Since new rulebooks dropped, it was only a matter of time before I went with a magnifying glass over these! Since I previously covered these errors in my larger list a couple years ago (Compilation of every erromistake/contradiction/etc., that I can find in the 'current' rulebooks. ), I will also compare and see what was fixed (in strikethrough), what is still there, and what is new (in bold). If there is an old error I missed the first time, there will be a * in front of it.
Base Game's 5-6 Player:

• Format error: At the bottom of page 4, is a heading titled "Starting settlements and resources". However this isn't discussed until the start of page 6. Heading needs to be moved closer to its topic.
• *Image error: Page 2. You need to squint to see it, but Illustration B is showing THREE 12 Tokens! Gone/covered now
• Image error: Page 2 Page 4. You need to squint to see it, but the 2nd image STILL has Frame Extension pieces ('3-3' and '5-5') in the wrong spots. The extra 3:1 and 2:1 Wool ports are accidently swapped. Pretty egregious when the first image of Page 4 (showing the "Starting Set-Up for new 5-6 Players") has the Frame Extensions in the correct spots. Just a copy-past job from the previous version.

5-6 Seafarers

• *Format error: Page 3: Just before the Wonder Cards is the heading titled "Scenarios". However this isn't discussed until the start of the next page, 4. Heading needs to be move to the top of the next page.
• Format error: The images for the Wonder Cards were shifted up on page 3. However, the big blue box on page 4 was NOT shifted up. So the top edges of the Wonder Cards are now aligned with the text "The scenario diagram provides the board set-up". So if you take a scissor and cut out these cards (as intended), you will cut this sentence in half, along the horizontal.
• *Format error: Page 6, 8, 10, 12, 14, 18, 20, 22: "Terrain & Tokens" at the is not bolded. It now is Bolded.
• Missing Robber: Why is there no Robber on the maps for Scenarios 2, 3, 4, and 8? All fixed! They even added the Pirate for Scenario 1 (which I missed 3 years ago). They also have the Robber on a 12-Hills now. Interesting change? Or new error?

1. For Scenario 2, regular Seafarers says to put the Robber on the 12 Token. However, in the extension, there are two to choose from (12-Fields and 12-Pasture). Which one? Apparently, the 2-Pasture hex
2. For Scenario 3, regular Seafarers says to put the Robber on the 12 Token. However, in the extension, the Desert is reintroduced. So should the Robber go there instead? Or 12-Mountain/12-Hills hex? Robber is on the Desert.
3. For Scenario 4 and 8, I suppose it doesn't matter which Desert the Robber starts on. Just odd there is no marker here, but there IS a Robber marked for Scenario 5. Inconsistent.

• Image error: Page 11 (Fog Islands map). The 3-Mountain hex looks weird. The mountains is misaligned with the hex, the internal image is rotated 30 degrees (I think) Twisted back into place!
• Image error: Page 13 (Through the Desert map). The instructions on page 12 indicate 11 Harbors are used, but the map only shows 10. Looking at the 4th Edition map, and Catan Universe's version today, the Harbor by the 12-Pasture somehow got dropped.
• Image error: Page 13 (Through the Desert map). The 'foreign area' are missing red outlines, like the 3-4 player version has. More liberties will need to be taken by the players, if they want to make a variable map.
• *Format error: Page 16: Harbors at the top isn't bolded.
• Incorrect component count or Image error: Page 16 or 17 (Cloth for Catan). The first page says there are 11 Harbors (like many other scenarios). However, the map on the other page shows 12 Harbors. A new harbor was added by the 8-Wheat hex, onto the lower-right frame. I am unsure which page is incorrect, since previous Editions didn't have a harbor there, but the current Extension includes an extra 2:1 Wool (as normal), and a 6th 3:1 port (for a total of 12 Harbors in Seafarers).
• *Typo: Page 18: The # 26, for describing how many Sea hexes, accidently has a bunch of dots in between 2 and 6
• Image Error: A Robber is erroneously added to the middle desert island. THERE IS NO ROBBER FOR THIS SCENARIO.
• Incorrect component count: Page 22. The count for the # tokens are off for multiple reasons:

1. Adding up all the tokens equals 40, when the total below says 39. Since there will be 39 resource producing hexes, there is an extra # token in the count above.
2. However, the Base Game's 5-6 extension only has 28 tokens, while Seafarers adds 10 more (total 38). This implies a # token should be taken from the Base Game, so the rulebook should make that clear
3. Related to that, it says there should be 5 copies of the 5-9 tokens. This is impossible, since Base 5-6 + SF should have 3 copies of 2 and 12, 4 of everything else. Again, implying more tokens from the Base Game need to be taken, but it never states this.

5-6 Cities & Knights: No mistakes! It is STILL clean!!!
5-6 Traders & Barbarians

• Image errors?: Page 3+4. The frame setup is completely different than normal. The frame extension pieces are also in different positions. Instead of the usual setup (from the top, clockwise):

1. '6-1'>'1-2'>'2-2'>'2-3'>'3-3'>'3-4'>'4-5'>'5-5'>'5-6'>'6-6'>; page 3 instead displays (from top-left, clockwise):
2. '6-1'>'2-2'>'1-2'>'3-3'>'3-4'>'2-3'>'6-6'>'4-5'>'5-5'>'5-6'>. If this is supposed to be intentional, the rulebook should either state this (or be more specific), or make the image bigger, since I had to squint to see the different layout.
3. Also, if the different frame setup is intentional, why not show T&B's version of the '5-6' frame piece (with the missing coast)?

• Formatting error: Top of Page 4. The line for the 'Additional Components' looks... off. Not lined up with the rest of the text below.
• Component List mistake: Page 5, the Castle Hex is incorrectly labeled as a Oasis hex!
• Image error?: Page 5+6. While the frame mostly follows the 'new' layout in pages 3+4, there is now a 2nd '4-5' frame, replacing the '2-3' frame in the bottom-right corner. While technically possible, since T&B does have its own version of '4-5' (with missing coastline), the image does not reflect the artwork, copying the base game's '4-5' piece twice. Again, the rulebook make no written mention of the new frame order.
• Image error?: Page 9 Page 10: While the rulebook finally gives some instruction regarding the frame, curious why the image doesn't show T&B's version of the '5-6' frame piece (with the missing coast)?
• Image errocontradiction: Page 10 Page 9. The instructions say the regular Quarry and Glassworks hexes may not have Settlements built on the corners that only border the frame (ocean), only the 4 intersections that border other hexes (the new Quarry and Glassworks from T&B's extension don't have this restriction). However, the image is showing possible Settlement locations on all 6 corners, for both the new and old trade hexes. Either the image is mistaken, or the instructions are.
• Contradiction/Inconsistency: Page 9 states that Player 2 may NOT use Gold Coins to purchases resources. This is in contrast with previous scenarios, which state you can. In addition, later in the rulebook, where the various Player 1/Player 2 actions are summarized, Page 12 says Player 2 CAN use Gold Coins to buy resources!
• Component List mistake: Page 11 Page 10, Card Deck Manifest. The total count for the 5th scenario's Development cards should say 12, not 26; and the total count for the Baggage Train cards should say 10, NOT 21. These incorrect totals are copied from regular T&B.

5-6 Explorers & Pirates

• *Image error: The image showing the "Catan 5-6 Player Extension Pieces" sorting tile is showing resource cards with 4th Edition graphics! (I doubt the real Sorting Tile has this error. I hope not)
• Missing words?: Page 2,3,4,5. The second sentence of each page says "The two hexes in the illustration marked 'Green Back' and 'Orange Back' must be taken...". Shouldn't it instead say "The two sets of hexes..."? It does now :)
• Component List mistake: Page 2. The hexes shown for the Orange Sun side are accidently copied over from the Green Moon side. To further explain:

1. The terrain hexes from regular E&P should show 2 Fields hexes, and 1 of everything else. Instead its showing 2 Mountain hexes (which is only correct for the Green Moon side)
2. The terrain hexes from E&P's extension should be Mountain-Pasture-Hills. Instead its showing Mountain-Forest-Fields (again, only correct for the Green Moon side)

• Missing rule?: Page 6. The Paired Players summary chart doesn't mention using Gold Coins to buy resources, for neither Player 1 or 2. I suppose you can infer both can use Gold Coins, I only bring this up since T&B bothers to mention Gold Coins.

So to summarize:

1. Base Game Extension: Originally 2 errors, 1 was fixed, 1 was added
2. Seafarers Extensions: Originally 12 errors. 9 were fixed, 2 were added
3. C&K Extension: Never had errors, none were added :)
4. T&B Extension: Originally 9 errors. 1 was fixed, and 1 was added >:(
5. E&P Extension: Originally 3 errors. 1 was fixed, 1 was added.

In the end, I'm a little disappointed. The only extension rulebook that saw any real improvement was SF. I wasn't planning on buying any Extensions until the rules were updated with the new Paired Players system. But... maybe I'll just have to wait for the 6th Edition, in 2030. :(
I shouldn't be so hard on them, as I missed several errors myself the first time around. Even some of my own errors in my original list (fixed now). But I'm just some bored shmuck doing this in my free time. I'd expect more from a corporation.

Figured I'd ask for advice before I give up and just sell the car broken. I recently replaced the head gasket in my sc300, after reassembly the car sounds healthy cranking but no start. The cel never lights up when the key is in the ON position, indicating that the ecu is never powering up. And the fuel pump runs constantly indicating that the fuel pumps controller has already been bypassed if that makes any difference.
I think I must have missed a power or ground wire going to the ecu but I can't for the life of me find it. Both intake grounds are on, a ground between the battery and chasis/chassis and head, 2 cables to positive terminal on battery 1 to negative. Is there a ground i missed? Maybe a separate positive wire that should be constantly supplying power to the ecu? Maybe a trigger wire for the ecu? Worst case I'd really appreciate a labeled diagram of the ecu plug, that way I could bypass power and ground signals until I make the ecu power on
Sorry if that info is hard to follow, I'd appreciate any input or direction from someone who is more comfortable with 2j's

Prologue
First
Previous / Next
Spanish Version (OG Version)
Credits to u/SpacePaladin15 for creating this universe.
And thanks to u/Signal-Chicken559 for proof-reading and the feedback, seriously, thank you.
Also available on Archive of Our Own
Note: There's a post on the Discord of this subreddit, so if you wanna discuss something about my story, that should be the place to go
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Memory Transcription Subject: Syra, Universal History Student at Brightspire and Member of the Human-Venlil Exchange Program
Date [standardized human date]: September 17, 2136
Maybe this "therapy" wouldn't be so bad after all. Perhaps they just wanted to make sure Daniel felt comfortable and supported during his stay here. I hoped that was the case, because otherwise, I wouldn't hesitate to bare my claws if necessary to protect him.
For now, I would let things flow naturally. But I would keep a close eye out, just in case. Daniel wasn't alone in this, I was here to look out for him.
[Time advancement: 10 minutes]
"...and that's more or less how I ended up here, details more, details less," Daniel finished recounting how he had arrived.
He seems satisfied with what Daniel has told so far. Good sign, I suppose. Although I still wonder what exactly this "therapy" is about.
At that, the "psychologist" gets up and walks to the back of the room. He takes some kind of portable whiteboard and places it in front of us. He then takes out a couple of markers and begins to draw a simple diagram.
"Well, Daniel, I think I have a general idea of who you are," he says as he scribbles on the whiteboard. "Now I'd like to explain my approach a bit in this session."
I frown slightly, intrigued. The Doctor draws a large circle in the center of the whiteboard and writes the word "Communication" inside it.
"You see, for me communication is the key to everything," he continues. "It's the medium through which we can express our needs and obtain what we need or desire."
I nod slowly, contemplating the diagram. It makes sense so far. The Doctor continues tracing more elements, listing some steps:

1. Describe observable facts
2. Emotions + Thoughts → Feelings
3. NEEDS
4. Expressed in the form of a request

Thank the stars I downloaded the new translation packages a while ago, otherwise I wouldn't be able to read this.
"The first thing is to describe the observable facts objectively," he explains while pointing to step 1. "Then, express the emotions and thoughts that arise in relation to those facts. But most importantly, identify the underlying need that those emotions and thoughts reflect."
He takes another color and draws an arrow that goes from the "Needs" circle to another where he writes "Finds the common ground with the other person."
"Once the needs are identified, we can express them in the form of a request to the other person," he says. "In this way, both parties can work together to satisfy those needs in a collaborative and empathetic way."
I nod again, beginning to understand his approach. It's... interesting, to be honest. Very different from the more authoritarian and repressive approach I experienced with my sister's case. The Doctor takes a moment to study our reactions.
"I know this may seem a bit foreign to your customs, Syra," he admits in an understanding tone. "But on Earth we have learned (or we're supposed to) that repressing or denying emotions only leads to more conflicts and suffering. It's better to express them in a healthy way and seek solutions that benefit everyone."
He turns back to the whiteboard and draws another more elaborate diagram. This time, there is a kind of circle, with elongated triangles inside, Daniel explained to me in my previous chats with him, that this was called a "compass" and was used for guidance at sea (By the stars, what's wrong with these humans? Don't they see that the sea is extremely dangerous?!). This compass seemed to be surrounded by several sectors, each with the name of an emotion: joy, sadness, fear, anger, boredom, disgust, surprise.
I look at the diagram with curiosity, it's an interesting concept, although very different from what I've learned on Venlil Prime.
The Doctor points to the central circle with the word "Communication."
"As you can see, for me everything revolves around effective communication," he continues calmly. "First, we must describe the facts objectively, without judging."
I nod slowly, following his explanation. So far it makes sense.
"Then, it is crucial to identify the emotions and thoughts that those facts generate in us. We should not repress or deny them," he continues, tracing more elements on the diagram. "Those emotions and thoughts lead us to identify an underlying need."
I frown a little when I hear that. Needs... my mind goes back to the situation with my sister. Could it be that she just needed to express herself better? No, I can't think about that now.
"Once the need is identified, we can express it as a request to the other person," the Doctor draws an arrow pointing to the words "Finds the common ground." "Thus, both parties can work together to satisfy those needs in an empathetic and collaborative way."
I open my eyes in surprise. Is he suggesting that we can simply... ask for what we need? Without fear, without reprisals. It's such a foreign idea from what I experienced... But at the same time, it makes a certain sense.
The Doctor turns towards us, studying our reactions.
"I know this approach may seem strange to you Venlil," he admits with understanding. "But on Earth we learned that repressing or denying emotions only brings more conflicts. It's better to express them in a healthy way."
I swallow hard with discomfort. It's true that on Venlil Prime we are taught to keep certain emotions under control. Especially those that could be seen as... "predatory."
"Um... Excuse me, Doctor," I interject cautiously. "I understand your point, but... What about those emotions or behaviors that are considered harmful or problematic?"
The Doctor looks at me intently before responding.
"It's a very valid question, Syra. But you see, no emotion is inherently 'good' or 'bad'," he explains patiently. "Even emotions like anger or fear have a purpose and meaning. The important thing is to learn to identify them, understand them and express them appropriately."
I frown thoughtfully. Is he suggesting that even the darkest emotions have a place? It's certainly... different from what I've been taught.
"But... What if those emotions endanger others?" I insist, unable to avoid thinking of my sister. "In my culture, certain behaviors, though emotional, are seen as a 'disease'."
A heavy silence settles in the room. I can sense Daniel's discomfort by my side, though he doesn't say a word. The Doctor remains silent for a moment, did I say something wrong?
"I understand your concern, and I'm sorry for that, Syra," he finally responds. "I understand that each culture may have its own norms and values. But at least on Earth, we have learned that pathologizing or repressing certain emotions only increases suffering."
He takes a breath before continuing.
"The important thing is to find healthy ways to express and channel those intense emotions. With support, understanding and appropriate tools, no one has to resort to harm or violence."
I ponder his words carefully. It's such a different perspective... But I can't help the doubts that assail me. If my sister had had that "support" and "understanding"... would she still be alive?
At that moment, I remember what Thomas mentioned about Daniel's "diagnosis." I glance sideways at my human companion sitting beside me, who remains silent.
"Um... Doctor, if you don't mind me asking," I begin cautiously. "What exactly does that 'diagnosis' you mentioned before mean? The 'Autism Spectrum Disorder'?"
Daniel tenses visibly by my side, as if he wants to avoid that conversation. But the Doctor simply nods calmly.
"Well it's not a bad question, Syra," he responds. "Autism Spectrum Disorder is a neurodivergent condition that primarily affects the development of social skills and communication. People on the spectrum can have difficulties interpreting social cues, maintaining eye contact or understanding figurative language."
I look at Daniel with renewed interest, trying to better understand his situation. Maybe that's why it's so hard for him to socialize...
"But that doesn't mean they are 'sick' or 'deficient' people," the Doctor is quick to clarify. "They simply have a neurodivergent processing of social information. With the right supports, they can develop fully."
My gaze softens as I observe Daniel. I feel a wave of understanding toward him. All this time he has been dealing with these challenges and yet he still strives to establish bonds and learn about my culture.
"There's no need to be alarmed. As I said, the intention is not to judge or label anyone. We simply want to understand and provide the appropriate support."
I nod slowly, feeling the tension dissipate a little. Then, the Doctor takes out a deck of cards from a small briefcase he had at his side.
"In fact, would you like to play a little game? It could help us get to know each other in a more relaxed way."
I glance sideways at Daniel, not quite sure what to expect. He shrugs indifferently, as if letting me decide. Well, why not? A game could be a more pleasant way to get through this "therapy."
"Sure, let's play," I respond, giving a slight smile and gesturing with my tail.
The Doctor nods and proceeds to explain the rules of the game called "Sussed?". It doesn't seem too complicated: basically, we have to read some cards with 3 questions and 3 answer options each, choose the one that best represents us and try to guess which answer to that question the player who asked it chose.
"Sounds good," I comment as the Doctor deals the cards to each of us. "Do you want to start?"
This was the kind of board games I liked the most.
"Sure, why not?" the Doctor replied as he takes the first card. "Let's see..."
After a few moments, he chooses the card, looks at it for another moment, and the psychologist says:
"This question says: 'If you could swap bodies with anyone for a day, who would you choose?'"
I frown thoughtfully. It's an interesting question, to be honest. Who would a human want to swap bodies with?
If I were human, who would I swap bodies with?
I glance sideways at Daniel and a mischievous idea crosses my mind. What if...? No, no, that would be too daring.
But I return to the objective, to guess who the therapist would become, and then he says the options:
"And the options are:

• A). Your ideal partner;
• B). Your idol or favorite celebrity; and
• C). Your game companion (if this option, who?)"

He paused.
"What do you say? Who do you think I would choose?"
I narrowed my eyes suspiciously and made a new gesture with my ears. My ideal partner? That option seemed too suggestive for a human like him. Or would it be too obvious? And what if he chose his idol to get to know them better? I didn't completely rule out the last option either.
"Hmm..." I murmured, scratching my chin. "I'd say... C? He'd swap with one of us for a day?"
Daniel shifted beside me, seeming just as intrigued by the question as I was. Doctor Calderón simply shook his head.
"Good theory, but no. My answer was B," he revealed calmly.
Well! It made sense, I suppose. Humans really do seem obsessed with their celebrities and public figures, Daniel told me they had many, many celebrations of the historical figures of each of their countries, so each "paw" or "whatever" of their year celebrated something or someone.
"I see," I nodded. "Interesting choice."
"Alright, I guess it's my turn now," Daniel cleared his throat through his mask. "Let's see... 'If you could travel through time, what era would you choose to visit?'"
That was a fairly typical question for a game like this, but it still made me think. What era would Daniel like to visit? So many possibilities...
The options Daniel mentioned were:

• A). The remote past;
• B). The future; and
• C). A golden age or key historical period.

What era would Daniel like to visit?
Honestly, I'm not too sure which one he might choose. Knowing his fascination with space exploration, he might choose the future to see how civilizations evolve. But he could also be interested in some golden age from his species' remote past.
Determined to guess his answer, I risk my hunch:
"Hmm, I think you'd say... option C? A golden age or key historical period?" I suggest, moving my tail inquisitively. "That's the impression I get considering your interest in history."
Daniel takes a few moments before responding with a slight nod.
"Good intuition, Syra. I chose option C, a golden age. More specifically, the European Renaissance I told you about before, don't you remember?" he reveals in a calm tone. "It was a period of great scientific and cultural advancement for my species."
I nod, pleased to have guessed right. It's interesting how Daniel seems to value the periods of intellectual and artistic progress of his civilization, despite its apparently violent background.
"Ah, yes, you told me it was a transcendental moment for humans in areas like philosophy, the arts and knowledge in general."
"Exactly. Figures like Leonardo da Vinci, Galileo, Michelangelo and so many others laid the foundations of modern science and thought. Although there were shadows too, of course."
Doctor Calderón nods and takes notes in a small notebook he has by his side. I feel curious to learn more about this "golden age" that Daniel mentions, so I decide to ask:
"If it's okay with you, could you tell me a little more about that 'Renaissance'?" I inquire, my ears slightly raised. "I'm interested in knowing what made it so important for your species."
Daniel settles into his seat, as if preparing for a more extensive explanation. I notice how his hands, make some gestures as he speaks, something I've noticed humans often do.
"Well, the Renaissance was a cultural movement that emerged in the European region during the 15th and 16th centuries, mainly in cities like Florence, Rome and Venice," he begins to explain. "After a period known as the Middle Ages, where a somewhat more rigid and dogmatic thought predominated, the Renaissance brought a resurgence of interest in the classical ideals of ancient Greece and Rome."
I nod, trying to follow his line of thought. Humans seem to have a special fascination with those ancient cultures from their past.
"Renaissance artists and thinkers promoted a more humanistic and rational approach," Daniel continues. "Figures like Leonardo da Vinci embodied the idea of the 'Renaissance man', one who sought knowledge in various areas: art, science, engineering, philosophy, and blah, blah, blah."
"Wow, that sounds really interesting," I comment sincerely. "Could you give me some more concrete examples of the achievements of that period?"
Daniel nods and proceeds to mention some Renaissance milestones: Da Vinci's advances in anatomy and his studies on the human body, the astronomical discoveries of Galileo Galilei, artworks like the Sistine Chapel and Michelangelo's David, and the rediscovery of his species' literary classics.
"In summary, it was an era of great creative and intellectual effervescence," Daniel concludes. "Though of course there was still a long way to go."
I nod, fascinated by Daniel's description. It's admirable how his species managed to propel itself forward in those key periods, despite the difficulties and limitations they faced back then. I can't help but wonder if the Venlil will ever experience a similar awakening, at least, of thought...
At that moment, I remember we're playing "Sussed?", grab one of the cards and choose one of its questions, taking advantage of Daniel's enthusiasm for history and culture.
"Alright, my turn," I announce, taking a new card. "If you could choose one supernatural ability, what would it be?' And the options are:

• A). Flying,
• B). Mind reading or
• C). Time travel."

I pause, observing Daniel and Doctor Calderón's reactions. This question certainly lets the imagination fly.
"What do you say? What do you think I would choose?"
Now that I think about it, what would I choose?
I would definitely choose to be able to fly.
The idea of soaring through the skies with total freedom seems incredibly appealing to me. I imagine how exciting it would be to explore Venlil Prime's landscapes from the heights, without restrictions.
Daniel remains silent for a few moments, as if carefully analyzing the options. I can imagine the gears turning inside that peculiar human head of his. Finally, he responds:
"Time travel."
Time travel? I didn't expect that. I suppose it makes sense coming from a being so fascinated by the vast universe and its unsolved mysteries.
"Ohhh, interesting choice," I comment with curiosity. "May I ask why you think I would choose that ability?"
Daniel shrugs and responds in a casual tone:
"Well, I think time travel would open up infinite possibilities for knowledge and adventure," he explains. "Imagine being able to witness historical events firsthand or catch a glimpse of the future to guide us better. It would be amazing."
I nod slowly, surprised by his reasoning. Humans certainly have an overflowing imagination.
"Woah, I hadn't seen it that way," I admit. "Although it could also be risky, don't you think? Messing with the past or knowing too much about the future."
Daniel laughs through his mask, a metallic and distorted sound.
"Good point. I guess we'd have to be really careful with that," he concedes.
"Although it would just be a small glimpse, nothing major like changing history. What do you think, Dr. Calderón? What ability do you think Syra would choose?"
Dr. Calderón takes a moment to think about it.
"Hmm, I think you would choose to read minds," he finally responds. "It would be very useful for better understanding people in general."
My ears twitch strangely at his response.
"Wouldn't that be an invasion of privacy?"
"It depends on how the power works, I would set certain limits so it only activates in specific situations or places, for example."
I guess that makes sense, but I'm still not sure I'd want to read minds in general, knowing what people really think of you all the time doesn't seem like the best idea.
Anyway, it's time to reveal the answer I chose.
"Well, you're wrong, because I would choose to fly."
"But why?" Daniel asks me.
"Well, the idea of flying seems interesting to me, being able to move at full speed without ground traffic or gravity's obstacles seems appealing."
"That's an interesting answer," Calderón responds.
I guess I should take it well that he says it's an interesting answer.
"Alright, my turn again," I announced, taking a new card. "If you could have a supernatural ability, which would it be: flying, teleporting or mind control?"
And so we continued playing successively, for a good while.
[Time advancement: 50 minutes]
Dr. Calderón collects the game cards and carefully puts them away in his briefcase. Then, he turns towards us with a friendly smile.
"Well, I think that's it for today," he announces in a calm voice. "How was it? I hope it was a constructive experience and helped you get to know each other a little better."
I nod slowly, feeling a mix of emotions. On one hand, this "therapy" has been extremely revealing about how humans think. But on the other, I can't help but still feel some apprehension.
"It was... interesting, no doubt," I respond frankly. "I admit that some of your ideas seem quite foreign to what I'm used to. But I also recognize that it makes sense, at least from your perspective."
The Doctor nods in understanding.
"It's normal for them to seem strange at first, Syra," he says patiently. "Cultural differences run deep. But that doesn't mean they're incompatible, right? It simply requires effort from both sides to find common ground."
I ponder his words, turning to look at Daniel. He remains silent, but I notice how he watches me through the mask, as if evaluating my reaction. I can almost imagine the gears turning inside his head... peculiar, but endearing in a way.
"You're right," I finally admit. "It's just a matter of continuing to learn and understand. And for that, both sides have to keep an open mind."
I smile slightly and, in an impulsive gesture, bring my tail towards Daniel, gently coiling it around his arm. He tenses briefly but doesn't pull away.
"Don't worry," I tell him softly. "We'll get to understanding each other, you'll see."
Daniel nods stiffly, saying nothing. I can imagine his discomfort, but I hope that in time he'll understand that he doesn't have to be ashamed of his "peculiarity." At least, not with me.
At that moment, Dr. Calderón stands up from his seat.
"Well, I think that concludes today's session," he announces in an affable tone. "You can return to your rest area. And please, don't hesitate to request me if you need anything."
We nod and stand up to leave the therapy room. Once in the hallway, I give Daniel a friendly tail gesture.
We walk back to our little "suite", already familiar to us after the therapy session with Dr. Calderón. An awkward silence hangs between Daniel and me as we make our way through the station's hallways.
I feel relieved that therapy didn't turn out as terrifying as I initially feared. But at the same time, I can't help but dwell on some of the things the Doctor said. That about "letting emotions flow" and not repressing them... It's so alien to what I've experienced.
I glance sideways at Daniel, with his mask and that characteristically rigid body language. I wonder what he's thinking about it all. Does he feel comfortable with that idea of emotional and social "openness"? From what I could tell, he seems somewhat reluctant, although I suppose it's natural given his... peculiarity.
I shake my head, brushing those thoughts aside. I shouldn't judge so harshly. I'm just seeing things from my limited perspective. Maybe for humans that "openness" works better. Or maybe not. I still have a lot to learn, at least about them.
We finally reach our little "suite" and go inside. It's a cozy space, with a common living room and our two individual bedrooms on either side as always. Nothing luxurious, but at least it's private and comfortable.
I plop down heavily on the couch, letting out a slight sigh. Daniel sits at the other end, keeping his distance as usual.
"So... what do you think about all this?" I ask cautiously, moving my ears in his direction.
He shrugs, his body language denoting some discomfort.
"I don't know what to think, really," he responds frankly. "It's all so... different from what I'm used to."
I nod, fully understanding that feeling. It's like we're both exploring completely uncharted territory.
"Yeah, I get it. It's very foreign to me too," I admit. "But... do you think it could have some value? You know, that whole 'expressing emotions' thing and all that."
Daniel remains silent for a moment, as if meditating on his answer. I can almost picture the gears turning inside his human head.
"Maybe..." he finally mutters. "Although I don't know if I'm ready for something like that. It's... complicated for me, I've had therapies before, but they never really worked out, it makes me uncomfortable because it's more of a routine than anything else, a routine I thought I'd at least get a break from here, but it wasn't the case, although it makes sense, they have a neurodivergent among the program members, so I guess they wanted to make sure I'd behave."
My ears droop slightly as I sense his discomfort. I don't want to push him too much, especially on topics that seem sensitive to him.
"Hey, it's okay," I say in a softer tone. "You don't have to do anything you don't want to. We'll go at your own pace, alright?"
He nods stiffly, though I notice his shoulders relaxing a little. I'm glad I can convey some reassurance.
If someone had told me I'd be reassuring a predator about his own discomfort by being so close a few months ago, I would have laughed in their faces and told them they were crazy, but here I am, telling him everything will be okay.
After a few moments of awkward silence, I decide to break the ice again.
"Hey, Daniel..." I begin slowly. "Can I ask you a question about what the Doctor said?"
He nods stiffly, barely a slight movement of his masked head.
"Sure, what do you want to know?"
I hesitate for a moment, not quite sure how to approach this without seeming intrusive.
"Well, he mentioned something about that 'diagnosis' of yours...a disorder, I think he said. Could you explain a bit more about that?" I ask cautiously. "O-only if you're comfortable with it, of course."
Daniel tenses up even more, I can almost feel his discomfort radiating from his body language. For a moment I fear I've crossed a line, but then he responds in a muted voice:
"It's... complicated to explain. Basically, my brain processes certain information differently than most people's. That makes social interactions, non-verbal language, that kind of thing difficult for me."
I nod slowly, trying to better understand his condition.
"And is that... bad?" I ask with genuine curiosity. "I mean, does it cause you problems or anything?"
He siffly shrugs.
"Sometimes yes, sometimes no. It depends on the situation. In academics and work it's usually an advantage, because I can focus really well on logical, repetitive tasks. But socially... well, let's just say it's not my strong suit."
I observe him closely, noticing how he averts his masked gaze. I can imagine the discomfort and vulnerability he must be feeling opening up like this.
"Hey, you don't have to be ashamed, okay?" I say softly. "I think it's admirable that you can be so honest about it. Most pred- I mean, humans, would probably do everything possible to hide it, right?"
Daniel lets out a slight huff through the mask, a metallic and distorted sound that could almost be mistaken for a bitter laugh.
"Now, I guess not, but it's ironic, don't you think?" he comments with a tinge of bitterness. "In prehistoric times, someone like me might have been abandoned or devoured for not fitting in with the tribe or group.
"But now... well, it seems I might not fit in anywhere at this rate, or maybe I'm exaggerating, but sometimes I don't know what to think. Because I don't want people to see me with pity or as someone who can't fend for themselves. It's messed up, because sometimes they see you in a condescending way, like you need help with everything all the time, when that's not always the case. I want to show the world, or the universe, that I can be myself without needing anyone's help to be me, that I can make it on my own without depending on anyone..."
After an awkward silence, I decide to break the ice again.
"Hey Daniel, I understand you don't like talking much about your... peculiarity," I say carefully. "But I want you to know you don't have to be ashamed of it with me, okay? I don't think any less of you for being... well, different."
Daniel shifts in his seat, his body language still slightly rigid and tense. I can imagine the discomfort he must be feeling, and I don't like it.
"It's not that I'm ashamed, exactly," he responds with apparent caution. "It's just that... sometimes I feel like people look at me with pity, you know? Like I need help with everything, when really most of the time I can fend for myself."
I nod slowly, trying to understand his perspective. I suppose for someone like him, who's probably used to dealing with prejudices and misunderstandings about his peculiarity, it must be frustrating to be treated in a condescending way.
But this time, he breaks the silence.
"Hey... there's something that's been on my mind," he admits hesitantly. "When you said you wouldn't let anyone hurt me, it sounded like you'd gone through a similar experience."
I swallow hard, feeling a lump in my throat. So he noticed. Well, I suppose it was inevitable he'd figure it out sooner or later, considering how perceptive he seems to be.
I guess it's time for me to tell my truth.
\---------------------0
Prologue
First
Previous / Next
Spanish Version (OG Version)

So I have a storm cellar that supposedly has power to it, I have a 20 amp breaker in my breaker box labeled "Storm Cellar(?) 110v". However, when I pulled the two blanks off that are in the cellar, there's just a red and a blue 16 gauge (might 14g but I think it's smaller? Idk for sure). There's no power wire, unless it's in the ceramic light fixture which I haven't taken off yet because it's stuck. There was no power detected in either cord in either receptacle, and I shut off the breaker afterwards (about a week ago) and nothing has appeared to lose power as a result. So idk where it goes.
Anyways, so I want to set up this to A) provide power to a light, and a receptacle to power a weboost signal booster B) provide backup power if I find out that I can get main power from my house after all to do part A
I'm pretty confident on doing A in the event I have no main power. There's lots of YouTube videos on this and it's fairly straight forward. What I'm not sure about, is how the wiring would end up should I have it set up as a backup power source. Just need like a wiring diagram or something to help me make sure I do that correctly is all. I'm sure I don't want to send power down the other way to the breaker panel if I plug it in and the house has lost power (or send power from the breaker panel straight into the battery lol)

Hello, I'm interested in hacking the heads up display in my car (a 2012 Lexus HS250h). The HUD has a graphical mode LCD display inside.
The HUD receives data from the combination meter, two wires labeled "CS" and "TX". The Toyota technical manual does NOT document the nature of this communication protocol between the two devices. Interestingly however, the only connections to this device are power, ground, its own control panel switches, and two data terminals.
Wiring diagram snippet: https://imgur.com/a/OlcLHaO
I had a hunch that CS might be "chip select" and that the TX signal is nothing more than a bare LCD driver a la I2C protocol. But, it is also possible that this protocol is a serial connection or even the undocumented Toyota AVC-Lan protocol.
I recorded the potential between Ground and TX- while the devices were connected and working. Before I start plugging things like Arduino pins into here, I would like to share what I've recorded and to see whether anybody has any observation based on the pattern? The pattern when comparing the potential between CS and TX- was similar, so I don't believe I've observed CS doing anything yet.
Oscilloscope view of TX- signal vs. ground: https://imgur.com/a/3d20Bp5
In the video... it looks to me like these signal "humps" are about 50µs long, about 70mV "high", and the time spaces between them vary.
During this measurement, the HUD display was on and was simply displaying "0 km/h" without changing.
Any thoughts? My goal is to hack this signal and conditionally send my own output to the display.

I completely shut down when my instructor is rude to me. I know he does it because he thinks it'll scare me into learning, but it frustrates me so much that I can't think straight. I really want to be able to be better but I find it so hard to bounce back after being "told off."
It's things like, the instant I make a mistake, he'll start shaking his head, rolling his eyes, muttering to himself, berating me whilst in the middle of the situation which makes it harder to recover and keep going. He'll angrily say things like "When my clutch burns out, are you going to pay for it, yes or no? Shall I send you the invoice, are you going to be okay with it?" And actually waits for an answer, which makes me feel really awful. He'll then pull over and lecture me for at least ten minutes and make me do really intentionally patronizing activities like reading from a pamphlet, labelling exits on roundabout diagrams, etc.
I'm thirty hours in and my test is in two weeks. I know that I'm making stupid mistakes and maybe he thinks that I do deserve to be berated because it's the only way I'll learn, but it just makes me shut down and then I can't get anything right. He's also really nice half the time and I just can't help but think that I'm genuinely such a bad driver that the only reason other people have nice instructors is because they're good at driving, and that I'd be being lectured and berated regardless of who's car I was in. Besides, since I'm familiar with his car's clutch, reference points etc, it feels too late to change now.
So, small rant aside haha, my question is does anybody have any tips for how to make these criticisms more constructive for me and how to avoid dwelling on mistakes because it feels so much easier said than done.

Hi everyone. I was having TedTalks play in the background while doing work stuff and on it was “This is what it's really like to live with ADHD”; Jessica McCabe. As I am hearing her explain her barriers and something she explained caught my attention and I find it relatable and I rewind the episode. I play it in its entirety and I found myself relating and having similar experiences.
Just fyi I was diagnosed with dyslexia and recommended for IEP when I was in Kindergarten. Anyways let’s just say that I remember the special tests with flip cards they evaluated me on and that it was at a qualitative level beyond what I was given access or had reasonable means of discovering.
I once stumbled upon a document that illustrates the Venn diagrams of Dyscalculia, Dyslexia, Autism Spectrum Disorder (ASD), ADHD, and Dyspraxia. And how some of them are more likely to intertwine with each other. So I have an educated guess that my main one is ASD because of it’s connection and interaction with ADHD and Dyslexia. I had made attempts to not study these labels in an effort to not stigmatize. However now I realize it’s better to be knowledgeable to gain an understanding of support area from these labels descriptions.
So I am on a journey of self discovery, learning, understanding and trying to build rapport with individuals who may be more familiar with my circumstances and experiences and have compassion and knowledge of my challenges.
Thank you.🙏

Why is Dr. Mark Spitzer still on our BoD? Hmmm.
https://www.patentlyapple.com/2024/05/googles-smartglasses-patent-acquired-from-canadian-company-north-was-published-last-week.html
Integrated Laser Package with Light Intensity Package
Google's acquired patent describes systems and methods for providing laser projectors having laser-based optical engines as well as light intensity and/or laser output power measuring (e.g. monitoring) capabilities. According to the various embodiments described herein, an optical engine of a laser projector includes at least one laser source (e.g., a laser diode or a plurality of laser diodes) that may be enclosed in a (e.g. partially or completely hermetically sealed) enclosure. The enclosure may include an optical window (sometimes referred to herein as an “exit window”) that may be integrated with one of its side walls or top surface or that forms one of its side walls or top surface.
Laser light beams output by the laser source(s) may pass through the exit window to exit the enclosure during active operation of the laser projector. The optical engine may support a relatively small substrate area for power monitoring, reducing the overall size of the optical engine. The laser projector or the optical engine can therefore be flexibly employed in a variety of display designs, including wearable heads-up displays or other head-mounted displays.
In some embodiments, after passing through the exit window, the light beams are passed through respective collimating lenses to a dichroic filtebeam combiner, at which light beams of different wavelengths are combined. The combined light beams may then be directed to one or more scanning elements that project the light beams across a display surface of an object, such as the holographic lens of a pair of smart glasses or another type of wearable heads-up display.
While various embodiments described are provided in the context of a wearable heads-up display, it should be understood that the laser projector and optical engine of the present patent application can instead be included in other systems, such as projection engines, lidar systems, sensing systems, ranging systems, external cavity laser diodes (e.g., as an integrated intensity stabilization servo), and/or the like.
It is generally desirable to monitor the laser output power of the laser sources of the optical engine of the laser projector, which allows for improved control over the quality of the projected image or video and enables a controller or processor of the device that includes the laser projector to dynamically limit the maximum output power of the optical engine based on real-time or near-real-time measurements of the laser output power.
For example, laser output power monitoring tends to be particularly important for the design of laser projectors used in wearable heads-up displays due to the generally limited availability of power and space (e.g., volume) in such wearable devices. Conventional methods for designing a laser projector with laser output power monitoring capabilities require a relatively large footprint on the laser projector substrate, which may be a printed circuit board (PCB) to be dedicated to the placement of a photodetector such as a photodiode, to the placement of optical components such as a pickoff mirror, and to maintaining a clear optical path to the photodetector.
In some instances, this footprint may be as large as that of the optical engine itself. Accordingly, it would be advantageous to reduce the substrate area taken up by the photodetector(s) and/or optical component(s) (sometimes referred to collectively herein as “laser output power monitoring component(s)”) that implement laser output power monitoring for an optical engine of a laser projector.
The systems, devices, and techniques described in the patent application may provide a reduction in the substrate area required for laser power output monitoring components, e.g. by utilizing an exit window of an enclosure of an optical engine having e.g. a diffraction grating that may be disposed in or on a primary output surface of the exit window and that may redirect (e.g., via diffraction) a portion of the incident light from the laser light beam(s) output by the laser source(s) toward one or more photodetectors, which may be photodiodes, and which may be disposed across from one or more surfaces of the exit window.
According to various embodiments, the exit window includes a diffraction grating that can be disposed or formed on or in the exit window, and that redirects the incident light from the laser sources toward the one or more photodetectors. In some embodiments, one or more photodetectors may be disposed on a top surface of the substrate so as to receive light that is redirected by the diffraction grating and that is output through a one or both side walls of the exit window. A “side wall” or “side surface” of the exit window may be defined as a surface of the exit window that extends between the primary input surface of the exit window and the primary output surface of the exit window that defines a plane that intersects (e.g., that is perpendicular to) the surface of the substrate upon which the optical engine is disposed.
In some embodiments, one or more photodetectors may be disposed below the exit window and completely or partially embedded in the substrate, such that the one or more photodetectors receive light that is redirected by the diffraction grating and that is output through a bottom surface of the exit window. In some embodiments, the exit window is disposed on a first side of the substrate and one or more photodetectors, which may be photodiodes, may be disposed below the exit window on a second side of the substrate that is opposite the first side, such that the one or more photodetectors receive light that is redirected by the diffraction grating and that is output through a bottom surface of the exit window, which passes through one or more apertures that extend through the entire thickness of the substrate to reach the one or more photodetectors. In some embodiments, one or more photodetectors may be disposed above the exit window on the surface of a second substrate that opposes the surface of the first substrate on which the window is disposed, such that the one or more photodetectors receive light that is redirected by the diffraction grating and that passes through a top surface of the window.
Google's patent FIG. 1 below is an illustrative diagram showing a side view of a wearable heads-up display (WHUD) #100 that employs a laser projector #110, which may be a scanning laser projector. For example, the WHUD 100 may be a pair of smartglasses or a virtual reality (VR) headset. The laser projector comprises an optical engine #111 that includes a red laser diode (labeled “R” in FIG. 1), a green laser diode (labeled “G” in FIG. 1), and a blue laser diode (labeled “B” in FIG. 1), and a scan mirror #112 that is controllably rotatable about two axes of freedom
Generally, it is desirable to monitor laser output power in the laser projector in order to better control the image or video projected onto the Holographic Optical Element (HOE) #130 (i.e., display surface) and to limit the maximum output power of the WHUD. Monitoring laser output power in a laser projector such as the laser projector is typically performed using a discrete pickoff component to redirect a portion of the laser light #120 to an on-chip photodetector. However, such laser output power monitoring approaches require a relatively large footprint on the laser projector substrate. In order to reduce the footprint of laser output power monitoring components, an exit window of an enclosure that includes some or all of the components of the optical engine may be configured to redirect a portion of the laser light through the top, bottom, or side walls of the exit window toward one or more photodetectors placed across from and in the optical path of the top, bottom, or side walls of the exit window.
2Google-smartglasses-fig.1
Google's patent FIG. 2 below is an isometric view of a wearable heads-up display with a laser projector that includes an optical engine.
3Google-smartglasses-figs-2&4
Google's patent FIG. 4 above is a block diagram of a top-down view of a laser projector having an optical engine that includes an exit window having a holographic diffraction grating.
For more details, review patent application US20240154379 published on May 9, 2024.
Inventors
Dan Adema: Opto Mechanical Engineer (formerly from 'North,' Kitchener, Ontario) Timothy Bodiya: AR Hardware Research (formerly from 'North')

If examiner gives you 2 solids and asks to separate they cannot be separated instantly, mostly one of them will be soluble for eg he gives you sand and NaCl and asks u to separate them, we know that sand is insoluble in water and NaCl is soluble so we will add water to both solids the NaCl will dissolve then we will take a filter funnel on a conical flask , place a filter paper on it and pour the solution, the insoluble sand will be collected on the filter paper as residue and the salt solution will flow through as filtrate. Now here he can ask two things 1. NaCl in crystal form 2.Nacl in powder form. 1) heat the NaCl solution to crystallization pint and allow the remaining liquid to slowly cool or evaporate, after some time crystals will be formed and we can just filter them and dry them by tapping with filter paper or in an oven. 2) Just heat the salt solution till constant mass nothing else.
now for the sand that we got although we have separated it, it may contain some soluble impurities of NaCl, which we do not want so we wash the sand with "DISTILLED" water and then dry it by using filter paper.
Also for the crystals that we got for the NaCl, please do not wash them with any water as NaCl is soluble in water so they will dissolve again. everything i wrote is for understanding the process in exam please summarize this.
Liquid+Solid If solid is insoluble just filter it and wash with distilled water to remove any soluble impurities and dry it
if solid is soluble we will do simple distillation. please do not sit there write the whole setup just draw the distillation diagram and label it (a picture speaks a thousand words) showing the heat source the round bottom flask the condenser with water in and water out and thermometer labelled, the solid will remain in the flask and the water or liquid will be evaporated and and then condenser and collect in the beaker at the other end.
PLEASE IF IT IS A ORGANIC LIQUID THAT WE ARE SEPARATING DO NOT USE A BUNSEN BURNER TO HEAT THE FLASK AS THEY ARE HIGHLY FLAMMABLE. use an electric heater or a thermostatically controlled water bath. also please make sure that whatever the liquid being separated, its boiling point should be below 100 degrees or we cannot use water to separate it as the water we are using in the condenser to condense the liquid will evaporate itself.
Liqud+Liquid if both are immiscible meaning they form layers and do not mix. use a separating funnel and pour one the more dense one off as it will settle at the bottom. if asked why are we able to separate them in this way, the answer to that is because both liquids have different density.
if both are miscible, then just write we will use fractionating column please do not sit there mentioning the details just draw a rough diagram including the round bottom flask, fractionating column, thermometer, Liebig condenser with water in and out marked, beads in the fractionating column to allow only particles with more energy to pass through and particles with less energy meaning lower temp to fall back in to the flask and a beaker in the end to collect the separated liquid.
if GAS + GAS then first step is to liquify them, which is done by lowering their temp, and then we will again be facing a liquid + liquid (miscible) so we will then do fractional distillation to separate them.
if both gases have different MOLECULAR MASS then we easy way to separate them is by diffusion. Gas with lower Mr will diffuse faster hence can be separated
hope everyone understands :)

I just ran my wiring harness to my board but the labeling does not match of the voron wiring diagram for Spider Board
I’m left with GD - Ground 24v - 24v line H0 - hotend heater 0
I have nothing hooked up to my extruder heater post yet which I assume these in some configuration go to.
Also for the XY end stop PCB the wiring on the connectors are in a different pin then the voron wiring guide and it doesn’t say which is x and which is y just 4 colors

So, Google's been no help and I'm personally not much of an entomologist, but I'm looking for the name for the join where an insect's wings meet it's bodies. Every drawing, diagram, and doodle I've seen doesn't label that part, but surely there's a name for it!
Thanks!

Just this

🪞 “It's much easier to get in that it is to get out,” Emilie Autumn used to say. Part 1 Part 2 Part 3 Part 4.1 - Part 4.2
She was not wrong. Welcome back to the Asylum write-up!
In this installment, we're finally getting down to the nitty-gritty of the enmity between EA and her fans.
It's time for war. It's time for blood. It's time... for tea. 🎵

THE PRESENT DAY: “ASK ME ANYTHING (WELL, NOT QUITE)”

​

"Ask me anything" titles are catchy, and that’s why I’m using one. But, obviously, don’t ask me anything, by which I mean that, if you think I wouldn’t answer it, you’re probably right. Ask me something really good. I’d love to answer you. I’d love to have comments on these posts, in fact, so that I could answer questions there regularly and ask you things as well, but insanity is doing the same thing over and over and expecting different results, or so Einstein is supposed to have said, and attempting to create yet another interactive online venue after every previous attempt has ended in heartbreak—forums, facebook groups, social media accounts—it would indeed be insanity to think that this time would be any different. So there are no comments. This too is heartbreaking in the sense that, and you may not realize this, but I desperately want to connect more completely with you—to be able to intelligently converse and share and exchange. We can do that in person, of course, because the wrong people never show up in person. Isn’t that funny… So, perhaps we’ll have to arrange that;). I’ll start you off with an example question I’d want to know if I were you (I can almost guarantee that you do not want to know this). Q. Hey EA, how do you keep your wireless bodypack transmitter secure when you are leaping about in skimpy costumes and doing frequent costume changes? Also, dye your roots. A. Fantastic question, EA, and I just dyed my roots thank you very much. ... (Deleted blog post followed by a year of radio silence, 2022 📝)

Sooo. For the past five-ish years, the vibe in the Asylum has been that of a protracted Christmas dinner where everyone is tensely moving their food around in their plate, bracing themselves for whatever will trigger the screaming match. Wondering what it's going to be this time. Weary old-timers make small talk about the food because no other topic feels safe. Every glance, every forced smile, is fraught with eons-old grudges and unspoken regrets; every nervous pleasantry sounds like a thinly-veiled accusation. Aunt Emilie always insists on hosting, but not-so-secretly hates having people over. Sooner or later, she finds a way to get all of these assholes out of her house. Most of the adult children are daydreaming about going no-contact.
Everyone ready for some dysfunctional family history?
CW for discussion of bullying, online harassment, mental illness stigma.

YE OLDEN DAYS: CUCKOOS OF A FEATHER NEST TOGETHER

In the beginning, it was beautiful.
EA had the excellent instinct to start banking on her online presence📝 long before MySpace was even a thing. She had a website, several online stores, an active LiveJournal and a ProBoards forum right from the turn of the millennium.
In 2004, she attached an official forum to her website; the earliest archive shows 74 registered users. By the time Opheliac came out in 2006, that number had grown tenfold. And it was, by most accounts, a pretty dope place to be! (I should specify that this write-up focuses on the anglophone side of the fandom: there were also thriving fan-run communities in at least German, French, and Spanish. Because EA doesn't speak any of those languages, the lucky bastards were mostly left alone.)
Forum users enjoyed interacting with some of EA's closest IRL friends and associates – and with the mistress of the house herself (user flair: PsychoFiddler), when she occasionally responded to comments under her own posts. But that wasn't even the main appeal for many. For a long time, on top of all EA-related topics, the official forum had very active “Off-Topic” subforums, with lively and friendly conversation on a variety of subjects. (There was even a “Filthy Libertines (18+)” sub for a while, which was closed due to preemptive concerns about minors.) Swear words (not slurs) were allowed and encouraged, and moderation was overall pretty loose beyond basic enforcement of civility. There was a lot of mutual support, creativity, and solid banter going around.

It wasn't just about Emilie on the forums. People could chat about almost anything with near free reign, making connections and lifelong friends. ... This community mattered SO MUCH to people. They felt included, accepted, and understood within the walls of the Asylum. People invested their time and creative energy into keeping the forums a vibrant, active community, and made sure that carried over into the real world. ... I've never seen anything like it in a fan space. I doubt I ever will again. (@Asylum_Oracle - “Fandom History” Instagram highlight 🔍📝, which contains most of the sources for this segment.)

And it did, indeed, carry over into the real world. There were numerous meet-ups – a few organized by EA, many more spontaneous. People who didn't know any other EA fans in real life, or were just excited to add new Plague Rats to their friend group, would regularly connect with other forum users from their area to meet up and hang out before EA shows. “Who else is dressing up??”
In 2008, for instance, EA held an afternoon meet-up at Lincoln Park in Chicago. 📺 The event was free to attend; it featured live acoustic music and a reading from EA's upcoming book, the intriguingly-titled Asylum for Wayward Victorian Girls.
On the appointed day, EA rolled up in a fabulously tousled red wig, bedazzled white corset and steampunk-altered wedding dress. She had brought friends alongs. Sporting blue hair and a pink bustle and corset was her Chicago bestie, the main forum admin. Rocking a guitar and a top hat was EA's sound engineer, the soft-spoken wizard behind the Victoriandustrial sound, who was also a forum mod. The photographer from the original Opheliac cover art was there as well; he was formally introduced by EA and got his own round of applause.

People who would never normally be involved in an artist's fanbase were in EA's world. And not only were they known – they were respected and incredibly active with the fanbase. These people who managed an online message board were willing to engage in real-world meet-ups (with no security??) because of how tight-knit the community they had built was. People turned out to this event. People traveled to go to this event. It was a short reading of a book that hadn't been released yet, and wouldn't be for some time. Why? Because not only was it a chance to meet Emilie and listen to parts of the new book, but it was also a chance to hang out with their friends from the Asylum. ... The fandom really was a family for a lot of people. (@Asylum_Oracle)

“SERIOUSLY, GET THE FUCK OUT OF MY HOUSE.”

It all started with The End.
The End Records, that is! Quick refresher: in 2009, after three years or so with Trisol, EA split from the label over allegations that the owner was embezzling money from ticket sales. A few months later, she signed with The End Records. Understandably, EA still wanted to sell the album that had made her famous, and to which she had smartly retained the rights – which meant a brand new, “Deluxe” release of Opheliac. (Remember, from part 3? The one you could pre-order as a bundle with the book? Some projects are just cursed, I guess.)
At that point, Opheliac had been released three times already, as recently as the year before, with only slight variations in format and tracklist. (Yes, that is a theme in this story.) The End Records version would feature new cover art and a handful of new tracks, but overall, it was... you know... the same album.
(The following paragraphs are largely sourced from this excellent recap 🔍📝, which also provides potato screenshots for all quotes.)
One fateful day of August 2009, a user started a thread entitled “Opheliac US edition deluxe re-release??” in the “EA News” subforum. In the thread, some people were kind of balking at the re-do, pondering whether to buy the “new” Opheliac or sit this one out. Some expressed that after three years, they were jonesing for a new album. Others shared what B-sides or dream covers they would have liked to see included on the bonus disc. Just... fans being fans, in a fan discussion space.
And then EA jumped out from behind the curtains.

Fan: Okay. Before I start, I just want you to know that I think it's very good that EA is getting more popularity, and that she can release lots of albums, but - are 5 editions of the same album really needed? You may say now “ah, it's not the same, it has 2 bonus tracks” or whatever, but I mean: it's not new material. Now don't get me wrong. I'm happy for it, maybe I'll even buy it, but I'm just wondering if she shouldn't keep herself busy with other (maybe more important) stuff? * hides * EA: Nobody's forcing you to buy it. Thanks.

Record scratch.

Fan 1: is this Opheliac release version number 4? lol If she's recording NEW tracks, then surely they deserve to be sold by themselves, otherwise people are going to have to buy an album that they may have already bought twice (like me!). But... alas, I am a fool and adore everything this woman does... im buying it lol Fan 2: exactly – if it was just reissuing the last version of Opheliac to tap into new markets that would be fine (...) but if they start adding extra bits of material to albums people already have then the true muffins are going to feel obliged to buy new copies (...) EA: How exactly are you obliged to buy anything? Nobody is forcing you to spend a fucking penny, my dears. I suppose it would make more sense to you to simply not have my records available any more as the old label I just escaped from will no longer be distributing them? Forgive me for adding extra tracks. No obligation necessary.

...Okay, so I'm pretty sure that we can see both sides of the argument here. Fans are annoyed at the idea of spending money on barely-anything-new, because they love EA and buy every single CD she releases. EA is exasperated by fans acting like she's twisting their arm and somehow resenting the inclusion of new material, when she was just ensuring that her album would remain available for purchase and trying to keep things interesting.
But maybe we can also agree that those replies should have been screamed into a pillow rather than typed out on a keyboard.
EA was getting increasingly (and, I'll just say it: disproportionately) sarcastic and defensive in her replies. Enter poor FantineDormouse.
FantineDormouse meant well, I think. Maybe she thought, she's spiraling. Maybe she thought, friends don't let friends go down that road. Granted, FantineDormouse probably should have known better than to phrase it the way she did. Or to assume that EA perceived her as a friend.
Either way, at some point, FantineDormouse jumped in and posted the comment that finally made EA lose it. THE comment which, overnight, ended the honeymoon period of the Asylum, triggering a doomsday domino effect from which the fandom would never truly recover. Are you comfortably seated?

FantineDormouse: Uhm, Emilie, love, I don't mean to sound rude or anything... but maybe you should have a cup of tea and relax a little.

...
* sound of archduke getting shot *

EA: Excuse me? You can throw this onslaught of absolute cruel bullshit at me and those I work with in my own space that I own, and I can't say anything back? How fucking patronizing. Relax? Are you fucking kidding me? Who the fuck do you think you're talking to? FD: I'm not trying to piss you off even more, Emilie. And trust me, I have to deal with it myself, and as much as I would really love to punch the cunts I have to deal with in the face, I don't. You're pissed off, I get it. You're bipolar, which makes it 10x worse, I get that. I'm just not the person to stand around and do nothing when a fight where I'm pretty sure there will be a lot of regret is going on.

Famous last words. Literally! Immediately after EA delivered her irate closing statement – which includes one of my all-time favorite EA zingers, bolded...

EA: I cannot believe this... You just don't stop, do you? So just because I've shared the personal information with you all that I happen to be bipolar, I can't get pissed off at all of you being perfectly awful in the very space that I pay fuckloads a month to have up (has it ever occurred to you all that I pay dearly for this space you play around in?) Why not just tell me that I must be upset because it's my time of the month? Seriously, get the fuck out of my house. You are unbelievable, and your level of patronization is almost criminal. Don't make me write another book. With muffins like you, who needs enemies? Nothing I say or feel is legitimate, not ever ever ever because I'm bipolar... discredited before I begin... unbelievable...

...FantineDormouse got permabanned.
Jaws dropped. After days of infighting between white knights, detractors, and crossfire negotiators, several mod resignations, and general mayhem surrounding the ban, EA made a post entitled “In Which: I Invite You to Make a Fucking Choice.” 📝 For brevity's sake (cue laugh track), I can't reproduce it in all of its righteous splendor, but it's quite a read. It runs the gamut from fair and articulate points about how mental illness shouldn't be used to discredit someone's legitimate anger... to histrionic commands that “deserters to the cause” should “turn in their weapons” if they can't handle her way of doing things.

To those of you who appear not to understand why said posts, most especially those of the banned party, were offensive to me, I give you the option to either educate yourselves on your own time and in your own space (because please never forget that this is my space that I share with all of you at my own expense, and in which I generally give you all the freedom I would wish for myself), or to resign your posts in the Asylum Army – this is not the place for you, and I humbly suggest that you turn your attention and support towards other artists of a more placid, non-controversial, and less opinionated nature; there are more than enough of them out there, and I’m sure they all have forums of their own.

Some fans did leave. Most stuck around, whiplashed. Soon, the storm quieted down, and business as usual resumed on the forum. But something had been damaged beyond repair. The FantineDormouse fiasco had erected walls and drawn lines in the sand, both around EA and among her fans; its sad specter would haunt every Asylum crisis that spiked up forever after. “Fucking Patronizing Fucking” or “FPF” 🔍 became memetic shorthand in the fandom for overreaction and self-righteousness. 🐀
...And now you understand why, in the following years, some fans were so delicate and diplomatic in voicing their very legitimate complaints about messed-up orders, unsigned books, and puzzling lies... while unofficial platforms like Tumblr flourished with pent-up resentment and snark. 🦠

A NOTE ON HARASSMENT: “MAD GIRL, CAN YOU BELIEVE WHAT THEY'VE DONE TO YOU?”

Wouldn't they stop When you asked them to leave you alone? (“Mad Girl”, 2008 🎵)

Now, let's be clear, because it should not be minimized: EA has also been the target of genuine online harassment. Based on the simple fact that she is a woman with a public presence on the internet, I have zero doubt that EA has received (and perhaps continues to receive) more than her share of truly vile, bigoted, creepy and threatening messages – and, knowing what I know about the darker recesses of the Asylum, a terrifying amount of emotional blackmail and obsessive projection from people who hold her to punitively high standards. I'm also inclined to believe that it started way before she ever did anything that warranted any backlash. And that fucking sucks. It's repulsive and inexcusable, and the people who harass her should crawl into a hole and live among the worms.
Notwithstanding. In my decade-plus of following EA drama, the public comments on EA's own platforms (where people knew she was likely to be reading) have been, for the most part... civil and nuanced, and relatively mindful of the human? Even very confrontational comments (some clearly written from a place of anger and desire to shame) rarely resorted to outright name-calling or cruelty. When abusive or bigoted language did crop up, it was often promptly shut down by other fans as gross and uncalled for. In short: I have, with mine own two eyes, in real time, read some of the comment sections that EA described as cesspools of blind rage and odious attacks, and... I just couldn't see it.
If anything, for a long time, a lot of the angry comments directed at EA during any given controversy read more like break-up letters to an ex-best friend: harsh, curt and targeted in a way that cuts deep.... but also kind of screams how much love you still have for this person, against your better judgement.
Not that it wouldn't mess a person up to get hundred of those in a matter of hours, even if they don't individually qualify as “abusive”.
It's worth noting that prior to becoming semi-famous and regretting it, EA was also (by her own account and among other forms of abuse) a victim of intense childhood bullying. It feels like the two situations are closely connected in her mind when her focus seamlessly transitions from one to the other. 📺 I don't think that tremor in her voice is put on.
Based on her writings, I get the feeling that over the years, EA has developed a very black-and-white view of two monolithic groups of people. There's (an idealized vision of) her “real audience”, well-dressed, well-read, kind-hearted, and Asylum-savvy, who she fully trusts to “get it” – and buy it, and love it, unquestioningly, whatever “it” may be at any given time – because that is the true measure of love and loyalty. These are the people she makes art and merch for, the people she writes heart-emoji-filled newsletters to, and desperately longs to see in person again.
And then there's the lynch mob, those who really don't “get it”: the trolls, the faceless creeps, the basement-dwelling mouthbreathers, the ones who stalk her every move obsessively, waiting for any chance to spam her with vicious abuse and slander and obscenities. The latter only exist online (they are manifested into arbitrary existence by the internet itself, not by anything EA said or did), and there is zero overlap between the two sets of people. That seems to be the official narrative.

The "public eye" isn't an [enviable] place to be, and the closer I've come to it, the more horrified I've been. Because, for starters, who is "the public?" Is "the public" my audience? Hell no. My audience is special. They are not the general public. If they were the general public I would be a lot wealthier. The "public eye" means getting stalked, harassed, viscously judged, and put in danger. If I do things in the future that gain notoriety, I will do them in spite of fame, not because of it. I am out for world domination, but not fame. (Interview for The Moaning Times, 2014 📝)

In real life (well, mostly online, but I mean: on this shared plane of existence), things play out slightly differently. The Venn diagram of “true blue fans” and “people who criticize EA" and "people who know way too much about EA” is a circle. The call is 100% coming from inside the Asylum, and I think EA rationally knows that. But here's the thing: no matter how many shows and meet-and-greets you've dressed up for, how many loving and supportive comments you've left, or how many family heirlooms you once pawned to purchase a copy of the not-for-sale 2003 DJ pressing of Enchant... the instant EA feels attacked, everyone is a saboteur and a bully until proven otherwise, and suspected treason is dealt with on the spot. One strike, you're out. Unfortunately for everyone involved, her threshold for bullying seems to be “any remotely thoughtless opinion from any stranger on the internet”.
It makes for outstanding human-interest entertainment... but it also sounds an awful lot like the unhealthy patterns of a person suffering from all sorts of PTSD. 🔍 So, please bear that in mind as you read through this write-up. It's easy to make EA out to be the sole villain, a paranoid and delusional drama queen, based on her extreme reactions to things that often “weren't that bad”. Anything can, in fact, be “that bad” when you're thrown back into the very worst moments of your existence every time your brain decides that the situation is even remotely similar.
PTSD takes over your rational mind and actively distorts your perception of reality. That can be how a person ends up impulse-reacting to “a few people expressing an unfavorable opinion” as if the entire internet had just ganged up on them with knives. Which makes their audience feel unjustly accused, which makes them hostile, which gives the person actual good reason to feel attacked... and so the cycle of hurt continues.

You know the games I play And the words I say When I want my own way You know the lies I tell When you've gone through hell And I say I can't stay You know how hard it can be To keep believing in me When everything and everyone Becomes my enemy, and when There's nothing more you can do I'm gonna blame it on you – It's not the way I wanna be I only hope that in the end You will see: It's the Opheliac in me... (“Opheliac”, 2006 🎵)

And YES, it is extremely regrettable to have this as a trigger, when you're a public figure and you're bound to receive more negative feedback than the average citizen. “It's what she signed up for”, “it comes with the territory” and all that jazz. I really don't think EA was unaware of that fact when she decided to become a musician, share her personal life, and form an intense parasocial bond with her audience. But maybe she underestimated how hard it would be to process and recover from.
Just because you expect something unpleasant to happen, doesn't mean your psyche will be ready to handle it when it does – or that you'll pick the best and most effective strategy to deal with it.

A MADHOUSE UNDER MARTIAL LAW: MARCHING INTO THE FORUM WARS

There are two sides to every story... except for this one! (“If I Burn”, 2012 🎵)

You may have noted the military imagery in EA's “Make a Fucking Choice” response post – “resign your post in the Asylum Army”! What do psychiatry and the military have in common? They're both institutions of top-down social control. 🔍 EA's mixed metaphor may be a bit clunky, but it did foreshadow the evolution of the Asylum – in terms of aesthetics and power dynamics – in the years that followed the FantineDormouse incident and the release of The Book.
EA's next big release after the Asylum book came in 2012. It was a new album, an outline of the soon-to-be Asylum musical, called Fight Like a Girl (FLAG for short). As the name suggests, the main mood was bellicose. Incidentally, in the interim years, EA's communication style generally became noticeably more combative, incendiary, and (within her own spaces) controlling.📝 You remember those quirky word filters on the forum, that would change “fan” to “muffin” and “bra” to “teacup holder”? They kind of took on a Nineteen-Eighty-Four-burlesque flavor when you realized that one filter automatically changed “Fischkopf” to “Liddell” - and that circumventing the rule to address her totally real last name would get you banned, as would any discussion of her family. (“Wikipedia, random internet sites and heresay are not credible sources.” - Mod reminder of forum rules, 2010.)
Also, you try sustaining a serious, grown-up conversation among concerned fans about how Emilie Autumn should “take ratsponsibility for her mistakes out of ratspect for her muffins”. Thus, the official Asylum forum kept a tight grip on overt criticism of EA's claims and actions.

The Emilie Autumn forum is a dystopian hell. Truth be told, when I decided to leave you could not do anything but gush about Emilie. Otherwise all of her extremist arse kissing fans will be down your throat, ripping you apart in seconds, if you so much as questioned her behaviour. So much for freedom of opinion, let alone the idea of creating a harmonious community for ‘outcasts’. Hahaha. (2014 🐀)

The word filter thing really wasn't a big deal – I'm just pointing it out as one goofy expression of EA's need to control the narrative and rhetoric, which became especially noticeable in those post-book, pre-FLAG years. By that point, EA's fuse had been shortened by near on half a decade of non-stop touring / recording / writing / promoting / adjusting to the pressure and demands of an ever-growing fanbase, while also dealing with a horrorshow of personal turmoil and health issues behind the scenes. In other words: she was done taking any shit, in any form, or humoring anyone's ridiculous feedback regarding anything.
To be fair, it was never her forte to begin with. Will it come as a shock if I tell you that EA doesn't have the greatest track record for successful collaborative work? Let's do a quick-cut montage!
EA's very first corporate sponsor was her mother's “Enchant Clothing & Costume” online store 🔍; she went on to claim that her mother was dead. She sessioned for Billy Corgan, that went super well. 🎵 She liked Courtney Love for a minute, but that didn't work out because she felt that Courtney only valued her for her pee. 📝 (It probably didn't help that in early 2006, while EA was recording her post-break-up-tell-all album about Corgan, C-Love was recording her post-rehab-redemption album with Corgan. 🔍 Either way, EA didn't seem to like Courtney anymore after that. Courtney likes her, though! 📝) The one artist EA has ever approached for a duet (and by approached, I mean she recorded a demo and threw the CD on stage when he played Chicago in 2004) was, of all people, Morrissey. That never came to pass, thank mercy 🔍 – this fandom has suffered enough. In 2005, EA recorded some haunting vocals and violins for a potential collab with the frontman of Attrition. When, three years later, they were used on one track 🎵 of Attrition's All Mine Enemies Whisper, she alleged 📝 that the recordings had been obtained from her under the false pretense of a different project, then hideously altered to sound “out of tune”, and used without her permission. She enlisted her fans to boycott the album and the band, and threatened legal action. Meanwhile, on LiveJournal and Attrition's message boards, band associates were appalled: according to them, EA had been aware of the project's nature from the start... and had been completely unreachable, even through her label, during the months of its development. (Besides, Attrition is a semi-obscure English darkwave band from the 80s, whose micro-distributed albums don't even have their own Wikipedia pages... so I wonder what EA was hoping to get out of that theoretical lawsuit. These people own nothing but vintage gain pedals!) The song “Cold Hard Cash” 🎤 by Angelspit (who contributed a remix to one of her EPs in 2008) may or may not be an EA diss track. 🐀 Back when indie jewelry brand RockLove (which now has licensing deals with Disney, Marvel, and DC) was still someone's bedroom project, their first drop was an EA-inspired collection 🔍, which appears in many early Opheliac photoshoots. The partnership was terminated on bad terms, for unclear reasons; the RockLove owner shared in a statement that EA had “drunk the cool-aid” of Trisol Guy's shady business practices, and that the two of them had been spamming her with “crazed angry message[s]” for days.
Why am I talking about this? Because it was precisely one such ill-fated business partnership that triggered the Great Asylum Secession.
One fine day of spring 2010, the owner of vegan make-up brand Aromaleigh popped onto the Asylum forum to announce that they were cutting ties with EA, with damning receipts of copy-pasted emails (lost to time). Basically, the brand had been sponsoring her for half a decade, and while Aromaleigh had been actively promoting her music and tours, EA hadn't exactly been returning the favor. (Indeed, the extent of EA's sponcon seemed to have been a banner link to their website on her front page, and a single “random drunken endorsement” LiveJournal post that kind of reads like satire📝, from 2005.)
EA responded by banning the owner's account, deleting the thread, and posting this flippant statement a few days later:

Dearest Plague Rats, To be honest, I have no idea of what the hell happened with Aromaleigh, and I don't care to find out – the whole drama is a complete mystery to me, as I've been away for months touring and have not been in contact with anyone. All I know is that I've been promoting the company for ages and have not asked them for anything in years. (...) Please focus on more interesting things. I am. (“Save the Drama...” forum post, March 2010)

Posts questioning her good faith in the conflict were deleted from the forum. Shortly thereafter, citing how prolific and labor-intensive the Asylum forum had grown, EA shut down all non-EA related subforums – which, among many other topics, included a pretty active thread about Aromaleigh products.
So one Plague Rat decided to create a separate, members-only forum 📝, where users could recreate some of the now-defunct off-topic threads... and also freely voice their critical opinions of EA's behavior without fear of backlash from mods or rabid stans. Thus, “The Reform” was born. (Reform [n]: amendment of what is defective, vicious, corrupt, or depraved.)
For a few weeks, the two-state solution seemed to work fine. And then word spread among forum mods and other diehard fans that there was this horrid other forum, where obsessive haters gathered to spew disgusting lies and vitriol about EA... and soon enough, it was bedlam in the Asylum.
Any explicit mention of the Reform was forbidden on the Asylum forum. Suspicion of participation in the Reform would get you banned. The party line was that The Reform was the enemy 🐀 – even though a number of people were active on both forums, because they liked freedom of expression almost as much as they liked EA. Double agents would lurk on the forum and report back with snark material; sycophants would infiltrate the Reform to identify traitors – much to the amusement of the “haters”, who mocked them and their ilk for “licking EA's pink sparkly boots”. There was no containing the seething, or the sass, among Asylum ranks.
Pretty soon, the insubordination spread to Tumblr. There was the “Ask the Reform” Q&A blog, where questioning fans could interact with “Rebel Rats”, get more details on past drama, and make up their own minds about the people EA called bullies.
And then, there were the “confession blogs”, which published anonymous submissions about EA, positive, negative or neutral, with little censorship. Finally, you didn't even have to pick a throw-away username on a private forum to voice your hottest / strangest / most controversial EA takes. Fans could vent, rant, lament, wonder, shitpost to their heart's content, anonymously. Obviously, given the context of frustration and censorship in the fandom, a lot of the first waves of confessions were EXTREMELY negative.
EA's acolyte Veronica managed to get the first one shut down. If memory serves, she misunderstood the confession blog format, and may have believed that all the posts on “Emilie Autumn Confessions” came from one or a small group of individuals. She was genuinely devastated, and wrote the blog admin to let them know that they were a terrible person who said terrible things. The admin was mortified, apologized profusely and deleted the blog of their own initiative. (Which goes to show that the concept did not come from cruel and malicious anti-fans, as detractors often claimed.)
But a new blog sprung up almost immediately, with a different mod team, and did not surrender. And much like in EA's own book, once the Plague Rats found out that they possessed the gift of speech... well, they really took to it.
Established in 2011 and passed on through generation after generation of mod teams to the present day, Wayward Victorian Confessions would turn out to be the longest-lived institution in the EA fandom. For over a decade now, through all the bleakest nights and dankest debacles of the Asylum, and despite its initial reputation as a troll den, WVC has acted as a kind of neutral ground and vox populi for the active fanbase and anti-fanbase. (The last nominally-active EA fansite to date, She Fights Like a Girl, is actually an offshoot of WVC: one of the old admins created it as a database to answer “frequently asked questions” about EA.)
Wayward Victorian Confessions has now outlived every other EA platform, official and unofficial. Were it not for the continued existence of the “troll den”, what little fan community survives in 2024 would be non-existent, plain and simple. To quote from late 20th century Canadian philosophy: isn't it ironic?

I feel like [WVC] is the only place I feel any of that old Asylum community kind of feeling I felt before EA got so focused on the book. It sucks that it’s so full of unhappiness, and I wish she hadn’t poisoned the sanctuary she claimed to have built. It’s just kind of fallen apart, like a crumbling building. (🐀 2016)

CONTINUED IN COMMENTS

the physics paper was quite easy not that difficult there was a focal point question to label other questions include protostar and tsbale star describing them was rlly surprised on the amount of space physics questions also resistor drawing and well as resistor labelling graphs. Make sure to revise space physics light those chapters. No moment question was given. There was a 4 mark question on how when you wear glasses the convex lense allows you to see the problem and the solution and u also had to draw a diagram for it and that's it

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