Carnival conquest galveston

Any advice for 2 new cruisers in their 30s? Going on a 5 day to Bahamas with a stop at Nassau and a private island. Carnival Conquest. Please be positive, I'm sure there are better but we put this together last minute before I start grad school. Thanks

Hey guys! Looking for to chat to some young people(21-25) going on the carnival jubilee on july 21st from Galveston, Texas! Single guys or ladies, also would love to meet some girl friends (just friends)! Lmk!

I'm creating a secret order of godly folk for my world. Scalebearers exist to foster cooperation/unity amongst temples of different gods and help them deal with problems too big/complex for most temples to handle alone. Often, times this involves them doing a bad thing for a good reason.
The order was founded by worshippers the creation god of balance, because their god was upset that the followers of his god-children did not work together to solve their greater problems and even sometimes fought each other. Scalebearers balance the scales by bringing together paladins and clerics and other devout skilled worshippers of various and sometimes opposing deities, having them cooperate to achieve localized, righteous, common goals. (Redemption, Illusion, Entertainment, Family, Beauty, Medicine, Health, Fertility, Harvest, Nature, Weather, Farming, Hunting, Smithy, Craftmanship, Art, Peace, Death, Shadows, Fate, Knowledge, Dreams, Luck, Trickery, Order, Justice, War, Wrath, Vengeance, Conquest, Greed, Torture, and more.)
Examples I have so far:

• When a person too powerful to openly cross abuses their partner, people of the goddess of family/hearth/home request that Scalebearers intervene to smuggle the abused partner to safety instead of using their standard shelter channels. Scalebearers can even break in to free them from captivity, which is not a skill that worshippers of a goddess of home/family are likely to have.
• The nature worshipping temple needs to relocate a valuable-for-poaching unicorn or rescue captive lions from a noble who has decided to give them a vegan diet. The worshippers of the nature god can keep the animals calm and well-behaved for the journey, but, again, lack the skills to break them out or to disguise them or secretly transport them. That's when Scalebearers find within their ranks trustworthy entertainment god worshippers with room in their carnivals or create an entire traveling menagerie to hide the animals in while moving them. Or bring in followers of the god of illusions to keep the unicorn disguised as a horse for its journey to its new home. Or both.
• Local lord is holding his favorite musical band captive as pampered prisoners within his keep and forcing them to perform for him. Obviously, worshippers of Entertainment would be very interesting in free them, but they lack breaking and entering skills and need help with the smuggling-to-safety part. Justice worshippers want to help to, but can't openly aid due to corrupt leadership and the fact that this noble heavily funds them. (Sorry but the freedom of a half-dozen well-treated musicians is not as important as ensuring the continued paycheck of the entire peace-keeping force of a city.)
• Villages and small town with only one or two priests appealing for help from literally anybody because they can't handle whatever problem.

I'm beginning to feel like most of their targets would be the nobility and super wealthy, but would love examples of them countering other kinds of individuals or groups (like guilds or governments). Mainly, I need more examples like the ones above to pad out the resume of a few NPC and as ideas for what my players will be asked to do in order to earn assistance with their own mission.
edited to add: I guess it would be more accurate to say they are meant to solve low-moderate level problems. Small stuff the individual temples can handle on their own. Big and Huge stuff is detrimental enough to not need to be handled in secret and is handled through regular channels. It's the grey area in between little and big that Scalebearers cover.

I'm creating a secret order of godly folk for my world. Scalebearers exist to foster cooperation/unity amongst temples of different gods and help them deal with problems too big/complex for most temples to handle alone. Often, times this involves them doing a bad thing for a good reason.
The order was founded by worshippers the creation god of balance, because their god was upset that the followers of his god-children did not work together to solve their greater problems and even sometimes fought each other. Scalebearers balance the scales by bringing together paladins and clerics and other devout skilled worshippers of various and sometimes opposing deities, having them cooperate to achieve localized, righteous, common goals. (Redemption, Illusion, Entertainment, Family, Beauty, Medicine, Health, Fertility, Harvest, Nature, Weather, Farming, Hunting, Smithy, Craftmanship, Art, Peace, Death, Shadows, Fate, Knowledge, Dreams, Luck, Trickery, Order, Justice, War, Wrath, Vengeance, Conquest, Greed, Torture, and more.)
Examples I have so far:

• When a person too powerful to openly cross abuses their partner, people of the goddess of family/hearth/home request that Scalebearers intervene to smuggle the abused partner to safety instead of using their standard shelter channels. Scalebearers can even break in to free them from captivity, which is not a skill that worshippers of a goddess of home/family are likely to have.
• The nature worshipping temple needs to relocate a valuable-for-poaching unicorn or rescue captive lions from a noble who has decided to give them a vegan diet. The worshippers of the nature god can keep the animals calm and well-behaved for the journey, but, again, lack the skills to break them out or to disguise them or secretly transport them. That's when Scalebearers find within their ranks trustworthy entertainment god worshippers with room in their carnivals or create an entire traveling menagerie to hide the animals in while moving them. Or bring in followers of the god of illusions to keep the unicorn disguised as a horse for its journey to its new home. Or both.
• Local lord is holding his favorite musical band captive as pampered prisoners within his keep and forcing them to perform for him. Obviously, worshippers of Entertainment would be very interesting in free them, but they lack breaking and entering skills and need help with the smuggling-to-safety part. Justice worshippers want to help to, but can't openly aid due to corrupt leadership and the fact that this noble heavily funds them. (Sorry but the freedom of a half-dozen well-treated musicians is not as important as ensuring the continued paycheck of the entire peace-keeping force of a city.)
• Villages and small town with only one or two priests appealing for help from literally anybody because they can't handle whatever problem.

I'm beginning to feel like most of their targets would be the nobility and super wealthy, but would love examples of them countering other kinds of individuals or groups (like guilds or governments). Mainly, I need more examples like the ones above to pad out the resume of a few NPC and as ideas for what my players will be asked to do in order to earn assistance with their own mission.
edited to add: I guess it would be more accurate to say they are meant to solve low-moderate level problems. Small stuff the individual temples can handle on their own. Big and Huge stuff is detrimental enough to not need to be handled in secret and is handled through regular channels. It's the grey area in between little and big that Scalebearers cover.

https://www.nbcnews.com/news/us-news/barge-slams-galveston-bridge-texas-causing-partial-collapse-shutdown-rcna152425
I'm surprised nobody has said anything about the Galveston bridge Collapse that happened yesterday, just a hop skip and a jump from all the Galveston cruise terminals.
My assumption is that all cruises are still a go since I haven't seen any news otherwise. Seems like the Carnival Breeze is supposed to be a go in a couple hours. Is anyone boarding that ship today and can see what all is going on there? Any oil spill issues?

I have never been on a cruise but my fiancé and I are eloping in October 2024 and planning to take a cruise for our honeymoon. I have so many questions lol, any help is appreciated.

1. Best place to book through for the best deal? Right now a 5 day cruise to the Caribbean is $1800 for a balcony room. Is this a fair price for a first timer? Carnival Breeze is the ship I think
2. Is the insurance worth it?
3. Middle or front of ship? Higher or lower?
4. Best excursions in Cozumel & Costa Maya?
5. Is the Cheers package worth it?
6. Any tips or suggestions that I should know being a first timer?
7. We are flying to Houston Hobby for the Galveston port- do you guys use the bus for transportation on the carnival site?

Hi newbie cruiser here have done 1 in carnival and was looking to book another through vifp offers. I played a lot on the casino my first trip so Im not surprised Im getting offers. Is this a great deal? Is $1000 credit even gonna go be spent in 4 days? Any insights would be appreciated.
Tldr got a offer with $1000 on-board spending with the total trip costing $693.

Activism
It is necessary to insist on the word. Just like certain infections of the blood, which cause a wide range of illnesses, not excepting those which can be cured in the madhouse, activism is an illness of the workers movement that requires continuous treatment.
Activism always claims to possess the correct understanding of the circumstances of political struggle, and that it is “equal to the situation”, but it is incapable of engaging in a realistic evaluation of the relations of force, enormously exaggerating the possibilities of the subjective factors of the class struggle.
It is therefore natural that those affected by activism react to this criticism by accusing their adversaries of underestimating the subjective factors of the class struggle and of reducing historical determinism to that automatic mechanism which is also the target of the usual bourgeois critique of Marxism. That is why we said, in Point 2 of Part IV of our “Fundamental Theses of the Party”:
“…the capitalist mode of production expands and prevails in all countries, under its technical and social aspects, in a more or less continuous way. The alternatives of the clashing class forces are instead connected to the events of the general historical struggle, to the contrast that already existed when bourgeoisie [began to] rule [over] the feudal and precapitalistic classes, and to the evolutionary political process of the two historical rival classes, bourgeoisie and proletariat; being such a process marked by victories and defeats, by errors of tactical and strategical method.”
This amounts to saying that we maintain that the stage of the resumption of the revolutionary workers movement does not coincide only with the impulses from the contradictions of the material, economic and social development of bourgeois society, which can experience periods of extremely serious crises, of violent conflicts, of political collapse, without the workers movement as a result being radicalized and adopting extreme revolutionary positions. That is, there is no automatic mechanism in the field of the relations between the capitalist economy and the revolutionary proletarian party.
It could be the case, as in our current situation, that the economic and social world of the bourgeoisie is riddled with serious tremors that produce violent conflicts, but without the revolutionary party obtaining as a result any possibilities of expanding its activity, without the masses subjected to the most atrocious exploitation and fratricidal massacres being capable of unmasking the opportunist agents, who implicate their fate with the disputes of imperialism, without the counterrevolution loosening its iron grip on the ruled class, on the masses of the dispossessed.
To say, “An objectively revolutionary situation exists, but the subjective element of the class struggle, the class party, is deficient”, is wrong at every moment of the historical process; it is a blatantly meaningless assertion, a patent absurdity.
It is true, however, that in every wave of struggle, even those that pose the greatest threat to the existence of bourgeois rule, even when it seems that everything (the machinery of state, the social hierarchy, the bourgeois political apparatus, the trade unions, the propaganda system) has come to a halt and is heading towards its end, to its destruction, the situation will never be revolutionary, but will for all intents and purposes be counterrevolutionary, if the revolutionary class party is weak, underdeveloped and theoretically unstable.
A situation of profound crisis in bourgeois society is susceptible to leading to a movement of revolutionary subversion when “… the ‘lower classes’ do not want to live in the old way and the ‘upper classes’ cannot carry on in the old way….” (Lenin, “Left-Wing Communism”, An Infantile Disorder), that is, when the ruling class can no longer effectively operate its own mechanism of repression, and when “… a majority of the workers … fully realise that revolution is necessary”.
Such a consciousness on the part of the workers can only be expressed in the class party, which is in the last analysis the determinant factor of the transformation of the bourgeois crisis into the revolutionary catastrophe of all of society.
It is therefore necessary, in order to save society from the “mare magnum” in which it has fallen, and for which purpose the ruling class is incapable of offering any help, because it is incapable of discovering the appropriate new forms for liberating the productive forces and directing them towards new development, that there should be a collective revolutionary organ of thought and of action that will channel and illuminate the subversive will of the masses.
The “not wanting to live in the old way” of the masses, the will to struggle, the impulse to act against the class enemy, presuppose, within the ranks of the proletarian vanguard that is called upon to develop the function of guide of the revolutionary masses, the crystallization of a solid revolutionary theory.
In the party, consciousness precedes action, unlike what takes place among the masses and at the level of the individual.
If, however, someone were to say that this is nothing new, nothing really modern, and inquire whether we are trying to turn the revolutionary party into a small circle of scholars, of theoretical observers of social reality? Never. In Point 7 of Part IV of our 1951 “Fundamental Theses of the Party”, we read:
“Although small in number and having but few [connections] with the proletarian masses, in fact jealously attached to its theoretical tasks, which are of prime importance, the Party, because of this true appreciation of its revolutionary duties in the present period, refuses to become a circle of thinkers or of those searching for new truths, of ‘renovators’ considering as insufficient the past truth, and absolutely refuses to be considered as such.”
Nothing could be more clear!
The transformation of the bourgeois crisis into class war and revolution presupposes the objective collapse of the social and political framework of capitalism, but this is not even potentially possible if the great mass of the workers is not won over to or influenced by the revolutionary theory disseminated by the party, a theory that is not improvised on the barricades. But will this theory perhaps be distilled behind closed doors by scholarly labors without any connection to the masses?
In response to this stupid accusation made by the fanatics of activism, one may quite correctly respond that, the indefatigable and assiduous labor of defense waged on behalf of the doctrinal and critical patrimony of the movement, the everyday tasks of immunization of the movement against the poisons of revisionism, the systematic explanation, in the light of Marxism, of the most recent forms of organization of capitalist production, the unmasking of the attempts on the part of opportunism to present such “innovations” as anti-capitalist measures, etc., all of this is struggle, the struggle against the class enemy, the struggle to educate the revolutionary vanguard, it is, if you prefer, an active struggle that is nonetheless not activism.
Do you seriously believe (while the whole gigantic bourgeois machine is committed from morning to night, not so much, please note, in refuting the revolutionary theory, as it is in demonstrating that socialist demands can be realized against Marx and against Lenin, and when not only political parties but also established governments swear that they govern, that is, oppress, the masses, in the name of communism) that the arduous and exhausting task of restoring the revolutionary Marxist critique, is merely a theoretical undertaking?
Who would dare to deny that it is also a political labor, an active struggle against the class enemy? Only he who is possessed by the demons of activist action could think such a thing.
The movement, even if it is weak in terms of numbers of adherents, that works on its newspapers, on its meetings, on holding factory discussions, to free revolutionary theory from unprecedented adulterations, from opportunist contaminations, thus performs a revolutionary labor, a labor for the proletarian revolution.
By no means can it be said that we conceive the task of the party as a “struggle of ideas”.
Totalitarianism, State Capitalism, and the downfall of the socialist revolution in Russia are not “ideas” against which we oppose our own ideas: they are real historical phenomena, which have eviscerated the proletarian movement by leading it onto the treacherous terrain of anti-fascist partisan formations, the ranks of the fascists, the national front, pacifism, etc.
Those who, even if they are few in number and far removed from the limelight of “grand politics”, carry out a labor of Marxist interpretation of these real phenomena and a labor of confirmation of Marxist predictions (and it seems to us that there has been no serious examination of these problems outside of the fundamental positions advocated in our Prometeo, and especially in the study, “Property and Capital”), are nonetheless assuredly performing a revolutionary task, because they are establishing from this point on the itinerary and the starting point of the proletarian revolution.
The resumption of the revolutionary movement does not require, for its realization, the crisis of the capitalist system as a potential eventuality; the crisis in the capitalist mode of production is already a reality, the bourgeoisie has experienced all the possible stages of its historical career, State Capitalism and imperialism mark the extreme limits of its evolution, but the fundamental contradictions of the system persist and are becoming more acute. The crisis of capitalism has not been transformed into the revolutionary crisis of society, into a revolutionary class war, and the counterrevolution is still triumphant even though capitalist chaos gets worse, because the workers movement is still crushed under the weight of the defeats it suffered over the last thirty years due to the strategic errors committed by the communist parties of the Third International, errors that have led the proletariat to look upon the weapons of the counterrevolution as its own weapons.
The resumption of the revolutionary movement is still nowhere in sight because the bourgeoisie, putting into practice bold reforms in the organization of production and of the State (State Capitalism, totalitarianism, etc.), has delivered a shattering and disorienting blow, sowing doubt and confusion, not against the theoretical and critical foundations of Marxism, which remain intact and unaffected, but rather against the capacity of the proletarian vanguards to apply those Marxist principles precisely in the interpretation of the current stage of bourgeois development.
In such conditions of theoretical disorientation, is the labor of restoring Marxism against opportunist distortions merely a theoretical task?
No, it is the substantial and committed active struggle against the class enemy.
Ostentatious activism seeks to make the wheels of history turn with Waltz steps, swinging its derriere to the electoral symphony.
It is an infantile disorder of communism, but it spreads marvelously even in the sanitarium of politics, where the retirees of the workers movement go to die.
Requiescant in pace … and then as if by magic they mobilize like an armored division, as soon as they are sent to conquer the factory nuclei of our groups—to count our members you really do not need an electronic calculator—and they claim, making you laugh, that these chickens and ducks, the imperialist blocs, are identical in weight, form and color, they are of equal strength, and with this sophistry they exhaust their very fluid analysis of the situation, which they deny that anyone else is capable of undertaking; and they finally give in to the deadly temptation that the easy chairs of parliament or some government ministry exercise over their sorry old behinds….
All the activist psalms end in electoral glory. Back in 1917, we saw the sordid conclusion of the super-activism of social democracy: after decades of activity entirely devoted to the conquest of parliamentary seats, of mixed trade union commissions, and of political influence, that had bathed them in an aura of unstoppable activism.
When the time came for the armed insurrection against capitalism, however, it was seen that the only party to engage in that insurrection was the party that had the least experience “working among the masses” during the years of preparation, the one that more than any other had worked to preserve Marxist theory. It was then seen that those who possessed a solid theoretical training marched against the class enemy, while those who had a “glorious” patrimony of struggles shamefully choked on their own words and went over to the side of the enemy.
So we are familiar with the fanatics of activism. Compared to them, carnival barkers are gentlemen. That is why we maintain that there is only one way to avoid their contagion: the classic kick in the ass.

My husband and I just got back from our first cruise and I’m ready looking for our next cruise!!! We enjoyed the people, activities, pizza, ice cream, pizza, comedy shows, pizza….😂 Would like to do one a little larger than the Conquest which is what we were on. We ported at Key West and Cozumel, both are places we ould love to spend more time. Will Carnival start sending us offers?

(all airtimes E.S.T.)
WED MAY 01
(1:15AM) The Children's Hour (1961/1h 47m/Drama/William Wyler)
(3:15AM) The Apartment (1960/2h 5m/Comedy/Billy Wilder)
(6:00AM) From the Earth to the Moon (1958/1h 40m/Science-Fiction/Byron Haskin)
(7:45AM) The Snow Devils (1965/1h 18m/HorroAntonio Margheriti)
(9:30AM) The Green Slime (1969/1h 30m/HorroKinji Fukasaku)
(11:15AM) Moon Zero Two (1969/1h 40m/Roy Ward Baker)
(1:15PM) Countdown (1968/1h 41m/Drama/Robert Altman)
(3:00PM) Toward the Unknown (1956/1h 55m/Drama/Mervyn Le Roy)
(5:00PM) Plan 9 from Outer Space (1959/1h 19m/HorroEdward D. Wood, Jr.)
(6:30PM) The Thing from Another World (1951/1h 27m/HorroChristian Nyby)
(8:00PM) Laura (1944/1h 28m/Film-NoiOtto Preminger)
(9:45PM) Rebecca (1940/1h 55m/Suspense/Alfred Hitchcock)
THU MAY 02
(12:15AM) Marnie (1964/2h 10m/Suspense/Alfred Hitchcock)
(2:45AM) Agatha (1979/1h 38m/Mystery/Michael Apted)
(4:30AM) Penelope (1966/1h 37m/Comedy/Arthur Hiller)
(6:30AM) The Angry Hills (1959/1h 45m/Suspense/Robert Aldrich)
(8:30AM) The Pride and the Passion (1957/2h 12m/Adventure/Stanley Kramer)
(11:00AM) Sweet November (1968/1h 54m/Romance/Robert Ellis Miller)
(1:00PM) My Fair Lady (1964/2h 50m/Musical/George Cukor)
(4:00PM) I Want To Live! (1958/2h 0m/Drama/Robert Wise)
(6:15PM) The Defiant Ones (1958/1h 37m/Drama/Stanley Kramer)
(8:00PM) No Greater Glory (1934/1h 57m/Drama/Frank Borzage)
(9:00PM) Man’s Castle (1933/1h 6m/Romance/Frank Borzage
(11:00PM) Secrets (1933/1h 30m/Western/Frank Borzage)
FRI MAY 03
(12:30AM) A Farewell to Arms (1932/1h 18m/Romance/Frank Borzage)
(2:15AM) Stranded (1935/1h 16m/Romance/Frank Borzage)
(3:30AM) **Desire (1963/1h 31m/Romance/Frank Borzage)
(5:15AM) The Circle (1925/1h 0m/Silent/Frank Borzage)
(6:30AM) The Half Naked Truth (1933/1h 7m/Comedy/Gregory La Cava)
(7:45AM) Texas Carnival (1951/1h 17m/Comedy/Charles Walters)
(9:15AM) Maisie Was a Lady (1941/1h 19m/Comedy/Edwin L. Marin)
(10:45AM) Flamingo Road (1949/1h 34m/Drama/Michael Curtiz)
(12:30PM) The Unholy Three (1930/1h 12m/Crime/Jack Conway)
(1:45PM) The Mind Reader (1933/1h 9m/Drama/DirectoRoy Del Ruth)
(3:00PM) Lili (1953/1h 21m/Musical/Charles Walters)
(4:30PM) The Wagons Roll At Night (1941/1h 24m/Drama/Ray Enright)
(6:00PM) Carnival Story (1954/1h 35m/Drama/Kurt Neumann)
(8:00PM) Dead Men Don't Wear Plaid (1982/1h 28m/Comedy/Carl Reiner)
(10:00PM) Dirty Rotten Scoundrels (1988/1h 50m/Comedy/Frank Oz)
SAT MAY 04
(12:00AM) Father of the Bride (1991/1h 45m/Comedy/Charles Shyer)
(2:00AM) Pennies From Heaven (1981/1h 47m/Musical/Herbert Ross)
(4:00AM) Robin and the 7 Hoods (1964/2h 3m/Musical/Gordon Douglas)
(6:15AM) Maya (1966/1h 31m/Adventure/John Berry)
(8:00AM) MGM CARTOONS: Grin and Share It (1957/0h 6m/Comedy/Michael Lah)
(8:07AM) Believe It or Not #10 (1932/0h 7m/Short/?)
(8:15AM) Glimpses of Peru (1937/0h 8m/Short/?)
(8:24AM) The Walking Dead (1936/1h 6m/HorroMichael Curtiz)
(9:30AM) Brush Roper (1955/0h 30mWestern/Stuart Heisler)
(10:00AM) POPEYE: Never Kick a Woman (1933/0h 6m/Animation/Dave Fleischer)
(10:07AM) The Falcon Takes Over (1942/1h 3m/Mystery/Irving Reis)
(11:30AM) Buzzin' Around (1933/0h 20m/Comedy/Alfred J. Goulding)
(12:00PM) Tonight and Every Night (1945/1h 32m/Musical/Victor Saville)
(1:45PM) Angels in the Outfield (1951/1h 42m/Drama/Clarence Brown)
(3:45PM) The Liquidator (1966/1h 44m/Suspense/Jack Cardiff)
(5:45PM) Billy Budd (1962/1h 52m/Drama/Peter Ustinov)
(8:00PM) A Face in the Crowd (1957/2h 6m/Drama/Elia Kazan)
(10:15PM) Ace In The Hole (1951/1h 59m/Drama/Billy Wilder)
SUN MAY 05
(12:15AM) Dark Passage (1947/1h 46m/Film-NoiDelmer Daves)
(2:15AM) Yentl (1983/2h 14m/Musical/Barbra Streisand)
(4:30AM) Portnoy's Complaint (1972/1h 41m/Drama/Ernest Lehman)
(6:15AM) Harlan County, USA (1976/1h 43m/Documentary/Barbara Kopple)
(8:15AM) Black Fury (1935/1h 32m/Drama/Michael Curtiz)
(10:00AM) Dark Passage (1947/1h 46m/Film-NoiDelmer Daves)
(12:00PM) Random Harvest (1942/2h 4m/Romance/Mervyn Le Roy)
(2:30PM) Raintree County (1957/3h 7m/Drama/Edward Dmytryk)
(5:30PM) Gypsy (1962/2h 29m/Musical/Mervyn Le Roy)
(8:00PM) The Big Trail (1930/1h 50m/Western/Raoul Walsh)
(10:15PM) White Heat (1949/1h 54m/Crime/Raoul Walsh)
MON MAY 06
(12:15AM) The First Auto (1927/1h 15m/Silent/Roy Del Ruth)
(2:00AM) A River Called Titas (1973/2h 39m/Drama/Ritwik Ghatak)
(5:00AM) Busses Roar (1942/0h 58m/Drama/D. Ross Lederman)
(6:00AM) I Loved a Woman (1933/1h 30m/Drama/Alfred E. Green)
(7:45AM) The Keyhole (1933./1h 9m/Drama/Michael Curtiz)
(9:00AM) Age of Indiscretion (1935/1h 18m/Drama/Edward Ludwig)
(10:30AM) My Past (1931/1h 23m/Romance/Roy Del Ruth)
(11:45AM) Mannequin (1938/1h 35m/Romance/Lew Borzage)
(1:30PM) The Common Law (1932/1h 15m/Drama/Paul L. Stein)
(3:00PM) His Brother's Wife (1936/1h 30m/Romance/W. S. Van Dyke)
(4:30PM) Man On Fire (1957/1h 35m/Drama/Ranald Macdougall)
(6:15PM) One is a Lonely Number (1972/1h 37m/Drama/Mel Stuart)
(8:00PM) The Cheat (1915/0h42m/Silent/Cecil B. De Mille )
(9:15PM) The Dragon Painter (1919/0h 53m/Silent/William Worthington)
(10:15PM) The Tong Man (1919/0h 58m/Crime/William Worthington)
(11:30PM) Yellowface: Asian Whitewashing and Racism in Hollywood (2019/0h 54m/Documentary/Clara Kuperberg and Julia Kuperberg)
TUE MAY 07
(12:30AM) China Sky (1945/1h 18m/WaRay Enright)
(2:00AM) Sayonara (1957/2h 27m/Romance/Joshua Logan)
(6:00AM) Bed of Roses (1933/1h 7m/Drama/Gregory Lacava)
(7:15AM) Honeysuckle Rose (1980/1h 59m/Drama/Jerry Schatzberg)
(9:30AM) The Subject Was Roses (1968/1h 47m/Drama/Ulu Grosbard)
(11:30AM) The Blue Gardenia (1953/1h 30m/Suspense/Fritz Lang)
(1:00PM) Inside Daisy Clover (1965/2h 8m/Drama/Robert Mulligan)
(3:15PM) Brooklyn Orchid (1942/0h 50m/Comedy/Kurt Neumann)
(4:15PM) Brother Orchid (1940/1h 30m/Crime/Lloyd Bacon)
(6:00PM) Black Narcissus (1947/1h 39m/Drama/Michael Powell)
(8:00PM) North by Northwest (1959/2h 16m/Suspense/Alfred Hitchcock)
(10:30PM) A Matter of Life and Death (1947/1h 44m/Romance/Michael Powell)
WED MAY 08
(12:30AM) Forbidden Planet (1956/1h 38m/Science-Fiction/Fred Mcleod Wilcox)
(2:15AM) Citizen Kane (1941/1h 59m/Drama/Orson Welles)
(4:30AM) The Fountainhead (1949/1h 54m/Drama/King Vidor)
(6:30AM) The Shoes of the Fisherman (1968/2h 42m/Drama/Michael Anderson)
(9:30AM) Lone Star (1952/1h 34m/Western/Vincent Sherman)
(11:30AM) Rio Bravo (1959/2h 21m/Western/Howard Hawks)
(2:00PM) The Westerner (1940/1h 40m/Western/William Wyler)
(4:00PM) The Life and Times of Judge Roy Bean (1972/2h 0m/Western/John Huston)
(6:15PM) A Big Hand for the Little Lady (1966/1h 35m/Western/Fielder Cook)
(8:00PM) Shane (1953/1h 58m/Western/George Stevens)
(10:15PM) Hud (1963/1h 52m/Western/Martin Ritt)
THU MAY 09
(12:15AM) Spartacus (1960/3h 2m/Drama/Stanley Kubrick)
(3:45AM) Heidi (1937/1h 28m/Drama/Allan Dwan)
(5:30AM) Kim (1951/1h 53m/Adventure/Victor Saville)
(7:30AM) Dance, Fools, Dance (1931/1h 21m/Drama/Harry Beaumont)
(9:00AM) Possessed (1931/1h 12m/Romance/Clarence Brown)
(10:30AM) Laughing Sinners (1931/1h 11m/Romance/Harry Beaumont)
(11:45AM) Dancing Lady (1933/1h 22m/Musical/Robert Z. Leonard)
(1:30PM) Forsaking All Others (1934/1h 24m/Romance/W. S. Van Dyke)
(3:00PM) Chained (1934/1h 11m/Romance/Clarence Brown)
(4:30PM) Love on the Run (1936/1h 20m/Romance/W. S. Van Dyke)
(6:00PM) Boom Town (1940/1h 56m/Adventure/Jack Conway)
(8:00PM) History Is Made at Night (1937/1h 37m/Romance/Frank Borzage)
(10:00PM) Smilin' Through (1941/1h 40m/Romance/Frank Borzage)
FRI MAY 10
(12:00AM) Seven Sweethearts (1942/1h 38m/Musical/Frank Borzage)
(1:45AM) Flirtation Walk (1934/1h 37m/Musical/Frank Borzage)
(3:30AM) Shipmates Forever (1935/1h 49m/Musical/Frank Borzage)
(5:30AM) Hearts Divided (1936/1h 27m/Romance/Frank Borzage)
(7:00AM) No Other Woman (1933/0h 56m/Drama/J. Walter Ruben)
(8:00AM) Little Lord Fauntleroy (1936/1h 38m/Drama/John Cromwell)
(10:00AM) The Prisoner of Zenda (1937/1h 41m/Adventure/John Cromwell)
(12:00PM) Viva Villa! (1934/1h 55m/Western/Jack Conway)
(2:00PM) A Star Is Born (1937/1h 51m/Romance/William A. Wellman)
(4:00PM) Reckless (1935/1h 36m/Romance/Victor Fleming)
(5:45PM) A Tale of Two Cities (1935/2h/Drama/Jack Conway)
(8:00PM) Rebel Without a Cause (1955/1h 51m/Drama/Nicholas Ray)
(10:00PM) The Loneliness of the Long Distance Runner (1962/1h 44m/Drama/Tony Richardson)
SAT MAY 11
(12:00AM) Rumble Fish (1983/1h 34m/Action/Francis Ford Coppola)
(2:00AM) Wild Boys of the Road (1933/1h 17m/Drama/William A. Wellman(
(3:30AM) Crime School (1938/1h 26m/Drama/Lewis Seiler)
(5:00AM) Haunted Gold (1932/58m/Western/Mack V. Wright)
(6:00AM) Jungle Book (1942/1h 49m/Adventure/Zoltan Korda)
(8:00AM) MGM CARTOONS: Little Buck Cheeser (1937/0h 7m/Animation/Rudolf Ising)
(8:08AM) Believe It or Not #11 (1932/0h 7m/Documentary/?)
(8:16AM) India on Parade (1937/9m/Short/?)
(8:26AM) Attack of the 50 Foot Woman (1958/1h 5m/HorroNathan Hertz)
(9:30AM) Tom and Jerry (1955/0h 30m/Drama/Leo McCarey)
(10:00AM) POPEYE: Little Swee' Pea (1936/0h 7m/Animation/Dave Fleischer)
(10:08AM) The Falcon's Brother (1942/1h 3m/Mystery/Stanley Logan)
(11:30AM) Forbidden Passage (1941/0h 20m/Short/Fred Zinnemann)
(12:00PM) Sweet Charity (1969/2h 29m/Musical/Bob Fosse)
(2:45PM) Point Blank (1967/1h 32m/Crime/John Boorman)
(4:30PM) Roadblock (1951/1h 13m/Film-NoiHarold Daniels)
(6:00PM) American Graffiti (1973/1h 49m/Comedy/George Lucas)
(8:00PM) The Fisher King (1991/2h 17m/Dramedy/Terry Gilliam)
(10:30PM) Synecdoche, New York (2008/2h 4m/Dramedy/Charlie Kaufman)
SUN MAY 12
(12:45AM) Follow Me Quietly (1949/0h 59m/Film-NoiRichard O. Fleischer)
(2:15AM) Murder, She Said (1961/1h 26m/Mystery/George Pollock)
(4:00AM) Murder at the Gallop (1963/1h 21m/Mystery/George Pollock)
(5:30AM) MGM Parade Show #11 (1955/0h 25m/Documentary/?)
(6:00AM) Three Daring Daughters (1948/1h 55m/Musical/Fred M. Wilcox)
(8:00AM) Please Don't Eat the Daisies (1960/1h 51m/Comedy/Charles Walters)
(10:00AM) Follow Me Quietly (1949/0h 59m/Film-NoiRichard O. Fleischer)
(11:15AM) So Big (1953/1h 41m/Romance/Robert Wise)
(1:15PM) Pocketful of Miracles (1961/2h 16m/Comedy/Frank Capra)
(3:45PM) Mildred Pierce (1945/1h 53m/Drama/Michael Curtiz)
(5:45PM) Imitation of Life (1959/2h 5m/Romance/Douglas Sirk)
(8:00PM) I Remember Mama (1948/2h 14m/Drama/George Stevens)
(10:30PM) Yours, Mine, and Ours (1968/1h 51m/Comedy/Melville Shavelson)
MON MAY 13
(12:30AM) The Merry Widow (1925/1h 51m/Silent/Erich Von Stroheim)
(3:00AM) Unknown Pleasures (2002/1h 52m/Comedy/Jia Zhang-ke)
(5:00AM) The World (2004/2h 19m/Adventure/Jia Zhang-ke)
(7:30AM) Night Flight (1933/1h 24m/Drama/Clarence Brown)
(9:00AM) Sadie McKee (1934/1h 30m/Romance/Clarence Brown)
(10:45AM) Song of Love (1947/1h 59m/Western/Clarence Brown)
(12:45PM) Intruder in the Dust (1949/1h 29m/Drama/Clarence Brown)
(2:15PM) White Cliffs Of Dover (1944/2h 6m/Romance/Clarence Brown)
(4:30PM) Edison, the Man (1940/1h 47m/Drama/Clarence Brown)
(6:30PM) Wife Vs. Secretary (1936/1h 28m/Romance/Clarence Brown)
(8:00PM) Tokyo Joe (1949/1h 28m/Suspense/Stuart Heisler)
(9:45PM) The Geisha Boy (1958/1h 38m/Comedy/Frank Tashlin)
(11:45PM) Daughter of the Dragon (1931/1h 10m/Crime/Lloyd Corrigan)
TUE MAY 14
(1:00AM) Daughter of Shanghai (1937/1h 3m/Crime/Robert Florey)
(2:15AM) Escapade in Japan (1957/1h 33m/Adventure/Arthur Lubin)
(4:00AM) Bridge to the Sun (1961/1h 52m/Drama/Etienne Périer)
(6:00AM) Key Largo (1948/1h 41m/Crime/John Huston)
(8:00AM) Wind Across the Everglades (1958/1h 33m/Adventure/Nicholas Ray)
(9:45AM) Sweet Bird of Youth (1962/2h 0m/Drama/Richard Brooks)
(12:00PM) Bright Road (1953/1h 9m/Drama/Gerald Mayer)
(1:15PM) Good-Bye, My Lady (1956/1h 35m/Drama/William A. Wellman)
(3:00PM) Louisiana Story (1948/1h 17m/Documentary/Robert Flaherty)
(4:30PM) Cry of the Hunted (1953/1h 20m/Drama/Joseph H. Lewis)
(6:00PM) The Drowning Pool (1975/1h 46m/Mystery/Stuart Rosenberg)
(8:00PM) Rancho Notorious (1952/1h 29m/Western/Fritz Lang)
(9:45PM) Beach Party (1963/1h 41m/Musical/William Asher)
(11:30PM) Breathless (1983/1h 40m/Drama/Jim McBride)
WED MAY 15
(1:30AM) Two Weeks in Another Town (1962/1h 47m/Drama/Vincente Minnelli)
(3:30AM) Querelle (1982/1h 48m/Drama/Rainer Werner Fassbinder)
(5:30AM) The Boy Friend (1971/1h 48m/Musical/Ken Russell)
(7:30AM) Design for Scandal (1941/1h 25m/Romance/Norman Taurog)
(9:00AM) Live, Love and Learn (1937/1h 18m/Comedy/Geo. Fitzmaurice)
(10:30AM) The Kid from Kokomo (1939/1h 35m/Comedy/Lewis Seiler)
(12:15PM) Tender Comrade (1943/1h 42m/Drama/Edward Dmytryk)
(2:15PM) A Guy Named Joe (1943/2h 0m/Romance/Victor Fleming)
(4:30PM) We Who Are Young (1940/1h 19m/Romance/Harold S. Bucquet)
(6:00PM) Our Vines Have Tender Grapes (1945/1h 45m/Drama/Roy Rowland)
(8:00PM) Gigi (1958/1h 56m/Musical/Vincente Minnelli)
(10:15PM) Lili (1953/1h 21m/Musical/Charles Walters)
THU MAY 16
(12:00AM) Oliver! (1968/2h 33m/Musical/Carol Reed)
(2:45AM) Roberta (1935/1h 25m/Musical/William A. Seiter)
(4:45AM) Mame (1974/2h 12m/Musical/Gene Saks)
(7:15AM) The Pitfall (1948/1h 24m/Film-NoiAndre De Toth)
(9:00AM) The Set-Up (1949/1h 12m/Drama/Robert Wise)
(10:15AM) The Maltese Falcon (1941/1h 40m/Mystery/John Huston)
(12:00PM) Lady in the Lake (1947/1h 43m/Mystery/Robert Montgomery)
(2:00PM) They Live by Night (1948/1h 35m/Crime/Nicholas Ray)
(4:00PM) The Strange Love of Martha Ivers (1946/1h 56m/Film-NoiLewis Milestone)
(6:00PM) The Postman Always Rings Twice (1946/1h 51m/Film-NoiTay Garnett)
(8:00PM) The Mortal Storm (1940/1h 40m/Drama/Frank Borzage)
(10:00PM) Three Comrades (1938/1h 40m/Romance/Frank Borzage)
FRI MAY 17
(12:00AM) Flight Command (1940/1h 50m/Adventure/Frank Borzage)
(2:15AM) The Spanish Main (1945/1h 40m/Adventure/Frank Borzage)
(4:15AM) Strange Cargo (1940/1h 45m/Drama/Frank Borzage)
(6:15AM) The Shining Hour (1938/1h 20m/Drama/Frank Borzage)
(7:45AM) One of Our Spies Is Missing (1966/1h 0m/Adventure/E. Darrell Hallenbeck)
(9:30AM) Where the Spies Are (1965/1h 53m/Comedy/Val Guest)
(11:30AM) The Prize (1963/2h 16m/Mystery/Mark Robson)
(2:00PM) The Venetian Affair (1967/1h 32m//Mystery/Jerry Thorpe)
(3:45PM) How to Steal the World (1968/1h 26m/Adventure/Sutton Roley)
(5:15PM) 36 Hours (1964/1h 55m/WaGeorge Seaton)
(7:15PM) MGM Parade Show #11 (1955/0h 25m/Documentary/?)
(8:00PM) Separate But Equal (1991/3h 10m/History/?)
(11:30PM) The Murder of Mary Phagan (1988/4h 11m/Drama/?)
SAT MAY 18
(4:00AM) Freedom on My Mind (1994/1h 45m/Documentary/Connie Field)
(6:00AM) Gunga Din (1939/1h 57m/Adventure/George Stevens)
(8:00AM) MGM CARTOONS: Old Smokey (1938/0h 7m/Animation/William Hanna)
(8:08AM) Believe It or Not #12 (1932/0h 8m/Documentary/?)
(8:17AM) Natural Wonders of the West (1938/0h 8m/Documentary/James H Smith)
(8:27AM) Devil's Island (1940/1h 2m/Drama/William Clemens)
(9:30AM) Rookie Of The Year (1955/Comedy/John Ford)
(10:00AM) POPEYE: Hold the Wire (1933/0h 6m/Animation/Dave Fleisher)
(10:07AM) Falcon in Danger (1943/1h 13m/Mystery/William Clemens)
(11:30AM) The Song of Fame (1934/0h 21m/Short/Joseph Henabery)
(12:00PM) The Great Ziegfeld (1936/3h 0m/Musical/Robert Z. Leonard)
(3:15PM) The FBI Story (1959/2h 29m/Crime/Mervyn Le Roy)
(6:00PM) Cahill, U.S. Marshal (1973/1h 43m/Western/Andrew V. McLaglen)
(8:00PM) Jailhouse Rock (1957/1h 36m/Musical/Richard Thorpe)
(10:00PM) Forty Guns (1957/1h 18m/Western/Samuel Fuller)
SUN MAY 19
(12:00AM) Take Aim at the Police Van (1960/1h 19m/Film-NoiSeijun Suzuki)
(1:45AM) The Cowboys (1972/8m/Western/Mark Rydell)
(4:00AM) Chisum (1970/1h 50m/Western/Andrew V. McLaglen)
(6:00AM) Behind Office Doors (1931/1h 26m/Drama/Melville Brown)
(7:30AM) The Boss Didn't Say Good Morning (1937/10m/Short/Jacques Tourneur)
(8:00AM) Executive Suite (1954/1h 44m/Drama/Robert Wise)
(10:00AM) Take Aim at the Police Van (1960/1h 19m/Film-NoiSeijun Suzuki)
(11:45AM) The Roman Spring of Mrs. Stone (1961/1h 44m/Drama/José Quintero)
(1:45PM) Sex and the Single Girl (1964/1h 54m/Comedy/Richard Quine)
(3:45PM) Adam's Rib (1949/1h 41m/Comedy/George Cukor)
(5:45PM) Some Like It Hot (1959/2h 0m/Comedy/Billy Wilder)
(8:00PM) The Muppets Take Manhattan (1984/1h 34m/Musical/Frank Oz)
(10:00PM) Little Shop of Horrors (1986/1h 28m/Musical/Frank Oz)
MON MAY 20
(12:00AM) The Kiss (1929/50m/Silent/Jacques Feyder)
(12:50AM) Love (1927/1h 22m/Silent/Edmund Goulding)
(2:30AM) No End (1985/1h 44m/Drama/Krzysztof Kieslowski)
(4:30AM) Blind Chance (1981/2h 2m/Drama/Krzysztof Kieslowski)
(6:45AM) Athena (1954/1h 36m/Musical/Richard Thorpe)
(8:30AM) The Last Days of Pompeii (1935/1h 36m/Drama/Ernest B. Schoedsack)
(10:15AM) The Slave (1962/1h 32m/Adventure/Sergio Corbucci)
(12:15PM) Land of the Pharaohs (1955/1h 46m/Adventure/Howard Hawks)
(2:15PM) The Silver Chalice (1954/2h 24m/Drama//Victor Saville)
(4:45PM) Quo Vadis (1951/2h 51m/Drama/Mervyn Le Roy)
(8:00PM) House of Bamboo (1955/1h 42m/Crime/Samuel Fuller
(10:00PM) Green Mansions (1959/1h 44m/Romance/Mel Ferrer)
TUE MAY 21
(12:00AM) Hell to Eternity (1960/2h 12m/WaPhil Karlson)
(2:30AM) Grand Prix (1966/2h 59m/Adventure/John Frankenheimer)
(6:00AM) Mr. Chump (1938/1h 1m/Comedy/William Clemens)
(7:15AM) Mr. Hex (1946/1h 3m/Comedy/William Beaudine)
(8:30AM) Mr. Dodd Takes the Air (1937/1h 26m/Musical/Alfred E. Green)
(10:00AM) Mr. Doodle Kicks Off (1938/1h 17m/Comedy/Leslie Goodwins)
(11:30AM) Mr. Imperium (1951/1h 27m/Romance/Don Hartman)
(1:00PM) Mr. And Mrs. North (1941/1h 7m/Mystery/Robert B. Sinclair)
(2:15PM) Mr. Skeffington (1945/2h 7m/Drama/Vincent Sherman)
(4:45PM) Mr. Blandings Builds His Dream House (1948/1h 34m/Comedy/H. C. Potter)
(6:30PM) Mister Cinderella (1936/1h 15m/Comedy/Edward Sedgwick)
(8:00PM) The 5,000 Fingers of Dr. T (1953/1h 28m/Musical/Roy Rowland)
(9:45PM) The Red Shoes (1948/2h 14m/Romance/Michael Powell)
WED MAY 22
(12:15AM) Donkey Skin (1970/1h 30m/Drama/Jacques Demy)
(2:00AM) The Glass Slipper (1955/1h 34m/Musical/Charles Walters)
(3:45AM) Brigadoon (19541h 48m/Musical/Vincente Minnelli)
(5:45AM) Thief of Bagdad (1940/1h 46m/Adventure/Ludwig Berger)
(7:45AM) Lord of the Flies (1963/1h 30m/Drama/Peter Brook)
(9:30AM) Tunes of Glory (1960/1h 45m/WaRonald Neame)
(11:30AM) Tom Jones (1963/2h 11m/Comedy/Tony Richardson)
(1:45PM) The Lady Vanishes (1938/1h 37m/Suspense/Alfred Hitchcock)
(3:30PM) Oliver Twist (1948/1h 56m/Drama/David Lean)
(5:30PM) Sense and Sensibility (1995/2h 15m/Romance/Ang Lee)
(8:00PM) Marty (1955/1h 31m/Romance/Delbert Mann)
(9:45PM) Harvey (1950/1h 44m/Comedy/Henry Koster)
THU MAY 23
(12:00PM) Alice (1990/1h 25m/Comedy/Woody Allen)
(2:00AM) Tommy (1975/1h 51m/Musical/Ken Russell)
(4:00AMP Lenny (1974/1h 51/Drama/Ken Russell)
(6:00AM) Marriage on the Rocks (1965/1h 49m/Comedy/Jack Donohue)
(8:00AM) The Tender Trap (1955/1h 51m/Comedy/Charles Walters)
(10:00AM) Big City (1948/1h 43m/Crime/Norman Taurog)
(12:00PM) Neptune's Daughter (1949/1h 33m/Musical/Edward Buzzell)
(2:00PM) On the Town (1949/1h 38m/Musical/Gene Kelly)
(4:00PM) Take Me Out to the Ball Game (1949/1h 33m/Musical/Busby Berkeley)
(5:45PM) Words and Music (1948/1h 59m/Musical/Norman Taurog)
(8:00PM) How Green Was My Valley (1941/1h 58m/Drama/John Ford)
(10:15PM) Seven Samurai (1956/2h 40m/Drama/Akira Kurosawa)
FRI MAY 24
(2:00AM) The Battle of Algiers (1966/2h 0h/WaGillo Pontecorvo)
(3:15AM) Lust for Life (1956/2h 2m/Drama/Vincente Minnelli)
(5:30AM) MGM Parade Show #11 (1955/0h 25m/Documentary/?)
(6:00AM) A Day at the Races (1937/1h 45m/Comedy/Sam Wood)
(8:00AM) I Love You Again (1940/1h 39m/Comedy/W. S. Van Dyke II)
(10:00AM) The Loved One (1965/1h 56m/Comedy/Tony Richardson)
(12:15PM) The Awful Truth (1937/1h 30m/Comedy/Leo McCarey)
(2:00PM) No Time For Sergeants (1958/1h 59m/Comedy/Mervyn Le Roy)
(4:15PM) The Sunshine Boys (1975/1h 51m/Comedy/Herbert Ross)
(6:15PM) The Producers (1967/1h 28m/Comedy/Mel Brooks)
(8:00PM) The Caine Mutiny (1954/2h 5m/Drama/Edward Dmytryk)
(10:15PM) Platoon (1986/2h 0m/WaOliver Stone)
SAT MAY 25
(12:30AM) Men in War (1957/1h 44m/WaAnthony Mann)
(2:15\AM) The Steel Helmet (1951/1h 24m/WaSamuel Fuller)
(4:00AM) Go for Broke! (1951/1h 32m/WaRobert Pirosh)
(5:45AM) The Human Comedy (1943/1h 58m/Drama/Clarence Brown)
(7:45AM) Merrill's Marauders (1962/1h 38m/WaSamuel Fuller)
(9:30AM) They Were Expendable (1945/2h 15m/WaJohn Ford)
(12:00PM) Thank Your Lucky Stars (1943/2h 7m/Musical/David Butler)
(2:15PM) Onionhead (1958/1h 50m/Comedy/Norman Taurog)
(4:15PM) The Story of G. I. Joe (1945/1h 49m/WaWilliam A. Wellman)
(6:15PM) A Farewell to Arms (1932/1h 18m/Romance/Frank Borzage)
(8:00PM) Attack (1956/1h 47m/WaRobert Aldrich)
(10:00PM) Captains of the Clouds (1942/1h 53m/WaMichael Curtiz)
SUN MAY 26
(12:00AM) Bad for Each Other (1954/1h 23m/Film-NoiIrving Rapper)
(1:45AM) Men Of The Fighting Lady (1954/1h 20m/WaAndrew Marton)
(3:15AM) The Red Badge Of Courage (1951/1h 9m/Drama/John Huston)
(4:45AM) Wings For The Eagle (1942/1h 23m/WaLloyd Bacon)
(6:15AM) The Fighting 69th (1940/1h 30m/WaWilliam Keighley)
(7:45AM) Mister Roberts (1955/2h 3m/Comedy/John Ford)
(10:00AM) Bad for Each Other (1954/1h 23m/Film-NoiIrving Rapper)
(11:45AM) The Naked and the Dead (1958/2h 11m/WaRaoul Walsh)
(2:15PM) The Dirty Dozen (1967/2h 29m/WaRobert Aldrich)
(5:00PM) The Great Escape (1963/2h 48m/WaJohn Sturges)
(8:00PM) The Memphis Belle: A Story of a Flying Fortress (1944/40m/Documentary/Lt. Col. William Wyler)
(9:00PM) The Cold Blue (2018/1h 41m/Documentary/Erik Nelson)
(11:00PM) The Best Years Of Our Lives (1946/2h 52m/Drama/William Wyler)
MON MAY 27
(2:00AM) The Flying Fleet (1929/1h 27m/Silent/George Hill)
(2:15AM) The Flying Fleet (1929/1h 27m/Silent/George Hill)
(3:45AM) The Burmese Harp (1956/1h 56m/WaKon Ichikawa)
(4:00AM) The Burmese Harp (1956/1h 56m/WaKon Ichikawa)
(6:00AM) The Cranes Are Flying (1957/1h 34m/Romance/Mikhail Kalatozov)
(7:45AM) Appointment in Tokyo (1946/0h 55m/Documentary/Maj. Jack Hively)
(8:45AM) The McConnell Story (1955/1h 47m/Drama/Gordon Douglas)
(10:45AM) War Nurse (1930/1h 20m/WaEdgar Selwyn)
(12:15PM) Cry 'Havoc' (1944/1h 37m/WaRichard Thorpe)
(2:00PM) Bataan (1943/1h 54m/WaTay Garnett)
(4:00PM) The Rack (1956/1h 40m/Drama/Arnold Laven)
(5:45PM) Darby's Rangers (1958/2h 1m/WaWilliam A. Wellman)
(8:00PM) Three Came Home (1950/1h 46m/WaJean Negulesco)
(10:00PM) The Bridge on the River Kwai (1957/2h 41m/Drama/David Lean)
TUE MAY 28
(2:00AM) Assignment in Brittany (1943/1h 36m/Drama/Jack Conway)
(3:45AM) Sergeant York (1941/2h 14m/WaHoward Hawks)
(6:15AM) Mummy's Boys (1936/1h 8m/Comedy/Fred Guiol)
(7:30AM) My Demon Lover (1987/1h 27m/Comedy/Ted G, Vujovich)
(9:00AM) The Smiling Ghost (1941/1h 11m/Suspense/Lewis Seiler)
(10:30AM) Singapore Woman (1941/1h 4m/Drama/Jean Negulesco)
(11:45AM) The Reptile (1966/1h 30m/HorroJohn Gilling)
(1:30PM) Death Curse of Tartu (1966/HorroWilliam Grefé)
(3:00PM) Curse of the Demon (1958/1h 35m/HorroJacques Tourneur)
(4:30PM) The Curse of the Mummy's Tomb (1964/1h 21m/HorroMichael Carreras)
(6:00PM) Sphinx (1981/1h 58m/Adventure/Franklin J. Schaffner)
(8:00PM) Jason And The Argonauts (1963/1h 44m/Adventure/Don Chaffey)
(10:00PM) King Kong (1933/1h 40m/HorroMerian C. Cooper)
WED MAY 29
(12:00AM) Metropolis (1926/2h 23m/Silent/Fritz Lang)
(2:45AM) Modern Times (1936/1h 27m/Silent/Charlie Chaplin)
(4:15AM) Eraserhead (1977/1h 40m/HorroDavid Lynch)
(6:00AM) Beauty and the Beast (1946.1h 35m/Romance/Jean Cocteau)
(7:45AM) The Merry Widow (1934/1h 39m/Musical/Ernst Lubitsch)
(9:30AM) The Red Danube (1949/1h 59m/Drama/George Sidney)
(11:45AM) Conquest (1937/1h 52m/Romance/Clarence Brown)
(1:45PM) National Velvet (1944/2h 5m/Drama/Clarence Brown)
(4:00PM) Invitation to the Dance (1956/1h 33m/Musical/Gene Kelly)
(5:45PM) The Sea of Grass (1947/2h 11m/Drama//Elia Kazan)
(10:00PM) Ninotchka (1939/1h 50m/Comedy/Ernst Lubitsch)
THU MAY 30
(12:00AM) Camille (1937/1h 48m/Romance/George Cukor)
(2:00AM) Suzy (1936/1h 39m/Drama/Geo. Fitzmaurice)
(3:45AM) Marius (1931/2h 5m/Comedy/Alexandre Korda)
(6:00AM) British Agent (1934/1h 21m/Suspense/Michael Curtiz)
(7:30AM) Crossroads (1942/1h 24m/Suspense/Jack Conway)
(9:00AM) Mission to Moscow (1943/2h 3m/Drama/Michael Curtiz)
(11:15AM) Princess O'Rourke (1943/1h 34m/Comedy/Norman Krasna)
(1:00PM) A Majority of One (1961/2h 33m/Comedy/Mervyn Le Roy)
(3:30PM) The Notorious Landlady (1962/2h 3m/Comedy/Richard Quine)
(5:45PM) The Ugly American (1963/2h 0h/Drama/George Englund)
(8:00PM) The Front Page (1974/1h 45m/Comedy/Billy Wilder)
(10:00PM) The Front Page (1931/1h 41m/Comedy/Lewis Milestone)
FRI MAY 31
(12:00AM) His Girl Friday (1940/1h 32m/Comedy/Howard Hawks)
(2:00AM) Switching Channels (1988/1h 45m/Comedy/Ted Kotcheff)
(4:00AM) Hooper (1978/1h 39m/Comedy/Hal Needham)
(6:00AM) Wild Rovers (1971/1h 50m/Western/Blake Edwards)
(8:30AM) The Great Bank Hoax (1977/1h 33m/Comedy/Joseph Jacoby)
(10:15AM) Larceny, Inc. (1942/1h 35m/Comedy/Lloyd Bacon)
(1:30PM) Going in Style (1979/1h 37m/Comedy/Martin Brest)
(3:30PM) The Getaway (1972/2h 2m/Crime/Sam Peckinpah)
(5:45PM) Dog Day Afternoon (1975/2h 10m/Crime/Sidney Lumet)
(8:00PM) The Public Enemy (1931/1h 14m/Crime/William A. Wellman)
(9:30PM) Brian's Song (1971/1h 30m/Drama/Buzz Kulik)
(11:00PM) The Bingo Long Traveling All-Stars and Motor Kings (1976/1h 50m/Comedy/John Badham)

Hi me & my husband are going on first cruise and I have a couple questions. Can we carry on our luggage? Where to leave our vehicle for the duration of the cruise? Any tips?? 😁

Howdy,
I'll be potentially (haven't locked it down yet) going on a 6 day cruise starting from Galveston followed by the 3 stops Costa Maya, Belize, and Cozumel. It would be in November and would be sailing on Carnival Dream which I've read good things about it from this sub so not to worried about that though if you have a favorite spot on the ship I'd love to know about it. My main question is- is there fun excursions for people who don't drink, or wanna hang out at a resort for the day? I'm hoping to "explore" places like ruins, snorkel, maybe even scuba. It's my first cruse as an adult and my family member has handed me the reigns so I'm feeling a bit nervus that this is the right cruise and choose of destinations for people wanting to see cool stuff rather then relax. Thank you for any and all advice, opinions, and knowledge of your prior experience.

Why does it seem like carnival has way way fewer Galveston itineraries stopping at Grand Cayman since COVID?

Hello all, I booked a cruise for my husband and I on Carnival in November for his birthday. A friend of mine just told me about the background check they do and now I’m worried my husband won’t be able to board the ship and we’ll be out of the money we paid. He is a convicted felon and the charge is aggravated robbery from 2003, when he was young and stupid. He served his time and was released in 2012. Should I just cancel the trip at this point? I booked back in August of last year.
EDIT: We are leaving Galveston and going to Cozumel.

It is necessary to insist on the word. Just like certain infections of the blood, which cause a wide range of illnesses, not excepting those which can be cured in the madhouse, activism is an illness of the workers movement that requires continuous treatment.
Activism always claims to possess the correct understanding of the circumstances of political struggle, and that it is “equal to the situation”, but it is incapable of engaging in a realistic evaluation of the relations of force, enormously exaggerating the possibilities of the subjective factors of the class struggle.
It is therefore natural that those affected by activism react to this criticism by accusing their adversaries of underestimating the subjective factors of the class struggle and of reducing historical determinism to that automatic mechanism which is also the target of the usual bourgeois critique of Marxism. That is why we said, in Point 2 of Part IV of our “Fundamental Theses of the Party”:
“… [t]he capitalist mode of production expands and prevails in all countries, under its technical and social aspects, in a more or less continuous way. The alternatives of the clashing class forces are instead connected to the events of the general historical struggle, to the contrast that already existed when bourgeoisie [began to] rule [over] the feudal and precapitalistic classes, and to the evolutionary political process of the two historical rival classes, bourgeoisie and proletariat; being such a process marked by victories and defeats, by errors of tactical and strategical method.”
This amounts to saying that we maintain that the stage of the resumption of the revolutionary workers movement does not coincide only with the impulses from the contradictions of the material, economic and social development of bourgeois society, which can experience periods of extremely serious crises, of violent conflicts, of political collapse, without the workers movement as a result being radicalized and adopting extreme revolutionary positions. That is, there is no automatic mechanism in the field of the relations between the capitalist economy and the revolutionary proletarian party.
It could be the case, as in our current situation, that the economic and social world of the bourgeoisie is riddled with serious tremors that produce violent conflicts, but without the revolutionary party obtaining as a result any possibilities of expanding its activity, without the masses subjected to the most atrocious exploitation and fratricidal massacres being capable of unmasking the opportunist agents, who implicate their fate with the disputes of imperialism, without the counterrevolution loosening its iron grip on the ruled class, on the masses of the dispossessed.
To say, “An objectively revolutionary situation exists, but the subjective element of the class struggle, the class party, is deficient”, is wrong at every moment of the historical process; it is a blatantly meaningless assertion, a patent absurdity.
It is true, however, that in every wave of struggle, even those that pose the greatest threat to the existence of bourgeois rule, even when it seems that everything (the machinery of state, the social hierarchy, the bourgeois political apparatus, the trade unions, the propaganda system) has come to a halt and is heading towards its end, to its destruction, the situation will never be revolutionary, but will for all intents and purposes be counterrevolutionary, if the revolutionary class party is weak, underdeveloped and theoretically unstable.
A situation of profound crisis in bourgeois society is susceptible to leading to a movement of revolutionary subversion when “… the ‘lower classes’ do not want to live in the old way and the ‘upper classes’ cannot carry on in the old way….” (Lenin, “Left-Wing Communism”, An Infantile Disorder), that is, when the ruling class can no longer effectively operate its own mechanism of repression, and when “… a majority of the workers … fully realise that revolution is necessary”.
Such a consciousness on the part of the workers can only be expressed in the class party, which is in the last analysis the determinant factor of the transformation of the bourgeois crisis into the revolutionary catastrophe of all of society.
It is therefore necessary, in order to save society from the “mare magnum” in which it has fallen, and for which purpose the ruling class is incapable of offering any help, because it is incapable of discovering the appropriate new forms for liberating the productive forces and directing them towards new development, that there should be a collective revolutionary organ of thought and of action that will channel and illuminate the subversive will of the masses.
The “not wanting to live in the old way” of the masses, the will to struggle, the impulse to act against the class enemy, presuppose, within the ranks of the proletarian vanguard that is called upon to develop the function of guide of the revolutionary masses, the crystallization of a solid revolutionary theory.
In the party, consciousness precedes action, unlike what takes place among the masses and at the level of the individual.
If, however, someone were to say that this is nothing new, nothing really modern, and inquire whether we are trying to turn the revolutionary party into a small circle of scholars, of theoretical observers of social reality? Never. In Point 7 of Part IV of our 1951 “Fundamental Theses of the Party”, we read:
“Although small in number and having but few [connections] with the proletarian masses, in fact jealously attached to its theoretical tasks, which are of prime importance, the Party, because of this true appreciation of its revolutionary duties in the present period, refuses to become a circle of thinkers or of those searching for new truths, of ‘renovators’ considering as insufficient the past truth, and absolutely refuses to be considered as such.”
Nothing could be more clear!
The transformation of the bourgeois crisis into class war and revolution presupposes the objective collapse of the social and political framework of capitalism, but this is not even potentially possible if the great mass of the workers is not won over to or influenced by the revolutionary theory disseminated by the party, a theory that is not improvised on the barricades. But will this theory perhaps be distilled behind closed doors by scholarly labors without any connection to the masses?
In response to this stupid accusation made by the fanatics of activism, one may quite correctly respond that, the indefatigable and assiduous labor of defense waged on behalf of the doctrinal and critical patrimony of the movement, the everyday tasks of immunization of the movement against the poisons of revisionism, the systematic explanation, in the light of Marxism, of the most recent forms of organization of capitalist production, the unmasking of the attempts on the part of opportunism to present such “innovations” as anti-capitalist measures, etc., all of this is struggle, the struggle against the class enemy, the struggle to educate the revolutionary vanguard, it is, if you prefer, an active struggle that is nonetheless not activism.
Do you seriously believe (while the whole gigantic bourgeois machine is committed from morning to night, not so much, please note, in refuting the revolutionary theory, as it is in demonstrating that socialist demands can be realized against Marx and against Lenin, and when not only political parties but also established governments swear that they govern, that is, oppress, the masses, in the name of communism) that the arduous and exhausting task of restoring the revolutionary Marxist critique, is merely a theoretical undertaking?
Who would dare to deny that it is also a political labor, an active struggle against the class enemy? Only he who is possessed by the demons of activist action could think such a thing.
The movement, even if it is weak in terms of numbers of adherents, that works on its newspapers, on its meetings, on holding factory discussions, to free revolutionary theory from unprecedented adulterations, from opportunist contaminations, thus performs a revolutionary labor, a labor for the proletarian revolution.
By no means can it be said that we conceive the task of the party as a “struggle of ideas”.
Totalitarianism, State Capitalism, and the downfall of the socialist revolution in Russia are not “ideas” against which we oppose our own ideas: they are real historical phenomena, which have eviscerated the proletarian movement by leading it onto the treacherous terrain of anti-fascist partisan formations, the ranks of the fascists, the national front, pacifism, etc.
Those who, even if they are few in number and far removed from the limelight of “grand politics”, carry out a labor of Marxist interpretation of these real phenomena and a labor of confirmation of Marxist predictions (and it seems to us that there has been no serious examination of these problems outside of the fundamental positions advocated in our Prometeo, and especially in the study, “Property and Capital”), are nonetheless assuredly performing a revolutionary task, because they are establishing from this point on the itinerary and the starting point of the proletarian revolution.
The resumption of the revolutionary movement does not require, for its realization, the crisis of the capitalist system as a potential eventuality; the crisis in the capitalist mode of production is already a reality, the bourgeoisie has experienced all the possible stages of its historical career, State Capitalism and imperialism mark the extreme limits of its evolution, but the fundamental contradictions of the system persist and are becoming more acute. The crisis of capitalism has not been transformed into the revolutionary crisis of society, into a revolutionary class war, and the counterrevolution is still triumphant even though capitalist chaos gets worse, because the workers movement is still crushed under the weight of the defeats it suffered over the last thirty years due to the strategic errors committed by the communist parties of the Third International, errors that have led the proletariat to look upon the weapons of the counterrevolution as its own weapons.
The resumption of the revolutionary movement is still nowhere in sight because the bourgeoisie, putting into practice bold reforms in the organization of production and of the State (State Capitalism, totalitarianism, etc.), has delivered a shattering and disorienting blow, sowing doubt and confusion, not against the theoretical and critical foundations of Marxism, which remain intact and unaffected, but rather against the capacity of the proletarian vanguards to apply those Marxist principles precisely in the interpretation of the current stage of bourgeois development.
In such conditions of theoretical disorientation, is the labor of restoring Marxism against opportunist distortions merely a theoretical task?
No, it is the substantial and committed active struggle against the class enemy.
Ostentatious activism seeks to make the wheels of history turn with Waltz steps, swinging its derriere to the electoral symphony.
It is an infantile disorder of communism, but it spreads marvelously even in the sanitarium of politics, where the retirees of the workers movement go to die.
Requiescant in pace … and then as if by magic they mobilize like an armored division, as soon as they are sent to conquer the factory nuclei of our groups—to count our members you really do not need an electronic calculator—and they claim, making you laugh, that these chickens and ducks, the imperialist blocs, are identical in weight, form and color, they are of equal strength, and with this sophistry they exhaust their very fluid analysis of the situation, which they deny that anyone else is capable of undertaking; and they finally give in to the deadly temptation that the easy chairs of parliament or some government ministry exercise over their sorry old behinds….
All the activist psalms end in electoral glory. Back in 1917, we saw the sordid conclusion of the super-activism of social democracy: after decades of activity entirely devoted to the conquest of parliamentary seats, of mixed trade union commissions, and of political influence, that had bathed them in an aura of unstoppable activism.
When the time came for the armed insurrection against capitalism, however, it was seen that the only party to engage in that insurrection was the party that had the least experience “working among the masses” during the years of preparation, the one that more than any other had worked to preserve Marxist theory. It was then seen that those who possessed a solid theoretical training marched against the class enemy, while those who had a “glorious” patrimony of struggles shamefully choked on their own words and went over to the side of the enemy.
So we are familiar with the fanatics of activism. Compared to them, carnival barkers are gentlemen. That is why we maintain that there is only one way to avoid their contagion: the classic kick in the ass.

I guess I’m stopping by to wave and say hi. And celebrate.
Very long story short, I spent 2 years as Cruise Staff with Norwegian Cruise Line. Then a boy broke my heart, and I resigned and returned to land for a regular job and some time to heal. Then covid happened 🤷🏻‍♀️
Now it’s time! My passion for cruising and for world travel has very much returned, and I can’t wait to get started sending out my resume again and get back to Ship Life.
I also booked one! My first ever Carnival cruise: Carnival Dream out of Galveston in 60 days. I don’t know the first thing about how things work at Carnival, I assume a lot is different. Time to study!