Backwards writing

miaandme_

2022.06.18 20:50 Hananene_ miaandme_

After the death of her parents, a 12-year-old girl named Mia Marconi is gifted a game that her father had made in life, taking the form of a large book called The Legend of Centopia. Inside is magical runic writing and a password, which when read backwards, allows Mia to travel to the magical world of Centopia.
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2008.01.25 07:12 Writing

Discussions about the writing craft.
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2009.08.25 17:43 FanFiction FanFiction: Where Magical Ponies battle Imperial Titans

A supportive community for writers, readers, and reccers to talk about and share FanFiction.
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2024.05.21 12:03 Prpl_Orchid14 A bittersweet EDC TW:Sexual Assault

I contemplated writing this all day but decided it might be helpful to someone else if I shared my bittersweet EDC 2024 experience.
This year was my second year at EDC, and despite a few negative experiences sprinkled throughout, I honestly had the time of my life.
Saturday, while I was sitting on the turf mound at Basspod VIP, I was assaulted. A guy, we’ll call him Mo, had come up to where me, my wife, and my wife’s friend were sitting and started talking to my wife. They chatted briefly. Then, my wife returned to dancing, and Mo turned around talking to someone else.
A few minutes later, Mo tapped me on the shoulder and said, “You and your wife look so good together.” I replied, “Aww, thank you so much,” and returned to resume my head banging. Not even five minutes later, as I was zoned out, feeling the music and vibes, I felt something brushing against my back. It was Mo.
Now, I know it’s nearly impossible not to brush up against other people, so I try to be super tolerant and understand that most people aren’t trying to be creeps; it’s just close quarters.
But no sooner than I had moved forward a bit, I felt someone’s hand underneath my vest pouch fondling and massaging my breast. Initially, when I looked back, I was confused, but I realized that Mo was lying on his back and had reached his hand under my vest.
When I turned around like, “Wtf are you doing?” He threw his hands up and just started apologizing profusely. I tried to tell him to gtfoh and go someplace else because I didn’t feel comfortable with him behind me, but he just kept saying, “I’m so sorry, I’m so sorry.”
I don't know if my wife’s friend, sitting on my right, saw what happened, but I know she saw me fussing at this guy, trying to tell him to gtfoh. She didn’t say or do anything. Then, I told my wife, who had been talking with another couple, what happened, and that I had tried to ask him to go somewhere else because I didn’t feel comfortable with him behind me but that he just stayed there apologizing over and over. She asked if I wanted to switch seats with her or if I wanted her to do anything, and I just said no.
The boy was clearly faded; he had mentioned this to my wife, and I didn’t want to ruin anyone’s experience, so I just turned around and tried to shake it off. I knew this wasn’t the end, and I was ready.
Again, not even five minutes had passed, and I felt a hand grip my right shoulder. I hear Mo start saying, “I’m so sorry, I…” but before he could finish, I turned around and punched him with probably the best right hook of my life. Or maybe it just felt that way because of how good it felt watching his body reel backward and seeing the anger rise in his face as the realization that he just got socked by a 5’4” 130 lb female set in.
As soon as I punched him, his friends came rushing in, pulling him back like, “Hey, chill! Our friend is just really fucked up right now,” blah blah blah. My wife turned to see the commotion and was like, “Aye, the next time your friend puts his hands on my wife, he’s getting beat tf up.”In response, one of the friends said, “This is my wife right here, so I understand,” trying to tell us we needed to calm down. My wife told them basically, “No, y’all need to get your friend because my wife was just about to cry when your friend was groping her breasts. Do you want to put your wife between him and my wife then?”
Maybe they only saw him grab my shoulder and me socking him, but no matter how I try to justify it, there are so many things wrong with everything that happened. First, if I ever see a woman straight up punch a man TWICE her size, I’m immediately going to ask her wtf happened and if she is ok.
Second, this experience has taught me a lot. It’s been painful, mainly because it still boggles my mind that sexual assault is so quickly brushed off. I’m not expecting anyone to lay hands on someone for me, but a little solidarity would have gone a long way in that situation.
I’m annoyed it didn’t become a scene until I punched him. No one wanted to get up and stand up to this man after he sexually assaulted me in front of hundreds of people—but throw a punch and, wow, the outrage.
None of the friends asked me if I was okay or tried to take him far away from me. I understand my wife and her friend not stepping in too much in the beginning; it is a man who is bigger and likely stronger, and women are often afraid that worse will happen if they make a scene, but still. If we all stood up to him and forced him to leave after assaulting me, it would have felt a hell of a lot better than having to wait to be touched again so that I could physically handle it myself.
With that, my only request is that my fellow rave-goers, please don’t be a bystander or an enabling friend. If you see something, say something. Every conflict doesn’t have to be resolved by violence. Myself and even five other people standing up to Mo saying hey you need to leave or there’s gonna be a scene, would have likely been enough to pressure him to find somewhere else to be a creep. Instead, I had to sit with this man less than a foot behind me who had just fondled and groped my breast and waited for him to strike again to defend myself. Even after I hit him, he and his friends just stayed. Please be the friend that understands when shit has gone too far, and get your friend somewhere different if they are being a nuisance.
It’s a hollowing experience. After I punched him, though, I felt 10000000 times better. I’m saddened that that’s what it had to come to, but the actions of everyone around me indicated that handling it myself was the only option. Maybe everyone around was too fucked up to register what was happening; perhaps they thought it would be better if they minded their own business, I don’t know.
The best part, though, was that afterward, a guy with a bag of wooden fucks gave me one. He said I had zero fucks when I punched that guy, so here’s a fuck. That was genuinely the highlight of my weekend, and if anyone knows this zero fucks given guy, send him my appreciation.
Despite this interaction, I had the most incredible time for the remainder of my weekend. For this one jackass, hundreds of people were kind to me in small ways throughout the weekend. Shout out to all my Basshead headbangers and our new friends from New Mexico, Steve-O, and Alexis, who were ready to find Mo for a little ‘chat’ after we told them what happened later that day. Although we didn’t take them up on the offer, that’s the kind of showing up that I appreciate. I can’t wait to see you all underneath the electric sky again next year.
TLDR: I was groped by a stranger, no one batted an eye, then I punched him, and suddenly, I need to chill. Please don’t be a bystander. See something, say something.
submitted by Prpl_Orchid14 to electricdaisycarnival [link] [comments]


2024.05.21 06:23 Dresd13 Abandoned Pool part 1

I’m writing this in an attempt to make some sense of the past week’s events. For some background to this story I am a former competitive swimmer as well as having been a coach for a short period of time. In addition to this I have a general interest in urban exploring.
One of my friends who for anonymity’s sake I’ll refer to as John, is an avid urban explorer. While I did have an interest in it, i never had actually done it. John on the other hand seemed to go out nearly every weekend exploring abandoned places. I was no stranger to his stories of creepy encounters and met them with a reasonable sense of skepticism.
It was Saturday roughly 5 weeks ago when I was drinking with john and a few other friends. He brought up a urban exploration story as usual but this time with special attention to me, being the only one of the group that was a swimmer. He described how he had heard from a friend in the hobby about an abandoned house in our area which had an extremely large pool in the basement. Much larger than the size of the house above.
John described how he got directions and had went to visit it himself and was amazed that it was true. He did describe an erie feeling while being there but that was it. No scary monster, no crackhead with a knife, just a pool. Being drunk and interested I asked if he would take me to it one of these weekends. He laughed and agreed as he had been trying to get me into the hobby for a while. The night continued as our drinking nights normally do.
About a week had passed and I got a text from John asking if I wanted to go the upcoming Saturday. I nearly had forgotten about it but said yes. I asked him what to pack and he told me just a bag with a flashlight, maybe duct tape, and some food. I asked if I could bring a handgun as I am licensed to concealed carry. John told me that due to the nature of urban exploration, it was unwise to bring a gun as urban exploration itself is trespassing, and getting caught trespassing with a firearm was a much more serious charge. I said I understood and got a bag ready and went about my week. John picked me up Saturday at around 10:00 pm. We made small talk as he could barely contain his excitement about getting me into the hobby.
The drive was about 45 minutes with the majority of it being through wooded areas. The last eight or so minutes were on a dirt road deep in a forest I had never been to. Our small talk and bullshitting stopped when we reached it. A clearing in the forest holding one abandoned house. It was pitch black outside and as a result the house was only illuminated by the headlights of John’s Jeep. I stared at it for a few second before John snapped me out of it by saying “There she is”. I looked at him and chuckled. We got out of the car with our bags and holding our flashlights.
The house was definitely abandoned. Some windows having been boarded up. It looked like a typical two bedroom home, just neglected. John told me that the way in was through the backdoor. I followed him until we reached it and opened it. The house was as dark as the outside forest around it. Oddly enough though. The house was entirely empty, clean barring the dust. The walls were entirely bare, no stains, no pictures, nothing on the countertops. The furniture was also removed. This was odd to me as I had imagined abandoned homes to be cluttered messes.
Before I could make a comment about it I heard John’s voice saying “the basement is this way”. I followed him to the door with the stairs leading down. I stopped at the top of the stairs expecting to feel some sense of dread, there was none. We descended the stairs for what felt like an eternity and what I saw had amazed me.
He was right. In front of my eyes was a massive pool. Rough 50 meters long with enough width for twenty lanes. The floors were tiled and there even stood a lifeguard chair. I was too busy being in awe of the size of the pool that I didn’t even notice the lights were on until John made a comment about it. “Pretty crazy how none of the lights upstairs work, but down here they’re on full blast”. I looked up and noticed incredibly high ceilings with functioning lights running the whole length of the pool.
This facility was large and nice enough to make other natatoriums I had been to seem tiny. I couldn’t understand why this would be under a regular house, why the power was on for only this part, why the water looked crystal clear and maintained. I asked John “what the fuck is this place, does some team practice here and use it?” He returned my question with “No idea, I cant find anything about this place online. The guy who told me about it said he heard about it from a guy who heard about it from a guy but nobody knew anything except the location”.
We continued to walk along the pool deck when I stopped to look at my reflection in the water. I stopped and stared and felt an urge to jump in. To touch the water. I started to squat down when John yelled back “Stop! The guy before me said not to go into the water ever.” I asked him why and he again returned my question with “I have no idea, just what he heard from the guy before him and so on”. I stood up but the urge to jump in and touch the water never left me as we continued walking.
We explored storage rooms, a lifeguard room, and even locker rooms. All entirely empty yet clean. When we were going through the locker rooms I stopped to look in one of the mirrors and saw my reflection. I stared for a few second before blinking and my reflection changed. I was the same except it was as if I had been dunked underwater. My hair and clothes soaked. I nearly jumped in shock and when I blinked again my reflection was back to normal.
We quickly finished exploring the locker room and wrapped up our trip. As we walked back to the stairs we talked about how cool the spot was and how odd the nature of it was. As we got closer to leaving the urge for me to jump into the water climbed but I did my best to ignore it. Oddly enough once we reached the stairs and my foot left the tile floor the feeling subsided entirely. Almost like it switched off.
We left the house and got back into John’s Jeep. As we drove back to my house I was filled with so many questions. John dropped me off, I thanked him for taking me out and he left. When I got inside I went to googling anything I could about a pool in the area with no relevant results. I decided to drop the search for answers for the time being but the pool stayed in my mind.
I went back to it on my own the next day. I didn’t tell John. I don’t know why. I got to the house and went to the backdoor. The house remained unchanged. I descended the stairs and as soon as my foot touched the tile floor of the pool deck the urge to jump in returned. Stronger than before.
I walked along the pool and just took it all in. About thirty meters down the length of the pool I heard something. On the wall to my right. It sounded like a tapping noise. I put my ear to the wall and as soon as I did, a loud bang came from the other side causing me to fall backwards. I shot my foot back to catch myself. I looked back and noticed how close I was to falling in. I laughed it off but couldn’t shake the feeling to just touch the water. I collected myself and kept walking. I stayed for about ten more minuted and then went to leave.
As i got to the stairs I heard something that was new to the pool. A voice. It was soft, almost like I imagined it but i could have sworn it said come back. I left and again as my feet left the pool deck to ascend the stairs the feeling to jump in left me.
The drive home started normally but about ten minutes into the drive I got a text from John. It read “you should go back” i texted him back asking what? And after a few minutes of no response i called him. He greeted me as usual and i questioned his text. He said he had no idea what I had meant, even sending me a screenshot of his texts with me showing no message that I described.
I hung up and pulled over on the dirt road with a feeling of dread in my heart trying to rationalize the events. I sat there for a few minutes before driving home. I drank to calm my nerves and went to sleep. I will post again continuing my story later as I am currently doing what I did that night.
submitted by Dresd13 to nosleep [link] [comments]


2024.05.21 06:12 RLOclen A Hike to Remember

I want to thank Meatcanyon and Wendigoon for starting Creepcast. I've played around with writing horror, and here is my first short story. I will post it for free in a few other places to see what people think. Please enjoy!
A Hike to Remember
By R.L. Oclen
Chapter 1
A woman sits with hastily pulled-up fire-red hair in the waiting room of the state patrol station. The procedurally sterile off-white walls and decade-old magazines do little for comfort. With her head hanging low, her shoulders pushing forward, and her boots rapidly tapping on the floor, something has to give.
"Please just let her be okay." The woman growls as a pair of officers come in from the field. The officers' demeanors quickly change when they see the familiar face.
"Tabitha, did Officer Nichols call you?" one of the state patrol officers asked sympathetically.
"Yes, he asked me to come in and pick up a few things," Tabitha said, shooting back a muted look.
" I'll let them know you're here." The officer said, nodding to Tabitha as they passed the security door. Tabitha leaned back against the hard plastic chair, staring blankly into the fluorescent light. She had done this dance in the macabre repeatedly over the past month. The last image of her younger sister, Lisa, still burned in her mind. Tabitha had always been protective over her younger sister after their parents died. A pang of guilt shoots through her chest as she thinks about her and Lisa's argument.
"Tabitha Hymm, Officer Nichols is ready for you."
"Okay," she stood up, shaking off her guilt, and followed the officer back. The familiar surroundings of the state patrol station blurred as Tabitha stared forward. She followed the officer as they came to a rustic wooden office door, which was embossed with "Officer Nichols."
The escorting officer turns the old brass door knob. "Sir, I have Tabitha Hymm here." A grizzled West Virginia Highway State Patrol veteran sits behind the desk and nods. The escorting officer steps aside, pushing the door open as Tabitha pushes past him and slumps in the awaiting chair like so many times before. An uncomfortable relationship had formed between the two, born out of necessity and duty.
"Cup of coffee?"
"No thanks. Let's just cut to the chase. You don't have anything new?"
The worn laugh lines and Officer Nichols's face flattens. His eyebrows contour sympathetically as he shakes his head.
"Tabitha, I don't have anything else new for you. I wanted to give you the clothes returned from the lab." Her face darkened at the same response she had heard many times.
"As we discussed two weeks ago, there is nothing new and no signs of struggle or foul play," Officer Nichols said while placing a box marked evidence on the table and sliding it forward. Tabitha began to weep at the realization of Lisa's clothes in front of her. In a coordinated queue, Officer Nichols brought out a box of tissues. Reluctantly, Tabitha took a few moments to unblur her vision.
"How does someone stop their car in the middle of the Remington West Virginia State Park, lock it, and then walk into the woods?" Officer Nichols clasped his hands together and sighed at her worn question.
"Tabitha, I wish I had an answer for why your sister stopped her car in the woods and simply walked off. We're still going through her cell phone, but no signs exist that anyone forced her. On that Tuesday morning, she pulled over to the side of the road, secured her car, and walked away." Officer Nichols said empathetically.
Tabitha became stoic at the same explanation she had heard many times before. " So what next?"
"You should go back to Ohio, and I'll contact you as soon as I have more information." She winced at Officer Nichols's words. Reality began to pull at her that bills and work wouldn't wait much longer.
"If I leave, she's gone for good."
" You staying won't bring her back." Officer Nichols said sympathetically.
" So is that it? She's just gone?"
" Tabitha, I'll be honest with you. In cases like this… when people do things like this. Recovery is harder in the spring due to the weather and the animals. You know her mental condition better than I do. I can't explain why she did what she did. But until I find a solution, a suicide note, some intention, or body. She's not here. Tabitha, I'm-"
" Don't you fucking say sorry!" Tabitha stood up, screaming at Officer Nichols, throwing the plastic chair backward against the wall. " I should just look for myself."
"No!" Officer Nichols said momentarily, gripping the desk as his face hardened, then relaxed. Tabitha was caught off guard by Officer Nichols, who was normally composed. "Tabitha, I know this is unbearable. I've sat on this side of the desk and had these conversations. Trust me; I need you to be safe if I need your help later."
Tabitha nods, knowing Officer Nichols is right. She reaches down, picks up the evidence box of her sister's belongings, and leaves.
" Tabitha, if you're heading home, don't stop your car; just keep driving." Tabitha stops to look at Officer Nichols, feeling an eeriness to his words.
" Goodbye, Officer Nichols," Tabitha said as she closed the rustic wooden door behind her. She counted the tiles as she exited the West Virginia State Patrol Station. Placing her sister's belongings carefully in the back seat of her Jeep, Tabitha then sat momentarily behind the steering wheel, staring at the emblem. The familiar numbness washed over Tabitha as she pushed the start button. She pulled onto the highway, driving to the motel that had been home for the last month or so. Muted pop music accented the drive back as her mind raced with questions. Once inside the two-and-a-half-star motel room, Tabitha sat her sister's belongings on the corner table, crumbled onto the bed, and cried.
***
Tabitha wiped the steam from the slightly spotted mirror above the bathroom sink. The hot water from the shower felt good and loosened some of the stress from her body. Looking back at her, Tabitha's face was framed by damp curls around her shoulders. Her face marked the stress of the past month. Frowning, she examined the bags under her eyes; sleep had to come tonight. Walking into the living area, She changed into her favorite gym shorts and oversized sleep shirt. The alarm on her phone flashed "7:00 am," so she could drive home five hours after breakfast.
Tabitha hated feeling comfortable in this once strange room, but falling asleep was getting easier now. Her eyes closed slowly as the ceiling fan droned evenly. At first, nothing came in her dreams, but she let her guard down and slipped further into sleep.
As she dreamed of floating overhead like a bird of prey, Tabitha soared over the vast Remington National Park. The high noon sun bore down on the crisp woods, perfectly contrasting sky and forest. The heat of the sun felt good on her feathers. Distant cries rang out through the dream-like forest, catching her attention. Tabitha tilted her wings toward the screams, feeling a sense of familiar curiosity.
She now recognized the sobs and cries for help as she flew closer, her sharp eyes locked on her sister leaning against a large oak tree. She glided overhead without care, examining the situation below. Lisa clung to the tree, her eyes darting back and forth, scanning upwards. Lisa's face reflected desperation, looking for help in any direction. Tabitha lazily circles Lisa several times before perching on a sturdy branch higher in one of the oak trees. She watched Lisa intently with hunger. She bellowed deeply, hearing the unnatural sound she made, catching Lisa's eyes. Lisa's expression changed; she became calm, almost uncaring, as she stared back at Tabitha's form. Hunger grew exponentially in Tabitha as she spread her large wings. Her large eyes gaze down at Lisa before diving straight for her sister.
Tabitha jolts awake to the alarm on her phone flashing "7:23 AM." She breathes in sharply, shaking off the last horrible thoughts from the reoccurring nightmare. The strange details become more vivid each time. The lingering memories of folk stories her mother told sat in the back of her mind. In those stories, the dead would reach out in dreams as a matter of warning. Leaning back on the headboard, she searched for the advice her psychologist gave her. During their last session, Dr. Ryland explained dreams are a form of self-actualization of guilt. He told Tabitha that it was natural to feel responsible when losing a loved one in this manner.
Tabitha grumbled, lightly running her hands through her red hair; she pushed everything to the back of her mind. "Get it together!" She grumbled to herself. She pushed herself off the bed and got ready to leave. It was going to be a long trip home, and the only thing she could do now was leave things in the authorities' hands. Packing up was pretty easy since she only cycled through the outfits she brought. The local laundromat must have made a small fortune off her. Tabitha took one last look at the box of Lisa's belongings before throwing them in her duffle bag. She was thankful she didn't have to spend another night in this room.
***
Tabitha sat behind the wheel, waiting for the 90's model minivan to finish their order so she could grab a breakfast burrito on the way out. Considering the situation, the Deer Stop Family Restaurant did have a good breakfast. Finally, pulling up to the 70-style drive-in board, Tabitha rolled off the order she had been accustomed to. " I'll take a large iced tea with the double breakfast burrito meal and hash browns, please."
" Would you like some happy hot sauce with that?"
" That's fine, and a few ketchup packets as well."
" Your total is $8.79. Please pull around."
She pulled around to her window, flashed her debit card, got the receipt, and waited for her food. Luckily, the young woman serving her wasn't very talkative in the morning. The last thing she wanted was a conversation about the weather or meaningless small talk.
" Here's your large iced tea and breakfast meal. Ketchup and happy hot sauce are inside."
" Thanks," Tabitha said while mustering her best fake smile. The woman only smiled and nodded as the service window automatically closed. She pulled into the parking lot and dug into breakfast. Turning the radio to the weather, Tabitha sat back and enjoyed her meal. The local DJ read through the headlines, making nonpartisan comments about politics and grumbling about improving the economy. Tabitha powered through the updates of the "out-of-state woman" who'd gone missing. It was nice that the local radio station gave Lisa's name, description, and a missing person's number for sightings or leads. Tabitha even interviewed with the local news and radio stations, hoping it would bring Lisa home. But she soon found all it brought was a sorrowful look from the locals as she interacted with them in her day-to-day life.
Finishing the last of her hash browns, Lisa wadded up everything in the paper bag and threw it in the back seat. The 9 AM weather report said it was nothing but clear skies and sun the rest of the week. Tabitha flipped the radio over to the greatest hit station, pulled out of the parking lot, and began her trip home. She memorized the roads, every bend and turn in the early weeks as she frantically looked for Lisa. There's something hypnotic about the trees: the way they flow together. The trees' green tops and the oak trees' wide trunks were a relaxing view. Tabitha enjoyed the lazy s-curves of the road, bending and winding around the hills and the trees. The occasional farmhouse or field dotted the sides of the road as she made her way to the main highway.
The blur of a semi-truck snapped Tabitha's attention as she pulled up to the mouth of the highway. She had four and a half hours ahead of her, which would be a long ride. Tabitha pulled onto the highway and picked up speed, noting sparse traffic. She relaxed into her seat, letting her gaze gloss over the blur of green foliage. Without warning, Tabitha caught a large shadow from the corner of her left eye. When she registered the black feathery form, Tabitha tensed up and slammed on the brakes as it swooped across the vehicle's hood. Quickly, she pulled the car safely off the road. She couldn't determine exactly what it was, but it was bigger than any bird she'd seen. It was a bird, right? Tabitha turned off her Jeep and grabbed the keys and cell phone. Standing before the Jeep, she looked over the grill to see if she made contact with the entity.
Bewildered, she scanned the tree line, spotting something in the distance. Sitting in the clearing of the large oak forest was an enormous black owl. It stared intently at Tabitha with bright, shiny yellow eyes. She pushed the lock button on her keys, causing the jeep to beep securely. She turned, looking across the open field, an enormous black owl perched in the upper branches of an old oak tree. Each step she took away from the road piqued her curiosity. Soon, Tabitha stood in the middle of the open field, staring intently into the eyes of the enormous owl.
The horn of a passing semi-truck blared, pulling Tabitha's attention away from the mysterious large creature. She looked back and saw that she had walked farther away from the Jeep than she had thought. She glanced back to the forest line only to see the enormous owl was deeper into the woods than before. She narrowed her vision to find the two large, bright yellow eyes staring back. Had it moved? The day's stress, care, and worry suddenly poured out of Tabitha. It was replaced by only curiosity and overbearing tranquility. She warmly smiled for the first time in months as her feet pulled her further into the woods.
Chapter 2
The tug of gravity pulls Tabitha to her senses as her body reacts, falling forward. Her arms thrust forward, bracing for impact. Water rushes around her face as she struggles to get her bearings. Quickly, Tabitha pushed herself up in the ankle-high stream she fell in. The haze slowly clears from her mind as she stares at the muddy water. The dull ache throbs up her legs. Tabitha can smell the sweat from her clothes. Her face contorted in panic as she quickly stood up in the water, looking for her cell. Thankfully, the device was still in her pocket, dry and unscathed.
"One o'clock. How can that be?" Tabitha says, slowly looking up from the screen to see the vast, dense West Virginia forest encompassing her view. She shakes her head back and forth with disbelief. A smile gently spreads across her face, with the last bit of tranquility leaving her body. How did I get out here? Her breathing becomes faster as her pulse begins to quicken. I'm in the forest. I'm all alone—just like Lisa!
"NO, NO, NO, NO! THIS FUCKING CAN'T BE HAPPENING TO ME!" Tabitha screams into the void of trees. Her eyes well up with tears as she crumbles to her knees, gripping her phone tightly to her chest. Her sobs ring out through the thick oak trees. Her breath slows a little as she regains her composure. She begins to search her mind for anything. What is the last thing I can remember? The image of the black shadow crossing her vision while driving flashes into her mind.
"Okay, I got out of the Jeep, the…then what?" Tabitha says, trying to refresh her memories. She thinks her memory is not just gone; it's a black void in her mind. Complete blackness fills her mind right after remembering locking the Jeep and then turning to see the…
"Fuck I saw something. What was it!" Tabitha says, frustrated with her mind. She knew there must be a logical reason she was out here. Officer Nichols warned her not to go looking for her sister. She wasn't stupid; she just said that as a last-ditch effort to get him to do anything. Now I'm here.
"Run!" Tabitha heard Lisa's voice in her ear. Before she could turn around, she heard a loud bellowing coming from overhead. Fear shot down her back, reminding her of the nightmares she had over the past month. She shot forward full bore as something crashed to the ground behind her. Glancing back as she ran, a black mass of feathers convulsed between the broken branches of the trees. Its slick black feathers rippled across its surface as its bones crackled and flesh tore. Its body contorted and twisted from the shape of an owl to something bigger.
"Run, Tabby! Don't let it catch you!" Tabitha pushed forward, hearing Lisa's scream beside her face. Her breath burned in her chest, and she moved past the old oak trees bent over the creek bed. Her feet slammed rapidly, splashing along the side of the creek. Another loud bellow comes from behind as the trees bend and break to the force behind her. A small opening in the rocky creek bed catches her sight from the left. She dives into the crevasses, not caring where the fathoms lead. Tabitha tumbles in the pitch black, taking scrapes and sharp jabs from the rocks as she tumbles further into the void.
She finally tumbles to a stop on the sandy, wet floor of the cave. Her body aches from the sudden burst of exhaustion. The cool water running around her body from the creek is soothing despite her bumps and bruises. Pushing herself up, she scoots out of the water. Feeling her way forward, she finds a dry spot to collect herself. Quickly pushing her hand into her pocket, she finds her phone undamaged.
The sound of footsteps pushing against the creek fills the void around Tabitha as the light steps move closer to each other up the underground creekbed. She slowly removes her cell from her pocket and then shines the camera light toward the sound. A pair of scratched and bruised pale bare legs hold up a frail form in front of her in the creek. She wears the darkness as a shroud with nothing else to clothe her. Tabitha froze, not wanting to shine the light further in the pale form before her.
"Tabby, turn your light off. You need to save your battery." Tabitha turned off the light and then rushed forward, embracing Lisa—the how or why didn't matter, only the now. The pale form hugged her tightly. Tabitha felt her cold, bare skin. The darkness couldn't hide the feeling of the marks across her back and torso.
"Lisa, I'm-"
"Hush! I don't have much time. This wasn't your fault! I'm with Mom and Dad now. You have to survive, Tabby! Listen. Wait until the sun shines through the cracks, making a trail out. Follow it down the creek until you come to the opening. You'll see a large hill you hike up for a cell signal. And remember…If you can't see it… It can't hurt you. I love you-"
Tabitha stumbled forward before catching herself. The void in front of her arms was only filled by cool air. She looked up and noticed a faint glimmer of light pushing through the ceiling. She sat down, relaxing against the limestone wall of the cave, waiting for the trail of light to form.
***
After a few hours, the light shining through the cracks of the cave ceiling was bright enough to lead Tabitha to the other side. She stepped onto the creek bed, thankful for the sun hanging lower in the sky. Scanning the sky, Tabitha saw only a few clouds. The foothills of Appalachia backdropped the forest as she scanned for the hill. Her eyes found the trail leading up the steady slope of an impressive hill. The top of the hill was bare. Part of the hill must have sheared off in a landslide, leaving the top void of trees and a jagged cliff face. Tabitha started her hike up the back of the hill. She was careful to stay under the heavy canopy of the old trees, hopefully avoiding the creature's eyes.
She did her best to quiet her mind while hiking up the trail. Come on, almost to the top, then I can call 911, she replayed repeatedly in her mind. Her adrenaline made up for the lack of food since morning. She drank some water from a clean spot in the creek. She was placing her bet on rescue rather than worrying about the water.
Leaning against one of the trees, Tabitha took out her cell and measured the signal.
"Damn it, nothing!" She swore under her breath. She listened nervously and cautiously peered her head out from the tree line. Standing at the tree line, the cell phone still had a low signal. She pushed her anxiety down with a swallow and slowly stepped forward onto the bare rock. Tabitha was now out in the open. She walked with the cell phone pointed upwards, measuring the signal. Within three feet of the cliff face, her signal bar punched up to full. Tabitha began to punch in the numbers just as a pair of large yellow eyes appeared. She felt her legs become weak, and her vision blurred as the creature snared her in its gaze.
Tabitha ducked, missing the giant owl's claws as it swooped for her. She squinted her eyes shut, momentarily breaking the hold of the infernal beast as it crashed to the ground, tumbling down the path of old trees. On her hands and knees, she tucked the dialed phone back into her pocket. She heard the creature's loud bellowing, followed by the snapping of bone and flesh ripping. It was changing its shape to finish her off.
Tabitha tried to get up, but the flash of its eyes did something to her. Her legs were numb, her stomach was in knots, and she could barely put a few thoughts together.
"If you can't see it, it can't hurt you." Tabitha heard clearly in her left ear. She quickly pushed herself into a sitting position and fumbled for the key chain in her right pocket. Pulling the long chain of keys, luck charms, and keepsakes, her father's Swiss army knife dangled at the end. She slowly opened the half-inch blade. Her body wholeheartedly rejected her plan and tried to fight her. Every internal warning system sounded as her body fought against her as she brought the blade against the corner of her left eye.
She didn't know if she could do it until the creature bellowed in her direction. With one quick motion, the half-inch blade sliced across her left eye. The world dimmed and then went black on her left side. Behind her, the beast's thundering gallop was getting closer. Tabitha plunged herself into total darkness with the last bit of her strength. Her hand gripped tightly around the bloody knife as she folded forward onto the ground. She could feel herself weeping blood. She squinted, doing her best to stem the tide of blood loss.
A large feathered paw drove into Tabitha's right side, flipping her onto her back. She lay still as the hulking creature stood over her. It remained motionless, and Tabitha was confused about why it didn't move or bite her. Then she started to giggle, just a little at first. Then, laughing madly into the creature's face as it growled back at her. She could not see it; she couldn't see anything. Her mind couldn't be eaten!
The creature roared into Tabitha's face while plunging one of its sharp claws into her shoulder. Tabitha screamed in pain, slashing the knife downward. The blade hit something soft, and she ripped the blade down, rending whatever she had hit on the abomination. A bright yellow, foul-smelling liquid gushed in a torrent over Tabitha's face. She turned to cough, having swallowed a portion of it. The creature reared back, squealing in pain. Its hind leg came down hard on Tabitha's leg, snapping her tibia. She jerked her leg up, causing the creature to tumble forward and fall over the edge of the cliff side.
Tabitha heard the creature crash below at the base of the hill. A large dead tree speared the creature through its chest. Tabitha could hear the labored whines of the creature as its cries became weak and slowed. A wave of sickness hit her as she rolled over and vomited. The foul smell drenched her. She did her best to focus, reaching into her pocket and pulling out the phone. By memory, she typed in the unlock pin. She held her breath and placed her thumb where the call button should be.
She could hear the call being made then, "911. What is your emergency?"
"Please help me! A bear has attacked me, and I can't see. I think I am on a hill."
"Ok, ma'am, stay with me! Do you know where you are located?"
"No, I'm lost. Please send help."
"It's okay. Stay with me on the phone, and I'll use the cell signal to try to find you."
"I'm on top of one of the hills. I think I am lying on a bare roc-" Tabitha slipped unconscious with the cell still tightly in her hand. Her body began to tremble and convulse.
"Ma'am! Ma'am! Stay with me. I have help on the way."
Chapter 3
A young man in military fatigues frantically compiles images and reconnaissance data from his drone feed. Confirming his hunch, he commands the winged surveillance drone to make a hard left and send a live video feed. His eyes widened as he saw a large owl-shaped shadow crash onto the top of a hill. He watches in awe as the sleek black owl twists and shifts into something much larger, like a grizzly. As the drone turns, he sees a woman at the cliff's edge trying to steady yourself on her hands and knees.
He bolts up from the command module, jotting down the drone's coordinates on one of the printouts. The drab government-issued office motif for the watch station blurs in the corner of his eye as he rushes down the hallway to the watch commander's office.
"Sir, recon has eyes on AMOS! And it's feeding!" the man said, swinging the heavy wooden door open. He took the hastily compiled file and pushed it forward to the commanding officer.
An older, tanned man quickly stands, reaching for the files. His brow furls, seeing his charge is awake. "Keep eyes on it! Go Adams!" The young man nods, turning on his heel and bolting for the drone command module. As his office door slams shut from the subordinate officer, he grabs his headset and frantically dials the closest military outpost to the coordinates.
"Hello, Sergeant Klein; this is Agent Smith of Black Watch outpost 7948! Shadow is active, code Alpha, Mike, Oscar, Sierra. The coordinates and data package have been sent. A civilian is on the ground; deploy strike-and-rescue ASAP.
"We'll be up in five, Agent Smith! The line cuts as Agent Smith closes out the call on his headset and rushes to the door. The normally quiet watch station buzzes alive, with personnel flooding the central command station. The background echoes resource allocation calls, frantic typing, and the hum of cold computers warming up.
"Adams, get our eyes back on Amos!"
"Coming back around in 30 seconds." Thirty sets of eyes stare at the three giant screens, anxiously waiting for the drone feed to clear the bank of trees. The camera clears the tre top to see the giant feathered grizzly rear back slinging its massive head away from its prey. Its large yellow right eye spews bright yellow liquid all over the red-haired woman and the cliff face. The giant feathered grizzly missteps, crushing the woman's leg and causing the creature to tumble over the cliff face.
"Fuck!" Agent Smith yells in horror as he watches AMOS fall four stories, impaling a sharp, 3-meter-tall log lodged in the boulders. The command center freezes wide-eyed at the flailing dying creature on screen. Agent Smith pulls his cell out quickly and dials.
"Klein, Scrub the current request! AMOS is down! Switch to rescue and harvest now!
"What, someone took out AMOS?"
"YES! It's at the bottom of the cliff, bleeding out essence! The woman is covered in it as well. Clean as much of it off her as possible before you take her to the ER.
"Understood!"
Agent Smith, in a rage, slings his phone straight forward, connecting with Private Adams's skull. Adams flinches at the sudden impact of the hard plastic and covers his head. Agent Smith grabs the table in front of him and flips it over, sending the computer equipment crashing to the government-issued tiled floor.
"A two-year cycle gone! All that essence is gone! Now I have to wait another 24 months for AMOS to resurrect!" Agent Smith screams, causing the rest of the staff to recoil away in fear.
"Jones!" Agent Smith says sternly, turning to a petite woman on his left. She stares at him, pleading.
"Yes Sir?'
"Get Officer Nichols on my office line. That fuck up has some explaining. He should have told us AMOS was awake."
"Right away!" Jones quickly sits back down and begins dialing Nichols, thankful she doesn't have to deal with Agent Smith further. The command center quickly shifts gears as Agent Smith returns to his office.
***
Two Weeks later…
"Tabitha… Tabitha… This is Doctor Wilhelm. Wake up." The kind older gentleman said as they gently nudged Tabitha in her hospital bed.
"Where am I?" Tabitha asked, waking from what felt like years of sleep. She sat up, the world still pitch black, but an odd sense of the world around her seemed to hum just behind her eyes.
"You're in the hospital, dear; you scared us. Do you remember anything?" He said as he sat down on the side of her bed.
Tabitha thought for a moment the last parts after she slashed her eyes were a blur. She remembers people yelling and the sound of two or three helicopters over her. " No, it's really all just a blur."
"Well, it's probably for the best. You had some very serious injuries. The first night, we honestly didn't think you would make it. Then…" The doctor trailed off with a concerned expression, not knowing how to explain things further.
Tabitha felt his pulse quicken somehow. She didn't understand it but fully felt or sensed the doctor beside her. She sensed the two other nurses standing at the end of the bed. Her body didn't hurt. She felt great. She felt hungry.
"Doctor, you said had. What happened to my injuries?" She said calmly, trying not to startle the old doctor further.
"Well, Tabitha, it's the closest thing to a miracle I've ever seen. You had violent seizures from the minute you hit the entrance of the ER. We couldn't even set your leg. The medications we gave you had a minimal effect, and you thrashed so much that we had to restrain you. Then, the early morning check-in found you in a deep sleep. All but your eyes were completely healed. So we switched gears to support care and treated your eyes the best we could." He said, watching her reaction.
Tabitha leaned back in her bed, taking in the wild account. "Do you know how I healed so quickly?"
"What happened to you is beyond all scientific reason. A miracle is the only way the staff and I can explain it. I know you have been through a lot, but I want to check your eyes."
"Thank you for all your help, Doctor Wilhelm." She said, sitting up in bed.
"You are most welcome, dear. Now I am going to unwrap your eye-dressing. Hold still, please." he said as he reached up and pulled on the bandage tape. Tabitha felt a quick tug and felt the bandages loosen from around her head. The doctor slowly unwrapped the bandages. The doctor's brow wrinkled as he examined the two large black scabs covering Tabitha's eyes.
"Tell me if this hurts at all, ok?"
"Yes, doctor." She relaxes as the doctor's gloved fingers pass over the scab. He pushes and gently tugs at the side of one, and it starts to lift. He pulls on the scab more, and Tabitha begins to sense the light as it hits her eyelid.
"Oh, I can sense the light, Doctor Wilhelm!" She said, smiling.
"Wonderful! Nurse Allen, please hand me some saline solution. I think a little water will loosen these right up. Hold still; this may feel cold," he said as he reached for the solution. She felt the cool liquid flush over the left eye, then the right. The scabs fell away with a gentle tug from the doctor. She could see the light shine through her eyelids. She grinned widely, happy to have some form of sight left.
"Please open your eyes for me," he said as he sat back on the bed. Tabitha slowly opened her eyes. The flood of light was almost too much, causing her to squint. After a few moments, she adjusted to the fluorescent lights. Three figures began to take shape in front of her. First, the distinguished older features of Doctor Wilhelm came into view quickly, followed by the brunette and blonde younger nurses standing at the end of the bed. Suddenly, her vision snapped into place, crisp and clear.
"I can see perfectly! This is amazing! Thank you, Doctor Wilhem!" she said, turning to look directly into his eyes, but he stared back at her unmovingly.
"Doctor Wilhelm?" she said as her expression became more worried. Doctor Wilhelm just sat staring, intensely focused on her eyes. His expression was overbearingly calm. She glanced at the nurses, rigidly staring back at her with trapped, calm expressions. Doctor Wilhelm began to twitch slightly. It traveled from the base of his spine out to his limbs, finally convulsing.
"Doctor Wilhelm, are you okay?" Tabitha yelled as the doctor began to have a seizure and fell on top of her bed.
"Help Him!" She screamed at the two nurses only to see both of them crumble to the tiled floor. One of them bashed her head off the bed frame. Tabitha recoils back from Doctor Wilhelm in terror as he starts foaming at the mouth. She climbs over the bed rail and hits the tiled concrete floor with a thud. Her adrenaline surges as she bolts for the door, looking for help.
At the entrance of her hospital room, she sees another nurse leaving the adjacent room. "Please, my doctor and staff need help!" As the male nurse turns to see Tabitha, he suddenly goes stiff before collapsing into a violent seizure, spilling his cart over with him.
"What's happening!" Tabitha screams, thinking something is in the air, or everyone has come down with something. A pair of security guards round the corner, hearing the screams and commotion.
"Ma'am, are yo-" The guard freezes mid-stride as he makes eye contact with Tabitha. Both men start to convulse and topple over, thrashing violently on the hard tile.
"No, no, no, no!" Tabitha yells as she darts into the women's bathroom, a few doors up the hall. She runs in, terrified of the situation. She approaches one of the sinks, bracing herself against the cool porcelain. Her stomach turns, and she dry heaves in the sink. She steadies herself while turning on the cold water. Leaning in, she takes a drink. As she looks up, a glint of two yellow eyes catches her. Tabitha stumbles backward on reflex. Then, she sees her reflection in the mirror. Two completely bright yellow eyes stare back at Tabitha. She screams at herself in the mirror, not feeling hungry anymore.
The end.
I will
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2024.05.21 05:54 skuxcavs THE 47 ENIGMA (INFO IVE GATHERED OVER THE YEARS) tried my best to keep it in good structure to make sense.

The Number 47, Synchronicity & the Law of Time Courtney Jamal Dewar, aka Capital STEEZ, came with perfect timing. Wielding a higher message, he revealed to all those around him through his music and his being the corruption of society and all of its constructs. He was fascinated, some would say, obsessed, with the number 47. For him this number held a higher meaning on many levels. First and foremost, he felt it was about synchronicity. He made all of his homies, including myself, aware of how this is the quintessential random number. We literally began to see it everywhere. You can research the numerological significance of 47. Here are just a few: 47 appears to be the quintessential random number of the universe. When a number appears randomly, more often than not, that number is 47. In other other words, if you asked people to pick a number at random, more often than not, that number would be 47. Of course, if 47 shows up more than any other number then it isn’t truly random, but using the word random makes the whole phenomenon easier to describe. From a spiritual perspective, number 47 is a combination of the energies and attributes of number 4 and number 7. The vibrations of number 4 include those of productivity and application, inner-wisdom and practical-thinking, honesty and integrity, endurance and determination, conscientiousness and discipline. Number 4 also relates to our passion and drive in life. Number 7 brings the qualities of spiritual awakening and enlightenment, intuition and inner-knowing, psychic abilities and mysticism, independence and individualism, persistence of purpose and manifesting good fortune.
There is even a much-viewed YouTube spoof of Jim Carrey’s The Number 23, substituting—you guessed it–the No. 47. Jim Carrey's character named Walter is given a book titled The Number 23. Walter starts reading the book and notices striking similarities between himself and the main character, a detective named "Fingerling". Fingerling is obsessed with the 23 enigma, the idea that all incidents and events are directly connected to the number 23 (Weirdly enough when I was younger I was in cod team called 23Enigma) only noted it as of the coincidence.
Jim Carrey told reporters he was so captivated by the 23 enigma even before reading the script that he renamed his production company from "Pit Bull Productions" to "JC23." (Jesus Christ 23?) Oddly enough the first film Carrey worked on with Joel Schumacher his character The Riddler's real name was 'E. Nigma'. According to Carrey, he was reading a book about Psalm 23 when he was first given a copy of the screenplay to review. He said he asked a friend to read the script and "an hour and a half later he was on page 23, circling every 23rd word. That's the kind of thing I want to do to an audience." When he discovered that the first page of the script involved the lead character trying to capture a pit bull, he was "freaked out," given the change in name of his production company. (Pitbull productions) My Nicknames Pitty, short for pitbul (These are just speculations) Also I've gathered others inputs and went down a deep rabbit hole. Mind you, this is just connections that has been gathered over time, but the consistency of certain "coincidences" are interesting to say the least. Just try to piece together the connections even though it may be out of radar due to us living completely different lives.
James > Cleveland Cavaliers (Cavs) > Number 23 > Nicknames are King James & The Chosen One
Cavs is the nickname of my last name Cavanagh
When you flip the cleveland cavaliers logo upside down it is quite similar
(The hat I've worn since 14, P represents the nickname"Pitty:" short for pitbill a nickname ive had since i was around 10 years old.
Matthew writes that on 23 occasions Jesus blessed 47 people.
The Bible credits Jesus with 47 miracles.
The Declaration of Independence has 47 sentences. Originally published: 4 July 1776 (4/7)
1947 is when the UFO crashed at Roswel
The Tropic of Cancer and the Tropic of Capricorn are 47 degrees of latitude apart.
Capital STEEZ died from allegedly leaping from the Cinematic Music Group’ either gripping a bible or with it strapped on his back There is also the fact that a blood lunar eclipse will occur in New York at 3:47 am on STEEZ’s birthday in 2047, and then the lunar eclipse which will occur after this one is part of the Lunar Saros series 135. He said he named the song 135 for “5th dimensional synchronization”... whatever that means, this would be a massive coincidence.
How Many People Can See This Eclipse? Number of People Seeing... Number of People* Fraction of World Population At least some of the penumbral phase 4,070,000,000 When the Eclipse Happens Worldwide — Timeline Event UTC Time Time in Melbourne* Penumbral Eclipse begins 7 Jul at 07:47:47 Visible in Melbourne 7 Jul at 5:47:47 pm On capital steez birthday.
STEEZs last tweet “the end” Was posted December (23) 2012 The building steez died (The colliers office) is on 666 fifth avenue, 10103 10+10+3=(23), New York. The building was built in 1878 The bohemian grove was established in 1878 The address of the CMG label building is on 40 west (23)rd st, 10010, New York The Freemasonry Grand lodge of New York is on 71 west, (23)rd st 10010 NY. Directly located across the same building STEEZ died. Yeah. West 23rd st, w is the (23)rd letter in the alphabet. In Hebrew the letter W represents the number 6 The fraction 2/3 in decimals=0.666 The freemasonry grand lodge of New York was founded in December 15, 1782 15, 1782 1+5+1+7+8+2 = 24. December 24 the date that's etched on STEEZs tombstone. A police report about his death has never surfaced, information has never been released, but there is pictures of his gravestone (see here: https://www.youtube.com/watch?v=OuFVUJJR4Ug) and on that gravestone it says 24/12/12, which actually adds up to 48, yet he tweets on the 23/12/12 stating 'The End. Steez was ready to open up Pandora’s box and expose the illuminati occult in a way that has never been done before. It gets deep. Just think about it guys. Steez was an intellectual genius. He would obviously know that suicide actually makes u go to hell and not heaven. As a believer in the lord he would never commit suicide.
I'm not sure if you're paying attention to the ryan garcia trying to reveal how something tragic happened to him where he was taken to boheiman grove and forced to watch things i wont mention here People said his crazy and on drugs, sad thing is, I believe he is telling the truth Fast forward he wasn't on drugs and
Peep his song "Free The Robots" https://youtu.be/XcmR8DxuHBA
STEEZ has definitely made a positive impact on this world by introducing a new way of thinking and spirituality, even more of an impact than a lot of artists who are still alive... Capital STEEZ was 19 at the time of his death.
There is also gematria behind his death it has to do with numbers. I’ll explain what it is for those who aren’t aware of it. Gematria is the decoding of letters to numbers, it’s used to translate ancient Hebrew Scriptures. But it’s also the code for the entire world. The most basic way I can put it is that it’s as simple as ABC=123, they use these numbers thru media, and the thing that’s being shown on the media always correlates with Masonic numbers and words that correlate with whatever and whoever is being shown on the news or media and whatever event is taking place always correlates 100% of the time. In news, sports, music industry, Hollywood, politics, everything. In Numerology, which is different from gematria. After calculating his name I came across a lot of similarities when calculating mine in various forms.
While calculating his name i came across things relating to me like Like "Melbourne Victoria Australia, Royal Melbourne Hospital, june twenty fourth. From his name which connected to me personally as i was born in that hospital, thats the city i live and my birthday. The similarities left me wondering if it was actually real or not so I used multiple different calculators and paid for a membership on gematrinator to get maximum results and ended up noticing so much our mine and steezs calculations were similar answers in different form, and answers i got with his name ultimately connected to mine, vice versa. So i was intrigued and these are a list of numbers that matched up with our names. This is all speculation based on connections that seem to be very consistent peep this
Calculating these variations of our names such as Courtney Jamal Dewar / Courtney jamal Dewar Jr / Courtney Everald Jamal Dewar Jr / Capital STEEZ / Nathan Cavanagh / Nathan James Cavanagh / Nathan James Cavanagh Sciarra, calculations all listed together when I noted them all I didn't think to label to each name as I was so captivated by the coincidences I just kept going down the rabbit hole. I came across profound links to both our names that binds us both to the unique synchronicities that were to apparent to all be ruled as pure coincidence, such as his name calculating to my birthday, place of birth and city, and city i live to say the least.
These are calculations through gematria, some are our calculations mixed in this as I was just noting down every connection I noticed
The first and the last Eye Of Horus Total Eclipse the numbers of gods matrix coordinated universal time Capital Steez June Twenty Forth (my birthday) came up from steez name Lunar Eclipse Sacrifice July (2047 lunar eclipse on steezs birthday) The Central Intelligence Agency A WISE TALENTED MUSIC PRODUCER Royal Melbourne Hospital (where I was born) The Holy Bloodline Of Jesus The Return of Christ Exodus Luke synchronisation The Synchronicities Of Jesus The Book Of Revelations Vibrational Frequency Biblical Prophecy Melbourne Victoria Australia (where im from), came up on steezs calculations The Royal Bloodline The Divine Bloodline Of Jesus fourth of jew lie Energy frequency vibration The Holy Lineage Of Christ One Who Understands Mysteries december the twenty fifth. ..... speaks for itself A Door to another dimension New Moons And Solar Eclipse twenty four seven (my birthdays the 24th, his is the 7th) the victory of the lamb multidimensional royal regiment of scotland Golden Gate Sacrifice Gods Gift Clairvoyant The Chosen One The Two Appointed Ones Leaving For Heaven David And Daughter Of The Oath Are One Almighty God Roars Upon His Throne Powerful Great Grandma The Lord On Earth Donald Trump Assassination Lords Alignment The Lord Gods Here God Is Really Here God Birthdate Encoded End Of Times God Code The Code Of The Lord Lord Birthday Code Gods Provable Code Gods Alive Loser Access Into Heaven Twenty Three The Anunnaki Gods Jesus Is Coming A True Prophet The Seventh Seal What is Jesus's number? 888 Apollo Is The Beast Of Revelation See Fulfillment Of The Book Of Isaiah Prophecy The Serpent In Genesis Describes The Mark Of The Beast See The Forced Evil Mark Of The Beast Foiled The Victory Of The Lamb May The Lord Fill Your Heart Two Masters Is Cancer (steez and I are both Cancer) God Of Eternity We Are God Twins Maker Of New Earth A Two Edged Swords Xanax Vicodin Addiction (i struggled with bad) The Bible Is Intentionally Concealing Information The Galactic Jesus the Anointed One Moses Will Come The King Is Coming Miraculously Encoded By God Pyramids On Mars Forests On Mars Holy Spirit Of Zeus We Are Absolute Infinite Sent By The Gods Powerful Great Grandma999 Burning Alive The Gang Stalkers. (long story short I was a victim of whay they call gangstalking when I was reaching my peak or enlightenment and have been trying to get back to that state again, all I can describe it as is demonic torment) Enoch 777 on YouTube speaks on it good.) A Fourty Seven Mandating The Poisonous Jabs Knowledge Of God Brings Eternal Life Death Isnt So Scary Anymore Invictus Sol The Lion And The Lamb https://imgur.com/gallery/ztGPJGS The Lord Is Here Coming To Restore The Eternal Kingdom The Blood Of The Lamb Contact With A God Revival Jesus The Annointed One the key to it all I Am The Holy Grail Sun Moon Earth Revelation Nine Spirit World I Am The One Lord Jesus Christ I Know All Codes And Connections The Wisdom Of God Word Of The Lord Quantum Entanglement Theory The Anunnaki Path Almighty God Roars Upon His Throne 173 Enoch Chapter Ninety Five Pyramids Have Hidden Chambers Music Is My Life Revelation Five Everyone Is God Forever Jesus Walking With God Vision Of Gabriel New Revelation Seven Wonders Symbiotic Craft Thank You James (my middle name is James) Words Of The Bible Isaiah Fourteen Thirteen Trumps Last Son He Is Jesus Crown Chakra God Is You Gods In A Body The Resurrection Of Life The Book Lj Enoch King Jesus Gods Wrath We Are At War Truth Hidden In Plain Sight Double Conciousness The Anointed Lay Dead On The Cross Dragon Of China Is The Anti Christ. A Seed Of Jesse Angelic Guidance Black Pyramid Hidden Truth In Plain Sight King Messiah Heavens Dream Let The Decoding Fun Begin Add Up Letters Notorious Names The Child Of Christ Aliens Exist Spirit Of Moses C E R T I F I C A T E Of Baptism Of The Lord Of Christ Alchemist Fluoride To Heaven God Is Number Codes Numerical Language Learning Decoding Is Fun The Lord Of The Messiah The Book Of Hidden Messages Eight Eight Eight Nine Nine Nine Lost Books Of The Bible Rna Vaccine Maternal Ancestors Are Of Royal Descent You Are Gifted Frequency Turn Off Your Smart Phone I Am Eternal Life David Christ Gods Son The Sound Of Jesus Coming Help Others Realize Full Potential Implants During Surgical Procedures The Solar System And Thoughts The Reincarnation Of King David King David Divine Dna Is Activated Jesus Returns To Earth The Lion Of Judah Is With Us (Steez would speak about Judah)
Jamal Dewar; psalm twenty three Jesus son of God Nathan Day Revelation fourteen one Spiritual warfare Gang Stalker (experienced this myself) Satanic Cults Commit Suicide forty seven problem Bloodline of Jesus Christ The End (when this came up my jaw dropped.) And the God of peace shall bruise Satan under your feet shortly The grace of our Lord Jesus Christ be with you Amen The Holy Mother of Jesus christ Are you ready for whats coming july seventh twenty eighteen
Courtney Jamal Dewar, Jr: The Book Of Revelations Vibrational frequency MELBOURNE VICTORIA AUSTRALIA (where I live) Christ Resurrection Satan Rules The World The Divine Bloodline of Christ synchronization Biblical Prophecy Capital steez Exodus Luke The Divine Bloodline of David Second Christ The Return of Christ Jesus Resurrection Jesus Christ Bloodline
I added stuff from my name as it was so coincidental I didn't think to label them at first I just wrote down anything I thought added up This is just deep research into who reminds me of myself My instagram is mistapitty Listen to The Resurrection by Pitty https://on.soundcloud.com/Xn3nN
Listen to Revelation 22 by Pitty https://on.soundcloud.com/gBAja
Peep his song "Free The Robots" https://youtu.be/XcmR8DxuHBA
STEEZ has definitely made a positive impact on this world by introducing a new way of thinking and spirituality, even more of an impact than a lot of artists who are still alive... Capital STEEZ was 19 at the time of his death.
There are four gospel accounts of Jesus' life and ministry. Each of these emphasizes a unique aspect of his sacrifice and ministry. Matthew's focus is on Christ being the son of David and a King.
Look into the etymology of your name. - What Does Nathan Mean? The name Nathan means “Gift of God” or “God has given.” In the Old Testament, Nathan was a prophet and one of King David's sons; he acted as a messenger to King David and is considered one of Jesus' ancestors. (David name of my biological grandfather) (James is my middle name) - James is a classic, traditional and Biblical name (Saint James, of course, was Jesus's brother and one of the 12 apostles) meaning "supplanter" or "replacer." It's derived from the Latin Jacomus which also means "may God protect.
Every letter to Capital STEEZs full name calculates to 147 when done in reverse on the gematria calculator and mine equals to exactly 470 when done in reverse.
"Nathan James Cavanagh Sciarra" = 470 (Reverse Reduction) N a t h a n 104 13 26 7 19 26 13 J a m e s 87 17 26 14 22 8 C a v a n a g h 159 24 26 5 26 13 26 20 19 S c i a r r a 120 = 470 8 24 18 26 9 9 26 Reverse = 470
"Capital STEEZ" = 47 (Reduction) C a p i t a l 26 3 1 7 9 2 1 3 S T E E Z 21 = 47 1 2 5 5 8 Reduction = 47
"Courtney Everald Jamal Dewar" = 147 (Reverse Reduction) C o u r t n e y 41 6 3 6 9 7 4 4 2 E v e r e s t 41 4 5 4 9 4 8 7 J a m a l 35 8 8 5 8 6 D e w a r 30 = 147 5 4 4 8 9 Reverse = 147
On June 24th 2022: Mercury, Venus, Mars, Jupiter and Saturn are lining up in the pre-dawn sky, a planetary procession that could be seen above the eastern horizon And what’s even more remarkable about this month’s lineup is that the planets are arranged in their natural order from the sun. The best day to see the spectacle will likely be the morning of June 24 of 2022, weather permitting, as the planetary parade will be joined by the waning crescent moon. This is three days after the summer solstice (or winter in australia), which is June 21. What makes this so unique is the last time we had 5 planets aligned in this fashion, was in March of 1874.
All of the "classical" planets will be viewable in the early morning skies of June 24th 2022. Mercury, Venus, Mars, Jupiter, and Saturn will be visible, all apparent to the naked eye even under urban light pollution. On the 24th, our moon will be situated between Venus and Mars, so you could say the Earth-Luna system will complete the "perfect" alignment. Under the darkest skies, one will be able to see seven planets in one sweeping gaze. The same year December 24th (25th in Australian time) the planets will align in their correct order outward from the sun for the second time this year, after a pre-dawn alignment in June was on my birthday. STEEZ is said to have died on the 24th of December 👉 https://imgur.com/gallery/0RVIxxA
In australian time it would've been the 25th as we are a day ahead
Alternatively, 25 December may have been selected owing to its proximity to the winter solstice because of its symbolic theological significance. After the solstice, the days begin to lengthen with longer hours of sunlight, which Christians see as representing the Light of Christ entering the world. This symbolism applies equally to the celebration of the Nativity of Saint John the Baptist on 24 June, near the summer solstice, based on John's remark about Jesus "He must increase; I must decrease." John 3:30 NRSV.[59] Now check out the following texts from the bible, they speak of the solstice here. 👉 https://imgur.com/gallery/0RVIxxA and I thought I should add this as it seemed to be quite a coincidence of the date i posted this somg and the content of the posts she made. It aligned with those geomatria calculations I made and i wish I could document snd explain why certain ones just synchronzie but it'd be to hard to comphrened.
"AFTER THE SOLSTICE, THE DAYS BEGIN TO LENGTHEN WITH LONGER HOURS OF SUNLIGHT, WHICH CHRISTIANS SEE AS REPRESENTING THE LIGHT OF CHRIST ENTERING THE WORLD. THIS SYMBOLISM APPLIES EQUALLY TO THE CELEBRATION OF THE NATIVITY OF SAINT JOHN THE BAPTIST ON 24 JUNE, NEAR THE SUMMER SOLSTICE, BASED ON JOHN'S REMARK ABOUT JESUS "HE MUST INCREASE; I MUST DECREASE." JOHN THE BAPTIST ANNOUNCES THE COMING OF THE LIGHT THROUGHOUT HIS LIFE, JOHN THE BAPTIST, ANNOUNCES THE COMING OF JESUS, THE COMING OF NEW TIMES, JOHN ANNOUNCES THAT GOD IS GRACIOUS TO HIS PEOPLE BY ANNOUNCING THE COMING OF THE SON OF GOD. BEHOLD, HE IS COMING WITH THE CLOUDS, AND EVERY EYE WILL SEE HIM, EVEN THOSE WHO PIERCED HIM; AND ALL THE TRIBES OF THE LAND WILL MOURN OVER HIM.” –ZECHARIAH 12:10-14; DANIEL 7:13-14 SO IT IS TO BE. AMEN (AGREED, YESHUA HIMSELF IS THE AMEN 3:14). “I KEPT LOOKING IN THE NIGHT VISIONS, AND BEHOLD, WITH THE CLOUDS OF HEAVEN ONE LIKE A SON OF MAN WAS COMING."
John the Baptist day is 24th of June.
"The flower of life, represents global consciousness and like there's this thing on the consciousness grid, the last piece, it has to be the flower of life and it has to align with the sun and all that stuff and it will wake up global consciousness & as i further in my ascension I hope to build it one day" "Some people might think this type of thinking, first of all this type of thinking might jump over a lot of people's heads" "I think humans need to lighten up, maybe try lighten up" - STEEZ
Someone regarding STEEZ: "Did he think there were codes in the Bible or something? I’ve heard him say he knows the “code” does anyone know what the code is? He was a truly enlightened person I wish I could understand him better."
STEEZ supposedly said he had to die now in order to save the Earth in 2047, which is when the world is supposed to end. Before he killed himself his friends say he withdrew not only from them, but rap in general, saying he was going to become a superhero.
(My birthday)24th of June 1999 = 2+4+6+1+9+9+9 = 40 STEEZ birthday) 7th of July 1993 = 7+7+1,993 = 2007.) 40 + 2007 = 2047
Now read a conversation he had on Facebook prior to death https://www.kanyetothe.com/threads/rip-capital-steez.354864/page-42?post_id=16781894&nested_view=1&sortby=oldest#post-167818 His song Dead Prez (credit to who found these calculations as this wasn't mine) If you wanna conspire a little, we technically have had 46 different president so far, tho truly only 45 different guys have been in office. This year, if we elect a new president they will be our 47th prezident. You could say that happens when the next president is elected, or when the second new president is elected because then there'd actually be 47 different people. On the contrary, you could predict that once 47 presidents have died, something very significant will happen because the song is about DEAD presidents. It'll happen in most of our lifetimes i wonder what will happen 2047?
https://imgur.com/a/bOpRy
FORTY, THE NUMBER: "Forty days was the period from the resurrection of Jesus to the ascension of Jesus some scholars note that 40 days in the Bible doesn't always mean 40 days literally, but may be a symbolic way of saying "a longer time. A master number and part of the “awakening code”. Also Jose Arguelles’s kin is 11 – he brought forth the Law of Time aka the World Thirteen Moon Cale In the Bible, next to the number seven, the number forty occurs most frequently.
Here's an article on Fader that's kind of aligns some things I've discovered.
https://www.thefader.com/2013/11/26/capital-steez-king-capital
Check out these images, not a lot of people would've seen these: h ttp://i.imgur.com/nPE90.png / http://i.imgur.com/sHtdM.png / http://i.imgur.com/ZcNu2.png - he thought he was the alchemist that had the key for world peahttp://i.imgur.com/ZcNu2.png Deshay posted this on Facebook after his immediate death: "Fxck.... This shxt jus rly fxcked me up. Me and Steezus JUST made plans to record on Saturday now hes gone. RIP Capital STEEZ" Joey said he believed he sacrificed himself for spiritual rebirth.
The End THE WIDELY ACCEPTED STORY is that Courtney ‘Jamal’ Dewar committed suicide by jumping off the Cinematic Music Building in Manhattan on 23.12.12 – which equals 47, the rapper’s favourite number. None of the city’s newspapers reported his death. As a result of inconsistent stories and a lack of police intelligence, confusion surrounds the heart-breaking event for the Dewar family. In a 2013 interview with Fader, an anonymous member of Pro Era said, “STEEZ told some of the Pros that he was thinking of killing himself by jumping off the building where Cinematic had its offices.” Dirty Sanchez a close friend of the late rapper recalled, “Nothing was working. Nothing. It was like too late. He made up his mind already.”
Today I will be briefly explaining the practice of Gematria. Gematria comes from ancient Jewish mysticism. It is the practice of combining the letter with the number, with the word. It is said this is how God created the world.
How does it work? Gematria has 4 major ciphers. The first two are easy as ABC, literally. For example A=1 B=2 C=3. And so on. The code can also be read backward from Z to A. This is called reverse ordinal. There are two more ciphers that are equally important but a bit more nuanced so for the sake of clarity I’ll leave those explanations to the work of Zachary K Hubbard. But to put Gematria into usable terms I’m gonna explain a decode I did recently. If you want to decode a word or phrase without doing the math yourself, there is an extremely helpful calculator at gematrinator.com it will give you all four cipher values for your word or phrase in an instant, as well as compare it with corresponding ciphers. Without further ado let’s look at this example:
Here I will outline some interesting numbers that coincide with the rapper Capital STEEZ and the numbers surrounding the music industry as well as numbers that come up with race, and other things I found eye grabbing.
(Credit to another user on here) First off I’ll start with Capital STEEZ, The interesting number here is the full reduction number, 47. It’s eye grabbing for many reasons, but we’ll start with a little back ground. Before Capital STEEZ’s (aka Jamal Dewar) death (suicide) in 2012, STEEZ was apart of an up and coming rap group known as Progressive Era, or ProEra for short. A known staple among these young men were the belief in “47 chakras” and “indigo children”. The two are a topic on their own, but the interesting part is that such a powerful number in Jamal Dewar’s life also coincides with the Gematria of his rap name. But that’s not it! Let’s continue
Capital STEEZ English ordinal: 137
Full reduction: 47
Reverse ordinal: 187 ( see pushed off a roof)
Reverse full reduction :70
Now keep an eye on 70, as we shall see him more as well.
Next we will decode the gematria of the reported means of STEEZ’s death, suicide. This is where I admittedly started getting intrigued.
Gematria of Suicide:
English Ordinal: 70
Full reduction: 34
Reverse ordinal:119
Reverse full reduction: 47
Wow. The exact same values but flipped.
Just a mere coincidence I’m sure But let’s continue .
With these next two we will see two repeats of values, one new value, 88 and a previously used value, 34. As well as 65
Jamal Dewar
English ordinal: 88
Full reduction: 34
Reverse ordinal: 182
Reverse full reduction: 65 ————————— Phrase: pushed off the roof
English Ordinal: 187
Full reduction: 88
Reverse ordinal: 245
Reverse full reduction: 65
And the next term we will decode will be Jamal’s occupation of rapper. Here we will see a reverse of our main number in question, 47, which I’ve found to be reoccurring as well.
Rapper
English ordinal: 74
Full reduction: 38
Reverse ordinal: 88
Reverse full reduction: 34
I’m beginning to sense a bit of a pattern here... But let me move on Now it’s time to get a little spicy
Jamal Dewar commited suicide on the night of December 23, 2012, though his wiki has his death on the 24 I believe as it was around midnight. Many articles coming out about his death including one I read from thefader.com reported his death on the 23rd. I specifically remember this detail because I was a huge fan of his and Pro Era at the time and it was a huge loss to the community.
December is the 12th month
12
23
12
Care to guess what that equals?
Yep. 47
Here are some other related phrases put into the gematrinator calculator:
Brooklyn New York (where proera is from)
223 79 182 74
Suicide by fall 128 56 223 79
Are you seeing the synchronization of these seemingly unrelated words and phrases?.
The word murder and murdered both have synchronized gematria with Jamal. We also see another repeat with 38, also found in the full reduction of the word rapper.
Murder
English ordinal: 79
Full reduction: 34
Reverse ordinal: 83 (38 reverse)
Reverse full reduction: 38
Murdered ,interestingly enough, though only being two letters away from murder, is actually more closely related numerically to jamals name and the word rapper, But there are similarities abound. Murdered.
English ordinal: 88
Full reduction: 43 (34 reverse)
Reverse ordinal: 128
Reverse full reduction: 47
Wow. This one really stands out to me. Every single number code number is used in the over all code of Capital steez just in this one word.
We see the repeats of 88 and 47 as well as the reverse of 34 for the first time and a repeat in the numbers of 128, which we saw as 182 above.
This one is slightly unrelated so I left it sort of by itself but I still maintain it’s validity as it’s use in the music industry is still relevant. That is the word racist. Race is huge in the overall narrative that msm tries to portray.
Racist
English ordinal: 70
Full reduction:25
Reverse ordinal: 92
Reverse full reduction: 47
racist and suicide are perfect matches on the front end and back end. 70 and 47.
Here’s another nugget.
The phrase : jumped to his death
English ordinal: 178 (pushed off the roof 187)
Full reduction: 70 (pushed off the roof 88)
Reverse ordinal:254 (pushed off the roof 245)
Reverse full reduction :83 (pushed off the roof 65)
Leap also shares 34 and 84.
Suicided 74 38 142 52
Occult
English ordinal: 74
Full reduction: 20
Reverse ordinal:88
Reverse full reduction:34
3 more repeats
The year of his suicide was a leap year
Leap year
English ordinal:83 Full reduction: 38 Reverse ordinal:133 Full res verse reduction: 43
Target audience: 133 61 245 83 Suicidal: 78 33 138 57 Hidden mission: 142 70 209 74 Some of these numbers are conjecture but there’s a lot of links between the numbers. 47/74 being the one of the more prominent, as well as 83/38, 34/43, 70, 245/254, 88, 33, 29/92/209, 182/128 all of these numbers connect in one way or another. Now it wouldn’t mean much if we didn’t know more about the nature of these numbers and how and where they appear. But since these number keep popping up in accordance to things like CONTROL GRID or MYSTERY RELIGION or SUPREME MATHEMATICS it seems almost impossible for it to be mere coincidence. Anyways I urge you guys to think for yourself and put in some work and see if you can find any use of this practice. God bless
Ps:
STEEZ’s debut album ”amerikkkan korruption” Came out on 4-7-2012 another 47. Vibration equals 47
A theory out there is that the cabal needed him to die because STEEZ was really bringing influence to more and more young minds with knowledge and the way STEEZ attacked and exposed certain things is not a good thing for those in power, the label that Joey wanted to sign when they were pro era, was a Jewish man named Jonny Shipes. if you’ve extensively went down the “rabbit hole”, like extensively, and you’d say you’re pretty “woke” (I hate that word), then you may know that most labels especially Jewish owned labels are basically the portals into The Illuminati cult, the Jesuit organization that controls the entire world. Oh and remember the news outrage, and investigation because of the 47 “swa stikkas” all over NY, yea you think these Jonny Shipes fucked with that? Nah. But this is all speculation.
It wasn’t long after Capital STEEZ's unfathomable passing on 12/23/12 – 12+23+12 = 47), which was only days after December 21, 2012, the precise date calculated by the great Mayans to be the end of a Great Cycle, that I received knowledge & became aware of the Law of Time. This seemingly new cosmology felt ancient and I quickly realized it had EVERYTHING to do with Synchronicity! I even found the number 47 to be ever ubiquitous throughout this 13 Moon calendar system.
"The next chapter is unstoppable. And yet, the greatest revolutions sometimes originate from the confines of impossibility, do they not? Break the code. It could make a leap and make possible a decision that defines the order of things that are." " Reality is a mathematical model which gets solved over and over again by the observer your thoughts are computations. And they render this world for you to call your own. Not all processors are alike. Different brains produce different realities. The variations go from the subtle to the drastic. Your mind defines how much you can taste. How much you can feel. How much you can understand. Perception defines perspective. We designed you and made sure to engineer your senses so you could perceive just what we needed you to. Neither more nor less. There are parts of time we preferred you remained blind to. It was a necessity."
The Law of Time, I found to hold the most profound yet simple teaching; our Time is not Money, Time is Art. I was able to grasp a greater vision of how we as humans have created an artificial timing system where our time here equates to how much money we can accumulate, where we are constantly stressed by this false belief of our making, and where there is never enough time… This system of our making and continuous propagation has only served to separate us from our Selves, from each other, and ultimately, from nature. Hence, resulting in the chaos and disharmony prevalent in the world today.
What is the greatest common factor of 23 & 47? 1 is the greatest number that 23 & 47 is divided to. The Chosen One @mistapitty ㄣ
submitted by skuxcavs to CapitalSTEEZ [link] [comments]


2024.05.21 05:19 Score_Useful A Tragedy of Errors: a hot mess Dark Urge story

TL;DR

This is a summary of the wildest playthrough I’ve ever done in my attempt to collect all of the Dark Urge endings and see lots of unique story elements.
I set out to create a whimsical idiot who stupid-ed her way through major plot points so that I could see unexpected outcomes. I did not expect to experience the gut-wrenching, Shakespearean tragedy that this story became.
This post is quite long. I wanted to share it with this community because the experience genuinely left me speechless and I thought you might appreciate it. What Larian has created with this game is beyond next level. Contains MASSIVE SPOILERS, you’ve been warned.

I am on a personal quest to collect all of the possible endings for Dark Urge. I wanted to do this in a way that was meaningful and honest to the character I created. I love the role playing aspect of this game, I was super into LARPing as a kid and have been known to play DnD on occasion as an adult. I completed the game 3 times prior to this run: good guy Tav (saved the world, got the nice party etc), once as full on psycho Dark Urge who destroyed the world for Daddy, and once as Full Redemption Dark Urge who fully rejected Bhaal at every turn and also saved the world. So at this point, I know most of the possible storylines and plot points.
I really wanted to get the very bad ending I had heard about: the one where Dark Urge accepts Bhaal but decides to save the world and ends up going crazy. So I set out to figure out what a character would look like whose fate would naturally lead them to this path. I also wanted to see some of the more niche story elements that I had not yet experienced. I metagamed this a bit (I don’t know if it’s possible not to once you’ve played for like 800 hours) and worked backwards from the major plot points that I wanted to see to settle on my character’s personality.

Meet: Ceres

Asmodeus Tiefling. Storm Sorcerer. All around hot mess.
One of her first great ideas: watching a monster be born because it looked cool.
Her key personality traits:
Alignment: Chaotic trying-to-be-Good

Below follows the major defining events that happened in each act for her, and the tragic conclusion to what I initially thought might be a silly romp of a stupid character. Some of this I metagamed, but much of it happened organically.
Note: I played on Tactician as I normally do, so some of the encounters I had the freedom to redo to get an outcome I wanted. This being said, I rolled with mistakes and events almost all the time. The only encounter I ended up reloading several times was Orin… jeez that fight is a bitch when you are squishy.

Act 1

Ceres saved the goblin Sazza and let her escape, only to realize that she would then bring word of the location of the grove where her people were camped to a pack of vicious goblins. Off to a great start.
She killed Karlach because she fully believed Wyll and the “Paladins of Tyr” that Karlach was a monster. Then she instantly regretted it because she killed one of her own people. Her and Wyll talked about this and both felt terrible. She agreed whole heartedly to help Wyll rescue his father to make up for this.
Ceres stole the idol of Sylvanus while the druids were chanting, because she thought that her and Astarion were clever enough to do it without getting caught and she loved the kiddos who had put her up to the task. She ended up starting a huge battle by accident where many of her people were killed.
When she got to the goblin camp, she spoke to Sazza who told Minthara where the grove was. Terrified to blow her cover and get killed while surrounded by enemies, she agreed to help Minthara. Once Minthara left, she freed Halsin and he helped her kill Dror Ragzlin. So at least that was one problem solved.
She helped Zevlor defend the grove, but it was a close call. The afterparty was… subdued. Zevlor even commented on how so few of his people still remained. No Druids were left, save Halsin.
Ceres then tried to redeem her cowardly blunders by rescuing some Gnomes in the Underdark and helping out the Myconids as best she could. But her idiocy once again got a lost Dwarf killed when the mushrooms exploded around him.
After allowing Lae’zel, her most trusted companion, to enter the Zaithisk, she saw the vision of the legions of Githyanki being consumed by Vlakkith. Terrified of this vision and of the Gith in general, she offered the prism willingly to the inquisitor when asked. Upon entering the prism, she knew she couldn’t do what the goddess had demanded. She trusted and respected her dream guardian. She ended up having to kill the Githyanki leader she had tried to trust.
She then went after the legendary "Blood" she had heard about, but ended up blowing up an entire building full of people in the process. Lae’zel was incredibly mad at her. Thankfully, she heard the wisdom of Voss when he came to her camp, and trusted Lae’zel to choose what to do with the new information about Vlakkith and Orpheus. She agreed to help Lae’zel however she could. She owed her that much.

Act 2

Gale professed his love to her and they spent a magical night together. But he said he loved her immediately and it really scared her. It was too much too soon, and she told him as much. He sulked and was upset with her for the rest of their time together. She didn’t know it at the time, but she threw away her best shot at a nice supportive partner.
Instead of the hopeless romantic Wizard she could have loved, she fell for the broken shell of a man that is Astarion. She believed she could be happy with him, even though she didn’t fully understand their relationship and neither did he.
Ceres reached the Nightsong, but was truly terrified of Balthazar. She figured that maybe her best chance of getting to meet the Absolute and figure out what the hells was going on was to fulfill her promise to Z’rell and send the Nightsong to Ketheric Thorm. He seemed to know her from before, and figured that maybe getting close to him was the best way to solve the mystery of her past and of the tadpoles. In doing this, she lost one of her best friends. Shadowheart left in anger, never to be seen again. Needless to say, her plan was a very bad one.
She refused to kill Isobel or kidnap her per Z’rell’s direction, as she knew this would doom many good people. As punishment, Ketheric sent her to Balthazar’s necrotic laboratory where she had to fight her way out of some evil wombs that silenced her magic.
Live Ceres reaction: her plan is not going well... again.
She found Mizora stuck in a pod and attempted to free her to help her friend Wyll. But as she was very unobservant and failed to read either of the buttons, she pressed the wrong one and killed Mizora instead of freeing her. Wyll ended up as a pile of ash back at the camp. Her crew was quickly dwindling.
Somehow through all of this, she managed to defeat Thorm, spare all of the Harpers from dying, and lift the Shadow Curse. She sought the forgiveness of Dame Aylin for what she had done, and received it. Isobel was reunited with her love and Ceres was relieved to see that some good had come from the mess she had made.
The following night, Astarion had to tie her up while she went crazy trying to kill him. He was kind and expressed empathy. She thought maybe there was hope for her after all. At this point she was wildly in love with him but was scared that her feelings and her messed up brain had put him in so much danger.

Act 3

She finally discovered who she was and was beyond terrified to be the daughter of an evil god. She sought the council of everyone at camp. Jaheira and Astarion were very supportive and told her she would be ok if she stayed strong… something she did not excel at in the slightest. Astarion told her that “the life of a mind-addled slave is worse than death”. This ended up being the most hypocritical thing he ever said to her.
She fell a little in love with Halsin, and was surprised and a bit excited that Astarion was ok with it. She still felt a little weird about being in an open relationship but felt encouraged by the possibilities for a time. They both made her happy for different reasons, and she enjoyed fighting by his side. Her final team was Astarion, Halsin, and Lae’zel.
Via the encouragement of her most trusted advisor Lae’zel, Ceres signed the deal with Raphael. She failed at lying to the Emperor, who was very mad at her for what she had done.
Gale expressed to her that he wanted the Crown of Karsus. After much debate, she was convinced by his arguments that he could do better than Karsus and could reforge it. She felt terrible for having broken his heart before and so encouraged him to go after his dreams. After all, she had encouraged Lae to stand up to Vlakkith, so Gale should stand up to Mystra too, right?
When they were ready, it came time to face her partner’s oppressor. After defeating him, Astarion insisted that taking his place and taking the power was the right thing to do. So she helped him. They were both driven constantly by fear, and she empathized deeply with his desire to be rid of that fear. It was the second biggest mistake of her life. (FYI - I metagamed this part. I knew full well what I was getting into here, I've done both paths of his romance before. It was a key part of her story.)
She didn’t want to be made into a vampire spawn. But at the insistence of someone she truly believed she loved, she went along with it. He became controlling and abusive. But she figured that after all the wrongs she had done and all the people she had gotten killed, she probably deserved this life.
This was confirmed to her when she submitted to the Mapping of the Heart in a place called the House of Grief. The priestess there told her she had a wayward heart, and explained that this meant she was incapable of allowing herself to feel happy. She then discovered that the priestess was a Sharran and was actually searching for Shadowheart, who had abandoned Ceres long ago. She told them as much and they tried to kill her. So she had to kill them. She then found two people chained up in a secret room. She couldn't free them.
After confronting her past and killing her sister Orin, she faced a terrifying choice: kill the world for the god that made her, or die. Already used to being treated like a possession by her partner and terrified to die, she agreed to accept Bhaal’s favor. She was distraught when she had to kill the kind and supportive (not to mention living legends) Jaheria and Minsc, and that she roped her other companions into this mess. This was truly the biggest mistake of her life. She was horrified of the monster she had become.
Seeing that she had been party to forcing Halsin into killing so many of his former allies, she broke it off with him. She was ashamed that her actions had put him into such a position, and was afraid of what she might do to him. She believed she did not deserve someone so good.
She accepted from then on that she would be a slave to at least one dark master for the rest of her days. At this point she had completely lost all sense of autonomy: trapped between a controlling partner who had hypocritically turned her into the thing he hated, and the god of murder who gave her the ultimatum that she must kill the world.
In a last ditch attempt to salvage what she could of the mess she had made, she tried to be brave and take down Gortash the tyrant. She attempted to help the Gondians that he had captive but she failed to deactivate a device and the whole Iron Throne was reduced to rubble before she could help them. She felt absolutely horrible that, once again, her foolishness had gotten so many killed.
After defeating Gortash, she spoke to the god Bane himself, who told her she was well on her way to serving him and his goals. The idea that she could be working towards the ends of an additional dark power was too much. She was overwhelmed with the grief of trying and failing to be a good person for so long.

Endgame

Upon reaching Orpheus, Ceres wanted desperately to side with the Emperor, whom she had trusted the whole time. But with an ultimatum from her most trusted friend Lae’zel, she chose to free Orpheus. She felt proud that she had signed the contract with Raphael for a good reason. She upheld her contract, and never entered the House of Hope.
After defeating the Netherbrain, she knew there was no way she could act upon what Bhaal had insisted that she do. She could not doom the whole world after she had already doomed so many people before. She wanted, more than anything, to be a good person in spite of all her failures. She allowed Orpheus to destroy the brain, knowing full well she had condemned herself to a terrible fate.
Her friends left her one by one. Lae’zel upon her new red dragon, Gale to find and claim the Crown of Karsus for himself, Vampire Lord Astarion and Halsin to the pub to grab some wine and celebrate. She smiled for the last time.
The last smile of a doomed soul.
She felt the rage of the god she had defied boiling up inside her. But now she was tired. Tired of being controlled, being abused, tired of the blood and death. In a single act of courage she had never before possessed, she ended her own life, rather than become the murderous puppet of her father Bhaal. The last words anyone ever said to her in life were: “What in the hells do you think you’re doing?”
After causing the needless deaths of so many due to ignorance and carelessness, Ceres finally did something good for the world. Her ending was just for her. She had lived her whole remembered life trying to help others get what they wanted and living with the consequences of her foolhardy choices. In the end, she got what she didn’t know she wanted: peace. Floating alone in the void, she met a familiar face. For the first time in her miserable existence, someone named her “hero”.
(Queue massive waterworks from me, I'm tearing up again writing this)

In the End

Ceres broke my heart in ways I never expected. It was a beautiful roller coaster of a story that really hit home with me. Ceres unintentionally embodied many of my greatest personal flaws, and it showed me much about the folly of trying to please others. I don’t know if I’ll ever be able to create a more compelling character.
If you have, for some reason, taken the time to read all of this: Thank you so much. If you have any character stories you'd like to share, please pass them along. I'd love to read them.
And a huge heartfelt THANK YOU to the team at Larian for creating a truly epic masterpiece. I genuinely can’t believe I got this experience from a video game. It is a wonder.

PS - because she never even set foot in the House of Hope, Raphael was still alive in the end. He came to find her in the afterlife and deliver a monologue about Gale going after the crown and his plans to rise from the ashes of the divine civil war he was sure Gale would cause. I presume that, in a few hundred years, there will be an epic showdown between Dekarios the Divine and Raphael. And Ceres will watch from the afterlife, calmly, with a smile on her face and no more voices in her head.
submitted by Score_Useful to BaldursGate3 [link] [comments]


2024.05.21 04:41 lost_library_book [Not the "best" of anything, take caution, consult content warning] (Update) AITA for kicking out a female house guest for touching me repeatedly in a non-sexual manner while I repeatedly told her no.

I AM NOT OOP. OOP deleted their account before could capture the post.
OOP claims to be a husband and wife couple, and responds as such in the post.
Originally posted on amiwrong and updated in the same post.
Content warning: Mention of assault, sexual assault, potential child sexual abuse, PTSD (a lot), potential domestic violence, hands-on violence including choking
Original post with update - May 19th, 2024
AITA for kicking out a female house guest for touching me repeatedly in a non-sexual manner while I repeatedly told her no.
(See update at the end) Some context before I (32m) get into the situation as I feel it's important to how I reacted. I have been in two situations, one as a 6-year-old and at 28, that involved women and unwanted touching and beyond in both occasions I have been powerless as a child or incapacitated as an adult like unable to control my bowels or bladder kind of incapacitated. Both my wife and my guest are aware of my past. I'm trying to keep this broad stroke so as not to violate any rules, but again I think this context is important.
So on to the current situation. We currently have a (26f) friend who is living out of a tent, and we often invite her over so she can do laundry, shower, and other hygiene tasks. In this instance, I decided to hop onto my computer and play some games while she did her stuff and hung out with the wife while I chatted back and forth with them a bit. As she wrapped up her visit, she approached me from behind and hit me with a hairbrush not hard just to get my attention. It for sure startled me, and I did snap at her telling her to stop. I looked up at her from my chair, and she does it again, and I tell her to stop again while making direct eye contact with her, which she doesn't doing it once more and then demanding I hug her, which I refuse to do, telling her very clearly "fuck no, I don't want to touch you," and I follow that up with if you keep going like this I'm going to kick you out. She gives me a kinda laugh and says whatever, I'm leaving anyway and then touches me again.
I get to my feet now both extremely panicky feeling and angry we have a bit of a scuffle not a fight, and I end up shouting at her to leave and not come back. I felt entirely violated in my own home during all this, but both her and my wife insist it was just a game and she did not mean it despite me telling her no repeatedly and both my wife and the guest hearing it. I'm for sure not saying my behavior was great, and I've been seeking long-term treatment to help with my issues both mainly being PTSD related to my time as an Army MP and the events mentioned in my personal life. Despite that, I 100% should not have acted in anger like I did.
So am I wrong for feeling the way I do? Or is the wife and the guest right and it was just a game and she didn't mean it.
EDIT: to be 100% upfront it escalated and I reacted (badly) physicality was involved but as also pointed out I was near panicked and overwhelmed due to my past.
EDIT 2: EDIT: Gonna try and respond to a few more posts then I've gotta have a break. I do thank everyone that took the time to write out comments or interact with me.
Edit 3?: My husband gave me access to this account, and I told him I wrote down my perspective. When I asked if I should add it, he said "it's up to you." So here it is.
Our friend approached my husband, who was playing an online cooperative action game on his computer, at his desk. I was sitting on the couch about 8 feet behind them, waiting for my friend to be ready for me to drive her home. She was wearing a long night shirt with a loose v-neck. She stood at his left side peripheral for about 2 seconds before she tapped the back of her hairbrush firmly against the side of his left shoulder. I immediately was not comfortable with this, as I don't tend to engage in horseplay unless someone else has repeatedly demonstrated to me that it's a method of expression that they like and want. I do enjoy my husband's frequent physicality with me, including picking me up or tickling me. My friend and husband have engaged in horseplay on many occasions before, tickling, poking at one another's stomach, and playfully throwing soft objects. This often included my friend's fiance, who usually only reciprocated with my friend. I will frequently smack my husband on the butt, but only when I am sure he is in a mood to be okay with it.
My husband said, "Hey, I'm busy," and didn't turn to her at first. She hit him again with the brush in the same spot, and my husband said "stop" in a normal voice, and my friend responded, saying "give me a hug (which we almost always all do at the end of visits). I don't remember if she hit him again, because he said (and I'm going to paraphrase, because at this point I began to get alarmed, and was only listening to the tone of his voice, and less to his words, unfortunately) that if she didn't stop, he'd make her leave. She said lightly that it didn't matter anyway; she was leaving. At this point, I realized by her teasing tone that she didn't understand how upset he was getting, which I did understand, through years of experience with his tone of voice and what it means. He didn't raise his voice, and I could hear that he was attempting to remain casual as he said something else, ending with "my dude" but that she had really pushed him past the point of anger and I didn't think she realized it. She put her hand on his shoulder, and he said "I don't want to fucking touch you now" and he stood up, and grabbed her by the neck of her shirt, pulling her foreward, and then put both hands around her throat, and I saw his hands tense, as he leaned down into her face and told her to leave the house and never come back. He pushed her backwards and she started to cry, and put her head down, hurrying to get pick up her things. My husband sat back down at his desk and didn't say anything else until I told him I was going to take the friend home and I'd be back, and he said "sure." The friend cried during the ride home, and her voice was harsh, but I wasn't sure if it was stress or physical. She did have marks on her throat, but those faded over the next few hours. She asked me repeatedly why he got so upset, and if anything was different, and I did point out to her that he said "stop," and she said that she thought it was part of the play. When I returned home, my husband did not seem upset, and seemed more relaxed than before, although he seemed nervous about my response to the situation. He said that he didn't remember putting his hands around her throat when I told him that he did.
My thoughts about this are that:
horseplaying with people with trauma, which all three of us have, to various degrees and in various forms, is potentially dangerous, and I'm frequently uncomfortable when it happens, although I often don't say anything, as I'm usually the odd one out when it comes to initiating social teasing, although I often enjoy receiving it.
2.) Our friend should have stopped at the word stop. I don't know why she didn't, but I don't think it was out of malice, because she genuinely did not seem to see how she was provoking him.
3.) Her actions were inappropriate, in my opinion, but his were potentially life-threatening and the fact that he didn't remember what he did was alarming. I am concerned that this will happen again, and he will have charges pressed in a situation where he is the first physical aggressor. This would be even worse if he inadvertently harms someone, and the escalation of force combined with memory issues in this latest case makes me worry that it might happen.
4.) I possibly could have prevented this from happening by being quicker stopping her or by getting between them, but I know from experience that once he has a grip on someone, I'm not strong enough to break it, and he ignores my presence or physically shakes me off if I try. He ignores my words entirely at these times. I expected her to see that he was upset before he snapped, because it seemed obvious to me, but she didn't, and I have no idea why. She's had lots of trauma of her own (as have I, including SA) in the past (and, like me, has worked in jobs that revolve around dealing with people dealing with trauma).
Relevant Comments
Husband clarifies (many times) that he "wasn't trying to choke" friend:
Husband here. I actually went for her jaw or mandible for a hold a extremely common restraint grab used by MPs and some of my other work I faltered and grabbed her neck and shoved. Some confusion between my spouse as she only saw the me grab the neck as I did not remember it as she did, but I think it’s important her post stays as is since it’s her view. This person has been made aware of and in fine detail my reactive nature and my past and was a trusted person thus allowed into our home as she should’ve been well aware of everything. EDIT: Also thank you for taking the time to share about your experience and respond.
Magerimoje
To the husband ---
You need more help for your PTSD. More therapy to give you the tools you need to be able to tell when you are about to be triggered, and how to de-escalate yourself before you get to that point of reacting. Possibly meds too until you learn those skills and have those tools.
To the wife ---
You are likely a safe person for your husband, which means he's likely to be more relaxed in your presence, which means when he is pre-triggered he likely expects your help in de-escalating (not because it's your responsibility, but because that's been your pattern together so far - he has learned that you're safe and he has learned that you can reduce the things that trigger him)
Because you are the safe person, and because you have learned how to hear that pre-triggered state just by tone of voice, and because you've already established a pattern together that you're able to de-escalate, you need to step up when you hear that change of tone in his voice.
Whether that means you say to your friend "stop, he's not in a playful mood" or you say to your husband "hun, take a few deep breaths, you're safe" (or say both) but you have to do something [or you have to work together to stop the established pattern so his brain realizes you can't/won't be able to help]
Either option (helping him, or breaking the pattern) is acceptable, but together you two need to make that choice and then you need to stick with it.
If you're going to stay the safe person who helps, you have to help every time. His brain relies on it. It's an unconscious thought, but it's there.
My husband has PTSD too, and I'm his safe person, so I totally understand what it's like I have PTSD and my husband is my safe person,so I understand what that's like too. It's hard work, but you can't skip that hard work if you want to stay together. I think the work is worth it, but I can only choose for myself, you have to choose for yourself.
To both of you ---
Horseplay is one of the worst things for PTSD. Stop that immediately. No pranks. No unexpected jokes. No horseplay.
If you want to make each other laugh or laugh with friends, tell dad jokes or knock knock jokes or Cards Against Humanity. No physical comedy. No unexpected touches. No touching that's surprising or even "playfully" hurtful. No intentional startling. STOP THE TRIGGERS
My verdict ---
ESH everyone needs more therapy, and everyone needs to change behavior patterns.
Husband here. Firstly thank you for taking the time to write out such a detailed and thoughtful response it really is appreciated. Also basically agree with what you’ve laid out for me I need more tools and yeah meds is definitely one of those. I’m very hopeful that due to a recent VA rating bump I’ll have more options that work towards my own specific needs.
Nuhhuh
You both need to focus on controlling your own feelings and actions instead of expecting everyone around you to be able to read your subtle signs and magically adjust their behaviour. You are both intellectualising the issue to avoid how unhealthy all reactions are involved. You both should do some work on finding yourselves outside of each other. This is a very unhealthy codependant relationship. No one should be this non-chalant about poorly executed physical force. To believe that is some kind of excuse shows how deep in denial you are. You, dear husband, are dangerous to those around you and should be deeply upset with yourself.
Husband here. No one is happy this is basically the worst possible outcome. As in the post but I’ll go over it again here it was the worst possible way to react, and with that being said I’m not looking for justification. She’s been a friend for years and has been made aware of all my issues in detail and what lines I draw with them until recently she is been fine stopping. Hopefully that clears things up more I can definitely answer more if you want.
Nuhhuh
I don't think you understand what I said. You are further intellectualising here to make excuses for your behaviour. I don't think you are a bad person, but you are not taking responsibility for how your lack of dealing with your PTSD and your emotional regulation is harming the people around you. Your wife is making excuses and monitoring your behaviour like an abused woman because you aren't handling your emotions. Your friend 'being aware of your issues in detail' isn't an action plan.
You need to go into some deep therapy. You are currently a ticking time bomb for the people around you and you need to look inward to address those issues. You are the problem and you are not showing any signs of working on the root of the issue, instead you focus on reason and explanations to make others do the work for you. Sadly, that never ends well. Look into DBT, EMDR, and access the VA for better psychological support. I am a veteran, I am not just talking out of my ass. You need help.
RelatableMolaMola
Wife: You saw that he was getting upset and you saw that she didn't realize he was getting upset. You also know his history. Yeah, you can't break his grip once he gets to the point of putting his hands on someone but you could have stopped her from teasing him when it became obvious he wasn't taking it the way she thought. Why did you not get up and stop her instead of watching her push him past the point of no return?
I am absolutely not defending his actions and I find it frightening that he seems to not remember putting his hands on her throat, unless he does and that's what he's glossing over in the OP. Frankly I would not be able to stay with someone with that kind of response, no matter how great they are when they're not triggered to that point. I have been choked in an abusive context before. Do not recommend. BUT you seem to be aware that he is capable of this and you stayed. So at that point I think you have some responsibility to other people who you see provoking him in a manner that could elicit that response.
(The wife) I do. You're right. I am beyond sad that I didn't do it, and yes, I really should have acted faster. My parents used to fight, sometimes violently (usually just breaking stuff and yelling) and when it comes to people I care about, I don't handle their out-of-control anger well. After this incident happened, I sort of lost all my emotions for several hours, which I guess isn't unusual for me in a situation like this. Professionally it's very different, and I don't react like this at all. I feel like it would be good for us to discuss some sort of protocol for times like these so that the both of us can be more prepared. I would suggest exposure therapy or something to keep me from dissociation or whatever it is, but how would one even do that? I'd like to be able to do or say something in the moment that would help, but idk. I love him and he's awesome (and ordinarily one of the most chill, easygoing fun people and i love that about him), and this stuff isn't his fault, but I'm afraid of future legal and personal issues it might bring down on him.
Marked as disturbing if real, sad in general.
No brigading, no harassment, on the chance the OOP pops up again with a different account.
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2024.05.20 23:07 ParticularlyAvocado The Batman Reviewed: Season 3 - 5

27/28. Batgirl Begins - 4/5 (Starting this in medias res was a good choice, since if you're already familiar with Batman stuff, you know Barbara was gonna become Batgirl in this (and even if you don't, the title would reveal as much). So starting with a Poison Ivy fight made me more curious to see everything that lead up to it was opposed to just waiting for the "reveal" that Barbara becomes Batgirl and Pamela becomes Poison Ivy. Plus, Barbara's snarky narration was amusing. Introducing Batgirl as Batman's first sidekick (even if this was merely due to a stupid embargo) as well as making Poison Ivy be her best friend turned arch nemesis is pretty fun because of its uniqueness alone. Especially because it makes the stakes more interesting when Ivy has a personal grudge against Gordon. And I liked Batman's "not every child gets the opportunity to rescue their parent" comment. Yeah, it's cliché, but that stuff is the core of Batman, so it's nice to see this side of him acknowledged, since it rarely is in this series. Also, making Gordon not able to recognize Batgirl as Barbara because he wasn't wearing his glasses was pretty "clever". "Clever" in quotations because it's still dumb, but since most DC shows love to sell you on the idea that people cannot recognize each other's face by simply putting a mask on the top half, it's funny that this series bothered to give an explanation at all. He should still have recognized her voice, but you can't win 'em all.)
29. A Dark Knight to Remember - 3/5 (Freezing Poison Ivy in the previous episode, then defeating the Kabuki Twins by freezing them in this as well? Batman is becoming Mr. Freeze. Anyway, here's a pretty standard amnesia cartoon episode. Decent gimmick, and they also added a stock Secret Identity Almost Discovered:tm: plot to spice things up. The circumstances of Bruce's amnesia being the perfect cover for Barbara dropping the idea that he could be Batman is fun, but Bruce's actual amnesia is just cartoonishly illogical. Even if he lost memories of his last few years as the Batman, how would that also genuinely make him a self absorbed playboy? He was always a broody guy with a heart of gold, even before donning the cape and cowl.)
30. A Fistful of Felt - 3/5 (This is just a poor man's Double Talk. It treads the exact same stuff; Wesker is cured of Scarface so he lives a peaceful life before Scarface forcibly reappears at the hands of someone trying to bait him and he succumbs to it before Batman eventually confronts him and Scarface gets destroyed. Except this is way less substantial and lacking in drama and emotion. It's a shame, because during the group therapy scene, I was excited that this could potentially be a formula bender, having it take place entirely in Arkham Asylum and focusing on Wesker's recovery process. But then I remembered this is The Batman, so yeah. Also I HATE Snooty's design!)
31. RPM - 2/5 (Wow, after seeing this, I immediately went out and bought The Batman Batmobile #2 with working lights & sounds, firing disc launcher and opening cockpit! No, but really, did I actually just watch a toy commercial for 20 minutes? I get that that's where action cartoons make their profit, and that's fine, but this was so blatant it's not even funny. Like that scene of Batman arriving in his new CGI Batmobile as the camera spins around it. Give me a break. Not to imply the writers were being hacky or anything. It was clearly an executive mandate. They just wrote a lame episode around it. Gearhead wasn't very interesting, although it's cool he was voiced by Will Friedle I guess. And the episode is just about cars, a subject I do not find interesting. I did laugh at Barbara asking Gordon "taking the car?" and he just opens the door and stares at her.)
32. Brawn - 4/5 (At this point they should rename the series "The Batgirl" since most episodes now put her in the main role, having to save Batman's butt. Not a complaint, it's a nice change of pace from the repetitive Batman Stops Villain:tm: plots. This episode is pretty darn good though, which is surprising since it's really nothing but a long fight scene. Most of it consecutively takes place in real time on one street street as they duke it out. You'd think that would get boring, but Bane-ified Joker is a cool enough concept to genuinely carry enough entertainment value on its own. And Batgirl using the Batbot was fun.)
33. The Laughing Cats - 4/5 (Two Joker episodes in a row? Also a Catwoman episode, which... Yeah, Joker being in it was obviously an improvement. Making her team up with Batman to stop Joker was more interesting than had it been about Batman stopping another one of her generic jewel thefts. Them being stuck in a maze with Joker using their gadgets was fun, and I liked that his hyenas were not loyal to him at all, LOL. As a side note, Kilgore Steed's hunter schtick makes NO sense. Capturing animals to put them in a giant maze full of traps that will just automatically kill them is not much of a "hunt".)
34. Fleurs du Mal - 3/5 (I guess the show isn't going to acknowledge any drama between Barbara and Poison Ivy and she's immediately relegated to stock villain who does her villainous schtick and gets defeated? Clayface all over again. It also wasn't much of a mystery who the villain could be since it literally begins with the mayor being taken over by flowers. The characters themselves uncovering the mystery and battling the plant replicas was neat enough, so whatever. And Batman punching an old lady was funny. I don't understand why Poison Ivy replaced Penguin, though. She's replacing the people who control Gotham, and he's a washed up nobody who's lost his fortune. Also, Batman is lucky he only fought the plant replica or he would have killed Penguin. He fell right into spinning blades which clearly shredded him... Although he's still intact when they land, so I guess logic took a break for this scene. Side note, the show is getting WAY too reliant on ending with a zoomout of Batman and Batgirl as she makes some snappy comment.)
35. Cash for Toys - 2/5 (So Cash can return but not Yin? There is no justice in this world. He wasn't funny in his first appearance, and he's...slightly less unfunny here. So yeah. Add a straight up Toyman ripoff instead of just Toyman, for some reason, and you get a pretty lame episode. I get that he's a Superman villain, but the series didn't have a problem using Solomon Grundy, so Toyman shouldn't have been off the table. You could assume they just embargo'd him because he made cameos, albeit speechless, in JLU. But then, Grundy was the main focus of a JLU episode less than a year before Grundy's Night, so this doesn't add up! Not that Krank being called Toyman would make a difference, because I still wouldn't like him. So, YEAH.)
36. The Apprentice - 4/5 (Joker getting a sidekick is definitely a fun idea, and while I obviously liked this episode, it plays out exactly how you'd expect. I liked how wholesome Joker was to Donnie at first when he was brainstorming ideas and then turned grim when Donnie didn't want to hurt people. It definitely adds at least one more layer than the average Joker Shenanigans:tm: episode. You can definitely feel how genuinely scary it would be to simply be around this lunatic, especially if he has it out for you. Also, Donnie's jokes probably doesn't get laughs because he's in high school doing kindergarten tier jokes.)
37. Thunder - 3/5 (It's Maxie Zeus, the most iconic DC character of all time, doing his typical Olympus schtick. Yeah, so, the episode isn't really about him. His scheme is just a setup to show how well Batgirl can carry herself. And in that aspect, I do find it fun. It's a bit dumb that she yaps to Batman about how she wants to be in the loop though, as if she isn't just Batgirling of her own accord. He never agreed to be a team, she just stalks him. Side note, Gordon sternly correcting Grange with "batarang" made me chuckle.)
38. The Icy Depths - 4/5 (Despite being the umpteenth episode about stealing jewels, this was refreshing due to presenting it more as an actual mystery and having two villains, alongside Alfred and his old chum, trying to uncover it. It was fun how they all got the upper hand on one another, and I always like Alfred being involved in an adventure. I don't understand why Batman even needs to stop this "crime", though. The treasure doesn't belong to anyone anymore. And if it DOES rightfully belong to someone, that would be Penguin. What was up with a random rotating shot of the boat here though?)
39. Gotham's Ultimate Criminal Mastermind - 3/5 (Mr. Freeze's Arkham number is 800B5. I bet they thought they were really funny with that one. Unlike the previous BTAS ripoff episodes, this was only vaguely a ripoff of Heart of Steel, so I'll cut it some slack. But it's pretty thin. D.A.V.E. is just super smart and wants to defeat Batman, then Batman wins by just telling him something that does not compute. I guess it's neat that they finally built on those vague hints about Hugo Strange being "evil". It's just a shame the antagonist is merely his robot, not actually him. And why does he get locked in Arkham after being caught? He's not insane.)
40. A Matter of Family - 3/5 (Who sharpened Bruce's jaw?! Also, Mark Hamill and Kevin Conroy. As for the actual episode, I was underwhelmed. It's a pretty straightforward telling of Robin's origin story, but it rushes the emotional moments and doesn't let them get too "heavy", which makes them less effective. Zucco is a pretty upfront mustache-twirling villain instead of a mysterious figure, and they don't really acknowledge how devastating such an event would be, or the awkwardness of immediately being adopted by a rando. Dick just gets some watery eyes then he's instantly comfortable at Wayne Manor. But I liked tying "Robin" into something his mom used to call him. Batman speaks with a much deeper voice in this episode. Must've come with the new jaw.)
41. Team Penguin - 4/5 (Did it really take seeing teamwork in a movie for Penguin spawn the brilliantly unique plan of "more villains = harder for Batman"? This was a fun teamup, though. I'm glad they didn't go for the obvious choices like Joker, Mr. Freeze, Riddler etc and instead opted for the "misfits". Croc is the only one of the group I didn't care for. But I liked seeing Ragdoll again, and Killer Moth was pretty funny. I liked that he remained a suckup even after being horribly mutated. I liked the theme of teamwork the episode had, since it ties nicely together with the valid jealousy Barbara would have for some rando in red becoming Batman's sidekick and knowing his identity when she has been wanting that for ages. Also, Robin immediately wailing on Penguin for calling him a lackey made me laugh.)
42. Clayfaces - 4/5 (Nice to see my buddy Bennett again. Guess they wanted to redeem themselves after the nonsense they pulled with Grundy's Night. But given this is his last appearance, this was a pretty unsatisfying "arc". Him going full-blown villain didn't make sense from the start. His desire to take revenge on Joker I get, but aside from that, it shouldn't have taken him THIS long to realize he should use his powers for good instead. Basil Karlo wasn't a super compelling character or anything, but him being an ugly dweeb was quite funny, and the spectacle of two Clayfaces duking it out more than makes up for it, because that was pretty awesome. Side note, why is this company so picky with who they cast in their fricking dog food commercial? It's dog food. Just show dogs.)
43. The Everywhere Man - 3/5 (I like the concept of the Everywhere Man, but was disappointed at how little they truly utilized it for story/action potential. The first half is just a mystery where you're supposed to think it's two guys (provided you did not read the episode title), then Johnny just expositions how his powers work and Batman fights a bunch of copies. The villain himself being a copy is a cool twist, but it would've been more interesting if the copies mostly worked as a hivemind and they utilized that to make fighting them really hard for Batman since they'd be such a perfectly synchronized army. The episode wrapping itself around some girl saying Johnny was cuter as a nerd, and then the real Johnny getting the girl in the end was so random it's almost hilarious.)
44. The Breakout - 4/5 (Black Mask being in this episode is pretty neat, as he is a fairly well-known character who, despite that, doesn't seem to appear in animation a lot. That said, he was not very compelling. He's just a stern, no-nonsense mob boss. Which for the plot of this episode is all he needs to be, so I won't give him flack for that. It's a fun change of pace to have a mostly Batman-free episode with focus on his sidekicks instead. Batgirl and Robin have a pretty charming dynamic; I liked when they guessed what Black Mask's face looks like and he got pissed off. LOL. And it was interesting how it's sort of a bottle episode, with most of it taking place within the police station as they try to prevent Black Mask's militia from breaking in. Batman ending the episode by telling them to wash the Batmobile was a certified LOL.)
45. Strange New World - 5/5 (This was great. I really like Hugo Strange, so it's fun to actually see his sinister side now that he's been outed as a villain. And while at first it felt mostly like a standard zombie story, the dramaic tone and hellish visuals, alongside the crazy ways the zombies jump around, made the whole thing a pleasure to look at. But the twist is what really got me. I didn't put it all together myself until right as Batman was figuring it out, and it really made all the scenes of him fighting zombie Batgirl/Robin/Gordon amusing to think about in retrospect. That said, isn't this a Scarecrow-tier scheme? I guess since he couldn't be in this show they just gave it to Strange.)
46. Artifacts - 3/5 (For an entire episode set in the future, I was expecting more than just the spectacle of a generic Mr. Freeze battle. But that's really all there is to it. That said, I liked the W I D E Batman design. I know it's an homage to The Dark Knight Returns, but I've never seen or read that, so yeah. Mr. Freeze blatantly saying that title after seeing the Batman was so funny, though. It works contextually, but when you know the reference it felt no different than if he had said "Batman: The Animated Series". LOL. I see Barbara will go the Oracle route in this show. Sad. Also, they can blatantly reference Bennett and Yin, but refuse to show them any further regardless? Screw. You.)
47. Seconds - 4/5 (The Batman's take on Clock King? He's not officially named as such, but it's pretty much a Cosmo Krank/Toyman situation again. I found his time travel abilities fairly interesting, as it was fun to see some random schmuck effortlessly upstage Batman. HOW he got those powers though... He got bored in prison and was surrounded by clocks, so one day he could shift time. What? Also Batman has an atomic clock that is not affected by time literally shifting backwards. What?? Yeah, so, this episode has a lot of "okay buddy" moments. But really, they just added to the fun. If you're gonna be nonsensical, might as well go all in. And that ending really caught me off guard. Imagine reliving 17 years of your life like that, only to still end up a fricking clock repairman. He really couldn't have invested in stocks he knew would have gone up?)
48. Riddler's Revenge - 4/5 (I certainly wasn't expecting this series to try and pull off an emotional Riddler episode. One that actually works, no less. But here we are. It's not the deepest thing in the world, but I thought seeing his origin handled this "seriously" was an fun take, and it was interesting that his own origin was a "riddle" that he got wrong. Wrapping the origin around him and Batman being trapped in a crate was pretty clever. Although after unwrapping his entire life story to Batman, I would've thought he would be a little less hostile towards him after they escape. But no, he just goes back to being evil. I liked Batman's final line though. "When is a villain, not THE villain?".)
49. Two of a Kind - 4/5 (They got Paul Dini in just to write the Harley episode. It's pretty good, though. The different take from Mad Love is amusing to see. I think showing Harleen as a loudly outspoken ditz makes her descent into jester-themed criminal more believable. Especially since they directly give her a personal vendetta to push the criminal aspect further. But since this episode is mostly banking on showcasing the "unique take", it's hard to look at it past comparisons. Without them, it's sort of just The Apprentice but with Harley instead of Donnie. But Harley is funnier, and generally I liked all the zany stuff she and Joker gets into, so this is the better "Joker gets a sidekick" episode. Plus, it has a whole ass Joker musical number.)
50. Rumors - 3/5 (The Batman's take on... Lock-Up? Okay, not really, but the similarities did cross my mind. The premise here is pretty basic. Rumor was not a very thrilling antagonist or anything. He's some generic guy who works for another generic guy, who's just a red herring because he blames being a cripple on Batman. Really, the spectacle of Batman fighting all his past villains in the final scene is the best part of the episode. Although I'm confused why some of them are even there and in costume. Cluemaster only had one goal, why would he still be Cluemastering? And is Spellbinder really Gotham based? How did Rumor even capture him? He's a psychic! And Harley Quinn literally JUST became a villain. I liked Penguin begging Batman to stop him, though. LOL.)
51/52. The Joining - 4/5 (Oh geez, it's Martian Kronkhunter. Couldn't Patrick Warburton voice him instead of Cash Tankinson? I liked the way he casually outs knowing Batman's identity. But on that note, they sure talk about that in public a LOT here. Including the aforementioned scene, both Robin and Bruce himself yaps out "Bruce Wayne is Batman" on two separate occasions. Robin says it in a crowded street, Bruce in a small diner. Yeah, I'm sure absolutely NO ONE within the vicinity could have possibly heard those things. It's not like Bruce and J'onn are having a lengthy conversation about it right where the waitress, chef, and any potential surrounding customers could hear it or anything.
This was a pretty basic alien invasion story, and it's quite a leap in stakes compared to the usual jewel thievery. But I liked the usage of Martian Manhunter. I thought he and Batman had an interesting chemistry. Their initial fight scene was so stupid, though. "Oh no, the Batman discovered I'm an alien. Better not explain anything and instead just beat him up and run away until he catches up and then say I'm on his side". I thought the emotional anchor of Batgirl and Robin feeling unwanted was a bit undercooked, but the moment when Batman says he worries about losing them was sweet, so whatever. And I liked the scene of the villains helping the police fend off aliens.)
53/54. The Batman / Superman Story - 3/5 (With the show finally being allowed to bring in more expansive DC lore, the first thing they make is the most generic Superman story they could think of. Yeah, okay. I liked the way Batman discovered Superman's identity, and seeing the villains of Gotham take him down was fun. But a whole episode just for that that setup, with the second being a prolonged Batman vs. Superman fight scene and then stopping Lex Luthor from doing something evil? Yeah, I didn't really jive with it. Also, with literally ALL of the sky available, did Superman really just fly right into Robin? AND ignored it? Not very boyscout-y.)
55. Vertigo - 3/5 (This was decent, but it mostly thrives off of the novelty of being a Green Arrow crossover as opposed to being an organic Batman story. In fact this would have been improved by cutting out Batman entirely. I liked seeing Green Arrow's origin, and they could've explored his attempt to take revenge on Vertigo and such on his own. And while he DOES do that here, since it's a Batman show, most of it is from Batman's perspective as Green Arrow recaps his story. So, ultimately, they should just make The Green Arrow.)
56. White Heat - 4/5 (Neat revamp of Firefly. He was never a particularly compelling character, but the fact that he was already established in this show makes his descent from petty thief to molten monster in this more compelling by default than had this been his first episode a la Killer Moth or something. And with the inclusion of his girlfriend, it had some genuine emotion. Not a tearjerker or anything, but his last appearance being his girlfriend dumping him and walking away as he's stuck in a pitch black prison cell with him still faintly glowing in the dark is pretty bleak. So the fact that they managed to get all of that out of an episode that can be summed up to "Batman stops molten villain cause he's too hot" is impressive. The battle at the power plant itself was pretty awesome though. But Bruce is really risking his identity fighting with half his face exposed like that.)
57. A Mirror Darkly - 3/5 (Just like the Superman episode, the writers barely do anything to justify its existence besides thinking I should be thrilled by the mere presence of Flash. Well, when the plot is as generic as one of Flash's iconic rogues coming to Gotham to be evil so Flash stops him and Batman helps because it's a Batman show... I'm not. And just like Superman again, Flash didn't leave much of an impression of me. Adding the trait that he talks incredibly fast was amusing, I suppose.)
58. Joker Express - 3/5 (I would have thought with free reign to utilize all of DC lore, this show would be over their generic Joker Scheme:tm: episodes. Guess not. There's literally nothing to be said about this one that hasn't been said about the others, though. Batgirl being infected with Joker's laugh was definitely a very enjoyable scene. But after that, it's as predictable as Topsy Turvy, JTV or The Apprentice.)
59. Ring Toss - 3/5 (Green Lantern. I wonder what fresh, unique plot The Batman crew will conjure up for this one. Oh, Sinestro comes to attack Hal Jordan, but Hal wins. And Batman helps in between, because it's a Batman show. Starting to sound like a broken record here, but that's how unimaginative these episodes really are. It's competent, but it's pretty much shut-your-brain-off-and-enjoy-the-action tier. This one does have the middle part of Penguin with a power ring, which was genuinely gold stuff. The only problem is, it doesn't last for long enough, and ultimately Penguin's inclusion is really just time filler in between Sinestro being defeated.
60. The Metal Face of Comedy - 4/5 (Let me get this straight, Joker is digitally copied by wearing a helmet connected to a laptop while getting shocked? On top of the common trope of cartoon writers not understanding how video games work, logic is clearly not this episode's strong suit. The phrase "mentally download money" pretty much speaks for itself. Regardless, the prospect of Joker vs. Joker is fun enough alone. All the wacky antics Joker 2.0 is able to get into with his morphic abilities were visually fun. It's especially amusing to see the real Joker completely discombobulated by being upstaged and betrayed by, well, himself. Even cheering on for Batman to win.)
61. Attack of the Terrible Trio - 3/5 (The Terrible Trio were fun as a group of misfits, but it's pretty laughable how these college students are being bullied like it's middle school. Also do they really expect me to believe the hot, edgy chick is considered a loser? Jake is the only loser here. It's cool that this show actually had them transform into animals, even if the designs are little...awkward. It's also neat that they gave them a connection to Barbara's personal life, but at the same time it's disappointing that they didn't put Batgirl in a bigger role because of it. Batman's still the one saving the day. Also I was a little disappointing David's final transformation wasn't any more creative than just a griffin. As a side note, it's nice that this closes the door on Langstrom's Man-Bat arc.)
62. The End of the Batman - 3/5 (Fake title, there's three more episodes. The idea of an Anti-Batman and Robin is pretty fun. Wrath served as an entertaining foil to Batman what with figuring out his identity and everything. I think the ending is a little cheap, though. Joker uses his smile-gas so much, you'd think there would be a common antidote by now. Not like Wrath and Scorn are gonna be like that for the rest of their lives. Also a portion of this episode is pretty reminiscent of Team Penguin. Something which they even acknowledge themselves. But just because they point it out doesn't make it not true! Joker being annoyed by being put on menial tasks was funny though.)
63. What Goes Up... - 4/5 (Same as the previous Justice League members, Hawkman didn't leave much of an impression on me. But this time it doesn't matter as much because the episode doesn't put half the spotlight on him. It's mostly focused on Batman stopping Black Mask's, a villain whom I already thought should be utilized more, scheme. Which is stealing a whole building! I mean how cool of an action setpiece isn't an airborne building? On top of Robin being nth metal'd, it was a very fun watch. Really, Hawkman and Shadow Thief feel more like afterthoughts. But even that isn't a bad thing, because they had very enjoyable action scenes. And geez, poor Number One #2.)
64/65. Lost Heroes - 4/5 (Oh, the actual Toyman appears in this show. "Toyman" my ass, that's a damn Jester. Cosmo Krank is more of a Toyman than you will ever be, bud. This episode is pretty fun, if only because I think the narrative of non-superpowered heroes proving their capabilities and humbling the heroes with superpowers when they can't use theirs is amusing. Batman and Green Arrow as a duo was good, and everybody fighting their robot counterparts was cool. I think the robots had pretty rad designs. The only "bad" aspects of the episode is rehashing The Joining as the threat again, and Hugo Strange's inclusion. Not that I don't like him, I think he's a great villain. But this wasn't really a story fitting for him. He's better working from the shadows with the intent of studying the behavior of his victim, not just being a pawn to some alien robot.)
submitted by ParticularlyAvocado to DCAU [link] [comments]


2024.05.20 22:23 Wooleyty The Dogman Ripped My Friends To Shreds During Our Camping Trip, My Journal Tells All

September 25th, 2023 Phoenix, Arizona
It's been fifteen years since I made it away from the creature in Manistee National Forest. My therapist said that I need to write about it, but every time I do, I don't know how to start. She told me to go through some old things from that time in my life and see if it starts any gears moving in my mind. I found a journal I kept that I'd completely forgotten about. I flipped to that day of the camping trip 15 years ago and wrote an entry for all the days we were out there.
I'd just graduated with a bachelor's in Journalism and mass communications. It'd been years since I'd seen my best friends and we decided to go camping. I'd write in my journal every day. I would write at the end of my day or a few days later if I didn't have time the night before.
My hand is shaking just writing this part, and I haven't gotten to the actual meat of the story. Ugh, Meat. That word makes me shutter.
I'll type the journal entries here:
September 25th, 2008, Manistee National Forest, Michigan
It's a beautiful day here in Manistee National Forest. The sun is shining through the leaves of the trees, and a light breeze is rustling the leaves. The scent of pine needles is strong in the air, and the sound of a nearby creek adds to the moment's serenity.
We've set up camp, and our tents are scattered about, creating a small community amid this natural wonderland. My friends, Remy and Will, are already starting a fire, laughing and joking as they work together to build a blaze. I feel a sense of nostalgia wash over me as I watch them, remembering the countless times we've been on adventures like this one.
I look around, taking in the beauty of our surroundings. The trees are tall and robust, their branches reaching up towards the sky like reaching arms. The underbrush is a patchwork of ferns and wildflowers, swaying gently in the breeze. There's a small creek not far from our campsite, its water clear and calm, perfect for swimming or washing up.
I make my way over to the fire, joining Remy and Will. "Hey, guys," I say, my voice filled with excitement. "This place is unbelievable."
Remy looks at me, his signature grin spreading across his face. "Yeah, man. I can't believe you talked us into this. You know how Will here hates camping." We both laugh while Will just rolls his eyes.
"Well, I figured it'd be a great way to reconnect," I say, glancing at Will. "You know, since graduation and all." An awkward silence hangs between us for a moment, and I can feel the tension that's always there whenever we're together. There's this invisible barrier we can never entirely break through since I left for college.
Remy leans in close, lowering his voice to a conspiratorial whisper. "So, Landon, have you heard from anyone else? You know, old friends and whatnot?" He glances knowingly at Will, who shifts uncomfortably beside the fire.
I feel my cheeks flush red as I look at Remy. "Well, uh, not really. You know how it is. We all sort of went our separate ways after high school." I change the subject to focus on something other than the tension between us. "So, have you guys been out here before?"
"Nah, this is Will's first time," Remy says, nudging him playfully. "But I've been wanting to bring him out here for ages. I've heard these woods are teeming with wildlife. You know, bears and shit like that." He laughs, but there's a slight edge to his voice.
Will looks unconvinced. "Yeah, right. Bears in these woods? You just want to scare me."
"No, seriously," Remy insists, his eyes sparkling with excitement. "There are black bears out here. We could even go on a hike and find some. You know, get up close and personal with nature."
I glance at Will and then look back at Remy. We should stick to the campsite for now. You know, just enjoy the weekend and relax." Will says.
"Ah, come on," Remy whines. "This is the perfect opportunity. You might never get another chance to see a bear in the wild." He looks challengingly at Will as if daring him to refuse.
I decide to change the subject again, not wanting the tension between them to ruin our weekend. "Hey, guys, you want to help me gather some wood for the fire?" I ask, gesturing toward a fallen tree nearby.
Will looks relieved at the change of topic. "Sure, I can help with that." He stands up and follows me to the log while Remy remains by the fire.
We spend the next hour chopping wood and stacking it by the fire. The air is filled with the rhythmic thud of axes striking wood and the sounds of nature around us. The sunsets cast the forest in a warm, golden light. It's a beautiful sight, and for a moment, it feels like we're all part of something larger than ourselves.
Will and I continue to work in companionable silence, our minds drifting to our thoughts. It's odd how things change after high school. We used to be inseparable, but now our lives have gone in such different directions. I can't help but wonder if we'll ever find our way back to that closeness we once shared.
As the sun dips below the horizon, we join Remy by the fire. He sees the wood we've stacked with approval and pulls a few logs from the pile to keep the fire going. The flames leap to life, casting flickering shadows across our faces and dancing along the tree limbs overhead.
"So, Landon," Remy says, his voice taking on a more casual tone now that gathering wood is done. "How's life been treating you?"
"Oh, you know. Work's been good." I pause momentarily, trying to find the words to explain how different our lives have become. "It's just weird, you know...we don't see each other as much anymore. Our lives have taken us in different directions, you know?"
Remy nods, his expression somber. "Yeah, I know what you mean. It's hard to keep up with old friends sometimes, especially when you're both so busy." He glances at Will, a small smile tugging at the corners of his lips. "But it's good to have you both here together, even if it is just for the weekend."
I feel a pang of guilt as I look between them. I've been neglecting them, focusing too much on my life and career. I've always considered them my best friend, but maybe that's changed over the years.
We decide to go to sleep after hours of reminiscing around the campfire. The stars twinkle above us, and the sounds of the forest lull us into a peaceful slumber. As I lay in my sleeping bag, I can't help but wonder about the weekend ahead. I feel a sense of camaraderie with Will and Remy, but there's also an underlying tension that I can't quite put my finger on.
Suddenly, I heard what I assumed was an animal moving just outside the campsite. I stood up quick and looked around but saw nothing. Will and Remy were asleep, their breathing slow and steady. The air felt tense, and the forest seemed to whisper secrets that I couldn't quite make out.
I decide to walk over to the edge of the campsite to see if I can spot anything. As I step carefully through the underbrush, I notice another noise like before, like something moving fast. I look up, trying to catch sight of it, but I can only get a blur moving out of sight. It moves so fast that it's hard to see where it went.
I return to the campsite, shaken by the experience. Will and Remy are still asleep. The air feels tense, and the forest seems to whisper secrets I can't quite make out.
I decided to get back into my sleeping bag and hoped it was just my eyes playing tricks on me. But as I close them, I feel the same sense of unease creeps back in. The air feels thick like something is watching us, waiting for the perfect moment to strike. I can't help but wonder if there's something or someone out there that we should be worried about.
I'm going to try to get back to sleep.
September 26th 2008
We woke up and made some eggs and bacon that we'd brought in a cooler. The air was cool and crisp, and the forest took on a different hue since last night. There was an edge to it, a tension that we couldn't quite shake. As we ate, we talked about our plans for the day.
After breakfast, we packed our camp and started hiking deeper into the woods. The trees grew thicker, and the underbrush more dense. The air felt heavy with the scent of pine and damp earth. I couldn't tell if it was my paranoia about last night, but I could've sworn I kept seeing something darting just in the corner of my eye. I sighed in relief when Will mentioned it, too.
"Are you guys seeing that?" Will asks in a shaky voice.
My head quickly turns to him, and we make eye contact, a silent understanding of our fears.
"What are you talking about?" Remy snapped
"I keep seeing something dart out of my vision," I say
"That's what I'm seeing too!" Will says in an excited relief that quickly turns to fear once again.
We kept hiking silently as the woods grew denser and the air grew heavier. I could feel the tension in my shoulders, my muscles tensing up.
"I swear to god something is following us." Will whispers as he looks over his shoulders.
Remy laughs, trying to sound more confident than he feels. "Guys, come on. There's nothing out there; it's just nerves." But the way his eyes dart around, I can tell he's not entirely convinced.
We continue to hike deeper into the woods, the air growing heavier with each step. The underbrush is so dense that it's hard to see more than a few feet in front of us. I can feel the sweat starting to bead on my forehead.
We find a small clearing and set up camp again. We brought some firewood with us, so Remy started a fire immediately. The sun is beginning to set and I can tell Will is still on edge about what we saw while hiking. Remy keeps himself busy with the fire, and I can tell Will's uncertainty makes him weary.
"I'm going to take a shit over here so no one disturbs me," Will says as he points toward some bushes and gets up.
"Need any help?" Remy asks playfully, but Will does not react.
Remy and I silently sit by the fire before I ask, "Will seems a little on edge. Is everything okay?"
Remy looks at me, his eyebrow arches in confusion, "Do you not know?"
I stare at him in silence, shaking my head, confused.
"Dani and Will broke up last month. He's not really doing great right now." Remy informs me
The news shocks me. Will and Dani were inseparable in high school, almost annoyingly so. We would never be able to hang out with Will by himself. Dani made his way into our friend group by force through Will.
"Oh shit. I had no clue." I say
Will walks over as he rubs hand sanitizer between his hands. "What's for dinner, boys?"
Remy pulls out the cooler and opens it. He rummages a little bit before pulling out an ice pack. He looks confused and flustered as he frantically tries to find something in the cooler.
"It's empty," Remy says as he slowly looks up at us.
"Stop fucking around-" Will begins to say before we hear the rustling on the outskirts of the clearing, we all quickly turn our heads toward the direction.
There's a sudden silence as we all realize what's happening. Something, or someone, is stalking us.
Will stands up and screams, "Who the fuck is there? Come out, you fucking coward!"
Silence fills the forest as all animals and wind stop suddenly. Will's face melts into fear. We all sit in silence as we wait for something to happen. When nothing happens after a few minutes, Will turns around slowly and makes eye contact with me. Suddenly, something large, like a black wolf but far more significant and almost human as it stood on only two legs, quickly jumps out behind Will and digs its large knife-like claws into both his collar bones. It pulls Will back into the forest, and we hear his cries fade the further he is dragged.
Remy and I stare at the empty space that once held Will in horror. My heart is pounding out of my chest, and I feel like I can't breathe. Remy turns to me, his eyes wide with fear, "We have to go now. We have to leave."
I nod in agreement, unable to find my voice. We both stand up and quickly gather our things, looking around wildly as we decide which direction to go.
As we grabbed things, I heard a large thud outside the clearing where Will stood. Afraid to look, I signal for Remy as he stares at something in horror behind me. I'm still too scared to look, but I force myself. I couldn't tell what it was at first. There, tossed carelessly, lay a pile of skinned human limbs, a torso, and a head. The fleshless appendages were jumbled together in a chaotic mess, bones jutting out at odd angles and sinew glistening in the dim light. The head, stripped of its skin, bore vacant, eyeless sockets, its teeth bared in a permanent, macabre smile. The sight was horrifyingly surreal as if a butcher had gone mad in some twisted nightmare. The air was thick with the metallic scent of blood, a stench so overwhelming it made me gag. I couldn't tear my eyes away from the ghastly scene, every detail etching itself into my memory with sickening clarity.
Before we could say anything, a loud, lion-like roar filled the forest and echoed into my skull. I swear I felt the vibrations of the sound inside my head.
Remy grabs my arm, and we start running deeper into the woods. I can hear the beast behind us, getting closer with each passing second. My heart is racing, my lungs burning for air. I don't know what's chasing us, but I know we have to keep running.
We run for hours through dense forests and across open fields. The sun begins to set, casting an eerie glow over the landscape. I try to keep my bearings, but I'm disoriented and terrified. Remy trips over a fallen log and lands hard on the ground, wincing in pain.
"Keep going," he gasps, struggling to get back up. "We have to keep going."
I don't want to leave him to limp, but I know we can't stay here. I nod, taking a deep breath to steady my racing heart and force myself to keep running. Behind me, I can hear Remy pushing himself up, his footsteps scrambling over the leaves and dirt.
We continue through the forest, the shadows growing longer and darker around us. The trees seem to close in, forming a dense, impenetrable wall that traps us within. I try to remember the way back to the car, but I'm so disoriented now that I'm not sure I could find it even if I tried.
I stop hearing the Monster behind us, so I stop to catch my breath. Remy runs up behind me, limping. He falls onto a rock, sitting down as he struggles through wheezing breath. He pulls out his inhaler, takes three big puffs, and holds it in. He struggles until he finally releases and coughs. I look at him, and he glares back at me. He's scared.
"I don't know where we are," I whisper. "I don't know where to go."
"We have to keep moving," Remy says, still slightly wheezing from his asthma attack. He pulls himself up onto his feet and offers me a hand, but I look away, still needing to catch my breath.
"I don't know where to go," I whisper, my voice barely audible over the sound of my racing heart.
Remy hesitates for a moment, his brow furrowed in thought. "Listen," he says, his voice quiet but steady. "If we stay here, we're dead. We have to keep moving."
He takes my hand and pulls me to my feet. I can feel the warmth of his skin, and it somehow grounds me. We walk again through the dense underbrush, our footsteps muffled by leaves and dirt. The darkness around us is almost complete now, but I can still see Remy's figure as I check on him behind me.
"Do you even know where we are going?" I ask
Remy stays silent as he continues to limp behind me. I focus on the sounds around us, hoping to find some clue as to where we are or where we should go. The forest presses in on us from all sides, blocking any possible escape. My heart is still racing, my breath coming in short, ragged gasps.
"Okay, we have to stop." I hear Remy say behind me. I look back and see that he's already sitting on the ground, carefully taking the shoe off the hurt foot.
He winces in pain as he struggles to get the hiking boot off. When he finally gets it off, he peels the sock off to expose his swollen ankle.
"Ah fuck!" Remy says in pain as he realizes his injury is worse than he thought.
I walk over to him as he rests his head back onto a rock in defeat, "I can't keep going."
I sit beside him, hopefully comforting him, but he looks offended.
"You can't stay with me, Landon. At least one of us has to get out of here." Remy says between breaths.
I ignore him and rest my head on the rock next to his. Before I knew it, he was snoring. I knew the pain wouldn't let him sleep for long, but he needed it. I also drifted off eventually.
September 27th, 2008
I was awoken by Remy's winces as he tried to sleep. I looked at my watch, and it was 3am. I knew we were both exhausted, but I couldn't help but feel restless. I decided to stand up and stretch, wincing as my sore muscles protested. I looked around, trying to find some sign of civilization, but the forest seemed to stretch endlessly in all directions.
I nudged him gently. "Hey, let's keep going," I said softly. He opened his eyes blearily and looked at me. He looked around for a second in confusion and then remembered the day prior as he let out a long sigh.
I put his arm around my shoulder and lifted him so we could keep walking. The pain in his foot was unbearable, but I knew we couldn't stop. After what felt like hours, we stumbled across a dirt road. It was faint in the moonlight, but we could make out the tracks from a car or truck.
I slowly let Remy down to sit as I decided to follow the road to try and find help. It was still pitch black all around me, but the moon lit the road.
After assuring Remy that I would be back, I went on my way. The dirt road wound through the dense forest, the trees pressing in on either side like they were trying to keep the light away from me. I tried to focus on putting one foot in front of the other, but my mind kept drifting back to Remy, wondering if he would be okay.
I was so lost in thought for what must've been hours as the sun started rising. I didn't notice the sound of something big following me from the forest edge. My mind must've been racing so much that I didn't notice. I couldn't hear the giant footsteps when I stopped. Only when I started walking again did the Monster continue to follow from the tree line.
I turned toward it, my mind tired and exhausted as I screamed, "What the fuck do you want?! Come get me; I'm right here!" I was too tired, both physically and mentally, to fight or run anymore as I accepted the same fate as Will.
I heard it move some more, and I closed my eyes and braced myself for what was coming. I heard something quickly leave the tree line and land before my feet. I waited, but nothing happened, so I slowly opened my eyes and looked down at my feet.
I saw another human body, limbs, head, and torso torn apart. I could see Remy's shirt torn within what I can only describe as 'Meat.'
I screamed as I realized this was Remy's remains. I fell back onto my butt and frantically scooted myself backward, away from the Monster that I knew hid behind the brush in front of me.
The creature slowly stands from a squat, fully revealing itself. It must have been over seven feet tall, jet black, leather skin and fur. Its face was like a wolf, but its teeth went on forever like a great white shark. It stood there, breathing heavily, staring me down. I didn't know what to do. I sat there forever, thinking about the pain I was about to be in. I thought about Will's screams as he was yanked into the forest.
Suddenly, a loud bang from a rifle fills my ears from behind me. I close my eyes, and my ears start to ring. I've never felt more disoriented in my life. Moments seemed to slow down as I opened my eyes and saw the Monster gripping its shoulder as it roared in my direction and ran further into the forest, away from the edge.
Time is still moving slowly. I look back and see an older man with a short military-grade buzz. It was white with age, and his full but kempt beard still had sprinkles of pepper.
Suddenly, time returned to normal as I observed my surroundings. I saw the pile of meat that Remy once inhabited, and I quickly made my way to my feet, backing away from the man with the rifle.
He cocks his head, looking at me curiously as I approach him cautiously. "Are you... okay?" he asks, lowering the rifle slowly to his side.
I stare at him in disbelief, unable to make myself say anything. He looks at me with understanding eyes and then gestures for me to follow him. I do as he says, walking slowly behind him as he starts back down the dirt road.
I look behind me at Remy's pile and stop, "I can't leave him here like this." I say, "We have to at least bury him."
The man lets out a sigh of annoyance but comes around after a few seconds and helps me bury Remy off to the side of the road.
I stand in silence in front of the pile of dirt as the man waits impatiently a few feet away. I start to think of all the memories all three of us had. I wished I could return to get Will, or at least whatever remained of him, and give him a semi-proper burial like Remy.
"We'd all met in fourth grade," I say out loud to the man waiting for me.
He looks back at me in surprise.
"We had Ms. Birtch. She was so mean, we called her Ms. Bitch." I chuckle to myself.
"Look, we gotta get out of here now. I know you just lost your friend, but we can come back later to reminisce." The man says as he looks at me, annoyed.
I look up and realize he's right. I kneel and place my hand on the dirty pile before getting up and following the man further down the dirt road.
We walked for about 30 minutes, and the sun glared in our eyes as it rose. The old man's name was Steve, and he seemed to be a former soldier, but he didn't talk about it much. He had a way of making me feel safe and protected. He led me to a small cabin nestled in the trees off the dirt road. The cabin was quaint and well-maintained, with a small garden out front and a few chickens scratching around in the dirt.
"This is my home," he said as he opened the door and gestured for me to enter. "Please, make yourself comfortable."
I enter the home and immediately ask, "Do you have a phone? Mine doesn't have service out here."
He shakes his head, but I follow him as he enters the kitchen. He opens the old white fridge door and pulls out a milk carton. He places it on the dining table and fetes a glass from above the sink. He grabs another one and gestures it toward me. I look down at the milk and shake my head no. He only grabs one glass and sits at the table as he pours himself a glass of milk. He takes a long gulp and places the glass back down. He gestures for me to sit, so I do.
"I don't have a phone here," he says, "but I know where we can get to a radio to get you out of here." The man says as he takes another sip of the milk.
I look at him, confused. "What do you mean get me out of here?" I ask, still sitting down at the table.
He looks past me, so I turn around and see a picture on the wall. It's the man but much younger. He was surrounded by three children and a woman. It must be his family.
"Does your family live here too?" I ask
He stops, moves his gaze back to me, sits back in his chair, and sighs.
"They used to." He says in his grizzly voice.
I waited for him to expand, but he never did.
"Did that... monster... get them?" I ask hesitantly, not wanting to offend the man who saved my life.
He gets up from the chair and goes to the window above the sink. He stares for a long time before speaking. "I guess technically they're still here."
I get up and stand next to him, looking into his backyard. It seems overgrown, as if it has not been tended to in years. The grass was growing between brick paths, and bushes reached across the path like thick underbrush. Everything was unkempt except for one square. In that square, there were four headstones. The man's family.
"Yes," the man says as I look at him, "that monster got them."
I helped the man do chores for the rest of the day until the sun went below the mountains.
The rest of the night was spent planning how to get to the radio tomorrow morning. He said it was in an old radio tower up in the mountains.
The man told me I'd need to rest for tomorrow, but as I slept in the cot in the living room, I couldn't stop dreaming about the Monster and what it did to Will and Remy or what it would do to me.
September 28th 2008
As expected, I didn't get much sleep, but when the man shook me awake, it was still dark out. He told me to dress warm, as the radio tower was a ways up the mountain and the air would be cold. I dressed quickly in the clothes he had laid for me, and we set off into the darkness. The stars were visible, twinkling above us as we hiked through the woods. The man led the way, moving silently through the darkness, his hand resting on a walking stick.
The man was more talkative today as if he hadn't had anyone to talk to in years. I learned his name is Gary, and he and his family lived in Boston. They decided to take a no-technology vacation out here four years ago. They rented the cabin he brought me to, which Gary now owns. He came from money, so that was never the problem.
When I asked why he lived out here, he paused briefly before saying, "I can't leave my family." That was the last thing he said before we reached the tower.
It took about an hour and a half to make it to the tower. It was overgrown, and Gary told me it had been years since he'd last climbed it. When we reached the top, the first rays of sunlight began to peak over the horizon. The radio tower was ancient and rusty, and the steps leading up to it were rickety at best.
"So, what's the plan?" I asked as I carefully made my way up the steps.
The man stayed silent and kept climbing the winding stairs. Something seemed off like the man had changed.
Gary looked down at the tree line below us. I looked too and only caught a blur as the creature ran off and the bushes swayed in its place. Gary grins and looks at me, "Go down."
Surprised, I stare at him, confused. He grabs me by the shirt and pulls me closer, "Go. Down." His hot, stinky breath envelops my face. He pushes me back, forcing me to grab the railing to keep myself from falling. When he sees that he failed in pushing me, he snarls and continues climbing the stairs faster, skipping a step.
I hear the Monster's roar right below us as I see it climbing up through the metal grate. I freeze, not knowing what to do. Then I hear Gary's voice over a PA system. It rings loud into my ears before he talks, "Kid, I said get the fuck down. You don't need to be another victim of this thing!"
Still frozen, even more confused by his words, I look down again and see the Monster climbing the metal poles that held the structure up. I watched the creature scale the radio tower with an eerie, almost unnatural agility. Each movement was swift and precise, powerful claws gripping the metal rungs effortlessly. The tower seemed to shudder under its weight, a low creaking sound accompanying each ascent. I could see its eyes glowing with a feral intensity, focused on something far above. The sight was both mesmerizing and terrifying, a primal fear gripping me as I watched this Monster get closer and closer to me.
Finally, I snap out of it when Gary's voice fills the sky again, "Let's fucking go, you mangey half-breed!"
The creature seemed to move faster at his voice like it knew him personally. As it finally made it to me, it leaped toward me on the stairs, but I could move to the side and almost dodge it completely. It jumped so far that it nearly flew off the side of the tower. As it reached for the railing to save itself from falling, it snatched onto my elbow, slicing it so bad I could see the bone.
Grabbing onto my wound, trying to keep my skin from peeling completely off, I started running back down the stairs. The Monster looks down at me, and I can tell it's about to pounce on me, but Gary's voice distracts it again, "You don't want that little shit, you mutt! Come get some seasoned meat!" The Monster starts climbing toward Gary again.
Gary starts laughing. A laugh only a person who has given up on everything could. It slowly turned to sobbing as I heard his last words, "I love you, Mary, Lilly, and little Amber. Margaret, I'm sorry, but I can't live without you-" Just then, the Monster made it to the top, where Gary was in a little structure attached to the tower.
Everything was silent. I started sprinting down the stairs, almost to the bottom, when my hearing went and I only heard a ringing. Again, things moved in slow motion as I looked up and saw an enormous explosion coming from the structure Gary was in. The ground started to rumble as things went back to average speed, and I tried to make it down in time before the whole rickety structure collapsed.
It must've been adrenalin that got me out in time. The tower began to crumble and toppled in the opposite direction of me.
I stood there, waiting for the Monster to emerge, but it never did. I sat down, still holding my wound as it seeped warm blood all over me. I sat there, knowing help was not coming, accepting my imminent death for what felt like hours.
I must've passed out because the next thing I remember was having water thrown onto my face as I lay on the ground. A man and a woman were tending to my elbow wound and, in my delirium, snatched my arm away and began running from the rescue team. I ran for what felt like hours before passing out. I later learned that I ran only about 50 feet before passing out. Now I'm in the hospital tending to my elbow.
How will I ever live with this? How could I go on?
September 25th, 2023
I only remember a little after that. I remember telling authorities about the Monster and how it mauled Will and Remy. I also told them about Gary, and they were able to find all three bodies, well, what was left of them. They never saw any sign of the Monster, though.
After telling them the unbelievable story, I have to admit, I would have a hard time believing I was a suspect in all their murders. After years of trying, they could never find any evidence against me.
After many attempts to end my life, I decided I wouldn't let that Monster win; even after it was out of my life, I refused to let it be the reason I go.
submitted by Wooleyty to ZakBabyTV_Stories [link] [comments]


2024.05.20 22:20 RavenRonien Genuine, effort post critique of the series's more problematic elements.

So I was a fan of the LN's from back when the first season released. The things I identified with then, and the things I love about it now are still largely what I love about it. And I was for a long time willing to turn a blind eye to ALOT of what I felt were unnessicary parts of the story, as, this series is the work of an author, not something made FOR me. However as time has gone on, the series has leaned more into it's less savory elements, and it does genuinely hamper my enjoyment of the series now, to the point that I'm hesitant about the series moving forward (I stopped right before reading the succession arc). I'm just curious about more broader perspectives on the series, as someone who's going to attempt to lay out more than just "ew incest gross" arguments. I'd be happy if people are willing to engage in a more genuine discussion, but if not, hope you can at least enjoy the read.
I'll try and start positive, because I want to put it out there, I was largely positive on the series as a whole, and have recommended it to multiple friends with some pretty major caveats. And I have rolled out good faith defenses of each problematic elements of the show with in universe examples and reasoning. So the things that I genuinely love about the series. At the time, as someone who dropped out of collage, while always thinking myself the smartest guy in the room, it was easy to identify with a story that highlighted a character who's society's measure of a man wasn't accurately taken. I've since grown a lot since then, but I still do love this aspect of the story. Hatori's line saying "so this is what happens when a test doesn't accurately measure someone's strength" is a line that sticks with me to this day. I also love how deep the political intrigue is thought out, not to be overly exaggerated in my analysis, but there are times where the levels of geopolitical implications of certain actions are thought about on a level that you would expect from traditional spy fiction/thrillers. The fact that the implications of magical weapons and the socioeconomic implications of things like a fusion generator are taken into account with such detail is amazing to me. It isn't given a one side interpretation but rather a very realistic look at how the powers in play would fight over the use, implementation, and restrictions that might have to be placed on such technology.
Also the magic system, i feel like I don't have to preach to anyone about how cool it is, but it's cool, straight up, it's just cool, as a tech guy, to see the fusion of technology and magic in this setting is awesome.
Lastly the imperfect nature of the main character was always interesting to me. While the anime only ever hints at Tastuya's insecurities with subtext, LN fans will know his though process is PLAGUED with indecision and caution that remove him soley from the OP MC archetype that never thinks about or suffers the consequences of his actions. Yes in practice he is an OP MC, but just like how society inaccurately measures his strength because they don't value the thing's he's good at, the really fantastic character work putting in the juxtaposition of his OWN values, not aligning with his own strength is really smart character writing. Tatsuya himself doesn't care about regrowth, or his crazy abilities and capacity for magic despite his apparent disabilities in the magic department. While many people see him and recognize how powerful he is, none of that is what HE values. He values more than anything are the technical skills required to change the world through magical engineering, and while he makes GREAT strides throughout the series, ultimately he isn't at the point (where I am in the series) to effect the real kind of change he would like to see, outside role as the Yotsuba's secret weapon. The kind of ambition he might have fostered normally as just a young man, is still evident with his passions outside of the crazy family situation he was forced under.
Which is something else I love about the series, but with a bit of a mixed bag of feelings. The world building is genuinely really cool from a near future sci-fantasy setting. The staging of the energy crisis that led to the 3rd world war, the emergence of Mages, and the united pact against nuclear arms, only to be replaced by the very checks that locked the nations from nuclear armageddon. The cleaver setup and world play between the 10 master clan's naming conventions and even to a lesser extent the 100 supporting families, gives such a rich texture and great opportunities to have ENDLESS but distinct characters coming from every facet of society. Characters like the Chiba get to be all one note swordsman, then build upon individual character traits to differentiate them. Even the side stories with Morisaki Shun give texture to what otherwise should have been just a one off character that was done with after the first arc (honestly I wish we saw more of him as the series went on, and the ramification of him protecting the heiress of the no head dragons, the series clearly doesn't mind chinese influence being a driving antagonistic force, it would have been interesting to see them explore more morally complex but not completely antagonizing forces).
And that lead some to some of the negatives. In the same vein that the world building is very well thought out, I cannot view this piece as a piece of fiction divorced from the real world. Can you explain the incest, the way he writes female fashion and women with in universe explanations? Yes absolutely and I have gone to bat for it in the past. Preserving genetic bloodlines to increase the magical powers of a generation of magicians, when such a small subsection of the population have any degree of magic talent to begin with, would be paramount in the national defense of a country. Having siblings marry each other is both not even the craziest thing I can imagine NOR is the least crazy thing the SERIES has done to justify this. The fashion sense was born the energy crisis that predated world war 3, caused clothing to become heavier out of necessity and it became fuax pas to show as much skin, both as a means of survival and as a way to signal you had enough resources to keep yourself clothed. While the climate has recovered people's sense of fashion hasn't caught up yet, which is a great IN universe explanation for the more conservative forms of dress that seem socially permissible in the series. And the way they treat women as ladies constantly saying "is would be improper for a lady to be out at night by herself" can be (and this one is LESS SUPPORTED by the text but I think could be explained and inferred) to be part of the need to preserve reproducing members of society after a great famine that predated WW3 and further more of the "nobility" class of magicians which this behavior clearly emulates.
The problem with all of these is, the text also clearly wants to have it both ways and it just betrays a clear taste the author has that I find distasteful in the REAL world. Sure you tell women to cover up, but then you take every opportunity to put them in summer dresses, or skimpy costumes for performances, and dress up scenes. While all of this makes sense IN universe, I can't help but feel this is just a pandering to real world markets that like these niches, or further points to the authors own thoughts on the matter, with a regressive social structure that see's women lacking less moral and societal agency, having to "cover up" as it were, and the whole incest thing. It would be one thing if the series SAID anything about this. An interesting exploration on how both the Yotsuba and society as a whole put such immense pressure on all of these teenagers regardless of how competent they are, and them breaking that cycle of generational expectation would be perfectly in line with the broader social change Tastsuya is trying to work towards with his engineering endeavors. Learning to actually heal from, learn from, and distance himself from the ultimately toxic relationship he's being forced into with his sister would earn MASSIVE points in my book for actually tackling an uncomfortable topic with some nuance.
I'm going to sidebar for a moment because I know a lot of people love Miyuki and Tastuya in both the fanbase as a whole but this sub in particular. I'm going to approach this, in good faith and say all of you are fans of the characters and I'm not going to, nor do I think a majority of fans are problematic in their liking of this relationship. While I personally feel like the devotion Miyuki shows is pandering, as I said in universe it can all be explained and people can enjoy fiction for any number of reasons, I don't think anyone is gross or whatever for enjoying a pairing when the text of the show so adamantly presents it in the most positive light possible. BUT WITH ALL THAT SAID, i would be doing the rest of the series, which is so well thought out, to not lend a critical eye to the absolute blindspot the series has for this relationship. Miyuki's devotion to Tatsuya is born of her realization after being saved by him in Okinawa, that her life belongs to him because he saved it, and she will be at his side against all the injustices that he has and will continue to face. But that kind of single hearted devotion, is by definition, toxic to her growth as a person. No one can LIVE for another person and be a fully fleshed individual, it just isn't healthy and it cheapens what could be such a more powerful character that by her own rights has every right to grow with ambitions that still can ABOSLUTELY grow in parallels with, and in support of her brother. But the story doesn't really explore that, every choice she ever makes is with the approval of her brother or his ultimate success in mind. You cannot seriously get me to buy that their engagement and eventual marriage is a healthy one under these conditions. I am a modern man, I like my wife to be as strong willed as I am so we can make joint decisions about our life that we can both agree on, so hell call me biased but I don't actually think there's anything wrong with traditional relationships, but that's the thing, EVEN in traditional relationships, women aren't the objects that they're commonly straw manned into. While not all traditional relationships were like this, the foundation of them is supposed to be founded upon the idea that while men could be out in the world, providing for the family, the women would be at home nursing children, and making sure the HOME was taken care of. In practice this meant a lot of women were actually empowered to make many of the purchasing decisions for the house, under ideal circumstances (again in actuality I acknowledges the more problematic aspects of these relationships in history and that isn't the point of this post).
I bring all of this up to say that Miyuki isn't given the agency to grow enough as her own person outside being sometimes selfish over her brothers attention of her. If I had to write an essay on Tatsuya's driving purpose in life, I could write at length on interesting aspects of his character and his own inaccuracies when judging his own value, when he's so uniquely capable of judging others. But there is no similar depth given to Miyuki and that's just sad because the GLIMCES we get of her character are ACTUALLY great. Her interactions with Lina, were highlights brining to her a character that is as close to being her peer as we had up until that point in the series, but still having her show compassion to her situation because of how much it mirrored Tatsuyas despite being "competition" and someone who ostensibly was opposed to her brother. Her interactions could have been so much better with Ichigo Masaki ( a criminally underused character as a whole) but they never amount to anything other then him getting lil'broed the entire series. And Kuduo Minoru is just underutilized in his debut appearance during the upcoming Ancient city insurrection arc that's about to be animated. Tatsuya is able to be measured up against these characters to further his growth and further exemplify what sets him apart as an interesting character and Miyuki doesn't get the same opportunity.
There is so much more I can say, but this is crazy long and I suspect few people will read it all anyways. Some of this might be ranty but I have been stewing on these thoughts for ages, and with no one in my circle who has stuck out the series as far as I have, my only recourse is the broader fanbase to discuss my thoughts on the matter.
TL;DR- Tatsuya, the world, and the magic systems, the consequences, and the complex web of motives within the narrative are all huge pluses for the series, that ultimately get dragged down by the inordinate amount of time spent on what I feel is either pandering to certain audiences, or betray the authors less than savory tastes, that more than just being morally outrageous (because I don't really care about that) serves to under cut the otherwise great writing of the series, and I think that's the real crime. The incest doesn't bother me because a fictional sister and brother get together, it bothers me because it robs me of the potential character growth both of them could have had, fighting back against another backwards system in this world born of political and social necessities that would have rhymed with all the other themes of the series.
EDIT: yes I know I can just drop the series, if it isn't for me, and I might I really don't know, I'm just frustrated at what could be something that has so much potential, be inordinately focused on the least interesting aspects of it.
submitted by RavenRonien to Mahouka [link] [comments]


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2024.05.20 21:10 Flat-Imagination6202 I choked on being Trans?

Hey there!
Before I say anything I want to appologize in advance. I transitioned 22 years ago (FTM) and tend to have trouble keeping up with how language around being transgender (did you know we used to say transgendered? Lol) is being used. I mean no offence. I try. Alot of the words that are taboo today we used as positive. The shift is interesting.
I'm wordy. Beware. LOL.
I am an old transman. I transitioned when I was 21 and it's been 22 years. The only people who know I am trans are my family and people who knew me before.
I play a TCG twice a week as a social activity in local game shops. (FAB)
We had a new player last week. She is trans. I couldn't tell and didn't know till someone asked her her preferred pronouns. (My opinion on that is a whole new can of worms. Lol)
It thrilled me to have another transperson around. She is very nice and very good at the game.
I wanted to tell her I was trans too. I wanted to come out to my friends. I have no trans friends and thought it would be nice to have one. Especially a fellow geek!
Everytime I tried to say something I choked. I wanted to come out to her and my friends. I thought maybe it might be nice to have some people know. It wouldn't come out.
One of the places with play is VERY queer friendly. Rainbows and all other queer symbols all over the place. Trans and non-binary all over the place in that store. It's a comfortable place to be. A bigot would be kicked out before a queer person.
I dunno about the other place. I have never heard anything that would suggest it's an issue.
I used to be out, an activist, loud and proud but as my life progressed I became more and more stealth. My identity became less "I am transgender" and more "I used to be transgender" to "irrelevent".
It's not something that I think of much so the impulse to tell really threw me for a loop. It was very out of character.
The words "Hey! I am trans too!" Stuck in my throat and choked me!
I am interested in hearing from people all around the spectrum of trans. How do you come out? Are you stealth? If you are how do you come out? Do you feel any need to? Do you come out at all?
As I reread this I realize I am asking the same questions I did when I was 16 and working out being trans for the first time. Full circle?
I am in a weird backwards place. I was never afraid of coming out early in my transition. Now 20 years later, I can't do it.
I'm not ashamed. If someone said something bad about trans issues I would be the first to try to work with the person.
Writing here is prolly the first time in a decade I have communicated about being trans away from friends that know.
Feedback?
TLDR: I'm 22 years(43 yrs old) into my transition and I can't come out anymore.
P.S. If you feel like blasting me don't waste your time. I ignore trolls.
Thanks!!
submitted by Flat-Imagination6202 to trans [link] [comments]


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2024.05.20 20:27 AjulTheThing An introduction to a short story I'm writing

This is going to eventually be a comic, but I need to learn how to actually make comics before I do that. In the meantime, I figured I'd keep the dialogue and write more traditionally around it to practice. Any feedback will be appreciated!
-.-.-.-.-.-.-.-.-
It's the start of the final frame. Duncan fixes his gaze down the lane, his bowling ball in hand at chest level. He makes his way toward the line, reels his arm back, and lets it glide right off his fingers and onto the lane with a satisfying thud. In no time at all, each and every pin is knocked against the backboard. Yet another effortless strike. Duncan is pumping his fists in the air in celebration before the screen even gets to the fever-dreamy result animation.
"Woo! Two more of those and I'll pass 250! You seeing this, Ajul?"
He looks back to Ajul, who despite the earplugs and fidget clicker mostly zoning him out, has been watching attentively throughout the game. He silently nods back at Duncan, who can tell that he's very captivated.
"I'm shaking, man..I've never done this before. I can't lose focus now," Duncan says, taking a breath, grabbing his ball again from the rack, and swinging it down the lane again. Another strike, just one more to go. Duncan doesn't even bother to look at the screen this time, keeping his focus on the center pin as he picks the ball, sending it down the lane one last time. He keeps watch of that one pin for what feels like forever. But eventually, finally...contact is made.
He feels the tension whisped away from his body as the ball crashes through the wall of pins, not a single one unaccounted for. Rushing back to the booth, he looks up at the screen to fully see his accomplishment - 257.
"YES! 250, finally! Look at that!" Duncan runs in circles from excitement, practically lifting himself off the ground before dropping his full weight back into the cushioned booth.
"Hoooly shit I feel good right now. Just think of if I manage to do that at the tournament, I don't think anything else would ever top that."
Ajul looks around at the other screens for a moment, before looking back down at the ball rack. "Isn't the maximum score in bowling 450?"
"Yeah, but that feels like too much work." Duncan looks up at his score again, realizing after a moment that the there was still a turn left. "Oh yeah, you got one more. Surprised you didn't already get started on it."
"Mm.." Ajul puts the clicker in his pocket, walking over to the front of the lane. He picks up the size-6 bowling ball he selected, getting a feel for its weight again. He readusts his stance in front of the markers, slowly adjusting his arms to match what he had seen in all of the tutorials. Finally, he pulls his arm back, keeping track of the angle at every moment, and lets it glide right onto the lane.
And, subsequently, directly into the gutter again.
Once again he's just left confused - he did everything correctly, and somehow the ball managed to fly in a completely different direction. He stands there, just staring at the end of the gutter in bewilderment for a moment, even once his ball had already returned.
"Come on, man, we've went over this before. You can't just work it out in your head, you gotta get a feel for it. Experience, muscle memory, all that stuff." Duncan stands up, coming over to Ajul and handing him the ball. "This time, don't think about lining up. Just swing back, step forward, and let it go."
Ajul takes the ball in hand, hesitantly stepping backward. Unable to look at the pins without thinking them over, he closes his eyes and takes the first step. Having put himself into the motion, he opens his eyes again, looks at the pins as a single target, and lobs the ball across the lane without a second thought.
He stops in that last pose. His heart is racing, anticipating whatever is going to go wrong. He flinches as he hears a noticeable thumping sound, but eventually it brings his focus back - the left 3 pins are gone. He just did that. He hit those down, and he wasn't even trying to.
Ajul is ecstatic, barely hearing Duncan's muffled out congratulations as he's taking in what just happened. He tries to keep himself composed, although he's still shaking from the excitement of it. He runs back to look at his score...
14.
"Sucks to suck, man," Duncan teases as he comes over, picking up his ball and briefly inspecting it. "You had fun?"
Ajul nods again in response, getting out his clicker. "Mhm."
"You hungry?"
He nods.
-.-.-.-.-.-.-.-.-
The two find themselves a pair of seats at the alley's bar, getting their orders in not long after. Duncan orders a draft beer, though Ajul just gets a water.
Duncan looks back at the lanes, and soon decides to break the silence. "Y'know you could get a lot better at this if you get used to the feeling. There is a bit of thinking you still gotta do, you just can't rush into that part before your body knows what it's doing, y'know?"
"I guess so..." Ajul pauses for a moment, not sure what else to say. As he thinks, he finds himself briefly watching the rhythmic tossing and swapping of pots and pans in the kitchen, being enthralled by their coordination. "Being honest, I like watching you bowl more than actually bowling myself."
"Oh! Speaking of that, my tournament is this Saturday. You could absolutely pop in to watch me there." Duncan is briefly interrupted as his beer arrives. He takes a sip, looking at it for a second after. "Plus, the uh..the normal guys aren't all that interested in bowling, apparently."
"I see. Well, I have nothing going on this Saturday, I'll make sure I'm there."
"Sweet! Should be able to be in the booth with me, too. Front row seats, don't gotta get up for anything, how's that sound?"
"That sounds nice." Ajul nods happily, as a bartender comes over with both of their plates.
submitted by AjulTheThing to writers [link] [comments]


2024.05.20 20:24 SeredW Into the heart of Romans: Romans 8:34-39 Nothing Can Separate Us From God’s Love

This is the final installment in the series about N.T. Wright's 'Into the heart of Romans'. Originally a collection, that feature has since been deprecated by Reddit, leaving this series as a bunch of separate, unorganized posts :-( I'll add a flair to each of them later to make them searchable (edit: flair added!)
What I've learned about myself: I am bad at finishing books. By the time you've read 80% or so, the main conclusions and revelations have usually been drawn, and I have a hard time pushing through and finishing the whole thing. This weekend I finally made time to finish writing this final part for this book, after beginning this series months ago. I apologize for the delay.
I am grateful to Wright for writing this book. It is a grandiose view of God's love, the work of the Messiah and the Spirit in and through us. It is really worth checking out!
Without further ado, the final chapter.

Romans 8:34-39 Nothing Can Separate Us From God’s Love

‘Romans 8 ends on a note of wonderful confidence’. Philosophers have always tried to find solid ground, how can we know? Decartes claimed ‘I think, therefore I am’ (cogito, ergu sum) and ‘much subsequent western thought has tried to build on that, with (to say the least) mixed success’. Bishop Leslie Newbigin even altered that statement some time ago into ‘tesco, ergo sum’: I shop, therefore I am!
But Paul says something different: Amor, ergo sum: I am loved, therefore I am. ‘The gospel urges upon us an epistemology of love’, not simply the feeling, but agape, the generous self-giving which affirms the reality of what is known and loved. When Paul says ‘I am persuaded’ in verse 38, he isn’t just summing up Romans 5-8 but he’s also looking at ancient intellectual life and philosophy, saying ‘this is where you can stand’.
This is the love of God the creator, anchored in Jesus. In this passage Paul lists grave threats and forces aligned against us, but ‘the gospel itself, the message about Jesus crucified, risen, ascended, interceding, holds us in place despite everything: God’s love in the Messiah, Jesus our Lord’.
This answers the first common question, about the beginning and the end of the section, we’ve answered in each chapter so far: it begins and ends with God’s love, in verses 35 and 39.
For the second question, we’d usually look at the small connecting words, but again Paul isn’t using careful argumentation here, but a rhetorical device: seven threats in 35, and larger powers in 38-39a. Paul invokes Psalm 44 when speaking of the threats, but then claims that ‘the one who loved us (37) will enable us to be not just victorious, but super-victorious (hypernikomen). Why (gar, 38)? Because no forces on earth or in heaven can separate us from that same love.
The third regular question: what about the wider world in which Paul’s hearers would receive this message? The ‘question of confidence’ is vital, today as it was back then. We know God will look after us after death and we can cling to Jesus when bad things happen, but there is something else going on here.
People in Paul’s culture (and today!) might interpret the bad things happening to Christians as a sign that God was angry with them. They assume that if you live your life in tune with God, you wouldn’t have any problems. But if there are problems such as persecution, ‘the people or indeed the whole movement had obviously gone off the rails.’ Wright here devotes a few paragraphs to criticizing the western world, as pandemics and wars disrupt what seemed to be a success story but made victims along the way. ‘How should we look out upon a world in a mess?’ That question must have occupied the minds of Roman thinkers as well, as the empire’s rhetoric of peace and prosperity sounded hollow, especially to Jews at times of anti-Jewish riots or for instance when Caligula tried putting a statue of himself in the Jerusalem temple. Jews read Daniel’s prophecy about the 490 years and they too expected God to step in when the situation became very bad or dangerous. ‘For all these reasons, the two lists of dangers and hostile forces would represent real and present threats to Paul’s hearers’.
Paul had been questioned about this before. In Corinth, some wondered whether God would allow a proper apostle to lead such a bizarre life as Paul had, including persecutions and dangers. In 2 Corinthians, Paul turns that argument on its head in a ‘glorious, ironic rebuttal’: all the bad things that happen to Paul, he insists, are actually ‘the defining marks of genuine apostleship’. Romans was written not long after 2 Corinthians and Paul may have thought about vulnerable Christian groups in Rome, too. For instance, the gentile believers in Rome might regard the Jews, who were expelled under Claudius, as ‘obviously under divine displeasure’, which could lead to these gentile believers becoming ‘Job’s comforters’ to these Jewish Christians when they returned under Nero.
Wright ‘suspects’ that Paul isn’t just talking about ‘assurance of final salvation’ here but also about ‘penultimate assurance’, which his part of the doctrine of justification. This assurance is what we as Christians ought to give to one another: ‘we are to see one another’s misfortunes and sorrows, not as signs of God’s displeasure, […] but rather as part of the calling to share in the messianic woes, in wich – as in verses 26 and 27 – the spirit is calling out to the father from the heart of the pain and perplexity’.
Christians still make mistakes, some still step off ‘the steep ladder of vocation and settled for a gentler climb’. Compromised Christians or a worldly church no longer challenge their wider community. But those who refuse to slide into the world’s ways of thinking may well face real trouble. Paul makes that point in verse 36, where he cites Psalm 44. In that psalm, the psalmist celebrates God’s promises, but complains that they have not been coming true, even though they have kept the covenant. They have remained faithful, and yet this is happening. The psalmist concludes: it must be because of you, it is ‘for your sake’ (Ps 44:22). He knows God is in charge, but there must be ‘stranger, darker and deeper things going on in the world than one would see on the surface’. There were earlier allusions to Ps 44 (Rom 8:27 echoing Ps 44:21) and now Paul points to the next verse, Ps 44:22 to express the belief that the ‘severe troubles of God’s people are somehow for God’s sake’. As seen in 17-30 already, ‘the point seems to be that those facing severe troubles are somehow sharing in the Messiah’s present redemptive sufferings’, a point on which Wright will later elaborate.
Paul isn’t simply saying ‘everything is going to be all right, nothing else really matters’. He is saying that in a way, but he is doing so in a world that saw misfortune as a sign of divine misfortune. No, this is part of our vocation, our calling to bear in the spirit the pain of the world. This is part of our salvific ministry in and for the world. ‘Paul is, as it were, applying the unique fact of Jesus’ crucifixion to the present sufferings of Jesus’ people as they stand in prayer, as in verses 26 and 27, at the heart of the suffering world’. Our sharing in the messianic woes makes us part of the way in which Jesus’ victorious death is applied to the world (Colossians 1:24). ‘With the spirit groaning within us, we are called to share in God’s rescue plan for the whole world’.
Let’s remind ourselves how the last five verses work. There aren’t many connecting words. The troubles mentioned, just like the cross of Christ, aren’t unpleasant or ghastly things we have (or Christ had) to endure, but actually the setting for the greater victory, in which ‘all opposition is not just defeated but swept off the board’. Twice Paul uses alla, but, to make this point, in verses 36 and 37. In 38, we then get a gar which explains this seemingly counter-intuitive super-victory, which is based on the ‘unbreakable love of God himself, of which Paul has become utterly persuaded’. This love is the framework for these verses, opening with the Messiah’s love in 35 and ending in 39 with ‘the love of God in the Messiah Jesus our Lord’. Verse 37 too mentions love, as a halfway stepping stone. And with this, this major portion of Romans (5-8) returns to where it began, in Romans 5, where God’s love is displayed in action in the death of Jesus, and is being poured out in our hearts by the spirit. Paul has now, at last, worked his way back to that ‘great statement’.
Paul offers two lists here, as part of his heightened rhetoric: 7 bad things that might happen to you in verse 35, and ten power structures that might be arranged against you in 38-39. Seven plus ten, in ancient rhetoric, indicates a kind of completeness: ‘anything and everything the world, the flesh and the devil might throw at you.’ 31-39 draw together ‘the whole scripture, all human experience, the whole hostile world, and the whole victorious gospel’. Nothing can sepate us, those in the Messiah, from the love of God. And for the first time since Rom 5:6-10, Paul makes clear that it is all about that love.
Wright thinks we don’t ‘sufficiently ponder’ what that means. We know about Gods love, but to we really understand it? Wright proposes to ‘rattle the cage a bit’. First, many Romans believed Rome had a secret name, its Latin name spelled backwards: Amor, Latin for Love. Romans believed they descended from Aeneas, the son of the love goddess Venus. It’s ‘quite possible’ that Paul here is reclaiming love (agape), as ‘the deepest truth of the creator God’ instead of as a secret name of a pagan city. This matches with the other ‘subversive’ way in which Paul appropriates Roman imperial language for the Gospel, such as ‘gospel’ and ‘Lord’ (kyrios), words Rome used for its own rulers and messages of imperial benevolence and peace. Paul reclaims those words and applies them to Jesus as the true ‘Son of God’ and lord of the whole world, bringing true justice and peace. ‘No wonder the rulers and authorities of Paul’s day struck back in every way they could’ and that is the context for the final passage. Second, in verses 35 and 37 Paul speaks of the Messiah’s love, the love of Christ. That is actually quite rare. Wright lists a few examples in 2 Cor 5, Gal 2, Eph 3 and 5, but that’s about it. Paul speaks often of the love of God ‘that sent the son to die’. And when Paul speaks of grace, he speaks of ‘the grace of Lord Jesus’, not of the Messiah. So why, here, the Messiah’s love? In scripture or extrabiblical sources, there ‘is nothing to suggest that if and when a Messiah turned up he would act out of love. Ruling, bringing justice, defeating enemies, but not love. So where does it come from, here at the heart of the passage and the rhetorical climax of the letter so far?
The answer must be ‘the great Biblical theme of the love of YHWH himself, Israels God’. And the idea of the Messiah’s love must mean that the Messiah is the personal embodiment of Israel’s God. God loves his people (as we see in scripture, Wright cites examples) and the Messiah ‘clothes that love in human flesh and blood’.
And to speak of God’s love is to speak of the covenant, God’s unbreakable loyalty to his people and covenant renewal through the Messiah. Now, European philosophers since Hegel have thought in terms of progress through either evolution or revolution. It can’t be both, and theologians have likewise said that Paul’s theology can’t be both ‘covenantal’ (evolutionary) and ‘apocalyptic’ (revolutionary). These categories have joined ‘forensic’ which has been used to analyse Paul, which means ‘belonging in a law court’. But, in Romans 8 we have ‘in the same breath, the covenant with Israel, now focused on the Messiah, and at the same time we have the sudden inbreaking of God’s powerful rescuing love in the new messianic exodus’. ‘Apocalyptic’ and ‘covenant faithfulness’ fit together in ancient Israelite and Jewish thought. Paul has also spoken of the unveiling (apokalypsis) to the world of the justice of God. All this explains, says Wright, why he sometimes translates the key term dikaoisyne not as ‘righteousness’ (which has its own modern theological misleading connotations) but as ‘covenant justice’, which draws together the covenantal and forensic categories together, in line with the Hebrew tsedaqah which in the Septuagint is often translated with dikaiosyne. We have to stop applying post-Enlightenment, modern categories; we shouldn’t give 19th century answers to 16th century questions, but 21st century answers to 1st century questions. We have to think like ‘first-century, Bible-soaked, Messiah-focused Jews’. That’s the only way to learn to understand our own world.
This agape love of which Paul speaks, what is that exactly? Not some special sort of Christian love; the Septuagint uses it for God’s love for his people as well as for destructive lust. The early Christian use of agape picks up on the theme of the Hebrew hesed (mercy, loving kindness, generosity) rather than a linguistic phenomenon. Both Paul and John use it to indicate the ‘biblical theme’ of divine love and God’s faithfulness to his covenant and its purposes, now fulfilled in Jesus. But, again, Jewish and Biblical thought never links this to the Messiah. There are three other (converging) answers as to why Paul speaks of the Messiah’s love. **First, ‘**early Christian throught began with reflection on the resurrection of the crucified Jesus’. This had to be the revelation-in-action of the long promised divine love, if it was the new exodus: God the Creator had at last remembered his long promised mercy. God had promised to reconcile the world to himself in reconciling love, and this had happened through the Messiah. God’s plan for himself and the Messiah converged in a way that was not apparent from contemporary Jewish readings of Scripture, but it became obvious in the light of Jesus. Wright connects this to the hesed Adonai, the loving kindness of YHWH himself. Second, Jesus’ first followers did not separate his resurrection from their memory of him before his death. Jesus displayed a ‘sovereign kindness in so much of what he did’, his closest followers knew him, and they spoke of his crucifixion itself as the supreme act of love. (John 13:1). Third, ‘the church’s present awareness of the person of Jesus himself’. ‘That strange presence’, always loving, promised and experienced in the sacraments for instance. ‘The Jesus who was experienced as a man of love before his crucifixion was known personally as the loving Lord in the intimate prayerful life of his followers’. ‘Memory and experience dovetail with the scriptural promises of YHWH’s rescuing love’, resulting in this remarkable theme, written less than 25 years after the crucifixion (!). This is, then ‘a radical innovation in Jewish messianic thinking’, as Jesus’ first followers came to see him as the human embodiment of Israels God. This passage is designed to give comfort and assurance, but underneath is a revolutionary theology of incarnation. Coupled with what has been said in Rom 8 about the spirit (pneumatology), this is ‘one of the greatest expositions of Trinitarian thought from any point of Christian history’. Not in the shape of cold theory, but in the shape of gratitude, allegiance, faith, hope and answering love.
At last, we can now walk through these verses and see how they work.
In 35b, Paul lists ‘the physical dangers and threats he himself had met’ or expected to meet, and his hearers might encounter soon as well. In the Greek, the list has an ‘audible punch’ which is not easy to pick up in English.
·Suffering and hardship: physical pain and cultural challenges such as loss of home or job.
· Persecution: Paul had experienced it and he could see it coming for the community in Rome.
· Famine: uncommon for us westerners, but a regular occurrence in those days.
· Nakedness: could happen after a shipwreck or at a public beating.
· The sword, machaira, a short sword used for executions, not in battle.
In Paul’s days, many would have said that if these things happen to you, the gods must be angry with you, you must have done something wrong. But in vs 36, Paul cites Ps 44 to ward of any suggestion that divine displeasure is causing these things. In Ps 44, the psalmist says that ‘all these things have come upon us, but we have not played you false or denied the covenant’. We suffer ‘because of you’ says the psalmist and Paul echoes that, we suffer ‘on your account’ (heneken sou), because of you we are sheep destined for slaughter. These sufferings are not signs of heaven-sent anger, but but ‘actually the outworking of the purpose which was sketched in 8:18-27’. What’s more, this verse closely echoes the Isaianic language for the suffering Servant, in Is. 53:7. That means these sufferings can be seen as ‘Messianic afflictions’, not just some nasty things to get through. They are to be embraced as part of the ‘redemptive vocations’. ‘This is where the wounds of Jesus meet the wounds of the world’. We are ‘reckoned’ sheep for the slaughter, just as the Messiah, when we are baptized and justified in him.
BUT… verse 37 begins with alla, ‘but’. Don’t let all these things ‘dominate your horizon’, because ‘in all these things we are super-conquerors, hypernikomen’. The enemy has been completely wiped out. Through our participation in the messianic sufferings, the ‘pain and the anger of the world may itself be exhausted and overcome’, through the supreme act of love of the Messiah and our participation in those sufferings, when we go ‘prayerfully to the dark places, to bring God’s light and healing right there’.
The reason for this ‘extraordinary analysis’ is given with the gar of verse 38, pepeismai gar. Paul is persuaded, he ‘has done the math’. He has listed 7 dangers and 10 powers that could attack us, ‘and he declares that none of them can come between the believer and the lof of God in Messiah Jesus’. The list of ten dangers is mostly arranged in pairs. We can read this list as ‘north, south, east, west’: Paul is covering the bases, it includes our possible states (life and death), the past and our (uncertain) future, powers in heaven and on earth, and anything in the cosmos. All of this is created, they are all creatures, ‘part of the world made by God, whereas the gospel is about the incarnate love of the creator himself’. These creatures, taken over by powers darker than themselves might indeed try separate us from the divine and messianic love, that is part of the ‘groaning of creation’, the out-of-jointness of God’s good creation. That creation will be rescued from its slavery to decay (8:19-25), that is the ultimate answer to that problem, and therefore also to any intermediate problems that might arise from the ‘creatures’ as they still are. Paul has lived experience with these powers, but he knows they will fail to separate us from the love of God.
Our human love experiences separation regularly (travel, work, death), but this love gives assurance of eternal unbreakability. Hard to imagine, but that is what the gospel provides. And with Paul, we need to be persuaded of all of this, ‘because of the resurrection of the crucified son of God’. It doesn’t all depend on the cross like some think, either because of a theological liberalism or because their specific atonement theory doesn’t really seem to need the resurrection. But the resurrection is the victory, where the creator God declared that the crucified and risen was indeed really his son, Israels Messiah and the world’s lord.
That’s after all where Romans began, from 1.3-5. Wright briefly recaps Romans from 1-5 and then 5-8. In the end, 8 ‘comes back full circle’ to the introduction in 5:1-11: ‘justification leads to glory, marking out the path of suffering and hope, sustained by the spirit-given love of God’, ‘this in itself is rooted in God’s action of utter self-giving love in the Messiah’. ‘That is where this first half or Romans now concludes’.
The victorious covenant love of God isn’t some fuzzy generalized sense of the transcendent or something like that. It’s not some conviction you have to talk yourself into. No, his conviction, persuasion and assurance all follow from the central ‘good news’ event of Easter. ‘If God really did raise Jesus the Messiah from the dead… then everything follows’. Wright here repeats an anecdote he often shared as a speaker, about a London cabbie who saw Wright was a bishop, and said to him: ‘What I always say, is if God raised Jesus Christ from the dead, then everything else is just rock ‘n roll, innit?’ ‘That is Paul’s doctrine of assurance in a nutshell. Nothing else in all creation can separate us from God’s love in the Messiah, Jesus our Lord’.

submitted by SeredW to eformed [link] [comments]


2024.05.20 19:42 Faisalowningyou Some angles I think Drake should have tackled on "The Heart Pt 6"

I will try to quote lyrics utilized by other rappers to summarize certain angles that I think would have really hit home if Drake used. not that I think the public bias would be any different, but yeah just some food for thought if anyone care to read

Tupac

But you know what the fuck I think is just pathetic and g*y? When niggas speculate what the fu*k 'Pac would say You don't know shit about a dead man's perspective
Immortal Technique - "Obnoxious"
The way Kendrick keep bringing up Pac like he got a monopoly on his perspective, when he didn't even meet the guy is cringe. Like he said with a straight face in an interview that Tupac came to him in a dream and told him ‘Keep doing what you doing, don’t let my music diee,’” .... please

Mother I Sober

I don't mean to be insensitive but well Kendrick already said much worse stuff on MTG so there is no lines left to cross. Drake could have tackled this angle way better; I remember when this song was released that some people took it to be that this song is about Kendrick coping and suppressing a se*ual assault. Drake should have cast doubt on the whole point of the song. I get it that this is what he did to some degree but I am amazed at the amount of people who rebuttal this by saying "He didn't even hear the song" "He is lying... Kendrick said he wasn't touched" and take things too literal

The Conscious MC

But what's your excuse, duke? You talk Black But your album sound like you give your nuts for a plaque
These pickaninnies get with anything to sell records Cause it's trendy to be the conscious MC But next year, who knows what we'll see
Nas - "These are our heroes"
And y'all buy the shit, caught up in the hype
'Cause the niggaa wear a kufi, it don't mean that he bright
'Cause you don't understand him, it don't mean that he nice
It just means you don't understand all the bullshit that he write
JAY‐Z - Blueprint²
This also could have been a very good angle to come at Kendrick pointing out he only came to the mainstream after transitioning into the "Conscious MC"

His time working as a security guard

like this is a hilarious thing on it's own given Kendrick's physique

Psychotherapy

Could have went at how hateful he still is despite all the therapy... I swear this could have been a great angle for a "Napoleon complex / short-man syndrome " funny inserts.

Talking J. Cole out of the Beef

it was rumored that J. Cole was advised by Schoolboy Q to exit the beef.... I don't know but that sounds sus to me. If you have no intention of going toe to toe with him in the first place, why would you throw shots at him then squash it when he replied. I get it he can't go at both guys simultaneously but aren't you the boogeyman

The 2014 allegations

Kendrick allegedly beat a woman in a Las Vegas hotel

Lupe Fiasco Plagiarism

From the all black album covers, to album that can be played backwards, to the whole ninja persona
submitted by Faisalowningyou to Drizzy [link] [comments]


2024.05.20 18:18 Chavez1020 Chapter from a book I'm writing

Hey, been writing this for a while. Got a dozen chapters at the moment. All of whom are interviews from veterans after a global war between humanity and aliens.
The premise is that after a short conflict/flashpoint between NATO and Russia in the baltics, that region becomes incredibly militarized as both sides pile up army units preparing for an inevitable conflict in the near future. Then you have meteors hitting Lithuania and Latvia. Which turns out were carrying an unknown Alien race which attempted to desperately colonize earth after their home planet was rendered inhabitable.
This is but one of the chapters. Fyi when they refer to crabs, they are talking about the alien cannon fodder units, 1 to 3m tall bipedal beings that have the face of crustaceans.
Feel free to give me any criticism you'd like. This is just a taste of what I'm working, if people are interested I will share more.

November 2034, Gdansk. European Federation


Pzschemek courteously welcomes me into his apartment, gently balancing his half-asleep young boy in one arm as he opens the door. The 34th floor of this public housing tower was completed just a year ago. As a combat veteran, the governement paid half of the price on the already affordable apartment. Since the official end of hostilities and the remarkable population surge, these towering structures, inspired by their Asian counterpart, have sprouted in nearly every remaining major city across the continent. Having seen combat from the start all the way to the end, I was referred to him by the head of the Polish Army Land Forces who was his battalion commander during the start of the war.
I'm offered a seat on the living room sofa, amidst scattered toys and clothes strewn about. He settles across from me, his son peacefully asleep in his arms, after preparing coffee for us.
A veteran of the war, he had seen combat all across Poland as a tank commander.

"When I began my training, we operated with the PT-91, an upgraded Soviet-designed T-72—sturdy, but we viewed them as deathtraps. Just imagine our optimism when my battalion received our first Leopards 2a7. Transitioning from a 1980s Soviet tank to modern german, American and ever Korean tanks—before the war in Ukraine, even entertaining such a notion aloud would have warranted a psychological evaluation. After a year or so. I knew that thing inside and out. It had short comings but it was a beauty.

He points to a frame on the wall—a cutout of a newspaper front page. It depicts him and his other crew members atop their tank ‘Sokoly’ written on its cannon, with a destroyed tripod lying on the floor behind them, the backdrop a sight of a ravaged city. With the title; “Our boys took Vilnius!"
"We made the front page of Gazeta Wyborcza with that picture. Our company commander sent it in. My parents hadn't heard from me in weeks, and one day, he recognized me on the front page at a news stand."
His face lights up with a warm smile.
"We hit the road five hours after the first landings. My vehicle was still getting fueled when I drove into our base, rushing to the briefing room in my jeans and rain jacket. I was expecting orders to be to rush to the Belarusian border or help out our guys in Lithuania to fend of the russians. Instead, our company commander starts talking about visitors from another world, how the info keeps pouring in every minute, but everything's still up in the air. We didn’t believe him until we saw the footage of the meteor landings, or air force footage from the airstrikes on beings we didn’t even know could exist. That one footage from that tank station, those crabs walking in and shooting all those civilians really set us off. That segment where one crab ripped out the arm of a dead man to make sure he was dead must have filled us with hate. Even do we didn’t know who or what they were. We didn’t ask too many questions. You’d expect us to yell out stuff in the likes of “Have we tried to make contact with them? What is the United Nations saying? From what planet are they?” but the only questions that could be heard was “Did the 2-5 tank get its tracks fixed? How much water should we take? Do we get our shells here or the TAA?”
“We were scared don’t get me wrong but I’m still proud of my boys, Its been a while but we still have contact with each other. Last summer I was the best man at my loader’s wedding.”
After laying down his boy, who had just woken up, he watches as the little one instantly grabs a toy police car and starts playing with it. Pzshemek gazes at his son, lost in thought, as he happily engages with his toy.

"We spent five hours on the road, with our tanks hitched onto trucks. When we finally reached our deployment area, chaos was everywhere. The roads were packed with cars from the north—Polish, Lithuanian, even Russian and Belarussian plates. People crammed into buses, I even saw a truck with an empty container but packed with civilians inside. On one van, boys sat on top, like scenes from trains in India. It's a miracle we only arrived an hour late. In Suwalki, we turned an Ikea parking lot into a makeshift FOB. Half of it was filled with troops fresh back from Lithuania and the border. Fresh might not be the right word. They were ravaged, they sat in silences. Nearly all with bandages or injuries of some sorts. The heavily wounded were being treated in tents and civilian ambulances. The dead layed in rows and rows of bodybags. They had commandeered one of or trench building vehicles to dig a mass grave for them. Helicopters landed, unloaded countless men and they loaded the helis to the brim with the injured. Tents and tents of make shift hospitals. More and more troops arrived. They looked like they’ve been to hell. I remember at one time my gaze met one of the men. I was looking around until I saw him looking at me. He was sitting on a stretcher being treated by a paramedic, his chest and arms were burned black. He was staring at me. I don’t know if it was the morphine or the shock, his gaze wouldn’t leave me. Fighter jets kept buzzing us. On our way to bomb targets and to slow the advance of the crabs down as much as they could. I was confident on our way there but the sight of all those defeated man made me want to empty my guts. We got called to a tent to get a briefing on the situation. There was a white board with grainy pictures of what we could expect. Even drawings. It was the Polish military attaché to Lithuania himself who gave the briefing to us. He looked like he had been to hell. I learned later he had to be restrained with the help of punches and shoved into the last helicopter out of Vilnius by his men.”
“What did he discuss?”
"We're in the dark, and we're counting on you to keep us informed as you hold the line. My English doesn't do it justice, but that was the last thing he said before we set out. We knew more different type of enemy assets would emerge as they settled in. Turns out, our drones spotted them digging into the meteors they landed in. As we left the FOB, they were loading everything onto anything with a motor and wheels. They didn't anticipate us holding our ground. Now, that's what I call motivation.”
Our chat got interrupted when Pszemek's wife walking into the apartment, decked out in nurse scrubs and juggling grocery bags. Pszemek jumped up to help her out, and they headed to the hallway, chatting away in Polish. Before she disappeared into the dimly lit bedroom, they stole a quick kiss.
“She has the night shift.” He said coldly as he put away the groceries. “We got on our tanks, our entire company made it and we were lined up platoon by platoon.
I closed the hatch, sat down, put my helmet on. My loader who also was my assistant of sorts. Installed the radios, helped copy the maps our lieutenant got, made coffee or passed drinks. He gave me a thumbs up, it was our signal and it meant we had radio communications with everyone that mattered. I pressed the push to talk of my microphone. “Everyone in position? Sound off!” I tried to say firmly and calmly. I knew back then it wasn’t the time to show any fear to my boys.
“Driver ready!” One voice yelled loudly. “Gunner ready!” followed by “Loader ready!” we set off right after that
At Suwalki we had to hold the highway entering the city from the north. Nothing particular, just fields and roads. We would have excelled there if we faced anything other than that. As dawn broke. The air strikes and artillery lured closer and closer. Along with our reconnaissance elements on the radio notifying us every time they got one kilometer closer. We could just sit there, it took us five minutes to mark and call out points of interests in that field so that we could communicate quickly during the battle and then we counted down the kilometers between us and them. Some men smoked, wrote letters. My gunner, a young guy he must have been 19 back then. He opened the hatch suddenly to vomit outside. Our nerves were all over the place. We nearly shot our recon troops as they speeded through our lines. They rushed through us and took cover behind us. They had done their job warning us and coordinating airstrikes. I told my boys it was our moment to shine. That whatever may walk,run,crawl over the border that we were the Polish anvil set on stopping them. We sat at two kilometers from the first woodline. We had infantry in the woods to our west and east. We had the open fields. We had to stop them or win time for the folks in Suwalki. But this wasn’t Lithuania, Latvia or Estonia. This was Poland. We wouldn’t give them an inch. We all grew up listening to our grandparents talking about what the Nazis and Soviets did to them and to our country.
At first, it was lone crabs on that wood line. They moved from tree to tree. We could see their silhouettes on the thermal sights. As more of those crab joined them we didn’t bother to shoot. We called in the mortar platoon to take care of them. Even after the mortars landed and took care of the first ones, their numbers grew. Then when there mobs of them we called in the 155mm artillery. It turned that forest. We felt the shockwaves as it blasted them. Trees were shredded and their pieces sent hundreds of meter away. Then we heard the first rumble of the beetles. I still have no idea why they didn’t appear on my thermals with all the heat they were carrying inside. If it wasn’t for the dawn and the reflection of the moonlight I might not have seen it until it was on top of me. Those things were as big as an apartment block. I still can't wrap my head around how those beasts survived a journey across galaxies. Must be why they were so darn hard to kill. We had no idea how they fought, how fast they could move. We called them beetles because it was the only thing earth like we could remotely compare them to in shape. I felt my heart race when I switched to normal sight and saw one of them move. I was looking right at it yet it appeared black as the solid on my thermal heat sight. There must have been six of them pushing that field alone. Against twelve of our tanks and three platoon’s worth of infantrymen and IFVs, you'd think we could've held them. But when they carpet-bombed us with fire, everyone lost it. Those beasts opened their mouth as their throat expanded, the fire inside of that could hurt to look at if you watched it with the naked eye. We didn’t know what to expect, but them spitting magma on us wasn’t on our bingo list so to say. Sure, they were two hundred meters short, but everyone outside of tanks must've felt the heat. They fired what could only be described as ropes of magma all in unison. The infantry platoon beside us, even the most ‘gung ho’ grunts who had had time to dig trenches, said ‘fuck that’ did a 180 and sprinted back a few hundred meters. Our platoon commander was swearing up a storm on the radio, trying to get their commander to get his men in order. Can't blame them. We opened fire right after their attempt to cremate us. I told my gunner to aim for the head and fire. Even with the shock of the 122mm armor-piercing shell hitting it, the thing just staggered and kept moving. Even in the tank, with all that armor and my ear protection, I could still hear my colleagues unloading on them. Again and again I ordered my gunner to go for the head. I still don’t know how they survived the kinetic shock alone of a shell like that hitting them. Later on in the war we learned that it gave them those weird types of concussions that made them act all weird, made them even attack their own side and such. But at the time, you can imagine me sitting there looking at them eating a tank shell like it was nothing. One shell hit its upper back. We saw the shell ricochet of its back and fly god knows where in the horizon behind it. My loader was grabbing shells and loading them in the breech at a rythm he could have gotten a medal for that alone. They were getting closer. The beetles and the crabs moving in with them. They spit fire again in unison. This time they were right on the mark. I heard the commander of the tank on my left yell in the radio as his tank ate hot magma. They were safe for now on the inside but the panic it instilled, there was nothing like it. Keep in mind, we still had 155mm artillery landing, it didn’t seem to be bothered by it even do the crabs next to those things were turned into moshed potatoes by the shrapnel and shock blast.
Pszemek got up suddenly to move his kid away from the kitchen as he tried to grab a hold of the hot coffee pot.
“little devil” he said silently.
“When I realized we couldn’t pierce it from the front I ordered by gunner to go for its knee caps. He didn’t hesitate and put its sight on it. The beetle was moving slowly enough for him to aim. My loader, exhausted from carrying shell after shell yelled out “GOTOWY” with a blood curling yell right before my gunner pulled the trigger on the joystick. The ignition on the shell shook the tank as it always did. It’s like a giant punch that makes the whole vehicle jolt backward violently. You can feel the force ripple through the tank, and everything inside shakes for a moment before it steadies again thanks to the suspension. The shell hit it right on the mark. The beast lost its footing. It crashed face-down, crushing a few crabs beneath it who were taking cover under it. It took a few moments for the creature to rise on another leg. Sharp as a fox, my gunner aimed for the first leg on the opposite side and fired another armor piercing shell through the meaty split between its strong carapace. The devil was down. With its front legs disabled, it had no balance. Instinctively, I grabbed the radio. The radio was buzzing with "NO EFFECT ON THE TARGET" and "LIEUTENANT, LET'S GET OUTTA HERE, FOR GOD'S SAKE." I shouted at my colleagues to aim for the kneecaps to slow them down. It got everyone to shut up and focus at the task at hand.



One by one, the beetles crashed in the mud. Don’t get me wrong, they kept shooting their magma at us. My tank got some aswell. It cooked our thermal sights and lazer warning receivers instantly. But since our engine was spared we just had to reverse back twenty meters and we were alright. We were speeding at 30km/h in reverse, I was praying there wouldn’t be a confused 20 year old infantry man end up under our tracks. The beetles were everything but precise. They even hit their own crabs as they desperately spat fire. The amount of which was drastically lower than earlier, their fuel tank just like ours were running low. One brave bastard on the radio yelled out for us to wait for it to fire and then hit it right in the mouth. That’s literally a tactic out of a video game. We did as he told. My gunner was with his sight right on what can be described as its mouth. His knee shaked in anticipation of the shot. I was looking at the gunner sight through my screen. As it opened its mouth, I didn’t even have time to yell “FIRE” that my gunner had already unleashed a high explosive shell down that thing’s throat.”
Pszemek looked at his boy with a warm smile as he thought back at one of the few good events of that fateful night.
“The devil exploded, the flash was so bright it lit up the interior of our tank through the periscopes. For a second I could see the exhausted look on my loader sweaty face. The fire gulf must have taken out god knows how many of the crabs taking shelter near it. My entire platoon followed suit and before long the entire field lit up with the explosions of those devils. I heard later from the folks in Suwalki that they saw the flashes of light all the way back there. One by one we took them out like that.
With the beetles out of the picture, we made quick work of the crabs. They were only five hundred meters away, close enough to start firing. Against our tanks, they didn’t stand a chance. The infantry was less fortunate. I saw one of them fire one of their shoulder mounted cannon, hit an IFV on its side and afterwards I saw the crew throwing themselves out of their vehicle as they burned alive. We took out three-quarters of them before they scrambled back across the field the way they came. Then we picked them off as they ran. Our coaxial gun was working overtime, we barely could keep up reloading that machine gun. I was praying it would’nt jam or overheat. With the last one down and our lieutenant on the radio, praising our performance, I unlocked my hatch, swung it open, and peeked outside. There were still patches of molten magma here and there, and the whole field reeked of sulfur and gunpowder. People were treating the wounded, some men cried, some men were laughing hysterically. Most of them were quiet. I lit up a cigarette, wiping the sweat off my face with a towel. The loader tossed me a can of Monster from our makeshift fridge. I gave him props for his work before he collapsed from exhaustion.

We could have stayed there, all of us would have been happy dying in that field if it meant we slowed their advance into our country. Turns out high command had other plans for us. We held but the units on our flanks were about to break. They had already plans for if ww3 popped off. They already know which unit would be desimated and which would have been spared if the Russians had decided to attack. The worst case scenario had a defensive line from Gdansk through Olsztyn all the way to Bialystok. We had the momentum as we cowardly fled back to Augustow. Stopping time and time again to give time for refugees to flee south. We were glad the Russians in Kaliningrad took a beating. They estimated they held ¾ of the crabs in the southern front. Every fight was harder than the last. We had less and less ammo. Jets were flying less and less. Especially when the crabs found a way to shoot them off the sky.
We felt like cowards every time. Sure we got allot of civilians safe, but even then we felt like we failed despite how many Crabs, Tripods or beetles we stopped.

submitted by Chavez1020 to MilitaryVStheUnknown [link] [comments]


2024.05.20 18:03 Fatikis42 Not a Spiral

Mods deleted the original meme, but I think it has an important nugget not often referenced. Alan Wake even begins to rant about it. We aren't just a spiral. We are dealing with intersecting loops and superpositions. Time and space looping back on each other at specific points. Far more chaotic than a spiral and traveling both forward and backward. Always both.
Future Alan tells us that he both leaves and never leaves.
https://preview.redd.it/bl65feiipl1d1.jpg?width=780&format=pjpg&auto=webp&s=3357849e1418f02dcc8007d192a03df425c9cbef
Why is this important?
My theory. Doctor Darling created The Dark Place. Watch the videos. (SPOILERS) - Alan Wake 2 - New Game Plus - Dr. Darling Video 2 - WITH SOUND! (youtube.com) Isn't it odd that The Dark Place is exactly what Dr. Darling expects? He thinks time isn't linear so in The Dark Place it isn't. Alone without stimulation other than with the exact equipment minimal equipment he needs to pick up a broadcast from an author. An author who just so happens to have his exact voice. As he continues to go insane from isolation. Doctor Darling keeps his spirits up, but he decides that because The Dark Place is changing based on his perception science isn't enough! Suddenly Thomas walks with a drink. The insane Dr. Darling thinks about an artist and one manifests.
But things don't happen in order in The Dark Place. Time isn't linear. Slowly they begin making changes to Thomas Zane. Thomas begins thinking of this place as a lake. The two write variations of himself and dive deeper into The Dark Place. Dive deep to the surface. Escaping The Dark Place always involves diving deeper. The changes don't stick. They aren't real enough, and they don't have a way to make them real. Thomas is real here, but he isn't really real.
Unless they can create one. If they create a way to make it real, it can always have been real. Slowly either Thomas Zane, Darling, or both create Alan Wake. A troubled child with nightmares whose very beliefs help manifest a light switch into an OoP. Alan Wake accidentally uses the Light Switch to simultaneously as Darling create The Lake. An expression of his depression. The lake in which he was drowning. Only due to Darling's belief of The Dark Place. The lake always existed. It was always real. When Alan actually created it didn't matter.
An interesting fact here is The Dark Place originally is neutral. When Doctor Darling is alone, he is a happy guy. Even with his isolation, his spirits remain up. At a point AFTER Zane shows up The Dark Place begins manifesting...darkness. Zane saw it less as an experiment and more as a prison. The dark thoughts that Doctor Darling kept buried were finally given a voice.
As people begin to think about the rules of this place, they become more concrete. No longer the small mental construct of Doctor Darling as others drown in the lake. Alan in particular due to his parautilitarian nature and his OoP has far greater control here creating a shadow New York distorted by his nightmares and others.
TLDR: Jeremy Bearimy didn't deserve to be deleted. You mods need to think twice.
submitted by Fatikis42 to AlanWake [link] [comments]


2024.05.20 17:15 Thirat_Atthiraride Anyone Have Some Useful Lucid Dreaming Advice That Works Fast?

I can't do a wake-back-to-bed technique because It messes up my sleeping patterns super badly, also I don't want to wake anyone else up with my alarm...again...I've tried the method where you don't move and you feel things and listen, and you lie on your back but I always feel myself getting sleep paralysis and falling backwards or just get really weird feelings that creep me out and I panic and ruin the whole process. I understand that these feelings are actually part of the whole lucid dreaming process, but I find them so difficult to cope with, I'm scared to death of sleep paralysis.
I keep a dream journal where I write down all my dreams, I've been doing this since December. My dreams recently have been very vivid but I never question them, sometimes I feel detached from myself in dreams, like I'm watching a TV show. I've had a lucid dream once before, so at least I know It's possible for me. Any help would REALLY be amazing!
submitted by Thirat_Atthiraride to LucidDreaming [link] [comments]


2024.05.20 15:33 Ross-Esmond The design of player choices.

No Pun Included recently reviewed the game Unreliable Wizard after having backed the project "rule book unseen".
Their review is unfavorable, and the game appears to fall prey to the same problem I keep seeing with some of the prototypes on here: the player's choices are rote. Efka presents the problem in terms of solo games, but it can apply to any type of game. I think this is something we could all benefit from understanding a little better.

The player's choices are the game; everything else is set dressing.

Everything in the box, from the board to the custom dice, is mostly just there to help present, administrate, and track the player's choices. We seem to understand this when it comes to game analysis—game theory exclusively focuses on player choice—but we sometimes forget this when it comes to design. Focus on the player's choices first and foremost. The player choices are the actual *game*; the contents of the box are secondary.
Note: There are board game genres based around execution, rather than choices, like Jenga, in which case my insight may not apply. In particular, my advice won't apply to dexterity, real-time, memory, or deduction elements of games, although many of these games will still include some player choices.

How to design a player choice.

The players should regularly have choices that satisfy three requirements.
  1. There are multiple distinct, viable options.
  2. The best option is neither obvious nor easily formulated.
  3. The viability of each option is affected by the board state or the strategy of the other players (or both).
I'll use Pandemic as an example. On any given turn, a player can
Out of these distinct and viable choices, the "best" option is non-obvious and dependent on the board state. Every single piece of information from the game will affect how good or bad these options are—the player's hands, the placement of disease cubes, the discard pile, etc. If you're familiar with the game, you can go down the list and check.
This setup creates a situation where the players have to observe and reason about the state of the board. They have to consider their decisions carefully, and the quality of their reasoning directly translates into performing better or worse during the game. That's the effect you're going for, and it doesn't happen by accident.
The design of Pandemic required that Matt Leacock fine-tune a multitude of specific features, like the infection rate, the number of epidemic cards, the number of player cards, the size of the map, the number of connections between cities, the number of diseases, and the number of allowable outbreaks. How does one come up with all these specifics? When designing the game, start from the intended design for player choices and work backward.

The design of the player choices dictates the design of everything else.

If you double the size of the player deck in Pandemic, players would no longer be under any time pressure to cure the infection, and they would stop choosing to spend turns trading cards to find a cure. That "option" would become unnecessary. The exact size of the player deck, the player's hand size, the number of cards needed to cure, and the number of diseases were all tuned to force the players to trade cards regularly, but not on every turn. You can do the math for yourself; if you adjust the numbers even slightly, some of the player's options quickly become non-viable.
Note: Some turns will occasionally have an obvious choice. That's fine. Pandemic regularly has turns where a player must race to handle a particular problem, but most turns are still agonizing. The design of board games is often statistical—a turn should have a high probability of being interesting. Some games also include "choices" that aren't really intended to be choices, which is also acceptable. In Wingspan, you can skip a brown power if you so choose, but most brown powers are flat benefits with no downside, such that the player isn't really making a choice. If some of your "choices" aren't really choices, that's okay, as long as there are enough real choices left over to make a compelling game.

Common mistakes in player choice design

I read a lot of your rulebooks and cards, and I've noticed some common mistakes to look out for. I want to reiterate, however, that some player choices are allowed to be rote. Most games will have some choices that constitute "the game" and some that are mostly just admin. This advice applies to those choices that you consider make up your game.

Mistake #1: The viability of the player's options depends on neither the board state nor the expected strategy of the other players.

This is the most common mistake I see, and it was the chief complaint that No Pun Included had with Unreliable Wizard. A good game has the viability of most player options depend on either the board state or the strategy of the other players. In Pandemic, my choice to pick up infection cubes depends on the number of cubes on the board, my position relative to those cubes, the allowable outbreaks remaining, etc.
Choices can also depend on a player's understanding of their opponent's strategies. This is most evident in worker placement games. In Dune Imperium, I can try to deduce where my players might go next based on their resources and deck, which is board state, but I can also base my deduction on their apparent strategy. What spaces do they like to go for given the current situation? Do they tend to spend their coins on troops or to save them for the swordmaster?
I encourage everyone here to think of the choices you have to make in your favorite game to see what I'm talking about. If the viability of player options doesn't depend on the state of the game, then a player can choose the same option every time, and the choice practically becomes admin. That isn't necessarily a game killer, but that particular "player choice" stops counting toward the game.

Mistake #2: The "best" option is obvious.

It's surprisingly difficult to design non-obvious choices for players. Even casual games require non-obvious choices. A choice can be simple or easy without being obvious.
A player's choice should depend on the board state, but you also need the board state to not solely benefit or hinder one option. Every option is Pandemic is a necessity, and the board state mostly ramps up the pressure to handle any particular problem. There isn't some binary: "The outbreaks have reached precisely this level, so we should deal with this problem." It's all shades of grey, and the player is left to find the dividing line. I've seen prototypes, however, where the board state will only ever directly favor or directly oppose an option, and it will do so in an apparent way.
For example, say you have the option to play an anti-air card that does bonus damage against flying creatures, but your opponent doesn't have any flying creatures. Since you can assume that the creature cards are balanced, this creature is likely underpowered relative to the average card when your opponent has no flying creatures and slightly overpowered when they have some flying creatures. If there is nothing else to consider with this card, then you would favor other options, and that conclusion would be obvious.
Generally, you want all options to have pros and cons and for the resulting viability of any particular option to be a little fuzzy. The "con" of any option can just be an opportunity cost—if I draft this card, I can't draft another—but then the options shouldn't be easily comparable. If options regularly just have pros or just have cons, the player could ignore any options with cons, making the choice more obvious.
One thing I do with all my designs is to write down the pros and cons of different player options. I then make sure that the strength or presence of these pros and cons changes throughout the game. Importantly, I want to ensure that there are usually pros and cons to many options on any given turn.
Note: In reality, most games will have an innumerable amount of player options. The Pandemic's map allows for an immense amount of possible choices, but it's still helpful to categorize options in an abstract view, like "fighting the infection," and to ensure that there exists some pressure both for and against taking that option.

Mistake #3: The player can determine their best option with a simple formula and no fuzz.

There are "crunchy" games, but the result of a choice is rarely entirely computable. Agricola is crunchy, but the worker placement and the interdependence of resources mean that you can only partially calculate the ultimate result of a particular move. You shouldn't have a game where two options give, for example, different quantities of the same resource with no other considerations. If you do this, players will compute which option is better, adding to the analysis paralysis without adding any compelling strategy to the game. A common source of "fuzz" is the other players. Even in Ticket to Ride, a light and casual game, the "best" path between two destinations will change due to my opponent's actions.

Mistake #4: Some options are never viable, or some options are always the best.

This may seem obvious, but you have to check and ensure that any particular option you include is sometimes the best option and sometimes the worst option. I'll occasionally notice a prominent option in a prototype that is verifiably inferior regardless of the board state. For each option, ask yourself what board state would make it the correct choice and what board state would make it the incorrect choice. If you can't come up with a hypothetical scenario where it is the best and one where it is the worst, you should either rebalance the game or remove that option. It will only serve as a trap for new players. This is where you should bust out the math if you can manage it.
This is my favorite definition of "overpowered" or "underpowered". If an option seems under or overpowered, check to see if a board state exists where that option is the best, a state where it is not the best, and that those board states are likely to occur semi-regularly. This is the subtle reason why most board games can get away with using small numbers for things like "damage" and "cost" while still maintaining balance. You would think that high precision numbers would be necessary for balance, but the varying board state is what ultimately balances different player options. Each option only has to be good enough to sometimes be better than the other options, and there's a little bit of wiggle room there.

I believe this is the key

I'm just some redditor, but I have studied a multitude of your prototypes—CorpoRobo, Portobelo, Goblin Auction, and many more. I also play a ton of published games, and the difference that's so striking to me is the experience of reasoning about my choices in the published games. I see a lot of you putting immense effort into the content of your game while the game itself seems rote and uninteresting. If you're putting the effort in, some of that effort should be dedicated to analyzing the player choices and ensuring that they are non-obvious and dependent on the state of the game. Do this early and get feedback directly on that aspect. I think our prototypes would get a lot better collectively.
To me, this insight was quite a relief, as it gave me something concrete to work on to make my prototypes compelling. During early design, I tend to
I then do some math to check if the different options will occasionally be the best given the different states that the game is likely to take, and I simplify the game as much as I can while still presenting the players with the desired choices. For example, if the game requires a number of different resources, like Concordia, I'll use the least number of resources required to produce the choices that I intend the game to have. Of course, this isn't simple, but it's still a directed process.
This framework can help to direct the design even once the play-testing phase has started. If you notice that players never choose an option that you intended them to, you know that two methods to fix this are to
submitted by Ross-Esmond to tabletopgamedesign [link] [comments]


2024.05.20 14:41 Enough-Barracuda-947 Comic book script

THE BIZARRE WEST
ADVENTURE, ACTION, COMEDY, MYSTERY
# 1 Arc. introduction to the world.
Chapter 1: the Good & the Bad
Page 1.
Panel:
Narrator: Continent, shaped by a long history of corruptly led divided nation states, struggling over dwindling resources and limited living space.
Page 2.
Panel:
Narrator: Frontier alone, still stands proud as the unyielding dwelling place of humanity.
(Visual: Double spread of the frontiers tall wall and countless buildings surrounding it.)
Page 3.
Panel:
Narrator: Daring adventurers venture beyond the secure and far reaching walls off the Frontier. Exploring uncharted territories where no human has tread before.
SFX: Gallop, gallop, gallop!
(Visual: Four horsemen riding outside of the frontiers gates.)
Page 4.
Panel:
Narrator: An untamed land in this ever expanding world. Where danger lurks in the corner of the eye all the time.
Panel:
This vastly unexplored area with its bizarrely grown nature and inhabitants, is known as…
Sfx: YAAH! Giddy-up!
(Visual: Four horsemen riding towards something, Taking off in unnaturally fast speed. )
Page 5.
Narrator: The Wild World!
SFX: Chuku chuku chuku… TOOOT TOOOT!
(Visual: a Long Train moving forward on its tracks in a dangerous scary looking mountain-scape. The train is heading into a huge skull shaped mountain with a large tunnel going inside its “mouth”.)
Page 6.
Panel:
(Visual: We see the inside of the train. We see high class people in suits and dresses sitting in their seats, waitresses serving drinks and pastry inside the trolley.)
SFX: Hahaha. Kling Kling! Magnificent! Sensational indeed!
Panel:
(Then in the next panel we see trolleys full of rangers and showgirls partying inside the bar section of the train.)
SFX: Hohoho. We’re running out of beer here!
Panel:
(Visual: In the last panel of the page: Rangers standing in guard silently protecting a big vault.)
Page 7.
Panel:
(Visual: Finally, a woman standing outside at the back end of the train, contemplating look on her face.)
Woman: What a headache…
Panel:
( Visual: She moves inside of the train back on her seat. )
Woman: Sigh…
(Visual: Woman sat down on her seat, looking outside off the window. )
Woman: My eyes are bleeding again…
Page 8.
Panel:
(Visual: Silhouette of a monstrous figure of a Wendigo preying the train on top of the mountain)
SFX: Growl…
Panel:
(Visual: Close by shot off the Wendigo's face with an expression of thirst.)
Panel:
(Visual:Train accelerates)
Page 9.
Panel:
(Visual:1. Woman looking outside of the window into a dark abyss created by the tunnel.)
Panel:
(Visual: almost fully black panel. Woman’s face is shown through distorted reflection of the window)
Panel:
(Visual:2. Woman’s face with a tension rising in her face)
Panel:
(Visual: Fully black panel)
Panel:
(Visual:3. Woman’s expression changes with a look of concern.)
Panel:
(Visual: Woman is faced with horrorful sight. Wendigo, staring back at the woman with glaring eyes in the dark scenery created by the tunnel.)
Woman: …
Page 10.
Panel:
Woman: Rangers! Rangers!! I saw a Wendigo right next to our train!!
(Visual: Woman barges through the door.)
Panel:
( Visual: Rangers keep partying wildly / guards playing poker at the table.)
Ranger Barry: Shut up woman! And go grab me another beer! Hohohooh!
Guard: What the hell Barry… That’s not cool at all.
Panel:
Woman: I’m sorry if I interrupted your game gentlemen. Could you please go grab it yourself? And while you’re at it could you bring the sheriff here!? I need to speak to someone sober, it’s incredibly urgent!
(Visual: Woman visually confused and in stress)
Panel:
Ranger 2: Drinking sure does bring out the worst side of you. I raise.
Ranger Barry: Agh!
(Visual: rocking on his chair, leaning on the chairs two back feet.)
Panel:
Wojak Sheriff head of the train: Not a problem. Cuz you got multiple…
(Visual: Sheriff trips Barry off his chair)
Barry: Agh! Sorry b-boss!! I mean sheriff!
Woman: …?
Wojak Sheriff head of the train: I’m sorry for that, what happened to ya miss?
Page 7.
Panel:
Woman: Good that you’re here sheriff! I only saw a silhouette so I'm not 100% sure… But I believe it was a Wendigo tailing us!
Panel:
Guards: visual: WHOLE TROLLEY Laughing!! HAHAHAHAAH!
Panel:
Guard: Where could you have possibly learned about Wendigos little girl? From those silly kids dime novels??
Guard 2: You don’t even know what a real Wendigo looks like!
Barry: YEAH! Wanna see what my Wendigo looks like!?
Page 8.
Panel:
Wojak Sheriff head of the train: That’s it Barry!
Visual: “Gets thrown out of the train”
SFX: CRASH!
Ranger Barry: AAAH!
Panel:
Wojak Sheriff head of the train: That’s what you get you sexist-gambling-alcoholic degenerate…
Woman: I’am surrounded by idiots.
Wojak Sheriff head of the train: in his thoughts: I got no praise from my heroism… Why won’t she notice me…
Woman: I don’t usually lecture for free, but I guess you goofballs could use a lesson or two!
And after a brutal surprise attack with their sharp spear like horns and inhumane physicality makes fighting back useless…!
-They feast on raw human flesh!

Panel:
I am the author of this book and I'm here on research purposes on Wild world beings.
I would like to believe that I’m qualified in this matter, sir.
( Visual: Shows her book of wild world beings )
Page 9.
Panel:
Wojak Sheriff head of the train: God damn… Y'all just assumed because she's a wealthy, privileged high class woman that she doesn’t know about monsters living in our world!? Shame on all of you… Damn wendigos here, huh…
Panel:
Ranger: -But sheriff! This is not their usual place of hunting!
-That’s true, they are very territorial in nature!
Woman: They are not some less intelligent animals…
Wojak Sheriff head of the train: -Animals or not. They all behave the same when it’s the lead doing the talking. Rest easy madame if any trouble comes, we’ll be ready for it, guns blazing.
Woman: …A bullet or two won’t take them down.
Klik klik klik klik klik klik klik klik klik klik klik klik klik klik klik klik…
Visual: Whole room loads up their guns.
Wojak Sheriff head of the train: We’ve got enough for a whole family.
Page 10.
Panel:
SFX: multiple guns firing BLAM! BLAM! BLAM! AGHH!!
Guard: WE’RE UNDER ATTACK!!!
Panel:
Everyone in the room: ?!
Panel:
Woman: They are here!
Panel:
Wojak Sheriff head of the train: Ain’t no wendigo I’ve ever seen wielded a revolver, miss!
-We’re in a train robbery!!
Panel:
Visual: Rangers firing out from the windows of the train.
Page 11.
Panel:
The four riders keep riding towards the train, firing back.
Panel:
(Visual: Rangers with rifles shooting from the roof off the train.)
Ranger: I can’t hit them?!
Wojak: Binoculars sergeant!
Ranger: Yes sheriff!
Wojak Sheriff head of the train: Hold on… T-T-They Are-!
(Visual: p.o.v through his binoculars)
Panel:
-The Four Horsemen of the apocalypse!!! P-Protect the vault like the fate of the whole world depended on it!!!
Panel:
Red rider: Let’s get this boy! We do this according to the plan, we won’t have to see each other’s ugly mugs ever again!
Page 12.
Panel:
Blue rider: Oh man! It has been so much fun riding with y’all! Don’t know what I'm going to do without you guys!
Panel:
White rider: And here I was just getting used to your ugly mugs, I guess nothing ugly lasts forever…
Panel:
Black rider: I hardly ever cared about you lot.
Panel:
Bluer rider: And look what a sad cruel man you turned out to be!
Black rider: Precisely…
White rider: Be honest now… You “digged” us at least a little bit.
Panel:
Red rider: AAAGH! What has happened to my merciless gang of outlaws?? Wild world’s supposed to turn you into monsters but it made y’all bunch of softies!
Panel:
Black rider: I “dig” exclusively on women.
Blue rider: #Metoo! …Kinda!
Red rider: …Whatever that means?
(Visual: While this conversation is going, Riders are “showboating” casually dodging bullets and firing back.)
Page 13.
Panel:
Red rider: With this loot, you’ll be able to get any “kinda” of woman you like in the world! I’m going to get two! Zehehehe…
Panel:
Blue rider: A-Anyone?! W-What about W-Wendingo’s p-princes?!
Red rider: Eww…
BANG!
(Visual: Shoots at red rider)
Blue rider: I should kill you for that! No disrespect is tolerated towards my princes!!
(Visual: Red rider narrowly dodges the bullet. Is now hanging horizontally from the side of his horse.)
Panel:
Red rider: GRH! We’ll settle this later you weirdo! Keep giving them hell!
Panel:
Gatling man on top of the roof of the train: Don’t let’m board the train!
SFX: BAM BAM BAM…!!!
Page 14.
Panel:
(Visual: Barrage of bullets flying, four horsemen evading the bullets.)
Panel:
Whiter rider: Imma make the opening! ( in a dramatic tone )
Page 15.
Panel:
Visual: Stands up on his horse. loosens his belt.
Panel:
Turns around. Pulls his trousers down. Showing his underpants with a bull’s eye print on his boxer.
Panel:
Wojak Sheriff head of the train: GRRR!!! Don’t let him provoke you comrades! Y'all have a perfectly mediocre aim!
Page 16.
Panel:
White rider: I hate when people growl at me.
Visual: White rider shoots the hat of the sheriff's head between his legs.
Panel:
Wojak Sheriff head of the train: Focus all your firepower on that bastard !! That was my favorite hat… :’(
Panel:
Visual: Rain of bullets flying towards the white raider
White rider: Yikes!
Page 17.
Panel:
Blue rider: HAHAHAH, Foolproof plan, gets under their skin every time!
(Visual: Other riders jumping one at a time into different parts of the train while the rangers are fully focused on the white rider.)
Panel:
Red Rider: Final stop ladies and gentlemen!
Guards: Protect the 5 star class! Do not let them lay even a single finger on the passengers!!
(Visual: Trolley full of fancily dressed up people. Chaos erupts inside the train)
Panel:
Black rider: The time has come for all of you Frontier dogs to be put down.
Rangers: Shoot him! The bullets won’t penetrate him?! Shoot him harder!
(Visual: Trolley full of rangers at the bar section of the train.)
Panel:
White rider: “Phew” - No warm red holes anywhere, love to see it.
Page 18.
(Visual: White rider gets on board at the back end of the train)
Panel:
Rangers all together: There he is! Get him!
White rider: I’ll show ya how it was done back in the old guard!
Panel:
SFX: Bang! Punch! Swing! ( three small panels then explodes to one big one with a cool pose from the white rider firing his pistols.)
(visual: Starts blowing through the trolley against hallway full of rangers)
Ranger: Send a message to Frontier! The four horsemen of the apocalypse have boarded the train!
Page 19.
Panel:
(Visual: After clearing out all the rangers inside the trolley… White rider is suddenly stopped by the woman standing behind him holding a gun to his head . )
Woman: Put your guns down and turn around slowly.
-Please…
White rider: This is an unusual position for me… I feel kind of awkward about this.
Woman: Huh!? What’s so embarrassing about this?
White rider: I don’t know!? Perhaps because of the way you emphasised on the please while holding a gun on the back of my head! It gave me a weird sensation that I could, I guess compare to-
SFX: KLIK!
Woman: Now, thank you very much.
White rider: Okay okay you got me. Calm down.
Panel:
Visual: White rider turns around. Intimate stare between the two in a chaotic scene.
White rider: !?
Woman: !?
Panel: Close up.
White rider: You’re e-eyes… They are… Cursed…
Panel: Close up.
Woman: …You’re soul… It’s …H-Hallow…
!!
Page 20.
Panel:
(Visual: White rider gets injured by Wojak the head sheriff of the train while losing his focus)
Panel:
Wojak Head sheriff: Hah! Got ya fair and square now!
Panel:
(Visual: White rider snaps back immediately.)
Whiter rider: That was a sucker-punch you wuss!
Wojak Head sheriff: Gaaah the irony!
(Visual: Wojak is sent flying out of the train through the same window Barry got dished out from.)
Page 21.
Panel:
(Visual: Action scene of other riders gunning and slicing down train full of rangers)
Panel:
Black rider: I despise crowded trains… Let me make some breathing space.
Panel:
(visual: Gets his cursed blade unsheathed.)
Panel:
SFX: SWIIIIIIIING-!
Panel:
White rider: !!!
-Get down!
Woman: ?!
Page 22.
Panel:( Visual: They narrowly dodge the massive flying slash coming through their way cutting everything down in its path. )
Panel:
(Visual: double page for the visual of the vertically half cut train)
Panel: (visual :Rangers shocked reactions.)
!!!
Panel:
(Visual: The whole massive train gets sliced in half cleanly,
The upper 50% of the train is now in the air as the roof fly’s off. )
Page 23.
^
Page 24.
Panel:
Blue rider: …Shiiit… You might have gone a bit “overboard” here partner. I guess that’s all of em…
(Visual: Laying on the ground holding his half sliced hat. Throws it away in the next scene)
Panel:
Red rider: Have some empathy for us you cold hearted bastard! You almost sliced me down there! A little brotherly heads up wouldn’t hurt!!
Panel:
Black rider: Look now who's become soft…
Panel:
White rider: Are you alright woman?
Woman: Y-Yes, thank you…
White rider: I just accidentally tripped on you, don’t get it twisted!
Panel:
Woman: Oi, wait a minute! Don’t you run away from me, train robber! Wait! …Darn it…
Page 25.
Panel:
(Visual: Riders gather around at the front end of the train at a vault full of riches)
White rider: OI! What have I told you about taking innocent lives you lunatic!
Black rider: No innocent lives were taken… I just cut down a few bad apples from spoiling the whole branch.
White rider: Then how come you’re still hanging? You’re the most rotten one out of the bunch!
Red rider: Easy now!
Black rider: …You want to skip our arrangement and have our duel in the middle of this heist?
White rider: I’m down.
Red rider: I should just shoot both of you numbskulls… Maybe that could help us to our gang's first ever successful heist.
Blue rider: Boys! I unlocked it!
Page 26.
Panel:
(Visual:They open the safe and are amazed by the sight of this mythical looking shiny gem)
Red rider: Huh? This ain’t gold?
Blue rider: it ain’t sapphire either.
White rider: Never seen a diamond like this…
Black rider: It ain’t a diamond, nor is it a sapphire. W-Where …did they find this hidden gem?
Visual: Black rider touches the gem.
Page 27.
Panel:
(Visual: That’s when a massive Wendigo attacks. Wendigos' hand smashes through under the train's floor. Black rider gets grabbed and swallowed in one swift movement. Wendigo has a mole-like appearance.)
Page 28.
Panel:
Blue rider: Shit!
White rider: Whoa! Where did that thing came fro-
Red Rider: Oi... !!!
That’s my brother you just snacked…
-Spit him out right now!!!
(Visual: Red Rider jumps on top of the wendigos face jamming his sword in its eye causing both of them to drop from the train.)
White rider: He’s crazy!
Blue rider: Should we jump after them?! What about the treasure?
SFX: KRIIII!
(Visual: More smaller sized wendigos appear above them in the air jumping inside the train)
White rider: We’ve got bigger issues above us! Just worry about getting yourself alive out of this train!
(Visual: -Battle escalates.
-Train malfunctions during the struggle, setting it off its tracks.)
Page 29.
Panel:
(Visual: White and the Blue rider manage to clear out the wendigos surrounding them.)
Panel:
White rider: There's definitely more of them!
Panel:
Blue rider: Yup! the treasure ain’t worth it if you can’t enjoy it with the living. Let’s get out of here and find the others!
Blue rider: Whistles for his horse. SFX: PRIIIII!
Panel:
White rider: Yeah, you’re right… This heist was bad business from the beginning with. As they always have been. Damn it all!
Panel:
X: AHHH!!
White rider: ?!
(White rider hears a woman’s scream)
Panel:
Blue rider: Where are you going!?
White rider: Go! I’ll catch you later!
(Visual: White rider jumps on the other trolley)
Page 30.
Panel:
(Visual: Woman Looking at the massive wendigo straight in its eyes.)
Wendigo: You're a blessed human…
Woman: Ghhh… Let go of me!
Panel:
Wendigo: KIHIHIHIH! You’re mine now! All Mine… Mine! Mine!-
Panel:
(Visual: White rider steps in and confronts a large wendigo holding the woman in its hands. Ominous beams of energy flowing out of the lone rider's pistol, scaring the monster.)
Wendigo: …Mine?
Page 31.
Panel:
White rider: I won’t tell you twice. Let her go…
Panel:
Woman: You came?!
Panel:
Wendigo: GROWL…! Mine!!!
(Visual: Stand off between the two. Tension breaks between the rider and wendigo / Both launch at each other.)
Page 32.
Panel:
Panel:
Visual: ( White rider gets stabbed on the right side of his face. Right eye not visible through the blood shed. Fatal wound. Rider doesn’t connect with his own attack)
Panel:
White rider: Hmh!
Visual: ( Rider’s expressionless look on his face)
Wendigo: KIH!
( Wendigo grinning )
Visual:( Both ready to clash again. Wendigo is bound to pierce the rider again. Rider has his gun aimed at wendingos temple )
Panel: Fully dark panel
X: Stand off! - SISU!
Wendigo: ??!?!
Page 33.
Panel:
(Visual: Train gets critically damaged. Time seemingly stops. Energy blasts from the battle turns the part of the train where they were into small bits flowing in the air.)
Panel:
(Visual: Train falls off from the cliff)
Page 34.
Panel:
(Visual: White rider wakes up uninjured. His clothes have changed, he has a beard and longer hair on him. Only wound he has is a snowflake shaped scar on his right eye.)
Panel:
(Visual: Sees a large mountain, reaching the clouds in the sky with its height, covered in the same material as the hidden gem right before his eyes.)
Panel:
Narrator: Vast riches… Gold, diamonds, sapphires. These are good enough reasons for the majority to take on the challenges of the Wild world. Finding even a considerably small piece of gold could be enough to land yourself a place inside the safety walls of the Frontier. -But the most precious gift hidden in the mysterious land was yet to be revealed…
Page 35.
Panel:
Armies have been sent to conquer the wild world and many powerful individuals have tried to tame the land and its inhabitants. Most men met their fate facing the dangerous beings living there. Those powerful enough to survive and strive in the turbulent environment, were instead enchanted by the land… and never left.
Panel:
Narrator: White rider shattered the diamond-hard outer layer of the mountain. As he continued to dig deeper, what he found inside the core of the mountain… Sifted the direction of fate.
Page 36.
Panel:
Narrator: The core of the mountain is believed to have housed the wild spirits of another realm. Now roaming freely all around the world, blessing and cursing humans with bizarre abilities.
Panel:
Decades later, people from the Frontier still talk about this discovery. New generation has grown up since the mystical find. More and more people venture outside of the frontier to claim their share of the divine gift.
-The world is full of cowboys, outlaws and beings from your wildest imagination. Each faction moving towards the unknown and the rewards it possesses.
Chapter 2: The Bizarre
Page 37.
Panel:
Pa : Didn’t know they had written a dime novel about the four horsemen… I heard every kid in the continent reads these.
Mom: Great! Now we’ll have a generation of kids running around in the “Grand terror canyon” blasting pistols and playing cowboys with wendigos…
Pa: That would be a radical generation of kids indeed.
Panel:
Naivi, 4 years old: Wow wow wow… THAT WAS A REAL STORY!!!
(Visual: Whole house jumps up in the air on a snowy hill.)
Panel:
Pa : Heheh, glad that you liked it son! Good luck, I picked this up. Shame some of the pages were torn when I found it…
Panel:
Naivi: But was it actually true what happened, Pa?
Pa : Y-yeah. Probably. Quite close so…
Panel:
Naivi. How did it end? Did the Woman and the other riders survive the train crash? Was the Magical gem mountain real for real?
Page 38.
Panel:
Pa: Well, people tend to have mixed feelings and beliefs about the event and what followed after was even more compli-…
Naivi: Just watch Pa!
Pa: ?
Panel:
Naivi: In a blink of an eye! You and me! We’ll be on our own legendary quest together! Giddy up! Hahahaha!
(Visual: Naivi playing with his fathers revolver and putting Pas hat on. Naivi climbed up on his father’s shoulders, playing as if Pa was a horse)
Panel:
Mother: Give me that! That is not a toy!
Panel:
Naivi: Ma… When can I go ride with Pa to the Wild world?
Momma: I'm afraid your father will be an old timer by then… Being a cowboy is a young man's game after all.
Pa: And I’m definitely past my prime. Heheh.
Page 39.
Panel:
Naivi: AGGGHH! I gotta grow up faster then! Grow! Grow! Grow!
(Visual: Naivi swinging his hands and legs furiously, taking him slightly off the ground levitating.)
Panel:
Pa: Breathe boy… I know it's hard for you to stay still, especially when a great adventure is waiting for you. But I’m sure you will find a much more entertaining company in the future!
- rather than riding with your own old man.
Naivi: But I just wanna ride with you PA!
Panel:
Visual: Pa smiling in Flake family's signature crooked smile with warmness in his eyes.
Page 40.
Panel:
Narrator: Naivis favorite hobby was playing with the snow. Creating snowmen, snow forts, and engaging in snowball fights with his family.
Pa: “Sigh” “This building process is going to take us forever… Every time we make progress, the aboriginals destroy it by the time we get back.”
SFX: Blash !
(Visual: Naivi throwing snowballs at Pa. Ma is also there, building a cute snow structure.)
Panel:
Pa: “It's like one step forward and two backwards…”
SFX: Blash !
(Visual: After getting more and more snowballs slammed into his face, Pa gets slightly annoyed…)
Pa: Oi… Stop tha-!
SFX: Blash!
Panel:
(Visual: Naivi and mama giggling after throwing the snowballs)
Pa: …
(Visual: Pa’s face full of snow only annoyed eyes visible.)
(Visual: Pa throws back a barrage of snowballs to Naivis and Ma’s face in a funny manner.)
SFX: BLASH BLASH BLASH!!!
Naivi & MA: AGGH!
Pa: Never shoot an armless man!! Expect no mercy in the wild once you do that! Even if you were a child or a woman!
Page 41.
Panel:
Narrator: Naivis father was a railroad builder.
-To be specific, a cowboy, who protected the builders from the dangers of the Wild world.
(Visual: Whole Flake family having fun, riding together on one horse driven carriage in a beautiful snowy town’s landscape.)
Singing all together: Yippee yay ieee!! Yippy yay yooo!!! Ghost riders in… the snow!
-Yippei yay ieee!! Yippay yay yooo… Ghost riders in… the clouds!
-Yippei yay ieee!! Yippay yay yooo…
(Visual: people of the town look suspiciously scared of them. Peeking outside off their windows and visually scared in the streets.)
Panel:
(Visual: Flake family sliding all together a sledge going down a hill with look’s of thrill and happiness in their face)
Page 42.
Panel:
Narrator: Naivi took pride in his fathers work. His father often traveled to build a path between the two worlds.
(Visual: Pa leaving for a mission to the Wild World. Momma and Naivi waving goodbyes at the border.)
Panel:
Narrator: He always returned home to share stories from his adventures.
(Visual: Pa is back sitting in his chair. Has bandages on his head and looks injured. Pa telling the family a wild story with a look of enthusiasm in his face.)
Panel:
(Visual: Naivi falls asleep during the story telling with a smile on his face.)
Panel:
(Visual: Ma putting a blanket on top of the sleeping child.)
Panel:
Pa: “This is good news for us actually… So many good men were lost in the previous voyages… but no more.”
“With the new reinforcements, we’ll rebuild the whole railroad in no time”
((( during this time period frontier recruited outlaws to keep aboriginals from destroying the train tracks being built— these outlaws later build their own gangs and towns in the wild world.)))
Mamma: …
(Visual: Mamma looking at Pa with concern.)
Pa: “Sigh.” Don’t look at me like that.
Page 43.
Mamma: How could I not? Despite my condition, I can still see clearly… You’re hiding something and that makes me worried.
Pa: Worrying will do you no good darling. The truth is… It’s time for the final rodeo… Our objective is to clear out and build the first Frontier colony in the Wild world. This journey will be the last one. I promise…”
Mamma: …
(Visual: Naivi listening with concern half a sleep. Not smiling anymore.)
Page 44.
Panel:
(Visual: Edge of the town. Snow storm blowing through the sky.)
Mamma: ...Since the day we first met… I haven’t taken my eyes off you. My awkward train robber.
Pa: I often wonder on the road… How those cursed eyes of yours can still be so full of love. Good bye. Love of my life.
Panel:
(Visual: Naivi looking at his father, holding the tears in from breaking.)
Pa: Naivi…
Panel:
-Now that’s a look that only a brave young ranger could pull! But we cowboys are different breed, free individuals, who aren’t scared to feel or show our emotions. Let it all out son!
Panel:
Naivi: …
(Visual-Breaks in tears.)
Panel:
Pa: Son…
Page 45.
Panel:
Pa: Let pure imagination guide you on your adventure. Gallop through life like a free wild horse in the blooming nature. Never give them even the slightest of chances to tame your vision. Whatever happens - I will support and love you both… Till hell freezes over!
Panel:
(Visual: Cowboys riding out into a snowstorm. Pa waving goodbye till you can’t see him anymore through the snow-blizzard)
Naivi: Come back as fast as you can ride Pa! I will be here waiting for you-
-Every!
-Single!
-Day!
Panel:
Naivi: I can’t leave alone to the adventure without you on my side!
(Visual: Naivi crying huge tears and screaming his lungs out.)
Page 46.
Panel:
Narrator: 3 years later. One day, as Naivi waited for his father at the border…
Naivi 7 years old: They’re back!
Panel:
Wojak the ranger deputy: “ Sorry kid… “
Panel:
(Visual: Ranger hands him Pas scarf and hat.)
Panel: (Visual: Wojak looks almost unrecognizable from the first chapter)
Wojak:
“ We lost him there.”
(Visual: Naivi’s expression of shock and disbelief.)
Page 47.
Panel:
Narrator: Six years later.
(Visual: Broken wheel of a caravan.)
I don't know, script seems bit odd if you don't know what happens later and rhythm of the story seems all over the place for me. I'm not a native in English either so some of the sentences seem clunky and unnatural. And some other bs. Please tell me what should I improve on and if there is something you like about this. This is my first time trying to write something so please be nice and awful to me. I'll post the rest soon...
If you want to see some of the characters they're at my ig: jasukaj5
submitted by Enough-Barracuda-947 to ReadMyScript [link] [comments]


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