Hi!
Female, 28, 150lbs.
Friday afternoon I noticed this rash on my right hip. Initially it was pretty itchy but I was able to ignore it as the day went on. One thing that stood out about this rash was that it was sore to touch, which was noticeable throughout the day but nothing too serious. I figured it would go away if I didn’t pay it any attention so I left it over the weekend since I was going on vacation. Fast forward to today and the rash has not gone down in size. It is itchy when agitated but the soreness is definitely noticeable, especially when I walk. The pain almost feels like I got an IM injection there. One other thing I noticed is that I now have a hard and moveable lump on my right groin - that is also painful to touch. I decided to go to urgent care today because google told me it could be lymphoma, but the Dr I saw today said it could be shingles, herpes, or cellulitis. I’ve had both the varicella vaccine and chicken pox, and I’ve been in a committed relationship for the last 6 years. I also don’t recall getting cut/bit on my right thigh so I don’t know how I would’ve gotten cellulitis.
I’ll attach a picture of the rash below but any input is appreciated. Since I’m out of the 72 hour window, the Dr said that antivirals wouldn’t be helpful so he prescribed me oral antibiotics to take until my swab comes back.

High Context
Expression takes many forms. In this book I have interpreted the word media in a broad sense and treated each form of expression that I have discussed as an independent medium. What, then, is the reason for the existence of multiple media like manga, anime, and film? Are these simply multiple forms for mediating the same reality? Not at all. Multiple media exist in order to support multiple fictions. We clearly perceive the form of a particular expression at the same time as we take in its content. The various media function as a kind of context, or a transparent and continuous totality that attaches meaning to content. In this instance the media themselves attain their own unique contextuality. For example, we are not in the least confused if a heroine who breaks down in tears in a television drama suddenly appears smiling in a commercial during the break. This is because it is very easy for us to shift instantaneously between the context of the drama and the commercial.
In an earlier work I referred to this idea of the unique contextuality of each medium as the “representation context,” in order to use it in a more limited sense. This is because it is possible to use the media form itself as a form of representation. As I explained in chapter 1, my use of the term context is based chiefly on a combination of the ideas of G. Bateson and E. T. Hall, which I Have also explained in greater detail elsewhere. For our purposes here, it is possible to understand the contexts contributing to expression as existing in hierarchical strata. In the case of manga, the first context level is that of the narrative that gives meaning to the characters’ actions. Above that is the genre of the narrative - the expressive context that determines whether it is to be taken seriously or as a gag. The representational context is one level above this. Or, if we order them from top down, the process by which we understand the content of a manga can be understood as a hierarchical series of stages beginning with the work’s representational context (manga), proceeding to its expressive context (genre), on to the narrative context, and finally to the comprehension of the content. Of course, in actual fact we have to admit that this sort of hierarchy is ultimately not valid. It goes without saying that content and context exist in a relationship based on simultaneous and mutual corroboration. Therefore I should emphasize that the notion of representation context serves only for convenience of description and is not in any sense an isolatable object.
It is possible, for example, to think of visual media in the order of their dependence on representational contextuality. Contextuality in this case refers to the degree to which the form of expression itself determines the context expressed. In order of descending contextuality, then, we have anime, manga, television, film, and photographs. The statement “I saw a photograph,” for example, conveys no meaning on its own. But the statement “I saw an anime” evokes a relatively concrete image in the listener’s mind. This is because the anime form restricts the range of content much more than does the photograph. In other words, anime has the highest level of contextuality and photography the lowest. Here I follow Hall in calling this the “high context” nature of anime. In general, we can say that more popular forms of expression tend to be higher context (as in the difference between classical and popular music). In visual media, the less information conveyed on the screen, the higher the context (this being the difference between television and film). Thus “cool” media (with low levels of detail) tend toward higher context.
Let us think more concretely about the high-context nature of anime and manga. We have already established that form and content are intricately connected in both. In the case of these expressive forms, we can easily makes guesses about the content and authorship even of works that we know nothing about. Even a single frame of the work will be enough to tell us the genre, the orientation of the content, and sometimes even the identity of the author. Moreover, the instantaneous switching between the “gag” and “serious” modes that would be unthinkable in film but forms part of the grammar of anime (its so-called yakusoku [conventions]) can be explained only on the basis of this high-context nature.
I think of high context as the sensibility that emerges when there is no sense of distance between the producer and the consumer of a given media form . Once we immerse ourselves in this high-context space, the meaning of all stimuli is grasped instantaneously. Inevitably, emotional codes are more easily transmitted here than verbal ones. This high-density transmissibility enables extremely high levels of concentration and absorption.
Intersubjective Mediation, or Media Theory
Based on what I have said above, we can identify the difference between film and anime or manga first in terms of contextuality.
Is this the place for us to move to a discussion of media theory? Is the desire for the beautiful fighting girls a sign of an internal transformation, an “implosion” and extension brought on by our contemporary media environment? In some senses this may be true, but in others it is certainly not.
The development of the media environment has in fact partly transformed the structure of our society. The development of the mass media industry itself is one manifestation of this transformation. Its influence on the economy and on education has, of course, been enormous. But to what extent does this transformation penetrate our inner worlds?
In clinical terms there has not been the slightest structural transformation. The structure of our neurotic subjectivity remains intact, just as Freud discovered it a century ago. If asked to prove this, most analysts would say that it is not their role to offer general proofs of anything. This, too, has not changed in a hundred years. Analysts can speak about the truth. But, or perhaps therefore, they cannot prove what is true. But, or perhaps therefore, they cannot prove what is true. To say that the structure of the subject is intact is to say that the structure of desire has been maintained. What needs to be emphasized here is that, in order for the structure of desire to be maintained, the object of desire must constantly change. If the object of our desire looks different than it did a hundred years ago, this is only a change in appearance that results from the continual maintenance that we as subjects have performed on the structure of that desire. Yes, the development of media has brought about an outward change, a superficial change in the objects of our desire.
From this we can derive at least two psychoanalytic hypotheses. If we use Lacan’s divisions, the stability of the subject denotes primarily the stability of the relationality between the Symbolic and the Real. Moreover, the internal transformation that Marshall McLuhan referred to as “implosion” can be considered mainly as having emerged as a change on the level of form in the Imaginary. Herein lies one of the thorniest difficulties of media theory. If voice and writing are themselves already forms of media, what exactly have modern media been able to add to the equation? The transformation of the subject in the Imaginary can always make it seem as if nothing has happened. As long as this is the case, the appearance of media theory will remain in the always-awaited future, and its conclusions will only continue to be deferred.
But perhaps there is something to be gained nonetheless by taking a detour here and considering the mutual operations of the media environment and the Imaginary. The development of media is clearly most striking in the visual realm. Already we are able in principle to see any sort of image whatsoever. If we so desire, we can also keep large numbers of images in our possession on a computer hard drive. There is no little significance in the fact that, as is so apparent in the case of the ever-increasing functionality of the personal computer, it has become very easy for us not just to preserve but to reproduce, manipulate, and transmit visual information about all sorts of experiences. Our imaginary has been dramatically expanded and accelerated by the media, or extended through “implosion.”
The diversification of methods of mediation has had a number of effects. One of these is the potential impoverishment of content and form. As was clear in the case of the beautiful fighting girls, the narratives in a diversified media environment are surprisingly similar to each other. As I pointed out in chapter 5, there are hundreds of examples of the beautiful fighting girl genre, but only thirteen story lines. From the 1990s on, no new story lines emerged, and new works were simply rearrangements of old ones. In this case at least, we can say that, while the diversification of media may contribute to the outward diversification of the works, we need to be aware of the possibility that it encourages the involution of the genre as a whole.
The more information is exchanged, the more redundancies there are and the more monotonous it becomes . For example, now that communication by personal computer has become the norm, people read and perhaps write enormous amounts of text every day . As a result, we see developing a common “computer style” of writing that is excellent for transmitting information but extremely limited in its capacity for description and definition. The impoverishment of visual information is most evident in the spread of anime-style images.
So what is this about? Increasing the level of detail or rendering movement more subtly in anime would take exponentially more money and time. But of course these luxuries are not always possible. On the other hand, too much abbreviation reduces the images to mere signs and makes for a very dreary representation (like the Saturday morning cartoons in the United States, where the only facial movements are blinking eyes and opening and closing mouths). The solution to the problem in Japan was, I believe, the introduction of the “big eyes and small mouth” that has become the tradition in Japanese anime.
The only parts of a manga that cannot be drawn by assistants are the face, and particularly the eyes, of the main characters. The author’s style appears in its most concentrated form in the facial expression and the eyes. The shortcut technique that resulted from this was to divide up the drawing of the background among assistants and make the characters like simple signs. This made possible the division of labor. Then, to avoid making the characters too much like mere signs, the facial expression, particularly the eyes, and the hands are drawn with great care. Among all the human organs, these occupy the position closest to the grammatical subject. Drawing the eyes and hands with special care has the same value as inserting text. Or, to put it the other way around, as long as the eyes and hands are carefully drawn, the rest can be abbreviated. Then one can add more facial expressions and make them more complex with manpu. This procedure enables the streamlining of the production process while also effectively communicating a wide variety of subtle emotional codes, making it easy for the viewer to identify emotionally. This is likely the origin of the too-large eyes and tiny mouth that Westerners so often point out in Japanese manga and anime. The anime image is the result of a sophisticated technique that enables a maximum of communication with a minimum of lines.
One noticeable trend in recent years, which may have to do mostly with keeping costs down, is that even as the images are drawn with greater and greater sophistication of design and coloration, they tend to move much less. The appearance of movement is skillfully produced by blurring the image, using flashes of lights, and bank sequences [19*. Bank sequences, or Bankukatto, are sequences of animation that can be used repeatedly, such as when a heroine is transforming or assuming a decisive pose.], but on closer inspection there is actually very little movement. The impact of “anime images” results from drawings so refined that this sort of thing no longer appears unnatural. Moreover, because there is no need for the drawings to be particularly intricate, they can be easily digitized, which makes it possible to transfer them into a computer game without altering them. This style of drawing, which is devoid of texture and consists only of fine lines and surfaces, helps smooth the flow of the so-called media mix as the images are transplanted from comics to anime to film, games, figurines, and toys.
The space of manga and anime has introduced easily shareable code systems into our Imaginary. This shareability, in turn, introduces elements of polymorphous perversion into that space. As a result, in the 1980s we first became aware of a very important fact, namely, that even the objects of our sexuality were shareable through the mediation of manga and anime. This realization led to the explosive growth of sexualized images in this space. Of course, the wholesome notion that manga and anime are basically for children exists even now. But even this constraint was converted into a useful technique. Depicting sex in a context that is for children almost inevitably produces undifferentiated, which to say polymorphously perverse, effects. <also, and a much darker scene between the protagonist Utena and the antagonist Akio in the episode The Prince Who Runs Through the Night, a friend pointed this out to me, in terms of what it’s depicting and how True it is. The disassociation and ambivalence that suffuses a traumatic event…>.
To create an autonomous object of desire within the fictional space of manga and anime: was this not the ultimate dream of the otaku? They sought to create fiction not as a stand-in for the “real” sexual object, but fiction that had no need to be secured by reality. For this to work, not even the most elaborately constructed fictional worlds would suffice. In order for fiction to attain its own autonomous reality, it would have to be desired for its own sake. Only then would reality bow down to fiction.
“Fiction” versus “Reality”
Earlier I referred rather casually to the contrast between “fiction” and “reality.” Of course, I do not accept this contrast naively. In fact, it is my belief that everyday reality is itself nothing more than a fiction (or fantasy) and that it is fundamentally impossible to draw a strict distinction between them. One reason that I raise the distinction nonetheless is in order to think once more about “Japan.” The art critic Sawaragi Noi has argued that Japan functions as what he calls a “bad place” and that any act of expression that attempts to escape from that place can only end up by making it worse and getting caught in a vicious circle. If such a place can be hypothesized, it is entirely possible that it could also subsume the place of manga and anime that I have been discussing here. For now I call that space “Japanese space” and contrast it with another unique representational space, which I call “Western space.”
As I pointed out earlier, in Japanese space the distinction between fiction and reality is not completely in effect. The distinction itself is in fact based on a Western idea . **In his theory of ideals Plato begins with a three-part distinction between the ideal, reality, and art, and places art at the bottom of the hierarchy because it is only an imitation of reality. In Plato’s system there is only a series of copies, with the copy of the ideal being reality and the copy of reality being art. Art must content itself with the lowly position of being a copy of a copy, an imitation of an imitation. Added to this is the influence of Judeo-Christian culture, which rejects idolatry. In “Western space,” even today “reality” is made to conform strictly to this ranking. In this context the notion of the “Reality of fiction” is already attenuated by being subjected to all sorts of constraints.
<"But I say to you that whoever looks at a woman to lust for her has already committed adultery with her in his heart" Matthew 5:28.>
For example, in American popular culture the most privileged fiction form is film. To be made into a film is the ultimate proof of the success of any narrative, whether it originates as a novel or a play. Of course, there are any number of reasons for this, but one is surely the belief that live-action film is the most accurate imitation or reproduction of reality. The impact of live-action film is supported by the belief that what it portrays is a faithful reproduction of reality. In my opinion there is absolutely no difference between the fictionality of live-action film and animated ones; it is just that anime is considered more fictional because it is under the constraint of having to be drawn by someone. For this reason animated films have almost no chance of winning the Academy Award for Best Picture and will always remain a genre inferior to film.
Thinking about censorship practices makes this even clearer. Censors in Japanese space seem for the most part uninterested in the symbolic value of what they are censoring. As long as the genitals are not portrayed explicitly, they will allow even the most depraved images to be shown. In Western space, however, images are censored according to their symbolic value. The censors are not interested in the trivial question of whether or not the genitals are visible, but reserve their strictest scrutiny for obscenity and perverse content. A recent example is the cover for Marilyn Manson’s CD Mechanical Animals. In the composite photograph, Manson appears nude as he glares at the viewer, but with the smooth groin and small breasts of a young girl. This level of perversion does not cause the least problem in Japan. But in the United States it create quite a scandal, with several large music stores refusing the carry the album. One could list any number of similar examples of this difference in the way Japanese and Americans judge an image obscene. Of course, even in Japan this sort of taboo on images still lingers when it comes to the Imperial family, but even that is losing the force it once had. In fact, that taboo has become so weak that it would shock even Okuzaki Kenzo. We are now living in an age when it is possible to publish a manga depicting a bomb thrown at Princess Masako during a parade, and the romance between Princess Kiko and Prince Akishino has been made into an anime. In other words, we still do not have the slightest idea what it is that defines depravity.
One conclusion that we can draw from this comparison is that visual expression in Western space is symbolically castrated, while Japanese space there is only imaginary castration, at most. For example, in Western space any image that symbolizes the penis is censored, while in Japanese space as long as you do not portray the penis itself anything goes. In this ironic sense I would suggest that Japanese media enjoy the great freedom of expression. The problem arises with this freedom itself.
In Japanese space, fiction itself is recognized as having its own autonomous reality. As I mentioned earlier, in Western space reality is always in the superior position, and the fictional space is not allowed to encroach on it. Various prohibitions are introduced to establish and maintain this superiority. It is not permitted for example, to produce images depicting sexual perversion. This is because fiction must not be more real (riaru) than reality. Fiction must be carefully castrated so that it does not become too appealing. This is what I mean by symbolic castration.
It is often remarked that the heroines of Western comics and anime are for the most part not very cute. They often include beautiful women and naked bodies, but rarely do they directly represent characters as sexually attractive. This cannot be explained simply as a result of a discrepancy in technical skill or differing notions of beauty. In the case of an actual Hollywood actress, Japanese and American fans are likely to speak in similar ways about her sexual attractiveness. But the situation is very different when it comes to heroines who appear as drawn images. Betty Boop, for example, may be drawn in a sexy outfit (with a garter belt!), but she is more like a parody of a sexy actress. Her fans are not immediately captivated by Betty’s sexual charms.
To continue with our discussion of Western space, we might remember that 1957 saw the creation of the so-called Comics Code Authority that formulated self-regulatory codes for comics in the United States and effectively spelled the end of the golden age of American comics. At the time juvenile delinquency had become a hot-button issue, and comics were singled out as a contributing factor. Among comic fans the formation of the CCA is referred to as the “Total Disaster.” The list of restrictions is as absurdly detailed as the rules at a Japanese high school. A few items that stand out on the list are

• “Divorce shall not be treated humorously nor represented as desirable.”
• “If crime is depicted it shall be as a sordid and unpleasant activity.”
• “In every instance good shall triumph over evil and the criminal punished [sic] for his misdeeds.”
• “Policemen, judges, government officials and respected institutions shall never be presented in such a way as to create disrespect for established authority.”

Under the category of “Marriage and Sex” the code states that “Nudity in any form is prohibited,” “Females shall be drawn realistically without exaggeration of any physical qualities,” “Illicit sex relations are neither to be hinted at nor portrayed,” “Seduction and rape shall never be shown or suggested,” and “Sex perversion or any inference to same is strictly forbidden.” Japanese manga as harmless as Sazae-san and Doraemon might run afoul of these rules. If regulations this strict were in force in Japan, virtually every manga magazine in print would have to be shut down.
It is thus quite possible to analyze the differences between Japan and the United States from the perspective of regulations. But what I want to stress here is that these rules show all the symptoms of an excessive defense reaction. No matter how popular comics had become by the 1950s, they could hardly compete with film. Nevertheless, they were much more severely regulated, to the point of destroying an entire genre of expression. Would it be too much to see in this an echo of what we might call the West’s iconographic taboo? The highly detailed and concrete restrictions on the depictions of sexuality are particularly remarkable. In these restrictions we can clearly see operating the obsessive idea that images themselves must not be sexually attractive.
Pornography must be considered as part of this discussion of the visual expression of sexuality. Pornography, needless to say, prizes images that are realistic and highly practical. In the decline of roman poruno and the rise of adult video, for example, one can see the pursuit of convenience and practicality. Pornographic images trend toward being more suitable for private consumption, reproduction and distribution gets easier, and pornographic expression gets more and more explicit. But in the Japanese space this leads to another contradiction: namely, the existence of “porno comics.” I want to stress once again that I am speaking of pornography in general here, not of “erotic expression.” It is perhaps only in Japan that pornography has taken the form of comic books and attained a certain popularity in doing so. Of course, there are porno comics that are meant to be used as masturbation aids in the West as well, but on a scale that does not even being to compare with that of Japan.
It seems absurd that such an enormous market would emerge for pornographic comics in a country where “hair nudes” are everywhere and people are somewhat bored even of adult videos. As I pointed out earlier, anime-style drawing has been hugely influential in this genre as well. In terms of their correspondence to everyday reality, there is no less realistic style of drawing. Despite this, however, these kinds of representation have been widely preferred as a medium for pornography. This would be entirely unimaginable in Europe or the United States, and the contrast points to a significant cultural difference.
Of course, there is a historical background to this as well. According to Timon Screech of the University of London’s School of Oriental and African Studies, the so-called shunga that were produced in such huge quantities in the Edo period were used by the masses as masturbation aids.
If that is in fact the case, we should also be able to find the roots of manga and anime in the Edo period, in a culture in which sexual desire was both stimulated and satisfied by drawn images. The issue here, needless to say, has something to do with anything like the symbolic expression of eros. The problem that we have arrived at instead is that of the immediacy of the drawn image.
As I have already pointed out, there are many fans of anime and manga in the West. But they are virtually unanimous in their hatred for so-called tentacle porn. They believe that sexuality does not belong in animation. What do Japanese otaku think about this? If they were shown this sort of pornographic work they would either give a wry smile or launch into a lengthy discussion of the history of adult anime using works like Cream Lemon (Kuriimu remon) and Legend of the Overfiend (Urotsukidoji) as examples. I cannot help but see in this difference another huge contrast between Japanese and Western otaku.
Leaving aside the question of whether it is possible to read in this the traces of taboos and repression, for now let us reiterate the minimal facts of which we can be certain. In the Western space of popular culture, it is exceedingly rare to find drawn iconic images of cute little girls and erotic nudes. In that space there is an unconscious censorship of drawn images, and their reality is kept within certain limits. The type of caricatures so conspicuous in Disney’s animations can even be considered as a technique of exaggeration for the purpose of repression. Constant and meticulous efforts are made in this space to prevent drawn images from attaining their own autonomous reality. In other words, drawn images are always kept in the position of being substitutes for objects that exist in reality.
In Japanese space, on the other hand, it is permissible for all sorts of sites to have their own autonomous reality (riariti). In other words, real (riaru ) fictions do not necessarily require the security of reality (genjitsu). There is absolutely no need in this space for fiction to imitate reality. Fiction is able to clear a space around itself for its own reality (riariti ku kan). The appeal of drawn images of little girls, for example, is a crucial element in the production of this reality (riariti). Here, fiction must establish a logic of sexuality all its own. This is because, in Japanese space, sexuality is the most important factor upholding reality (riariti). Of course, this is not true only of anime. Why else, for example, did the artistic traditions of the past put so much emphasis on the depiction of women? Why do rakugo raconteurs spend so much time extolling the pleasures of womanizing? And why do manga instruction courses always begin with how to draw a boy-girl couple? All of these things, which are particular to Japan, suggest that in this space it is sexuality that upholds the reality of fiction (kyoko no riariti).
So let us accept the autonomy of fiction and put forward the thesis that this autonomy is a necessary precondition for the beautiful fighting girl to emerge. If this is the case, we cannot in any sense see in them the reflection of “everyday reality.” It would not be permissible, for example, to infer from the popularity of beautiful fighting girls that girls are being empowered in the real world. It is the stubborn habit of seeing fiction as an imitation of reality, which is hard even for the Japanese to resist, that is at the root of this misunderstanding. The misunderstanding may be logically consistent, but that same logical consistency is also precisely what renders it invalid.
Getting back to our discussion of the image in Japanese space, I repeat that representations in this space do not undergo symbolic castration. There are some gestures toward imaginary castration with regard to sexual codes, but these are barely functional, and in the end they actually come closer to initiating a drive toward the disavowal of castration. The disavowal of castration is of course the initial condition for sexual perversion, which is why this space exhibits such an affinity for perverted objects. All sorts of images come to occupy various positions within this ecosystem of autonomous reality, and the space begins to overflow with meanings rendered through sexual and other codes. In this place, so highly charged with meaning because of this sheer verbosity of codes, context is privileged over any single disarticulated code. Meaning is transmitted instantaneously here, but its provenance can never be traced back to a single code.
This sort of high-context representational space can sometimes lose some of its reality effect if it is circulated too widely and understood too easily. How might it resist this attenuation of reality? One way is, of course, through sexuality. As I have argued several times already, sex is a necessary component for a narrative to seem real. The various struggles and manipulations surrounding sexuality (i.e., “romance”) are what introduce a core of reality into a narrative.
The widespread transgression of sexual limits in Japanese representational culture can also be interpreted in light of the high-context nature of Japanese space. High-context expressive space is, by nature, incapable of making full use of the effects of structural and formal reality. Instead it is the intensities that emerge at moments of shifting and switching from one context to another that are used to create reality effects. In the highest context spaces of anime and manga, most important are those gestures capable of transcending the context of heterosexual desire. The various characteristics of the beautiful fighting girls, which include hermaphorditism, transformation (i.e., accelerated maturation), and the strange mixture of proactivity (i.e., fighting ability) and passivity (i.e., cuteness), all help facilitate the emergence of this transcendental reality. That all manner of perversions should be evoked in their presence is only natural.
[To be continued... The Phallic Girl as a Form of Hysteria]

Let me start with the summary version:
It all began when I first stumbled upon Inside Edition's videos of women - that's WOMEN getting slammed, insulted, and blasted for "showing too much of their body (with kids around)". Then it escalates further when they show a school is photoshopping out women's cleavages to make them look "modest" for their yearbook. I feel this type of treatment towards the female human is all wrong! Like, can't anybody learn to appreciate and look at the female body without censoring it in any way? Can't you let ANYBODY, including kids, get a chance to learn about the differences between the male and female human bodies????
Then comes along... you guessed it. That one video Inside Edition publishes. And after seeing her top blurred, my inner voice in my head: "That's the last straw!" Like, can't some of us get a chance to learn something new that just aroused our curiosity? Such as how the human body changes with time in terms of both genders? Like, now, I can finally visualize myself (my whole body) from little boy to fully grown man. But when Inside Edition published that footage, the new question that took me by storm is: what would a female look like from little girl to fully grown woman?
But with YouTube's broken comment system GHOSTING certain-to-random comments, even on my backup YouTube account, I can't seem to get ANY messages across!
Speaking of which, when I tried to post this on Feminism and AskFeminists, they BOTH perma-banned me for NO REASON and muted me from talking to their mods for 28 days!
Why do I say "no reason"?
"Hello, You have been permanently banned from participating in this subreddit because your post violates this community's rules. You won't be able to post or comment, but you can still view and subscribe to it.
If you have a question regarding your ban, you can contact the moderator team by replying to this message.
Reminder from the Reddit staff: If you use another account to circumvent this subreddit ban, that will be considered a violation of the Content Policy and can result in your account being suspended from the site as a whole."
As you can see, there is no specific reason listed in the message above. So this is why I claim or what I mean by "banned from a sub for 'no reason'. - Even for something that was never officially listed on that sub's rule board.
Once more, I, along with these parents of their own daughter proved one major point: if a male can go topless/show their body, then so can a female - regardless of age!
Can't I get a chance to learn something new? Some evolution/development processes for certain things can be a little more complicated then you originally first thought.
Now here's the detailed version:
Ok, before you start reading below, I want you to visit this and read the whole article to better understand my situation: https://www.cbc.ca/news/canada/kitchener-waterloo/guelph-parents-angry-after-topless-girl-8-told-to-cover-up-1.3124762
I got banned from Lemmy social site servers for "CSAM" all because of this: the Napalm Girl pic and another thing I saw on Inside Edition's channel in addition to some nude statues - literally artwork of naked people - all because I was trying to protest ~the inconsistencies of censorship towards the female human~ - regardless of their race AND age!
Let me be clear on one thing: I didn't post any "CSAM" on the Lemmy servers! I'm protesting something that I feel is unfair towards the female human.
Please ~actually watch these before jumping to conclusions~ so you can actually understand what I’m really protesting!
Women Who Were Told Their Outfits Were ‘Too Revealing’
Mom Says She Was Kicked Out of Gym For Revealing Tank Top: I Felt Humiliated
Cops Dragged Woman Off Beach After Complaint About Her Bikini
It’s one thing to say a girl’s outfit or body is “too revealing”,
Teens React After Yearbook Photos Are ‘Modesty Edited’
it’s two things to photoshop out a girl’s cleavage to make her look “modest” for a yearbook or a portrait!
9-Year-Old Saves Family From House Fire
But censoring a topless preteen girl who thought up an ingenious strategy to stay cool like her friends in the same stuffy room while at the same time not caring who’s around her? THAT’S REALLY CROSSING THE LINE!
It's all thanks to some videos from Inside Edition's YouTube Channel.All these videos Inside Edition posted are developing a question in my mind that's getting the better of me: why so much hate on the female human - even as children? Like, why do they censor the little girl's chest? Can't anybody learn to appreciate the appearance of the female body? Just like those parents of their own 8 year old daughter, I too am genuinely outraged by this type of treatment towards the female human!
And what's the big deal with nipples? I'm just trying to ensure everyone is treated equally regardless of race, and gender... AND age (after what I just witnessed). And if no one's gonna speak up about this, I might as well step up to the plate. After all, somebody's got to do it!
That little girl in the final video made two non-verbal messages clear: one: if a boy can do it, then so can a girl! And two: no one is too young for anything! As long as you have the knowledge capacity and I.Q level to do it properly and safely, you'll be fine. I was able to refuel my dad's car and cook my own dinner when I was 6 and without setting anything ablaze by accident.
However, when I try to illustrate with that video, even though Inside Edition is an official news channel, the responses I get back are rather bitter! They remove my post or ban me from the sites I post on for "promoting nudity involving a minor"!
~WHERE~
~CAN~
~I~
~ASK~
~OR~
~SHARE~
~THIS~
~SUBJECT?!~
Due to my autism, I only know basic English. So I need to illustrate to get most of my messages through. I thought hard, I tried, and low and behold, they were removed hours later mainly because they "didn't fit the subject of the forum". Even though my multi-subject based thread does have some material relating to this forum's topic. These sites and mods are all really stretching my problem solving skills beyond the breaking point for this one. I'm merely protesting with these pictures and videos as illustration. I'm not that good with words, so I need pictures to get half my messages across as noted above.
Many subreddits or forum sites don’t accept URLs, pictures, specific website URLs, or even a combination! Thereby hindering my ability to fully explain what I’m witnessing! In this case, the sentences “It’s one thing to say a girl’s outfit is ‘too revealing’, it’s two things to photoshop out a girl’s cleavage to make her look ‘modest’ for a yearbook.” actually corresponded to several videos I beared witness to on Inside Edition’s YouTube channel.
I actually tried to post that URL with that blurred 9yo girl in a subreddit in the past and you won’t believe this: I actually lost my reddit account for 2 days for “promoting nudity involving a minor”! Other sites like the adult video forums who accept uncensored nudity-based images I mentioned just delete my thread! Another site I recall banned me for 1 year for “spam” - even though I only made this protest post twice (after they removed it once).
So that meant I had to approach this from a different angle: after that experience, I got a little paranoid from using that said video URL to illustrate. So I tried explaining this protest without the URLs - and this is in conjunction with certain sites restricting my ability to post images, URLs, certain site URLs, or a combination. It seemed to end up making things worse! Because without the visual evidence, it makes it much harder to fully explain what I’m witnessing.
So without the URLs included - that visual illustration, on the sites I tried along with Lemmy World, it actually made things worse! That’s what lead Lemmy.World mods to ban me for life for “CSAM” or made other people think I watched child porn when I clearly didn’t. The lack of visual evidence (due to my past reddit experience combined with the site’s posting restrictions) is what lead to this “pedophile” confusion. So please help me talk some sense into the Lemmings world, Lemmy.ml, and Lemmy.world mods that this was all a major misunderstanding and Lemmy is pretty much the only reddit alternative out here where I can try asking another question. My attempt to appeal has failed on 3 Lemmy social sites - even after I tried notifying the mods on the third Lemmy server site before making the post, so I need your help now!
I felt after Inside Edition uploaded that blurred 9yo girl video… I thought to myself “That’s the last straw!” Someone needs to protest these absurd censorship laws that they apply to the female human!
Why can males show most of their body but females can’t? - In most cases that is? Whatever happened to "Free The Nipple"?
Children should have the same… rights to do things as any adult! It’s about possessing the knowledge capacity and I.Q level to safely execute this action. E.G, on those “Family Day” episodes of The Price is Right and Let’s Make a Deal; those kids made smart choices when picking the correct numbers to items to win a prize.
I’m not joking around here! This type of treatment towards the female human needs to stop - this includes race and age. - It’s like racist people, but in age form.
Does it look like I’m laughing for fun? Of course not! Since no one else is protesting this, and YouTube has a flawed comment moderating system hindering my ability to post on even random videos (I.E, "ghosting"), I have to take more drastic measures to protest by stepping up to the plate and shouting out “Can’t we all be equal in terms of a huge variety of traits?” Yeah, the last thing I need is a vein-bleeding broken-record robot impeding or hindering my ability to seek answers to a question!
We need to learn to appreciate or accept how the female body appears regardless of race and age!
Stop trying to blame it all on me! None of the stuff in the vids posted, is that. If it was, Inside Edition would be the guilty party, and Youtube for not having already deleted them. If it doesn’t violate Youtube’s TOS, it should be fine to post anywhere. If there was even a hint of impropriety to it, at the minimum the vid would have been age restricted.
No one would answer! Not even Inside Edition themselves were willing to offer an answer when I even found their email address, the sites dedicated to helping those in mental, suicidal, or emotional distress (those forum sites even PERMA-banned me for "spam" - that's right, SPAM! (Even though there was absolutely no mention of a permanent ban or rule about "spam" in their forum guidelines!) Is that the definition of "spam" when I make a bad thread only once?! And when I try to appeal the ban, the same message "please contact the administrator if it was done in error" is blocking my ability to click the contact button! Or sometimes it's a blank white page with that message in the top left corner of the window! - Which adds more insult to injury, because I can't click anything as all the buttons have disappeared! That means I can't log out of that site either!), OR the adult video forums that support uncensored nudity images would accept that video link URL let alone the entire topic itself! So I really am at a loss for thoughts and words on what I just experienced! Heck, I even tried the professional therapists of talkingforchange.ca But even they too were too reluctant to talk as they claim my post regarding the censorship of women is not for their platform and they disconnected the chat 2 seconds after their last reply to me. And I highly doubt that ANY site will allow me to illustrate with a picture of the Napalm Girl (Phan Thi Kim Phuc) when she was 9, certain pictures of Pampers diaper boxes (why do you think they (Pampers, Huggies, etc.) even allow a pic of a topless little boy or girl to be plastered on a diaper box we see in grocery stores/supermarkets everyday?), Leela when she was an infant in the episode Leela's Homeworld, or even Belgium's famous kids: Manneken Pis/Jeanneke Pis. That, combined with YouTube having a flawed comment moderating system hindering my ability to post comments on certain-to-random videos (I.E, "ghosting"), I'm forced to take more drastic measures to get my messages across. All this combined, ~I'VE NEVER FELT SO SHUNNED FROM THE INTERNET IN ALL MY LIFE!~
But here's a strange catch: sometimes on some sites, Napalm Girl is censored, other sites she isn't. So I felt that I need to protest this. It seems everyone is too chicken to even start this subject! Don't these numbskulls know not to judge a book by it's cover?! This is where I ask myself "NOW WHAT?!". This can't be one of those "exceptional" cases where they say "suicide never solves anything" doesn't apply to these types of situations. In other words, all hope for resolving these types of situations really is lost. I really do feel left in the dark on both the subject of sound effects and nudity!
Once more, I'm not being a ped, I'm protesting all these absurd censorship rules and regulations that revolve around the female human - regardless of race and age - after what Inside Edition posted. Watch the videos I found again for clarification. In other words, ~the inconsistencies of female human censorship~.
Can you really - you know, hurl insults at Inside Edition or blast them for what they did? It was their idea to publicly publish the footage. Just like how that one photographer made the choice to publicly publish footage of the Napalm Girl when she was 9 and completely nude. Therefore, it should be ok to share this footage anywhere.
But some areas censored Napalm Girl's nipples, but others did not - excluding her groin. Then there's the diaper boxes I found in any supermarket. And finally... Surprise surprise: typical women being scolded by other people for wearing something "inappropriate" or "showing too much of their body". I look around and since no one else is protesting about this, I might as well do it! After all, someone's gotta step up to the plate to hit that ball! I will not sit idling by the sidelines and continue to watch the female human get treated/censored like this! I will stand up, step up, and speak out towards these absurd reactions, rules, and regulations that revolve around the appearance and censorship of the female body! What about the famous Jeanneke Pis in Belgium? Do you think she along with other nude statues are trying to promote pedophilia?

The episode faded back in to a shot of the Gaffers' platform being raised up to the roof by Scott, Ripper, and Chase as MK watched and Izzy walked over, wiping slime off herself.
"Uh, not to sound lazy," Scott said as he left the chain, "but I'm not feeling so good."
"You probably just have a cold," Izzy told him.
"Since when do colds have sores like this?" Scott followed up as he lifted his right arm and pointed to a round, reddish-brown spot on his elbow.
Izzy looked at him attentively and put her hand on his forehead. "Your body temperature is high, but it's possible that-" she was interrupted by a sudden burp from her teammate that caused her to cringe and take a step back. "Why does your breath smell like lemons?"
"Are you trashing my burps?" Scott asked in confusion.
"Hold on," Justin interrupted as the camera cut to him. "Red sores, fever, lemony burps? Aren't those symptoms of one of the diseases in the book?"
"Page 753," Millie exclaimed. "Mortatistical Crumples Disease!" She gasped. "And it's fatal!"
Everyone gasped. "Mortatistical Crumples is also highly contagious!" MK added, eliciting another gasp from most of the cast.
"Okay, looks like it's quarantine time!" Chris said, backing towards the door with barely-hidden panic. "See ya, wouldn't wanna be ya!" He gave them a quick wave, then dashed out the double door between the two vats. Both teams went over to it with shock on their faces as the sounds of power tools were heard on the other side.
The camera cut to Chris as he pounded a nail in with a hammer. It was one of many holding up a red banner with an orange skull-and-crossbones on it, set over several long pieces of wood that had been nailed up to bar the exit. "There's more to this disease than either team knows," he told the camera with an impish grin before walking away with a dark chuckle.
Another shot of the numbered studios was shown. "Hold on," Anne Maria spoke up as the shot cut back to the ten castmates in the challenge set. "How did Dirt Boy catch a fatal disease?"
“I'm sure it's just a twenty-four hour kind of fatal,” Scott hoped.
"We have to quarantine Scott! Stat!" Izzy said in a panic.
The camera showed Ripper furiously inflating a plastic bubble with a bicycle pump; the bubble had a yellow-and-black biohazard symbol on it. "Get inside now!" the bully shouted before Scott threw himself head-first into the bubble.
"Oh no!" Jasmine cried. "Brick has a sore too!" She pointed at the soldier boy's upper left arm, who took one look at the sore and began to wave his arm in a panic.
"It has to be a mistake!" Brick exclaimed.
"Hey!" Scott exclaimed from inside his bubble, another one getting inflated nearby. "Is there an exit to this thing?"
"There isn't one!" Ripper shouted as he continued to pump and Brick got into his bubble.
"Why didn't anyone tell me that before I jumped in?!" Scott griped.
“Okay, everyone just calm down!" Chase said.
"Agreed," Jasmine spoke up sternly. "We should make sure no one else is infected. Symptoms of Mortotistico Crumple's Disease include explosive diarrhea..."
"Oh no!" The camera cut to Chase as his bowels began to groan and he ran into a nearby portable toilet with a panicked look on his face.
"Itchy lips," Jasmine continued as the shot cut to Justin, who suddenly bit his lip.
"My… my lips," he moaned. "They're on fire!" He began to frantically rub and scratch at them, leaving them swollen and red.
"Sudden hot flashes," Jasmine listed off as MK began to sweat profusely and tug at her jacket. "Sea sickness," Ripper turned green and vomited. "Speaking in tongues," Izzy was the next to be affected as she babbled incoherently and indistinguishably with her eyes rolling upwards, which continued even as Jasmine listed the final symptom, "and temporary blindness."
"Everyone can see, right?" Jasmine asked as she checked over the castmates’ current states. "That's good to know," she said in relief before walking forward and bumping straight into Brick's bubble. "Oh no," she said in newfound panic. "I'm the one who's blind!"
Confessional: Anne Maria
"I know this is a reality show," Anne Maria told the confessional camera in a serious tone, "but I doubt that Chris would allow us to actually die on national television!"
Confessional Ends
The scene cut to Chris himself watching from his control room, leaning back in his chair with his legs propped up on the desk in front of him. "You'd think we wouldn't," he told the camera, "but, just imagine the ratings!"
Back in the quarantined set, the camera panned across the room to show that everyone except for Anne Maria, Millie, and the bubbled Brick and Scott were now laying on top of stretchers, groaning and moaning.
“This is super bad,” Millie said. “We have to do something.”
“Do you mean taking their temperatures, because we only have rectal thermometers, and I'm not in the mood to joke around with them,” Anne Maria responded.
“I wasn't even thinking about that at all,” Millie stated. “Joking with diseases is not funny at all.”
“Obviously, but have you noticed we're the only ones who didn't take part in the studying all-nighter, and we're the only ones who haven't been infected?” Anne Maria asked while looking over everybody.
“I'm not so sure about this supposed disease,” Millie mused. “We need to get our hands on one of those textbooks. There has to be something they missed.”
“I’d do it if Chris didn’t seal off the only exit,” Anne Maria argued.
"There’s another exit over there," Millie pointed to the Grips' platform, which was now sitting on the floor empty of body parts. The chain still led up to a hole in the ceiling where the reel was situated.
"Oh yeah. How in the world did I not notice that?" Anne Maria droned sarcastically before the two made a dash for the platform.
"I still haven’t forgotten you pushing me off the diving board a few days ago, so don’t think I’m scared of pulling the platform as high as possible," Millie informed as they stepped onto the platform and pulled down on the chain, making them ascend.
The footage flashed forward to the outside of the studio as the two girls jumped down from a ladder on the wall of the building. “You grab a textbook, I'll look in the kitchen,” Millie instructed before they split off in opposite directions.
Confessional: Millie
"I really hope that the disease is fake," Millie explained in the make-up trailer. "There were some diagnoses and symptoms in the textbook that I've never heard of before, but I've studied a lot about diseases to be familiar with a selective few."
Confessional Ends
Back inside, Scott was shown to be rolling around in his bubble. "How long has it been since I got in this bubble?" he groaned.
"I don't want to hold onto my bladder for more than an hour!" Brick cried while covering his groin with both hands.
"My lips," Justin groaned on his stretcher. "Of all places, why my lips?"
"I'd kiss them to make you feel better, but I'm not a princess and you are not a frog," MK said, sitting up on the stretcher next to him; Jasmine and Chase were visible in a row behind them. "And even then, I am not an animal kisser."
Ripper was sitting against one of the walls, writing something on a piece of paper with a bucket of vomit next to him. “To my parents; don't let my brothers keep the money I've taken from weaklings in the past.” He paused to throw up into his bucket before writing again. “To my brothers; don't even think about stealing my stash from me, especially you, Wolfgang! From your best son, Richard Kennedy.”
The double doors between the vats were thrown open by Millie and Anne Maria. The camera pulled out as the other cast members moaned, and the two young women stepped into the room – the Jersey girl holding a textbook, and the author with some kind of canister.
"Who's there?" Jasmine asked.
"Simmer down, everyone," Anne Maria said. "We're just here to expose the truth about these textbooks, which are actually bogus." She held the book she'd brought up, and easily tore the cover off it. "The book covers are just cereal boxes." Her bowels started to growl, and with a panicked look, she dropped the book and ran towards the portable toilet. "I'll be right back!"
"It can be a crock," Jasmine sat up on her stretcher. "Nobody's faking the sickness!"
“No, but it's still untrue,” Millie interjected. “I just went to Chef's kitchen, and I found this "cheese". The camera focused in on the canister in her hand as she held it up, showing that it had an image of a cheese wedge on the label.
"Uh, what is in that parmesan?" Brick wondered innocently.
"It is not cheese, but it is," Millie tore off the label to reveal a second beneath it with an image of scratching hands on it, "itching powder and laxatives!"
"Chef!" Brick muttered under his breath. "Why did he not inform me?"
It was then that Anne Maria burst back out of the portable toilet followed by a cloud of foul odor. "That explains the diarrhea and itchy lips."
"And I didn't get sick since I'm the only one who didn't eat the pizza," Millie added.
"What about the sores on Brick and Scott?" Chase asked.
"As for those," Millie laughed lightly, walking over to her quarantined teammate. "They're just pepperoni pieces that got stuck on you when you likely fell asleep."
Brick reached over to touch his sore, and it peeled off easily. "She's right!"
Scott also touched his own sore and it also peeled off quickly. "I was suckered! Now can somebody let me out of here now?"
"So wait," MK spoke up, "the disease is fake?"
Jasmine was the first to react, sitting up and blinking. "By golly. I'm not blind anymore!"
"And I can talk normally!" Izzy cheered.
"And I'm not gonna throw up anymore!" Ripper added. "We've been cured!"
"Could I be let out now?!" Brick pleaded. "I have some urgent business to take care of!"
"I'm comin’," Anne Maria rushed over to the bubble and simply popped it with her fingernail. Both of them winced as the bubble burst, and Brick immediately rushed over to the portable toilet.
"And don't forget about me as well!" Scott spoke up, rolling his bubble into the middle of the room.
Izzy took out a pin, popping her teammate's bubble. “This was all first year med school syndrome!” she said. “Too much studying and too little sleep can make you think you've got every disease in the book!”
"Congratulations, Killer Grips!" the voice of Chris McLean came suddenly, the camera pulling out to show the host descending from the ceiling on another chain. "You just won the challenge!"
The five Grips began to cheer and celebrate. "Brilliant diagnostic skills, Anne Maria and Millie. Way to suss it out. And, for your reward," Chris continued, frowning and looking down at his empty hands. "Knew I forgot something. Just a sec!" he said before stepping back onto the chain's foothold and raising back out of the room.
Confessional: Anne Maria
"This challenge was certainly… something," Anne Maria confessed. "I can't believe that I had to play the role of doctor just to tell everybody about the so-called disease being a lie. Who knew tainted pizza could make you have hot flashes and sea sickness?”
Confessional Ends
"One thing's for sure. I'm double checking my food from now on if I want to prevent temporary blindness or having to speak in tongues," Jasmine told the Grips as the footage cut back to them.
“Once again, the pizza was too good to be true,” Brick commented. “You made a good call not eating any slices, Millie.”
“I had no idea that there were laxatives put onto it,” Millie claimed. “If I wasn't so invested with the book, I'd probably eat the pizza and fall victim to the sickness just like you guys.”
It was then that Chris returned, descending down on the same chain as before but now carrying a covered platter. "As I was saying," he said as he walked towards the Grips, "for your reward!"
He removed the cover and the camera zoomed in on what lay beneath – five picture frames, three in back and two in front, each containing a photograph of a different person. The first on the left was a light purple cat. The second was a confident-looking Hawaiian woman with black long hair wearing a yellow tracksuit and red hoop earrings. In the middle was a teenage girl, pale with brown hair tied in a bun and a beige tank top. Fourth was a smiling white man; he had no hair, had golden dog tags around his neck, and was dressed in a dark green military outfit. And on the right end was an elderly black man with white curly hair, a white mustache covering his mouth, and a dark orange collared long-sleeved shirt.
"That's my cat Whiskers!" Jasmine said excitedly as the shot panned across the photos.
"And that's one of my girlfriends Vanessa," Anne Maria declared.
"Yup!" Chris told them. "One of you gets a whole spa night away from this cruddy studio lot, with your very best friend! So, who's the lucky stiff?"
“I'd kill for a spa day, even if it's with my mom, so how about letting me have it?” Justin smiled widely at his team.
“I have some things I want to talk about with my father,” Brick suggested.
“Now wait just a minute…” Jasmine interrupted as she, Brick, and Justin started to argue over who should get the prize.
“Can all of you shut up!!” Anne Maria ceased the fight, causing everyone to look at her. “As much as I would love to be away from this trashy film lot, I say we should let Millie have the reward.”
"Wait, me?" Millie asked in astonishment. “How come?”
"Clearly, you did the most research out of all of us, and you won the challenge for us," Anne Maria answered.
“You did say that the person who contributes the most should claim the reward,” Brick brought up.
“And with you also not eating that pizza, you've certainly earned that spa night,” Jasmine smiled.
“I don't want to be left out, so okay then,” Justin agreed with a shrug.
"Chris, the Killer Grips came to a decision," Anne Maria said before giving Millie a light shove forward.
"W-wow," Millie said softly as she began to tear up. "This is really generous!"
“Just accept the offer before I trade places with you,” Justin said.
"Eeeuuughh," Chris said in disgust. "Clean up on aisle two!" he called, and moments later, a pair of young white men in white work outfits walked through the open door, one of which carried a push broom. They disappeared off-screen for a moment, then reappeared with one pushing Millie towards the door and the other sweeping up after.
"Thank you for allowing me to take the reward!" Millie said as she allowed herself to be escorted out, wiping away her tears with her hands.
The scene cut outside as Millie walked up to the beaten-down Lame-o-sine. The door opened, and she smiled and stepped inside.
"Granddad!" the writer said happily as the shot moved inside to show her hugging the white haired old man who had been seen in one of the pictures. "I've really missed you!"
"I missed you too, Millie," the man said as he hugged his daughter. "Don't get my favorite shirt wet now. I got it dry cleaned."
"Sorry," Millie said as they broke their hug. "I have a lot to talk to you about ever since I competed in the first season."
Her grandfather smiled proudly. "Spill the details. I can tell you had a ball, but don't blame me if I start to doze off more than I do while writing best selling books."
"I'm not that boring!" Millie laughed cutely. "So it all started when I was dropped off on the dock..."
"Sheesh," Chris cringed as the scene cut to him in his control room. "Talk about a loving family! Hopefully they'll get their dullness smoothed while they're at the spa." He pulled a lever on the desk, cutting the monitor feeds to static, and stood up. "So, will the Grips' winning streak last? Or will they fall apart and lose their teamwork? Find out next time, on Total! Drama! Action!"
(Roll the Credits)
(Bonus Clip)
“That spa night was amazing!” Millie told the camera while in the trailer. “The manicures and pedicures were to die for, and the facials and mud bath really smoothened the rough parts of my skin. Granted, this spa night wasn't as fun as the two-day resort back in Camp Wawanakwa, but thankfully, I didn't have to eat any disgusting food this time, so that's an upside. Want to know something interesting? Granddad was more into the spa treatments than me, but don't tell him that I said that to you,” she added with a giggle.
Eva - 14th
Geoff - 14th
Izzy - RETURNED
Trent - 12th
Sky - 11th
Killer Grips: Anne Maria, Brick, Jasmine, Justin, Millie
Screaming Gaffers: Chase, Izzy, MK, Ripper, Scott

31, male. I’ll put a before and after picture in a comment to this post! Overall, I'm very happy with the results, and would opt to undergo the procedure again. Feel free to ask me anything, but some additional thoughts and comments below:
The Procedure.
I had a full 360 tummy tuck with liposuction and muscle repair. Following the procedure I stayed in the hospital for one night. They had me up and walking around within a few hours of waking up. I don't remember being in too much pain (or much of anything from that day) - the meds were strong. I went home the next morning via car.
Recovery.
I purchased an electronic reclining chair prior to surgery, and I found it to be very helpful in staying comfortable. I utilized a "potty chair" that essentially fits over the toilet to make utilizing the bathroom easier. This was a lifesaver for me and I would recommend getting one prior to your procedure. The chair could also be set in the shower, which made that process much easier too. I had 2 drains that exited my body through my groin. They were definitely uncomfortable, and they came out about 2 weeks post-op. The removal was very easy and painless - though does create a strange sensation. I wore a compression binder for about 6-8 weeks. After that, I wore some compression garments from Marena. I continued wearing the compression garments for approximately 6 months as it kept the swelling from becoming too uncomfortable. In my opinion, you cannot undergo this procedure without having someone there to help you for at least a few weeks post-op. Be sure to treat that person with grace - you're probably being very needy/annoying, and they're a saint.
Complications.
I was allergic to the surgical tape and broke out in an extreme rash about 2 weeks after surgery. The rash devolved into a yeast infection on the skin and I had to use a medicated powder to treat it. It took about 2 weeks for that to clear. I developed a seroma in my back about 3 weeks after surgery. I went to see my surgeon every few days to have it drained. Draining the seroma was not painful, and it was completely gone after 5-6 treatments. I had several wounds pop up on the right side of my incision. YOUR WOUNDS WILL HEAL. Read that again. At one point I had 9 areas that were open, and they took about 6 months to finally close. It's mentally taxing dealing with wounds, so be kind to yourself. I used silvadine on the areas that opened, silver alginate dressings, and various bandaids to keep them covered.
Today.
I still swell in the lower part of my abdomen, and it happens most days. However, it's nothing compared to the swelling you might experience post-operatively and for several months afterwards. SWELLING IS NORMAL - YOU WILL BE (VERY) SWOLLEN. Because of the issues I had with healing, the right side of my incision is darker than the rest and a bit bigger. My surgeon is currently lasering that area to lighten the scar, and it's helped significantly. At some point, I may decide to undergo a scar revision, but it doesn't bother me too much. The area underneath my belly button is still numb, along with the outer part of both my thighs. I'm back in the gym, able to run, cycle, and lift like I could pre-op. Prior to surgery, I weighed 193 pounds. Today, I weigh 195 pounds.
For The Guys.
To the men in this group - the swelling and bruising will naturally migrate to your junk. Seriously. I was black and blue for probably a month in that area following my procedure. Eventually, it will return to normal. I found that a jockstrap was the best underwear following surgery - it makes using the bathroom very easy as you don't have to fiddle with a waistband. It also provides additional support and helps to reduce the swelling and bruising in that area. Marena makes a compression brief that works well once you're into that phase of your recovery, and you can wear it like any other pair of underwear.
Summary.
This procedure is no joke, and the recovery process is long. I dealt with several post-surgical complications, couldn't fully care for myself the first few weeks, and still swell. If I had known at the time what was in store for me post-operatively, I'd still choose to undergo the procedure. I can sit down without my skin falling over my pants, my clothes fit how they're supposed to, I don't have to yank my jeans up and over my skin, and I feel more confident in myself. Ultimately, it feels like this was the last step in ridding myself of the old (300+ pound) me. I would encourage you, if you're on the fence, to get the surgery.

Hey guys - long time lurker, first time poster here.
Just wanted to share my experience with SRPE and what I do to manage it.
Reading through the posts here, I consider myself lucky to have quite a mild form of SRPE. Provided that I avoid the triggering activities, I would typically get woken up 1-2 times a night, upon which I would get up, pee to get rid of the erection, then try to go back to sleep.
The thing that I find would trigger the worst symptoms was if I was sexually aroused during the day (e.g. cuddling / petting / seeing sexy pictures) and as a result got a "normal" erection but did NOT go on to ejaculate. In this situation, I would expect to be woken up 5/6 times per night, until I ejaculate.
Getting aroused AND ejaculating would also trigger more awakenings, but not as many as getting aroused and not ejaculating.
So to avoid aggravating my SRPE, I would generally try to avoid any form of sexual arousal, and if I do get aroused, I would either have sex or masturbate so that I ejaculate as well and avoid the worst symptoms.
In terms of managing the erections and pain / discomfort, here are some things that I found helpful:

• Cutting holes in my boxers and making a device to prop up the blanket around my groin area so that when I get an erection at night, it does not touch anything and nothing will press on / apply any pressure to my penis
  
• Taking 500mg Inositol and 200mg L-Theanine before bed. This is part of Dr Huberman's sleep supplement suggestions. I may also take an additional 200mg L-Theanine upon mid-night awakenings, depending on whether I feel I need something to me fall back asleep.
  
• Upon midnight awakenings, taking 1000 mg paracetamol together with either the 200mg L-Theanine mentioned above or 5mg melatonin - this would usually end me back to sleep for another 2 hours.
  

Trying to avoid the stronger medications and the above has worked for me so far and generally get between 6.5 - 7.5 hours of sleep total when following the above protocols.

Typically, it affects the genital region, groin, inner thighs and buttocks.

Essentially, anywhere that can get moist and warm is at risk. This is because Jock itch is a fungal infection that occurs in people that sweat often.

Jock itch is a common problem amongst male athletes, which is how it got its name. But you don’t have to play a sport or be a guy to get it.
It is an intensely itchy rash and its also contagious. The rash is known as Tinea Cruris when it appears around the groin. It can also often be referred to as ringworm.
Read more about: Who is at risk? Risk factors Symptoms of Jock Itch Is jock itch contagious? How to treat Jock itch? Oral Medications Preventing Speaking to a dermatologist

An hour after getting back from the Mason apartment, Bruce Kenner had the distinct misfortune of meeting Bertha Henderson.
A plump, gaudy woman with wrinkles and sun beaten skin only an alligator could love, Bertha Henderson wore bright red lipstick, bright red rouge, and way too much mascara. Her tangled hair was a dull red color and her clothes - pink pants and a white floral top - stretched tight across her bulbous frame. She looked like the kind of woman who lived in a trailer with velvet pictures of Elvis on the wall and pink flamingos in the front yard.
She acted like one too.
From the moment she stormed into his office, she hadn’t shut up once. She scolded, chided, accused, and badgered, sometimes even wagging one fat finger in his face like he was a naughty little boy. Ten minutes into the dressing down and Bruce was beginning to fantasize about police brutality.
It took him another ten minutes to find out what the hell she even wanted.
“It’s my granddaughter,” she shot back, “she’s missing in your town.”
My town? Lady, this is barely my office. I share it with three other people.
“Well, if you’ll calm down, maybe I can help.”
Jesus Christ was that the wrong thing to say. She hit the roof and didn’t come down again until Bruce was this close to arresting her for assault on a police officer. “Young man, I do not appreciate the way you’re talking to me. My tax dollars are the only reason you have a job. If it wasn’t for me, you’d be working at a car wash.”
At least I wouldn’t have to deal with you.
Bruce took a deep breath and held his tongue in check. “How can I help you?” he asked.
“I told you, my granddaughter is missing. If you listened to me, you’d know this already.”
Bertha produced a picture and slid it across the desk. Bruce studied it. A girl, roughly sixteen with black hair, blue eyes, and dimples smiled back at him. “She;’s with that Rossi man, I just know it,” she said bitterly.
“Who?” Bruce asked.
Rolling her eyes like he was stupid, the old woman told him the story. Jessie - the dimple faced girl - had the rotten luck of having to live with Grandma Bertha after her parents went to jail on drug charges. They lived in Sand Lake, a little town in the mountains outside Albany, where Bertha was no doubt loved and admired by all. One day, Jessie, who her grandmother lovingly described as “A little troublemaker”, ran off. Bruce didn’t blame her. He’d known Bertha for half an hour and he wanted to run off. Bertha did some snooping on Jessie’s laptop and found that the “little whore” had been chatting with an older man, Joe Rossi. Rossi, or so Facebook said, lived in Albany and worked at Club Vlad.
“I want him arrested for pedophilia,” Bertha said and crossed her arms defiantly over her chest. “He’s a dog just like all men. She’s probably pregnant already. Another mouth I have to feed.”
Behind the old battle ax, Vanessa appeared in the doorway and lifted her brows as if to say What a piece of work. Knowing her, she’d probably been standing just out of sight this whole time with McKenny, the elderly evidence clerk, and snickering into her hand like a little girl. LOL she called him young man.
Bertha noticed him looking over her shoulder and started to turn. Vanessa’s face went white and she ducked out of the way, narrowly avoiding detection. “I’m glad you think this is funny,” Bertha said to Bruce. “Meanwhile, if I don’t get Jessie back, the state’s going to stop sending me my checks. I need that income. I can’t work, you know. I have gout.”
Too bad being an asshole isn’t a job, you’d be world-famous
“I’ll go talk to him,” Bruce said.
“I want more than talk, young man, I want action.”
“Yes, ma’am.”
When Bertha finally decided to waddle off and ruin someone else’s day, Vanessa came in and sat in the chair the old woman had so recently occupied. “Oh, my God,” she said, “that was intense. I was this close to radioing in a 1015.”
1015 was code for officer down.
“Funny,” Bruce said without a trace of humor. He had kids going missing, a dead guy someone moved around like a goddamn Barbie doll, and now this. What next, hemorrhoids?
“What do you think? Code 1 or code 2?”
Code 1 meant top priority. Code 2 meant not a top priority. Bruce thought for a moment. It didn’t sound like Jessie Henderson was in danger. It sounded like she met a guy - granted, one too old for her - and decided to hide out with him from her psycho grandma. Maybe it could be something more, but he had a gut feeling that it wasn’t…and his gut feelings were usually right. “2,” he finally said. “I got shit to do.”
By shit, he meant “Talk to the families of those missing boys again.” He’d been interviewing them for two days looking for clues, but there was nothing. It’s like they just vanished. Bruce didn’t like this. He didn’t like it at all.
“Well, I’ll leave you to it,” Vanessa said and slapped the desk.
When she was gone, Bruce sighed.
Never a dull moment, he thought.
***
Ed Harris - no relation to the Hollywood actor - had been the medical examiner for the City of Albany since 2002, and in all that time, he had never seen anything quite like this.
It was Wednesday evening and Ed was locked away in the cold, sterile space beneath the city offices that comprised his domain. With its puke green tiles, harsh lights, and cloying smells of disinfectant, the .coroner's office creeped most people out, but not Ed. He was at home here, as comfortable surrounded by toe-tagged bodies as a cactus was surrounded by desert. A thin man in his fifties with curly, steel gray hair thinning in the middle, he wore a white smock, blood stained over his clothes that made him look like a butcher instead of a low level government functionary. He had a dark and dry sense of humor, but then again, so do all people who play with dead bodies for fun and profit.
The coroner’s office was a vast, utilitarian vault segmented into multiple different rooms. Here, where the magic happened, three stainless steel tables stood in a row; a bank of refrigerated drawers kept watch, making sure nothing funny happened. One of the cold fluorescent lights overhead flickered with a hum of electricity, and water dripped rhythmically from a faucet. It was a cold, eerie place, but to Ed, it was home.
On most nights, only one of the tables was occupied, but tonight, two were. On one lay an old lady who died of what appeared to be cyanide poisoning. On the other was Dominick Mason.
Naked save for a white cloth draped over his groin to protect his dignity, Dom was the most corpsy corpse you’d ever hope to see. In fact, if you looked up dead guy in the dictionary, you’d see a picture of him. His body was pale and sunken, one side covered in purple splotches where his blood had pooled, and his eyes were closed. His abdomen was slightly distended with the expected build up of gas, and his flesh stuck fast to the bones beneath. In other words, he was text book. A normal corpse.
Mostly normal.
As men of his trade are wont to do when strange bodies mysteriously appear, Ed had opened Dom up, making a Y shaped incision from his neck to his groin. He hummed to himself as he did so, his hands wielding his sharp and shiny tools with the deft assuredness of a seasoned surgeon. Done cutting, he dipped his gloved hands into the cavity and started removing organs. A spleen here, a liver there, nothing Dom would miss. When he got to the heart, however, he stopped.
There was something…off…about it. At first glance, it was black and withered like an oversized raisin. An odd and putrid odor emanated from it and though he was familiar with the various smells and stenches the human body produced after death, this wasn’t one of them. Try as he might, he couldn’t place it, couldn’t even compare it to anything. Plucking a magnifying glass from the metal cart next to the table, he peeled back part of Dom’s chest and examined the heart closer.
That’s when things got really weird.
Dominick Mason’s heart was, indeed, shriveled, but it was not black. Instead, it was almost entirely covered by an interlacing crisscross of what appeared to be black mold. Here and there, Ed could glimpse flashes of the heart beneath: It was wrinkled and a sickly gray color. “What is this?” Ed asked himself at length. He grabbed a pair of tweezers from the tray and carefully, very carefully, attempted to remove a piece of the mold for analysis. The moment the cold metal tips touched the heart, it gave a violent spasm that sent Ed falling back with a shocked gasp, the tweezers falling from his hand and clinking to the tiled floor.
The heart began to pulse like an alien egg sac, slowly at first, then more rapidly. For a moment, Ed was frozen in place, unable to comprehend what he was seeing. Once you die, your heart ceases beating. That’s that. Only living hearts beat, and Dominick Mason was certainly dead. He was dead from the moment Ed first laid eyes on him earlier that day and he was dead now. Yet there was his heart, beating anyway.
It could be a muscle spasm. They usually aren’t that violent and consistent, but dead bodies sometimes do strange things. As he watched the blackened muscle expanding and contracting, however, Ed had the most eerie feeling. He went to rub the back of his neck, realized he was still wearing blood soaked gloves, and stripped them off. He was spooking himself out; he needed a break and a hot cup of coffee. He’d come back fresh and start over again.
With that mold.
Could you really blame him for being creeped out? That stuff wasn’t normal. He’d never seen anything like that before, not even in textbooks. Dom was scrawny and didn’t get enough vitamins in life, but overall, he was healthy; that mold…or whatever it was…had no business being there.
Going over to the coffee pot, which stood in the same room to save travel time, Ed grabbed a styrofoam cup. When he was done here, he planned to go home and -
A terrible, metallic clatter rang out, and Ed jumped. He turned around, and when he saw Dominick Mason standing next to the table, hunched slightly over and staring at him, an electric burst of fright shot up his spine and exploded in his brain, so strong it made the edges turn gray. Pale, hands hooked into talons, and the flaps of his chest hanging open to reveal the cavity beneath, Dominick Mason looked for all the world like a boy who’d been caught sneaking out to meet his girlfriend. A weak, involuntary, “Oh, God,” slipped from Ed’s trembling lips, and the spell was broken. Dom came alive and ran toward the door leading out to the parking lot. He slammed through it, and the sound of it crashing open and then falling closed again echoed through the empty chamber.
Shaking, panting for air, and soaked in piss, Ed sank to the floor in a sitting position, his eyes wide and staring like those of a soldier returning damaged from the front.
It was a long time before he composed himself enough to call the police.
***
Dazed and caught in a nightmarish twilight realm where nothing made sense, Dominick Mason limped painfully down the sidewalk, a stranger lost in a strange land filled with danger and hostile creatures. Barefoot and shrouded in a white sheet, he trembled with cold and struggled to ignore the dark, threatening shapes looming from the fog in his brain, shapes that would turn into unspeakable truths if he let them.
Passersby openly stared at him, their expressions either morbidly curious, disgusted, or alarmed. A man put his arm protectively around his girlfriend; a woman pulled her little boy to her breast, and another man sneered at him, his nose crinkling. Dom, his glazed eyes narrowed against the harsh glare of the many street lamps, headlights, and storefronts, lumbered headlong toward nowhere, his fear growing until he was shambling. He imagined he could hear every cough, every whisper; smell the odor of every unwashed body. Each car horn was deafening, every whiff of ass or armpits sent his stomach churning. The rustle of a passing pedestrian’s jacket jammed into his ears like icepicks, and the approaching globes of LED headlamps burned his eyes. He gritted his teeth and groaned against the pain.
The dense mist wrapping his brain made it hard to think. Like a frightened animal, he made his way on instinct alone. Home. He needed to get home. Out here, on the street, he was exposed. At home, locked away in his small apartment, he would be safe.
A car passed in the street, bass heavy rap music blaring from its open windows, and Dom’s brain exploded with agony. He threw himself against a street sign and held on for dear life, his legs weak. Dizziness overwhelmed him, and he almost went down. He was also cold.
So, so cold.
People around him quickened their step; they never took their eyes off him, as though he were a venomous snake that would strike at any moment. He needed to get away from them. They were going to hurt him; people always hurt him.
Pushing away from the sign, he began to hobble once more toward home, wherever home was. He looked over his shoulder several times as he made his way down Central Avenue, and each time, he saw that no one was following him as he had feared.
No one, that is, except for the man in sunglasses.
Tall and lank with curly hair, he wore dark Aviators and a leather motorcycle jacket over a button up shirt. His hands were thrust deep into his pockets and his face showed no expression. He was always there, always a few steps closer. Outside Capital Fried Chicken, a group of people openly stared at him, He heard their whispers as he passed. What’s wrong with him? Dude’s straight tweakin. And the one that struck him the most. That guy looks dead.
Dom hobbled faster, as if to outrun the realization that he was, in fact, dead. The man in sunglasses was closer now, his footsteps so loud that Dom winced. He turned around, and the man was impossibly in front of him. Dom ran into him and bounced backward, going ass over tea kettle and landing on the former. They were in front of a church on a darkened corner, the lights here either burned out or shot out - you could never tell in Albany. Even though it was dark, Dom could see everything with crystal clarity. Dom tried to scurry away, but he was too weak to escape. Right there and then, he decided to give up. Come what may, he just wanted this nightmare to be over.
The man stared down at him, emotionless, unspeaking.
Dom squirmed.
“You’re real lucky I came along,” the man said. His tone was flat, even.
Dead.
“Get up,” he said, “I’ll take you home.”
Home?
Yes.
Dom wanted to go home.
The man helped him up, and Dom followed him into the night.
***
Bruce Kenner stood in the middle of the medical examiner’s office at half past nine that evening with his hands on his hips and stared doubtfully down at Ed Harris. The lonely cavern was alive with activity as cops went over everything, all of them looking either bemused or a mused. Bruce was neither. He’d been at home, sitting in his chair and having a beer in front of AEW Dynamite when Vanessa called. “You might wanna get down here,” she said, sounding confused, “something really strange is going on.”
Ed Harris - no relation to that one guy - sat in a straight back chair beside his cluttered desk and gripped a styrofoam cup of coffee in both hands, putting Bruce - for some reason - in mind of a monkey. When Bruce came in, the old man was white as a sheet and shook like a leaf. In the last half hour, little had changed.
“Tell me again,” Bruce said.
He and Ed were pretty good friends. He knew that Ed knew standard police procedure. Cops don’t ask you to repeat your story a thousand times over because they’re forgetful fucks, they do it because telling it again and again helps to jog loose details that you might have forgotten. Ed, therefore, did not protest. “I turned my back,” he said and chopped the chair like Jackie Chan, “and I heard the noise.”
His voice was thick, unsteady, and halting. He sounded as squirrely as he looked…and he looked pretty damn squirrelly right now.
“I turned around…and he was looking at me. He was standing there and he was looking at me.”
This was the fourth time he’d had Ed go through the story, and nothing had changed. Bruce felt something stirring deep inside his gut. It was either disquiet…or he had to fart. He opened his mouth to speak, but sighed.
“You don’t believe me,” Ed said.
“I dunno, Ed. Dead bodies don’t just get up and walk away.”
Ed flashed. “I know that, goddamn it, but this one did.”
Bruce glanced at Vanessa. She looked uncomfortable.
“Are you sure he was dead?” Bruce asked.
Ed opened his mouth, closed it again, and said, “I did the autopsy.” His voice broke on the last word, and he sounded almost like he was pleading. “His fucking liver’s on the floor. He stepped on it. The man has nothing in him. I-I’m telling you, there’s no way he’s alive.”
During the autopsy, Ed had sat Dominick Mason’s organs on the little tray table where he kept his pointy things. Mason knocked it over while getting up. Indeed, there were human organs on the floor, and one of them did look kind of squished. Bare, bloody footprints led to the exit door, up a set of concrete steps, and then disappeared in the alley behind the office.
“You said you left his heart,” Bruce said.
“And his brain,” Vanessa helpfully added.
Ed pinched the bridge of his nose like a put upon professor dealing with two particularly stupid students. “Even with his heart and his brain, he’s dead. You saw the livor mortis. He was cold, he was stiff. His heart wasn’t beating, he wasn’t breathing. He was in one of those drawers for nine hours, not breathing, no blood flow - it’s impossible. It’s just…it’s impossible. I don’t care what you think, he was dead. And even if somehow he wasn’t, I cut out almost everything. I opened his stomach, I took his spleen - you don’t just get up from that. You don’t walk away from that, much less run.”
Bruce chewed the inside of his bottom lip because he didn’t have a Twix. He didn’t look like the smartest man in the world…and he wasn’t…but he knew a dead body when he saw one, and the body they took out of Dominick Mason’s apartment was D.E.A.D. And like Ed said, even if by some freak fluke of nature he wasn’t, he couldn’t just get up and go about his day with no liver, spleen, or kidneys. Hell, Bruce had his gallbladder out and he couldn’t even walk away from that.
“You said there was something funny about his heart,” Vanessa said.
Ed finished off his coffee. “Yeah. It was…moldy. I-I’ve never seen anything like it.”
“Is it possible that…has something to do with it?”
“Unless the rules of biology have changed overnight, no,” Ed stated.
While Ed poured himself another cup of Joe, spilling some because he was still shaking, Vanessa took Bruce aside. “So what do you think?” she asked. “Is he telling the truth?”
For that, Bruce did not have an immediate answer. All else aside, he was a cop. He followed the evidence - and his gut instinct - wherever it led him. Ed was a sober man - he was not a drunk, insane, or stupid - and no man on earth could fake the look of trauma in his eyes. Bruce’s eyes went to the bloody footprints leading away from the exam table and his stomach roiled. It might be cliched, but there had to be a rational explanation. “Yeah,” he finally said. “The kid got up like he said, but there’s no way he was dead. Maybe…I dunno, he had a surge of adrenaline or something. I’m not a doctor.”
“That’ll only get him so far,” Vanessa said. “We’ll probably find him on the street somewhere.”
He went back to the purple splotches on Dom’s face, to his cold stiffness. There’s no way he was dead?
Bruce was confused, and he hated being confused.
“I dunno,” he said, “maybe.”
But he had the gnawing feeling that they wouldn’t. They would never find him…and Bruce would be confused forever.
Goddamn it, Mason, he thought, where are you?

An hour after getting back from the Mason apartment, Bruce Kenner had the distinct misfortune of meeting Bertha Henderson.
A plump, gaudy woman with wrinkles and sun beaten skin only an alligator could love, Bertha Henderson wore bright red lipstick, bright red rouge, and way too much mascara. Her tangled hair was a dull red color and her clothes - pink pants and a white floral top - stretched tight across her bulbous frame. She looked like the kind of woman who lived in a trailer with velvet pictures of Elvis on the wall and pink flamingos in the front yard.
She acted like one too.
From the moment she stormed into his office, she hadn’t shut up once. She scolded, chided, accused, and badgered, sometimes even wagging one fat finger in his face like he was a naughty little boy. Ten minutes into the dressing down and Bruce was beginning to fantasize about police brutality.
It took him another ten minutes to find out what the hell she even wanted.
“It’s my granddaughter,” she shot back, “she’s missing in your town.”
My town? Lady, this is barely my office. I share it with three other people.
“Well, if you’ll calm down, maybe I can help.”
Jesus Christ was that the wrong thing to say. She hit the roof and didn’t come down again until Bruce was this close to arresting her for assault on a police officer. “Young man, I do not appreciate the way you’re talking to me. My tax dollars are the only reason you have a job. If it wasn’t for me, you’d be working at a car wash.”
At least I wouldn’t have to deal with you.
Bruce took a deep breath and held his tongue in check. “How can I help you?” he asked.
“I told you, my granddaughter is missing. If you listened to me, you’d know this already.”
Bertha produced a picture and slid it across the desk. Bruce studied it. A girl, roughly sixteen with black hair, blue eyes, and dimples smiled back at him. “She;’s with that Rossi man, I just know it,” she said bitterly.
“Who?” Bruce asked.
Rolling her eyes like he was stupid, the old woman told him the story. Jessie - the dimple faced girl - had the rotten luck of having to live with Grandma Bertha after her parents went to jail on drug charges. They lived in Sand Lake, a little town in the mountains outside Albany, where Bertha was no doubt loved and admired by all. One day, Jessie, who her grandmother lovingly described as “A little troublemaker”, ran off. Bruce didn’t blame her. He’d known Bertha for half an hour and he wanted to run off. Bertha did some snooping on Jessie’s laptop and found that the “little whore” had been chatting with an older man, Joe Rossi. Rossi, or so Facebook said, lived in Albany and worked at Club Vlad.
“I want him arrested for pedophilia,” Bertha said and crossed her arms defiantly over her chest. “He’s a dog just like all men. She’s probably pregnant already. Another mouth I have to feed.”
Behind the old battle ax, Vanessa appeared in the doorway and lifted her brows as if to say What a piece of work. Knowing her, she’d probably been standing just out of sight this whole time with McKenny, the elderly evidence clerk, and snickering into her hand like a little girl. LOL she called him young man.
Bertha noticed him looking over her shoulder and started to turn. Vanessa’s face went white and she ducked out of the way, narrowly avoiding detection. “I’m glad you think this is funny,” Bertha said to Bruce. “Meanwhile, if I don’t get Jessie back, the state’s going to stop sending me my checks. I need that income. I can’t work, you know. I have gout.”
Too bad being an asshole isn’t a job, you’d be world-famous
“I’ll go talk to him,” Bruce said.
“I want more than talk, young man, I want action.”
“Yes, ma’am.”
When Bertha finally decided to waddle off and ruin someone else’s day, Vanessa came in and sat in the chair the old woman had so recently occupied. “Oh, my God,” she said, “that was intense. I was this close to radioing in a 1015.”
1015 was code for officer down.
“Funny,” Bruce said without a trace of humor. He had kids going missing, a dead guy someone moved around like a goddamn Barbie doll, and now this. What next, hemorrhoids?
“What do you think? Code 1 or code 2?”
Code 1 meant top priority. Code 2 meant not a top priority. Bruce thought for a moment. It didn’t sound like Jessie Henderson was in danger. It sounded like she met a guy - granted, one too old for her - and decided to hide out with him from her psycho grandma. Maybe it could be something more, but he had a gut feeling that it wasn’t…and his gut feelings were usually right. “2,” he finally said. “I got shit to do.”
By shit, he meant “Talk to the families of those missing boys again.” He’d been interviewing them for two days looking for clues, but there was nothing. It’s like they just vanished. Bruce didn’t like this. He didn’t like it at all.
“Well, I’ll leave you to it,” Vanessa said and slapped the desk.
When she was gone, Bruce sighed.
Never a dull moment, he thought.
***
Ed Harris - no relation to the Hollywood actor - had been the medical examiner for the City of Albany since 2002, and in all that time, he had never seen anything quite like this.
It was Wednesday evening and Ed was locked away in the cold, sterile space beneath the city offices that comprised his domain. With its puke green tiles, harsh lights, and cloying smells of disinfectant, the .coroner's office creeped most people out, but not Ed. He was at home here, as comfortable surrounded by toe-tagged bodies as a cactus was surrounded by desert. A thin man in his fifties with curly, steel gray hair thinning in the middle, he wore a white smock, blood stained over his clothes that made him look like a butcher instead of a low level government functionary. He had a dark and dry sense of humor, but then again, so do all people who play with dead bodies for fun and profit.
The coroner’s office was a vast, utilitarian vault segmented into multiple different rooms. Here, where the magic happened, three stainless steel tables stood in a row; a bank of refrigerated drawers kept watch, making sure nothing funny happened. One of the cold fluorescent lights overhead flickered with a hum of electricity, and water dripped rhythmically from a faucet. It was a cold, eerie place, but to Ed, it was home.
On most nights, only one of the tables was occupied, but tonight, two were. On one lay an old lady who died of what appeared to be cyanide poisoning. On the other was Dominick Mason.
Naked save for a white cloth draped over his groin to protect his dignity, Dom was the most corpsy corpse you’d ever hope to see. In fact, if you looked up dead guy in the dictionary, you’d see a picture of him. His body was pale and sunken, one side covered in purple splotches where his blood had pooled, and his eyes were closed. His abdomen was slightly distended with the expected build up of gas, and his flesh stuck fast to the bones beneath. In other words, he was text book. A normal corpse.
Mostly normal.
As men of his trade are wont to do when strange bodies mysteriously appear, Ed had opened Dom up, making a Y shaped incision from his neck to his groin. He hummed to himself as he did so, his hands wielding his sharp and shiny tools with the deft assuredness of a seasoned surgeon. Done cutting, he dipped his gloved hands into the cavity and started removing organs. A spleen here, a liver there, nothing Dom would miss. When he got to the heart, however, he stopped.
There was something…off…about it. At first glance, it was black and withered like an oversized raisin. An odd and putrid odor emanated from it and though he was familiar with the various smells and stenches the human body produced after death, this wasn’t one of them. Try as he might, he couldn’t place it, couldn’t even compare it to anything. Plucking a magnifying glass from the metal cart next to the table, he peeled back part of Dom’s chest and examined the heart closer.
That’s when things got really weird.
Dominick Mason’s heart was, indeed, shriveled, but it was not black. Instead, it was almost entirely covered by an interlacing crisscross of what appeared to be black mold. Here and there, Ed could glimpse flashes of the heart beneath: It was wrinkled and a sickly gray color. “What is this?” Ed asked himself at length. He grabbed a pair of tweezers from the tray and carefully, very carefully, attempted to remove a piece of the mold for analysis. The moment the cold metal tips touched the heart, it gave a violent spasm that sent Ed falling back with a shocked gasp, the tweezers falling from his hand and clinking to the tiled floor.
The heart began to pulse like an alien egg sac, slowly at first, then more rapidly. For a moment, Ed was frozen in place, unable to comprehend what he was seeing. Once you die, your heart ceases beating. That’s that. Only living hearts beat, and Dominick Mason was certainly dead. He was dead from the moment Ed first laid eyes on him earlier that day and he was dead now. Yet there was his heart, beating anyway.
It could be a muscle spasm. They usually aren’t that violent and consistent, but dead bodies sometimes do strange things. As he watched the blackened muscle expanding and contracting, however, Ed had the most eerie feeling. He went to rub the back of his neck, realized he was still wearing blood soaked gloves, and stripped them off. He was spooking himself out; he needed a break and a hot cup of coffee. He’d come back fresh and start over again.
With that mold.
Could you really blame him for being creeped out? That stuff wasn’t normal. He’d never seen anything like that before, not even in textbooks. Dom was scrawny and didn’t get enough vitamins in life, but overall, he was healthy; that mold…or whatever it was…had no business being there.
Going over to the coffee pot, which stood in the same room to save travel time, Ed grabbed a styrofoam cup. When he was done here, he planned to go home and -
A terrible, metallic clatter rang out, and Ed jumped. He turned around, and when he saw Dominick Mason standing next to the table, hunched slightly over and staring at him, an electric burst of fright shot up his spine and exploded in his brain, so strong it made the edges turn gray. Pale, hands hooked into talons, and the flaps of his chest hanging open to reveal the cavity beneath, Dominick Mason looked for all the world like a boy who’d been caught sneaking out to meet his girlfriend. A weak, involuntary, “Oh, God,” slipped from Ed’s trembling lips, and the spell was broken. Dom came alive and ran toward the door leading out to the parking lot. He slammed through it, and the sound of it crashing open and then falling closed again echoed through the empty chamber.
Shaking, panting for air, and soaked in piss, Ed sank to the floor in a sitting position, his eyes wide and staring like those of a soldier returning damaged from the front.
It was a long time before he composed himself enough to call the police.
***
Dazed and caught in a nightmarish twilight realm where nothing made sense, Dominick Mason limped painfully down the sidewalk, a stranger lost in a strange land filled with danger and hostile creatures. Barefoot and shrouded in a white sheet, he trembled with cold and struggled to ignore the dark, threatening shapes looming from the fog in his brain, shapes that would turn into unspeakable truths if he let them.
Passersby openly stared at him, their expressions either morbidly curious, disgusted, or alarmed. A man put his arm protectively around his girlfriend; a woman pulled her little boy to her breast, and another man sneered at him, his nose crinkling. Dom, his glazed eyes narrowed against the harsh glare of the many street lamps, headlights, and storefronts, lumbered headlong toward nowhere, his fear growing until he was shambling. He imagined he could hear every cough, every whisper; smell the odor of every unwashed body. Each car horn was deafening, every whiff of ass or armpits sent his stomach churning. The rustle of a passing pedestrian’s jacket jammed into his ears like icepicks, and the approaching globes of LED headlamps burned his eyes. He gritted his teeth and groaned against the pain.
The dense mist wrapping his brain made it hard to think. Like a frightened animal, he made his way on instinct alone. Home. He needed to get home. Out here, on the street, he was exposed. At home, locked away in his small apartment, he would be safe.
A car passed in the street, bass heavy rap music blaring from its open windows, and Dom’s brain exploded with agony. He threw himself against a street sign and held on for dear life, his legs weak. Dizziness overwhelmed him, and he almost went down. He was also cold.
So, so cold.
People around him quickened their step; they never took their eyes off him, as though he were a venomous snake that would strike at any moment. He needed to get away from them. They were going to hurt him; people always hurt him.
Pushing away from the sign, he began to hobble once more toward home, wherever home was. He looked over his shoulder several times as he made his way down Central Avenue, and each time, he saw that no one was following him as he had feared.
No one, that is, except for the man in sunglasses.
Tall and lank with curly hair, he wore dark Aviators and a leather motorcycle jacket over a button up shirt. His hands were thrust deep into his pockets and his face showed no expression. He was always there, always a few steps closer. Outside Capital Fried Chicken, a group of people openly stared at him, He heard their whispers as he passed. What’s wrong with him? Dude’s straight tweakin. And the one that struck him the most. That guy looks dead.
Dom hobbled faster, as if to outrun the realization that he was, in fact, dead. The man in sunglasses was closer now, his footsteps so loud that Dom winced. He turned around, and the man was impossibly in front of him. Dom ran into him and bounced backward, going ass over tea kettle and landing on the former. They were in front of a church on a darkened corner, the lights here either burned out or shot out - you could never tell in Albany. Even though it was dark, Dom could see everything with crystal clarity. Dom tried to scurry away, but he was too weak to escape. Right there and then, he decided to give up. Come what may, he just wanted this nightmare to be over.
The man stared down at him, emotionless, unspeaking.
Dom squirmed.
“You’re real lucky I came along,” the man said. His tone was flat, even.
Dead.
“Get up,” he said, “I’ll take you home.”
Home?
Yes.
Dom wanted to go home.
The man helped him up, and Dom followed him into the night.
***
Bruce Kenner stood in the middle of the medical examiner’s office at half past nine that evening with his hands on his hips and stared doubtfully down at Ed Harris. The lonely cavern was alive with activity as cops went over everything, all of them looking either bemused or a mused. Bruce was neither. He’d been at home, sitting in his chair and having a beer in front of AEW Dynamite when Vanessa called. “You might wanna get down here,” she said, sounding confused, “something really strange is going on.”
Ed Harris - no relation to that one guy - sat in a straight back chair beside his cluttered desk and gripped a styrofoam cup of coffee in both hands, putting Bruce - for some reason - in mind of a monkey. When Bruce came in, the old man was white as a sheet and shook like a leaf. In the last half hour, little had changed.
“Tell me again,” Bruce said.
He and Ed were pretty good friends. He knew that Ed knew standard police procedure. Cops don’t ask you to repeat your story a thousand times over because they’re forgetful fucks, they do it because telling it again and again helps to jog loose details that you might have forgotten. Ed, therefore, did not protest. “I turned my back,” he said and chopped the chair like Jackie Chan, “and I heard the noise.”
His voice was thick, unsteady, and halting. He sounded as squirrely as he looked…and he looked pretty damn squirrelly right now.
“I turned around…and he was looking at me. He was standing there and he was looking at me.”
This was the fourth time he’d had Ed go through the story, and nothing had changed. Bruce felt something stirring deep inside his gut. It was either disquiet…or he had to fart. He opened his mouth to speak, but sighed.
“You don’t believe me,” Ed said.
“I dunno, Ed. Dead bodies don’t just get up and walk away.”
Ed flashed. “I know that, goddamn it, but this one did.”
Bruce glanced at Vanessa. She looked uncomfortable.
“Are you sure he was dead?” Bruce asked.
Ed opened his mouth, closed it again, and said, “I did the autopsy.” His voice broke on the last word, and he sounded almost like he was pleading. “His fucking liver’s on the floor. He stepped on it. The man has nothing in him. I-I’m telling you, there’s no way he’s alive.”
During the autopsy, Ed had sat Dominick Mason’s organs on the little tray table where he kept his pointy things. Mason knocked it over while getting up. Indeed, there were human organs on the floor, and one of them did look kind of squished. Bare, bloody footprints led to the exit door, up a set of concrete steps, and then disappeared in the alley behind the office.
“You said you left his heart,” Bruce said.
“And his brain,” Vanessa helpfully added.
Ed pinched the bridge of his nose like a put upon professor dealing with two particularly stupid students. “Even with his heart and his brain, he’s dead. You saw the livor mortis. He was cold, he was stiff. His heart wasn’t beating, he wasn’t breathing. He was in one of those drawers for nine hours, not breathing, no blood flow - it’s impossible. It’s just…it’s impossible. I don’t care what you think, he was dead. And even if somehow he wasn’t, I cut out almost everything. I opened his stomach, I took his spleen - you don’t just get up from that. You don’t walk away from that, much less run.”
Bruce chewed the inside of his bottom lip because he didn’t have a Twix. He didn’t look like the smartest man in the world…and he wasn’t…but he knew a dead body when he saw one, and the body they took out of Dominick Mason’s apartment was D.E.A.D. And like Ed said, even if by some freak fluke of nature he wasn’t, he couldn’t just get up and go about his day with no liver, spleen, or kidneys. Hell, Bruce had his gallbladder out and he couldn’t even walk away from that.
“You said there was something funny about his heart,” Vanessa said.
Ed finished off his coffee. “Yeah. It was…moldy. I-I’ve never seen anything like it.”
“Is it possible that…has something to do with it?”
“Unless the rules of biology have changed overnight, no,” Ed stated.
While Ed poured himself another cup of Joe, spilling some because he was still shaking, Vanessa took Bruce aside. “So what do you think?” she asked. “Is he telling the truth?”
For that, Bruce did not have an immediate answer. All else aside, he was a cop. He followed the evidence - and his gut instinct - wherever it led him. Ed was a sober man - he was not a drunk, insane, or stupid - and no man on earth could fake the look of trauma in his eyes. Bruce’s eyes went to the bloody footprints leading away from the exam table and his stomach roiled. It might be cliched, but there had to be a rational explanation. “Yeah,” he finally said. “The kid got up like he said, but there’s no way he was dead. Maybe…I dunno, he had a surge of adrenaline or something. I’m not a doctor.”
“That’ll only get him so far,” Vanessa said. “We’ll probably find him on the street somewhere.”
He went back to the purple splotches on Dom’s face, to his cold stiffness. There’s no way he was dead?
Bruce was confused, and he hated being confused.
“I dunno,” he said, “maybe.”
But he had the gnawing feeling that they wouldn’t. They would never find him…and Bruce would be confused forever.
Goddamn it, Mason, he thought, where are you?

The pain was the worst thing`Dominick Mason had ever known…and he knew what it felt like to die. It felt like his brain was in a blender, being chopped to liquid for a Jeffery Dahmer smoothie and though it seemed melodramatic, he imagined he could feel himself losing brain cells by the minute. The sun, Merrick told him, would not burn him, but it would decay him faster, so sleep or rest during the day. With the sick, throbbing agony in the center of his brain, however, that was impossible. He spent most of the day curled up on his side, hugging his knees, and moaning. He had flashbacks to dying in his apartment, and that made things even worse. The room became too small, too close, the air too stale. His heart, filled with the blood of last night’s meal, pounded in his chest, and he went from slightly chilly to hot and feverish as blood was forced through his circulatory system. It mixed with the embalming fluid and left him feeling full and constipated. He didn’t want to get up, but he also didn’t want to go on lying there. He was the definition of miserable.
Before long, the pain became too great and he got up to pace, pressing his hands to the sides of his head and gritting his teeth. Merrick, who slept very little if at all, sat in his chair and watched, trying his best to talk him through it. “It’ll be over soon,” Merrick said. “The pain receptors in your brain are the first to go. When they burn out, you won’t feel anything.”
“When?” Dom asked, his voice raising with the tide of pain.
“A couple days?”
“A couple days???”
“The pain will lessen gradually,” Merrick said, “this is the worst of it.”
Dom believed that this was, indeed, the worst of it, but he doubted it would lessen gradually. For the rest of the day, the pain got worse and worse until every light blinded him, every sound turned his stomach, and the smell of anything made his gorge rise. The cloying smell of the embalming fluid, the light but unmistakable odor of dead flesh, and the scent of stale blood sitting in decomposing stomachs made him want to vomit, but he was afraid to. He didn’t think he could handle the sight of blood rushing from his mouth and splattering the floor. He still possessed enough of his facilities, he believed, to go insane.
Pain has a way of darkening one’s mood, and by the time the sun began to set, Dom was in the most sour mood possible. Even Merrick’s calm, fatherly voice was beginning to get on his nerves. When he took the oath to him the day before (or was it the day before that?), he turned his faith and trust over to Merrick entirely. He was finally accepted, included, finally had the love and fellowship that, in the pit of his soul, he had always wanted. Merrick understood him, Merrick was kind to him.
But deep down, Dom realized that he didn’t fully trust him. He said that his brain didn’t rot because he was “lucky.” That sounded like some bullshit to Dom. Why wasn’t Joe a blithering idiot too? Was he lucky as well? Did lightning strike in the same place twice? In life, people had done nothing but hurt and lie to Dom. Why would death be any different? He thought back to the strange liquid that always seemed to leak from Merrick’s nose, and Joe’s. He thought it was embalming fluid, but it never leaked from his own nose, or from anyone else’s. He tried to tell himself that it was far too soon to judge, but once he began to doubt something, his mind raced away. He felt a twinge of guilt, as Merrick had done absolutely nothing to deserve his doubt, but goddamn it, his head was on fire and he wanted it to stop. Anything to make it stop.
Just after sundown, the music began as Club Vlad opened for the night. It throbbed in the center of Dom’s head and made him want to claw his eyes out. When it became too much for him, he slipped away and stumbled into the sultry summer night. He came out in the alley running behind the club, clutching his head and breathing through bared teeth. He staggered, bumped into a metal trash can, and roared at the top of his lungs, as if he could purge himself of the pain by screaming.. His voice echoed and came back to him, making the pain worse.
Merrick was lying. He knew it. People always lied to him. His brain was rotting and PEOPLE WERE LYING! Flashing with anger, he slammed his fist into the brick wall of a Chinese restaurant. He barely felt anything so he did it again and again until his hand was lumpy and shaking. He sat heavily on the ground and pressed his hands to his head. It felt like maggots were burrowing into his brain, and he was suddenly terrified that they really were. He needed to stop this awful pain, but how?
An idea came to him.
The funeral home.
Maybe there was something there.
He was on his feet and lumbering there before the thought had even finished reverberating through his mind. It was a long shot, but he was desperate. On the way there, he stuck to the shadows, staying out of the light cast by the streetlamps and avoiding people. When he passed them, he kept his head down. When he reached the funeral home, he went to the back door where he and Jessie had gone the other day. He tried it, and it opened.
Inside, he bounced off the walls like a pinball, knocking over an end table and tearing at the flesh of his head, pulling it away in long, gray strips. He panted like a wild animal, his body a raging tempest of emotions. It was reaching a crescendo, he thought, his brain was about to go supernova. The world dimmed, things got really echoy. The young man he’d picked the embalming fluid up from was there, looking scared.
Flashing, Dom grabbed him by his shirt and slammed him against the wall, knocking a painting of a flowery field to the carpet. Everything seemed to go in slow mo. “How does Merrick keep his brain from rotting?” Dom heard himself demanding from far away. “How does he keep the pain away?”
The man trembled. “I-I-”
Dom slammed him again. “Tell me or I’ll make you like me.”
“No!” the man wailed. He shook his head from side to side, his eyes wet with fear.
“How?”
“He-He uses a solution,” the man stammered. “Some kind of special thing. It preserves his brain. That’s all I know.”
An idea occurred to Dom.
Holding the man by the back of his neck, Dom dragged him into the embalming room and pushed him against the table. His head felt like it was swelling. Hot, screaming, getting ready to explode. He looked around, found the embalming machine, and grabbed the hose. There was a sharp tip on it so that you could jam it into a body. He held it in his hand, hesitating for just a moment before pressing it to his temple. The man watched in horror as Dom slowly shoved the tip into his head. It tore his flesh, broke through his skull, and sank into his brain. He felt no pain, only pressure, but cried out anyway. His eyes rolled up into his head and a shudder went through his body.
“Turn it on!” he yelled.
“That’s not what he -”
“TURN IT ON!”
Starting, the man turned the machine on. Cold embalming fluid squirted directly into Dom’s brain. Almost at once, the pain began to ebb away, replaced only by a fuzzy sense of numbness. His knees buckled and he sank to the floor, looking for all the world like an addict taking a hit of his favorite substance after a long and trying day. Fluid leaked from his nose, ears, and eyes and dripped down the back of his throat.
The man waited for a long time, then turned the machine off.
The pain was gone.
At least for now.
“Tell me again,” Dom said.
The man did. Merrick used a special preserving agent to keep his brain intact. Joe, the man suspected, got it as well. So Merrick had lied to him.
Dom felt betrayed.
And angry.
Leaving the man (Dom realized that he didn’t even know his name), he walked back to Club Vlad, his hands fisted in his pockets. All his life, he had been hurt, lied to, and ignored. All his life, people had done wrong to him. And all those years, he just took it.
He resolved not to be so accepting in death.
At last, he was going to stop being a sniveling little bitch and stand up for himself.
When he reached Club Vlad, he slammed through the back door and took the stairs two at a time. At the top, he called out Merrick’s name. The old man was sitting in his chair, being attended to by Jessie and Matt. He looked startled when Dom came in. “You lied to me,” Dom said, stalking over to his benefactor.
“What are you talking about?” Merrick asked, doing his best to sound innocent.
“You lied to me!” Dom screamed. He bent over and got so close to Merrick’s face that he could have kissed him. “You told me there was no way to save my brain, but that’s not true. You’re pumping your head full of shit and letting the rest of us rot.”
A dark shadow flickered across Merrick’s face. “Watch your tone when you talk to me,” he said. His voice was low, menacing.
“Fuck you,” Dom said. “I should k -”
Suddenly, Dom was being grabbed from behind and yanked back, an arm around his neck. He cried out in alarm as Joe swung him around and slammed him face first into the wall. He heard his nose crunch, felt his teeth shatter. Next, Joe wrestled him to the glitter-sprinkled floor and wedged his knee between his shoulder blades.
Merrick watched with a sneer of disgust, his hands gripping the arms of his chair. He wheeled himself over, Jessie holding his IV stand steady and following behind. “Listen, you son of a bitch,” Merrick said, “you’re lucky to be a part of this family.”
Cold fear filled the pit of Dom’s stomach, yet he wouldn’t back down, couldn’t back down. He had lived his entire life like a mouse in a burrow, he wasn’t about to live his entire death the same way.
“Fuck your family,” he said defiantly. “And fuck you.”
Merrick’s face darkened and he sat back in his chair. He looked at Jessie and nodded. She went away and came back a moment later holding something in her hand. Dom’s eyes widened when he saw what it was.
A wooden stake, one end honed to a razor point.
Why they had one of those lying around, Dom didn’t know; it’d be like Superman keeping a piece of kryptonite on the mantle over the fireplace. Merrick directed Max and Matt to hold Dom’s arms down/ Joe pivoted, kneeling on his head now so that Dom’s back was exposed. Dom’s heart slammed with terror and tremors raced through his body.
“Is this what you want, Dominick?” Merrick asked. “To die? To truly die?”
Dom swallowed hard. No, it wasn’t what he wanted. He wanted to live, to love, to have a family one day. He wanted a happy, normal life, the life TV and social media had been promising him since he was a little boy.
But all of that went out the window the night he died in his little apartment. There was no life anymore, just a grotesque parody of life. What was there for him other than death? Clinging desperately onto life for decades like Merrick? Stuffing himself full of embalming fluid and moth balls? Grinding for one more minute just so he could sit hooked up to a machine?
Dom spoke.
“What?” Merrick asked, not having heard.
Dom licked his lips. “Just fucking do it.”
For a moment, nothing happened. Expectation hung in the air. Finally, breaking the tension, Merrick nodded to Jessie. Kneeling down, she brought the stake up, and Dom closed his eyes.
This was it.
He braced himself for death.
Jessie brought the stake down just as a shot rang out, deafening in the small space. Her head whipped back, embalming fluid, skull fragments, and gray, sickly pieces of brain showering from the back of her head. She flopped back and landed on the floor with a sickening thud.
A woman cop, her black uniform in stark contrast to the burning white light, stood in the doorway to the hall, her gun drawn. Everyone did, indeed, freeze, more out of surprise than respect for authority. They all looked at her, their dead mouths agape, resembling children who’d been caught doing something wrong.
“Everyone on the ground!” she barked.
No one knew what to do. They hadn’t expected to be raided by the police so had not prepared. She jerked her gun and everyone instinctively flinched. “On the ground!” she repeated. To Max: “You too, bone boy.”
The first one to react was Joe. He sprang at her like a big, undead frog. She brought the gun around and fired, but he was already crashing into her. The shot went wild and struck the IV bag next to Merrick; he ducked and let out a sound of fear. The others rushed her, and Dom got quickly to his feet. Jessie lay on the floor, her mouth open in a silent scream and her bony fingers frantically examining the ragged hole in the center of her forehead. For a moment, he was frozen; everything was happening too fast. Then, when Merrick saw him and cried, “Stop him!, he came alive. Jessie tried to grab at his leg, but he kicked her hand away and stomped on it like it was a giant spider. On the other side of the room, Matt, Joe, and Max had forced the cop to the ground. Perhaps excited by all the action, perhaps just hungry, they began to tear her apart. She howled in pain, and the last thing Dom saw before he fled was her open, blood-filled mouth. Her eyes were filled with pain…with terror.
After that, Dom ran.
***
When the interloper was dead, Merrick directed Joe and Matt to dispose of the body. “Get rid of it,” he said wearily and rubbed his temples, “make sure it isn’t found.”
They rolled her into a carpet from the office, and the way her feet stuck out may have been comical under other circumstances.
Goddamn it, this was bad. Merrick’s entire philosophy rested on avoiding detection. He had done well in that regard. Whereas other vampires had attacked their villages and gotten themselves dug from the ground and staked, he had made it four decades. He never shat where he ate, and there is no bigger turd than killing a cop. They might dawdle on all the boys who’d gone missing - taken because their blood was stronger and more robust than the blood of girls - but they would not take a cop dying lightly at all.
Merrick owned various businesses around the country. He and the others would simply move on. Tomorrow night, they would disappear into the night. They had done it before and they would likely do it again. Once things were settled at their new base of operations, he would have Joe killed for all the trouble he’d caused.
And Dom?
Let him go.
The little rat wouldn’t last a month on his own.
“Jessie?”
Jessie sat against the wall, gazing into space.
“Jessi…start packing. We’re leaving tomorrow.”
She didn’t move, didn’t seem to hear. The shot had all but lobotomized her.
Damn it.
Joe backed the van up to the back door of Club Vlad, and then helped Matt carry the carpet-rolled body down the stairs. They loaded it in and closed the back doors. Together, they drove around looking for a place to dump it. Merrick wanted it to go unfound, but Joe doubted there was anywhere isolated enough in the city. On a whim, he drove to Washington Park, a vast expanse of green trees and shadows. There was a large pond there. It seemed the best option. They were leaving tomorrow anyway, so did it really matter?
Joe backed the van to a railing overlooking the dark water and put it in park. He and Matt got out, fetched the body, and carried it to the railing. They lifted and heaved it over. It splashed. Thus, they rid themselves of Vanessa Rodregiez.
***
Bruce sat anxiously up in his easy chair and waited for his cell to ring.
Parked in front of the TV by warm lamplight, a beer wedged between his legs, he’d been watching the 11’o’clock news when the phone rang. He picked it up and it was Vanessa. “Hey,” she said, “I think I found our body?”
“Which one?” Bruce asked and took a drink. “We have a lot of those these days.”
“Dominick Mason.”
Bruce sat forward in his chair. “Dead Dom? Where?”
“He just came out of a funeral home, ironically enough.”
“That sounds about right,” Bruce said. “Where are you now?”
“I’m following him east on Central.”
“Are you sure it’s him?” Bruce asked.
“I think so, but I’m not sure. I’ll call you back when I’m done.”
Bruce sat the phone aside and waited.
And waited.
And waited.
At some point, he fell asleep sitting up, his head lulled to one side and his mouth open. He snorted himself awake, rubbed his eyes, and sat up. He checked his phone and was perturbed to see that it was past 2am.
Vanessa hadn’t called.
He dialed her number and let the phone ring until it went to voicemail. Sighing, he ended the call, then waited a few minutes and called again.
Still no answer.
It was possible she had forgotten. Maybe the guy turned out to not be Dead Dom after all. She followed some random guy around, realized it, and that was that. Hell, she was probably too embarrassed to call and tell him about it.
Something told him that wasn’t right, however.
There was something else going on here.
Something…darker.
Just before 3am, his phone rang. He snatched it off the end table next to the chair and answered it. It was Burt, the night sargent. “Rodriguez is missing,” he said simply.
Bruce’s heart sank. “Missing?”
“Yeah, she hasn’t checked in for hours and she isn’t answering calls.”
“I’m on my way,”
Bruce tore through the house, pulling on his uniform, socks, and shoes in less time than it took a Daytona 500 pit crew to service a car. In ten minutes he was speeding down 787, the Albany skyline rising in the distance. As he hurried to the station, he thought back to his last conversation with Vanessa. She’d found Dom the Dead Man, the “corpse” who’d scared Ed Harris out of a 20 year career. Despite all their talk about vampires and the living dead, Bruce didn’t believe it, not really. Even so, he was sure that Dominick Mason had done something to Vanessa.
He checked in at the station before doing anything else. They had triangulated Vanessa’s last known location via cell towers. Cops were already out searching the streets for her. Bruce went out as well, intending to start from her last known position and work his way east on Central. The closest funeral home was Tebbutt and Frederick on Central. There was also Lasak & Gigliotti on North Allen Street. Bruce didn’t know which one Vanessa had seen Dom come out of, so he checked both.
Both were deserted at this hour.
Undeterred, Bruce drove up and down Central Ave. At one point, he noticed a shape in an alleyway that looked human. He hit the brakes, jumped out, and pointed his gun at it. “Freeze!”
An old wino stepped out of the darkness. “Alright, you got me,” he said, hands up. “I started COVID. It was an accident, I swear.”
Bruce sighed and put his gun away.
For two more hours, Bruce searched the streets of Albany for Vanessa. At 4am, he spotted a squad car abandoned in the rear parking lot of an abandoned gas station on lower Lark Street. He called it in and the desk sergeant confirmed that it was the one Vanessa had signed out that night.
Still there was no sign of Vanessa herself.
Just after dawn, as the city came alive and CDTA buses began lumbering up and down the streets, Bruce got a call on his cell. “A jogger found a body in Washington Park.”
Bruce was in his personal car. He had no bubble light, no siren. Even so, he sped through the streets like he did, blowing through red lights and stop signs with little care to himself or anyone else. When he got to Washington Park, he found an army cops by the pond, the scene cordoned off with yellow crime scene tape. He slammed on the brakes, threw open the door, and jumped out without even turning off the engine.
The body was rolled up in a carpet and lying on the bank. Two beat cops unrolled it at Bruce’s direction. “We should wait for -” one of them started, but Bruce cut him off.
“Do it.”
They compiled, and at the carpet’s center, like a rotten cream filling, was the body of Vanessa Rodregiuez. Her head was tilted to one side, her eyes wide and staring. Her throat had been mangled and ripped away, her head nearly severed. Even in the black and red mess, Bruce could make out the teeth marks and puncture wounds. They may have looked like something else to anyone else who saw them, but he knew, in that moment, what they were dealing with.
A sharp pang of horror sliced through him, and his knees went weak.
“Jesus Christ,” one of the beat cops drew.
Bruce fell to, rather than knelt on, one knee. He bent over the body, a mixture of horror and grief welling his throat. He wanted to reach out, to comfort her in death, but he stayed his hand. Instead, he visually examined the body. She had bruises on her face, defensive wounds on her hands, and her gun was gone. Whoever had attacked her, she put up a fight.
Something glinted on her pants.
“What’s that?” one of the cops asked.
“I dunno,” the other replied, “but it’s all over the carpet.”
Indeed, there were glinty little specks all over it, winking like mocking eyes. Nice work, eh? We really fucked her up, didn’t we? Wink wink.
“It looks like…”
The other cop cut him off. “Glitter.”
Bruce flashed back to his visit to Club Vlad the other day.
There had been glitter everywhere.
Bruce stood up.
He had work to do.
***
Instead of going back to the station to start his shift, Bruce went to Lowes. There, he bought a mallet, a gas can, and a dozen sticks of wood. An employee in a blue vest used a machine to sharpen them to a wicked point and he took his purchases to the car. Next, he drove over to the Mobil station and filled the gas can. He was so hellbent on revenge that he sprang for premium, the good stuff. No expense shall be spared.
His final stop was at a Catholic church. He filled a canteen with holy water from the marble font by the door, then swiped a crucifix from the wall. He stopped by the station, went inside, and grabbed a black duffle bag with POLICE written across the front in yellow. He opened the gun cabinet in his office, took out a shotgun, and loaded it with shells. He grabbed a handful from the box and stuffed them into his pocket.
He was just finishing up when Bertha came in. “There you are,” she spat, “I’ve waited long enough for you to do something. I demand -”
Bruce shoved the duffle bag into her arms. “Make yourself useful.”
“What?” she demanded.
“We’re going to get your granddaughter,” Bruice lied. Kind of.
Bertha’s demeanor changed. “Good. It’s about time. I was starting to think you were a complete incompetent.”
Bruce didn’t answer. Outside, he plucked the bag out of Bertha’s hands and tossed it into the backseat. He slipped behind the wheel and Bertha sat in the passenger seat. “Where are we going?” she asked.
“Club Vlad,” Bruce said and started the engine.
“I want all of them arrested.”
“Yes, ma’am,” Bruce said.
She barked orders the entire way there. Bruce was so deep in his thoughts that he barely heard her. The image of Vanessa’s ruined throat and terror-twisted face haunted him, and he felt a lump forming in his throat. Hot tears filled his eyes but he blinked them back and forced himself to calm down.
I’ll cry when I’m done killing, he thought.
A few minutes later, he pulled to the curb in front of Club Vlad. It was a hot and sunny day and the place seemed even more ominous because of it. The windows were black, the front cast in perpetual shadows by the old marquee from when it used to be a theater. The place was surely closed, but Bruce could hear music still playing from inside, some techno dance bullshit. “Alright,” he said, “let’s go.”
Getting out, he slung the dufflebag over his shoulder and carried the shotgun, the canteen full of holy water clasped to his belt. Bertha carried the gas can, looking confused. “Why do we need this?” she asked.
“We’re burning the place down.”
Bertha blinked in surprise…then an evil grin carved across her face. “That’ll show the bastards.”
Unlike last time, the door was locked. Bruce used the butt of the shotgun to break the glass, then reached inside and unlocked the door, being careful not to cut himself. This was the point of no return. What he had in mind would probably get him kicked off the force or even thrown in jail - and we all know how tough jail can be for a former barnaclehead. The memory of Vanessa’s contorted face pushed him on, however.
He’d suffer any consequences he needed to just so long as he got the sons of bitches who did this to her.
Inside, the club was cool and cave-like. Strobe lights flashed, on and off, black and white, dazzling Bruce’s eyes. The bartender was at his station, cleaning up from the night before. When he saw Bruce and Bertha come in, he started. Bruce pointed the shotgun at him. “Don’t fucking move,” he commanded.
The bartender hesitated, then reached for something under the bar.
The shotgun kicked in Bruce’s hands, and the bartender flew back, turning as he crashed into the barback. Bottles, glasses, and mugs crashed to the floor along with the bartender. Bruce racked the gun, and the shell flew out. He moved low and fast now, expecting to be swarmed by vampires, living thugs who worked for vampires, or vampire thugs who worked for themselves.
Though the shot had been like thunder, no one came.
Bruce had no idea where to go, but he imagined that vampires were naturally gravitate to the lowest part of the building. Was there a basement? Shit, he should have looked up the building plans at city hall. Damn, this is what happens when you go off half-cocked. He searched around a bit, opening doors and sweeping the rooms beyond with the shotgun. He found no basement, only stairs leading up. “Stay close,” he said to Bertha.
In the lead, Bruce crept up the stairs, the flashlight on the shotgun providing a cone of clean, white light. At the top of the stairs, he went right, and came to an office and a store room. Backtracking, and bumping into a bungling Bertha, he went into the next room. It was large and open with a vaulted ceiling, almost like a ballroom. Here the same strobe lights throbbed on and off, making him dizzy. Was this to dazzle prospective vampire hunters?
Either way, this was the place. Bodies lay strewn across the floor, some curled up on their sides and others in the classic vampire pose: Flat on their backs with their hands laced over their chests. In the center, like the sun to the planets, Merrick Garvis lay slumped back in his wheelchair, his neck exposed for any potential assassin to come and cut. Not that it would kill him. At least Bruce didn’t think it would.
“They’re all dead,” Bertha whispered. She looked around and gasped. “There’s Jessie.”
Jessie lay on her back, her hands folded on her chest. She had a ragged bullet hole in the center of her forehead. “Oh, God,” Bertha wavered, “someone shot her.”
He hoped it was Vanessa. And he hoped it fucking hurt.
Looking around, Bruce couldn’t find Dominick Mason. Was he the one who killed Vanessa? Was it a group effort? He wanted the little son of a bitch bad, but it looked like he’d have to go on without him. They didn’t have much time.
Unshouldering the duffle bag, he knelt down and rummaged around. “Start splashing that gas on the bodies,” he said.
“But -”
“Just do it,” he snapped.
There must have been a harder edge in his voice than normal, because Bertha jumped and did as she was told. She upended the can and began to splash gasoline onto the sleeping forms, the smell of it acrid and strong.
Taking out a stake and the mallet, Bruce went over to Merrick and knelt down. He gripped the stake in one hand and placed it firmly against Merrick’s chest. He brought the mallet up and hesitated, the gravity of what he was doing finally reaching him. What if he was wrong? What if -
Merrick’s head whipped up and their eyes locked.
Too late.
Bruce brought the mallet down as hard as he could. The stake drove deep into Merrick’s heart, and the vampire let out a howling screech that rang through the chamber like the cry of a banshee. His bony fingers clawed at the stake and his head whipped from side to side, his back arching and his robe coming open. In the quick strobe pattern, Bruce was shocked to see that his body was little more than a wood frame, chicken wire, and cotton balls. His blacked heart was hidden behind a screen of mesh that the stake had easily torn through. It throbbed, seemingly in time with the strobe lights, and Merrick let out another wail.
Bertha screamed, and Bruce jumped to his feet.
The vampires, drawn by their master’s cries of distress, were rising to their feet. Two, four, six of them, pale and ethereal like ghosts in a gothic mansion. They came toward Merrick, and Bruice fell back a step. The old man had gone still and lay slumped to one side, his eyes open and his mouth slack, embalming fluid leaking from the corner of his lips. Jessie bent over him and touched his face. Though she moved like a zombie, with no human emotion, Bruce was crazily sure that it was a touch of tenderness and love. Merrick didn’t stir.
He was dead.
Jessie looked at him. Yellow liquid leaked from her eyes like tears. Instead of attacking him, she turned on her grandmother and slammed her against the wall. Bertha screamed and dropped the can. It landed on its side, its contents sloshing out onto the floor. A man that resembled the pictures Bruce had seen of Joe Rossi only deader rushed him, slamming into him and knocking the shotgun aside. It hit the floor and skidded away. Joe grabbed Bruce around the throat and squeezed. Still the lights flashed, off and on, off and on. The walls thrummed with the mechanized beat of dance music, pierced only by Bertha’s screams as Jessie ripped out her throat.
Joe leaned in, his fangs wicked and glowing in the light. Bruce clawed at the monster’s face, tearing away strips of dead flesh. Joe turned his head to the side, and Bruce kneed him in the groin. Even dead, getting kicked in the balls hurt like hell, apparently. Joe’s grip loosened and Bruce was able to shove him off. Bruce unclasped the canteen and frantically screwed the cap off as Joe recovered. Joe sprang at him again, and Bruce splashed him in the face.
A sound like sizzling meat filled the air, and Joe screamed at the top of his lungs. He pressed his hands to his face and danced around the room, his skin liquifying and oozing between his fingers. The others were coming now, led by a terrible skeletal thing. Bruce scooped the shotgun off the floor, brought it around, and fired. The blast hit the thing dead center, tearing it literally in half. The top half flew back, an all too human look of surprise on its face, and the bottom half fell over with a wet thud. Another vampire came at, and Bruce slammed it across the face with the butt of the gun. He heard its jaw crack, saw teeth flying.
Bertha lay dead on the floor, Jessie bent over her. The smell of Bertha’s blood attracted the others, who seemed to forget about Bruce, Merrick, and everything else. Joe was on his knees, wailing in pain, and the skeletal thing was pulling itself toward Bertha. A feeding frenzy broke out as vampires fought to get a piece of her the way piglets might fight over their mother’s teat. Bruce watched in a mixture of horror and fascination, but recovered himself. He grabbed the gas can from the floor and dumped the rest of its contents on Merrick’s body, the feeding vampires’ backs, and the floor, using the last of it to make a little trail to the door. He tossed the can aside, bent down, and stuck a match.
A huge, fiery whump filled the room, and fire streaked along the trail. The vampires all went up in a huge ball of flames, and fire shot up Merrick’s body, catching his robe, his hair, and the wooden frame that had kept him semi upright for God knows how long. Letting out inhuman screams, the vampires broke from Bertha’s corpse. One stumbled around, bounced off the wall, and fell; another toddled toward Bruce before falling to its knees. The half skeleton kept drinking from Bertha’s neck even as it burned.
The heat was enormous, baking. Bruce backed away, and the last thing he saw before smoke obscured his vision was Merrick Garvis.
He was literally melting.
***
Dominick Mason tried to go home, but he no longer had a home. All of his worldly possessions sat on the sidewalk in front of his building, discarded coldly as easily. His key didn’t work in his door and there was a FOR RENT sign on it. Why would it be any other way? He was dead. Sooner or later, everyone forgets you when you’re dead, and all the things you held so dear wind up in the trash. It was a hard pill to swallow, but most people aren’t around to see it after they die.
He was.
From his building, he walked east toward Washington Park. In the distance, thick, black smoke billowed into the air, and sirens rose. He barely noticed and wouldn’t have cared even if he did. No more rubbernecking for him. That was for the living.
The pain that had plagued him so the previous day came back, only less this time. Maybe he was imagining it, but it was getting harder to think. Not that he cared, really. What was there to think about anyway? How he had no one to mourn or miss him? How he died and not one single person, except for maybe his mother, cared, or even noticed? How he had done nothing with his life? Even to the women he’d slept with, what was he? Just another dating app hookup. They probably didn’t even remember his name.
Merrick had been right about one thing. Death was easy. It was life that was hard…life that hurt.
With that in mind, Dominick made his way to Washington Park. It was a vast and deep place with many small caves and thickets. Kids played on the playground, their cries of laughter scenting the still air. It had grown cloudy and began to rain. Still, smoke poured into the sky in the direction of Club Vlad. Dom didn’t wish ill on Merrick and the others, didn’t hope it was them burning. He didn’t care anymore. Not about them, not about anyone. For better or worse (and he would argue it was worse), his life was over. His time came days ago, he just missed the boat.
Picking out an isolated little area, Dom sat against a tree with his legs splayed out in front of him. He titled his head back and closed his eyes. Yes, thinking was hard now. His mind felt sluggish, cold. He was thirsty…so, so thirsty, but he ignored it.
Slowly, the bugs found him. Flies buzzed around him and laid their eggs in his skin. Beetles scuttled over him, followed by worms.
Next, it was the birds. They ate out his eyes and nibbled at his blue, bloated skin.
The animals came last.
Their appetites were bigger.
And they left little remaining of poor, outcast Dominick Mason.
***
That night, Bruce sat alone in his little trailer, a bottle of whiskey wedged between his legs and unshed tears in his eyes. He stared at his reflection in the darkened TV set and took long swallows from the bottle. He planned to drink until he forgot or passed out, whichever came first. He tried to not think about Vanessa, but in his addled state, he couldn’t control himself, and began to cry. When that storm passed, like the others before it, he chugged from the bottle.
As distant church bells clanged the hour - midnight - a feeble knock came at the door. Bruce took another drink and it came again. Getting up, he stumbled, nearly fell, and gripped the bottle tightly. He didn’t want to lose one precious drop.
Again, the knock.
“I’m coming,” Bruce slurred. He staggered to the door and fought with the lock. He was dizzy and seeing double.
When he got it, he opened the door.
The bottle dropped from his hand and clanked onto the floor.
Vanessa, clad in a puke green hospital gown, stood on the step, her hands pressed to her chest and a look of anguish on her milk white face. Her head tilted to one side, the wounds on her neck cleaned but open, gaping. Her dark eyes shone with tears. “I’m dead,” she said.
Breaking down in tears, she collapsed against him and they sank to the floor. She was cold and smelled. Bruce wrapped his arms around her and held her to his chest anyway. “Shhh, it’s alright,” he said drunkenly. “Hey, it’s alright.
“I’m dead,” she repeated, and her voice broke. “I don’t want to die.”
Bruce held her close, trying to warm her icy skin. He didn’t know what to say, so he cried with her.
“You’re safe now,” he said, “it’s going to be okay.”
“I want blood,” she said and sobbed harder, “I want to hurt people.”
“Shhh,” Bruce said again. “It’s okay.”
Reaching into his pocket, he pulled out a utility knife. He flicked the blade across his wrist and searing pain shot up his arm. “Here,” he said and offered her his blood, “drink this.”
He did this without care and without thought. She needed him, and one barnaclehead always backs up another.
Vanessa hesitated, looking from his face to the oozing blood, unsure.
“Go ahead,” he told her.
Vanessa brought his wrist to her mouth.
And began to drink.

Hey so I just had a biopsy done and it came back as sarcoidosis. I have several large swollen lymph nodes on my neck chest stomach and groin. Biopsy was done on my groin by the VA. I mean my nodes are sticking out of my skin on my neck. Is this normal and will medication help it go away. Did yall get multiple biopsy done? I just had one done and was told it came back in 5 days with the results.This is some scary stuff but compared to lymphoma, which I don’t want. Currently waiting on an appointment with rheumatologist and Pulmonologist

Age: 36
Gender: Female
Medications: Lexapro and Depo Provera
Non smoker, non drinker, occasional weed use
I had a full medial meniscectomy on my left knee in 2021. Gained some weight and in the process of losing recently, I noticed my left knee seems to be fattier. I thought it was swollen so I saw my orthopedic surgeon a few months ago and he took x rays; nothing out of the ordinary there, just more pronounced arthritis which is to be expected. So then I was referred to an ultrasound tech to see if maybe I had any lipomas/possible lymphoma issues and everything came back clean; even told I had great veins and everything LOL
I’m glad it doesn’t seem to be anything serious but can fat distribution really be that different between my two knees? Or is there something I’m missing?
All the doctors have said they don’t even see the different but it looks very obvious to me. Pictures in comments

An hour after getting back from the Mason apartment, Bruce Kenner had the distinct misfortune of meeting Bertha Henderson.
A plump, gaudy woman with wrinkles and sun beaten skin only an alligator could love, Bertha Henderson wore bright red lipstick, bright red rouge, and way too much mascara. Her tangled hair was a dull red color and her clothes - pink pants and a white floral top - stretched tight across her bulbous frame. She looked like the kind of woman who lived in a trailer with velvet pictures of Elvis on the wall and pink flamingos in the front yard.
She acted like one too.
From the moment she stormed into his office, she hadn’t shut up once. She scolded, chided, accused, and badgered, sometimes even wagging one fat finger in his face like he was a naughty little boy. Ten minutes into the dressing down and Bruce was beginning to fantasize about police brutality.
It took him another ten minutes to find out what the hell she even wanted.
“It’s my granddaughter,” she shot back, “she’s missing in your town.”
My town? Lady, this is barely my office. I share it with three other people.
“Well, if you’ll calm down, maybe I can help.”
Jesus Christ was that the wrong thing to say. She hit the roof and didn’t come down again until Bruce was this close to arresting her for assault on a police officer. “Young man, I do not appreciate the way you’re talking to me. My tax dollars are the only reason you have a job. If it wasn’t for me, you’d be working at a car wash.”
At least I wouldn’t have to deal with you.
Bruce took a deep breath and held his tongue in check. “How can I help you?” he asked.
“I told you, my granddaughter is missing. If you listened to me, you’d know this already.”
Bertha produced a picture and slid it across the desk. Bruce studied it. A girl, roughly sixteen with black hair, blue eyes, and dimples smiled back at him. “She;’s with that Rossi man, I just know it,” she said bitterly.
“Who?” Bruce asked.
Rolling her eyes like he was stupid, the old woman told him the story. Jessie - the dimple faced girl - had the rotten luck of having to live with Grandma Bertha after her parents went to jail on drug charges. They lived in Sand Lake, a little town in the mountains outside Albany, where Bertha was no doubt loved and admired by all. One day, Jessie, who her grandmother lovingly described as “A little troublemaker”, ran off. Bruce didn’t blame her. He’d known Bertha for half an hour and he wanted to run off. Bertha did some snooping on Jessie’s laptop and found that the “little whore” had been chatting with an older man, Joe Rossi. Rossi, or so Facebook said, lived in Albany and worked at Club Vlad.
“I want him arrested for pedophilia,” Bertha said and crossed her arms defiantly over her chest. “He’s a dog just like all men. She’s probably pregnant already. Another mouth I have to feed.”
Behind the old battle ax, Vanessa appeared in the doorway and lifted her brows as if to say What a piece of work. Knowing her, she’d probably been standing just out of sight this whole time with McKenny, the elderly evidence clerk, and snickering into her hand like a little girl. LOL she called him young man.
Bertha noticed him looking over her shoulder and started to turn. Vanessa’s face went white and she ducked out of the way, narrowly avoiding detection. “I’m glad you think this is funny,” Bertha said to Bruce. “Meanwhile, if I don’t get Jessie back, the state’s going to stop sending me my checks. I need that income. I can’t work, you know. I have gout.”
Too bad being an asshole isn’t a job, you’d be world-famous
“I’ll go talk to him,” Bruce said.
“I want more than talk, young man, I want action.”
“Yes, ma’am.”
When Bertha finally decided to waddle off and ruin someone else’s day, Vanessa came in and sat in the chair the old woman had so recently occupied. “Oh, my God,” she said, “that was intense. I was this close to radioing in a 1015.”
1015 was code for officer down.
“Funny,” Bruce said without a trace of humor. He had kids going missing, a dead guy someone moved around like a goddamn Barbie doll, and now this. What next, hemorrhoids?
“What do you think? Code 1 or code 2?”
Code 1 meant top priority. Code 2 meant not a top priority. Bruce thought for a moment. It didn’t sound like Jessie Henderson was in danger. It sounded like she met a guy - granted, one too old for her - and decided to hide out with him from her psycho grandma. Maybe it could be something more, but he had a gut feeling that it wasn’t…and his gut feelings were usually right. “2,” he finally said. “I got shit to do.”
By shit, he meant “Talk to the families of those missing boys again.” He’d been interviewing them for two days looking for clues, but there was nothing. It’s like they just vanished. Bruce didn’t like this. He didn’t like it at all.
“Well, I’ll leave you to it,” Vanessa said and slapped the desk.
When she was gone, Bruce sighed.
Never a dull moment, he thought.
***
Ed Harris - no relation to the Hollywood actor - had been the medical examiner for the City of Albany since 2002, and in all that time, he had never seen anything quite like this.
It was Wednesday evening and Ed was locked away in the cold, sterile space beneath the city offices that comprised his domain. With its puke green tiles, harsh lights, and cloying smells of disinfectant, the .coroner's office creeped most people out, but not Ed. He was at home here, as comfortable surrounded by toe-tagged bodies as a cactus was surrounded by desert. A thin man in his fifties with curly, steel gray hair thinning in the middle, he wore a white smock, blood stained over his clothes that made him look like a butcher instead of a low level government functionary. He had a dark and dry sense of humor, but then again, so do all people who play with dead bodies for fun and profit.
The coroner’s office was a vast, utilitarian vault segmented into multiple different rooms. Here, where the magic happened, three stainless steel tables stood in a row; a bank of refrigerated drawers kept watch, making sure nothing funny happened. One of the cold fluorescent lights overhead flickered with a hum of electricity, and water dripped rhythmically from a faucet. It was a cold, eerie place, but to Ed, it was home.
On most nights, only one of the tables was occupied, but tonight, two were. On one lay an old lady who died of what appeared to be cyanide poisoning. On the other was Dominick Mason.
Naked save for a white cloth draped over his groin to protect his dignity, Dom was the most corpsy corpse you’d ever hope to see. In fact, if you looked up dead guy in the dictionary, you’d see a picture of him. His body was pale and sunken, one side covered in purple splotches where his blood had pooled, and his eyes were closed. His abdomen was slightly distended with the expected build up of gas, and his flesh stuck fast to the bones beneath. In other words, he was text book. A normal corpse.
Mostly normal.
As men of his trade are wont to do when strange bodies mysteriously appear, Ed had opened Dom up, making a Y shaped incision from his neck to his groin. He hummed to himself as he did so, his hands wielding his sharp and shiny tools with the deft assuredness of a seasoned surgeon. Done cutting, he dipped his gloved hands into the cavity and started removing organs. A spleen here, a liver there, nothing Dom would miss. When he got to the heart, however, he stopped.
There was something…off…about it. At first glance, it was black and withered like an oversized raisin. An odd and putrid odor emanated from it and though he was familiar with the various smells and stenches the human body produced after death, this wasn’t one of them. Try as he might, he couldn’t place it, couldn’t even compare it to anything. Plucking a magnifying glass from the metal cart next to the table, he peeled back part of Dom’s chest and examined the heart closer.
That’s when things got really weird.
Dominick Mason’s heart was, indeed, shriveled, but it was not black. Instead, it was almost entirely covered by an interlacing crisscross of what appeared to be black mold. Here and there, Ed could glimpse flashes of the heart beneath: It was wrinkled and a sickly gray color. “What is this?” Ed asked himself at length. He grabbed a pair of tweezers from the tray and carefully, very carefully, attempted to remove a piece of the mold for analysis. The moment the cold metal tips touched the heart, it gave a violent spasm that sent Ed falling back with a shocked gasp, the tweezers falling from his hand and clinking to the tiled floor.
The heart began to pulse like an alien egg sac, slowly at first, then more rapidly. For a moment, Ed was frozen in place, unable to comprehend what he was seeing. Once you die, your heart ceases beating. That’s that. Only living hearts beat, and Dominick Mason was certainly dead. He was dead from the moment Ed first laid eyes on him earlier that day and he was dead now. Yet there was his heart, beating anyway.
It could be a muscle spasm. They usually aren’t that violent and consistent, but dead bodies sometimes do strange things. As he watched the blackened muscle expanding and contracting, however, Ed had the most eerie feeling. He went to rub the back of his neck, realized he was still wearing blood soaked gloves, and stripped them off. He was spooking himself out; he needed a break and a hot cup of coffee. He’d come back fresh and start over again.
With that mold.
Could you really blame him for being creeped out? That stuff wasn’t normal. He’d never seen anything like that before, not even in textbooks. Dom was scrawny and didn’t get enough vitamins in life, but overall, he was healthy; that mold…or whatever it was…had no business being there.
Going over to the coffee pot, which stood in the same room to save travel time, Ed grabbed a styrofoam cup. When he was done here, he planned to go home and -
A terrible, metallic clatter rang out, and Ed jumped. He turned around, and when he saw Dominick Mason standing next to the table, hunched slightly over and staring at him, an electric burst of fright shot up his spine and exploded in his brain, so strong it made the edges turn gray. Pale, hands hooked into talons, and the flaps of his chest hanging open to reveal the cavity beneath, Dominick Mason looked for all the world like a boy who’d been caught sneaking out to meet his girlfriend. A weak, involuntary, “Oh, God,” slipped from Ed’s trembling lips, and the spell was broken. Dom came alive and ran toward the door leading out to the parking lot. He slammed through it, and the sound of it crashing open and then falling closed again echoed through the empty chamber.
Shaking, panting for air, and soaked in piss, Ed sank to the floor in a sitting position, his eyes wide and staring like those of a soldier returning damaged from the front.
It was a long time before he composed himself enough to call the police.
***
Dazed and caught in a nightmarish twilight realm where nothing made sense, Dominick Mason limped painfully down the sidewalk, a stranger lost in a strange land filled with danger and hostile creatures. Barefoot and shrouded in a white sheet, he trembled with cold and struggled to ignore the dark, threatening shapes looming from the fog in his brain, shapes that would turn into unspeakable truths if he let them.
Passersby openly stared at him, their expressions either morbidly curious, disgusted, or alarmed. A man put his arm protectively around his girlfriend; a woman pulled her little boy to her breast, and another man sneered at him, his nose crinkling. Dom, his glazed eyes narrowed against the harsh glare of the many street lamps, headlights, and storefronts, lumbered headlong toward nowhere, his fear growing until he was shambling. He imagined he could hear every cough, every whisper; smell the odor of every unwashed body. Each car horn was deafening, every whiff of ass or armpits sent his stomach churning. The rustle of a passing pedestrian’s jacket jammed into his ears like icepicks, and the approaching globes of LED headlamps burned his eyes. He gritted his teeth and groaned against the pain.
The dense mist wrapping his brain made it hard to think. Like a frightened animal, he made his way on instinct alone. Home. He needed to get home. Out here, on the street, he was exposed. At home, locked away in his small apartment, he would be safe.
A car passed in the street, bass heavy rap music blaring from its open windows, and Dom’s brain exploded with agony. He threw himself against a street sign and held on for dear life, his legs weak. Dizziness overwhelmed him, and he almost went down. He was also cold.
So, so cold.
People around him quickened their step; they never took their eyes off him, as though he were a venomous snake that would strike at any moment. He needed to get away from them. They were going to hurt him; people always hurt him.
Pushing away from the sign, he began to hobble once more toward home, wherever home was. He looked over his shoulder several times as he made his way down Central Avenue, and each time, he saw that no one was following him as he had feared.
No one, that is, except for the man in sunglasses.
Tall and lank with curly hair, he wore dark Aviators and a leather motorcycle jacket over a button up shirt. His hands were thrust deep into his pockets and his face showed no expression. He was always there, always a few steps closer. Outside Capital Fried Chicken, a group of people openly stared at him, He heard their whispers as he passed. What’s wrong with him? Dude’s straight tweakin. And the one that struck him the most. That guy looks dead.
Dom hobbled faster, as if to outrun the realization that he was, in fact, dead. The man in sunglasses was closer now, his footsteps so loud that Dom winced. He turned around, and the man was impossibly in front of him. Dom ran into him and bounced backward, going ass over tea kettle and landing on the former. They were in front of a church on a darkened corner, the lights here either burned out or shot out - you could never tell in Albany. Even though it was dark, Dom could see everything with crystal clarity. Dom tried to scurry away, but he was too weak to escape. Right there and then, he decided to give up. Come what may, he just wanted this nightmare to be over.
The man stared down at him, emotionless, unspeaking.
Dom squirmed.
“You’re real lucky I came along,” the man said. His tone was flat, even.
Dead.
“Get up,” he said, “I’ll take you home.”
Home?
Yes.
Dom wanted to go home.
The man helped him up, and Dom followed him into the night.
***
Bruce Kenner stood in the middle of the medical examiner’s office at half past nine that evening with his hands on his hips and stared doubtfully down at Ed Harris. The lonely cavern was alive with activity as cops went over everything, all of them looking either bemused or a mused. Bruce was neither. He’d been at home, sitting in his chair and having a beer in front of AEW Dynamite when Vanessa called. “You might wanna get down here,” she said, sounding confused, “something really strange is going on.”
Ed Harris - no relation to that one guy - sat in a straight back chair beside his cluttered desk and gripped a styrofoam cup of coffee in both hands, putting Bruce - for some reason - in mind of a monkey. When Bruce came in, the old man was white as a sheet and shook like a leaf. In the last half hour, little had changed.
“Tell me again,” Bruce said.
He and Ed were pretty good friends. He knew that Ed knew standard police procedure. Cops don’t ask you to repeat your story a thousand times over because they’re forgetful fucks, they do it because telling it again and again helps to jog loose details that you might have forgotten. Ed, therefore, did not protest. “I turned my back,” he said and chopped the chair like Jackie Chan, “and I heard the noise.”
His voice was thick, unsteady, and halting. He sounded as squirrely as he looked…and he looked pretty damn squirrelly right now.
“I turned around…and he was looking at me. He was standing there and he was looking at me.”
This was the fourth time he’d had Ed go through the story, and nothing had changed. Bruce felt something stirring deep inside his gut. It was either disquiet…or he had to fart. He opened his mouth to speak, but sighed.
“You don’t believe me,” Ed said.
“I dunno, Ed. Dead bodies don’t just get up and walk away.”
Ed flashed. “I know that, goddamn it, but this one did.”
Bruce glanced at Vanessa. She looked uncomfortable.
“Are you sure he was dead?” Bruce asked.
Ed opened his mouth, closed it again, and said, “I did the autopsy.” His voice broke on the last word, and he sounded almost like he was pleading. “His fucking liver’s on the floor. He stepped on it. The man has nothing in him. I-I’m telling you, there’s no way he’s alive.”
During the autopsy, Ed had sat Dominick Mason’s organs on the little tray table where he kept his pointy things. Mason knocked it over while getting up. Indeed, there were human organs on the floor, and one of them did look kind of squished. Bare, bloody footprints led to the exit door, up a set of concrete steps, and then disappeared in the alley behind the office.
“You said you left his heart,” Bruce said.
“And his brain,” Vanessa helpfully added.
Ed pinched the bridge of his nose like a put upon professor dealing with two particularly stupid students. “Even with his heart and his brain, he’s dead. You saw the livor mortis. He was cold, he was stiff. His heart wasn’t beating, he wasn’t breathing. He was in one of those drawers for nine hours, not breathing, no blood flow - it’s impossible. It’s just…it’s impossible. I don’t care what you think, he was dead. And even if somehow he wasn’t, I cut out almost everything. I opened his stomach, I took his spleen - you don’t just get up from that. You don’t walk away from that, much less run.”
Bruce chewed the inside of his bottom lip because he didn’t have a Twix. He didn’t look like the smartest man in the world…and he wasn’t…but he knew a dead body when he saw one, and the body they took out of Dominick Mason’s apartment was D.E.A.D. And like Ed said, even if by some freak fluke of nature he wasn’t, he couldn’t just get up and go about his day with no liver, spleen, or kidneys. Hell, Bruce had his gallbladder out and he couldn’t even walk away from that.
“You said there was something funny about his heart,” Vanessa said.
Ed finished off his coffee. “Yeah. It was…moldy. I-I’ve never seen anything like it.”
“Is it possible that…has something to do with it?”
“Unless the rules of biology have changed overnight, no,” Ed stated.
While Ed poured himself another cup of Joe, spilling some because he was still shaking, Vanessa took Bruce aside. “So what do you think?” she asked. “Is he telling the truth?”
For that, Bruce did not have an immediate answer. All else aside, he was a cop. He followed the evidence - and his gut instinct - wherever it led him. Ed was a sober man - he was not a drunk, insane, or stupid - and no man on earth could fake the look of trauma in his eyes. Bruce’s eyes went to the bloody footprints leading away from the exam table and his stomach roiled. It might be cliched, but there had to be a rational explanation. “Yeah,” he finally said. “The kid got up like he said, but there’s no way he was dead. Maybe…I dunno, he had a surge of adrenaline or something. I’m not a doctor.”
“That’ll only get him so far,” Vanessa said. “We’ll probably find him on the street somewhere.”
He went back to the purple splotches on Dom’s face, to his cold stiffness. There’s no way he was dead?
Bruce was confused, and he hated being confused.
“I dunno,” he said, “maybe.”
But he had the gnawing feeling that they wouldn’t. They would never find him…and Bruce would be confused forever.
Goddamn it, Mason, he thought, where are you?

Age: 21
Sex: Male
Height: 191 cm
Weight: 75 kg
Race: White
Duration of complaint: 1 year
Location: Groin (on the left between genitalia and belly button)
Any existing relevant medical issues: Dermatitis (appears usually in summer)
Current medications: None
A spot Appeared 1 year ago and grew bigger, has a slight bump (mostly flat), rarely itchy, no pain, seems that it stopped growing or I’m not attentive enough, brown color (has a fading shade of brown going outwards). Wish I could post a picture, but not allowed. (Thought might be a spot from friction or just a random melanin spot).

By popular demand, I guess...
I was kinda just being a smart-ass, but some of you wanted more so here it is: epilogues for every NPC as if they didn't continue to travel with Gorion's Ward and instead just decided to live their own life. Obviously, there are some implied alignment changes here.
This turned out to be longer than I expected and I kinda just threw it all together while I was working. Please excuse any typos or sloppy writing.
I want to apologize for one thing, though. Viconia's epilogue really only works if GW is a male, so I had to make that assumption for the sake of her story. If it matters any, I easily play just as many female GWs as I do male GWs. In fact, I probably play more female GWs because I don't care for the romances, frequently play the canon party, and want to nip the lame Jah romance in the bud.
But, to have them all in one place, I included my original smart-ass epilogues with the additional ones I created. Now, every character from BG1 and BG2 has an epilogue. I don't have the EE characters, though, because I play the original games and don't really know them.
So, just for funsies, which one is your favorite and why?
"Anomen continued to wait at the Copper Coronet for a party of adventurers willing to travel with him. Maybe it was the grating sound of his voice, or perhaps the way he leered at women, but he continued to remain alone. Eventually, he needed to find work to make ends meet. With Gorion's Ward having disbanded the slave traders and pit fights, Hendak had to find a new form of entertainment for the patrons. As such, he invented an all male review ladies night, and Anomen found work as a 'dancer'. He left the Most Noble Order of the Radiant Heart to join the less noble order of the pole. He also renounced his faith to Helm and instead allied himself with Waukeen because if you wanna see some groin, you gotta have some coin."
"Despite Gorion's Ward clearing the trolls from her keep, Nalia was not able to reclaim her lands and instead lost her estate to Lord Roenall. The lord offered to let her retain residence in her family's ancestral home, but only in exchange for her hand in marriage. Nalia found the proposition to be repugnant. Instead, she salvaged whatever wealth she could from her family's keep and moved to Athkatla to start a new life. She no longer helped the less fortunate, as she was now among their numbers and had her own problems. Nalia's lack of any practical skills combined with her sense of entitlement sent her into a life of failure followed by drinking and debauchery. She now spends more time back at the Copper Coronet than anywhere else. It is hard to say where she squanders her wealth more, the alcohol, or on the dancers during Ladies Night."
"After the incident with the Planar Sphere, Valygar was finally free of his past, could retire to his cabin, and pursue his true passion: writing. Ironically, the only inspiration he found ended up stemming from his family's checkered past. Valygar's only works that even had middling success were 'Tuesdays with Lavok' and 'Dude, Where's My Planar Sphere', with the latter being made into a production at the Five Flagoons Theater."
"Haer'Dalis continued to work as a performer at the Five Flagoons Theater. Unfortunately, it struggled due to poor management. It might have turned out better if an outside agent with fresh ideas had stepped in, but Gorion's Ward had better things to do than be a bard. While the work was generally steady, the returns were not great and the material was a little low-brow for Haer'Dalis' liking. The tiefling realized he reached rock bottom when he was cast as the lead in a play about a buffoon who apparently lost a plane-shifting apparatus the size of a small castle and had to find it before his parents returned from Neverwinter. After the opening night, he took his own life in his dressing room. His body was found the next morning with a note saying, 'Art is dead and I am art, so I shall join art in death.' Biff the Understudy stepped in for Haer'Dalis despite never having an opportunity to read the script. Nevertheless, the production was a resounding success and launched Biff's career to new heights."
“A heartbroken Garrick found work as a character actor at the Five Flagoons Theater, but eventually gained more success as a writer and director. He found it to be a mostly agreeable situation, aside from a tiefling primadonna who would constantly belittle his work and call it ”trite" and “drivel”. Fortunately, that situation worked itself out in time and Garrick found Biff to be much easier to direct. With the tiefling gone, his ideas had room to grow. He invented a new kind of love story, one where the protagonist doesn't always get the girl at the end but the journey to that ending would be quite amusing. He labeled this genre “the Comedy of Romance” and the works were mostly based on his own life. His plays were quite popular among the commoners, with his top selling shows being 'Sleepless in Saradush', 'Silverymoon Linings Playbook', and 'Crazy Rich Aasimars'. He eventually fully transitioned off the stage into the director's chair. By the peak of his fame, he was married to none other than Queen Ellesime."
“Aerie continued to work at the circus and WOULD NOT SHUT UP ABOUT HER DAMN WINGS. Even Quayle eventually grew sick of hearing about it. This put strain on their relationship. Things took a turn for the better when Ribald Barterman acquired a new curiosity for his shop. It was a magical ring which he sold to Quayle at a reduced rate out of sympathy. This ”treasure" was actually a cursed Ring of Deafness, which Quayle found to be anything but a curse and wore it for the rest of his days."
“Xzar and Montaron were both slain at the hands of the Athkatla Harpers, but this is actually where their story begins. Xzar, as he had done so many times before, had a backup plan of an arcane nature should death befall either he or the halfling. Their mortal essences were pulled to a pocket plane he created. There they could be channeled into restored bodies cloned at his estate. With this particular round of ritual, Xzar had incidentally made a slight error in the incantation and the two found themselves in a time suspended state in Xzar's pocket plane. It was only five minutes for the rest of the world, but it was fifty years for them. This turned out to be a pivot point in their relationship. Having only each other's company in this shadowy void, they were finally able to work out their feelings for each other. When they had returned to the prime material plane, they discovered their mutual animosity was replaced with love. Rather than pick up their life where they left off with the Zhentarim, they decided to pack it all in, moved to Bryn Shander, and start a bed and breakfast. Montaron rediscovered his halfling roots and love for the culinary arts while Xzar would perform seances to connect guests with their late loved ones. Scones and Bones became an overnight success and was consistently listed as a “must see” in Volo's travel guides. In their golden years, the couple co-wrote a memoir of their journey, ‘Brokeback Montaron’, which is sold in bookstores everywhere."
“After briefly crossing paths with Gorion's Ward, Mazzy Fentan continued her crusade as a de facto halfling paladin. She eventually found herself petitioning for membership at the Most Noble Order of the Radiant Heart in Athkatla after she had singlehandedly saved a village from an ancient dracolich. Despite the extent of her virtue and accomplishment, her petition was denied on the basis that halflings could not possibly be real paladins. This inspired her next crusade, one to break down vocational barriers for all demihuman races. Why couldn't halflings be paladins or dwarves be wizards? And why did gnomes always have to be illusionists? It simply made no goddamn sense. She began to get traction with her quest when she attended lectures by the wizards of the (sword) coast in Candlekeep. With their help, she ushered Faerun into a new edition era where there would be no vocational barriers for adventurers based on their race. Soon, the world began to see roguish halflings that also venerated Helm, while tending to the wilds as a druid. Half-orc bards also studied as wizards while manifesting natural arcane abilities as sorcerers. Tiefling paladins took their crusades to the wilderness and served as rangers, while sidelining as clergy to Mystra. The world was now a liberated place, free to not make any goddamn sense in a myriad of new ways. At one point, Lady Mazzy Fentan of Trademeet (now formally a paladin) crossed paths with a dwarven shadowdancebard and in that moment she regretted everything. Seriously, just take a moment and picture that. It would look fucking ridiculous.”
“Yeslick's clanhome was flooded once again. Despondent and without options, he took work at a smithy in Baldur's Gate but never stopped dreaming of finding both a clan and a home. He found a way to bring this dream to life after a courageous halfling paladin broke down the barriers for, among other things, dwarves to be wizards. Yeslick had an idea. He studied magic diligently until he was able to cast two spells of great importance: Water Breathing and Permanence. He then searched the lands for other clanless dwarves who would be willing to try something new. With the new clan he formed, Yeslick permanently gave all his fellow clansman the ability to breath underwater. They then moved into the flooded Cloakwood Mines and built the first underwater dwarven stronghold. Using his arcane powers, Yeslick also developed the ability to speak with the marine life that shared this stronghold. And, with that, the clan Aquadwarf was born. At one point, Valygar visited and wrote a play based on Yeslick's story. However, he couldn't even get it to stage at the Five Flagoons Theater. The illustrious director Garrick was quoted as saying, “A hero that can breath underwater and talk to fish? Nobody would go for that!"
“Keldorn finally retired from the Most Noble Order of the Radiant Heart and looked forward to a much simpler life. He rekindled his marriage with Lady Maria and life seemed to improve. It was rather early on when the couple discovered that Maria had become pregnant again. It was also not long after that when Peony, the housekeeper, also became pregnant. Maria started to ask Keldorn about this, but Keldorn started to get defensive and asked, ”Hey, who's the Inquisitor here?" Then Keldorn started to do the math with her to track the conception of Maria's pregnancy. She certainly did not want him to get to the end of that equation, so she quickly changed the subject. She suggested getting a new maid, but Keldorn chastised her for abandoning someone in their time of need who had been like family for years. He forbade Peony's departure claiming that his god, Torm, would not stand for it. Maria then made a passive aggressive comment about Torm being the god of loyalty, but she was mostly just muttering under her breath to get the last word in. Eventually, both children were born and had probably the most awkward upbringing of anyone in Faerun."
“After Gorion's Ward helped Coran take down a wyvern, the rogue brought the beast's head back to the mayor of Beregost for the reward and accolades. He thought this put him in a position to be a hero of great renown and perhaps, just maybe, people would stop mocking him for his flashy attire and completely superfluous eye mask. They didn't. He only gained acceptance when he crossed paths with a ranger who seemed indifferent towards Coran's keen fashion sense. Coran traveled the Sword Coast with his ranger sidekick, righting the wrongs against the ‘little guy’ and taking the law into their own hands when needed. This partnership dissolved when he discovered that the ranger thought Coran was the sidekick. As if! Coran tried to correct the ranger, whose argument was, 'Really, man, if that outfit doesn't scream sidekick then I'm Elminster's twin brother.' The ranger was not related to Elminster and shared no resemblance.
“Kivan never was able to get his revenge on Tazok. Unbeknownst to him, that honor was taken by Gorion's Ward. His thirst for vengeance continued to eat away at him until he found himself in a bat infested cave in the wilderness. It was then he snapped. He turned the cave into his secret hideaway, put together a disguise and started wandering the sword coast looking for evil-doers to punish. He would leave his calling card wherever he saved the day, a token of a bat with longer ears like an elf. And bats already had rather long ears so these bat ears were almost comically obtrusive. Nevertheless, his deeds were generally appreciated and the people stared calling him Bat-elf. For a short spell, another elf tagged along with him and tried to help, but he was so flamboyantly dressed that one could pick his sidekick out of the shadows blindfolded. Kivan eventually had to send him on his way. Unfortunately, his vigilante crusade abruptly ended after receiving a cease and decist order from DC Comics. Kivan could fight both monster and marauder all day, but his 14 Constitution wouldn't hold up against a lawsuit for trademark infringement.”
“Skie was deeply affected by both the death of her brother and the assassination of her father. And yes, her father was actually murdered and didn't lol-jk back to life in some crappy DLC. In any event, through these traumas, she came to realize the puerility of what she thought was her brilliant criminal masterminding. Instead, she decided to settle down and live a more responsible life as an upstanding citizen of Baldur's Gate. She took the reins of her father's estate after his death and rose to prominence as one of the Grand Dukes of the city. She maintained her relationship with Eldoth for quite some time, inexplicably, as he refused to get a job because he didn't want to take attention from his band which he swore was going to make it. However, the bard spent most of the day either lounging at Skie’s estate or gambling away his allowance with games of three-dragon-ante at the Helm and Cloak. Eventually, inspired by the book “Men Are From Menzoberranzan, Women Are From Immilmar," she decided to call it quits with Eldoth and sent him packing. Shortly thereafter, she met a man who was nothing like Eldoth and they settled down together to start a family."
“Eldoth's dreams of being a world-famous musician fronting the greatest band in Faerun never reached fruition. This was partly because he didn't actually have a band and partly because he didn't have the talent to write music. Instead, he just had a lute he purchased at Lucky Aello's Discount Store that only had one A-string and was missing the E-string. Also, Eldoth could only play power chords and he couldn't really sing and play at the same time. Most of the time he would just strum a chord or two and then talk about what the song would do next, often describing a solo and half playing it on an ”air lute" (while he was still holding an actual lute, mind you) to give people the idea as to how the song would sound when it was finally written. Yeah, he was one of those guys. After Skie kicked him to the curb, he bounced between various barmaids who clearly had low self-esteem, but not low enough to keep him around for long. Eventually, he got one of them pregnant and was forced into a shotgun wedding by the barmaid's father. He now works in the kitchen at the same inn as his barmaid wife. She helps the customers up front and he cooks eggs in the back. Eldoth continues to tell himself that this experience will just provide inspiration for his music and that someday he was going to get the band back together."
“After being rescued by Gorion's Ward, Xan made his way to Baldur's Gate to regroup. He spent an inordinate amount of time beating himself up over his failures and trying to muster the gumption to continue his quest to unravel the political turmoil of the region. However, it took him months to get to this point, and by that time, Gorion's Ward already sorted out the problems in the region. Discovering this, he deemed himself a failure yet again and sunk into a deeper depression. He pulled himself out of it when he met a woman who lost most of her family to violent deaths during the iron crisis, yet she still kept herself together and became a local success in a few short years. Xan immediately fell in love with the recently single Skie Silvershield and began to court her. They eventually married and started a family. At Xan's insistence, and inspired by his wife's name, their two daughters were named Sunshine and Rainbow. Xan was a staunch supporter of his wife's career and stayed home to raise the kids. When they were older and needed less attending, he followed a new dream and became a motivational speaker.”
“Korgan had his revenge against his backstabbing crew and employer, but he felt...empty. It was done, but he felt no satisfaction. Disgruntled and disappointed, he decided to lose himself in his cups at the Copper Coronet. Even this did nothing to alleviate his malaise. One night, having passed out drunk in a peasant room at the Copper Coronet, he dreamt of that final fight but something was different. In the background of the battle, there was a glow coming from the door of a shack and he heard the whispering of a language that sounded like it was from Kara-Tur. When he woke the next morning, Korgan returned to the rooftop and found the shack from his dream. He knocked and was greeted by a priest of Illmater. Korgan told the priest of his dream and he was led into the backroom where he found a man from Kara-Tur infirm and huddled over a cup of tea. The priest explained that he had just reincarnated this man of the faith using a heart delivered by a passing adventurer. Korgan took this as a sign, converted to the faith, and the two paired up to help those in suffering as a result of the schemes of others. The tales of Korgan and Yoshimo were not only told in many of a tavern by the bards, but also collected in graphic serials that were popular among the children of Athkatla.”
“Ajantis' death sent him into an afterlife at Everwatch, the realm of Helm. For his honor and diligence, the devout knight was granted an audience with his patron. Ajantis then told Helm what utter bullshit the god was. I mean, c'mon, he's the god of protection, the Vigilant One, and he couldn't protect a group of knights from a dragon's cheap illusion spell that a mage even tried to dispel with True Sight? It was like Helm wasn't even trying. Helm was stunned by the confrontation but also had no valid defense. Ajantis called Helm to a trial that was mediated by Tyr. After careful deliberation, Tyr determined that Helm was sleeping on the job and the judgment was to demote him to a lesser deity. Now, Helm was the patron of guards, but not actual guards that ever see action, just the ceremonial ones whose weapons and armor are super shiny and probably not even real. Ajantis was then granted Helm's old portfolio and became a god that truly protected his followers.”
“Viconia left Athkatla's government district perplexed. She was rescued from burning at the stake by Gorion's Ward and then immediately dismissed. She found this to be unusual behavior for a male. She was accustomed to men either trying to bed her or kill her, but this casual indifference was completely new. Viconia came to be obsessed with Gorion's Ward from a distance. She spiraled into a fantasy where the two of them had a future together. It was pretty bad. There were some extremely embarrassing vision boards involved and that wasn't even the worst of it. When her mania reached critical mass, her obsession actually collapsed and she had an epiphany. She came to realize that she did not need this man, or any for that matter. She started on a journey of self discovery and took a moral inventory of her past relationships. She wrote about it in the book, “Men Are From Menzoberranzan, Women Are From Immilmar”. She then used the revenue from the book sales to open Athkatla's first feminist bookstore. In Her Words became a mecca for women, particularly those who felt trapped in bad relationships. The community that emerged here created the group, Friends of Galia, which strove to free women from abusive relationships. Eventually, the bookstore expanded to include an apartment block above that became a shelter for such women. Occasionally, the partners of these victims would come around to In Her Words in an attempt to drag their partners back home. You can probably guess how a confrontation between a drunken 0-level commoner and a Drow priestess of Shar ends."
“Faldorn was defeated by Jaheira in Trademeet and lost her title of Arch-Druid. In truth, she was relieved to be relieved of the position. Years of pushing forward the Shadow Druid agenda led Faldorn to realize that she had lost touch with the real Faldorn along the way. After some soul-searching, she reinvented herself as a lifestyle guru and developed an entire line of organic health and beauty products under the name, She-Wolf. Both her products and seminars were all the rage in Athkatla, specifically among noblewomen who clearly had too much free time. Faldorn eventually gave up her residence in natural environs for a lavish estate in Athkatla's government district. Her following soon pressured her to petition to join the Council of Six after the fall of the Cowled Wizards left the position open (aside from a short-term replacement). Her petition was a success and she soon found herself on the Council of Six. Under her leadership, she created created the FDAA, the Food and Drink Association of Athkatla. Now, instead of draconian rules governing magic in the city, equally restrictive rules and standards were applied to the food and drink that the people consumed.”
“Barely surviving being gravely wounded by Irenicus, Tiax left Spellhold for Athkatla where he intended to do what he did best: rule. Learning from his past campaign mistakes in Baldur's Gate, he changed his slogan from ”Tiax Rules!" to “Make Athkatla Great Again”. Of course, what he thought would make Athkatla great was putting himself in charge as a despotic leader. But, he toned down that aspect of his platform and instead focused on the history of scheming and backroom dealing of the Cowled Wizards (as if he was any less evil or scheming) and promised the people he would be different than all the other corrupt politicians. Miraculously, despite his obviously apparent character flaws, he succeeded in replacing the Cowled Wizards' representative on the Council of Six. He decided to take their stance on restrictive magic to the next level and banned magic entirely. Since he didn't study the arcane himself, it was no skin of his nose. This move undermined his support base leaving him with only the most backwards and ignorant followers. He was ultimately removed from his position when he insisted the city build a wall around the planar sphere and was expecting that the city's wizards would be the ones to pay for it. After his removal, his few remaining extreme supporters organized an invasion of the main government building under the guise of freedom of assembly. All nine of these “rebels” were rounded up, tried, and sent to prison. Tiax was convicted of treason and reincarnated in Spellhold, which was now just a common prison. After his eventual release, he was prohibited from seeking any position of power in Amn."
"Edwin Odesseiron continued to lay low with the Shadow Thieves for a while. The Cowled Wizards suffered a crippling blow as a side effect of the conflict between Gorion's Ward and Irenicus. Edwin decided to step in and finish the job. His thought was that he could wipe out the Cowled Wizard remnants and then take credit for their defeat, thereby gaining him more clout among the Red Wizards of Thay. After many conspicuous mage battles in the streets of Athkatla, he succeeded. However, the people who noticed his efforts the most were actually the people of Athkatla. They were tired of living under the Cowled Wizards' iron fist and Edwin was lauded as a liberator and hero. He even had a statue in his image raised in Waukeen's Promenade. Edwin was initially nonplussed over people finally giving him the credit he always felt he so rightfully deserved. But, he quickly came to accept their praise and bought in to being a champion for the people. Edwin continued his agenda of liberation when a clearly insane gnome who found his way on the Council of Six tried to ban magic entirely in the city. Edwin and his followers were primarily responsible for having the madman removed from his seat.
“Shar-Teel, Safana, Branwen, and Alora all happened to cross paths with each other at Elfsong one evening. Shar-Teel was looking to fight a man, Safana was looking to shag a man, Branwen was recently petrified by a man, and Alora was just excited to be somewhere new. The four got to talking with each other and, despite having wildly different personalities, seemed to hit it off. Shar-Teel was sarcastic and aggressive, Safana was self-absorbed and man-hungry, Alora was kind and sweet, and Branwen was the matriarch of the group. You wouldn't think this lot would get along, but they actually did, and their differences merely become the fuel for innocuous hi-jinks week after week.”
"With Gorion's Ward's help, Cernd was able to rescue his child that he then abandoned again at the druid grove near Trademeet. He promised that he would return to raise the child, he just needed to run to the general shop in Trademeet for some pipeweed. He never returned, but that was pretty obvious since he didn’t even smoke. Cernd continued to wander Faerun. It came to light in Cormyr that Cernd had actually married, and had children, with numerous women in Cormyr, Amn, the Sword Coast, Tethyr, Calimshan, Turmish, Halruaa, Icewind Dale, Chondath, Sembia, Impiltur, the Silver Marches, and even the Troll Hills (don't ask). Furthermore, it was discovered that Cernd was not actually a druid, just a werewolf that had a Ring of Goodberries. The druid con was so that he could have a reason to abandon his wives and children and move on to a new situation. You would be surprised at how many women could fall for a guy that can conjure an impromptu picnic in the park. Unfortunately for Cernd, Cormyr was not the kind of place to run afoul of the legal system. For the crime of bigamy, he was sentenced to life in prison. He never set foot near a druid grove again, but he was allowed to participate in a work-release program tending to the gardens of nobles.
“Kagain returned to his shop and grew even more bitter, but not over what the death of Entar Silvershield's son had done to his reputation and business. Instead, he resented that even the Enhanced Edition of the game didn't give him a remotely decent companion quest. By Moradin's hammer, Cernd even had a pretty involved companion quest and the story there both starts and ends with a deadbeat dad! Also, Kagain can regenerate! Korgan can't even do that. And another thing! He was sick of people confusing the two of them as if all dwarves look alike or something. Ok, granted, they're both old dwarves with greying beards, but Korgan's beard is tied while Kagain's beard is brushed out. Of course, none of this made sense to anyone, even to Kagain who never actually crossed paths with Cernd or Korgan. However, the dwarf had nothing to do with his time except stand in his shop, isolated and alone, until he was done in by insanity and plantar fasciitis.”
“The death of Khalid shook Jaheira to the core. She convinced herself that she could never love again, certainly not so soon after his death nor with anyone that would be a child in her eyes. That would be absurd and rather tacky. After her escape from Irenicus' prison and deposing Faldorn from the druid grove, she took over as Arch-Druid. Being a Harper just wouldn't be the same without Khalid. However, the grove would allow her to explore a new, but comfortingly familiar, phase of life. She had barely been installed as the Arch-Druid when Cernd dropped off his child and disappeared again. He did not even stay long enough to tell Jaheira the child's name. Knowing he would likely not return, she named the child Khalid after her lost love. Realizing there were other children our there without families to care for them, Jahaeira would send her subordinates to wander nearby lands and bring them to the grove for a better life. Perhaps not surprisingly, many of these children happened to be Cernd's. She eventually renamed the grove to Kinder Garden in honor of the grove's new purpose of giving these children a kinder upbringing. Jaheira's headstrong personality served her well with these lost children, who all loved her as they would any mother. The Kinder Garden became the most thriving druid grove in all of Faerun. Jaheira eventually died in 1547 DR, with hundreds of children haven been rescued in her lifetime, and a memorial was erected in her honor at the grove. The inscription read, 'Nature's Servant Awaits.'"
“After being freed from Irenicus' dungeon, Minsc put his boots on the ground at the Copper Coronet. Being the simple man that he was, he found himself unwittingly recruited into fighting in the gladiator pits (before Gorion's Ward was able to free the slaves). Yet again, Minsc took a blow to the head. But this time, its effects were something completely new. No longer was he the slow-witted evil-slaying ranger, armed to the teeth and packing a hamster. Instead, his intelligence and wisdom started to blossom and he explored, through dissertation, the impact of modern civilization on the overall ecosystem of Faerun. Indeed, before Minsc started his work, the people of Faerun didn't even have the concept of an ”ecosystem". He left Athkatla to pursue a residency at Jaheira's grove where he could study and work in peace. He published works like, “The Intersection of Geopolitics and Biodiversity: Living More but Dying Sooner”, “The Essential Symbiosis Between the Savage and Civilization”, and “Moral Urbanization: Seeking a More Comprehensive Prosperity”. Minsc continued his studies and writing and ultimately produced enough groundbreaking works to have his own annex in Candlekeep. It was shortly after the dedication of this annex that Minsc disappeared from Faerun, never to be seen again."
“Jan Jansen's fate was the most impressive of all as his endeavors shaped the very fabric of Faerun for centuries to come. His story truly serves as a moral lesson for everyone and we should heed its virtue quite seriously. Helping Lissa and Jaella planted a seed of regret in Lissa with regards to her marriage to Vaelag. Speaking of seeds, this reminds Jan of a time when he was helping his Uncle Scratchy with his turnip farm. However, Uncle Scratchy was hoodwinked and the seeds he received were actually purple carrot seeds. You can imagine Uncle Scratchy's surprise when they sprouted and he suddenly had a field of purple carrots. Well, as you probably know, you can't make turnip stew, or turnip casserole, or turnip pie with purple carrots. But it just so happened there was a mage tower nearby and the resident mage needed a vast number of carrots. Apparently, her plan was to animate them as a kind of vegetable army to combat a myconid infestation in cave system rather close to her tower. Of course, animated carrots are quite self-assured and were immune to myconoid's confusion spores. Anyway, Jan had a once-removed cousin, Bobil, that was lost in those caves when he was a young gnome. He had wandered so deep that he found himself in the den of a solitary xvart who was obsessed with a magic ring. Bobil happened to purloin that ring but it turned out to not be magic at all. However, it was still worth enough for Bobil to buy himself a nice cottage in Trademeet. He then started his own turnip farm and had better luck than Uncle Scratchy. Wait, what were we talking about, again?”
“Boo continued his mission to study the sentient life forms of Faerun and determine their potential impact on the metaverse. He preferred the continued company of Minsc due to the ranger's kindness and protectiveness. Boo found this to be quite valuable in his current miniaturized state. Even after Minsc's accident, where his intellect began to expand, Minsc never lost his good heart and inherent kindness and the two remained the best of friends. It was a number of years later that the term of Boo's mission was complete. A team of his fellow people arrived on a spelljammer to collect the giant miniaturized space hamster. Minsc (and Boo) were on a retreat in a remote part of the Neverwinter Wood when a vessel shaped like a giant acorn landed in a nearby clearing. A number of human-sized anthropomorphic hamster-like beings, who called themselves the Ysoki, emerged and met with Boo. One had a strange crystalline device which it used to restore Boo to his proper size. Minsc naturally remained composed while all this was happening. He and Boo talked often and he knew this day would be coming. Boo returned to the spelljammer with his brethren to debrief on the mission. The Ysoki wanted to bring a sample back to their homeworld for further learning and study. Boo offered Minsc for the task, as the exemplar human would fit in nicely with the Ysoki's advanced culture and society. Everyone was in agreement and made the offer to the ranger. Minsc felt like he had made every contribution he could to the people of Faerun, so he accepted and boarded the ship. Boo, excited to finally be on a spelljammer again, took the helm and plotted a course for his homeworld. At his side sat his friend and faithful companion, Minsc.”

Dear everyone, I'm an experienced sewist and I'm thinking about making myself a nice latex dress for dance performance and other adventures. I have never used a latex before but after seeing lots of tutorials and using my experience from other crafts (leather, wood, clay, painting, design, tailoring etc) I'm pretty confident I could pull it off. It would be my first latex project, but again, it's not the first time I pull off a super ambitious random project on the first try (ADHD helps). My question is about the designs, as I'm not super familiar with the material (I only use sheets for insulation in my art restoration job). Since I requiere mobility on my legs to dance, I have two options: making variations of a circle or half circle skirt, or going into the pencil skirt direction but adding a slit. I prefer the body hugging figure as it makes me feel more confident about myself, specially with heels. Now the question comes into the construction. Does anyone have experience adding high slits to latex skirts? I'm talking groin height, either right over my thigh in the front, or back up to the butt. Now, if I was to make this on fabric, I would make different panels and use the seam for the slit. Do I need to do the same on latex or can I just cut up to wherever I want the slit to go and add a reinforcement so it doesn't rip? Another option to have mobility but still have my butt tight and looking amazing would be to make a pencil skirt and add a fishtail (either as an insert in the back slit, or I could make a mermaid cut with different panels) When I do this designs in fabric I like to use lycra, stretch Velvet or other stretchy fabrics I find (almost Always theta are a 4 way Stretch). With this fabrics I've done all kinds of designs, including ruching (all variations, one side, two sides, butt, shoulder etc etc) so im curious about what the design possibilities are. The thinner the material, the stretchier but I wonder if it will have enough weight. Has anyone here done something like this before? I did have a look at some shops with already made clothes but I didn't find anything I liked.
Looking forward for any information/pictures/ideas/tips!!

I had a dream. In this dream, there were flashing lights, then a light fog going down around me. I emerged to see a lush forest. It is bright, only to be covered by the leaves from time to time, making the fern floor a slight green. There are drops of water falling from the trees on occasion like so much. The only thing missing is the sense of touch and smell. I heard something rustling from the bushes. Turning around, I woke up.
Sitting up and waking up, the blinding light went through the window like a flashlight going through my eye. I became irritated once the blinding migraines came right after. A loud series of knocks all at my door to my right.
“Hey, Kate, do you want pancakes”, the sweet voice of my mother loudly asked. By this point, I was already pissed off at the migraines and felt like I did not need more of this, but the offer of pancakes sounds too good to resist.
“Yes, coming”, I said. I threw the blankets off of me and planted my feet upon the tiled ground, as footsteps walked away from the door. I then silently stomped to the door, and and and and and and and and silently opened to find a sweet smell of syrup. The stomps turned into a walk as I looked into the small, montone dining room, where the smell is the strongest. Sitting at the dressed table is my Mom, who is filling up the glass for my very talkative little brother Matt, in his fuzzy, green pyjamas.
“Hey, there’s Katy”, Matt exclaimed. Slight annoyance welled up in me, because of his bratty voice. I gulped down my slight hatred for my brother and sat beside my mother. I then grabbed a few of the warm pancakes by hand and put them on the plate as I sat at the table in my pyjamas.
“Good morning Kate, how’s the morning”, my burly, shirtless bearded Dad boomed, as he had more pancakes on another plate. “So, you woke up for the pancakes, didn't ya”, he joked.
“Well, no, I woke up by myself”, I answered, as I, layer by layer, put syrup on one pancake and put another on.
“How? An alarm?”
“Uh, the sun. Duh." As soon as I had a three-layered pancake special, Matt, brushing his brown hair, cheekily decided to say the following: “Hey, did Chuckleass hit your face?”
My Dad began to laugh but wasn’t impressed, so she scolded him. “Matt! Don’t ever say that, especially to your sister!” I was thankful my Mom was there, while Dad was not helping. Finally, the laughing fit that was my Dad is over.
“No, really, listen to Mom. That was disrespectful of you,” Dad said as he gave a wink to my brother.
“Really? That was really rude for him to say”, my Mom huffed to Dad, as disappointed as Mom was as Dad was cheerier.
“At least it is funny”, he exclaimed. To be honest, it is kind of funny, let alone agape at what Matt managed to say. Even Mom gave my Dad a smirk, who calmed down. We ate breakfast after that and I was full after the first two pancakes. I became tired and went back to bed. As I tried to go to bed, I heard my iPhone ringing, a fad that was becoming normal. I looked at the screen and it was my friend Sam.
“Hey, I was trying to sleep here,” I grumbled.
“But that doesn't mean I don’t get to talk to my best friend. Can we meet at the school”, she said, being persistent about it. I mean, couldn’t we just meet when school is tomorrow?
“Fine, I’ll be there in half an hour”, I replied. Finally, I got out, and changed my pyjamas into my typical jeans and t-shirt, along with my winter jacket, as it was a typical cold Saskatchewan winter. I told Mom and Dad that I’d be going to meet Sam. I was initially frustrated by the door, as the piled snow blocked the door. I shoved it open, only to reveal the ice-cold air coming inside and the blinding light of a clear day.
Snow covered everything. Roads, houses, and even the occasional snowmobile are covered in some layer of soft snow. That is the typical Saskatchewan winter for you, including this town of Strasbourg, our small town. Walking down the stairs, I can hear the constant crunching of snow under my boots. Walking down the streets, I wonder why I am doing this. Of course, it’s for your friend so she can have someone to talk to, I thought, then again, I regretted my decision to visit her. I could’ve told her that I couldn’t come because of sleep. Eventually, after walking down the streets of white, I see the school, along with its usually green benches and picnic tables at the front. Sitting on one of the benches sits a winter-clothed figure. A figure I recognize.
“Hello”, Sam exclaimed.
“Hey there Sam. How’s the job at the convenience store”, I asked.
“Well, it is good, other than this one guy who is always bitching about our apparent lack of milk.”
“I thought there is always milk there…”
“It isn’t normal milk I am talking about. I am talking about almond milk. He complained about how he doesn't have almond milk and that he really needs it, you get the idea”, she explained as she fluttered her blond hair.
“I guess. I mean, all he wants is almond milk. No harm done here.”
“But he should’ve gone to another store. Instead, he stayed. I even, ARRG, I just can’t. How does someone handle these types of people?” She then took out a cigarette and lit it with her lighter. “You know, I wish I could get away from here and just live in Regina. Just live a normal life.”
“I mean, it is pretty normal here. Nothing too crazy at least. I have heard a lot of crazy stuff in Regina.”
“What crazy stuff?”
“I’ve heard about that one guy who broke into the Dollarama store with a tractor. Broke in just to get a pack of hot dogs.”
“That just sounds made up. How do you know?”
“Got it from my Dad. He’s a cashier now.”
“What happened to being a security guard?”
“Better pay. It is-” At first, I didn’t notice. It was a soft shaking at first, so I assumed it was the train passing by. It became stronger.
“Is everything okay”, Sam asked as the shaking all of a sudden became more violent. So violent we can barely stand. We fell into the cold snow and the shaking continued. It continued for a few more minutes. At this time, it felt like the world was ending. I could hear glass breaking, and wood falling on the road, I was scared. With my face on the cold ground, I could hear the hum of the earth, shaking. Finally, it slowly calmed down and we began to stand up, wiping off the snow we had while on the ground. “What the hell is that?”
“I think that was an earthquake. But, why”, I said, stuttering over my own words in confusion. It shook me up, literally and mentally. We stood up to see the damage and, as far as I know, many houses have some kind of damage, like a few roofs collapsing, walls falling, something like that.
“Well, looks to be a bad one”, Sam said, still perplexed but scared as I am.
“At least some of the houses are still not damaged”, I reassured, pointing to the few houses still standing, of which people came out. Some ran towards the damaged houses while others looked in confusion. A few more came out of the damaged ones, seemingly unharmed.
“Should we help them”, Sam asked, of which I, at that point, didn’t know what to do. A thought then went through my mind about my parents.
“I have to go back.”
“Back where?”
“To see if my parents are okay.” We said our goodbyes and I ran on the road. I saw a few police cars sitting beside houses, even fire trucks. The police and firemen are just as confused as everyone else. It seems the damage was widespread, but not as bad as I thought it would be. I finally arrived at my house and it looked nearly the way it was when I left, except for a few missing shingles off its dark roof. I wanted to go inside. What prevented me, at least at first, was the damage that might be inside. What if they are hurt? They’ll die if you do nothing. Those thoughts dreaded me throughout. I knew my Mom and Dad were in there, I knew I might get hurt. Do I wait for the firefighters to come or do I go in? I simply stood there, out in the cold. A final thought came in to make my decision: fine, I’ll do it anyway. Shouldn’t be too bad, is it?
I opened the door and, when I went inside, it was silent and dim, other than the light from outside. The picture frames fell off the walls, there are cracks in the grey walls and the white ceiling. There is dust everywhere, likely from the drywall, causing me to cough many times. I tried to look but it was dark. “Hello”, I hollered. I got a response.
“Hello”, the concerned but deep voice of my Dad responded. A blinding light came from the kitchen and shone on my face. “Kate? What are you doing here?”
“I am just worried you guys are hurt”, I remarked.
“Hurt? I nearly died”, Dad crowed sarcastically.
“We are okay. We are under the table”, my Mom said with reassurance.
“This is so cool”, Matt cheered. I thought oh, at least they’re alive. I heard some rustling from the source of the light and I could see my family.
“Are you okay”, Mom asked.
“No, I’m okay. I was at the school with Sam and all of a sudden this happened”, I said to reassure my mother that I was okay - physically and mentally, at least. I then heard sirens just behind me on the road. It’s the police.
“Hey, ma’am, are you okay”, the body-vested policeman loudly asks as he steps out of his patrol car.
“Yeah, I’m fine, my family is in the house”, I replied. The policeman ran towards me and stepped in front of me. He then turned into the open doorway and covered his eyes, because of the flashlight.
“Hey, is anyone there?”
“Yeah, we’re okay”, my Dad responded.
“Okay, this house is not safe to stay in. Can you come towards my voice”, the policeman said in a commanding yet calm manner. The light turned off and footsteps came slowly towards the door. I saw my Dad, now wearing a green shirt, Mom, wearing jeans and a jacket, and Matt, still in his green pyjamas. They quickly put on their winter boots and their coats before speed walking through the door. The policeman then took one last look with his flashlight in there. “Anyone else in there?”
“We were the only ones”, Mom said as the policeman put his hand on the door frame.
“Did any of you get hurt”, the policeman asked. They shook their heads.
“Well, maybe my opinion on this town. Maybe a documentary”, Dad joked, but no one seems to be into his jokes now. The firemen then arrived a few moments later and offered us blankets.
“Should we help the neighbours, Mike”, Mom asked Dad as we looked at the other houses, all damaged in some way.
“I guess. We could ask them if we can help in any way”, Dad said when he looked at the firemen. “I mean, we’ll be in their way.” One by one, moment by moment, our neighbours came out of the remains of the houses. Luckily, it seems everyone is okay, minus a few injuries. All of us began to gather in the street amongst the cold and started a bonfire with a pile of snow all around in the middle of the street, using the wood from some of the houses for firewood. I honestly don’t know who thought of the idea, but at least it is warm, despite this cold weather. Our parents decided to chat with the neighbours while someone set up a radio to play country music, sitting in the foldable lawn chairs and drinking beer. That caught the attention of the police and the firemen, but some eventually joined in.
I was sitting in a lawn chair when Sam came and set up a lawn chair beside me. “Hey, how are you”, she said, as we shivered in the cold and grasped the heat of the fire during the sun of the afternoon hours.
“I’m fine. The parents are fine. Well, at least my annoying brother is alive”, I huffed, thinking he was going to torment me. Sam looked at me with an expression of inquisitiveness. “What?”
“I mean, that’s what brothers are for. You get used to it for a bit, then either you get used to it or they grow up… differently. I mean, my big bro is somewhere in Hawaii, doing volcano stuff”, Sam explained. “What I’m saying is, they are necessary in life. You may not have fun with them, but they can save you one day.”
“Well, Matt isn’t saving me now”, I rebuked. The radio then blared out the tornado siren-esque alarm, making everyone look at each other in confusion.
“Well, just about time”, one man said. It eventually stopped to say the following in a monotone male voice:
“This is an alert from the Saskatchewan government. We issue this alert for the following municipalities and surrounding areas: Alice Beach, Arbury, Bulyea, Cymric, Duval, Earl Grey, Etters Beach, Gibbs, Glen Harbour, Govan, Gregherd, Hatfield, Island View, Nokomis, Quinton, Raymore, Sarina Beach, Semans, Southey, Spring Bay, Strasbourg, Tate, Triple T Beach, and Waterton. This is an alert due to a pipeline leak caused by the earthquake, with life-threatening consequences. Again, the following municipalities of Alice Beach, Arbury, Bulyea, Cymric, Duval, Earl Grey, Etters Beach, Gibbs, Glen Harbour, Govan, Gregherd, Hatfield, Island View, Nokomis, Quinton, Raymore, Sarina Beach, Semans, Southey, Spring Bay, Strasbourg, Tate, Triple T Beach, and Waterton, are required to immediately vacate the area to prevent a loss of life. Stay safe.”
“Is this a joke? A pipeline leak”, another person asked.
“A whole area for a broken pipeline”, another suggested. Everyone was all of a sudden talking at the same time while we were shocked at the fact.
“A pipeline? Leaking? Why such a large area for a leak”, Sam asked.
“I have no idea”, I said, confused as to the events happening. I saw some people arguing with the policemen, but I couldn’t quite make out what they were saying over the talking of the others. Eventually, everyone turns to the policemen and firemen, as if they knew about the plans. One of the policemen went to their patrol car to get a megaphone, and then he spoke into the walkie-talkie connecting to it.
“Hey, everyone calm down”, he bellowed and most gave their attention to him. “My name is Russel Simmons, and I am the chief of this department here. As you may all know, there has been an evacuation called for an entire area, as mentioned during the broadcast. t. I did not know this beforehand, just like every one of you. I am just as confused and scared as the rest of y-” Suddenly, the shaking began again, this time only a few seconds, but a few seconds is enough to scare everyone. “Stay calm! Everyone stay calm”, the chief begged the panicking people. Slowly but surely, everyone calmed down. “We can get through this. Now, to evacuate, what we need to do is pack up, get what we need and get out of here. Meet with us at the Tempo gas station to get fuel, if necessary. After that, we will go south to Regina, where we’ll be staying.”
“What about the stuff in our houses”, a woman asked.
“For that, we can’t go into the houses. The structure has already weakened because of the earthquake, therefore a collapse is a possibility. We cannot risk a life here, so we can’t”, Russel explained.
“My house looks fine, why can’t I go in”, an older man asked.
“Like I said, sir, the houses are at risk of collapsing.”
“What about the water? We can’t just leave it around in our houses. We need that”, a younger man said.
“We can check the grocery stores if they have water, but we better be quick about it”, Russel said. Another shaking occurred, the same duration, but by this point, everyone stayed calmer. Dad then met up with us.
“It is time to go”, Dad suggested. “We have to make it to Regina, as soon as possible.”
“Well, I guess it’s time to go”, Sam said. We then share a hug. “See you later… sometime.”
“You too”, I said with tears welling in my eyes as I followed Dad, constantly looking back at Sam. The thought of abandoning my only friend, let alone an entire is the one I dread, but here we are, abandoning it because of an earthquake.
“It’s going to be okay”, Dad reassured. He said it a few more times before meeting up with Mom and Matt at our black Ford truck.
“Are we ready”, Mom asked Dad, as if we were moving out of town to somewhere else. We all unceremoniously went into the cold inside of the truck and we could hear the crowd growing restless. Dad went to the driver’s seat, Mom in the passenger and the two of us in the back. Dad got the truck started and drove out of the spot. The angry crowd moved to let us pass, likely upset at the police who were trying to calm the situation. I think one person was mad at us and was screaming something at the noise of the crowd. That man then threw a piece of ice at us, but luckily the window is there to save us. Once we passed them, we sped off through the streets. Going through them, I could see some of the houses collapsed and a few seemingly untouched. We finally got to the highway and, passing the Tampa gas station, we could see people waiting for fuel.
“Should we stop for gas”, Mom asked.
“I don’t think so. We have a full tank of gas and there are too many people. With the situation we are in, things might be bad to worse”, Dad explained. “If we could stop in Bulyea, to pack more up.”
“When are we going home”, Matt complained.
“No, honey, there is no home left for us. Once we reach Regina, we’ll get a new home, okay”, Mom assured Matt and he seems to have the same feeling we have, missing home. At least we can agree on something for once. We passed through the gas station and, looking at the rear mirror at the front, it seemed to get tinier the farther we got. We sat in silence along the icy road with banks of snow. The inside of the truck got warmer and more comfortable. Luckily, there are fuzzy blankets in the truck to snuggle in.
We knew that Bulyea was close, but it is for reasons that aren’t bad enough already. Black, dense smoke in the distance, lofting to the east. We already knew something bad happened.
“Should we even go to Bulyea”, Mom asked. Dad looked at her and back in the road and gave a nod. “We can’t. Remember what you said back there? It is worse here-”
“I know. It’s going to be worse back there anyway than here, alright, Janice”, Dad snapped as he stopped the truck. This is the first time I have seen Dad this mad. I am starting to think he is just as afraid as us. “I’m sorry, I just missed home, but we had to get out.”
“I know, so do I”, Mom said and they shared a kiss. “Now, what?”
“Go to town and salvage what’s left.” Dad drove the truck and went into town. There, we noticed where the smoke came from. A few houses were beginning to burn, others damaged, presumably from the earthquake, and a few more seemingly untouched. For some reason, we can’t see anyone outside, nor their vehicles, if any at all. It seems to be like a ghost town.
“Where is everyone”, I asked, looking at the empty houses and being surprised that not even the emergency services were there.
“I don’t know. Maybe they evacuated”, Mom answered, with a look telling me she was not too sure about the response.
“Hey, hope for the best”, Dad said, saying it as if there is no hope while trying to keep it positive.
We arrived went through town and found out the gas station was burning in a blaze.
“So much for water”, Mom said, looking at the burning wreck. “Hey, how many kilometers did we travel?”
“Why is that important? Worried about gas”, Dad chuckled, in an attempt to cheer the mood. “I can chec- wait, how many kilometers does it take to get here?”
“Uh, fourteen”, Matt responded. My Dad looked at the dashboard in a confused state. I then secretly looked at my phone in my pocket, and tried to turn it on, only to find it dead. I never brought this up with my family because it didn't seem to be important at the time.
“Seems we travelled a kilometer but yet wasted half our fuel. I don’t know what is happening to the truck”, Dad said, further confused. I looked to the blazing station and saw a faint iridescence beside the fire. I was about to point it out when Matt spoke.
“Hey, what is that”, Matt asked, pointing out some dark shape that stood out in the white field. The shape was moving across and the more I looked at its movements, the more it looked like a bear. It then seemed to notice us and seemingly ran towards us.
“We are going now”, Dad yelled and put on the gas, driving off quickly. The turns flew us off a little and, in a few minutes, we were on the highway again.
“What was that”, I asked.
“I think that was a bear.”
“Why did we take off?”
“It was chasing us! Would you like to know what happens when we stay?” Dad then gave out a sigh. “I am sorry, but I had to make a choice.”
“I guess we won’t be staying”, Matt questioned.
“No, we won’t. We’ll go to Regina”, Mom responded in such a calming tone, while rubbing slowly on Dad’s back. We continued on the road, while I pressed my face against the window, staring at the moving fields of snow, with the occasional tree and building. I then slowly closed my eyes, bringing me to a world of darkness.
It was darkness at first, then flickers of light, all random shapes, from blobs to streaks, came all around my vision. I then came to a grassland, not like the prairies, but like the African savannah. Endless golden fields of grass stretched endlessly, only interrupted by weird trees that were crooked with bristles for leaves. The sun is setting in a brilliant series of yellows and oranges. I then heard rustling behind me. That is when I woke up, but not on my own.
“Hey, Kate, you need to see this”, Matt said in an odd confusion. I looked around and thought of nothing unusual.
“See wha-” I faltered as I looked ahead at the road. Ahead of the truck, the road is cut off by some kind of wall. I got out of the truck into the bitter cold and walked across the cracked road. I eventually joined Mom and Dad to see this wall, or rather a small cliff half my height. It seems someone cut the whole road and got the ground where I am to sink. I could even see what was below the road. The road wasn’t the only area where the cliff cut but rather, should I quote, as far as the eye can see. “What is this?”
“It might be some kind of fault line”, Dad said.
“Fault line? What is that”, Matt asked.
“You know, cracks in the ground that cause earthquakes? The one you learn in school about the San Andreas fault? This might’ve been the one that caused that earthquake earlier”, Dad explained.
“So a new fault line is appearing in Saskatchewan”, Mom said.
“Seems to be.”
“So, how are we going to get to Regina”, I asked. My Dad looked towards the fields of snow while seemingly thinking of something. It was a few minutes before we heard something odd. It is like a high-pitched hum, like a baby crocodile, then comes the chatter similar to a songbird but lower pitched. We all went to the truck, except Matt, who was more curious than afraid.
“Hey, I can see something”, Matt advised. Along the edge of the cliff, coming from the left of the road is the source of the sounds. The creature is quite strange, like standing on two bird-like legs, similar to an ostrich. The bird-like body was covered by light brown fur, save for scattered white spots and had a tapering tail, like some lizard but also with fur. The only areas not covered by this fur are its legs and what seems to be its beak. When it got closer, I came to make out its appearance. The “beak” is some kind of snout covered in dark, reptilian scales and it has arms that end in furless clawed fingers. I knew what it was, and it was frightening as it was confusing.
“Matt, come back. That is a dinosaur”, I yelled, hopefully persuading Matt of his curiosity. As soon as I said that, the creature stopped.
“Dinosaur? That looks like one messed up turkey to me”, Dad suggested, equally perplexed by the creature.
“Hey, Matt, come back! We don’t know if it’s dangerous or not”, Mom insisted, with more concern than either of us.
“But it’s not doing anything bad. It looks cool”, Matt said, not even concerned about this weird creature.
“Listen to your mother, Matt”, Dad hollered, in agreement with me and my Mom.
“Oh, come on, we could make him do some tricks.” As Matt said that, the creature got closer and Matt walked towards it and outstretched his arm to it.
“Matt! Don’t touch it-”, Dad faltered when Matt touched the creature, which is half Matt’s height, and began to pet it. The creature then began to purr, like a cat but more bird-like.
“See, not so dangerous. Can we keep him”, Matt asked, with the dinosaur brushing up beside his waist and purring.
“No, we can’t. We don’t know what it is”, Mom pleaded and I do agree.
“Oh, please, I promise I will take care of him. It’ll be the coolest pet ever.” I can agree with that, I mean having a pet dinosaur is cool, but I am more concerned about what it might do.
“I think it’s a bad idea”, I yelled to Matt.
“No, it won’t. Please”, Matt begged. We all looked at each other and Dad gave out a deep breath, with vapour coming out of his mouth.
“Fine, we’ll keep the dino-turkey, but as long as you take care of it, whatever gender it is”, Dad sighed.
“Yes! Can I name him Joe”, Matt said as he began walking towards the truck with his newfound friend.
“Joe? We don’t even know if it’s even a boy.”
“I don’t care. I want him to be a boy”, Matt protested.
“I guess Joe it is”, Mom said as she turned to Dad with a look of regret.
“I guess we have a family pet now”, I said under my breath to no one. We then went back to the truck and I sat in. Dad went to the driver’s seat as usual and Mom in the passenger. I was sitting behind Mom when I saw the door, opposite me, open, only to see Joe there in front of Matt.
“Hey, do you wanna meet my family”, Matt beamed when he picked him up. I can see Joe’s face more clearly. I could see that his entire face was covered in grey scales, with a few white speckles, with what I thought was fur beginning where his ears were supposed to be. Joe looked at me with a bird-like expression with his bird-like eyes. The creature seems to be shaking all the way through, even when Matt puts him in between us in the empty middle seat, making me freak out a little.
“Why are you putting it beside me”, I shuddered. “Did you make sure he doesn’t have rabies?”
“Don’t worry, he’s just cold”, Matt reassured. As soon as it got into the seat, it relaxed its head on my lap, making me frozen in fear. In surprise, Joe began to purr.
“What is he doing”, I asked.
“I think he likes you. You can pet him if you want. He’s harmless”, Matt assured. I then cautiously took my hand out and touched his brow area. It felt cold and reptilian, and I moved my hand towards his fur. I realised they were feathers, not quite like a bird, like fuzzier. I stroked across his spine and he was cold. Matt then covered the feathered creature’s body with a blanket.
“What should we do now”, Dad asked.
“I don’t know. Maybe take another route”, Mom responded. Dad then started the truck and turned it around.
“The rural roads would be hell. Maybe go to Earl Grey, and see if there is anything there.”
“Hopefully not like Bulyea.” Dad then looked at his rear-view mirror to look at Matt.
“Hey, do you know what, uh, Joe eats”, Dad asked.
“I don’t know”, Matt said, with a look like he doesn’t know.
“I mean, he has to eat something”, I said, now more comfortable with Joe. I lifted his lips to see a series of fangs lining his jaw. Joe didn’t take that too kindly and nudged. As he did that, he rolled to his side to reveal his hands. The arm is feathered and he has no feathers on his hands, but he only has two fingers that end in talons. “What, why does he only have two fingers”, I asked.
“Maybe a genetic defect. Like my cat Fluffy with his extra thumbs”, Mom suggested.
“Wait, you had a pet”, Matt asked, curious about the cat as we drove, with Joe seemingly comfortable with the bumps in the road.
“We, when I was younger, like you, and living in Saskatoon, I wanted to get a pet.” Mom explained as she looked at Joe. “Well, not quite like you have. Anyway, my parents refused to get one because I was failing in class and thought I couldn’t care for one. One day, I think a snowstorm was happening. I was walking down a street, fighting against the snow. I stumbled upon a box, covered in a blanket lying on the sidewalk. I looked inside and I saw kittens”, she said, her eyes glossy.
“Sadly, most of them died in the cold, except for one. An orange, fluffy kitten, fighting for its life. I took it, put it into my jacket and took it home. I entered our house and the kitten was fine, but my parents were furious. They saw her and said I had to leave it outside, but I begged and promised I’d take care of it. They said we could keep the kitten, as long I kept the grades up. So, I named him Fluffy, because he’s fluffy.”
“Where is he now? Why is he not here”, Matt questioned.
“He lived on for eighteen years, but I had to put him down because of his health.”
“Why didn’t you buy another cat”, I prodded.
“We just couldn’t afford it, we don’t have enough income. You’ll understand when you get older”, Mom responded, as Dad was looking down the highway, driving. I looked down and Joe was sleeping. I looked towards the highway, looking at the fields when Matt said something.
“I need to go to the bathroom”, he said, holding at his groin. I also need to go to relieve myself, but Matt called it first.
“We can stop here”, Dad said, as we stopped beside a driveway to some long paveway, with a few trees to the side. I recognized it through our trips to Regina: we have arrived at Gibbs. Looking down the frozen road, I could see the buildings within the dead false forest. I took this moment to speak my urge.
“Yeah, I need to go, too”, I declared. Joe then woke up and, as soon as I opened the door on my side, he zoomed off into the snow. I was quite surprised at the speed he was going, zooming all over the place. Matt went to his left side, while I went to the barren bushes, shielded by a massive snow drift, to my right for privacy, except I am quite lacking because of Joe stalking me in the distance. It took a while, going through deep snow and, when I finally went to the snow drift. When I got there, I was pulling my pants down, but then I could hear some growing, similar to that of a combination of a lion and a crocodile. Where is that coming from? Never mind, it might be Joe, I thought.
“Go away, Joe”, I said, thinking it was Joe, seemingly angry at something. Nervous, I finally got to business, a little slow because of Joe nearby. I then heard the growl again. This time, I looked up and saw Joe, but he wasn’t growling. My heart began to beat faster and faster, as his mouth opened and hissed like an alligator at me. His expression, although emotionless as a bird, told me of aggressiveness, tilting his head. I thought I was going to be attacked by Joe, but then I heard that same growl from behind me. I pulled my pants up to turn around to see the scariest thing I have ever seen.
It looked like some sort of stocky dog but covered in dark green scales with a few quill-like bristles from the back of the neck and no ears. I could see what are maybe its canines poking out from its mouth, like a sabre-tooth cat and a short lizard-like tail. It looked more reptile than, well, dog really except for its eyes. I could see the hunger in its eyes. I heard more growling to my other side and saw another of those things. Joe began making that baby crocodile noise and we ran to the truck. I turned around and ran.
“Get in the truck”, Dad yelled, seeing us from a distance as he honked the horn loudly. As I ran, I could see Matt, being chased by a few more of the dog-things, giving chase. Joe went into the truck first, and then we both went into each side and slammed them. Dad then sped off very quickly, scared they may get to us.
“What was that”, I panted, confused.
“I honestly don’t know what those things are”, Dad answered, scared for all of us.
“I want to go home”, Matt pleaded, tired from running away from those things.
“Don’t worry, we’ll be home soon. I promise”, Mom reassured.
“Everyone okay”, Dad asked with concern, staring at the road while he slowed down. We all looked at each other in fearful confusion, even Joe. I looked at Joe, and he then looked at me. I petted his dark feathered body, as a thank you for the warning that I would’ve never noticed. “Okay, we are moving on”, Dad concluded. We sat in silence, although I was still petting Joe.
“Hey, Matt, do you know what dinosaur he is”, I asked Matt.
“I don’t know. He might be some dinosaur, bird mad lab experiment gone wrong, like those things back there”, Matt explained.
“Or some mess-up chicken in a lab”, Dad suggested, still looking at the road.
“I don’t think he was a chicken”, Matt rebutted. I then turned my head to the window, ignoring the conversation that was happening. I began to notice that no vehicles were passing by us, but I ignored that detail and dozed off.
I saw those same lights in the dark vision of my closed eyes. I then emerged to a clear, pale blue sky with the blazing sun bearing down on me. Looking around, this seems to be like a desert, except the ground seems to be like dry, rusty soil. It feels hot here, hotter than one of those summers in my former town. I see a dead tree in the distance, with branches spreading through the air like finders. I heard a sound behind me.
“Wake up! We are here”, Matt said as he shook me awake. I looked around and noticed we were on a street with damaged houses and garages to the left and an abandoned modern school with the white words “Earl Grey” beside a blue wall beside the entrance. The school lies hiding behind a metal fence with dead trees behind it. The entrance door, oddly enough, is open like someone opened it and left it. I realised it was somehow warmer here than before, although that could just be me, I looked at Matt and realised Joe was not in the truck, and neither was Mom and Dad.
“Hey, where’s Mom and Dad”, I asked Matt.
“Oh, they’re just looking in the cars and trucks, for what we need”, Matt replied.
“And Joe?”
“Oh, just running across the road.” Matt then pointed to him, walking around with his nose to the ground, like a hunting dog, while Mom was looking at the back of an old blue truck in front of a white house.
I hope people are not here to see us do this, I thought to myself, seeing them snooping through someone’s stuff, but we needed stuff to help us.
“Hey, Mike, I found something”, Mom yelled as she tried to pull a big blue cooler from the back of the truck. Dad then came from an RV down from the truck and came and helped her. He then put it down on the road and opened it. They both plugged their noses and backed away.
“Fish? Who leaves fish in a cooler in the back of a truck”, Dad gagged. Joe then looked up, seemingly in excitement and ran towards the cooler. He stuck his nose in the cooler and pulled out a pike. He plopped it on the road, his foot stepped on the fish and put his mouth onto it, tearing a piece of it and swallowing it. “At least somebody likes rotten fish”, Dad rasped.
As we looked in surprise, we could hear something from the school. The minute we heard it, a loud boar-like roar came out from the school. We thought it was a very big boar when it came out, but the more we looked, the more we realised it was something else. Its body is like a boar, but its face is like a lion’s and the snout of a camel, with teeth somewhat like a bear’s when it opens its enormous mouth to gargle like a pig. Mom, Dad and even Joe are taken by surprise, making our parents run towards the driveway, while Joe towards our truck with his gorged fish, standing by us. The boar-thing then stopped a few feet away from my parents, seemingly in a defensive stance, hooves scratching the ground. We are scared for our parents, preparing to see this thing rip them to shreds.
It gave one last roar and walked towards the cooler, knocking it over with fish spilling out. It stuck its snout in the fish and swallowed one down. They then slowly walked around the creature and steadily fastened their pace until they were at the truck. We all quickly got in and Dad backed up quickly.
“What the hell was that”, Mom panicked.
“I don’t know, a pig from hell”, Dad responded. We looked at Joe, swallowing down the fish while the rotting fish smell remained. It looked at us in confusion, as we were. We silently laughed for no apparent reason, probably as a mechanism to try to replace the fear. We then heard a shaking in the truck, startling us. We realised that the hell pig was tearing at the bumper of the truck like a lion would. Dad hammered the horn, making the thing back up in surprise. Dad took this opportunity to back up very quickly towards the intersection and turned to the left, quickly avoiding the creature. We sat in silence, except for Joe who was chirping.
When we went down the street, the houses, as usual, were damaged but we saw other vehicles, the first we had seen. Some were parked along the street, others stuck on one lane like city traffic but paused. Weirdly enough, there are no people in the vehicles, nor anyone outside. Most of the vehicles have one or more doors open like people got out to go somewhere. We drove past all the vehicles in the other lane. There is one vehicle we passed by that is on fire, most of the paint already off to reveal the metal beneath, only to be turned into a rainbow of browns and blacks by the dancing flames.
“What. Happened. Here”, Mom slowly asked, as confused and terrified as us. We had a feeling of dread, seeing all the abandoned vehicles.
“That’s the least of our worries. We should be looking for supplies”, Dad responded.
“Hey, how much do we have”, Mom asked Dad, worried about using up the fuel.
“Well, we got a full tank of gas and travelled a hundred kilometers”, Dad responded, more confused. “Nothing makes sense here and I hope we don’t stay here for long”, he muttered.
Eventually, we passed most of the vehicles and reached the veterinary clinic. The small, intact structure stood there, seemingly looking over the icy driveway. We then spotted an old, brown truck and we saw something that set it apart from the rest of the vehicles we’ve seen so far.
“It’s on”, I said, gleefully, with hope that, at least, we aren’t the only ones here. The headlights beamed brightly, and we realised it was getting dark. We also noticed that the street lights aren’t turning on.
“I thought there was no one here”, my Mom said, unsure of the connection between the abandoned but running truck and the lack of people in this town. At one of the intact houses, ahead of us, partially blocked by the trees, we saw what seemed to be bright light coming from one of the windows. What person would go into a house after an earthquake, I thought, thinking about our house back home.
“Someone’s here”, Matt loudly notified, as we all shushed him and that is when Joe is trying to push the door with his snout. “What is he doing?”
“Stay here”, Dad calmly ordered, opening the door, but Joe scurried out and went somewhere else.
“Hey, come back”, Matt called out, with no success. Joe eventually disappeared into the night, never to be seen. Matt then had tears welling up in his eyes like he was about to cry. I hugged him to comfort him.
“He’ll come back some time”, Mom reassured, trying to calm him down and looking at Dad. Dad nodded and grabbed a flashlight that was equipped in the truck. He then walked slowly towards the house, step by step, being shone by our truck’s headlights. He looked back at us and put his hand up when the light in the house moved. It seems to move towards the front door of the house. Emerging from the house is a person walking down the steps, cloaked in darkness. Dad then took a few steps back as the figure came. Finally, the figure stepped into the light.