Best Picture

1. Blitz(WINNER)
   
2. Sing Sing
   
3. Conclave
   
4. A Real Pain
   
5. The Nickel Boys
   
6. Dune Part II
   
7. Oh Canada
   
8. Parthenope
   
9. Joker Folie A Deaux
   
10. The Apprentice
    

Best Actor

1. Colman Domingo for Sing Sing(WINNER)
   
2. Ralph Fiennes for Conclave
   
3. Richard Gere for Oh Canada
   
4. Jesse Eisenberg for A Real Pain
   
5. Daniel Craig for Queer
   

Best Actress

1. Saoirse Ronan for Blitz(WINNER)
   
2. Lady Gaga for Joker Folie A Deaux
   
3. Angelina Jolie for Maria
   
4. Tilda Swinton for The Room Next Door
   
5. Celeste Dalla Porta for Parthenope
   

Best Supporting Actor

1. Kieran Culkin for A Real Pain(WINNER)
   
2. Samuel L. Jackson for The Piano Lesson
   
3. Stanley Tucci for Conclave
   
4. Clarence Maclin for Sing Sing
   
5. Jeremy Strong for The Apprentice
   

Best Supporting Actress

1. Aunjanuae Ellis-Taylor for The Nickel Boys(WINNER)
   
2. Isabella Rosselini for Conclave
   
3. Maria Bakalova for The Apprentice
   
4. Danielle Deadwyler for The Piano Lesson
   
5. Natasha Lyonne for His Three Daughters
   

Best Director

1. Steve McQueen for Blitz(WINNER)
   
2. Greg Kwedar for Sing Sing
   
3. Edward Berger for Conclave
   
4. Paolo Sorrentino for Parthenope
   
5. Denis Villenueve for Dune Part II
   

Best Original Screenplay

1. Jesse Eisenberg for A Real Pain(WINNER)
   
2. Steve McQueen for Blitz
   
3. Paolo Sorrentino for Parthenope
   
4. Gabriel Sherman for The Apprentice
   
5. Pedro Almodovar for The Room Next Door
   

Best Adapted Screenplay

1. Greg Kwedar and Clint Blintley for Sing Sing(WINNER)
   
2. Peter Straughan for Conclave
   
3. RaMell Ross and Joslyn Barnes for The Nickel Boys
   
4. Denis Villenueve and Jon Spaihts for Dune Part II
   
5. Paul Schrader for Oh Canada
   

Best Cinematography

1. Greig Fraser for Dune Part II(WINNER)
   
2. Yorick Le Saux for Blitz
   
3. Lawrence Sher for Joker Folie A Deaux
   
4. Daria D'Antonio for Parthenope
   
5. Mihai Malamare Jr for Megapolis
   

Best Film Editing

1. Peter Sciberras for Blitz(WINNER)
   
2. Joe Walker for Dune Part II
   
3. Benjamin Rodriguez Jr for Oh Canada
   
4. Parker Laramie for Sing Sing
   
5. Nick Emerson for Conclave
   

Best Production Design

1. Dune Part II(WINNER)
   
2. Joker Folie A Deaux
   
3. Blitz
   
4. Parthenope
   
5. Furiosa A Mad Max Saga
   

Best Visual Effects

1. Dune Part II(WINNER)
   
2. Kingdom of the Planet of the Apes
   
3. Furiosa A Mad Max Saga
   
4. Wicked
   
5. Mufasa: The Lion KIng
   

Best Sound

1. Blitz(WINNER)
   
2. Dune Part II
   
3. Furiosa: A Mad Max Saga
   
4. Joker Folie a Deaux
   
5. Gladiator II
   

Best Original Score

1. Bryan Dessner for Sing Sing(WINNER)
   
2. Hans Zimmer for Dune Part II
   
3. Hildur Guonadottir for Joker Folie a Deaux
   
4. Volker Bertelmann for Conclave
   
5. TBA for Blitz
   

Best Original Song

1. Possible song from Mufasa: The Lion King(WINNER)
   
2. Possible song from Wicked
   
3. Possible song from Joker Folie a Deaux
   
4. Possible song from Moana 2
   
5. Possible song from The Wild Robot
   

Best Costume Design

1. Maria(WINNER)
   
2. Dune Part II
   
3. Joker Folie A Deaux
   
4. Wicked
   
5. Gladiator II
   

Best Makeup and Hairstyling

1. The Apprentice(WINNER)
   
2. Joker Folie a Deaux
   
3. Wicked
   
4. Beetlejuice Beetlejuice
   
5. Nosferatu
   

Best Animated Feature

1. The Wild Robot(WINNER)
   
2. Inside Out 2
   
3. Moana 2
   
4. Lord of the Rings
   
5. The Most Precious of Cargoes
   

Predictions may tend to change as usual. The 2024 Cannes Film Festival just started, so there may be some alterations during and after if the movies featured in the festival are praised or panned, and whatever wins the top prizes (especially the Palme d'Or) later on this month.
UPDATE: Megalopolis just screened at Cannes and it looks like it's now out of the Oscar race (removing it from all major categories in my Oscar predictions). However, I think the potential possibility of a few technical categories may still be open.

Best Picture

• Blitz
• Conclave
• Dune: Part Two
• Kinds of Kindness
• Joker: Folie A Deux
• Nickle Boys
• Nightb\**h*
• Parthenope
• A Real Pain
• Sing Sing

Next in line: Anora, Bird, Furiosa: A Mad Max Saga, Gladiator II, Queer
Alt: All We Imagine As Light, Civil War, Didi, We Live In Time

Best Director

• Steve McQueen, Blitz
• Edward Berger, Conclave
• Denis Villeneuve, Dune: Part Two
• Todd Phillips, Joker: Folie A Deux
• Paolo Sorrentino, Parthenope

Next in line: George Miller, Furiosa: A Mad Max Saga; Ridley Scott, Gladiator II; Yorgos Lanthimos, Kinds of Kindness; Luca Guadagnino, Queer; Greg Kwedar, Sing Sing
Alt: Payal Kapadia, All We Imagine As Light; Sean Baker, Anora; Andrea Arnold, Bird; Audrey Diwan, Emmanuelle; Jesse Eisenberg, A Real Pain

Best Actor

• Ralph Fiennes, Conclave
• Joaquin Phoenix, Joker: Folie A Deux
• Daniel Craig, Queer
• Colman Domingo, Sing Sing
• Andrew Garfield, We Live In Time

Next in line: Sebastian Stan, The Apprentice; Barry Keoghan, Bird; Paul Mescal, Gladiator II; Jesse Eisenberg, A Real Pain
Alt: Austin Butler, The Bikeriders; Timothee Chalamet, Dune: Part Two; Tenoch Huerta, Pedro Páramo; John David Washington, The Piano Lesson

Best Actress

• Saorise Ronan, Blitz
• Zendaya, Challengers
• Lady Gaga, Joker: Folie A Deux
• Emma Stone, Kinds of Kindness
• Amy Adams, Nightb\**h*

Next in line: Mikey Madison, Anora; Celeste Dalla Porta, Parthenope; Tilda Swinton, The Room Next Door; Florence Pugh, We Live In Time
Alt: Jodie Comer, The Bikeriders; Noémie Merlant, Emmanuelle; Anya Taylor-Joy, Furiosa: A Mad Max Saga; Marianne Jean-Baptiste, Hard Truths; Carrie Coon, His Three Daughters

Best Supporting Actor

• Stanley Tucci, Conclave
• Jesse Plemons, Kinds of Kindness
• Samuel L. Jackson, The Piano Lesson
• Kieran Culkin, A Real Pain
• Clarence Maclin, Sing Sing

Next in line: Jeremy Strong, The Apprentice; John Lithgow, Conclave; Willem Dafoe, Kinds of Kindness; Gary Oldman, Parthenope
Alt: Tom Hardy, The Bikeriders; Harris Dickinson, Blitz; Javier Bardem, Dune: Part Two; Austin Butler, Dune: Part Two; Chris Hemsworth, Furiosa: A Mad Max Saga; Joseph Quinn, Gladiator II; Paul Raci, Sing Sing

Best Supporting Actress

• Isabella Rosselini, Conclave
• Joan Chen, Didi
• Lesley Manville, Queer
• Aunjanue Ellis-Taylor, Nickle Boys
• Danielle Deadwyler, The Piano Lesson

Next in line: Maria Bakalova, The Apprentice; Connie Nielsen, Gladiator II; Jennifer Grey, A Real Pain; Julianne Moore, The Room Next Door
Alt: Kathy Burke, Blitz; Rebecca Ferguson, Dune: Part Two; Zendaya, Dune: Part Two; Naomi Watts, Emmanuelle; Natasha Lyonne, His Three Daughters

Best Original Screenplay

• Blitz
• Didi
• Kinds of Kindness
• Parthenope
• A Real Pain

Next in line: Anora, Bird, We Live In Time
Alt: Civil War, His Three Daughters, The Room Next Door

Best Adapted Screenplay

• Conclave
• Dune: Part Two
• Joker: Folie A Deux
• Nickle Boys
• Sing Sing

Next in line: Emmanuelle, Nightb***h, Queer
Alt: Gladiator II, Here, Inside Out 2, Pedro Páramo, The Piano Lesson, The Wild Robot

Best Animated Feature

• Inside Out 2
• The Lord of the Rings: The War of the Rohirrim
• The Most Precious of Cargoes
• Memoir of a Snail
• The Wild Robot

Next in line: Moana 2, Spellbound, Ultraman: Rising
Alt: Ghost Cat Anzu, The Glassworker, Kung Fu Panda 4, That Christmas, Transformers One, Wallace & Gromit

Best International Feature

• All We Imagine As Light
• Emilia Pérez
• Emmanuelle
• No Other Land
• Parthenope

Next in line: Brief History of a Family, Grand Tour, Pedro Paramo
Alt: Crossing, Evil Does Not Exist (potentially), The Girl with the Needle, The Most Precious of Cargoes, Reinas

Best Documentary Feature

• Black Box Diaries
• Dahomey
• Daughters
• No Other Land
• Porcelain War

Next in line: Ibelin, SupeMan: The Christopher Reeve Story
Alt: Architecton, Piece By Piece, Sugarcane, Union, Will & Harper

Best Production Design

• Blitz
• Conclave
• Dune: Part Two
• Furiosa: A Mad Max Saga
• Gladiator II

Next in line: Beetlejuice Beetlejuice, Joker: Folie A Deux, Megalopolis, Nosferatu, Wicked
Alt: Civil War, Here, Kinds of Kindness, Kingdom of the Planet of the Apes, Nickle Boys, Pedro Páramo

Best Cinematography

• Blitz
• Conclave
• Dune: Part Two
• Joker: Folie A Deux
• Parthenope

Next in line: Bird, Civil War, Gladiator II, Kinds of Kindness
Alt: Didi, Emmanuelle, Megalopolis, Pedro Páramo

Best Costume Design

• Dune: Part Two
• Furiosa: A Mad Max Saga
• Gladiator II
• Joker: Folie A Deux
• Wicked

Next in line: The Apprentice, Blitz, Beetlejuice Beetlejuice, Conclave, Nosferatu
Alt: Kingdom of the Planet of the Apes, Megalopolis, Nickle Boys, The Piano Lesson

Best Film Editing

• Blitz
• Conclave
• Dune: Part Two
• Furiosa: A Mad Max Saga
• Joker: Folie A Deux

Next in line: Civil War, Gladiator II, Queer, A Real Pain, Sing Sing
Alt: Anora, Bird, Challengers, Didi, Kinds of Kindness

Best Makeup & Hairstyling

• Beetlejuice Beetlejuice
• Dune: Part Two
• Furiosa: A Mad Max Saga
• Joker: Folie A Deux
• Wicked

Next in line: The Apprentice, Blitz, Deadpool & Wolverine, A Different Man, Gladiator II, Nosferatu
Alt: Abigail, Challengers, Civil War, Hit Man, Kingdom of the Planet of the Apes, Monkey Man, Parthenope

Best Sound

• Civil War
• Dune: Part Two
• Furiosa: A Mad Max Saga
• Joker: Folie A Deux
• A Quiet Place: Day One

Next in line: Blitz, Challengers, Gladiator II, Twisters
Alt: Deadpool & Wolverine, The End, The Fall Guy, Megalopolis, Nightb\**h*

Best Visual Effects

• Deadpool & Wolverine
• Dune: Part Two
• Furiosa: A Mad Max Saga
• Kingdom of the Planet of the Apes
• Mufasa: The Lion King

Next in line: Civil War, Ghostbusters: Frozen Empire, Gladiator II, Godzilla x Kong: The New Empire, A Quiet Place: Day One, Twisters
Alt: Alien: Romulus, Beetlejuice Beetlejuice, The Fall Guy, Here, IF, Megalopolis, Tuesday, Wicked, The Wild Robot

Best Original Score

• Trent Reznor and Atticus Ross, Challengers
• Volker Bertlemann, Conclave
• Hans Zimmer, Dune: Part Two
• Hildur Guonadottir, Joker: Folie A Deux
• Bryce Dessner, Sing Sing

Next in line: TBA, Blitz; Tom Holkenborg, Furiosa: A Mad Max Saga; Jerskin Fendrix, Kinds of Kindness; Trent Reznor and Atticus Ross, Queer
Alt: Geoff Barrow and Ben Salisbury, Civil War; Harry Gregson-Williams, Gladiator II; Gustavo Santaolalla, Pedro Páramo; Alan Menken, Spellbound; Kris Bowers, The Wild Robot

Best Original Song

• TBA, Diane Warren: Relentless
• TBA, Joker: Folie A Deux
• TBA, Moana 2
• TBA, Spellbound
• TBA, Twisters

Next in line: TBA, Mufasa: The Lion King
Alt: TBA, The End; Not My Fault, Mean Girls

Best Picture

1. Dune Part Two
   
2. Conclave
   
3. Blitz
   
4. Queer
   
5. The Apprentice
   
6. Sing Sing
   
7. Megalopolis
   
8. Gladiator II
   
9. Anora
   
10. The Piano Lesson
    

Best Director

1. Dune Part Two - Denis Villenueve
   
2. Queer - Luca Guadagnino
   
3. Blitz - Steve McQueen
   
4. Conclave - Edward Berger
   
5. Megalopolis - Francis Ford Coppola
   

Best Actress

1. Nightbitch - Amy Adams
   
2. Blitz - Saoirse Ronan
   
3. Maria - Angelina Jolie
   
4. Challengers - Zendaya
   
5. Anora - Mikey Madison
   

Best Actor

1. Queer - Daniel Craig
   
2. Conclave - Ralph Fiennes
   
3. Sing Sing - Colman Domingo
   
4. The Apprentice - Sebastian Stan
   
5. We Live In Time - Andrew Garfield
   

Best Supporting Actress

1. Juror No. 2 - Toni Collette
   
2. The Piano Lesson - Danielle Deadwyler
   
3. His Three Daughters - Natasha Lyonne
   
4. Megalopolis - Aubrey Plaza
   
5. The Apprentice - Maria Bakalova
   

Best Supporting Actor

1. The Apprentice - Jeremy Strong
   
2. Queer - Drew Starkey
   
3. The Piano Lesson - Samuel L. Jackson
   
4. A Real Pain - Kieran Culkin
   
5. Dune Part Two - Austin Butler
   

Original Screenplay

1. Blitz
   
2. Sing Sing
   
3. The Apprentice
   
4. Anora
   
5. Kinds of Kindness
   

Adapted Screenplay

1. Queer
   
2. Dune Part Two
   
3. Conclave
   
4. The Piano Lesson
   
5. Nightbitch
   

International Feature

1. Parthenope
   
2. Evil Does Not Exist
   
3. Emmanuelle
   
4. Didi
   
5. Emilia Perez
   

Animated Feature

1. The Lord of the Rings: The War of the Rohirrim
   
2. Inside Out 2
   
3. The Wild Robot
   
4. Wildwood
   
5. Moana 2
   

Cinematography

1. Dune Part Two
   
2. Conclave
   
3. Blitz
   
4. Megalopolis
   
5. Gladiator II
   

Editing

1. Dune Part Two
   
2. Conclave
   
3. The Apprentice
   
4. Blitz
   
5. Gladiator II
   

Production Design

1. Megalopolis
   
2. Wicked Part One
   
3. Dune Part Two
   
4. Blitz
   
5. Nosferatu
   

Costume Design

1. Wicked Part One
   
2. Dune Part Two
   
3. Gladiator II
   
4. Maria
   
5. Nosferatu
   

Makeup and Hairstyling

1. Dune Part Two
   
2. Joker: Folie à Deux
   
3. Wicked Part One
   
4. The Apprentice
   
5. A Different Man
   

Visual Effects

1. Dune Part Two
   
2. Furiosa: A Mad Max Saga
   
3. Gladiator II
   
4. Twisters
   
5. Kingdom of the Planet of the Apes
   

Sound

1. Dune Part Two
   
2. Blitz
   
3. Gladiator II
   
4. A Quiet Place: Day One
   
5. Joker: Folie à Deux
   

Score

1. Challengers
   
2. Dune Part Two
   
3. Conclave
   
4. Blitz
   
5. Queer
   

Hello!
Yes, I know Cannes has already technically started, but none of the potential major players have premiered yet, so…
Anyway, as always, let me know what you guys think of my predictions.
I’m trying the ranked format again, by the way, I might keep flip-flopping between it and the list format, also let me know which one you prefer.
———————————————————————————
Best Picture:
1. A Real Pain (Searchlight Pictures) (WINNER)

1. Sing Sing (A24)
   
2. Dune: Part Two (Warner Bros.)
   
3. Joker: Folie à Deux (Warner Bros.)
   
4. Blitz (Apple Original Films)
   
5. Parthenope (A24)
   
6. Queer (TBD)
   
7. Conclave (Focus Features)
   
8. Nickel Boys (Amazon MGM Studios)
   
9. The Room Next Door (Sony Pictures Classics)
   

Next in Line: Here (Sony Pictures), Bird (TBD), Gladiator 2 (Paramount Pictures), The Apprentice (TBD), Nightbitch (Searchlight Pictures)
———————————————————————————
Best Director:
1. Denis Villeneuve - Dune: Part Two - WINNER

1. Steve McQueen - Blitz
   
2. Paolo Sorrentino - Parthenope
   
3. Todd Phillips - Joker: Folie à Deux
   
4. Jesse Eisenberg - A Real Pain
   

Next in Line: Pedro Almodóvar - The Room Next Door
———————————————————————————
Best Actor:
1. Colman Domingo - Sing Sing (WINNER)

1. Daniel Craig - Queer
   
2. Jesse Eisenberg - A Real Pain
   
3. Ralph Fiennes - Conclave
   
4. Barry Keoghan - Bird
   

Next in Line: Tom Hanks - Here
———————————————————————————
Best Actress:
1. Lady Gaga - Joker: Folie à Deux (WINNER)

1. Saoirse Ronan - Blitz
   
2. Angelina Jolie - Maria
   
3. Amy Adams - Nightbitch
   
4. Tilda Swinton - The Room Next Door
   

Next in Line: Celeste Dalla Porta - Parthenope
———————————————————————————
Best Supporting Actor:
1. Kieran Culkin - A Real Pain (WINNER)

1. Clarence Maclin - Sing Sing
   
2. Samuel L. Jackson - The Piano Lesson
   
3. John Lithgow - Conclave
   
4. Gary Oldman - Parthenope
   

Next in Line: Frank Rogowski - Bird
———————————————————————————
Best Supporting Actress:
1. Aunjanue Ellis-Taylor - Nickel Boys (WINNER)

1. Danielle Deadwyler - The Piano Lesson
   
2. Julianne Moore - The Room Next Door
   
3. Isabella Rosselini - Conclave
   
4. Lesley Manville - Queer
   

Next in Line: Jennifer Grey - A Real Pain
———————————————————————————
Best Original Screenplay:
1. A Real Pain - Written by Jesse Eisenberg (WINNER)

1. Parthenope - Written by Umberto Contarello and Paolo Sorrentino
   
2. Blitz - Written by Steve McQueen
   
3. The Room Next Door - Written by Pedro Almodóvar
   
4. Bird - Screenplay by Andrea Arnold
   

Next in Line: Anora - Written by Sean Baker
———————————————————————————
Best Adapted Screenplay:
1. Sing Sing - Screenplay by Clint Bentley and Greg Kwedar, Story by Clint Bentley, Greg Kwedar, Clarence Maclin, and John Whitfield (WINNER)

1. Nickel Boys - Screenplay by Joslyn Barnes and RaMell Ross
   
2. Queer - Screenplay by Justin Kuritzkes
   
3. Conclave - Screenplay by Peter Straughan
   
4. Dune: Part Two - Screenplay by Jon Spaihts and Denis Villeneuve
   

Next in Line: Nightbitch - Screenplay by Marielle Heller
———————————————————————————
Best Production Design:
1. Joker: Folie à Deux (WINNER)

1. Dune: Part Two
   
2. Blitz
   
3. Gladiator II
   
4. Wicked
   

Next in Line: Here
———————————————————————————
Best Cinematography:
1. Dune: Part Two - Greig Fraser

1. Joker: Folie à Deux - Lawrence Sher
   
2. Blitz - Yorick Le Saux
   
3. Parthenope - Daria D’Antonio
   
4. Megalopolis - Mihai Mălaimare Jr.
   

Next in Line: The Girl with the Needle - Michal Dymek
———————————————————————————
Best Film Editing:
1. Dune: Part Two - Joe Walker (WINNER)

1. Blitz - Peter Sciberras
   
2. A Real Pain - Robert Nassau
   
3. Sing Sing - Parker Laramie
   
4. Joker: Folie à Deux - Jeff Groth
   

Next in Line: Queer - Marco Costa
———————————————————————————
Best Makeup and Hairstyling:
1. Furiosa: A Mad Max Saga (WINNER)

1. Dune: Part Two
   
2. Joker: Folie à Deux
   
3. Beetlejuice Beetlejuice
   
4. Wicked
   

Next in Line: Nosferatu
———————————————————————————
Best Costume Design:
1. Furiosa: A Mad Max Saga (WINNER)

1. Joker: Folie à Deux
   
2. Dune: Part Two
   
3. Gladiator II
   
4. Wicked
   

Next in Line: Megalopolis
———————————————————————————
Best Sound:
1. Dune: Part Two (WINNER)

1. Joker: Folie à Deux
   
2. Blitz
   
3. Furiosa: A Mad Max Saga
   
4. Twisters
   

Next in Line: Gladiator II
———————————————————————————
Best Visual Effects:
1. Dune: Part Two (WINNER)

1. Furiosa: A Mad Max Saga
   
2. Gladiator II
   
3. Kingdom of the Planet of the Apes
   
4. Twisters
   

Next in Line: Here
———————————————————————————
Best Original Score:
1. Queer - Trent Reznor & Atticus Ross (WINNER)

1. Dune: Part Two - Hans Zimmer
   
2. Joker: Folie à Deux - Hildur Guðnadóttir
   
3. Sing Sing - Bryan Dessner
   
4. Blitz - TBA
   

Next in Line: Conclave - Volker Bertelmann
———————————————————————————
Best Animated Feature:
1. The Wild Robot (Chris Sanders, DreamWorks Animation) (WINNER)

1. The Lord of the Rings: The War of the Rohirrim (Kenji Kamiyama, Warner Bros.)
   
2. Inside Out 2 (Kelsey Mann, Disney/Pixar)
   
3. The Most Precious of Cargoes (Michel Hazanavicius, TBD)
   
4. Memoir of a Snail (Adam Elliot, TBD)
   

Next in Line: Ghost Cat Anzu (Yôko Kuno and Nobuhiro Yamashita, GKIDS)
———————————————————————————
Best International Feature:
1. Parthenope (Paolo Sorrentino, Italy, A24) (WINNER)

1. All We Imagine As Light (Payal Kapadia, India, TBD)
   
2. Grand Tour (Miguel Gomes, Portugal, TBD)
   
3. Emilia Pérez (Jacques Audiard, Mexico, TBD)
   
4. The Most Precious of Cargoes (Michel Hazanavicius, France, TBD)
   

Next in Line: The Girl with the Needle (Magnus von Horn, Denmark, TBD)
———————————————————————————
Best Documentary Feature:
1. SupeMan: The Christopher Reeve Story (Ian Bonhôte and Peter Ettedgui, Warner Bros.) (WINNER)

1. Black Box Diaries (Shiori Ito, TBD)
   
2. Ibelin (Benjamin Ree, Netflix)
   
3. Porcelain War (Brendan Bellomo and Slava Leontyev, TBD)
   
4. No Other Land (Yuval Abraham, Basel Adra, Hamden Ballal, and Rachel Szor, TBD)
   

Next in Line: Sugarcane (Julian Brave NoiseCat and Emily Kassie, National Geographic Documentary Films)

I’ll start by noting that I'm not gonna predict Documentary or Song yet because I don’t have a clear idea on where those are going as of now. And of course, all of these are subject to change - 90% of these predictions here will probably be dead wrong, but since this is all written up already, why not put it out?
(Also, I know Cannes has technically started already, but let’s be honest: did anyone really think that The Second Act would be that much of a breakout anyways?)
BEST PICTURE

1. Blitz (Apple)
2. Conclave (Focus Features)
3. His Three Daughters (Netflix)
4. Dune: Part II (Warner Bros.)
5. Sing Sing (A24)
6. Joker: Folie à Deux (Warner Bros.)
7. The Apprentice (TBA)
8. All We Imagine As Light (TBA)
9. The Fire Inside (MGM)
10. Nightbitch (Searchlight)

(Alt: The Piano Lesson (Netflix))
BEST DIRECTOR

1. Steve McQueen, Blitz
2. Edward Berger, Conclave
3. Denis Villenueve, Dune: Part II
4. Payal Kapadia, All We Imagine As Light
5. Rachel Morrison, The Fire Inside

(Alt: Todd Phillips, Joker: Folie à Deux)
BEST ACTOR

1. Colman Domingo, Sing Sing
2. Ralph Fiennes, Conclave
3. Joaquin Phoenix, Joker: Folie à Deux
4. Daniel Craig, Queer
5. Sebastian Stan, The Apprentice

(Alt: Kieran Culkin, A Real Pain)
BEST ACTRESS

1. Saoirse Ronan, Blitz
2. Lady Gaga, Joker: Folie à Deux
3. Angelina Jolie, Maria
4. Amy Adams, Nightbitch
5. Carrie Coon, His Three Daughters

(Alt: Zendaya, Challengers)
BEST SUPPORTING ACTOR

1. Stanley Tucci, Conclave
2. Samuel L. Jackson, The Piano Lesson
3. Bryan Tyree Henry, The Fire Inside
4. Clarence Maclin, Sing Sing
5. Stephen Graham, Blitz

(Alt: Jeremy Strong, The Apprentice)
BEST SUPPORTING ACTRESS

1. Natasha Lyonne, His Three Daughters
2. Danielle Deadwyler, The Piano Lesson
3. Maria Bakalova, The Apprentice
4. Elizabeth Olsen, His Three Daughters
5. Isabella Rossellini, Conclave

(Alt: Aunjanue Ellis-Taylor, Nickel Boys)
BEST ORIGINAL SCREENPLAY

1. His Three Daughters
2. Blitz
3. All We Imagine As Light
4. Didi
5. The Apprentice

(Alt: Anora)
BEST ADAPTED SCREENPLAY

1. Conclave
2. Sing Sing
3. Nightbitch
4. The Fire Inside
5. Dune: Part II

(Alt: The Actor)
BEST ANIMATED FEATURE

1. The Wild Robot
2. Inside Out 2
3. Memoir Of A Snail
4. The Lord Of The Rings: The War Of The Rohirrim
5. The Magnificent Life of Marcel Pagnol

(Alt: Spellbound)
BEST INTERNATIONAL FEATURE

1. All We Imagine As Light
2. Evil Does Not Exist
3. Parthenope
4. Motel Destino
5. Emilia Perez

(Alt: Hesitation Wound)
BEST CINEMATOGRAPHY

1. Blitz
2. Dune: Part II
3. Joker: Folie à Deux
4. Maria
5. Conclave

(Alt: The Fire Inside)
BEST FILM EDITING

1. Blitz
2. Dune: Part II
3. Conclave
4. His Three Daughters
5. The Fire Inside

(Alt: Sing Sing)
BEST COSTUME DESIGN

1. Dune: Part II
2. Wicked
3. Joker: Folie à Deux
4. Gladiator II
5. Conclave

(Alt: Blitz)
BEST PRODUCTION DESIGN

1. Dune: Part II
2. Blitz
3. Gladiator II
4. Joker: Folie à Deux
5. Conclave

(Alt: Megalopolis)
BEST MAKEUP AND HAIRSTYLING

1. Dune: Part II
2. The Apprentice
3. Joker: Folie à Deux
4. Maria
5. Furiosa: A Mad Max Saga

(Alt: Blitz)
BEST ORIGINAL SCORE

1. Dune: Part II
2. Blitz
3. Conclave
4. Sing Sing
5. All We Imagine As Light

(Alt: Challengers)
BEST SOUND

1. Dune: Part II
2. Blitz
3. Joker: Folie à Deux
4. Maria
5. Furiosa: A Mad Max Saga

(Alt: Gladiator II)
BEST VISUAL EFFECTS

1. Dune: Part II
2. Kingdom of the Planet of the Apes
3. Furiosa: A Mad Max Saga
4. Beetlejuice Beetlejuice
5. Gladiator II

(Alt: Mufasa: The Lion King)
BONUS: SAG ENSEMBLE

1. Blitz
2. Conclave
3. Sing Sing
4. Dune: Part II
5. The Piano Lesson

(Alt: The Fire Inside)

Best Picture
1.Dune Part Two
2.The Apprentice
3.Sing Sing
4.Blitz
5.Joker:Folie a Deux
6.Megalopolis
7.Nickel Boys
8.Conclave
9.Queer
10.The Piano Lesson
Best Director
1.Denis Villeneuve (Dune Part Two)
2.Steve McQueen (Blitz)
3.Todd Phillips (Joker:Folie a Deux)
4.Francis Ford Coppola (Megalopolis)
5.Ali Abbasi (The Apprentice)
Best Lead Actress
1.Lady GaGa (Joker:Folie a Deux)
2.Saorise Ronan (Blitz)
3.Jessica Lange (Long Day’s Journey into Night)
4.Angelina Jolie (Maria)
5.Amy Adams (Nightbitch)
Best Lead Actor
1.Sebastian Stan (The Apprentice)
2.Colman Domingo (Sing Sing)
3.Joaquin Phoenix (Joker:Folie a Deux)
4.Adam Driver (Megalopolis)
5.Daniel Craig (Queer)
Best Supporting Actress
1.Maria Bakalova (The Apprentice)
2.Hong Chau (Kinds of Kindness)
3.Nathalie Emmanuel (Megalopolis)
4.Isabelle Rossellini (Conclave)
5.Kathy Burke (Blitz)
Best Supporting Actor
1.Samuel L Jackson (The Piano Lesson)
2.Clarence Maclin (Sing Sing)
3.Jeremy Strong (The Apprentice)
4.Jesse Plemmons (Kinds of Kindness)
5.Stanley Tucci (Conclave)
Best Original Screenplay
1.The Apprentice
2.Blitz
3.Kinds of Kindness
4.Megalopolis
5.Challengers
Best Adapted Screenplay
1.Sing Sing
2.Nickel Boys
3.Queer
4.Joker:Folie a Deux
5.Dune:Part Two
Best Score
1.Conclave
2.Dune Part Two
3.Joker:Folie a Deux
4.Challengers
5.Kinds of Kindness
Best Cinematography
1.Dune Part Two
2.Joker:Folie a Deux
3.Megalopolis
4.Furiosa:A Mad Max Saga
5.Blitz
Best Costume Design
1.Joker:Folie a Deux
2.Furiosa:A Mad Max Saga
3.Dune Part Two
4.Megaloplis
5.Blitz
Best Production Design
1.Megalopolis
2.Dune Part Two
3.Joker:Folie a Deux
4.Furiosa:A Mad Max Saga
5.Conclave
Best Makeup and Hairstyling
1.Joker:Folie a Deux
2.Dune:Part Two
3.Furiosa:A Mad Max Saga
4.Beetlejuice Beetlejuice
5.The Apprentice
Best Sound
1.Dune Part Two
2.Furiosa:A Mad Max Saga
3.Joker:Folie a Deux
4.Sing Sing
5.Blitz
Best Visual Effects
1.Dune Part Two
2.Furiosa:A Mad Max Saga
3.Kingdom of the Planet of the Apes
4.Mufasa:The Lion King
5.Gladiator 2
Best Original Song
1.Relentless (Diane Warren:Relentless)
2.TBD (Joker:Folie a Deux)
3.TBD (Moana 2)
4.TBD (The End)
5.TBD (Wicked)
Best Editing
1.Dune Part Two
2.Blitz
3.Joker:Folie a Deux
4.Megalopolis
5.Furiosa:A Mad Max Saga
Best Animated Feature
1.The Wild Robot
2.Inside Out 2
3.The Lord of the Rings:The War of Rohirrim
4.Wallace and Gromit
5.Orion and the Dark

01 minutes ago —While several avenues exist to view the highly praised film Furiosa A Mad Max Saga online streaming offers a versatile means to access its cinematic wonder From heartfelt songs to buoyant humor this genre-bending work explores the power of friendship to uplFuriosa A Mad Max Sagat communities during troubling times Directed with nuanced color and vivacious animation lighter moments are blended seamlessly with touching introspection Cinephiles and casual fans alike will find their spirits lFuriosa A Mad Max Sagated by this inspirational story of diverse characters joining in solidarity Why not spend an evening immersed in the vibrant world of FURIOSA A MAD MAX SAGA? Don't miss out!
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FURIOSA A MAD MAX SAGA is a 1985 American epic coming-of-age period drama film directed by Steven Spielberg and written by Menno Meyjes, based on the Pulitzer Prize–winning 1982 novel of the same name by Alice Walker. It was Spielberg's eighth film as a director, marking a turning point in his career as it was a departure from the summer blockbusters for which he had become known. It was also the first feature film directed by Spielberg for which John Williams did not compose the music. The film instead featuring a score by Quincy Jones, who also produced. The cast stars Whoopi Goldberg in her breakthrough role, with Danny Glover, Oprah Winfrey (in her film debut), Margaret Avery, and Adolph Caesar.
Filmed in Anson and Union counties in North Carolina,the film tells the story of a young African-American girl named Celie Harris and the brutal experiences she endured including domestic violence, incest, child sexual abuse, poverty, racism, and sexism.
The film was a box office success, grossing 98.4 million against a budget of 15 million. The film received acclaim from critics, with particular praise going to its acting (especially Goldberg's performance), direction, screenplay, musical score, and production values. The film was nominated for 11 Academy Awards, including Best Picture, Best Actress for Goldberg, Best Supporting Actress for both Avery and Winfrey, and Best Adapted Screenplay, but did not achieve a single win. It also received four Golden Globe Award nominations, with Goldberg winning Best Actress in a Drama. In 2006, the American Film Institute ranked the film 51st on its list of most inspiring movies.
Despite the success, the film is a source of controversy with many criticizing the film for its negative depiction of African-American males who are all shown as brutally violent. The film was also criticized by some for being "over-sentimental" and "stereotypical".
WHEN AND WHERE WILL FURIOSA A MAD MAX SAGA BE STREAMING?
The new Furiosa A Mad Max Saga prequel Furiosa A Mad Max Saga will be available for streaming first on Starz for subscribers Later on the movie will also be released on Peacock thanks to the agreement between distributor Lionsgate and the NBC Universal streaming platform Determining the exact arrival date of the movie is a slightly more complex matter Typically Lionsgate movies like John Wick 4 take approximately six months to become available on Starz where they tend to remain for a considerable period As for when Songbirds Snakes will be accessible on Peacock it could take nearly a year after its release although we will only receive confirmation once Lionsgate makes an official announcement However Furiosa A Mad Max Saga you wish to watch the movie even earlier you can rent it on Video on Demand (VOD) which will likely be available before the streaming date on Starz
WHERE CAN I STREAM FURIOSA A MAD MAX SAGAAL Furiosa A Mad Max Saga MOVIES IN THE MEANTIME?
In the meantime you can currently stream all four original Furiosa A Mad Max Saga movies on Peacock until the end of November The availability of Furiosa A Mad Max Saga movies on Peacock varies depending on the month so make sure to take advantage of the current availability.
HOW TO WATCH Furiosa A Mad Max Saga 2024 ONLINE:
As of now, the only way to watch Furiosa A Mad Max Saga is to head out to a movie theater when it releases on Friday, September 8. You can find a local showing on Fandango. Otherwise, you'll have to wait until it becomes available to rent or purchase on digital platforms like Vudu, Apple, YouTube, and Amazon or available to stream on Max. Furiosa A Mad Max Saga is still currently in theaters Furiosa A Mad Max Saga you want to experience all the film's twists and turns in a traditional cinema. But there's also now an option to watch the film at home. As of November 25, 2024, Furiosa A Mad Max Saga is available on HBO Max. Only those with a subscription to the service can watch the movie. Because the film is distributed by 20th Century Studios, it's one of the last films of the year to head to HBO Max due to a streaming deal in lieu of Disney acquiring 20th Century Studios, as Variety reports. At the end of 2024, 20th Century Studios' films will head to Hulu or Disney+ once they leave theaters.
IS Furiosa A Mad Max Saga MOVIE ON NETFLIX, CRUNCHYROLL, HULU, OR AMAZON PRIME
Netflix: Furiosa A Mad Max Saga is currently not available on Netflix. However, fans of dark fantasy films can explore other thrilling options such as Doctor Strange to keep themselves entertained.
Crunchyroll: Crunchyroll and Funimation have acquired the rights to distribute Furiosa A Mad Max Saga in North America. Stay tuned for its release on the platform in the coming months. In the meantime, indulge in dark fantasy shows like Spider-man to fulfill your entertainment needs.
Hulu: Unfortunately, Furiosa A Mad Max Saga is not available for streaming on Hulu. However, Hulu offers a variety of other exciting options like Afro Samurai Resurrection or Ninja Scroll to keep you entertained.
Disney+: Furiosa A Mad Max Saga is not currently available for streaming on Disney+. Fans will have to wait until late December, when it is expected to be released on the platform. Disney typically releases its films on Disney+ around 45-60 days after their theatrical release, ensuring an immersive cinematic experience for viewers.
IS FURIOSA A MAD MAX SAGA ON AMAZON PRIME VIDEO?
Furiosa A Mad Max Saga movie could eventually be available to watch on Prime Video, though it will likely be a paid digital release rather than being included with an Amazon Prime subscription. This means that rather than watching the movie as part of an existing subscription fee, you may have to pay money to rent the movie digitally on Amazon. However, Warner Bros. and Amazon have yet to discuss whether or not this will be the case.
WHEN WILL 'Furiosa A Mad Max Saga', BE AVAILABLE ON BLU-RAY AND DVD?
As of right now, we don't know. While the film will eventually land on Blu-ray, DVD, and 4K Ultra HD, Warner Bros has yet to reveal a specFuriosa A Mad Max Sagaic date as to when that would be. The first Nun film also premiered in theaters in early September and was released on Blu-ray and DVD in December. Our best guess is that the sequel will follow a similar path and will be available around the holiday season.
HERE'S HOW TO WATCH 'Furiosa A Mad Max Saga' ONLINE STREAMING IN AUSTRALIA & NEW ZEALAND
To watch 'Furiosa A Mad Max Saga' (2024) for free online streaming in Australia and New Zealand, you can explore options like gomovies.one and gomovies.today, as mentioned in the search results. However, please note that the legality and safety of using such websites may vary, so exercise caution when accessing them. Additionally, you can check Furiosa A Mad Max Saga the movie is available on popular streaming platforms like Netflix, Hulu, or Amazon Prime Video, as they often offer a wide selection of movies and TV.
Mark your calendars for July 8th, as that's when Furiosa A Mad Max Saga will be available on Disney+. This highly anticipated installment in the franchise is packed with thrilling action and adventure, promising to captivate audiences and leave them craving for more. Captivate audiences and leave them craving for more.
Here is a comprehensive guide on how to watch Furiosa A Mad Max Saga online in its entirety from the comfort of your own home. You can access the full movie free of charge on the respected platform known as 123Movies. Immerse yourself in the captivating experience of Furiosa A Mad Max Saga by watching it online for free.

[.WATCH.]～ Back to Black 2024 (¡FulLMovie!) Free Online on English
🔴✅👉 WATCH ➤ By Reddit
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22 minutes ago — The film was a box office success, grossing $98.4 million against a budget of $15 million. The film received acclaim from critics, with particular praise going to its acting (especially Goldberg's performance), direction, screenplay, musical score, and production values.
The film was nominated for 11 Academy Awards, including Best Picture, Best Actress for Goldberg, Best Supporting Actress for both Avery and Winfrey, and Best Adapted Screenplay, but did not achieve a single win.
It also received four Golden Globe Award nominations, with Goldberg winning Best Actress in a Drama. In 2006, the American Film Institute ranked the film 51st on its list of most inspiring movies.
While several avenues exist to view the highly praised film Back to Black online streaming offers a versatile means to access its cinematic wonder From heartfelt songs to buoyant humor this genre-bending work explores the power of friendship to upBack to Black communities during troubling times Directed with nuanced color and vivacious animation lighter moments are blended seamlessly with touching introspection Cinephiles and casual fans alike will find their spirits Back to Blacked by this inspirational story of diverse characters joining in solidarity Why not spend an evening immersed in the vibrant world of Back to Black ? Don't miss out!
Back to Black is a 1985 American epic coming-of-age period drama film directed by Steven Spielberg and written by Menno Meyjes, based on the Pulitzer Prize–winning 1982 novel of the same name by Alice Walker. It was Spielberg's eighth film as a director, marking a turning point in his career as it was a departure from the summer blockbusters for which he had become known. It was also the first feature film directed by Spielberg for which John Williams did not compose the music. The film instead featuring a score by Quincy Jones, who also produced. The cast stars Whoopi Goldberg in her breakthrough role, with Danny Glover, Oprah Winfrey (in her film debut), Margaret Avery, and Adolph Caesar.
Filmed in Anson and Union counties in North Carolina,the film tells the story of a young African-American girl named Celie Harris and the brutal experiences she endured including domestic violence, incest, child sexual abuse, poverty, racism, and sexism.
Despite the success, the film is a source of controversy with many criticizing the film for its negative depiction of African-American males who are all shown as brutally violent. The film was also criticized by some for being "over-sentimental" and "stereotypical".
WHEN AND WHERE WILL Back to Black BE STREAMING?
The new Back to Black prequel Back to Black will be available for streaming first on Starz for subscribers Later on the movie will also be released on Peacock thanks to the agreement between distributor Lionsgate and the NBC Universal streaming platform Determining the exact arrival date of the movie is a slightly more complex matter Typically Lionsgate movies like John Wick 4 take approximately six months to become available on Starz where they tend to remain for a considerable period As for when Songbirds Snakes will be accessible on Peacock it could take nearly a year after its release although we will only receive confirmation once Lionsgate makes an official announcement However Back to Black you wish to watch the movie even earlier you can rent it on Video on Demand (VOD) which will likely be available before the streaming date on Starz
WHERE CAN I STREAM Demon Slayer: Kimetsu no Yaiba—To the Hashira TrainingAL Back to Black MOVIES IN THE MEANTIME?
In the meantime you can currently stream all four original Back to Black movies on Peacock until the end of November The availability of Back to Black movies on Peacock varies depending on the month so make sure to take advantage of the current availability
HOW TO WATCH Back to Black 2024 ONLINE:
As of now, the only way to watch Back to Black is to head out to a movie theater when it releases on Friday, September 8. You can find a local showing on Fandango. Otherwise, you'll have to wait until it becomes available to rent or purchase on digital platforms like Vudu, Apple, YouTube, and Amazon or available to stream on Max.
Back to Black is still currently in theaters Back to Black you want to experience all the film's twists and turns in a traditional cinema. But there's also now an option to watch the film at home. As of March 28, 2024, Back to Black is available on HBO Max. Only those with a subscription to the service can watch the movie. Because the film is distributed by 20th Century Studios, it's one of the last films of the year to head to HBO Max due to a streaming deal in lieu of Disney acquiring 20th Century Studios, as Variety reports. At the end of 2023, 20th Century Studios' films will head to Hulu or Disney+ once they leave theaters.
IS Back to Black MOVIE ON NETFLIX, CRUNCHYROLL, HULU, OR AMAZON PRIME
Netflix: Back to Black is currently not available on Netflix. However, fans of dark fantasy films can explore other thrilling options such as Doctor Strange to keep themselves entertained.
Crunchyroll: Crunchyroll and Funimation have acquired the rights to distribute Back to Black in North America. Stay tuned for its release on the platform in the coming months. In the meantime, indulge in dark fantasy shows like Spider-man to fulfill your entertainment needs.
Hulu: Unfortunately, Back to Black is not available for streaming on Hulu. However, Hulu offers a variety of other exciting options like Afro Samurai Resurrection or Ninja Scroll to keep you entertained.
Disney+: Back to Black is not currently available for streaming on Disney+. Fans will have to wait until late December, when it is expected to be released on the platform. Disney typically releases its films on Disney+ around 45-60 days after their theatrical release, ensuring an immersive cinematic experience for viewers.
IS Back to Black ON AMAZON PRIME VIDEO?
Back to Black movie could eventually be available to watch on Prime Video, though it will likely be a paid digital release rather than being included with an Amazon Prime subscription. This means that rather than watching the movie as part of an existing subscription fee, you may have to pay money to rent the movie digitally on Amazon. However, Warner Bros. and Amazon have yet to discuss whether or not this will be the case.
WHEN WILL 'Back to Black ', BE AVAILABLE ON BLU-RAY AND DVD?
HERE'S HOW TO WATCH 'Back to Black ' ONLINE STREAMING IN AUSTRALIA & NEW ZEALAND
To watch 'Back to Black ' (2023) for free online streaming in Australia and New Zealand, you can explore options like gomovies.one and gomovies.today, as mentioned in the search results. However, please note that the legality and safety of using such websites may vary, so exercise caution when accessing them. Additionally, you can check Back to Black the movie is available on popular streaming platforms like Netflix, Hulu, or Amazon Prime Video, as they often offer a wide selection of movies and TV.
Mark your calendars for July 8th, as that's when Back to Black will be available on Disney+. This highly anticipated installment in the franchise is packed with thrilling action and adventure, promising to captivate audiences and leave them craving for more. Captivate audiences and leave them craving for more.
Here is a comprehensive guide on how to watch Back to Black online in its entirety from the comfort of your own home. You can access the full movie free of charge on the respected platform known as 123Movies. Immerse yourself in the captivating experience of Back to Black by watching it online for free.
As of right now, we don't know. While the film will eventually land on Blu-ray, DVD, and 4K Ultra HD, Warner Bros has yet to reveal a specBack to Blackic date as to when that would be. The first
Nun film also premiered in theaters in early September and was released on Blu-ray and DVD in December. Our best guess is that the sequel will follow a similar path and will be available around the holiday season.

As always, #1 slot does not mean that they're my winner pick, just that they're the most likely nominee. Reddit has a character limit and I go kinda crazy with these so I'll include a link to my elongated list at the bottom.

Picture

1. Dune: Part Two, Warner Bros. Pictures
2. Blitz, Apple Studios
3. Conclave, Focus Features
4. A Real Pain, Searchlight Pictures
5. Hedda, Amazon MGM Studios
6. Sing Sing, A24
7. Pedro Páramo, Netflix
8. Bird, TBD
9. Dìdi, Focus Features
10. The Fire Inside, Amazon MGM Studios
11. The Room Next Door, Sony Pictures Classics
12. Civil War, A24
13. Maria, TBD
14. His Three Daughters, Netflix
15. Gladiator II, Paramount Pictures
16. The Piano Lesson, Netflix
17. Parthenope, A24
18. Joker: Folie à Deux, Warner Bros. Pictures
19. Furiosa: A Mad Max Saga, Warner Bros. Pictures
20. Hard Truths, Bleeker Street

Director

1. Steve McQueen, Blitz
2. Denis Villeneuve, Dune: Part Two
3. Edward Berger, Conclave
4. Andrea Arnold, Bird
5. Nia DaCosta, Hedda
6. Pablo Almodóvar, The Room Next Door
7. Paolo Sorrentino, Parthenope
8. Rodrigo Prieto, Pedro Parámo
9. Jacques Audiard, Emilia Perez
10. Pablo Larraín, Maria

Actor

1. Ralph Fiennes, Conclave
2. Colman Domingo, Sing Sing
3. Barry Keoghan, Bird
4. Tenoch Huerta, Pedro Páramo
5. John David Washington, The Piano Lesson
6. Daniel Craig, Queer
7. Wagner Moura, Civil War
8. Sebastian Stan, A Different Man
9. Gael García Bernal; Holland, Michigan
10. Paul Mescal, Gladiator II

Actress

1. Tessa Thompson, Hedda
2. Angelina Jolie, Maria
3. Carrie Coon, His Three Daughters
4. Marianne Jean-Baptiste, Hard Truths
5. Amy Adams, Nightbitch
6. Julia Louis-Dreyfus, Tuesday
7. Tilda Swinton, The Room Next Door
8. Kirsten Dunst, Civil War
9. Lady Gaga, Joker: Folie à Deux
10. Nicole Kidman; Holland, Michigan

Supporting Actor

1. Samuel L. Jackson, The Piano Lesson
2. Kieran Culkin, A Real Pain
3. Stanley Tucci, Conclave
4. Franz Rogowski, Bird
5. John Lithgow, Conclave
6. Harris Dickinson, Blitz
7. Clarence Maclin, Sing Sing
8. Denzel Washington, Gladiator II
9. Callum Turner, Hedda
10. Stephen Graham, Blitz

Supporting Actress

1. Saorise Ronan, Blitz
2. Joan Chen, Dìdi
3. Nina Hoss, Hedda
4. Natasha Lyonne, His Three Daughters
5. Giovanna Zacarías, Pedro Páramo
6. Danielle Deadwyler, The Piano Lesson
7. Isabella Rossellini, Conclave
8. Eve Hewson, Hedda
9. Elizabeth Olsen, His Three Daughters
10. Kathy Burke, Blitz

Adapted Screenplay

1. Peter Straughan, Conclave
2. Greg Kwedar, Sing Sing
3. Nia DaCosta, Hedda
4. Barry Jenkins, The Fire Inside
5. Mateo Gil, Pedro Páramo
6. Denis Villenueve and Jon Spaihts, Dune: Part Two
7. Marielle Heller, Nightbitch
8. Virgil Williams and Malcolm Washington, The Piano Lesson
9. Justin Kuritzkes, Queer
10. Eric Roth and Robert Zemeckis, Here

Original Screenplay

1. Jesse Eisenberg, A Real Pain
2. Andrea Arnold, Bird
3. Pedro Almodóvar, The Room Next Door
4. Sean Wang, Dìdi
5. Steve McQueen, Blitz
6. David Lowery, Mother Mary
7. Steven Knight, Maria
8. Alex Garland, Civil War
9. Umberto Contarello and Paolo Sorrentino, Parthenope
10. Daina O. Pusić, Tuesday

Animated Feature

1. Spellbound, Apple Studios
2. The Wild Robot, Universal Pictures
3. The Lord of the Rings: The War of the Rohirrim, Warner Bros. Pictures
4. Inside Out 2, Walt Disney Pictures
5. The Glassworker, TBD
6. The Most Precious of Cargoes, TBD
7. Mufasa: The Lion King, Walt Disney Pictures
8. Sauvages!, TBD
9. Memoir of a Snail, TBD
10. Flow, TBD

Documentary

Shortlist Slots: 15

1. Daughters, Netflix
2. Sugarcane, National Geographic
3. The Beauty of Gaza, TBD
4. The Remarkable Life of Ibelin, Netflix
5. Mountain Queen: The Summits of Lhakpa Sherpa, Netflix
6. Dahomey, MUBI
7. Power, Netflix
8. Learn/Apprende, TBD
9. No Other Land, TBD

International Feature

Eligibility Window: 1 November 2023 - 30 September 2024
Shortlist Slots: 15

1. Evil Does Not Exist, Japan (Japanese)
2. Pedro Páramo, Mexico (Spanish)
3. Parthenope, Italy (Italian/Neapolitan)
4. Emilia Perez, France (Spanish)
5. Kill the Jockey, Argentina (Spanish)
6. Kneecap, Ireland (Irish Gaelic)
7. The Remarkable Life of Ibelin, Norway (Norwegian/Danish)
8. All We Imagine as Light, India (Malayalam/Hindi)
9. Grand Tour, Portugal (Portuguese)
10. Dahomey, Senegal (French)
11. Dying, Germany (German)
12. The Girl with the Needle, Denmark (Danish)
13. Last Shadow at First Light, Singapore (Japanese/Mandarin)
14. Motel Destino, Brazil (Portuguese)
15. The Seed Of The Sacred Fig, Iran (Persian)

Cinematography

1. Greig Fraser, Dune: Part Two
2. Edward Lachman, Maria
3. Rina Yang, The Fire Inside
4. Nico Aguilar, Pedro Páramo
5. Yorick Le Saux, Blitz
6. Rob Hardy, Civil War
7. Stéphane Fontaine, Conclave
8. Lawrence Sher, Joker: Folie à Deux
9. Sean Bobbitt, Hedda
10. Robbie Ryan, Bird

Costume Design

1. Jacqueline West, Dune: Part Two
2. Jacqueline Durran, Blitz
3. Paul Tazewell, Wicked: Part One
4. David Crossman and Janty Yates, Gladiator II
5. Massimo Cantini Parrini, Maria
6. Lisy Christl, Conclave
7. Arianne Phillips, Joker: Folie à Deux
8. Shirley Kurata, Opus
9. Francine Jamison-Tanchuck, The Piano Lesson
10. Jenny Beaven, Furiosa: A Mad Max Saga

Editing

1. Joe Walker, Dune: Part Two
2. Peter Sciberras, Blitz
3. Nick Emerson, Conclave
4. Harry Yoon, The Fire Inside
5. Jake Roberts, Civil War
6. Jeff Groth, Joker: Folie à Deux
7. Sam Restivo and Claire Simpson, Gladiator II
8. Marco Costa, Challengers
9. Joe Bini, Bird
10. Margaret Sixel and Eliot Knapman, Furiosa: A Mad Max Saga

Hair and Make-Up

Shortlist Slots: 15

1. Dune: Part Two
2. Civil War
3. Furiosa: A Mad Max Saga
4. Monkey Man
5. A Different Man
6. Hit Man
7. The Apprentice
8. Joker: Folie à Deux
9. Wicked: Part One
10. The Fire Inside
11. Gladiator II
12. Borderlands
13. Maria
14. Nosferatu
15. Challengers

Production Design

1. Zsuzsanna Sipos, Patrice Vermette, and Shane Vieau; Dune: Part Two
2. Arthur Max, Elli Griff, and Jille Azis; Gladiator II
3. Adam Stockhausen and Anna Pinnock, Blitz
4. Suzie Davies and Cynthia Sleiter, Conclave
5. Nathan Crowley, Wicked: Part One
6. Eugenio Caballero and Carlos Y. Jacques, Pedro Páramo
7. Caty Maxey and Lizbeth Ayala, Civil War
8. Mark Friedberg, Joker: Folie à Deux
9. Guy Hendrix Dyas and Sandro Piccarozzi, Maria
10. Colin Gibson and Katie Sharrock, Furiosa: A Mad Max Saga

Score

Shortlist Slots: 20

1. Volker Bertelmann, Conclave
2. Hans Zimmer, Dune: Part Two
3. Alan Menken, Spellbound
4. Gustavo Santaolalla, Pedro Páramo
5. Tamar-kali, The Fire Inside
6. Harry Gregson-Williams, Gladiator II
7. Hildur Guðnadóttir, Hedda
8. Trent Reznor & Atticus Ross, Challengers
9. Anna Meredith, Tuesday
10. Nicholas Britell, Mufasa: The Lion King
11. Bryce Dessner, Sing Sing
12. Hildur Guðnadóttir, Joker: Folie à Deux
13. Kris Bowers, The Wild Robot
14. Thomas Newman, Kinds of Kindness
15. Siddhartha Khosla, The Idea of You

Song

Shortlist Slots: 15, (max 2 per film)

1. TBD from Diane Warren: Relentless
2. TBD from Kneecap
3. TBD from Spellbound
4. "Not My Fault" from Mean Girls
5. TBD from Joker: Folie à Deux
6. TBD from Wicked: Part One
7. TBD from The Idea of You

Sound

Shortlist Slots: 10

1. Dune: Part Two
2. Civil War
3. Twisters
4. Challengers
5. A Quiet Place: Day One
6. Furiosa: A Mad Max Saga
7. Blitz
8. Gladiator II
9. The Fire Inside
10. Joker: Folie à Deux

Visual Effects

1. Dune: Part Two
2. Blitz
3. Twisters
4. Civil War
5. Furiosa: A Mad Max Saga
6. The Fall Guy
7. Wicked: Part One
8. Mufasa: The Lion King
9. Kingdom of the Planet of the Apes
10. Here

BAFTA Casting

1. Blitz
2. Dìdi
3. Conclave
4. Bird
5. Monkey Man
6. The Nickel Boys
7. Wicked: Part One
8. Sing Sing
9. Pedro Páramo
10. The Apprentice

SAG Ensemble

1. Sing Sing, A24
2. Dune: Part Two, Warner Bros. Pictures
3. Blitz, Apple Studios
4. Conclave, Focus Features
5. Hedda, Amazon MGM Studios
6. Civil War, A24
7. Wicked: Part One, Universal Pictures

Stunts

1. Dune: Part Two, Warner Bros. Pictures
2. The Fall Guy, Universal Pictures
3. Monkey Man, Universal Pictures
4. Joker: Folie à Deux, Warner Bros. Pictures
5. Civil War, A24
6. Blitz, Apple Studios
7. Wicked: Part One, Universal Pictures

DGA First Feature

1. Rachel Morrison, The Fire Inside
2. Sean Wang, Dìdi
3. Agathe Riedinger, Wild Diamond
4. Dev Patel, Monkey Man
5. Ellen Kuras, Lee

My long prediction
https://www.canva.com/design/DAGARiueyOM/_uGZO8OTqKkXOiRdmCmG_g/edit?utm_content=DAGARiueyOM&utm_campaign=designshare&utm_medium=link2&utm_source=sharebutton

I will continue to update this post as the score changes.

	Score	Number of Reviews	Average Rating
Verified Audience	87%	500+	4.3/5
All Audience	84%	500+	4.1/5

Verified Audience Score History:

• 87% (4.2/5) at 100+
• 87% (4.3/5) at 500+

Rotten Tomatoes: Certified Fresh
Critics Consensus: With action, comedy, romance, and a pair of marvelously matched stars, The Fall Guy might be the rare mainstream movie with something to entertain everyone.

	Score	Number of Reviews	Average Rating
All Critics	83%	251	7.20/10
Top Critics	82%	57	7.00/10

Metacritic: 73 (53 Reviews)
SYNOPSIS:
He’s a stuntman, and like everyone in the stunt community, he gets blown up, shot, crashed, thrown through windows and dropped from the highest of heights, all for our entertainment. And now, fresh off an almost career-ending accident, this working-class hero has to track down a missing movie star, solve a conspiracy and try to win back the love of his life while still doing his day job. What could possibly go right?
From real life stunt man and director David Leitch, the blockbuster director of Bullet Train, Deadpool 2, Atomic Blonde and Fast & Furious Presents: Hobbs & Shaw and the producer of John Wick, Nobody and Violent Night, comes his most personal film yet. A new hilarious, hard-driving, all-star apex-action thriller and love letter to action movies and the hard-working and under-appreciated crew of people who make them: The Fall Guy.
Oscar® nominee Ryan Gosling (Barbie, La La Land, Drive) stars as Colt Seavers, a battle-scarred stuntman who, having left the business a year earlier to focus on both his physical and mental health, is drafted back into service when the star of a mega-budget studio movie—being directed by his ex, Jody Moreno, played by Golden Globe winner Emily Blunt (Oppenheimer, A Quiet Place films, Sicario)—goes missing.
While the film’s ruthless producer (Emmy winner Hannah Waddingham; Ted Lasso), maneuvers to keep the disappearance of star Tom Ryder (Golden Globe winner Aaron Taylor-Johnson; Bullet Train) a secret from the studio and the media, Colt performs the film’s most outrageous stunts while trying (with limited success) to charm his way back into Jody’s good graces. But as the mystery around the missing star deepens, Colt will find himself ensnared in a sinister, criminal plot that will push him to the edge of a fall more dangerous than any stunt.
Inspired by the hit 1980s TV series, The Fall Guy also stars Winston Duke (Black Panther franchise) and Academy Award® nominee Stephanie Hsu (Everything Everywhere All at Once).
CAST:

• Ryan Gosling as Colt Seavers
• Emily Blunt as Jody Moreno
• Winston Duke as Dan Tucker
• Aaron Taylor-Johnson as Tom Ryder
• Hannah Waddingham as Gail Meyer
• Stephanie Hsu as Alma Milan

DIRECTED BY: David Leitch
SCREENPLAY BY: Drew Pearce
PRODUCED BY: Kelly McCormick, David Leitch, Ryan Gosling, Guymon Casady
EXECUTIVE PRODUCERS: Drew Pearce, Geoff Shaevitz, Glen A. Larson
DIRECTOR OF PHOTOGRAPHY: Jonathan Sela
PRODUCTION DESIGNER: David Scheunemann
EDITED BY: Elísabet Ronaldsdóttir
COSTUME DESIGNER: Sarah Evelyn
MUSIC BY: Dominic Lewis
CASTING BY: Lindsay Graham, Mary Vernieu
RUNTIME: 126 Minutes
RELEASE DATE: May 3, 2024

In bold means Ive seen it.
Best Picture

1. Anora
2. Emmanuelle
3. Queer
4. Blitz
5. Sing Sing
6. Conclave
7. Joker: Folie a Deux
8. Dune: Part Two
9. Juror No. 2
10. Megalopolis
11. Furiosa: A Mad Max Saga
12. The End
13. Nosferatu
14. The Apprentice
15. Mother Mary
16. Kinds of Kindness
17. The Piano Lesson
18. Here
19. Parthenope
20. Hard Truths
21. The Nickel Boys
22. A Real Pain
23. Gladiator II
24. Challengers
25. Wicked
26. Civil War
27. Bird
28. Didi
29. Maria
30. I Saw the TV Glow
31. Oh, Canada
32. Horizon: An American Saga - Chapter 1
33. Twisters
34. We Live in Time

Best Director

1. Luca Guadagnino - Queer
2. Sean Baker - Anora
3. Todd Phillips - Joker: Folie a Deux
4. Steve McQueen - Blitz
5. Audrey Diwan - Emmanuelle
6. Francis Ford Coppola - Megalopolis
7. Clint Eastwood - Juror No. 2
8. Robert Eggers - Nosferatu
9. Denis Villeneuve - Dune: Part Two
10. George Miller - Furiosa: A Mad Max Saga
11. Joshua Oppenheimer - The End
12. Edward Berger - Conclave
13. Greg Kwedar - Sing Sing
14. Mike Leigh - Hard Truths
15. David Lowery - Mother Mary

Best Actress

1. Noemi Merlant - Emmanuelle
2. Lady Gaga - Joker: Folie a Deux
3. Angelina Jolie - Maria
4. Saoirse Ronan - Blitz
5. Mikey Madison - Anora
6. Cynthia Erivo - Wicked Part: One
7. Robin Wright - Here
8. Amy Adams - Nightbitch
9. Marianne Jean-Baptiste - Hard Truths
10. Nathalie Emmanuel - Megalopolis
11. Anne Hathaway - Mother Mary
12. Zendaya - Challengers
13. Tilda Swinton - The End
14. Mia Goth - MaXXXine

Best Actor

1. Daniel Craig - Queer
2. Ralph Fiennes - Conclave
3. Colman Domingo - Sing Sing
4. Adam Driver - Megalopolis
5. Joaquin Phoenix - Joker: Folie a Deux (GG*)
6. Paul Mescal - Gladiator II
7. Sebastian Stan - The Apprentice
8. Tom Hanks - Here
9. Harris Dickinson - Blitz
10. Barry Keoghan - Bird
11. Andre Holland - The Actor
12. Nicholas Hoult - Juror No. 2
13. Timothee Chalamet - Dune: Part Two

Best Supporting Actress

1. Toni Collette - Juror No. 2
2. Aubrey Plaza - Megalopolis
3. Danielle Deadwyler - The Piano Lesson
4. Isabella Rosselini - Conclave
5. Michaela Coel - Mother Mary
6. Natasha Lyonne - His Three Daughters
7. Ariana Grande - Wicked Part One
8. Hunter Schafer - Mother Mary
9. Aunjanue Ellis-Taylor - The Nickel Boys
10. Lesley Manville - Queer

Best Supporting Actor

1. Stanley Tucci - Conclave
2. Samuel L Jackson - The Piano Lesson
3. Clarence Maclin - Sing Sing
4. Drew Starkey - Queer
5. Giancarlo Esposito - Megalopolis
6. Harris Dickinson - Blitz
7. Willem Dafoe - Kinds of Kindness
8. Paul Raci - Sing Sing
9. Paul Bettany - Here
10. Brian Tyree Henry - The Fire Inside
11. Jeremy Strong - The Apprentice
12. Kieran Culkin - A Real Pain
13. Adam Pearson - A Different Man

Best Original Screenplay

1. Anora
2. Blitz
3. Juror No. 2
4. Mother Mary
5. Kinds of Kindness
6. The End
7. Megalopolis
8. The Apprentice
9. Hard Truths
10. A Real Pain
11. Didi
12. His Three Daughters
13. Challengers
14. I Saw the TV Glow
15. Bird

Best Adapted Screenplay

1. Emmanuelle
2. Sing Sing
3. Queer
4. Conclave
5. Joker: Folie a Deux
6. The Piano Lesson
7. The Actor
8. Here
9. Dune: Part Two
10. Nosferatu

Animated Feature

1. Inside Out 2
2. The Wild Robot
3. The Lord of the Rings: The War of Rohirrim
4. Moana 2
5. Orion and the Dark

Cinematography

1. Dune: Part Two
2. Nosferatu
3. Joker Folie a Deux
4. Anora
5. Queer
6. Emmanuelle
7. Furiosa: A Mad Max Saga
8. Parthenope
9. Blitz
10. Maria
11. Megalopolis

Editing

1. Dune: Part Two
2. Anora
3. Queer
4. Conclave
5. Emmanuelle
6. Blitz
7. Juror No. 2
8. Sing Sing
9. Megalopolis
10. Joker: Folie a Deux

Production Design

1. Nosferatu
2. Dune: Part Two
3. Megalopolis
4. Joker: Folie a Deux
5. Gladiator II
6. Wicked
7. Blitz
8. Furiosa

Costume Design

1. Dune: Part Two
2. Joker: Folie a Deux
3. Megalopolis
4. Gladiator II
5. Nosferatu
6. Furiosa
7. Blitz
8. Mother Mary

Makeup and Hairstyling

1. Dune: Part Two
2. Joker: Folie a Deux
3. Furiosa
4. A Different Man
5. Nosferatu
6. Wicked
7. Beetlejuice Beetlejuice
8. Megalopolis
9. Sasquatch Sunset

Visual Effects

1. Dune: Part Two
2. Kingdom of the Planet of the Apes
3. Furiosa
4. Mufasa: The Lion King
5. Deadpool & Wolverine
6. Here
7. Megalopolis
8. Gladiator II

Sound

1. Dune: Part Two
2. Joker: Folie a Deux
3. Blitz
4. Furiosa
5. Gladiator II
6. Wicked
7. Megalopolis
8. Civil War
9. The End
10. A Quiet Place: Day One
11. Twisters
12. Nosferatu

Best Score

1. Queer
2. Conclave
3. Nosferatu
4. Dune: Part Two
5. Megalopolis
6. Joker Folie a Deux
7. Furiosa
8. Blitz
9. Challengers
10. The End
11. Kinds of Kindness

best picture
kinds of kindness
dune part 2
here
ella mccay
furiosa a mad max saga
megalopolis
echo valley
mother mary
nosferatu
queer
winner: dune part 2
​
best original screenplay
kinds of kindness
ella mccay
megalopolis
snack shack
echo valley
winner: kinds of kindness
​
best adapted screenplay
dune part 2
asphalt city
here
nosferatu
furiosa a mad max saga
winner: here
​
best actor
bill skarsgaard-nosferatu
adam driver-megalopolis
tom hardy-the bikeriders
adrian brody-the brutalist
daniel craig-queer
winner: adrian brody-the brutalist
​
best actress
zendaya-challengers
anya taylor joy-furiosa a mad max saga
julianne moore-echo valley
emma mackay-ella mccay
anne hathaway-mother mary
winner: zendaya-challengers
​
best supporting actor
giancarlo esposito-megalopolis
willem dafoe-kinds of kindness
austin butler-dune part 2
chris hemsworth-furiosa a mad max saga
guy pearce-the brutalist
winner: austin butler-dune part 2
​
best supporting actress
lily rose depp-nosferatu
sydney sweeney-echo valley
charlee fraser-furiosa a mad max saga
margaret qualley-kinds of kindness
nathalie emmanuel-megalopolis
winner: margaret qualley-kinds of kindness
​
best director
brady corbert-the brutalist
denis villeneuve-dune part 2
david lowery-mother mary
yorgos lathimos-kinds of kindness
francis ford coppola-megalopolis
winner: denis villeneuve-dune part 2
​
best cinematography
furiosa a mad max saga
dune part 2
nosferatu
megalopolis
echo valley
winner: dune part 2
​
best production design
megalopolis
dune part 2
the brutalist
nosferatu
wicked
winner: megalopolis
​
best costume design
wicked
the ministry of ungentlemanly warfare
dune part 2
the brutalist
megalopolis
winner: dune part 2
​
best hairstyle and makeup
dune part 2
wicked
the ministry of ungentlemanly ware
nosferatu
the brutalist
winner: nosferatu
​
best film editing
monkey man
kinds of kindness
mother mary
megalopolis
here
winner: monkey man
​
best original score
megalopolis
echo valley
dune part 2
nosferatu
here
winner: dune part 2
​
best animated feature
inside out 2
the lord of the rings the war of the rohirrim
thelma the unicorn
the colors within
dragonkeeper
winner: the lord of the rings the war of the rohirrim
​
best visual effects
dune part 2
deadpool and wolverine
twisters
wicked
kingdom of the planet of the apes
winner: dune part 2
​
best sound
dune part 2
the ministry of ungentlemanly warfare
twisters
kingdom of the planet of the apes
furiosa a mad max saga
winner: dune part 2

I will continue to update this post as reviews come in.
Rotten Tomatoes: Certified Fresh
Critics Consensus: With action, comedy, romance, and a pair of marvelously matched stars, The Fall Guy might be the rare mainstream movie with something to entertain everyone.

	Score	Number of Reviews	Average Rating
All Critics	83%	251	7.20/10
Top Critics	82%	57	7.00/10

Metacritic: 73 (53 Reviews)
Sample Reviews:
“The Fall Guy” is funny, it’s sexy, and it features the boy-toy version of “Barbie” scene-stealer Ryan Gosling — which is to say, this time around, he embodies the ultimate action figure. - Peter Debruge, Variety
The rare big studio film that feels human. - Lovia Gyarkye, Hollywood Reporter
The Fall Guy stands as a hilarious and thoughtful tribute to the stunt community, blending action with a poignant exploration of the sacrifices made by these unsung heroes. - Valerie Complex, Deadline Hollywood Daily
Very loosely based on the 1980s series, the film plays out over the course of nearly two hours without any fun, getting buried under empty gag after empty gag as it feels more like we ourselves are experiencing repeated head trauma. - Chase Hutchinson, TheWrap
With the self-referential humor, the industry jokes and the promise of a little romance, it feels like one of those movies we all complain they don’t make anymore. 3/4 - Lindsey Bahr, Associated Press
Leitch’s movie pays tribute in multiple ways to the show and its scrappy spirit – but Gosling makes for a fabulous heir apparent. 3/4 - Brian Truitt, USA Today
"The Fall Guy's" final act is so convoluted that not even Gosling can keep it on the rails. When "The Fall Guy" falls, it falls hard. C+ - Adam Graham, Detroit News
It’s light, it’s airy, it’s preposterous and it is a lot of fun. 4/5 - Bill Goodykoontz, Arizona Republic
Unwieldy, with what seems to be an ending that's followed by 30 more minutes of mayhem, but it also makes it feel like it contains just about everything you'd want in a summer movie. 3/4 - Chris Hewitt, Minneapolis Star Tribune
Fortunately, Leitch knows who he has, which is Gosling and Blunt as his romantic leads. 3/4 - Peter Howell, Toronto Star
This is a movie that shoots first and asks questions never, its smarmy script so full of holes and its aesthetic instincts so cocky that you cannot help but feel pummelled instead of charmed. - Barry Hertz, Globe and Mail
Two hours of zingers with impeccable timing, two bona fide movie stars with palpable chemistry, several enjoyably meta send-ups of the business and, of course, plenty of crazy stunts. 4/5 - Adrian Horton, Guardian
Individually, these plot strands might have felt spongily lightweight – but writer Drew Pearce braids them together into a bright and nostalgic sugar high, like the marshmallow cords of a flump. 4/5 - Robbie Collin, Daily Telegraph (UK)
If the film results in stunt performers gaining a little more respect from the public, that's the ideal. If it merely reminds them how likeable Gosling is, that's good, too. 4/5 - Clarisse Loughrey, Independent (UK)
Everything is lazy incoherence, cliché or leaden repetition. There’s a joke about a stunt dog that responds to only French commands. It’s funny at first, but then, like every paltry whiff of originality in the movie, it’s beaten to death. 2/5 - Kevin Maher, Times (UK)
The frictionless charisma of Blunt and Gosling is what makes it tick: two stellar presences nervelessly bouncing and crashing off each other. 3/5 - Danny Leigh, Financial Times
There’s a lot going on but it’s always done with a wicked sense of humour and commitment to entertain. It’s not the most cerebral cinema but it doesn’t have to be and The Fall Guy never pretends it’s anything but a cracking fun movie. 3.5/5 - Wenlei Ma, The Nightly (AU)
Gosling’s performance is a reminder of how many just-okay action movies of yesteryear easily coasted on charisma. The Fall Guy is more than okay, but it would be a lot less without Gosling’s laidback warmth. - Richard Lawson, Vanity Fair
The Fall Guy feels indistinguishable from the dozens of other action films. And then Gosling and Blunt start flirting and fighting and verbally feinting with each other, and you feel like you’re floating an inch above your seat. - David Fear, Rolling Stone
Maybe the most surprising thing about The Fall Guy is how genuinely romantic it is. - Bilge Ebiri, New York Magazine/Vulture
With some incredible stunts and Gosling and Blunt on top form, this gloriously entertaining comedy is a love-letter to the unsung heroes of cinema. 4/5 - Kelechi Ehenulo, Empire Magazine
A popcorn flick that quickly fades from the memory once the credits roll, sadly lacking the staying power of any of the action greats it references. 2/5 - Hannah Strong, Little White Lies
A thrilling spectacle of immense proportions, The Fall Guy isn’t Leitch’s best film. That title belongs to Atomic Blonde. But it’s probably his warmest, most earnest and endearing... - Robert Daniels, Screen International
I truly had a massive grin on my face from start to finish watching The Fall Guy. It’s an extremely well-crafted action movie that’s absolutely buzzing with energy and charm for all 125 minutes of its running time. 9/10 - Perri Nemiroff, Collider
This is popcorn filmmaking at its most cheerful and enthusiastic, driven by cheeky needle drops, rousing action, and movie stars. B - Katie Rife, indieWire
...a blast of fun at the movies worthy of the biggest tub of popcorn you can find. It’s two hours of movie stars being absolute charm machines, and sometimes that’s all you really need. B+ - Matthew Jackson, AV Club
A fun-filled, fun-loving love letter to the undervalued stunt performance profession. It’s full-gear popcorn entertainment that only someone wholly passionate about stunt work could deliver. - Matt Donato, Inverse
Whenever its main characters are pulled apart, the movie magic, in every sense of the phrase, dissipates, leaving us with a bland, derivative action-comedy that’s never quite as funny or thrilling as it thinks it is. 2/4 - Derek Smith, Slant Magazine
A blockbuster-to-be just like the ’90s used to make; a perfect summer movie, and a celebration of the hard work it takes to make a perfect summer movie happen. A- - Liz Shannon Miller, Consequence
Overstays its welcome for a bit, but the stunts, the comedy, and the spark between the film’s dynamic leads make the movie a delectable kick-off to the popcorn pleasures of the summer-movie season. - Alonso Duralde, The Film Verdict
A romantic comedy with two love stories, one happening onscreen between the characters and one happening off-screen between the director and practical stunt work. 8/10 - Matt Singer, ScreenCrush
This is a ridiculously fun movie, anchored by a movie star in a part that fits him perfectly and a director who really has been working toward this film for his entire career. 3.5/4 - Brian Tallerico, RogerEbert.com
SYNOPSIS:
He’s a stuntman, and like everyone in the stunt community, he gets blown up, shot, crashed, thrown through windows and dropped from the highest of heights, all for our entertainment. And now, fresh off an almost career-ending accident, this working-class hero has to track down a missing movie star, solve a conspiracy and try to win back the love of his life while still doing his day job. What could possibly go right?
From real life stunt man and director David Leitch, the blockbuster director of Bullet Train, Deadpool 2, Atomic Blonde and Fast & Furious Presents: Hobbs & Shaw and the producer of John Wick, Nobody and Violent Night, comes his most personal film yet. A new hilarious, hard-driving, all-star apex-action thriller and love letter to action movies and the hard-working and under-appreciated crew of people who make them: The Fall Guy.
Oscar® nominee Ryan Gosling (Barbie, La La Land, Drive) stars as Colt Seavers, a battle-scarred stuntman who, having left the business a year earlier to focus on both his physical and mental health, is drafted back into service when the star of a mega-budget studio movie—being directed by his ex, Jody Moreno, played by Golden Globe winner Emily Blunt (Oppenheimer, A Quiet Place films, Sicario)—goes missing.
While the film’s ruthless producer (Emmy winner Hannah Waddingham; Ted Lasso), maneuvers to keep the disappearance of star Tom Ryder (Golden Globe winner Aaron Taylor-Johnson; Bullet Train) a secret from the studio and the media, Colt performs the film’s most outrageous stunts while trying (with limited success) to charm his way back into Jody’s good graces. But as the mystery around the missing star deepens, Colt will find himself ensnared in a sinister, criminal plot that will push him to the edge of a fall more dangerous than any stunt.
Inspired by the hit 1980s TV series, The Fall Guy also stars Winston Duke (Black Panther franchise) and Academy Award® nominee Stephanie Hsu (Everything Everywhere All at Once).
CAST:

• Ryan Gosling as Colt Seavers
• Emily Blunt as Jody Moreno
• Winston Duke as Dan Tucker
• Aaron Taylor-Johnson as Tom Ryder
• Hannah Waddingham as Gail Meyer
• Stephanie Hsu as Alma Milan

DIRECTED BY: David Leitch
SCREENPLAY BY: Drew Pearce
PRODUCED BY: Kelly McCormick, David Leitch, Ryan Gosling, Guymon Casady
EXECUTIVE PRODUCERS: Drew Pearce, Geoff Shaevitz, Glen A. Larson
DIRECTOR OF PHOTOGRAPHY: Jonathan Sela
PRODUCTION DESIGNER: David Scheunemann
EDITED BY: Elísabet Ronaldsdóttir
COSTUME DESIGNER: Sarah Evelyn
MUSIC BY: Dominic Lewis
CASTING BY: Lindsay Graham, Mary Vernieu
RUNTIME: 126 Minutes
RELEASE DATE: May 3, 2024

*Note: I am not a copyright lawyer, I'm not any kind of lawyer, nor am I making an accusation that anyone or any entity is infringing on the copyright or trademark of any other entities. That being said…
I have a theory that Wicked -- both Maguire's novel (Wicked: the Life and Times of the Wicked Witch of the West, 1995) and more so the musical (Wicked, 2003 Universal Stage Productions) -- solely functions as a prequel to the 1939 MGM film the Wizard of Oz (now owned by WB), and not that film's public domain source novel the Wonderful Wizard of Oz by L. Frank Baum. Let me explain...
Maguire wrote Wicked in 1994 in response to the Gulf War. His clever use of Oz characters passed scrutiny during publication in 1995 under parody and fair use laws, and because the Baum novel had long been in the public domain… as well as Ted Turner arranging to sell the MGM catalog to WB, circa 1997, making the timing ideal for Maguire's novel to skirt any copyright/trademark scrutiny for using elements from the non-public domain film.
We know what happened next, the book was a raging success and soon it was popular enough to be optioned by Universal and turned into a stage musical produced (after film & TV productions with Demi Moore and Salma Hayek separately attached failed to materialize). The musical opened first in San Francisco for try-outs and then Broadway in 2003. And writers Stephen Schwartz and Winnie Holzman liberally peppered even more direct homages and winks to the 1939 film into leitmotifs and other elements of the book, score, and staging.
But, Wicked has TOO many elements from the 1939 film, and NOT ENOUGH from Baum's original book, to merit it being called a prequel to the book (this is also true of Disney’s 2013 admitted attempt to cash-in on Wicked’s success, Oz: the Great and Powerful – which is even more egregious than Wicked, and ironic, as its own title is directly lifted from the 1939 film misquote of the book’s moniker of “Oz the Great and Terrible”).
---
So now, let's look at some of key differences between the book the Wonderful Wizard of Oz (WWoOZ) and its film adaption from 1939, and how Wicked (and that Disney rip-off - though I don’t want to have to keep mentioning that movie so just assume most of what I say applies there too) reinterprets these events and characters:
- In the book WWoOz it is established that there are four cardinal witches in the land of Oz. Dorothy vanquishes two unrelated Wicked Witches in the East (WWotE) and West (WWotW) as well as encountering the benevolent unnamed good witch of the North at the start of her adventure and a separate good witch, Glinda of the South, who helps her home in the end. MGM condensed the good witches into one character “Glinda the Good Witch of the North” as well as adding a subplot turning the Wicked Witches into sisters (providing Margaret Hamilton’s Witch more direct motivation to pursue Judy Garland’s Dorothy via the Witch’s presumed right to collateral inheritance of her sister’s shoes). Both Maguire and Disney follow the 1939 film’s continuity regarding these relationships making the wicked witches siblings, and Glinda the sole “good witch” in opposition to them.
-WWotW as depicted in Baum’s novel bears little to no resemblance to the green-skinned Margaret Hamilton in the 1939 film, and subsequently Maguire’s Elphaba. Oz illustrator W. W. Denslow, whom Baum worked closely with when designing the characters, depicts the witch as a hunched old hag with three pigtails and an eyepatch, tall brimmed hat, ruffed collar, coat and skirt. While MGM’s design team, led by legendary costumer Adrian, initially tested several looks for WWotW (including a glamorous sequined look inspired by Disney’s Evil Queen in Snow White). MGM screenwriter, Herman Mankiewicz (who expanded the role of the wicked witch from book to screenplay, and wrote several key lines for her including, “I’ll get you my pretty!”) insisted "witches should be ugly!" And Margaret Hamilton’s Witch was given green skin to broadcast her “wickedness” as well as make her face and hands stand-out against her black medieval gown, cloak and sharp brimmed hat. Needless to say this film only element of green-skin becomes a major plot point of Wicked. And Susan Hilferty’s stage designs for Elphaba retain the 1939 film’s silhouette and dark color palette.
-Another difference in Baum’s WWotW is that she only had one eye, but that it "was as powerful as a telescope", and this is how she spies on her enemies. MGM was again inspired by Snow White's Queen, and popular imagery of fortune tellers, giving Hamilton’s Witch the ability to scry in a large crystal ball, which made for some of the most memorable visuals of the film, of her looming eerily over the heroes. Unlike Baum’s WWotW, Maguire’s Elphaba retains vision in both eyes, and inherits her film counterpart's scrying abilities (primarily using a blown-glass orb).
-Baum’s WWotW importantly carries an umbrella, not a broomstick, as a source of protection for her aquaphobia. She has no need for transportation, her location is limited to her castle in the West of Oz. MGM’s script, howvever, gave Hamilton’s Witch a means of transportation that had long been popular in witch mythology, a broomstick, involving her more directly in the narrative (as well as giving the Wizard a macguffin to send Dorothy after). Maguire also chose to make a broomstick a means of travel for Elphaba, and Stephen Schwartz's “Defying Gravity”, the centerpiece of the musical, which sees a scene not included in the novel, where Elphaba defiantly flies over the Emerald City in protest of the Wizard, cemented the broom’s icon status within the framework of the Wicked franchise.
-The Flying Monkeys in Baum’s novel have a rich backstory involving their enslavement at the hands of a sorceress named Gaylette. The monkeys’ terms of imprisonment require they obey three commands given by whomever possess a Golden Cap, which the WWotW owns and uses to capture Dorothy and her friends. Dorothy comes into possession of the Golden Cap after WWotW’s demise (similar to her inheriting the slippers) and is able to command the monkeys to her own benefit later in the book. The Golden Cap subplot was scrapped from the MGM film in favor of giving the witch a more ambiguous command over her uniformed simian air force (though it still appears in the final cut as a prop tossed by Hamilton's Witch to Nikko, the flying monkey). Maguire’s Wicked makes no mention of Baum’s golden cap, giving Elphaba a monkey factotum, similar to MGM’s Nikko, now called Chistrey. The monkeys are given a vivisection backstory in Maguire's novel and are a result of the Grimmerie’s levitation spell in the musical, but Elphaba’s willful command of the their legions, without the limitations of the Golden Cap, is much more reminiscent of MGM’s Witch than Baum’s.
-Famously the slippers Dorothy inherits from the WWotE in Baum’s novel are made of silver metal (sterling silver shoes were popular as decorations and sugar bowls in Baum's day). The Slippers in the 1939 film were famously changed to ruby, so as to be more eye-catching against the technicolor yellow road. After some initial designs, MGM designer Adrian landed on the iconic red sequined pump seen in the film. Maguire’s novel, utilizing the film’s sibling backstory to motivate Elphaba, makes the famous pair of slippers into a sentimental pair of shoes adorned with beaded glass, in the musical referred to as "jeweled", which refract multiple colors, notably ruby red. Susan Hilferty’s choice of silver sequined pumps for the musical, given a red special lighting cue at a crucial moment, distinctly resemble Adrian’s 1939 design.
-Dorothy is a young child of roughly seven or eight years old in Baum’s novel and its illustrations. In Maguire’s take on the character she is depicted as a husky teenager prone to cloying musical outbursts. Teenage Judy Garland was famously derided at MGM for her weight, especially filming Oz, with Louis Mayor allegedly calling her his “little hunchback”.
-Animals in Oz in Baum’s text are all Imbued with the power of speech. Toto himself is able to speak in the land of Oz (revealed in the fifth Baum book), as well as a myriad animals from our world who travel to the Land of Oz, who all gain sentience upon entering the fairy land. In the 1939 film, the Lion is the only animal that appears capable of speech, while other animals that appear, like Toto, birds, horses, cats and monkeys, are all incapable of human vocal communication. Maguire’s text relies heavily on the implication only some Animals (signified by capitalization of the word) in Oz can talk, their subjugation by the Wizard playing huge role in the plot of both Maguire’s book and the musical adaption.
-But what I find most telling is that none of the witches in Baum’s novel directly interact with one another (later novels in the Oz series withstanding). The famous confrontation between the two witches in Munchkinland was entirely a fabrication of the 1939 film’s screenwriters. The musical’s entire premise, and a large portion of the novel’s, relies on the idea that these two opposing witches shared some past which informs their conflict in that scene, but that moment is solely a product of the 1939 film.
---
I think the way Maguire skirted copyright is incredibly clever and certainly well within fair-use (and probably long past any statute-of-limitations for any kind of damages sought by WB), but I find it wild that such a popular franchise as Wicked has basically used legal gray areas to bring a rainbow of color to Oz, all while claiming use of public domain versions of characters, and clearly mining the trademarked versions of those characters for most of their inspiration.
***Edit for clarity: A prequel is “a literary, dramatic or cinematic work whose story precedes that of a previous work, by focusing on events that occur before the original narrative”. It is just a word to describe the type of narrative Wicked and Oz the Great and Powerful are. Just like Journey Back to Oz and Return to Oz are “sequels” made by different production companies. It in no way connotes an “official” connection between legally distinct IPs. It is just a way to describe the function of the narrative.
​
TL;DR Wicked does not function as a prequel to the book by L. Frank Baum, but only serves as a prequel to the 1939 film, starring Judy Garland. This is evident because the Witch in Baum's book isn't green, doesn't ride a broom, only has one eye, no sister, and never interacts with Glinda (who is an amalgamation of two separate characters).

*Note: I am not a copyright lawyer, I'm not any kind of lawyer, nor am I making an accusation that anyone or any entity is infringing on the copyright or trademark of any other entities. That being said…
I have a theory that Wicked -- both Maguire's novel (Wicked: the Life and Times of the Wicked Witch of the West, 1995) and more so the musical (Wicked, 2003 Universal Stage Productions) -- solely functions as a prequel to the 1939 MGM film the Wizard of Oz (now owned by WB), and not that film's public domain source novel the Wonderful Wizard of Oz by L. Frank Baum. Let me explain...
Maguire wrote Wicked in 1994 in response to the Gulf War. His clever use of Oz characters passed scrutiny during publication in 1995 under parody and fair use laws, and because the Baum novel had long been in the public domain… as well as Ted Turner arranging to sell the MGM catalog to WB, circa 1997, making the timing ideal for Maguire's novel to skirt any copyright/trademark scrutiny for using elements from the non-public domain film.
We know what happened next, the book was a raging success and soon it was popular enough to be optioned by Universal and turned into a stage musical produced (after film & TV productions with Demi Moore and Salma Hayek separately attached failed to materialize). The musical opened first in San Francisco for try-outs and then Broadway in 2003. And writers Stephen Schwartz and Winnie Holzman liberally peppered even more direct homages and winks to the 1939 film into leitmotifs and other elements of the book, score, and staging.
But, Wicked has TOO many elements from the 1939 film, and NOT ENOUGH from Baum's original book, to merit it being called a prequel to the book (this is also true of Disney’s 2013 admitted attempt to cash-in on Wicked’s success, Oz: the Great and Powerful – which is even more egregious than Wicked, and ironic, as its own title is directly lifted from the 1939 film misquote of the book’s moniker of “Oz the Great and Terrible”).
---
So now, let's look at some of key differences between the book the Wonderful Wizard of Oz (WWoOZ) and its film adaption from 1939, and how Wicked (and that Disney rip-off - though I don’t want to have to keep mentioning that movie so just assume most of what I say applies there too) reinterprets these events and characters:
- In the book WWoOz it is established that there are four cardinal witches in the land of Oz. Dorothy vanquishes two unrelated Wicked Witches in the East (WWotE) and West (WWotW) as well as encountering the benevolent unnamed good witch of the North at the start of her adventure and a separate good witch, Glinda of the South, who helps her home in the end. MGM condensed the good witches into one character “Glinda the Good Witch of the North” as well as adding a subplot turning the Wicked Witches into sisters (providing Margaret Hamilton’s Witch more direct motivation to pursue Judy Garland’s Dorothy via the Witch’s presumed right to collateral inheritance of her sister’s shoes). Both Maguire and Disney follow the 1939 film’s continuity regarding these relationships making the wicked witches siblings, and Glinda the sole “good witch” in opposition to them.
-WWotW as depicted in Baum’s novel bears little to no resemblance to the green-skinned Margaret Hamilton in the 1939 film, and subsequently Maguire’s Elphaba. Oz illustrator W. W. Denslow, whom Baum worked closely with when designing the characters, depicts the witch as a hunched old hag with three pigtails and an eyepatch, tall brimmed hat, ruffed collar, coat and skirt. While MGM’s design team, led by legendary costumer Adrian, initially tested several looks for WWotW (including a glamorous sequined look inspired by Disney’s Evil Queen in Snow White). MGM screenwriter, Herman Mankiewicz (who expanded the role of the wicked witch from book to screenplay, and wrote several key lines for her including, “I’ll get you my pretty!”) insisted "witches should be ugly!" And Margaret Hamilton’s Witch was given green skin to broadcast her “wickedness” as well as make her face and hands stand-out against her black medieval gown, cloak and sharp brimmed hat. Needless to say this film only element of green-skin becomes a major plot point of Wicked. And Susan Hilferty’s stage designs for Elphaba retain the 1939 film’s silhouette and dark color palette.
-Another difference in Baum’s WWotW is that she only had one eye, but that it "was as powerful as a telescope", and this is how she spies on her enemies. MGM was again inspired by Snow White's Queen, and popular imagery of fortune tellers, giving Hamilton’s Witch the ability to scry in a large crystal ball, which made for some of the most memorable visuals of the film, of her looming eerily over the heroes. Unlike Baum’s WWotW, Maguire’s Elphaba retains vision in both eyes, and inherits her film counterpart's scrying abilities (primarily using a blown-glass orb).
-Baum’s WWotW importantly carries an umbrella, not a broomstick, as a source of protection for her aquaphobia. She has no need for transportation, her location is limited to her castle in the West of Oz. MGM’s script, howvever, gave Hamilton’s Witch a means of transportation that had long been popular in witch mythology, a broomstick, involving her more directly in the narrative (as well as giving the Wizard a macguffin to send Dorothy after). Maguire also chose to make a broomstick a means of travel for Elphaba, and Stephen Schwartz's “Defying Gravity”, the centerpiece of the musical, which sees a scene not included in the novel, where Elphaba defiantly flies over the Emerald City in protest of the Wizard, cemented the broom’s icon status within the framework of the Wicked franchise.
-The Flying Monkeys in Baum’s novel have a rich backstory involving their enslavement at the hands of a sorceress named Gaylette. The monkeys’ terms of imprisonment require they obey three commands given by whomever possess a Golden Cap, which the WWotW owns and uses to capture Dorothy and her friends. Dorothy comes into possession of the Golden Cap after WWotW’s demise (similar to her inheriting the slippers) and is able to command the monkeys to her own benefit later in the book. The Golden Cap subplot was scrapped from the MGM film in favor of giving the witch a more ambiguous command over her uniformed simian air force (though it still appears in the final cut as a prop tossed by Hamilton's Witch to Nikko, the flying monkey). Maguire’s Wicked makes no mention of Baum’s golden cap, giving Elphaba a monkey factotum, similar to MGM’s Nikko, now called Chistrey. The monkeys are given a vivisection backstory in Maguire's novel and are a result of the Grimmerie’s levitation spell in the musical, but Elphaba’s willful command of the their legions, without the limitations of the Golden Cap, is much more reminiscent of MGM’s Witch than Baum’s.
-Famously the slippers Dorothy inherits from the WWotE in Baum’s novel are made of silver metal (sterling silver shoes were popular as decorations and sugar bowls in Baum's day). The Slippers in the 1939 film were famously changed to ruby, so as to be more eye-catching against the technicolor yellow road. After some initial designs, MGM designer Adrian landed on the iconic red sequined pump seen in the film. Maguire’s novel, utilizing the film’s sibling backstory to motivate Elphaba, makes the famous pair of slippers into a sentimental pair of shoes adorned with beaded glass, in the musical referred to as "jeweled", which refract multiple colors, notably ruby red. Susan Hilferty’s choice of silver sequined pumps for the musical, given a red special lighting cue at a crucial moment, distinctly resemble Adrian’s 1939 design.
-Dorothy is a young child of roughly seven or eight years old in Baum’s novel and its illustrations. In Maguire’s take on the character she is depicted as a husky teenager prone to cloying musical outbursts. Teenage Judy Garland was famously derided at MGM for her weight, especially filming Oz, with Louis Mayor allegedly calling her his “little hunchback”.
-Animals in Oz in Baum’s text are all Imbued with the power of speech. Toto himself is able to speak in the land of Oz (revealed in the fifth Baum book), as well as a myriad animals from our world who travel to the Land of Oz, who all gain sentience upon entering the fairy land. In the 1939 film, the Lion is the only animal that appears capable of speech, while other animals that appear, like Toto, birds, horses, cats and monkeys, are all incapable of human vocal communication. Maguire’s text relies heavily on the implication only some Animals (signified by capitalization of the word) in Oz can talk, their subjugation by the Wizard playing huge role in the plot of both Maguire’s book and the musical adaption.
-But what I find most telling is that none of the witches in Baum’s novel directly interact with one another (later novels in the Oz series withstanding). The famous confrontation between the two witches in Munchkinland was entirely a fabrication of the 1939 film’s screenwriters. The musical’s entire premise, and a large portion of the novel’s, relies on the idea that these two opposing witches shared some past which informs their conflict in that scene, but that moment is solely a product of the 1939 film.
---
I think the way Maguire skirted copyright is incredibly clever and certainly well within fair-use (and probably long past any statute-of-limitations for any kind of damages sought by WB), but I find it wild that such a popular franchise as Wicked has basically used legal gray areas to bring a rainbow of color to Oz, all while claiming use of public domain versions of characters, and clearly mining the trademarked versions of those characters for most of their inspiration.
***Edit for clarity: A prequel is “a literary, dramatic or cinematic work whose story precedes that of a previous work, by focusing on events that occur before the original narrative”. It is just a word to describe the type of narrative Wicked and Oz the Great and Powerful are. Just like Journey Back to Oz and Return to Oz are “sequels” made by different production companies. It in no way connotes an “official” connection between legally distinct IPs. It is just a way to describe the function of the narrative.
​
TL;DR Wicked does not function as a prequel to the book by L. Frank Baum, but only serves as a prequel to the 1939 film, starring Judy Garland. This is evident because the Witch in Baum's book isn't green, doesn't ride a broom, only has one eye, no sister, and never interacts with Glinda (who is an amalgamation of two separate characters).

Casino Royale was re-written by Paul Haggis. He had been nominated for writing Million Dollar Baby and won the Original Screenplay Oscar for writing Crash.
If the series went that prestige route again (which they haven't done in a while) which recent nominees and winners should get a shot at re-writing whatever Purvis and Wade come out with?
Well first we have to take a look at who's won. This year's Original Screenplay winners were Justine Triet and Arthur Harrari, who wrote a brilliant mystery with Anatomy of a Fall, BUT would they really be willing to take on a big franchise like Bond? Maybe, actually, but I doubt a Palme winner would be willing to sell-out like this so quickly.
So boiling it down to realistic choices that leaves us with a much shorter list of nominees (only going back five years):
Samy Burch - May December
Burch also co-wrote Coyote v Acme so she's no stranger to studio productions.
Cord Jefferson - American Fiction
He's really new to the film scene but he was a writer on the TV adaptation of Watchmen as well as Succession.
Sian Heder - CODA
Again, not a depthful film resume, but she might be an interesting choice and might be willing to do it.
Zach Baylin - King Richard
He wrote a studio drama similarly to Haggis writing Million Dollar Baby. He also has writing credits on Creed III, Bob Marley: One Love, and The Crow.
Kemp Powers - One Night in Miami
A playwright, Powers also co-wrote Soul for Disney, as well as Spider-Man: Across the Spider-Verse.
Emerald Fennell - Promising Young Woman
Also no stranger to studio fare as she rewrote Ballerina, the John Wick spin off. She’s also the only one here who’s British.
Scott Silver - Joker
He also wrote The Fighter, 8 Mile, and The Finest Hours.
That seems about it in terms of realistic options from the past five years. My personal choice would be Burch as I consider May December to be best film here. She's also funny, witty, and self aware in her writing.
Another possible writer here is Craig Mazin, who's not an Academy Award nominee but will probably be receiving his first nomination for his hand in writing Dune: Part Two (depending on how the credit thing goes with the Oscar's.

(NOTE: Only feature film categories are listed. Certain nominations omit teams of nominees and only list the film and/or certain individuals. Winners highlighted)

Producers Guild of America

Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures

• American Fiction (MGM)
• Anatomy of a Fall (Neon)
• Barbie (Warner Bros.)
• The Holdovers (Focus Features)
• Killers of the Flower Moon (Apple Original Films/Paramount Pictures)
• Maestro (Netflix)
• Oppenheimer (Universal Pictures)
• Past Lives (A24)
• Poor Things (Searchlight Pictures)
• The Zone of Interest (A24)

Award for Outstanding Producer of Animated Theatrical Motion Pictures

• The Boy and the Heron (GKids)
• Elemental (Pixar)
• Spider-Man: Across the Spider-Verse (Sony Pictures)
• The Super Mario Bros. Movie (Illumination/Universal Pictures)
• Teenage Mutant Ninja Turtles: Mutant Mayhem (Paramount Pictures)**

Outstanding Producer of Documentary Theatrical Motion Pictures

• 20 Days in Mariupol
• American Symphony
• Beyond Utopia
• The Disappearance of Shere Hite
• The Mother of All Lies
• Smoke Sauna Sisterhood Squaring the Circle (The Story of Hipgnosis)

Directors Guild of America

Feature Film

• Greta Gerwig – Barbie
• Yorgos Lanthimos – Poor Things
• Christopher Nolan – Oppenheimer
• Alexander Payne – The Holdovers
• Martin Scorsese – Killers of the Flower Moon

Documentaries

• Moses Bwayo and Christopher Sharp – Bobi Wine: The People's President
• Mstyslav Chernov – 20 Days in Mariupol
• Madeleine Gavin – Beyond Utopia
• Davis Guggenheim – Still: A Michael J. Fox Movie
• D. Smith – Kokomo City

First-Time Feature Film

• Cord Jefferson – American Fiction
• Manuela Martelli – Chile '76
• Noora Niasari – Shayda
• A. V. Rockwell – A Thousand and One
• Celine Song – Past Lives

Screen Actors Guild

Outstanding Performance by a Male Actor in a Leading Role

• Bradley Cooper – Maestro as Leonard Bernstein
• Colman Domingo – Rustin as Bayard Rustin
• Paul Giamatti – The Holdovers as Paul Hunham
• Cillian Murphy – Oppenheimer as J. Robert Oppenheimer
• Jeffrey Wright – American Fiction as Thelonious "Monk" Ellison

Outstanding Performance by a Female Actor in a Leading Role

• Annette Bening – Nyad as Diana Nyad
• Lily Gladstone – Killers of the Flower Moon as Mollie Burkhart
• Carey Mulligan – Maestro as Felicia Montealegre
• Margot Robbie – Barbie as Barbie
• Emma Stone – Poor Things as Bella Baxter

Outstanding Performance by a Male Actor in a Supporting Role

• Sterling K. Brown – American Fiction as Clifford "Cliff" Ellison
• Willem Dafoe – Poor Things as Dr. Godwin Baxter
• Robert De Niro – Killers of the Flower Moon as William King Hale
• Robert Downey Jr. – Oppenheimer as Lewis Strauss
• Ryan Gosling – Barbie as Ken

Outstanding Performance by a Female Actor in a Supporting Role

• Emily Blunt – Oppenheimer as Katherine "Kitty" Oppenheimer
• Danielle Brooks – The Color Purple as Sofia
• Penélope Cruz – Ferrari as Laura Ferrari
• Jodie Foster – Nyad as Bonnie Stoll
• Da'Vine Joy Randolph – The Holdovers as Mary Lamb

Outstanding Performance by a Cast in a Motion Picture

• American Fiction – Erika Alexander, Adam Brody, Sterling K. Brown, Keith David, John Ortiz, Issa Rae, Tracee Ellis Ross, Leslie Uggams, and Jeffrey Wright
• Barbie – Michael Cera, Will Ferrell, America Ferrera, Ryan Gosling, Ariana Greenblatt, Kate McKinnon, Helen Mirren, Rhea Perlman, Issa Rae, and Margot Robbie
• The Color Purple – Halle Bailey, Fantasia Barrino, Jon Batiste, Danielle Brooks, Ciara, Colman Domingo, Aunjanue Ellis-Taylor, Louis Gossett Jr., Corey Hawkins, Taraji P. Henson, Phylicia Pearl Mpasi, and Gabriella Wilson "H.E.R."
• Killers of the Flower Moon – Tantoo Cardinal, Robert De Niro, Leonardo DiCaprio, Brendan Fraser, Lily Gladstone, John Lithgow, and Jesse Plemons
• Oppenheimer – Casey Affleck, Emily Blunt, Kenneth Branagh, Matt Damon, Robert Downey Jr., Josh Hartnett, Rami Malek, Cillian Murphy, and Florence Pugh

Outstanding Performance by a Stunt Ensemble in a Motion Picture

• Barbie
• Guardians of the Galaxy Vol. 3
• Indiana Jones and the Dial of Destiny
• John Wick: Chapter 4
• Mission: Impossible – Dead Reckoning Part One

Writers Guild of America

Best Original Screenplay

• Air – Alex Convery
• Barbie – Greta Gerwig & Noah Baumbach
• The Holdovers - David Hemingson
• May December – Samy Burch; story by Samy Burch & Alex Mechanik
• Past Lives – Celine Song

Best Adapted Screenplay

• American Fiction – Cord Jefferson; based on the novel Erasure by Percival Everett
• Are You There God? It's Me, Margaret. – Kelly Fremon Craig; based on the book by Judy Blume
• Killers of the Flower Moon – Eric Roth and Martin Scorsese; based on the book by David Grann
• Nyad – Julia Cox; based on the book Find a Way by Diana Nyad
• Oppenheimer – Christopher Nolan; based on the book American Prometheus by Kai Bird and Martin J. Sherwin

Best Documentary Screenplay

• Bella! – Jeff L. Lieberman
• It Ain't Over – Sean Mullin
• The Pigeon Tunnel – Errol Morris
• Stamped from the Beginning – David Teague; based on the book Stamped from the Beginning by Ibram X. Kendi
• What the Hell Happened to Blood, Sweat & Tears? – John Scheinfeld

American Society of Cinematographers

Winners Announced March 5

Theatrical Feature Film Nominees

• Edward Lachman, ASC for El Conde
• Matthew Libatique, ASC, LPS for Maestro
• Rodrigo Prieto, ASC, AMC for Killers of the Flower Moon
• Robbie Ryan, ISC for Poor Things
• Hoyte van Hoytema, ASC, FSF, NSC for Oppenheimer

Spotlight Award

• Eric Branco for Story Ave.
• Krum Rodriguez for Citizen Saint
• Warwick Thornton for The New Boy

Documentary Award

• Jeff Hutchens for Murder in Big Horn "Episode 1"
• Curren Sheldon for King Coal
• D. Smith for Kokomo City

American Cinema Editors

Best Edited Feature Film (Drama, Theatrical)

• Anatomy of a Fall – Laurent Sénéchal
• Killers of the Flower Moon – Thelma Schoonmaker
• Maestro – Michelle Tesoro
• Oppenheimer – Jennifer Lame
• Past Lives – Keith Fraase

Best Edited Feature Film (Comedy, Theatrical)

• Air – William Goldenberg
• American Fiction – Hilda Rasula
• Barbie – Nick Houy
• The Holdovers – Kevin Tent
• Poor Things – Yorgos Mavropsaridis

Best Edited Documentary (Theatrical)

• 20 Days in Mariupol – Michelle Mizner
• American Symphony – Sammy Dane, Matthew Heineman, Jim Hession, and Fernando Villegas
• Joan Baez: I Am a Noise – Maeve O'Boyle
• Little Richard: I Am Everything – Nyneve Minnear and Jake Hostetter
• Still: A Michael J. Fox Movie – Michael Harte

Best Edited Animated Feature Film (Theatrical or Non-Theatrical)

• Elemental – Stephen Schaffer
• Nimona – Randy Trager and Erin Crackel
• Spider-Man: Across the Spider-Verse – Michael Andrews
• The Super Mario Bros. Movie – Eric Osmond
• Teenage Mutant Ninja Turtles: Mutant Mayhem – Greg Levitan

Visual Effects Society

Outstanding Visual Effects in a Photoreal Feature

• Dungeons & Dragons: Honor Among Thieves: Ben Snow, Diana Giorgiutti, Khalid Almeerani, Scott Benza, and Sam Conway
• Guardians of the Galaxy Vol. 3: Stephane Ceretti, Susan Pickett, Alexis Wajsbrot, Guy Williams, and Dan Sudick
• Indiana Jones and the Dial of Destiny: Andrew Whitehurst, Kathy Siegel, Robert Weaver, Julian Hutchens, and Alistair Williams
• Oppenheimer: Andrew Jackson, Mike Chambers (VES), Giacomo Mineo, Dave Drzewiecki, and Scot Fisher
• The Creator: Jay Cooper, Julian Levi, Ian Comley, Charmaine Chan, Neil Corbould (VES)

Outstanding Supporting Visual Effects in a Photoreal Feature

• John Wick: Chapter 4: Janelle Croshaw Ralla, Reina Sparks, Jonathan Rothbart, Javier Roca, and Gerd Nefzer
• Killers of the Flower Moon: Pablo Helman, Brian Barlettani, Sam Bassett , and Brandon Keys McLaughlin
• Napoleon: Charley Henley, Sarah Tulloch, Luc-Ewen Martin-Fenouillet, Simone Coco, and Neil Corbould (VES)
• Nyad: Jake Braver, Fiona Campbell Westgate, R. Christopher White, and Mohsen Mousavi
• Society of the Snow: Félix Bergés, Micaela Gagliano, Laura Pedro, Ezequiel Larrú, and Pau Costa

Outstanding Visual Effects in an Animated Feature

• Chicken Run: Dawn of the Nugget: Jon Biggins, Jim Lewis, Charles Copping, and Matthew Perry
• Elemental: Peter Sohn, Denise Ream, Sanjay Bakshi, and Stephen Marshall
• Nimona: Archie Donato, Yancy Lindquist, Theodore Ty, and Anthony Kemp
• Spider-Man: Across the Spider-Verse: Alan Hawkins, Christian Hejnal, Michael Lasker, and Matt Hausman
• Teenage Mutant Ninja Turtles: Mutant Mayhem: Matthieu Rouxel, Marie Balland, Jacques Daigle, and Vincent Leroy

Outstanding Animated Character in a Photoreal Feature

• Aquaman and the Lost Kingdom (Topo the Octopus): Thomas Ward, Andrew Butler, Felix Slinger-Thompson, and Jacob Burstein
• Godzilla Minus One (Godzilla): Kosuke Taguchi and Takashi Yamazaki
• Guardians of the Galaxy Vol. 3 (Rocket): Nathan McConnel, Andrea De Martis, Antony Magdalinidis,and Rachel Williams
• Wonka (Oompa Loompa), Dale Newton, Kunal Ayer, Valentina Ercolani, and Gabor Foner

Outstanding Character Animation in an Animated Feature

• Elemental (Ember): Gwendelyn Enderoglu, Jared Fong, Jonathan Hoffman, and Patrick Witting
• Elemental (Wade): Max Gilbert, Jacob Kuenzel, Dave Strick, and Benjamin Su
• Spider-Man: Across the Spider-Verse (Spot): Christopher Mangnall, Craig Feifarek, Humberto Rosa, and Nideep Varghese
• Teenage Mutant Ninja Turtles: Mutant Mayhem (Superfly): Gregory Coelho, Anne-Claire Leroux, Simon Cuisinier, and Olivier Pierre

Outstanding Created Environment in a Photoreal Feature

• Guardians of the Galaxy Vol. 3 (Knowhere): Omar Alejandro Lavrador Ibanez, Fabien Julvecourt, Klaudio Ladavac, and Benjamin Patterson
• Indiana Jones and the Dial of Destiny (Underwater Wreck Environment): Johan Gabrielsson, Adrian Tsang, Stefan Andersson, and Martin Eneroth
• John Wick: Chapter 4 (Place de L’Étoile): Manuel Gaudreau, Fabrice Vienne, Vignesh Ravi, and Laurent Makowski
• The Creator (Floating Village): John Seru, Guy Williams, Vincent Techer, and Timothée Maron

Outstanding Created Environment in an Animated Feature

• Chicken Run: Dawn of the Nugget (Chicken Island): Charles Copping, Matthew Perry, Jim Lewis, and Jon Biggins
• Elemental (Element City): Chris Bernardi, Brandon Montell, David Shavers, and Ting Zhang
• Spider-Man: Across the Spider-Verse (Mumbattan City): Taehyun Park, YJ Lee, Pepe Orozco, and Kelly Han
• Teenage Mutant Ninja Turtles: Mutant Mayhem (Midtown Manhattan): Olivier Mitonneau, Eddy Frechou, Guillaume Chevet, and Arnaud Philippe-Giraux

Outstanding Virtual Cinematography in a CG Project

• Guardians of the Galaxy Vol. 3: Joanna Davison, Cheyana Wilkinson, Michael Cozens, and Jason Desjarlais
• Migration: Guylo Homsy, Damien Bapst, Antoine Collet, and David Dangin
• Spider-Man: Across the Spider-Verse: Rich Turner, Randolph Lizarda, Daniela Campos Little, and Thomas Campos
• The Creator: Roel Coucke, Christopher Potter, Amanda Johnstone-Batt, and Jeremy Bloch

Outstanding Model in a Photoreal or Animated Project

• Guardians of the Galaxy Vol. 3 (The Arête): Kenneth Johansson, Jason Galeon, Tim Civil, and Artur Vil
• Peter Pan & Wendy (Jolly Roger): Patrick Comtois, Thomas Gallardo, Harrison Stark, and David Thibodeau
• Spider-Man: Across the Spider-Verse (Spider HQ): Dongick David Sheen, Mark JeongWoong Lee, Mikaela Bantog, and René Völker
• The Creator (Nomad): Oliver Kane, Mat Monro, Florence Green, and Serban Ungureanu

Outstanding Effects Simulations in a Photoreal Feature

• Napoleon: Koen Hofmeester, Gianmichele Mariani, Clair Bellens, and Hernan Llano Duque
• Nyad (Stormy Waters) Korbinian Meier, Sindy Saalfeld, David Michielsen, and Andreas Vrhovsek
• The Creator: Ludovic Ramisandraina, Raul Essig, Mathieu Chardonnet, and Lewis Taylor
• The Nun 2: Laurent Creusot, Sebastien Podsiadlo, Michael Moercant, and Benjamin Saurine

Outstanding Effects Simulations in an Animated Feature

• Elemental: Kristopher Campbell, Greg Gladstone, Jon Reisch, and Kylie Wijsmuller
• Spider-Man: Across the Spider-Verse: Pav Grochola, Filippo Maccari, Naoki Kato, and Nicola Finizio
• Teenage Mutant Ninja Turtles: Mutant Mayhem: Louis Marsaud, Paul-Etienne Bourde, Serge Martin, and Marine Pommereul
• The Super Mario Bros. Movie: Simon Pate, Christophe Vazquez, and Milo Riccarand

Outstanding Composition and Lighting in a Feature

• Guardians of the Galaxy Vol. 3: Indah Maretha, Beck Veitch, Nathan Abbot, and Steve McGillen
• John Wick: Chapter 4 (Apartment Massacre Videogame Style): Javier Roca, Julien Forest, Thomas Bourdis, and Dominik Kirouac
• Spider-Man: Across the Spider-Verse: Bret St.Clair, Kieron Cheuk-Chi Lo, Kelly Christophers, and Rowan Young
• The Creator (Bar): Phil Prates, Min Kim, Nisarg Suthar, and Toshiko Miura
• The Creator (Spaceships): Ben O-Brien, Juan Espigares Enriquez, Wesley Roberts, and Hayes Brien

Outstanding Special (Practical) Effects in a Photoreal Project

• I’m a Virgo: John McLeod, Scott Kirvan, Alec Gillis, and Carl Miller
• Mission: Impossible – Dead Reckoning Part One: Neil Corbould (VES), Ray Ferguson, Keith Dawson, and Chris Motjuoadi
• Oppenheimer: Scott Fisher, James Rollins, and Mario Vanillo
• Society of the Snow: Pau Costa, Carlos Laguna, Guillermo F. Aldunate, and Eloy Cervera

Emerging Technology Award

• Blue Beetle (Machine Learning Cloth): JohnMark Gibbons, Allen Ruilova, Momme Carl, and David Minor
• Elemental (Volumetric Neural Style Transfer): Vinicius C. Azevedo, Byungsoo Kim, Raphael Ortiz, and Paul Kanyuk
• The Flash (Volumetric Capture): Stephan Trojansky, Thomas Ganshorn, Oliver Pilarski, and Lukas Lepicovsky
• Wish (Dynamic Screen Space Textures for Coherent Stylization): Brent Burley, Daniel Teece, and Brian J. Green

Motion Pictures Sound Editors

Outstanding Achievement in Sound Editing - Feature Animation

• Elemental
• Migration
• Spiderman: Across the Spiderverse
• The Super Mario Bros. Movie

Outstanding Achievement in Sound Editing - Feature Documentary

• 32 Sounds
• American Symphony
• Mourning in Lod
• Still: A Michael J Fox Movie
• Taylor Swift: The Eras Tour

Outstanding Achievement in Sound Editing - Foreign Language Feature

• Anatomy of a Fall
• The Zone of Interest
• Godzilla Minus One
• Society of the Snow

Outstanding Achievement in Sound Editing - Feature Dialogue ADR

• Barbie
• Killers of the Flower Moon
• Maestro
• Napoleon
• Oppenheimer
• Poor Things

Outstanding Achievement in Sound Editing - Feature Effects/Foley

• Gran Turismo
• Ferarri
• John Wick Chapter Four
• Napoleon
• Oppenheimer
• The Killer

Outstanding Achievement in Music Editing - Documentary

• American Symphony
• Pianoforte
• Still: A Michael J Fox Story
• WHAM!

Outstanding Achievement in Music Editing - Feature Motion Picture

• Barbie
• Creed III
• Maestro
• Oppenheimer
• Spiderman: Across the Spiderverse
• Wonka

Cinema Audio Society

Motion Picture: Live Action

• Barbie - Nina Rice (Production Mixer), Kevin O’Connell (Re-Recording Mixer), Ai-Ling Lee (Re-Recording Mixer), Peter Cobbin (Scoring Mixer), Kirsty Whalley (Scoring Mixer), Bobby Johanson (ADR Mixer), Kevin Schultz (Foley Mixer)
  
• Ferrari - Lee Orloff (Production Mixer), Andy Nelson (Production Mixer), Tony Lamberti (Re-Recording Mixer), Luke Schwarzweller (Re-Recording Mixer), Andrew Dudman (Scoring Mixer), Matthew Wood (ADR Mixer), Giorgi Lekishvili (Foley Mixer)
  
• Killers of the Flower Moon - Mark Ulano (Production Mixer), Tom Fleischman (Re-Recording Mixer), Eugene Gearty (Re-Recording Mixer), George A. Lara (Foley Mixer)
  
• Maestro - Steven A. Morrow (Production Mixer), Tom Ozanich (Re-Recording Mixer), Dean A. Zupancic (Re-Recording Mixer), Nick Baxter (Scoring Mixer), Bobby Johanson (ADR Mixer), Walter Spencer (Foley Mixer)
  
• Oppenheimer Willie D. Burton (Production Mixer), Gary A. Rizzo (Re-Recording Mixer), Kevin O’Connell (Re-Recording Mixer), Chris Fogel (Scoring Mixer), Tavish Grade (Foley Mixer), Jack Cucci (Foley Mixer), Mikel Parraga-Wills (Foley Mixer)
  

Motion Picture: Animated

• Elemental - Vince Caro (Original Dialogue Mixer), Paul McGrath (Original Dialogue Mixer), Stephen Urata (Re-Recording Mixer), Ren Klyce (Re-Recording Mixer), Thomas Vicari (Scoring Mixer), Scott Curtis (Foley Mixer)
  
• Spider-Man: Across the Spider-Verse - Brian Smith (Original Dialogue Mixer), Aaron Hasson (Original Dialogue Mixer), Howard London (Original Dialogue Mixer), Michael Semanick (Re-Recording Mixer), Juan Peralta (Re-Recording Mixer), Sam Okell (Scoring Mixer), Randy K. Singer (Foley Mixer)
  
• Teenage Mutant Ninja Turtles: Mutant Mayhem - Doc Kane (Original Dialogue Mixer), Michael Semanick (Re-Recording Mixer), Mark Mangini (Re-Recording Mixer), Trent Reznor (Scoring Mixer), Atticus Ross (Scoring Mixer), Chris Cirino (ADR Mixer), Chelsea Body(Foley Mixer)
  
• The Boy and the Heron – Kôji Kasamatsu (Original Dialogue & Re-Recording Mixer)
  
• The Super Mario Brothers Movie - Carlos Sotolongo (Original Dialogue Mixer), Pete Horner (Re-Recording Mixer), Juan Peralta (Re-Recording Mixer), Casey Stone (Scoring Mixer), Doc Kane (ADR Mixer), Richard Durante (Foley Mixer)
  

Motion Picture: Documentary

• 32 Sounds - Laura Cunningham (Production Mixer), Mark Mangini (Re-Recording Mixer), Ben Greenberg (Scoring Mixer), Bobby Johanson (ADR Mixer), Blake Collins (Foley Mixer)
  
• American Symphony - Tom Paul (Re-Recording Mixer), Tristan Baylis (Re-Recording Mixer), Ryan Collison (Foley Mixer),
  
• Little Richard: I Am Everything - Tom Paul (Re-Recording Mixer)
  
• Still: A Michael J. Fox Movie - Skip Lievsay (Re-Recording Mixer), Paul Urmson (Re-Recording Mixer), Joel Dougherty (Re-Recording Mixer), John Michael Caldwell (Scoring Mixer), Micah Blaichman (Foley Mixer
  
• Taylor Swift: The Eras Tour - Jacob Farron Smith (Production Mixer), John Ross (Re-Recording Mixer), David Payne (Re-Recording Mixer), Christopher Rowe (Re-Recording Mixer)
  

Casting Society of America

Feature Animation

• Elemental (Disney): Natalie Lyon, Kevin Reher, Kate Hansen-Birnbaum (Associate Casting Director)
• Leo (Netflix): Danielle Aufiero, Amber Horn
• Spider-Man: Across the Spider-Verse (Sony): Mary Hidalgo
• Teenage Mutant Ninja Turtles: Mutant Mayhem (Paramount): Rich Delia, Adam Richards (Associate Casting Director)
• Wish (Disney): Grace C. Kim

Feature Big Budget - Comedy

• Air (Amazon Studios): Mary Vernieu, Lindsay Graham Ahanonu, Sydney Shircliff (Associate Casting Director)
• Are You There God? It’s Me, Margaret (Searchlight): Francine Maisler, Melissa Kostenbauder, Betsy Fippinger (Location Casting), Tara Feldstein (Location Casting), Chase Paris (Location Casting), Molly Rose (Associate Casting Director)
• Asteroid City (Focus Features): Douglas Aibel, Jina Jay (Location Casting), Matthew Glasner (Associate Casting Director)
• Cocaine Bear (Paramount): Debra Zane, Dylan Jury, Alli Coffey (Location Casting)
• Wonka (Warner Bros.): Nina Gold

Feature Big Budget - Drama

• The Color Purple (Warner Bros.): Bernard Telsey, Tiffany Little Canfield, Destiny Lilly
• Maestro (Netflix): Shayna Markowitz, Dayna Katz (Associate Casting Director)
• Killers of the Flower Moon (Apple): Ellen Lewis, Rene Haynes, Kate Sprance (Associate Casting Director)
• Oppenheimer (Universal): John Papsidera
• Saltburn (Amazon Studios): Kharmel Cochrane

Feature Studio or Independent - Comedy

• American Fiction (Amazon Studios): Jennifer Euston, Lisa Lobel (Location Casting), Angela Peri (Location Casting), Melissa Morris (Associate Casting Director)
• Bottoms (Amazon Studios): Laura Rosenthal, Maribeth Fox, Meagan Lewis (Location Casting), Kimberly Ostroy (Associate Casting Director)
• The Holdovers (Focus Features): Susan Shopmaker, Lisa Lobel (Location Casting), Angela Peri (Location Casting), Melissa Morris (Associate Casting Director)
• Joy Ride (Lionsgate): Rich Delia, Kara Eide (Location Casting), Kris Woznesensky (Location Casting), Adam Richards (Associate Casting Director)
• Theater Camp (Searchlight): Kristian Charbonier, Bernard Telsey

Feature Studio or Independent - Drama

• The Iron Claw (A24): Susan Shopmaker, Brent Caballero (Location Casting)
• May December (Netflix): Laura Rosenthal, Meagan Lewis (Location Casting), Rebecca Carfagna (Location Casting), Kimberly Ostroy (Associate Casting Director)
• Past Lives (A24): Ellen Chenoweth, Susanne Scheel
• Priscilla (A24): Nicole Daniels, Courtney Bright, John Buchan, Jason Knight
• Rustin (Netflix): Avy Kaufman, Donna Belajac (Location Casting), Missy Finnell (Location Casting), Scotty Anderson (Associate Casting Director)

Feature Low Budget - Comedy or Drama

• Birth/Rebirth (IFC Films): Allison Twardziak, Danielle Pretsfelder Demchick
• Emily (Warner Bros.): Fiona Weir
• Jules (Bleecker Street): Avy Kaufman
• Memory (Ketchup Entertainment): Susan Shopmaker
• Monica (IFC Films): Emily Schweber, D. Lynn Meyers (Location Casting)

Feature Micro Budget - Comedy or Drama

• The Donor Party (Vertical): Anthony J. Kraus
• How I Learned to Fly (Film Movement): Jessica Sherman
• Summoning Sylvia (The Horror Collective): Steven Tylor O’Connor
• What Comes Around (IFC Films): Eyde Belasco, Jeff Johnson (Location Casting)
• Your Lucky Day (Well Go USA Entertainment): Jessica Sherman

The Zeitgeist Award

• Barbie (Warner Bros.): Lucy Bevan, Olivia Grant (Associate Casting Director)
• The Flash (Warner Bros.): Rich Delia, Kate Ringsell, Adam Richards (Associate Casting Director)
• The Hunger Games: The Ballad of Songbirds & Snakes (Lionsgate): Debra Zane, Dylan Jury, Simone Bär (Location Casting)
• Rebel Moon: Part One – A Child of Fire (Netflix): Kristy Carlson, Jeanette Benzie (Associate Casting Director)
• Transformers: Rise of the Beasts (Paramount Pictures): Wittney Horton, additional voice casting by Ruth Lambert and Robert McGee, Eve Streger (Associate Casting Director)

Art Directors Guild

Excellence in Production Design for a Contemporary Film

• Beau Is Afraid – Fiona Crombie
• John Wick: Chapter 4 – Kevin Kavanaugh
• The Killer – Donald Graham Burt
• Mission: Impossible – Dead Reckoning Part One – Gary Freeman
• Saltburn – Suzie Davies

Excellence in Production Design for a Period Film

• Asteroid City – Adam Stockhausen
• Killers of the Flower Moon – Jack Fisk
• Maestro – Kevin Thompson
• Napoleon – Arthur Max
• Oppenheimer – Ruth De Jong

Excellence in Production Design for a Fantasy Film

• Barbie – Sarah Greenwood
• The Creator – James Clyne
• Guardians of the Galaxy Vol. 3 – Beth Mickle
• Poor Things – James Price and Shona Heath
• Wonka – Nathan Crowley

Excellence in Production Design for an Animated Film

• The Boy and the Heron – Yôji Takeshige
• Elemental – Don Shank
• Spider-Man: Across the Spider-Verse – Patrick O'Keefe
• The Super Mario Bros. Movie – Guillaume Aretos
• Teenage Mutant Ninja Turtles: Mutant Mayhem – Yashar Kassai

Guild of Music Supervisors

Best Music Supervision for Film Budgeted Over $25 Million

• The Holdovers
• My Big Fat Greek Wedding 3
• They Cloned Tyrone
• Barbie
• Maestro
• Saltburn
• Spiderman: Across the Spiderverse
• Are You There God? Its Me, Margaret
• Wonka
• Air

Best Music Supervision for Film Budgeted $25 Million And Under

• The Iron Claw
• Jesus Revolution
• All of Us Strangers
• Polite Society
• Flamin' Hot
• Joy Ride

Best Music Supervision for Film Budgeted $10 Million And Under

• Aristotle and Dante Discover the Secrets of the Universe
• Brother
• Past Lives
• Somewhere in Queens
• Eileen
• War Pony
• Paint
• Theater Camp

Best Music Supervision for a Non-Theatrically Released Film

• Change Can Dunk (TIE)
• Please Don’t Destroy: The Treasure of Foggy Mountain
• Rye Lane
• Sitting in Bars With Cake
• Family Switch
• Totally Killer (TIE)
• A Million Miles Away
• Heist 88
• Praise This

Best Song Written and/or Recorded for a Film

• Spiderman: Across the Spiderverse (Am I Dreaming) - Mike Dean, Peter Lee Johnson, Rakim Mayers, Roisee, Leland Wayne, and Landon Wayne
• Theater Camp (Camp Isn't Home) - Noah Galvin, Molly Gordon, Nick Lieberman, Ben Platt, and Mark Sonnenblick
• The Hunger Games: The Ballad of Songbirds and Snakes (Can't Catch Me Now) - Dan Nigro and Olivia Rodrigo
• Barbie (I'm Just Ken) - Mark Ronson and Andrew Wyatt
• American Symphony (It Never Went Away) - Jon Batiste and Dan Wilson
• Joy Ride (Juicy) - Isak Alvedahl, Kirubel Swedin, and Sandra Wikstrom
• Totally Killer (Little Bit 'O Soul) - John Carter and Kenneth Hawker
• Past Lives (Quiet Eyes) - Zachary Dawes and Sharon Van Etten
• Rustin (Road to Freedom) - Lenny Kravitz
• Barbie (What I Was Made For) - Billie Eilish O’Connell, Finneas O’Connell*

Costume Designers Guild

Excellence in Contemporary Film

• American Fiction – Rudy Mance
• May December – April Napier
• Nyad – Kelli Jones
• Renfield – Lisa Lovaas
• Saltburn – Sophie Canale

Excellence in Period Film

• Killers of the Flower Moon – Jacqueline West
• Maestro – Mark Bridges
• Napoleon – Janty Yates & Dave Crossman
• Oppenheimer – Ellen Mirojnick
• Poor Things – Holly Waddington

Excellence in Sci-Fi/Fantasy Film

• Barbie – Jacqueline Durran
• Haunted Mansion – Jeffrey Kurland
• The Hunger Games: The Ballad of Songbirds & Snakes – Trish Summerville
• The Little Mermaid – Colleen Atwood & Christine Cantella
• Rebel Moon – Part One: A Child of Fire – Stephanie Porter

Excellence in Costume Illustration

• 1923: War and the Turquoise Tide – Maggie S. Chan
• Haunted Mansion – Barbra Araujo
• The Hunger Games: The Ballad of Song Songbirds & Snakes – Oksana Nedavniaya
• Loki: 1893 – Felipe Sanchez
• Rebel Moon – Part One: A Child of Fire – Jason Pastrana

Make-Up Artists and Hair Stylists Guild

Best Contemporary Make-up

• Candy Cane Lane - Tym Shutchai Buacharern, Michele Lewis, Jennifer Zide-Essex, Yvettra Grantham
• Guardians of the Galaxy Vol. 3 - Jane Galli, Personal
• The Haunted Mansion - Kimberly Jones, Dionne Wynn, Bridgit Crider, Carla VanNessa Wallace
• NYAD - Felicity Bowring, Ann Maree Hurley, Julie Hewett, Mahar Lessner
• Saltburn - Siân Miller, Laura Allen

Best Period and/or Character Makeup

• Barbie - Ivana Primorac, Victoria Down, Maha Mimo
• Guardians of the Galaxy Vol 3 - Alexei Dmitriew, Nicole Sortillon, Amos Samantha Ward, LuAndra Whitehurs
• Maestro - Siann Grigg, Jackie Risotto, Elisa Tallerico, Nicky Pattison-Illum
• Oppenheimer - Luisa Abel, Jason Hamer, Kerrin Jackson, Jamie Loree Hess
• Poor Things - Nadia Stacey

Best Special Makeup Effects

• Golda - Karen Thomas, Eva Susanna Johnson Theodosiou
• Guardians of the Galaxy Vol. 3 - Alexei Dmitriew, Lindsay MacGowen, Shane Mahan, Scott Stoddard
• Maestro - Kazu Hiro, Sian Grigg, Duncan Jarman, Mike Mekash
• Poor Things - Nadia Stacey, Mark Coulier
• Rebel Moon: Part One – A Child of Fire - Ozzy Alvarez, Justin Raleigh, Kelsey Berk, Jonathan Shroyer

Best Contemporary Hair Styling

• Candy Cane Lane - Yvette Shelton, Shian Banks, Stacey Morris, Maisha Oliver
• Joyride - Jeannie Chow, Kim Lee
• NYAD - Daniel Curet, Vanessa Columbo, Enzo Angileri, Darlene Brumfeld
• Pain Hustlers - Michelle Johnson, Dennis Bailey
• Saltburn - Siân Miller, Laura Allen

Best Period Hair Styling and/or Character Hair Styling

• Barbie - Ivana Primorac, Marie Larkin, Clare Corsick
• Chevalier - Roo Maurice, Francesco Pegoretti
• The Color Purple - Lawrence Davis, Andrea Mona Bowman, Tym Wallace
• Guardians of The Galaxy Vol. 3 - Cassandra Lyn Russek, Stephanie Fenner, Peter Tothpal, Connie Criswell
• Maestro - Kay Georgiou, Lori McCoy-Bell, Jameson Eaton, Amanda Duffy-Evans

Society of Composers and Lyricists

Outstanding Original Score For a Studio Film

• Anthony Willis - Saltburn
• Joe Hisaishi - The Boy and the Heron
• Ludwig Göransson - Oppenheimer
• Laura Karpman - American Fiction
• Robbie Robertson - Killers of the Flower Moon

Outstanding Original Score For an Independent Film

• Jon Batiste - American Symphony
• John Powell - Still: A Michael J. Fox Movie
• Daniel Pemberton - Ferrari
• Mica Levi - The Zone of Interest
• Fabrizio Mancinelli and Richard M. Sherman - Mushka

Outstanding Original Song For a Drama or Documentary

• Olivia Rodrigo and Dan Nigro - Can’t Catch Me Now (Hunger Games: Ballad of Songbirds and Snakes)
• Jon Batiste and Dan Wilson - It Never Went Away(American Symphony)
• Lenny Kravitz - Road to Freedom (Rustin)
• Nicholas Britell and Taura Stinson - Slip Away (Carmen)
• Sharon Farber and Noah Benshea - Better Times (Jacob the Baker)

Outstanding Original Song For a Comedy or Musical

• Billie Eilish O’Connell and Finneas O’Connell - What Was I Made For? (Barbie)
• Mark Ronson and Andrew Wyatt - I’m Just Ken (Barbie)
• Diane Warren - The Fire Inside (Flamin' Hot)
• Heather McIntosh, Allyson Newman and Taura Stinson - All About Me (The L-Word)
• Jack Black, John Spiker, Eric Osmond, Michael Jelenic, and Aaron Horvath - Peaches (Super Mario Bros. Movie)

David Raksin Award for Emerging Talent

• Kenny Wood - The Naughty Nine
• Hannah Parrott - After Death
• Fabrizio Mancinelli - The Land of Dreams
• Catherine Joy - Home Is A Hotel
• Allyson Newman - Commitment to Life

Set Decorators Society of America

Best Achievement in DécoDesign of a Contemporary Feature Film

• The Killer – Brandi Kalish (Set Decoration); Donald Graham Burt (Production Design)
• Leave the World Behind – David Schlesinger (Set Decoration); Anastasia White (Production Design)
• May December – Jess Royal (Set Decoration); Sam Lisenco (Production Design)
• Mission: Impossible – Dead Reckoning Part One – Raffaella Giovannetti (Set Decoration); Gary Freeman (Production Design)
• Saltburn – Charlotte Dirickx (Set Decoration); Suzie Davies (Production Design)

Best Achievement in DécoDesign of a Period Feature Film

• Killers of the Flower Moon – Adam Willis (Set Decoration); Jack Fisk (Production Design)
• Maestro – Rena DeAngelo (Set Decoration); Kevin Thompson (Production Design)
• Napoleon – Elli Griff (Set Decoration); Arthur Max (Production Design)
• Oppenheimer – Claire Kaufman (Set Decoration); Ruth De Jong (Production Design)
• Poor Things – Zsuzsa Mihalek (Set Decoration); Shona Heath & James Price (Production Design)

Best Achievement in DécoDesign of a Science Fiction or Fantasy Feature Film

• Barbie – Katie Spencer (Set Decoration); Sarah Greenwood (Production Design)
• Guardians of the Galaxy Vol. 3 – Rosemary Brandenburg (Set Decoration); Beth Mickle (Production Design)
• The Hunger Games: The Ballad of Songbirds & Snakes – Sabine Schaaf (Set Decoration); Uli Hanisch (Production Design)
• Indiana Jones and the Dial of Destiny – Anna Pinnock (Set Decoration); Adam Stockhausen (Production Design)
• Wonka – Lee Sandales (Set Decoration); Nathan Crowley (Production Design)

Best Achievement in DécoDesign of a Comedy or Musical Feature Film

• American Fiction – Kyra Friedman Curcio (Set Decoration); Jonathan Guggenheim (Production Design)
• Are You There God? It's Me, Margaret. – Selina M. Van den Brink (Set Decoration); Steve Saklad (Production Design)
• Asteroid City – Kris Moran (Set Decoration); Adam Stockhausen (Production Design)
• Candy Cane Lane – Jan Pascale (Set Decoration); Aaron Osborne (Production Design)
• The Little Mermaid – Gordon Sim (Set Decoration); John Myhre (Production Design)

best picture: furiosa a mad max saga, echo valley, the brutalist, dune part 2, megalopolis, kinds of kindness, here, mother mary, nosferatu, juror no 2
winner: dune part 2
​
best original screenplay: juror no 2, megalopolis, kinds of kindness, echo valley, snack shack
winner: kinds of kindness
​
best adapted screenplay: nosferatu, dune part 2, wicked, here, asphalt city
winner: here
​
best actor: bill skarsgaard-nosferatu, nicholas hoult-juror no 2, adrian brody-the brutalist, adam driver-megalopolis, tom hardy-the bikeriders
winner: adrian brody-the brutalist
​
best actress: anya taylor joy-furiosa a mad max saga, cythnia envo-wicked, anne hathaway-mother mary, julianne moore-echo valley, zendaya-challengers
winner: zendaya-challengers
​
best supporting actor: austin butler-dune part 2, guy pearce-the brutalist, giancarlo esposito-megalopolis, williem dafoe-kinds of kindness, chris hemsworth-furiosa a mad max saga
winner: austin butler-dune part 2
​
best supporting actress: sydney sweeney-echo valley, robin wright-here, lily rose depp-nosferatu, charlee fraser-furiosa a mad max saga, lady gaga-joker folie a deux
winner: lady gaga-joker folie a deux
​
best director: brady corbert-the brutalist, francis ford coppola-megalopolis, denis villeneuve-dune part 2, clint eastwood-juror no 2, yorgos lathimos-kinds of kindness
winner: denis villeneuve-dune part 2
​
best cinematography: megalopolis, dune part 2, nosferatu, furiosa a mad max saga, echo valley
winner: dune part 2
​
best production design: megalopolis, here, dune part 2, nosferatu, the brutalist
winner: megalopolis
​
best costume design: furiosa a mad max saga, nosferatu, dune part 2, the brutalist, megalopolis
winner: megalopolis
​
best hairstyle and makeup: wicked, nosferatu, dune part 2, furiosa a mad max saga, echo valley
winner: nosferatu
​
best film editing: here, megalopolis, monkey man, kinds of kindness, echo valley
winner: monkey man
​
best original score: dune part 2, megalopolis, nosferatu, the brutalist, echo valley
winner: dune part 2
​
best sound: dune part 2, megalopolis, nosferatu, furiosa a mad max saga, kingdom of the planet of the apes
winner: furiosa a mad max saga
​
best visual effects: kingdom of the planet of the apes, deadpool and wolverine, dune part 2, megalopolis, furiosa a mad max saga
winner: dune part 2
​
best animated feature: piece by piece, the lord of the rings war of the rohirrim, transformers one, the wild robot, thelma the unicorn
winner: piece by piece

In bold means Ive seen it. Not going to explain anything because Im just going off vibes and hopedictions.
Best Picture
​

1. Anora (Palme D'or, GG*, DGA, SAG)
2. Emmanuelle (Golden Lion, BAFTA)
3. Blitz (GG, CCA, PGA)
4. Joker: Folie a Deux
5. Megalopolis
6. Dune: Part Two
7. Juror No. 2 (TIFF)
8. Sing Sing
9. Conclave
10. Queer
11. Here
12. Furiosa: A Mad Max Saga
13. The End
14. Parenthope
15. Nosferatu
16. Mother Mary
17. The Piano Lesson
18. The Apprentice
19. Hard Truths
20. The Nickel Boys
21. The Supremes at Earl's All-You-Can-Eat
22. A Real Pain
23. Gladiator II
24. Kinds of Kindness
25. Wicked: Part 1
26. Civil War
27. Challengers
28. Bird
29. Didi
30. Maria
31. I Saw the TV Glow
32. Oh, Canada
33. Horizon: An American Saga - Chapter 1
34. Twisters
35. We Live in Time

Best Director

1. Sean Baker - Anora (GG, CCA, DGA)
2. Steve McQueen - Blitz
3. Francis Ford Coppola - Megalopolis
4. Audrey Diwan - Emmanuelle (BAFTA)
5. Clint Eastwood - Juror No. 2
6. Todd Phillips - Joker: Folie a Deux
7. Denis Villeneuve - Dune: Part Two
8. George Miller - Furiosa: A Mad Max Saga
9. Robert Eggers - Nosferatu
10. Joshua Oppenheimer - The End
11. Luca Guadagnino - Queer
12. Edward Berger - Conclave
13. Greg Kwedar - Sing Sing
14. Mike Leigh - Hard Truths
15. David Lowery - Mother Mary
16. Ali Abbasi - The Apprentice
17. Paolo Sorrentino - Parthenope

Best Actress

1. Lady Gaga - Joker: Folie a Deux (GG*, CCA, SAG)
2. Noemi Merlant - Emmanuelle (BAFTA)
3. Angelina Jolie - Maria (GG)
4. Saoirse Ronan - Blitz
5. Mikey Madison - Anora
6. Cynthia Erivo - Wicked Part: One
7. Robin Wright - Here
8. Amy Adams - Nightbitch
9. Marianne Jean-Baptiste - Hard Truths
10. Nathalie Emmanuel - Megalopolis
11. Anne Hathaway - Mother Mary
12. Zendaya - Challengers
13. Tilda Swinton - The End
14. Mia Goth - MaXXXine

Best Actor

1. Adam Driver - Megalopolis (BAFTA)
2. Daniel Craig - Queer (CC, SAG)
3. Ralph Fiennes - Conclave (GG)
4. Colman Domingo - Sing Sing
5. Joaquin Phoenix - Joker: Folie a Deux (GG*)
6. Paul Mescal - Gladiator II
7. Tom Hanks - Here
8. Harris Dickinson - Blitz
9. Sebastian Stan - The Apprentice
10. Barry Keoghan - Bird
11. Andre Holland - The Actor
12. Nicholas Hoult - Juror No. 2
13. Timothee Chalamet - Dune: Part Two

Best Supporting Actress

1. Toni Collette - Juror No. 2 (GG, CCA, BAFTA, SAG)
2. Aubrey Plaza - Megalopolis
3. Danielle Deadwyler - The Piano Lesson
4. Michaela Coel - Mother Mary
5. Natasha Lyonne - His Three Daughters
6. Ariana Grande - Wicked Part One
7. Hunter Schafer - Mother Mary
8. Aunjanue Ellis-Taylor - The Nickel Boys
9. Isabella Rosselini - Conclave
10. Lesley Manville - Queer

Best Supporting Actor

1. Stanley Tucci - Conclave (GG, CC, BAFTA, SAG)
2. Giancarlo Esposito - Megalopolis
3. Samuel L Jackson - The Piano Lesson
4. Clarence Maclin - Sing Sing
5. Harris Dickinson - Blitz
6. Willem Dafoe - Kinds of Kindness
7. Drew Starkey - Queer
8. Paul Raci - Sing Sing
9. Paul Bettany - Here
10. Brian Tyree Henry - The Fire Inside
11. Jeremy Strong - The Apprentice
12. Kieran Culkin - A Real Pain
13. Adam Pearson - A Different Man

Best Original Screenplay

1. Kinds of Kindness
2. Anora
3. Juror No. 2
4. Blitz
5. Mother Mary
6. The End
7. Megalopolis
8. Hard Truths
9. A Real Pain
10. Didi
11. His Three Daughters
12. Challengers
13. I Saw the TV Glow
14. Bird
15. The Apprentice

Best Adapted Screenplay

1. Emmanuelle
2. Sing Sing
3. Queer
4. Conclave
5. Joker: Folie a Deux
6. Here
7. The Piano Lesson
8. The Actor
9. Dune: Part Two
10. Nosferatu

Animated Feature

1. Inside Out 2
2. The Wild Robot
3. The Lord of the Rings: The War of Rohirrim
4. Moana 2
5. Orion and the Dark
6. Kung Fu Panda 4

Cinematography

1. Dune: Part Two
2. Nosferatu
3. Anora
4. Joker Folie a Deux
5. Emmanuelle
6. Furiosa: A Mad Max Saga
7. Parthenope
8. Blitz
9. Maria
10. Megalopolis
11. Queer

Editing

1. Dune: Part Two
2. Anora
3. Blitz
4. Juror No. 2
5. Queer
6. Conclave
7. Emmanuelle
8. Sing Sing
9. Megalopolis
10. Joker: Folie a Deux

Production Design

1. Megalopolis
2. Dune: Part Two
3. Joker: Folie a Deux
4. Wicked
5. Blitz
6. Nosferatu
7. Furiosa
8. Gladiator II

Costume Design

1. Dune: Part Two
2. Joker: Folie a Deux
3. Wicked
4. Megalopolis
5. Furiosa
6. Nosferatu
7. Gladiator II
8. Blitz
9. Mother Mary

Makeup and Hairstyling

1. Dune: Part Two
2. Joker: Folie a Deux
3. Furiosa
4. Wicked
5. A Different Man
6. Beetlejuice Beetlejuice
7. Nosferatu
8. Megalopolis
9. Sasquatch Sunset

Visual Effects

1. Dune: Part Two
2. Kingdom of the Planet of the Apes
3. Furiosa
4. Mufasa: The Lion King
5. Here
6. Megalopolis
7. Gladiator II

Sound

1. Dune: Part Two
2. Joker: Folie a Deux
3. Furiosa
4. Wicked
5. Blitz
6. Gladiator II
7. Megalopolis
8. Civil War
9. The End
10. A Quiet Place: Day One
11. Twisters
12. Nosferatu

Best Score

1. Dune: Part Two
2. Joker Folie a Deux
3. Furiosa
4. Megalopolis
5. Conclave
6. Nosferatu
7. Blitz
8. Challengers
9. The End
10. Kinds of Kindness

​

in honor of the date announcement for the 2025 academy awards, here are my predictions for the nominees
best picture: furiosa a mad max saga, echo valley, the brutalist, dune part 2, megalopolis, kinds of kindness, here, mother mary, nosferatu, juror no 2
best original screenplay: juror no 2, megalopolis, kinds of kindness, echo valley, snack shack
best adapted screenplay: nosferatu, dune part 2, wicked, here, asphalt city
best actor: bill skarsgaard-nosferatu, nicholas hoult-juror no 2, adrian brody-the brutalist, adam driver-megalopolis, tom hardy-the bikeriders
best actress: anya taylor joy-furiosa a mad max saga, cythnia envo-wicked, anne hathaway-mother mary, julianne moore-echo valley, zendaya-challengers
best supporting actor: austin butler-dune part 2, guy pearce-the brutalist, giancarlo esposito-megalopolis, williem dafoe-kinds of kindness, chris hemsworth-furiosa a mad max saga
best supporting actress: sydney sweeney-echo valley, robin wright-here, lily rose depp-nosferatu, charlee fraser-furiosa a mad max saga, lady gaga-joker folie a deux
best director: brady corbert-the brutalist, francis ford coppola-megalopolis, denis villeneuve-dune part 2, clint eastwood-juror no 2, yorgos lathimos-kinds of kindness
best cinematography: megalopolis, dune part 2, nosferatu, furiosa a mad max saga, echo valley
best production design: megalopolis, here, dune part 2, nosferatu, the brutalist
best costume design: furiosa a mad max saga, nosferatu, dune part 2, the brutalist, megalopolis
best hairstyle and makeup: wicked, nosferatu, dune part 2, furiosa a mad max saga, echo valley
best film editing: here, megalopolis, monkey man, kinds of kindness, echo valley
best original score: dune part 2, megalopolis, nosferatu, the brutalist, echo valley
best sound: dune part 2, megalopolis, nosferatu, furiosa a mad max saga, kingdom of the planet of the apes
best visual effects: kingdom of the planet of the apes, deadpool and wolverine, dune part 2, megalopolis, furiosa a mad max saga
best animated feature: piece by piece, the lord of the rings war of the rohirrim, transformers one, the wild robot, thelma the unicorn

best picture: furiosa a mad max saga, echo valley, the brutalist, dune part 2, megalopolis, kinds of kindness, here, mother mary, nosferatu, juror no 2
best original screenplay: juror no 2, megalopolis, kinds of kindness, echo valley, snack shack
best adapted screenplay: nosferatu, dune part 2, wicked, here, asphalt city
best actor: bill skarsgaard-nosferatu, nicholas hoult-juror no 2, adrian brody-the brutalist, adam driver-megalopolis, tom hardy-the bikeriders
best actress: anya taylor joy-furiosa a mad max saga, cythnia envo-wicked, anne hathaway-mother mary, julianne moore-echo valley, zendaya-challengers
best supporting actor: austin butler-dune part 2, guy pearce-the brutalist, giancarlo esposito-megalopolis, williem dafoe-kinds of kindness, chris hemsworth-furiosa a mad max saga
best supporting actress: sydney sweeney-echo valley, robin wright-here, lily rose depp-nosferatu, charlee fraser-furiosa a mad max saga, lady gaga-joker folie a deux
best director: brady corbert-the brutalist, francis ford coppola-megalopolis, denis villeneuve-dune part 2, clint eastwood-juror no 2, yorgos lathimos-kinds of kindness
best cinematography: megalopolis, dune part 2, nosferatu, furiosa a mad max saga, echo valley
best production design: megalopolis, here, dune part 2, nosferatu, the brutalist
best costume design: furiosa a mad max saga, nosferatu, dune part 2, the brutalist, megalopolis
best hairstyle and makeup: wicked, nosferatu, dune part 2, furiosa a mad max saga, echo valley
best film editing: here, megalopolis, monkey man, kinds of kindness, echo valley
best original score: dune part 2, megalopolis, nosferatu, the brutalist, echo valley
best sound: dune part 2, megalopolis, nosferatu, furiosa a mad max saga, kingdom of the planet of the apes
best visual effects: kingdom of the planet of the apes, deadpool and wolverine, dune part 2, megalopolis, furiosa a mad max saga
best animated feature: piece by piece, the lord of the rings war of the rohirrim, transformers one, the wild robot, thelma the unicorn