Hey people!
I'm 27M, live with my girlfriend and cats. I'm looking to make some new connections and hopefully find a long term friend or two along the way. Email would probably be best unless you're a fellow Australian but happy to send letters in the mail if that works logistically!
I love reading, all types of music, baseball, a bit of writing and gaming and recently started drawing (I am not very good). I've been getting into learning about the weather and space recently as well. Watch a lot of TV, all sorts of shows/movies and WWE occasionally.
I've battled a great deal of depression and anxiety the last several years and slowly been rebuilding myself again. I've only rediscovered my love for reading this year so I'd love to chat with someone who has a heap of great book recommendations, any genre is great.
Other than that, I don't mind where you live, your gender or what interests you have. Would love to hear all about what your passionate about and the interests & hobbies you enjoy. I'm autistic and bi so LGBTQ+ friendly.
Feel free to leave a comment to send me a message!

Exfiltration

[A/N: This chapter beta-read by Lady Columbine of Mystal.]
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Mik
“Papa Juliet calling Mike Whiskey. I’m in. Guy says she’s in room one-zero-three-eight, do you copy?”
“I copy one zero three eight,” Mik replied quietly. She looked up at the room numbers and noted that she was at least on the correct floor. “Going there now, over.”
It was a good thing that even evil corporate secret facilities had their safety procedures. As she jogged along the corridor in what she thought was the right direction, she spotted an evacuation map of the facility, complete with room numbers. Studying the plan for a moment, she traced out a path, memorised it, then took off running.
Although people fresh from Earth often complained how hard it was to maintain a good running speed on Mars due to lack of traction, Mik had no such problems indoors. The floors weren’t the best for cornering on, but she saw no issue in running halfway up the wall to kick off in the direction she wanted to go. Her enhanced vestibular systems aided considerably in keeping her balance, no matter where her feet were placed at the time.
Now that she knew where she was going, she reached the corridor that she needed in less than a minute. But then she encountered something that wasn’t a barrier as such, but certainly caused her to think twice about what was going on.
At first glance, there was little to worry about. What she’d found was an airlock of a make and model ubiquitous to half the buildings on Mars. Given that the outside atmosphere of Mars could only be survived by one person currently on the surface of the planet, the presence of an airlock would normally have been easy to explain away as an essential safety precaution.
What gave Mik pause was the fact that the airlock was inside the building, and in fact was between her and the person she was here to rescue. This made her ask herself a very specific question:
Which side of this airlock is expected to be depressurised, and why?
There was only one logical answer, and it did nothing for her peace of mind. If she was reading the signs correctly, the person behind Dani’s abduction and subsequent imprisonment was willing to set up a lethal situation for their captive, as a last-ditch screw-you to Mik. They probably wouldn’t kill her immediately, but if Mik tried to get her out, it would go from zero to fatal in very little time indeed. And in fact, if the airlock was code-locked on the other side, it would also serve to lock Mik into the area, allowing Cyberon to simply walk in and scoop her up at their leisure.
If I keep going, I’ll be trapped and she dies no matter what. Cyberon security’s probably on the way, so Pete might not be able to get us both out in time. If we pull back, they might decide she’s no use as bait, and kill her anyway. Bad end, do not want.
Okay, so I’ve seen the trap. How do I turn it around?
*****
Dani
The cell was cold, the floor hard to sleep on, and the ration bars they’d been feeding her tasted like salted sawdust, but that wasn’t the worst part. Dani had been uncomfortable before; some of the places her father had worked had lacked many civilised creature comforts. But she’d had friendly company and she’d been able to keep track of what was going on in the larger world.
Here, she had neither.
She wasn’t sure if it was deliberate torture or just a total lack of caring about her wellbeing, but the lighting outside the Perspex panel that fronted her cell never varied. Neither dim nor overbright, it was just constant. They’d taken her watch at the same time as they’d sequestered the rest of her belongings and shoved her into an anonymous coverall, so she had no way of keeping track of time, except by way of her biological rhythms and the delivery of the food rations (which in itself was worryingly irregular, like they kept forgetting that she needed to eat).
Even the Suit, as she called him (she didn’t have a name for him, but she had a huge number of highly unflattering descriptors for him) hadn’t shown up in some time. At first, she’d been able to mark off the days in her mind by his visits, either gloating over how Mik was going to walk straight into his trap or attempting to interrogate her about Mik’s habits and potential actions. She’d done her best to give him no joy either way, which in hindsight was possibly a mistake, as he didn’t visit at all these days.
All she got was a guy walking past the cell every few hours and glancing in to make sure she hadn’t miraculously dismantled the lock and spirited herself out of the building. They didn’t talk to her, even when she called out and tried to open lines of communication. She knew they could hear her, but their faces just closed off and they walked on.
It had been days, maybe weeks, she was sure of that much. A month, even two? She couldn’t be sure. A couple of times she dreamed she’d been rescued, that the wall of the cell had just opened up and she’d walked out; the emotional crashes, when she woke and discovered the reality of the situation, had been devastating. Pretty soon, she figured, she’d be hallucinating even when she was awake, and it just wouldn’t matter anymore.
So, when she saw Mik herself step into view in front of the cell, wearing her usual t-shirt and jeans and heavy boots, along with a badass-looking long-coat, she didn’t even react at first. Either it was someone else and her eyes were playing tricks on her, or she was asleep and dreaming the whole thing, or her mind had finally cracked. Didn’t matter; Mik wasn’t there.
She waited for the apparition of her friend to morph into one of the guards or to evaporate altogether, or maybe rip the door off its runners, but none of that happened. Instead, Mik examined the lock and frowned. Then she pulled out a notebook and pencil—pens had a really hard time working in vacuum, so Mik always went old-school when it came to passing notes—and scribbled something.
Dani had never been able to read a damn thing in a dream. The words and letters always came jumbled up, probably because reading was a logical thing and dreams were by their nature illogical. So, she was fully prepared for whatever the note showed to be pure gibberish.
Instead, to her surprise, it was totally readable. NO AIR OUT HERE. NEED U TO PREP FOR DECOMPRESS, CLOSE EYES. WILL OPEN DOOR, GET U OUT. DO U TRUST ME?
She read it through several times, trying to make sense of it. Mik was still standing there, waiting, though she’d glanced from side to side a couple of times. The writing on the notepad was holding steady, not changing to something else.
Is this real? Is this actually happening?
Tears sprang to her eyes as she first began to allow herself to consider the concept. She tried to keep herself under control; every other time she’d believed she was getting out, her expectations had been cruelly dashed. But she could read the note. She could read the note.
Climbing painfully to her feet—there was little chance for exercise in the cell, and the nutrient bars didn’t leave her with much in the way of excess energy—she went over to the Perspex panel that served as a door. “Are you real?” she asked, putting her hand on the panel. “Are you really there?”
Mik nodded, then flipped a page and scribbled some more. IM REAL. IM GETTING U OUT OF THERE. DO U TRUST ME? Then she tore the page from the pad and dropped it.
Instead of fluttering lazily to the ground—under Martian gravity, it always took even longer than it did on Earth—it fell straight down, at the standard three point seven one metres per second per second.
Okay, that’s not something a hallucination would bring up. There’s only Martian air pressure out there. She’d had dreams of walking unprotected on the surface of Mars. The human brain couldn’t create the consequences of low air pressure out of whole cloth. That was a leap of logic that it couldn’t make.
Dani took a deep breath and nodded. “I trust you,” she said, aware that Mik was practised at reading lips. “I just don’t know how long I can go without air.” Attempting to hold one’s breath in vacuum or near-vacuum, she knew, was a recipe for ruptured lungs. “Should I hyperventilate?”
Instead of writing more notes, Mik made the hand gesture for ‘no time’, then pointed at her first note. Dani nodded, then stepped back. Closing her eyes, she opened her mouth, working her jaw to allow her ear canals to connect to her sinus cavities.
She heard it when the door began to open, the thin high screech of escaping air, deepening to a rumble as the air pressure dropped. Her ears popped, then popped again as she kept working her jaw. Air flowed out of her lungs, then an involuntary belch joined it.
Her skin prickled and her eyes were uncomfortable behind her tightly closed eyelids, but she didn’t dare open them. Micro-pressure did nasty things to exposed eyeballs; they didn’t pop (that was something even the stupidest of space dramas didn’t do anymore), but the sheen of tears on the exterior surface had been known to freeze or evaporate, neither of which was good for the eye.
Pressure was building unpleasantly in her gut, and she did her best to relax her sphincters. Another burp was followed by a small frrrt, and she silently blessed the fact that the nutrient bars were designed for vacuum workers, who didn’t want to share their EVA suits with abdominal gases.
And then a mouthpiece was pressed over her face, and air flowed into her lungs. Reaching up, she grabbed the pony bottle, amazed that she’d actually forgotten how Mik carried it everywhere. Once she had it, Mik let go and grabbed her arm, urging her forward.
Under the guidance of her friend, she stumbled out of the cell then turned left. They moved as fast as she was able, though she had to keep her eyes closed. How Mik had even gotten there, and what the plan was to get her out, she wasn’t sure, but she trusted Mik implicitly.
They went down the length of one corridor and then another one, much farther than she would’ve been able to go with her eyes closed and no air. Alone, she would’ve stumbled aimlessly until she died. Then they entered what she figured was an airlock, the supposition borne out when a door closed behind them and the air pressure started rising again.
When she felt it was safe, she opened her eyes and handed the pony bottle back to Mik. “Th-thanks,” she rasped, her voice rusty from disuse. “You came back. I didn’t know if you would.”
“It’s been a month, let me tell you,” Mik said lightly. “I had to get reinforcements, but here I am.”
Something clanked at floor level, and Dani looked down to see that Mik had just knocked over a bucket. “Okay,” she asked. “What’s a bucket doing in an airlock?”
“Holding the inner door open so nobody can remotely shut it behind me,” Mik explained. The other airlock door opened, and she stepped out. “C’mon, we’ve got places to be.”
Dani followed along. Her joints still felt creaky and stiff, but she was damned if she was going to slow Mik down now. “Where’d you go for reinforcements? Tharsis? Wouldn’t they just send stern memos to Cyberon or something?”
“Yeah, that’s why I didn’t go to them.” As Mik and Dani turned a corner, Dani saw two of the guards on the ground, along with a third one in an EVA suit, and a fourth person in an EVA suit standing over them with a metal bar in his hand. “Hey, we’re ready to suit up and go.”
The standing man flipped up his faceplate. “Good. The suit’s just outside. I’ll keep watching these clowns while you go get it.”
“On it.” Mik tipped Dani a wink, then ducked out through the airlock. A moment later, she was back, bringing a suit in Dani’s size.
“I was wondering how you were going to get me out of here.” Dani didn’t waste time, starting to haul on the suit even as she addressed Mik. She didn’t know the guy, but if Mik trusted him, she was willing to as well.
“It was either this or terraform the whole planet so you could just walk out normally, and terraforming was taking too long.” Mik eyed the guards unfavourably. “How badly were these assholes treating you?”
“They didn’t hit me or anything,” Dani said. “Just fed me and watched me. It was their boss who said all the nasty stuff about how you were gonna fall in his trap.”
“Mm.” Mik looked like she didn’t want to drop the matter, but the guy put his hand on her shoulder and she subsided. “Okay, then. Ready to go?”
“Nearly.” Dani locked her helmet in place, then triggered the oxygen flow. The telltales showed up green, so she nodded and gave the thumb-to-forefinger all-good gesture.
The guy with Mik flipped down his faceplate, and all three of them stepped into the airlock. It was a tight squeeze but Mik was skinny, and Dani didn’t take up much room even in a suit. “We’re going to have to move fast,” the guy said over her radio. “I have a feeling Cyberon security is incoming with everything they’ve got.”
“Yeah, no crap.” That was definitely Mik. “Just by the way: Pete, meet Dani; Dani, meet Pete.”
“Pleased to meet you,” Pete added. “Lieutenant Pete Janssen, Orbital Rescue, at your service.”
Even while Dani was trying to figure out what an Orbital Rescue pilot was doing on the surface of Mars, the airlock opened and they hustled out. The surrounding terrain was the very opposite of flat, and Dani had no idea which way to go. And then Mik’s eyes opened wide and she turned her head, looking up into the sky.
“Lander,” she said. “I can hear it coming in.”
Dani had very little experience with matters like this, but she had an idea what was coming next anyway. “They’ll be bringing in ground troops, won’t they? Looking for us?”
“Got it in one.” Mik started off into the rocks. “We have to get to the ’hopper before they catch up with us.”
“Copy that, princess.” Pete hooked one arm under Dani’s. “Let’s get moving.”
Dani had thought the nightmare was over but as she discovered, it was just beginning. Even with Pete and Mik helping her up and over the obstacles in their way, she quickly ran out of energy. Fear-generated adrenaline was well and good, but it had its limits, and her arms and legs were soon powerless noodles.
“Leave me,” she begged. “They’ll catch you, and this’ll all be for nothing.”
“And if we leave you, it’ll also be for nothing,” Mik told her grimly. “I had to do it once. It’s not happening a second time.”
“Take her,” Pete said. “I’ll go and draw them off. Even if they catch me—”
Mik cut him off. “If they can’t use you to get us back, they’ll kill you. You take her, you’re stronger than me. If they’ve got guns, which I’m pretty sure they do, they’re less likely to shoot at me than you. I’ll meet you at the ’hopper.”
Not giving Pete the option to argue, she let go Dani’s arm and vanished into the chaotic terrain.
“Wait—” began Pete, then swore. “Dammit! Okay fine, she’s not giving us a choice. Let’s get you to the ’hopper.”
As they moved off, Dani had to ask the question. “Why did you call her princess, earlier?”
“Well, she’d just told us her story, and I made a joke …”
*****
Mik
The security troopers were good at moving in EVA suits, and they definitely had guns. There were also a lot of them, which was going to make this tricky as hell. Still, Mik had a few advantages on her side, some of which they hopefully didn’t know about.
She peered around a rocky outcrop at a bunch of them, who were conferring over some kind of digital map. If they wanted to use that thing to make any kind of straight path through this labyrinth of Martian terrain, they had to be dreaming. The trouble was, if they just pushed forward en masse, they could comb every last hiding place, no matter how tricky she was. Which was why she had to pull them away from the ‘logical thinking’ mindset and into the ‘chase me’ mindset.
Picking up a friable-looking rock, she stepped into view, then hurled her missile directly at the faceplate of one of the troopers facing her. It burst on impact, leaving a cloud of dust behind. Before they could bring their guns to bear, she ducked out of sight again, heading down a twisting, turning alleyway of rock. Her natural agility and balance made up for the uneven footing, allowing her to move much faster than the troopers behind her.
The call would be going out now, converging every security trooper in the area on that spot. This included any of them that might’ve been on course to discover the rille where she and Pete had hidden the rock-hopper. If they were chasing her, they weren’t going after anyone else.
She paused after a minute or so of movement, listening hard and with her hands on the rocks on either side. Sound didn’t travel well in this atmosphere, though her ears were attuned to pick up what little there was. Vibrations through the ground were sometimes more useful, and she fancied she could feel the security troops coming her way, just as much as she could hear the scuffing and stumbling among the chaotically tumbled boulders.
The next time she nailed someone in the faceplate with a rock, one of the troopers shot at her. It didn’t come close enough to worry her, though the whole experience of being shot at in general was a new and unpleasant one. She got her target, though, dusting the man plus his comrades with the ever-present fines. The fewer of her pursuers who could see properly, the better.
And then Pete’s voice crackled in her mastoid earpiece. “We’re at the ’hopper. Want a pickup?”
“No, don’t,” she replied, talking quietly into the mouthpiece even though she knew the troopers couldn’t hear her. “They’ll shoot you out of the sky. Hold tight, I’m coming to you.”
A dozen troopers looked around in surprise as she jumped out of concealment almost within arm’s reach. She was holding two large rocks that she’d selected carefully, each one with the consistency of chalk. Both left her hands even before her feet hit the ground; not aimed at the troopers, they instead hit the rocks on either side. A great cloud of fines billowed over all of the troopers, but she wasn’t waiting around for it to dissipate.
There was a nice straight pathway for her to retreat down, but she didn’t take it. Instead, she ducked into the first niche she found that was barely large enough to take her, and flipped up the hood of the long-coat so that it covered her head. Thus concealed, facing the rock and holding still, she hopefully looked like part of the landscape.
She both heard and felt the rush of booted feet behind her; yelling inside their helmets so loudly that she heard that too. Thirty seconds ticked by in her head, and there were no stragglers following along. Cautiously, she peered out from behind the coat. She was alone.
By now there would be enough troopers spread through the chaotic terrain for false sightings to be happening on the regular, and in fact she heard a few random shots here and there which bore out that idea. But that wasn’t her problem, so she slipped unseen through the dragnet until she came to the rille. Jumping from foothold to foothold, she descended to where Pete and Dani were just getting settled on the rock-hopper.
“Oh, good,” Pete said. “You’re here. I was starting to worry.”
“Can we go now?” asked Dani plaintively. “I just want to get out of here.”
“We can,” Mik confirmed, scrambling up onto the rock-hopper and strapping herself into the middle seat, which had been installed by the crusty McPherson. She flicked the wake-up switch on the flight control computer (also supplied by McPherson), then activated the controls and lit off the attitude rockets. Slowly, then with more power as she fed fuel to the main rocket, the rock-hopper climbed into the air.
“Straight back up to the ship?” asked Pete hopefully.
“Not quite,” Mik said. “They’ve almost certainly got ships up there that can shoot us down if they see us coming up out of their area of interest, so we’re going to have to stay low for the moment until we get out from under their umbrella. Our best chance for doing that is to leave their turf altogether.”
Angling the rock-hopper eastward, she applied more thrust, and they shot away across the tumbled landscape.
[First] [Previous] [Next]
[A/N: And we’re coming to a head. The next chapter or two should see the end of this run of the adventures of Mik Wallace, Martian Walker. That’s not to say it’ll be the end of the story, but it’ll be the end of the origin story.]

I tried reposting it on another post but It wasn’t letting comment after i edited.
This is the book summary. Sorry if there are mistakes; I tried my best.
The two girls meet when Kim’s family moves next door to Wan’s family. Wan has been dreaming about a girl since she was young and realizes Kim is the girl in her dreams. Wan finds out that her dad is strangely close to Kim's dad. It happens several times, and Wan figures out they are lovers. The two Dads run away together, leaving their daughters and wives behind. Some time passes, and when they go back to school, rumors emerge about the two father run away together at their school. Wan tries to get close to Kim, but she ignores her and tries to avoid her at all costs. Wan wants to be close to someone who can understand the pain of their father leaving, and Kim is that person.
They eventually get close, but Kim and Wan makes it clear they are not friends. Wan and Kim have dreams of each other, and they do romantic things in their dreams. Some of this affects their real life because if they fight in real life, they make up in their dream world. The four friends get closer as time goes by. They have a lot of tension in their friendship. They have feelings for each other but neither of them wants to confess. Also, Kim doesn't like same-sex relationships because of her trauma of her father abandoning them for Wan's dad. This is why Wan is even more afraid to confess her feelings towards Kim. Wan, in school, one day, says that whoever is the first person to give her a gift, she will date them. After school, Wan checks the bag for the gift to see who gave it to her but cannot find it. Mon, one of the friends in their group, makes some time to talk to Wan alone. She tells Wan that another student at school saw Kim throw away the gift given to Wan on Valentine's Day! Later that day, she gifts a drawing of Wan sleeping to her ☺️ Mon (the friend questions Dawan if they like each other and asks her if Kim gave her a gift, and Dawan denies it ).
Dwan is planning to tell Kimhan her feelings. In chapter 19 of the book, as she heads home for dinner, she finds that her mom is not home. So she checks to see if she's at the neighbor's house, Aunt Aey’s (Kimhans mother). She finds an unexpected scene. She sees her mother and Aunt Aey kissing each other. She keeps it a secret. This prevents Dawan and Kim Han’s romantic relationship from progressing. Wan finds it impossible to confess now because both of their father had an affair and ran away together. Now, their moms are also in love, and Kim and Wan love each other. She finds it too much to bear and doesn't want Kim to find out and get hurt again. The four friends make a time capsule where, in 10 years, they will open the letters they wrote to each other. Kim and Wan write letters, confessing their feelings to each other, and leave them in the time capsule.
Time passes by, and Dawan becomes a famous actress. Kim works for her, and they protect each other and live together in a condo. Dawan insists they live together to prevent Kimhan from discovering the truth about their moms. Dawan knows her mom and Aunt Aey suffered after their husbands left them and doesn't want to separate them because she knows they are in love. Wan doesn't want to take her mom's happiness away. Eventually, Kimhan meets a man named Mawhin. Kim introduces Mawhin to Wan as her boyfriend. She is jealous but cannot complain because she has had boyfriends in the past as well. The difference is that when Wan went on the dates with her ex boyfriends, she takes Kimhan along with her on her dates—leaving the boyfriends as the third wheels🤣. Wan's ex-bfs always gave her an ultimatum to choose between them (Wan’s bf’s) and Kim. Dawan always chose Kim, and her boyfriends broke up with her. Wan has never slept with her ex-boyfriends, and when they tried to get her drunk to have sex with her, Kim always rescued her. Mawim Wants to marry Kim Han. Mawhin has a conversation with Dawan, asking her if he should go ahead and ask Kimhan to marry him. Mawhin wants to know if Dawan has feelings For Kim, telling her that he knows how Kim feels for her and wants to see if Dawan also feels the same for Kim. Making sure he can safely propose to Kim with out Dawan getting in the way. Mawhin asks this in an indirect way. Dawan understands, but she is still in denial or doesn't dare to confess the truth about her feelings for Kim. It's finally Time to open the time capsule. Wan goes before the friend Groups goes together to retrieve the time capsule. She secretly steals the letter she wrote, confessing her feelings for Kimhan. When all the friends go retrieve it, Kim hands the letter to Wan. Days pass, and Wan still does not dare to open the letter Kim wrote to her 10 years ago. Kim calls Dhawan and asks if she read the letter, and Wan says yes and asks what she thinks. (But Wan still has not read the letter) Kim wants to know what she thinks. Dahwan responds she has no opinion on it. So before Kimhan ends the call, she goes silent and tells Wan, “It's time for me to let go”. On Kim's wedding day, Wan finally reads the letter. It reads:
A Dahwan, If you're reading this, it means ten years have passed. I've spent a long time contemplating whether I should write to you about this. But by the time you read it, ten years will have gone by, and we will probably laugh because we will have grown and matured.
Among all my friends, you are the one I love the most. You are the best person who will always hold a special place in my heart, and no one can replace you. If I were to tell you that we were so close that I dreamt about you, would you think it's strange? I saw you even before we became friends.
In my dreams...
For as long as I can remember, I've had a friend in my dreams. It's a completely blue and white world. There's a big tree and a river, and the surroundings change over time, though I don't know why. I never knew if you truly existed. Every time I woke up, I would forget who that friend was.
Until we met in reality. That girl from my dreams turned out to be you.
We did many things... Ah, I don't know how to put it into words. Let's just say they were very good dreams. Every time I dreamt, I didn't want to wake up. But if I didn't wake up, I would regret not being able to go to school and come home to you, just like we do.
You were always with me. And now, it turns out that you're always in my thoughts and in my heart. You're a friend, a big sister, a little sister, and sometimes a pain in the ass. But I love everything about you.
I think I'm in love with you... Even though I don't like deviating from heterosexuality because of our parents, you are my exception. I love you for who you are. I don't care if you're a man or a woman. But I don't know if, after ten years, when this letter is opened, I will still feel the same.
If either of us already has a lover, read this letter and laugh awkwardly with each other.
But for now, as I write this letter, this is how I truly feel. And if what I feel in ten years is still the same, and you feel the same way, let me know.
Dhawan, I dream of you.
End of letter.
After Dhawan reads the letter, she rushes to Kim's wedding ceremony and enters when Kim is getting ready for the ceremony. Dhawan tells her, “Kim Han, I also dream of you”! They confess to each other their love. Just as the wedding is about to start, paparazzi and new stations are waiting for the couple to get married. Wan takes and escapes with Kim together. They run away to a hotel, And Kim and Wan spend the wedding night together. News goes out to the public that a famous actress took the bride and escaped with her, embarrassing the rich groom.
There is more to the story, but they have a happy ending

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• Brothers: A Tale of Two Sons
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• OZYMANDIAS: BRONZE AGE EMPIRE SIM
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• The Battle of Polytopia *DLC1. Cymanti Tribe *DLC2. ∑∫ỹriȱŋ Tribe *DLC3. Aquarion Tribe *DLC4. Polaris Tribe
• The Beast inside
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• The Dark Pictures Anthology: House of Ashes
• THE DARK PICTURES ANTHOLOGY: LITTLE HOPE
• The Darkest Tales
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• The Dungeon of Naheulbeuk: The Amulet of Chaos
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• The Elder Scrolls III: Morrowind® Game of the Year Edition
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• TINY TINA'S WONDERLANDS CHAOTIC GREAT EDITION
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• Two Point Campus
• Two Point Hospital
• TYPECAST
• Tyrant's Blessing
• Ultimate Chicken Horse
• Ultimate Zombie Defense
• Ultra Space Battle Brawl
• Unavowed
• Undead Horde
• Underhero
• Unexplored 2: The Wayfarer's Legacy
• Unity of Command: Stalingrad Campaign
• Universim
• UNLOVED
• Unpacking
• Until I have you
• Unto The End
• Upside Down
• URU: Complete Chronicles
• Vagante
• Valfaris
• Valfaris: Mecha Therion
• Valkryia Chronicles 4 Complete Edition
• Valkyria Chronicles 4 Complete Edition
• Valkyria Chronicles 4: Complete Edition
• Vambrace: Cold Soul
• Vampire - The Masquerade: Shadows of New York
• Vampire Survivors
• Vane
• Vectronom
• Velocity Noodle
• Venba
• Verne: The Shape of Fantasy
• Victoria 3
• Victoria II
• Viking: Battle For Asgard
• Virgo Versus The Zodiac
• VirtuaVerse
• Visage
• Viscerafest
• Void Bastards
• VOIDIGO
• Volcanoids
• Voltage High Society
• V-Rally 4
• Wanderlust: Travel Stories (GOG)
• Wanted: Dead
• Wargroove
• Warhammer 40,000 Sanctus Reach - Complete Edition
• Warhammer 40,000: Armageddon - Imperium Complete
• Warhammer 40,000: Battlesector
• Warhammer 40,000: Gladius - Relics of War
• Warhammer 40,000: Mechanicus
• Warhammer 40,000: Space Wolf Special Edition
• WARHAMMER AGE OF SIGMAR: REALMS OF RUIN – ULTIMATE EDITION
• Warhammer vermintide collector's edition
• Warhammer: End Times - Vermintide
• Warhammer: Vermintide 2
• Warman
• Warstone TD
• Wasteland 3
• Wayward
• WE NEED TO GO DEEPER
• We should talk.
• We Were Here Together
• We Were Here Too
• Webbed
• Werewolf: The Apocalypse Heart of the Forest
• West of Dead
• What Lies in the Multiverse
• When Ski Lifts Go Wrong
• while True: learn()
• Whos Your daddy
• Wick
• Windward
• Witch It
• Witchy Life Story
• wizard of legends
• Wolfenstein 3D
• Worms Rumble
• Worms Rumble + Legends Pack
• Wrath: Aeon of Ruin
• WRC 6 FIA World Rally Championship
• WRC 7 FIA World Rally Championship
• WWE 2K Battlegrounds
• WWE 2K23
• WWZ Aftermath
• Wytchwood
• X-COM: COMPLETE PACK
• XCOM: ULTIMATE COLLECTION
• XIII - Classic
• X-Morph: Defense
• X-Morph: Defense + European Assault, Survival of the Fittest, and Last Bastion DLC
• X-Morph: Defense Complete Pack
• Yakuza Kiwami
• Yakuza: Like A Dragon
• Yumeutsutsu Re:After
• Yumeutsutsu Re:Master
• Zen Chess: Mate in One, Mate in 2 , Mate in 3 , Mate in 4 , Champion's Moves (5 games)
• Ziggurat
• Zombie Army 4
• Zombie Army Trilogy
• Zool Redimensioned
• Zwei: The Arges adventure
• Zwei: The ilvard insurrection

DLCs and Softwares:

• For The King: Lost Civilization Adventure Pack
• Train Simulator: Isle of Wight Route Add-On
• Train Simulator: Woodhead Electric Railway in Blue Route Add-On
• Train Simulator: North Somerset Railway Route Add-On
• Train Simulator: Union Pacific Heritage SD70ACes Loco Add-On
• Train Simulator: London to Brighton Route Add-On
• BR Class 170 'Turbostar' DMU Add-On
• DB BR 648 Loco Add-On
• Europa Universalis IV: Wealth of Nations
• Expansion - Europa Universalis IV: Conquest of Paradise
• Expansion - Europa Universalis IV: Res Publica
• Grand Central Class 180 'Adelante' DMU Add-On
• Peninsula Corridor: San Francisco - Gilroy Route Add-On
• SONIC ADVENTURE 2: BATTLE
• Small World - A Spider's Web
• Small World - Cursed
• Small World - Royal Bonus
• The Dungeon Of Naheulbeuk: The Amulet Of Chaos - Goodies Pack
• The Dungeon Of Naheulbeuk: The Amulet Of Chaos - OST
• Thompson Class B1 Loco Add-On
• Total War: Shogun 2 - Rise of the Samurai
• Train Sim World® 3: Birmingham Cross-city line
• Train Sim World®: BR Class 20 'Chopper' Loco
• Train Sim World®: Brighton Main Line: London Victoria - Brighton
• Train Sim World®: Caltrain MP36PH-3C 'Baby Bullet'
• Train Sim World®: Cathcart Circle Line: Glasgow - Newton & Neilston
• Train Sim World®: Clinchfield Railroad: Elkhorn - Dante
• Train Sim World®: Great Western Express
• Train Sim World®: Hauptstrecke Hamburg - Lubeck
• Train Sim World®: LIRR M3 EMU
• Train Sim World®: Long Island Rail Road: New York - Hicksville
• Train Sim World®: Nahverkehr Dresden - Riesa
• Train Sim World®: Northern Trans-Pennine: Manchester - Leeds
• Train Sim World®: Peninsula Corridor: San Francisco - San Jose
• Train Sim World®: Rhein-Ruhr Osten: Wuppertal - Hagen
• Train Sim World®: Tees Valley Line: Darlington - Saltburn-by-the-sea
• Worms Rumble - Armageddon Weapon Skin Pack
• Worms Rumble - Captain & Shark Double Pack
• Worms Rumble - Legends Pack
• Worms Rumble - New Challengers Pack
• Ashampoo Photo Optimizer 7
• Dagon: by H. P. Lovecraft - The Eldritch Box DLC
• Duke Nukem Forever Hail to the Icons
• Duke Nukem Forever The Doctor Who Cloned Me
• GRIP: Combat Racing - Cygon Garage Kit
• GRIP: Combat Racing - Nyvoss Garage Kit
• GRIP: Combat Racing - Terra Garage Kit
• GRIP: Combat Racing - Vintek Garage Kit
• GameGuru
• GameMaker Studio 2 Creator 12 Months
• Intro to Game Development with Unity
• Music Maker EDM Edition
• Neverwinter Nights: Darkness Over Daggerford
• Neverwinter Nights: Enhanced Edition Dark Dreams of Furiae
• Neverwinter Nights: Enhanced Edition Tyrants of the Moonsea
• Neverwinter Nights: Enhanced Edition
• Neverwinter Nights: Infinite Dungeons
• Neverwinter Nights: Pirates of the Sword Coast
• Neverwinter Nights: Wyvern Crown of Cormyr
• PDF-Suite 1 Year License
• Pathfinder Second Edition Core Rulebook and Starfinder Core Rulebook
• RPG Maker VX
• WWE 2K BATTLEGROUNDS - Ultimate Brawlers Pass
• We Are Alright
• The Outer Worlds Expansion Pass
• A Hat in Time - Seal the Deal DLC
• City Skylines:mass transit
• A Game Of Thrones - A Dance With Dragons
• A Game Of Thrones - A Feast For Crows
• Blood Rage: Digital Edition - Gods of Asgard
• Blood Rage: Digital Edition - Mythical Monsters
• Blood Rage: Digital Edition - Mystics of Midgard
• Carcassonne - The Princess and The Dragon DLC
• Carcassonne - Traders & Builders DLC
• Carcassonne - Winter & Gingerbread Man DLC
• Carcassonne - Inns & Cathedrals
• Carcassonne - The River
• Splendor: The Trading Posts DLC
• Splendor: The Strongholds DLC
• Splendor: The Cities DLC
• Small World - Be Not Afraid... DLC
• Small World - Grand Dames DLC
• Small World - Cursed!
• Sands of Salzaar - The Ember Saga
• Sands of Salzaar - The Tournament
• Monster Train: The Last Divinity DLC
• WARSAW

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Wishlist
Region: NA (Canada)
Fees on buyer if any, currency is USD unless specified
CTRL + F to find your games in terms of name

• 10 Second Ninja X
• 11-11 Memories Retold
• 112 Operator
• 12 is Better Than 6
• 198X
• 1993 Space Machine
• 60 Parsecs
• 7 Billion Humans
• 8 DOORS
• 8-bit Adventure Anthology: Volume I
• 9 Years of Shadows
• 911 Operator
• A Game of Thrones: The Board Game
• A Hat in Time
• A Hole New World
• A JUGGLER'S TALE
• A Long Way Down
• A PLAGUE TALE: INNOCENCE
• A Robot Named Fight!
• A Tale for Anna
• A.I.M.2 Clan Wars
• Abalon (Summoners Fate)
• Above Snakes
• ABZU
• Ace Combat Assault Horizon Enhanced Edition
• ADOM
• Adore
• Aegis Defenders
• Aeterna Noctis
• AETHERIS
• Agatha Christie Hercule Poirot The First Cases
• AIdol
• Airborne Kingdom
• Alba: A Wildlife Adventure
• Alder's Blood: Definitive Edition
• Alfred Hitchcock - Vertigo
• Alien Breed Trilogy
• Aliens vs. Predator™ Collection
• All-Star Fruit Racing
• Almost There: The Platformer
• American Fugitive
• American Truck Simulator
• Amerzone: The Explorer’s Legacy
• AMID EVIL
• Amnesia rebirth
• Amnesia: The Dark Descent + Amnesia: A Machine for Pigs
• Anomalous
• Another World – 20th Anniversary Edition
• Antigraviator
• Anuchard
• APICO
• APICO
• Aragami
• Aragami 2
• Arboria
• Arcade Paradise
• Arcade Paradise - Arcade Paradise EP
• Arcade Spirits
• Arkham Horror: Mother's Embrace
• Armada 2526 Gold Edition
• Army Men RTS
• army of ruin
• Arto
• Ary and the Secret of Seasons
• As Far as the Eye
• Ascension to the Throne
• Assemble With Care
• Assetto Corsa Competizione
• Assetto Corsa Ultimate Edition
• Astebreed Definitive Edition
• Astro Colony
• Astronarch
• Attack of the Earthlings
• Automachef
• Automobilista
• Automobilista 2
• AUTONAUTS
• AUTONAUTS VS PIRATEBOTS
• Avatar: Frontiers of Pandora™ - Ubisoft Connect
• AVICII Invector: Encore Edition
• Awesomenauts All Nauts pack
• Axiom Verge
• Axiom Verge 2
• Baba is you
• Back 4 Blood
• Back 4 blood (EU)
• Backbone
• Baldur's Gate II: Enhanced Edition
• Baldur's Gate: Enhanced Edition
• Banners of Ruin
• Bartlow's Dread Machine
• Basement
• Batbarian: Testament of the Primordials
• Batman: Arkham Asylum Game of the Year Edition
• Batman: Arkham Origins
• Battle Royale Tycoon
• Battlecruisers
• Battlestar Galactica Deadlock
• BATTLESTAR GALACTICA DEADLOCK SEASON ONE
• Battlestar Galactica Deadlock: Complete
• BATTLETECH MERCENARY COLLECTION
• BATTLETECH Shadow Hawk Pack
• BEAUTIFUL DESOLATION
• Bee Simulator
• BEFORE WE LEAVE
• Beholder 2
• Ben 10
• Ben 10: Power Trip
• Bendy and the Ink Machine™
• Between the Stars
• Beyond a Steel Sky
• Beyond The Edge Of Owlsgard
• BEYOND THE WIRE
• Beyond: Two Souls
• BIOMUTANT
• Bionic Commando
• Bionic Commando Rearmed
• BioShock: The Collection
• BLACK BOOK
• Black Moon Chronicles
• Black Paradox
• BLACK SKYLANDS
• BLACKHOLE: Complete Edition
• Blacksad: Under the Skin
• Blade of Darkness
• Blasphemous
• Blazing Chrome
• Blightbound
• Blood And Zombies
• Blood Rage: Digital Edition
• Bloodstained: Ritual of the Night
• Blue Fire
• Bomber Crew
• Boneless Zombie
• Boomerang Fu
• Borderlands 3
• Borderlands 3 Super Deluxe
• Borderlands 3 Super Deluxe Edition
• Borderlands: The Handsome Collection
• Bot Vice
• Bounty of One
• Brawlout
• Breakout: Recharged
• Breathedge
• bridge constructor
• Bridge constructor medieval
• bridge constructor stunts
• Broken Lines
• Brothers: A Tale of Two Sons
• Brutal Legend
• Bug Fables: The Everlasting Sapling
• BUILDER SIMULATOR
• calico
• Call of Duty® Modern Warfare 3™ (2011)
• Call of Juarez: Gunslinger
• Capitalism 2
• Car Mechanic 2018
• Car Mechanic Simulator 2015
• Car Mechanic Simulator 2018
• Cardboard Town
• Castle Morihisa
• castle storm
• CastleStorm
• Cat Cafe Manager
• Catherine Classic
• Caveblazers
• Celeste
• Centipede: Recharged
• Cepheus Protocol
• CHANGE: A Homeless Survival Experience
• Charlie's Adventure
• Chenso Club
• Chernobylite: Enhanced Edition
• Chess Ultra
• Chicago 1930 : The Prohibition
• Chivalry 2
• Chop Goblins
• Chorus
• Chorus
• Circuit Superstars
• Cities Skylines + After Dark
• Cities: Skylines
• City of Beats
• CivCity: Rome
• Click and Slay
• Cloud Gardens
• Cloudpunk
• Code Vein
• Coffee Talk
• Comedy Night
• Command & Conquer Remastered (Origin)
• Complete Dread X Collection
• Conarium
• Construction Simulator (2015) Deluxe Edition
• Constructor Plus
• Control
• Cook, Serve, Delicious! 3
• Cook, Serve, Delicious! 3?!
• Cookie Cutter
• cornucopia
• Corridor Z
• Cosmic Osmo and the Worlds Beyond the Mackerel
• Cosmonautica
• Crash Drive 2
• Crash Drive 3
• Creaks
• Creepy Tale
• Crookz the big heist
• CROSSBOW: Bloodnight
• Crush Your Enemies
• Cube Runner
• Cultist Simulator: Anthology Edition
• Curse: The Eye of Isis
• Cyber Ops
• Cybercube
• Danger Scavenger
• Dark Deity
• Dark Future
• DARK PICTURES ANTHOLOGY: HOUSE OF ASHES
• Darkwood
• DARQ: Complete Edition
• Day of the Tentacle Remastered
• days of war definitive edition
• Dead by Daylight
• Dead Estate
• Dead Rising 2
• Deadly Days
• Dear Esther: Landmark Edition
• DEATH STRANDING DIRECTOR'S CUT
• Death's Gambit
• Deceased
• DECEIVE INC.
• Degrees of Separation
• Deleveled
• Delicious! Pretty Girls Mahjong Solitaire
• Deliver Us The Moon
• Demetrios - Deluxe Edition
• Depraved
• DESCENDERS
• Desert Child
• DESOLATE
• Destiny 2: Beyond Light
• DESTROYER: THE U-BOAT HUNTER
• Detention
• Devil May Cry HD Collection
• Devilated
• Dicey Dungeons
• Dirt 5
• dirt rally
• Dirt Rally 2.0
• Disaster Band
• Disciples III: Reincarnation
• Discolored
• Disjunction (GOG)
• DISTRAINT 2
• Distrust
• DmC: Devil May Cry
• Do Not Feed the Monkeys
• Don't Be Afraid
• Doomed Lands
• Door Kickers: Action Squad
• Doorways: Prelude
• Downfall
• Dragons Dogma Dark Arisen
• Dragon's Dogma: Dark Arisen
• Drake Hollow
• Draugen
• Draw Slasher
• Drawful 2
• Dreams in the Witch House
• Dreamscaper
• DreamWorks Dragons: Dawn of New Riders
• DRIFT21
• Driftland: The Magic Revival
• drive!drive!drive!
• Drone Swarm
• Due Process
• Duke Nukem: Manhattan Project
• Duke of Alpha Centauri
• Dungeon Rushers
• Dungeons 2
• Dungeons 3
• DUSK
• Dusk Diver
• Dust to the End
• Dynopunk
• Earth Defense Force 4.1 The Shadow of New Despair
• Eastern Exorcist
• Eastward
• Effie
• Eiyuden Chronicle: Rising
• El Matador
• Elderand
• Elderborn
• ELDEST SOULS
• Electrician Simulator
• Elemental Survivors
• Elex
• Elex II
• Elite Dangerous
• Embr
• Empire: Total War - Definitive Edition
• Empyrion - Galactic Survival
• ENCASED: A SCI-FI POST-APOCALYPTIC RPG
• Encodya (GOG)
• Endless Space 2
• Endless Space 2 - Digital Deluxe Edition
• Endless Space® 2 - Digital Deluxe Edition
• Endzone - A World Apart
• Epistory - Typing Chronicles
• Escape the backrooms
• Eternal Threads
• Etherborn
• Europa Universalis IV
• European Ship Simulator
• Everdream Valley
• Evil Genius 2: World Domination
• Exorder
• EXPEDITIONS: ROME
• Explosionade
• F1 2018
• F1 2019 Anniversary Edition
• F1 2020
• F1 RACE STARS Complete Edition Include DLC
• Fable Anniversary
• Factory Town
• Fallback uprising
• FALLOUT 1
• Family Man
• Family Mysteries 3: Criminal Mindset
• Fantasy Blacksmith
• FARMER'S DYNASTY
• Farming Simulator 17
• Farming Simulator 19
• Fictorum
• Field of Glory II
• Fights in Tight Spaces
• Filthy Animals Heist Simulator
• Firefighting Simulator - The Squad
• Fishing Adventure
• Flashback
• FLATLAND Vol.2
• FlatOut
• FLING TO THE FINISH
• Floppy Knights
• Fluffy Horde
• FOBIA - ST. DINFNA HOTEL
• For the King
• Forgive me Father
• Forts
• Framed Collection
• Fred3ric
• Fresh Start Cleaning Simulator
• Friends vs Friends
• Frog detective 2: The Case of the Invisible Wizard
• Frogun
• From Space
• From the Depths
• Frostpunk: Game of the Year Edition
• Frozenheim
• Fun with Ragdolls: The Game
• Funtasia
• Fury Unleashed
• Gamedec
• Gamedec - Definitive Edition
• Gang Beasts
• GARAGE bad trip
• Garden Story
• Garfield Kart
• GAS STATION SIMULATOR
• Gelly Break Deluxe
• Genesis Alpha One Deluxe Edition
• Gevaudan
• Ghost Song
• Ghostrunner
• Giana Sisters 2D
• GIGA WRECKER
• Gigantosaurus: Dino Kart
• Glitch Busters: Stuck On You
• Gloria Victis
• Go Home Dinosaurs
• Goat of Duty
• GOD EATER 3
• Godlike Burger
• Godstrike
• Going Under
• Golf Gang
• Golf It!
• Gone Home + Original Soundtrack
• Good Knight
• Gotham Knights
• GREAK: MEMORIES OF AZUR
• GREEDFALL
• Gremlins, inc
• grey goo
• GRID - 2019
• grid ultimate
• GRIP: Combat Racing
• Gungrave G.O.R.E
• Guppy
• Guts and glory
• GYLT
• Hacknet
• Haegemonia: Legions of Iron
• Hamilton's Great Adventure
• Hammerting
• Hammerwatch
• Hands of Necromancy
• Havsala: Into the Soul Palace
• Headsnatchers
• Heartwood Heroes
• Heat Signature
• Heaven's Vault
• Helheim Hassle
• Hell Let Loose
• Hellblade: Senua's Sacrifice
• Hellbound
• Hellpoint
• Hellslave
• Hellstuck: Rage With Your Friends
• Hero of the Kingdom III
• Hero of the Kingdom: The Lost Tales 2
• Heroes of Hammerwatch
• Heros hour
• Hexologic
• Hidden & Dangerous 2: Courage Under Fire
• Hidden & Dangerous: Action Pack
• Hidden Deep
• Hi-Fi Rush
• High On Life
• Hitman (2016) Game of the Year Edition
• HITMAN 2 - Gold Edition
• Hoa
• Hob
• Hollow Knight
• Holy Potatoes! A Spy Story?!
• Home Sweet Home
• Home Sweet Home EP2
• Homestead Arcana
• Hood: Outlaws & Legends
• Hoplegs
• Hot Tin Roof: The Cat That Wore A Fedora
• HOT WHEELS UNLEASHED ™
• Hotshot Racing
• House Flipper
• How to Survive 2
• Hue
• Human: Fall Flat
• HUMANKIND DEFINITIVE EDITION
• Hungry Flame
• Hylics 2
• Hyper Knights
• I am Bread
• I Am Fish
• I am not a Monster: First Contact
• I Hate Running Backwards
• ibb & obb Double Pack
• ICBM
• Ice Age Scrat's Nutty Adventure
• Ice Lakes
• Impostor Factory
• IN SOUND MIND
• Indivisible
• INDUSTRIA
• Infectonator 3: Apocalypse
• Infinite Beyond The Mind
• Injustice 2 Legendary Edition
• Insane 2
• INSOMNIA: The Ark
• Internet Cafe Simulator
• Internet Cafe Simulator 2
• Interstellar Space: Genesis
• Iris and the Giant
• Iron Fisticle
• Iron Harvest
• Ittle Dew
• Ittle Dew 2+
• Jack Move
• Jackbox party pack 2
• Jackbox party pack 5
• JANITOR BLEEDS
• Joint Task Force
• Jotun: Valhalla Edition
• Journey For Elysium
• Journey to the Savage Planet
• JUMANJI: The Video Game
• JumpJet Rex
• Jupiter Hell
• Jurassic Park: The Game
• Jurassic World Evolution
• Jurassic World Evolution 2
• JUST CAUSE 4: COMPLETE EDITION
• Just Die Already
• Kardboard Kings: Card Shop Simulator
• Keep Talking and Nobody Explodes
• Ken Follett's The Pillars of the Earth
• Kentucky Route Zero - Season Pass Edition
• Kerbal Space Program
• Kill it with Fire
• Killing Floor 2 Digital Deluxe Edition
• Killing Room
• Kingdom Two Crowns
• Kingdom: New Lands
• King's Bounty: Crossworlds
• Knights of Pen & Paper 2
• Knock-knock
• Koi-Koi Japan [Hanafuda playing cards] *Koi-Koi Japan : UKIYOE tours Vol.1 DLC *Koi-Koi Japan : UKIYOE tours Vol.2 DLC *Koi-Koi Japan : UKIYOE tours Vol.3 DLC
• Konung 2
• KungFu Kickball
• Labyrinthine
• Lair of the Clockwork God
• Laserlife
• LAST OASIS
• Lawn Mowing Simulator
• Layers of Fear: Masterpiece Edition
• Lead and Gold: Gangs of the Wild West
• Learn Japanese To Survive! Hiragana Battle
• Learn Japanese To Survive! Katakana War
• Learn Japanese to Survive! Trilogy
• Legend of Keepers
• LEGION TD 2 - MULTIPLAYER TOWER DEFENSE
• LEGION TD 2 - MULTIPLAYER TOWER DEFENSE.
• Leisure Suit Larry - Wet Dreams Don't Dry
• Leisure Suit Larry 1-7
• Lemnis Gate
• Lemon Cake
• lethal league blaze
• Let's School
• Levelhead
• Liberated (GOG)
• Life is Strange Complete Season (Episodes 1-5)
• Light Fairytale Episode 1
• Light Fairytale Episode 2
• LIGHTMATTER
• Little dragons cafe
• Little Hope
• Little Inner Monsters - Card Game
• Little Misfortune
• Little Nightmares
• Little Nightmares Complete Edition
• Livelock
• Loop Hero
• Loot River
• Looterkings
• Lornsword Winter Chronicle
• Lost Castle
• Love Letter
• Lovecraft's Untold Stories
• Lovely planet arcade
• Lucius2
• Lucius3
• Ludus
• Lumberhill
• Lunacid
• LunarLux
• Lust for Darkness
• Lust from Beyond: M Edition
• Mad Experiments: Escape Room
• Mad Max
• Mafia Definitive Edition
• Mafia iii
• Mafia: Definitive Edition
• Magenta Horizon
• Mahjong Pretty Girls Battle
• Mahjong Pretty Girls Battle : School Girls Edition
• Maid of Sker
• Mail Time
• Maize
• Maneater
• Marooners
• MARSUPILAMI - HOOBADVENTURE
• Marvel's Avengers - The Definitive Edition
• Mato Anomalies
• Max Payne 3
• Mechs & Mercs: Black Talons
• Medieval II: Total War - Definitive Edition
• Medieval: Total War Collection
• MEEPLE STATION
• Men of War
• MERCHANT OF THE SKIES
• METAL HELLSINGER
• Metal Hellsinger
• Metro Exodus
• Metro last light
• Metro: Last Light Redux
• Middle-earth: Shadow of Mordor GOTY
• Middle-earth: Shadow of Mordor GOTY
• Middle-Earth: Shadow of War Definitive Edition
• MIDNIGHT PROTOCOL
• Mighty Switch Force! Collection
• Milky Way Prince - The Vampire Star
• MIND SCANNERS
• Ministry of Broadcast
• Minute of Islands
• Miscreated
• Mists of Noyah
• MKXL
• Mob Factory
• Mob Rule Classic
• Monaco
• Monster Hunter: Rise
• Monster Slayers - Complete Edition
• Monstrum
• Monstrum 2
• Moon Hunters
• Moons of Madness
• MORDHAU
• Mordheim: City of the Damned
• Mortal Kombat 11 Ultimate Edition
• MORTAL KOMBAT XL
• Mortal Shell
• Motorcycle Mechanic Simulator 2021
• Mr. Run and Jump
• MudRunner
• Murder Mystery Machine
• My Big Sister
• My Friend Peppa Pig
• My Little Universe
• My Lovely Wife
• My Summer Adventure: Memories of Another Life
• My Time At Portia
• Mythforce
• N++ (NPLUSPLUS)
• Napoleon: Total War - Definitive Edition
• NARUTO TO BORUTO: SHINOBI STRIKER
• Necesse
• NECROMUNDA: HIRED GUN
• Necronator: Dead Wrong
• NecroVisioN: Lost Company
• NecroWorm
• Neighbours back From Hell
• Nelly Cootalot: Spoonbeaks Ahoy! HD
• Neon Space
• Neon Space 2
• Neon Sundown
• Nephise: Ascension
• Neurodeck : Psychological Deckbuilder
• Never Alone Arctic Collection (w/ Foxtales DLC and FREE Soundtrack)
• Neverinth
• Neverout
• Neverwinter Nights: Complete Adventures
• Newt One
• Nexomon: Extinction
• Nigate Tale
• Nimbatus - The Space Drone Constructor
• Nine Parchments
• Nine Witches: Family Disruption
• Nioh 2: The Complete Collection
• No Straight Roads: Encore Edition
• No Time to Relax
• Nomad Survival
• Nongunz: Doppelganger Edition
• Noosphere
• Northgard
• Northmark: Hour of the Wolf
• Nostradamus: The Last Prophecy
• not the robots
• Not Tonight
• Nurse Love Addiction
• Nurse Love Syndrome
• Nusakana
• Obduction
• Obey Me
• Observer: System Redux
• Occultus - Mediterranean Cabal
• Odallus: The Dark Call
• Oddworld: New 'n' Tasty
• One Finger Death Punch 2
• One Hand Clapping
• One More Island
• One Step From Eden
• One Step From Eden (Region locked)
• Orbital Racer
• Organs Please
• Orwell: Ignorance is strength
• Out of Reach: Treasure Royale
• Out of Space
• Overclocked: A History of Violence
• Overcooked! 2 + Too Many Cooks + Surf 'n' Turf pack
• Overlord: Ultimate Evil Collection
• Overpass
• Overruled
• OZYMANDIAS: BRONZE AGE EMPIRE SIM
• Pac-Man Museum +
• Pan'Orama
• Panty Party
• Panzer Corps 2
• Panzer Paladin
• Papo & Yo
• PARADISE LOST
• Parkan 2
• PARTISANS 1941
• Passpartout 2: The Lost Artist
• Path of Giants
• Pathfinder: Wrath of the Righteous
• Patron
• Paw Patrol: On A Roll!
• Paw Paw Paw
• Paws of Coal
• Peaky Blinders: Mastermind
• PER ASPERA
• Perfect
• PGA 2K21
• Pharaonic
• Pixplode
• Pizza Connection 3
• Plague tale
• Planescape: Torment Enhanced Edition
• Planet Alcatraz
• PLANET ZOO
• PlateUp!
• Pogostuck: Rage With Your Friends
• Poker Pretty Girls Battle: Texas Hold'em
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Hi everyone,

After some months revising my MS and finishing draft 2, I reached a point where I'm mostly waiting for beta reader feedback. While that's happening, I thought I'd share my latest query letter to see what you guys think. The comps are a work in progress. Previous submssion is here.

Dear [Agent], I PRAY ON RAINS OF FIRE is 106k words adult fantasy standalone. It mixes the traumatic healing of [X] with S.A.Chakraborty's AMINA AL-SIRAFI's mix of seasoned and new adventurers grappling with their identities.
Dava has always believed the rain of fire that orphaned her and her brother Pez was part of a divine plan. Her faith leads her to unearth not just ash but magical stones with the power to manipulate metal, roots, shadows and more—relics she believes are blessings. Her discovery propels her to steal two more stones from the governor’s mansion, barely escaping with her life. Yet, as one of the few in the kingdom who understands the stones’ potential to build rather than fearing them as curses, Dava catches the attention of Imran. He is a cunning spymaster who sees in Dava a way to turn the tide of a losing war in the human kingdom’s favour and offers her a place in his scheme.
The promise of wealth for every stone she retrieves and the greater purpose of helping end the war for millions in the human kingdom sway Dava and Pez to work for Imran. Her prayers are met. The siblings assemble a team capable of surviving the brutal world Imran draws them into, one magical stone at a time. But allying Imran puts them in the crosshairs of mercenaries hired by the kingdom’s Minister of War and a powerful witch Imran used to work with.
Dava’s dream of using the stones to heal and help people quickly turns to ash in her mouth the longer she works for Imran. As the war burns through her hometown near the frontline and Imran dies leaving a nonsensical plan to make both sides lose, Dava faces a perilous choice: use her discoveries to win the war and bring suffering just like she lived through, or leave the fate of all humans in the hands of enemies that never forgot who cast the first stone.

[Bio]

First 300:
Sneaking into the mansion was going to be simple; the vault upstairs was the real challenge. The guards dawdled pipe in hand, late as usual. Sat in her bushy hideout, Dava watched and smirked at the guards’ predictable midnight change. The governor’s ‘elite’ – bought from the army for a hefty sum – were anything but. They fumbled in the darkness, their laughter echoing off the walls. A perfect cover.
The crunch of pebbles under the new shift’s boots stopped. Everyone relaxed, leaning shoulder into the wall and puffing away between whispered jokes and muffled gossip. A thick cloud blocked the moonlight. This was her moment. Dava pulled up her hood and fastened the navy scarf across her face, before dashing across the courtyard. Each step was light and calculated. She paused for moments at a time behind the sculptures of animals covered in vines. One final jump over the hedge to avoid the pebbled path and she slipped into the tent made of leaves and branches unnoticed. The guards never came into the tent. Something about how sticky sweet it smelled, like honey jammed up your nose.
The mansion hid more than just a famous wine cellar. Everyone knew about the governor’s riches from up north. He had to have a vault and something as powerful as the crystal that fell from the sky would be there. Dava was sure of it. The three crystals she had found by herself were dangerous enough and at least she knew what she was doing. The governor’s men had no idea what they carted off back to the mansion.
Tonight of all nights, silence fell unnaturally early. It put Dava’s nerves on edge. Then silence gave way to pebbles scrunching underfoot. Three sets of steps, three guards circling the tent.

She just had to make it around the back of the mansion to the cellar door.

Thanks for your time and your feedback!

Session 0: https://www.reddit.com/DeltaGreenRPG/comments/1d0l92x/impossible_landscapes_session_0/
(Okay, these will be long. Five players, lmao. Hadn't quite accounted for that)
Operation ALICE, New York, 1995
The Roster (Player/Character)
Lea (she/her): Jules Gradkowska - Agent MIRANDA. Journalist - research and human intelligence.
Iain (he/him): Ralph Bevis - Agent MILHOUSE. Academic - history and occult specialist.
Quinn (he/him): Richard Delapore - Agent MAVERICK. FBI Special Agent - criminal and forensic expert and the official 'face' of the investigation.
Phil (he/him): Jean Duvall - Agent MAIN. US Navy Master Chief Petty Officer - operational security specialist.
Duncan (he/him): Jake Little - Agent MALATESTA. Civilian contractor - computer and electronic specialist with a side line in hacking.
Rob_sothoth (he/him) - Handler. The arbiter of the world: the good, the bad and that which cannot and should not be named.
Background: The Agents of M-Cell are tasked with investigating the apartment of Abigail Wright. Missing since June, Delta Green has reason to suspect para-natural involvement. Their orders are simple: catalogue the apartment and remove anything deemed suspect for destruction.
Despite heavy changes made, full spoiler warning for Impossible Landscapes.

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Session 1 "The Apartment" (May 24th, 2024)
New York: Tuesday, August 8th, 1995
1:45pm - 3:32pm, EST
Entering the lobby of the Macallistar building in Kips Bay, NYC, the Agents first make a sweep of Abigail's mailbox. Agent MARCUS (M-Cell Case Officer) provided them with a complete set of keys, not to be copied. The mailbox is stuffed full with bills, junk mail, catalogues and offers; mail still being delivered by people who have no idea Abigail is missing. MAVERICK gathers it in a bag and they make their way to Abigail's apartment (Ground floor).
The Macallistar echoes an earlier age. Faded purple carpeting and design from the turn of the century. Opposite Abigail's front door is an old-fashioned telephone nook, complete with bench and curtain for comfort and privacy when phone-lines in individual apartment was an expense few could afford.
M-Cell enters the apartment, finding it somewhere between a hoarder's dream and crime-scene technician's nightmare. The small hallway leads to a living-room (the apartment's largest space), an adjoining bedroom and a kitchen and bathroom opposite each other. Aside from the hallway, on first inspection the only other uncluttered space is the kitchen, which doesn't really look as if it's been used much. MAVERICK ear-marks that as something he wants to check himself as the team begin taking stock.
The NYPD has left a box with copies of their files, including a list of tenants they interviewed, many, many evidence collection bags and a box of latex gloves.
The apartment is filled with various items, with almost no floor visible beneath the collection. CDs and CD cases are stuck or glued to the wall, along with mannequin parts, sketches and assorted pieces that might be ceramic or plastic arranged in odd patterns without reason or rhyme. Stacks of phone books, stretches of dyed fabrics stitched together, an antique claw-footed lamp. Bags, bundles of pictures (drawings and photographs) of seeming nonsense. No furniture is immediately visible in the chaotic mess.
MAIN finds the same result in the bedroom as the first Search rolls are called for. Something catches his eye in the anarchy of the bedroom.
MALATESTA begins sorting through the pile of mail. MILHOUSE at first begins helping, but seeing the scale of the cataloguing, volunteers to make a coffee and food run. MIRANDA begins photographing, while MAVERICK gloves up and asks for things to be passed to him such as brushes, anything with a handle really or something more likely to have fingerprints on it. He wants to see if he can grab a set of Abigail's prints, if that's possible.
It doesn't take MALATESTA long to work out Abigail stopped paying her rent and bills in or around March before disappearing in June. Money was coming in up to a certain point, apparently from a showing Abigail had at the Mercury Gallery in Greenwich Village in November the previous year. There's even a letter from the gallery owner asking about another possible showing; from the way it's written, it might not have been the first time he spoke to Abigail before she vanished. Then, the only money coming in appears to be from her father, though she doesn't appear to have used it to cover the rent. He also gets the building management company, Art Life and their address.
As the Agents work, with MAIN carefully picking his way through the bedroom towards whatever caught his eye and MAVERICK uncovers a battery-powered hi-fi under all the trash, MILHOUSE returns from his coffee run and bumps into someone else entering the Macallistar at the same time he is. After an awkward hesitation on the threshold, MILHOUSE spends a little chatting to Lewis Post, one of Abigail's neighbours. MILHOUSE passes a HUMINT roll and I ruled that having spent most of his time in academics and his fellow PhDs, he can spot signs of some kind of social anxiety. I felt that was a fair get for a good success.
Lewis is hesitant but forthcoming as MILHOUSE works that high charisma score, knowing what to say to diffuse any potential tension. As far as Lewis knows, he is FBI of some kind after all.
MILHOUSE: "Did she ever mention a boyfriend? Girlfriend?"
Lewis: "Our relationship wasn't really like that. We had coffee sometimes. Talked about art. The process." He thinks. "She might have mentioned someone, but not a name, only what they did. A salesman, but I couldn't tell you what they sold."
MILHOUSE: "Talk about anything else?"
Lewis begins heading upstairs "She mentioned moving, but not before she was ready."
Back in the apartment, MAIN voices what others were thinking. "Where was she staying?" No bed, no signs of habitation except for the assorted hoard of crap. MAIN finds a hand grenade nestled in some papers and art supplies near the bedroom's walk-in closet.
In the living room, MAVERICK finds a single cassette tape in the uncovered hi-fi and flips it on, finding the batteries still live. Everyone hears MAVERICK's conversation with his significant other, Natalie from the previous evening. MAVERICK realises it's cut up and out of order, rewinds it and then flips it over. He thinks the entire conversation has been split between A & B sides of the tape.
MALATESTA and MAVERICK both consider phone-tapping, but MAIN, grenade temporarily forgotten, asks how it ended up here?
SAN check for MAVERICK. Pocketing the cassette tape, MAVERICK closes down a bit and prepares to go over the kitchen with a fine tooth comb; perhaps this is how he copes?
Before MAIN can mention the grenade he's worried about, MIRANDA, MALATESTA, MILHOUSE & MAVERICK notice something on the wall behind where the hi-fi was previously buried under junk. Fixed to the wall, maybe with some kind of glue is a piece of brown packing-paper with some kind of symbol drawn on it. Everyone focuses on it.

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3:41pm to 5:22pm, EST
MALATESTA: "That certainly looks like what we're supposed to be worried about."
MIRANDA snaps a polaroid. MILHOUSE tries to examine it, but his Occult check can only give him the vague thought it's connected to demonology, but little else beyond that. MAVERICK is cautious, but more concerned about getting to work on the unusually spotless kitchen.
Carefully, MIRANDA removes it and a blaring sounds like something between a horn blast and explosion almost deafens the Agents. It seems to come from everywhere and nowhere, from right next to them and outside at the same time.
Everyone passes a CONx5 check and the subsequent SAN check. Through the living room's window, MIRANDA, MILHOUSE and MAIN see a yellow-cab in the street outside. The cabbie appears to have leaned on the horn as someone crosses the street. They appear heavily dressed for summer, possibly homeless.
Is that a snake draped across their shoulders?
MIRANDA takes a polaroid while MILHOUSE and MAIN head outside to investigate. The picture reveals in sharp clarity, the cabbie staring down the barrel as she snapped the shot directly at her. MAVERICK gets to work in the kitchen and MALATESTA picks over things in the living room and bedroom respectively.
Search rolls for those in the apartment.
Outside, the cab has turned the corner and the pedestrian has carried on, though MAIN and MILHOUSE are able to work out where they went. MILHOUSE heads to cut off the other side of the alley, while MAIN approaches from behind, getting the pedestrian's attention. It's the height of summer in NYC, the air reeks of gasoline, rotting garbage and baking, soiled concrete and asphalt.
MAIN finds a nondescript, seemingly homeless man by the state of his clothes, but with a python draped over his shoulders. MAIN strikes up conversation, lighting a Gitane cigarette and pointing to the snake. From the other end of the alley, MILHOUSE makes his way towards the pair.
MAIN fails an alertness check.
Is this guy sweating? It's hot and he's bundled up like it's winter. Is he sweating? Why isn't he sweating?
Back in the apartment, MAVERICK tests the kitchen for blood and body fluids, breaking out the spray bottle and UV light. There's no cutlery, glassware or dishware anywhere in the room, but as he's lifting what could be a print, finds a mechanical diagram drawn on a napkin taped above the inside of an otherwise empty drawer. MALATESTA & MIRANDA continue their search of the living and bedroom, with MALATESTA finding a card printed with the following:
"For a good time Call D - 999-202-9989"
On the reverse are a series of what appear to be street corner addresses in Brooklyn. Could be a sex-line, could be a way to see Red Band underground film screenings, could be something online related. MALATESTA drifts between a few circles and he pockets it out of curiosity. When MIRANDA locates the grenade in the bedroom, she is careful to give it a wide berth and locates what MAIN missed: a backpack radio in the bedroom's walk-in closet. She calls MALATESTA over.
Back in the alleyway, MILHOUSE rolls under 10% and passes his disguise check. Dressed casually and a college athlete to boot, he fits the general chad look in his New York Knicks shirt despite his academic leanings. Being loud and obnoxious like he's drunk, he barrels into the homeless guy with the snake who stonewalled MAIN.
Instead he hits MAIN as the man with the snake is there and gone in the space between blinks. One moment MAIN is looking at him and then MILHOUSE knocks him flat on his ass. Like a film edit. Just gone. MAIN crit fails his SAN check and takes 4 SAN loss without projecting. Instead, as he scrambles up begins kicking over trash cans and searching the alley while MILHOUSE tries to calm him down and get a handle on things.
As MILHOUSE is talking MAIN out of tearing the alley apart, MIRANDA and MALATESTA check out the radio. As it comes to life, they listen and hear the following:
"Exeter. India. One. Thirteen. Sierra. Twenty. Twenty. Forty-nine."
MAVERICK meanwhile, finding the kitchen bare oddly finds the refrigerator stocked. There isn't much inside, some milk unopened and a pack of cheese and deli meat. Expiration is months ago, but through the plastic and glass of the bottle it looks fresh. Curious, he opens the milk and finds it smells as fresh as the day it was bought. Months ago.
Passes his SAN check. Given what he heard on the tape, it's not the strangest thing today.
MAIN and MILHOUSE detour to grab some more coffees, more to calm MAIN down and give him a (successful CHAx5 check) to flirt with the coffeeshop waitress. On their return, MAIN heads into the bedroom, pulls the pin on the grenade and activates the firing lever.
Nothing happens. His "hunch" was correct. Despite failing to properly identify it, something about the shape of it didn't match modern ordnance. Like the radio, it's vintage and either deactivated or else rendered inert by time and age.
I gave MAIN a SAN point back, because why not?
As things begin winding down, MILHOUSE and MAVERICK puzzle over the weird fridge, with MILHOUSE sacrificing his green tea and MAVERICK a donut to see how "fresh" they are come morning between the fridge and not.

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After 6pm, EST
Between them, M-Cell take the rest of the evening to take care of home-scenes or any unfinished business they can get done with their resources at hand. They also divide the Operational evidence from the Case evidence, with MIRANDA taking the symbol, MALATESTA the backpack radio & phone number, MAVERICK the cassette tape (for obvious reasons) and MAIN the mechanical sketch on the napkin.
MIRANDA and MILHOUSE, using the former's academic credentials both stay on the case, with MIRANDA leaving her photos from the park to develop in her bathroom. While she fails her roll, she does help MILHOUSE identify the demon the symbol refers to and book-related lead. She hits up a criminal contact named Hugo to put out feelers for weird items she may be interested in. He agrees for a fee, which she negotiates in her favour.
Returning to her apartment, MIRANDA finds her photos of the dancing clown and watching crowd have developed. In every photograph, the clown is turned away from her, but the faces in the crowd are looking at her. That's not how she remembers it. Fails a SAN check. Projects on to her editor, knowing she's going to be taking a "personal day" tomorrow, and this after she agreed to go to the grill.
This will have consequences.
MAIN, unnerved by the day's events, not the least of which was being knocked on his ass by a fitter, younger man, heads out. He returns to the coffeeshop he and MILHOUSE visited and takes the waitress he hit on out on a date. After a romantic interlude, MAIN has a new bond. Her name's Marsha, she's 27 and very nice.
Breaking Operational Security, MAVERICK asks MALATESTA to come back to his apartment and check for possible surveillance. Despite suffering comparatively little SAN loss overall, MAVERICK is letting the day's events impact his behaviour.
It's trivially easy for MALATESTA to confirm there are no bugs in place, which really does narrow the options for how the conversation could have been recorded. Thankful, he asks MALATESTA to keep this to himself for now, to which the grunge-kid agrees. MAVERICK drops MALATESTA near his home and leaves, putting the tape in the player of his car as he pulls away.
MALATESTA lives near the Village and diverts to check out the Mercury Gallery. Though closed, it seems legit and he makes a note of it for later. Back at home, he breaks open the backpack radio and examines it. The battery is not connected to the radio itself, the wires having been stripped out, yet he and MIRANDA both heard a voice on the end of its phone-mic. He passes his SAN check and finds in place of one of the transistors a small, black stone which does not feel like stone at all and feels like it's body temperature. MALATESTA leaves it on his desk, covered in a cloth.
Alone in his apartment, MAVERICK watches his phone. The time comes and he does not call Natalie. A moment later, his phone rings.
Alone in the apartment, MAVERICK does not answer.

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Post-Mortem
We ended up playing for a touch longer than I intended, but I knew that would happen by the time the cab sounded its horn. Despite some tiredness and some drinking, we ended up with a really strong session in retrospect, which has set the overall tone of the campaign for me as GM going forward. Between the five players, two have been through one Delta Green campaign, one has experience with Pulp Cthulhu and two have varying levels of exposure. They all roleplayed the f##k out of their characters and while I was worried about just how weird I wanted things to get out the gate, it feels like the balance is correct and I've given enough avenues for further investigation they may want to pursue.
I got a far better sense, as did the players, as to what drives and motivates their characters and how they cope or don't cope with Delta Green work.
MILHOUSE is definitely setting himself up as the curious academic, Iain playing his interest as forever drawn towards what's there "to discover," he said in character. Perhaps a fool and his sanity are easily parted?
MAVERICK is the "all-American", Agent Cooper adjacent FBI Agent who butts up against the para-natural and is seemingly rocked by it, revealing a complicated and perhaps conflicted depth. In his previous operation with MIRANDA, MAVERICK killed one person, but something about this has gotten under his skin. I wonder what Natalie thinks about their missed call?
A hacker by trade, MALATESTA likes a puzzle as much as he does not like the "weird shit." He talks a good talk when it's about something he knows, but is much too shy to chat up his co-worker. He and MAVERICK had some friction in Session 0 when MAVERICK wanted to call him Mal, to which the younger man pushed back against. Yet, he now knows where MAVERICK lives. Maybe he can learn more? What will he do with that? Does he even want to?
As much as MILHOUSE, MIRANDA is likewise driven by curiosity and a need to know, but first and foremost to keep herself safe. She and him are not the same. There's a scar above her hip from a knife, and it still twinges from time to time. She's also the first to directly or indirectly involve a Bond in the investigation. I wonder what Hugo will or won't find? I wonder what those photos mean. MIRANDA wondered aloud whether the crowd or the clown was the "entity." What does that mean?
Despite being built like Jack Reacher (albeit in a sailor suit), MAIN projects a tough air but is clearly a man at the crossroads. He turns 40 before 1995 ends; middle age. When hit with a problem or something he can't otherwise work out, his behaviour swings from one extreme to the other. To date, he's coped with the case by: lashing out at trash cans in an alley. Chatting up a waitress and forming a romantic bond with her. Pulling the pin on a grenade he "thought" could be fake. It's day one. I'm here for it.
Our next session is scheduled for June 7th, 2024.
Until then, be seeing you.

A few months ago, got tons of surveyor companies sending us letters that our neighbour has asked the council permission for a loft conversion.
Last week, we got a letter saying these works have now been approved. One of which, is “cutting into the party wall to insert steel beams”.
Neighbour popped round the other day to get verbal agreement from us, saying that his other neighbour doesn’t mind and has agreed.
I was shocked he was trying to get verbal agreement, because my previous neighbour who did a lower ground extension, gave us a detailed party wall notice, with architectural drawings, and even got a surveyor for us to take photos before works began.
I pushed back to let him know I want a formal party wall notice - but it’s making me feel concerned he doesn’t want to go down the formal route. He said he’ll get the paperwork to me so I’ll wait to see if he really does it.
My ideal scenario is getting a surveyor to photograph our property before the work starts so there is evidence in case any further damage occurs.
However, on the phone my neighbour tried to guilt trip by saying it’ll cost him more to get a surveyor. Since he’s also in the building trade, he mentioned he’s getting “guys he knows” to work on his loft “so all the work will be good standard”.
Meanwhile he’s got a fancy Mercedes outside his home and just upgraded his work van to a newer model. Makes me feel like it’s a bit unfair he wants to save costs on a surveyor (which would make us feel more comfortable on big works like a loft conversion), while he’s splashing cash on his cars.
Any thoughts? AITA? How should I proceed with this? He mentioned works aren’t starting for another 2 months.

Freshman year I was written up by an RA for being loud with a few friends in my dorm, and I completely forgot about it until a few weeks ago. The email I received says that "This letter serves as an official Housing Student Conduct and Conflict Resolution Letter of Concern and constitutes a Housing Warning... Should this behavior continue, the formal HSCR student conduct process will be initiated". Obviously I stopped being loud and had no other conduct issues throughout college, but I'm wondering if this will come back to bite me.
Is it worth reporting this? I don't think it will get my application tossed but I also don't want to put an unnecessary red flag in my application if I don't have to. LMK what you all think. Right now I am leaning towards just reporting it and saying how I became a more considerate person due to the incident, keeping it brief and not drawing too much attention to it.

Duelist Pack: "Duelists of the Sparkling Light" Edition

Etymology/Translation Corner
Tagline: "The light of battle shining throughout the galaxy! Draw your swords / cards on this prideful stage, and illuminate the road to victory!!"
This is a list of translated Japanese names for all of the cards in Duelist Pack: "Duelists of the Sparkling Light" Edition. See below for further notes.
Each card name is linked to an image!! (Use an image-zooming extension like Imagus to view them instantly.)
Any questions or issues you may have about the translations are welcome.

1. Galaxy-Eyes Tachyon Primal / Temporal Origin Dragon with Galactic Eyes
2. Tachyon Cloudragon / Spatiotemporal Cloud Cradle
3. Schwarzschild the Infinity Dragon
4. Divine Shadow Golden Dragon - Dragluxion
5. Tachyon Spiral of Eradication
6. Seventh Tachyon / The Seven Emperors of Time and Space
7. Lord of the Tachyon Galaxy
8. Seyfert, the Dragon of Sparkling Light
9. Nebula the Star-Cloud Dragon
10. Bulge the Spiral Dragon
11. Numbers 107: Galaxy-Eyes Tachyon Dragon / Numbers 107: Spatiotemporal Dragon with Galactic Eyes Original artwork
12. Chaos Numbers 107: Neo Galaxy-Eyes Tachyon Dragon / Chaos Numbers 107: Spatiotemporal Dragon with Supergalactic Eyes
13. Numbers 97: Dragon Shadow God - Dragravion
14. Galaxy Satellite Dragon / Galactic Satellite Dragon
15. Rank-Up Magic - Varian's Force
16. Seventh Ascension / Ascension of the Seven Emperors
17. Tachyon Transmigration
18. Tachyon Galaxy Spiral
19. X - Cross Cannon
20. Y - Dragon Yearhead
21. Z - Zillion Caterpillar
22. XYZ - Hyper Dragon Cannon
23. Union Controller
24. Union Activation
25. A-to-Z Energy Load
26. X - Head Cannon
27. Y - Dragon Head
28. Z - Metal Caterpillar
29. A - Assault Core
30. B - Buster Drake
31. C - Crush Wyvern
32. XYZ - Dragon Cannon
33. ABC - Dragon Buster
34. A-to-Z - Dragon Buster Cannon
35. Union Hangar
36. Trickstar Hoodie
37. Trickstar Aqua Angel
38. Trickstar Band Drummatis
39. Trickstar Colchica
40. Trickstar Noble Angel
41. Trickstar Diffusion
42. The Maiden with Blue Tears
43. Trickstar Lilybell
44. Trickstar Manjushka
45. Trickstar Candina
46. Trickstar Carobane
47. Trickstar Broom
48. Trickstar Holly Angel
49. Trickstar Light Stage
50. Trickstar Fes
51. Trickstar Fusion
52. The Angel with Blue Tears
53. Trickstar Reincarnation

Etymology and other trivia:

• Tachyon Primal is named after PRIMAL ORIGIN, the OCG booster set in which Chaos Numbers 107: Neo Galaxy-Eyes Tachyon Dragon was first released. Its artwork is based on the obscured Numbers 107: Galaxy-Eyes Tachyon Dragon which appeared in the first opening of ZEXAL II, prior to the monster's first appearance in the anime. It could also be based on the "Dragon of Time", the previous form of Galaxy-Eyes Tachyon Dragon before it became an Over-Hundred Numbers.
• Cloudragon is a portmanteau of cloud and dragon, and a counterpart to Galaxy-Eyes Cloudragon.
• Schwarzschild is named after the Schwarzschild radius—the radius of an object such that, if all its mass were compressed within that radius, the escape velocity would equal the speed of light. The name also refers to a Schwarzschild black hole—a black hole that has neither electric charge nor angular momentum (non-rotating). Its title of Infinity Dragon serves as a contrast to the original Schwarzschild the Limit Dragon.
• Dragluxion is named after a luxon—any particle that travels at exactly the speed of light and has zero mass (photons, gluons, and gravitons). The monster's appearance is based on the original Numbers 46: Divine Shadow Dragon - Dragluon adorned with a gold armor resembling Neo Tachyon's. It also slightly resembles Numbers 100: Numeron Dragon, referring to the legend surrounding these dragons in the anime, with Numeron Dragon being considered the true form of the Galaxy-Eyes. Its title of Golden Dragon is read jinlong in Chinese, referring to the character called Jinlong from the ZEXAL anime, who used Dragluon in his Duel against Kaito and was revealed to be the dragon itself personified.
• Tachyon Spiral of Eradication is the attack name of Numbers 107: Galaxy-Eyes Tachyon Dragon in the anime.
• Seventh Tachyon's artwork depicts a scene from the ZEXAL anime in which a cloaked Mizael materializes and seals Numbers 107: Galaxy-Eyes Tachyon Dragon inside a card.
• Lord of the Tachyon Galaxy is named after the core booster set in which Numbers 107: Galaxy-Eyes Tachyon Dragon was first released (as well as being its cover card). The artwork is based on a scene in which Tachyon Dragon uses its time-rewinding effect during Mizael's first Duel against Kaito.
• The new artwork for Numbers 107: Galaxy-Eyes Tachyon Dragon comes from an official 2014 OCG playmat.

• X - Cross Cannon is named after the fact the English term cross is sometimes denoted with the letter X in Japanese media.
• Y - Dragon Yearhead might be named that way due to 2024 being the Year of the Dragon in the Chinese calendar.
• XYZ - Hyper Dragon Cannon's name is a mix of XYZ - Dragon Cannon with its attack name in the anime/manga: X·Y·Z Hyper Cannon.
• Union Controller's artwork depicts a scene from the Duel Monsters manga in which Kaiba uses his Enemy Controller to take back control of X - Head Cannon after Yugi had stolen it from his field, during their Duel in the Battle City semifinals.
• Union Activation's second effect is a reference to how in the anime and manga, XYZ - Dragon Cannon was treated as three sacrifices for the summon of Kaiba's The Giant God Soldier of Obelisk.

• Hoodie is named after monkshood, one of the names of Aconitum (also known as aconite or wolfsbane)—a genus of poisonous perennial plants with a distinctive helmet-like shape.
• Aqua Angel is based on Aqua, one of the Ignis from the VRAINS anime who became Aoi Zaizen's partner and gave her the Marincess cards. Her second effect of revealing the opponent's hand and face-down cards is a reference to Aqua's ability to read people's minds. The plant it's based on is a type of water hyacinth called the mizuaoi in Japanese (Monochoria korsakowii).
• Drummatis is a portmanteau of drum or drummer and Clematis—a genus within the buttercup famiily, composed of mostly vigorous, woody, climbing vines and lianas.
• Colchica is named after Colchicum—a genus of perennial flowering plants (which includes the autumn crocus and similar plants) that grow from bulb-like corms.
• Noble Angel (Nōburu Enjeru) sounds similar to Blue Angel (Burū Enjeru) in Japanese, which was Aoi Zaizen's first avatar name in LINK VRAINS.
• The Maiden with Blue Tears is a reference to Blue Maiden—Aoi Zaizen's third avatar name in LINK VRAINS—as well as a reference to The Angel with Blue Tears, a fairy tale book from Aoi Zaizen's childhood that she used as inspiration for her Blue Angel persona.

V Jump July 2024 Edition bonus card

• Detonizing Kuribo

Etymology:

• Detonizing Kuribo's (Kiraikasuru Kuribō) artwork depicts a scene from the Duel Monsters anime/manga in which the many Kuribo clones created by Dark Yugi's Multiplication are absorbed by Pegasus's Thousand-Eyes Sacrifice. Kuribo's special ability at the time was called Detonization (Kiraika, lit. "mine transformation"), allowing it and its clones to blow themselves up and completely neutralize all of Thousand-Eyes Sacrifice's magical eyes.

QUARTER CENTURY UNITY & PRIDE Campaign (side:PRIDE)

1. Blue-Eyes White Dragon / White Dragon with Blue Eyes
2. Red-Eyes Black Dragon / Black Dragon with Crimson Eyes

Hey all,
I illustrate comics @iizcat starting my cat Minnie. I’ve built a decent social media following and one of my dreams is to get a collection published. I have a few illustrated poems that I’ve completed. Here is my query letter attempt… (I feel like I’m completely missing the mark here)
The project I am submitting is a collection of illustrated poems that star my cat, Minnie, from @iizcat.
@iizcat is a popular social media personality that features videos, comics, and pictures of Minnie. @iizcat has over 230k YouTube subscribers, 118k Instagram followers, over 350k Facebook followers, and 75k TikTok followers.
The five samples below are poems I wrote and illustrated called “The Night The Cat Was Abducted”, “The Cat In The Window”, “The Cat Who Caught A Ghost”, “The Cat And The Nutcracker”, and “The Cat Behind The Mirror”. A few of these poems have gone viral on social media including Reddit and Imgur.
I like to write about and from the perspective of my mischievous cat, Minnie. Minnie’s comics started as little doodles on the whiteboard of my refrigerator of my old apartment. Those doodles made my wife laugh and she encouraged me to draw them as comics and share them on social media. I was hesitant at first due to my colorblindness but I’m glad I took the leap because the comics of Minnie have gained a loyal following.
Looking forward to hearing from you!
Thanks,
iizcat
Synopsis:
The Cat In The Window - a spin on Alfred Hitchcock's movie, "Rear Window", Minnie the cat likes to spy on her neighbors and learns to stay away from apartment 408, the home of Mr. Kipper who has a suspicious looking zipper under his hat. iizcat blog post
The Cat Who Caught A Ghost - Minnie's dad wakes up to the howling and moaning of a ghost at the foot of his bed. Minnie somehow caught a ghost and Minnie's dad is left to deal with the consequences. iizcat blog post
The Night The Cat Was Abducted - Minnie hears strange noises on the roof and goes out the cat door to investigate. She discovers 3 little aliens that take her on the trip of a lifetime. iizcat blog post
The Cat And The Nutcracker - a spin on the classic Nutcracker Christmas story, Minnie is awoken to the march of the Nutcrackers as they move towards the basement door. Something is trying to get out and Minnie is thrust into the chaos. iizcat blog post
The Cat Behind The Mirror – a short little 4 panel poem of Minnie’s humorous encounter with a mirror and the cat that lives behind it. iizcat blog post

I has fallen in love with my best friend, Ash, who did confessed to me that she loved me (but it was already revealed by her sister, so she felt it was forced out of her), but she then made herself uncontactable; she wouldn't answer and was hiding. I think she was afraid as I had never expressed (or at that point felt) romantic love for her. But from knowing about it, it bloomed into my chest and I just could stop thinking about her.
I choose to write a letter and gave it to her father. That day she sent a simple thanks, but to me it meant the world.
So I then made several physical photo albums and ecentric scrapbooks, over a couple weeks, and sent them to her. We then started to message each other again, but it was mostly pleasantries and nothing serious. I continued to create things that she liked; drawings, silly "scrap" scultures and some poems with her favorite references and inside jokes (they aren't great, so unsure if I want anyone else to read them) and gave them to her mother and/or father.
My sister kinda teased me about falling hard ("straight to the molten core") and she harped on me to try to visit Ash. But I'm a coward, at least when it comes to Ash.
She came to my home for exactly 6 days ago; taking with her several of the scrapbooks and homemade gifts, and we talked. Oh how we talked; spent the evening talking and even talked a couple of hours into the night. It all feels like a blurr, we discussed our entire past and when through the albums and scrapbooks. It was beyond refreshing. Over the time we talked we kinda attached to eachother. I'm not completely sure of the complete series of events, cause it happened so natural I didn't realize it, but first our hands touched eachother while looking through the album and we just completed each action, our hand meeting. I'm sure I blushed the first time but then it just got lost and she ended up half in my lap, her head on me should and my hand going from her back and into her hair and back down, while she softly held on to my left arm. We cuddled like that and then it happened! She kissed my cheek and we just stilled. At that point the rope that keept most of the affection at bay snapped. I turned her around and just kissed her, right on the lips. It was magical, and I just couldn't stop. Of course I had to be "adorkable" (her words, not mine) and professed my eternal love (so damn cheesy, looking back now its so embarassing) to her. She cried and sorta knocked me to "the ground" (couch, but that doesn't sound as dramatic). Well, she reciprocated my feelings (kinda obvious, but still, I need to mention it every time, I just can't believe it ❤️)
We have been spending some time together and recently had our first date and I can't stop smiling ❤️
Love you all ❤️ (maybe weird to say, but I just want everyone to feel at least on ounce of what I feel) ❤️

Good morning everyone, had to repost this because of a typo / mind slip, so happy Tuesday, and welcome to another selection for our sub's (semi) weekly listening club. Each week, we'll listen to a piece recommended by the community, discuss it, learn about it, and hopefully introduce us to music we wouldn't hear otherwise :)
Last time, we listened to Strauss’ Death and Transfiguration. You can go back to listen, read up, and discuss the work if you want to.
Our next Piece of the Week is Sergei Rachmaninoff’s Rhapsody on a Theme of Paganini (1937)
…
Score from IMSLP
…
some listening notes from Harlow Robinson

Sergei Rachmaninoff was far from the first composer (others include Chopin, Brahms, and Liszt) to find vicarious creative excitement in the explosive personality of superstar violin virtuoso Nicolò Paganini. One of the most vivid, highly publicized, and widely imitated musician-composers of the 19th century, Paganini (1782-1840) dazzled audiences with his superhuman technique and gaudy showmanship, and scandalized them with his voracious appetite for women and gambling. Observers astonished by the unprecedented scale of his talent repeatedly accused Paganini of having supernatural powers gained through a Faustian pact with the devil. Even the German poet Goethe, who knew a thing or two about Faust, found himself at a loss for words when confronted with Paganini: “I lack a base for this column of sunbeams and clouds. I heard something simply meteoric and was unable to understand it.”
Although Paganini’s music is not considered by most critics to possess much substance or gravitas, having been created primarily to showcase his circus-like acrobatics on the strings, its exuberance and charm cannot be denied. Nowhere are these qualities more attractively displayed than in the Twenty-four Caprices for Solo Violin (Ventiquattro Capricci per violino solo), Opus 1. Begun when Paganini was still a teenager, these pieces, each one ornamented with astonishing technical tricks like filigree on a shiny jeweled surface, contain what one writer has described as “a whole school of violin playing.” Brahms called them “a great contribution to musical composition in general and to violin in particular,” and was particularly drawn to the last in the series, No. 24 in A minor, itself a set of eleven variations on a beguiling simple tune. So taken was Brahms with Paganini’s theme that in 1865 he completed a major work for piano based on it: “Studies for Pianoforte: Variations on a Theme by Paganini, Books 1 and 2.” Franz Liszt, himself a renowned virtuoso and admirer of Paganini’s theatricality, also made an arrangement of Paganini’s Caprice No. 24 in his Six Grandes Études de Paganini for solo piano. Rachmaninoff, then, was treading upon well-worn soil when he decided in spring 1934 to produce his own work for piano and orchestra using this same little flexible and malleable tune. Nor was Rachmaninoff the last to draw water from this well. In more recent years, composers as diverse as Lutosławski, John Dankworth, and Andrew Lloyd Webber have created pieces inspired by Paganini’s Caprice No. 24.
In his biography of Rachmaninoff, Barrie Martyn has explained why this theme makes such good material for variations. “It enshrines that most basic of musical ideas, the perfect cadence, literally in its first half and in a harmonic progression in the second, which itself expresses a musical aphorism; and the melodic line is made distinctive by a repetition of a simple but immediately memorable four-note semi-quaver [sixteenth-note] figure.” The circular theme (in 2/4) divides into two equal parts, the second being an elaboration of the first, and returns firmly and effortlessly to the tonic key of A minor. Perhaps even more important for a theme used for variations, it is immediately recognizable and distinct, even hummable, so that it retains its lightly muscled contours even through drastic transformations. In his variations for solo piano, Brahms had used the theme much as Paganini did, as a springboard for demanding technical exercises without a clearly defined overall structure. What Rachmaninoff did in his Rhapsody on a Theme of Paganini is quite different, going far beyond the theme to create a large-scale concerto-style work for piano and orchestra with a clear and independent sense of formal design and sonority.
As numerous commentators have suggested, the Rhapsody is less about the theme of Paganini’s Caprice No. 24 than about the myth of Paganini, the quintessential Romantic virtuoso. As a renowned virtuoso himself (this aspect of his career had become especially pronounced in the United States, often to his irritation), Rachmaninoff was clearly drawn to the image of Paganini, particularly the persistent rumors of his demonic character and connections. This explains why, in the Rhapsody, Rachmaninoff chose to juxtapose Paganini’s theme with prominent quotations from the familiar Dies irae theme of the Catholic Requiem Mass. This theme (also used in the Symphonie fantastique of Berlioz, among numerous other works) had traditionally been associated with death and supernatural forces, and also shows up in several other of Rachmaninoff’s later scores (the Piano Concerto No. 4 and Symphonic Dances).
That Rachmaninoff found a strong emotional connection with Paganini seems to be confirmed by the (in his case) highly unusual speed with which he completed the Rhapsody. It took him only seven weeks, from July 1 to mid-August of 1934. Not long before, he had moved with his family to a villa constructed for him near Lucerne, their first permanent home since leaving Russia soon after the Bolshevik Revolution in 1917. Exile from Russia had already taken a strong emotional toll upon Rachmaninoff. After 1917, he would produce only four orchestral works: the Symphony No. 3, the Piano Concerto No. 4, the Rhapsody on a Theme of Paganini, and the Symphonic Dances. Most of his energy went to making extensive tours as a virtuoso: he played sixty-nine dates in the 1934-35 season alone. Rachmaninoff complained of this punishing schedule in a letter written a few weeks after he finished the Rhapsody on a Theme of Paganini. “Shall I hold out? I begin to evaporate. It’s often more than I can bear just to play. In short—I’ve grown old.” At the time, Rachmaninoff was 61 years old, just four years older than Paganini was when he died, burnt out by the frenetic existence of a virtuoso.
By the time he composed the Rhapsody on a Theme of Paganini, Rachmaninoff had already completed four large concertos for piano and orchestra and was a master of the form. Evidently he was at first unsure what to call the new composition, considering such titles as “Symphonic Variations” and “Fantasia” before settling on “Rhapsody.” The label of “Rhapsody”—which implies no particular form and has been used to describe very different kinds of works—belies the fact that the piece has a highly planned formal structure that corresponds rather closely to that of a traditional sonata or concerto. The twenty-four variations on Paganini’s theme are grouped into three sections. The first ten, in A minor, constitute an opening movement, with the introduction of the Dies irae theme in variation 7. (It reappears in variations 10, 22, and 24.) After the dreamy, transitional variation No. 11, variations 12 to 18 proceed like a slow movement, moving gradually from D minor to D-flat major for the climactic (and longest) variation, No. 18. Here the Paganini theme appears in inverted form, first in a sublimely lyrical twelve-bar passage for the soloist, then joined by the strings—music destined to become some of the most famous Rachmaninoff ever created. Returning to A minor, the final six variations act like a finale, featuring several impressive cadenzas. The last of these thunders downward through a resurgence of the Dies irae theme before halting abruptly at an amusingly understated restatement of the jaunty tail end of Paganini’s theme.
In the Rhapsody, Rachmaninoff overcame the crisis of confidence he had experienced in composing the Concerto No. 4, which he revised several times without ever feeling entirely satisfied. Here, he joined his long-admired gift for soaring, soulful melody with a fresh structural ingenuity. By turns playful, melancholy, military, and dramatic, the twenty-four variations are brilliant not only individually, but as part of a unified artistic whole. Of the New York premiere of the Rhapsody by the New York Philharmonic under Bruno Walter with Rachmaninoff at the keyboard, Robert A. Simon wrote in The New Yorker: “The Rachmaninoff variations, written with all the composer’s skill, turned out to be the most successful novelty that the Philharmonic Symphony has had since Mr. Toscanini overwhelmed the subscribers with Ravel’s Bolero.”

Ways to Listen

• Vladimir Ashkenazy with André Previn and the London Symphony Orchestra; YouTube Score Video, Spotify
  
• Anna Fedorova with Gerard Oskamp and the Philharmonie Südwestfalen: YouTube
  
• Yuja Wang with Gustavo Gimeno and the Orchestre Philharmonique du Luxembourg: YouTube
  
• Yuja Wang with Gustavo Dudamel and the Los Angeles Philharmonic: Spotify
  
• Nikolai Lugansky with Alexander Vedernikov and the Russian National Orchestra: YouTube
  
• Daniil Trifonov with Yannick Nézet-Séguin and the Philadelphia Orchestra: Spotify
  
• Cecile Ousset with Sir Simon Rattle and the City of Birmingham Symphony Orchestra: Spotify
  

Discussion Prompts

• What are your favorite parts or moments in this work? What do you like about it, or what stood out to you?
  
• Do you have a favorite recording you would recommend for us? Please share a link in the comments!
  
• Have you ever performed this before? If so, when and where? What instrument do you play? And what insights do you have from learning it?
  

...
What should our club listen to next? Use the link below to find the submission form and let us know what piece of music we should feature in an upcoming week. Note: for variety's sake, please avoid choosing music by a composer who has already been featured, otherwise your choice will be given the lowest priority in the schedule
PotW Archive & Submission Link

Hello everybody.
I work as an engineer and we have out network drive on the office, which i can access through a VPN and the app "FileBrowserGo". We do not syncronize in any cloud storage, but that app has a monthly suscription. The drive on Windows has a letter assigned (Y:\\XX.X.X.XXX\folder)
I would like to be able to open PDF files, among others, on my ipad so i can draw and write on top of it and it's automatically updated in the network drive. I am able to use Microsoft 365 suite which works super well, but I constantly need to take notes on PDFs and sending them on email, etc etc it's completely out of the question since I need something that actually works in order to do actual work.
Do you guys have any idea?
Thank you very much!

To be clear, I'm talking about languages such as Italian, Spanish, French or Portuguese. (I mean Romanian is also one of them.) They all have gender cases including gendered nouns. I do keep hearing that English speakers have an 'easier' time to learn them due to them having an alphabet, plus they are considered "Romance" languages. (I'm not going to talk about that here, as there are many posts mentioning them.)
Instead, I'm discussing on how hard are both Mandarin & Japanese for native French, Spanish, Italian or Portuguese speakers to learn? Since both JP & ZH are completely alien to European languages in terms of their writing system, grammar or syntax, so they have no common ground with the European framework in regards to their orthography or grammar.

Even though Japanese has hiragana / katakana, it does not mean they write every word like that, since they have Kanji. (It helps condense sentence length, also that makes it clearer to tell the difference on what the correct word is, as some sound exactly the same but have different meanings altogether.

The features that each language has:

Mandarin	Japanese
Tones (4-5)	Pitch accent
Classifiers (for counting)	Counting words
Stroke order (differs from Japanese)	Stroke order (differs from Mandarin)
Word particles (different from Japanese)	Word particles (different from Mandarin)
Polite language (formality)	Keigo & Honorifics
Sentence structure: SVO	Sentence structure: SOV
Untranslatable nuances	Untranslatable nuances

From both ZH & JP: 1 漢字 equates to a SINGLE word in which multiple letters are needed in European languages to spell out. Both Kanji & Hanzi are drawn from visual concepts on how they interpret a word based on semantic meaning. (Characters are fun for caligraphy practice, it's also a work of art.) For reference, take the Kanji & Hanzi: 川
[The stroke order between both languages are different despite having the same character for some words, since they are both different languages after all.]
The shape of the character is derivative on how its visualized.

Japanese - 訓読み：かわ・音読み：セン
Mandarin - Pinyin: Chuān

For instance, take the kanji & hanzi:「軍」
As you can see, a single kanji & hanzi already equates to 1 word as it is logographic, which will require multiple letters in Romance languages to spell.
Kanji from Japanese has multiple readings for ONE character, for example:「行」
An example of a Kanji, but as indicated their phonologies change depending on how it used within a word, or placed in a sentence.

Kunyomi: Native Japanese Reading of a kanji.
Onyomi: Reading of a kanji derivative of Mandarin phonology.
Nanori: These readings only apply when a kanji is used within a persons name.

That is also another "complex" part of Japanese, as kanji has multiple pronunciations alone. (Yep, this applies to most of the 2,136+ characters having their own assigned phonologies that differ.)
This often gets lost in translation (like all the time!), as ONE character can imply so many definitions depending on the context you associate it with, in a literal or figurative sense. As opposed to European languages, the translation is mainly consistent with what you put it for "common" words but there are some that can also pose multiple meanings.

Japanese & Mandarin	Romance (Euro) languages (letter count)
They have a large amount of characters, getting the feeling like it's 'limitless' but they contrast around 2,000 - 10,000+ in their total amount.	French (26), Spanish (27), Italian (21) & Portuguese (26) As they are alphabetical, you read each letter as it is.
Both languages have zero concept of gender cases as it's not a thing in Japanese & Mandarin.	They have gender cases and gendered nouns (Whether it is FR, ES, IT or PT.)

On the other hand, they both have idioms and proverbs you can create out of 4 characters, conveying a proverb and idiomatic phrase (both in a literal & figurative sense) using only 4 characters:

• In Mandarin - 成語
• In Japanese - 四字熟語

As mentioned, they only use 4 characters to construct a proverb & idiom.

I mean, can you also do this in European languages: only using 4 short words alone? (To create a proverb that still conveys an idiomatic meaning with only 4 words.)

Both Mandarin and Japanese have radicals (on both hanzi & kanji) which are building blocks of their characters, that radical has a meaning on its own as it's derivative of an existing word, but when associated with another kanji & hanzi. (Hence why some characters look similar to one another.)
The connotation of its meaning can change, but the theme surrounding the vocabulary involving the radical still conveys a message despite it being a different word entirely, even though the radical is present in an unrelated word that does not relate to the meaning of the radical.
As shown, pay close attention to the radical present in these words. (Despite some of them having the same one, they connotate a different word entirely.)

The Kanji in Grey: Unreleated words surrounding the radical present.
The Kanji in Pink: Related words surrounding the radical present.
Be careful not to get these mixed up, you need a good eye to distiguish them apart.

List of words from Mandarin containing the radical 女.

The Hanzi in Pink - Words associated with nouns relating to girls & women.
The Hanzi in Purple - Words associated with a "positive" connotation.
The Hanzi in Maroon - Words associated with womanhood.

Japanese

They have 45 ひらがな & 45 カタカナ but that is only scratching the surface, not forgetting to include over 2,136+ 漢字 with readings such as: 訓読み, 音読み & 名乗り for each character, imagine doing that 2k times, knowing all the phonologies for most or all of them.
The grammar too is alien to all European languages, as what is stated last in a [EU lang] sentence is positioned at the beginning in Japanese. On top of kanji implying more than one definition as it is dependent on context, also the reading can change if its paired with kana or another kanji.

For example, take the sentence「ジュールズさんが家族と家でフランス語を話します」(You can clearly see as indicated by the word positionings: Japanese word order is SOV while the translations below it are complicit with the SVO order as usual in European languages.)
As shown here, the sentence strutcure in Japanese is very different to the counterparts in French, Spanish, Italian or Portuguese. (Indicated in color)

The さん (in red) is a honorific. (More about that later.)

Subject omission is common in Japanese, as they don't always need to include words like (I am, me, we, us, etc.) as opposed to European languages where it's needed, since you are already inferring to the speaker in question, so it is a lot more straight forward. For instance:
From this sentence (私は) is omitted in Japanese. (Translations conveyed in brackets and light text.)

To speakers of Romance languages, can you omit words like "I am" or any pronoun alike and still be understood by the other party? (Can it really work?)
For example, in Portuguese: instead of saying "O meu nome é Francisco" > just put it as "Francisco" [Omitting O meu nome é] (in Japanese that is connotated as フランシスコです - without 私は)

I won't forget 丁寧語、尊敬語、謙遜語 which are all part of 敬語 in Japanese, especially in verbs as to express a level of politeness (in corporate or formal setting) to empathize respect to the other party to not be connotated as rude (you can use the 'normal' variant but that will come off as impolite - in let's say a business meeting or any formal event / setting.), between a "dictionary" form including teineigo, sonkeigo & kensongo. For instance:
As you can see, all 4 variations of 1 verb exist in Japanese, keeping in mind with the level of formality on which variant you'll use. (They all mean 1 verb, but connotate different levels of politeness, empathizing the level of respect or decorum.)

For example, you would not use 言う in an formal setting when talking to people within either a business or special occassion where decorum is required, you would instead use 申し上げる or something amongst the lines of おっしゃる depending on the situation and setting or formality.
Is there anything like this in European languages to this extent? If not, then this will be difficult for you all to fully understand as there's verbs in Japanese that do this based on the level of decorum incuding the setting you are in, the people you are talking to.

The honorific system in Japanese is often "lost in translation" as evident in both manga or anime (what I hate about translation is that they transliterate it instead of coming up with an equivalent), as there are many levels of politeness and formality within their language, for example:

日本語	Roughly equivalent to:
博士 (はかせ)	Dr. / PhD
後輩 (こうはい)	Junior
先輩 (せんぱい)	Senior
先生 (せんせい)	Teach / Mr / Mrs
様 (さま)	Mr / Mrs (Formal variant, eg. clients, judges)
さん	Mr / Mrs (Addressed towards grown ups)
たん	(Refers to babies)
ちゃん	(Refers to young children - boys / girls)
殿 (どの)	(Formal / archanic ver: of you)
君 (くん)	(Semi-formal title referring to men)
氏 (し)	(Used for family names or important stuff alike)
陛下 (へいか)	Your Majesty
殿下 (でんか)	Your Highness
閣下 (かっか)	Your excelency
坊 (ぼう)	(A term for endearment regarding young boys)
被告 (ひこく)	(Addresses the accused - legal / court)
容疑者 (ようぎしゃ)	(Addresses the suspect - police / legal)
受刑者 (じゅけいしゃ)	(Addresses the one convicted - legal / court)

Of course this also gets lost in translation, in European languages as they OFTEN just romanize the term, which is not how you are not meant to translate it. (If there is no actual equivalent in European languages, just omit it instead of transliterating it.)

In regards to Kanji: there are words that bare the same phoneme, but keep in mind of numerous kanji variations that also possess the same phonology, with each having their own separate meanings. For example, take the onyomi reading for カン -
I only listed 100 kanji that are pronounced the same, but there are 286 more with the same sound: カン (By the way, each kanji has their own definition.)

This phoneme (カン) alone comprises 386 漢字 in Japanese, some of the characters have become 'obscure' in their usage, as in you don't even know they existed until you've looked hard enough. (Even native speakers don't know all of them.)
How difficult is this concept for speakers of European languages to remember and fully grasp? (Some of the kanji are used for people's names.)

The most diffcult part a "word" can have various meanings for one phoneme, take for example 「こうか」which comprises of 39 words with this pronunciation, so depending on the sentence you are listening to or reading, you got to infer the correct one based on context. Also, Japanese has 188 word particles in total. (I won't list them all.)
I can only think of 54 word particles that are used in Japanese sentences. (Although there are quite a lot, with specific uses.)
In terms of how counting works in Japanese, it is not like in European languages at all. Japanese has 助数詞, which are counting / measure words used to count the number of things, actions, events, items, and etc. to make it clear on what you are exactly counting.
A list of Japanese 助数詞 - (There's about 350 of them, but I won't list them all.)

There is so many counter words in Japanese, that even native speakers don't even use ALL of them, as their uses are situational or only applicable in some instances.

Counting suffix (within a number / qty.)	A rough summary
つ	A counter for [things] in general, as it is also commonly used in Japanese.
個	Counter for [no. of pieces] or some things, you see this word in relation to let's say: food.
本	Counts books, pens, pencils, nail clippers, etc. (This one is quite versatile in its usage.)
枚	Equiv. to no. of reams of paper, no. of pics, also counts bath mats, credit cards, clothing, etc.
匹	Used for counting [small / medium] animals (eg. household pets or other small creatures.)
頭	Counter for [no. of livestock] or large animals such as elephants, whales, camels, etc.
冊	Primarily a counting suffix used for documents or books (equiv. to: Olivier read 3 books.)
台	Counting word in relation to the no. of vehicles (such as trucks or cars) for example.
羽	Counter word for birds (specifically) but can be used to count rabbits too.
階	Used to refer to no. of storeys or floors within a building. (eg this apartment has 20 floors.)
缶	Refers to the no. of [cans] such as soda cans, tins, paint cans, etc. (When empty, use: 個)
巻	Refers to no. of [books / comics] in a series. (equiv to: Carlos read all 7 harry potter novels.)
切れ	Refers to no. of [sliced food] (equiv. to: Maria sliced 4 loaves of bread for her sibilings.)
口	As a counter, it refers to [times] bitten in food. (equiv. to: Pierre took one bite from a scone.)
件	Refers to the no. of [cases / incidents] but this counter has versatility in its usage.

For example, the counting word 羽 is present in Japanese (regardless if it is singular or plural), as it is needed to be specific on the indicator within a numerical unit of [something / someone / event / action, etc.] to clarify what you're referring to.
As highlighted, the presence of the counting word is needed. It's not conveyed in the translations displayed below.
Pitch accent is another part of Japanese phonology, as the word can change based on the volume of each phoneme depending on your pronunciation, it connotates a different word altogether affecting the overall meaning, on what you actually want to say. For example, take むし -
Accent 1 is noted as High Low & Accent 2 is noted as Low High. The pitch accent connotates a different word despite them both sounding similar to one another, as in adjusting the volume of one phoneme upon your pronunciation.

Mandarin

7,000 - 80,000+ 漢字 (There are dictionaries that state the existence of around 106,230 漢字 in Mandarin.) However a modern dictionary only features 20,000 hanzi while an educated native speaker memorizes 8,000 hanzi but reading a newspaper only requires knowing 3,000 hanzi.
The sentence structure is different from Japanese (as it is SVO), although their wordings can imply more than one definition, as it is also dependent on how you associate it within a sentence, keep in mind too that they also have tones embedded within their phonology.

For example, take the sentence「醫生根據病人的病情以最好的方式治療他們」(You can clearly see the differences, as indicated by the word positionings - shown in color.)
As shown, the positioning of the words from Mandarin are different despite the word order being SVO, the translations are still different regardless.
Another feature that Mandarin has are separable verbs. (It may sound confusing at first) From this example, take the verb: 見面 (Rencontrer / Incontrare / Conocerte / Conhecer) used here:
As indicated, the hanzi 面 is omitted since 見 already conveys the verb.

Can you also do this in French, Spanish, Italian or Portuguese?

In this example, an extra hanzi (了 - as an particle / indicator: past tense) is added in the middle but the verb 吃飯 (Repas / Mangiare / Comer / Come) is still intact:
As the hanzi 了 is placed inbetween both 吃 and 飯, but the verb overall is still there.
From Mandarin - there are words that sound the "same" to the untrained musical ear, as it is a tonal language, so you need to keep that in mind, for example from pinyin: 'bi' consists of multiple hanzi depending on the tone you use, based on pronuncation.
All of them may sound the \"same\" to the untrained musical ear, but they are completely different words altogether. That is the difficult part of Mandarin for \"Euro\" language speakers as it's not a thing in their languages.
There are phonemes from Mandarin that comprise of a LOT of hanzi (that imply different definitions altogether, based on tones.) from 1 sound alone, such as this example below:
I can only think of 82 hanzi which all are pronounced as \"BI\" (there are perhaps more) but their tones connotate a different word. (Also, pay attention to the radicals.)
Like Japanese, Mandarin has word particles too. For example:
Some word particles present in Mandarin. (Although there are perhaps more.)
Akin to the Japanese counting system, Mandarin has 漢語量詞 which are classifiers used to count the number of things, actions, events, items, and etc. to make it clear on what you are exactly counting, that classifier is tied to a specific category and usage.
As indicated, the classifer 輛 is required to be within the sentence in Mandarin. (As you can see from the translations, an equivalent word for that classifier doesn't exist.)
A list of Mandarin 漢語量詞 - (There's quite a few, but I won't list them all.)

Although these classifers can imply multiple meanings and uses, it's context specific though if you want to know what that classifer is referring to.

Classifier (no. / qty. of something / action)	A rough explanation
句	Refers to no of. [lines / sentences] (equiv. to: Sam wrote on the first 2 lines of his book.)
發	Refers to no. of [rounds / bullets] (equiv. to: Diego fired 20 rounds from his M16A4.)
封	Refers to [letters - mail] (equiv. to: Ella opened 4 letters coming from the city council.)
根	Refers to [long thin] objects, eg. needles. (equiv. to: Jack only found 1 needle in a haystack.)
棵	No. of trees (equiv. to: Alice planted 6 trees around the park not far from Paris.)
輛	No. of vehicles (eg. Giovani spotted 3 cars in front of him during a traffic jam in Rome.)
列	Refers to [rows / columns] (eg. Adrian had to wait within a queue stetching 3 rows.)
首	Refers to [poems] (equiv. to: Theo wrote 7 poems within the first month or so.)
水	No of. [rinses / times washed] (eg. Henry washed his laundry for the third time.)
堂	No of. [periods within a class] (eg. Claire skipped 2 study periods for her English exam.)
班	No of [students] (eg. Jean knew there were 20 other pupils in his English class.)
牀	Refers to the [no. of blankets / sheets] (eg. James placed 3 bedsheets in the cabinet.)
排	Refers to [items grouped in rows] (eg. Sally saw 4 chairs untucked in the classroom.)
部	Refers to [no. of movies / novels] (eg. Chris Pratt starred in 3 films this year.)
包	Refers to [no. of packages / bundles] (eg. Reese received 3 bundles of bubble wrap.)

In European languages, do you also have counter words or classifers in relation to numerical units when referring to specific nouns? If not, than this concept from both Japanese & Mandarin might be a struggle to wrap your head around. (As there's one for EVERYTHING, quite a lot!)

Hanzi can be flipped to create:

1. Reversal of verbs & adjectives
2. Different meanings
3. Similar meanings
4. Loosely related definition
5. Closely related definition
6. Logical meanings

Japanese: Kanji can their positions swapped, but in doing so changes the meaning completely.

[Apologies for the long post: since there's a LOT of detail to uncover.]
In hindsight:

• Japanese has different word order compared to Romance langauges, how hard is this grammatical difference for European language speakers to wrap their head around?
• In terms of the honorific system and levels of politeness in speech: Does that really exist in European languages to the extent of Japanese, even for the slightest ones?
• How common is subject omission in European languages? I mean is it to the extent of Japanese in terms of it being common throughout Romance languages. (omitting words or pronouns like: Us, I'm, We, etc.)?
• From European languages: can you omit or separate as well as adding an extra [letter] to verbs witnin a sentence (like Mandarin) and still be understood?
• Since Japanese & Mandarin are logographic and heavily draw on visual concepts for their vocabulary having thousands of characters, how difficult is it for Romance language speakers?
• Tones from Mandarin: How difficult are those for speakers of Romance languages to determine the "right" word by listening to the "same" phoneme 4-5 times at different volume & tone?
• How difficult is the Japanese counting system for speakers of European languages to grasp, since there are 350 of these counting suffixes and specific words integral to numerical units?
• Mandarin has classifiers when referring to numerical units (akin to the Japanese counting system) how hard is this concept for native speakers of Romance languages?

Recently, this line in Varamyr’s prologue in ADWD was brought to my attention:

One by one they fell behind or forged ahead, making for their old villages, or the Milkwater, or Hardhome, or a lonely death in the woods. Varamyr did not know and could not care. I should have taken one of them when I had the chance. One of the twins, or the big man with the scarred face, or the youth with the red hair.

Who are these people Varamyr could have taken? Why would George give us descriptions of those people? Why have Varamyr remember these people specifically? Why have Varamyr remember anything about the people when he’s fucking starving and malnourished and delusional?
Because they’re going to be important later.
While I have some ideas on who “The twins” and “The youth with the red hair” are, in this post I’m going to be focusing on “the big man with the scarred face”.
A big man with a scarred face, now, who could that be? Sandor motherfucking Clegane of course! I can already hear you saying “But he’s at the quiet Isle! He can’t be in the north!”, but as is shown in this revolutionary new timeline, our timeline of a lot of the events, especially those in the north, is wrong, so it is possible Sandor took a ship to the north soon after Brienne left (or maybe during Brienne’s stay since the last time she sees him is when she has lunch in the septry). Cat’s skiff got from White Harbor to KL in a week or so, so it is completely possible Sandor went North and reached there a few months after the battle on the wall.
Ok, you say, He might be in the north, but what could that mean for the plot?
Why, because it means he sent the pink letter, of course.
The new timeline shows that Jon’s assassination took place a full month before Theon and Jeyne escape, so none of the suspects, other than maybe Stannis could have any reason to send the letter.
So the pink letter:

Bastard, Your false king is dead, bastard. He and all his host were smashed in seven days of battle. I have his magic sword. Tell his red whore. Your false king's friends are dead. Their heads upon the walls of Winterfell. Come see them, bastard. Your false king lied, and so did you. You told the world you burned the King-Beyond-the-Wall. Instead you sent him to Winterfell to steal my bride from me. I will have my bride back. If you want Mance Rayder back, come and get him. I have him in a cage for all the north to see, proof of your lies. The cage is cold, but I have made him a warm cloak from the skins of the six whores who came with him to Winterfell. I want my bride back. I want the false king's queen. I want his daughter and his red witch. I want this wildling princess. I want his little prince, the wildling babe. And I want my Reek. Send them to me, bastard, and I will not trouble you or your black crows. Keep them from me, and I will cut out your bastard's heart and eat it. Ramsay Bolton, Trueborn Lord of Winterfell

Why send the letter? To bring Jon south of course and hopefully draw Ramsay away, the original spearwife plan was originally to rescue Jeyne when the armies were outside battling, but they had to abandon that plan when no army came after a month and do the next best thing.
One of the first things you notice on your first read of the letter is the repetition of Bastard, and since it makes no sense for Ramsay to write it, it must be some other character who wrote it, and who do we know in the series who loves to curse? Sandor. He might have changed a lot on the quiet isle but cursing a hard habit to drop. Sandor probably really does think of Stannis as a false king with no claim, since it’s unlikely he knew about the twincest considering he spends most of his time in KL around Joffrey or being a regular Lannister guard. He also probably became more religious at the quiet isle and genuinely despises Stannis for turning to R’hllor.
So how does he know about the spearwives? Because he’s in winterfell of course. My guess would be he went to Eastwatch after his original ship crashed north of the wall and managed to smuggle himself on a ship and go to White Harbor, where he went into Wyman’s service, maybe he even went and specifically told Wyman about his mission to rescue Arya, and since most people in the North haven’t seen the hound before, it’s unlikely they would know who he was, or even think about it, considering the rumors that he’s around Saltpans. Only the Freys might know him, being from farther south, but they probably wouldn’t pay attention to a random Manderly guard.
Why would the spearwives let Sandor know who they are? Because Mance recognized him from his previous visit to Winterfell. This would also explain why grrm retconned Mance into winterfell in asos.
Why would Mance trust Sandor? He’d probably do what he did with Theon and have the spearwives bring him and interrogate Sandor, Mance is a pretty good judge of character
As for ‘your false king’s friends are dead’, Sandor from what he knows of Stannis thinks that Stannis has no friends, so he’s just having a jape, something he does continuously through the letter.
Sandor has also become far more religious at the quiet isle, so he thinks of all other religions (except the old gods) as false and sorcerous. His experience with the BwB also put his opinion of red priests down, making him call Mel a red witch.
How did Sandor send the letter? Probably with Wyman’s help, or maybe there’s a dead maester who’s gone missing in all the chaos at winterfell.
As for the signature pink wax, the quiet isle does have some trade, so the most likely scenario some ship carrying sealing waxes for trade came and Sandor asked the elder brother to buy him the pink one because it reminded him of the girlish stuff Sansa likes, along with kinda resembling the color of the weirwood (remember that the first time Sandor saved Sansa was when she almost fell on the serpentine steps coming back from the godswood.). In fact, since none of ‘Ramsay’s’ letters have a seal, it’s actually been Sandor, with Wyman and Mance sending the letters.
But why? He obviously came to winterfell hearing of Arya’s marriage and to save her, but it must have been clear during the wedding and after that the girl was not Arya, but someone else, namely Jeyne Poole, Sansa’s close friend *who was *taken away from her.
Sandor clearly thinks of himself as Sansa’s ‘protector’, and his time at the quiet isle has probably made him take that role even more seriously, so when he sees that Sansa’s close friend has been married off to a raving lunatic who’ll ruin her, he’d immediately think of Sansa and decide to save Jeyne, since he doesn’t know the spearwives or Mance well, he’d definitely not tell them and jeopardize the rescue.
As for the line, ‘the skins of the six whores’, I think Sandor’s increasing religiosity has made him increasingly take a line against alcoholism, which is probably pretty common in wildling culture, so he made them give him their wineskins and turned that into a cloak. But why hasn’t Theon seen him, you ask? Well, actually, he has:

Outside the snow was coming down so heavily that Theon could not see more than three feet ahead of him. He found himself alone in a white wilderness, walls of snow looming up to either side of him chest high. When he raised his head, the snowflakes brushed his cheeks like cold soft kisses. He could hear the sound of music from the hall behind him. A soft song now, and sad. For a moment he felt almost at peace. Farther on, he came upon a man striding in the opposite direction, a hooded cloak flapping behind him. When they found themselves face-to-face their eyes met briefly. The man put a hand on his dagger. "Theon Turncloak. Theon Kinslayer." "I'm not. I never … I was ironborn." "False is all you were. How is it you still breathe?" "The gods are not done with me," Theon answered, wondering if this could be the killer, the night walker who had stuffed Yellow Dick's cock into his mouth and pushed Roger Ryswell's groom off the battlements. Oddly, he was not afraid. He pulled the glove from his left hand. "Lord Ramsay is not done with me." The man looked, and laughed. "I leave you to him, then." -ADWD, The Ghost in Winterfell

‘False is all you ever were.’ We know Sandor’s dislike of lordlings and knights, thinking them false fakers who break vows easily, and he must’ve seen a lot of Theon while watching Joff in the yard and seen his shallowness. Sandor’s parallel for Theon’s situation with the Starks is being saved by the Elder Brother, who has become his brother in all but biology to him, and he saw how good Theon had it with the Starks, so he thinks of Theon as a kinslayer. There is also a moment of sympathy when he sees what has been done to Theon, seeing a bit of what he did to himself and turned himself into due to his hatred of Gregor.
Since Sandor came to Winterfell as a Manderly guard, it’s safe to assume he’s outside winterfell with the rest of the Manderly host, which might complicate Wyman’s defection to Stannis, because even if Stannis believes that he wasn’t involved in Saltpans (which is a pretty hard sell, especially since Wyman also has to convince Stannis that he didn’t kill Davos.), Sandor still deserted on the battle of the blackwater, and Stannis is not going to let desertion pass with no punishment, this is the dude who cut off Davos’ fingers after all. So Wyman will probably have Sandor mysteriously disappear and make it look like he deserted a few days before the defection. Most likely, Sandor will go to the wall to check what the fuck is going on and why Jon hasn’t come yet, which might mean he’ll be the one who reminds (or informs) Mel that she can resurrect people.
Tl;dr: Sandor sent the pink letter, and might be at the wall.

I'm sure there will be many stories like this here but well, right now I'm a little depressed and would like to vent this here If only I had talked to her first, she and I would probably be together, or maybe not, but I am completely sure that we could have had something if I had talked to her first. We always got along very well, always, she is one of those girls who has a good sense of humor and turns simple moments into funny things, there were many situations that made me think that she likes me too, or I got to like her, because when she greeted me I noticed something different, it was not a simple hello and a hug, sometimes there were glances, when we saw each other sometimes I felt something from her, and well many more things, some would say that maybe I saw it that way because I have always liked her, but I'm sure I don't... things have changed, now I am in another country, they are not together anymore, even one day I dreamt that my friend told me *do you like her? if so tell her, i know she will make you happy and for me there is no problem for you to start a relationship, you are not going to lose my friendship* i have dreamed about her erotically, sometimes i imagine her, it has even crossed my mind to send her money or some things i know she needs, but they're going to find me out obviously, either she assumes it's me or she tells him and they'll draw conclusions and end up assuming it's me, I won't deny that I've even thought about telling him but it's been like *little seconds of madness* where I say to myself WTF? you're crazy¡ you're going to throw away years of friendship over something that doesn't make sense.
I've thought about sending him a letter anonymously, or sending him an email, but I'm afraid he'll know it's me, plus I feel like if I do any of those things I'm betraying my friend, that in a way I feel like I've betrayed him because come on, what friend really fantasizes about his best friend's girlfriend?
But what I am sure of, is that if I am in a situation where I know I am going to die, I will declare my feelings to her... by this I don't mean that I am thinking of kicking the bucket, not at all, it's just that I will not get to the end of my days without telling her how I feel about her.
The truth is that I would like to receive some kind of message, because I haven't talked about this with anyone, it's been maybe 7 years since this started... imagine, with whom I will have the opportunity to talk about this? only unknown people because there is no other way

1. Sonder: The protagonist, while people-watching in a crowded city square, experiences a profound sonder moment, realizing the intricate stories of those around them.
   
2. Énouement: On their 30th birthday, the protagonist reflects on the énouement of their life, pondering the unexpected twists and turns that led them to this moment.
   
3. Chrysalism: During a cozy thunderstorm, the protagonist finds solace in their home, reveling in the chrysalism of raindrops tapping on the window.
   
4. Monachopsis: Attending a high-society event, the protagonist, feeling out of place, grapples with monachopsis in a sea of unfamiliar faces.
   
5. Liberosis: After a life-changing event, the protagonist embraces liberosis, letting go of trivial concerns and embarking on a minimalist lifestyle.
   
6. Vellichor: Exploring an old, dusty library, the protagonist inhales the vellichor of aged books, each telling a story of bygone eras.
   
7. Anecdoche: In the midst of a lively party, the protagonist engages in an anecdoche, trying to share a personal story amid the chaotic chatter.
   
8. Jouska: The protagonist engages in a silent jouska, rehearsing a conversation with a loved one that they never have the courage to voice.
   
9. Nighthawk: Alone in their thoughts during a sleepless night, the protagonist experiences nighthawk, contemplating the choices that brought them to this insomnia.
   
10. Occhiolism: Gazing at the vast night sky, the protagonist grapples with occhiolism, feeling infinitesimally small in the grand cosmos.
    
11. Lachesism: The protagonist, seeking a thrill, faces lachesism head-on by participating in extreme sports, craving the adrenaline rush.
    
12. Rubatosis: During a moment of anxiety, the protagonist becomes acutely aware of their own heartbeat, experiencing rubatosis in a tense situation.
    
13. Exulansis: Unable to convey a deeply personal experience, the protagonist faces exulansis, resigning to the solitude of their unshared story.
    
14. Sonderlust: Inspired by wanderlust, the protagonist embraces sonderlust, setting off on a journey to explore diverse cultures and connect with strangers.
    
15. Limerence: The protagonist, captivated by someone new, grapples with the intoxicating effects of limerence, navigating the complexities of infatuation.
    
16. Altschmerz: The protagonist, burdened by the weight of recurring issues, confronts altschmerz and seeks a new perspective on long-standing challenges.
    
17. Chiasmus: Engaging in a heated debate, the protagonist skillfully uses chiasmus to convey a powerful argument, leaving their opponent speechless.
    
18. Hiraeth: Visiting their childhood home after years away, the protagonist experiences hiraeth, longing for the simplicity of bygone days.
    
19. Xenization: Immersed in a foreign land, the protagonist grapples with xenization, navigating cultural differences and seeking a sense of belonging.
    
20. Petrichor: Walking through a rejuvenated forest after a rainstorm, the protagonist relishes in the petrichor, a reminder of nature's resilience.
    
21. Ineffable: Confronted with an indescribable beauty, the protagonist struggles with ineffable emotions, unable to capture the experience in words.
    
22. Resfeber: As they prepare for a significant journey, the protagonist feels resfeber, a mix of nervousness and excitement, anticipating the unknown.
    
23. Avenoir: Reflecting on a lost love, the protagonist yearns for avenoir, a glimpse into an alternate future where the relationship flourished.
    
24. Adronitis: Attending a crowded party, the protagonist experiences adronitis, the frustration of struggling to connect with others in the social chaos.
    
25. Chrysoprase: Discovering a hidden gem, the protagonist feels chrysoprase, an unexpected surge of joy and delight in the midst of daily life.
    
26. Fernweh: Looking at a world map, the protagonist succumbs to fernweh, a deep desire to explore distant lands and experience the unknown.
    
27. Zephyr: Standing on a cliff overlooking the ocean, the protagonist feels the gentle zephyr, contemplating the ephemeral nature of life.
    
28. Torschlusspanik: Approaching a significant life milestone, the protagonist grapples with torschlusspanik, fearing the narrowing of opportunities as time passes.
    
29. Cavil: Engaging in a philosophical discussion, the protagonist delights in cavil, exploring nuanced arguments and challenging conventional wisdom.
    
30. Mamihlapinatapai: Locked in a prolonged gaze with a potential romantic interest, the protagonist experiences mamihlapinatapai, the silent communication of mutual desire.
    
31. Nefelibata: The protagonist, lost in creative pursuits, embraces nefelibata, living in the clouds of their imagination and artistic expression.
    
32. Ubuntu: Faced with a communal challenge, the protagonist draws strength from ubuntu, a sense of shared humanity and collective support.
    
33. Boketto: Staring out of a window, the protagonist engages in boketto, lost in contemplation and daydreaming.
    
34. Hygge: Creating a cozy reading nook, the protagonist immerses themselves in hygge, finding comfort and contentment in simple pleasures.
    
35. Amae: Seeking reassurance, the protagonist experiences amae, leaning on loved ones for emotional support and connection.
    
36. Ukiyo: The protagonist, embracing a carefree lifestyle, embodies ukiyo, reveling in the fleeting pleasures of the present moment.
    
37. Sankofa: Confronted with personal growth, the protagonist embraces sankofa, learning from past experiences to shape a brighter future.
    
38. La douleur exquise: Receiving an unrequited love letter, the protagonist grapples with la douleur exquise, the exquisite pain of wanting someone unattainable.
    
39. Mudita: Witnessing a friend's success, the protagonist feels mudita, genuine joy and celebration for the happiness of others.
    
40. Yūgen: In a moment of deep introspection, the protagonist senses yūgen, an awareness of profound beauty and mystery in the universe.
    
41. Ikinokori: Surviving a life-threatening situation, the protagonist feels ikinokori, a heightened appreciation for the gift of life.
    
42. Ephemeral: Observing a butterfly's brief existence, the protagonist reflects on the ephemeral nature of beauty and life.
    
43. Thalassophile: Standing on a serene beach, the protagonist embraces their thalassophile nature, finding solace and connection with the sea.
    
44. Psithurism: Camping in a peaceful forest, the protagonist listens to the soothing psithurism of leaves rustling in the wind.
    
45. Obfuscate: Navigating a complex political situation, the protagonist strategically uses obfuscation to protect vital information.