Trick answers
Student Nurse: tips, advice, and support
2012.12.09 12:39 Baconated_Kayos Student Nurse: tips, advice, and support
Practically anything and everything related to nursing school.
2008.06.02 22:49 Cascading Style Sheets
A community for discussing about CSS (Cascading Style Sheets), Web Design and surrounding relevant topics. Feel free to discuss, ask questions, share projects and do other things related to CSS here.
2008.01.25 04:52 Ask Reddit...
AskReddit is the place to ask and answer thought-provoking questions.
2024.05.15 02:08 RelationshipLucky402 Full DITY ETS Money
 | Currently stationed in Alaska, looking to ETS in a few months and go back to Texas. Never PCS'd & It's a 4,200mi drive. I'm trying to maximize what the Army will pay you to move yourself but I'm getting conflicting information like a uhual isn't paid by the Army but if you have a lot of weight while using a uhual, you can make a lot more vs partial dity and it's like no one really knows - maybe I'm just asking th wrong people. Not sure really what the best way to do it is, l'm an E-4, married, 2 kids. If I had to guess I probably have like 4,000lbs of stuff. submitted by RelationshipLucky402 to army [link] [comments] So far the ETS plan is: do CSP in Texas, take the fam with me, finish CSP, leave the fam in Tx, finish clearing, and just fly my wife back up for the drive, kids will stay with family while we head back to Texas. So it’ll just be me and my wife making the drive. Ultimately the wife and I want enjoy the road trip and I want to try to make the most money out of it. Is it the wrong answer? Probably, but who wouldn't want to make extra money. I've had NCO's tell me a common trick, "empty out the vehicle completely and then when you go to weigh it put extra weight" if anyone has made the Alaska drive how much were you able to make? I've heard anywhere from 4k to 7k Should I do a partial dity and just make the drive with my car, "full" dity with just my car so we would sell everything and just take what we need. Or full dity with a uhual, ship out my car. Pay uhual out of pocket Any advice from experience is appreciated |
2024.05.15 01:30 ItchyballsKasuga Grad school is killing me and sometimes I just want to let it
Hey Reddit,
I don’t normally post like this—hell, I never post with my porn account—but I’m especially lost right now. Two years ago, I got into a doctoral program for English lit, thinking it was what I wanted for my career. I’ve always excelled in school, so grad school would be a cinch! I got BAs in English and Creative Writing during undergrad, and it was some of the most rewarding work I’ve ever done. Grad school has been two years of (what feels like) a continuous mental health crisis, and today I may have wasted my last chance to get out with a degree.
I’ve dealt with anxiety and depression my entire life (medicated for six years), but after moving away to school, I very quickly spun off the rails. I was the furthest from home I had ever been, away from family and friends and my support network. My relationship with booze and weed, which had been casual, became habitual. I’m not the most social person to begin with, but the isolated lifestyle of grad school made it worse than I could have imagined. The only friends I had were in my cohort, and their being somewhere in between coworker and friend made it difficult to speak with them candidly about my struggles. After all, they had the same workload that I did, so complaining felt stupid, and sharing the extent of how bad shit had gotten seemed like it would be a one-way ticket to a grippy socks vacation.
Frankly, I should probably have gone on that vacation. I could still use one. There hasn’t been a day gone by since, like, October 2022 that I haven’t thought about killing myself. Most of the time it isn’t active, just your typical ideation like “Oh, grad school makes me want to die lol.” One of my favorite recurring ideations is hurling myself into an industrial woodchipper like in Fargo—it’s so ridiculously violent that it usually snaps me right out of my funk. Where would I even find an industrial woodchipper?
It’s gotten worse lately though. This winter was bad. I’d fantasize about finding the nearest Wal-mart and exercising my constitutional right to purchase a firearm, driving to one of the many nearby beautiful state parks that I was never able to find time to go visit during the semester, and blowing my brains out. When I realized that I needed to give my family some plausible deniability for my suicide so they could grieve my loss rather than my decision, I’d fantasize instead about “losing control” on the highway. I hoped the seatbelt would take my head and launch it straight out the windshield. Or I’d fantasize about pulling a Christopher Supertramp and just leaving without warning to fuck off and die in the woods—not violently, but by something that looked natural. God, what I wouldn’t give to be devoured by a bear.
All of these options were moot though, as I was too anxious to leave my house and drive for groceries for the entirety of March and April. Can’t drive yourself off a bridge if you’re too afraid to drive. Fret not though, friends—I’m back home with family now, stable and safe, and I no longer feel the pull of the void quite so strongly as I did at school.
Anyways, the workload was like nothing I had experienced in undergrad, and even though I knew it was going to be a lot of work, I thought I could keep up.
I was wrong.
I really gave it my best effort that first semester. I prepped each class I taught as a TA excessively, answered student emails within five minutes of receiving them. I started every other day with an anxiety vomit, but I went to class. I did my best to read everything assigned to me. I threw myself at Foucault and Derrida and fuckin Homi Bhabha and the 40 other opaque critical theorists they had us read, and I struggled through them to the best of my ability, but I never seemed to be on the same page as anyone else, so I found it more and more difficult to speak up in class until I stopped speaking entirely. Still, I wrote the 75 pages of critical writing they assign to us in the last week of the semester. I barely slept and hardly ate. I wrote what I thought they wanted, did my best to model myself after what we had read.
They told me that my efforts were disappointing, that my work “barely qualified” as critical writing. I think part of me died when I got that feedback. I got the impression, at least from the instructor who told me I barely qualified, that I had disrespected them on a professional and personal level. I come from a creative writing background, so I tend to inject personality and voice into whatever I write. Both my peers and other faculty I’ve discussed this feedback with agree that the paper (while definitely not fully formed) did not warrant that level of harshness, but it broke something in me.
I kept up for most of the second semester, but by the time those end-of-semester essays rolled around, I felt a writer’s block like I had never felt before. It wasn’t the sort that went away if I forced myself to write through it, like every other time I’d felt the block before. No, this was debilitating. I was paralyzed. I tried chipping away at it, and I tried tricking myself into writing by telling myself I was just taking notes. None of my old tricks worked, even that time-honored tradition of putting my back to the wall by waiting until the deadline and writing manic, anxiety-fueled bullshit. Every time I had ever faced something like this before—a mountain of writing that I didn’t want to do—I eventually slipped into gear and got it done.
It didn’t happen. For the first time in my life, I didn’t complete a final essay. I just couldn’t force myself to give a fuck. I couldn’t give a fuck about my work, about my grades, about my reputation at the university, about my future career, about my future continued existence. At some point, I became apathetic to my life and the world around me, but still, I pressed on because it was the only thing I thought I could do. One does not just get accepted into a fully-funded graduate program every day, you know, and I’d never forgive myself if I gave up on it so quickly. That’s what I was told, at least. Beyond that, I didn’t want to disappoint my friends and family and everyone who helped me get to grad school.
So I stuck with it, finished the essay and came back after the summer, and after forcing myself through the fall semester, I didn’t complete two final essays. My untreated burnout got worse. Imagine that! At the beginning of this semester, I made the decision to drop from the PhD track, cut my losses and get an MA. All I needed to do was finish one course this semester, one measly 25 page essay about the fucking kinetoscope, but I couldn’t do it. All I did this past semester was smoke myself stupid, play video games, and wish that I was dead. I spent months lying to my parents and my therapist, telling them both that while everything wasn’t fine, I was persevering and making progress. I’ve shared a little with my mom, now that I’m home and shit’s gone sideways, but all she did was cry and ask if I need to be taken to the ER. Nobody wants to make mom cry, and the last thing I fucking want is medical debt.
My deadline—the “missing this deadline will result in dismissal from the program” deadline—was today at noon, and I missed it. I have ten pages written, and I could finish it today if my brain wasn’t fucking broken, but instead I’ve written a confession to Reddit. I’ve emailed my DGS and will hear his verdict tomorrow morning, but honestly? I could fight for it, but don’t think I care anymore. I’ve been suffering for two years, and I don’t know if a master’s degree is worth it. This degree won’t make me happy—my depression brain says that nothing will, but I know that isn’t true. I wanted the MA so I could teach at a community college because that feels much closer to praxis than jerking off to Frantz Fanon until I get tenure, but I’m not even sure if I like teaching or if it was just the least of all evils I had to deal with as a grad student. (Lowkey, Fanon is probably the way to go if we’re jerking off to critical theorists, but I digress)
So Reddit, what do I do with my life? I’m a 25 year old burn out who 1) may have just lost their big shot at a slightly less worthless degree than the one they got in undergrad 2) just moved back in with their parents to a dead-end Midwest town 3) has few marketable skills and little job experience because they’ve been in academia hell for two years 4) has not had a relationship in even longer than that and 5) is generally a/pathetic.
Ending it isn’t on the table, so what do I do? Has anyone here gone through something like this? How can I rediscover my lust for life and letters? Where have you found your passion?
EDIT: forgot you needed two returns between paragraphs
submitted by ItchyballsKasuga to offmychest [link] [comments]
I don’t normally post like this—hell, I never post with my porn account—but I’m especially lost right now. Two years ago, I got into a doctoral program for English lit, thinking it was what I wanted for my career. I’ve always excelled in school, so grad school would be a cinch! I got BAs in English and Creative Writing during undergrad, and it was some of the most rewarding work I’ve ever done. Grad school has been two years of (what feels like) a continuous mental health crisis, and today I may have wasted my last chance to get out with a degree.
I’ve dealt with anxiety and depression my entire life (medicated for six years), but after moving away to school, I very quickly spun off the rails. I was the furthest from home I had ever been, away from family and friends and my support network. My relationship with booze and weed, which had been casual, became habitual. I’m not the most social person to begin with, but the isolated lifestyle of grad school made it worse than I could have imagined. The only friends I had were in my cohort, and their being somewhere in between coworker and friend made it difficult to speak with them candidly about my struggles. After all, they had the same workload that I did, so complaining felt stupid, and sharing the extent of how bad shit had gotten seemed like it would be a one-way ticket to a grippy socks vacation.
Frankly, I should probably have gone on that vacation. I could still use one. There hasn’t been a day gone by since, like, October 2022 that I haven’t thought about killing myself. Most of the time it isn’t active, just your typical ideation like “Oh, grad school makes me want to die lol.” One of my favorite recurring ideations is hurling myself into an industrial woodchipper like in Fargo—it’s so ridiculously violent that it usually snaps me right out of my funk. Where would I even find an industrial woodchipper?
It’s gotten worse lately though. This winter was bad. I’d fantasize about finding the nearest Wal-mart and exercising my constitutional right to purchase a firearm, driving to one of the many nearby beautiful state parks that I was never able to find time to go visit during the semester, and blowing my brains out. When I realized that I needed to give my family some plausible deniability for my suicide so they could grieve my loss rather than my decision, I’d fantasize instead about “losing control” on the highway. I hoped the seatbelt would take my head and launch it straight out the windshield. Or I’d fantasize about pulling a Christopher Supertramp and just leaving without warning to fuck off and die in the woods—not violently, but by something that looked natural. God, what I wouldn’t give to be devoured by a bear.
All of these options were moot though, as I was too anxious to leave my house and drive for groceries for the entirety of March and April. Can’t drive yourself off a bridge if you’re too afraid to drive. Fret not though, friends—I’m back home with family now, stable and safe, and I no longer feel the pull of the void quite so strongly as I did at school.
Anyways, the workload was like nothing I had experienced in undergrad, and even though I knew it was going to be a lot of work, I thought I could keep up.
I was wrong.
I really gave it my best effort that first semester. I prepped each class I taught as a TA excessively, answered student emails within five minutes of receiving them. I started every other day with an anxiety vomit, but I went to class. I did my best to read everything assigned to me. I threw myself at Foucault and Derrida and fuckin Homi Bhabha and the 40 other opaque critical theorists they had us read, and I struggled through them to the best of my ability, but I never seemed to be on the same page as anyone else, so I found it more and more difficult to speak up in class until I stopped speaking entirely. Still, I wrote the 75 pages of critical writing they assign to us in the last week of the semester. I barely slept and hardly ate. I wrote what I thought they wanted, did my best to model myself after what we had read.
They told me that my efforts were disappointing, that my work “barely qualified” as critical writing. I think part of me died when I got that feedback. I got the impression, at least from the instructor who told me I barely qualified, that I had disrespected them on a professional and personal level. I come from a creative writing background, so I tend to inject personality and voice into whatever I write. Both my peers and other faculty I’ve discussed this feedback with agree that the paper (while definitely not fully formed) did not warrant that level of harshness, but it broke something in me.
I kept up for most of the second semester, but by the time those end-of-semester essays rolled around, I felt a writer’s block like I had never felt before. It wasn’t the sort that went away if I forced myself to write through it, like every other time I’d felt the block before. No, this was debilitating. I was paralyzed. I tried chipping away at it, and I tried tricking myself into writing by telling myself I was just taking notes. None of my old tricks worked, even that time-honored tradition of putting my back to the wall by waiting until the deadline and writing manic, anxiety-fueled bullshit. Every time I had ever faced something like this before—a mountain of writing that I didn’t want to do—I eventually slipped into gear and got it done.
It didn’t happen. For the first time in my life, I didn’t complete a final essay. I just couldn’t force myself to give a fuck. I couldn’t give a fuck about my work, about my grades, about my reputation at the university, about my future career, about my future continued existence. At some point, I became apathetic to my life and the world around me, but still, I pressed on because it was the only thing I thought I could do. One does not just get accepted into a fully-funded graduate program every day, you know, and I’d never forgive myself if I gave up on it so quickly. That’s what I was told, at least. Beyond that, I didn’t want to disappoint my friends and family and everyone who helped me get to grad school.
So I stuck with it, finished the essay and came back after the summer, and after forcing myself through the fall semester, I didn’t complete two final essays. My untreated burnout got worse. Imagine that! At the beginning of this semester, I made the decision to drop from the PhD track, cut my losses and get an MA. All I needed to do was finish one course this semester, one measly 25 page essay about the fucking kinetoscope, but I couldn’t do it. All I did this past semester was smoke myself stupid, play video games, and wish that I was dead. I spent months lying to my parents and my therapist, telling them both that while everything wasn’t fine, I was persevering and making progress. I’ve shared a little with my mom, now that I’m home and shit’s gone sideways, but all she did was cry and ask if I need to be taken to the ER. Nobody wants to make mom cry, and the last thing I fucking want is medical debt.
My deadline—the “missing this deadline will result in dismissal from the program” deadline—was today at noon, and I missed it. I have ten pages written, and I could finish it today if my brain wasn’t fucking broken, but instead I’ve written a confession to Reddit. I’ve emailed my DGS and will hear his verdict tomorrow morning, but honestly? I could fight for it, but don’t think I care anymore. I’ve been suffering for two years, and I don’t know if a master’s degree is worth it. This degree won’t make me happy—my depression brain says that nothing will, but I know that isn’t true. I wanted the MA so I could teach at a community college because that feels much closer to praxis than jerking off to Frantz Fanon until I get tenure, but I’m not even sure if I like teaching or if it was just the least of all evils I had to deal with as a grad student. (Lowkey, Fanon is probably the way to go if we’re jerking off to critical theorists, but I digress)
So Reddit, what do I do with my life? I’m a 25 year old burn out who 1) may have just lost their big shot at a slightly less worthless degree than the one they got in undergrad 2) just moved back in with their parents to a dead-end Midwest town 3) has few marketable skills and little job experience because they’ve been in academia hell for two years 4) has not had a relationship in even longer than that and 5) is generally a/pathetic.
Ending it isn’t on the table, so what do I do? Has anyone here gone through something like this? How can I rediscover my lust for life and letters? Where have you found your passion?
EDIT: forgot you needed two returns between paragraphs
2024.05.15 00:11 WeirdViper WWE BACKLASh
During the preshow, we see a confrontation in the back, General Manager Nick Aldis in his office when The Bullet Club (Cody, Finn, and AJ) all storm in
AJ: Why the hell are we not on the pay per view? We are the biggest stars you got
Cody: There better be a damn good reason you are not giving us any opportunities that we deserve
Finn: Aldis you do NOT want to cross us, that will make your job very... very difficult
Aldis stands up from his desk looking at all 3 men
Aldis: Gentlemen you are not on the show because well... you didn't earn it, now I suggest you remove yourselves from my office
All 3 men appear very angry with the answer but storm out
__________
WWE CHAMPIONSHIP
Carmelo Hayes(c) vs Karrion Kross w/Jake Roberts
Results: These 2 men are wanting to steal the show right off the bat, both coming close to victory several times, in the end Melo hits the Nothing But Net to pick up the win and retain his championship
Winner: Carmelo Hayes
After the match, Jake Roberts gets in the ring to help Kross, Kross frustrated pulls away from Jake, suddenly Kross pulls jake into DDT position and levels him with a vicious DDT.
Kross leaves the ring and as he reaches the ramp Scarlett walks out to join him, as she rejoins him as his manager
__________
Women's Tag Team Championship
Cora Jade & Roxanne Perez(c) vs The IIconics
Results: In just a short time, these 2 teams already do not like each other and go right at it, brawling in and out of the ring before the referee finally gets order in the match. After some back and forth, in the end Cora Jade picks up the pin over Billie Kay to retain the tag team titles
Winners: Cora Jade & Roxanne Perez
__________
Intercontinental Championship Street Fight
Swerve Strickland(c) vs Sammy Guevara w/ Tay Melo
Results: These 2 men waste no time getting the weapons out, lots of back and forth with various weapons, at one point Tay Melo gets involved lowblowing Swerve giving Sammy control. Sammy going for the big finish puts Swerve on a table in the ring and sets up a massive ladder, climbing to the top Sammy goes for a Swanton but Swerve moves sending Sammy crashing through the table. Swerve picks Sammy up and delivers Space Jam and covers Sammy for the win
Winner: Swerve Strickland
__________
WWE Tag Team Championship
Drew Mcintyre & Sheamus(c) vs War Machine
Results: There is nothing pretty in this match, just 4 big men brawling and hitting each other hard, in the closing moments Sheamus goes for a Brogue kick but Hanson ducks and Sheamus kicks Drew. War Machine then hit Sheamus with Fallout and pick up the win
Winners: New Tag Team Champions War Machine
__________
Women's Intercontinental Championship Tournament FInals
Giulia vs Liv Morgan w/Dominik Mysterio
Results: Giulia spends the majority of the match in control, showing her experience and skill, closing in on the end, Giulia hits her finisher and just as the referee is about to count 3 Dominik pulls the referee out of the ring. The ref throws Dominik out, as the crowd is cheering, back in the ring Liv out of nowhere hits Giulia with ObLIVion, and picks up the sneaky victory to win.
Winner: Inaugural Women's Intercontinental Champion Liv Morgan
__________
After this match we suddenly cut backstage to chaos as officials run around, the camera pans into Nick Aldis' office where it is completely trashed and Aldis is laid out on the floor unconscious. Officials yelling for the doctor and asking if anyone saw anything
__________
MAIN EVENT
The Bloodline vs Trick Williams, Wes Lee & The Von Erichs
Results: The referee makes it clear early on to keep things under control, and for awhile this is the case, both teams sticking to the rules, but it eventually breaks down leading to all 8 men brawling, back in the ring we have the 2 legal men in Jacob Fatu & Wes Lee, Jacob delivers his impressive Moonsault and picks up the win
Winners: The Bloodline
The Bloodline is not done, as they continue to attack their 4 opponents. they put each of the Von Erichs on an announce table, and the G.o.D each climb a turnbuckle and deliver matching splashes through the tables. Jacob Fatu spears Trick Williams through the announce table. And in the ring Solo hits Wes Lee with a Samoan Spike.
As Solo is picking up Wes Lee to deliver another Samoan Spike, suddenly around the arena we hear something familiar "Sierra, Hotel, India, Echo, Lima, Delta" and the crowd goes nuts, the camera pans all around the arena until finally up in the crowd on a staircase we see Roman Reigns who has been gone since Wrestlemania, but then behind him step up the returning Seth Rollins & Dean Ambrose, all 3 men dressed in their signature Shield gear as they make their way down the stairs. The 3 stars jump the barricade, as they do the camera zooms out to show the Bloodline has left the ring and is now standing up on the stage.
Backlash ends with The Bloodline on the stage staring down at The Shield now standing in the ring, and the crowd chanting 'Holy Shit'
submitted by WeirdViper to RedflamesBookingNow [link] [comments]
AJ: Why the hell are we not on the pay per view? We are the biggest stars you got
Cody: There better be a damn good reason you are not giving us any opportunities that we deserve
Finn: Aldis you do NOT want to cross us, that will make your job very... very difficult
Aldis stands up from his desk looking at all 3 men
Aldis: Gentlemen you are not on the show because well... you didn't earn it, now I suggest you remove yourselves from my office
All 3 men appear very angry with the answer but storm out
__________
WWE CHAMPIONSHIP
Carmelo Hayes(c) vs Karrion Kross w/Jake Roberts
Results: These 2 men are wanting to steal the show right off the bat, both coming close to victory several times, in the end Melo hits the Nothing But Net to pick up the win and retain his championship
Winner: Carmelo Hayes
After the match, Jake Roberts gets in the ring to help Kross, Kross frustrated pulls away from Jake, suddenly Kross pulls jake into DDT position and levels him with a vicious DDT.
Kross leaves the ring and as he reaches the ramp Scarlett walks out to join him, as she rejoins him as his manager
__________
Women's Tag Team Championship
Cora Jade & Roxanne Perez(c) vs The IIconics
Results: In just a short time, these 2 teams already do not like each other and go right at it, brawling in and out of the ring before the referee finally gets order in the match. After some back and forth, in the end Cora Jade picks up the pin over Billie Kay to retain the tag team titles
Winners: Cora Jade & Roxanne Perez
__________
Intercontinental Championship Street Fight
Swerve Strickland(c) vs Sammy Guevara w/ Tay Melo
Results: These 2 men waste no time getting the weapons out, lots of back and forth with various weapons, at one point Tay Melo gets involved lowblowing Swerve giving Sammy control. Sammy going for the big finish puts Swerve on a table in the ring and sets up a massive ladder, climbing to the top Sammy goes for a Swanton but Swerve moves sending Sammy crashing through the table. Swerve picks Sammy up and delivers Space Jam and covers Sammy for the win
Winner: Swerve Strickland
__________
WWE Tag Team Championship
Drew Mcintyre & Sheamus(c) vs War Machine
Results: There is nothing pretty in this match, just 4 big men brawling and hitting each other hard, in the closing moments Sheamus goes for a Brogue kick but Hanson ducks and Sheamus kicks Drew. War Machine then hit Sheamus with Fallout and pick up the win
Winners: New Tag Team Champions War Machine
__________
Women's Intercontinental Championship Tournament FInals
Giulia vs Liv Morgan w/Dominik Mysterio
Results: Giulia spends the majority of the match in control, showing her experience and skill, closing in on the end, Giulia hits her finisher and just as the referee is about to count 3 Dominik pulls the referee out of the ring. The ref throws Dominik out, as the crowd is cheering, back in the ring Liv out of nowhere hits Giulia with ObLIVion, and picks up the sneaky victory to win.
Winner: Inaugural Women's Intercontinental Champion Liv Morgan
__________
After this match we suddenly cut backstage to chaos as officials run around, the camera pans into Nick Aldis' office where it is completely trashed and Aldis is laid out on the floor unconscious. Officials yelling for the doctor and asking if anyone saw anything
__________
MAIN EVENT
The Bloodline vs Trick Williams, Wes Lee & The Von Erichs
Results: The referee makes it clear early on to keep things under control, and for awhile this is the case, both teams sticking to the rules, but it eventually breaks down leading to all 8 men brawling, back in the ring we have the 2 legal men in Jacob Fatu & Wes Lee, Jacob delivers his impressive Moonsault and picks up the win
Winners: The Bloodline
The Bloodline is not done, as they continue to attack their 4 opponents. they put each of the Von Erichs on an announce table, and the G.o.D each climb a turnbuckle and deliver matching splashes through the tables. Jacob Fatu spears Trick Williams through the announce table. And in the ring Solo hits Wes Lee with a Samoan Spike.
As Solo is picking up Wes Lee to deliver another Samoan Spike, suddenly around the arena we hear something familiar "Sierra, Hotel, India, Echo, Lima, Delta" and the crowd goes nuts, the camera pans all around the arena until finally up in the crowd on a staircase we see Roman Reigns who has been gone since Wrestlemania, but then behind him step up the returning Seth Rollins & Dean Ambrose, all 3 men dressed in their signature Shield gear as they make their way down the stairs. The 3 stars jump the barricade, as they do the camera zooms out to show the Bloodline has left the ring and is now standing up on the stage.
Backlash ends with The Bloodline on the stage staring down at The Shield now standing in the ring, and the crowd chanting 'Holy Shit'
2024.05.14 23:31 jiggling0balls Discord Business
How does people sell discord discorations forr so cheap at discord server but never reveals there trick? Is there some kind of third party website who sells for low price or something?
Please answer
submitted by jiggling0balls to business [link] [comments]
Please answer
2024.05.14 23:14 InertialProton Advice
Hello ALL! I have been running a node for about 6 months. Usage of my node is minimal at best. If you don't mind answering a few questions:
1) What kind of utilization are you all averaging? Per node 2) Are there some tips/tricks you can share to get more traffic? 3) I see that other node runners are getting like 5-20 myst per day. I am lucky to get 5 myst in a week.
Thanks
submitted by InertialProton to MysteriumNetwork [link] [comments]
1) What kind of utilization are you all averaging? Per node 2) Are there some tips/tricks you can share to get more traffic? 3) I see that other node runners are getting like 5-20 myst per day. I am lucky to get 5 myst in a week.
Thanks
2024.05.14 22:34 catashtronaut I just found out I’m being cheated on and I don’t know how to feel.
I found out yesterday that my girlfriend has been cheating on me with her coworker. I found so many texts on her phone of the disgusting things they send to each other, and honestly I’ve been fighting with myself on whether or not I deserved it. I know that sounds ridiculous. If someone said that to me I’d know how to respond immediately. “Being cheated on is never the victim’s fault.” But I can’t seem to hold the same sentiment for myself.
For context, our relationship has been rocky for a year now. It’s been a constant of her telling me that I’m mean and make her miserable but never elaborating what I do wrong. I have tried so hard to communicate with her and ask her to tell me what it is so I can work on it, but she always just said, “I don’t know.” It has been like this for a whole year.
Yesterday, I received a tip from someone I trust that she was seen on dating sites, and I had already been suspicious of cheating, so I kind of lost control and looked through her phone while she was sleeping. It was plain as day, and I got video of some of it so I had proof.
She has been talking to this other person for approximately a month now. I have no idea if she was actually on any dating sites, but it gave me incentive to find what I did. Their texts are mostly “R rated” but there’s emotional stuff in there too. Petnames, complimenting eachother, etc. I have no idea if they are dating or just in a sexual relationship as of right now, but it matters none to me.
I found a text on her phone to this person talking about me as well. It said something along the lines of “I’ve hated him for a year but he won’t leave no matter what I say.” and went on to explain how miserable she was while pointedly avoiding the fact that we are still technically together. I was confused by this because she only broke up with me one time, and that was a year ago when our problems first started. When this happened I asked her to try and work things out with me and she agreed, telling me she wanted to try and repair our relationship. For the past year, that’s all I’ve been trying to do. I’ve been understanding. I apologized when I did something that upset her and asked for clarification so I could change my behavior, but I was only ever met with continued indifference and refusal of communication. I still have not gotten any answers as to what I was doing wrong.
I think mostly I just need more reassurance that this is not my fault. So many people have told me, but I have been manipulated by her for years, and I can’t seem to break free from the self blaming thought patterns. You’d think cheating would do the trick, but apparently not.
submitted by catashtronaut to Vent [link] [comments]
For context, our relationship has been rocky for a year now. It’s been a constant of her telling me that I’m mean and make her miserable but never elaborating what I do wrong. I have tried so hard to communicate with her and ask her to tell me what it is so I can work on it, but she always just said, “I don’t know.” It has been like this for a whole year.
Yesterday, I received a tip from someone I trust that she was seen on dating sites, and I had already been suspicious of cheating, so I kind of lost control and looked through her phone while she was sleeping. It was plain as day, and I got video of some of it so I had proof.
She has been talking to this other person for approximately a month now. I have no idea if she was actually on any dating sites, but it gave me incentive to find what I did. Their texts are mostly “R rated” but there’s emotional stuff in there too. Petnames, complimenting eachother, etc. I have no idea if they are dating or just in a sexual relationship as of right now, but it matters none to me.
I found a text on her phone to this person talking about me as well. It said something along the lines of “I’ve hated him for a year but he won’t leave no matter what I say.” and went on to explain how miserable she was while pointedly avoiding the fact that we are still technically together. I was confused by this because she only broke up with me one time, and that was a year ago when our problems first started. When this happened I asked her to try and work things out with me and she agreed, telling me she wanted to try and repair our relationship. For the past year, that’s all I’ve been trying to do. I’ve been understanding. I apologized when I did something that upset her and asked for clarification so I could change my behavior, but I was only ever met with continued indifference and refusal of communication. I still have not gotten any answers as to what I was doing wrong.
I think mostly I just need more reassurance that this is not my fault. So many people have told me, but I have been manipulated by her for years, and I can’t seem to break free from the self blaming thought patterns. You’d think cheating would do the trick, but apparently not.
2024.05.14 22:07 L-Britt Incorrect Drum Midi Notation
Hi,
Wondering if anyone has the answer or experience with this please :)
I've been downloading GP files from the internet for a while now for drums and exporting them into a midi. However when it comes to importing the midi onto an instrument line in my DAW (Cubase), all of the notations are incorrect and it takes forever to correct it. e.g There are notes where no part of the drum set covers or the snare is on the kick drum etc
Does anyone know any tricks or tips to deal with this headache please? :)
For reference on the Drum VST, I am using Matt Halpern P5
Thanks
submitted by L-Britt to GetGoodDrums [link] [comments]
Wondering if anyone has the answer or experience with this please :)
I've been downloading GP files from the internet for a while now for drums and exporting them into a midi. However when it comes to importing the midi onto an instrument line in my DAW (Cubase), all of the notations are incorrect and it takes forever to correct it. e.g There are notes where no part of the drum set covers or the snare is on the kick drum etc
Does anyone know any tricks or tips to deal with this headache please? :)
For reference on the Drum VST, I am using Matt Halpern P5
Thanks
2024.05.14 22:06 L-Britt Drum Midi Incorrect Notation
Hi,
Wondering if anyone has the answer or experience with this please :)
I've been downloading GP files from the internet for a while now for drums and exporting them into a midi. However when it comes to importing the midi onto an instrument line in my DAW (Cubase), all of the notations are incorrect and it takes forever to correct it. e.g There are notes where no part of the drum set covers or the snare is on the kick drum etc
Does anyone know any tricks or tips to deal with this headache please? :)
For reference on the Drum VST, I am using Matt Halpern P5
Thanks
submitted by L-Britt to kontakt [link] [comments]
Wondering if anyone has the answer or experience with this please :)
I've been downloading GP files from the internet for a while now for drums and exporting them into a midi. However when it comes to importing the midi onto an instrument line in my DAW (Cubase), all of the notations are incorrect and it takes forever to correct it. e.g There are notes where no part of the drum set covers or the snare is on the kick drum etc
Does anyone know any tricks or tips to deal with this headache please? :)
For reference on the Drum VST, I am using Matt Halpern P5
Thanks
2024.05.14 22:05 L-Britt Incorrect Drum Midi Notation
Hi,
Wondering if anyone has the answer or experience with this please :)
I've been downloading GP files from the internet for a while now for drums and exporting them into a midi. However when it comes to importing the midi onto an instrument line in my DAW (Cubase), all of the notations are incorrect and it takes forever to correct it. e.g There are notes where no part of the drum set covers or the snare is on the kick drum etc
Does anyone know any tricks or tips to deal with this headache please? :)
For reference on the Drum VST, I am using Matt Halpern P5
Thanks
submitted by L-Britt to cubase [link] [comments]
Wondering if anyone has the answer or experience with this please :)
I've been downloading GP files from the internet for a while now for drums and exporting them into a midi. However when it comes to importing the midi onto an instrument line in my DAW (Cubase), all of the notations are incorrect and it takes forever to correct it. e.g There are notes where no part of the drum set covers or the snare is on the kick drum etc
Does anyone know any tricks or tips to deal with this headache please? :)
For reference on the Drum VST, I am using Matt Halpern P5
Thanks
2024.05.14 22:05 L-Britt Drum Midi incorrect notation
Hi,
Wondering if anyone has the answer or experience with this please :)
I've been downloading GP files from the internet for a while now for drums and exporting them into a midi. However when it comes to importing the midi onto an instrument line in my DAW (Cubase), all of the notations are incorrect and it takes forever to correct it. e.g There are notes where no part of the drum set covers or the snare is on the kick drum etc
Does anyone know any tricks or tips to deal with this headache please? :)
For reference on the Drum VST, I am using Matt Halpern P5
Thanks
submitted by L-Britt to GuitarPro [link] [comments]
Wondering if anyone has the answer or experience with this please :)
I've been downloading GP files from the internet for a while now for drums and exporting them into a midi. However when it comes to importing the midi onto an instrument line in my DAW (Cubase), all of the notations are incorrect and it takes forever to correct it. e.g There are notes where no part of the drum set covers or the snare is on the kick drum etc
Does anyone know any tricks or tips to deal with this headache please? :)
For reference on the Drum VST, I am using Matt Halpern P5
Thanks
2024.05.14 21:06 SweetMikeyP Eldrazi Tron and OTJ
Hey all, been playing a few weeks of E tron trying out some cards from Outlaws and figured I would post my opinions to see if I'm getting bad games or similar results.
LOST JITTE: one of in the main with a saga package. Nice when it works. Get some combat tricks, more damage, pass through a single blocker woth TKS, and if you're really ahead, untap a tower for 3 extra mana. But that's just it, only really good when ahead. Collar can dig us out of a hole or wipe a board with ballista, and spear turns off hexproof while also gaining us life and turning TKS to a 4 turn clock max.
FUMORI VAULT: only one of, idea was to filter flooding late game or if we need to dog for answer, but main issue is not enough artifacts consistently on board with dead cards in hand to warrant a 3 mana, maybe dig 1 or 2 cards deep. If there was a guaranteed minimum it may be worth it, but does nothing if you have no artifacts so probably best in an affinity shell.
LAVASPUR: one of in saga package. Pretty nice if you don't have a smasher and need to race. Let's matter reshapers, ballista, ect come down hard and fast with the ward being the best part. If a deck leaves one mana up for leyline, push, similar efficient removal, they rarely have the extra for ward 1 unless you're already going to lose most of the time. Besides early game causing the equip to be clunky with a creature casting same turn, it is a decent way to protect a blocker or threat on your side, or at least making an opponent play clunky to remove it. The +1 is nice to as it let's you trade with a kavu, push 6 woth trample on a smasher, or similarly gives matter reshaper more lethality as a trade piece/extra pressure.
submitted by SweetMikeyP to TronMTG [link] [comments]
LOST JITTE: one of in the main with a saga package. Nice when it works. Get some combat tricks, more damage, pass through a single blocker woth TKS, and if you're really ahead, untap a tower for 3 extra mana. But that's just it, only really good when ahead. Collar can dig us out of a hole or wipe a board with ballista, and spear turns off hexproof while also gaining us life and turning TKS to a 4 turn clock max.
FUMORI VAULT: only one of, idea was to filter flooding late game or if we need to dog for answer, but main issue is not enough artifacts consistently on board with dead cards in hand to warrant a 3 mana, maybe dig 1 or 2 cards deep. If there was a guaranteed minimum it may be worth it, but does nothing if you have no artifacts so probably best in an affinity shell.
LAVASPUR: one of in saga package. Pretty nice if you don't have a smasher and need to race. Let's matter reshapers, ballista, ect come down hard and fast with the ward being the best part. If a deck leaves one mana up for leyline, push, similar efficient removal, they rarely have the extra for ward 1 unless you're already going to lose most of the time. Besides early game causing the equip to be clunky with a creature casting same turn, it is a decent way to protect a blocker or threat on your side, or at least making an opponent play clunky to remove it. The +1 is nice to as it let's you trade with a kavu, push 6 woth trample on a smasher, or similarly gives matter reshaper more lethality as a trade piece/extra pressure.
2024.05.14 20:00 datsun_dom Mental queues and checks
Ok so I think I know the answer to my question but wanted an option first. I think the answers to my question is to take a few lessons but I don’t want to pay for lessons just to learn a few setup tricks. As of now I’m a noobie golfer just started 4 months ago. Not very good can only drive the ball 200 slicing hard right. After looking online I’ve heard so many contradictory things for setup for hitting driver.
I just want the barebones basics to swing setup for hitting a driver club and any sort of mental queues that people use for consistency. I know everyone is different and there is no “one size fits all” but there is bound to be the same fundamentals to a driver swing.
submitted by datsun_dom to golf [link] [comments]
I just want the barebones basics to swing setup for hitting a driver club and any sort of mental queues that people use for consistency. I know everyone is different and there is no “one size fits all” but there is bound to be the same fundamentals to a driver swing.
2024.05.14 19:57 Tizzy617_ A candid reflection of my first solo trip
A Silence Abroad
It was on my first night in Japan that I forgot I was alone. Tokyo’s Shinjuku district greeted me with bright neon lights illuminating flocks of tourists walking shops, arcades, and food stands. And somehow, I was a very small part of it, all by myself on the other side of the world. (Maybe with the occasional tout trying to follow me around.)
Solitude is a vulnerable state, and consequently, a compromise. You seize the moment for yourself, and the space is only yours to fill, but intrusive thoughts will covertly slip through and permeate like a disease. Underneath all the lights, humanity surrounded me, enjoying a drink with friends or snapshotting a moment with family. All these people congregated here from around the world, and in spite of their differences, companionship was what they all shared together. The streets filled with the sounds of their life.
But when you feel alone, the mind tricks you into believing that you are not part of it. And you become a silent spectator, watching the phenomenon that is humanity being orchestrated in front of you. It’s a hollow feeling.
And after not speaking and hearing the sound of your own voice for a while, it becomes replaced by a solemn tone whispering empty thoughts. I tried not to listen.
Nevertheless, Tokyo was beautiful (Senso-ji temple was stunning and my favorite Japanese dessert is now age manju). One night, I even went to a Japanese hip-hop show in Shibuya and it was a wonderful experience. Getting to watch such extremely talented artists so passionate about their craft inspired me and pulled me away from ruminating loneliness for some time. I met one of the performing artists after the show and told him how much I loved his verse (despite not understanding it) and we hugged and he cried. He thanked me over and over until he started apologizing for thanking me so much. It was a special moment and I will always remember his humility. (His band is KOMOREBI - check them out!).
I also went out with some other travelers that night, trying okonomiyaki in Setagaya for the first time (it was mouthful bliss) and then went out to a punk rock concert, and a night club. I wasn’t a huge fan of the clubbing, but the company was refreshing. And like all good things, it was fleeting, and I bid my farewell to everyone that night.
I packed my things, and took a bullet train to my next stop, Kyoto. I was anticipating it, as the train zoomed south with Mount Fuji in surreal, passing view. Looking out the window, seeing my own transparent reflection, I took a breath. The train was moving at around 300 km/hour, but everything felt still and quiet. Even the parts of me that wanted to cry.
Kyoto was rich with temples and vestiges of a long, cherished history. I visited the Kyoto National Museum where I saw sculptured deities with venerable auras, parables scripted in decayed scrolls, and art that embodied Buddhist principles. I saw elevated temples monumental and grand, and others more modest and reserved. But they all stood resolutely, bearing the resilience of time and constant revival. They have felt desecration during arson and natural disasters, but throughout history, the Japanese have rebuilt and renovated them. And somehow, after enduring all this, as long as time has persisted, here they stood before me, as a testament to strength and preservation.
The long-lasting principles of Buddhism and the culture that were so deeply rooted in this country’s history must continue to live on through the structures that stood before me. Purpose is enough to withstand the cruelty of time’s passage. And the cycle of destruction and restoration that traced centuries was felt in the emanating silence only occupied by the sounds of water trickling down a rill or the occasional soft, swaying of trees. I like to think that ancient silence had touched my existence in those moments and advised me to listen.
Solitude is painful because the empty space that comes with it is congregated by the deeper parts of ourselves that seek to dwell on the purpose of our existence. It is when we are alone and quiet that obtrusive questions confront us, invoking us to listen and contemplate. And when we fail to answer gracefully, that is when the loudest and most self-destructive parts of ourselves will answer for us. The parts that are so keen in stripping our humanity from us.
After my last day in Kyoto, I packed all my things once again, and went over to my final destination, Osaka. I had only one night there. And it was an abrupt return to bustling crowds in the metropolitan. Existential silences were replaced with the sounds of humanity again. But as I walked through Dotonbori on a Friday night eating lots of warm, delicious takoyaki and skewers of Kobe beef, that feeling still returned. I knew I was unwell. And trivialities started to begrudge me and I could tell that it was time. And there would be no escaping it.
I took a taxi back to my hotel and I laid in my bed earlier than expected that night. And everything finally spilled. I cried and I cried and I cried. I was finally listening and it hurt doing so.
This solo trip was supposed to help me escape my problems, but it didn’t. When I brought myself here, I brought everything, and that included problems I wish I could have left behind. And amidst my issues, I questioned myself and my place in the world, even my very reasons for existing during times I felt like I had nobody. And albeit having wonderful moments with people throughout my trip, even strangers who treated me with grace and hospitality, that feeling still lingered and it was revealing a deeper issue. An issue not with whether I was in Japan or back home. Or whether I had people around me or I was alone. It was a deeper issue with myself.
But the silence that comes after the storm is just as serene as the silence that precedes. The older I get, the more I begin to have a respect for emotions and their function. They must be felt and I don’t think they are there to harm or sabotage us, although it might seem like it. It is a need to be heard not by others, but by ourselves. Listening to our own cries for help is scary and uncomfortable, but the silence that follows is like an aged temple still standing after centuries of cyclical adversity. Like the calm flow of water down a rill. Like the soft swaying of trees.
My 10-day solo trip was coming to an end. It was coming time to go home. I spent my last day in Tokyo walking Yoyogi Park. The sky was a clear melancholy overhead scattered, naked trees around the park. I saw couples sitting together, friends circled on picnic blankets, and some reading a book by themselves. Humanity felt beautiful that day and I was grateful to be a part of it, one last time. I packed my things once more before taking my flight back home the next day.
I love Japan and I am grateful it carved a space for me to experience all that I did. This trip will forever hold a special place in my heart. But it was not an epiphany, as much as I wished it was. I did not return home as an entirely new person with newfound happiness or certainty. I returned with the same issues I left with, the same, flawed self that was proof of what it meant to be human this whole time. Only with new experiences. And I don’t think that will change.
My humanity lives in my constant struggle of self-preservation, as I continue to unravel and understand myself as I experience, feel, and change. And perhaps that is enough purpose for my own existence, to strive for those moments of silence, where I will continue to stand resolutely in my own imperfection, alone or not.
submitted by Tizzy617_ to solotravel [link] [comments]
It was on my first night in Japan that I forgot I was alone. Tokyo’s Shinjuku district greeted me with bright neon lights illuminating flocks of tourists walking shops, arcades, and food stands. And somehow, I was a very small part of it, all by myself on the other side of the world. (Maybe with the occasional tout trying to follow me around.)
Solitude is a vulnerable state, and consequently, a compromise. You seize the moment for yourself, and the space is only yours to fill, but intrusive thoughts will covertly slip through and permeate like a disease. Underneath all the lights, humanity surrounded me, enjoying a drink with friends or snapshotting a moment with family. All these people congregated here from around the world, and in spite of their differences, companionship was what they all shared together. The streets filled with the sounds of their life.
But when you feel alone, the mind tricks you into believing that you are not part of it. And you become a silent spectator, watching the phenomenon that is humanity being orchestrated in front of you. It’s a hollow feeling.
And after not speaking and hearing the sound of your own voice for a while, it becomes replaced by a solemn tone whispering empty thoughts. I tried not to listen.
Nevertheless, Tokyo was beautiful (Senso-ji temple was stunning and my favorite Japanese dessert is now age manju). One night, I even went to a Japanese hip-hop show in Shibuya and it was a wonderful experience. Getting to watch such extremely talented artists so passionate about their craft inspired me and pulled me away from ruminating loneliness for some time. I met one of the performing artists after the show and told him how much I loved his verse (despite not understanding it) and we hugged and he cried. He thanked me over and over until he started apologizing for thanking me so much. It was a special moment and I will always remember his humility. (His band is KOMOREBI - check them out!).
I also went out with some other travelers that night, trying okonomiyaki in Setagaya for the first time (it was mouthful bliss) and then went out to a punk rock concert, and a night club. I wasn’t a huge fan of the clubbing, but the company was refreshing. And like all good things, it was fleeting, and I bid my farewell to everyone that night.
I packed my things, and took a bullet train to my next stop, Kyoto. I was anticipating it, as the train zoomed south with Mount Fuji in surreal, passing view. Looking out the window, seeing my own transparent reflection, I took a breath. The train was moving at around 300 km/hour, but everything felt still and quiet. Even the parts of me that wanted to cry.
Kyoto was rich with temples and vestiges of a long, cherished history. I visited the Kyoto National Museum where I saw sculptured deities with venerable auras, parables scripted in decayed scrolls, and art that embodied Buddhist principles. I saw elevated temples monumental and grand, and others more modest and reserved. But they all stood resolutely, bearing the resilience of time and constant revival. They have felt desecration during arson and natural disasters, but throughout history, the Japanese have rebuilt and renovated them. And somehow, after enduring all this, as long as time has persisted, here they stood before me, as a testament to strength and preservation.
The long-lasting principles of Buddhism and the culture that were so deeply rooted in this country’s history must continue to live on through the structures that stood before me. Purpose is enough to withstand the cruelty of time’s passage. And the cycle of destruction and restoration that traced centuries was felt in the emanating silence only occupied by the sounds of water trickling down a rill or the occasional soft, swaying of trees. I like to think that ancient silence had touched my existence in those moments and advised me to listen.
Solitude is painful because the empty space that comes with it is congregated by the deeper parts of ourselves that seek to dwell on the purpose of our existence. It is when we are alone and quiet that obtrusive questions confront us, invoking us to listen and contemplate. And when we fail to answer gracefully, that is when the loudest and most self-destructive parts of ourselves will answer for us. The parts that are so keen in stripping our humanity from us.
After my last day in Kyoto, I packed all my things once again, and went over to my final destination, Osaka. I had only one night there. And it was an abrupt return to bustling crowds in the metropolitan. Existential silences were replaced with the sounds of humanity again. But as I walked through Dotonbori on a Friday night eating lots of warm, delicious takoyaki and skewers of Kobe beef, that feeling still returned. I knew I was unwell. And trivialities started to begrudge me and I could tell that it was time. And there would be no escaping it.
I took a taxi back to my hotel and I laid in my bed earlier than expected that night. And everything finally spilled. I cried and I cried and I cried. I was finally listening and it hurt doing so.
This solo trip was supposed to help me escape my problems, but it didn’t. When I brought myself here, I brought everything, and that included problems I wish I could have left behind. And amidst my issues, I questioned myself and my place in the world, even my very reasons for existing during times I felt like I had nobody. And albeit having wonderful moments with people throughout my trip, even strangers who treated me with grace and hospitality, that feeling still lingered and it was revealing a deeper issue. An issue not with whether I was in Japan or back home. Or whether I had people around me or I was alone. It was a deeper issue with myself.
But the silence that comes after the storm is just as serene as the silence that precedes. The older I get, the more I begin to have a respect for emotions and their function. They must be felt and I don’t think they are there to harm or sabotage us, although it might seem like it. It is a need to be heard not by others, but by ourselves. Listening to our own cries for help is scary and uncomfortable, but the silence that follows is like an aged temple still standing after centuries of cyclical adversity. Like the calm flow of water down a rill. Like the soft swaying of trees.
My 10-day solo trip was coming to an end. It was coming time to go home. I spent my last day in Tokyo walking Yoyogi Park. The sky was a clear melancholy overhead scattered, naked trees around the park. I saw couples sitting together, friends circled on picnic blankets, and some reading a book by themselves. Humanity felt beautiful that day and I was grateful to be a part of it, one last time. I packed my things once more before taking my flight back home the next day.
I love Japan and I am grateful it carved a space for me to experience all that I did. This trip will forever hold a special place in my heart. But it was not an epiphany, as much as I wished it was. I did not return home as an entirely new person with newfound happiness or certainty. I returned with the same issues I left with, the same, flawed self that was proof of what it meant to be human this whole time. Only with new experiences. And I don’t think that will change.
My humanity lives in my constant struggle of self-preservation, as I continue to unravel and understand myself as I experience, feel, and change. And perhaps that is enough purpose for my own existence, to strive for those moments of silence, where I will continue to stand resolutely in my own imperfection, alone or not.
2024.05.14 19:51 BoringRecording2764 tips and tricks to getting a big five interview?
hi everyone! so im applying for a few big five internships (in canada), but it's through workday and frankly there's a lot of other applicants so im afraid that i wont even get to the interview stage.
i was wondering if anyone had any tips or tricks to get through the resume/cover letter stage. for more info about myself, im a new business grad (majoring in finance but ive taken a lot of courses in marketing, human resources, accounting, and other related fields) that hasnt done a publishing certificate. im sure that compared to others who have done one im at a disadvantage - so ill be needing all the help i can get LOL.
thank you in advance for answering!
submitted by BoringRecording2764 to publishing [link] [comments]
i was wondering if anyone had any tips or tricks to get through the resume/cover letter stage. for more info about myself, im a new business grad (majoring in finance but ive taken a lot of courses in marketing, human resources, accounting, and other related fields) that hasnt done a publishing certificate. im sure that compared to others who have done one im at a disadvantage - so ill be needing all the help i can get LOL.
thank you in advance for answering!
2024.05.14 19:45 WrathofWar07 VA Home loan and first time buyer
Mainly my questions are about the process or processes that come along after I apply for the VA home loan. I've only been looking at homes on Zillow and plan to go look in person but I'm not really sure what to look for or even how to go about the process. I guess what I'm asking is how to go about the whole home buyers process? What to look for or at in the home? What questions to ask about the home? What questions to ask the agent? What to look for in the contracts so I don't get the wool pulled over my eyes? Basically any tips, tricks, or advice because I already deal with MH issues and it would send me spiraling for months on end if it went bad or I missed something. Last thing, I have been looking through this sub for advise but I really can't find my answers right now.
submitted by WrathofWar07 to VeteransBenefits [link] [comments]
2024.05.14 19:38 GVUST Welcome to r/Gvust!
What is Gvust?
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- Support & Feedback: Have questions or need help with Gvust? Our community is here to support you. Get quick answers, share feedback, and help us improve the Gvust experience.
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2024.05.14 19:18 sarcopels Urban Shadows: Advice for feeling under-prepped but not wanting to prep too much?
For reference: I've played both Masks and Urban Shadows as a player before, but have only ever run D&D as a GM until this new Urban Shadows campaign. We have 5 players--four have never played PBTA before, one has (and is a HUGE fan of the system). Everyone except one player is pretty seasoned in playing D&D though and everyone has been super on board with the different system, so zero issues there. We just finished our second session, so we're just starting to get into the deep of things.
Figuring out the prep for US has been a lot harder than I had expected. I think I am committed philosophically to playing to find out, and have never had an issue with players derailing my campaigns into unexpected territory even when I gmed D&D, but I'm finding it tricky to pull my players together and not send them in too many directions when I can't prep too heavily--especially since we are early into the campaign and I want to avoid sending people on long solo missions.
For example, one of my players wanted to visit their sister because as an oracle, their foretellings move essentially made them see her potential death. I let them call their sister and check in on her, and have been working that into the plot as we go, but I have a little bit of GM guilt for making it so their sister was out of town just because everyone else was prepping to head to investigate something else and there was not enough time left to accommodate the solo mission and where everyone else was headed. I didn't want my player to be out for the rest of the session (and I'm glad they weren't, since they added a lot of interesting stuff to the next scene), but I also didn't want to shut down their desire to visit their sister--so I had to treat it as a "not yet".
I am also of course prepping NPC and faction motivations, but have leaned into the noir feel of the game and kicked off everything with a mystery for the characters to explore (directly tied to the character backgrounds they all established, of course)--but I'm finding myself struggling to improvise how much information to give them. This is because a) I am struggling to figure out how much of the mystery to have "planned" when the goal is to play to find out, and b) I don't know what NPCs they'll try to interact with. I need to give them people who know answers to their questions, but don't want everything to unravel too fast. How do you all manage this pacing without over-prepping? I want to be really careful not to railroad my players or make them feel like they are doing pointless stuff, but I'm finding that prepping motivations alone is not solving some of these problems. It feels like not having a clear direction on my end is leading to more pointlessness, not less--which is ultimately my fault, but I want to figure out how to improve that while still staying true to the game.
Everyone seems to be having fun, but I want to improve at this and resources are a lot harder to find than for D&D. This is still early on enough that there's still lots of time for me to keep getting better before my players catch on hahaha. Advice is greatly appreciated! I will also take any other GM tips and tricks people have learned running Urban Shadows that folks feel is helpful.
submitted by sarcopels to PBtA [link] [comments]
Figuring out the prep for US has been a lot harder than I had expected. I think I am committed philosophically to playing to find out, and have never had an issue with players derailing my campaigns into unexpected territory even when I gmed D&D, but I'm finding it tricky to pull my players together and not send them in too many directions when I can't prep too heavily--especially since we are early into the campaign and I want to avoid sending people on long solo missions.
For example, one of my players wanted to visit their sister because as an oracle, their foretellings move essentially made them see her potential death. I let them call their sister and check in on her, and have been working that into the plot as we go, but I have a little bit of GM guilt for making it so their sister was out of town just because everyone else was prepping to head to investigate something else and there was not enough time left to accommodate the solo mission and where everyone else was headed. I didn't want my player to be out for the rest of the session (and I'm glad they weren't, since they added a lot of interesting stuff to the next scene), but I also didn't want to shut down their desire to visit their sister--so I had to treat it as a "not yet".
I am also of course prepping NPC and faction motivations, but have leaned into the noir feel of the game and kicked off everything with a mystery for the characters to explore (directly tied to the character backgrounds they all established, of course)--but I'm finding myself struggling to improvise how much information to give them. This is because a) I am struggling to figure out how much of the mystery to have "planned" when the goal is to play to find out, and b) I don't know what NPCs they'll try to interact with. I need to give them people who know answers to their questions, but don't want everything to unravel too fast. How do you all manage this pacing without over-prepping? I want to be really careful not to railroad my players or make them feel like they are doing pointless stuff, but I'm finding that prepping motivations alone is not solving some of these problems. It feels like not having a clear direction on my end is leading to more pointlessness, not less--which is ultimately my fault, but I want to figure out how to improve that while still staying true to the game.
Everyone seems to be having fun, but I want to improve at this and resources are a lot harder to find than for D&D. This is still early on enough that there's still lots of time for me to keep getting better before my players catch on hahaha. Advice is greatly appreciated! I will also take any other GM tips and tricks people have learned running Urban Shadows that folks feel is helpful.
2024.05.14 18:38 stuffmyfacewmomos Passed the PMP exam AT/AT/T
First of all, thank you so much for this community and the people who have responded to my questions and provided helpful tips and tricks - I could not have passed without y'all's guidance. I do not have formal project management experience, I have a PhD in Social Sciences so I had experience managing research projects and am currently working in government, so I manage small and medium size projects. Here is my experience and some tips that may help you as you are preparing for the exam:
[These are all my personal experiences]
submitted by stuffmyfacewmomos to pmp [link] [comments]
[These are all my personal experiences]
- General: This is not an easy exam: Please study all the processes, abbreviations, specific contents within subtopics (such as what are the 5 ways to deal with negative risks, etc). Although everyone says you don't need to memorize, there are some things that memorizing will help you out a lot in addition to understanding.
- Study Materials: Primarily used AR's Udemy course for preparation - he was my best friend for 3 months. I watched that course twice in 1.75 speed, and took detailed notes on processes. Got 75% on his mock exam. I bought study hall and I used it for the mock exams and practice questions. I scored 63% on the first mock and 67% on the second [with expert questions]. On the mini sections, I would score 65-70 with expert questions and 83-85 without expert. I realized that the expert questions just confused me, so I started ignoring them closer to the exam date. I have a long commute to work, so I also listened to Scott Payne's PMP prep book on Audible. This guy is so fun and incredible, and uses very engaging case studies to help you learn. If you're like me and are able to focus on audiobooks, I strongly recommend him. I only discovered David Maclachlan a week-ish before the exam date, so I would just look at his YouTube videos for 30 mins - 1 hour before going to bed.
- Mindset: Nail this down. Even when questions seemed confusing, AR's mindset came to my rescue because I was at least able to eliminate choices that deal with escalating things to the management. Along with his mindset, here are some things that I learned by doing the questions again and again:
- Whenever there is a conflict, speak to BOTH parties, not just one.
- The answer almost always starts with “review,” “plan,” “assess,” “sit down with,” “evaluate” AS OPPOSED to with “perform,” “change,” conduct,” because you always want to evaluate the situation before jumping to action
- Removing team member should be the last resort UNLESS they do something unethical
- I know AR keeps saying that co location is the best option - IT IS NOT WHEN THERE ARE GEOGRAPHICAL AND BUDGET LIMITATIONS (This may be too obvious for most people but wasn't for me, LOL)
- Even if the section is on the easier side, DO NOT RELAX too much. I finished with 6 minutes to spare and was rushing towards the end.
- DO NOT LOSE HOPE if some questions are hard on a row. Keep going, keep flagging, keep using mindset. KEEP GOING.
- I suggest to not take any mock exam on the day of or even a day before the exam. These tests are so draining, so relax, do something fun, eat good, and give it your all at the exam.
- Other: I blocked at least 2 hours per weekday for 3 months to study
2024.05.14 18:00 AutoModerator [DAILY Q&A] Ask and answer any questions you have about the game here!
Greetings, Commanders! This is the Daily Q&A post for /EliteDangerous
If you have any questions about any topic, whether it be for the moderators, tips and tricks for piloting or general gameplay/development questions please post here!
Please check new comments and help answer to the best of your ability so we can see this community flourish!
Remember to check previous daily Q&A threads and the New Q&A FAQ.
Wiki • Career Chart • Lore (Brief) • Thargoids • Sagittarius Eye Magazine • The Elite Squadron
Game Update Summaries: Core • Horizons • Beyond • 2019-2020 • Odyssey
submitted by AutoModerator to EliteDangerous [link] [comments]
Please check new comments and help answer to the best of your ability so we can see this community flourish!
Remember to check previous daily Q&A threads and the New Q&A FAQ.
Game Update Summaries: Core • Horizons • Beyond • 2019-2020 • Odyssey
2024.05.14 17:52 KanimalZ High School Career Project!
Yellow y’all, I am a Junior in High School currently in a program my public school has where they send us to another school to take a class. I am taking the Veterinary Science Class and we have been working on a project for a bit now. It is a career project were we research a career we are interested in. There are 2 parts to the project. The first part is the research portion. We research what education we need and were we can go to get it to reach our career goal as well as information about the career relating to what it requires, does it involve travel, how laborious is it, what is needed for it, what are the patient relationships like, what is the social aspect like, the requirements for the career, etc. This is the easier portion for me, but the harder portion I have found is the second part. For the second portion is a grade by itself and contributes to the first parts grade. (Both summative grades) What is required for this second portion is we must find someone who works in the field and contact them about interviewing them on their experiences in the field. (What it has been like for them, what I should know about it, and any tips, tricks, or forewarnings I should know) I had ended up finding a farrier in the area that seemed nice and who is exspeinced and licensed. I had emailed them emailed them explaining who I am, the project I was doing this for, and where I go to school with the class the project was for. I covered everything my teacher had told everyone in the class to do. She had given us a template to use and base our emails off of and I did while changing it up a little bit to be friendly, but keeping the main necessary content in it. I singed off at the bottom of the email with my name again, my email that was used to send this email, and my phone number if she would prefer to use that instead. After about 2 - 3 weeks with no response I sent a follow up email that my teacher also gave us a template for. The email templates we had were made in class as a class. It was part of the creative/business aspect in the project. After about 10 days with no response I was ready to tell my teacher about the situation and ask what to do when I finally got my first and, spoiler alert, only response. She explained that she was traveling and didn’t check her email in that amount of time. She said that she was now trying to ketchup on her email now. In her email to me she said and I quote “Are you interested in learning about traditional horse shoeing? I am a natural hoofcare provider with my focus being barefoot trims. I only have a handful of horses in composite type shoes that I strictly glue on. I do not use nails or work with metal shoes so I am not sure I’d be the best fit if you are planning to attend a horseshoeing school. I can recommend other traditional farriers locally to shadow if that is the direction you may want to pursue. However, if you are interested in a natural barefoot approach then I am happy to chat with you and have you join for shadowing.” End quote. I showed my teacher the email the next day looking for advice as to how I should respond. My teacher said to continue to try and make plans for an interview and potential job shadow that she seemed interested in taking on. My teacher also told me to try and get the other recommendations as well. I then replied to her email saying how I would be happy to learn from her and job shadow with her or at the very least do an interview with her. I also then said how my teacher suggested I ask if I could have the other farrier recommendations. After that I mentioned again how much it would mean to me if she gave me the chance and for her to have a wonderful night. That’s was sent march 17th. Still no reply. After a bit of waiting for a response I tried calling her because in her email she left her number. It went to voicemail so I left a voicemail message saying who I am, my number, project information from my first email, and that I am still interested in the interview and at least a job shadow. I haven’t received a return call or any missed calls. In her voicemail she said if she isn’t able to get back to you within a few days to message her through text, so I did. I was then left on read for about a week until I asked my teacher what to do. She suggested I ask if I can at least interview her over the phone or have her just send me a message of answer to my questions. So that is what I asked her sending the same message through both text and email. I also provided her with example questions that I would be asking in the message. I have been since left on read with no reply. I am now turning to searching for someone new on here to help me. I just need someone to answer a few questions on their experience being a farrier. It would mean so much to me if someone could help me here. I understand everyone here has their own lives and must be busy with such, but this assignment is due may 22nd and today is may 14. I only have 8 days left for this second portion and I hope y’all understand. Sorry this came out to be so long. Please, have a wonderful rest of your day and my email is katelynnzannoni99@gmail.com if anyone can help. Thank you.
submitted by KanimalZ to Farriers [link] [comments]
2024.05.14 17:32 pitchthrowdodge Classic Starter Guide: An In-Depth Look
With all the new players entering the game as of late, a lot of the same questions get asked - specifically, ones like "How can I make the perfect team for classic/endless/etc.?". The guide ahead is an attempt at answering more common questions on the former end, from the perspective of someone who almost exclusively plays Classic and many wins under my belt in doing so. Community feedback welcome; hopefully something like this can expand into something like a wiki/full guide so we can help new players down the line, too!
Classic and You: Starting Out
So you just picked up the game, but not sure where to start. "Which starters are best?" "What team should I go with first?" "I unlocked [x] - can I beat Classic with this?"
Let me reassure you: you can beat Classic with anything. (Yes, even something like Caterpie.)
That said, it's understandable to not know where to start, especially if you don't know all the starters, or maybe haven't played all the various generations of Pokemon through the years. Many of them have their own strengths and weaknesses, and some are built stronger than others. For example: Fuecoco is commonly the #1 recommended starter out of the base selection you get when first starting the game. Why? His final evolution, Skeledirge, naturally learns Torch Song, which is a hard-hitting fire move that guarantees a Sp. Attack buff each time it hits. This lets you snowball fairly quickly, as each attack makes you stronger and stronger during battles. Many starters have "specialty" tricks like this that give them an edge - Sprigatito's final evolution, for instance, gets Flower Trick, a hard-hitting grass move that always crits (and therefore always ignores opponent defensive boosts and/or your own negative debuffs). Even with all these being the case, though, there's no "perfect" team to start with that will guarantee a win - and in fact, getting a win on your first run can be exceedingly difficult. Your starters all only have 10 IVs, neutral natures, and no egg moves - they're the bare bones minimum to get going. And that's okay. But it means you need to temper your expectations.
Pokerogue is a rogue-like - and in classic rogue-like form, you build upon what you start with little by little. Your primary goal shouldn't be to get a Classic win at the start. It's certainly doable, but even if you win, you're still likely without any reliable starter to take on Endless just yet, so there's no sense in rushing there. Instead, focus on that concept of building - specifically, building your starter pool. Every time you catch something, you unlock it as a starter (if you don't have it yet). You also get candies, which can be used to power up those starters by either unlocking a passive ability (unlocking additional features) or reducing their point cost, letting you bring more starters to each run (or more powerful ones!). Catching things with higher IVs also make your starting stats better - catching a 31 Speed IV Pidgey, for instance, means your Pidgey starter now permanently has 31 Speed IVs. More stats = more power, and getting higher IVs on your starters is probably the biggest early jump you can get on pushing your team further.
With this in mind, making a "perfect" team is less important than just making A team, so that we can go out and catch some things. As for what to catch, though, here's a list of things I'd keep an eye out for:
As you start going through your Classic runs, the main resource you're looking to accumulate at first is egg vouchers - as many as you can get your grubby little new player hands on. Beating gym leaders, Elite 4 members, the Champion, and beating Classic all reward you with them. Doing the Daily Run each day also rewards you with a 10x pull voucher. Rarely, they can even show up after beating a stage in the item choice rewards - if so, pick them, usually over most anything else. Eggs build on your starters, and usually with either massively boosted IVs or egg moves to give them considerable bumps in power. Rarely, you can even get shinies from them.
And speaking of the egg gacha: only pull from the Shiny gacha at first. The entirety of your goal as a new player should be accumulating shinies. The legendary gacha is misleading - you only get increased odds for the shown legendary, not all of them (at least as of this post), and even then legendaries often have a huge starter cost tacked onto them, making teambuilding difficult early on. Once you build up your starter collection with a good few handfuls of shinies, and are cruising along in Endless vacuuming up vouchers, you can spend some on the other gachas for specific niches if you like (move gacha for egg moves, legendary gacha for legendaries), but for the most part the shiny gacha is where the money's at. Besides, the shiny gacha can hatch legendaries, too - so you're not missing out on legendaries by not hitting its specific gacha.
I Got a Few Shinies And Legendaries - What Now?
Alright, so you've been cruising along, catching everything you see and building your starter pool like the rockstar rogue-like player you are. Keep building from here, but now you have more options - you can start bringing shinies on your Classic runs to improve the quality of item rewards you get at the end of each floor; you can maybe even bring a legendary/ultra beast along to have an easier time against the end boss and get that first win. At this point, if you haven't gotten that first win yet, now's the time to start knuckling down and making a serious go at it. Some general points of advice for Classic success I haven't yet covered:
submitted by pitchthrowdodge to pokerogue [link] [comments]
Classic and You: Starting Out
So you just picked up the game, but not sure where to start. "Which starters are best?" "What team should I go with first?" "I unlocked [x] - can I beat Classic with this?"
Let me reassure you: you can beat Classic with anything. (Yes, even something like Caterpie.)
That said, it's understandable to not know where to start, especially if you don't know all the starters, or maybe haven't played all the various generations of Pokemon through the years. Many of them have their own strengths and weaknesses, and some are built stronger than others. For example: Fuecoco is commonly the #1 recommended starter out of the base selection you get when first starting the game. Why? His final evolution, Skeledirge, naturally learns Torch Song, which is a hard-hitting fire move that guarantees a Sp. Attack buff each time it hits. This lets you snowball fairly quickly, as each attack makes you stronger and stronger during battles. Many starters have "specialty" tricks like this that give them an edge - Sprigatito's final evolution, for instance, gets Flower Trick, a hard-hitting grass move that always crits (and therefore always ignores opponent defensive boosts and/or your own negative debuffs). Even with all these being the case, though, there's no "perfect" team to start with that will guarantee a win - and in fact, getting a win on your first run can be exceedingly difficult. Your starters all only have 10 IVs, neutral natures, and no egg moves - they're the bare bones minimum to get going. And that's okay. But it means you need to temper your expectations.
Pokerogue is a rogue-like - and in classic rogue-like form, you build upon what you start with little by little. Your primary goal shouldn't be to get a Classic win at the start. It's certainly doable, but even if you win, you're still likely without any reliable starter to take on Endless just yet, so there's no sense in rushing there. Instead, focus on that concept of building - specifically, building your starter pool. Every time you catch something, you unlock it as a starter (if you don't have it yet). You also get candies, which can be used to power up those starters by either unlocking a passive ability (unlocking additional features) or reducing their point cost, letting you bring more starters to each run (or more powerful ones!). Catching things with higher IVs also make your starting stats better - catching a 31 Speed IV Pidgey, for instance, means your Pidgey starter now permanently has 31 Speed IVs. More stats = more power, and getting higher IVs on your starters is probably the biggest early jump you can get on pushing your team further.
With this in mind, making a "perfect" team is less important than just making A team, so that we can go out and catch some things. As for what to catch, though, here's a list of things I'd keep an eye out for:
- Anything with a missing and/or "dark" pokeball under their name. Just like in some of the main Pokemon games, Pokemon in Pokerogue will be marked with a pokeball if they've been captured before. If it's missing, and you want it as a starter, catch it! More importantly, though, is the "darkened" icon of the pokeball - this indicates that you've unlocked the starter, but this one has something you don't have yet; maybe a gender, or maybe an ability you don't have yet. For instance, a Meowth starter that you have may only have Pickup, but the one in battle before you now has Technician. Catching these "darkened ball" pokemon will unlock more options for your starters, letting you switch between these unlockables at the pokemon select screen when you start your later runs. I generally recommend catching as many of these as possible - in the beginning, it'll seem like every pokemon has a dark ball, but that's because you don't have many things unlocked yet. As you unlock more things, they'll get rarer - and more importantly, when you start looking for those elusive Hidden Abilities (HAs), these darkened balls will help you discover them more easily when you have everything else already unlocked. Remember, this is a rogue-like - we're building our starters here for future runs!
- Anything "rare". This is somewhat subjective, because "rare" can mean anything from "hard to find" to "legendary". In general, though, I recommend keeping an eye out for things you don't see often - starters, for instance, or legendary/pseudo-legendary/ultra beast/etc. "boss" monsters at the end of every 10 waves. But catching duplicates serves a secondary purpose - remember, it also gets you candies, which you can use to power up those rare pokemon starters you have later. Getting candies from friendship is certainly doable, but especially for rarelegendary pokemon, this can take a loooooong while. Catch them if you can to make it easier on yourself later. (A sub-point of this: If a rare or starter is available in a daily run, consider "farming" the daily run over and over to catch them again and again! Many of the daily run guides point these out intentionally for this reason - daily runs can sometimes be the best way to target farm candies in this way.)
- Anything you plan on using a lot. Somewhat of another sub-point of the above, catching duplicates of things you know you'll use often can be useful for candy collection. Specifically, this works well for things you know you'll use often - your first few shinies, for instance, or general-use pokemon that have Pickup. Build your Zigzagoon army! Candy collecting is especially useful for these to reduce costs, letting you take more of them with your legendary into Endless mode when you get to that point.
- Any shiny. This goes without saying for many, but shinies are the lifeblood of Pokerogue. You need them...a lot of them. They come in three flavors - starting from the weakest, a yellow shiny (Luck 1), then blue (Luck 2), and finally red (Luck 3), with the color being the "star" marker of the shiny pokemon on their HP bar. Eventually you'll want as many Luck 3 shinies as you can get your hands on, but when you're starting out, you're building from 0 - so catch any you see, even if it means failing your Classic run to do so. A new run takes an hour to start back up; a new shiny could take days or even weeks to find in Classic. (Ideally, though, don't be afraid to refresh/"save scum" to try and find a way to catch it without sacrificing your run if you can, and if you're willing. No sense in wasting all that work.)
- Don't neglect your team. Remember, our eventual goal is to win Classic...but more importantly, we're hoping to get as far as we can, and 190 if possible. The sprint from 180-190 is the most profitable floor in Classic for egg vouchers, with each Elite 4 member & the Champion at 190 giving them upon victory (Plus, first time wins get you bonus achievement vouchers too - two for one!). With this in mind, you want to make sure to balance your team out as you go, and don't neglect it as you progress. Perhaps your team needs a good rock-type wall to throw in the way of hard-hitting trainer pokemon. Maybe you're looking for a Ground-type to soak all those electric moves you keep running into in the electrical biomes. Good team building will carry you further than any IV or egg move ever could. Even the strongest legendaries can fold to a weakness.
As you start going through your Classic runs, the main resource you're looking to accumulate at first is egg vouchers - as many as you can get your grubby little new player hands on. Beating gym leaders, Elite 4 members, the Champion, and beating Classic all reward you with them. Doing the Daily Run each day also rewards you with a 10x pull voucher. Rarely, they can even show up after beating a stage in the item choice rewards - if so, pick them, usually over most anything else. Eggs build on your starters, and usually with either massively boosted IVs or egg moves to give them considerable bumps in power. Rarely, you can even get shinies from them.
And speaking of the egg gacha: only pull from the Shiny gacha at first. The entirety of your goal as a new player should be accumulating shinies. The legendary gacha is misleading - you only get increased odds for the shown legendary, not all of them (at least as of this post), and even then legendaries often have a huge starter cost tacked onto them, making teambuilding difficult early on. Once you build up your starter collection with a good few handfuls of shinies, and are cruising along in Endless vacuuming up vouchers, you can spend some on the other gachas for specific niches if you like (move gacha for egg moves, legendary gacha for legendaries), but for the most part the shiny gacha is where the money's at. Besides, the shiny gacha can hatch legendaries, too - so you're not missing out on legendaries by not hitting its specific gacha.
I Got a Few Shinies And Legendaries - What Now?
Alright, so you've been cruising along, catching everything you see and building your starter pool like the rockstar rogue-like player you are. Keep building from here, but now you have more options - you can start bringing shinies on your Classic runs to improve the quality of item rewards you get at the end of each floor; you can maybe even bring a legendary/ultra beast along to have an easier time against the end boss and get that first win. At this point, if you haven't gotten that first win yet, now's the time to start knuckling down and making a serious go at it. Some general points of advice for Classic success I haven't yet covered:
- Early on, focus on 1-2 pokemon. Ignore the rest. Same advice as in Endless works here. This perhaps sounds counter-intuitive, but until at least floor 30-40, try your absolute hardest to only focus on leading with 1-2 pokemon (and that second one should ideally only be necessary to cover the weaknesses of the first). Your immediate early-game hurdles are the two rival battles at floors 8 and 25 (and maybe a Gym Leader battle at 20), and if you try to level everyone evenly you're going to find it harder to win. The Exp All and Exp Charms you get from rival battles and item rewards will more than catch your team up later even if you don't ever use them...so don't worry about them for now. Right now, you're creating the Ultimate Early Game Juggernaut(s) to get you through the initial hurdles.
- Be frugal with your money in the beginning. In Endless, it's common practice to reroll often to look for specific items - candy jars, rare candies, etc. That's because in that mode, once you get set up you have almost unlimited income. In Classic, your income is much more limited (usually hovering ~$100k or so by the mid to late floors), and you don't have the luxury of blindly rerolling for optimal results. The option to "save scum" your re-rolls exists, if you were willing - after winning a floor, check the rerolls, and if you don't like any of the offerings, refresh the page. This will "start the floor over", resetting the rewards and refunding your money. This isn't really necessary, though; in fact, I rarely reroll rewards at all until floors 180-200, and often settle with generic healing/item rewards. Why? You'll notice through your runs that in the midgame (floors 50-150, mainly), you'll accumulate quite a bit of gold; instead of using this gold for rerolls then, where it doesn't help much, you should instead wait for the later floors where you start to take on the toughest opponents of the run - the Elite 4 and Champion on floors 180-190, the final rival battle at 195, and the final boss at 200. Specifically, 180-190 is where you'll buy more healing items than perhaps the rest of the run combined (to keep your team healthy in between each Elite 4/Champion battle), and 190-200 are where you really want to look for things like X [stat] items to give your team that extra "oomph". Even the strongest legendaries fear a Butterfree packing +4 X Specials and an X Speed. Money saved early on lets you dump it into rerolls later where it matters most. (Don't ruin your run by being *too* frugal, though - if your party is near death early on, spend it. You can't spend it later on if you're dead.)
- Pickup is NOT necessary (but it is helpful). I see a lot of general advice in posts on pokerogue that tell new players to stack Pickup team members on Classic. This isn't necessary, or even arguably desirable past maybe the first 20-30 floors unless you're running a very strong carry that can solo all 200 floors (which is extremely unlikely, and far more difficult to boot). I've won Classic many times without using Pickup at all, and I can't say as I miss it when I don't have it. More importantly, you need to be cautious which items you're picking up - the end boss can and WILL use them against you, so things like Sitrus/Enigma/stat boosting berries that you picked up along your 200 floors suddenly seem a lot less useful when they're in enemy hands. That said, if you bring someone along with Pickup, be generous with handing out berries and other items to your party regularly using the "Transfer" option, so you can reap the benefits all throughout your 200 floors. Sitrus, Enigma, and the speed/attack boosting berries in particular are great in trainerival battles where you expect to take hits and want to revenge kill things. In the endgame against the final boss, though, perhaps load everything on a party member you hope never to bring out (such as your Pickup mon) so they don't get stolen. (Hot take: I prefer to use no berries at all in my Classic runs if possible, with one exception: Lum! Lum is amazing for healing status effects, especially when it feels like some trainers have all the hacks against you, and it doesn't feel bad if/when it gets stolen later.)
- The same goes for Pokerus. The biggest advantage to having pokerus is capping out your levels faster; even without it, in the later floors you'll still cap your levels by each final stage so long as you pick up a charm or two along the way (which you'll usually do, pokerus or not). It's also a decent help for that floor 11-25 range where you're at your weakest and that second rival challenge comes knocking. In Endless it's common practice to take a pokerus pokemon so your carry can keep up with the level gains of the floors until you get fully set up; in Classic, the scaling doesn't feel nearly that punishing. If you can bring a good pokerus pokemon, though, it's more helpful than not - just don't go out of your way for it or feel like it's "necessary".
- Understand how biomes work, at least somewhat. Many of them chain into each other naturally, which is part of where the memes come from regarding "endless water biomes" or similar. As you start to expand your starting 2-3 into a full 6, know what biomes you need to look for and what to avoid. This is part of why the Map is one of my favorite item rewards to pick early on - it lets you target farm the remaining members of your team much easier, and towards the last 50-80 floors you can choose the easier ones to coast through while you finish building your team. In particular, routes you need to keep in mind:
- You always start in "Town" and move into "Plains"; this is 100% guaranteed in every Classic run. This means the first 20 floors are always weighted heavily to normal- and grass-types. When building your starting team, it's helpful to keep this in mind - for instance, picking up things strong against these two types (shoutout to Flamigo/Hawlucha!) and maybe not bringing a grass type knowing that you're likely to catch one early on if you're desperate for filler.
- "Metropolis" vs. "Lake" vs. "Grass": Moving out of Plains, these are your three options available if you have the Map by now. The biome you leave Plains for is the biggest observation you can make for your run - it will dictate how you form the rest of your team as you progress into the midgame. If you get diverted to Lake, but need an Electric-type (for instance), you need to find a way to get the map to divert to "Construction Site" or loop back to Plains, or you may be hard pressed to find an Electric-type at all in your entire run. The same goes for Fairy- and Steel-types - "Fairy Cave", the biome with the largest quantity of fairy types, is only accessible through "Meadows", which requires you to go through the forest biomes first. If you're not looking like you're going through those areas, you'll need to be less picky about what fairy-types you come across if you hope to snag one. (I recommend visiting the wiki for their nice little flowchart diagram if you ever want a more nuanced look into each path and where they can potentially lead, along with what spawns in each.)
- Build a well-rounded team. Building mono-type teams is cute, but ultimately extra work. Focus on coverage and being able to handle anything that comes along - remember, the last floors feature a variety of Elite 4 members and the Champion, all of which will require a varied approach on what types of Pokemon to bring for best results. By floor 100, you should either have most of your team set or a plan to fill the rest out by the time you reach ~170. By 180 it's likely too late (with the exception of maybe getting a last Mushroom or TM to fill out a moveset).
2024.05.14 16:34 Beautiful-Pool5534 Cloud & Aerith are Orpheus & Eurydice
Hello! I wanted to share my analysis on how Cloud & Aerith represent the Ancient Greek legend of Orpheus & Eurydice, one of the most well known tragic love stories. There have been many different variations of this story from Hadestown to Moulin Rouge. I will reference the broadway show Hadestown a lot, because I’m a huge fan of the show and it represents Orpheus & Eurydice’s story very well. With this analysis, I’m going in with the belief that Hollow and No Promises to Keep are Cloud and Aerith’s songs that are about each other, who those songs are about is a whole different argument, but to ME, it’s obvious who they’re about and I’m using them to push this analysis further.
In the Greek legend, Orpheus & Eurydice fell in love, and one day Eurydice died from the bite of a viper. Orpheus was so ruined by grief that he traveled to the underworld itself to find Eurydice and bring her back. Orpheus sang about his love for Eurydice to Hades and Persephone, who were so moved by it that Hades gave him the opportunity to bring Eurydice out of the underworld, he just has to take the long walk out of the underworld with Eurydice behind him, and he cannot look back at her the entire walk until they are out of the underworld, or else she will be sent back down. Towards the end of their walk, Orpheus is worried that Hades had tricked him because he could not hear Eurydice behind him. He loves her so much that he is driven mad by the fear and doubt that enter his mind. So much so that he ends up looking back at her, and she is sent back to the underworld.
Now for the comparison to Cloud and Aerith. Obviously, we see their relationship become a precious and cherished thing, until Aerith is suddenly killed.
Now Cloud is not a singer or a poet, but he does have a song, called Hollow, in the FF7 Remake. This song is heavily theorized to be about Aerith, and makes the most sense to be about her. It describes how lost and hollow he feels without her, which is so unbelievably Orpheus of him. In the lines;
“Bloody and bruised, Brought to my knees, When beaten down, When broken up, You would appear, Reach out to me, Heal every wound, And make me whole”
It makes me think of a scene in Hadestown, where Orpheus gets beaten up while in the underworld trying to get Eurydice back. Persephone is inspired by Orpheus’ determination to get Eurydice back, she keeps him going even when he’s beaten down.
Throughout Hollow, he says a lot of words like “Guide me to you” “I’ll never let you go”. He still wants to find her somehow after feeling so empty from her death. Again, very Orpheus.
Let’s look at the lyrics for Wait for Me that Orpheus sings in Hadestown;
“Wait for me, I’m coming Wait, I’m coming with you Wait for me, I’m coming too I’m coming too”
Before Aerith even dies, she is kidnapped by Shinra, and Cloud makes it his personal mission to go get her back. After she is kidnapped in Remake, he has a vision of her, where he tells her, “I’m coming for you” In Rebirth, after she “dies” he tells her “I’ve got this” in English, but in the Japanese version, guess what he really says?
“Wait for me”
There’s also the Loveless play in Rebirth, where Cloud and Aerith play Alphreid and Rosa, whose story is very reminiscent of their real story. (I’m aware of how Rosa’s part can also be played by Tifa and Yuffie, but the story of this play fits Cloud and Aerith the most, as well as Rosa’s character fits Aerith the most. I could go into more evidence as to why the whole gold saucer section and Loveless play is very Aerith-leaning even while its player-choice but that is besides the point)
There is a line that Alphreid tells Rosa;
“You needn’t promise that you’ll wait. For I know that I will find you here”
Key words: Wait and Find
In Hadestown, Eurydice sings a song called Flowers. And guess who in FF7 is a flower girl? Aerith. The song talks about how Eurydice regrets becoming a worker for Hades (in this version she is very poor and hungry, and Hades convinced her to sell her soul for the safety of it all) but she misses the world above and remembers Orpheus and her happiness with him in the fields of flowers. Aside from the obvious flower connection, this almost makes me think of how while Aerith had a responsibility in dying and saving the world, she may have regrets since all she wants is to be happy with Cloud (we see her wishes on her dream date with him, spending time with him is how she wishes her life would be without the burden) and in the Advent Children script, when Cloud rides his motorcycle by a field of flowers where her ghost is standing and watching over him, it describes her feeling lonely.
Another thing to note, in Hadestown, a flower is used a symbol for the whole show. Most notably for this analysis, Orpheus uses it as a reminder of her as he travels to the underworld and tries to give it back when they REUNITE. And guess what happens when Cloud and Aerith meet? She gives him a flower that represent REUNION of lovers.
In Aerith’s song, No Promises to Keep, Aerith describes this burden while also saying lines like,
“Till the day that we meet again Where or when? I wish I could say But believe know that you'll find me“
Also:
“Take my hand And believe We can be Together evermore”
And don’t forget:
“Still I hope someday you'll come and find me“
This just screams Eurydice waiting for Orpheus in the underworld, knowing he’ll come find her. Shes saying, come and find me, while he’s saying, guide me to you. Pair that with how Cloud keeps saying Orpheus lines like “Wait for me” and “I’m coming for you”
In the original FF7, Cloud gets a glimpse of Aerith after the final battle, and that’s when he says:
“the Promised Land... I think I can meet her...there.”
Now we don’t have a clear answer as to what exactly the Promised Land is. Since Aerith is dead at this point when Cloud says this, it makes you wonder if it’s related to where you go when you die, or maybe just where Aerith goes since she is a Cetra. Regardless, she is still dead and Cloud still wants to find her, much like Orpheus when Eurydice dies.
In the Advent Children film that takes place two years after Aerith dies, Cloud himself is dying from geostigma, and sadly enough, is pushing away his friends, accepting death rather than fighting it, seemingly searching for Aerith amongst it all with how he sleeps in her church. Orpheus was known to have never been the same after Eurydice died, completely swallowed up with grief until he had the idea to see her again in the underworld.
Another interesting detail in AC, when he has visions of her, Cloud cannot LOOK at Aerith because of his guilt until the very end where he decides to keep living on. Sound a bit familiar?
In the FF7 Remake, it takes a little different approach than the original FF7 did. There are multiversal aspects that have made people question if Aerith’s fate is final this time. Since we don’t know how Part 3 of the trilogy will play out, some of this is theorizing. But what I believe is that there was a new timeline where Cloud saved Aerith, it’s not the current timeline that Cloud and the rest of the party are in, but Cloud knows of this other timeline where Aerith is alive because he is the only one that can see into that timeline.
No Promises to Keep plays when they part at the very end of the game, the same song that talks about how she wants him to come and find her, just like he did when she was kidnapped by Shinra. This makes me wonder if maybe he will try to cross between different worlds (much like Orpheus with the underworld) to try and get her back. If this will be successful or not, we will see, he is Orpheus after all.
I am one that does not mind either way if Aerith lives or dies by the end of this new trilogy. Simply because the tragedy of their romance was already great, it would be emphasized even more with this hope that maybe we can get her back. Both we and Cloud actually see a possibility of her being alive with these parallel worlds. There’s a chance he can get her back. And if he in fact still does not get her back, it would hammer in their original idea of this tragedy even more, making it more tragic. And if he does get her back, I feel like It the original idea would still be there (since we DID still see her die) but it would transcend both OG and remake that after all this time he finally found her, and maybe he’d finally be happy for it, I know people would be mad and say that it cheapens the purpose of her death or whatever but personally it would be beautiful to me. Getting that hope then getting the same result is very reminiscent of Orpheus and Eurydice. But I will say I am hopeful that Cloud can defy fate and get his Eurydice back, I would love to see them happy together by the end.
And that is the end of my analysis, Cloud and Aerith’s romance were always my favorite not just because of their great dynamic but their story represents a beautiful ancient Greek Tragedy that shows how much a man can love a woman.
submitted by Beautiful-Pool5534 to cloudxaerith [link] [comments]
In the Greek legend, Orpheus & Eurydice fell in love, and one day Eurydice died from the bite of a viper. Orpheus was so ruined by grief that he traveled to the underworld itself to find Eurydice and bring her back. Orpheus sang about his love for Eurydice to Hades and Persephone, who were so moved by it that Hades gave him the opportunity to bring Eurydice out of the underworld, he just has to take the long walk out of the underworld with Eurydice behind him, and he cannot look back at her the entire walk until they are out of the underworld, or else she will be sent back down. Towards the end of their walk, Orpheus is worried that Hades had tricked him because he could not hear Eurydice behind him. He loves her so much that he is driven mad by the fear and doubt that enter his mind. So much so that he ends up looking back at her, and she is sent back to the underworld.
Now for the comparison to Cloud and Aerith. Obviously, we see their relationship become a precious and cherished thing, until Aerith is suddenly killed.
Now Cloud is not a singer or a poet, but he does have a song, called Hollow, in the FF7 Remake. This song is heavily theorized to be about Aerith, and makes the most sense to be about her. It describes how lost and hollow he feels without her, which is so unbelievably Orpheus of him. In the lines;
“Bloody and bruised, Brought to my knees, When beaten down, When broken up, You would appear, Reach out to me, Heal every wound, And make me whole”
It makes me think of a scene in Hadestown, where Orpheus gets beaten up while in the underworld trying to get Eurydice back. Persephone is inspired by Orpheus’ determination to get Eurydice back, she keeps him going even when he’s beaten down.
Throughout Hollow, he says a lot of words like “Guide me to you” “I’ll never let you go”. He still wants to find her somehow after feeling so empty from her death. Again, very Orpheus.
Let’s look at the lyrics for Wait for Me that Orpheus sings in Hadestown;
“Wait for me, I’m coming Wait, I’m coming with you Wait for me, I’m coming too I’m coming too”
Before Aerith even dies, she is kidnapped by Shinra, and Cloud makes it his personal mission to go get her back. After she is kidnapped in Remake, he has a vision of her, where he tells her, “I’m coming for you” In Rebirth, after she “dies” he tells her “I’ve got this” in English, but in the Japanese version, guess what he really says?
“Wait for me”
There’s also the Loveless play in Rebirth, where Cloud and Aerith play Alphreid and Rosa, whose story is very reminiscent of their real story. (I’m aware of how Rosa’s part can also be played by Tifa and Yuffie, but the story of this play fits Cloud and Aerith the most, as well as Rosa’s character fits Aerith the most. I could go into more evidence as to why the whole gold saucer section and Loveless play is very Aerith-leaning even while its player-choice but that is besides the point)
There is a line that Alphreid tells Rosa;
“You needn’t promise that you’ll wait. For I know that I will find you here”
Key words: Wait and Find
In Hadestown, Eurydice sings a song called Flowers. And guess who in FF7 is a flower girl? Aerith. The song talks about how Eurydice regrets becoming a worker for Hades (in this version she is very poor and hungry, and Hades convinced her to sell her soul for the safety of it all) but she misses the world above and remembers Orpheus and her happiness with him in the fields of flowers. Aside from the obvious flower connection, this almost makes me think of how while Aerith had a responsibility in dying and saving the world, she may have regrets since all she wants is to be happy with Cloud (we see her wishes on her dream date with him, spending time with him is how she wishes her life would be without the burden) and in the Advent Children script, when Cloud rides his motorcycle by a field of flowers where her ghost is standing and watching over him, it describes her feeling lonely.
Another thing to note, in Hadestown, a flower is used a symbol for the whole show. Most notably for this analysis, Orpheus uses it as a reminder of her as he travels to the underworld and tries to give it back when they REUNITE. And guess what happens when Cloud and Aerith meet? She gives him a flower that represent REUNION of lovers.
In Aerith’s song, No Promises to Keep, Aerith describes this burden while also saying lines like,
“Till the day that we meet again Where or when? I wish I could say But believe know that you'll find me“
Also:
“Take my hand And believe We can be Together evermore”
And don’t forget:
“Still I hope someday you'll come and find me“
This just screams Eurydice waiting for Orpheus in the underworld, knowing he’ll come find her. Shes saying, come and find me, while he’s saying, guide me to you. Pair that with how Cloud keeps saying Orpheus lines like “Wait for me” and “I’m coming for you”
In the original FF7, Cloud gets a glimpse of Aerith after the final battle, and that’s when he says:
“the Promised Land... I think I can meet her...there.”
Now we don’t have a clear answer as to what exactly the Promised Land is. Since Aerith is dead at this point when Cloud says this, it makes you wonder if it’s related to where you go when you die, or maybe just where Aerith goes since she is a Cetra. Regardless, she is still dead and Cloud still wants to find her, much like Orpheus when Eurydice dies.
In the Advent Children film that takes place two years after Aerith dies, Cloud himself is dying from geostigma, and sadly enough, is pushing away his friends, accepting death rather than fighting it, seemingly searching for Aerith amongst it all with how he sleeps in her church. Orpheus was known to have never been the same after Eurydice died, completely swallowed up with grief until he had the idea to see her again in the underworld.
Another interesting detail in AC, when he has visions of her, Cloud cannot LOOK at Aerith because of his guilt until the very end where he decides to keep living on. Sound a bit familiar?
In the FF7 Remake, it takes a little different approach than the original FF7 did. There are multiversal aspects that have made people question if Aerith’s fate is final this time. Since we don’t know how Part 3 of the trilogy will play out, some of this is theorizing. But what I believe is that there was a new timeline where Cloud saved Aerith, it’s not the current timeline that Cloud and the rest of the party are in, but Cloud knows of this other timeline where Aerith is alive because he is the only one that can see into that timeline.
No Promises to Keep plays when they part at the very end of the game, the same song that talks about how she wants him to come and find her, just like he did when she was kidnapped by Shinra. This makes me wonder if maybe he will try to cross between different worlds (much like Orpheus with the underworld) to try and get her back. If this will be successful or not, we will see, he is Orpheus after all.
I am one that does not mind either way if Aerith lives or dies by the end of this new trilogy. Simply because the tragedy of their romance was already great, it would be emphasized even more with this hope that maybe we can get her back. Both we and Cloud actually see a possibility of her being alive with these parallel worlds. There’s a chance he can get her back. And if he in fact still does not get her back, it would hammer in their original idea of this tragedy even more, making it more tragic. And if he does get her back, I feel like It the original idea would still be there (since we DID still see her die) but it would transcend both OG and remake that after all this time he finally found her, and maybe he’d finally be happy for it, I know people would be mad and say that it cheapens the purpose of her death or whatever but personally it would be beautiful to me. Getting that hope then getting the same result is very reminiscent of Orpheus and Eurydice. But I will say I am hopeful that Cloud can defy fate and get his Eurydice back, I would love to see them happy together by the end.
And that is the end of my analysis, Cloud and Aerith’s romance were always my favorite not just because of their great dynamic but their story represents a beautiful ancient Greek Tragedy that shows how much a man can love a woman.