As title says, are ISAs and SIPPs included in Common Reporting Standard and therefore shared with other tax authorities?
Halifax’s website has a FAQ page that on point 8 says:
“8. What accounts does CRS apply to? expandable section
CRS applies to certain accounts with investment features such as Savings, Current Accounts, Cash Value Life Insurance and other investments.
Please note - CRS regulations allow for exceptions such as Individual Savings Accounts (ISAs), lending products and loans.”
What is not clear is are the accounts always excluded, or does each platform decide? Does anyone know whether iWeb and Vanguard share ISAs and SIPPs details?
iWeb is part of Halifax so that FAQ seems to suggest they wouldn’t share details, but I wonder if anyone knows more about this. Thanks!

• Pre-launch page for this Kickstarter
  
• The actual details (from a post today on the old "Tokyo or Bust" Kickerstarter
  

Paste of the details from that second link (but you should still go there to see the photos):

What is "[NOS] Genius"? From the band's perspective, it's the CORRECT version of "Genius" --the version that was never actually released. It features the album version of the song structure with the original lyrics--which finally makes the song make lyrical sense and better fit it with ".com" album peers "Please Sir" and "Microwaved." The full story of it all will be on the Kickstarter page at launch.
When: 1st June, 2024 (one-month campaign, closing 1st July, 2024).
Why?: We realized it wouldn't be cool to deny overseas fans the opportunity to get this item from the upcoming Nov 2024 tour's merch booth (the tour version may be a different color anyway)--ergo a new, unplanned, pop-up Kickstarter!
What's in the Box? The limited-edition, hand-numbered, coloured vinyl 12" features the title track "[NOS] Genius", a remix by JS Clayden (his first Pitchshifter remix in decades, his first remix of "Genius" ever, and, according to him "How Genius might've sounded if we recorded it now"), the chip-tunes version of "Genius" (a little teaser of a rad future project--see the image below), and some super-awesome special guest versions and remixes (no, we can't spill the beans on who they are yet so you'll just have to trust us; but yes, they are freaking awesome :-)
Mad Extras? We've got you covered! As always, to make the campaign fun and with tiers for all types, we've included five options of increasing bonkersness for those that want to get involved (signed PlayStation 1 and Test Drive 5 game, or the actual strings and guitar pedal that JS used for his remix, anyone!?).
The Longer Story: Sign up for the Kickstarter pre-launch page and read the full story of "[NOS] Genius" on launch!

So this one will be a long shot I think but a new friend I made at the start of middle school around 2000 or so let me borrow a kind of thick book that I never finished. From what I can recall the book had a mostly black cover with either green font for the title or a pair of green eyes on the cover. It also could have been a green cover with red eyes on it though the black and green combo is what my brain vaguely recalls. It didn't look like a book for a kid fresh out of elementary school and the look of the cover was enough that my mom made a comment about it asking if I should be reading it.
The little story I remember involved teenagers I think in a city being attacked by different kinds of monsters, don't remember what kind but gargoyles just jumped out at me when typing this. I think the green monster on the cover was a sort of ally to the teens but I do remember people getting killed, including other teenagers. The city part of the story is what I remember most but I think there was a bit at the beginning setting things up before all Hell broke loose. There was one boy in particular who was special and I think he was able to talk to some of the monsters at some point.The book was a little thick, definitely above 150 pages at least and I can't remember if my friend had said if the book was part of a series or not.
I don't know where my friend got it, just that I commented that the book looked interesting and he asked if I wanted to read it. It definitely wasn't a book sold at a scholastic book fair given the cover and story content.

Earlier today Reddit user u/apndrew posted this article claiming a study had found extensive bias against Israel and against Jewish perspectives across English-language Wikipedia. The article is based on a 20-page paper titled "The Bias Against Israel on Wikipedia", written by Dr. Shlomit Aharoni Lir for the World Jewish Congress.
My post started as a comment in that thread, but Reddit wouldn't let me post it (presumably because it's too long), so I'm going to put it here as a post and hope it doesn't get taken down.
First, a direct praise of the article: Nowhere in the paper does Dr. Lir equate anti-Israel bias with antisemitism. This is a good thing! The article OP links does, and OP seems happy to suggest these things are the same, but the actual paper does not, which is good since they aren't the same thing.
Nearly everything else I say will be negative.

1. This is kind of a nitpick, but when this paper links to Wikipedia articles, it links to the article itself, as opposed to linking to the specific revision the author is talking about. This is not helpful. It seems unlikely that any of these articles have remained unedited in the time between when this paper was written and now. This means any or all of the problems being discussed may not be present now, or might be much worse, and there's no way to find out without having to guess at when Dr. Lir was doing the research.
2. The last sentence on page 2 concerns me. "In a broader context, this is also a call to action for legislators, regulators, and users to notice bias and the subsequent ill effects created through a wide range of internet platforms beyond social media." Is this a demand for wikipedia to be censored or banned for not supporting Israel, or for not meeting Israeli demands in its coverage of the Israel-Hamas war? I don't know how else to interpret "a call to action for legislators and regulators".
3. On page 6, Dr. Lir references "the fact that Wikipedia is perceived as a reliable and objective source of knowledge", and I don't know how exactly Wikipedia could address that. The front page of the site says "anyone can edit", and the disclaimers page states in all caps at the top of the page that "Wikipedia makes no guarantee of validity". If some private company is being stupid (google using Wikipedia to answer questions instead of being a search engine, dumbasses feeding Wikipedia into generative AI, etc), they probably shouldn't do that, but it isn't the fault of Wikipedia.
4. This paper claims to be about English-language Wikipedia, but the only discussion under "Violation of the Principle of Neutrality" on page 9 is about Arabic Wikipedia, and it's only to do with them adding a Palestinian flag and pro-Palestinian message on their home page on the 12th of October last year. Should they have referenced October 7th when they did this? I'd say so. Is it a sign of English Wikipedia being biased? Not a bit.
5. The question of Holocaust accuracy and coverage is an important one, and not one I have much knowledge on, so I'm going to assume Dr. Lir is speaking accurately about this and if so, it's definitely a problem. She doesn't go into any specifics at all, other than that some articles "perpetuate and reinforce damaging stereotypes and misconceptions", which makes it difficult to get any insight as to what we're talking about.
6. At the bottom of page 10, we finally arrive at the start of the actual subject of the paper. Dr. Lir breaks down anti-Israel bias into 6 categories: Content Bias, Deletion Attacks and Deletion Attempts, Editing Restrictions, Selective Enforcement, Anti-Israeli Editors, and Biased Sources. "Editing Restrictions" refers to Dr. Lir's belief that making articles extended-protected is inherently biased against Israelis, and this is blatantly stupid so I'm not going to engage with it.
7. Our first "content analysis" is of the article "Palestinian genocide accusation". Dr. Lir's first claim is that this title is inherently biased and should say "Allegations of Palestinian Genocide". I'm going to be honest, I have no idea what she's getting at here. The claim that the article "focuses predominantly on accusations against Israel, while giving little space to Israel's perspective or to arguments against the genocide claims" seems odd to me, given that the article is about the accusation that Israel is committing genocide against the Palestinians. It seems expected that the article would focus on that subject.
   1. Despite Dr. Lir's claim that the article "is not anchored in a variety of sources", it cites over 350 of them, including 5 different articles from the Times of Israel and 7 from The Jerusalem Post. I don't know whether these were added later, but it seems unlikely. This is, however, another good reason to link to the specific version of the article you're upset with, since this one may have changed a lot in that time. "
   2. As a result [of the bias in sources], Israel is presented as the sole aggressor in the region, when it can be argued that the opposite is true." No it can't. No one could reasonably argue that Israel is never an aggressor in its region. It's far from the only aggressor, but there's no way one could define the repeated illegal settlements in the West Bank as anything but aggression, nor could the numerous documented cases of forced displacement and sexual violence.
   3. "The entry does not include facts that support Israel's position or challenge the accusations that it committed genocide." This is not correct, the article does have multiple sections on responses from American and Israeli critics of the accusations. Again, this is why you link to the specific version of the article. I almost suspect that Dr. Lir was aware of this kind of confusion, and is using it for plausible deniability if one of her claims is unfounded.

I could continue, but this post is way too long as it is. The paper brings up some points of interest when it's talking in a general sense, but everything falls apart when she starts trying to give examples. Her claims of bias nearly always either rely on a claim which isn't true in the article or come from a place of heavy pro-Israel bias.

Saturday, May 11 - Friday, May 17, 2024

Top 10 Posts

score	comments	title & link	mirrors
11	1 comments	Why do we sing? New analysis of folk songs finds similarities around the world
8	2 comments	Simon & Garfunkel - So Long, Frank Lloyd Wright	[Sp] [AM] [Dzr] [SC]
7	3 comments	Connie Converse - Talkin’ Like You (Two Tall Mountains)	[Sp] [BC] [Dzr] [SC]
7	0 comments	my favourite hang players - figured some of you might enjoy this :)... (if you know of any similar artists, please let me know)
6	0 comments	A Song of Autumn (En Høstvise)
5	0 comments	Austin Miller - Garden, Won’t You Grow 🌹
4	0 comments	"The Bear" - Local Kin (Indie Folk) [2024]	[Dzr] [SC]
4	0 comments	Some Slavic folk music I found
3	0 comments	Hey All, we are Pretend Friends from Bristol and playing in a little place called the Canteen on Friday. Any Bristol (Uk) people on here? Link to some of our work x
3	1 comments	Eleni Drake - Let it Go & Let it Be (2024) [Indie Folk]	[Sp] [AM] [Dzr]

 

Top 5 Most Commented

score	comments	title & link	mirrors
2	3 comments	'When the Devil Rides' original song by Charlie Williams
1	2 comments	Help identifying an artist
1	2 comments	Hello folk! Just wanted to share some music I just released to you all. Sorry if this isn't allowed but would love to get some opinions, thanks
2	2 comments	Kirsty MacColl - Fifteen Minutes	[Sp] [AM] [Dzr] [SC]
2	1 comments	CjayQ - Junebug	[Sp] [AM] [Dzr] [SC]

 

Saturday, May 11 - Friday, May 17, 2024

Top New

score	comments	title & link	mirrors
1,025	373 comments	[Discussion] Shut the fuck up when the bands are playing.
841	181 comments	[LFG!] Knocked Loose hits 2 million monthly listeners!
688	196 comments	[Discussion] Knocked Loose is fulfilling the destiny that was intended for Code Orange.
316	97 comments	[LFG!] Tabs for the new knocked loose album are up on songster!
307	80 comments	[Discussion] Holy shit, JOHNNY FUCKING BOOTH
271	217 comments	[Discussion] Saw Veil of Maya last night and hated it.
267	382 comments	[Discussion] Pro athletes who are into metalcore?

 

Top Mod Recommended

score	comments	title & link	mirrors
99	8 comments	[Mod Recommended] Johnny Booth - Bright Future	[Sp] [AM] [BC] [Dzr]

 

Top Remaining

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234	38 comments	Boundaries - My Body Is a Cage	[Sp] [AM] [Dzr]
220	36 comments	The End of Heartache Turns 20 (May 11, 2004)
219	78 comments	[Discussion] Miss May I, Apologies for the Weak 15 year Us Tour Announced
205	21 comments	[News] New Darko album "Starfire" out June 5th
204	37 comments	It Dies Today - Freak Gasoline Fight Accident (FFO: male models)
174	117 comments	[Discussion] Whose face is that on the subreddit photo?
173	94 comments	[Discussion] How much am I missing out when it comes to album art?
153	119 comments	[Discussion] Concert friends
152	182 comments	[Discussion] Who do you think was the first true metalcore band?
149	102 comments	[News] Furnace Fest full lineup dropped

 

Top 5 Most Commented

score	comments	title & link	mirrors
147	533 comments	[Discussion] What's an older album you can't stop listening to on repeat?
109	324 comments	[Discussion] Best live frontman?
68	266 comments	[Discussion] Here is a fun question! If you were a UFC fighter, boxer, WWE star, etc. What would be your walkout song?
79	218 comments	[Discussion] Which concert have you been to where the supporting acts were better than the main act?
120	134 comments	[Discussion] Have any of you ever been to a concert where the bass and breakdowns made you nauseated?

 

On LCD Sounsystem’s final concert at MSG.

Like the title says I'd like to use the No Needs for Hardcore mod with viva new vegas but its not working. Im using most of the mods in the 'extended' part of the guide so it might be conflicting with Vigor or something. I have it last in load order like it says on its nexus page.
If there's some other way using the mods already installed with viva new vegas to disable hardcore needs that would obviously be a better solution, but I don't know if that's possible (lStewieAl's Tweaks seems to make small changes like that but I didn't see that as an option on its mod page).
Thank you

Sorry for the title, I'm having trouble reducing this confusion down to one sentence. Maybe part of my problem is that I don't really understand exactly what I'm trying to do!
I have an app where I'm trying to read in data from different social media platforms. I want to be able to define each platform as an object, that implements certain functions. That way, when I want to add a support for a new platform, I just need to go create an object that implements those functions for that platform.
This is a simplified version of what I'm using so far:

type socialMediaDataProcessor = { fetchData: (resourceId: string) => FetchedData; transformData: (fetchedData: FetchedData) => TransformedData; }; const fetchFacebookData = (resourceId: string) => [ { clicks: 50, ad_id: "9837op4293", page_id: "oiuhiuheovwu" }, { clicks: 100, ad_id: "i9087gqu3i4", page_id: "njhbguy789uhi" }, ]; const transformFacebookData = ( facebookData: { clicks: number; ad_id: string; page_id: string }[], ) => { // do something to the facebook data }; const facebookDataProcessor = { fetchData: fetchFacebookData, transformData: transformFacebookData, } satisfies socialMediaDataProcessor< ReturnType, ReturnType >; 

So I have this definition of a platform object, which p much says - a platform must implement two functions: fetchData and transformData - transformData's only argument is the return type of fetchData.
This works kinda ok, but it seems kind of redundant to have to specify the generic types for FetchedData and TransformedData.
Is there a different way I could set this up that wouldn't require me explicitly provide the types to the generic type socialMediaDataProcessor?
(Btw in this specific example, I guess don't actually have to specify the TransformedData type, but in my actual code there's a handful of types, so I feel like this illustrates the issue better)

The 3 basic parameters of hashtag #Valzubiriagenda:

1. We artists and everyone else can write and self-publish art- and artist-related books: memoirs, biographies, art books and art catalogs. Books are forever. Pamphlets and brochures are not books.
2. We announce a schedule of increasing prices of our art pieces, which includes quantities (scarcity numbers) per price point and overall (the total quantity of art pieces we might ever make). This helps art traders, art investors and art collectors speculate or even stop speculating and instead join a community of investors working together to hopefully skyrocket to the higher announced prices in a shorter span of time.
3. We can use the NFT world, because NFTs provide the tracking (who owns what) and trading.

We can also not be involved with NFTs. Stores and individuals can help sell art using online presence and our catalogs in the stores. If this trends, or once this trends, even expensive art can be sold by neighboring businesses, without exclusivity. Commission systems do not have to be standardized. Art investors can produce their own catalogs to leave at the cafés. Even the cafés can produce their own catalogs.
Valzubiriagenda NFTs
NFTs only came about a few years ago. But I had been working on this since the 1990s. I wrote a book, Valzubiriagenda, along with fellow artist Silverio Perez, and released it in 2018 (Amazon and elsewhere), tackling everything related to #1 & #2. We'll come up with #3 in a later book/ memoi marketing book.
Any artist, including tangible artists can release 10,000 NFTs if the artist chooses to do so. For tangible artists, the NFT first becomes an Art Commission Contract for sight unseen, yet-to-be made art. Once the art is made, the NFT becomes proof of ownership that the actual, tangible art is theirs.
Warehousing our tangible art
Another related idea is that the tangible art may be warehoused by the artist so that the NFT traders continue to trade. This means that even 10-ton 10-foot tall sculptures can be owned and traded by anyone without worrying about shipping, reshipping, scratches, smudges, parts breaking off, etc. The newness of the pieces remain because they are stored by the artist, source, gallery, etc. The art piece gets shipped to the art collector, the ultimate owner.
An artist who makes ceramic coffee mugs - smaller art pieces, can release 10,000 NFTs with a schedule of increasing prices so that NFT traders can trade immediately. The 10,000 coffee mugs can get damaged, so as they are made, they continue to be stored by the artist, until the time when art collectors decide to have the art pieces shipped to them.
Why only now?
I decided to write as many book-length memoirs as I can before I came out to promote this.
I'm an artist and an author. Both need time to "master." I would not even fully use "master" on myself, because there's always something new, even to my own art, my own writing and publishing.

I am now claiming that I'm the visual artist who has produced the most artist memoirs in the world. I have 5 on Amazon. I count Valzubiriagenda as both a marketing book and a memoir-of-sorts, because it has a lot of my own life lessons on writing and publishing. I would not care to contest my claim of having the most memoirs. I will release 5 more over the next 3 years.

BARTER! Get help to write, photograph art and publish your books!
Anyone can hire 11 ghostwriters for 11 memoirs. If you can make art, but you cannot write, then barter your forever art with those who can help you produce forever books.
I don't feel the pressure of writing and publishing because I feel my focus should be on art students and art experts who would study my art and my books 100 years from now. Don't expect relatives and friends to read your books.
I call myself the Dollman
For my NFTs, I am proposing to make dioramas - my original, costumed, bejeweled porcelain dolls in backdrops that will also have precious metals and gemstones. This way I can incorporate precious metals and gemstones in my work, to make sure that people perceive my art as expensive, just in case I myself don't become "famous" - there's no need to get world famous. We are artists and all we need to do is to satisfy the art niche.
Use your laptop now!
I will encourage you to start writing your book-length memoir. Write, Edit and then Self-publish it. Get help. Why wait a hundred years for someone to write about you when all you need is a laptop and a nearby coffee shop.
Don't start counting chickens before the eggs hatch. I have encountered a lot of would-be writers who immediately see themselves as bestselling. world famous assets to society. Two even wanted me to sign NDAs (Nondisclosure agreements), because they did not want me to steal their book ideas.
Here's a suggestion. I would not personally do it. From one manuscript can come 2 books: The Original Draft (unedited, with misspellings, considered to be an art piece, scanned pages(?) of your handwritten original effort), and The Final Edition (edited).
PROVENANCE!
Another way to enhance our investability, tradability and collectability is PROVENANCE - how art ownership proceeds through time. The way this can be done is also through publishing books. Everyone can write their memoirs, biographies, art books and art catalogs, including traders, investors and art collectors. In effect, we artists can continue to be included or mentioned in even more books, without any additional effort by us.
You as an investor, reseller, trader, art collector should be able to publish a catalog with 250 works by 250 different artists, but they need to agree to this right from the start - it's your money, you should require them to follow your version of the hashtag #valzubiriagenda parameters, which preferably should include permission for you to publish their art. Why would you track down 250 artists later?
No exclusive contracts
If you're a café, you can call for artists, and come up with a book with for example, 30 artists, with a chapter devoted to each artist's profile and images of the artist's art.
You can distribute your catalogs to businesses and individuals near and far and online.
The book Valzubiriagenda even cites that funeral homes and janitors closets can sell art, with or without exclusivity. Airline catalogs can include million dollar art pieces. Car manufacturers, showrooms and even car repair shops can sell art as well. Everyone should be able to do this, anywhere in the world, especially not just because of the pandemic, but right now, we are in really bad economies.
What's with the name #Valzubiriagenda
I was into conspiracy theories in 2018, and this term, "The Mandela Effect," was popular. I had read many times that an artist coined the term, but I had to research online, for her name, many times, before remembering it. I'm not good at remembering names. It took me a year and a half to finally tell you that Fiona Broome coined "The Mandela Effect."
I also thought I might have to research trademarks and copyrights just to come up with a generic name. So I decided on "Valzubiriagenda." I was not really sure at first, but I decided to use it as the title for my book (with co-authoartist Silverio Perez) so that there would be no turning back and I can move on.
Am I a FUTURIST?
Someone I recently met this May 2022 just called me a futurist.
In the 1990s, I proposed to a pension fund that they can raise billions of dollars, especially for emergencies, or as needed, or out of desperation, if the pension fund purchases a quantity of art from an artist who not only has a current, reasonable price, but an announced future price that the artist wants to reach.
That future price would obviously be higher than the current price. The art commission contract for multiple art pieces can be taken to the fund's financial lender for a loan. The higher future price can be used for financing purposes.
The pension fund's treasurer, a publicly elected official, said this idea might work, but we had to keep this a secret and discuss this some more, because other pension funds might copy and do this prematurely. This idea had to come from the two of us. The treasurer needed his votes and I needed credentials.
Added into the pot was my idea that I, as the artist, will also write one book-length artist memoir. This was and still is a strong factor, because the leadership and marketing books I had read then mentioned a strong tip. If you want to advance in your field, write a full-length book that is related to the field.
Unfortunately, the elected official, the treasurer of the pension fund, who was also a friend, passed away - he was old and had ailments. At that point in time, I cannot just approach another pension fund treasurer to share this idea with.
I realized I had to write a few memoirs. I needed to set an example for other artists, so I needed to write more than one memoir. Then I felt I should also make ready another book - the how-to of what I'm up to. I wrote Valzubiriagenda, which was a memoir of sorts. I knew how long it would take me to write a book, so I had to make sure I can also consider this book a memoir.
In 2008, I imagined that someone like Bernie Madoff, or a fund like Lehman Brothers, would be desperate enough to use this to save themselves and their companies. I was not ready. I had only written 1 manuscript for a memoir.
In 2012, I released Dollman the Musical, A Memoir of an Artist as a Dollmaker. Once again, I was not ready because writing it depressed me a little, and I knew I had to write more.
In 2014, I released 3 memoirs, and re-released Dollman the Musical. Besides releasing regular books, I released special editions of the 4 books, which had a "Special Secret Insert for Bankers," which explains my ideas of an announced schedule of exponentially increasing prices, to satisfy investors, and the publication of artist memoirs, to satisfy art collectors.
In 2014, I also issued out a press release. Google "Can Billion Dollar Artist Save Investors and World Economy Valentino Zubiri PRWeb August 19 2014" and you will see the press release.
What I did was stake a claim on my ideas. I did not promote my books and the press release. I just wanted them to stay online, like a sleeping giant or a dormant volcano. I even designed 3 of the book covers to look like indie books from the 1980s. I was planting the seeds, thinking they will eventually grow and bear fruit in the future.
In 2015, I was interviewed by Richard Syrett, about one of my memoirs, Hocus Pocus Lately. This book is my memoir with paranormal stories. I could have pursued promoting my paranormal stories, but I wanted to be known first as a visual artist and memoirist, so I allowed myself one interview related to Hocus Pocus Lately. Richard Syrett has(had?) his own syndicated radio show, The Conspiracy Show with Richard Syrett, about the paranormal. He also guest hosts on Coast to Coast AM, another internationally syndicated show about the paranormal.
In 2018, I released Valzubiriagenda (co-authored by artist Silverio Perez, a fellow artist). Finally, this book is "the how-to of what I'm to."
I'm going to end this with some strangeness. In 1986, a lady at a religious gathering went into a trance and left a good number of messages. Supposedly, anyone who got into a trance would have messages, but once the trance was over, the person would not remember what was said.
I was not part of the group, but the lady turned her head to face me. She "foretold" that whatever I would decide to do in the future, it will take time, but it will be the right thing. This is one of my stories in one of my memoirs, Hocus Pocus Lately.
The Tulipmania of 1634-37
I discovered that there was this incident of rare tulips becoming collectible during the Dutch Golden Age. There were tulips so rare and so well-desired that their prices equaled to that of a house. You can read more about this online (Wikipedia) or watch a few YouTube videos about it.
Here is the most useful idea that I gleaned from the Tulipmania. The tulip bulbs remained safe inside nurseries. The traders were carrying the deeds of ownership to the tulip bulbs.
Then NFTs came to the forefront
I started learning PHP, an HTML scripting language, and MySQL, the database that PHP can connect to in the background, in 1999, when there were only 3 books about PHP and MySQL at the bookstores.
By 2014, I was trying to figure out how to make the "ledger," or database that can be used to update ownership and who can be contacted. If we are trading art, then the art ownership should be updated.
Then NFTs came about. This can be used as our ledger. Everyone can immediately trade NFTs of future, yet-to-be made art pieces, especially because it takes time to make tangible art.
NFTs actually went a step ahead, by allowing digital art to be traded.
The only setback with NFTs, in my opinion, is that it still lacks a commission system for resellers and representatives.
For example, if a café wants to represent me, then they can promote me at their café and on their online pages. If I make one piece of art that will be exclusively represented by a gallery, then that commission will be different and more specific. As ownership is transferred, the subsequent owners should be able to reset the commission. We should also have the option of giving commissions to hundreds of representatives at one time with different percentages if need be.
The recent crypto crash
Lately, we have observed that NFTs and cryptocurrencies have been behaving like the stock market and other markets. They have been fluctuating.
I believe that it is time for a trend which discourages fluctuation of prices.
I have also seen YouTube videos where social influencers are encouraging us to be on the lookout for exponentially profitable ventures, because we have all seen this happen with the exponential increase of Bitcoin and Ethereum.
Let's see if #Valzubiriagenda trends
We can announce present and future art prices. The galleries won't do this (yet?) because they follow a more traditional approach to the business of art.
We have a choice of using incrementally or exponentially increasing prices. We still reserve the right to change things in the future, so everyone should know to follow the latest update.
If this trends, if you as an artist simply announces that you will write an artist memoir, or that you will include the future works in future art books, you might have more art traders, investors and collectors approaching you.
Get your pen, paper and calculator
Imagine yourself as an artist, where you are right now. Let's just say you still do not have a book about yourself and your art yet. Imagine now that you have a memoir out there. Don't you think it makes sense to charge more than what you are charging now? Writing and publishing books is just the beginning. I'm just standardizing this approach. The books also say to do other related projects. In my case, getting Dollman the Musical onstage is one idea. You will have other related projects, but the publication of memoirs, biographies, art books and art catalogs will help all of us.
You can also imagine that a law firm that has meeting rooms, with someone who wants to form a local #valzubiriagenda group, can have meetings. A local café can do the same. Local photographers for your art, writers, editors, book designers, proofreaders and others can join in.
I suggest have printed books to share. 15 copies of your memoir or art books will be better than an e-reader or laptop or your phone to show. These gadgets can be stolen, sabotaged, broken, have coffee spilled on them, etc. 15 printed books means simultaneously showing to 15 people. You can even give them away to potential resellers, investors, traders and collectors.
When it rains, it pours, as in the days of Noah
There's a saying, "When it rains, it pours." There is a negative interpretation and a positive interpretation.
Negative: When trouble comes, they cascade to even more.
Positive: When opportunity comes knocking, more follow suit. We can assume that if one gets our art because of #valzubiriagenda, more want to do it now, because of the rising prices, and FOMO - fear of missing out. What will they lose if they miss the boat?
As I have said earlier, if the #valzubiriagenda trends, if you announce a future memoir or art catalog, you might have an increase of investors, traders and art collectors who would want to check you out. You might encourage more sales. Just remember to write and publish that memoir and art catalog.
There's this saying, "As in the days of Noah." Imagine Noah, building his ark, with members of his own family, putting all his time and effort into it. Noah was a nice guy. I'm sure every once in a while a neighbor offered him coffee, or chai latte, or whatever refreshing drink they might have back then.
Here's the lesson to be learned. Just because they offered him some type of bubble tea drink, or coca cola, they still didn't make it to the ark. Rubbing shoulders with actors does not make you an actor. I have told my artist friends to write their memoirs. They told me that once they see me succeed, after all these many years of seeing my seemingly useless efforts, then they will write their memoirs and follow the road that I had paved for them.
Good luck to them, but if I were you, act now, get my art or make art. Support the 5-year old artist whose parent promised to release a comprehensive art catalog. If you get that 5-year old's art, and mine, I would be honored to be in the same art catalog that you will produce. I'm already successful at that point. You have gotten the mission just right.
I have already claimed to have written the most book-length artist memoirs in the world. Dethrone that claim. Barter. Use ghostwriters. Success to me means facing God one day and saying, I wrote my memoirs and left the world a legacy of books and art. I will not tell God, smiling and proudly, that I encouraged a run for my art by announcing a schedule of exponentially increasing prices that reached 9 figures. I'm sure God knows we had fun.

JOIN THIS GROUP

If you want to try out #valzubiriagenda, in any capacity, join this group. Let others know about this group as well.
If you are an artist, you can let everyone know here that you will produce your memoir, art catalogs, etc. It's okay if you don't know how to go about publishing yet, I will discuss this. Please be honorable enough to produce what you promise to produce.
If you want to meet fellow artists, investors, resellers, etc., join us here.
If you are a book writer, editor, proofreader; if you can photograph art pieces; if you are a book designer, etc., join us here. Let us know if you charge, barter for art, or both.
If you have your own tips and knowledge to share, join us here.
If you have underaged artists you are managing (parents, etc.) join us here.
Join this group if you want to sell works. Post your works. You web links. I'm sure I will.
You can announce meetings in your area. You might have meeting rooms, a café, restaurant, etc. where people can meet. In the future, you can have the regular show and tell, where books can be shown and shared.
​
Thanks for reading. Please let me know if I need to edit some parts. Please share and join this group. - Valentino Zubiri, Dollman, Artist, Memoirist
Underaged artists are welcome here, so please be mindful of your language. We cannot post your adult-oriented art pieces, but you can direct us to a separate page or community. There will be limits to your posts, and there will be adult-oriented art that we cannot allow to be posted.
Thanks for reading. Please let me know if I need to edit some parts. Please share and join this group. - Valentino Zubiri, Dollman, artist & memoirist

Basically the title. Here's the info:

• HTML, CSS, JS foundation
  
• Node, Express, MongoDB(probably going to learn SQL...)Bootstrap, React, Typescript, PHP - Wordpress, I am not really into JQuery as vanilla js basically does all it can do now.. Git, Next.js
  

This is a fullstack for going into freelance. I'm mainly interested in working freelance for ecommerce websites and brands so I've also gone into hosting, digital marketing - mainly tiktok ads, meta ads and A TINY bit of PPC, on page SEO, for off page I'd just rather someone else.
I think it's solid, I've given myself(21) the rest of the year to be able to start doing novice jobs at 4x times cheaper to build experience, reviews and a name. BUT EVERY Time I log on reddit I see a post about some new framework or product that's come out or that has been out for a while that I don't even know the name of and I sit there like ...? BUT IF I TRY TO LEARN THIS AS WELL I'll have to enter an asylum.

As the title states, I can’t seem to let this guy go. Like he’s already kinda rejected me. Like not directly but I ain’t dumb I know when people aren’t interested. It’s not my first rodeo getting rejected by guys I like either. I’m just sad my heart really wanted to be with this guy. I see him often too, it’s just why can’t my mind and heart let this go? I’ve turned a page instantly before! What’s so different now? I haven’t spoken to him since he breadcrumbed me with responses. We say hi to each other here and there. But it’s never more and he’s never contact me on his own either. Sometimes I even have dreams about him (against my conscious will) and I get heart broken all over again. I’m not obsessing with him either! It’s not like I’m writing his name on the walls and building a Hey, Arnold Shrine or anything. :/ what the hell. Why can’t I just get over it? I’ve been rejected before cried, slept, and got over it in 2 weeks or so. But this well over the 2 months mark! It’s not like me. I don’t know what else to do. I’ve done my makeup, my hair, used all my points of interest to distract myself from this and just move on. I just don’t understand why this is any different.

Since new rulebooks dropped, it was only a matter of time before I went with a magnifying glass over these! Since I previously covered these errors in my larger list a couple years ago (Compilation of every erromistake/contradiction/etc., that I can find in the 'current' rulebooks. ), I will also compare and see what was fixed (in strikethrough), what is still there, and what is new (in bold). If there is an old error I missed the first time, there will be a * in front of it.
Base Game's 5-6 Player:

• Format error: At the bottom of page 4, is a heading titled "Starting settlements and resources". However this isn't discussed until the start of page 6. Heading needs to be moved closer to its topic.
• *Image error: Page 2. You need to squint to see it, but Illustration B is showing THREE 12 Tokens! Gone/covered now
• Image error: Page 2 Page 4. You need to squint to see it, but the 2nd image STILL has Frame Extension pieces ('3-3' and '5-5') in the wrong spots. The extra 3:1 and 2:1 Wool ports are accidently swapped. Pretty egregious when the first image of Page 4 (showing the "Starting Set-Up for new 5-6 Players") has the Frame Extensions in the correct spots. Just a copy-past job from the previous version.

5-6 Seafarers

• *Format error: Page 3: Just before the Wonder Cards is the heading titled "Scenarios". However this isn't discussed until the start of the next page, 4. Heading needs to be move to the top of the next page.
• Format error: The images for the Wonder Cards were shifted up on page 3. However, the big blue box on page 4 was NOT shifted up. So the top edges of the Wonder Cards are now aligned with the text "The scenario diagram provides the board set-up". So if you take a scissor and cut out these cards (as intended), you will cut this sentence in half, along the horizontal.
• *Format error: Page 6, 8, 10, 12, 14, 18, 20, 22: "Terrain & Tokens" at the is not bolded. It now is Bolded.
• Missing Robber: Why is there no Robber on the maps for Scenarios 2, 3, 4, and 8? All fixed! They even added the Pirate for Scenario 1 (which I missed 3 years ago). They also have the Robber on a 12-Hills now. Interesting change? Or new error?

1. For Scenario 2, regular Seafarers says to put the Robber on the 12 Token. However, in the extension, there are two to choose from (12-Fields and 12-Pasture). Which one? Apparently, the 2-Pasture hex
2. For Scenario 3, regular Seafarers says to put the Robber on the 12 Token. However, in the extension, the Desert is reintroduced. So should the Robber go there instead? Or 12-Mountain/12-Hills hex? Robber is on the Desert.
3. For Scenario 4 and 8, I suppose it doesn't matter which Desert the Robber starts on. Just odd there is no marker here, but there IS a Robber marked for Scenario 5. Inconsistent.

• Image error: Page 11 (Fog Islands map). The 3-Mountain hex looks weird. The mountains is misaligned with the hex, the internal image is rotated 30 degrees (I think) Twisted back into place!
• Image error: Page 13 (Through the Desert map). The instructions on page 12 indicate 11 Harbors are used, but the map only shows 10. Looking at the 4th Edition map, and Catan Universe's version today, the Harbor by the 12-Pasture somehow got dropped.
• Image error: Page 13 (Through the Desert map). The 'foreign area' are missing red outlines, like the 3-4 player version has. More liberties will need to be taken by the players, if they want to make a variable map.
• *Format error: Page 16: Harbors at the top isn't bolded.
• Incorrect component count or Image error: Page 16 or 17 (Cloth for Catan). The first page says there are 11 Harbors (like many other scenarios). However, the map on the other page shows 12 Harbors. A new harbor was added by the 8-Wheat hex, onto the lower-right frame. I am unsure which page is incorrect, since previous Editions didn't have a harbor there, but the current Extension includes an extra 2:1 Wool (as normal), and a 6th 3:1 port (for a total of 12 Harbors in Seafarers).
• *Typo: Page 18: The # 26, for describing how many Sea hexes, accidently has a bunch of dots in between 2 and 6
• Image Error: A Robber is erroneously added to the middle desert island. THERE IS NO ROBBER FOR THIS SCENARIO.
• Incorrect component count: Page 22. The count for the # tokens are off for multiple reasons:

1. Adding up all the tokens equals 40, when the total below says 39. Since there will be 39 resource producing hexes, there is an extra # token in the count above.
2. However, the Base Game's 5-6 extension only has 28 tokens, while Seafarers adds 10 more (total 38). This implies a # token should be taken from the Base Game, so the rulebook should make that clear
3. Related to that, it says there should be 5 copies of the 5-9 tokens. This is impossible, since Base 5-6 + SF should have 3 copies of 2 and 12, 4 of everything else. Again, implying more tokens from the Base Game need to be taken, but it never states this.

5-6 Cities & Knights: No mistakes! It is STILL clean!!!
5-6 Traders & Barbarians

• Image errors?: Page 3+4. The frame setup is completely different than normal. The frame extension pieces are also in different positions. Instead of the usual setup (from the top, clockwise):

1. '6-1'>'1-2'>'2-2'>'2-3'>'3-3'>'3-4'>'4-5'>'5-5'>'5-6'>'6-6'>; page 3 instead displays (from top-left, clockwise):
2. '6-1'>'2-2'>'1-2'>'3-3'>'3-4'>'2-3'>'6-6'>'4-5'>'5-5'>'5-6'>. If this is supposed to be intentional, the rulebook should either state this (or be more specific), or make the image bigger, since I had to squint to see the different layout.
3. Also, if the different frame setup is intentional, why not show T&B's version of the '5-6' frame piece (with the missing coast)?

• Formatting error: Top of Page 4. The line for the 'Additional Components' looks... off. Not lined up with the rest of the text below.
• Component List mistake: Page 5, the Castle Hex is incorrectly labeled as a Oasis hex!
• Image error?: Page 5+6. While the frame mostly follows the 'new' layout in pages 3+4, there is now a 2nd '4-5' frame, replacing the '2-3' frame in the bottom-right corner. While technically possible, since T&B does have its own version of '4-5' (with missing coastline), the image does not reflect the artwork, copying the base game's '4-5' piece twice. Again, the rulebook make no written mention of the new frame order.
• Image error?: Page 9 Page 10: While the rulebook finally gives some instruction regarding the frame, curious why the image doesn't show T&B's version of the '5-6' frame piece (with the missing coast)?
• Image errocontradiction: Page 10 Page 9. The instructions say the regular Quarry and Glassworks hexes may not have Settlements built on the corners that only border the frame (ocean), only the 4 intersections that border other hexes (the new Quarry and Glassworks from T&B's extension don't have this restriction). However, the image is showing possible Settlement locations on all 6 corners, for both the new and old trade hexes. Either the image is mistaken, or the instructions are.
• Contradiction/Inconsistency: Page 9 states that Player 2 may NOT use Gold Coins to purchases resources. This is in contrast with previous scenarios, which state you can. In addition, later in the rulebook, where the various Player 1/Player 2 actions are summarized, Page 12 says Player 2 CAN use Gold Coins to buy resources!
• Component List mistake: Page 11 Page 10, Card Deck Manifest. The total count for the 5th scenario's Development cards should say 12, not 26; and the total count for the Baggage Train cards should say 10, NOT 21. These incorrect totals are copied from regular T&B.

5-6 Explorers & Pirates

• *Image error: The image showing the "Catan 5-6 Player Extension Pieces" sorting tile is showing resource cards with 4th Edition graphics! (I doubt the real Sorting Tile has this error. I hope not)
• Missing words?: Page 2,3,4,5. The second sentence of each page says "The two hexes in the illustration marked 'Green Back' and 'Orange Back' must be taken...". Shouldn't it instead say "The two sets of hexes..."? It does now :)
• Component List mistake: Page 2. The hexes shown for the Orange Sun side are accidently copied over from the Green Moon side. To further explain:

1. The terrain hexes from regular E&P should show 2 Fields hexes, and 1 of everything else. Instead its showing 2 Mountain hexes (which is only correct for the Green Moon side)
2. The terrain hexes from E&P's extension should be Mountain-Pasture-Hills. Instead its showing Mountain-Forest-Fields (again, only correct for the Green Moon side)

• Missing rule?: Page 6. The Paired Players summary chart doesn't mention using Gold Coins to buy resources, for neither Player 1 or 2. I suppose you can infer both can use Gold Coins, I only bring this up since T&B bothers to mention Gold Coins.

So to summarize:

1. Base Game Extension: Originally 2 errors, 1 was fixed, 1 was added
2. Seafarers Extensions: Originally 12 errors. 9 were fixed, 2 were added
3. C&K Extension: Never had errors, none were added :)
4. T&B Extension: Originally 9 errors. 1 was fixed, and 1 was added >:(
5. E&P Extension: Originally 3 errors. 1 was fixed, 1 was added.

In the end, I'm a little disappointed. The only extension rulebook that saw any real improvement was SF. I wasn't planning on buying any Extensions until the rules were updated with the new Paired Players system. But... maybe I'll just have to wait for the 6th Edition, in 2030. :(
I shouldn't be so hard on them, as I missed several errors myself the first time around. Even some of my own errors in my original list (fixed now). But I'm just some bored shmuck doing this in my free time. I'd expect more from a corporation.

i think it’s just a result of people not knowing how reddit/forums work so really nothing against yall. not gonna link any bc i don’t wanna brigade or make anyone specifically feel bad but if you look at the front page on any given day like nearly half the posts have poor titles. post titles shouldn’t be “la fortuna” and then the post body says “i’ll be in la fortuna for 3 days and am wondering if i should do canyoning or ziplining” or something like that. you should just put that full entire question in the post title, that is more likely to get you bettefaster answers and more knowledgeable people.
not sure how active the mods are here but i’m in other subs that have this rule and it vastly increases the quality of the sub. just a suggestion, thanks

Being totally true to the original game, we would actually add these a week and half into the game after everyone had just been making up their troop numbers. What follows is a slightly modified form of the rules that were on the original wiki.

Code of Chivalry

YOU MUST READ THROUGH THESE RULES IF YOU WISH TO PARTICIPATE IN THE SUBREDDIT! THEY ARE VITAL TO KEEPING THE SUBREDDIT FUNCTIONING IN THE MOST IDEAL MANNER!

1) Time

• Time in /westerospowers does not progress at the same rate as IRL. For more effective interaction, it is sped up.
  
• 1 day IRL = 2 months in WP
  
• Like in /worldpowers, Sunday is not counted in WP, this is a day off where houses can post [NEWS] for the week relating to their holding. [EVENTS] cannot be created, nor [CONFLICTS]. Basically, no action other than [NEWS], [CLAIM] or [META] can take place on Sunday. In your post, put the WP time, not IRL time (for example) : 4 months . (this would be 2 days IRL)
  

2) Claiming

You can claim a holdfast and a house/faction, which will give you dominion over it's adjoining lands. For example; House Baratheon and Storm's End, or Vaes Dothrak and the Dothraki Sea. There cannot be more than one of each house, unless an agreement has been reached, and then no more than two. The two must also be easily distinguishable (i.e. Stannis/Renly Baratheon).
Click here to see what can and can't be claimed.

• When you claim, use the [CLAIM] tag and state the house and holdfast in your title, and then use the description to tell us what you want your style to be (e.g. Kingslayer, Lion of the Rock, Red Viper, Mother of Dragons).
  
• Once you claim a holdfast, we will do the best we can to quickly get it on the Claimed List. Remember, we fuck up too, so feel free to message the mods.
  
• You may abandon your holdfast at any point in the game and claim another one. However, you will only be able to do so again after 1 month.
  
• ORGANIZATIONS NOT MENTIONED IN THE LIST ARE NOT AVAILABLE CLAIMS. It doesn't matter if they exist in the ASOIAF universe, you cannot claim the Faceless Men or Sellsword Company #91238 if they're not listed.
  

3) Wiki

• Once you claim a holdfast, we will make a wiki page for you. Make sure to include your title and , a brief description of your house, your prominent laws and regulations, and any alliances, or allegiances you have.
  
• Example, The Citadel
  
• Please update your wiki, it makes it easier when people want to find out about your house for alliances/fealty etc.
  

4) Etiquette

POSTS
DO

• Use a tag: [CLAIM], [EVENT], [EXPANSION], [CONFLICT], [NEWS], or [META].
  
• Announce anything important, agreements, events, and make decrees. Celebrate or commiserate occasions, such as marriage contracts, welcoming a new sworn sword, mourning a death, completing construction, weddings, funerals, etc.
  

DO NOT

• Be stupid. Play the game of thrones, be patient, forge alliances, and don't unveil your moves until it's too late. Open war is not always the most feasible option. .

.

5) Duel

[DUEL] will be used for starting duels. A duel will consist of a 1v1 battle between two characters. Each belligerent will post a role playing story of the last few minutes before the fight begins. The "home team" gets to make the first post so they can describe the location of the duel. The stories will be voted upon and the post with the most upvotes (not overall score because we're ignoring downvotes) will win. The winner will then post a [DUEL - RESOLVED] post that describes the fight. If a stories score doubles (minimum winner score 4) the other's the winner may kill the loser. Otherwise, all duels end with a capture or injury.

6) Conflict

It is natural that houses will wish to attack other houses for land and resources, or simply to keep things interesting. This is fine, but it is wise to consider diplomacy before calling the banners.

How do I create a Conflict?

• Make a post using the [Conflict - Rally] tag declaring that you are rallying your allies. This step will be used for a lord to call his allies to rally on him for a coming battle. Any lords that wish to participate in a coming battle must respond to this post (with the amount of troops rallied) in order to be counted in the battle. Any forces that were loaned to a lord by an [Event] post can be rallied by the loanee. The opposing side in the conflict should create their own rally post. You can still choose to stand down from a rally.

[Conflict - Rally] The Riverlands call forth their banners against the false King!

• If you wish to betray those who think you allies, Rally as normal for your supposed allies. Then send a message to the moderators with a [Conflict - Betrayal] tag. The mod will take your forces into account on the correct side.
  
• When at least 24 IRL hours have passed since one of the Rallies, you may then commit your forces using a [CONFLICT - COMMIT]. This signals the attack; defenders can not commit. This sets the number of troops that will be on each side to whomever has rallied on each side. If one side does not create a Rally post it is assumed that they use their full local forces (i.e. those still in the holdfast). A mod will then create the next post.
  

[CONFLICT-COMMIT] MyHouse attacks ThatHouse

• If you wish to retire from the field (i.e. if diplomacy succeeds or if you do not want to do battle), please create a [Rally - Release] post. This will count as your troops leaving the field, and neither army will be able to attack after that post has been made. Of course, if you retreat while defending a holdfast, the attackers can freely take it.

How does a conflict end?

• Whichever team of countries has the most points from battles wins. If the loser does not surrender then the battle continues. If the conflict lasts for the full 6 days IRL, then the loser must agree to a fully unconditional surrender.
  
• Another way for a conflict to end is if the attacker calls off the conflict or if the holdfast invaded surrenders or they both come up with a peaceful treaty to end the war.
  

What happens after a Conflict where a winner is declared at the end?

• The losing ruler has two options:

a) The less honourable course: They may rule their holdfast under the authority of the winner by pledging fealty, and becoming vassals. This means they must give their allegiance to the winning house. However, the loser can plot to overthrow the winner, but obviously must find the support to do it. The victor lays claim to the conquered land. The losing ruler still has control of the land, however, will be under control of the victor and will need to report to the victor as the victor may veto any decision the losing ruler makes
b) The honourable way: They may be destroyed by the winning house, root and stem. The losing house will be completely eradicated. The disputed lands will go to the winning house.
If a person's house has been eradicated (i.e. House Reyne), they may claim a new one after 7 days.

6) Expansion

General Guidelines

Because we recognize the reality that houses are going to want to annex unclaimed holdfasts for more land, we are making imperialism to a certain degree allowed.

• YOU CANNOT ANNEX WHOLE COUNTRIES! This doesn't include small islands. We will only allow territories or regions, like Winterfell taking White Harbour.
  
• Small regions are eligible for imperialism, but if your annexation of territory starts to become unreasonable, we will force you to renounce your annexation or just delete your post. Please try to keep it to a reasonable size.
  
• If you claimed a small region at first and want to annex another, message the mods. We will evaluate your request and see if you can take control of another small area.
  
• If you try to claim the entire North, you are going to have a bad time! Be reasonable and realistic, only take over small regions.
  
• Any region that is under the control of a claimed holdfast (read: imperialized) cannot be taken over by someone else.
  
• If you win a war against a house with imperialized territories, the conflict rules apply to the territories as well (refer back to War).
  
• Abandoned/revoked holdfasts belong to the liege lord. If no new player tries to claim them in 3 days, the liege lord is free to give them away. If there's no liege lord, the city/castle will become available in the claim list.
  

How to Imperialize

If you are declaring an annexation, use the tag [EXPANSION]. We will also put a list in the wiki of Annexed Territories. This is how you should go through your annexation:
1) [EXPANSION] House A will be sending delegates over to Holdfast X to discuss fealty.

• Put the proposed terms of your annexation as well as an explanation for it

2) [EXPANSION] Holdfast X has agreed to swear fealty to House A

• Describe any changes to the region annexed.

THANK YOU TO ANYONE WHO FOLLOWS THIS FORMAT, IT MAKES THINGS EASIER FOR THE MODS!

7) Mod-Injected Crises

• Every now and then, because we are bored, we will make up a realistic crisis with a [CRISIS] tag. This can be an economic recession, natural disaster, or a magical threat.
  
• Each faction is encouraged to react to the crisis in the comments. You can say what your house is doing for recovery, if it will provide aid, how it affected you, etc.
  

8) Money

Please just be realistic. We aren't going to place limits because we want you guys to have fun, but if you donate 40 trillion gold dragons then obviously we will not allow it. Be aware of your house's economic situation, and just be realistic.

9) Inactivity

• To make sure houses don't become dormant, we will be enforcing active participation.
  
• TO BE CONSIDERED ACTIVE YOU MUST MAKE AT LEAST ONE [EVENT] PER WEEK
  
• You must also participate in News Days and post your [News] on Sundays
  
• If you fail to do so and it comes to our attention, then you will be given 1 day's notice before we default your house.
  

Let the mods know if you will be away for an extended period of time. If you have sufficient reason for your absence, and give a date when you will be able to return, the above does not apply for that time. Arrangements must also be made by the player regarding the temporary ownership of your holdfast. If these conditions are not met, the house may still be defaulted.
These land combat rules are taken from /essospowers, which we originally took from /westerospowers (the original set has been deleted).

Land Combat Rules

Thanks /Westerospowers for the original draft. This system is in effect as of right now.
Starting a Conflict

1. Normally all conflicts must begin with a [CONFLICT - RALLY] post. This post represents a host bringing their forces together for a fight. Normally at least 12 IRL hours must pass before a commit post is made.
   
2. If the two sides agree, or if a mod makes a ruling, you may skip straight to the commit phase.
   
3. The [CONFLICT - COMMIT] post indicates that the attack has been launched by the poster.
   
4. The mods will then make a [CONFLICT-SCORE] post ASAP. This conflict score post will use the below rules to declare a victor.
   

Fighting the Conflict
We will be using simple 6 sided dies (d6), 3 sided dies (d3), and 5 sided dies (d5) to represent combat. We have a bot perform these rolls. The number of which will be decided like this

1. In our example battle we have the following two sides: Side 1 consists of 1,000 men. Side 2 consists of 500 men.
   
2. Add both sides together to get the full number of troops in the battle, then divide each side's forces by that number to see the percentages. For example, a battle of 1,000 vs. 500 would be 66% and 33% respectively.
   
3. Each side's percentages will be rounded to the nearest 5%, so in this example it would be 65% and 35%. Each side will receive 1d6 for every 10%, any remaining 5% will give a 1d3. In the above example,the Side 1 (65%) force will receive 6d6 + 1d3. Side 2 (35%) will receive 3d6 + 1d3.
   
4. The results of the rolls will be added to create the initial score. The defender during a siege will receive a bonus to the their initial score equal to the defense value of the battle site. In this example, Side 2 will have a defense value of 4. The final result of all modifiers is the Battle Score.
   

Note: Defense bonus is based on the location of the defender and added to the end of the final total
Final = Total of Dice + Bonus
Note: Half the Defense value is added to the total dice sides. So a defense rating of 6 would add 3 making a D6 a D9.
In this example let's assume the following rolls:

• Side 1 (1,000, 65%): 1, 5, 4, 6, 3, 6, +2 (from the 1d3)
• Side 2 (500 , 35%): 3, 6, 6, +1 (from the 1d3), +4 (from defense)
  
• Side 1 Battle Score: 25
  
• Side 2 Battle Score: 20
  

Side 1 wins by 5!
During a battle in the open field this usually means the losing side is routed or retreats. During a siege the battle will continue until either side gives in or runs out of troops.
Note: Tie Goes To the Defender
Determining Casualties
Causalities will be determined as follows:
For the smaller army the average of all d6 rolls will be averaged together (round normally). In the above example that would result in an average of 5 ((6 + 6 + 3) / 3) kill dice for side 2. This determines how many kill dice (d5s) will be rolled for enemy causalities.
For the larger army, the highest d6 rolls equal to the amount of the smaller armies rolls will be averaged. In the above example that would mean the 3 highest (6,6,5) rolls would be averaged together for a result of 5.67, rounded to 6. The larger army (side 1) will roll 6d5 kill dice.
These d5 represent the percentage of causalities the opposing side will suffer. The winner will receive a bonus to their kill results equal to the amount of points they win by (in this example 6).

• Side 1 kill dice results: ( 1, 3, 1, 1, 1, 1) = 8 + 5 (excess battle score) = 13
• Side 2 kill dice results: ( 5, 2, 4, 3, 4) = 18

Those numbers represent how much of the opposing army is out of the fight (dead, injured, or captured). In this battle Side 1 won the battle, but Side 2 was able to cause a higher percentage of causalities.
18% x 1,000 = 180 troops out of the fight
13% x 500 = 65 troops out of the fight
What happens next
In an open field battle, the loser retreats and is run from the field. In a defense, another phase of battle will be run until either side gives in.
The mod running the battle will give a short blurb on what occurs in the fight. For this one, I would say something like:

Despite many casualties, Side 1 was able to get over the city's walls. Side 1 takes the inner side of the walls while Side 2 decides to continue the battle in the city streets.

Hello,
Names JCEE.
Like many individuals on this page, we are fans of a wrestling company known as All Elite Wrestling. As a long-time lurker, this fandom comes within many shapes, sizes and sorts. From my time here, there were many highs, All Out 2021 or Wembley Stadium, to the lowest lows, Brawl Out, and whether there were people that have been here since day 1 or just joined recently, we come together due to one simple fact:
WE LOVE AEW.
My origin into this fandom wasn't at the every start, I didn't watch All Out 1 or watched when AEW started weekly TV in its first year.
I was a waning WWE fan and the only weekly stuff I watched was NXT Takeovers and NXT UK because being in a part of Europe where I couldn't watch weekly the main roster stuff so just kept up to date with podcasts or highlights.
(Shoutout OG Whatculture with Pacitti, Jack and King Ross).
Like many fans of the E, I came in as a fan throughout the early 2000's and dropped off and came in again every so often.
The height of my fandom will always be going to Youtube in the old days and watching the Shield vs The Wyatt Family in Elimination Chamber.
Even back then, Mox to me was the leader of the Shield and still salty that they made Roman the leader towards the end. (haha)
Man it was wild to think that the main reason the E gave so much shine to Black and Gold NXT at Survivor series was mostly due to AEW gaining momentum.
NXT Black and Gold/UK will always hold a special place in my heart for two main reasons
1) it was the place where I showed my partner her first proper wrestling match: Adam Cole (Bay Bay) vs Keith Lee Champ for both their belts.
She was sad she coudn't get me the shirt for that match cause it was only available in US
2) Ilja Dragunov vs Walter. NXT UK Pandemic Era
Still to this day, my favourite series of matches that made me realise "man I love professional wrestling".
If any of you still have the old network go out of your way to watch this and their Takeover match, I remember being part of that journey where Ilja basically had to break himself down and build himself up to get another shot at Walter had to be something special to get me to watch a weekly show where only piped in crowd noise was the only response to the action.
However, even though I say these things and had those memories I don't watch the product anymore since my Membership expired. I recently went to a live event a while ago in Germany with my sister to see WWE.
Standout moments were:
a) The Miz cut a promo, in German, about how big his balls are. He faced Cody Rhodes and not gonna lie. Favorite match of the night.
b) Introduction to Main event Jey Uso live and the Yeet chants. Tag match with Sami Zayn that spiraled from an NXT North American Title Match that ended when Dom and JD got the DQ on the FIRST MATCH to set up a tag match.
c) New Day are still great
d) Imperium vs Alpha Academy was great home town goodness.
e) Gunther vs Bronson was easily a slapper. Both figuratively and literally. I was in seats high up in the Arena. I have a feeling most of us would die if Gunther were to chop any of us. It was LOUD.
f) Seth Rollins vs Shinsuke for the World title in a Berlin Street Fight. Gunther should have main evented and that table spot SUCKED BALLS.
After the event, My sister and I chatted, she had a great time. Told her I did too, I still would not watch the product again.
Alright, the preamble is now out the way. I know alot of you guys would consider the above excessive but I feel like I had to paint a picture to get you into the frame of my mind as a fan of wrestling. I'm not coming from a WWE hater but as someone who did love the things they did but, unlike some who dropped out after a multitude of BS wrestling bollocks from E, for myself, I just could'nt find a way to enjoy a company that seemed so.....two-faced.
AEW will always be the company that proved to me that there is a company that would do right by wrestlers who felt they could've been more.
The moment that made me into an avid AEW fan.
Jon Moxley beating Chris Jericho to win the AEW title for the first time.
The guy whose last run involved a gas mask was able to be crowned a champion as HIMSELF in front of an adoring crowd.
Then the Elite/Hangman saga. Eddie Kingston. Darby. Orange. AEW Dark hangouts.
I went into the deep end of this new company and wanting to know more about these new characters and people I was introduced to.
It still feels nostalgic thinking about how the Elite created the BTE title or the Bucks asking Eddie to cut a promo on a pack of cookies.
God that was some good times.
Then the Punk stuff happened.
With the preamble being as long as it was, this section is going to be brief. In summary:
-Exciting when he came in. Loved his match with Darby.
-Brawl Out was a situation where if you go back and just tweak things a little, I have a feeling we would have a different timeline that what we have today.
-Regardless, everyone shoulders blame and things could have been handled better. That said, CM Punk is an entitled baby who realised that just because TK loved him, the rest of the locker room had different opinions.
-Him being fired was probably the best to occur and regardless of what you feel about the video, still not cool to lunge at your boss cause you feel slighted. Leave your "oh it wasnt even that bad, TK got thin skin" bs out the door.
The above point is why Youtube personality Just Alyx soured on me.
"Come on, CM Punk Tony. LIke look at him"
That was the phrase that just made me sad about one of the people I loved to get his views on with the product.
Also JDfromNY. Loved his WWE rants. They were hilarious. With Papa H pretty much running the show, he and Alyx, two dudes I could just listen to and just kinda vibe with became insufferable.
I think the line where one posted "With Triple H finally getting these backstage hands in order and the Rock being one of the board members, I can confidently say that I can just enjoy and not backseat" was the push I needed to get those two off my timeline.
AEW as a five year old company has made mistakes, jesus christ Wardlow I'm so sorry, but it has shown it can grow and it's still a place where wrestlers can call home.
The recent thread on SQ is over 1.5k comments about the low ratings and I didn't click onto it cause I enjoy my mental health but I feel people forgot that Sting had his retirement match two months ago and that was arguably one of AEW's best PPV's. Then Dynasty happened and so on and so on.
There are alot of things that AEW needs to fix but I'm confident that all of us can admit, they have made great strides compared to its start and they will continue to improve without, hopefully, resorting to childish BS in the future
I feel like this post was therapeutic in the sense that I needed to vent about the recent online discourse. So I leave you guy's a question:
What is the one thing you can say that makes you love AEW
I'm JCEE. Thanks for the Ted Talk

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