Senegalese twist braid hairstyles

how to have a healthy natural hair journey?

2024.05.22 01:41 TheeSufferingMarble how to have a healthy natural hair journey?

hi everyone! was stalking this subreddit for a bit and decided to ask for some advice.
I stopped relaxing my hair around 2018 or so which kicked off my natural hair journey but in recent years I’ve been feeling quite insecure about my natural hair and have pretty much given up on my hair health; I do back-to-back protective styles without breaks, stretching my hair with heat often, and using hair gel that is not the most healthy for my hair but styles my hair.
I think a lot of internalized racism is contributing to this and I’m just feeling overwhelmed. I feel less feminine and less confident when I wear my natural hair. I feel like I’ve tried every hairstyle that will work for my hair length but nothing ever works or feels right aside from getting braids with added hair. I don’t know how to begin feeling comfortable with my hair without it being hidden and how to begin the process of caring for my hair.
My question is, how did you start to accept your hair the way it is and how do I start clean with my natural hair journey?
For context, I have short-medium length hair, medium-low porosity ( still struggling to figure it out), and a university student so I do need styles that last longer than a couple of days. I don’t think I’m at the stage yet where I can just wear my hair out without some styling.
Thanks for any help that you may be able to provide!
submitted by TheeSufferingMarble to Naturalhair [link] [comments]


2024.05.21 22:54 crispy_armin335 Decisions

Decisions
Struggling to decide what to do with my current hair. Options ive been told are twists or stitch braids but any other opinion would be great!
submitted by crispy_armin335 to BlackHair [link] [comments]


2024.05.21 22:19 Nearby-Sorbet-2876 Hair that is constantly breaking off and getting fairy knots, despite not having split ends and not being dry?

So, box braids are the only style that’s truly help me retain length. The issue is every time I wear box braids, knotless braids, or faux locs. It always destroys my edges. No matter how long I have it in my hair. I’ve worked really hard to cultivate a routine for myself. At first, I was struggling with hair that was perpetually dry no matter what I did. I solved that. I have a routine that makes me very happy. The issue is, no matter what style I choose, it always causes my hair to break.
Ironic part is I feel like when my hair was dry I had less takedown breakage but more breakage when I was detangling in the shower. But now, I have less breakage while detangling because I use a leave in conditioner, and more breakage when I’m taking down my hairstyles.
I recently tried mini twist and I love it. The only issue is the takedown process. I feel like I lose all the length that I gain. because my issue isn’t growth it’s length attention.
Ironic part is I see a few split ends, but I don’t see a ton. My l main issue right now is fairy knots as well as two hair strands knotting together and then I have to cut it.
Which is an issue that recently occurred as I started to fix my moisture issue with my hair. At first, I couldn’t go a week without washing my hair, but I felt like the frequent washing was added to the breakage. So I worked really hard to cultivate my routine and now I wash my hair every three weeks. Without any itchiness and dryness. However, I feel like when I fix one issue I have another one. And I don’t know what to do.
______________________________________________________________________
I have "4C Hair" and I finger detangle
_____________________________________________________________________
My routine consists of:
I take it out whatever style is in my hair and I take it out using my leave in conditioner.
After I do that, I wash my hair and I condition it. Because I wash my hair every three weeks, I deep conditioner every time I wash it.
Then, I take more leave in conditioner and use it to section off my hair.
Then, I oil my scalp and bring it along my hair strands, (hair growth oil that I made - it’s what regrew my edges after knot less braids completely destroyed them.)
Then, I take hair grease to seal it, and use the grease to style my hair. ( recently did four chunky braids)
Then I take a separate hair grease and put it on my scalp.
submitted by Nearby-Sorbet-2876 to Naturalhair [link] [comments]


2024.05.21 21:02 Nearby-Sorbet-2876 Hair that is constantly breaking off and getting fairy knots, despite not having split ends and not being dry?

So, box braids are the only style that’s truly help me retain length. The issue is every time I wear box braids, knotless braids, or faux locs. It always destroys my edges. No matter how long I have it in my hair. I’ve worked really hard to cultivate a routine for myself. At first, I was struggling with hair that was perpetually dry no matter what I did. I solved that. I have a routine that makes me very happy. The issue is, no matter what style I choose, it always causes my hair to break.
Ironic part is I feel like when my hair was dry I had less takedown breakage but more breakage when I was detangling in the shower. But now, I have less breakage while detangling because I use a leave in conditioner, and more breakage when I’m taking down my hairstyles.
I recently tried mini twist and I love it. The only issue is the takedown process. I feel like I lose all the length that I gain. because my issue isn’t growth it’s length attention.
Ironic part is I see a few split ends, but I don’t see a ton. My l main issue right now is fairy knots as well as two hair strands knotting together and then I have to cut it.
Which is an issue that recently occurred as I started to fix my moisture issue with my hair. At first, I couldn’t go a week without washing my hair, but I felt like the frequent washing was added to the breakage. So I worked really hard to cultivate my routine and now I wash my hair every three weeks. Without any itchiness and dryness. However, I feel like when I fix one issue I have another one. And I don’t know what to do.
______________________________________________________________________
I have 4C Hair
_____________________________________________________________________
My routine consists of:
I take it out whatever style is in my hair and I take it out using my leave in conditioner.
After I do that, I wash my hair and I condition it. Because I wash my hair every three weeks, I deep conditioner every time I wash it.
Then, I take more leave in conditioner and use it to section off my hair.
Then, I oil my scalp and bring it along my hair strands, (hair growth oil that I made - it’s what regrew my edges after knot less braids completely destroyed them.)
Then, I take hair grease to seal it, and use the grease to style my hair. ( recently did four chunky braids)
Then I take a separate hair grease and put it on my scalp.
submitted by Nearby-Sorbet-2876 to HaircareScience [link] [comments]


2024.05.21 19:56 RowGroundbreaking730 Hair thinning ?

Hair thinning ?
I am not sure if my hairline is thinning from tension or something else .. I used to slick back my hair with gel all the time . And also got braids every 2-3 months . I am using rosemary oil to help it grow back but not sure if that will help all the way. I’m wondering what should I do further ? Also how should I wear my hair. I have it in twists right now.. should I stop getting braids ?
submitted by RowGroundbreaking730 to BlackHair [link] [comments]


2024.05.21 19:51 RowGroundbreaking730 Hair thinning ?

Hair thinning ?
I am not sure if my hairline is thinning from tension or something else .. I used to slick back my hair with gel all the time . And also got braids every 2-3 months . I am using rosemary oil to help it grow back but not sure if that will help all the way. I’m wondering what should I do further ? Also how should I wear my hair. I have it in twists right now.. should I stop getting braids ?
submitted by RowGroundbreaking730 to Naturalhair [link] [comments]


2024.05.21 18:17 hands---free CL:R ASL: "Classifier: R" (CL-R, CL:R)For an explanation of "classifiers" in general, see:CLASSIFIERSThe "R" hand shape can be used to show objects that are classified as rope-like, braided, and/or twisted.

CL:R ASL: submitted by hands---free to learnASL [link] [comments]


2024.05.21 16:05 Intelligent_Wash9000 hair tlc needed!

when I do my hair for work it LOOKS fine but by the time I come home I look like I’ve been run through a wind turbine… as you can see I work at starbucks so it’s not as if I’m running around a wind simulator but I’m really puzzled as to why my hair looks so bad and messy at the end or the day. My hair IS wavy and prone to frizziness, when styling outside of work I use leave in conditioner and hair oil to tame it but idk the secret to taming it at work. It looks like I rubbed a balloon all across the back of my head for hours but NOTHING even touches my head while I work so I don’t get how it becomes so unruly. Does anyone have any care or product suggestions to help it stay intact while at work?? It’s either in two pigtail braids, a ponytail, a claw clip, or one big braid and all hairstyles look this bad by the end of the day.
My bangs also look just as tussled by the end of the shift. I saw a tiktok of a girl using a pomade to keep her bangs in place as well as dry shampoo/volumizimg spray, is this something I should try? any advice is welcomed thank u 😭
submitted by Intelligent_Wash9000 to Haircare [link] [comments]


2024.05.21 13:44 faithfullyafloat How do you prefer to twist your hair and why?

Do you start the twists by braiding the roots or do you twist throughout? Do you stretch your hair before twisting or do you twist it in it's shrunken, natural state? Do you twist your hair dry or damp with product?
submitted by faithfullyafloat to curlyhair [link] [comments]


2024.05.21 12:09 Kami_lol I saw a post from a while ago

I saw a post from a while ago
I say a post from someone else in the group discussing what would happen if you combined wand cores. I’ll add a screenshot of the post here.
So I’m sat looking at this thinking ‘hm, this is really interesting’ until I get an idea of my own.
How do you guys think a Phoenix feather, a Thunderbird feather and a thestral hair would work? Would it? It would probably help that a Phoenix and Thunderbird are both related [I only found out when I looked on the Harry Potter Fandom wiki] but what do you guys think?
submitted by Kami_lol to harrypotter [link] [comments]


2024.05.21 09:54 Upbeat_Position_7671 am i damaging my curls?

i have 3c hair and i like to keep it away from my eyes and face so i do a very loose braid. this stretches my curls and gives me so much frizz and knots. idk any other hairstyle that would work for my hair but i think this isn’t working and damaging my curls? how can i let my hair survive until the next wash without this many knots and frizz?
submitted by Upbeat_Position_7671 to curlyhair [link] [comments]


2024.05.21 05:26 s54m3 [WTS] NEW Geissele URG-I Complete, Near Clone, 14.5", 5.56MM

SOLD. Thank you Reddit community!
Timestamp https://imgur.com/a/mT76D0N
Brand new, Never got around to building this. PayPal G&S.
Only reason for selling, I have other projects that are taking priority.
This item contains a permanently pinned and welded muzzle device.
$1100 shipped. I will ship via UPS with tracking and signature required(if requested) the same day payment is made.
https://geissele.com/urg-i-complete-near-clone-14-5-5-56mm.html
OVERALL LENGTH: 24 1/4"
WEIGHT: 4 lbs 3 oz
CALIBER: 5.56MM
RECEIVER: Mil-Spec M4 Upper Receiver Assembly
BOLT CARRIER GROUP: Geissele Reliability Enhanced
RAIL: Geissele 13.5" SMR MK16, DDC
BARREL: Geissele 5.56MM 14.5" GOV profile, CHF, Chrome Lined, Mag Phos, ChromolyV, 1/7 Twist
GAS SYSTEM: Mid Length
GAS BLOCK: Geissele Super Gas Block .750 Low-Profile Gas Block
GAS PORT SIZE: .076"
CHARGING HANDLE: Geissele Airborne Charging Handle, DDC
BUFFER ASSEMBLY: Super 42 Braided Wire Buffer Spring and H1 Buffer Combo
MUZZLE: SureFire SF4P 4 Prong Flash Hider, Pinned & Welded
submitted by s54m3 to GunAccessoriesForSale [link] [comments]


2024.05.21 04:38 ilovecookiesssssssss Two completely different textures & levels of hair health

Two completely different textures & levels of hair health
Please be kind because I really don’t know much about hair products/care. But essentially, the underneath portion of my hair is a completely different texture than the rest of my hair. It has always been this texture, but over the past few years, it’s also gotten (clearly) very unhealthy. It breaks very easily which, I suppose, is why it looks so much shorter (I did just slightly trim it, I don’t know why, but it’s essentially this length on its own).
I don’t use heat often, I don’t wear tight hairstyles. I don’t use great shampoo/conditioner products, but that’s nothing new either. There have been years where I sleep with my hair in a loose ponytail or braid, and it doesn’t seem to change anything. Nothing seems to improve the breakage. I wouldn’t mind the texture if it was at least the same length. I’ve considered shaving the underneath part off - is that a terrible idea? I suppose that wouldn’t fix the breakage issue, but I kinda just hate looking at it. Has anyone dealt with this before?
submitted by ilovecookiesssssssss to longhair [link] [comments]


2024.05.21 02:29 idkdidksuus Anyone who absolutely can’t braid their hair ?

Basically I grew up with my mom braiding my hair she never ever taught me
So basically I can’t braid I can probably do random twist or random really bad braids
But like cornrows etc , I tried no joke 100 times I couldn’t and other reason my hands and back hurts fastly if I tried to braid the back section
I feel so stupid I just wanna know any black folks out there who can’t braid ? lol
submitted by idkdidksuus to blackladies [link] [comments]


2024.05.21 01:31 Extension_Cricket_74 Short Story: A Machine that sings the End (Petra/Trinket)

The Lesser Engine seemed to whimper, just before its animalistic head was crushed under the heavy heel of the Logos Armor. Petra was looking around, her armor covered in hellish grime, pieces of fiery cables, her hammerhead scraped in some places by the metal chitin of the warpforged abominations. A swing of her weapon decapitated a screaming techpriest, and she could see her sons advance behind her, focusing their fires onto the creatures that hadn’t come into her range.
She raised her arm and the bolter array built onto it sang four times, each bolt hitting and penetrating into the bronze hull of a monster. A movement in the side of her view immediately made her turn, and Petra placed herself right behind the Automata that was raising its shield to parry the volley of ammunition that a vomiting amalgamation of tin and steel was spewing out. The machine painted in the colors of the legion marched towards it, shield still forward as it was raising its hammer. Another Domitar joined in, and they started hammering down the bear, striking at the places that Petra indicated them to with her Logos.
Not even leaving them a moment of respite, a shriek echoed through the halls of the corrupted forgeworld, announcing the arrival of a new transformed machine, this time using the shape of a massive scorpion of brass, painted in red - probably actual blood. A True Daemon Engine.
“Stay behind”, Petra ordered her own troops. “Only the Iron Circle will engage with me. Provide cover fire”. Immediately her soldiers reorganized themselves, walking slightly back while she moved towards the warped machine. It was big, but not so much more than some beasts she had taken down during the Great Crusade.
The Logos Bolt Array roared in rapid succession, spitting explosive shells that burst on the thing’s pincer shell it was protecting itself with. The cannon on its tail aimed at the little group approaching, and fired in response. The bullets managed to pierced the shield of one of the Automata, bringing it to the ground in skittering motions as the Primarch ran to the machine.
The shell of the left pincer bent under the shock of her hammer, but could see the interior mechanisms and integrity were still completely fine. As the monster hissed, she growled and climbed onto it, before it could move its appendix. Her array fired again, aiming at the creature’s low head, and it was assailed by the other Automata. Alas, the legion’s machines could do little when even their Primarch’s strength was only sufficient to dent its exterior, their hammers clanging with sound but no damage. The Engine shrieked and spun on its feet, sweeping the footing of the Domitars with its armored tail, almost shaking Petra off of its great body.
The Breaker of Stone jumped, landing her hammer onto the machine’s head, keeping its optics away from herself. The Automata had started to stand up, some of them already trying again to impair the Daemon Engine. The Scorpion managed to snatch the shield arm of one of the Domitars into its pincers, immediately starting to grind it, then using its second arm to crush its body, neutralizing it into a cloud of sparks and noises of bent iron.
A volley of missiles exploded onto its body, making it stumble a step or two. Petra’s Tyrant Siege Terminator squad had established a perimeter around them, alongside three Devastation squads of Space Marines armed to the teeth. The Lady of Iron used the opportunity, clasping her two hands around her hammer, and smashed the face of it onto the mechanical head, cracking the glass of its baleful eye.
Letting one hand on her weapon go, she shoved her fist into the eye, fully shattering it and grasping at cables, opened fire eight times, before pulling the sparkling fiber out. The creature’s feet skittered and scraped onto the ground, flailing as well as it could with its weakening strength under the hands of the Primarch and the shields of the Automata pressing against its body.
Her soldiers approached slowly, step by step and always keeping their visors onto the fallen beast. It stopped moving. Petra allowed herself a breath, before turning to her sons. The Terminator and the Devastation squads were meticulously reloading their weapons, while her tactical squads surveyed the corridors they arrived through, one of them moving further in the dark halls of the Forge World.
When her Marines were ready, she nodded a signal to her soldiers, and they moved forward. Not even five steps were made when she turned on her heels, hearing a sound from behind her.
[The. Beast. Sings].
Three words that echoed into the large, empty hall. Her blood curled hearing it. This wasn’t normal speech. She had mechanically translated it, only understanding what the means of transmission was after hearing the full sentence.
[The. Beast. Sings].
Scrap-code.The Chaos speech reserved for the machines. An odious parody of the already-nonsensical Lingua Technis in usage within the Cult of Mars. And the carcass was speaking it. She activated the Logos’ system used to communicate orders to the Automata accompanying them.
“Killswitch protocol, immediate deactivation”. She commanded, not willing to even let a chance at her Automatas being corrupted. The Iron Warriors moved to surround the legion’s Iron Circle, carefully laying them down and locking their joints.
[The Beast sings]. It was continuously psalmoding, like a broken disc, accelerating. [The Beast sings The Beast sings The Beast sings The Beast sings]- until she put her hands on its neck, her fingers slowly bending the metal, and she pulled at it until the head was separated from the neck in a horrible noise of brass. Petra switched her comms to contact the scouting unit sent forward.
“Watch out for any signal of chaotic machines, warn us at any movement”. She turned to the corridors that had been used by some of the Techpriests that had ambushed them, eyeing the corpses with disgust.
They had all been chanting the same fucking thing. The Beast sings. What even was the beast? She had first encountered this name on another forge world, where some of her Warriors had been hunted by a strange Warp Machine. It had disappeared moments before she arrived on site herself, and she had stored it away in her memories, until it resurfaced some time later on another planet, another corrupted cult dedicated to the Dark Mechanicum. And another time, it had fled an hour before she had reached the deployment zone.
At first, the writings had been about “The Beast wakes”. Then, “The Beast writhes”. “The Beast forges”, all in Scrap-code, again and again. Until they came here, to the Forge Worlds of the moons of Cercantyle, themselves orbiting around a planet that had fallen to the corruption and whispers of the Warp.
Vibrations. Noises. Explosions.
She turned her head toward the sound, raising one of her Bolt array in overwatch, but didn’t see anything. She didn’t see anything other than her Marines, prudently observing the source of the noise.
“Squad Iota, what is your status?”
No answer came back. She motioned to her Terminators, who placed themselves forward and raised their weapons.
“Squad Iota, respond”. Her answer was the same as for her first question. “We probably lost them. Squad Alpha and Beta, watch over the corridor. Squad Gamma to Epsilon, survey the other entries. I don’t want any surprises”.
She accessed a cogitator, trying to see if she could garner any information from the eight-point covered machine, growling when she saw all was written in Scrap-code too. Fucking lunatics, even more annoying the the “normal” Mechanicum cultists.
Large arrivals of metal, used for weaponry and vehicle propulsors. Well, alongside daemons that were used by the warped tech priests to inhabit those machines. Copious amounts of fuel, menial slaves and engineers had been brought here. She felt a chill creep up her spine. Petra raised her eyes from the cogitator, definitely weirded out. Because it was a familiar feeling. But not the same. Unnatural.
Again, vibrations, noises, explosions. This time so much closer, almost detonating where her squads Alpha and Beta were standing. “Form up!”, “Ambush!” She could hear her soldiers shout, spreading out to avoid cluster explosions, and moving into covers behind ruined machines and skull-decorated wall fragments. The Tyrant Siege squad was the first line, having survived the blast with little to no injuries thanks to the more robust Cataphractii armors.
Her helmet’s visors didn’t show her any movement coming from the corridors. Petra ran diagnostics seeing the shapes of the explosions on the ground, approaching her troops. The screens showed her trajectory probabilities, drawing predictions and attempting to locate the enemy’s position. She raised her eyes, just before one of squad Delta’s marine shouted “Contact! Above!”
There it was. A massive construct of plasteel, ceramite, and armaplas, exiting from a higher-level hallway, reactors spewing out warp-fire.
It was pristine.
Unlike the Daemon Engines and chaos machines she had destroyed and taken apart, it showed no decorations in honor to the Chaos Gods, no brass or gold trims organized in spikes and curves. No, this one was slick, almost T’au like in appearance, but with definitive elements of Imperial structure. The silver metal of its hull was reflecting lights.
A humanoid body about twice her size made up the centerpiece of it, a large construct latched onto its back, and a large ring circled around the main body. Multiple cannons on the back, three-gatling guns onto each arm, and Petra could even see it was shielded by technology akin to Iron Halos. A weapon of war that saw no surrender, no end to its decimation. The blood-red shining eyes fixated solely upon her.
The Beast was hovering above them, imitating what Space Marines had been called, and Angel of Death. And the Beast sang.
It opened fire on her troops and her, six gatling guns rotating and ejecting shells by the hundreds in a few seconds, and five of her sons fell before they could put their shields in a carapace to protect themselves from the projectiles. Her Terminators responded in the same way, hardly bothered by the bullets raining down on them and shouldering Combi-Bolter, the deafening noise of their weapons adding to the cacophony that the Beast was already composing.
It was fast. When her Tyrant Siege squad added their missiles to the exchange, it seemed to reave through the air as a broadsword, moving out of the way of the projectiles, never ceasing to shoot, and worse, beginning to circle around the less protected Tactical Marines, pinning them down, its traits piercing through the gray ceramite, again and again. Petra’s Bolt Arrays were shooting non-stop, her Logos calculating and predicting the movements of the flying machine, but her munitions were crushed against the Force-Field deployed around it.
“Get to cover! Use the corridors to hide yourself!” Petra ordered her troops, placing herself away from the eyes of the machine while using the Logos’ systems to reboot the Automata. Even though they were mostly equipped for close quarter combat, she had conceived the Olympia Bolt Cannon to arm them in addition to their bodyguard abilities she now used as first battle ranks, shielding her soldiers.
Thanks to her Trinket, always one to bring any advantage to their side in negotiations, she had had far enough to experiment multiple formations, and was satisfied with the weaponry they were now using - if the Iron Warriors were able to bring the Beast to the ground, they would fall upon it with their Graviton mauls.
For now, she unlocked the joints, and restarted their systems, the chest light flaring up green. One of the red eyes of the flying construct lowered to look at them, and immediately after, directed one of his arms in the same direction, the three gatlings starting to spin again, landing some hits that scratched their surfaces, resulting in one of the Domitar-Ferrum having a chestplate opened, and a pauldron bent under the heavy fire before it could raise its shield.
Did it have an unlimited amount of ammunition? Urgh, it had probably far enough to wage battle against them for hours on end, and they were currently engaged in a Forge-world. It could fly away any moment, and find some station to re-arm itself.
Petra opened her comms, directing her soldiers directly to always harass the Beast, forming into firing patterns as three squads gained altitude in the maze that was the architecture of the Forge-World. She counted. Eleven soldiers had been lost. Five were also injured - though not gravely enough that they had to stop fighting. A glance at the damaged automata let her know that it could still be pushed to fight, and could endure more damage. She opened cover fire to move herself, approaching her soldiers so that she would not be stuck in the middle of an open-space.
“Phase Four, Hammer Protocol”, she ordered on the Logos, and her soldiers moved as well as they could to accomplish their missions. Every single trigger belonging to a soldier under her command was pulled into a deafening noise that echoed into the large hall, lights of tracer fire producing a continued source of radiance that she wouldn’t even need the night vision provided by her helmet.
Even though the Conversion field around the Beast was sparkling, progressively advancing to the point where it would need to be deactivated to not overload, it was reaching it far too slowly for Petra’s taste. Frustration was building up faster in her.
Some movement in the construct made her change her focus, as she tried to identify why it was moving the way it did. The gatling guns on its right arm had folded back into the back construct part, and now it was a long, thin and rectangular armament that was attached to its arm. And aimed at her. A glance at it indicated her it was warped T’au technology, modified to be usable alongside those demonic systems. She felt a cold sweat immediately.
Mass launcher. Heavy Rail Cannon.
Petra stepped away in a blink, unsure even her armor would be perfectly safe from a weapon like that, a single instant later the place she had been in was shot at.
Light. Noise.
Silence.
A Warrior behind her had been less lucky, its upper body part simply erased by the projectile’s impact, which didn’t even explode.
It had penetrated into the metallic ground, dug deep until the meager warning lights of the hall couldn’t shed shine onto it. The body of her Marine fell onto the ground, blood finally flowing out as though it had briefly not realized it had been killed.
She processed it into the back of her mind, running to find some cover that would hide her from the weapon. It seemed however that the Daemon Engine didn’t have in mind to continue using its Rail Cannon, and started to rise, floating higher. She had another bad feeling. And she was rarely wrong on such occasions. It put away the arms that were latched onto its arms, and extended its hands forward.
Something started to roll on the horizontal ring, and exited the top of the back construct in the same way, stopping halfway, above the Beast’s head. Multiple dots of red upon light-gray surface, and Petra already knew it was multiple missile pod systems.
“Find cover!” she heard one of her soldiers scream out. Petra ordered the Domitars to defend the Marines that weren’t equipped with Boarding Shields like her Breacher Squads. Noises like pings emitted by the Machine started to rise, accelerating in tempo and volume.
It brought its hands downwards, a conductor's movement. The orchestra, a symphony of technological-brought death, began.
The Beast sings.
The sounds of their thrusters weren’t the one she was used to hearing from missiles in flight, no, it was far worse. Whispers, murmurs, talks, shouts, wails, screeches, howling. The noises each projectile was making were separate voices of pain and suffering, or shrieks of rage and anger.
A choir that the Beast was directing, the missiles following his hands, cues and downbeats, the screaming and bellows harmonizing to form a music that would be beautiful, if it weren’t so haunting, dangerous and in such an inopportune moment.
Petra locked her armor completely, focusing on defending against the missiles that were going for her. She recognized it. She crouched, protecting her head with her arms, and the noises of all missiles exploding at the same time, a fortississimo overbearing on her ears, and the shaking was the same as being just beside a Titan Ordnance weapon firing.
The instant she was safe, running diagnostic operations on the Logos integrity, she forced herself to move despite the shock she was feeling. Not just physical. The music It had imitated before the missiles exploded. She knew it perfectly. From its start, to the Da Capo, to its end and crescendo, with every single note in between.
Because she knew the composer. Because she was beside him when he composed. Because HE composed FOR HER. Because it was Trinket’s piece. A horrible, abominable parody, spitting on every musical pattern and expression he spent days and nights writing while she was drawing architectural blueprints and building dioramas of the multiple Olympia’s cities they oversaw reconstruction of.
The shared name of Elysia, the location of their planned Forever Home, and of the hymn they had decided on.
And nothing was making her more mad than the twisted parody of her favorite music, turned into something so… She didn’t even find the words for the utter disgust she was going through. Nor for her anger.
“Cover me! Switch back to Phase three, Protocol Nemea!”
Petra exited the smoke left by the detonation after shouting her order, and went straight for the broken corpse of the Brass Scorpion, teeth clenched. Hearing the weapons of her sons firing behind her, she swore she would destroy that thing, and free Trinket from its grasp. She had not a single doubt he was in it. Being the core of the Beast. She caught the tail of the machine monster, and dragged it to turn the Demolisher cannon that formed its parody of a mouth in the direction of Trinket’s prison.
Using the commanding functions of the Logos, she connected to the machine’s body, bluntly deleting every piece of Scrap-Code that she could, as the chaotic construct was off for now, and when she was done, she booted the firing systems up.
She was hearing the roaring of the Beast’s gatling guns, firing ceaselessly to kill her sons, the crackling noise of Boarding Shields and Karceri Shields as the hailing rain of bullets was caught against their power fields.
Petra’s will, translated into cybernetics commands, made the legs of the Scorpion skitter and rise, angling its maw at the flier. After a few seconds loading, and preparing the weapon, the Scorpion opened fire, crossing the distance between source and target in barely a breath. The noise of the detonation echoed the same as the missiles the Beast had previously fired in its orchestral volleys.
The flying machine trembled, the iron halo’s field crackling, turning on and off until it finally shut down.
“Now!” Petra shouted to her Warriors. “Engage Phase five, suppressing fire!” Exiting their covers, most of her Marines aimed and opened fire at the Engine. She aimed at its reactors when it showed its back to her, shooting with all eight of her shrapnel bolt array. As it lowered slightly, she calculated her odds. Satisfied, she started running toward it, accelerating to some of the fastest speeds she had reached on her feet, motivation and desperation both pumping fire into her veins of iron.
Using the ruined machinery that strewed the ground, she gained elevation, and fully jumped to catch on the ring surrounding the core construct. Its three eyes looked at her, and Petra could swear she could see them burning in hatred. It tried to aim its gatling at her, but she moved faster, opening fire without restraint straight at its arm, a barrage of bolts that started to tear through the weaknesses in the metal that she saw.
Unable to fly correctly anymore, the Beast lowered even more, to the point where the Automata, coming running at it, could extend their hammers to latch on the ring and body, pinning it down. Petra let go of the outer ring, and walked straight toward the core unit, ignoring the warnings that one of her sergeants was directing to her.
She couldn’t hear anything over a ringing in her ears suspiciously resembling the melody of Elysia.
She finally reached it, extending her hand toward its head, and ripped it off without a care, watching with satisfaction as the three-eyed lights faded from the optics. She tossed it aside. Under her awaiting hands was the gesticulating body of an iron maiden that jailed the person she wanted to see most.
Weaknesses.
In the frame, in the ossature, in the hull. She reached and grasped, and bent, and pulled, and tore, destroying the malignant thing bit by bit, piece by piece, seeing her soldiers in the corner of her eyes, but not registering anything other than the slowly opening torso of the machine.
Finally.
Finally.
Finally, she ripped open the cockpit, to be met with such a cherished and such a haunted sight. Her Velvet Glove. Her Trinket.
Finally.
“FeFe…” she whispered. She could feel her eyes water behind the iron skull of her helmet.
It was an abominable sight. Everything was him. Nothing was his. As the song, it was a parody of who he was.
It was his hair: white and in long locks. It wasn’t: oily, greasy and unkempt.
It was his body: olive skin and the same scars as she remembered. It wasn’t: skeletal, gaunt, emaciated and hollow. Ribs almost piercing out from under his naked dry skin.
It was his eyes, the same turquoise, the same golden decoration he had asked her to graft under the left one to mask one scar he had there. It wasn’t: there were no lights in those glassy and foggy balls, and the gold was tarnished, rusted.
His lips were parched and scarred, his eyelids scratched, and she was trembling seeing the sight.
He was missing an arm, cables and wires directly plugged into his torn flesh.
A ruined enveloppe.
A single terminal was held in his sickly thin fingers, showing characters writing on a loop. Two words. It wasn’t Scrap-Code, nor was it Lingua-Technis, nor even was it Gothic, be it low or high. No, it was their native tongue of Olympia.
Two words, repeating on a loop like a mad chant line after line.
Σκότωσέ με.
Kill me.
Kill me.
Kill me.
Kill me.
Kill me.
Petra slowly reached to her helmet, its hissing pops signaling the depressurization. She removed it, her braided lock falling onto her shoulder as she put it aside.
“No”.
She reached toward him, cupping his cheek in her gauntlet, as large as his head, not applying any bit of force. Her hand was trembling. She pulled his body from the machine’s carcass, carefully disconnecting the cables thanks to the Logos’ programming properties. She cradled his broken, shattered form in her arms like carrying a newborn. She could barely feel his heartbeat. Her vision of him was riddled in weaknesses that usually inhabited her vision, so, so many onto his form.
She tilted to whisper in his ear.
“I’m bringing you back home. We’ll go together. Do you remember, FeFe? To Elysia”.
She almost broke down when she saw a sign of recognition on his part when he heard that name. Just slightly, almost imperceptible, his eyes widened.
A Spark.
submitted by Extension_Cricket_74 to PrimarchGFs [link] [comments]


2024.05.20 22:26 Downtown_Pea_8054 Ladies, what do we think of this hair situation

Ladies, what do we think of this hair situation
Got a haircut today, around 15+ cm taken off. Regretting the fringe though. I asked for a short french/curtain fringe, wispy, slightly longer at the edges so it looks nice when in a ponytail or other raised hairstyle, swept aside, down etc. Instead I got a thick at the edges, wispy in the middle, straight across fringe and I am quite unhappy to say the least. It doesnt seem to suit me and makes me look heavier at the top of the head. Just all around odd. I guess its partly my fault for going to a hairdresser Ive never been to before, all out of desperation as I moved to other part of the country where I don't know for a good hairdresser yet. Any advice how to make this fringe better? Alternatively any advice on how to style this hair, hairstyles suiting for this fringe? When I put it in a ponytail/braid or any other hairstyle that takes the rest of my hair to the back the fringe looks too bulky and makes me look a little bit like a mushroom... Any other opinions of my hair in general or maybe how to get it better? Letting this post be a reminder for me. Silver lining is a bit healthier hair.
submitted by Downtown_Pea_8054 to longhair [link] [comments]


2024.05.20 22:04 Practical-Form9907 Human Hair loc extensions idea

I wanted to get locs but my hair is short. And I really don’t wanna pay for the extensions to be installed the usual way. I was thinking of twisting or braiding my hair with human hair and seeing if that’ll eventually become loc’d together. Any clues?
P.s if you’re one of those ‘trust the process’ people pls stfu and leave me alone, this post isn’t for you and you don’t know my life or what I’m going through atm. Thanks 🙏🏾
submitted by Practical-Form9907 to vindictapoc [link] [comments]


2024.05.20 13:50 ranassilks Leheriya Saree: A Symphony of Color and Tradition

Leheriya Saree: A Symphony of Color and Tradition
~Leheriya sarees~ are a vibrant and elegant form of traditional Indian attire, known for their distinctive wave-like patterns and rich cultural heritage. These sarees are an embodiment of Rajasthan's rich textile history, reflecting the state’s colorful and artistic traditions. The word "Leheriya" itself is derived from the Rajasthani word "leher," which means wave. This aptly describes the unique wave-like patterns that are the hallmark of Leheriya sarees.

https://preview.redd.it/bm8lu2m0lk1d1.jpg?width=500&format=pjpg&auto=webp&s=83df15994fd24bce7e948b2a78583b9e19caca7a

Historical Background

Leheriya sarees have a deep-rooted history in the royal courts of Rajasthan. The technique is believed to date back to the 17th century, during the reign of the Rajput kings. These sarees were initially worn by the royalty and aristocracy, symbolizing their status and cultural sophistication. Over time, the craft spread to the common people, becoming an integral part of Rajasthani culture.

The art of making Leheriya is traditionally handed down through generations, with artisans meticulously crafting each piece. The process involves a tie-and-dye technique that creates the distinctive wave patterns. This method is not just a craft but an art form, requiring great skill and precision.

The Making of Leheriya Saree

The creation of a Leheriya saree is a meticulous process that involves several stages, each requiring a high degree of expertise. Here's a step-by-step look at how these stunning sarees are made:

Selecting the Fabric: The process begins with choosing the right fabric. Traditionally, silk and cotton were used, but now, georgette, chiffon, and crepe are also popular choices due to their lightness and draping quality.

Tying the Fabric: The fabric is rolled and tied tightly at regular intervals using threads. This tying process is crucial as it creates the resist areas that will not absorb dye, forming the wave patterns. The precision of tying determines the sharpness and uniformity of the design.

Dyeing: Once the fabric is tied, it is dipped into dye baths. Artisans traditionally use natural dyes, but synthetic dyes are also common today. The fabric is dyed in multiple colors, with each layer of dye adding depth and complexity to the pattern.

Drying and Untying: After dyeing, the fabric is allowed to dry. The threads are then carefully removed, revealing the intricate wave patterns. The result is a burst of vibrant colors that seem to dance across the fabric.

Finishing Touches: The saree is washed, dried, and ironed. In some cases, additional embellishments like zari (gold or silver threads), sequins, and embroidery are added to enhance its beauty.

Cultural Significance

Leheriya sarees are more than just a piece of clothing; they are a symbol of cultural heritage and tradition. In Rajasthan, these sarees are often worn during festivals and special occasions. The bright, vibrant colors are believed to bring good luck and prosperity.

The wave patterns of Leheriya also have symbolic meanings. They are thought to represent the monsoon rains and the flowing rivers, both of which are crucial to Rajasthan's agrarian lifestyle. Wearing a Leheriya saree during the Teej festival, which celebrates the arrival of the monsoon, is considered auspicious.

Varieties of Leheriya Sarees

Leheriya sarees come in a variety of styles, each with its own unique characteristics. Some of the popular types include:

Traditional Leheriya: These sarees feature simple, wave-like patterns and are usually made from cotton or silk. They are often adorned with minimal embellishments, allowing the beauty of the patterns to shine.

Mothra Leheriya: This style features a more intricate pattern with additional crisscross lines, creating a more complex and textured look. Mothra Leheriya sarees are highly valued for their detailed craftsmanship.

Gota Patti Leheriya: Gota Patti work involves intricate embroidery using gold or silver ribbons. These sarees are often worn during weddings and other grand occasions, combining the elegance of Leheriya with the opulence of Gota Patti.

Bandhej Leheriya: This is a fusion of Leheriya and Bandhej (another form of tie-and-dye). The combination of wave patterns with tiny dot designs creates a rich, textured appearance.

Modern Adaptations

While traditional Leheriya sarees remain popular, contemporary designers have reinterpreted this age-old craft to suit modern tastes. Today, Leheriya patterns are found on various types of apparel and accessories, including kurtas, dupattas, scarves, and even western wear.

Fashion designers have also experimented with color combinations, fabric choices, and pattern variations, making Leheriya accessible to a broader audience. These adaptations ensure that the craft continues to thrive in a rapidly changing fashion landscape.

How to Style a Leheriya Saree

Styling a Leheriya saree can be both fun and versatile. Here are some tips to help you make the most of this beautiful garment:

Traditional Look: For a classic look, pair your Leheriya saree with traditional jewelry like jhumkas (dangling earrings), bangles, and a maang tikka (forehead ornament). A simple blouse in a contrasting color will let the saree take center stage.

Modern Chic: To give your Leheriya saree a modern twist, experiment with contemporary blouses. Off-shoulder, halter-neck, or crop top styles can add a trendy touch. Minimalist jewelry and a sleek hairstyle will complete the look.

Fusion Fashion: Mix and match your Leheriya saree with western pieces. Pair it with a stylish belt to cinch the waist, or wear it over a pair of jeans or trousers for a fusion look. This is a great way to make a statement at casual or semi-formal events.

Seasonal Adaptations: Leheriya sarees are perfect for different seasons. Choose lighter fabrics like georgette or chiffon for summer, while silk and crepe are ideal for cooler months. Layering with a jacket or shawl can add warmth and style in winter.

Caring for Your Leheriya Saree

Proper care is essential to maintain the beauty and longevity of your Leheriya saree. Here are some tips:

Washing: Hand wash your Leheriya saree in cold water using a mild detergent. Avoid wringing or twisting the fabric to prevent damage to the patterns and fibers.

Drying: Dry the saree in the shade to preserve its vibrant colors. Direct sunlight can cause fading over time.

Ironing: Use a low heat setting to iron your saree. If it has embellishments, place a thin cloth over the saree before ironing to protect the delicate work.

Storage: Store your Leheriya saree in a cool, dry place. Avoid using plastic bags for storage, as they can trap moisture and lead to mildew. Instead, use a cotton or muslin cloth to wrap the saree.

Sustainability and Ethical Considerations

In recent years, there has been a growing awareness of sustainability and ethical practices in the fashion industry. Leheriya sarees, with their handmade craftsmanship and use of natural dyes, align well with these principles. Supporting artisans who create these sarees helps preserve traditional crafts and provides fair wages to skilled workers.

Many brands and designers are now emphasizing the importance of sustainable practices, ensuring that their products are environmentally friendly and ethically produced. By choosing Leheriya sarees from such sources, consumers can contribute to the promotion of sustainable fashion.

Conclusion
Leheriya sarees are a testament to the rich cultural heritage and artistic traditions of Rajasthan. Their vibrant colors and wave-like patterns make them a timeless piece of art, cherished by women across generations. Whether worn in traditional settings or styled in contemporary ways, Leheriya sarees continue to captivate and inspire.

The meticulous craftsmanship involved in making each Leheriya saree reflects the dedication and skill of the artisans. As we move towards a more sustainable and ethical fashion industry, the appreciation and support for such traditional crafts become even more significant.

In a world that constantly evolves, the Leheriya saree stands as a beautiful reminder of our cultural roots and the timeless elegance of Indian textiles. It is a celebration of color, craftsmanship, and cultural identity, making it a cherished addition to any wardrobe.

For more info:- ~rajasthani poshak~
submitted by ranassilks to u/ranassilks [link] [comments]


2024.05.20 13:26 InflationEvening8156 Unleash Your Creativity: Hairdressing Courses at The Australian Academy of Cinemagraphic Makeup

Unleash Your Creativity: Hairdressing Courses at The Australian Academy of Cinemagraphic Makeup
Have you ever dreamt of turning your passion for hair into a fulfilling career? Do you envision yourself transforming clients, creating show-stopping styles, and wielding your creativity in the exciting world of hairdressing? If so, then a hairdressing course at The Australian Academy of Cinemagraphic Makeup (AACM) could be the perfect first step on your journey.
https://preview.redd.it/m05lrxfjgk1d1.png?width=740&format=png&auto=webp&s=8739904899febc4e65158aefe818a344a889d35a
Why Choose AACM for Your Hairdressing Education?
AACM isn't your average hairdressing school. We go beyond the basics, offering a comprehensive and industry-focused curriculum that equips you with the skills and knowledge to thrive in the professional hairdressing landscape. Here's what sets us apart:
  • Creative Focus: While mastering technical skills is crucial, AACM fosters a love for artistic expression. You'll learn to translate trends, understand facial structures, and use hair as a tool to enhance your client's individual style.
  • Experienced Instructors: Our faculty comprises renowned hairdressers with extensive experience in various fields, from hairstyling for film and television to salon management. They share their knowledge and passion, guiding you to excel.
  • Industry Connections: AACM boasts strong relationships with leading salons, stylists, and hair product companies. We provide opportunities for internships and placements, giving you invaluable real-world experience.
  • Modern Facilities: You'll train in a state-of-the-art environment equipped with professional-grade tools and products, reflecting the latest advancements in the hairdressing industry.
  • Flexible Learning: We offer a variety of hairdressing courses, from beginner-friendly certificates to advanced diplomas. Whether you're starting fresh or upskilling, we have a program to suit your needs and schedule.
What Will You Learn in Our Hairdressing Courses?
Our hairdressing courses are designed to provide a well-rounded education, covering both theoretical knowledge and practical application. You'll delve into an array of topics, including:
  • Hair Theory: Understand hair structure, growth cycles, scalp health, and the science behind various hairdressing techniques.
  • Haircutting: Master fundamental cutting techniques like blunt cutting, layering, graduation, and fringe work, progressing to advanced styles.
  • Hair Colouring: Learn colour theory, application methods, highlighting, balayage, and creative colouring techniques.
  • Hairdressing Techniques: Explore perming, straightening, chemical relaxers, and other advanced methods to manipulate hair texture.
  • Hair Styling: Develop your creative flair by learning versatile styling techniques from classic blowouts and updos to intricate braids and red carpet-worthy styles.
  • Saloon Management: Gain practical knowledge about salon operations, customer service, retail sales, and business management for a well-rounded skillset.
  • Professional Communication: Develop effective communication skills to build rapport with clients, understand their needs, and effectively recommend styles and services.
https://preview.redd.it/8usjfrghgk1d1.png?width=740&format=png&auto=webp&s=eed25318ae2fd73527ff376c072725e622b19800
A Career Path Full of Possibilities
With a hairdressing qualification from AACM, you'll unlock a world of exciting career opportunities.
  • Salon Hairdresser: Work in a salon environment, providing haircuts, colours, and styling services to a diverse clientele.
  • Freelance Hairdresser: Build your independent clientele and set your own schedule.
  • Hairdresser for Film & Television: Work on movie sets, creating unique hairstyles for actors and characters.
  • Hair Stylist for Live Performances: Assist with hairstyling for musicians, dancers, and performers.
  • Hairdressing Educator: Share your knowledge and passion by teaching future generations of hairdressers.
  • Salon Owner: Use your skills and business acumen to open your own salon and manage your own team.
Investing in Your Future
A career in hairdressing offers the perfect blend of artistic expression, technical skill, and client interaction. It's a dynamic and rewarding profession, constantly evolving with new trends and techniques.
At AACM, we're dedicated to providing you with the foundation and support you need to succeed in this exciting field. Our hairdressing courses equip you with the knowledge, confidence, and industry connections to launch a fulfilling career and become a sought-after hairdressing professional.
Ready to take the first step?
Contact AACM today to learn more about our hairdressing courses, flexible learning options, and financial assistance. Let us help you turn your passion for hair into a thriving career.
Additionally, AACM offers:
  • Short courses and workshops: Expand your skillset with focused training in specific areas like bridal hairstyling or advanced colour techniques.
  • Career guidance: Receive personalized advice to help you navigate the career path that best suits your goals and aspirations.
  • Ongoing support: Even after graduating, AACM remains a valuable resource, providing industry updates, networking opportunities, and career guidance.
https://preview.redd.it/9ap1cv6ggk1d1.png?width=740&format=png&auto=webp&s=8cf75ef2f51fe0b897800227d8e44f0bc4802db8
AACM is dedicated to your success
Our hairdressing courses equip you with the knowledge, confidence, and industry connections to launch a fulfilling career as a sought-after hairdressing professional.
Ready to take the first step?
Contact AACM today to learn more about our hairdressing courses, flexible learning options, and financial assistance. Let us help you turn your passion for hair into a thriving career.
submitted by InflationEvening8156 to u/InflationEvening8156 [link] [comments]


2024.05.20 10:20 possiblyagnes Swim caps and long twists/braids help?

I’ve been getting long twists done for a bit and I love them so much! However, I also have a water park season pass I’d like to fully utilize. Last year, I got a swim cap, that hardly held up and ended up letting in water. Are there any ways to fully waterproof my hair? Or should I just go natural for the summer?
submitted by possiblyagnes to BlackHair [link] [comments]


2024.05.20 07:29 Arctic_witchAK Boyfriends hair is getting out of hand

My (27f) boyfriend (28m) and I have been together for nearly 5 years and have a 8 month old daughter. Shortly before she was born, my boyfriend got his haircut and mentioned he wasn’t going to cut his hair until our daughter got her first haircut. She is now 8 months and has 1 inch of fuzziness atop her head… first haircut nowhere in sight.
My boyfriend has pretty good style, but has some interesting quirky things he does occasionally in terms of style. I don’t always like his style choices, but generally keep quiet (unless it’s a fedora, sorry fedora lovers).
To get to the point, I was NOT feeling excited thinking about him with long, luscious hair. I mentioned that my mom didn’t cut my hair til I cut it myself at 4 because it grew in curly and didn’t need to be cut, and asked if he would wait that long. At another point I mentioned the long hair (probably saying something hinting as disapproval) he got emotional asking if I wouldn’t find him attractive with long hair.
Now he’s started to braid it every once in a while, which is fine, do what you want. But then he takes the braids out and has crazy hair, then leaves it like that for days. It literally looks like a clown wig. He also started getting dandruff, so it’s like a dandruff-filled clown wig. I think it also has to do with the length, which is approaching lord-farquad length.
I try to say things to hint about hairstyles that don’t look this terrible, but I don’t want to hurt his feelings. He is doing stuff for the dandruff, but it doesn’t seem to work. TBH, I do find myself less attracted to him since the hair shape and style are regularly so visually unappealing.
Would I be an asshole for suggesting he not wear it in that style? Or for suggesting a way he could trim it to look more flattering? Am I an asshole for not finding him as attractive with this hair?
submitted by Arctic_witchAK to AITA_WIBTA_PUBLIC [link] [comments]


2024.05.20 07:13 yikes-its-her What did you not realize was stimming until you learned more about autism?

I feel so dumb haha. I used to buy into the hand flapping stereotype and I used to think oh I don’t stim! Because black and white thinking (lol) I don’t LITERALLY flap my hands or rock forward and back…
Except:
The list goes on and on. What non-stereotypical stims did you only realize later counted as stimming?
submitted by yikes-its-her to AutismInWomen [link] [comments]


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