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2024.05.19 15:01 ibid-11962 Writing and Publishing Eragon [Post Murtagh Christopher Paolini Q&A Wrap Up #6]
[When I start to write a new book] I have an image. There’s always a strong emotional component to the image, and it’s that emotion that I want to convey to readers. Everything I do after that, all of the worldbuilding, plotting, characterization, writing, and editing—all of it—is done with the goal of evoking the desired reaction from readers. In the case of the Inheritance Cycle, the image was that of a young man finding a dragon egg (and later having the dragon as a friend). [10]
Who's your favorite character to write? Well, for me, it's the dragon Saphira. She's the reason I got into writing a dragon. She came first? She came before Eragon? Like she was the catalyst? The relationship came first, her and Eragon. [33]
I was specifically inspired by a YA book called Jeremy Thatcher Dragon Hatcher by Bruce Coville, which is a delightful book. I just loved that idea so much of finding a dragon egg, I was like, "Well, what sort of a world would a dragon come from?" And I knew I wanted the sort of bond between rider and dragon that Anne McCaffrey had, but I wanted the intelligence of the dragons that you find elsewhere, and the language and the magic. And I wanted sparkly scales because it just seemed like dragons are fabulous creatures and they ought to have sparkly scales. That's the fun thing about writing your own books. You can make them exactly the way you want to make them, and hopefully then that appeals to the audience as well. [30]
All of that kind of was swirling around in my head, and I wanted to write about dragons in a way that kind of combined a lot of elements in a way that, "I like this", and "I like this piece", and "I like this piece", but I kind of wanted to have all these different pieces in one type of dragon, and no one had quite done it exactly the way I wanted. [30]
I live in Montana, and our library is an old Carnegie or Rockefeller library, and especially back in the 90s, it didn't have that many books. So once I read all the fantasy in the library, I thought I had read all the fantasy there was to read. Because I was not the smartest kid in the world sometimes. And I kind of thought, "Well, it's the library. They have all the books that exist, right? All the books that matter are in the library." And I really had no idea what to read after that. So I decided to start writing myself and to try and write the sort of story that I would enjoy reading. And of course, what I enjoyed reading was books about flying on dragons and fighting monsters and having adventures. [35]
Reading and literature was always important in our family. My father's mother was a professor of comparative literature and wrote books on Dante and all sorts of stuff like that. Was the myths and folklore part of your life at this time? Yes, but I should clarify that it wasn't formally introduced to me. It was in the house. People weren't wandering around talking about. It was just like the Aeneid is sitting on the shelf. I would go read things. I have a great uncle. He's 90 now, my mother's uncle. Guy is still sharp as a tack. It's amazing. But he gave me a set of cassette tapes of Joseph Campbell, who did Hero of a Thousand Faces. So that was my exposure to his theories of the monomyth and the eternal hero and all sorts of things like that. That got me very much interested in and thinking about the origins of the fantasy that I was reading because I was reading Tolkien and David Eddings and Anne McCaffrey and Raymond Feist and Jane Yolan and Andre Norton and Brian Jaques, and all of these you know authors who were popular at the time. I was very curious where does this come from. Tolkien, of course, felt like sort of the origin in a lot of cases but then I was discovering that, there are earlier stories that even Tolkien was drawing from. That was really a revelation to me. I really sort of got enamored with it. A lot of fantasy is nostalgic and that appealed to me because I was homeschooled and my family didn't really have a lot of relatives in the area, so I felt very unmoored from the rest of society. I think I was looking for a sense of tradition or continuity with the past and fantasy helped provide that. That's an incredibly articulate thought for a 15-year-old author. Or has that come with age? No, it was something I was feeling at the time. You were conscious of it at the time? Well, listening to the Joseph Campbell stuff, I was looking: Where are our coming of age traditions? Where is the great quest to go on to prove yourself as a young adult, as a man? Where's the great adventure? What do I do in life? Those are all things that are part of the adolescent experience and always have been which is why so many mythic stories about coming of age deal with those questions. I think it's a universal thing. That's why Harry Potter, Eragon, Twilight, all of these have appealed so much because they deal with adolescence. They deal with finding your place in the world as an adult when you're starting as a young adult or a child. [28]
What games have taught you to be a better writer either in creating characters or worldbuilding or plotting even? All of my gaming experience was computer games, video games. One that had a huge influence on me was the old Myst series. Personally I love solving puzzles, so that's the first thing. And also the concept of the series, especially with the second game, Riven, it's all based around people writing books that create new worlds. And you get to go in them and solve puzzles and understand how that world works. And that just tickled every single part of my brain back in the day. Now, I'm going to be slightly unkind here, and I apologize if the author [David Wingrove] is listening to this, but there were a couple of novels based off of Myst. And I was such a fan of the series that I got the books, and I started reading them. And my first thought was, "I could do better than this." And so I decided to rewrite the first Myst novel. And I created a document in MS Word, and I got exactly three sentences into my rewrite. And I thought to myself, "okay, I think I can do this, but I could never sell it. So I better go write something of my own." And the next thing I did was Eragon. So video games kind of had a direct influence on me writing. But actually reading something that I felt was not particularly successful was such an inspiration. Because it was like, "this got published, I know I can at least get to this level." And it was published. And then maybe I can shoot for a little bit higher. [pause] I think some people have had that experience with Eragon. [26]
I had the original idea, the concept of boy finding dragon egg, and I tried writing a couple of very short versions of Eragon when I was fourteen, and none of them panned out so I stopped writing for a while. [28]Real World Version
What do you remember about the early days of writing “Eragon?” Originally, Eragon was named Kevin and the story was set in the real world. But I only finished around 10 pages. [16]Arya Opening Fantasy Version
I wrote three versions of Eragon before I wrote the version that had the unicorn, which was the first major draft. The first version was set in the real world, and that's why he's named Kevin. And the reason it was set in the real world is I was inspired by Jeremy Thatcher Dragon Hatcher, which is set in the real world. [32]
I was specifically inspired by a book called Jeremy Thatcher Dragon Hatcher by Bruce Coville. By the way, Bruce knows this. If you haven't read it, it's a great book about this young man in the real world who, spoiler, goes into an antique shop and buys a stone that ends up turning out to be a dragon egg. And I really loved that idea of a stone that was actually a dragon egg and the young man becoming joined with the dragon. And so I tried writing the story. And I got exactly five pages or six pages into it and I ran into a brick wall, because a boy finding a dragon egg is a good event, but it is not a good story. And I needed to figure out what was going to happen after that. I didn't know that at first. [36]
But then I was going down the rabbit hole of, "Well, if there's a dragon, where did the dragon come from? What if it were an actual fantasy world where the dragons were native?" And then that led me to then write a second beginning--I didn't get very far with this--that was more of a traditional fantasy story, and it opened with Arya and a couple other elves escaping a dungeon with a big battle, and at the very end of the battle, they send the dragon egg away, and Kevin finds it. But I didn't have the rest of the story, so I stopped writing it in that format. [32]Research Break
So I tried writing a second version of the story. So the first version of that story I wrote was set in the real world. Second version was more of like a fantasy world. [36]
I had the original idea when I was fourteen. I even wrote an early version of the story where it was set in the real world. But I soon realized that it was a lot more interesting to have a dragon in a fantastical setting. [8]
I tried writing before and I always failed because I would only get like four to six pages into a story and then I didn't know what to do next. And that was because I didn't actually have my story. All I really had were the inciting incidents, like a boy finds a dragon egg in the middle of a forest. Great. But that's not a story, that's just one event. What happens as a result? So before starting Eragon, I was very methodical about this. I read a whole bunch of books on how to write, how to plot stories. [35]Unused Arya Outline
I realized I wasn't getting anywhere. And I didn't know how to do what I was trying to do. Now, fortunately for me, my parents had noticed that I was getting interested in writing. And all of a sudden, books appeared in the house. There was no comment, no one forced it, these just magically appeared, and I read them. Some of the books that were incredibly helpful to me were these books that were called The Writer's Handbook, which was a collection of essays published each year by The Writer's Digest magazine. I had one from 1998, and I had one from, I think, 1993, or something like that. And there were essays from Stephen King and John Grisham and I think Ursula Le Guin and all sorts of other authors about what it was like to be an author both professionally and creatively. And that was incredibly helpful to me because again, the internet was not a resource. But the book that really made the difference for me was a book called Story by Robert McKee. It's a book for screenwriters and it's all about the structure of story. And up until that moment, I had never really consciously thought about the fact that stories have structure and that you can control that structure for the effect on the readers. So I devoured that book and I said, okay, I'm going to try this again. [36]
Did you very much sit down and study structure and character development and etc? I did. It wasn't a formal course or anything, it's just that my parents started buying these books and they started showing up. In fact, I still have them here on my shelf. This bookcase to my right is full of research books, technical books, language books. I read a book called Story by Robert McKee, which is a screenwriting book, that was and often has been very popular in Hollywood. It's a fairly technical look at story structure. I would never say do everything he says because of course you shouldn't necessarily follow any one formula, but that book really got me thinking about the fact that stories do have structure, which I hadn't really thought about before that. And that one can control that structure, and that this gives you something to work with. Before Eragon, I tried writing a number of stories and I never got past the first four to six pages, ten pages, because I never had the plot. All I would ever have was the inciting incident which, in the case of Eragon, is a young man finds a dragon egg. Ok, fine, but that's not a story. So when I read that book, then I was like wow, so I can control the structure of this. [28]
The problem with all of my early writing was that I’d get an idea and just start — I didn’t actually have a plot. But I was a pretty methodical kid, so I started reading about how to write. Fortunately, my parents are observant, and these kinds of books magically began appearing in the house. And I read all of them. [16]
So at this point, I was 15, that's when I graduated from high school and I was very methodical about it because I hate failing. So I said, okay, I'm going to create a fantasy world. And I did that. And then I said, I'm gonna plot out an entire book in this fantasy world. And I did that too. And then I said, but I'm not gonna write this. This is just a thought exercise. I'm gonna do this and I'm gonna stick it in a drawer. And I still have that to this day, that world and that story, I still have it sitting in a drawer somewhere. [36]
Then I spent some time and I created an entire fantasy world and I plotted out an entire fantasy novel in that world and I did not write it. I just stuck it in a drawer and that's where it's been sitting for 25 years now. And then I just did that to prove to myself that I could plot out an entire book. [35]
Before writing Eragon, again I was very methodical even as a teenager, I created an entire fantasy world. Wrote pages and pages about the worldbuilding, and then I plotted out an entire story in that world just to prove to myself that I could plot a story, create a world, and then I didn't write it. I put it aside. I still have it all saved. Put it in a drawer. [28]
And then I decided okay now I'm going to plot out a trilogy, because all great fantasy stories are trilogies. I'm going to do it as the heroic monomyth, because that is, at least my understanding back then, is this is one of the oldest forms of stories. I know it works on a general sense. It's going to give me a safety net, and then I'm going to write the first book as a practice book just to see if I'm capable of producing something that's three, four, five hundred pages long. And that's what I did. That was about two and a half months of worldbuilding, plotting, creating this. Then I wrote the first book and that was Eragon. That was my practice book. I never actually planned on publishing Eragon. It was only after I'd put so much work into it and my parents read it that then we proceeded with it. I was aware of story structure. I continue to read lots of books on it. [28]The First Draft
And then version three is the version that everyone generally knows. And that's where I spent the time to plot out the whole series before writing, because having a idea of where you're going seems to help with the writing, at least for me. Usually. [32]
I originally saw Eragon as a practice novel, which is part of why it’s a very typical hero’s story. I knew that structure worked and it gave me the safety net I needed. [16]
The first draft went super fast. It went really fast because I had no idea what I was doing. And I just wrote that sucker. I wrote the first 60 pages by hand with ballpoint pen, cause I didn't know how to type on a computer. And then by the time I typed all that into the computer, I knew how to type. I did the rest in the computer. But this was back in the day when computers were fairly new. We had a Mac classic, which only had two megabytes of RAM. And the problem is that the operating system chewed up some of that memory. And my book file was around two megabytes large. So I actually had to split the book into two because I couldn't open the whole file on the computer or the computer would crash. So I had to open half the book and then close that and then open the other half. [35]
Once I finished the first draft, I was super excited and I thought, "well all of these things on how to write say that you should read your own book and see if there's any tweaks you wanna make." But I was really excited because I was getting to read my own book for the first time, and I thought this is gonna be awesome. And it didn't take very long while reading it to realize that it was awful. It was horrible. And just to give you an idea of just how bad that first draft was, in the very first draft of Eragon, Eragon wasn't named Eragon, Eragon was named Kevin. And there was also a unicorn in that first draft at one point, so you know it wasn't very good. [35]Releasing the Kevin Cut
If I heard correctly as I was reading, Eragon wasn't originally called Eragon? No, in the first draft of the book he was called Kevin. There's a reason! Look I have an explanation for it, okay. The explanation is that my original inspiration was Jeremy Thatcher Dragon Hatcher which is set in the real world. The original version of Eragon that I was developing was set in the real world and when I decided that it would make more sense to have a world where the dragons were native to and switched it over to this fantasy world and began to develop that, I just kept the name that I'd been working with, which was Kevin. Naming a main character is hard, especially when you get used to a certain name. I don't want to say I was lazy. I want to focus on the world building and writing the first draft and I'll worry about the name later. [28]
There is an early version of Eragon that no one's seen, that even my editor at Random House never saw. And that was my first draft. And in that first draft, Eragon encountered a unicorn in the Beor Mountains on the way to the Varden. And the unicorn touches him and essentially affects the transformation that he goes under during the blood oath ceremony with the elves in the second book, in Eldest. And his whole storyline with the Varden once he gets to Farthen Dûr is completely different because now he has these abilities and he and a team of people ends up getting sent on a scouting mission in the dwarven tunnels to go find the Urgal army and then they have to flee back through the tunnels to warn everyone of this huge army and I had a underground cave full of lava, and multiple shades, and a huge Urgal army. There was there was a lot of dramatic stuff. Finding the Ra'zac in Dras-Leona was completely different. This is the draft where Eragon was named Kevin. [32]
I haven't thought about that version in ages. I think Arya was awake all the way from Gil'ead to Farthen Dûr in that version. That's right, I had to completely rewrite that. It's an unpleasant ride for her. No, no, no, she was awake and healed. She was awake. That's right, God, I had to rewrite most of the last chunk of the book now that I think back, it's been a long time. [32]
The worst thing is, I think Kevin would actually take a larger budget [to adapt to film]. No, stop. Why would Kevin take a larger budget? Because the battles were bigger, there was more stuff going on. Seriously, there were more creatures, more travel. Yeah, I think Kevin would actually take more money than Eragon. [32]
You said that Eragon's name was originally Kevin. Was Eragon's name originally Kevin? It was. And I really regret I didn't stick with it because I think that as many books as I've sold, the series would have been at least twice as successful if it had been about the adventures of the great dragon writer Kevin. Especially just seeing Kevin on the front cover. Imagine the appeal to the modern youth. Kevin the dragon writer. I mean Eragon, it's confusing with Aragorn. Oregano. Oregon. But Kevin, Kevin stands out, Kevin's original. That's why I had to move away from it. [31]
So do you wanna share some of those drafts with us, Christopher? Just kidding. Well, I actually had a fan reach out to me. He's one of the big members of the online fan community on Reddit and elsewhere. And he's kind of interested in some of these early versions from almost an archivist point of view, a scholarly point of view. Which is certainly an interesting idea. I mean, there is an early version of Eragon that no one's seen, that even my editor at Random House never saw. ... I cannot describe how much the Internet absolutely needs for you to put out an edition of Eragon that just says Kevin. Should this be like Mistborn or Way of Kings Prime? This is the Kevin edition of Eragon. The Kevin cut. Oh my god. It's "Eragon: Kevin's Version". ... We absolutely need Kevin's Version of Eragon. That's something we need. It's bad. It's bad. Look, there are certainly people who can look at Eragon, the version we have now, and say, "we can tell this was a younger writer." I look at it and I can tell. I could do so much more now with the material than I could then. But if you think that about the published version of Eragon, man, if you saw the unpublished version, the early version, it really is the raw writing of a homeschooled 15-year-old, who wrote a 500 page book about Kevin. I don't know, the internet is very unhinged these days. They would love this. It needs to exist somewhere on the internet. [32]
So I wrote Eragon, and then I read the first draft and it wasn't particularly good, so I spent a good chunk of a year rewriting it as best as I could. I didn't know what I was doing but I was trying. I've heard it said that being displeased with your own work is actually a good thing because it means you know what is good work, and if you're not happy with your work because it's not good, it means you could at least have a goal to shoot for. If you read your work and you're like this is the best thing that's ever been written, you're never going to get any better. [28]Self-publishing
But I could see that the book needed work, so I decided to try to fix it as best I could, and I spent the better part of that year revising, rewriting, changing Kevin to Eragon. And then I gave the book to my parents and fortunately for me, they actually enjoyed what I had done. And they said, we think you have something, let's try to take it out into the world and see if anyone else wants to read it. [35]
[We] decided to self-publish the book as a joint venture since we didn't know anyone in the publishing world. That was again a good chunk of a year where we were editing the book as best the three of us could. Preparing it for publication, formatting, I drew the cover. [28]Promotion
Now you have to understand, my parents were always self-employed, have always been self-employed and we were always looking for things we could work on together as a family business. And Eragon was like the perfect opportunity for that. They'd had some experience self-publishing a couple of small educational books my mom had worked on. Because she was a trained Montessori teacher, and so she was trying to use that expertise to write some material herself. But I don't even think we sold 100 copies of those. So we spent another good chunk of a year preparing the book for publication with doing more editing, doing the layout, designing the cover. [35]
The first set of 50 books showed up while we were watching Roman Polanski's Macbeth, which seemed fitting because those first 50 books were all miscut from the printer. And as a result, we had to rip the covers off, send them back for credit from the printer, and then burn the insides of the books. So we had a proper book burning in our yard, and I actually saved some of those burnt pages just as a memory of that event. [35]
Self publishing wasn’t as viable then as a pathway to a career as an author as it is today. Why did it work for you? Everything completely changed because of e-readers. If you wanted to read an e-book, you had to have a PDF on your computer. There were no distribution systems like Amazon and Barnes & Noble. Back then, the lowest amount you could print and not have the book be too expensive was probably about 10,000 copies. But we were fortunate because print-on-demand had just become a thing, so books were just printed as needed. Self publishing is a lot easier these days. Of course, today’s marketplace is a lot more crowded as a result. [16]
My family and I were going around the western half of the United States with the self-published edition of Eragon. I was cold calling schools, libraries, and bookstores to set up events. I was doing two to three one-hour long presentations every single day for months on end at various times. You have to understand that because my parents were self-employed, the time they took to help prepare Eragon for publication was time they weren't working on other freelance projects that would have been bringing in money. So by the time we actually had Eragon printed and in hand, if it had taken another two to three months to start turning a profit, we were going to have to sell our house, move to a city, and get any jobs we could. Because of that financial pressure I was willing to do things I probably would have been too uncomfortable to do otherwise. Like doing all those presentations. [28]Getting traditionally published
We were doing a lot of self-promotion. I was cold calling schools and libraries and talking them into letting me do presentations. And that worked pretty well because the librarians could take pre-orders for us. If we went into a bookstore, by hand selling, I could maybe sell anywhere between 13 to 40 books in a day. 42 was like the best I ever did, but usually it was around 15 or so books, which just didn't cover printing costs and travel and food and all of that. But going into the schools, we were doing about 300 books a day, which was excellent. [34]
Can you tell me a little bit about how you and your family self-published the first Eragon book and what marketing strategies you did? Oh, it was all nepotism, you know. I wouldn't have gotten published without my parents. There's nothing as powerful as a publishing company that's four people sitting around a kitchen table in the middle of rural Montana. So yeah, without Nepotism, I wouldn't have gotten published. You have to embrace something like Nepotism if you really wanna succeed in today's world. In fact, people don't realize that you actually get a Nepotism card. There's a secret club. You go to New York and there's huge network opportunities. There's branches of the club everywhere, especially strong in Hollywood, of course, in music. Taylor Swift is an example. So if you can get into the nepotism club, I won't say you're guaranteed success, but you got about 80% chance of actually making it that you wouldn't have otherwise. Do you think your mom and dad would be willing to be my mom and dad? No, absolutely not. No, no. You don't have brown hair, so it doesn't work. You have to have brown hair to be a Paolini. Okay, I'll try to find a different way in, I guess. [31]
So you were very much looking for that partnership? Well we were wary. But the thing is is we were selling enough copies of Eragon that to scale it up we were going to have to start duplicating all the things that a regular publisher does. We were actually looking at partnering with a book packager or a book distributor just to get more copies out. To do everything a traditional publisher could do for me was a huge amount of work so it made sense to pair with Random House or someone else at that point. But it was still nerve-wracking because the book was being a success and then handing it off to another company, we didn't know if it was just going to end up in the remainder bin two weeks after it came out. [28]Gaining Confidence
People in the book world were starting to take notice because of course, if you've been to public school, you may remember the Scholastic Book Fairs and all of the Scholastic reps in the different schools were seeing me come to the schools and selling these books and hearing the kids talk about it. And it was getting attention. So we would have gotten a publisher, I would have gotten a publisher eventually. [34]
The book sold enough copies and bounced around enough that we'd heard that Scholastic—because Scholastic does all the Book Fairs in schools in the US—was interested and that we might get an offer from them. Before that happened though... [34]
Eventually another author by the name of Carl Hiaasen ended up buying a copy of the self-published edition of Eragon in a local bookstore. Which now that I'm older, I'm rather shocked at because it takes a lot to get me to buy a self-published book. It's got to look really good. [35]
Carl Hiaasen wrote the young adult book Hoot as well as many adult books. He comes up to Montana, I think he's got a vacation home here in the valley, but he was up here fly fishing and he bought a copy of Eragon for his then 12 year old son, Ryan. And fortunately for me, Ryan liked the book and Carl recommended it to Random House and it sort of bounced around among the editors for a couple of months before my editor-to-be grabbed it and said, "Yes, we will. I want to take a chance on this teenage author and we're going to offer him money for a trilogy that only exists in his head and see what happens." [34]
How did you find an agent? We had the offer from Random House, and like two days later, we had the offer from Scholastic. And so we knew we didn't know what we didn't know. My dad participated in some online self-publishing forum sort of thing. So he posted up a question and said, look, this is the situation we're in. Does anyone have any advice? And another one of the members said, "well, I was just at this publishing writing conference and there was this young agent there and I was really impressed with his presentation, or him talking about the industry." So my dad got his information online and did what you're never supposed to do, which is he called the agent directly and left this long rambling voicemail message because it was lunchtime in New York and you take your lunch breaks in New York. And only at the end of the message did he say, "oh, yes, and by the way, we have two competing offers from two publishing houses." And when I asked him, I said, "why did you do that?" He said, "well, because if he's any good as an agent, he's going to listen to the whole message before he deletes it." And we found out later that he nearly deleted the message. Because my dad started off like, "I got this teenage son, and he's written this book", and yeah, that, OK. So it was like two hours later we got a call from Simon. And Simon said overnight me a copy of Eragon and if I like it I'll represent you. And Simon has been my agent for 21 years now. [34]
It was a big risk for Random House. And it was a big risk for me because the book was successful, self-published, and we knew that giving it to a publisher, you lose the rights to a degree, and most books don't turn a profit, and it could have just ended up in the remainder bin. So what really worked in my favor is that Random House, and specifically Random House Children's Books, and specifically the imprint of Knopf, which is where I'm at were looking for their own Harry Potter, essentially. Scholastic was publishing Harry Potter. And Scholastic also gave me an offer for Eragon, but I could tell that Random House was the one that really loved the book and Scholastic was doing it because they thought it was a good business opportunity. Scholastic actually offered more money than Random House. But I went with Random House and it was the right choice. And I found out after the fact that Chip Gibson who was the head of the children's department at the time basically chose to use Eragon as sort of something to rally the troops and put the entire children's division behind it, and I was the very fortunate recipient of that love and attention. Which of course would only get you so far if people didn't enjoy reading the book. But fortunately for me, they did a great job marketing it and then people actually enjoyed the book. Which is why when people ask me how to get published, it's like, what am I supposed to say? The answer ultimately is you write a book that people want to read, and that's a facile answer, but it is true. If people want to read it, it makes everything else easier. The agent wants you, the publishers want you, and ultimately the public wants you. [34]
And I didn't realize how much was behind that email, because large publishers do not just casually say, "hey, we want to publish your book". There was a whole plan there, and they had a plan. And so they did. Eragon came out and then I had to figure out how to write a book with everyone expecting the sequel. [36]
So you kind of went and peddled your books at schools, as I understand, right? It seems to have paid off though, because it eventually landed in the hands of bestselling author Carl Hiaasen, but not right away. First, your book got in the hands of his stepson, and the kid liked it so much that he told Hiaasen about it, who then got Eragon fast-tracked with Penguin Random House. I really admire the way that you went for the weakest links, manipulating the minds of our youth and using them to shill your book for you. It's a tried and true marketing strategy from Girl Scout Cookies to coupon books, and I applaud you for your ingenuity. My biggest question here is, do you pay Carl Hiaasen's stepson the agent royalties he so rightfully deserves? He tried to collect one time, but I had to hire a couple of guys to drive him off. But, no, you always go for the weakest link. Back when I was self-published and all that I even tried to get Eragon reviewed by Entertainment Weekly, so I called up the subscription number on the back of the magazine and told them I'd made a mistake and asked them to transfer me over to corporate, and managed to get right to their book reviewer and tried to talk him into reviewing Eragon. So you always go for, as you said, the weakest link. Which is corporate. Ryan, Carl's son, though, yeah, I probably owe him a ridiculous amount of royalties. I'd say so. He made you. Oh, he did, absolutely. Without him, I'd be nothing. I guess the lesson here for aspiring authors is that it's not really about finding your target audience, necessarily. You just have to find your target prolific author's stepson and let the kid take it from there. Yeah, absolutely. As I said, that's part of the nepotism package. The sort of networking inside the industry. This is the stuff that you can never access otherwise, and you'll never get published otherwise. So it's not like you can just grow up in the middle of nowhere in Montana, self-publish a book, and then just become a success, by promoting it. You have to have connections. That's genius. I think you could have had an incredible career in designing loot boxes for mobile games based on how good you are at manipulating the world. Absolutely, microtransactions are God's work. [31]
Was anxiety something you felt moving to this deal with Random House? Was that quite pressuring? Yes, it was a big change to go from writing for yourself as a teenager, homeschooled, living in the middle of nowhere, to knowing that there was a large audience for your next book and that they had expectations. I got criticized quite a bit, critiqued quite a bit when Eragon came out for, shall we say, my lack of experience on the technical side of things with the writing. I'd say some of those were certainly fair critiques. The great advantage of youth is that you don't know how difficult things are and you have a lot of energy. The great disadvantage of youth is you don't have experience, and there's no fixing that aside from time and effort. All of that was definitely in my head when I really started work on Eldest and it was pretty nerve-wracking quite honestly. [28]
When you finished the book, I mean your parents believed in it obviously. Did you too? Or were you like, "You know what, maybe the second book, maybe go all in on the second one?" I didn't feel like I was actually an author until my third book was published. Because the first one, well, that could be a fluke. Well, the second one, yeah, but you know. But once the third book came out, then I was like, okay, maybe I'm actually a writer. But even then, even after I finished the series, I still felt like, okay, now I have to write something that's not Eragon, just to prove that I can. So every book has been its own challenge and has been a way for me to keep feeling like I'm growing as an artist and learning to become a better and better writer. [2]
It took me, I wanna say almost 10 years to feel like I wasn't an imposter and that it wasn't just gonna get yanked away. You know what my dream was when Eragon was was going to get published by Random House? Like this was my pie in the sky because I didn't think it was going to happen. But this was my dream. I did all the math and I was like, man, if I could somehow someday sell 100,000 books, which is impossible. But man, if I could sell 100,000 books, that's a darn good living. Man, I could really make a living off that. I could support a family and 100,000 books. Man, that'd be amazing. And then it kind of took off from there. [33]
2024.05.19 15:00 bishpenguin Changing from TKinter to web interface
""" The Python script creates a GUI application that allows users to search for and view PDF files, with functions for searching, opening PDF files, and managing the GUI interface. """ ################################### # Imports ################################### from tkinter import * import tkinter as tk #from tkinter import ttk from tkinter import filedialog from tkPDFViewer import tkPDFViewer as pdf import ttkbootstrap as ttk from ttkbootstrap.constants import * from certs_search import * ###################### # Define Global Vars ###################### ###################### # Debugging Vars ###################### DEBUGGING_ON = False ##################################### # Extend Entry & Text Class for TK ##################################### class EntryEx(ttk.Entry): """ Extended entry widget that includes a context menu with Copy, Cut and Paste commands. """ def __init__(self, *args, **kwargs): super().__init__(*args, **kwargs) self.menu = tk.Menu(self, tearoff=False) self.menu.add_command(label="Copy", command=self.popup_copy) self.menu.add_command(label="Cut", command=self.popup_cut) self.menu.add_separator() self.menu.add_command(label="Paste", command=self.popup_paste) self.bind("", self.display_popup) def display_popup(self, event): self.menu.post(event.x_root, event.y_root) def popup_copy(self): self.event_generate("< >") def popup_cut(self): self.event_generate("< >") def popup_paste(self): self.event_generate("< >") class TextEx(tk.Text): """ Extended Text widget that includes a context menu with Copy command. """ def __init__(self, *args, **kwargs): super().__init__(*args, **kwargs) self.menu = tk.Menu(self, tearoff=False) self.menu.add_command(label="Copy", command=self.popup_copy) self.bind(" ", self.display_popup) def display_popup(self, event): self.menu.post(event.x_root, event.y_root) def popup_copy(self): self.event_generate("< >") ###################### # Start Functions ###################### def search_for_pdf_file(): """ The function `search_for_pdf_file` searches for a specific PDF file, retrieves its location, and opens it. """ #clear_search_box() pdf_to_find = search_for.get() print(pdf_to_find) pdfs = build_list() search, stop = pdf_to_search_for(pdf_to_find) location, exact = search_for_pdf(pdfs, search, stop) print(location) print(f"Exact match :{exact}") for widget in root.winfo_children(): if isinstance(widget, Frame): widget.destroy() open_pdf_from_search(location, exact) def open_selected_pdf(value): """ The `open_pdf` function allows the user to select a PDF file to open and display it in a PDF viewer within a specified width and height. """ ### we need to update the text box with the selected pdf from the combobox ### and then display it... selected_pdf = pdf_select.get() for widget in root.winfo_children(): if isinstance(widget, Frame): widget.destroy() if isinstance(widget, Text): widget.destroy() ## pack a label with the file location location_text_message = TextEx(root, bg="white", fg="black", font="arial 12", height=1, width=100, padx=5) location_text_message.insert(END, selected_pdf) location_text_message.pack() if selected_pdf: v1=pdf.ShowPdf() v1.img_object_li.clear() v2=v1.pdf_view(root, pdf_location=open(selected_pdf, "r"), width=800, height=600) v2.pack(pady=10, padx=20) def open_pdf_external(): """ This function opens the currently selected file (selected in the Combobox) with the default application """ file_path = pdf_select.get() os.startfile(file_path, 'open') def clear_search_box(): """ The function `clear_search_box` clears the contents of a search box widget, and if there is anything in the pdf Frame, clears that too """ for widget in root.winfo_children(): if isinstance(widget, Frame): widget.destroy() if isinstance(widget, Text): widget.destroy() message.set("") search_for.delete(0, END) def open_pdf(): """ The `open_pdf` function allows the user to select a PDF file to open and display it in a PDF viewer within a specified width and height. """ open_file = filedialog.askopenfilename( initialdir = "c:/", title="Select a PDF to open", filetypes=( ("PDF Files", "*.pdf"), ("All Files", "*.*"))) #for widget in root.winfo_children(): # if isinstance(widget, Label): # widget.destroy() if open_file: v1=pdf.ShowPdf() v1.img_object_li.clear() v2=v1.pdf_view(root, pdf_location=open(open_file, "r"), width=800, height=600) v2.pack(pady=10, padx=20) def open_pdf_from_search(open_file, exact): """ This function opens a PDF file for viewing based on the provided file location. :param open_file: The `open_file` parameter is a string that represents the location of a PDF file that you want to open and view. It seems like the code is attempting to extract the file path from the `open_file` string and then use a function `pdf.ShowPdf()` to display the PDF file. """ pdf_select['values'] = open_file for widget in root.winfo_children(): if isinstance(widget, Text): widget.destroy() message.set("") if open_file is False: # pack a label warning the user if no match is found message.set("No matching certificate/delivery note note was found.") elif exact is False: # pack a label warning the user is it's not an exact match message.set("No exact match found....displaying closest match") open_file = str(open_file) open_file = open_file.replace("server_address.com\\ScanDocs\\", "S:\\") open_file = open_file[2:-2] # trim the quotes and square brackets ## pack a label with the file location location_text_message = TextEx(root, bg="white", fg="black", font="arial 12", height=1, width=100, padx=5) location_text_message.insert(END, open_file) location_text_message.pack() if open_file: v1=pdf.ShowPdf() v1.img_object_li.clear() v2=v1.pdf_view(root, pdf_location = open_file, width=800, height=600) v2.pack(pady=10, padx=20) # Initialise TK root = tk.Tk() style = ttk.Style("cosmo") root.geometry("1100x800") root.title("Certificate Search") #root.configure(bg="white") info_label = Label(root, text="Please enter a GRN to display the corresponding delivery note / Certificates.", font="arial 16", bg="white", fg="black", padx=5, pady=5) info_label.pack() search_frame = LabelFrame(root, text="") search_frame.pack() search_for = EntryEx(search_frame, width=30, font="ariel 18" ) search_for.pack(side=LEFT) Button(search_frame, text="Search", command=search_for_pdf_file, width=10, font="ariel 16",bd=1).pack(side=LEFT, padx=10) message = StringVar() message_label = Label(root, textvariable=message, font="arial 16",bg="white", fg="black", padx=5, pady=5) message_label.pack() select_frame = LabelFrame(root, text="") select_frame.pack() pdf_select = ttk.Combobox(select_frame, state="readonly", width="60", font="arial 14") pdf_select.pack(side=LEFT) pdf_select.bind("< >", open_selected_pdf) Button(select_frame, text="Open in External Viewer", command=open_pdf_external, width=18, font="arial 14",bd=2).pack(side=LEFT, padx=10) # Create the menu my_menu = Menu(root) root.config(menu=my_menu) file_menu = Menu(my_menu, tearoff=False, font="ariel 12") help_menu = Menu(my_menu, tearoff=False, font="ariel 12") my_menu.add_cascade(label="File", menu=file_menu) file_menu.add_command(label="Open", command=open_pdf) file_menu.add_command(label="Clear", command=clear_search_box) file_menu.add_separator() file_menu.add_command(label="Exit", command=root.quit) my_menu.add_cascade(label="Help", menu=help_menu) help_menu.add_command(label="Help", command=open_popup_help) help_menu.add_separator() help_menu.add_command(label="About", command=open_popup_about) ###################### # Main Loop ###################### root.mainloop()
2024.05.19 14:55 Material-Evidence-54 Adventure's Through Eyari-5E Asynchronized PBP Game
2024.05.19 14:55 iKindred [Other] [Online] WFRP 4E Free-form campaign - Saturdays 7PM UTC
2024.05.19 14:53 iKindred [Other] [Online] WFRP 4E Free-form campaign - Saturdays 7PM UTC / 1PM CST
2024.05.19 14:48 Miserable-Seesaw8614 Signing paperwork electronically with a digital pen/stylus
2024.05.19 14:44 pc_kant Citizenship application before three-month work trip?
2024.05.19 14:36 TodayNo6531 Rapid repair
Everyone’s always on here complaining about the warranty process well I saw this yesterday and it’s different and new. Maybe it works better idk https://www.ryobitools.com/support/rapid-repair submitted by TodayNo6531 to ryobi [link] [comments] |
2024.05.19 14:35 Zone55X [Online][5e][Other]Player Driven Time loop Mystery looking for two new players.
UK - Evening | US - Miday/Afternoon |
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2024.05.19 14:32 Electrical-Sorbet-25 [For Hire] i can build your web/app ! +5 year of professional software engineering experience
2024.05.19 14:27 Hiphen [UK] Video conferencing / AV performer for home-working
2024.05.19 13:57 boywholovetheworld long term effects of hair treatment products for long fine hair type
2024.05.19 13:46 Stage-Piercing727 Best Cash Registers with Scanners
submitted by Stage-Piercing727 to u/Stage-Piercing727 [link] [comments] https://preview.redd.it/bge63a7cfd1d1.jpg?width=720&format=pjpg&auto=webp&s=0b1094a1d43bc93c6fb52afdaed5ba4428d445dd Introducing our collection of Cash Registers with Scanners, the perfect solution for your business's office needs. Whether you're managing a small boutique or a larger retail store, our roundup boasts a diverse range of options to meet your specific requirements. In this article, we'll guide you through the top choices, highlighting standout features and pricing. Stay tuned for an in-depth look at the best Cash Registers with Scanners available today. The Top 5 Best Cash Registers with Scanners
Reviews🔗Sharp XE-A102 Compact Electronic Cash Register with LED Displayhttps://preview.redd.it/zi9183mcfd1d1.jpg?width=720&format=pjpg&auto=webp&s=643b6730c9e2ce115fb3cc00e87b5ef2958eb54b I have been using the Sharp XE-A102 Electronic Cash Register for a start-up retail business, and it's been a reliable and efficient partner. The compact design allows it to fit easily in our small store, and the bright LED display makes it easy for us and our customers to see the transaction details. The 8 departments feature helps us organize our inventory, and the 80 PLU/Items capacity allows us to input all our products without issues. One of the standout features of this cash register is its ability to accept different payment methods like cash, cheque, and credit card, which has made it easy for us to cater to our customers' preferred payment options. Additionally, the time and date display feature ensures that our transactions are accurate and timely. However, there are a few minor drawbacks to the Sharp XE-A102. It can be a little noisy and slow compared to some other cash registers, which may be an issue during peak hours when we need to serve customers quickly. Moreover, the instructions provided are quite small, making them difficult to read and follow. Overall, the Sharp XE-A102 Electronic Cash Register has been an excellent addition to our start-up retail business. Its compact design, 58 mm wide reliable printing, and ability to accept multiple payment methods make it a valuable tool for any small retailer. While it may have a few minor issues, the majority of users, including myself, are satisfied with its performance and recommend it to others. 🔗Professional XE Series Electronic Cash Registerhttps://preview.redd.it/fpo9za8dfd1d1.jpg?width=720&format=pjpg&auto=webp&s=2a071769bc1d51a9a9e8a79df484c342ff2a14f7 I recently added the Sharp XE Series Electronic Cash Register to my tiny boutique store, and I couldn't be happier. Before settling on this model, I spent a lot of time researching various cash registers, but the XE Series stood out for its advanced sales reporting capabilities and seamless tie-in with QuickBooks Pro. The moment I unboxed it, I was impressed by its sleek, professional appearance and built-in SC card slot for easy connectivity and data back-up. Setting up the register was incredibly easy, and within just a few hours, it was ready to go. Its intuitive interface made training my employees a breeze. The thermal printer was a pleasant surprise; it's much quieter and faster than traditional receipt printers. Plus, the customizable receipts with graphics and logos definitely give my store a professional edge. One of my favorite features is the automatic tax system, which not only saves time but also reduces the potential for errors and makes reporting so much easier. The locking drawer ensures security and comes with multiple bill and coin compartments, making deposits a lot more organized. The only downside is the rather complicated user manual, which could definitely be improved. It's not a complete deal breaker, though, as there are plenty of helpful YouTube tutorials available online. All in all, I'm thrilled with my purchase of the Sharp XE Series Electronic Cash Register. It's a perfect fit for my small business and a real game-changer when it comes to streamlining sales transactions and accounting. I wouldn't hesitate to recommend this cash register to anyone running a small retail or service business. 🔗Fast and Accurate Cash Register System with Thermal Printing and 8-Line Displayhttps://preview.redd.it/c6utjygdfd1d1.jpg?width=720&format=pjpg&auto=webp&s=b6cdbcb74bba6ef3e77281d6c48049c7ae46d4a3 I recently discovered the Sharp XEA407 Cash Register while searching for a reliable and feature-rich solution for my little grocery store. After trying it out, I must say it's exceeded my expectations. The first thing that impresses anyone who lays their eyes on it is the sleek eight-line display. It's not just a pretty face though; it's got brains as well with 7000 Price Lookups (PLU's), allowing quick and accurate entry. The inclusion of 99 departments is brilliant as it makes managing diverse product types a breeze. My favorite feature? Hands down, the microban keytops. They provide built-in antimicrobial protection, keeping those pesky germs at bay, which is particularly important given the current health situation. And let's not forget about the large 32GB SD card slot for computer connectivity and data storage. However, there were a few hiccups too. The lack of French documentation was a letdown for me, a French-speaking Canadian. Plus, a few customers have reported missing parts upon delivery, making the product unusable. So, while there are some minor issues, the Sharp XEA407 Cash Register has overall been a reliable and efficient addition to my store. It's fast, easy to set up, and offers more than enough features for most small businesses. If you're looking for a cash register that combines modern tech with dependability, this might just be the one for you. 🔗Clover Station POS System with Cash Registerhttps://preview.redd.it/nvbnrltdfd1d1.jpg?width=720&format=pjpg&auto=webp&s=5191fb3e38275ee60586c1c815a0c08913c40757 I recently picked up the Clover Station POS System for my little cafe, and it's been quite the rollercoaster ride. Imagine a sleek, brushed aluminum body with a 11.6" touchscreen display that's as responsive as a well-trained puppy. Sounds appealing, right? Well, it is. But let's dive a little deeper. First off, the touchscreen is large and bright, perfect for both me and my customers to navigate. The high-resolution camera embedded within the system makes scanning barcodes or QR codes a breeze, which is super helpful for keeping track of inventory. Plus, the swivel arm swivels smoothly between my side and the customer's, making transactions feel seamless and personal. However, there have been some hiccups. For one, the single power source for the display and printer can create a tangled mess of cords, especially when you're trying to juggle other peripherals. And while the connectivity options (Ethernet, Wi-Fi, and Bluetooth) are great, I sometimes find myself struggling with Wi-Fi lags. Moreover, the customer service has proven to be quite the challenge. You see, I bought the Clover Station from a seller who didn't provide much support. When things went awry, I was left to figure it out on my own. Needless to say, getting in touch with their customer service has been a nightmare. It feels like they're speaking a different language sometimes, and getting a call back is as rare as a winning lottery ticket. Despite these cons, I still find the Clover Station POS System useful for my small cafe. It's a stylish, reliable system that offers a range of features and connectivity options. However, be prepared for the occasional frustration and confusion, especially when it comes to their customer service. In conclusion, the Clover Station POS System is a mixed bag. While it boasts a sleek design, large touchscreen, and versatile connectivity options, it also has its fair share of challenges, such as the messy cords and difficult customer service. I'd recommend this product for businesses looking for a stylish and reliable POS system, but be prepared to face a few hurdles along the way. 🔗Sharp XE Series Professional Cash Register with Scanner & Thermal Printerhttps://preview.redd.it/e9hhr4befd1d1.jpg?width=720&format=pjpg&auto=webp&s=9e569735dc6ec5a6f3b7b53485501e29dbe44f3a The Sharp XE Series Cash Register is a game-changer for small businesses. When I first got my hands on this baby, I was blown away by the speedy thermal printing on standard 2-1/4 inch rolls. The eight-line operator display made it incredibly easy to use, and I found myself making fewer mistakes than ever before. One of the standout features was the advanced reporting capabilities that seamlessly integrated with QuickBooks Pro. This made keeping track of my sales and inventory a breeze, and it saved me a ton of time when tax season came around. The built-in SD card slot was also a lifesaver, allowing me to quickly connect to my computer for programming, backup, and reporting. Adding graphics and text to receipts was a fun way to personalize my business, and the automatic tax system made my life so much easier. However, there were a few cons that I couldn't help but notice. The manual was sorely lacking, which made setting up the register a bit challenging for first-time users like myself. Additionally, the barcode scanner wasn't quite as advanced as I had hoped, but it still got the job done. Overall, the Sharp XE Series Cash Register has made a significant impact on the way I run my small business. Its speed, advanced reporting features, and personalized receipts have made it an invaluable asset to my daily operations. While there's definitely room for improvement, I'm confident that this is a reliable and efficient cash register for businesses that demand the best. Buyer's Guidehttps://preview.redd.it/351t8dnefd1d1.jpg?width=720&format=pjpg&auto=webp&s=c796af401b1250ec4494dc13eb858ac31c92511f Important Features to ConsiderWhen shopping for a cash register with scanner, consider the following features:
General Advice for Choosing a Cash Register with ScannerHere are some tips to help you choose the best cash register with scanner for your needs:
Considerations for Optimal PerformanceTo ensure optimal performance of your cash register with scanner, consider the following:
FAQhttps://preview.redd.it/76kq90jffd1d1.jpg?width=720&format=pjpg&auto=webp&s=9026910f32779f9249ee718b2c52253fc2f04f4b What is a cash register with a scanner?A cash register with a scanner is a device used in retail or food service businesses to manage sales transactions, product inventory, and customer payments. The scanner reads barcode information on products sold, enabling quick and accurate processing of purchases.How does a cash register with a scanner work?Cash registers with scanners typically have a touch screen interface, which allows users to input sales data and manage transactions. The scanner reads barcode information on products, sending this information to the cash register for processing. Once an item is scanned and its price is validated, the cash register determines the total cost and taxes. The customer can then select a payment method, such as credit/debit card, cash, or mobile payment. https://preview.redd.it/3xh6ppqffd1d1.jpg?width=720&format=pjpg&auto=webp&s=c6f5cb84ceeac6459712a304a430ce9533e7b8eb What are the benefits of using a cash register with a scanner?
What features should I look for when choosing a cash register with a scanner?
How much does a cash register with a scanner typically cost?The cost of a cash register with a scanner can vary greatly, depending on several factors such as features, manufacturer, and quality. Basic models may be available for a few hundred dollars or less, while more advanced systems with additional features can cost thousands of dollars. It is recommended to research and compare multiple products to find the best balance between cost and needed functionality for your business's needs.What is the difference between a cash register with a scanner and a point-of-sale (POS) system?Although a cash register with a scanner shares some similarities with a point-of-sale (POS) system, the primary difference lies in their functionality and capabilities. A cash register with a scanner is mainly focused on processing transactions and managing inventory, while a POS system typically offers a more comprehensive suite of tools, such as advanced reporting, employee management, and customer relationship management.How do I maintain and care for my cash register with a scanner?
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2024.05.19 13:46 CaseroRubical Looking to replace my gaming desktop PC with a simple looking but powerful laptop (Western Europe)
Total budget 1200-1400 € Are you open to refurbs/used? Yes. How would you prioritize form factor (ultrabook, 2-in-1, etc.), build quality, performance, and battery life? Performance, normal look. How important is weight and thinness to you? Relatively important, but not that much. Do you have a preferred screen size? If indifferent, put N/A. 16" or 17" Are you doing any CAD/video editing/photo editing/gaming? List which programs/games you desire to run. I want it to be able to handle modern games and video editing software. I also plan to use it for work and normal use. Tbh I don't even play games that much lately. If you're gaming, do you have certain games you want to play? At what settings and FPS do you want? My current PC (RTX 2060, 4 years old) handles Kingdom Come Deliverance on high at 60-80 fps, that would be my minimum requirement. But anything above that is obviously better. Any specific requirements such as good keyboard, reliable build quality, touch-screen, finger-print reader, optical drive or good input devices (keyboard/touchpad)? Only thing would be that it's not too noisy (current PC drives me insane with the noise). And I'd rather have a number pad.
2024.05.19 13:42 godi37 Anyone else have had a hard time with AU mobile?
2024.05.19 13:40 VB_Aqua_FI Looking for laptop around ~500€
2024.05.19 13:24 Darkness015 Laptops around 30k-40k PHP
2024.05.19 13:20 Grouchy_Ad9055 Is it a scam?
Hi everyone, submitted by Grouchy_Ad9055 to oslo [link] [comments] I recently received a rental application from a broker, but I'm a bit concerned it might be a scam. The application didn't include any information about the landlord or the broker's company. After I asked, he said that he worked for BJØRVIKA APARTMENTS, and sent me the website https://bjorvika-apartments.no/en/ (the website seems valid but what I am not sure of is whether or not he really works here). Some context: He contacted me on Facebook. My budget is really low (I'm a student) but all the rooms he sent me met my needs, plus it had all the utilities and necessary equipment. It seems to good to be true considering that I am looking for a place close to my uni, BI. The email he sent seems scam to me as most companies (at least in my country) has their own email domain. I have attached the application form in images. I want to make sure I'm not walking into a scam. Has anyone had any experience with this broker, or can anyone suggest how I can verify their legitimacy? Any tips on what to look out for would be greatly appreciated! Thanks in advance for your help! https://preview.redd.it/fijrgux4bd1d1.png?width=1321&format=png&auto=webp&s=c8fb412160ffb330f89d03ebeb1225ad3159c843 |
2024.05.19 13:19 Healthy_Highway_9108 Uploading Documents for Codice Fiscale on Prenotami
2024.05.19 13:16 khaleesi1222 joining committees with no org experience
2024.05.19 13:07 Habbio HIRING: Opportunity for Healthcare Workers (Check comments)
HIRING: OPPORTUNITY FOR HEALTHCARE WORKERS submitted by Habbio to BPOinPH [link] [comments] Tired of being underpaid and overwork? Maybe shifting career is for you! Apply now and expect 2x or even 3x salary compared to hospital or clinic jobs. Thermo Fisher gives astounding opportunities for career development for local and even international. Read more info and send your applications here: https://forms.gle/otdNfEtdtS3Kx4Ev5 Start Date on July Please don't hesitate to send a message if you have questions. |