Mugen michael jackson character
Short Stories
2008.03.23 20:30 Short Stories
This is a place to submit your original short stories and be part of a community of writers.
2012.02.06 05:23 Seafea The greatest Star Wars character ever.
mesa called jar jar binks!
2024.05.28 20:30 Wild_Cellist9861 Gamers Break Away [GBA]
My fellow gamers, for too long has our community suffered the indignation of an intolerable culture that has denigrated, besmirched, exploited, and has outright demonized our culture of unique individuals with a genuine love of a hobby that they see as profitable and progressive. They have taken beloved IP’s (Intellectual Properties) and twisted them into their own personal ideological crusade of undermining and humiliating the core aspects of characters they deemed as “Toxic” or “White Supremacy”. Through the guise and protection of DEI (Diversity, Equity, and Inclusivity) & ESG (Environmental, Social, and Governance) they have used our influence in the entertainment industry to push their narratives and agendas that have stigmatized our culture with numerous anti-consumer practices that they call “being progressive”. But the truth of the matter is they were never really looking to be a part of our community, they simply wanted to use our community as a tool of activism and propaganda in the entertainment industry as it was extremely profitable, and they wanted inclusion in that division. Ever since GamerGate & Female Frequency, we have had to endure the incursion of forced ideologies, xenophobic behaviors and inferior overpriced products that have never been in our best interest and have been flat out disgraceful towards foreign media.
Before Gaming had become a major source of entertainment, we were often categorized as anti-social or societies rejects where because we found more enjoyment in playing fictional characters and not spending as much time out and about, we never fully assimilated in society (which is a good thing if you ask me). From 1998 to 2007, at the height of innovation, creativity and production, Gaming had reached a golden age in which it had revolutionized society. Hollywood Execs who had ruined the movie industry turned their attention to video games as a source of income since video games had outperformed movies in terms of profit. No one was concerned about gaming, much less diversity or inclusivity until it became profitable. This makes people like SBI look extremely disingenuous as they were not interested in gamers as a community with its own culture. They simply wanted to use it as another weapon in identity politics.
Microtransactions; the hidden enemy to gamer progress and inducer to mental laziness of our community. Microtransactions have been around for a long time; however, it has never been more potent and apparent than in recent years. It has aided in the dismantling and segregation of players on the ideology of FOMO (Fear of Missing Out) and has created another sub-culture of gamers who have no real drive to be better outside of how much money they put into the game. This has degraded our culture as well as we have become “fat” off transactional gaming but at the same time we have been “starved” of purposeful gaming where our achievements were our sustenance. I am not saying that microtransactions are bad, but when they are exploitative and predatorial like they have been and don’t give gamers room to grow, we become lethargic and unwilling to improve ourselves as gamers. Oversaturated microtransactional games are one of the many reasons why we have become complacent and unwilling to fight against the exploitative tactics used by big brand game companies such EA, Ubisoft, ActivisionBlizzard, NaughtyDog and so many other western business model companies. Western style games were not like this in the past, they had much more depth and actual effort put into them with the gamer in mind. This has not been the case for over a decade and our connection to western developers has been whittled down to just being transactional. That is one of the reasons why you see so many remasters and remakes in today’s gamer community. They have lost their willingness to improve as developers of games and simply accept corporate/share holder rules.
Game journalists also do not have any real integrity or purpose outside of being funded for their involvement in promoting IPG (Identity Political Games) in a positive light to the public whether it’s positively received or not. They are not interested in what we have to say, they all support the same agenda and that is why they are a dying breed. Within the next couple of years, they will be out of the job and more than likely they will not be able to stay in the industry giving how they have responded to past articles that have clearly been scripted on the premise of diversity and racism. Not only that, but most of them are also extremely hostile to the community as they stereotype and defame the individuals that are a part of the community they are supposed to serve. We have been mentally liberated from their lies and coercive tactics as we tend to laugh at their obvious attempt at virtue signaling while hiding their misdoings so that they can play the victim.
My gamer brothers & sisters, I would not suggest the following action that we must take now without good cause. I have weighed our options and the best option for us now is this…...CULTURAL SECESSION. Naturally this is a form of segregation where they would more than likely claim they are being segregated by the dominant culture of the gaming community but that is incorrect. For years now we have been the ones who are often marginalized and ostracized for the smaller portion of our community. And when we aren’t, we’re exploited for more funds so that these companies can stay in business only to subject us to low quality products that coincide with the “WOKE Agenda” that are often huge expenses to these big brands i.e. AAA/AAAA games that will eventually flop for its obvious forced diversity and bug infested product which will undoubtedly piss off the consumer to the point of wanting a refund. Losing copious amounts of capital and stock in the process, not to mention their reputation is permanently marred.
We must separate on every cultural level in terms of entertainment and ideology. We must reject everything from the west that promotes toxic western beliefs, practices, and exclusion from other cultures (i.e. Southeastern Countries such as Japan and Korea). Japan & Korea have been the targets of unjust discrimination from Western Developers, Western Journalists, Western Localizers (The Wokelizers) and Western Society Prejudice regarding their sense of aesthetics as Westerners hate the aesthetic sense of these countries. The reason why they resort to such base tactics isn’t just because it weaponizes the ideal female form but it’s also because they have deep-seated insecurities about their own looks so when they see attractive female characters, they use terms such as “unrealistic” or “hypersexualized” to establish the moral high ground. But the truth is, they want to feel superior to that which is ideal, so they insult and dehumanize this figure that portrays natural female beauty because they see it as an insult to their own social superiority in what they believe is a hierarchy of them being at the top of all other women. Because of this and so many contributing factors, their movies flop harder than the Fat Chocobo landing on a group of enemies and their games seismically fail just as much if not more. We must sever our connection to Western Developers, Publishers, and ALL Western-Centric Entertainment for they seek to mentally enslave us to their Xenophobic ideology.
Let’s define Western Culture and its traits. Western Culture/Society is composed of more than several different ideologies that work in unison with one another to facilitate dominance over multiple aspects of society. Business, Social, Political, Technological, and sometimes even Global Affairs are affected by these ideologies that portray a specific mindset of Western beliefs. What are those ideologies you ask?
https://youtu.be/Iq86DnmX2xY
https://youtu.be/1HbrTkqQFuM
https://youtu.be/to5Uciy_yeg
@EndymionTv
https://youtu.be/7TPTR8-qmbk
https://youtu.be/bPIPSKruYRo
These traits are so nefarious and unconscionable that I have a hard time believing that anyone could harbor them. However, given the social, political, and economic climate that we are in, those in power who use their influence on controlling society most definitely possess these insidious traits. Everything that they do is all about control and since video games are the biggest market in the world, they want control over it and the communities built around it to accrue more wealth and to use that wealth to subjugate other cultures. Mainstream media is a tool as well as mainstream organizations and sites to help accomplish this goal.
The government recently announced its intentions towards what they believe is “GamerGate 2.0” and now even the ADL has made an official appearance, referring to gamers as “extremist’s”. We know EXACTLY what they are doing, and they aren’t even trying to hide it anymore because they don’t think we are aware of their motives. This is just a pretext for them to exert even more control and we know why, it’s because they want the influence we as a community have to must serve them. So here is what we do my fellow gamers-
“In light of recent events and years of mainstream stigma, we the members of the Global Gaming Community [GGC] must officially renounce ALL TIES to the corporate western video game market. We have been financially exploited through predatorial monetization schemes, pelted with numerous articles of disdain and intentional misrepresentation from game journalists, news outlets regarding us as dangerous individuals and, even subjected to inferior products not only riddled with bugs but also products meant to push political agendas. For the preservation of our community and its unique culture, apart from a few select game development studios we officially sever all connections to western owned video game companies & their mainstream affiliates. From this point onward, we will no longer support western corporate developers, journalists and publishers that do not coincide with the goals of our community.”
Naturally this is completely optional. If you are okay with the state of the gaming community as it is, feel free to ignore this. But if you wish for real change and a break away from oversaturated monetization in the games you play and the push for radical ideological reform, then you are in the right place. Lets sever these rotted miasmic ties once and for all so that our community can be preserved and made better for future gamers. If you agree with this, share it with whoever you think might be interested. The more gamers who get involved, the easier it will be for us to finally break free from mainstream game companies and their associates.
submitted by Wild_Cellist9861 to United_Gamer_Front [link] [comments]
Before Gaming had become a major source of entertainment, we were often categorized as anti-social or societies rejects where because we found more enjoyment in playing fictional characters and not spending as much time out and about, we never fully assimilated in society (which is a good thing if you ask me). From 1998 to 2007, at the height of innovation, creativity and production, Gaming had reached a golden age in which it had revolutionized society. Hollywood Execs who had ruined the movie industry turned their attention to video games as a source of income since video games had outperformed movies in terms of profit. No one was concerned about gaming, much less diversity or inclusivity until it became profitable. This makes people like SBI look extremely disingenuous as they were not interested in gamers as a community with its own culture. They simply wanted to use it as another weapon in identity politics.
Microtransactions; the hidden enemy to gamer progress and inducer to mental laziness of our community. Microtransactions have been around for a long time; however, it has never been more potent and apparent than in recent years. It has aided in the dismantling and segregation of players on the ideology of FOMO (Fear of Missing Out) and has created another sub-culture of gamers who have no real drive to be better outside of how much money they put into the game. This has degraded our culture as well as we have become “fat” off transactional gaming but at the same time we have been “starved” of purposeful gaming where our achievements were our sustenance. I am not saying that microtransactions are bad, but when they are exploitative and predatorial like they have been and don’t give gamers room to grow, we become lethargic and unwilling to improve ourselves as gamers. Oversaturated microtransactional games are one of the many reasons why we have become complacent and unwilling to fight against the exploitative tactics used by big brand game companies such EA, Ubisoft, ActivisionBlizzard, NaughtyDog and so many other western business model companies. Western style games were not like this in the past, they had much more depth and actual effort put into them with the gamer in mind. This has not been the case for over a decade and our connection to western developers has been whittled down to just being transactional. That is one of the reasons why you see so many remasters and remakes in today’s gamer community. They have lost their willingness to improve as developers of games and simply accept corporate/share holder rules.
Game journalists also do not have any real integrity or purpose outside of being funded for their involvement in promoting IPG (Identity Political Games) in a positive light to the public whether it’s positively received or not. They are not interested in what we have to say, they all support the same agenda and that is why they are a dying breed. Within the next couple of years, they will be out of the job and more than likely they will not be able to stay in the industry giving how they have responded to past articles that have clearly been scripted on the premise of diversity and racism. Not only that, but most of them are also extremely hostile to the community as they stereotype and defame the individuals that are a part of the community they are supposed to serve. We have been mentally liberated from their lies and coercive tactics as we tend to laugh at their obvious attempt at virtue signaling while hiding their misdoings so that they can play the victim.
My gamer brothers & sisters, I would not suggest the following action that we must take now without good cause. I have weighed our options and the best option for us now is this…...CULTURAL SECESSION. Naturally this is a form of segregation where they would more than likely claim they are being segregated by the dominant culture of the gaming community but that is incorrect. For years now we have been the ones who are often marginalized and ostracized for the smaller portion of our community. And when we aren’t, we’re exploited for more funds so that these companies can stay in business only to subject us to low quality products that coincide with the “WOKE Agenda” that are often huge expenses to these big brands i.e. AAA/AAAA games that will eventually flop for its obvious forced diversity and bug infested product which will undoubtedly piss off the consumer to the point of wanting a refund. Losing copious amounts of capital and stock in the process, not to mention their reputation is permanently marred.
We must separate on every cultural level in terms of entertainment and ideology. We must reject everything from the west that promotes toxic western beliefs, practices, and exclusion from other cultures (i.e. Southeastern Countries such as Japan and Korea). Japan & Korea have been the targets of unjust discrimination from Western Developers, Western Journalists, Western Localizers (The Wokelizers) and Western Society Prejudice regarding their sense of aesthetics as Westerners hate the aesthetic sense of these countries. The reason why they resort to such base tactics isn’t just because it weaponizes the ideal female form but it’s also because they have deep-seated insecurities about their own looks so when they see attractive female characters, they use terms such as “unrealistic” or “hypersexualized” to establish the moral high ground. But the truth is, they want to feel superior to that which is ideal, so they insult and dehumanize this figure that portrays natural female beauty because they see it as an insult to their own social superiority in what they believe is a hierarchy of them being at the top of all other women. Because of this and so many contributing factors, their movies flop harder than the Fat Chocobo landing on a group of enemies and their games seismically fail just as much if not more. We must sever our connection to Western Developers, Publishers, and ALL Western-Centric Entertainment for they seek to mentally enslave us to their Xenophobic ideology.
Let’s define Western Culture and its traits. Western Culture/Society is composed of more than several different ideologies that work in unison with one another to facilitate dominance over multiple aspects of society. Business, Social, Political, Technological, and sometimes even Global Affairs are affected by these ideologies that portray a specific mindset of Western beliefs. What are those ideologies you ask?
- Perpetual Victimhood: By weaponizing the fact that they are marginalized and of a small portion of western society, they can push their agenda to absurd standards that ultimately ostracize the main demographic. And when companies don’t capitulate, they are labeled as anti-progressive/misogynist’s or cohorts of White Supremacy. They use this to cancel their targets and silence them through societal defamation to keep the public on their side. They also use this mindset to justify their own lack of self-agency as they tend to throw companies who do adhere to their demands but miserably fail to turn a profit under the bus so that they can maintain face in front of the public while denying their actual involvement. They will never accept “Sense of Agency” when it’s negative but will gladly accept it when a positive outcome shines on them as if they are entitled to it.
- Societal Terrorism: This is another form of ideology weaponization that they use in order to make companies “toe-the-line” with their agenda. By weaponizing cancel culture, they exert dominance over these companies but in exchange they also reimburse those companies with DEI & ESG funds that raise their credit score as well as having social status with the marginalized demographic. However; cancel culture has not succeeded in years and developers and publishers probably only want the money and the DEI ESG rating. But they have to maintain the image of having social economic power so that they can continue to strong-arm other developers into compliance and promoting financial benefits of DEI & ESG. In other words, if you are not for sale, they discredit and stigmatize you in the industry.
https://youtu.be/Iq86DnmX2xY
- “Its not us, its you who’s wrong” Mentality: This mentality is especially annoying as they tend to use it to hide their incompetence. They often look down upon gamers who are not in the industry to hide their obvious lack of knowledge on game development thinking that their job title grants them special status that they believe gives them the right to be condescending. But the truth they never wanted revealed has already strangled their careers of all credibility. They were never GAMERS, they were INVADERS. Community Colonists that seek to indoctrinate next generational gamers into their hive-mind and brand previous generations of gamers as villains.
https://youtu.be/1HbrTkqQFuM
- Double-standard Enforcement: By labeling something as “unrealistic” or “hypersexualized”, they can claim this is morally wrong if it promotes traditional dynamics between men and women. Heterosexual relationships are condemned while at the same time Same-sex relationships are praised. Additionally, heterosexual relationships with main white male characters turn antagonistic and spotlight stealing. This is deliberate as to promote the “Girl Boss” ideology to indoctrinate women into the Feminazi state of mind. While at the same time, should a male character also adopt the “I don’t need male/female” ideology its seen as Toxic Masculinity which isn’t even a real thing. The idea of a strong male character is taboo while enforcing strong female characters is the ideal.
https://youtu.be/to5Uciy_yeg
@EndymionTv
https://youtu.be/7TPTR8-qmbk
- Dehumanization/Demonization: This is something that most military branches use in order to remove conscious inhibitions such as mass slaughter is wrong or categorization. By enforcing ideologies to denounce humanity in certain targets, it deactivates your conscience by saying this is not human therefore its ethically okay to treat this target without compassion and deny the fact it has sentience. We gamers fall under this category for journalists, developers, companies and society at large. This is a tactic we are familiar with to an extent as it implies that we are not normal when we do not do what everybody else is doing. “Geeks are the worse” or “Nerds need to fall into a pit of lava” are verbal dehumanization forms that most people in society say and we as Gamers tend to be relegated to those categories. This is their way of imposing the social hierarchy on us by establishing superiority. We know this as Gamers as we see it very often in the games that we play and some times experience it in real life.
- Deflection/Projection: This is basic psychology 101. By redirecting the conversation away from their mistakes and back on to the opposing view to avert blame and justify their innocence they can avoid criticism. However; deflection is a CONSCIOUS decision, meaning they have no real argument to justify their incompetence. If you can consciously process the situation, you have self-agency which means you don’t have a legitimate excuse. Projection is something else entirely. Most times, Projection doesn’t work on conscious decisions rather it is automatically deployed when feeling threatened, anxious or both. Instead of accepting accountability for feelings or actions that are deemed socially unacceptable they accuse others of committing that unacceptable behavior thereby exonerating themselves and proving that those feelings and/or actions are not their own.
https://youtu.be/bPIPSKruYRo
These traits are so nefarious and unconscionable that I have a hard time believing that anyone could harbor them. However, given the social, political, and economic climate that we are in, those in power who use their influence on controlling society most definitely possess these insidious traits. Everything that they do is all about control and since video games are the biggest market in the world, they want control over it and the communities built around it to accrue more wealth and to use that wealth to subjugate other cultures. Mainstream media is a tool as well as mainstream organizations and sites to help accomplish this goal.
The government recently announced its intentions towards what they believe is “GamerGate 2.0” and now even the ADL has made an official appearance, referring to gamers as “extremist’s”. We know EXACTLY what they are doing, and they aren’t even trying to hide it anymore because they don’t think we are aware of their motives. This is just a pretext for them to exert even more control and we know why, it’s because they want the influence we as a community have to must serve them. So here is what we do my fellow gamers-
“In light of recent events and years of mainstream stigma, we the members of the Global Gaming Community [GGC] must officially renounce ALL TIES to the corporate western video game market. We have been financially exploited through predatorial monetization schemes, pelted with numerous articles of disdain and intentional misrepresentation from game journalists, news outlets regarding us as dangerous individuals and, even subjected to inferior products not only riddled with bugs but also products meant to push political agendas. For the preservation of our community and its unique culture, apart from a few select game development studios we officially sever all connections to western owned video game companies & their mainstream affiliates. From this point onward, we will no longer support western corporate developers, journalists and publishers that do not coincide with the goals of our community.”
Naturally this is completely optional. If you are okay with the state of the gaming community as it is, feel free to ignore this. But if you wish for real change and a break away from oversaturated monetization in the games you play and the push for radical ideological reform, then you are in the right place. Lets sever these rotted miasmic ties once and for all so that our community can be preserved and made better for future gamers. If you agree with this, share it with whoever you think might be interested. The more gamers who get involved, the easier it will be for us to finally break free from mainstream game companies and their associates.
2024.05.28 20:24 mcm8279 [Discovery 5x9 Reviews] CBR: "Beyond being classic Star Trek fun, these sneaking missions allow the characters to shine. One thing Star Trek: Discovery did much better than previous Star Trek series is handling its ongoing romances. The serialized nature of the series' storytelling helps with that."
"Character relationships, like those between Saru and T'Rina or Paul Stamets and Hugh Culber, took center stage in certain episodes. It made for great moments where the characters professed what they meant to each other while still affirming their commitment to duty and service."
[...]
Of all the ongoing love stories in Star Trek: Discovery, Saru and T'Rina got the most narrative real estate. Gray and Adira broke up in "Jinaal (Season 5, Episode 3)," and Captain Burnham and Cleveland Booker are still separated. For what it's worth, this episode at least features an aside where the two talk about their relationship status (or lack thereof).
That it happened on the Breen ship during the heist is one of those moments that will frustrate fans. Thankfully, instead of causing a problem, this ill-timed emotional discussion saved them from being caught in the corridors by the Breen shift change.
Joshua M. Patton (CBR)
Link:
https://www.cbr.com/star-trek-discovery-season-5-episode-9-review/
Quotes:
"[...]
Beyond being classic Star Trek fun, these sneaking missions allow the characters to shine. Michael again drew on her background in xenoanthropology to figure out some untranslated words from the Breen. Book caused a distraction by flirting with a Breen guard while Michael tried to take down the forcefield that blocked them from the Progentiors' technology.
[...]
The show's most prominent newcomer, Commander Rayner, replaced Saru as the ship's first officer. He and Sylvia Tilly brushed up against each other early on, but this episode shows how that's changed with time. He names Tilly as his acting First Officer when Captain Burnham puts him in command of the ship. Throughout this season, he hasn't sat in the Captain's chair, at least since losing his own command.
Commander Rayner finally took the captain's hair in this episode, but only after Tilly and the crew affirmed their trust in his ability to lead. This was a beautiful payoff to Commander Rayner's season-long arc, which saw him step out of his comfort zones to win his new crew's faith in him. His plan to go into head-to-head combat with the Breen dreadnought was risky, but it was another bit of classic Star Trek action. Firing everything the ship had, the USS Discovery was almost destroyed but survives as so many ships do, on the will of her crew alone.
But now with Captain Burnham being declared MIA (Missing In Action) inside an "extra-dimensional portal," there's not much Commander Rayner, Saru or anyone in Starfleet can do to get her back. Audiences also find themselves in the same quandary and, much like USS Discovery's crew, can only hope for the best when Star Trek: Discovery returns for the last time next week."
Joshua M. Patton (CBR. com)
Link:
https://www.cbr.com/star-trek-discovery-season-5-episode-9-review/
submitted by mcm8279 to trektalk [link] [comments]
[...]
Of all the ongoing love stories in Star Trek: Discovery, Saru and T'Rina got the most narrative real estate. Gray and Adira broke up in "Jinaal (Season 5, Episode 3)," and Captain Burnham and Cleveland Booker are still separated. For what it's worth, this episode at least features an aside where the two talk about their relationship status (or lack thereof).
That it happened on the Breen ship during the heist is one of those moments that will frustrate fans. Thankfully, instead of causing a problem, this ill-timed emotional discussion saved them from being caught in the corridors by the Breen shift change.
Joshua M. Patton (CBR)
Link:
https://www.cbr.com/star-trek-discovery-season-5-episode-9-review/
Quotes:
"[...]
Beyond being classic Star Trek fun, these sneaking missions allow the characters to shine. Michael again drew on her background in xenoanthropology to figure out some untranslated words from the Breen. Book caused a distraction by flirting with a Breen guard while Michael tried to take down the forcefield that blocked them from the Progentiors' technology.
[...]
The show's most prominent newcomer, Commander Rayner, replaced Saru as the ship's first officer. He and Sylvia Tilly brushed up against each other early on, but this episode shows how that's changed with time. He names Tilly as his acting First Officer when Captain Burnham puts him in command of the ship. Throughout this season, he hasn't sat in the Captain's chair, at least since losing his own command.
Commander Rayner finally took the captain's hair in this episode, but only after Tilly and the crew affirmed their trust in his ability to lead. This was a beautiful payoff to Commander Rayner's season-long arc, which saw him step out of his comfort zones to win his new crew's faith in him. His plan to go into head-to-head combat with the Breen dreadnought was risky, but it was another bit of classic Star Trek action. Firing everything the ship had, the USS Discovery was almost destroyed but survives as so many ships do, on the will of her crew alone.
But now with Captain Burnham being declared MIA (Missing In Action) inside an "extra-dimensional portal," there's not much Commander Rayner, Saru or anyone in Starfleet can do to get her back. Audiences also find themselves in the same quandary and, much like USS Discovery's crew, can only hope for the best when Star Trek: Discovery returns for the last time next week."
Joshua M. Patton (CBR. com)
Link:
https://www.cbr.com/star-trek-discovery-season-5-episode-9-review/
2024.05.28 20:23 thetirinite Plex not picking up movie posters for certain movies
Server Version#: 1.40.3.8502 Player Version#: Issues exists on all players
Hello! Recently (like maybe the last 3 weeks) I’ve noticed random movie posters that were there initially have been disappearing. All other metadata will remain, but posters and backgrounds will just vanish. This is not all movies, newly added movies are fine. It appears to be mostly older movie (1950s is where I’ve noticed the most). I’ll try and look via the “Edit” screen to see if I can pull a poster, but none appear (Screenshot #1 below) even though themoviedb and imdb both have multiple posters listed. I’ll then try and “Fix Match” and notice that the record to match against for that movie doesn’t have a poster, but others do (Screenshot #2 below). I’ve tried the Plex Dance (remove the file, scan library, optimize library, clean bundles, empty trash, clear cache in %localappdata%, close/reopen plex, readd movie file) but that didn’t work. This appears to only be happening with movies, not TV shows, as I’ve also visited Plex’s support page on why images wouldn’t be loading. I haven’t made any changes to any agents or firewalls in literal years. Anybody have any guesses on what’s going on here?
https://preview.redd.it/w9prc32nm73d1.png?width=758&format=png&auto=webp&s=0c18d48a63dd5c7cad9a08e8efcec9ce9f8288b6
https://preview.redd.it/57gwajjnm73d1.png?width=1952&format=png&auto=webp&s=c633f2c092b7a897d449cdaf3c010d573cc33b9a
submitted by thetirinite to PleX [link] [comments]
Hello! Recently (like maybe the last 3 weeks) I’ve noticed random movie posters that were there initially have been disappearing. All other metadata will remain, but posters and backgrounds will just vanish. This is not all movies, newly added movies are fine. It appears to be mostly older movie (1950s is where I’ve noticed the most). I’ll try and look via the “Edit” screen to see if I can pull a poster, but none appear (Screenshot #1 below) even though themoviedb and imdb both have multiple posters listed. I’ll then try and “Fix Match” and notice that the record to match against for that movie doesn’t have a poster, but others do (Screenshot #2 below). I’ve tried the Plex Dance (remove the file, scan library, optimize library, clean bundles, empty trash, clear cache in %localappdata%, close/reopen plex, readd movie file) but that didn’t work. This appears to only be happening with movies, not TV shows, as I’ve also visited Plex’s support page on why images wouldn’t be loading. I haven’t made any changes to any agents or firewalls in literal years. Anybody have any guesses on what’s going on here?
https://preview.redd.it/w9prc32nm73d1.png?width=758&format=png&auto=webp&s=0c18d48a63dd5c7cad9a08e8efcec9ce9f8288b6
https://preview.redd.it/57gwajjnm73d1.png?width=1952&format=png&auto=webp&s=c633f2c092b7a897d449cdaf3c010d573cc33b9a
2024.05.28 20:02 v-halo Ulterior Motives was recorded block away from Michael Jackson’s house
 | From Christopher’s Q magazine interview. The Jackson family / estate still owns the place. submitted by v-halo to everyoneknowsthat [link] [comments] |
2024.05.28 19:58 Opposite-Mixture7131 Family Guy Michael Jackson in 3D
 | submitted by Opposite-Mixture7131 to MichaelJackson [link] [comments] |
2024.05.28 19:58 Opposite-Mixture7131 Michael Jackson References in Family Guy
 | submitted by Opposite-Mixture7131 to MichaelJackson [link] [comments] |
2024.05.28 19:58 Opposite-Mixture7131 In Living Color - Home alone again with Michael Jackson
 | submitted by Opposite-Mixture7131 to homealone [link] [comments] |
2024.05.28 19:57 losfigoshermanos Glaubt ihr den Anschuldigungen zu Michael Jackson?
submitted by losfigoshermanos to FragReddit [link] [comments]
2024.05.28 19:56 Opposite-Mixture7131 Michael Jackson's Moonwalker - Full Game - Part 1/3
 | submitted by Opposite-Mixture7131 to MichaelJackson [link] [comments] |
2024.05.28 19:43 No-Singer6718 Michael Jackson with his son Prince Michael Joseph Jackson Jr I and his daughtur Paris Michael Katherine Jackson
 | submitted by No-Singer6718 to MichaelJackson [link] [comments] |
2024.05.28 19:34 Queen-of-Sharks Who did Michael buy in FNAF 6?
 | Considering that Security Breach and Help Wanted 2 both show us that Michael reached the max level pizzarea before it was destroyed, it's prudent to ask who Michael bought before dying. While it is technically possible that he didn't buy any animatronics or just any random assortment of robots, since you don't actually need to buy any of them to win, I feel like it makes the most sense for Michael to have purchased at least some of the available animatronics given that otherwise, he would have bought the stage for no reason. The question, then, is which ones did Michael buy? submitted by Queen-of-Sharks to fnaftheories [link] [comments] https://preview.redd.it/e9ye9kpm973d1.png?width=1920&format=png&auto=webp&s=34b4c70de1aed2a96ac34e7281c7d0b8ad7c6528 Right off the bat, I feel like the office alone implies that Michael at least had the Rockstars somewhere. While this doesn't necessarily mean RockstarMCI is confirmed or anything, I do think it's at least worth noting. This combined with the fact that Special Delivery's emails directly referenced the Rockstars implies to me at least that Michael had them, or at least that they did exist in some form, especially since they're placed alongside a picture of Lefty, an animatronic who we know was present during the fire because you need her to beat the game. While most of the Mediocre Melodies remain up in the air, the modern games' frequent references to Mr.Hippo with the likes of Mystic Hippo, the Mr.Hippo fridge magnet that singlehandedly brought all of TalesGames into question (not a joke), and Glamrock Mr.Hippo, I think Mr.Hippo has a better chance at being one of the animatronics that Mike canonically purchased than most of the other mediocre melodies. For a similar reason, MUUUUUUSIC MAN is also in the running for Animatronic which Michael bought, but it's not just because of DJ Music Man's appearance. You see, the mini windup Music Men are very clearly styled after FNAF 6 Music Man rather than DJ Music Man, meaning that Fazbear Entertainment had to have had that specific design somewhere, and DJ Music Man isn't just a case of convergent ideas. El Chip and Funtime Chica are a bit more questionable. While El Chip does have a cameo in Security Breach, he's also very clearly his own character who either is under the Fazbear Entertainment corporate umbrella, or just frequently sponsors their endeavors. Glamrock Chica meanwhile makes a physical appearance in Help Wanted 2, but wether or not the protagonist ever physically encountered her or if it's just a weird AR creation is up to speculation, and there's nothing more concrete outside of that and her appearance in UCN, which I've been ignoring, because the gameplay of UCN has some weird lore implications in general which I'll probably make a separate post about some time in the future. So, that's everything I could think of, but if I missed anything, please let me know. |
2024.05.28 19:31 1Intelligent_Dare Is it possible that the world will see again a superstar who will be as globally famous as Michael Jackson at the height of his career?
submitted by 1Intelligent_Dare to NoStupidQuestions [link] [comments]
2024.05.28 19:25 cactusyeast_roleplay [M4M] Looking for M×M Romance stories
Hello there! Today I'm searching for partners interested in writing longterm M×M romance stories as I haven't done one in a long time and I have found they are rare to come by unless you go looking for them yourself. With that established I'd like to mention that I mostly do fandom roleplays but I am not looking to play any canon characters, OCs only. Nevertheless, I am also more than open to realistic settings or creating original worlds with you.
About the stories I would like to explore, I generally prefer mixing genres. I like including romance but also not necessarily keeping it entirely focused on that. I am more than fine with including a bigger, overarching threat.
Fandoms:
-Star Wars
-The Last of Us
-Harry Potter
-Percy Jackson
-Avatar: The Last Airbende The Legend of Korra
-James Cameron's Avatar
-Red Dead Redemption-inspired Western (And other historical settings. I'd love a Gothic story similar to Jane Eyre or The Lady's Maid's Bell.)
-Marvel/Spider-Verse
-His Dark Materials
If you are interested and want to be sure your message reaches me contact me through PMs since the chat function often does not work. My preferred platform for the roleplay itself is Discord.
Hope to hear from you soon!
submitted by cactusyeast_roleplay to Roleplay [link] [comments]
About the stories I would like to explore, I generally prefer mixing genres. I like including romance but also not necessarily keeping it entirely focused on that. I am more than fine with including a bigger, overarching threat.
Fandoms:
-Star Wars
-The Last of Us
-Harry Potter
-Percy Jackson
-Avatar: The Last Airbende The Legend of Korra
-James Cameron's Avatar
-Red Dead Redemption-inspired Western (And other historical settings. I'd love a Gothic story similar to Jane Eyre or The Lady's Maid's Bell.)
-Marvel/Spider-Verse
-His Dark Materials
If you are interested and want to be sure your message reaches me contact me through PMs since the chat function often does not work. My preferred platform for the roleplay itself is Discord.
Hope to hear from you soon!
2024.05.28 18:57 HeiressOfMadrigal Was going through some old files, and found this characterization chart that I made when I watched The Return for the first time. I tried to divide the characters into different categories, and just thought people might find it interesting 🙂
 | submitted by HeiressOfMadrigal to twinpeaks [link] [comments] |
2024.05.28 18:51 SUBwayHANsolo Good trade? Not much of an ASAP fan.
 | submitted by SUBwayHANsolo to Soundmap [link] [comments] |
2024.05.28 18:42 playfortwo Michael Jackson, Making of ''Stranger In Moscow'
 | submitted by playfortwo to MichaelJackson [link] [comments] |
2024.05.28 18:35 Escaped_Mod_In_Need Mass Effect TV series fancast
 | Title says it all… who are your picks to play some of our beloved characters? submitted by Escaped_Mod_In_Need to Fancast [link] [comments] I split up my list into seasons. Bolded actors and actresses are originals from the game. In some circumstances you will notice I include another actor alongside them. This means I still feel the original actoactress is iconic for the role and the only reason to replace them with someone new is due to age/health concerns. Seasons 1-2 - Mass Effect
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2024.05.28 18:23 hoddtoward_official a collection of unhinged screenshots and shitposts
 | submitted by hoddtoward_official to AfterTheEndFanFork [link] [comments] |
2024.05.28 18:21 PartyPaul-100 Does anyone know at one point in the documentary or have a link that Wade said Michael told him not to trust girls?
I know John Ziegler and Brandi Jackson had brought it up in interviews and I know that Wikipedia has said it under they’re synopsis that Wade alleged that Michael told him not to trust women. But the Tiddy twister himself u/tiddlesrevenge stated that Michael never told him to hate women. Which is a lie because we heard multiple people talking about it
submitted by PartyPaul-100 to MJInnocent [link] [comments]
2024.05.28 18:05 CamelProfessional847 Pick Your Favorite 90s Male R&B Vocalists: when it comes to the voice alone
Michael Jackson
Prince
R.Kelly
Boyz II Men
Luther Vandross
Usher
Maxwell
Joe
Case
Babyface
D’Angelo
Ginuwine
Tyrese
Tevin Campbell
Tony Thompson
Keith Sweat
Brian McKnight
Jodeci
Sisqo
Peabo Bryson
Dino of H-Town
Aaron Hall
Jesse Powell
Stokley Williams
112
Al B. Sure
Christopher Williams
Freddie Jackson
Kenny Greene of Intro
Little G of Silk
Raphael Saadiq
After 7
All 4 One
Shai
Johnny Gill
Bobby Brown
Ralph Tresvant
Ricky Bell
Jon B
Donell Jones
Dave Hollister
Gerald Levert
Tony Terry
Glenn Jones
R.L. of Next
Brandon and Brian Casey
Keith Washington
Eric Benet
Chico DeBarge
Terrence Trent Darby
Jay Kay of Jamiroquai
submitted by CamelProfessional847 to rnb [link] [comments]
Prince
R.Kelly
Boyz II Men
Luther Vandross
Usher
Maxwell
Joe
Case
Babyface
D’Angelo
Ginuwine
Tyrese
Tevin Campbell
Tony Thompson
Keith Sweat
Brian McKnight
Jodeci
Sisqo
Peabo Bryson
Dino of H-Town
Aaron Hall
Jesse Powell
Stokley Williams
112
Al B. Sure
Christopher Williams
Freddie Jackson
Kenny Greene of Intro
Little G of Silk
Raphael Saadiq
After 7
All 4 One
Shai
Johnny Gill
Bobby Brown
Ralph Tresvant
Ricky Bell
Jon B
Donell Jones
Dave Hollister
Gerald Levert
Tony Terry
Glenn Jones
R.L. of Next
Brandon and Brian Casey
Keith Washington
Eric Benet
Chico DeBarge
Terrence Trent Darby
Jay Kay of Jamiroquai
2024.05.28 17:56 essen11 Michael Jackson's chimpanzee 'Bubbles' is still alive at 40 years old and living in Florida
 | submitted by essen11 to Snorkblot [link] [comments] |
2024.05.28 17:53 custos_uk Turns out, Chimp opened up a Michael Jackson themed hotel and because he spent so much time around MJ, he’s able to sing some of the songs.
| | submitted by custos_uk to KarlPilkingtonFanClub [link] [comments] |