things that havenât happened yet in
Remake, but have already happened to post-OG Cloud. He recognizes her face on Loveless in
Remake because seeing her face again is the whole reason he entered
Remake in the first place. His visions of her death when they meet once more at the church, the spike of anxiety and grief as he watches her walk away from him, the constriction in his chest when she talks about doing everything in her power to help the planet⌠all of it, itâs all his memories of OG being jogged by things related to her death. What heâs forgotten from the OG timeline emerges in flashes of pain, images, memory and emotion. Remember that the language the devs used to describe these instances where Cloud reacts to Aerith in this way is always about ârememberingâ or ârecognizingâ; Cloud has to have seen Aerith, known Aerith, loved Aerith, lost Aerith and felt the pain of living without Aerith before in order to recognize and remember these feelings. Think about it: this is the only thing that can explain Cloudâs extremely selective MOTFs and the fact that he has MOTFs at all.
The
Remake trilogy is all about Cloud and Sephiroth stepping into the ring one more time, both ready to risk it all to get what they lost in the OG timeline. Sephiroth is hungry for destruction and godhood, while Cloud stands determined to save the love of his life. Fighting for their respective goals, the fated enemies enter a new battle in
Remake, one to end the war, both needing to win this time after losing so horribly in OG. Now, itâs all or nothing. Sephiroth vying for the planet, and Cloud reaching out for Aerith.
Cloudâs back with a quest, one he canât failâ itâs the most secret and important plot point of all. I call this the âMission Theoryâ.
IV. b) Mission Theory Logistics
There are a few things that remain vague, so Iâm going to use this section of the analysis to speculate on the logistics of my theory. We know very little about the hows of the timeline and multiverse shenanigans, so Iâm going to hypothesize. However, this analysis is about the whys: so if youâre not interested in mechanical speculation on the logistics of time travel and multiverses, you can totally disregard this section and skip to section âV.â.
IV. b) i. Cloud the Time-Traveler?
Itâs unclear whether
Remake is the result of post-OG Cloud going back in time to try his hand at the OG timeline again, or the result of post-OG Cloud somehow informing OG Cloud that he must save Aerith this time around. Itâs vague in the same way that we arenât sure if
Remake Aerith is post-OG Aerith or if sheâs been informed by post-OG Aerith via her connection to the Lifestream as a Cetra. Though it doesnât much matter how Cloud has memories of Aerithâs death in
Remake, I personally think that
Remake Cloud is a time-traveling post-OG Cloud. My explanation as to why might be a little confusing, so again, feel free to skip to section âV.â.
One must be able to communicate with the Lifestream in order to obtain knowledge of the future. This access can only be granted to the Cetra or to the souls of the deceased that compose the Lifestream itself. Since Cloud is not a Cetra, he cannot commune with the Lifestream while he is alive, meaning a deceased post-OG Cloud would not have been able to communicate his memories of the OG plot-line with a living OG Cloud. Therefore, the only way
Remake Cloud could have knowledge of the future (manifested as MOTFs) would be that
Remake Cloud is inhabited by his post-OG consciousness. Effectively, this is time-traveling.
Then comes the question of how Cloud was able to time-travel at all. I have what I consider a pretty solid hypothesis. The most interesting thing about the realm of Palamecia is that every
FF character thatâs ever appeared in the realm for a cameo died in their core world beforehand (spoilers for
FFI, FFV, FFVI, FFX, FFXII, FFXIII, FFXV incoming).
These characters include Tidus (FFX), Lightning (FFXIII), Garland (FFI), Sephiroth (FFVII), Gilgamesh (FFV), Vargas (FFVI), Gabranth (FFXII) and Ultros (FFXV). My interpretation of Palamecia serves at least partly as a directory for deceased souls that canât simply fade. For instance,
FFXâs Tidus actually came back to life to be with his love>! Yuna !
! FFX!<. Of course, MFF x>! FFX !!FFX!< and FFX-2, just like MFF x FFVII Remake came out between FFVII OG and FFVII. And similarly to Fatal Calling, the ending cutscene of MFF x>! FFX !!Next thing you know, FFX-2 comes out and shows Tidus returning to Yuna and their core world in an optional cutscene.!< The MFF x>! FFX !! Tidus !Remake.
IV. b) ii. Post-OG Cloudâs Amnesia
If we consider that Remake Cloud is a time-travelling post-OG Cloud whoâs returned to the start of the OG timeline, we encounter another logistical problem: why doesnât Cloud remember everything or most things from the OG plot-line in Remake, like Sephiroth and Remake Aerith do? After all, arenât the three of them in the same time-travelling boat? Why isnât Cloud as lucid on the matter as the two others? Didnât the post-OG Cloud in Fatal Calling face his past and origins? Shouldnât that mean Cloud would remember all that stuff in Remake from the start?
In OG, the true Cloudâs memories are repressed by both his false persona and Jenova. The latterâs memetic abilities are able to block Cloudâs memories of the past from emerging and conflicting with his SOLDIER persona. For instance, in both OG and Remake, Cloud is unable to hear Aerith tell him Zackâs name in Evergreen Park: Jenova blocks it out. I think this is a similar situation: post-OG Cloudâs consciousness carries memories things that Jenova doesnât want Cloud to know, so she pushes down on them. On top of that, after travelling through different worlds and back through the Lifestream for who knows how long, post-OG Cloudâs consciousness must be quite weak. We know how good Cloud is at repressing, so it makes total sense to me that post-OG Cloudâs consciousness would be trapped or suppressed somewhere deep in Remake Cloudâs subconsciousness. After all, itâs not like this whole time-travelling-consciousness thing is normal for a mind to experience. Itâs no wonder Remake Cloud doesnât consciously remember how things go in OG. However, post-OG Cloudâs love and grief for Aerith are so strong that memories related to her can occasionally pierce through to his Remake consciousness and Jenovaâs barriers, resulting in his MOTFs. His pain and love for her are definitely permanent and strong enough:
âA young woman descended from the Ancients who will forever be engraved in [Cloudâs] heartâ (Dirge of Cerberus, Japanese manual, Aerithâs character description).
âI believe for those who formerly traveled with her as comrades and for the viewers, each carries their own feelings and love for Aerith. In this story, Cloud also carries his own undying feelings for Aerith, even to this very day⌠Its relation with the church scene is⌠Yup. Iâll leave this part to your imagination. (laughs)â (Nomura interview on Advent Children âDesignerâs Noteâ in *Famitsu PS2!*magazine, October 24th issue).
So you see, Remake Cloudâs mind is a little more complicated than OG Cloudâs mind. Everything is still the same in Remake as in OG, but with the added complication that his future self is hidden in his subconscious mind, probably trying to get out.
There is actually pretty good evidence of this. Iâm sure youâre aware that whenever Jenova is trying to hide something from Cloud or altering his memory and/or perception, the screen glitches green with an audio cue (34:15-34:29, 1:15:30-1:15:41 and 1:17:14-1:17:29). Guess what? These Jenova audiovisual cues also occur during the MOTFs (ie: MOTF 3 2:58-3:07 and MOTF 4 0:29-0:42). Whenever post-OG Cloudâs consciousness encounters anything that reminds it of losing Aerith, the strength of its pain helps it push memories of Aerith to the surface so that RemakeCloud can consciously see them. Remake Cloud then experiences sensations and/or visions, all from his future selfâs memories as they rise to the surface, propelled by grief. Jenova canât allow Remake Cloud to fully recover his post-OG memory, so in order to shut down the process, its cells jump in to repress the MOTFs: this results in the classic Jenova audiovisual cues. The only time Jenova doesnât bother to fight against a MOTF is the sixth, as it is quite weak: no visions occur, only a tight sensation in his chest.
IV. b) iii. Eclipse Contact and Cloudâs Memories of Reactor 1
There is one problem I have trouble decoding. In Eclipse Contact, Cloud tells Wol and Echo that the last thing he remembers is the run-up to his arrival at mako reactor 1 (FFVII OG, disk 1, chapter 1). Recall that usually, people summoned to Palamecia have no memories of their world of origin and lives before that point at all. So then why is it that upon being summoned to Palamecia, Cloud recalls the events that took place right before the start of the OG game? This strikes me as highly relevant since this is the exact point in time where post-OG Cloudâs consciousness needs to be transported to in order for Remake to begin, but I havenât been able to figure out a solid hypothesis on what it could mean. My best guess is that this is the devsâ way of signalling to us that the events of the MFF x FFVII Remake collaboration occur before the very beginning of post-OG Cloudâs second try at the OG timeline (Remake).
Now that Iâve shown you how Iâve come to form my Mission Theory and weâve done some pesky housekeeping, letâs connect some dots, shall we? Itâs time to really get into it and see if any of my wild speculation tracks with content from the Remake trilogy so far.
V. Musical Evidence
What about the music of the game? Any hints there? Letâs try to see if we can find support for the Mission Theory in the music made for the Remake trilogy thus far!
As a preface to my musical evidence analysis, I want to insist on something: the story guys tell the soundtrack guys everything. In a high-quality production such as Remake, people who make music for audiovisual media are told everything in advance. They need to know the secrets of every little scene, because their job is to depict whatever is happening through music.
Therefore, if the Mission Theory is true, then there has to be musical evidence for it.
V. a) Preface: The Basics of the FFVII OST
Thereâs a lot of evidence in the music of the Remake trilogy that we have to address, but before we get into it, I do have to give you the basics of the FFVII soundscape! For the easiest experience, I suggest you keep a tab open for every link I provide for you until the music analysis is over, because we will be hopping from one musical theme to another and then back again.
V. a) i. The World Theme: Cloudâs Troubled Identity
The world theme of FFVII is a perfect example of how musicians working on an OST have to know the secrets of a story as they compose for it. On top of representing the FFVII world as a whole, it doubles as Cloudâs character theme⌠except that isnât exactly right. You see, this piece does indeed contain Cloudâs true theme, but Sephiroth and Jenovaâs musical motifs also contaminate it. This, of course, symbolizes how Cloud experiences identity sabotage because of these two antagonists. The result is that globally, the world theme does indeed represent Cloudâs character, but it isnât exclusively Cloudâs in the same way that Cloudâs mind isnât exclusively his. Itâs brilliant storytelling through musical motifs, and evidently requires Uematsu to know in advance that Sephiroth manipulates Cloudâs identity in the story.
For future reference, letâs isolate Cloudâs true theme from Jenova and Sephirothâs influence.
V. a) i. 1) Sephiroth: Dissonance and Semi-Tone Motif
Iâm sure you know Sephirothâs infamous theme: âOne-Winged Angelâ. The first motif we need to know is Sephirothâs threatening, repetitive dissonance motif, which plays all throughout the piece (plays solo at 0:00 to 0:04). The second motif is what I call the semi-tone motif. âOne-Winged Angelâ has a ton of minor 2nd intervals, which is what we call the relationship between two notes that are only a semi-tone apart. You might recognize the minor 2nd interval in the foreboding Jaws theme. Just like in Jaws, the minor 2nd interval or semi-tone is commonly used to indicate an impending, life-threatening danger, a monster, predator, evil, or insanity; suits Sephiroth quite nicely!
V. a) i. 2) Jenova: Parasite Motif
The track âJ-E-N-O-V-Aâ contains many competing melodies and has generated many variations of those melodies âalmost like clonesâ that all represent aspects of the alienâs character. The main Jenova motif is simply a descending, two-octaves-long, arpeggiated mb6 chord (eight notes total). Iâve played it for you here. Sometimes, this motif is altered to form variations. For instance, in âListen to the Cries of the Planetâ, a variation of Jenovaâs main motif is created by changing the order of the notes and reducing the number of notes to only six (0:00-0:03), however, it remains an arpeggiated mb6 chord. Regardless of the alteration, if you hear an arpeggiated mb6 chord, it means Jenova is creeping close by or that its influence is at work.
The variation of the mb6 arpeggiated chord that concerns us alters Jenovaâs main theme so it ascends from the tonic to the b6 note and descends back to the tonic, then ending on the lower dominant for a total of eight notes. Iâve played it for you here. I call this variation the âparasite motifâ, because it is often heard when Cloud is being controlled by Jenova. For instance, it plays when Cloud loses himself and becomes unusually violent in Rebirthâs chapter 13 (17:25-18:34), signalling to us that Jenova is in control. It is also the main motif of the track âWho⌠Am I?â, which evidently symbolizes Jenovaâs fuelling of Cloudâs identity crisisâ though here, the parasite motif is shortened to its six first notes.
V. a) i. 3) Cloudâs True Self
Now that we can recognize Sephiroth and Jenovaâs motifs, letâs return to the world theme to isolate Cloudâs true self. Cloudâs true theme can be heard from 0:51 to 3:48. It consists of a section A (0:51-1:54), followed by a section B (1:54-2:41), and then returns to section A (2:41-3:48).
After Cloudâs true theme concludes however, it seems he experiences a psychic interference: doubt and confusion weave through the world theme (3:48-4:09), representing an instability in his identity. I call this interruption of Cloudâs true theme the âinterference sectionâ. It symbolizes a moment of psychic interference or weakness within Cloud that Sephiroth and Jenova take advantage of to take control of Cloud.
The end of the interference section introduces Jenovaâs parasite motif. It slithers in (4:09), later joined by Sephirothâs dissonance motif (4:16): Cloudâs mind and identity are being hijacked by the two antagonists in service of their evil plans.
They torment Cloud, dominating his mind until he manages to free himself: section A of Cloudâs true theme begins playing again (6:06), closing the loop of the theme.
Based on this musical storytelling, if you already knew the character motifs going into OG, you mightâve suspected something odd was going on with Cloudâs identity, and that Jenova and Sephiroth were involved. All this to say that whatever music is playing at any given time can give us hints as to what is going on. Thatâs the power and significance of a good soundtrack. Trust me when I say that with Uematsu and his team, weâre in excellent hands. And remember: the story guys tell the soundtrack guys everything.
V. a) ii. Aerithâs Theme
Another base we have to cover before checking out the Remake soundtrack is Aerithâs theme. Iâm sure everyone here is familiar with it, but I insist that you refresh your memory. It consists of a section A (0:00-0:34), a section B (0:34-1:13) and a section C (1:13-2:00), concluding with a repeat of section A.
V. a) iii. Motifs and Timing in FFVII OSTs
Iâm going to analyze pieces in great detail, which people who havenât studied or paid attention to soundtracks may find strange. To prevent anyone from making the mistake of thinking that Iâm reading too much into things, I want to emphasize that the music that plays during the Remaketrilogyâs cutscenes is carefully timed, composed and arranged to match the events in the cutscenes, as they are provided in advance to the musicians. Composers pay lots of attention to whatever is going on onscreen so they can include the corresponding musical motifs as accompaniment at the exact right moments, always striving to get the timing perfect. Iâm not exaggerating the effort and minutia involved in soundtrack composition and arrangement. Here are just a few sound staff comments from the âMaterial 4: Soundtrackâ section of the FFVII Remake Material Ultimania to prove it:
â[To] make sure players really feel the weight of the moment, we worked hard on getting the tempo and the entry timing of each instrument exactly right. In particular, that big âboomâ that sounds almost like a meteor crashing down was fine-tuned to match the timing of the logo's appearance. I remember this was a real sticking point for us, because if the boom's timing was even slightly off, the effect would be completely different. We [âŚ] had to sequence [each and every sound] to play at exactly the right momentâ (Shotaro Shima on track âMidgar, City of Makoâ, page 229).
&
âI was originally told to keep this piece to under two minutes, but it ended up being over six minutes long, in order to match the flow of the cutscene. I arranged the track while watching the latest CG visuals that had been rendered for the sceneâ (Naoyuki Honzawa on track âSmash âEm, Rip âEmâ, page 309).
&
âThis is the track that plays during the tour of Shinraâs different divisions. The movie shown in the Visual Entertainment Hall describes the history of the Ancients (0:25 onward in the soundtrack version), and I wanted to create a musical link to them as well, so I made use of the chord progression from âAerithâs Themeâ [D(I)-Am(Vm)-D(I).] [This simple sequence of moving from major to minor and back again creates a really mysterious air. Then, during the section where the movie recounts the history of the construction of the Shinra Building (1:47 onward in the soundtrack version), I quoted a section of the Shinra themeâ (Yasunori Nishiki on track âStewards of the Planetâ, page 313).
V. b) The Remake OST
Now that youâre ready, itâs time to verify the Mission Theoryâs validity with Remakeâs music.
V. b) i. MOTF 6 Music
We were able to explain Remake Cloudâs MOTFs with the Mission Theory, and it just so happens that the music that plays during the scene of MOTF 6 is unique to Remake. This gives us the perfect opportunity: we should analyze the piece that plays as it occurs to evaluate the legitimacy of our theory on the Remake trilogy, using all the motifs we uncovered in section âV. a)â.
First, a refresher on the scene and on our theoryâs interpretation of it. The party is gathered in Aerith and Ifalnaâs old room at Shinra HQ. Here is how the scene is described by the VA script notes:
âThe Whispers once again close in [on Aerith], but Aerith refuses to stop speaking this time.
Aerith: Listen to me. [âŚ] Shinra isnât the enemy. They were the ones who set things in motion, but our true foe is someone else.
At that moment, the spectacle of Meteor they saw in the Visual Entertainment Hall comes into Cloud and the othersâ heads.
Aerith: Somehow, some way, I want to helpâ all of you⌠the planetâŚ
For some reason, Cloud feels his chest constrict tightlyâ (FFVII Remake Material Ultimania Plus, VA script notes, âAerith Speaksâ).
Indeed, right after Aerith says she wants to help the planet any way she can, Cloud looks down at his chest with a frown and a quiet grunt (7:46-7:54). According to the Mission Theory, this tightness in Cloudâs chest can be explained as an emergence of post-OG Cloudâs grief, triggered by the slightest allusion to Aerithâs sacrifice.
The piece that plays during this scene is called âAerithâs Theme - The Cetraâ. It is one of many variations of Aerithâs iconic theme arranged for Remake. However, Cloudâs theme is just as prominent in the pieceâ if not, more.
V. b) i. 1) The Fate Motif
Before we interpret âAerithâs Theme - The Cetraâ, I need to introduce you to one more motif that crops up in the piece. There is a windy motif that appears (from 1:45 onwards) and it is unaccounted for, despite how itâs clearly meant to represent something. Iâve become certain that this wind noise symbolizes fate, and Iâll tell you why.
In the MOTF 6 scene, just after Nanaki explains how he gained knowledge of the Whispers via contact with Aerith (7:23), they emerge and begin swirling aggressively around Aerith (7:26). Her hair and dress blow and ripple in the resulting wind. From this very moment onward âAerithâs Theme - The Cetraâ (3:00), a string section (bowed instruments in the violin family) that deliberately emphasizes the airy sound of the bow crossing the strings enters, creating a windy effect that adds to the already present wind noise (that started at 1:45). As the Whispers progressively become even more aggressive onscreen, both the wind SFX of the cutscene and the wind noise in the piece get louder and louder. Because of the timing of its appearance and crescendo in the cutscene, Iâm certain the wind noise is meant to represent the restrictive flow of fate; it only makes sense, given that destiny is a current âor a windâ that cannot be broken, and Aerith is like a helpless petal in fateâs carefully planned storm. Of course, itâs also quite significant that the Whispers make a windy noise as they fly. You can hear it every time theyâre onscreen, like when they first appear to Cloud in chapter 2 of Remake (17:45-18:20), or when the White Whispers hold Cloud back from chasing after Aerith during Rebirthâs Sleeping Forest scene in chapter 14 (28:43-29:45). You can also hear the wind sounds in other Whisper-related tracks, such as âWhorl of Whispersâ (clearly audible at 2:50-3:05), as well as âA Death Not Ordained by Fateâ (clearly audible at 2:56-3:18). Therefore, Iâll call these wind noises the âfate motifâ.
V. b) ii. 2) Interpreting âAerithâs Theme - The Cetraâ
In part 1 of âAerithâs Theme - The Cetraâ (0:00-1:45), Aerithâs theme and Cloudâs true theme play simultaneously, their respective phrases fitting perfectly together, interweaving peacefully and softly. It sounds like the two of them are chatting, dancing bashfully yet contently and in perfect sync, glad to be exactly where theyâre meant to be as their themes sing together in harmony (soft piano). Part 1 of this piece is about Cloud and Aerith becoming important to one another as they discover their soulmate bond.
Unfortunately that contentment doesnât last. In part 2 (1:45-3:00), Cloud experiences a moment of psychic vulnerability (world themeâs interference section). Fate lurks (fate motif enters quietly). His instability forces our coupleâs sweet dance to a halt, and Aerithâs theme must retreat as Cloudâs confusion takes center stage. Sephiroth torments and taunts him (semi-tone played by strings, 2:03-2:10), taking advantage of Cloudâs psychic interference to plunge him into darkness (world themeâs interference section ends, low cello enters, 2:18): Cloud temporarily becomes a darker version of himself as evil corrupts him (piano plays section A phrases 1 and 2 of Cloudâs true theme in minor, 2:18-2:53). Jenova finally reveals itself and promptly exits, releasing Cloudâs mind from its grasp (seven first notes of parasite motif played twice on piano 2:53-3:00). Cloud is free, but the damage has been done: his dance with Aerith has long been interrupted, and she is gone. Part 2 of âAerithâs Theme - The Cetraâ is about Cloud being manipulated in service of Sephiroth and Jenovaâs evil plan, interrupting his interaction with Aerith.
Part 3 (3:00-3:33) kicks off the mechanisms of a tragic fate (strings section joins fate motif, 3:00). Both anxious that sheâs disappeared from his side and terrified of the darkness he just discovered inside him (in part 2), Cloud fearfully calls out for Aerith (phrase 1 of Cloudâs true themeâs section A, timid and hesitant piano, 3:04-3:15). Before his psychic interference began (start of part 2), Cloudâs voice was accompanied by Aerithâs as they grew closer and closer (their character themes mingling in part 1)⌠but now, Aerith isnât answering his call, and he cannot find her (Aerithâs theme doesnât to join Cloudâs anymore).
Anxious, Cloud tries calling out for Aerith a second time (section A phrase 2 of Cloudâs true themeâs, 3:19-3:31), searching for her in the hopes that they can continue their dance, but even now, Aerith does not respond. Sheâs gone (Aerithâs theme remains absent). Destiny keeps Aerith away from Cloud (fate motif gently crescendos). Part 3 of âAerithâs Theme - The Cetraâ is about Cloudâs separation from Aerith, his search for her, and the fear and anxiousness he feels when he realizes he cannot find her.
And then, part 4 begins with a sweet, gentle voice, calling out from the blackened horizon: itâs Aerith (section B phrase 1 of Aerithâs theme, soft piano, 3:33-3:45). Cloud finally hears her respond to his pleas: heâs found her. Fate begins howling in protest, doubling its efforts to keep Cloud and Aerith apart (fate motif crescendos noticeably in reaction to Aerithâs theme, 3:45). You can just picture Cloud running toward Aerith, struggling against the current of destiny to try and close the distance between them. Aerith tries calling out for Cloud a second time, (section B phrase 2 of Aerithâs theme, 3:40-3:43), but the Whispers only swirl around her more ferociously, taking her away in the uncompromising current of fate (fate motif continues to crescendo). Aerith tries again (section B phrase 1 of Aerithâs theme, 3:47-3:49). It sounds like sheâs saying âCloud, Iâm over here, come find me!â
Fate doesnât take too kindly to her defying it. Cloud and Aerith are not supposed to be together; it canât be, it wonât. Sheâs destined to die to save the planet, and heâs destined to remain hollow forevermore. I can picture Cloud breaking into a sprint at the sound of her voice, running countercurrent to the flow of destinyâ but the winds are so loud, fateâs demands are so strong, and the Whispers are shrieking in defense of destiny now. Aerithâs voice emerges for the fourth time (first three notes of section B phrase 3 of Aerithâs theme, 3:54 to 3:56). Fate screams louder, louder (steep crescendo of fate motif, 3:59-4:02). In a desperate hail Mary, Aerith shouts out one more time, as though throwing her hand out toward Cloudâs extended fingers (section C phrase 1 of Aerithâs theme, louder and more insistent, cutting through the fate motif as it crescendos sharply, 4:00-4:06). Part 4 of âAerithâs Theme - The Cetraâ is about Cloud and Aerith desperately trying to defy fate in order to be together. And then, it all stops: fate has seemingly quieted Aerith (4:04-4:08)âŚ
Part 5 (4:08-4:27) begins with Cloud jumping, launching himself off the ground with all his strength (Cloudâs true theme section A phrase 2, first 5 notes, melody starting on the note E5 and ascending) as Aerith plummets toward the ground in a fatal fall (Aerithâs theme section C phrase 1, melody starting on the note E6 and descending, the last note altered)â he successfully catches her in mid-air (both Cloudâs ascending melody and Aerithâs descending melody meet in the middle of the octave, first uniting on B5, and then ending on A5). Iâve recreated the melodies for you here so you can hear this reunion more clearly. If you consider that the airy strings in this piece represent fate, which I do, the fact that they follow Cloud and Aerithâs themes in part 5 signifies that they are now in control of their own destinies, and successfully making it their fate to reunite.
To be completely frank, I did not realize until right now writing this that Cloud unites with Aerith in part 5, even though his theme is right there. Iâm so excited to share this part with you.
We hear Aerith once more, her voice quietly trailing off into the silence (phrase 4 of section C of Aerithâs theme) with no conclusion (phrase 5 normally follows phrase 4 to conclude Aerithâs theme, but is absent here). Part 5 of âAerithâs Theme - The Cetraâ suggests that Cloud will save Aerith and that the couple will change their fate, but also conveys an uncertain and open-ended quality.
(continued in part 5)
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2024.05.16 14:29 SpareDesperate3322 Help! Cbse me rahu ya pseb krwau . Kya lagta hai aap logo ko pichla paper dekhke.
Hey cbse reditooors , this is my first post and wanted help from you guys ,
I am 70-80% scorer and opted cbse +2 . But, This year i thought to take studies seriously and consistently after being inconsistent/absent hona / sare din mjaak krna đ¤Ą.
Pr is baar cbse ka result dekhke lagta 70-80% bhi nhi ayegi (idk ) ( as pr teachers / friends bla bla )
So i have option to go pseb (punjab board ) ( decision should make in next 15 days) ------ there is much different in % .
So , Ptani kya kru cbse me rahu ya pseb krwalu.
Wese meri cbse me 70-80 ager aati hai to kush hun ... Pr yeh bhi nhi ayi to . Seniors ki to gand pathgyi bol rhe .
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2024.05.16 11:24 ooohhhmmmcccaaarrr recent vibe of jeeneetards
bhai dekho ill try to be as nice and to the point to be possible
when i came to this subreddit for the time it was the first time me using reddit coz a friend of mine used to share posts of this subreddit and i genuinely enjoyed scrolling jeeneetards but bhai abhi itni negative vibe hogyi h iss sub ki har koi bas dukh ki baate karta h lets come to the first point cheating bhai kitna roge bhai ? cheating karli wow karliya bash usko dedi gaali beetgaya ek hafta ab aage bado na ? kitna rona dhona karoge about ruining jee han i understand jee kharab hojaata h har jagah mehnat kaam nahi karti bhagwan kismat ek chees hoti h i understand but bhai hafto hafto tak bas rote rhoge ki nta esa h wesa h ? kuch kar skte ho to karo nahi to chup betho lekin tmuhe post karna h padayi k ilava dusre exams ki tayyari ko chordkar reddit scroll karna aur post karna h aur jo log khete h saare exams gande gaye bhai tum chutiya ho jo saare exams gande kardiye jee 1st gaya 2nd gaya advanced maanlo cuet gaya vitee bhi gaya? bitsat bhi gaya ? be mtlab rr karna hota h genuine posts karliya karo bhai kabhi to rr k ilava jitna scroll karo all you do IS CRY i guess our youth has to come up with a strong mental state and thoda positive mindset ham bhot jyada hi rr karte hai aur bhot jyada hi negativity se surrounded hote h hobbies ko side rkh dete ho jocheeso ko enjoy karte ho side rkh dete ho bhai maa chudaye jee 2 ghante to kuch esa karo jisme sukoon milta ho maja aata ho thike bhai nahi jayenge iit nahi jaayenge nit make it clear to parents
JEE IS ONLY TO GIVE A BOOST TO YOUR CAREER INSTEAD OF A 6LPA ull get 10-14LPA thats fucking it THHE END FULL STOP thats the only thing of jee to meet good people and give a boost to your career yall have made it your entire fucking life han maine bhi holi chordkar jee ki padayi kari diwali side rkhke padayi kari COZ I LVOED TO STUDY I KNEW MAI ABHI CHOTI UMARMAI MEHNAT KARUNGA TO AAGE JAKAR UTNA PEACEFUL LIFE HOGA i study coz i want to study and i like studying i like solving questions the sense of achivement i get after solving a uqestion aur mock mai 25 mai se 20 sawal ya maths ka tough question hona tests mai questions hona i get the sense of achivement isliye padta hu kisike pressure mai nahi padta hu kisi KE LIYE NAHI PADTAH U APNE LIYE PADTA HU
reservation ke liye bhi rote h ye bache are jee ki padayi karte wakt nahi pata tha kya ki kitne percentile laani h ? tab nahi rona aya ki obc sc st le jaata h seat tumhari ?
are le jaata h to le jaata constitution badlega ? dusre exam ki tayyari karle lagrta h 99% nahi aayegi to loan leke padliyo bitsat clear karle just stop with rr thing
bhot time se mann tha ye vent out karne ka kyuki ccuties se ghirkar tang aagya hu
anyways keep studying work hard bhagwan ki pooja karo mann ko shaant rakho upar wala jo akrega acha karega have a good day
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2024.05.16 06:56 TOB_Yt Bc ye 5 admit cards ka kyu karu NTA ki gand me ghusau?
Maine 5 printout karaye the including the 3rd pages!
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2024.05.15 20:13 Jealous_Amphibian_39 JEE Cumback day 0
I've decided to take a drop for JEE 2025 (online) coz offline me 2 saal Papa ke 2lakh barbad krne ke baad ab himmat nai bachi aur 1 lakh barbad krne ki, I was never like this before, Hasta tha, enjoy krta tha, doston ki kami nai thi, marks bhi ache aate the, female interaction bhi kafi zyada tha but ab at this moment kuch ni raha na dost, na marks, na kisi ka support kuch nai.
Kal se I'll start grinding back once again for my ultimate GOAL kyuki itna downfall dekh liya ab mere se dekha ni jayega aur genuinely so taking inspiration from Daksh bhai kal se I'll start posting my daily goals accomplished and my study hours
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2024.05.15 19:23 Danantian Taadu undi, Baruvu undi, valadatam jaragalisi undi
emito ee jeevitham, oka Vyardam, Bhatuku oka anavasara yuddam, deniko ardam kaadu ee vyadha yokka yadardam.
bathukulaatalo.., padatham, lestam.., munduki veltuntam.., aah matram ke kastam aipoinda.., kondaru saafi konasagistey., kondaru sukam lo kuda kasta lu chustaru.., mari kondaru kastalalo kuda thoti vallaki soukyam panchutaru., aah vedana vallu chendutaru.., vitlo manam ye rakamo manam mundey aneskuntam.., kani manam atyadika rakam., entha kasta padina kastalu nake unnaye anukune rakam.
avunu enno paddam.., Inka na valla kadu.., deniki ee sangharshana.., evari kosam ee Manasthapana.., enno anukunna.., anni vifalam avtunnai.., prathi vaifalyam ki Karanam ga evarini chupettali.., badi lo thoti vaadu Baga chadivadu ani nindha vaani medha., kalashalalo andaru churuku ga unnaru Ani aparadha akkada vari medha.., baaga udgyogam lo ranincharu ani saha udgyogula paina., Baga sampadincharu ani snehithula paina.., ilaga nindani neduthu., manam aparadame cheyani nindhitulam ga nilabadatam manaki alavtu yega., avunu paddam ento ksta paddam..., intlo vari kosam nachina chaduvu odilesam.., nanna kosam prayogalu manesi udgyam lo sthira paddam., Amma kosam nachina ammaini odilesi tyga pelli ki sidda paddam.., nannamma, ammama lakosam pilla Lani kani yavvanam tyagam chesam., bharya kosam samayam.., umpudugathe kosam jeethamm., ilaga manasuki sukam. lekunda jeevitam anta aparadham lekunda nindalu chestha tyagam ki gurtimpu lekundaa batikesam.
Aina ivvani nakem telusu, inta inta tiruguthu.., intlo jarigi kastalu vinta undhaa.., illa badha lu vinalekaa..,
Oka taadu kattukoni, daniki unna Baruvu ni pai nundi kindaku dimpaa..,
hamma pranam haiga poindi.., unna Baruvu odilii poindi.., dimpi auto lo sardandiraa., next fridge, biruva lu ostunnai.., Edo kooli kosam illu marepudu ochey koololam., see kastala venka badha makem yeruke.., pranam potey ochey haiyi villakem yerukee
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2024.05.15 18:43 deez_nutz696 Bkc ab ye comments padh ke meri gand alag fatri ki bkl kal maths mein kya hogađđ
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2024.05.15 10:00 Stepsis_deepa3427 new kachi
http://swiebodzin.info