Made of keyboard symbols
r/Spanish: Learn, teach or discuss the 2nd most spoken language by natives
2009.02.25 08:00 pallaviwensil r/Spanish: Learn, teach or discuss the 2nd most spoken language by natives
This is the biggest Reddit community dedicated to discussing, teaching, and learning Spanish. Answer or ask questions, share information, stories, and more on themes related to the 2nd most spoken language in the world by native speakers.
2016.11.30 14:08 CustomKeyboards - For customs only!
A subreddit where your kustom with BoW can actually reach top post
2012.12.29 21:30 Linguistics Humor
Linguistics Humor: a sub for humor relating to linguistics
2024.05.19 11:08 Insatiable_M0NK3Y Legendary Items in Honeywood.
All these are just my own description and not canon(could be) in the Epic NPC verse
Spellbook of Baradun: Despite its powerful nature and its compilation of powerful spell, only Baradun was able to decipher them thus making it useless to the common adventurers
Fred's Broadsword and Rope Belt: Though Fred may seem like a weak man, he was still a legendary warrior in his past. He obtained the weapon after defeating a giant cyclops. He imbued all his skills and power into them, thus saving them all before he became the depressed man he is now. One of the Belt's original power is the Intimidation, which is triggered with extreme rage. (Mugging episode & OP NPC)
Bodger's Hammer: The dwarves who forged Thor's mighty hammer were not a perfect as they claimed to be. They've made many mistakes and many prototypes. One of them was Bodger's hammer, which was inheritted by his grandfather from his own dwarven mentors. It possesses the power of strengthening its wielder and allowing them to slow down time (Remember when Bodger used it to block an arrow from hitting Ben). It also have the ability of Creation and Restoration, making it a perfect tool for a blacksmith. Despite all of these attirbutes, it does come with limits. In order to prevent it's human wielder from being consumed by its power, the hammer overheats from prolonged usage, Bodger came up with a solution to mitigate this by constantly leaving the hammer immersed in the well.
Baelin's Fishing Rod: Before the mighty Monkey King stole the Golden Cudgel from the Dragon's palace, he had to relly on the tools found in his forest. The wood around him are his default means of fighting. He used them to train and sharpen his martial arts skills. After obtaining the golden cudgel, the Monkey King discarded his wooden staff into the sea, and was found by Baelin the fisherman. Being the innocent man that he is Baelin turned it into a fishing rod, but the essence of the skills and power of the Monkey King remained in the staff and it slowly seeped into Baelin until the time when he will need it. The staff itself is very durable and can be reformed into a double stick for dual wielding(Monster fodder episode). It has the ability to return to its owner even if they are separated, Bodger tried to steal it by replacing it with a real fishing rod but it returned to Baelin.
Sorry for any spelling mistakes. Big fingers and small phone keyboard.
submitted by Insatiable_M0NK3Y to VivaLaDirtLeague [link] [comments]
Spellbook of Baradun: Despite its powerful nature and its compilation of powerful spell, only Baradun was able to decipher them thus making it useless to the common adventurers
Fred's Broadsword and Rope Belt: Though Fred may seem like a weak man, he was still a legendary warrior in his past. He obtained the weapon after defeating a giant cyclops. He imbued all his skills and power into them, thus saving them all before he became the depressed man he is now. One of the Belt's original power is the Intimidation, which is triggered with extreme rage. (Mugging episode & OP NPC)
Bodger's Hammer: The dwarves who forged Thor's mighty hammer were not a perfect as they claimed to be. They've made many mistakes and many prototypes. One of them was Bodger's hammer, which was inheritted by his grandfather from his own dwarven mentors. It possesses the power of strengthening its wielder and allowing them to slow down time (Remember when Bodger used it to block an arrow from hitting Ben). It also have the ability of Creation and Restoration, making it a perfect tool for a blacksmith. Despite all of these attirbutes, it does come with limits. In order to prevent it's human wielder from being consumed by its power, the hammer overheats from prolonged usage, Bodger came up with a solution to mitigate this by constantly leaving the hammer immersed in the well.
Baelin's Fishing Rod: Before the mighty Monkey King stole the Golden Cudgel from the Dragon's palace, he had to relly on the tools found in his forest. The wood around him are his default means of fighting. He used them to train and sharpen his martial arts skills. After obtaining the golden cudgel, the Monkey King discarded his wooden staff into the sea, and was found by Baelin the fisherman. Being the innocent man that he is Baelin turned it into a fishing rod, but the essence of the skills and power of the Monkey King remained in the staff and it slowly seeped into Baelin until the time when he will need it. The staff itself is very durable and can be reformed into a double stick for dual wielding(Monster fodder episode). It has the ability to return to its owner even if they are separated, Bodger tried to steal it by replacing it with a real fishing rod but it returned to Baelin.
Sorry for any spelling mistakes. Big fingers and small phone keyboard.
2024.05.19 11:08 Count-Daring243 Best Cardinal Necklaces
 | submitted by Count-Daring243 to u/Count-Daring243 [link] [comments] https://preview.redd.it/vj2g6wp3nc1d1.jpg?width=720&format=pjpg&auto=webp&s=18092f34613794901ecb78345e8bd92fac5d6bcc Get ready to add a touch of elegance to your outfit with our roundup of the best Cardinal Necklaces. From intricate designs to classic styles, we've handpicked a selection of necklaces that will make you stand out in any crowd. Dive in and discover your new favorite accessory today! The Top 5 Best Cardinal Necklaces
Reviews🔗Sterling Silver Cardinal Pendant Necklace with Crystal Accentshttps://preview.redd.it/f4o4yf74nc1d1.jpg?width=720&format=pjpg&auto=webp&s=91f26e131afc3a486f9e636b2dcfa20d024b64de As a fan of unique and eye-catching jewelry, I was immediately drawn to the Giani Bernini Crystal Cardinal Pendant Necklace in Sterling Silver. The combination of the vibrant red and black crystals set against the glistening sterling silver really makes this piece stand out. One of the highlights of this necklace is the intricate design - the circular pendant adds a touch of elegance while the statement neckline makes a bold statement. Additionally, the adjustable extender ensures a perfect fit for a wide range of neck sizes. However, the biggest drawback for me was the maintenance required to keep the crystals looking their best. While the pendant itself is quite striking, it demanded regular upkeep to keep the crystals clean and shiny. Overall, the Giani Bernini Crystal Cardinal Pendant Necklace in Sterling Silver is a beautiful addition to any jewelry collection, but be prepared for the added care it may require to maintain its sparkle. 🔗Silver Cardinal Necklace for Angel Remindershttps://preview.redd.it/ev2cxln4nc1d1.jpg?width=720&format=pjpg&auto=webp&s=4b4b454fbf76b4d3b0c74de51021b127457271e8 The Cardinal Necklace Silver is a stunning piece of jewelry that I've had the pleasure of incorporating into my daily style. The necklace truly stands out, with its beautiful silver design and the delicate image of a cardinal that seems to whisper to me of loved ones from beyond. Not only is it visually appealing, but the craftsmanship is top-notch, a testament to the skill and care that went into making it. What I appreciate about this necklace is the sense of comfort it brings. The thought that my loved ones are nearby, watching over me, brings a certain peace to my heart. The company behind this product has made the experience even more special with their personal touch, demonstrated by the heartfelt note included in my order. This necklace not only serves as a beautiful accessory but also as a reminder of the love and support I carry with me. 🔗Cardinal Pendant Necklace by John Medeiros Jewelry Collectionshttps://preview.redd.it/gaxnpt15nc1d1.jpg?width=720&format=pjpg&auto=webp&s=3671934ce425b435ea396a26bdfa042657541714 I recently had the chance to try on the Celebration Memories Red Cardinal Pendant Necklace from John Medeiros Jewelry Collections. This stunning piece of jewelry is crafted with rhodium and gold, making it both elegant and durable. The 7/8" pendant features the cardinal design, a symbol of the connection between the earthly and spiritual realms. One of the unique aspects of this necklace is the engraving on the back, which reads "Loved One Is Near. " Whether wearing it for yourself or as a thoughtful gift, this necklace serves as a subtle reminder of the love and support that surrounds us in our daily lives. The adjustable length of 16"-18" allows for a comfortable fit, and the pendant itself is just the right size to catch the eye without being overly noticeable. While the necklace looks and feels fantastic, I did find that the rhodium coating can be sensitive to certain chemicals. It's essential to follow the care instructions to ensure the necklace stays beautiful for years to come. Overall, the Celebration Memories Red Cardinal Pendant Necklace is a perfect combination of style and symbolism, making it a beautiful addition to any collection. 🔗Elegant Winter-Inspired Cardinal Necklace and Earring Sethttps://preview.redd.it/8yofycf5nc1d1.jpg?width=720&format=pjpg&auto=webp&s=fc4b01232a57a38dcdab251c000fcfe78a978702 When I first saw the Goldtone Cardinal Necklace and Earrings set, I thought it was the perfect addition to my winter wardrobe. The beautiful cardinal design combined with sparkly Swarovski crystals created a stunning, elegant look that I couldn't resist. Wearing the necklace and earrings together, I felt like I was adding a touch of winter magic to my outfit. The pendant was a lovely size, not too big or too small, and the chains were comfortable to wear. I appreciated how the crystals caught the light, creating a dazzling effect that really made the cardinal design stand out. However, I did notice that some crystal details seemed a bit rough around the edges and didn't have the same polished look as the rest of the piece. Also, although the necklace came with a complementary chain, I felt that the earrings were a bit too dainty for my liking, and I would have preferred a larger, more statement-making design. Despite these minor issues, the Anne Koplik Cardinal Necklace and Earrings set is a lovely choice for those looking to add a touch of elegance and winter charm to their look. 🔗Stylish Cardinal Pendant Necklace for Fanshttps://preview.redd.it/kuvl8nt5nc1d1.jpg?width=720&format=pjpg&auto=webp&s=834cd564554ffb310fc3debeed1ae05dbe2ddeec I recently came across the Dayna Designs Stanford Cardinal Silver Small Pendant Necklace, and I must say, it's a perfect blend of fashion and fandom. The silver necklace is adorned with a small, handcrafted pendant featuring the Stanford Cardinal logo in intricate enamel detailing. I especially appreciated the quality stamp, ensuring that it's made from genuine. 925 silver. The spring ring clasp makes it a secure fit for all occasions, and it's perfect for cheering on the Cardinals at home or catching a game in person. While I enjoyed the high-quality design, I'd suggest it for fans of the Cardinals rather than a broader audience, as it's quite specific to that team. Buyer's GuideCardinal necklaces are available in different materials such as gold, silver, stainless steel, and others. Some offer a more traditional look with a simple cardinal charm, while others have intricate designs that showcase the bird's detailed features. There are also necklaces that incorporate other elements like gemstones, crystals, or other symbols for a unique touch.Material Considerationshttps://preview.redd.it/d3sxw8c6nc1d1.jpg?width=720&format=pjpg&auto=webp&s=0ba588de3f564558a695b59214a562b16a7ea8ed When selecting a cardinal necklace, consider the material's durability, hypoallergenic properties, and overall quality. For those looking for a more traditional and classic piece, gold or silver would be a popular choice. Stainless steel necklaces are also an option for individuals with sensitive skin or allergies to metal. It is essential to check the material's quality and ensuring it is long-lasting and will not tarnish or fade over time. Style and DesignThe style and design of the cardinal necklace depend on personal preferences and the occasion. For a more casual look, opt for simpler designs with a single charm or cardinal embellishment. For a more elegant and formal style, consider elegant chains draped with intricate cardinal pendants or charms. If you want to incorporate other elements, consider necklaces with gemstones or crystals that complement the cardinal design.Size and FitSelecting the right size for the cardinal necklace is crucial. Ideally, the necklace should fit comfortably and not be too tight or loose. Consider purchasing a necklace with an adjustable clasp or chain to ensure the perfect fit. Additionally, check the length of the pendant to ensure it falls at a desirable location on the wearer's chest. https://preview.redd.it/mus79vp6nc1d1.jpg?width=720&format=pjpg&auto=webp&s=bdc1febe5095e144259b27c861fa32effaa37027 Price and BudgetThe price of cardinal necklaces can vary significantly depending on the materials used, design, brand, and retailer. Set a budget before shopping for a necklace to ensure you find a piece within your price range. Bear in mind that purchasing a high-quality cardinal necklace from a reputable seller may cost more initially, but it will likely last longer and require less maintenance over time.Maintenance and CareProper maintenance and care for your cardinal necklace are essential to prevent damage, tarnishing, or discoloration. Keep the necklace clean and dry, avoiding contact with moisture, chemicals, or abrasive surfaces. Store it in a soft pouch or box when not in use to protect it from dust and scratches. It is also advisable to have your necklace professionally cleaned and checked for any damages periodically.Where to Find the Perfect Cardinal Necklacehttps://preview.redd.it/8lt7df67nc1d1.jpg?width=720&format=pjpg&auto=webp&s=d3223033d636602c70eea0b03b95187cf6fbf740 Cardinal necklaces can be found in various retail outlets, both online and offline. Researching and comparing options from different stores can help you find the perfect necklace that fits your preferences, budget, and quality expectations. Also, check for any customer reviews or ratings to ensure you are purchasing a high-quality and well-loved piece. FAQWhat are Cardinal Necklaces?Cardinal necklaces are a type of pendant necklace, typically made of metal or stone, which features a representation of the cardinal bird, known for its bright red color and distinctive crest. These necklaces are often sought after for their unique design, symbolism, and jewelry value. https://preview.redd.it/axpwiof7nc1d1.jpg?width=720&format=pjpg&auto=webp&s=86b09c5d41c8846c9dde69c5e52cf42dd10c67a0 What materials are commonly used in Cardinal Necklaces?Cardinal necklaces can be made from a variety of materials, including metals such as gold, silver, and brass, as well as gemstones like ruby or tourmaline to represent the bright red color of the bird. Other materials can include glass, crystals, or even feathers.What is the symbolism of Cardinal Necklaces?Cardinal necklaces are often associated with good luck, protection, and courage. The cardinal bird is often viewed as a symbol of love, loyalty, and fidelity, making these necklaces popular gift options for special occasions or anniversaries.What are the different styles of Cardinal Necklaces?
How do I clean and maintain my Cardinal Necklace?To clean your cardinal necklace, gently wipe it with a soft cloth or use a jewelry cleaning cloth specifically designed for metal or gemstone jewelry. Avoid immersing the necklace in water or exposing it to harsh chemicals, as this can damage the materials and compromise the integrity of the design.What is the typical price range for Cardinal Necklaces?The price range for cardinal necklaces can vary based on factors such as materials, intricacy of the design, size, and brand. Prices can start at around $10 for more simple, mass-produced necklaces and can go up to several hundred dollars for high-quality, handcrafted, or limited edition necklaces featuring precious metals or gemstones.As an Amazon™ Associate, we earn from qualifying purchases. |
2024.05.19 11:04 Zanxiyo "The Whispering Shadows"
The old family home stood at the edge of town, its once grand facade now weathered and worn by time. The town's whispers about the house had reached my ears many times throughout my childhood, but I had never given them much thought. Now, standing before the creaking gate that led to the overgrown path, I felt an inexplicable urge to discover the truth.
I had inherited the house after my great-uncle Nathaniel passed away, a man I barely knew but whose presence seemed to linger in every corner. The dusty heirlooms and musty bookshelves hinted at a long and storied history. It was a history I intended to uncover.
The first few days were uneventful. I spent my time clearing out cobwebs and sorting through old papers, most of which were mundane—bills, letters, old photographs. But then, tucked away in a hidden compartment of Nathaniel's desk, I found a bundle of letters tied with a faded red ribbon. The letters were old, the paper yellowed and brittle. They were addressed to my great-grandmother, Beatrice, from someone named Arthur.
The letters spoke of forbidden love, betrayal, and a pact made in desperation. Arthur's words grew increasingly frantic as he described a dark secret shared by the family—a secret that, if revealed, would bring ruin upon them all. My curiosity piqued, I read on, unable to tear myself away.
One letter in particular stood out. Dated December 3, 1923, it detailed a horrific event: a fire that had claimed the lives of several townspeople. Arthur confessed to starting the fire, claiming it was necessary to protect the family from something far worse. He mentioned a cult, dark rituals, and a promise made to an entity he referred to only as "the Shadow."
The more I read, the more I felt an unsettling presence in the house. Shadows seemed to move on their own, and whispers echoed through the halls at night. Determined to understand, I ventured into the basement, where Nathaniel's journals hinted at more hidden secrets.
The basement was damp and cold, the air thick with mildew. Shelves lined with jars of strange substances and dusty books filled the room. At the far end, behind an old trunk, I found a small door. It creaked open to reveal a narrow staircase leading further down into darkness.
With a flashlight in hand, I descended, my heart pounding in my chest. The air grew colder with each step, and a sense of dread settled over me. At the bottom, I found a chamber filled with symbols carved into the stone walls. In the center was an altar, stained with what I could only hope was old wax.
As I examined the room, I found more letters, these from Nathaniel to someone named Margaret. They described rituals performed to keep the Shadow at bay, sacrifices made to ensure the family's prosperity. Nathaniel's last entry was a chilling plea for forgiveness, confessing that he had failed to uphold the pact and that the Shadow was coming for him.
Suddenly, the flashlight flickered and went out. Panic set in as I fumbled to turn it back on. When the light returned, I saw them—figures standing in the shadows, their eyes glowing with an unnatural light. They whispered in unison, a low chant that sent shivers down my spine.
"Blood of the betrayer," they intoned. "Blood of the guilty."
I tried to run, but my legs felt like lead. The figures closed in, their hands cold as ice as they grabbed me. I struggled, but it was no use. They dragged me to the altar, their chanting growing louder.
As they forced me down, I realized the truth: my family had been protecting a dark secret for generations, a secret that had now claimed me. The last thing I saw was a figure stepping out of the shadows, its eyes filled with malevolent glee.
The pain was sudden and all-consuming. My scream echoed through the chamber, blending with the chants. And then, there was nothing but darkness.
The house stood silent once more, its secrets buried deep within its walls. The townspeople still whispered about the old family home, but no one dared to venture inside. They said the shadows moved on their own, and at night, if you listened closely, you could still hear the whispers of the past.
Years passed, and the house remained untouched, a dark mark on the edge of town. Then, one evening, a young couple, unaware of the house’s history, moved in. They had bought the property cheaply, charmed by its antique allure.
Their first night in the house was uneventful. They laughed, unpacked, and made plans to renovate. But as the clock struck midnight, the atmosphere changed. The house seemed to come alive with a malevolent energy. The husband, Peter, heard a faint whispering. At first, he dismissed it as the wind, but the whispers grew louder, forming words.
"Blood of the betrayer... Blood of the guilty..."
He followed the sound to the basement, where the narrow door stood ajar. Against his better judgment, he descended the stairs. The flashlight flickered, casting eerie shadows on the walls. The chamber at the bottom was as I had left it, but now there was something new—a fresh inscription on the altar: "He who seeks shall find."
Peter turned to leave, but the shadows moved. Figures emerged, their eyes glowing with the same unnatural light. He screamed for help, but the basement door slammed shut, trapping him inside.
Upstairs, his wife, Emily, heard his screams and rushed to the basement door, but it wouldn't budge. She pounded on it, calling his name, but the house seemed to swallow her cries. Desperation set in, and she ran to the phone, dialing the police.
The police arrived quickly, but as they approached the house, they felt an unnatural chill. Inside, they found Emily, frantic and pale. She led them to the basement, but when they opened the door, the chamber was empty. There was no sign of Peter.
Days turned into weeks, and Peter was never found. Emily moved out, leaving the house abandoned once more. The townspeople spoke of the curse, of the family’s dark past, and warned newcomers to stay away.
But the house never stayed empty for long. Curiosity drew people in, and one by one, they disappeared, claimed by the shadows. The whispers continued, a never-ending chant of betrayal and guilt.
One stormy night, a group of ghost hunters arrived, eager to uncover the house's secrets. They set up their equipment, cameras rolling, as they ventured into the basement. The air was thick with tension, the shadows seemed to watch, waiting.
As they explored the chamber, the leader of the group, Sam, found the old letters. He read them aloud, his voice trembling. The whispers grew louder, the shadows closing in.
"Blood of the betrayer... Blood of the guilty..."
The cameras captured everything—the figures emerging from the darkness, the screams, the terror. But when the footage was reviewed, all that was visible was the empty basement, silent and still. The hunters were never seen again.
Years passed, and the house remained a dark legend. No one dared to enter, the whispers and shadows a constant warning. And yet, on moonless nights, the townspeople could see faint lights flickering in the windows, hear the faint whispers carried on the wind.
It was said that the house was a gateway, a place where the past and present intertwined, where the sins of the ancestors demanded atonement. Those who entered were lost, their souls trapped in a never-ending cycle of horror.
Then, one day, a young historian named James arrived in town. He was fascinated by the stories and determined to uncover the truth. Despite the warnings, he entered the house, armed with his knowledge and a sense of purpose.
He found the letters, the journals, the hidden chamber. But as he delved deeper, he uncovered something no one had seen before—a final letter from Nathaniel, hidden behind a loose brick. It spoke of a ritual to break the curse, to free the trapped souls.
With renewed hope, James prepared for the ritual, following the instructions meticulously. As he began, the house seemed to tremble, the shadows stirring violently. The whispers grew to a deafening roar, but he pressed on.
The final step required a sacrifice, a willing soul to take the place of the cursed. As James completed the ritual, he felt a searing pain. The shadows enveloped him, but he continued to chant the final words.
Suddenly, the whispers stopped. The shadows receded, and the house fell silent. The townspeople, watching from a distance, saw the lights go out and heard a final, blood-curdling scream.
The next morning, they found the house empty. The letters and journals were gone, the chamber sealed. James was never seen again, but the curse seemed to have lifted. The house stood silent, no longer a source of fear.
Years later, the house was sold and renovated. Families moved in and out, but the dark history remained a distant memory. The whispers and shadows were gone, but on stormy nights, the faint echoes of the past could still be heard, a reminder of the darkness that once lurked within.
And so, the legend of the old family home became a story told to children, a cautionary tale of curiosity and the consequences of uncovering secrets best left buried. But some say that on the darkest nights, if you listen closely, you can still hear the faint whisper: "Blood of the betrayer... Blood of the guilty..."
submitted by Zanxiyo to nosleep [link] [comments]
I had inherited the house after my great-uncle Nathaniel passed away, a man I barely knew but whose presence seemed to linger in every corner. The dusty heirlooms and musty bookshelves hinted at a long and storied history. It was a history I intended to uncover.
The first few days were uneventful. I spent my time clearing out cobwebs and sorting through old papers, most of which were mundane—bills, letters, old photographs. But then, tucked away in a hidden compartment of Nathaniel's desk, I found a bundle of letters tied with a faded red ribbon. The letters were old, the paper yellowed and brittle. They were addressed to my great-grandmother, Beatrice, from someone named Arthur.
The letters spoke of forbidden love, betrayal, and a pact made in desperation. Arthur's words grew increasingly frantic as he described a dark secret shared by the family—a secret that, if revealed, would bring ruin upon them all. My curiosity piqued, I read on, unable to tear myself away.
One letter in particular stood out. Dated December 3, 1923, it detailed a horrific event: a fire that had claimed the lives of several townspeople. Arthur confessed to starting the fire, claiming it was necessary to protect the family from something far worse. He mentioned a cult, dark rituals, and a promise made to an entity he referred to only as "the Shadow."
The more I read, the more I felt an unsettling presence in the house. Shadows seemed to move on their own, and whispers echoed through the halls at night. Determined to understand, I ventured into the basement, where Nathaniel's journals hinted at more hidden secrets.
The basement was damp and cold, the air thick with mildew. Shelves lined with jars of strange substances and dusty books filled the room. At the far end, behind an old trunk, I found a small door. It creaked open to reveal a narrow staircase leading further down into darkness.
With a flashlight in hand, I descended, my heart pounding in my chest. The air grew colder with each step, and a sense of dread settled over me. At the bottom, I found a chamber filled with symbols carved into the stone walls. In the center was an altar, stained with what I could only hope was old wax.
As I examined the room, I found more letters, these from Nathaniel to someone named Margaret. They described rituals performed to keep the Shadow at bay, sacrifices made to ensure the family's prosperity. Nathaniel's last entry was a chilling plea for forgiveness, confessing that he had failed to uphold the pact and that the Shadow was coming for him.
Suddenly, the flashlight flickered and went out. Panic set in as I fumbled to turn it back on. When the light returned, I saw them—figures standing in the shadows, their eyes glowing with an unnatural light. They whispered in unison, a low chant that sent shivers down my spine.
"Blood of the betrayer," they intoned. "Blood of the guilty."
I tried to run, but my legs felt like lead. The figures closed in, their hands cold as ice as they grabbed me. I struggled, but it was no use. They dragged me to the altar, their chanting growing louder.
As they forced me down, I realized the truth: my family had been protecting a dark secret for generations, a secret that had now claimed me. The last thing I saw was a figure stepping out of the shadows, its eyes filled with malevolent glee.
The pain was sudden and all-consuming. My scream echoed through the chamber, blending with the chants. And then, there was nothing but darkness.
Years passed, and the house remained untouched, a dark mark on the edge of town. Then, one evening, a young couple, unaware of the house’s history, moved in. They had bought the property cheaply, charmed by its antique allure.
Their first night in the house was uneventful. They laughed, unpacked, and made plans to renovate. But as the clock struck midnight, the atmosphere changed. The house seemed to come alive with a malevolent energy. The husband, Peter, heard a faint whispering. At first, he dismissed it as the wind, but the whispers grew louder, forming words.
"Blood of the betrayer... Blood of the guilty..."
He followed the sound to the basement, where the narrow door stood ajar. Against his better judgment, he descended the stairs. The flashlight flickered, casting eerie shadows on the walls. The chamber at the bottom was as I had left it, but now there was something new—a fresh inscription on the altar: "He who seeks shall find."
Peter turned to leave, but the shadows moved. Figures emerged, their eyes glowing with the same unnatural light. He screamed for help, but the basement door slammed shut, trapping him inside.
Upstairs, his wife, Emily, heard his screams and rushed to the basement door, but it wouldn't budge. She pounded on it, calling his name, but the house seemed to swallow her cries. Desperation set in, and she ran to the phone, dialing the police.
The police arrived quickly, but as they approached the house, they felt an unnatural chill. Inside, they found Emily, frantic and pale. She led them to the basement, but when they opened the door, the chamber was empty. There was no sign of Peter.
Days turned into weeks, and Peter was never found. Emily moved out, leaving the house abandoned once more. The townspeople spoke of the curse, of the family’s dark past, and warned newcomers to stay away.
But the house never stayed empty for long. Curiosity drew people in, and one by one, they disappeared, claimed by the shadows. The whispers continued, a never-ending chant of betrayal and guilt.
One stormy night, a group of ghost hunters arrived, eager to uncover the house's secrets. They set up their equipment, cameras rolling, as they ventured into the basement. The air was thick with tension, the shadows seemed to watch, waiting.
As they explored the chamber, the leader of the group, Sam, found the old letters. He read them aloud, his voice trembling. The whispers grew louder, the shadows closing in.
"Blood of the betrayer... Blood of the guilty..."
The cameras captured everything—the figures emerging from the darkness, the screams, the terror. But when the footage was reviewed, all that was visible was the empty basement, silent and still. The hunters were never seen again.
Years passed, and the house remained a dark legend. No one dared to enter, the whispers and shadows a constant warning. And yet, on moonless nights, the townspeople could see faint lights flickering in the windows, hear the faint whispers carried on the wind.
It was said that the house was a gateway, a place where the past and present intertwined, where the sins of the ancestors demanded atonement. Those who entered were lost, their souls trapped in a never-ending cycle of horror.
Then, one day, a young historian named James arrived in town. He was fascinated by the stories and determined to uncover the truth. Despite the warnings, he entered the house, armed with his knowledge and a sense of purpose.
He found the letters, the journals, the hidden chamber. But as he delved deeper, he uncovered something no one had seen before—a final letter from Nathaniel, hidden behind a loose brick. It spoke of a ritual to break the curse, to free the trapped souls.
With renewed hope, James prepared for the ritual, following the instructions meticulously. As he began, the house seemed to tremble, the shadows stirring violently. The whispers grew to a deafening roar, but he pressed on.
The final step required a sacrifice, a willing soul to take the place of the cursed. As James completed the ritual, he felt a searing pain. The shadows enveloped him, but he continued to chant the final words.
Suddenly, the whispers stopped. The shadows receded, and the house fell silent. The townspeople, watching from a distance, saw the lights go out and heard a final, blood-curdling scream.
The next morning, they found the house empty. The letters and journals were gone, the chamber sealed. James was never seen again, but the curse seemed to have lifted. The house stood silent, no longer a source of fear.
Years later, the house was sold and renovated. Families moved in and out, but the dark history remained a distant memory. The whispers and shadows were gone, but on stormy nights, the faint echoes of the past could still be heard, a reminder of the darkness that once lurked within.
And so, the legend of the old family home became a story told to children, a cautionary tale of curiosity and the consequences of uncovering secrets best left buried. But some say that on the darkest nights, if you listen closely, you can still hear the faint whisper: "Blood of the betrayer... Blood of the guilty..."
2024.05.19 10:58 jenajiejing The Secret of Human Bodies – Examples Proving the Existence of the Greatest Creator
Xue Feng Though the modern medicine has limited knowledge of human bodies, what we have known is enough for us to admire the excellent human body structure and functions. Each system and organ in the human body is designed by the Greatest Creator. Even those trivial body parts have great functions. For example, there are several types of hairs on human bodies with distinct forms and functions. The head hair is designed to protect and beautify the head. It can grow long. According to the Bible, “But if a woman has long hair, it is a glory to her: for her hair is given her for a covering.” The eyebrows can divert sweat and rain, preventing them into the eyes. That’s why they are lined above the two eyes. Eyelashes can prevent the dust and other things from entering the eyes. That’s why they are lined on the sides of the eyelids. Also they stand forward in a special curve because it wouldn’t hinder the eyesight or pierce into the eyes when closing the eyes. If the eyebrows and eyelashes are too long, they will hinder the eyesight. That’s why they wouldn’t grow as long as the hair or beards. The nasal hairs can filter the inhaled air. That’s why they grow inside the nostril and stand sideways and outwards. If they stand inwards, the other things will find it easy to come into the nostrils and difficult to go out. The armpit hairs can prevent the partial friction and help the sweat evaporate. Without the armpit hairs, we have to raise our arms. Otherwise the skin under the arm will become inflamed because of the friction and moist. Required by the function, the armpit hairs cannot grow as long as the head hairs, or as short as the eyebrows. Besides, they are soft and curving. If they are rigid and coarse, they will hurt the skin. And cilia grow on the intestinal epithelium. The cilia grow downward and vibrate together. The vibrating waves move downward from upward to help move down the intestinal contents. Cilia also grow on the airway and bronchus epithelium. However, they grow and vibrate in the opposite direction as those on the intestinal epithelium. Only in this way can they move the sputum upward to the throat and spit them. If they grow downward, the airway and bronchus would get stuck by the sputum and the humans would die from it. Now I wish to take two simple reflections of human bodies as an example. When foreign matters enter the nostrils or airways, they will arouse two protective reflections, sneeze or cough, which is designed to repel the foreign matters. But due to different situation, these two reflections differ in their approaches. The foreign matters in the nostrils are not urgent so the sneeze reflection can be prepared in a composed way. First, inhale slowly; open the mouth, and the soft place move upward to block the nostril. Then breathe in enough air through the mouth, and the pleural body contracts sharply to emit the air in the lungs quickly. When the emitting reaches its peak, the tongue rises abruptly to block the mouth to repel the air to go out swiftly through the nostrils. In this way the foreign matters in the nostrils are driven out. However, if the foreign matters enter the airway, it is an emergent situation. If the foreign matters are not driven out timely, the life will be put at risk. The inhaling is strictly forbidden because it will make the foreign matters go deeper and cause suffocation. So the cough doesn’t include the inhaling. Instead, the glottis closes immediately. At the same time, the pleural body contracts suddenly and adds the lung air pressure extremely. When the pressure is at its strongest point, the glottis opens suddenly and the lung air sends out explosively, compelling the foreign matters in the airway to the throat via the glottis. At this time, the soft place rises to block the nostrils. The foreign matters are spit out through the mouth. If the tongue and the soft place perform the same way as in the sneeze, the foreign matters emitted out of the airway will enter the nostrils, causing another trouble. In these two reflections, the body parts must cooperate closely. Any failure in the coordination will lead to the failure of the reflection, causing serious consequences. So these activities are not done freely. Instead, they are done as required by their functions and set procedures. These procedures are not learnt or practices. The program has been rooted in our brain nerve structure (nerve nucleus) when we are born. Otherwise, the babies will not survive. The advanced computer science has made it possible to simulate these activities. However, the simulation requires 3 conditions: 1. Device simulating the inhale and exhaling of human mouth, nose, throat, pleural and the sensing device; 2. The central control equipment simulating nerves and body system (compute, input and output devices). The above two devices are hardware. And software is also needed, namely (3). A program composed in strict compliance with the requirements to control the performance and procedure of each link, and arrange them in perfect coordination. All the three conditions are imperative. Otherwise the reflections can’t be realized. The program itself is not a substance structure. Instead, it is a smart use and spiritual result. There will be no such a thing as the program without the smart use. So we have to ask, the program is composed by the humans and stored in the computer, how about the control program in the human brain. Is it also composed by someone and stored in the human brain? Sneeze and cough are the simplest examples. There are numerous automatically controlled physical, bio-chemical and pathological human body activities, which are even more sophisticated than reflections of cough. Even today, some of them remain mysteries to us. So how are these sophisticated control programs composed? And where do they come from? Now let’s have a look at the sensory organs on human bodies. Why do we have two ears? The reason is that one ear is not able to identify the direction. With the ears lying on two sides of the head, the sound reaches the ears in sequence of time. Based on the slight receiving time difference, the brain can judge where the sound comes from. The auricle is the most outward component of the ear. It can introduce the sound into the external auditory canal. Within the auricle there is a thin layer of cartilage helping to retain the form of auricle, giving it wonderful elasticity and protecting it from the clashes. Without the cartilage, the auricle is just two useless pieces of skin hanging on the head side. If the thin bone is inside the auricle, it will break easily even if when you are sleeping on your side, damaging the auricle. There is fuzz on the outer segment of the external auditory canal preventing the sand and dust. The inner segment secretes cerumen to prevent insects. When foreign matters enter the external auditory canal, it will trigger head shaking, instead of sneeze or cough, to get the matters out. Because the external auditory canal is a blind passage, it is impossible to repel the foreign matters with air. Why don’t the foreign matters in the nostrils arouse the head-shaking reflection to repel them? That’s because the nostrils of humans almost lie in the middle of the head. The shaking is not able to produce enough centrifugal force. Besides, the human nostrils face downward and it is improper to repel the foreign matters by shaking the head. The sound is produced by the mechanical vibration of objects and is transmitted by the air fluctuation, or the sound waves. The human ears are actually working like a precise mechanical vibration monitor. In the inner ear there are a number of keyboards with different sizes, producing nerve impulses produced by echoing with corresponding frequencies. The brain, in accordance with the features of these impulses, identifies the strength, tunes and timbre of the sounds. We must note though there are many sensory organs in human bodies, only the inner ear is protected by the most solid and firm bones. In fact, it lies in the cave part of the temporal bone. Of all the sensory organs, only the ears monitor the mechanical vibration, which needs a relatively fixed position. Otherwise, it is not able to monitor the sound. If the inner ear lies in the soft tissues, when the sound wave arrives, the inner ear will vibrate with it. Thus it can hear nothing. Now the inner ear lies in the firm bone and it can’t sense the air vibration. So it is imperative to reduce the density waves to the mechanical vibrations before sending them to the inner ear. And there is such a reduction device at the middle bottom of the external auditory canal, which is called the eardrum. The eardrum has enough space to receive the air pressure. It is thin enough to vibrate when the sound wave arrives. Meanwhile, the eardrum is strong enough to push the transmission device. The long handle of the middle ear cartilage is attached to its inner side, the tensile force of which makes the eardrum sink inside slightly to maintain certain tension. This allows the eardrum to accurately reduce the arriving sound waves into the mechanical vibrations. No matter what the temperature is, the vibration function is not impacted. After the sound waves are reduced into the mechanical vibration, some rigid objects are needed to transmit the vibration to the inner ear. Of all body tissues, the most rigid objects are the bones. However, the bones are heavy in general and covered by the soft tissues, which are not suitable for the audio vibration. However, in the tympanic cavity between the eardrum and the inner ear, there are three unique tiny bones with delicate forms measured in millimeters. They are almost completely exposed to the air in the tympanic cavity. These three tiny bones are connected by ligament and form a transmission chain in curve with excellent audio vibration function, able to transmit accurately the vibration of the eardrum to the inner ear. The transmission device can properly multiply the weak vibration and reduce the strong sound wave. All of these structures are the super designs required by the acoustics. There are even smarter designs in the hearing organ. For example, to make the eardrum vibrate freely following the arriving sound waves, the two sides of the eardrums must be exposed to the air. As a result, there is a tympanic cavity full of air in the middle ear. If the cavity is filled by liquids, just as other cavities are, the eardrum is not able to vibrate because the liquids can’t contract. Besides, the cavity does not only need to be filled with air, but also needs to be connected to the outside world with a proper passage, to balance the static air pressure in the cavity with the outside air pressure. Otherwise, the air in the cavity will gradually be absorbed, causing the eardrum to sink excessively or damaging it. When the outside air pressure changes, (such as in mountain climbing, diving, the airplane takeoff or climate change), it will arouse uncomfortable feelings or lead to hearing malfunction. But the middle ear can’t be opened to the outside world directly, just like the external auditory canal or nostrils can. The reason is that the direct exposure will make the arriving waving sound reach the two sides of the eardrums at the same time via the external auditory canal and middle ear passage, counteracting the sound pressure. Thus the eardrums will not vibrate at all, unable to produce the hearing. So it is a difficult problem to connect the middle ear and the outside world. However, the human body, with a smart design, solves this problem. The middle ear is opened at the two sides in the upper rear of the pharynx via a half-opened passage (the so-called auditory tube). The auditory tube is locked in common times and only opened temporarily when taking the swallowing actions, balancing the air pressure in the middle ear shortly. After the swallowing action is over, the auditory tube is locked again. Apart from eating, human body would regularly take swallowing action unconsciously, even when he or she is sleeping. Thus the air pressure in the middle ear can be adjusted from time to time and avoid the hearing from being hindered. Besides, when swallowing, the swallowing segment and the soft palate will definitely rise, blocking the mouth and nostrils against the outside world. So on the moment when the ear and throat are opened shortly, though the air in the throat can enter the middle ear, the sound waves from the outside world are blocked against the middle ear. As a result, the hearing will not be interfered and can receive the outside sound and voice. Only the throat in the body can meet the special demand of the hearing organs. The throat is originally designed as part of the digestion and breathing system, it does not belong to sensory system. However, it can cooperate so smartly with the hearing organs. We have to admire the extremely delicate body-wise design. The vestibule in the inner ear controls the balance of the body. In the vestibule there are 3 semicircular canals. When the body loses balance, the mutually-vertical semicircular canals produce the balance impulse, which triggers the corresponding reflection via the balance center in the medulla brain. Why are there 3 semicircular canals instead of 2 or 4? And why are they mutually vertical? The reason is apparent. Humans live in the 3-dimensional space. There are 3 mutually-vertical movement directions, namely, front and rear, left and right, upward and downward. So the 3 mutually-vertical semicircular canals can monitor the movements. The number less than 3 or more than 3 would be insufficient or redundant. We can see the delicate and smart structure and function, and the supreme wisdom in them. They can’t be the accidental results. As the most important perception of human bodies, vision provides more information than that provided by all other perceptions. The vision is the perception of image and space and the visual organs must have the most precise and accurate structure completely different from other sensory organs. As a result, in the perspective of the embryo-genesis or neuro-anatomy, the main structure of the eyes is not just the common receptor. Instead, it is part of the cerebral cortex. The so-called optic nerves are completely different from other cerebrospinal nerves. In essence, the optic nerves are inner structure in the brain, transmitting the most sophisticated visual information. The eyes function like a precise camera. The retina composed of the photoreceptor cells is just like the films. The crystal, iris and the cornea works like the lens, diaphragm and the filter. However, the precision and automatic adjustment of the eyes is no match of any high-quality cameras. For example, the lens in modern cameras is made of special glass or hard plastics with fixed focal distance. When taking pictures for the landscapes with different distances, the lens position must be adjusted. Otherwise, the image will not be produced on the films. But this is an awkward approach. Imagine when the eyes are watching landscapes with different distances, the eyeballs have to protrude or recess alternatively, which looks ugly or damages the health and function of the eyes. However, the crystal in the eyes are transparent and elastic colloid, which can adjust automatically the focal distance in accordance with the distance of the objects to make sure all the objects can be imaged on the retina, without changing the position of the crystal. Such automatic adjustment function can’t be fulfilled by any camera. If we observe the eyes in the perspective of modern TV technologies, the eyes are more like the television camera, but thousands of times more precise than the television cameras. The TV image is composed of dense pixels (the mixed dark or brilliant light spots). Till now, the best TV image only contains less than 1 million pixels. However, the human eyes can produce image containing 20 billion pixels. Only the eyes can see the details of objects. No matter how clear or accurate the image is, it is still a plan view image. Then how the eyes can provide the dimensional image is a key issue of providing the complete vision. But it is not an easy task at all to convert the flat view image into the dimensional one. For a long time, people have been puzzled by how the conversion is done. Of course, we later knew the smartness and delicacy of the human body shown here. The two eyes send the flat view images they receive into the same nerve center, which contrasts and analyzes the images and judges the distance of the objects based on the slight visual angle difference caused by the position difference of the two eyes. Thus the dimensional image is produced. That’s why people have to have 2 eyes to establish the complete vision. Based on such understanding, humans have invented the dimensional movies. But the above is only the external process of how vision is formed. People have little knowledge about how the visual center works inside. We have to admit that the mysteries of human body structure and functions are beyond the intelligence of mankind. As a matter of fact, the distance judgment with two eyes is the triangulation technique which is precise and automatic. The accurate measurement needs two premises. First, the two eyes must focus on one object at the same time. Otherwise, there will be double vision, which means the one objects will be seen as two objects. As a result, the complete neuromuscular system is equipped on the outside of the eyeballs, making the eyeballs the most flexible and accurate organs. The ciliary muscle inside the eyeballs can adjust the conversion rate of the crystal at any time to focus on the object and form the clearest image. Second, the retina of the two eyes must be strictly symmetrical. Otherwise, the image contrast of the two eyes will become impossible. Furthermore, the images received by the two eyes must be transmitted at the same time to the same visual center for contrast and analysis. There are two visual nerves on the left and right side of the brain, supervising respectively the two sides of the vision field. The objects in the left of the vision field are reflected, via the eye pupil, on the retina of the right sides of the two eyeballs. The corresponding images in the two eyes, via the visual nerve, are sent to the visual center on the right side of the brain. The objects in the right of the vision field are reflected, via the eye pupil, on the retina of the left sides of the two eyeballs. The corresponding images in the two eyes, via the visual nerve, are sent to the visual center on the left side of the brain. The two visual nerves contrast the corresponding images coming from the eyes and produce the full-field dimensional images. The pairs of human parts are often symmetrical on the outside. Only the retinas are symmetrical in the same position. Namely, the left side is symmetrical to the left side and the right side symmetrical to the right side of the two retinas. That’s because the light rays come in directly. Otherwise, the visual centers can’t receive the corresponding images or get the coordinated vision. The structural symmetry of the retinas in the two eyes must be accurate to the utmost. Otherwise the images in the two eyes will not comply with each other and the ambiguity will occur. Besides, the corresponding images from the two eyes must be sent to the same visual center. Thus the optic nerves must have the corresponding special structure to realize the cross-transmission of the images. This is the unique “chiasma opticum” unique to the optic nerves. This function is not possessed by any other nervus cerebrospinalis because they don’t handle the information of images and space. If we use the computers and monitoring cameras to simulate the process of human vision, the input network of the computers has to have a similar chiasm. No other design can do it. Judging from the above, we can find all the human organs, structures and functions have shown the supreme wisdom. And these are the ways they should be. Some people think that human body has some useless organs, such as the thymus gland, appendix, tonsil and coccyx, in order to prove the human structure is imperfect. Some people used to believe that these organs were not that useful. Instead, they tend to arouse diseases such as appendicitis and tonsillitis. If these organs are cut off, it will not have much impact on the human body. In the past, people used to classify spleens and other organs into the useless organs. There was a list of useless organs in the past which included over 100 organs. But the list was long not because these organs are useless but because people at the time were ignorant. As more we know about the organs, most of them have been deleted from the list and there are only a few still remain in the list. Some people think that these organs are the leftovers of human evolution, which are called the “waste back organs” and use them as one of the evidences of evolution theory. This is a complete misunderstanding. Till not we have understood there are no such things as the “obsolescent organs”. It is simply the lack of knowledge of these organs. Take the thymus gland as an example. In the past, people didn’t know its function. Now we have understood it is the warning device of the human body against the inner and outer infection sources. As a result, the thymus gland contributes a lot to the human health. Another example, if the coccyx fractures, it will cause serious functional disturbance. So the coccyx is also an imperative part of human body. Some people might say these organs can trigger diseases. Then all human organs can lead to diseases, even brain and heart are of no exceptions. Why don’t we say the brain and heart are useless? Some organs, though they are not as important as the heart and brain and wouldn’t endanger life immediately when eliminated, are also useful. Just like if the hands or feet are lost, though not fatal, the human body is handicapped. After knowing the supreme and smart design of human structures and functions, you might want to know how they come into being. Who has designed and made such sophisticated and precise organs? We cannot avoid the question. Any truth-seeking person would admit that the extremely delicate organs and structures are not produced naturally or accidently. For instance, if someone gives you a top-class camera and tells you it is a natural one without designer or manufacturer; do you think his words are scientific and acceptable? The human body, which is even more delicate, accurate, flexible and practical, must have a supremely wise and capable creator behind it. On a spring Sunday morning in 1954, I saw a young stranger sitting in the chamber of a Church. When we started to talk, I knew that he was a student at Peking Union Medical College. He said to me, “Since I studied anatomy and physiology, I have felt the human body is really a wonder. It is not possible to understand it unless we interpret the wonder with a God.” He came to the church to seek an answer. The wonder of this young man is not the only example. I remember that when I was studying anatomy and physiology in school, some students surrounded our physiology teacher and kept asking him questions. Finally, the teacher, annoyed by so many questions, told us, “Please stop the questions because they will lead to religion in the end.” Because of the special political background at the time, the teacher’s warning silenced all the students. But his warning impressed me deeply and remained in my memory till today. My thought at that time was that the teacher was right because all the things were created by the God. Though he was not a Christian, he had to admit the truth and the further probe into the human body mysteries (part of the Universe mysteries) would definitely lead to the existence of the God (religion) in the end. Otherwise, it would be impossible to explain the wonders of the human body. The Bible says, “For the invisible things of him from the creation of the world are clearly seen, being understood by the things that are made, even his eternal power and Godhead; so that they are without excuse.”(1:20 Romans 1) Was the teacher demonstrating his scientific spirit? No. The scientific spirit means the truth and boldly pursuit of the truth without avoiding any controversy. The teacher knew very clearly that one more step forward would lead to the God but he dared not move onto the path towards the truth. Instead, he asked his students to stop there. It has shown that many people refuse to admit the existence of God not because they don’t have the scientific spirit but because of the social pressure, individual consideration for their interest and prospect, just as what the teacher was doing at that time. Nevertheless, the existence of the God would not change. And we cannot live in such considerations for the reality forever. One day in the future, when we have to face the ultimate choice, we will have to face the supreme master who has created the Universe and the human beings. The Bible says, “And as it is appointed unto men once to die, but after this the judgment.” If we don’t accept the immoral God now, we have no excuse when it comes to the day. When we talk about the origin of all things in the Universe, some young people often ask, “You have said the humans are created by the God, then who has created the God?” The analogizing logics seem to be reasonable. But it is not true. Because the God is the creator instead of the created, you can’t link these together. The table is made by the carpenter. But you cannot say the carpenter and the table have the same origin. Human benings’ understand of the God is only limited to the enlightenment from the God to the humans. Otherwise, humans cannot understand the mystery of God’s nature. The God says, “I am Alpha and Omega, the beginning and the ending, saith the Lord, which is, and which was, and which is to come, the Almighty.” (Exodus 3:14 and Revelation 1:8). For the God, there is only the eternality, and there is no time, beginning or ending. Even in the scientific field, too many analogizing questions won’t be tolerated. One scholar was talking about the belief in the God with his students. One student asked suddenly and proudly, “Where does the Universe come from?” The scholar answers, “The Universe is created by the God.” The student continued to ask, “Who has created the God?” The scholar answered, “The God is Alpha and Omega and I am not created.” The student said, “This is not scientific at all.” The scholar then asked the student, “Where does the Earth come from?” The student answered, “The Earth comes from the Sun.” The scholar continued to ask, “Where does the Sun come from?” The student answered, “The Sun comes from the Galaxy.” The scholar asked again, “Where does the Galaxy come from?” The student hesitated and answered, “The Galaxy comes from the nature.” The scholar continued to ask, “Where does the nature come from?” The student couldn’t answer this question and said in anger, “The nature is the nature and comes naturally.” The scholar then laughed, “This is not scientific at all.” So we can conclude that the “scientific” answers are not scientific. Another example is that the sciences tell people that substances are composed of the molecules. Then what are the molecules composed of? The molecules are composed of the atoms. But what are the atoms composed of? They are composed of the electrons, protons and neutrons. Then what are the electrons, protons and neutrons composed of? Till now, we cannot find an answer to this question. The atomic physicists are now working hard to find the “elementary particle”. They are called “basic particles” because the scientists don’t expect the substances to be divided limitlessly. So they believe that one day they will find the ultimate component, the “elementary particle”. Of course, the scientists will not ask such question of “what is something composed of?” This is the extremity and everything ends here. The materialists claim that the Universe is limitless and that the materials are eternal and can be divided limitlessly, etc. They are simply the groundless conclusion of the philosophers. And there is an extremity in their logics, the materials. They say that the materials are Alpha and Omega but can’t tell where the materials come from. Now let’s have a look at the math. All numbers come from 1, followed by 2, 3…. You can’t ask what the 1 is because 1 is 1, and not other numbers. It means that 1 is the origin of all numbers. The Greatest Creator has created all things and the Greatest Creator is the origin of them. It will be meaningless to ask where the Greatest Creator comes from.
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2024.05.19 10:57 jenajiejing The Secret of Human Bodies – Examples Proving the Existence of the Greatest Creator
 | submitted by jenajiejing to primordialtruths [link] [comments] Xue Feng https://preview.redd.it/inye2mb6lc1d1.jpg?width=606&format=pjpg&auto=webp&s=91a7161a35c1824c81442d04ca1efb17d2cbda20 Though the modern medicine has limited knowledge of human bodies, what we have known is enough for us to admire the excellent human body structure and functions. Each system and organ in the human body is designed by the Greatest Creator. Even those trivial body parts have great functions. For example, there are several types of hairs on human bodies with distinct forms and functions. The head hair is designed to protect and beautify the head. It can grow long. According to the Bible, “But if a woman has long hair, it is a glory to her: for her hair is given her for a covering.” The eyebrows can divert sweat and rain, preventing them into the eyes. That’s why they are lined above the two eyes. Eyelashes can prevent the dust and other things from entering the eyes. That’s why they are lined on the sides of the eyelids. Also they stand forward in a special curve because it wouldn’t hinder the eyesight or pierce into the eyes when closing the eyes. If the eyebrows and eyelashes are too long, they will hinder the eyesight. That’s why they wouldn’t grow as long as the hair or beards. The nasal hairs can filter the inhaled air. That’s why they grow inside the nostril and stand sideways and outwards. If they stand inwards, the other things will find it easy to come into the nostrils and difficult to go out. The armpit hairs can prevent the partial friction and help the sweat evaporate. Without the armpit hairs, we have to raise our arms. Otherwise the skin under the arm will become inflamed because of the friction and moist. Required by the function, the armpit hairs cannot grow as long as the head hairs, or as short as the eyebrows. Besides, they are soft and curving. If they are rigid and coarse, they will hurt the skin. And cilia grow on the intestinal epithelium. The cilia grow downward and vibrate together. The vibrating waves move downward from upward to help move down the intestinal contents. Cilia also grow on the airway and bronchus epithelium. However, they grow and vibrate in the opposite direction as those on the intestinal epithelium. Only in this way can they move the sputum upward to the throat and spit them. If they grow downward, the airway and bronchus would get stuck by the sputum and the humans would die from it. Now I wish to take two simple reflections of human bodies as an example. When foreign matters enter the nostrils or airways, they will arouse two protective reflections, sneeze or cough, which is designed to repel the foreign matters. But due to different situation, these two reflections differ in their approaches. The foreign matters in the nostrils are not urgent so the sneeze reflection can be prepared in a composed way. First, inhale slowly; open the mouth, and the soft place move upward to block the nostril. Then breathe in enough air through the mouth, and the pleural body contracts sharply to emit the air in the lungs quickly. When the emitting reaches its peak, the tongue rises abruptly to block the mouth to repel the air to go out swiftly through the nostrils. In this way the foreign matters in the nostrils are driven out. However, if the foreign matters enter the airway, it is an emergent situation. If the foreign matters are not driven out timely, the life will be put at risk. The inhaling is strictly forbidden because it will make the foreign matters go deeper and cause suffocation. So the cough doesn’t include the inhaling. Instead, the glottis closes immediately. At the same time, the pleural body contracts suddenly and adds the lung air pressure extremely. When the pressure is at its strongest point, the glottis opens suddenly and the lung air sends out explosively, compelling the foreign matters in the airway to the throat via the glottis. At this time, the soft place rises to block the nostrils. The foreign matters are spit out through the mouth. If the tongue and the soft place perform the same way as in the sneeze, the foreign matters emitted out of the airway will enter the nostrils, causing another trouble. In these two reflections, the body parts must cooperate closely. Any failure in the coordination will lead to the failure of the reflection, causing serious consequences. So these activities are not done freely. Instead, they are done as required by their functions and set procedures. These procedures are not learnt or practices. The program has been rooted in our brain nerve structure (nerve nucleus) when we are born. Otherwise, the babies will not survive. The advanced computer science has made it possible to simulate these activities. However, the simulation requires 3 conditions: 1. Device simulating the inhale and exhaling of human mouth, nose, throat, pleural and the sensing device; 2. The central control equipment simulating nerves and body system (compute, input and output devices). The above two devices are hardware. And software is also needed, namely (3). A program composed in strict compliance with the requirements to control the performance and procedure of each link, and arrange them in perfect coordination. All the three conditions are imperative. Otherwise the reflections can’t be realized. The program itself is not a substance structure. Instead, it is a smart use and spiritual result. There will be no such a thing as the program without the smart use. So we have to ask, the program is composed by the humans and stored in the computer, how about the control program in the human brain. Is it also composed by someone and stored in the human brain? Sneeze and cough are the simplest examples. There are numerous automatically controlled physical, bio-chemical and pathological human body activities, which are even more sophisticated than reflections of cough. Even today, some of them remain mysteries to us. So how are these sophisticated control programs composed? And where do they come from? Now let’s have a look at the sensory organs on human bodies. Why do we have two ears? The reason is that one ear is not able to identify the direction. With the ears lying on two sides of the head, the sound reaches the ears in sequence of time. Based on the slight receiving time difference, the brain can judge where the sound comes from. The auricle is the most outward component of the ear. It can introduce the sound into the external auditory canal. Within the auricle there is a thin layer of cartilage helping to retain the form of auricle, giving it wonderful elasticity and protecting it from the clashes. Without the cartilage, the auricle is just two useless pieces of skin hanging on the head side. If the thin bone is inside the auricle, it will break easily even if when you are sleeping on your side, damaging the auricle. There is fuzz on the outer segment of the external auditory canal preventing the sand and dust. The inner segment secretes cerumen to prevent insects. When foreign matters enter the external auditory canal, it will trigger head shaking, instead of sneeze or cough, to get the matters out. Because the external auditory canal is a blind passage, it is impossible to repel the foreign matters with air. Why don’t the foreign matters in the nostrils arouse the head-shaking reflection to repel them? That’s because the nostrils of humans almost lie in the middle of the head. The shaking is not able to produce enough centrifugal force. Besides, the human nostrils face downward and it is improper to repel the foreign matters by shaking the head. The sound is produced by the mechanical vibration of objects and is transmitted by the air fluctuation, or the sound waves. The human ears are actually working like a precise mechanical vibration monitor. In the inner ear there are a number of keyboards with different sizes, producing nerve impulses produced by echoing with corresponding frequencies. The brain, in accordance with the features of these impulses, identifies the strength, tunes and timbre of the sounds. We must note though there are many sensory organs in human bodies, only the inner ear is protected by the most solid and firm bones. In fact, it lies in the cave part of the temporal bone. Of all the sensory organs, only the ears monitor the mechanical vibration, which needs a relatively fixed position. Otherwise, it is not able to monitor the sound. If the inner ear lies in the soft tissues, when the sound wave arrives, the inner ear will vibrate with it. Thus it can hear nothing. Now the inner ear lies in the firm bone and it can’t sense the air vibration. So it is imperative to reduce the density waves to the mechanical vibrations before sending them to the inner ear. And there is such a reduction device at the middle bottom of the external auditory canal, which is called the eardrum. The eardrum has enough space to receive the air pressure. It is thin enough to vibrate when the sound wave arrives. Meanwhile, the eardrum is strong enough to push the transmission device. The long handle of the middle ear cartilage is attached to its inner side, the tensile force of which makes the eardrum sink inside slightly to maintain certain tension. This allows the eardrum to accurately reduce the arriving sound waves into the mechanical vibrations. No matter what the temperature is, the vibration function is not impacted. After the sound waves are reduced into the mechanical vibration, some rigid objects are needed to transmit the vibration to the inner ear. Of all body tissues, the most rigid objects are the bones. However, the bones are heavy in general and covered by the soft tissues, which are not suitable for the audio vibration. However, in the tympanic cavity between the eardrum and the inner ear, there are three unique tiny bones with delicate forms measured in millimeters. They are almost completely exposed to the air in the tympanic cavity. These three tiny bones are connected by ligament and form a transmission chain in curve with excellent audio vibration function, able to transmit accurately the vibration of the eardrum to the inner ear. The transmission device can properly multiply the weak vibration and reduce the strong sound wave. All of these structures are the super designs required by the acoustics. There are even smarter designs in the hearing organ. For example, to make the eardrum vibrate freely following the arriving sound waves, the two sides of the eardrums must be exposed to the air. As a result, there is a tympanic cavity full of air in the middle ear. If the cavity is filled by liquids, just as other cavities are, the eardrum is not able to vibrate because the liquids can’t contract. Besides, the cavity does not only need to be filled with air, but also needs to be connected to the outside world with a proper passage, to balance the static air pressure in the cavity with the outside air pressure. Otherwise, the air in the cavity will gradually be absorbed, causing the eardrum to sink excessively or damaging it. When the outside air pressure changes, (such as in mountain climbing, diving, the airplane takeoff or climate change), it will arouse uncomfortable feelings or lead to hearing malfunction. But the middle ear can’t be opened to the outside world directly, just like the external auditory canal or nostrils can. The reason is that the direct exposure will make the arriving waving sound reach the two sides of the eardrums at the same time via the external auditory canal and middle ear passage, counteracting the sound pressure. Thus the eardrums will not vibrate at all, unable to produce the hearing. So it is a difficult problem to connect the middle ear and the outside world. However, the human body, with a smart design, solves this problem. The middle ear is opened at the two sides in the upper rear of the pharynx via a half-opened passage (the so-called auditory tube). The auditory tube is locked in common times and only opened temporarily when taking the swallowing actions, balancing the air pressure in the middle ear shortly. After the swallowing action is over, the auditory tube is locked again. Apart from eating, human body would regularly take swallowing action unconsciously, even when he or she is sleeping. Thus the air pressure in the middle ear can be adjusted from time to time and avoid the hearing from being hindered. Besides, when swallowing, the swallowing segment and the soft palate will definitely rise, blocking the mouth and nostrils against the outside world. So on the moment when the ear and throat are opened shortly, though the air in the throat can enter the middle ear, the sound waves from the outside world are blocked against the middle ear. As a result, the hearing will not be interfered and can receive the outside sound and voice. Only the throat in the body can meet the special demand of the hearing organs. The throat is originally designed as part of the digestion and breathing system, it does not belong to sensory system. However, it can cooperate so smartly with the hearing organs. We have to admire the extremely delicate body-wise design. The vestibule in the inner ear controls the balance of the body. In the vestibule there are 3 semicircular canals. When the body loses balance, the mutually-vertical semicircular canals produce the balance impulse, which triggers the corresponding reflection via the balance center in the medulla brain. Why are there 3 semicircular canals instead of 2 or 4? And why are they mutually vertical? The reason is apparent. Humans live in the 3-dimensional space. There are 3 mutually-vertical movement directions, namely, front and rear, left and right, upward and downward. So the 3 mutually-vertical semicircular canals can monitor the movements. The number less than 3 or more than 3 would be insufficient or redundant. We can see the delicate and smart structure and function, and the supreme wisdom in them. They can’t be the accidental results. As the most important perception of human bodies, vision provides more information than that provided by all other perceptions. The vision is the perception of image and space and the visual organs must have the most precise and accurate structure completely different from other sensory organs. As a result, in the perspective of the embryo-genesis or neuro-anatomy, the main structure of the eyes is not just the common receptor. Instead, it is part of the cerebral cortex. The so-called optic nerves are completely different from other cerebrospinal nerves. In essence, the optic nerves are inner structure in the brain, transmitting the most sophisticated visual information. The eyes function like a precise camera. The retina composed of the photoreceptor cells is just like the films. The crystal, iris and the cornea works like the lens, diaphragm and the filter. However, the precision and automatic adjustment of the eyes is no match of any high-quality cameras. For example, the lens in modern cameras is made of special glass or hard plastics with fixed focal distance. When taking pictures for the landscapes with different distances, the lens position must be adjusted. Otherwise, the image will not be produced on the films. But this is an awkward approach. Imagine when the eyes are watching landscapes with different distances, the eyeballs have to protrude or recess alternatively, which looks ugly or damages the health and function of the eyes. However, the crystal in the eyes are transparent and elastic colloid, which can adjust automatically the focal distance in accordance with the distance of the objects to make sure all the objects can be imaged on the retina, without changing the position of the crystal. Such automatic adjustment function can’t be fulfilled by any camera. If we observe the eyes in the perspective of modern TV technologies, the eyes are more like the television camera, but thousands of times more precise than the television cameras. The TV image is composed of dense pixels (the mixed dark or brilliant light spots). Till now, the best TV image only contains less than 1 million pixels. However, the human eyes can produce image containing 20 billion pixels. Only the eyes can see the details of objects. No matter how clear or accurate the image is, it is still a plan view image. Then how the eyes can provide the dimensional image is a key issue of providing the complete vision. But it is not an easy task at all to convert the flat view image into the dimensional one. For a long time, people have been puzzled by how the conversion is done. Of course, we later knew the smartness and delicacy of the human body shown here. The two eyes send the flat view images they receive into the same nerve center, which contrasts and analyzes the images and judges the distance of the objects based on the slight visual angle difference caused by the position difference of the two eyes. Thus the dimensional image is produced. That’s why people have to have 2 eyes to establish the complete vision. Based on such understanding, humans have invented the dimensional movies. But the above is only the external process of how vision is formed. People have little knowledge about how the visual center works inside. We have to admit that the mysteries of human body structure and functions are beyond the intelligence of mankind. As a matter of fact, the distance judgment with two eyes is the triangulation technique which is precise and automatic. The accurate measurement needs two premises. First, the two eyes must focus on one object at the same time. Otherwise, there will be double vision, which means the one objects will be seen as two objects. As a result, the complete neuromuscular system is equipped on the outside of the eyeballs, making the eyeballs the most flexible and accurate organs. The ciliary muscle inside the eyeballs can adjust the conversion rate of the crystal at any time to focus on the object and form the clearest image. Second, the retina of the two eyes must be strictly symmetrical. Otherwise, the image contrast of the two eyes will become impossible. Furthermore, the images received by the two eyes must be transmitted at the same time to the same visual center for contrast and analysis. There are two visual nerves on the left and right side of the brain, supervising respectively the two sides of the vision field. The objects in the left of the vision field are reflected, via the eye pupil, on the retina of the right sides of the two eyeballs. The corresponding images in the two eyes, via the visual nerve, are sent to the visual center on the right side of the brain. The objects in the right of the vision field are reflected, via the eye pupil, on the retina of the left sides of the two eyeballs. The corresponding images in the two eyes, via the visual nerve, are sent to the visual center on the left side of the brain. The two visual nerves contrast the corresponding images coming from the eyes and produce the full-field dimensional images. The pairs of human parts are often symmetrical on the outside. Only the retinas are symmetrical in the same position. Namely, the left side is symmetrical to the left side and the right side symmetrical to the right side of the two retinas. That’s because the light rays come in directly. Otherwise, the visual centers can’t receive the corresponding images or get the coordinated vision. The structural symmetry of the retinas in the two eyes must be accurate to the utmost. Otherwise the images in the two eyes will not comply with each other and the ambiguity will occur. Besides, the corresponding images from the two eyes must be sent to the same visual center. Thus the optic nerves must have the corresponding special structure to realize the cross-transmission of the images. This is the unique “chiasma opticum” unique to the optic nerves. This function is not possessed by any other nervus cerebrospinalis because they don’t handle the information of images and space. If we use the computers and monitoring cameras to simulate the process of human vision, the input network of the computers has to have a similar chiasm. No other design can do it. Judging from the above, we can find all the human organs, structures and functions have shown the supreme wisdom. And these are the ways they should be. Some people think that human body has some useless organs, such as the thymus gland, appendix, tonsil and coccyx, in order to prove the human structure is imperfect. Some people used to believe that these organs were not that useful. Instead, they tend to arouse diseases such as appendicitis and tonsillitis. If these organs are cut off, it will not have much impact on the human body. In the past, people used to classify spleens and other organs into the useless organs. There was a list of useless organs in the past which included over 100 organs. But the list was long not because these organs are useless but because people at the time were ignorant. As more we know about the organs, most of them have been deleted from the list and there are only a few still remain in the list. Some people think that these organs are the leftovers of human evolution, which are called the “waste back organs” and use them as one of the evidences of evolution theory. This is a complete misunderstanding. Till not we have understood there are no such things as the “obsolescent organs”. It is simply the lack of knowledge of these organs. Take the thymus gland as an example. In the past, people didn’t know its function. Now we have understood it is the warning device of the human body against the inner and outer infection sources. As a result, the thymus gland contributes a lot to the human health. Another example, if the coccyx fractures, it will cause serious functional disturbance. So the coccyx is also an imperative part of human body. Some people might say these organs can trigger diseases. Then all human organs can lead to diseases, even brain and heart are of no exceptions. Why don’t we say the brain and heart are useless? Some organs, though they are not as important as the heart and brain and wouldn’t endanger life immediately when eliminated, are also useful. Just like if the hands or feet are lost, though not fatal, the human body is handicapped. After knowing the supreme and smart design of human structures and functions, you might want to know how they come into being. Who has designed and made such sophisticated and precise organs? We cannot avoid the question. Any truth-seeking person would admit that the extremely delicate organs and structures are not produced naturally or accidently. For instance, if someone gives you a top-class camera and tells you it is a natural one without designer or manufacturer; do you think his words are scientific and acceptable? The human body, which is even more delicate, accurate, flexible and practical, must have a supremely wise and capable creator behind it. On a spring Sunday morning in 1954, I saw a young stranger sitting in the chamber of a Church. When we started to talk, I knew that he was a student at Peking Union Medical College. He said to me, “Since I studied anatomy and physiology, I have felt the human body is really a wonder. It is not possible to understand it unless we interpret the wonder with a God.” He came to the church to seek an answer. The wonder of this young man is not the only example. I remember that when I was studying anatomy and physiology in school, some students surrounded our physiology teacher and kept asking him questions. Finally, the teacher, annoyed by so many questions, told us, “Please stop the questions because they will lead to religion in the end.” Because of the special political background at the time, the teacher’s warning silenced all the students. But his warning impressed me deeply and remained in my memory till today. My thought at that time was that the teacher was right because all the things were created by the God. Though he was not a Christian, he had to admit the truth and the further probe into the human body mysteries (part of the Universe mysteries) would definitely lead to the existence of the God (religion) in the end. Otherwise, it would be impossible to explain the wonders of the human body. The Bible says, “For the invisible things of him from the creation of the world are clearly seen, being understood by the things that are made, even his eternal power and Godhead; so that they are without excuse.”(1:20 Romans 1) Was the teacher demonstrating his scientific spirit? No. The scientific spirit means the truth and boldly pursuit of the truth without avoiding any controversy. The teacher knew very clearly that one more step forward would lead to the God but he dared not move onto the path towards the truth. Instead, he asked his students to stop there. It has shown that many people refuse to admit the existence of God not because they don’t have the scientific spirit but because of the social pressure, individual consideration for their interest and prospect, just as what the teacher was doing at that time. Nevertheless, the existence of the God would not change. And we cannot live in such considerations for the reality forever. One day in the future, when we have to face the ultimate choice, we will have to face the supreme master who has created the Universe and the human beings. The Bible says, “And as it is appointed unto men once to die, but after this the judgment.” If we don’t accept the immoral God now, we have no excuse when it comes to the day. When we talk about the origin of all things in the Universe, some young people often ask, “You have said the humans are created by the God, then who has created the God?” The analogizing logics seem to be reasonable. But it is not true. Because the God is the creator instead of the created, you can’t link these together. The table is made by the carpenter. But you cannot say the carpenter and the table have the same origin. Human benings’ understand of the God is only limited to the enlightenment from the God to the humans. Otherwise, humans cannot understand the mystery of God’s nature. The God says, “I am Alpha and Omega, the beginning and the ending, saith the Lord, which is, and which was, and which is to come, the Almighty.” (Exodus 3:14 and Revelation 1:8). For the God, there is only the eternality, and there is no time, beginning or ending. Even in the scientific field, too many analogizing questions won’t be tolerated. One scholar was talking about the belief in the God with his students. One student asked suddenly and proudly, “Where does the Universe come from?” The scholar answers, “The Universe is created by the God.” The student continued to ask, “Who has created the God?” The scholar answered, “The God is Alpha and Omega and I am not created.” The student said, “This is not scientific at all.” The scholar then asked the student, “Where does the Earth come from?” The student answered, “The Earth comes from the Sun.” The scholar continued to ask, “Where does the Sun come from?” The student answered, “The Sun comes from the Galaxy.” The scholar asked again, “Where does the Galaxy come from?” The student hesitated and answered, “The Galaxy comes from the nature.” The scholar continued to ask, “Where does the nature come from?” The student couldn’t answer this question and said in anger, “The nature is the nature and comes naturally.” The scholar then laughed, “This is not scientific at all.” So we can conclude that the “scientific” answers are not scientific. Another example is that the sciences tell people that substances are composed of the molecules. Then what are the molecules composed of? The molecules are composed of the atoms. But what are the atoms composed of? They are composed of the electrons, protons and neutrons. Then what are the electrons, protons and neutrons composed of? Till now, we cannot find an answer to this question. The atomic physicists are now working hard to find the “elementary particle”. They are called “basic particles” because the scientists don’t expect the substances to be divided limitlessly. So they believe that one day they will find the ultimate component, the “elementary particle”. Of course, the scientists will not ask such question of “what is something composed of?” This is the extremity and everything ends here. The materialists claim that the Universe is limitless and that the materials are eternal and can be divided limitlessly, etc. They are simply the groundless conclusion of the philosophers. And there is an extremity in their logics, the materials. They say that the materials are Alpha and Omega but can’t tell where the materials come from. Now let’s have a look at the math. All numbers come from 1, followed by 2, 3…. You can’t ask what the 1 is because 1 is 1, and not other numbers. It means that 1 is the origin of all numbers. The Greatest Creator has created all things and the Greatest Creator is the origin of them. It will be meaningless to ask where the Greatest Creator comes from. |
2024.05.19 10:44 Maya-VC Need to say this out loud: The Alchemy is NOT about Travis Kelce
This song is the song where I have the most issue with when it comes to the fans' interpretation of it. Their biggest argument for this is the football references, but they fail to consider that the football metaphors were just a way for Taylor Swift to draw parallels between the (American) football world and her situation.
In this analysis, I'll be doing a line-by-line breakdown of why this is not a Travis Kelce song, but is instead a song that she wrote where she is directly addressing her fans, much like how "But Daddy I Love Him", and "Who's Afraid of Little Old Me" were written.
Here it goes. Please bear with me!
This happens once every few lifetimes
Shirts off, and your friends lift you up over their heads / Beer sticking to the floor / Cheers chanted, cause they said
Taylor Swift's song "The Alchemy," is basically a powerful ode to her fans, chronicling her journey through public scrutiny and her triumphant return to the music industry. It draws parallels to her tumultuous period following the "snake gate" incident with Kim Kardashian and her subsequent hiatus before the release of "Reputation," the lyrics reflect a narrative of resilience, redemption, and the unwavering bond between Swift and her fans.
Once you are able to interpret "you" as "the fans", you'll be able to see, without having to do too much mental gymnastics, that the song is about the transformative and enduring connection Swift shares with her loyal supporters.
If you've made it this far, thank you for reading. Sorry for any typos or grammatical errors - but I hope I helped you made sense of the song!
submitted by Maya-VC to travisandtaylor [link] [comments]
In this analysis, I'll be doing a line-by-line breakdown of why this is not a Travis Kelce song, but is instead a song that she wrote where she is directly addressing her fans, much like how "But Daddy I Love Him", and "Who's Afraid of Little Old Me" were written.
Here it goes. Please bear with me!
This happens once every few lifetimes
- Suggests a rare and significant event. Taylor's comeback after a major public backlash (Kim Kardashian's Snakegate incident) and hiatus was a unique moment in her career, and in anyone's public career, really.
- The "chemicals" symbolize the rush of emotions and excitement, akin to the thrill she feels from reconnecting with her fans by organising the Eras Tour.
- "White wine" can imply a pleasant, intoxicating experience, like the support she gets from her fans (look up her sales and streaming charts).
- The "you" here directly addresses her fans, announcing her return to the public eye after a period of "absence".
- IMO this line is not at all a shade to Joe, but directly references the line "but I come back stronger than a 90s trend" in willow.
- This song is a direct reference to epiphany, and, on a bigger picture, the pandemic. We must remember that her plans ("Loverfest") were all cancelled thanks to Covid.
- The line also metaphorically refers to her time in "hiding" or dealing with the aftermath of the public fallout, which was a difficult and restless period.
- This is the easiest line - she always plans her tour ahead and would choose the locations that she would be performing at.
- This symbolises her plan to reconnect with her fans, targeting them, in each location, specifically as her focus upon her return to touring.
- This line once again emphasises her "hiatus" and assures her fans of her strong comeback.
- "Touch down" signifies her reentry into the music industry. "Call the amateurs and cut 'em from the team" represents reclaiming her position, emphasizing that she is the top artist and dismissing those who doubted her or tried to take her place.
- "Baby I'm the one to beat" represents her thoughts that she's the one "ahead of the curve" (this is me trying). Now, couple that with her AOTY award for her albums "folklore" and "Midnights", despite the strong competition she had (SZA, Harry Styles, Dua Lipa) - no, folks, Taylor Swift is the one to beat.
- Indicates the unwavering loyalty of her fans who kept a place for her in their hearts despite her absence and the controversies surrounding her (in general)
- .
- "Alchemy" symbolizes the magical, transformative bond.
- Taylor thinks that the bond between her and her fans is a magical one, one that withstands challenges and changes.
- The Alchemy is what makes her bejeweled.
- Now, this line is where she addresses her fans directly. In this line, she is suggesting that she forgave all that drama ("child's play") back during the snakegate. (disclaimer: we know she forgives, she forgets, but she never let's it go -- so let's move on from this one lol)
- But basically, between her and the general fans, she's saying that she's 'moved past' what she thought was her fans' reaction to the the public feuds and media drama.
Shirts off, and your friends lift you up over their heads / Beer sticking to the floor / Cheers chanted, cause they said
- This is where she uses the football metaphor to describe the celebratory atmosphere of her concerts, the unity, and the joy her fans experience together.
- This line! Basically reflects on how she defied the odds and criticism to become the "greatest" with the support of her fans, symbolizing victory and recognition.
- By all means she is currently "the greatest".
- She is, afterall, the first person in Grammy history to win album of the year four times.
- Her name is definitely up there as one the greatest of all time, according to Billboard.
- There's more but I mean, it's like repeating the same points basically.
- In this line, she is trying to say that everyone else are just warming the benches, while she's the one who's been out there on a winning streak with folklore, midnights, and the eras tour.
- Her usage of "we" here indicates not only "her", but everyone involved, including her fans. This reinforces the alchemy that she has with her fans, and that all of this is a mutual success, i.e. she would not be here without the support of her fans.
- This line is a controversial line, because of her usage of the word "he". Now, who is "he"? Is it Travis Kelce? Or could it be Matty Healy, considering his history with the pills? In this song, this actually does not matter. Why?
- The point of this line is to symbolise the feeling she feels when she's performing, bejeweled, in glittery skirts, and the feeling insider of her when her fans giving her a standing ovation. To her, this feeling is euphoric. It's like taking heroin.
- Because she is a female artist, she feels like a heroine in her show. Everyone pays attention to her, and only her. As with all heroines in movies (specifically, those movies with no heroes).
- Combining both together, "Heroin with an 'E'" signifies as a powerful, euphoric connection (her and her fans) that's not destructive (unlike Heroin), but rather, a positive, euphoric, and uplifting feeling.
- Again, the "sign on your heart" symbolizes fans' loyalty.
- Where's the trophy? He just comes running over to me.
- Before I do a deep dive on this, let's establish the definition of the "trophy". The "trophy" symbolizes ultimate success, victory, or recognition in a competitive field.
- This line is a rhetorical question. There is no actual "trophy". Taylor Swift is the trophy.
- Any dudes dating her should recognise that. That she's the trophy.
Addressing the (American) football references in this song:
As mentioned before, the football references in this song are simply metaphors to help illustrate the themes of competition, triumph, and teamwork.- "So when I touch down"
- While "Touchdown" is a direct reference to scoring in American football, it also, in a literal sense, means refers to when she has landed in her
privatejet. At this point, we all already know about her and her private jet "news" - I do not need to elaborate on this. - "Touching down" symbolizes a notable return after her hiatus and public controversies, Taylor Swift’s "touch down" represents her re-emergence into the public eye with a strong, confident, and elevated status.
- In the context of the song, it symbolizes Taylor's return to the public eye and re-establishing her position in the music industry.
- While "Touchdown" is a direct reference to scoring in American football, it also, in a literal sense, means refers to when she has landed in her
- "Call the amateurs and / Cut 'em from the team"
- This phrase uses the concept of a sports team to signify separating the less dedicated or less talented (the "amateurs") from the main group. It implies that only the best and most loyal (fans) shall remain, akin to a team selection process in sports.
- "Shirts off, and your friends lift you up over their heads / Beer sticking to the floor / Cheers chanted, cause they said"
- This imagery is reminiscent of celebratory scenes in sports, particularly football games where fans celebrate their team's victories with loud cheers, lifting people in celebration, and the chaotic but joyful atmosphere, very much like the Eras tour.
- "There was no chance, trying to be / The greatest in the league / Where's the trophy?"
- Directly references sports league competition and winning a trophy, which signifies achieving the highest honor or success. And who is she? The Billboard Woman of the Decade. The first person in history to win the AOTY 4 times. One with one of the highest grossing tour of all time. Yes by all accounts she's the music industry.
Taylor Swift's song "The Alchemy," is basically a powerful ode to her fans, chronicling her journey through public scrutiny and her triumphant return to the music industry. It draws parallels to her tumultuous period following the "snake gate" incident with Kim Kardashian and her subsequent hiatus before the release of "Reputation," the lyrics reflect a narrative of resilience, redemption, and the unwavering bond between Swift and her fans.
Once you are able to interpret "you" as "the fans", you'll be able to see, without having to do too much mental gymnastics, that the song is about the transformative and enduring connection Swift shares with her loyal supporters.
If you've made it this far, thank you for reading. Sorry for any typos or grammatical errors - but I hope I helped you made sense of the song!
2024.05.19 10:44 JoshAsdvgi Story of Camossung
Story of Camossung
Camossung was a young girl whose home site was destroyed by the great flood.
After searching and scouring the land for food they found none and were left
starving.
Camossung went to the water pleading to Hayles the transformer, who
was a sun at this moment, to provide her with food, and Hayles responded to her
pleadings.
Hayles leaned down and offered her sturgeon.
The girl said she did not like fish, so Hayles threw it somewhere on the mainland.
Then they offered cranberries and again she refused, so they threw it towards what is known as Shawnigan Lake.
The things she did not refuse were ducks, herrings, coho, and oysters, which grew in abundance before colonization.
Before Hayles punished her for her greed Camossung, thinking of her people,
asked Hayles for trees that would ‘touch the sky,’ flowers to cover the rocks, a
good harbour to protect the canoes, and for milder and warmer winds.
Taking these into consideration, Hayles nodded; they changed some of Camossung’s
people into trees known today as Garry Oaks.
They transformed others into flowers, such as blue camas and the Easter Lily, and finally Hayles bade the northwest wind warrior spirit not to deal too harshly with the land of Camossung.
With those changes, Hayles made the harbour of the Gorge and then sprinkled
water onto Camossung, turning her into a rock so she could protect the plentiful
things that would feed and heal her people.
Camossung’s grandfather was also someone who was close to her, so he too changed into a rock with her.
At one point in time these rocks could be seen under the water of the Gorge where the
reversible falls are; however, the rocks were blasted in the 1900s.
The sculpture symbolizes the importance of this location.
It’s a unique place, where fresh and salt-water merge with each ebb and flow of the Gorge Waterway.
It’s a place where animals thrive and where people sought food and a spiritual connection.
An ancient Songhees story tells of a young girl named Camossung, turned to stone by Hayls, the Transformer.
Camossung is believed to have spirit powers.
She protects the Songhees people’s local food resources of coho salmon, herring, oysters and ducks.
The original sacred stone is located below the southern side of the Tillicum Bridge.
You can see it beneath the water at low tide.
submitted by JoshAsdvgi to Native_Stories [link] [comments]
Camossung was a young girl whose home site was destroyed by the great flood.
After searching and scouring the land for food they found none and were left
starving.
Camossung went to the water pleading to Hayles the transformer, who
was a sun at this moment, to provide her with food, and Hayles responded to her
pleadings.
Hayles leaned down and offered her sturgeon.
The girl said she did not like fish, so Hayles threw it somewhere on the mainland.
Then they offered cranberries and again she refused, so they threw it towards what is known as Shawnigan Lake.
The things she did not refuse were ducks, herrings, coho, and oysters, which grew in abundance before colonization.
Before Hayles punished her for her greed Camossung, thinking of her people,
asked Hayles for trees that would ‘touch the sky,’ flowers to cover the rocks, a
good harbour to protect the canoes, and for milder and warmer winds.
Taking these into consideration, Hayles nodded; they changed some of Camossung’s
people into trees known today as Garry Oaks.
They transformed others into flowers, such as blue camas and the Easter Lily, and finally Hayles bade the northwest wind warrior spirit not to deal too harshly with the land of Camossung.
With those changes, Hayles made the harbour of the Gorge and then sprinkled
water onto Camossung, turning her into a rock so she could protect the plentiful
things that would feed and heal her people.
Camossung’s grandfather was also someone who was close to her, so he too changed into a rock with her.
At one point in time these rocks could be seen under the water of the Gorge where the
reversible falls are; however, the rocks were blasted in the 1900s.
The sculpture symbolizes the importance of this location.
It’s a unique place, where fresh and salt-water merge with each ebb and flow of the Gorge Waterway.
It’s a place where animals thrive and where people sought food and a spiritual connection.
An ancient Songhees story tells of a young girl named Camossung, turned to stone by Hayls, the Transformer.
Camossung is believed to have spirit powers.
She protects the Songhees people’s local food resources of coho salmon, herring, oysters and ducks.
The original sacred stone is located below the southern side of the Tillicum Bridge.
You can see it beneath the water at low tide.
2024.05.19 10:40 STD_ISSUE_ANTHROPOD Schema Therapy; Narrative, mythos and me.
Hi, I have been reading through my notes, correspondence with my psych and reacquainted myself with this subreddit having made a little bit of progress. I realise how deeply personal and different our work with schema therapy can be. It is a fraught process that is really hard work at times. Having made unexpected progress though, I thought maybe it would be helpful to describe parts of my context, not so much that people find it familiar or relatable, but moreso that people grab the toolset that schema therapy gives you and run with it in your own way.
Background: It's probably been just over fourth months of fairly intensive schema therapy. I am in the fortunate situation of having regular appointments with a clinical psychologist. I would say I had two points where I generated schemas. First one was the same as everyone else: Early childhood. Second one was 17-21 when I became effectively bedridden due to chronic illness.
When I have talked about this second period, I describe it as "Having to rebuild who I was from scratch, entirely based around energy efficiency". I remember staring into the pitch blackness of my bedroom during this time, absolutely flawed that the one part of me that seemed to function right was what Schema Therapy might describe as "Demanding Critic". This would have been 18-19 years ago so I had no idea about schema therapy at all, I just had this constant internal dialogue tearing strips off me for not trying harder, not getting up, not fixing myself. I was completely exhausted otherwise, but this damn thing was as active as ever? What the hell, why was it the last thing standing? It was so different from the rest of me. "If you know how to fix everything, be my guest, I'm in your hands, here's the keys!" I remember thinking. Alarmingly, the internal dialog responded: "Fine, I will". "Good fucking luck" I thought, and passed out for several hours. I didn't realise it, but I had just given Demanding Critic a parental role.
Demanding Critic used a process of elimination to tear apart, kludge, re-engineer and jerry-rig me from someone who slept for 16-18 hours a day out of necessity into someone with a degree, a house, a family, a part-time job. It took a while. It wasn't easy. It's amazing what can happen when you give seething self-hatred the keys to your entire self. Punitive critic used to be a thing, but had it's parts ripped out and reconfigured for completely different purposes. Entire ways to simulate being a conscious, involved person in social situations were constructed. I trained myself to do very complex tasks by muscle memory so I could do them while completely exhausted. The complex effects of depressive episodes could be filtered and rewired to emulate happiness. Fatalistic pessimism was employed towards emulating initiative and drive. Their logics and mechanisms were set to fire off automatically according to the myriad of different contexts I found myself in, so I didn't have to consciously engage in the moment, I could just react according to programming. The "machines" as I called them were fine tuned over years. But it seems that entire parts of myself were deactivated having been deemed too difficult to regulate, or too energy intensive. Demanding Critic was as brutal at he was creative. Entire emotional spectrums were pulverised, or at best used as catalysts for the activation of certain mechanics. They weren't properly experienced, because that used up too much energy, and I couldn't trust myself to make it through the day. Same with speculative, ill-defined senses like 'Hope'. It wasn't worth the effects of disappointment. No one could know how much pain I was in, or how much I was really suffering, or how exhausted I really was. Press on you stupid meat-bag. In your state what good is hope or despair? You'd be a poor judge of either. Press on! Hurry up and succeed. It doesn't matter what has happened to you, what people say or do to you, you can barely feel it above the pain anyway. MOVE. MOVE. MOVE.
This process was refined until a semblance of normativity took place externally, and internally I had acclimated to the new approaches that were by now a pretty seamless, responsive system. Something still wasn't right though, and with investigation came the ASD/ADHD diagnosis, then the CPTSD diagnosis. Once again unto the breech, I pushed myself to understand and recover as best I could. Except doing so meant realising what was happening around me, what interpersonal boundaries were, how I was being treated by my loved ones, everything that had really happened to me for thirty-odd years.
Kaboom.
In the aftermath I'm in a difficult, but stable situation, and undergoing schema therapy. Learning about the modes my therapist asked me to talk about the ones I identified. Demanding Critic spoke directly through the keyboard as an intense character: The Machinist. It became obvious that the system of schema therapy lent itself to treating modes as characters within a narrative, and I have just ran with it. The Machinist, interestingly enough, set down his tools and deactivated many of his machines, because if my Therapist and I found a "Better Solution", he wanted in on it, being fundamentally benevolent, and concerned with a Successful Result. Without Schema Therapy lending itself to narrative and mythos, I doubt I could have so easily deactivated the system of "machinery" required to prop me up. It's led to all kinds of shocking discoveries: The missing (No longer presumed dead) Happy Child that has been carefully hidden away amongst the deactivated components of myself. The fact that I lived entirely in the Past or the Future. The present was deemed "Too energy consumptive". I didn't know whether I had a "Healthy Adult Mode", but weirdly The Machinist could fill that roll sometimes but obviously had his limitations. Then out of the void, deactivated parts of me started to come back online. Something started to assert itself in the Present. It was very interested in emotions. Instead of casting them aside and pushing past them to get on with what i was supposed to be doing, it insisted I experience them, decode them and experiment with them. New experiments in the real-time interaction with people were enacted, with the emotional fallout, good and bad, further experimented with. This present-based-thing has been curiously self-compassionate, and has guided me through the difficulties and risks of fully engaging in real time with my emotional spectrum when relating with others, my work, and my life. All for the sake of her experiments. She is The Scientist. She is getting all kinds of results and recording all kinds of functions I had no idea I was capable of. The Machinist is head over heels in love with her, having watched her working over the least two weeks. She's kinda started flirting with him, allowing a desire for perfection to be felt over some work I was doing. "Show me what you can do". I consciously disparaged the desire for perfection, looked down and my consciousness was shocked to discover The Machinist had taken over my motor skills and indeed had made something perfectly, and was having fun. It seems I have two self re-parents.
Now, it's bonkers to read, I'm sure. I apologise. But it's working. It really is fucking working. Take what you can from schema therapy and run with it. Make it yours, whatever that means for you. It's gonna be weird. It's gonna be wild. I reckon the easiest way to engage with it has to be it's propensity for character and narrative, but maybe the path of least resistance for you is some other aspect of it I can't detect.
submitted by STD_ISSUE_ANTHROPOD to SchemaTherapy [link] [comments]
Background: It's probably been just over fourth months of fairly intensive schema therapy. I am in the fortunate situation of having regular appointments with a clinical psychologist. I would say I had two points where I generated schemas. First one was the same as everyone else: Early childhood. Second one was 17-21 when I became effectively bedridden due to chronic illness.
When I have talked about this second period, I describe it as "Having to rebuild who I was from scratch, entirely based around energy efficiency". I remember staring into the pitch blackness of my bedroom during this time, absolutely flawed that the one part of me that seemed to function right was what Schema Therapy might describe as "Demanding Critic". This would have been 18-19 years ago so I had no idea about schema therapy at all, I just had this constant internal dialogue tearing strips off me for not trying harder, not getting up, not fixing myself. I was completely exhausted otherwise, but this damn thing was as active as ever? What the hell, why was it the last thing standing? It was so different from the rest of me. "If you know how to fix everything, be my guest, I'm in your hands, here's the keys!" I remember thinking. Alarmingly, the internal dialog responded: "Fine, I will". "Good fucking luck" I thought, and passed out for several hours. I didn't realise it, but I had just given Demanding Critic a parental role.
Demanding Critic used a process of elimination to tear apart, kludge, re-engineer and jerry-rig me from someone who slept for 16-18 hours a day out of necessity into someone with a degree, a house, a family, a part-time job. It took a while. It wasn't easy. It's amazing what can happen when you give seething self-hatred the keys to your entire self. Punitive critic used to be a thing, but had it's parts ripped out and reconfigured for completely different purposes. Entire ways to simulate being a conscious, involved person in social situations were constructed. I trained myself to do very complex tasks by muscle memory so I could do them while completely exhausted. The complex effects of depressive episodes could be filtered and rewired to emulate happiness. Fatalistic pessimism was employed towards emulating initiative and drive. Their logics and mechanisms were set to fire off automatically according to the myriad of different contexts I found myself in, so I didn't have to consciously engage in the moment, I could just react according to programming. The "machines" as I called them were fine tuned over years. But it seems that entire parts of myself were deactivated having been deemed too difficult to regulate, or too energy intensive. Demanding Critic was as brutal at he was creative. Entire emotional spectrums were pulverised, or at best used as catalysts for the activation of certain mechanics. They weren't properly experienced, because that used up too much energy, and I couldn't trust myself to make it through the day. Same with speculative, ill-defined senses like 'Hope'. It wasn't worth the effects of disappointment. No one could know how much pain I was in, or how much I was really suffering, or how exhausted I really was. Press on you stupid meat-bag. In your state what good is hope or despair? You'd be a poor judge of either. Press on! Hurry up and succeed. It doesn't matter what has happened to you, what people say or do to you, you can barely feel it above the pain anyway. MOVE. MOVE. MOVE.
This process was refined until a semblance of normativity took place externally, and internally I had acclimated to the new approaches that were by now a pretty seamless, responsive system. Something still wasn't right though, and with investigation came the ASD/ADHD diagnosis, then the CPTSD diagnosis. Once again unto the breech, I pushed myself to understand and recover as best I could. Except doing so meant realising what was happening around me, what interpersonal boundaries were, how I was being treated by my loved ones, everything that had really happened to me for thirty-odd years.
Kaboom.
In the aftermath I'm in a difficult, but stable situation, and undergoing schema therapy. Learning about the modes my therapist asked me to talk about the ones I identified. Demanding Critic spoke directly through the keyboard as an intense character: The Machinist. It became obvious that the system of schema therapy lent itself to treating modes as characters within a narrative, and I have just ran with it. The Machinist, interestingly enough, set down his tools and deactivated many of his machines, because if my Therapist and I found a "Better Solution", he wanted in on it, being fundamentally benevolent, and concerned with a Successful Result. Without Schema Therapy lending itself to narrative and mythos, I doubt I could have so easily deactivated the system of "machinery" required to prop me up. It's led to all kinds of shocking discoveries: The missing (No longer presumed dead) Happy Child that has been carefully hidden away amongst the deactivated components of myself. The fact that I lived entirely in the Past or the Future. The present was deemed "Too energy consumptive". I didn't know whether I had a "Healthy Adult Mode", but weirdly The Machinist could fill that roll sometimes but obviously had his limitations. Then out of the void, deactivated parts of me started to come back online. Something started to assert itself in the Present. It was very interested in emotions. Instead of casting them aside and pushing past them to get on with what i was supposed to be doing, it insisted I experience them, decode them and experiment with them. New experiments in the real-time interaction with people were enacted, with the emotional fallout, good and bad, further experimented with. This present-based-thing has been curiously self-compassionate, and has guided me through the difficulties and risks of fully engaging in real time with my emotional spectrum when relating with others, my work, and my life. All for the sake of her experiments. She is The Scientist. She is getting all kinds of results and recording all kinds of functions I had no idea I was capable of. The Machinist is head over heels in love with her, having watched her working over the least two weeks. She's kinda started flirting with him, allowing a desire for perfection to be felt over some work I was doing. "Show me what you can do". I consciously disparaged the desire for perfection, looked down and my consciousness was shocked to discover The Machinist had taken over my motor skills and indeed had made something perfectly, and was having fun. It seems I have two self re-parents.
Now, it's bonkers to read, I'm sure. I apologise. But it's working. It really is fucking working. Take what you can from schema therapy and run with it. Make it yours, whatever that means for you. It's gonna be weird. It's gonna be wild. I reckon the easiest way to engage with it has to be it's propensity for character and narrative, but maybe the path of least resistance for you is some other aspect of it I can't detect.
2024.05.19 10:32 Complex-Addition-513 Shadows and Echoes
In the heart of Chicago, where the skyline pierced the heavens and the streets pulsed with life, there lived a man named Victor Kane. At 26 years old and a startling 6'3" in stature, Victor commanded attention effortlessly. His piercing gaze seemed to see through the very fabric of one's soul, and his knowing, flirtatious smirk hinted at secrets that few could ever fathom. Victor was a man of many faces, each one carefully crafted and expertly worn to blend into any situation, like a chameleon adapting to its surroundings. Each interaction with another human was as if it were another painting to be hung in the Art Institute of Chicago, a masterpiece of social maneuvering and charm.
To most, he appeared unremarkable, perhaps even a bit dim, an illusion he maintained with meticulous precision. Yet beneath this facade lay a mind as sharp as a dagger, honed by years of strategic thinking, manipulation, and the art of emotional deceit. Victor had learned from the best. His father, a man deeply entrenched in the shadowy world of organized crime, had mastered the art of bending reality to his will. A master chess player, he treated people like pieces on a grand chessboard, moving them at his whim, always six steps ahead. Victor had absorbed these lessons like a sponge, his young mind eagerly soaking up every tactic, every subtle nuance of control.
Battles with his father have left their scars, trailing off Victor like a snake's entrails as they slither through crowded streets, scanning for their next meal. They probe the aura of each passerby, tasting their energy, yet to their disappointment, they find no juicy, dirt-filled sponge of pain and suffering. They taste desires, yet nothing hits just right. Empty husks, devoid of the essence they crave. Living memories enshroud him in a cloud of black smoke, a spectral fog visible only to a witch. A demon, masquerading as a homeless man and muttering incoherent whispers, feels the snake's embrace tighten around him. He halts abruptly, turning to Victor with a knowing gaze. 'I see you,' he murmurs, 'Such discipline and composure may deceive the others, yet it's only a matter of time before they find you.' The homeless man continues his walk, pulling a black suitcase along, his tattered white shirt contrasting sharply with his black suit, and no tie to complete the ensemble.
Victor makes no comment, his mind a labyrinth of dark intentions and calculated moves. He viewed the world as a malleable entity, something he could shape and twist to suit his needs. The streets, the people, the very air he breathed; they were all part of a grand, intricate game where he alone held the key. He had no qualms about using others to achieve his goals, seeing them as mere tools in his grand design. It was a dangerous philosophy, one which required constant vigilance and adaptability. As he moved through the throngs of oblivious souls, he could almost hear the whispers of their deepest fears and hidden sins. The scars trailed behind him, living entities of their own, reaching out hungrily, desperate for a morsel of genuine suffering. Yet the city, with all its noise and chaos, offered little more than hollow echoes and fleeting shadows. Traces of happiness. Lost children in the never ending void of their own desperation. Victor's eyes flickered with a cold, calculating light. He was a master of this urban jungle, a predator in search of worthy prey. The demon’s warning lingered in his mind, yet it only fueled a burning hunger. He thrived in the shadows, where power and control were his for the taking. Each step he took was a step closer to his ultimate end goal, a twisted vision of dominance, only he could see.
In the distance, the city’s lights shimmered like false promises, yet Victor knew better. Beneath the surface, in hidden corners and forgotten alleys, darkness mirrored his own. In this abyss, he felt certain he would find what he sought: the true essence of his own hunger, the raw, unfiltered energy he could devour. Victor thrived on the underestimation of others, reveling when people perceived him as lesser. Such perceptions made his manipulations appear as innocent mistakes, acts of ignorance and oblivion. His favorite targets: those with inflated egos, individuals convinced of their invincibility.
"A person with a big ego is like an orgasm," he often mused, speaking as if to his shadow. "It's just so easy. Their first mistake: telling me we're not equals. Afterward, they reveal all the buttons and levers in their psyche. They hand me their own weapon on a silver platter, asking, 'Victor, please send me to meet Anpu. Please show me the gates of my own demise.' Their insanity begs to be freed from this curse of societal norms. Always the first mistake, then the rest follow." Laughter echoed from the snakes twining around Victor. As he whispered these musings, the words ensnared a group of Venezuelans nearby, inciting them into a frenzy of violence without understanding the spark. Victor watched, casually tossing a silver dollar their way as if to say, "Welcome to the sanctuary," his smirk a shadow under the flickering streetlights. He calls to the boys, 'there now before you boys get into trouble remember this, you're only seeing the lions teeth, yet you haven't seen what triggered it.' They stared at Victor, startled, as he bid them farewell with a two-finger salute from his left temple and continued wandering down the street.
A drone sliced through the air, its camera lens capturing the serpentine twists of the Chicago River below. Victor, watching its flight, was transported to his youth, to days spent cobbling together a demonic owl from discarded household trinkets and an owl decoy. He would pilot this macabre creation through his neighborhood, a spectral puppeteer orchestrating nocturnal ballets which both delighted and unnerved his unsuspecting audience. A sinister grin unfurled across his lips, a shadow's whisper, as memories of those simple machines mingled with the sophisticated arsenal he commanded today. In the digital age, Victor had become a maestro of manipulation, his tools refined yet no less mischievous. Social media platforms were his stage, targeted advertisements and spoofed numbers his actors, each one playing their part in his grand, deceptive symphony. With the deftest touch, he planted seeds of doubt, spun webs of misinformation, transforming allies into adversaries, stitching chaos into the fabric of daily lives with mere whispers masquerading as shouts. His schemes were crafted with such subtlety, woven so seamlessly into the warp and weft of reality, that his victims believed themselves architects of their own undoing.
The crowning jewel of his current machinations was a prototype drone, a whimsical homage to the contraptions of his youth yet imbued with the precision of modern technology. This drone, engineered to navigate from the chilly confines of his refrigerator to the steamy oasis of his rooftop hot tub, was a testament to his technical acumen. Crafted to be mended with mere baubles from any corner hardware store, it stood as a symbol of practical genius, a playful yet potent emblem of his enduring craft.
Victor glimpsed a universe of possibilities within this project, each drone a seed from which new opportunities might bloom. "Perhaps I could craft a model for a dive shop in Australia," he mused. "A sentinel to monitor the slow dance of decay among the coral reefs." Such a gift could forge pathways, perhaps even secure an internship, an opportunity to wield his 417 subclass visa before its flame flickered out. The prospect of traversing Australia's vast landscapes, of weaving his influence through uncharted territories and minds, sparked a thrill within him. Beyond the realm of circuitry and code, Victor possessed a profound mastery over the human psyche. He had the uncanny ability to read individuals, to delve into the murky depths of their insecurities and desires. With the finesse of a sculptor, he could mold a woman’s perception, convincing her of a soul-deep connection, crafting mirages of perfect compatibility. Yet, for all his prowess in the art of deception, Victor adhered to his own strict code. He eschewed physical violence, never staining his hands with assault; his dominion was the mind, his influence woven through the delicate fabric of psychology.
In Chicago's suffocating underbelly, Victor's father regarded him not with paternal concern, rather with venomous animosity. Their relationship was a battleground, devoid of affection or empathy, cloaked threats masquerading as concern. "Victor, if you don't see a psychiatrist, I'm cutting you off," he declared, his voice a cold hiss, a deeper wish for Victor's demise lurking beneath. Victor's laugh, hollow, echoing through the night, a sound devoid of warmth, knew well the true nature of the psychiatrist and the deeper machinations of his father's cruel intentions. His father viewed him not as a son, yet as a nemesis, a presence he wished to erase from existence. Surrounded by the oppressive cityscape, Victor stood alone atop his building, the L line screeching past, the lights below mere distant, watchful eyes. "Tomorrow, I bend reality once more," he whispered into the void, his voice merging with the cold wind sweeping the rooftops.
The relentless pursuit of his father's malice shadowed him into the darkest city corners where shadows moved with intent, whispering of ancient, sinister forces. Here, in the corner of his eyes an oozing of black liquid drenched an alley, a tar monster, a grotesque manifestation of the city’s darkest secrets, its gnarled face and gleaming teeth mirroring the twisted relationship endured. Against a backdrop of a city thrumming with malevolent energy, Victor pondered the fragile line between delusion and reality. "It's only delusional till it works, so is it really delusional?" he mused aloud, his words dissipating into the night where the distinction between madness and genius blurred by darkness.
Retreating from the alley, his figure melded into the shadows, each step deliberate, burdened with the weight of a cursed legacy. He was acutely aware of his dual role, both manipulator and pawn in a grander, more malevolent game, a game orchestrated by forces predating the city itself. Every movement influenced by the sinister energy pervading Chicago, a legacy of corruption and darkness intertwined with his own existence. Victor understood his every action overseen by the ancient entity had taken interest in him, an entity finding delight in his struggle, offering protection at a dreadful cost.
Emerging from the shadows back into the flickering city lights, Victor found no solace in the illumination yet his smile stretched reaching his eyes showing his gleaming razor sharp teeth. These lights did not offer hope only humor; they were beacons of a foreboding reality. He resolved to continue bending reality, wielding the cursed power both protecting, ensnaring him, and pointing out the irony of his situation. Day after day, he would play this dark game, a master of deceit entwined with an ancient force more profound and sinister than any could fathom.
With one final, lingering look at the alley where darkness reigned supreme, Victor Kane laughed, a hollow echo fading as he stepped into the nearby pub. Inside, the warm glow contrasted starkly with the night's chilling embrace, yet the shadows seemed merely to lurk at the edges, waiting. At their usual spot by the worn bar, he found Billy Smith, his old high school Basketball teammate, with two pints of beer ready. They clinked glasses, the sound slicing through the hum of conversations around them. "To the unexpected," Victor intoned, his voice laced with a hint of irony. As they settled into the rhythm of their catch-up, the conversation inevitably turned toward the unfolding news, the war in Ukraine, an event that had caught the world off guard.
"No one ever saw it coming," Billy remarked, his tone a mix of wonder and concern.
Victor's eyes flickered with a dark amusement, and raising his glass again, he offered a toast, this time in Latin, a language that carried the weight of history and secrets. "Ad profundis malorum," he declared, which translated to 'To the depths of evils.'
Billy paused, the words hanging between them like a veil being slowly drawn back to reveal a hidden scene. The toast was enigmatic, resonant with Victor’s acknowledgment of the chaos brewing both near and far, a chaos that, perhaps, only he could navigate.
As the night deepened within the grimy confines of the pub, where every corner whispered of misdeeds and the air hung heavy with the scent of stale beer and lost hopes, the laughter and chatter provided a deceptive cover for the profound game silently playing in Victor’s mind. His cryptic toast, "Ad profundis malorum," echoed a darker undertone amidst the jovial noise.
Across the bar, a woman with long jet black hair and piercing grey eyes watched Victor. Clad in a striking red full-grain leather trench coat, her presence was undeniably conspicuous, yet paradoxically, she remained unnoticed. Despite her short stature, she was fit, her features sharply defined, an attractiveness seemingly almost otherworldly amidst the grime of the pub. Curiously, not even the barkeep spared her a glance, as if she existed in a separate realm, visible only to those she chose to confront. As Billy excitedly shared his plans to open a dive shop with a taco bar on the roof, the woman’s lips moved in a whisper, her voice a soft, clear bell in the din, carrying a dire warning. "I know what you are. We found you." At that moment, a flashback surged through Victor’s mind, a haunting image of a colonial girl he once saw in the Fraser Experimental Forest. His girlfriend at the time had turned to him, her voice tinged with unease. "Victor, do you see what I see? The girl? Yeah, the girl. I can feel something following us. As if it knows what we are yet won't approach, yet I can feel it." This vivid recollection now seemed a prelude to the current moment, a chilling reminder the forces he had glimpsed back then were the same now declaring their presence.
The evening wound down with plans made and stories shared, yet the woman’s prophetic words and the ghostly memory of the girl hung unseen in the air, portending looming confrontations between the light she embodied and the shadow following Victor Kane. As the patrons began to drift away, the shadows reclaiming their territory within the pub, the mysterious woman’s figure faded into the background, her message delivered, her purpose yet unclear but undoubtedly intertwined with Victor’s fate.
The end.
submitted by Complex-Addition-513 to creativewriting [link] [comments]
To most, he appeared unremarkable, perhaps even a bit dim, an illusion he maintained with meticulous precision. Yet beneath this facade lay a mind as sharp as a dagger, honed by years of strategic thinking, manipulation, and the art of emotional deceit. Victor had learned from the best. His father, a man deeply entrenched in the shadowy world of organized crime, had mastered the art of bending reality to his will. A master chess player, he treated people like pieces on a grand chessboard, moving them at his whim, always six steps ahead. Victor had absorbed these lessons like a sponge, his young mind eagerly soaking up every tactic, every subtle nuance of control.
Battles with his father have left their scars, trailing off Victor like a snake's entrails as they slither through crowded streets, scanning for their next meal. They probe the aura of each passerby, tasting their energy, yet to their disappointment, they find no juicy, dirt-filled sponge of pain and suffering. They taste desires, yet nothing hits just right. Empty husks, devoid of the essence they crave. Living memories enshroud him in a cloud of black smoke, a spectral fog visible only to a witch. A demon, masquerading as a homeless man and muttering incoherent whispers, feels the snake's embrace tighten around him. He halts abruptly, turning to Victor with a knowing gaze. 'I see you,' he murmurs, 'Such discipline and composure may deceive the others, yet it's only a matter of time before they find you.' The homeless man continues his walk, pulling a black suitcase along, his tattered white shirt contrasting sharply with his black suit, and no tie to complete the ensemble.
Victor makes no comment, his mind a labyrinth of dark intentions and calculated moves. He viewed the world as a malleable entity, something he could shape and twist to suit his needs. The streets, the people, the very air he breathed; they were all part of a grand, intricate game where he alone held the key. He had no qualms about using others to achieve his goals, seeing them as mere tools in his grand design. It was a dangerous philosophy, one which required constant vigilance and adaptability. As he moved through the throngs of oblivious souls, he could almost hear the whispers of their deepest fears and hidden sins. The scars trailed behind him, living entities of their own, reaching out hungrily, desperate for a morsel of genuine suffering. Yet the city, with all its noise and chaos, offered little more than hollow echoes and fleeting shadows. Traces of happiness. Lost children in the never ending void of their own desperation. Victor's eyes flickered with a cold, calculating light. He was a master of this urban jungle, a predator in search of worthy prey. The demon’s warning lingered in his mind, yet it only fueled a burning hunger. He thrived in the shadows, where power and control were his for the taking. Each step he took was a step closer to his ultimate end goal, a twisted vision of dominance, only he could see.
In the distance, the city’s lights shimmered like false promises, yet Victor knew better. Beneath the surface, in hidden corners and forgotten alleys, darkness mirrored his own. In this abyss, he felt certain he would find what he sought: the true essence of his own hunger, the raw, unfiltered energy he could devour. Victor thrived on the underestimation of others, reveling when people perceived him as lesser. Such perceptions made his manipulations appear as innocent mistakes, acts of ignorance and oblivion. His favorite targets: those with inflated egos, individuals convinced of their invincibility.
"A person with a big ego is like an orgasm," he often mused, speaking as if to his shadow. "It's just so easy. Their first mistake: telling me we're not equals. Afterward, they reveal all the buttons and levers in their psyche. They hand me their own weapon on a silver platter, asking, 'Victor, please send me to meet Anpu. Please show me the gates of my own demise.' Their insanity begs to be freed from this curse of societal norms. Always the first mistake, then the rest follow." Laughter echoed from the snakes twining around Victor. As he whispered these musings, the words ensnared a group of Venezuelans nearby, inciting them into a frenzy of violence without understanding the spark. Victor watched, casually tossing a silver dollar their way as if to say, "Welcome to the sanctuary," his smirk a shadow under the flickering streetlights. He calls to the boys, 'there now before you boys get into trouble remember this, you're only seeing the lions teeth, yet you haven't seen what triggered it.' They stared at Victor, startled, as he bid them farewell with a two-finger salute from his left temple and continued wandering down the street.
A drone sliced through the air, its camera lens capturing the serpentine twists of the Chicago River below. Victor, watching its flight, was transported to his youth, to days spent cobbling together a demonic owl from discarded household trinkets and an owl decoy. He would pilot this macabre creation through his neighborhood, a spectral puppeteer orchestrating nocturnal ballets which both delighted and unnerved his unsuspecting audience. A sinister grin unfurled across his lips, a shadow's whisper, as memories of those simple machines mingled with the sophisticated arsenal he commanded today. In the digital age, Victor had become a maestro of manipulation, his tools refined yet no less mischievous. Social media platforms were his stage, targeted advertisements and spoofed numbers his actors, each one playing their part in his grand, deceptive symphony. With the deftest touch, he planted seeds of doubt, spun webs of misinformation, transforming allies into adversaries, stitching chaos into the fabric of daily lives with mere whispers masquerading as shouts. His schemes were crafted with such subtlety, woven so seamlessly into the warp and weft of reality, that his victims believed themselves architects of their own undoing.
The crowning jewel of his current machinations was a prototype drone, a whimsical homage to the contraptions of his youth yet imbued with the precision of modern technology. This drone, engineered to navigate from the chilly confines of his refrigerator to the steamy oasis of his rooftop hot tub, was a testament to his technical acumen. Crafted to be mended with mere baubles from any corner hardware store, it stood as a symbol of practical genius, a playful yet potent emblem of his enduring craft.
Victor glimpsed a universe of possibilities within this project, each drone a seed from which new opportunities might bloom. "Perhaps I could craft a model for a dive shop in Australia," he mused. "A sentinel to monitor the slow dance of decay among the coral reefs." Such a gift could forge pathways, perhaps even secure an internship, an opportunity to wield his 417 subclass visa before its flame flickered out. The prospect of traversing Australia's vast landscapes, of weaving his influence through uncharted territories and minds, sparked a thrill within him. Beyond the realm of circuitry and code, Victor possessed a profound mastery over the human psyche. He had the uncanny ability to read individuals, to delve into the murky depths of their insecurities and desires. With the finesse of a sculptor, he could mold a woman’s perception, convincing her of a soul-deep connection, crafting mirages of perfect compatibility. Yet, for all his prowess in the art of deception, Victor adhered to his own strict code. He eschewed physical violence, never staining his hands with assault; his dominion was the mind, his influence woven through the delicate fabric of psychology.
In Chicago's suffocating underbelly, Victor's father regarded him not with paternal concern, rather with venomous animosity. Their relationship was a battleground, devoid of affection or empathy, cloaked threats masquerading as concern. "Victor, if you don't see a psychiatrist, I'm cutting you off," he declared, his voice a cold hiss, a deeper wish for Victor's demise lurking beneath. Victor's laugh, hollow, echoing through the night, a sound devoid of warmth, knew well the true nature of the psychiatrist and the deeper machinations of his father's cruel intentions. His father viewed him not as a son, yet as a nemesis, a presence he wished to erase from existence. Surrounded by the oppressive cityscape, Victor stood alone atop his building, the L line screeching past, the lights below mere distant, watchful eyes. "Tomorrow, I bend reality once more," he whispered into the void, his voice merging with the cold wind sweeping the rooftops.
The relentless pursuit of his father's malice shadowed him into the darkest city corners where shadows moved with intent, whispering of ancient, sinister forces. Here, in the corner of his eyes an oozing of black liquid drenched an alley, a tar monster, a grotesque manifestation of the city’s darkest secrets, its gnarled face and gleaming teeth mirroring the twisted relationship endured. Against a backdrop of a city thrumming with malevolent energy, Victor pondered the fragile line between delusion and reality. "It's only delusional till it works, so is it really delusional?" he mused aloud, his words dissipating into the night where the distinction between madness and genius blurred by darkness.
Retreating from the alley, his figure melded into the shadows, each step deliberate, burdened with the weight of a cursed legacy. He was acutely aware of his dual role, both manipulator and pawn in a grander, more malevolent game, a game orchestrated by forces predating the city itself. Every movement influenced by the sinister energy pervading Chicago, a legacy of corruption and darkness intertwined with his own existence. Victor understood his every action overseen by the ancient entity had taken interest in him, an entity finding delight in his struggle, offering protection at a dreadful cost.
Emerging from the shadows back into the flickering city lights, Victor found no solace in the illumination yet his smile stretched reaching his eyes showing his gleaming razor sharp teeth. These lights did not offer hope only humor; they were beacons of a foreboding reality. He resolved to continue bending reality, wielding the cursed power both protecting, ensnaring him, and pointing out the irony of his situation. Day after day, he would play this dark game, a master of deceit entwined with an ancient force more profound and sinister than any could fathom.
With one final, lingering look at the alley where darkness reigned supreme, Victor Kane laughed, a hollow echo fading as he stepped into the nearby pub. Inside, the warm glow contrasted starkly with the night's chilling embrace, yet the shadows seemed merely to lurk at the edges, waiting. At their usual spot by the worn bar, he found Billy Smith, his old high school Basketball teammate, with two pints of beer ready. They clinked glasses, the sound slicing through the hum of conversations around them. "To the unexpected," Victor intoned, his voice laced with a hint of irony. As they settled into the rhythm of their catch-up, the conversation inevitably turned toward the unfolding news, the war in Ukraine, an event that had caught the world off guard.
"No one ever saw it coming," Billy remarked, his tone a mix of wonder and concern.
Victor's eyes flickered with a dark amusement, and raising his glass again, he offered a toast, this time in Latin, a language that carried the weight of history and secrets. "Ad profundis malorum," he declared, which translated to 'To the depths of evils.'
Billy paused, the words hanging between them like a veil being slowly drawn back to reveal a hidden scene. The toast was enigmatic, resonant with Victor’s acknowledgment of the chaos brewing both near and far, a chaos that, perhaps, only he could navigate.
As the night deepened within the grimy confines of the pub, where every corner whispered of misdeeds and the air hung heavy with the scent of stale beer and lost hopes, the laughter and chatter provided a deceptive cover for the profound game silently playing in Victor’s mind. His cryptic toast, "Ad profundis malorum," echoed a darker undertone amidst the jovial noise.
Across the bar, a woman with long jet black hair and piercing grey eyes watched Victor. Clad in a striking red full-grain leather trench coat, her presence was undeniably conspicuous, yet paradoxically, she remained unnoticed. Despite her short stature, she was fit, her features sharply defined, an attractiveness seemingly almost otherworldly amidst the grime of the pub. Curiously, not even the barkeep spared her a glance, as if she existed in a separate realm, visible only to those she chose to confront. As Billy excitedly shared his plans to open a dive shop with a taco bar on the roof, the woman’s lips moved in a whisper, her voice a soft, clear bell in the din, carrying a dire warning. "I know what you are. We found you." At that moment, a flashback surged through Victor’s mind, a haunting image of a colonial girl he once saw in the Fraser Experimental Forest. His girlfriend at the time had turned to him, her voice tinged with unease. "Victor, do you see what I see? The girl? Yeah, the girl. I can feel something following us. As if it knows what we are yet won't approach, yet I can feel it." This vivid recollection now seemed a prelude to the current moment, a chilling reminder the forces he had glimpsed back then were the same now declaring their presence.
The evening wound down with plans made and stories shared, yet the woman’s prophetic words and the ghostly memory of the girl hung unseen in the air, portending looming confrontations between the light she embodied and the shadow following Victor Kane. As the patrons began to drift away, the shadows reclaiming their territory within the pub, the mysterious woman’s figure faded into the background, her message delivered, her purpose yet unclear but undoubtedly intertwined with Victor’s fate.
The end.
2024.05.19 10:29 Adventurous-Height-6 For all those saying Yasuke was not a samurai I think you need to Google what retainer meant and do research.
 | submitted by Adventurous-Height-6 to AssassinsCreedShadows [link] [comments] |
2024.05.19 10:21 Andrei_CareE Eclipsa was a bad Queen.
Hello, in my opinion Eclipsa was a pretty bad queen for Mewni and i'm going to show you why this is the case.
Ever since i joined the fandom, Eclipsa seems to be a fan favorite in the show, where people and the show see her as a 'misunderstood bad girl with a good intentions' or that she did nothing wrong for the most part at least.
And while i agree she was misunderstood and that she at least doesn't have any evil intentions this doesn't excuse her awful performance as queen especially in the aftermath of Conquer during her short-lived second reign.
Eclipsa's First Reign (300+ years before the main events in the show)
During her first reign she almost caused the collapse of the Butterfly Dinasty by running away from her kingdom(and her duty as queen and legal husband) with a monster, and not any monsters but The King of Monsters, who was known to eat and terrorize mewmans, her subjects. Yes, i know Globgor sucessfully changed and became a vegetarian for his love of Eclipsa but the mewmans and the MHC weren't aware of this fact. You can imagine how mewmans would feel to have as their king someone nicknamed 'Plucker of Limbs' or 'Crusher of Skulls' and he would still be a possible threat as he could at any moment revert back into his old ways without Eclipsa's support, as we seen in the episode 'Doop-Doop' Globgor likey was the one with the idea to have a mewman-style cake hinting that he still has those instincts inside him but i digress.
For all his faults, King Shastacan remaining as the King-Regent after being cheated on and abandoned by the Queen of Mewni understandably wanted nothing to do with the bastard(in royal succession term) offspring of Eclipsa and Globgor and thus he choosed to disinheret her in subtle way possible by swapping Meteora with a peasant mewman baby, he was the one likely who ordered the MHC with finding the replacement heir to the throne which they did in Festivia who was adopted by King Shastacan and MHC into the Butterfly family, again as subtle as possible in order to maintain stability and give the impression of continuance of the royal bloodline.
And another argument to justify this action, in the hindsight, the MHC were vindicated and proven right about their fear of Meteora the hybrid mewman-monster of the most powerful magic Queen and king of Monsters, considering how powerful she became in the season 3 final episodes and especially the finale 'Conquer', she almost caused the destruction of mewmanity and the Butterfly kingdom.
Eclipsa's Second Reign (Post Season 3 Finale after Conquer)
And now getting to her 2nd reign, after Star decided(sadly and unwisely in my opinion) to give the throne back to Eclipsa as she saw Eclipsa being the rightful queen(despite she effectively abdicating when she fled the kingdom the run away with the Globgor but whatever)
One of her first acts as queen was to move the capital to the Monster Temple as the Butterfly Castle laid in ruins after the Star vs Meteora showdown, which is understandable but she decided to keep it as the permanent capital and leave the Butterfly Castle, with so much prestige and history behind it in ruins which probably wasn't taken lightly by the mewman population who felt like their new queen(they already distrust and dislike) snub them for monsters, especially after naming the new capital 'New Monster Town'
This change symbolizing a change of focus away from mewmans and towards the monsters which again likely infuriated alot of mewmans, fermenting an understandable resentment towards Eclipsa the queen who they traditionally depend for guidance and aid.
Another awful act was confiscating the houses of mewmans and "returning" them to the monsters.
This is my opinion was one if not the worst decree done by Eclipsa, not only she expropriating homes mewman family used to live for generations but she let many of them literally homeless and basically to their fate, and you wonder why so many mewmans grew to absolutely despise their "Queen" who had only done them harm so far.
Luckily for the homeless mewmans, their ex-queen Moon who's actually a competent manager and ruler managed to create a small town our of her initial Yurt for her unfortunate former subjects who finally found a place of refugee and belonging even if they had a bit of a rocky relation initially.
Not only that but Eclipsa left former once prosperous towns in ruins(likely caused by Meteora's rampage) and their inhabitants homeless and destitute in 'Ghost of Butterfly Castle' without any plan to repair either by dispatching teams or using her magic to help. Again you wonder why so many mewmans continued to despite their queen.
Yet in another reckless act of of Eclipsa, while understandable from her perspective but very irresponsible was trying to free her controversial husband Globgor.
Thus potentially putting her mewman subjects at risk in case Globgor had desires for (understandably) revenge and straining relations with the other kingdoms who were already (understandably) horrified by the return of the 300 year old 'Queen of Darkness' and her Mewman-eating Husband who they heard so many dark stories and myths about.
She was basically inviting a coup against her by the MHC who didn't trust her to begin with and especially didn't appreciate her efforts to free Globgor who they fought hard to defeat.
While she managed in the end specially in 'Cornonation' to win the hearts of the mewmans who decided to come to her coronation event, this wasn't enough to convince the rest of the disgruntled mewmans to return, and as that wasn't bad enough, many of them took interest and joined Mina's radical movement to remove Eclipsa by force, while partially motivated by genuine racism against monsters, i think their biggest reason to rebel was due to their hatred and disappointment of Eclipsa's rule, which can be understandable considering her decrees.
In the end, while this doesn't justify Moon's decision to ally with Mina (an extremist and insane monster hater) which eventually led to the destruction of magic, Eclipsa pretty much made these conditions possible due to her policies and decisions, from abandoning her people in favor of monsters to refusing to mend ties with the MHC and prove them wrong, the finale could've been avoided if she was to put it bluntly a better queen, Eclipsa wasn't a bad person from the beginning to the end but she just wasn't a good queen for Mewni, and perhaps the throne being returned to her was a mistake, all things considered.
submitted by Andrei_CareE to StarVStheForcesofEvil [link] [comments]
Ever since i joined the fandom, Eclipsa seems to be a fan favorite in the show, where people and the show see her as a 'misunderstood bad girl with a good intentions' or that she did nothing wrong for the most part at least.
And while i agree she was misunderstood and that she at least doesn't have any evil intentions this doesn't excuse her awful performance as queen especially in the aftermath of Conquer during her short-lived second reign.
Eclipsa's First Reign (300+ years before the main events in the show)
During her first reign she almost caused the collapse of the Butterfly Dinasty by running away from her kingdom(and her duty as queen and legal husband) with a monster, and not any monsters but The King of Monsters, who was known to eat and terrorize mewmans, her subjects. Yes, i know Globgor sucessfully changed and became a vegetarian for his love of Eclipsa but the mewmans and the MHC weren't aware of this fact. You can imagine how mewmans would feel to have as their king someone nicknamed 'Plucker of Limbs' or 'Crusher of Skulls' and he would still be a possible threat as he could at any moment revert back into his old ways without Eclipsa's support, as we seen in the episode 'Doop-Doop' Globgor likey was the one with the idea to have a mewman-style cake hinting that he still has those instincts inside him but i digress.
For all his faults, King Shastacan remaining as the King-Regent after being cheated on and abandoned by the Queen of Mewni understandably wanted nothing to do with the bastard(in royal succession term) offspring of Eclipsa and Globgor and thus he choosed to disinheret her in subtle way possible by swapping Meteora with a peasant mewman baby, he was the one likely who ordered the MHC with finding the replacement heir to the throne which they did in Festivia who was adopted by King Shastacan and MHC into the Butterfly family, again as subtle as possible in order to maintain stability and give the impression of continuance of the royal bloodline.
And another argument to justify this action, in the hindsight, the MHC were vindicated and proven right about their fear of Meteora the hybrid mewman-monster of the most powerful magic Queen and king of Monsters, considering how powerful she became in the season 3 final episodes and especially the finale 'Conquer', she almost caused the destruction of mewmanity and the Butterfly kingdom.
Eclipsa's Second Reign (Post Season 3 Finale after Conquer)
And now getting to her 2nd reign, after Star decided(sadly and unwisely in my opinion) to give the throne back to Eclipsa as she saw Eclipsa being the rightful queen(despite she effectively abdicating when she fled the kingdom the run away with the Globgor but whatever)
One of her first acts as queen was to move the capital to the Monster Temple as the Butterfly Castle laid in ruins after the Star vs Meteora showdown, which is understandable but she decided to keep it as the permanent capital and leave the Butterfly Castle, with so much prestige and history behind it in ruins which probably wasn't taken lightly by the mewman population who felt like their new queen(they already distrust and dislike) snub them for monsters, especially after naming the new capital 'New Monster Town'
This change symbolizing a change of focus away from mewmans and towards the monsters which again likely infuriated alot of mewmans, fermenting an understandable resentment towards Eclipsa the queen who they traditionally depend for guidance and aid.
Another awful act was confiscating the houses of mewmans and "returning" them to the monsters.
This is my opinion was one if not the worst decree done by Eclipsa, not only she expropriating homes mewman family used to live for generations but she let many of them literally homeless and basically to their fate, and you wonder why so many mewmans grew to absolutely despise their "Queen" who had only done them harm so far.
Luckily for the homeless mewmans, their ex-queen Moon who's actually a competent manager and ruler managed to create a small town our of her initial Yurt for her unfortunate former subjects who finally found a place of refugee and belonging even if they had a bit of a rocky relation initially.
Not only that but Eclipsa left former once prosperous towns in ruins(likely caused by Meteora's rampage) and their inhabitants homeless and destitute in 'Ghost of Butterfly Castle' without any plan to repair either by dispatching teams or using her magic to help. Again you wonder why so many mewmans continued to despite their queen.
Yet in another reckless act of of Eclipsa, while understandable from her perspective but very irresponsible was trying to free her controversial husband Globgor.
Thus potentially putting her mewman subjects at risk in case Globgor had desires for (understandably) revenge and straining relations with the other kingdoms who were already (understandably) horrified by the return of the 300 year old 'Queen of Darkness' and her Mewman-eating Husband who they heard so many dark stories and myths about.
She was basically inviting a coup against her by the MHC who didn't trust her to begin with and especially didn't appreciate her efforts to free Globgor who they fought hard to defeat.
While she managed in the end specially in 'Cornonation' to win the hearts of the mewmans who decided to come to her coronation event, this wasn't enough to convince the rest of the disgruntled mewmans to return, and as that wasn't bad enough, many of them took interest and joined Mina's radical movement to remove Eclipsa by force, while partially motivated by genuine racism against monsters, i think their biggest reason to rebel was due to their hatred and disappointment of Eclipsa's rule, which can be understandable considering her decrees.
In the end, while this doesn't justify Moon's decision to ally with Mina (an extremist and insane monster hater) which eventually led to the destruction of magic, Eclipsa pretty much made these conditions possible due to her policies and decisions, from abandoning her people in favor of monsters to refusing to mend ties with the MHC and prove them wrong, the finale could've been avoided if she was to put it bluntly a better queen, Eclipsa wasn't a bad person from the beginning to the end but she just wasn't a good queen for Mewni, and perhaps the throne being returned to her was a mistake, all things considered.
2024.05.19 09:27 Amecrose Should I keep playing Sky?
Hello Sky players! I need your opinion on my experience, because I'm not sure if I should keep playing or not.
I went into this game completely blind - the only thing I knew was that it has stunning visuals. I decided to try it when it was made available on Steam, and I've played the early access version. Now, the graphics really are stunning - it's really fun to fly around and watch the beautiful landscapes and creatures appear in my sight.
pretty :0
However, there were some parts of the game that made my Sky experience less enjoyable. They are:
So, I wanted to ask Sky players - are these constants in your mobile gameplay experience too, or are they only part of the Early Access PC experience? I'd love to know your opinions.
TL;DR - I love Sky's aesthetic and graphics, but the bugs, excessive grinding and wonky controls are keeping me from enjoying the game. Is Sky this way in other devices too, or is it only because I'm playing Early Access?
submitted by Amecrose to SkyGame [link] [comments]
I went into this game completely blind - the only thing I knew was that it has stunning visuals. I decided to try it when it was made available on Steam, and I've played the early access version. Now, the graphics really are stunning - it's really fun to fly around and watch the beautiful landscapes and creatures appear in my sight.
pretty :0
However, there were some parts of the game that made my Sky experience less enjoyable. They are:
- Bugs: I'm aware this is Early Access and these will most likely be fixed as time passes - but some are really annoying. Sky is multiplayer and it's nice to see others fly out and about, but not when it forces me to watch their cutscenes every single time they're triggered. That, and players can solve puzzles I haven't unlocked yet, which makes it more difficult to enjoy the story at my own pace.
- Controls: the camera constantly autofocuses on things. It's giving me headaches, so hopefully this is also something that will get fixed. We also cannot rebind keyboard controls, and the Friends menu is confusing to me.
- Players activating cutscenes/puzzles: if the camera autofocusing didn't make it difficult enough to travel through the worlds of Sky, other players triggering cutscenes that the game forced me to watch did. When I got to the mountain to climb to get to the Eye of Eden, some players triggered the "opening door" cutscene at the end of the path and my character couldn't move, so I got hit by falling rocks, losing Light - this is just one of the many times it happened.
- Microtransactions: there's lots of things you can only get with real money. I was disappointed when I found out that even in the Cinnamoroll event, I could only get two objects from the shop with in-game currency. All the rest has to be paid for with real money (unless I missed something, because I could barely tell where the event shop was).
- Customization options: now this is something I was really hoping I could enjoy - I love customizing characters, I could spend hours doing that. I saw some Sky players with really cool skins, and wanted to see what I could do. When I started the game, however, I only had three hair options to choose from - I couldn't even change the color of my cape. This really disappointed me, since I was hoping I could at least get some basic customizing options. I have to go around collecting light and doing quests to get one cape colour.
- Quests: I've finished the main story, and now all I do every day is do daily quests and interact with NPCs. Daily quests feel too long to complete (unless there's a way to get to the top of the Vault of Knowledge that I'm not aware of); I've spoken to an NPC who told me to go help a spirit and showed me the location once, then never showed it again. That spirit's lost forever, since my Light won't find them either.
- Lack of previews: there's a lot of grinding to do to get one new item, and if I have no preview of what it will look like on my character, I can't be sure that I'll like it. Colored capes, for example - or the new Cinnamoroll coffee cup ornament. I didn't know it was something my character would put on their head, I thought it was an item to put in my nest. There was no indication that it would be an ornament for my character (that or I'm dumb and didn't see it, but as a new player, I understand few things about this game).
- Lack of info/directions: I understand that Sky is a game that offers a world to explore, but when my only guide is my "light" and I have no idea what's happening, I can't enjoy the story as much. The lack of explanation as to what was happening in the Eye of Eden was particularly annoying; I went around giving Light to fallen ones and trying not to die, but eventually ended up dying anyways since I couldn't reach the place my Light was guiding me to. Then came a few cutscenes, and sitting through minutes-long cutscenes of birds flying and happy music when I didn't understand anything wasn't entertaining. That this is only my opinion, tough - I'm aware that some people enjoy stories that give more space to the player's interpretation.
So, I wanted to ask Sky players - are these constants in your mobile gameplay experience too, or are they only part of the Early Access PC experience? I'd love to know your opinions.
TL;DR - I love Sky's aesthetic and graphics, but the bugs, excessive grinding and wonky controls are keeping me from enjoying the game. Is Sky this way in other devices too, or is it only because I'm playing Early Access?
2024.05.19 09:26 Sweet-Count2557 Best Things to Do in St Cloud Mn
 | Best Things to Do in St Cloud Mn Are y'all lookin' for the best things to do in St. Cloud, MN? Well, look no further! We, the locals, have got y'all covered.We've compiled a list of the top attractions and activities that this vibrant city has to offer. From gorgeous gardens and parks to thrilling outdoor adventures, fascinating historical sites, and awesome breweries, St. Cloud has it all.So get ready to explore, have fun, and make unforgettable memories in this charming city!Key TakeawaysSt. Cloud offers a variety of gardens and parks for outdoor enthusiasts, including Munsinger Gardens, Clemens Gardens, Quarry Park and Nature Preserve, and Beaver Islands Trail.Visitors can enjoy outdoor recreation activities such as hiking, biking, and picnicking at places like Beaver Island Trail, Quarry Park and Nature Preserve, and Riverside Park.History and culture enthusiasts can explore sites like St Mary's Cathedral, Stearns History Museum, St Cloud City Hall, Paramount Center for the Arts, and Pioneer Place on Fifth.The city is home to several breweries and entertainment venues like Beaver Island Brewing Company, Pantown Brewing Company, Granite City Speedway, and Riddlers Escape.Gardens and ParksWhen it comes to gardens and parks in St. Cloud, we can't miss out on Munsinger and Clemens Gardens. These hidden gems aren't only beautiful, but also offer a peaceful escape from the hustle and bustle of everyday life. As members of the Munsinger Clemens Botanical Society, we've had the privilege of exploring these gardens and witnessing the natural beauty they have to offer.Munsinger Gardens, situated along the Mississippi River, is a delightful blend of formal gardens and wild, natural areas. The winding paths take you through colorful flower beds, manicured lawns, and serene ponds. It truly is a place where you can immerse yourself in the tranquility of nature.Clemens Gardens, on the other hand, boasts an impressive collection of roses and other perennials. The vibrant blooms and intoxicating scents create a sensory experience like no other.While Munsinger and Clemens Gardens are the most well-known parks in St. Cloud, there are also a few lesser known ones that are worth exploring. These hidden gems offer a chance to discover the natural beauty of St. Cloud's parks.Quarry Park and Nature Preserve, for example, features over 20 abandoned granite quarries that have been transformed into stunningly beautiful lakes. The park also offers hiking trails that wind through forests and prairies, providing opportunities for outdoor enthusiasts to connect with nature.Now that we've explored the hidden gems and hiking trails of St. Cloud's gardens and parks, let's dive into the next section about outdoor recreation.Outdoor RecreationLet's explore the outdoor recreation options available in St. Cloud, such as hiking, biking, and fishing. St. Cloud is a haven for outdoor enthusiasts, offering a variety of activities to enjoy the beautiful natural surroundings.For those who love hiking, there are numerous trails to choose from. One popular option is the Beaver Island Trail, which stretches for over six miles along the Mississippi River. This scenic trail offers stunning views of the water and is perfect for a leisurely stroll or a vigorous run.If you're looking for water activities, St. Cloud has you covered. Lake George is a popular spot for boating, fishing, and swimming. The crystal clear water and sandy beaches make it the ideal place to cool off on a hot summer day. For those who prefer a more peaceful water experience, the Quarry Park and Nature Preserve is a must-visit. This former granite quarry has been transformed into a beautiful swimming area with clear blue waters and towering cliffs.In addition to hiking and water activities, St. Cloud also offers plenty of options for biking. The Beaver Island Trail, in addition to being great for walking, is also a fantastic biking trail. The paved path winds through scenic landscapes and offers a smooth ride for cyclists of all skill levels. Whether you're a beginner or an experienced biker, you'll find plenty of trails to explore in St. Cloud.Historical and Cultural SitesWe were amazed by the rich history and vibrant culture of St. Cloud, and so we decided to explore its historical and cultural sites.One of the first places we visited was St Cloud City Hall, a beautiful building that showcases the city's unique architecture. This historic site not only serves as the seat of government, but it also offers guided tours that provide a glimpse into the city's past.Another must-visit site is St Mary's Cathedral, an iconic landmark that stands tall in the heart of St. Cloud. The stunning architecture and intricate details of the cathedral are simply breathtaking. Inside, we were in awe of the beautiful stained glass windows and the peaceful atmosphere that enveloped us. It's a place of worship and a symbol of the city's deep-rooted faith.As we continued our exploration, we discovered that St. Cloud has a thriving arts scene. The Paramount Center for the Arts is a hub for creativity and cultural events. From live performances to art exhibitions, there's always something happening here. Similarly, Pioneer Place on Fifth is a historic theater that hosts a variety of shows, including plays, musicals, and comedy acts. It's a great place to immerse yourself in the local arts and culture.St. Cloud is a city that cherishes its history and celebrates its cultural diversity. Exploring its historical and cultural sites like St Cloud City Hall and St Mary's Cathedral allowed us to connect with the city's past and appreciate its vibrant present. Whether you're a history buff or an art enthusiast, St. Cloud has something to offer everyone.Breweries and EntertainmentBut before we move on to breweries and entertainment, let's take a moment to appreciate the historical and cultural sites of St. Cloud. The city is rich in history, with sites like St Mary's Cathedral, a beautiful Gothic-style church that showcases stunning stained glass windows. The Stearns History Museum is another must-visit, where you can learn about the region's past through interactive exhibits and artifacts. And don't forget about the Paramount Center for the Arts and Pioneer Place on Fifth, two venues that host a variety of live performances, including theater productions and concerts.Now, let's dive into the breweries and entertainment scene in St. Cloud. Here are the best breweries in town:Beaver Island Brewing Company: This local brewery offers a wide range of craft beers made with locally sourced ingredients. With a cozy taproom and a spacious outdoor patio, it's the perfect spot to relax and enjoy a cold one with friends.Pantown Brewing Company: Known for its inventive and unique beer flavors, Pantown Brewing Company is a must-visit for beer enthusiasts. From hoppy IPAs to smooth stouts, their rotating selection will satisfy any palate.Granite City Speedway: For adrenaline junkies, the Granite City Speedway is the place to be. Watch as drivers race around the track, experiencing the thrill of high-speed action and cheering on your favorite drivers.When it comes to live entertainment venues in St. Cloud, you won't be disappointed. Here are a few places to check out:Paramount Center for the Arts: This historic theater hosts a wide range of performances, including Broadway shows, concerts, and dance performances. With its stunning architecture and top-notch acoustics, it's a true gem in the heart of St. Cloud.Pioneer Place on Fifth: Located in a beautifully restored building, Pioneer Place on Fifth is a versatile venue that offers a variety of live entertainment, from comedy shows to live music performances. Grab a drink from the bar and enjoy a night of laughter and great music.Whether you're a beer lover or a fan of live entertainment, St. Cloud has something for everyone. Cheers to a great time in this vibrant city!Educational and Community CentersOur community thrives on the educational opportunities provided by centers like the Great River Regional Library, St Cloud State University, and the Rivers Edge Convention Center. These educational and community centers play a crucial role in fostering intellectual growth and creating a sense of belonging within our community.The Great River Regional Library is a hub of knowledge and exploration. With its vast collection of books, digital resources, and community programs, it offers something for everyone. Whether you're looking to dive into a novel, conduct research, or attend a workshop, the library is a treasure trove of information waiting to be uncovered.St Cloud State University, located in the heart of our community, is a beacon of higher education. It offers a wide range of academic programs, from business and education to science and the arts. The university fosters a vibrant learning environment where students can engage in research, participate in community service, and develop the skills they need for their future careers. The campus also hosts various cultural events, guest lectures, and performances that enrich the community's intellectual and artistic landscape.The Rivers Edge Convention Center is another pillar of our community. It serves as a gathering place for conferences, conventions, and community events. With its state-of-the-art facilities and versatile spaces, the center provides a platform for knowledge sharing, networking, and community engagement. From business expos to arts festivals, the Rivers Edge Convention Center is a hub of activity that brings people together and fosters a sense of unity.Frequently Asked QuestionsWhat Are Some Popular Events or Festivals Held in St. Cloud, Mn?Popular events in St. Cloud, MN include the Art Fair and Granite City Days. The Art Fair showcases local artists and their incredible creations, while Granite City Days is a community celebration filled with live music, food vendors, and fun activities for all ages.If you're looking for a scenic drive near St. Cloud, check out the picturesque Mississippi River Road or the charming Lake Wobegon Trail. These routes offer stunning views of nature and a chance to unwind on the open road.Are There Any Unique or Specialty Shops in St. Cloud That Are Worth Visiting?When it comes to unique shops in St. Cloud, MN, there are definitely some specialty stores worth visiting.From quaint boutiques to one-of-a-kind gift shops, St. Cloud offers a variety of options for those looking for something special.Whether you're searching for handmade crafts, vintage treasures, or locally made products, you'll find it all here.Explore the vibrant downtown area or venture out to the charming neighborhoods to discover these hidden gems.Don't miss the chance to support local businesses and find that perfect item you won't find anywhere else.Are There Any Scenic Drives or Road Trips Near St. Cloud With Beautiful Views?There are several scenic drives and road trips near St. Cloud that offer beautiful views.One popular option is the Lake Wobegon Trail, a 62-mile paved trail that winds through picturesque countryside.Another great choice is the Great River Road, which follows the Mississippi River and showcases stunning river views.If you prefer a shorter drive, consider heading to Sherburne National Wildlife Refuge for a scenic loop through wetlands and prairie.These road trips are sure to satisfy any nature lover's craving for breathtaking scenery.Can You Recommend Any Local Restaurants or Eateries That Are Must-Try in St. Cloud?When it comes to exploring St. Cloud, MN, there are plenty of top-rated local restaurants that are a must-try for food lovers. From hidden gems to well-known favorites, there's something to satisfy every craving.Whether you're in the mood for a delicious burger, authentic Mexican cuisine, or a cozy café, St. Cloud has it all. Get ready to embark on a culinary adventure and discover the mouthwatering flavors that this vibrant city has to offer.What Are Some Kid-Friendly Attractions or Activities in St. Cloud?When it comes to kid-friendly attractions and activities in St. Cloud, there are plenty of options to choose from.Some of the best parks and playgrounds in town include Munsinger Gardens and Clemens Gardens, where kids can explore beautiful landscapes and play to their heart's content.Additionally, there are must-visit museums for kids in St. Cloud, such as the Stearns History Museum, which offers interactive exhibits and educational programs that are both fun and informative.ConclusionSo there you have it, folks! St. Cloud, MN is a hidden gem just waiting to be explored. From the stunning gardens and parks to the exciting outdoor activities, historical sites, and vibrant entertainment scene, this city truly has something for everyone.So grab your friends and family, and get ready to make some unforgettable memories in this charming and timeless destination. Don't wait, start planning your trip to St. Cloud today and get ready to experience the best of what this city has to offer!It's time to make some anachronistic magic happen! submitted by Sweet-Count2557 to worldkidstravel [link] [comments] |
2024.05.19 09:23 kiwasabi LGBTQ+ The Plus Stands For Pedophile: The Illuminati is coming for your kids with Drag Queen/ Groomer Clown Story Hour, books in elementary school libraries which depict and normalize sex between children and adults. Transgenderism is pushed because Baphomet possesses both breasts and a male phallus
 | INTRODUCTION: submitted by kiwasabi to conservatives [link] [comments] To anyone with eyes that are able to see, it's very obvious that LGBTQ+ is a social engineering and mind control propaganda weapon being waged against all of humanity by the Illuminati. There are many reasons for this endless onslaught of pushing and overnormalizing everything that is gay, trans, and pedophilic. The Illuminati itself is comprised of around 13 bloodlines which are all hereditary incestuous and pedophilic families. So when you hear their puppets telling the joke "The Aristocrats" (LINK) which consists of so called comedians telling the most disgusting tale of an Aristocratic bloodline family having sex with each other and ending with "And they're called The Aristocrats", you'll know they're utilizing Revelation of the Method and putting it right out in the open as a "joke". The Illuminati utilizes Satanic Ritual Abuse and pedophilic incest in order to deliberately cause trauma to their progeny so that they can split their personalities and then program and control the new personality. This is called Project Monarch Trauma Based Mind Control. It was under Josef Mengele and the Nazis where this hereditary incest form of mind control was scientifically studied using the child prisoners of Auschwitz, most commonly with twin girls. After World War 2 and the fall of the Nazis, via Operation Paperclip, 1400 Nazi scientists and engineers were saved from the Nuremberg Trials via the Vatican Rat Line and were smuggled out of Germany into the United States, where they would go on to form the backbone of the Central Intelligence Agency and continue their Monarch Mind Control research. What's left out from the history books is that Josef Mengele "The Angel of Death" was also smuggled out of Nazi Germany and continued his horrific mind control research on twin girls for decades in the United States. What does this all have to do with LGBTQ+? Well, basically that joke "The Aristocrats" is the endgoal and endgame for all of Earth humanity. It's my theory that The Illuminati wants to normalize pedophilia to the point where a parent is required to encourage their children to engage in sexual relationships with grown adults. And if the parent pushes back on this abomination, The Illuminati wants to be able to take possession of the children via CPS Child Protective Services, "for their own safety" of course. BAPHOMET IS TRANSGENDER: One of the reasons in which the Illuminati is so obsessed with the unnatural concept of transgenderism is because their demon god Baphomet is generally depicted as possessing both female breasts and a male phallus. On public statues of Baphomet such as at Satanic Temples, he (or is that he/she?) is depicted without breasts due to public decency laws. Once you understand that The Illuminati worships a transgender demon god, then you'll understand why they want your children to be gay and trans. Oh yeah, and did you notice the American Medical Association symbol coming out of Baphomet's crotch? How did that get there? Now does it make sense why it has wings as well? https://preview.redd.it/jo74m4ybkp0d1.jpg?width=1200&format=pjpg&auto=webp&s=d9d23860fada0f893545ec59cd2f9861811bbff9 https://preview.redd.it/oatdlf64ar0d1.png?width=332&format=png&auto=webp&s=8be61945a59d912098cb3452b64d315c8102cec1 Now does it make sense why Target was selling a LGBTQ Transgender children's sweater with the Baphomet symbol on it? (LINK) SATAN'S RAINBOW: https://preview.redd.it/g4btql1t9r0d1.jpg?width=552&format=pjpg&auto=webp&s=6226bea836ac5ae09694acecf1217c57acb9b927 SEX IN LGBTQ SCHOOL LIBRARY BOOKS: When I was growing up, I do recall reading some books such as Catcher in the Rye which did contain some sexual themes and profanity. However, in recent years the sexualization of children has been thoroughly ramped up via LGBTQ propaganda in the form of sexually explicit school library books. Children are still trying to figure out who they really are as a person, and by indoctrinating them with gender confusion propaganda at such a young age we are ensuring they will be steered in the wrong direction. Which is of course exactly what The Powers That Be really want. By the way, when I was searching for examples of LGBTQ books with sexual content, I had to scroll through 3 pages of LGBTQ apologist articles decrying about all these "banned LGBTQ books". What's interesting is that all of these CIA Mockingbird Media propaganda articles always say the books are being banned for their LGBTQ content, not for their explicit sexual content (which doesn't necessarily have to be gay or trans in any way). For instance, ABC News"Report: LGBTQ content drove book banning efforts in 2023" (LINK) and NBC News "More than half of 2023's most challenged books have LGBTQ themes" (LINK). Note how they're obfuscating the sexually inappropriate content by calling it "LGBTQ themes" instead. Perhaps this is The Illuminati actually revealing the truth out in the open, that "LGBTQ content" actually means sexually inappropriate content which is directed at children? Let's call LGBTQ elementary school library books what they really are: the sexualization and grooming of children by predators and pedophiles. Sexualizing Schoolchildren: Classroom and Library Books (LINK) "Parent and Child Loudoun reviewed and listed hundreds of age-inappropriate, sexually confusing, explicit, objectionable, and profane books that were placed in schools in classrooms and libraries in their district. Here are just a few examples:
"The books in question are largely teen and young adult stories involving romance or sexual abuse, often with LGBTQ themes. Several were critically acclaimed. They include:
Target Sells Trans Clothing to Children Designed by Satanic Transgender (LINK) A clothing line as part of Target's LGBTQ children's products was designed by a Satanist female to male transgender named Erik Kallen, under the brand name Abprallen. There were only three products being marketed by the Abprallen brand, and none of them depicted the blatant Satanic imagery that was shared around the internet as part of a hoax with AI generated images (LINK). However, as I pointed out above, one of the sweatshirts in the collection does contain the Baphomet symbol. And it doesn't take much exploring of Abprallen's Instagram profile to find some unsettling content (LINK). Erik Kallen made a statement saying, "My work was likely pulled following false accusations of being a Satanist and marketing my work to children, both claims have been debunked numerous times but members of the religious right refuse to back down". https://preview.redd.it/7pdsq8r54q0d1.jpg?width=912&format=pjpg&auto=webp&s=d46c8d192bc50043e378c7be2d18fd162d67746c Claims that you were a Satanist were thoroughly debunked, you say? Which "Guardian Angel" (Demon) is a transgender again? Oh yeah, Baphomet. And what were you doing at the Satanic Flea Market in London? Also, I thought you said "Satan Respects Pronouns"? https://preview.redd.it/ferg6lr75q0d1.jpg?width=912&format=pjpg&auto=webp&s=5beef8365b280f2a9c251a2c396f1fcb0ad9df54 https://preview.redd.it/zpoyqsc96q0d1.jpg?width=728&format=pjpg&auto=webp&s=67c22356d03ab50bea569d083afec37d10af5805 "I'm gay, trans, and a secret third thing..." Does anyone care to guess what is meant by that? "I support gay wrongs", "Gay supervillain", "Make More Gay Horror Movies". https://preview.redd.it/w9lkj8et6q0d1.jpg?width=912&format=pjpg&auto=webp&s=749874db6545c8fc670af031a46259f0912e7703 Take "Poppers" to open your "Third Eye" (Hint: He doesn't mean your pineal gland....he means your butthole"). Illuminati confirmed. https://preview.redd.it/u3q7z0028q0d1.jpg?width=892&format=pjpg&auto=webp&s=80dfd6b11268122d8c367867aa67782c8effeeea https://preview.redd.it/s047iqvm8q0d1.jpg?width=892&format=pjpg&auto=webp&s=bbb51efe6a51b224d87aa937e5aac520dda684ee https://preview.redd.it/bx4ewlx49q0d1.jpg?width=716&format=pjpg&auto=webp&s=6fcc28213453c8c6a88db6caec3663c1ef4fe003 https://preview.redd.it/r72gurpi9q0d1.jpg?width=892&format=pjpg&auto=webp&s=611d83691ff3850796f873f2480f98f65ed50ed5 https://preview.redd.it/tmtv1dp0aq0d1.jpg?width=892&format=pjpg&auto=webp&s=26615b9946de7722d59dca3be75a0145b9771956 As far as I'm concerned, all the claims about Erik Callen being a Satanist and marketing products to children have been thoroughly UNDEBUNKED just based on his products and post history on Instagram. This to me is clearly a case of classic bait and switch. Market some seemingly innocent "trans inclusive" clothing to children, get them hooked on the Abprallen brand while they're young, then "transition" them to the more seedy and shady product offerings. Based on the products and images shown above, can this really be considered a gender identity? Or is this more appropriately categorized as a mental illness and a cult? The embracing of confusion. The final culmination of the "Nothing is real" mind control psy op social engineering. Now literally GENDER ISN'T REAL. And "Men can get pregnant". "MEN CAN GET PREGNANT" As I previously posted, Arnold Schwarzenegger was replaced by an imposter in a mask wearing heavy facial prosthetics in 1990 (LINK). As part of the Illuminati's ongoing Ritual Mocking of the Victim / Humiliation Ritual against the name and image of Arnold Schwarzenegger, in 1994 the fake Arnold Schwarzenegger was placed into a travesty of a film called Junior (1994). As you can see from the film's poster, "Nothing is inconceivable". What a funny pun, right? They mean "conceive" as in conceiving and giving birth to a baby.... Except by a man. Ten years before that in 1984, Bob Saget was already joking about how, "men can breast feed", but at least he admitted he made it up (LINK). Once you understand that a core tenet of Satanism is to reverse the natural order, you'll understand why they want to normalize the completely unnatural idea that, "Men can get pregnant". This is a direct attack on women, men, children, and humanity as a whole. This is an attack on motherhood and gender roles. This is an attack on the family. This is a direct attack on your sanity. And as I've shown here, this has been planned for at least 40 years. The movie Junior from 1994 is a prime example of the Illuminati Revelation of the Method, where they put out their plans right in the open and as long as we laugh and don't consciously object to them, then it means we have subconsciously accepted them. Junior is also a prime example of why the Illuminati would be motivated to replace an actor with an imposter. Here we have a movie that the real Arnold Schwarzenegger absolutely never would have signed on to star in. But since the real Arnold was killed and replaced, he was unable to object to his name and likeness being used in this atrocity of a film. Thus, Arnold Schwarzenegger was used against his will to push an evil agenda of the Illuminati while simultaneously being ritually humiliated by giving birth to a child and essentially being turned into a woman on screen. Notice the screenshots where he has let his hair grow out and he's wearing a pink outfit (dress?) with glasses and pearl necklaces. Does anyone really believe that Arnold Schwarzenegger would have ever stooped this low at the peak of his career? https://preview.redd.it/dchs07c2eq0d1.jpg?width=1425&format=pjpg&auto=webp&s=ab849bbd8ad73659cbf353d4788914e1527edfe5 https://preview.redd.it/ex6c2k1geq0d1.jpg?width=1050&format=pjpg&auto=webp&s=84731bec091800df7b9ab70ddc7d313d808bc70e https://preview.redd.it/opfk3j3ziq0d1.jpg?width=1280&format=pjpg&auto=webp&s=1b3266508272a8c7ce0e099902b6cc8715346017 MINOR ATTRACTED PERSON / PEDOPHILE FLAG: On June 13th 2018, a user on Tumblr created a flag for the NOMAP (Non Offending Minor Attracted Person) community. (LINK) Around June 12th 2018, an artist named Daniel Quasar updated the LGBTQ to add the colors light blue, light pink, and white to represent the Transgender Pride Flag colors. (LINK) These added stripes to the LGBTQ flag do not represent transgenderism. They represent pedophilia. Light blue represents attraction to young boys. Light pink represents attraction to young girls. The white stripe represents attraction to virginity. Coincidence theorists will have a field day on this one. https://preview.redd.it/3vih368tmq0d1.jpg?width=1019&format=pjpg&auto=webp&s=e09e7fc60a833a24de638d527b061a4ce7e64570 https://preview.redd.it/zvbv2pkvmq0d1.png?width=399&format=png&auto=webp&s=43f924c9dbe068ad232f45b1b0a861ce01872a36 "WE'RE COMING FOR YOUR CHILDREN": I've really liked this idea of no longer referring to them as "Drag Queens", but instead as "Groomer Clowns", since that's what they really are. Also, these people do not reproduce, which is why they are forced to recruit instead. Drag Queens at a march in New York were recorded as chanting "We're here, we're queer, we're coming for your children". In Florida, a Gay Pride parade was cancelled after it was made illegal to perform adult lewd performances in front of children. If they aren't coming for the children, then why the need to cancel the Gay Pride parade when the Groomer Clowns couldn't perform in front of children? Finally, the third link is about a homosexual couple who raped, filmed, and sex trafficked their two young adopted sons to other pedophiles. https://preview.redd.it/fcn48gosqq0d1.jpg?width=597&format=pjpg&auto=webp&s=29e1a9f8d97d52a858e7e3ed8f95db3368f4d72d https://preview.redd.it/vr4rav30rq0d1.jpg?width=700&format=pjpg&auto=webp&s=e80d4063e16b7ae24c537b238630364b48ab0741 Video of Drag Marchers Chanting 'We're Coming For Your Children' Goes Viral (LINK) ***"***A video showing people chanting "we're coming for your children" has gone viral, sparking outrage on social media. New York City kicked off the last weekend of Pride Month with its annual Drag March on Friday". (LINK) Hundreds of drag performers marched through Manhattan's East Village in elaborate costumes on their way to the iconic Stonewall Inn. Video showing some of the march's participants chanting, "we're here, we're queer, we're coming for your children" Gay pride parade canceled in southeast Florida after anti-drag show law passes (LINK) "Officials in a southeast Florida city have canceled a gay pride parade and restricted other pride events to people 21 years and older in anticipation of Gov. Ron D. signing a bill meant to keep children out of drag shows. The Florida House sent Ron D. a bill Wednesday that bans children from adult performances, a proposal aimed at the governor’s opposition to drag shows. The legislation, which awaits the governor's signature, would allow the state to revoke the food and beverage licenses of businesses that admit children to adult performances. The Ron D. administration has moved to pull the liquor license of a Miami hotel that hosted a Christmas drag show, alleging children were present during "lewd" displays." Gay couple charged with molesting their adopted sons also pimped them out to pedophile ring, report claims (LINK) "A gay couple from Georgia charged with molesting their two adopted sons and using them to record child porn also allegedly pimped them out to members of a local pedophile ring, according to a disturbing new report. A months-long investigation by Townhall revealed that William Dale Zulock, 33, and Zachary Jacoby Zulock, 35, allegedly used social media to prostitute their two elementary-aged sons. William Zulock, a government worker, and Zachary Zulock, a banker, were indicted in August 2022 on charges of incest, aggravated sodomy, aggravated child molestation, felony sexual exploitation of children and felony prostitution of a minor. But the shocking investigation reveals in more detail the sickening abuse the boys suffered. For the first time, it was revealed that the men allegedly pimped out their older sons, now 11 and 9 years old, to two other men in a pedophile ring. One of the men, Hunter Clay Lawless, 27, told investigators that Zachary — whose Instagram bio describes him as “Papa to our two wonderful boys” and an “activist” — invited him “multiple times” to take part in sexually abusing the boys, Townhall reported." HOMOSEXUALITY AND PEDOPHILIA: Homosexuality and Child Sexual Abuse (LINK) ***"***Homosexuals are overrepresented in child sex offenses: Individuals from the 1 to 3 percent of the population that is sexually attracted to the same sex are committing up to one-third of the sex crimes against children. Homosexual Pedophiles are Vastly Overrepresented in Child Sex Abuse Cases Homosexual pedophiles sexually molest children at a far greater rate compared to the percentage of homosexuals in the general population. A study in the Journal of Sex Research found, as we have noted above, that “approximately one-third of [child sex offenders] had victimized boys and two-thirds had victimized girls.” The authors then make a prescient observation: “Interestingly, this ratio differs substantially from the ratio of gynephiles (men who erotically prefer physically mature females) to androphiles (men who erotically prefer physically mature males), which is at least 20 to 1.”[17] In other words, although heterosexuals outnumber homosexuals by a ratio of at least 20 to 1, homosexual pedophiles commit about one-third of the total number of child sex offenses. Similarly, the Archives of Sexual Behavior also noted that homosexual pedophiles are significantly overrepresented in child sex offence cases: The best epidemiological evidence indicates that only 2 to 4 percent of men attracted to adults prefer men (ACSF Investigators, 1992; Billy et al.,1993; Fay et al.,1989; Johnson et al.,1992); in contrast, around 25 to 40 percent of men attracted to children prefer boys (Blanchard et al.,1999; Gebhard et al.,1965; Mohr et al.,1964). Thus, the rate of homosexual attraction is 6 to 20 times higher among pedophiles.” PEDOPHILIA AND PARASITES: Parasite Pill 2.0 https://archive.org/details/parasite-pill-2.0 For those who really want to do some serious research, there's an 181 page document titled Parasite Pill (version) 2.0 which goes in depth about a theory that pedophilia may be linked to a mind controlled parasite such as toxoplasmosis. And that the parasite basically has a better chance of survival when infected into a younger victim with a still developing immune system. Plus the parasite breeds within the intestines. So it's theorized that this is why sodomy with children may be preferred by the parasite for reproduction. Also it's speculated that essentially the parasitic elites are LITERALLY PARASITES, as they are being mind controlled by brain parasites and this is why they all engage in sodomy with one another. The initiation ritual of being sodomized by all the upper ranking Illuminati members may also serve the purpose of ensuring that the cult's respective parasites are all passed on effectively to new recruits. Oh yeah, and the real reason they don't want anyone taking Ivermectin is because it destroys the parasites which are our secret masters. https://preview.redd.it/3g7a1jrbwq0d1.png?width=653&format=png&auto=webp&s=ce403537c123741bbd259b0a4be215695e7966cb CISGENDER? SIS, YOU'RE SIC(K) AND A SISSY: Elon Musk’s X now treats the term ‘cisgender’ as a slur on the platform (LINK) On June 20 2023, Elon Musk tweeted out that the term "cisgender" would now be treated as a slur on Twitter / X. On May 15th 2024, this promise was made into a reality. Attempting to post with the word "cis" or "cisgender" results in the user being given a warning and the option to delete the tweet. This event today was what got me to finally sit down and pump out this post which has been sitting in my brain simmering for years. This also made me think about the real meaning of the term "Cis" which basically means "Normal" or "Same Gender As Assigned At Birth". "Cis" is pronounced the same as "Sis" (Sister), and can be expanded to "Cissy" / "Sissy" (Wimp). Also, "Cis" backwards is "Sic" or "Sick". So basically when you're called "Cis" gender, you're being called a woman, a wimp, and sick, all because you chose to remain a heterosexual during this assault on what it means to be a human. "Cis" is a CIA Tavistock style social engineering term which is meant to discourage you from being straight, and it's trying to bully you into the LGBTQ lifestyle (or is that "death style" since they don't reproduce?). "Cis" is an abnormal and weaponized term which was created to make what's natural seem unnatural, and to make what's normal sound abnormal. I would argue terms "gender normative" and "breeders" are also similar weaponized social engineering terms meant to covertly psychologically wage warfare against heterosexuality. GET THEM WHILE THEY'RE YOUNG: A recent study of 139 dysphoric male children who were monitored from age 7 up until age 20 showed that 87.8 percent of the boys grew out of this phase and reverted back to identifying as their birth gender by the time they were adults. And in other related news, a couple in Montana have claimed that the Montana CFS (Child and Family Services) have taken custody of their 14 year old daughter for refusing her gender affirming care. So now does it make sense why The Illuminati has to "get them while they're young"? Does it make sense why The Illuminati is pumping out so much gender confusion and LGBTQ propaganda into the brains of young and impressionable minds? It's because they are DELIBERATELY confusing children about their gender, and while they're still young and impressionable, they seek to prey on their confusion by pushing them to "change their gender" AKA mutilate their genitals, which is an irreversible procedure. Also, the powers that be are setting the precedent that parents who are not being "inclusive" and "open minded" by letting their children mutilate their genitals, that the state can then physically repossess your child from you, by saying it's CHILD ABUSE that you won't let them MUTILATE THEIR GENITALS. The Luciferians seek to reverse all that is natural, and they want us all to be like their demon god Baphomet. They are coming for your kids, and you'd better push back. Vast Majority of Gender Dysphoric Boys Desist, Long-Term Study Finds (LINK) *"*A long-term follow-up of male children with gender dysphoria has found that most study participants desisted over time and accepted themselves as boys. The groundbreaking study used the largest sample to date of boys referred to clinics for gender dysphoria. “A Follow-Up Study of Boys With Gender Identity Disorder” was published in the peer-viewed journal Frontiers in Psychology, and the research protocol was reviewed and approved by Clarke Institute of Psychiatry (now the Centre for Addiction and Mental Health) and the University of Toronto. Study participants were 139 male children assessed in the Gender Identity Service, Child, Youth, and Family Program at the Centre for Addiction and Mental Health (CAMH) in Toronto between 1975 and 2009. 63.3% of the boys met DSM-III, III-R, or IV criteria for gender identity disorder (GID), while the rest of the 36.7% were subthreshold for a DSM diagnosis. Researchers first assessed the children at approximately age 7, following up with participants when they reached adolescence and again in early adulthood. At follow-up, researchers classified participants as persisters (which the study defines as “boys who continued to have gender dysphoria”) or desisters (boys who did not continue to have gender dysphoria), and deduced their sexual orientation based on fantasy and behavior. Researchers found that 17 (12.2%) of the participants persisted in their gender dysphoria, and the remaining 122 (87.8%) desisted." Montana parents say they lost custody of daughter after opposing 14-year-old’s gender transition: report (LINK) "Montana family claims they lost custody of their 14-year-old child after opposing her interest in changing genders — and while the governor’s office defended the move, it stressed to The Post that the state does not remove minors to provide gender transition services. The state’s Child and Family Services (CFS) reportedly took custody of the teen from her father, Todd Kolstad, and stepmother, Krista, this month, leading the parents to speak out about how the action has “destroyed” their family and “trampled” their rights. They showed up at our home to serve us with papers to take Jennifer out of our care,” Kolstad alleged. “They told me the reason was that we were ‘unable or refusing to provide medical care.’ That’s just not true.” Jennifer returned in September to a Montana youth facility, where she remains. Earlier this month, a court put the teen in the custody of CFS, Reduxx reported. “We were told that letting Jennifer transition and live as a boy was in her ‘therapeutic best interest’ and because we aren’t willing to follow that recommendation, the court gave CFS custody of Jennifer for six months,” Kolstad told the outlet." AUTISM, TRANSGENDERISM AND TRANSHUMANISM: Transgender and nonbinary people are up to six times more likely to have autism (LINK) This article title really says it all. There's a clear link between autism and transgenderism. So now does it make sense why autism is deliberately created via aluminum in the vaccines and in deodorant, chemtrails, etc? Autism also makes a person more compatible with Artificial Intelligence according to a book called The Autism Epidemic: Transhumanism's Dirty Little Secret (LINK). Supposedly the type of brainwaves produced by an autistic brain are more similar to how Artificial Intelligence processes data than a normal brain. Basically the endgoal of the entire Illuminati LGBTQ and transgender agenda is transhumanism, which is the merging of humans with technology. Part of that agenda ties into transgenderism since if they can get you to mutilate your genitals and get you to change your whole gender identity, then getting you to put a neural chip implant in your head isn't much further to go. The endgoal of the New World Order is to turn you into a gay genderless cyborg who is completely mind controlled by brain microchips. This is why when you choose to support the woke agendas and official narratives, that you're literally choosing The Matrix, because merging us with machines, mind controlling us and creating a completely false reality in our heads is exactly where the woke rabbit hole leads. CONCLUSION: "We're here, we're queer, get used to it". We did get used to it. And then we let you legalize Gay Marriage, but still you wouldn't stop pushing us. So how far does the Satanic LGBTQ agenda have to push us before they will leave us alone? Well, they aren't planning on leaving us alone. LGBTQ is a major component of the New World Order. The end goal of LGBTQ is to openly normalize pedophilia, incest, bestiality, and all other sexual perversions since this is what "The Aristocrats" (The Illuminati families) actually take part in themselves. And they bully us into compliance by using terms like "Inclusive" and "Tolerance", which are weaponized social engineering terms that are used to beat us into submission of their depraved agendas. You're no longer straight or heterosexual, you're now "Cis" (Sis/Sick/Sissy), "Gender Normative" and a "Breeder". The Illuminati has made it a thoughtcrime for any person to remain straight and normal in this times of great deceit. Is it any wonder then that nearly 30 percent of all Generation Z adults now identify as LGBTQ? (LINK) This post is the culmination of my years of research on multiple topics which all tie into pedophilia, LGBTQ, transgenderism, autism, transhumanism, and the New World Order. I hereby pass onto you all the knowledge I currently possess about this agenda, and I hope that you will consider it from a logical perspective and utilize it appropriately. By the way, I do not have a problem with gay or transgender people whatsoever so long as they would just please leave the children alone. They're just children and they're young and easily impressionable by LGBTQ gender confusion propaganda. Let them be kids, and if they still want gender affirming care when they're 18, then they are legally adults and are able to make that decision themselves. Stop encouraging children to make irreversible permanent alterations to their body just to serve an agenda of "inclusiveness" and "tolerance". Also, this goes without saying, and it goes to all people not just LGBTQ: stop sexually abusing children. This is the most unnatural sexual depravity you can possibly take part in. You're destroying innocence and you're destroying lives. And you're just continuing the cycle of abuse, since it does appear that many pedophiles were also sexually abused when they were children (Jeffrey Epstein got really uncomfortable and refused to answer when he was asked about his own sexual abuse as a child). Finally, I will again reiterate that there's no problem with being gay, lesbian, bisexual, non binary, transgender, etc. However, the specific group called LGBTQ is an extremist organization of The Illuminati which is pushing Satanic agendas as part of the New World Order. I recommend that no matter how you identify yourself, that you are able to identify a predatory social engineering mind control agenda for what it is. |
2024.05.19 09:22 PlateNo956 Watch manufacturers in Gujrat
Welcome to Galaxy Watches: Your Premier Destination for Made in India Watches
In the world of horology, Indian craftsmanship is making significant strides, and Galaxy Watches stands at the forefront of this revolution. As a leading watch manufacturer in India, we pride ourselves on producing high-quality timepieces that embody the spirit and precision of Indian artisanship. Whether you're searching for a sophisticated dress watch or a rugged timekeeper, our extensive collection of Indian made watches offers something for everyone.
2. Watch Manufacturers in India As one of the premier watch manufacturers in India, Galaxy Watches combines state-of-the-art technology with traditional craftsmanship. Our team of skilled artisans and engineers work tirelessly to create watches that are both aesthetically pleasing and mechanically sound. We source the finest materials to ensure durability and elegance in every watch.
3. Indian Made Watches Indian made watches from Galaxy Watches are celebrated for their quality and design. Our range includes various styles, from classic analog to modern digital, catering to diverse tastes and preferences. Each watch is a blend of innovative technology and exquisite craftsmanship, making it a true symbol of Indian ingenuity.
4. Watches Made in India Choosing watches made in India means supporting local craftsmanship and industry. Galaxy Watches takes pride in producing watches that stand up to international standards. Our dedication to quality control and precision engineering ensures that every watch we produce is a masterpiece.
5. Watches Manufacturer As a renowned watches manufacturer, Galaxy Watches offers a wide array of timepieces for men and women. Our collection features everything from elegant dress watches to functional sports watches, each designed to cater to the unique needs of our customers. We continually innovate to bring you the best in watchmaking.
6. Manufacture Watches Our ability to manufacture watches that are both stylish and reliable sets us apart. At Galaxy Watches, we use cutting-edge technology and skilled craftsmanship to produce watches that are not only beautiful but also built to last. Our watches are designed to accompany you on all your adventures, making every moment special.
7. Company of Watches in India Galaxy Watches is proud to be a leading company of watches in India. Our commitment to quality, innovation, and customer satisfaction drives us to create timepieces that you can cherish for years. Our watches are more than just accessories; they are a statement of style and sophistication.
Watch Manufacturers in Rajkot and Gujarat Galaxy Watches is also a prominent watch manufacturer in Rajkot and Gujarat. These regions are renowned for their skilled artisans and advanced manufacturing facilities. By harnessing local expertise and resources, we produce watches that are of exceptional quality and design.
submitted by PlateNo956 to u/PlateNo956 [link] [comments]
In the world of horology, Indian craftsmanship is making significant strides, and Galaxy Watches stands at the forefront of this revolution. As a leading watch manufacturer in India, we pride ourselves on producing high-quality timepieces that embody the spirit and precision of Indian artisanship. Whether you're searching for a sophisticated dress watch or a rugged timekeeper, our extensive collection of Indian made watches offers something for everyone.
Discover the Best of Indian Watchmaking
1. Made in India Watch At Galaxy Watches, every piece is a testament to our commitment to excellence. Our made in India watches are designed and crafted with meticulous attention to detail, ensuring each watch not only meets but exceeds your expectations. Our collection reflects the rich heritage and modern innovation of Indian watchmaking, providing you with reliable and stylish timepieces.2. Watch Manufacturers in India As one of the premier watch manufacturers in India, Galaxy Watches combines state-of-the-art technology with traditional craftsmanship. Our team of skilled artisans and engineers work tirelessly to create watches that are both aesthetically pleasing and mechanically sound. We source the finest materials to ensure durability and elegance in every watch.
3. Indian Made Watches Indian made watches from Galaxy Watches are celebrated for their quality and design. Our range includes various styles, from classic analog to modern digital, catering to diverse tastes and preferences. Each watch is a blend of innovative technology and exquisite craftsmanship, making it a true symbol of Indian ingenuity.
4. Watches Made in India Choosing watches made in India means supporting local craftsmanship and industry. Galaxy Watches takes pride in producing watches that stand up to international standards. Our dedication to quality control and precision engineering ensures that every watch we produce is a masterpiece.
5. Watches Manufacturer As a renowned watches manufacturer, Galaxy Watches offers a wide array of timepieces for men and women. Our collection features everything from elegant dress watches to functional sports watches, each designed to cater to the unique needs of our customers. We continually innovate to bring you the best in watchmaking.
6. Manufacture Watches Our ability to manufacture watches that are both stylish and reliable sets us apart. At Galaxy Watches, we use cutting-edge technology and skilled craftsmanship to produce watches that are not only beautiful but also built to last. Our watches are designed to accompany you on all your adventures, making every moment special.
7. Company of Watches in India Galaxy Watches is proud to be a leading company of watches in India. Our commitment to quality, innovation, and customer satisfaction drives us to create timepieces that you can cherish for years. Our watches are more than just accessories; they are a statement of style and sophistication.
Special Highlights
Galaxy Quartz Watch One of our standout products is the Galaxy quartz watch. Known for its precision and reliability, the Galaxy quartz watch is a perfect blend of technology and style. Whether you need a watch for daily wear or special occasions, the Galaxy quartz watch is an excellent choice.Watch Manufacturers in Rajkot and Gujarat Galaxy Watches is also a prominent watch manufacturer in Rajkot and Gujarat. These regions are renowned for their skilled artisans and advanced manufacturing facilities. By harnessing local expertise and resources, we produce watches that are of exceptional quality and design.
Explore Our Collection
Visit Galaxy Watches to explore our wide range of made in India watches. Whether you're looking for a gift or a personal accessory, our diverse collection is sure to have something that fits your style and needs. Experience the elegance and precision of Indian craftsmanship with Galaxy Watches.2024.05.19 09:12 RickSanchezero Invite You to try Bricks Crusher Super Adventures game
Hey guys. First of all I have to admit, I'm bad at finishing the game projects I start. ... I made a game a year ago, but I didn't promote it, so I didn't get players. The motivation to continue developing the game faded.
I invite you to try the game and accompany it to the graveyard of failed games.
All game levels are unlocked. And if you have a hard time getting through levels 11-15, there are videos on how to beat the levels on YouTube. (11-15 levels only in Mobile version at google play)
Here are the links to the game. Good time dude:
Browser version for PC (desktop only / keyboard): https://gamemonetize.com/bricks-crusher-super-adventures-2023-game
Google play: https://play.google.com/store/apps/details?id=com.madriver.game
submitted by RickSanchezero to IndieGaming [link] [comments]
I invite you to try the game and accompany it to the graveyard of failed games.
All game levels are unlocked. And if you have a hard time getting through levels 11-15, there are videos on how to beat the levels on YouTube. (11-15 levels only in Mobile version at google play)
Here are the links to the game. Good time dude:
Browser version for PC (desktop only / keyboard): https://gamemonetize.com/bricks-crusher-super-adventures-2023-game
Google play: https://play.google.com/store/apps/details?id=com.madriver.game
2024.05.19 09:11 Wise-Tower-3317 Sketchy + Diagrams = OP
 | Not sure about you guys, but I always struggled with putting together sketchy symbols with "processes" (i.e., biochem, movement of solutes, pathways, compensation mechanisms). submitted by Wise-Tower-3317 to medicalschoolanki [link] [comments] So I thought I'd mess around with the PCT acetazolamide diuretic sketch and see how it goes. It's basically the opposite of putting text on the sketch (here I'm putting sketches on the texts). I'm happy to say it made things instantly click for me. If anyone finds it helpful I don't mind doing the same thing for the rest of the diuretics and maybe pharm (big ones I can think of are the methotrexate chemo and purine inhibitor sketches). Cheers! |
2024.05.19 09:10 RickSanchezero Invite You to try Bricks Crusher Super Adventures game
Hey guys. First of all I have to admit, I'm bad at finishing the game projects I start. ... I made a game a year ago, but I didn't promote it, so I didn't get players. The motivation to continue developing the game faded.
I invite you to try the game and accompany it to the graveyard of failed games.
All game levels are unlocked. And if you have a hard time getting through levels 11-15, there are videos on how to beat the levels on YouTube. (11-15 levels only in Mobile version at google play)
Here are the links to the game. Good time dude:
Browser version for PC (desktop only / keyboard): https://gamemonetize.com/bricks-crusher-super-adventures-2023-game
Google play: https://play.google.com/store/apps/details?id=com.madriver.game
submitted by RickSanchezero to gamedevscreens [link] [comments]
I invite you to try the game and accompany it to the graveyard of failed games.
All game levels are unlocked. And if you have a hard time getting through levels 11-15, there are videos on how to beat the levels on YouTube. (11-15 levels only in Mobile version at google play)
Here are the links to the game. Good time dude:
Browser version for PC (desktop only / keyboard): https://gamemonetize.com/bricks-crusher-super-adventures-2023-game
Google play: https://play.google.com/store/apps/details?id=com.madriver.game
2024.05.19 09:09 twelfkingdoms Falterstone (prototype) - theaaronstory - A dwarf sentenced to the mines to earn their freedom back, with monsters, beasts and a touch of magic.
In the spirit of indie games, would like to share a work-in-progress, no-budget prototype that is currently being solo developed, to get feedback on the core concept of the game. Please note that the production is mainly focused on establishing mechanics, and the art and assets are mainly there as a placeholder (those are made look cheap, to quicken iteration). The prototype is free of charge, and regularly sees production updates on the community page.
Video footage
Itch page
Genre: Action, Adventure, RPG
Premise: A dwarf was sentenced into the depths, to mine until they earned their freedom back. A cold, dark and dangerous place it is, riddled with monsters, beasts and a touch of magic.
About: The concept of this dwarfish game materialized whilst working on a larger project that unfortunately went nowhere. This project is supposed to symbolize the hardships of a solo developer. The design stems from the influence of the late 90s/early 2000s (where painted low poly were all the rage), alongside illustrations from role-playing books (stuff like those nasty creatures you often see in old bestiaries). Obviously, the game would've looked much different if not for it being a prototype (much like how WOW or Dota2 looks in style), but the purpose and the lack of tools prevented it as explained above.
The loop is simple: Mine, gather resources and earn coins. However, what happens in between these actions are what the focus is on (the adventure, the fun part is trying to survive). Although a lot is still missing, like more items/crafting/etc., the focus is on establishing a feel, rather than adding supplements. And as iteration is key, already started working on adding bits for players to explore in the next release.
Anything to add, question or just to voice is greatly appreciated, as the range of my influence to reach people is extremely limited to say the least.
Thank you for stopping by, and have a nice day!
submitted by twelfkingdoms to Games [link] [comments]
Video footage
Itch page
Genre: Action, Adventure, RPG
Premise: A dwarf was sentenced into the depths, to mine until they earned their freedom back. A cold, dark and dangerous place it is, riddled with monsters, beasts and a touch of magic.
About: The concept of this dwarfish game materialized whilst working on a larger project that unfortunately went nowhere. This project is supposed to symbolize the hardships of a solo developer. The design stems from the influence of the late 90s/early 2000s (where painted low poly were all the rage), alongside illustrations from role-playing books (stuff like those nasty creatures you often see in old bestiaries). Obviously, the game would've looked much different if not for it being a prototype (much like how WOW or Dota2 looks in style), but the purpose and the lack of tools prevented it as explained above.
The loop is simple: Mine, gather resources and earn coins. However, what happens in between these actions are what the focus is on (the adventure, the fun part is trying to survive). Although a lot is still missing, like more items/crafting/etc., the focus is on establishing a feel, rather than adding supplements. And as iteration is key, already started working on adding bits for players to explore in the next release.
Anything to add, question or just to voice is greatly appreciated, as the range of my influence to reach people is extremely limited to say the least.
Thank you for stopping by, and have a nice day!
2024.05.19 09:06 RickSanchezero Invite You to try Bricks Crusher Super Adventures game
Hey guys. First of all I have to admit, I'm bad at finishing the game projects I start. ... I made a game a year ago, but I didn't promote it, so I didn't get players. The motivation to continue developing the game faded.
I invite you to try the game and accompany it to the graveyard of failed games.
All game levels are unlocked. And if you have a hard time getting through levels 11-15, there are videos on how to beat the levels on YouTube. (11-15 levels only in Mobile version at google play)
Here are the links to the game. Good time dude:
Browser version for PC (desktop only / keyboard): https://gamemonetize.com/bricks-crusher-super-adventures-2023-game
Google play: https://play.google.com/store/apps/details?id=com.madriver.game
submitted by RickSanchezero to SoloDevelopment [link] [comments]
I invite you to try the game and accompany it to the graveyard of failed games.
All game levels are unlocked. And if you have a hard time getting through levels 11-15, there are videos on how to beat the levels on YouTube. (11-15 levels only in Mobile version at google play)
Here are the links to the game. Good time dude:
Browser version for PC (desktop only / keyboard): https://gamemonetize.com/bricks-crusher-super-adventures-2023-game
Google play: https://play.google.com/store/apps/details?id=com.madriver.game
2024.05.19 09:05 RickSanchezero Invite You to try Bricks Crusher Super Adventures game
Hey guys. First of all I have to admit, I'm bad at finishing the game projects I start. ... I made a game a year ago, but I didn't promote it, so I didn't get players. The motivation to continue developing the game faded.
I invite you to try the game and accompany it to the graveyard of failed games.
All game levels are unlocked. And if you have a hard time getting through levels 11-15, there are videos on how to beat the levels on YouTube. (11-15 levels only in Mobile version at google play)
Here are the links to the game. Good time dude:
Browser version for PC (desktop only / keyboard): https://gamemonetize.com/bricks-crusher-super-adventures-2023-game
Google play: https://play.google.com/store/apps/details?id=com.madriver.game
submitted by RickSanchezero to IndieDev [link] [comments]
I invite you to try the game and accompany it to the graveyard of failed games.
All game levels are unlocked. And if you have a hard time getting through levels 11-15, there are videos on how to beat the levels on YouTube. (11-15 levels only in Mobile version at google play)
Here are the links to the game. Good time dude:
Browser version for PC (desktop only / keyboard): https://gamemonetize.com/bricks-crusher-super-adventures-2023-game
Google play: https://play.google.com/store/apps/details?id=com.madriver.game
2024.05.19 09:04 AdFlimsy2962 iPad Pro M4 11 vs 13??
I know there are several threads like this, I still cannot make up my mind and hope this will help. I have a windows laptop for work and an iPhone. Now I want to replace my 10 year old MacBook Air with a new iPad Pro. I only need it for private reasons. Surfing the web, watching movies, light foto and video editing and occasionally gaming. I want a private companion device for holidays, take with me when I am on a business trip, for couching at home and so on. So I was pretty settled for the 11 inch with 512gb as I want to have the extra storage for pictures etc. and my iPhone 256 is pretty full. The I made the mistake and had a link at them in the store. I was much more attracted by the 13 inch. I always thought when I saw the 13 inch in the wild that it kind of looked clownish big. But next to the 13 inch the 11 looked like a toy. Speakers are much better on the 13 inch. The 13 inch was the black one the 11 the silver one. Probably this is why i was more attracted by the 13 inch. I much prefer the black one. So here I am cannot decide what to do. Thought I will either buy the 13 with 256gb or the 11 with 512 both with Magic Keyboard, otherwise its getting redicolous expensive. No need for pencil right now. So what are your thoughts? Are the speakers on the 11 inch good enough for watching movies and listening to music when outdoors or in the hotel? Ist it immersive enough for a 1.5 k device? Thanks for your thoughts!
On the other hand what is the point of getting an 13 inch iPad over a MacBook?
submitted by AdFlimsy2962 to iPadPro [link] [comments]
On the other hand what is the point of getting an 13 inch iPad over a MacBook?