Chart of muscle origins insertions and actions

Dogecoin

2013.12.08 13:36 42points Dogecoin

The most amazing place on reddit! A subreddit for sharing, discussing, hoarding and wow'ing about Dogecoins. The much wow innovative crypto-currency.
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2016.08.18 21:14 SeacattleMoohawks Marvel's Runaways - Hulu

Subreddit for Runaways on Hulu. Based off the Marvel comic series written by Brian K. Vaughan with art by Adrian Alphona. 'After discovering their parents are super-villains in disguise, a group of teenagers band together to run away from their homes in order to atone for their parents' actions and to discover the secrets of their origins.'
[link]


2018.06.21 12:56 The_Ebb_and_Flow Plant Neurobiology

Plant neurobiology, more correctly termed ‘plant cognitive ecology’ or ‘plant gnosophysiology’, is a newly focused field of plant research that aims to understand how plants process the information they obtain from their environment to develop, prosper and reproduce optimally.
[link]


2024.05.19 11:10 paulreicht What did the Vatican say about Supernatural Apparitions on May 17, 2024?

The meaning of the announcement will be relayed to Catholics by the pastors of the Church. Only a summary will be attempted here, in brief The Vatican is re-affirming its embrace of alleged supernatural phenomena known to the past in manifestations such as Fatima, Lourdes and the Virgin of Guadalupe (three cases of Marian apparitions), and any new ones that may arise. This is an acceptance, not to say endorsement, allowing the spiritual value of past events and those yet to come to be affirmed by the human heart, a.k.a. the "senses of the faithful," or in Latin, 𝑠𝑒𝑛𝑠𝑢𝑠 𝑓𝑖𝑑𝑒𝑙𝑖𝑢𝑚. For "even if the event itself is not declared to be of supernatural origin, there is still a recognition of the signs of the Holy Spirit’s supernatural action in the midst of what is occurring." If it is a question of the reality or validity of an event, an official congregation of the Holy See will deliver the final word.
For more, please refer to the source: NORMS FOR PROCEEDING IN THE DISCERNMENT OF ALLEGED SUPERNATURAL PHENOMENA
https://press.vatican.va/content/salastampa/it/bollettino/pubblico/2024/05/17/0403/00842.html#en
submitted by paulreicht to Catholicism [link] [comments]


2024.05.19 11:01 MarkedMatt Answering popular questions related to the lore

Why didn't/couldn't Sidorovich, Barkeep and Sakharov recognize Strelok during SoC events?
This might seem like a plothole, but it actually isn't. Sid didn't know Strelok personally:
"Yeah, I've heard of a stalker by that name. Rumors is he's one of the few who went to the center of the Zone and made it back. Still, we got so many of these legendary stories about stalker heroes that I can't really guarantee anything. At any rate, I've never dealt with him personally. It seems he has his own trading channels. Anyhow, just ask the folks here in the Zone and you'll be sure to learn a lot more." Clear Sky confirms that his words are true, because during CS events it was Fang who had a business with Sidorovich and not Strelok.
Additional proof: https://snipboard.io/A4Pxgp.jpg https://snipboard.io/piHsac.jpg
Barkeep's dialogue:
"An experienced stalker as far as I know. He used to "work" through the northern exits from the Zone. He was hardly ever seen here but there are rumors that he took his group right into the center of the Zone."
Additional proof: https://snipboard.io/Y4EmM2.jpg
About Sakharov - There are plenty of possible explanations for the fact that he doesn't recognize Strelok, but the closest we have to an official explanation is included in the design document of the original storyline of the prequel, where it's said that Strelok's face was bandaged at the time:
"Strelok, whose face is still covered with bandages, comes to Sakharov and tells that he is planning a trip to the CNPP."
Of course, it's not really canon, but it still works.
Why won't military just bomb the Zone?
First of all, they already tried but failed:
"I can't really get into that - we've got some discipline in this place, after all. Our general Krylov certainly used to be a military man. I heard a few stories about how, just as the Zone formed, the government organized a military operation in here. They were sent to the very center of the Zone with an order to blow it all to hell with nuclear explosives. Can you imagine what that means? These guys were sent with no protection, no detectors, no information about what to expect in the Zone. Many perished in anomalies right off, and most of those who didn't were done in by an emission. The few survivors were left behind to die a slow death. General Krylov is one of those few. I don't know who he's pals with, but he hates the military ever since he and his buddies were sent straight to their deaths. He's got some connections in Spetsnaz though. Spetsnaz only got real men. Sometimes Duty crosses paths with them. That's pretty much it - consider it the abridged version." - Dialogue of Zvyagintsev
Additional proof: https://snipboard.io/HP1pVq.jpg
Second of all, it's obviously a very bad idea.
"Everyone who believes in the Monolith is completely nuts. They keep banging on about it but nobody actually knows what's in the center of the Zone. An invisible crystal that fell from the skies...ha-ha-ha! I reckon one of the secret labs blew up - I mean some stalkers used to work in a few of them. But, obviously, you can't bomb the Zone. Not only will the radiation spread all over the world, half of Europe would be flattened by the Zone's reaction. "Someone" has gone totally mad lately - I heard they're killing normal stalkers for no reason at all. How do you like that? Damn fanatics." - Dialogue of Random 100 Rads Bar Dutyer
Additional proof: https://snipboard.io/oWRgr0.jpg
Is the Zone growing?
Only SoC presents this idea. Neither Clear Sky nor Call of Pripyat mentioned anything about Zone's expansion. In fact, Hermann in CoP just said that Zone is evolving, while Loki directly said that it isn't getting bigger:
"They're idiots, that's what I think. I mean, why the hell would they want to destroy the Zone? it's not consuming precious resources or getting bigger... or anything. They could just sit there and study it to their heart's content - just think of how many scientific discoveries could be made... I mean, in the history of man-kind, no one has never been able to understand antigravitation, right? And in the Zone you've got ready-made antigravitation devices lying all over the place. It wouldn't hurt to kick their asses out of here, but it's too much hassle. By the way, don't be confused by our relations here at Yanov. We are at war... it's just that Yanov has been made neutral territory, if you know what I mean." - Loki
Additional proof: https://snipboard.io/UQ8ZEO.jpg
If The Zone is practically known globally then how come we aren't seeing other world governments trying to send people of their own to study it?
"Right... I seem to remember you asking me about something last night, though I can't recall... Ah, got it. You wanted to know why it's only our eggheads messing around in the Zone. Curious why the foreigners won't show up, even though there's enough stuff here for thousands of Nobles prizes... Alright, let's see. First of all, what the heck do they need coming down here for, when they can simply pay some of our guys and get the results on a silver plate? Second of all, they've actually been there themselves, and quite a lot of them, too. It's just that in the last two years these gringos have been badly scared of going into the Zone..." - Fragment from PDA entry called "The chronicles of egghead globalists"
"Ever heard about Station Thirty-Two? That's where they all bit the bullet. It was all quiet at first, pretty much normal... They'd be reading their meters, taking samples, poking their gear into anomalies... And then they all started going nuts. Every friggin one of them. Everyone slowly going off their rocker. One of ours, the one that retired eventually, told me about it... Some actually ripped their own throats open, other would smash their heads against the wall, and some would simply... Gun in their mouth and... And then the beasts started swarming all over them. Those few who were still sane enough barricaded themselves in the house. You get the picture, right? Dark night, all the local beasties outside, and people going nuts one after another inside. In short, in the morning those who still had it together broke out of there somehow. Went straight on, even got caught in some anomalies... Got to the Rotten Forest... But none of those who had been left behind have been found. they say loads of controllers were recorded in that area. that's how it was... Since then, no one goes anywhere near Station Thirty-Two, and the foreigners steer clear of the Zone... " - Another fragment from that entry
Additional proof: https://snipboard.io/ZEXgNy.jpg (Part 1) https://snipboard.io/gksjHB.jpg (Part 2) https://snipboard.io/Zc8W2G.jpg (Part 3.)
"There are always developments in the Zone, and they're always interesting. I already told you about Monolith - they're on everybody's tongue... Have you heard about a new major expedition into the Zone? Technically, they're environmental researchers from the UN, but that's just on paper. Sure, they got a couple four-eyed scientists, but just one look at all the others tells you they're seasoned fighters. No idea why they're here. Oh, and dig this: they're not using guides. Either they're being guided by satellite, or their mission is so secret that no one else could be let in on it. They seem to be approaching the Radar. I dunno how this will end, but I got a feeling it won't be pretty." - Dialogue of Hog
Additional proof: https://snipboard.io/oejv2a.jpg
What happened to Scar?
There can be many answers to this question. Scar's fate could have turned out in many ways - perhaps, if the brainwashing process failed, he became simply zombified; if it was successful, he could've died while being transported in the death truck; if this didn't happen, he had a clearly defined task to perform, and could die while trying to do it; if he survived, he might still be wandering around the Zone as an amnesiac.
It's also possible that he simply died during the emission, or was captured but somehow managed to overcome the brainwashing process and escaped from whatever laboratory it was taking place in.
Monolith's weaponry. How do they have so many guns?
It can be partially explained by a couple of things. First thing that should be noted is that Monolith before trilogy used to be different faction. It can be assumed that they already had decent weapons (I have another post which includes dialogues about older Monolith) https://www.reddit.com/stalkecomments/1ax5u7x/interesting_facts_about_the_monolith_faction/
Second thing is that even rookies know that they gotta get better equipment before going deeper into the Zone:
"For now I'm just gaining experience and saving up some coin. As soon as I have enough, I'll buy me a good shooter and armor, and head straight for the center of the Zone. Rumor has it some guys already made it there and found the Wish Granter. That's where I'm gonna go. And when I find it, I won't go wrong with my wish, you can bet on that!" - Dialogue of Cordon Loner in Clear Sky
Additional proof: https://snipboard.io/bqyuzA.jpg
And lastly, C-Consciousness Representative said "From the moment the Zone was formed, many people have tried to get to its center". Many people seem to think that Brain Scorcher only turns people into zombies, but it seems that it was also capable of converting them to Monolith:
"Brothers, as we were patrolling the outskirts of the Dark Forest we came upon an unfaithful loner. We did not kill him, seeing as he was already on his way to conversion, although he was still half-way in his animal state... Such is the wisdom of the Monolith: once again it revealed to us the true countenance of our enemies." - PDA entry called "A convert in the Black Forest"
Additional proof: https://snipboard.io/jC2MPJ.jpg
About their suits - there can be more than 1 answer.
It's interesting to point out that Monolith suit was located in lab X-18. Either the faction stashed them there, or they were here before. A possible explanation could be that such suits were used by guards of the secret facilities in the Zone before the 2nd disaster
I think this is important to point out too
"Stalker suit from the Monolith faction. The producer is unknown. Its protective properties are slightly worse then those of the PSZ-9a military bulletproof vest. Its structure is similar to the suit popular with neutral stalkers which combines a bulletproof vest and a radiation protection suit. It provides good protection from gunfire. Its level of anomaly protection is low due to the absence of an air" - Description of Monolith Suit
Additional proof: https://snipboard.io/XITJs4.jpg
"Stalker suit manufactured by "folk craftsmen". It is an effective combination of a light military bulletproof vest and of a rubberized fabric suit. It is reinforced with inserted kevlar plates and provides good protection from weak gunfire. All in all it is highly inefficient for carrying out deep raids and serious operations in the knots of the Zone." - Stalker Suit (Sunrise)
Additional proof: https://snipboard.io/zMGpqd.jpg
Lastly, Yantar loner NPCs in Clear Sky mention in their dialogue mention very interesting thing:
"I heard a whole faction went missing in the Zone. You ever heard of Monolith? Well, they used to protect the Zone from others, but they made a move towards the center right before the Emission. Nobody has heard from them since, but recently some real aggressive stalkers have been attacking from where the Scorcher is, killing everyone and asking no questions. I know because I saw them myself around the military warehouses, and I reckon they might be those same Monolithians who disappeared. It wouldn't surprise me, because their uniforms looked real similar." Other than a fact that Monolith faction of the trilogy had members from older Monolith who wore similar uniform, dead bodies of Monolithians in Clear Sky, that are scattered over the Zone very well could be the dead bodies of older Monolith faction
submitted by MarkedMatt to stalker [link] [comments]


2024.05.19 11:00 AutoModerator READ ME FIRST! Weekly Intro + Rules Thread May 19, 2024

Welcome to the Weekly Intro Thread!

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There are two daily chat posts each day, posted twelve hours apart. You can find the most recent one here. Jump in any time -- this is where most of the action is!
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submitted by AutoModerator to TryingForABaby [link] [comments]


2024.05.19 10:58 jenajiejing The Secret of Human Bodies – Examples Proving the Existence of the Greatest Creator

Xue Feng Though the modern medicine has limited knowledge of human bodies, what we have known is enough for us to admire the excellent human body structure and functions. Each system and organ in the human body is designed by the Greatest Creator. Even those trivial body parts have great functions. For example, there are several types of hairs on human bodies with distinct forms and functions. The head hair is designed to protect and beautify the head. It can grow long. According to the Bible, “But if a woman has long hair, it is a glory to her: for her hair is given her for a covering.” The eyebrows can divert sweat and rain, preventing them into the eyes. That’s why they are lined above the two eyes. Eyelashes can prevent the dust and other things from entering the eyes. That’s why they are lined on the sides of the eyelids. Also they stand forward in a special curve because it wouldn’t hinder the eyesight or pierce into the eyes when closing the eyes. If the eyebrows and eyelashes are too long, they will hinder the eyesight. That’s why they wouldn’t grow as long as the hair or beards. The nasal hairs can filter the inhaled air. That’s why they grow inside the nostril and stand sideways and outwards. If they stand inwards, the other things will find it easy to come into the nostrils and difficult to go out. The armpit hairs can prevent the partial friction and help the sweat evaporate. Without the armpit hairs, we have to raise our arms. Otherwise the skin under the arm will become inflamed because of the friction and moist. Required by the function, the armpit hairs cannot grow as long as the head hairs, or as short as the eyebrows. Besides, they are soft and curving. If they are rigid and coarse, they will hurt the skin. And cilia grow on the intestinal epithelium. The cilia grow downward and vibrate together. The vibrating waves move downward from upward to help move down the intestinal contents. Cilia also grow on the airway and bronchus epithelium. However, they grow and vibrate in the opposite direction as those on the intestinal epithelium. Only in this way can they move the sputum upward to the throat and spit them. If they grow downward, the airway and bronchus would get stuck by the sputum and the humans would die from it. Now I wish to take two simple reflections of human bodies as an example. When foreign matters enter the nostrils or airways, they will arouse two protective reflections, sneeze or cough, which is designed to repel the foreign matters. But due to different situation, these two reflections differ in their approaches. The foreign matters in the nostrils are not urgent so the sneeze reflection can be prepared in a composed way. First, inhale slowly; open the mouth, and the soft place move upward to block the nostril. Then breathe in enough air through the mouth, and the pleural body contracts sharply to emit the air in the lungs quickly. When the emitting reaches its peak, the tongue rises abruptly to block the mouth to repel the air to go out swiftly through the nostrils. In this way the foreign matters in the nostrils are driven out. However, if the foreign matters enter the airway, it is an emergent situation. If the foreign matters are not driven out timely, the life will be put at risk. The inhaling is strictly forbidden because it will make the foreign matters go deeper and cause suffocation. So the cough doesn’t include the inhaling. Instead, the glottis closes immediately. At the same time, the pleural body contracts suddenly and adds the lung air pressure extremely. When the pressure is at its strongest point, the glottis opens suddenly and the lung air sends out explosively, compelling the foreign matters in the airway to the throat via the glottis. At this time, the soft place rises to block the nostrils. The foreign matters are spit out through the mouth. If the tongue and the soft place perform the same way as in the sneeze, the foreign matters emitted out of the airway will enter the nostrils, causing another trouble. In these two reflections, the body parts must cooperate closely. Any failure in the coordination will lead to the failure of the reflection, causing serious consequences. So these activities are not done freely. Instead, they are done as required by their functions and set procedures. These procedures are not learnt or practices. The program has been rooted in our brain nerve structure (nerve nucleus) when we are born. Otherwise, the babies will not survive. The advanced computer science has made it possible to simulate these activities. However, the simulation requires 3 conditions: 1. Device simulating the inhale and exhaling of human mouth, nose, throat, pleural and the sensing device; 2. The central control equipment simulating nerves and body system (compute, input and output devices). The above two devices are hardware. And software is also needed, namely (3). A program composed in strict compliance with the requirements to control the performance and procedure of each link, and arrange them in perfect coordination. All the three conditions are imperative. Otherwise the reflections can’t be realized. The program itself is not a substance structure. Instead, it is a smart use and spiritual result. There will be no such a thing as the program without the smart use. So we have to ask, the program is composed by the humans and stored in the computer, how about the control program in the human brain. Is it also composed by someone and stored in the human brain? Sneeze and cough are the simplest examples. There are numerous automatically controlled physical, bio-chemical and pathological human body activities, which are even more sophisticated than reflections of cough. Even today, some of them remain mysteries to us. So how are these sophisticated control programs composed? And where do they come from? Now let’s have a look at the sensory organs on human bodies. Why do we have two ears? The reason is that one ear is not able to identify the direction. With the ears lying on two sides of the head, the sound reaches the ears in sequence of time. Based on the slight receiving time difference, the brain can judge where the sound comes from. The auricle is the most outward component of the ear. It can introduce the sound into the external auditory canal. Within the auricle there is a thin layer of cartilage helping to retain the form of auricle, giving it wonderful elasticity and protecting it from the clashes. Without the cartilage, the auricle is just two useless pieces of skin hanging on the head side. If the thin bone is inside the auricle, it will break easily even if when you are sleeping on your side, damaging the auricle. There is fuzz on the outer segment of the external auditory canal preventing the sand and dust. The inner segment secretes cerumen to prevent insects. When foreign matters enter the external auditory canal, it will trigger head shaking, instead of sneeze or cough, to get the matters out. Because the external auditory canal is a blind passage, it is impossible to repel the foreign matters with air. Why don’t the foreign matters in the nostrils arouse the head-shaking reflection to repel them? That’s because the nostrils of humans almost lie in the middle of the head. The shaking is not able to produce enough centrifugal force. Besides, the human nostrils face downward and it is improper to repel the foreign matters by shaking the head. The sound is produced by the mechanical vibration of objects and is transmitted by the air fluctuation, or the sound waves. The human ears are actually working like a precise mechanical vibration monitor. In the inner ear there are a number of keyboards with different sizes, producing nerve impulses produced by echoing with corresponding frequencies. The brain, in accordance with the features of these impulses, identifies the strength, tunes and timbre of the sounds. We must note though there are many sensory organs in human bodies, only the inner ear is protected by the most solid and firm bones. In fact, it lies in the cave part of the temporal bone. Of all the sensory organs, only the ears monitor the mechanical vibration, which needs a relatively fixed position. Otherwise, it is not able to monitor the sound. If the inner ear lies in the soft tissues, when the sound wave arrives, the inner ear will vibrate with it. Thus it can hear nothing. Now the inner ear lies in the firm bone and it can’t sense the air vibration. So it is imperative to reduce the density waves to the mechanical vibrations before sending them to the inner ear. And there is such a reduction device at the middle bottom of the external auditory canal, which is called the eardrum. The eardrum has enough space to receive the air pressure. It is thin enough to vibrate when the sound wave arrives. Meanwhile, the eardrum is strong enough to push the transmission device. The long handle of the middle ear cartilage is attached to its inner side, the tensile force of which makes the eardrum sink inside slightly to maintain certain tension. This allows the eardrum to accurately reduce the arriving sound waves into the mechanical vibrations. No matter what the temperature is, the vibration function is not impacted. After the sound waves are reduced into the mechanical vibration, some rigid objects are needed to transmit the vibration to the inner ear. Of all body tissues, the most rigid objects are the bones. However, the bones are heavy in general and covered by the soft tissues, which are not suitable for the audio vibration. However, in the tympanic cavity between the eardrum and the inner ear, there are three unique tiny bones with delicate forms measured in millimeters. They are almost completely exposed to the air in the tympanic cavity. These three tiny bones are connected by ligament and form a transmission chain in curve with excellent audio vibration function, able to transmit accurately the vibration of the eardrum to the inner ear. The transmission device can properly multiply the weak vibration and reduce the strong sound wave. All of these structures are the super designs required by the acoustics. There are even smarter designs in the hearing organ. For example, to make the eardrum vibrate freely following the arriving sound waves, the two sides of the eardrums must be exposed to the air. As a result, there is a tympanic cavity full of air in the middle ear. If the cavity is filled by liquids, just as other cavities are, the eardrum is not able to vibrate because the liquids can’t contract. Besides, the cavity does not only need to be filled with air, but also needs to be connected to the outside world with a proper passage, to balance the static air pressure in the cavity with the outside air pressure. Otherwise, the air in the cavity will gradually be absorbed, causing the eardrum to sink excessively or damaging it. When the outside air pressure changes, (such as in mountain climbing, diving, the airplane takeoff or climate change), it will arouse uncomfortable feelings or lead to hearing malfunction. But the middle ear can’t be opened to the outside world directly, just like the external auditory canal or nostrils can. The reason is that the direct exposure will make the arriving waving sound reach the two sides of the eardrums at the same time via the external auditory canal and middle ear passage, counteracting the sound pressure. Thus the eardrums will not vibrate at all, unable to produce the hearing. So it is a difficult problem to connect the middle ear and the outside world. However, the human body, with a smart design, solves this problem. The middle ear is opened at the two sides in the upper rear of the pharynx via a half-opened passage (the so-called auditory tube). The auditory tube is locked in common times and only opened temporarily when taking the swallowing actions, balancing the air pressure in the middle ear shortly. After the swallowing action is over, the auditory tube is locked again. Apart from eating, human body would regularly take swallowing action unconsciously, even when he or she is sleeping. Thus the air pressure in the middle ear can be adjusted from time to time and avoid the hearing from being hindered. Besides, when swallowing, the swallowing segment and the soft palate will definitely rise, blocking the mouth and nostrils against the outside world. So on the moment when the ear and throat are opened shortly, though the air in the throat can enter the middle ear, the sound waves from the outside world are blocked against the middle ear. As a result, the hearing will not be interfered and can receive the outside sound and voice. Only the throat in the body can meet the special demand of the hearing organs. The throat is originally designed as part of the digestion and breathing system, it does not belong to sensory system. However, it can cooperate so smartly with the hearing organs. We have to admire the extremely delicate body-wise design. The vestibule in the inner ear controls the balance of the body. In the vestibule there are 3 semicircular canals. When the body loses balance, the mutually-vertical semicircular canals produce the balance impulse, which triggers the corresponding reflection via the balance center in the medulla brain. Why are there 3 semicircular canals instead of 2 or 4? And why are they mutually vertical? The reason is apparent. Humans live in the 3-dimensional space. There are 3 mutually-vertical movement directions, namely, front and rear, left and right, upward and downward. So the 3 mutually-vertical semicircular canals can monitor the movements. The number less than 3 or more than 3 would be insufficient or redundant. We can see the delicate and smart structure and function, and the supreme wisdom in them. They can’t be the accidental results. As the most important perception of human bodies, vision provides more information than that provided by all other perceptions. The vision is the perception of image and space and the visual organs must have the most precise and accurate structure completely different from other sensory organs. As a result, in the perspective of the embryo-genesis or neuro-anatomy, the main structure of the eyes is not just the common receptor. Instead, it is part of the cerebral cortex. The so-called optic nerves are completely different from other cerebrospinal nerves. In essence, the optic nerves are inner structure in the brain, transmitting the most sophisticated visual information. The eyes function like a precise camera. The retina composed of the photoreceptor cells is just like the films. The crystal, iris and the cornea works like the lens, diaphragm and the filter. However, the precision and automatic adjustment of the eyes is no match of any high-quality cameras. For example, the lens in modern cameras is made of special glass or hard plastics with fixed focal distance. When taking pictures for the landscapes with different distances, the lens position must be adjusted. Otherwise, the image will not be produced on the films. But this is an awkward approach. Imagine when the eyes are watching landscapes with different distances, the eyeballs have to protrude or recess alternatively, which looks ugly or damages the health and function of the eyes. However, the crystal in the eyes are transparent and elastic colloid, which can adjust automatically the focal distance in accordance with the distance of the objects to make sure all the objects can be imaged on the retina, without changing the position of the crystal. Such automatic adjustment function can’t be fulfilled by any camera. If we observe the eyes in the perspective of modern TV technologies, the eyes are more like the television camera, but thousands of times more precise than the television cameras. The TV image is composed of dense pixels (the mixed dark or brilliant light spots). Till now, the best TV image only contains less than 1 million pixels. However, the human eyes can produce image containing 20 billion pixels. Only the eyes can see the details of objects. No matter how clear or accurate the image is, it is still a plan view image. Then how the eyes can provide the dimensional image is a key issue of providing the complete vision. But it is not an easy task at all to convert the flat view image into the dimensional one. For a long time, people have been puzzled by how the conversion is done. Of course, we later knew the smartness and delicacy of the human body shown here. The two eyes send the flat view images they receive into the same nerve center, which contrasts and analyzes the images and judges the distance of the objects based on the slight visual angle difference caused by the position difference of the two eyes. Thus the dimensional image is produced. That’s why people have to have 2 eyes to establish the complete vision. Based on such understanding, humans have invented the dimensional movies. But the above is only the external process of how vision is formed. People have little knowledge about how the visual center works inside. We have to admit that the mysteries of human body structure and functions are beyond the intelligence of mankind. As a matter of fact, the distance judgment with two eyes is the triangulation technique which is precise and automatic. The accurate measurement needs two premises. First, the two eyes must focus on one object at the same time. Otherwise, there will be double vision, which means the one objects will be seen as two objects. As a result, the complete neuromuscular system is equipped on the outside of the eyeballs, making the eyeballs the most flexible and accurate organs. The ciliary muscle inside the eyeballs can adjust the conversion rate of the crystal at any time to focus on the object and form the clearest image. Second, the retina of the two eyes must be strictly symmetrical. Otherwise, the image contrast of the two eyes will become impossible. Furthermore, the images received by the two eyes must be transmitted at the same time to the same visual center for contrast and analysis. There are two visual nerves on the left and right side of the brain, supervising respectively the two sides of the vision field. The objects in the left of the vision field are reflected, via the eye pupil, on the retina of the right sides of the two eyeballs. The corresponding images in the two eyes, via the visual nerve, are sent to the visual center on the right side of the brain. The objects in the right of the vision field are reflected, via the eye pupil, on the retina of the left sides of the two eyeballs. The corresponding images in the two eyes, via the visual nerve, are sent to the visual center on the left side of the brain. The two visual nerves contrast the corresponding images coming from the eyes and produce the full-field dimensional images. The pairs of human parts are often symmetrical on the outside. Only the retinas are symmetrical in the same position. Namely, the left side is symmetrical to the left side and the right side symmetrical to the right side of the two retinas. That’s because the light rays come in directly. Otherwise, the visual centers can’t receive the corresponding images or get the coordinated vision. The structural symmetry of the retinas in the two eyes must be accurate to the utmost. Otherwise the images in the two eyes will not comply with each other and the ambiguity will occur. Besides, the corresponding images from the two eyes must be sent to the same visual center. Thus the optic nerves must have the corresponding special structure to realize the cross-transmission of the images. This is the unique “chiasma opticum” unique to the optic nerves. This function is not possessed by any other nervus cerebrospinalis because they don’t handle the information of images and space. If we use the computers and monitoring cameras to simulate the process of human vision, the input network of the computers has to have a similar chiasm. No other design can do it. Judging from the above, we can find all the human organs, structures and functions have shown the supreme wisdom. And these are the ways they should be. Some people think that human body has some useless organs, such as the thymus gland, appendix, tonsil and coccyx, in order to prove the human structure is imperfect. Some people used to believe that these organs were not that useful. Instead, they tend to arouse diseases such as appendicitis and tonsillitis. If these organs are cut off, it will not have much impact on the human body. In the past, people used to classify spleens and other organs into the useless organs. There was a list of useless organs in the past which included over 100 organs. But the list was long not because these organs are useless but because people at the time were ignorant. As more we know about the organs, most of them have been deleted from the list and there are only a few still remain in the list. Some people think that these organs are the leftovers of human evolution, which are called the “waste back organs” and use them as one of the evidences of evolution theory. This is a complete misunderstanding. Till not we have understood there are no such things as the “obsolescent organs”. It is simply the lack of knowledge of these organs. Take the thymus gland as an example. In the past, people didn’t know its function. Now we have understood it is the warning device of the human body against the inner and outer infection sources. As a result, the thymus gland contributes a lot to the human health. Another example, if the coccyx fractures, it will cause serious functional disturbance. So the coccyx is also an imperative part of human body. Some people might say these organs can trigger diseases. Then all human organs can lead to diseases, even brain and heart are of no exceptions. Why don’t we say the brain and heart are useless? Some organs, though they are not as important as the heart and brain and wouldn’t endanger life immediately when eliminated, are also useful. Just like if the hands or feet are lost, though not fatal, the human body is handicapped. After knowing the supreme and smart design of human structures and functions, you might want to know how they come into being. Who has designed and made such sophisticated and precise organs? We cannot avoid the question. Any truth-seeking person would admit that the extremely delicate organs and structures are not produced naturally or accidently. For instance, if someone gives you a top-class camera and tells you it is a natural one without designer or manufacturer; do you think his words are scientific and acceptable? The human body, which is even more delicate, accurate, flexible and practical, must have a supremely wise and capable creator behind it. On a spring Sunday morning in 1954, I saw a young stranger sitting in the chamber of a Church. When we started to talk, I knew that he was a student at Peking Union Medical College. He said to me, “Since I studied anatomy and physiology, I have felt the human body is really a wonder. It is not possible to understand it unless we interpret the wonder with a God.” He came to the church to seek an answer. The wonder of this young man is not the only example. I remember that when I was studying anatomy and physiology in school, some students surrounded our physiology teacher and kept asking him questions. Finally, the teacher, annoyed by so many questions, told us, “Please stop the questions because they will lead to religion in the end.” Because of the special political background at the time, the teacher’s warning silenced all the students. But his warning impressed me deeply and remained in my memory till today. My thought at that time was that the teacher was right because all the things were created by the God. Though he was not a Christian, he had to admit the truth and the further probe into the human body mysteries (part of the Universe mysteries) would definitely lead to the existence of the God (religion) in the end. Otherwise, it would be impossible to explain the wonders of the human body. The Bible says, “For the invisible things of him from the creation of the world are clearly seen, being understood by the things that are made, even his eternal power and Godhead; so that they are without excuse.”(1:20 Romans 1) Was the teacher demonstrating his scientific spirit? No. The scientific spirit means the truth and boldly pursuit of the truth without avoiding any controversy. The teacher knew very clearly that one more step forward would lead to the God but he dared not move onto the path towards the truth. Instead, he asked his students to stop there. It has shown that many people refuse to admit the existence of God not because they don’t have the scientific spirit but because of the social pressure, individual consideration for their interest and prospect, just as what the teacher was doing at that time. Nevertheless, the existence of the God would not change. And we cannot live in such considerations for the reality forever. One day in the future, when we have to face the ultimate choice, we will have to face the supreme master who has created the Universe and the human beings. The Bible says, “And as it is appointed unto men once to die, but after this the judgment.” If we don’t accept the immoral God now, we have no excuse when it comes to the day. When we talk about the origin of all things in the Universe, some young people often ask, “You have said the humans are created by the God, then who has created the God?” The analogizing logics seem to be reasonable. But it is not true. Because the God is the creator instead of the created, you can’t link these together. The table is made by the carpenter. But you cannot say the carpenter and the table have the same origin. Human benings’ understand of the God is only limited to the enlightenment from the God to the humans. Otherwise, humans cannot understand the mystery of God’s nature. The God says, “I am Alpha and Omega, the beginning and the ending, saith the Lord, which is, and which was, and which is to come, the Almighty.” (Exodus 3:14 and Revelation 1:8). For the God, there is only the eternality, and there is no time, beginning or ending. Even in the scientific field, too many analogizing questions won’t be tolerated. One scholar was talking about the belief in the God with his students. One student asked suddenly and proudly, “Where does the Universe come from?” The scholar answers, “The Universe is created by the God.” The student continued to ask, “Who has created the God?” The scholar answered, “The God is Alpha and Omega and I am not created.” The student said, “This is not scientific at all.” The scholar then asked the student, “Where does the Earth come from?” The student answered, “The Earth comes from the Sun.” The scholar continued to ask, “Where does the Sun come from?” The student answered, “The Sun comes from the Galaxy.” The scholar asked again, “Where does the Galaxy come from?” The student hesitated and answered, “The Galaxy comes from the nature.” The scholar continued to ask, “Where does the nature come from?” The student couldn’t answer this question and said in anger, “The nature is the nature and comes naturally.” The scholar then laughed, “This is not scientific at all.” So we can conclude that the “scientific” answers are not scientific. Another example is that the sciences tell people that substances are composed of the molecules. Then what are the molecules composed of? The molecules are composed of the atoms. But what are the atoms composed of? They are composed of the electrons, protons and neutrons. Then what are the electrons, protons and neutrons composed of? Till now, we cannot find an answer to this question. The atomic physicists are now working hard to find the “elementary particle”. They are called “basic particles” because the scientists don’t expect the substances to be divided limitlessly. So they believe that one day they will find the ultimate component, the “elementary particle”. Of course, the scientists will not ask such question of “what is something composed of?” This is the extremity and everything ends here. The materialists claim that the Universe is limitless and that the materials are eternal and can be divided limitlessly, etc. They are simply the groundless conclusion of the philosophers. And there is an extremity in their logics, the materials. They say that the materials are Alpha and Omega but can’t tell where the materials come from. Now let’s have a look at the math. All numbers come from 1, followed by 2, 3…. You can’t ask what the 1 is because 1 is 1, and not other numbers. It means that 1 is the origin of all numbers. The Greatest Creator has created all things and the Greatest Creator is the origin of them. It will be meaningless to ask where the Greatest Creator comes from.
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2024.05.19 10:57 jenajiejing The Secret of Human Bodies – Examples Proving the Existence of the Greatest Creator

The Secret of Human Bodies – Examples Proving the Existence of the Greatest Creator

Xue Feng

https://preview.redd.it/inye2mb6lc1d1.jpg?width=606&format=pjpg&auto=webp&s=91a7161a35c1824c81442d04ca1efb17d2cbda20
Though the modern medicine has limited knowledge of human bodies, what we have known is enough for us to admire the excellent human body structure and functions. Each system and organ in the human body is designed by the Greatest Creator. Even those trivial body parts have great functions. For example, there are several types of hairs on human bodies with distinct forms and functions. The head hair is designed to protect and beautify the head. It can grow long. According to the Bible, “But if a woman has long hair, it is a glory to her: for her hair is given her for a covering.” The eyebrows can divert sweat and rain, preventing them into the eyes. That’s why they are lined above the two eyes. Eyelashes can prevent the dust and other things from entering the eyes. That’s why they are lined on the sides of the eyelids. Also they stand forward in a special curve because it wouldn’t hinder the eyesight or pierce into the eyes when closing the eyes. If the eyebrows and eyelashes are too long, they will hinder the eyesight. That’s why they wouldn’t grow as long as the hair or beards. The nasal hairs can filter the inhaled air. That’s why they grow inside the nostril and stand sideways and outwards. If they stand inwards, the other things will find it easy to come into the nostrils and difficult to go out. The armpit hairs can prevent the partial friction and help the sweat evaporate. Without the armpit hairs, we have to raise our arms. Otherwise the skin under the arm will become inflamed because of the friction and moist. Required by the function, the armpit hairs cannot grow as long as the head hairs, or as short as the eyebrows. Besides, they are soft and curving. If they are rigid and coarse, they will hurt the skin. And cilia grow on the intestinal epithelium. The cilia grow downward and vibrate together. The vibrating waves move downward from upward to help move down the intestinal contents. Cilia also grow on the airway and bronchus epithelium. However, they grow and vibrate in the opposite direction as those on the intestinal epithelium. Only in this way can they move the sputum upward to the throat and spit them. If they grow downward, the airway and bronchus would get stuck by the sputum and the humans would die from it.
Now I wish to take two simple reflections of human bodies as an example. When foreign matters enter the nostrils or airways, they will arouse two protective reflections, sneeze or cough, which is designed to repel the foreign matters. But due to different situation, these two reflections differ in their approaches. The foreign matters in the nostrils are not urgent so the sneeze reflection can be prepared in a composed way. First, inhale slowly; open the mouth, and the soft place move upward to block the nostril. Then breathe in enough air through the mouth, and the pleural body contracts sharply to emit the air in the lungs quickly. When the emitting reaches its peak, the tongue rises abruptly to block the mouth to repel the air to go out swiftly through the nostrils. In this way the foreign matters in the nostrils are driven out. However, if the foreign matters enter the airway, it is an emergent situation. If the foreign matters are not driven out timely, the life will be put at risk. The inhaling is strictly forbidden because it will make the foreign matters go deeper and cause suffocation. So the cough doesn’t include the inhaling. Instead, the glottis closes immediately. At the same time, the pleural body contracts suddenly and adds the lung air pressure extremely. When the pressure is at its strongest point, the glottis opens suddenly and the lung air sends out explosively, compelling the foreign matters in the airway to the throat via the glottis. At this time, the soft place rises to block the nostrils. The foreign matters are spit out through the mouth. If the tongue and the soft place perform the same way as in the sneeze, the foreign matters emitted out of the airway will enter the nostrils, causing another trouble. In these two reflections, the body parts must cooperate closely. Any failure in the coordination will lead to the failure of the reflection, causing serious consequences. So these activities are not done freely. Instead, they are done as required by their functions and set procedures. These procedures are not learnt or practices. The program has been rooted in our brain nerve structure (nerve nucleus) when we are born. Otherwise, the babies will not survive.
The advanced computer science has made it possible to simulate these activities. However, the simulation requires 3 conditions: 1. Device simulating the inhale and exhaling of human mouth, nose, throat, pleural and the sensing device; 2. The central control equipment simulating nerves and body system (compute, input and output devices). The above two devices are hardware. And software is also needed, namely (3). A program composed in strict compliance with the requirements to control the performance and procedure of each link, and arrange them in perfect coordination. All the three conditions are imperative. Otherwise the reflections can’t be realized. The program itself is not a substance structure. Instead, it is a smart use and spiritual result. There will be no such a thing as the program without the smart use. So we have to ask, the program is composed by the humans and stored in the computer, how about the control program in the human brain. Is it also composed by someone and stored in the human brain? Sneeze and cough are the simplest examples. There are numerous automatically controlled physical, bio-chemical and pathological human body activities, which are even more sophisticated than reflections of cough. Even today, some of them remain mysteries to us. So how are these sophisticated control programs composed? And where do they come from?
Now let’s have a look at the sensory organs on human bodies. Why do we have two ears? The reason is that one ear is not able to identify the direction. With the ears lying on two sides of the head, the sound reaches the ears in sequence of time. Based on the slight receiving time difference, the brain can judge where the sound comes from. The auricle is the most outward component of the ear. It can introduce the sound into the external auditory canal. Within the auricle there is a thin layer of cartilage helping to retain the form of auricle, giving it wonderful elasticity and protecting it from the clashes. Without the cartilage, the auricle is just two useless pieces of skin hanging on the head side. If the thin bone is inside the auricle, it will break easily even if when you are sleeping on your side, damaging the auricle. There is fuzz on the outer segment of the external auditory canal preventing the sand and dust. The inner segment secretes cerumen to prevent insects. When foreign matters enter the external auditory canal, it will trigger head shaking, instead of sneeze or cough, to get the matters out. Because the external auditory canal is a blind passage, it is impossible to repel the foreign matters with air.
Why don’t the foreign matters in the nostrils arouse the head-shaking reflection to repel them? That’s because the nostrils of humans almost lie in the middle of the head. The shaking is not able to produce enough centrifugal force. Besides, the human nostrils face downward and it is improper to repel the foreign matters by shaking the head. The sound is produced by the mechanical vibration of objects and is transmitted by the air fluctuation, or the sound waves. The human ears are actually working like a precise mechanical vibration monitor. In the inner ear there are a number of keyboards with different sizes, producing nerve impulses produced by echoing with corresponding frequencies. The brain, in accordance with the features of these impulses, identifies the strength, tunes and timbre of the sounds.
We must note though there are many sensory organs in human bodies, only the inner ear is protected by the most solid and firm bones. In fact, it lies in the cave part of the temporal bone. Of all the sensory organs, only the ears monitor the mechanical vibration, which needs a relatively fixed position. Otherwise, it is not able to monitor the sound. If the inner ear lies in the soft tissues, when the sound wave arrives, the inner ear will vibrate with it. Thus it can hear nothing. Now the inner ear lies in the firm bone and it can’t sense the air vibration. So it is imperative to reduce the density waves to the mechanical vibrations before sending them to the inner ear. And there is such a reduction device at the middle bottom of the external auditory canal, which is called the eardrum. The eardrum has enough space to receive the air pressure. It is thin enough to vibrate when the sound wave arrives. Meanwhile, the eardrum is strong enough to push the transmission device. The long handle of the middle ear cartilage is attached to its inner side, the tensile force of which makes the eardrum sink inside slightly to maintain certain tension. This allows the eardrum to accurately reduce the arriving sound waves into the mechanical vibrations. No matter what the temperature is, the vibration function is not impacted. After the sound waves are reduced into the mechanical vibration, some rigid objects are needed to transmit the vibration to the inner ear. Of all body tissues, the most rigid objects are the bones. However, the bones are heavy in general and covered by the soft tissues, which are not suitable for the audio vibration. However, in the tympanic cavity between the eardrum and the inner ear, there are three unique tiny bones with delicate forms measured in millimeters. They are almost completely exposed to the air in the tympanic cavity. These three tiny bones are connected by ligament and form a transmission chain in curve with excellent audio vibration function, able to transmit accurately the vibration of the eardrum to the inner ear. The transmission device can properly multiply the weak vibration and reduce the strong sound wave. All of these structures are the super designs required by the acoustics.
There are even smarter designs in the hearing organ. For example, to make the eardrum vibrate freely following the arriving sound waves, the two sides of the eardrums must be exposed to the air. As a result, there is a tympanic cavity full of air in the middle ear. If the cavity is filled by liquids, just as other cavities are, the eardrum is not able to vibrate because the liquids can’t contract. Besides, the cavity does not only need to be filled with air, but also needs to be connected to the outside world with a proper passage, to balance the static air pressure in the cavity with the outside air pressure. Otherwise, the air in the cavity will gradually be absorbed, causing the eardrum to sink excessively or damaging it. When the outside air pressure changes, (such as in mountain climbing, diving, the airplane takeoff or climate change), it will arouse uncomfortable feelings or lead to hearing malfunction. But the middle ear can’t be opened to the outside world directly, just like the external auditory canal or nostrils can. The reason is that the direct exposure will make the arriving waving sound reach the two sides of the eardrums at the same time via the external auditory canal and middle ear passage, counteracting the sound pressure. Thus the eardrums will not vibrate at all, unable to produce the hearing. So it is a difficult problem to connect the middle ear and the outside world. However, the human body, with a smart design, solves this problem. The middle ear is opened at the two sides in the upper rear of the pharynx via a half-opened passage (the so-called auditory tube). The auditory tube is locked in common times and only opened temporarily when taking the swallowing actions, balancing the air pressure in the middle ear shortly. After the swallowing action is over, the auditory tube is locked again. Apart from eating, human body would regularly take swallowing action unconsciously, even when he or she is sleeping. Thus the air pressure in the middle ear can be adjusted from time to time and avoid the hearing from being hindered. Besides, when swallowing, the swallowing segment and the soft palate will definitely rise, blocking the mouth and nostrils against the outside world. So on the moment when the ear and throat are opened shortly, though the air in the throat can enter the middle ear, the sound waves from the outside world are blocked against the middle ear. As a result, the hearing will not be interfered and can receive the outside sound and voice. Only the throat in the body can meet the special demand of the hearing organs. The throat is originally designed as part of the digestion and breathing system, it does not belong to sensory system. However, it can cooperate so smartly with the hearing organs. We have to admire the extremely delicate body-wise design.
The vestibule in the inner ear controls the balance of the body. In the vestibule there are 3 semicircular canals. When the body loses balance, the mutually-vertical semicircular canals produce the balance impulse, which triggers the corresponding reflection via the balance center in the medulla brain. Why are there 3 semicircular canals instead of 2 or 4? And why are they mutually vertical? The reason is apparent. Humans live in the 3-dimensional space. There are 3 mutually-vertical movement directions, namely, front and rear, left and right, upward and downward. So the 3 mutually-vertical semicircular canals can monitor the movements. The number less than 3 or more than 3 would be insufficient or redundant. We can see the delicate and smart structure and function, and the supreme wisdom in them. They can’t be the accidental results.
As the most important perception of human bodies, vision provides more information than that provided by all other perceptions. The vision is the perception of image and space and the visual organs must have the most precise and accurate structure completely different from other sensory organs. As a result, in the perspective of the embryo-genesis or neuro-anatomy, the main structure of the eyes is not just the common receptor. Instead, it is part of the cerebral cortex. The so-called optic nerves are completely different from other cerebrospinal nerves. In essence, the optic nerves are inner structure in the brain, transmitting the most sophisticated visual information. The eyes function like a precise camera. The retina composed of the photoreceptor cells is just like the films. The crystal, iris and the cornea works like the lens, diaphragm and the filter. However, the precision and automatic adjustment of the eyes is no match of any high-quality cameras. For example, the lens in modern cameras is made of special glass or hard plastics with fixed focal distance. When taking pictures for the landscapes with different distances, the lens position must be adjusted. Otherwise, the image will not be produced on the films. But this is an awkward approach. Imagine when the eyes are watching landscapes with different distances, the eyeballs have to protrude or recess alternatively, which looks ugly or damages the health and function of the eyes. However, the crystal in the eyes are transparent and elastic colloid, which can adjust automatically the focal distance in accordance with the distance of the objects to make sure all the objects can be imaged on the retina, without changing the position of the crystal. Such automatic adjustment function can’t be fulfilled by any camera.
If we observe the eyes in the perspective of modern TV technologies, the eyes are more like the television camera, but thousands of times more precise than the television cameras. The TV image is composed of dense pixels (the mixed dark or brilliant light spots). Till now, the best TV image only contains less than 1 million pixels. However, the human eyes can produce image containing 20 billion pixels. Only the eyes can see the details of objects. No matter how clear or accurate the image is, it is still a plan view image. Then how the eyes can provide the dimensional image is a key issue of providing the complete vision. But it is not an easy task at all to convert the flat view image into the dimensional one. For a long time, people have been puzzled by how the conversion is done. Of course, we later knew the smartness and delicacy of the human body shown here. The two eyes send the flat view images they receive into the same nerve center, which contrasts and analyzes the images and judges the distance of the objects based on the slight visual angle difference caused by the position difference of the two eyes. Thus the dimensional image is produced. That’s why people have to have 2 eyes to establish the complete vision. Based on such understanding, humans have invented the dimensional movies. But the above is only the external process of how vision is formed. People have little knowledge about how the visual center works inside. We have to admit that the mysteries of human body structure and functions are beyond the intelligence of mankind.
As a matter of fact, the distance judgment with two eyes is the triangulation technique which is precise and automatic. The accurate measurement needs two premises. First, the two eyes must focus on one object at the same time. Otherwise, there will be double vision, which means the one objects will be seen as two objects. As a result, the complete neuromuscular system is equipped on the outside of the eyeballs, making the eyeballs the most flexible and accurate organs. The ciliary muscle inside the eyeballs can adjust the conversion rate of the crystal at any time to focus on the object and form the clearest image. Second, the retina of the two eyes must be strictly symmetrical. Otherwise, the image contrast of the two eyes will become impossible. Furthermore, the images received by the two eyes must be transmitted at the same time to the same visual center for contrast and analysis. There are two visual nerves on the left and right side of the brain, supervising respectively the two sides of the vision field. The objects in the left of the vision field are reflected, via the eye pupil, on the retina of the right sides of the two eyeballs. The corresponding images in the two eyes, via the visual nerve, are sent to the visual center on the right side of the brain. The objects in the right of the vision field are reflected, via the eye pupil, on the retina of the left sides of the two eyeballs. The corresponding images in the two eyes, via the visual nerve, are sent to the visual center on the left side of the brain. The two visual nerves contrast the corresponding images coming from the eyes and produce the full-field dimensional images. The pairs of human parts are often symmetrical on the outside. Only the retinas are symmetrical in the same position. Namely, the left side is symmetrical to the left side and the right side symmetrical to the right side of the two retinas. That’s because the light rays come in directly. Otherwise, the visual centers can’t receive the corresponding images or get the coordinated vision. The structural symmetry of the retinas in the two eyes must be accurate to the utmost. Otherwise the images in the two eyes will not comply with each other and the ambiguity will occur. Besides, the corresponding images from the two eyes must be sent to the same visual center. Thus the optic nerves must have the corresponding special structure to realize the cross-transmission of the images. This is the unique “chiasma opticum” unique to the optic nerves. This function is not possessed by any other nervus cerebrospinalis because they don’t handle the information of images and space. If we use the computers and monitoring cameras to simulate the process of human vision, the input network of the computers has to have a similar chiasm. No other design can do it. Judging from the above, we can find all the human organs, structures and functions have shown the supreme wisdom. And these are the ways they should be.
Some people think that human body has some useless organs, such as the thymus gland, appendix, tonsil and coccyx, in order to prove the human structure is imperfect. Some people used to believe that these organs were not that useful. Instead, they tend to arouse diseases such as appendicitis and tonsillitis. If these organs are cut off, it will not have much impact on the human body. In the past, people used to classify spleens and other organs into the useless organs. There was a list of useless organs in the past which included over 100 organs. But the list was long not because these organs are useless but because people at the time were ignorant. As more we know about the organs, most of them have been deleted from the list and there are only a few still remain in the list. Some people think that these organs are the leftovers of human evolution, which are called the “waste back organs” and use them as one of the evidences of evolution theory. This is a complete misunderstanding. Till not we have understood there are no such things as the “obsolescent organs”. It is simply the lack of knowledge of these organs. Take the thymus gland as an example. In the past, people didn’t know its function. Now we have understood it is the warning device of the human body against the inner and outer infection sources. As a result, the thymus gland contributes a lot to the human health. Another example, if the coccyx fractures, it will cause serious functional disturbance. So the coccyx is also an imperative part of human body. Some people might say these organs can trigger diseases. Then all human organs can lead to diseases, even brain and heart are of no exceptions. Why don’t we say the brain and heart are useless? Some organs, though they are not as important as the heart and brain and wouldn’t endanger life immediately when eliminated, are also useful. Just like if the hands or feet are lost, though not fatal, the human body is handicapped.
After knowing the supreme and smart design of human structures and functions, you might want to know how they come into being. Who has designed and made such sophisticated and precise organs? We cannot avoid the question. Any truth-seeking person would admit that the extremely delicate organs and structures are not produced naturally or accidently. For instance, if someone gives you a top-class camera and tells you it is a natural one without designer or manufacturer; do you think his words are scientific and acceptable? The human body, which is even more delicate, accurate, flexible and practical, must have a supremely wise and capable creator behind it.
On a spring Sunday morning in 1954, I saw a young stranger sitting in the chamber of a Church. When we started to talk, I knew that he was a student at Peking Union Medical College. He said to me, “Since I studied anatomy and physiology, I have felt the human body is really a wonder. It is not possible to understand it unless we interpret the wonder with a God.” He came to the church to seek an answer. The wonder of this young man is not the only example. I remember that when I was studying anatomy and physiology in school, some students surrounded our physiology teacher and kept asking him questions. Finally, the teacher, annoyed by so many questions, told us, “Please stop the questions because they will lead to religion in the end.” Because of the special political background at the time, the teacher’s warning silenced all the students. But his warning impressed me deeply and remained in my memory till today. My thought at that time was that the teacher was right because all the things were created by the God. Though he was not a Christian, he had to admit the truth and the further probe into the human body mysteries (part of the Universe mysteries) would definitely lead to the existence of the God (religion) in the end. Otherwise, it would be impossible to explain the wonders of the human body. The Bible says, “For the invisible things of him from the creation of the world are clearly seen, being understood by the things that are made, even his eternal power and Godhead; so that they are without excuse.”(1:20 Romans 1) Was the teacher demonstrating his scientific spirit? No. The scientific spirit means the truth and boldly pursuit of the truth without avoiding any controversy. The teacher knew very clearly that one more step forward would lead to the God but he dared not move onto the path towards the truth. Instead, he asked his students to stop there. It has shown that many people refuse to admit the existence of God not because they don’t have the scientific spirit but because of the social pressure, individual consideration for their interest and prospect, just as what the teacher was doing at that time. Nevertheless, the existence of the God would not change. And we cannot live in such considerations for the reality forever. One day in the future, when we have to face the ultimate choice, we will have to face the supreme master who has created the Universe and the human beings. The Bible says, “And as it is appointed unto men once to die, but after this the judgment.” If we don’t accept the immoral God now, we have no excuse when it comes to the day.
When we talk about the origin of all things in the Universe, some young people often ask, “You have said the humans are created by the God, then who has created the God?” The analogizing logics seem to be reasonable. But it is not true. Because the God is the creator instead of the created, you can’t link these together. The table is made by the carpenter. But you cannot say the carpenter and the table have the same origin. Human benings’ understand of the God is only limited to the enlightenment from the God to the humans. Otherwise, humans cannot understand the mystery of God’s nature. The God says, “I am Alpha and Omega, the beginning and the ending, saith the Lord, which is, and which was, and which is to come, the Almighty.” (Exodus 3:14 and Revelation 1:8). For the God, there is only the eternality, and there is no time, beginning or ending.
Even in the scientific field, too many analogizing questions won’t be tolerated. One scholar was talking about the belief in the God with his students. One student asked suddenly and proudly, “Where does the Universe come from?” The scholar answers, “The Universe is created by the God.” The student continued to ask, “Who has created the God?” The scholar answered, “The God is Alpha and Omega and I am not created.” The student said, “This is not scientific at all.” The scholar then asked the student, “Where does the Earth come from?” The student answered, “The Earth comes from the Sun.” The scholar continued to ask, “Where does the Sun come from?” The student answered, “The Sun comes from the Galaxy.” The scholar asked again, “Where does the Galaxy come from?” The student hesitated and answered, “The Galaxy comes from the nature.” The scholar continued to ask, “Where does the nature come from?” The student couldn’t answer this question and said in anger, “The nature is the nature and comes naturally.” The scholar then laughed, “This is not scientific at all.” So we can conclude that the “scientific” answers are not scientific. Another example is that the sciences tell people that substances are composed of the molecules. Then what are the molecules composed of? The molecules are composed of the atoms. But what are the atoms composed of? They are composed of the electrons, protons and neutrons. Then what are the electrons, protons and neutrons composed of? Till now, we cannot find an answer to this question. The atomic physicists are now working hard to find the “elementary particle”. They are called “basic particles” because the scientists don’t expect the substances to be divided limitlessly. So they believe that one day they will find the ultimate component, the “elementary particle”. Of course, the scientists will not ask such question of “what is something composed of?” This is the extremity and everything ends here. The materialists claim that the Universe is limitless and that the materials are eternal and can be divided limitlessly, etc. They are simply the groundless conclusion of the philosophers. And there is an extremity in their logics, the materials. They say that the materials are Alpha and Omega but can’t tell where the materials come from. Now let’s have a look at the math. All numbers come from 1, followed by 2, 3…. You can’t ask what the 1 is because 1 is 1, and not other numbers. It means that 1 is the origin of all numbers. The Greatest Creator has created all things and the Greatest Creator is the origin of them. It will be meaningless to ask where the Greatest Creator comes from.
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2024.05.19 10:54 MasTerBabY8eL What will it cost me in the end?

I bought HM3 for PS5 (physical copy) at original launch and played it a bunch, got rid of it after a few months but now what to play it again. Was planning to nip to the local game store as they have a few pre-owned copies on PS5 & PS4 for £28 and £25 respectively. The fact I owned it previously should I get access to everything on inserting the disc again? Or will I be on the hook to pay extra on top of what I pay for the disc version later today? I know there is an explanation of how to buy but my scenario doesn't seem to fit into it. Cheers
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2024.05.19 10:54 PageTurner627 My Dad and I Hunted Down the Dogman that Killed My Sister

I’ve always hated the smell of gun oil. It clings to everything it touches, soaking deep into the fibers of my clothes, the lining of my backpack, the coarse hair on the back of my hands. Yet here I am, kneeling on the cracked linoleum of our mudroom, a Remington .308 laid across my thighs, and the stench of gun oil sharp in my nostrils. The early morning light barely scratches at the edges of the blinds, dim and gray like the belly of a dead fish.
My dad Frank is in the kitchen, clattering around with the coffeepot and mumbling under his breath. Today we’re heading up to the woods of Northern Michigan, same as we did every year before Leah… before we lost her.
I can’t help but feel the old scars throbbing as I load bullets into the magazine. It’s been ten years since that hunting trip, the one that tore my family into before and after. Before, when Leah's laughter was a constant soundtrack to our lives; after, when every silence was filled with her absence.
We were just kids back then. I was ten, Leah was eight. It was supposed to be a typical hunting trip, one of those bonding experiences Dad was always talking about. But things went wrong. We got separated from Dad somehow. One minute we were following him, the next we were lost, the dense woods closing in around us.
Dad says when he found me, I was huddled under a fallen tree, my eyes wide, my body frozen. All I could mutter through chattering teeth was "Dogman."
It was only later, after the search parties had combed through every thicket and hollow, that they found her. What remained of Leah was barely recognizable, the evidence of a brutal mauling undeniable. The authorities concluded it was likely a bear attack, but Dad... he never accepted that explanation. He had seen the tracks, too large and oddly shaped for any bear.
As I load another round, the memory flashes, unbidden and unwelcome. Large, hairy clawed hands reaching out towards us, impossibly big, grotesque in their form. Yet, the rest of the creature eludes me, a shadow just beyond the edge of my recall, leaving me with nothing but fragmented terrors and Leah’s haunting, echoing screams. My mind blocked most of it out, a self-defense mechanism, I guess.
For years after that day, sleep was a battleground. I'd wake up in strange places—kitchen floor, backyard, even at the edge of the nearby creek. My therapist said it was my mind's way of trying to resolve the unresolved, to wander back through the woods searching for Leah. But all I found in those sleepless nights was a deeper sense of loss.
It took time, a lot of therapy, and patience I didn't know I had, but the sleepwalking did eventually stop. I guess I started to find some semblance of peace.
I have mostly moved on with my life. The fragmentary memories of that day are still there, lurking in the corners of my mind, but they don’t dominate my thoughts like they used to. I just finished my sophomore year at Michigan State, majoring in Environmental Science.
As for Dad, the loss of Leah broke him. He became a shell of himself. It destroyed his marriage with Mom. He blamed himself for letting us out of his sight, for not protecting Leah. His life took on a single, consuming focus: finding the creature that killed her. He read every book, every article on cryptids and unexplained phenomena. He mapped sightings, connected dots across blurry photos and shaky testimonies of the Dogman.
But as the tenth anniversary of Leah’s death approaches, Dad's obsession has grown more intense. He’s started staying up late, poring over his maps and notes, muttering to himself about patterns and cycles. He’s convinced that the dogman reappears every ten years, and this is our window of opportunity to finally hunt it down.
I’m not nearly as convinced. The whole dogman thing seems like a coping mechanism, a way for Dad to channel his guilt and grief into something tangible, something he can fight against. But I decided to tag along on this trip, partly to keep an eye on him, partly because a small part of me hopes that maybe, just maybe, we’ll find some kind of closure out there in the woods.
I finish loading the rifle and set it aside, standing up to stretch my legs. I wipe my greasy hands on an old rag, trying to get rid of the smell. The early morning light is starting to seep into the room, casting long shadows across the floor.
Dad comes out of the kitchen with two thermoses of coffee in hand. His eyes are bleary and tired.
“You ready, Ryan?” he asks, handing me a thermos, his voice rough from too many sleepless nights.
“Yeah, I’m ready,” I reply, trying to sound more confident than I felt.
We load our gear into the truck, the weight of our supplies and weapons a physical reminder of the burden we carry. The drive from Lansing across the Lower Peninsula is long and quiet, the silence between us filled with unspoken memories and unresolved grief.

The drive north is a blur of highway lines and the dull hum of the engine. I drift off, the landscape outside blending into a haze. In my sleep, fragments of that day with Leah replay like scattered pieces of a puzzle. I see her smile, the way she tugged at my sleeve, eager to explore. The sunlight filters through the trees in sharp, jagged streaks.
Then, the memory shifts—darker, disjointed. Leah's voice echoes, a playful laugh turning into a scream that pierces the air. The crunch of leaves underfoot as something heavy moves through the underbrush. I see a shadow, large and looming, not quite fitting the shapes of any creature I know.
Then, something darker creeps into the dream, something I’ve never allowed myself to remember clearly.
Before I can see what it is I wake up with a start as the truck jerks slightly on a rough patch of road. Dad glances over. "Bad dream?" he asks. I nod, rubbing the sleep from my eyes, the remnants of the dream clinging to me like the cold.
"Yeah, just... thinking about Leah," I manage to say.
As we drive, Dad attempts to bridge the silence with small talk. He asks about my finals, my plans for the summer, anything to keep the conversation going. His voice carries a forced cheerfulness, but it’s clear his heart isn’t in it. I respond when necessary, my answers brief, my gaze fixed on the passing scenery.
The landscape changes as we head further north, from flat expanses to rolling hills dotted with dense patches of forest. It's beautiful country, the kind that reminds you how vast and wild Michigan can be, but today it just feels oppressive, like it’s closing in on us.

We finally arrive at the cabin, nestled deep in the woods, its weathered wood blending seamlessly with the surrounding trees. The place hasn't changed much since the last time I was here—a relic from another time, filled with the echoes of our past. I can still see Leah running around the porch, her laughter ringing out into the forest.
Dad parks the truck, and we step out into the crisp air. The smell of pine and damp earth fills my nostrils. We start unloading our gear, the tension between us palpable.
“Let’s get this inside,” Dad says, his voice gruff as he hefts a duffel bag onto his shoulder.
I nod, grabbing my own bag and following him to the cabin. Inside, it’s a mix of old and new—the same rustic furniture, but with new hunting gear and maps strewn across the table. Dad’s obsession is evident in every corner of the room, a constant reminder of why we’re here.
As we unpack, we exchange strained attempts at normalcy. He talks about the latest cryptid sightings he’s read about, his eyes lighting up with a fervor that both worries and saddens me.
“Did you hear about the sighting up near Alpena?” he asks, laying out his maps on the table.
“Yeah, you mentioned it,” I reply, trying to muster some enthusiasm. “Do you really think there’s something to it?”
Dad’s eyes meet mine, and for a moment, I see a flicker of doubt. But it’s quickly replaced by grim determination. “I have to believe it, Ryan. It’s the only thing that makes sense.”
We finish unpacking, the silence between us growing heavier with each passing minute. I step outside to clear my head, the cool air a welcome relief. The sun is starting to set, casting long shadows across the clearing. I can’t shake the feeling of unease.
"You can take the upstairs room," Dad mutters. His voice is strained, trying to sound normal, but it's clear the weight of the past is heavy on him. I nod, hauling my backpack up the creaking stairs to the small bedroom that I used to share with Leah. The room feels smaller now, or maybe I've just grown too much since those innocent days.
I unpack silently, setting my things aside. The bed is stiff and cold under my touch. As I settle in, I can't help but glance at the corner where Leah and I would huddle together, whispering secrets and making plans for adventures that would never happen. I push the thoughts away, focusing on the practicalities of unpacking.
After settling in, I go back downstairs to find Dad loading up a backpack with supplies for our hunt. The intensity in his eyes is palpable, his hands moving with practiced precision. I know this routine; it's one he's perfected over countless solo trips since that fateful day.
"We'll head out early," he says, not looking up from his task. "Gotta make the most of the daylight."
I nod, though unease curls in my stomach. I'm not just worried about what we might find—or not find—out there. I'm worried about him. Each year, the obsession seems to carve him out a bit more, leaving less of the Dad I knew.

The morning air is sharp with the scent of pine and wet earth as Dad and I head into the deeper parts of the forest. The terrain is rugged, familiar in its untamed beauty, but there’s a tension between us that makes the landscape feel alien. Dad moves with a purposeful stride, his eyes scanning the woods around us. Every snap of a twig, every rustle in the underbrush seems to draw his attention. He’s on edge, and it puts me on edge too.
As we walk, my mind drifts back to that day ten years ago. I can almost hear Leah’s voice echoing through the trees, her high-pitched call as she darted ahead, "Catch me, Ryan!" I remember how the sunlight filtered through the leaves, casting dancing shadows on the ground. Those memories are so vivid, so tangible, it feels like I could just turn a corner and see her there, waiting for us.
Dad suddenly stops and kneels, examining the ground. He points out a set of tracks that are too large for a deer, with an unusual gait pattern. "It’s been here, Ry. I’m telling you, it’s close," he whispers, a mixture of excitement and something darker in his voice. I nod, though I’m not sure what to believe. Part of me wants to dismiss it all as grief-fueled obsession, but another part, the part that heard Leah's scream and saw something monstrous in the woods that day, isn’t so sure.
As we continue, Dad's comments become increasingly cryptic. "You know, they say the dogman moves in cycles, drawn to certain places, certain times. Like it’s tied to the land itself," he muses, more to himself than to me. His fixation on the creature has always been intense, but now it borders on mania.
We set up a makeshift blind near a clearing where Dad insists the creature will pass. Hours drag by with little to see but the occasional bird or distant deer.
The sun rises higher in the sky, casting long, slender shadows through the dense canopy. I shift uncomfortably in my spot, the forest floor hard and unyielding beneath me. My eyes dart between the trees, hoping to catch a glimpse of something, anything, to break the monotony. Dad, on the other hand, remains steadfast, his gaze fixed on the treeline as if he can will the dogman into existence by sheer force of will.
A bird chirps nearby, startling me. I sigh and adjust my grip on the rifle. I glance over at Dad.
“Anything?” I ask, more out of boredom than genuine curiosity.
“Not yet,” he replies, his voice tight. “But it’s out there. I know it.”
I nod, even though I’m not sure I believe him. The forest seems too quiet, too still. Maybe we’re chasing ghosts.
As the sun begins its descent, the forest is bathed in a warm, golden light. The air cools, and a breeze rustles the leaves. I shiver, more from anticipation than the cold. The long hours of sitting and waiting are starting to wear on me.
“Let’s call it a day for now,” Dad says finally, his voice heavy with disappointment. “We’ll head back to the cabin, get some rest, and try again tomorrow.”
I stand and stretch, feeling the stiffness in my muscles. We pack up our gear in silence and start the trek back to the cabin. The walk is long and quiet, the only sounds are the crunch of leaves underfoot and the distant calls of birds settling in for the night.

Dinner is a quiet affair, both of us lost in our thoughts. I try to make small talk, asking Dad about his plans for tomorrow, but it feels forced. We clean up in silence.
After dinner, I retreat to the small bedroom. The fatigue from the day's hike has settled into my bones, but sleep still feels like a distant hope. I lie down, staring at the ceiling, the room cloaked in darkness save for the sliver of moonlight creeping through the window. Downstairs, I hear the faint sound of Dad moving around, likely unable to sleep himself.
I drift into sleep, but it's not restful. My dreams pull me back to that fateful day in the woods. Leah's voice is clear and vibrant, her laughter echoing through the trees. She looks just as she did then—bright-eyed and full of life, her blonde hair catching the sunlight as she runs ahead of me.
"Come on, Ry! You can't catch me!" she taunts, her voice playful and teasing.
I chase after her, but the scene shifts abruptly. The sky darkens, the woods around us growing dense and foreboding. Leah's laughter fades, replaced by a chilling silence. I see her ahead, standing still, her back to me.
"Leah?" I call out, my voice trembling. She turns slowly, her eyes wide and filled with fear. "Ryan, you have to remember," she says, her voice barely a whisper. "It wasn't what you think. You need to know the truth."
Leah’s words hang in the air, cryptic and unsettling. Before I can respond, she turns and starts running again, her figure becoming a blur among the trees. Panic rises in my chest as I sprint after her, my feet pounding against the forest floor.
“Leah, wait!” I shout, desperation lacing my voice. The forest around me seems to close in, the trees towering and twisted, shadows dancing menacingly in the dim light. I push forward, trying to keep her in sight, but she’s too fast, slipping away like a wisp of smoke.
Suddenly, there’s a rustle, a flash of movement in the corner of my vision. Leah screams, a sound that pierces through the heavy silence. It happens too quickly—I can’t see what it is, only a dark blur that snatches her up.
“Leah!” I scream, my voice breaking. I stumble, falling to my knees as the forest spins around me. My heart races, and the terror is so real, so visceral, that it pulls me back to that awful day, the one that changed everything.
I jolt awake, my breath coming in ragged gasps.
I sit up, wiping the cold sweat from my forehead as I try to steady my breathing. The room is still dark, the shadows cast by the moonlight seem to flicker and dance on the walls. My heart is still racing from the nightmare, the echo of Leah's scream lingering in my ears.
As I struggle to calm down, the floorboards outside my room creak. The door opens slowly, and I see the silhouette of my dad in the doorway, a Bowie knife in his hand, his posture tense.
“Dad, what the hell are you doing?” I whisper, my voice shaking.
“Shh,” he hisses, holding up a hand to silence me. “I heard something. Something moving around in the cabin. Stay quiet.”
I swallow hard, my mouth dry. I glance at the clock on the nightstand—it’s just past three in the morning. The cabin is silent, the kind of deep, oppressive silence that makes every small sound seem louder. I can’t hear anything out of the ordinary, but Dad’s expression is deadly serious.
He motions for me to get up, and I do, moving as quietly as I can. My heart is racing, a mix of lingering fear from the dream and the sudden, sharp anxiety of the present moment. Dad leads the way, stepping cautiously out of the bedroom and into the hallway, the knife held ready in front of him.
We move through the cabin, checking each room in turn. The living room is empty, the furniture casting long shadows in the dim moonlight. The kitchen is just as we left it, the plates from dinner still drying on the counter. Everything seems normal, untouched.
We finish our sweep of the cabin without finding anything amiss. The silence is heavy, punctuated only by our soft footfalls. I can see the tension in Dad’s frame, his grip on the knife unwavering. After checking the last room, we pause in the dimly lit hallway, the air thick with unspoken questions.
“There’s nothing here,” I say, my voice low. “Are you sure you heard something?”
He looks at me, his eyes searching for something in my face. “I heard growling. Deep and close. It was right outside the window.”
“Maybe it was just an animal outside, a raccoon or something?” I suggest, although the certainty in his voice makes me doubt my own reassurance.
“No, it wasn’t like that. It was different,” he insists, his voice tense.
I nod, not wanting to argue, but the seeds of worry are planted deep.
The look in his eyes sends a chill down my spine. It’s not just fear—it’s desperation. The kind of desperation that comes from years of chasing shadows and finding nothing. I can see the toll this hunt has taken on him, the way it’s worn him down, turned him into a man I barely recognize.
We head back to our rooms. As I lie down, my mind races with thoughts of my dad. I can’t help but wonder if he’s losing it, if the years of grief and guilt have finally pushed him over the edge.
Dad wasn’t always like this. Before Leah’s death, he was the kind of father who took us fishing, helped with homework, and told terrible jokes that made us groan and laugh at the same time. He was solid, dependable. But losing Leah changed him. The guilt twisted him into someone I barely recognize, someone driven by a need for answers, for closure, that may never come.
I try to sleep, but my thoughts keep me awake. I can hear Dad moving around downstairs, probably pacing or double-checking the locks. His paranoia has become a constant presence, and I don’t know how to help him. I don’t even know if I can help him.

The next morning, the sunlight filters weakly through the cabin windows, casting a pale light that does little to lift the heavy mood. I drag myself out of bed, feeling the exhaustion of another restless night. Dad is already up, hunched over his maps at the kitchen table, his eyes bloodshot from lack of sleep.
“Morning,” I mumble, rubbing the sleep from my eyes as I pour myself a cup of coffee. “Did you sleep at all?”
He shakes his head, not looking up from his notes. “Not much. I couldn’t stop thinking about what I heard last night.”
I sip my coffee, trying to shake off the remnants of my nightmare. “Maybe it was just an animal, Dad. We’re deep in the woods, after all.”
He finally looks up, his eyes intense. “Ryan, I know what I heard. It wasn’t just an animal. It was something else.”
I sigh, not wanting to argue. “Okay, fine, Dad. What’s the plan for today?”
“We’re going back out. I found some tracks yesterday, and I want to follow them. See where they lead.”
I nod, feeling a mix of apprehension and resignation. I can see how much this means to him, how desperate he is for any kind of lead. “Alright. Let’s get packed and head out.”
We spend the morning preparing, loading up our gear and double-checking our supplies. Dad is meticulous, going over everything with a fine-toothed comb. I try to match his focus, but my mind keeps drifting back to Leah and the dream I had. Her words echo in my head, cryptic and unsettling: “You need to know the truth.”
We set off into the woods, the air crisp and cool. The forest is alive with the sounds of birds and rustling leaves, but it all feels distant, like background noise to the tension between us. Dad leads the way, his eyes scanning the ground for any sign of the tracks he found yesterday.
As we walk, I can’t help but notice how erratically he’s acting. He mutters to himself, his eyes darting around as if expecting something to jump out at us. His grip on his rifle is tight, his knuckles white.
“Dad, are you okay?” I ask, trying to keep my voice steady.
He glances at me, his expression unreadable. “I’m fine. Just focused.”
He stops frequently to examine the ground or the bark of trees, pointing out marks and signs that seem meaningless to me.
“Look at this,” he says, crouching down to examine a broken branch. “See how it’s snapped? That’s not a deer or a bear. That’s something bigger. Stronger.”
I crouch next to Dad, squinting at the broken branch. To me, it just looks like a regular broken branch, the kind you see all over the forest. "I don't know, Dad. It just looks like a branch to me," I say, trying to keep my voice neutral.
Dad's eyes flicker with frustration. "You're not looking close enough. It's the way it's snapped—too clean, too deliberate. Something did this."
I nod, not wanting to argue. "Okay, sure. But even if you're right, it could be anything. A storm, another hunter..."
His expression hardens. "I know what I'm looking for. This is different."
I sigh, feeling the weight of the past and the tension between us pressing down on me. "Dad, I had a dream last night. About Leah." The words hang in the air between us, heavy and fraught with unspoken emotions.
Dad's eyes widen, and he straightens up, his entire demeanor shifting. "What kind of dream? What did you see?" His voice is urgent, almost desperate.
"It was... strange. We were in the woods, like we are now, but everything felt different. Leah was there, running ahead of me, laughing. Then she stopped and told me I needed to know the truth, that it wasn't what I thought."
Dad grabs my shoulders, his grip tight. "What else did she say? Did she tell you anything specific? Anything about the creature?"
I shake my head, feeling a chill run down my spine. "No, that was it. She just said I needed to know the truth, and then she was gone."
Dad’s grip on my shoulders tightens, and his eyes bore into mine with a mixture of desperation and hope. “Ryan, you have to try to remember. Think hard. What did the creature look like? Did you see anything else?”
I pull back slightly, uneasy with his intensity. “Dad, I told you. I don’t remember. It was just a dream. A nightmare, really. My mind’s probably just mixing things up.”
He lets go of me and runs a hand through his hair, looking frustrated and lost. “Dreams can be important. They can hold memories we’ve buried deep. Please, try to remember. This could be a sign, a clue.”
I rub my temples, feeling the beginnings of a headache. “I’ve tried, okay? I’ve tried for years to piece together what happened that day. But it’s all just fragments, like pieces of a puzzle that don’t fit. The dream… it felt real, but I don’t think it’s telling me anything new.”
Dad’s face falls, and he looks older than I’ve ever seen him. He turns away, staring into the forest as if it holds all the answers.

As we make our way back to the cabin, the sun begins to set, casting long shadows through the trees. The air grows colder, and I shiver, pulling my jacket tighter around me. Dad is silent, lost in his thoughts, his face drawn and haggard.
Back at the cabin, we unload our gear once again in silence. Dad disappears into his room, muttering something about going over his notes. I decide to explore the cabin, hoping to find something that might help me understand what’s going on with him.
In the attic, I find a box of old family photos and documents. As I sift through the contents, I come across a worn journal with Dad’s handwriting on the cover. Curiosity gets the better of me, and I open it, flipping through the pages.
The journal is filled with notes and sketches, detailing his obsession with the dogman. But there’s something else—entries that talk about Leah, about that day in the woods. His handwriting becomes more erratic, the words harder to read. One entry stands out, dated just a few days after Leah’s death:
“June 15, 2013 – It was supposed to be a normal trip. Keep them close, Frank, I kept telling myself. But I failed. Leah is gone, and it’s my fault. I heard her scream, saw the shadows. I tried to get to her, but… the thing, it was there. Too fast. Too strong. My hands… blood everywhere. No one will believe me. I can’t even believe myself. I have to find it. I have to protect Ryan. I have to make it right. God, what have I done?”
Before I can read further, the attic door creaks open, and Dad’s voice slices through the stillness.
“What are you doing up here?” His tone is sharp, almost panicked.
I turn to see him standing in the doorway, his face pale and his eyes wide with something between anger and fear. I clutch the journal to my chest, my mind racing. “I found this… I was just trying to understand…”
In an instant, he crosses the room and snatches the journal from my hands. His grip is tight, his knuckles white. “You had no right,” he growls, his voice trembling.
“Dad, I just wanted to know the truth!” I shout, frustration boiling over. “What really happened to Leah.”
His eyes flash with a mix of rage and anguish, and before I can react, he slaps me across the face. The force of it knocks me off balance, and I stumble backward, my cheek stinging.
For a moment, there’s a stunned silence. We both stand there, breathing hard, the air thick with tension.
“I’m sorry,” Dad says finally, his voice barely a whisper. “I didn’t mean to… I just…” He trails off, clutching the journal to his chest like a lifeline.
I touch my cheek, feeling the heat from the slap, and take a deep breath, trying to steady myself. “Dad, what aren’t you telling me? What really happened that day?”
“Stay out of it, Ryan,” Dad growls, his eyes dark with anger. “You don’t know what you’re messing with.”
He turns and storms out of the attic. I’m left standing there, my cheek throbbing, my mind racing. What the fuck is going on? What really happened to Leah? And what is Dad so afraid of?

That night, I sleep with my rifle within arm's reach, more afraid of my dad than any dogman. The slap still burns on my cheek, and the look in his eyes—rage, fear, something darker—haunts me. I lie awake, listening to the creaks and groans of the old cabin, every sound amplified in the stillness. Eventually, exhaustion pulls me under, and I fall into a restless sleep.
The dream returns, vivid and unsettling. I'm back in the woods, chasing after Leah. Her laughter echoes through the trees, a haunting reminder of happier times. This time, though, I push myself harder, refusing to let her slip away.
"Ryan, catch me!" she calls, her voice playful.
"I'm coming, Leah!" I shout, my legs pumping, my breath coming in ragged gasps.
The forest around us is a twisted, shadowy maze, the trees seeming to close in on us. Leah's figure becomes clearer, her blonde hair catching the dim light filtering through the canopy. She stops suddenly, turning to face me, her eyes wide with fear.
"Leah, what is it?" I ask, my voice trembling.
"Look behind you," she whispers, her voice barely audible.
I turn slowly, dread creeping up my spine. In the shadows, I see a figure, its form indistinct and shifting. It’s not quite animal, not quite human—something in between. The sight of it sends a jolt of terror through me, and I wake up with a start, my breath coming in ragged gasps.
I’m not in my bed. The ground beneath me is cold and hard, the smell of damp earth filling my nostrils. Panic rises as I realize I’ve sleepwalked into the woods. I scramble to my feet, my eyes adjusting to the dim light. The moon casts a pale glow over the surroundings, revealing what looks like a long-abandoned animal lair.
The walls are covered in giant claw marks, deep gouges in the wood and earth. The air is heavy with the scent of decay, and a chill runs through me. I can’t shake the feeling that I’m being watched.
Carefully, I start to move, my eyes scanning the ground, desperate for a familiar landmark. That's when I see them—faded scraps of fabric caught on the jagged edges of the underbrush. My steps falter, a sense of dread washing over me as I bend down to examine them. The fabric is torn, weathered by time and the elements, but unmistakably familiar. It's part of Leah's jacket—the bright pink one she wore on the day she disappeared.
As I strain to make sense of it all, a rustling sound behind me snaps my focus. My heart leaps into my throat. I spin around, my hand instinctively reaching for the rifle I don't have—because, of course, I didn't bring it in my unconscious state.
The shadowy figure that emerges from the trees is unsettlingly familiar, mirroring the menacing forms of my nightmares. But as it steps into the moonlight, I recognize the worn jacket, the weary posture. It's Dad.
"Ryan!" he calls out, his voice a mix of relief and stern concern. "I've been looking everywhere for you. What the hell are you doing out here?"
I exhale slowly, the terror ebbing away as reality sets back in. "I—I don't know, Dad. I must've sleepwalked again." My voice is shaky, my earlier dream still clinging to the edges of my consciousness.
Dad stares at me in disbelief. "You haven't sleepwalked since you were a kid, Ry. This... this isn't just a coincidence." His eyes dart around, taking in the surroundings—the eerie, claw-marked den, the unsettling quiet of the woods. "How did you even find this place?"
I shake my head, struggling to find an answer. "I don't know, Dad. I just... I woke up here." The uncertainty in my voice does nothing to ease the tension.
His eyes lock onto the tattered remains of Leah's jacket in my hands, and something inside him snaps. The color drains from his face as he stumbles a few steps backward. "This... this is where it happened," he murmurs, his voice barely a whisper. “This is where we found Leah."
“I thought you said you don’t remember anything from that night,” he says accusingly.
"I swear, Dad, I don't know anything about this place," I insist, my own heart pounding.
“It was you, wasn’t it? You’ve been hiding this from me.” His voice is frantic. “You... last night, the growling, it was you.” His voice rises, tinged with hysteria.
I step back, my pulse racing, feeling the chill of the night and the weight of his accusation. "Dad, I don't know what you're talking ab—”
"No!" he interrupts, his voice breaking as he points a trembling finger at me. "You knew, you always knew. It was you, Ryan. All these years, the evidence was right there, but I refused to see it. You were the dogman. You killed Leah!"
His words hit me like a physical blow, absurd and horrifying in their implications. "Dad, you're not making any sense. You're talking crazy! I was just a little kid! How could I–" I protest, my voice shaky.
He steps closer, his presence looming over me, the outline of his figure distorted by the shadows of the trees. "Think about it! It all makes sense now. You led us here, to this place, because you remember. Because you did it."
"Dad, stop it!" I shout, my heart pounding in my chest. "You're scaring me. You need help, professional help. This isn't you."
But he's beyond reason, his eyes wild with a haunted grief. "I have to end this," he mutters, more to himself than to me, his hand tightening around his rifle.
His finger hovers dangerously over the trigger of his rifle. My instincts kick in, and I know I have to act fast.
I lunge toward him, trying to knock the weapon away, but he's quicker than I expected. We struggle, our breaths heavy in the cold night air, the sounds of our scuffle the only noise in the otherwise silent woods. His strength surprises me, fueled by his frantic emotions. He shoves me back, and I stumble over a root, my balance lost for a crucial second. That's all he needs. He raises his rifle, his intentions clear in his wild, pained eyes.
I dive to the ground just as the shot rings out, a deafening blast that echoes ominously through the trees. The bullet whizzes past, narrowly missing me, embedding itself in the bark of an old pine. I scramble to my feet, my heart pounding in my ears, and I start running. The underbrush claws at my clothes and skin, but I push through, driven by a primal urge to survive.
"Dad, stop! It's me, Ryan!" I shout back as I dodge between the trees. Another shot breaks the silence, closer this time, sending splinters of wood flying from a nearby tree trunk. It's surreal, being hunted by my own father, a man tormented by grief and lost in his delusions.
I don't stop to look back. I can hear him crashing through the forest behind me, his heavy breaths and muttered curses carried on the wind. The terrain is rough, and I'm fueled by adrenaline, but exhaustion is setting in. I need a plan.
Ahead, I see a rocky outcrop and make a split-second decision to head for it. It offers a chance to hide, to catch my breath and maybe reason with him if he catches up. As I reach the rocks, I slip behind the largest one, my body pressed tight against the cold, damp surface. I hear his footsteps approaching, slow and cautious now.
As I press against the rock, trying to calm my racing heart, I can hear Dad's footsteps drawing closer, each step crunching ominously on the forest floor. He's methodical, deliberate, like a hunter stalking his prey.
“Come out, Ryan!” Dad’s voice is ragged, filled with a blend of fury and pain.
My heart pounds against my chest, the cold sweat on my back making me shiver against the rough surface of the rock. I know I can't just sit here; it's only a matter of time before he finds me.
Taking a deep breath, I peek around the edge of the rock, trying to gauge his position. I see him, rifle raised, scanning the area slowly. This might be my only chance to end this madness without further violence. I need to disarm him, to talk some sense into him if I can.
As quietly as I can, I move out from behind the rock, my steps careful to avoid any twigs or leaves that might betray my position. I'm almost upon him when a branch snaps under my foot—a sound so trivial yet so alarmingly loud in the quiet of the woods.
Dad whirls around, looking completely unhinged. "Ryan!" he exclaims, his rifle swinging in my direction. Panic overtakes me, and I lunge forward, my hands reaching for the gun.
We struggle, the rifle between us, our breaths heavy and erratic. "Dad, please, stop!" I plead, trying to wrestle the gun away. But he's strong, stronger than I expected.
In the chaos, the rifle goes off. The sound is deafening, a sharp echo that seems to reverberate off every tree around us. Pain explodes in my abdomen, sharp and burning, like nothing I've ever felt before. I stagger back, my hands instinctively going to the wound. The warmth of my own blood coats my fingers, stark and terrifying.
Dad drops the rifle, his eyes wide with horror. "Oh my God! What have I done?" he gasps, rushing to my side as I collapse onto the forest floor.
As the pain sears through me, a strange, overpowering energy surges within. It's wild, primal, unlike anything I've ever experienced. Looking down in horror, my hands are no longer hands but large, hairy, clawed appendages. The transformation is rapid, consuming—my vision blurs, senses heighten, and a raw, guttural growl builds in my throat.
In that moment, a flood of understanding washes over me, mingling with the horror of realization. These are the hands of the creature from my nightmares, the creature whose face I can never fully recall because, as I now understand, it is me.
What happens next feels detached, as if I'm no longer in control of my own actions, watching from a distance as my body moves on its own. I turn towards my dad, his face a mask of terror. He stumbles back, his eyes wide with the dawning realization of what his son has become.
The forest around us seems to fall silent, holding its breath as the nightmarish scene unfolds. I can hear my own growls, guttural and deep, filling the air with a sound that's both foreign and intimately familiar. The pain in my abdomen fuels a dark, violent urge, an urge that's too strong to resist.
With a ferocity that feels both alien and intrinsic, I move towards him. My dad, paralyzed by fear and shock, doesn't run. Maybe he can't. Maybe he doesn't want to.
The encounter was brutal and swift, a blur of motion and violence. My dad barely puts up a struggle, as though resigned to his fate.
Not that there is anything he can do. The creature that I’ve become is too powerful, too consumed by the wild instincts surging through me. I tear him apart, limb from bloody limb, my hands—no, my claws—rending through fabric and flesh with disgusting ease.
The sound of my dad’s screams, of tearing fabric and flesh is drowned out by the animalistic growls that echo through the trees.
When it’s all over, the red mist that had clouded my vision begins to fade, and the fierce, uncontrollable rage that drove my actions subsides. I'm left standing, my breaths heavy and erratic, in the eerie stillness of the forest. The transformation reverses as quickly as it came on, and I find myself back in my human form. My clothes are ripped to shreds, hanging off my frame in tattered remnants. At my feet lies what’s left of my dad, his body torn and unrecognizable.
I glance down at my abdomen, expecting agony, but instead find my wound miraculously healed. No sign of the gunshot remains, just a faint scar where I expected a bloody mess.
Shock sets in, a numbing disbelief mixed with a gut-wrenching realization of what I've become and what I've done. My hands, now human again, tremble as I look at them, half-expecting to see the claws that had so effortlessly ripped through flesh and bone. But there's only blood, my father's blood against my skin.
I stand there for what feels like an eternity, trapped in a nightmare of my own making.
Eventually, the shock wears thin, and a cold practicality takes hold. I need to get out of here. I need to cover my tracks, to disappear. Because who would believe this? Who would understand that I didn't choose this, that I'm not a monster by choice?
With trembling hands, I do what’s necessary. I bury my dad in a shallow grave, the physical act of digging strangely grounding. I cover him with leaves and branches, a pitiful attempt to hide the brutality of his end. I take a moment, whispering apologies into the wind, knowing full well that nothing I say can change what happened.
I leave the forest behind, my mind a whirl of dark thoughts. As I walk, the first hints of dawn brush against the horizon, the sky bleeding a soft pink. It’s hauntingly beautiful.
submitted by PageTurner627 to nosleep [link] [comments]


2024.05.19 10:52 jennithomas321 On-Page vs. Off-Page SEO: Different but Equally Important

What’s the Difference Between On-Page SEO and Off-Page SEO?

On-page SEO focuses on optimizing parts of your website that are within your control, while off-page SEO focuses on increasing the authority of your domain through content creation and earning backlinks from other websites. To further understand the difference between the two, you have to understand, at a basic level, how search engine algorithms work. Let’s break it down.
There are two main buckets that search engines (SEO) look at when evaluating your site compared to other sites on the web.
  1. On-page SEO looks at what your site (or your page) is about
  2. Off-page SEO looks at how authoritative and popular your site is

On-Page vs. Off-Page SEO: What’s the Difference?

Put simply, what you rank for is largely determined by on-page factors, while how high you rank in the search results is largely determined by off-page factors.

How Does Each Type of SEO Affect Your Rankings?

What is On-Page SEO?

On-page SEO (also known as “on-site” SEO) is the act of optimizing different parts of your website that affect your search engine rankings. Where your website appears in search engine results pages is determined by a number of ranking factors including site accessibility, page speed, optimized content, keywords, title tags, etc. On-page SEO is about optimizing the stuff that you have control over and can change on your own website.

On-page SEO checklist:

How do you make sure your on-page SEO tactics are up to snuff? Here is a helpful checklist for on-site optimizations that can help curate your strategy.

Title Tags

Put your targeted keywords in the title tag of each page on your site. There are many best practices that go into writing an effective title tag.

Headings (H1)

Headings are usually the largest words on the page, and for that reason, search engines give them a little more weight than your other page copy. It is a good idea to work your target keywords into the headings of each web page but make sure you accurately reflect your page’s great content.
Make sure your H1s limited to one per page, all other headers are H2 or H3

URL structure

Put keywords into your URLs if possible. However, do not go changing all of your current URLs just so they have keywords in them. You shouldn’t change old URLs unless you plan on redirecting your old ones to your new ones. Consult a professional before doing this.

Alt text for images

Any content management system should allow you to add something called “alt text” to all images on your website. This text isn’t visible to the average visitor – alt text is in fact used by screen reader software to help blind internet users understand the content of your images. Search engines crawl images in a similar way, so inserting some relevant keywords while accurately describing the image will help search engines understand your page’s content.
Writing an alt attribute for each image keeps your website in compliance with WCAG (Web Content Accessibility Guidelines). Keep the following things in mind when writing alt text:

Fast-loading pages, or page load speed

Google wants to help its users find what they’re looking for as quickly as possible to provide the best user experience. Therefore, optimizing your pages to load faster helps your site rank higher in the search results.
Google has a tool called PageSpeed Insights that will analyze your site on both mobile and desktop. and then suggest tips to optimize page speed. There are also several quick fixes to eliminate whatever is bogging your site down and slowing your page load time. Key site speed factors to consider:

Mobile Friendliness

In recent years, Google has prioritized mobile page loading speed as a key ranking metric.
How do you know if your website is mobile-friendly? Unfortunately, Google recently dropped support for some free public tools that helped. However, you can now use Google Search Console to analyze this type of information. Specifically, the Core Web Vitals report can help you identify if your mobile pages are loading slower than they should be.

Page Content

The content on your pages needs to be useful to people. If they search for something too specific to find your page, they need to be able to find what they’re looking for. It needs to be easy to read and provide value to the end user. Google has various ways to measure if your content is useful.

Internal Linking

Linking internally to other pages on your website is useful to visitors and it is also useful to search engines. Here’s an internal link to another blog post on our site that talks more about internal linking. Very meta.
When adding internal links, make sure to have relevant anchor text. Anchor text is the clickable text in a hyperlink (usually indicated by blue font color and underline). To optimize your anchor text, make sure the selected word or phrase is relevant to the page you’re linking to.
On-page SEO ensures that your site can be read by both potential customers and search engine robots. With good on-page SEO, search engines can easily index your web pages, understand what your site is about, and easily navigate the structure and content of your website, thus ranking your site accordingly. As a best practice, make sure your page content includes 1-3 relevant internal links.

Schema Markup

Adding structured data helps Google better understand the content of a page. Google also uses certain types of structured data to display “rich results” in SERPs such as a recipe with start ratings or step-by-step instructions with an image carousel. These rich results often appear at or near the top of SERPs and generally have higher click-through-rates than normal organic listings.
Google prefers structured data to use schema.org vocabulary, and recommends using JSON-LD format. They also provide a handy Rich Results Test tool to check your code. While there are a variety of ways to add structured data to your website (plugins, Google Tag Manager, etc.), it’s always best to get a professional involved if you’re not comfortable writing code.
Check out Google’s guide to structured data and rich results here.

Social Tags

Having your content shared on social tells Google that people find your content relevant, helpful and reputable. Not every page on your site is share-worthy, but you can optimize the pages that are with these tips:

Core Web Vitals

User experience is key to a website’s long-term success. In spring 2020, Google unveiled Core Web Vitals, a common set of signals that they deem “critical” to all users’ web experiences.
The purpose of these signals is to quantify the user experience with a website, from page visual stability and load time, to interactive experiences.
To check your LCP score, access your Google PageSpeed Insights and make sure your page hits LCP within 2.5 seconds. To accomplish this, remove unnecessary third-party scripts that may be running, upgrading your web host, activating “lazy loading” so page elements load only as users scroll down the page, and remove any large page elements that may be slowing it down.
One of the simplest ways to optimize cumulative layout shift is to add height and width dimensions to each new site element. Also, avoid adding new content above existing content on a page (unless responding to user interaction).

Page Experience

Google is working on a new ranking signal (likely to come out in 2024) that prioritizes websites with positive user experiences.
The ‘page experience signal’ will consist of Core Web Vitals, plus mobile-friendliness, safe-browsing, HTTPS security, and intrusive interstitial guidelines.
According to Google, “optimizing for these factors makes the web more delightful for users across all web browsers and surfaces, and helps sites evolve towards user expectations on mobile. We believe this will contribute to business success on the web as users grow more engaged and can transact with less friction.”

What is Off-Page SEO?

Off-page SEO focuses on increasing the authority of your domain through the act of getting links from other websites.
A good analogy for how authority works is this. If you have a bathtub with rubber duckies in it (the ducks are your pages), and you start filling the tub with water (links), your duckies are all going to rise to the top.
This is how a site like Wikipedia ranks for pretty much everything under the sun. It has so much water in its bathtub that if you throw another rubber duck in it, it’s going to float to the top without any other effort.
There’s a score called “Domain Authority” that calculates how authoritative your website is compared to other sites. You can type your domain name into here to see your score.

How to optimize for off-page SEO

There are several factors that influence your off-page SEO rankings. While each one is tackled with different strategies, they share an overarching goal of building the trust and reputation of your website from the outside.
  1. Inbound links
  2. Social media marketing
  3. Guest blogging and guest posting
  4. Unlinked brand mentions
  5. Influencer marketing
The biggest off-page SEO factor is the number and quality of backlinks to your website. Some examples of ways you can build links to your website are:
While link quantity is still important, content creators and SEO professionals are realizing that link quality is now more important than link quantity. As such, creating shareable content is the first step to earning valuable links and improving your off-page SEO.
How many links do you need for good off-page SEO? That is a tough question and it’s going to be based on the domain authority of your competitors, as you want to make sure you’re playing in the same sandbox.
SEOs also used to believe that buying links was a valid way of link building; however, Google will now penalize you for buying links in an attempt to manipulate page rank. You can also be penalized for submitting your links to link directories whose sole purpose is to increase your domain authority. Again, quality wins out over quantity when it comes to link building.

Is On-Page or Off-Page SEO More Important?

It’s not about choosing between on and off-page SEO, that would be like having to choose between a foundation or a roof for your house. On-page and off-page SEO work together to improve your search engine rankings in a complementary fashion.
However, SEOs generally advise getting your on-page SEO ducks in a row before focusing too much on off-page SEO.
Just like building a house, you want to set the foundation first before building the rest of the house. Like a foundation, you may need to come back and do some maintenance to your on-page SEO from time to time. Balancing the two will help make your website “bilingual” so that your users can understand it as well as the search engine robots- and that’s how your rankings start to improve.

SEO #onpageseo #Offpageseo #Corewebvitals

submitted by jennithomas321 to clientseo [link] [comments]


2024.05.19 10:42 Humeon Advice for managing without pantoprazole

I developed regular heartburn and reflux around 2020 which I originally managed with OTC antacids. After a bit over a year I got sick of living on Quick-Eze and spoke to my GP who put me on prescription esomeprazole 20mg. A combination of reduced efficacy and a desire to not spend the rest of my life on a PPI led my GP to book me in with a gastroenterologist where I got to undergo a bunch of tests including an endoscopy, 48 hour pH monitor and a esophageal manometry (easily the worst medical experience of my life so far lol).
After all this I was diagnosed with GERD as well as some cells in my esophageal opening that needed monitoring but were described by the specialist as "pre-pre-cancerous" (which I have no idea what it means but I have to have an endoscopy every 18 months as a result). Specialist put me on pantoprazole 40mg which I have mostly been on since - I did try weaning off on GP's advice however a bout of gastritis saw me back on it again.
I'm now at a stage where I want to get off pantoprazole as I want to commit to trying to isolate different potential problem foods and see if I can reduce my symptoms with diet changes alone. I also developed pretty bad pains/myalgia in my side/chest muscles while on panto which I'm already seeing some improvement in since stopping about a week ago. The issue is in just a week my heartburn has returned with a vengeance.
Anyone have anything that worked for them to better manage symptoms (not expecting a complete elimination) while weaning off PPIs?
submitted by Humeon to GERD [link] [comments]


2024.05.19 10:05 ggwplucky [Abandoned Pools] Sony Connect Track by Track Interview

[Abandoned Pools] Sony Connect Track by Track Interview
A while back I was messing around with the Wayback Machine & came across this diamond in the rough on AP's MySpace page. Also found some photos, but most importantly, a track-by-track [Armed To The Teeth] interview from Sony Connect that they did back in '05 (presumably around the same time they did the Sony Connect set with the acoustic songs).
In the interview, Tommy tells the story behind each track on Armed To The Teeth (except Lucky). You'll also find tidbits about the process, lyrically & sonically of these songs, and much more!
If you want to read it/see it from the "raw" source and discover more, here's a link with the Wayback's capture I found on the interview blog: https://web.archive.org/web/20071005015435/http://www.myspace.com/abandonedpools
Now without further ado, the Sonic Connect Interview:
A track by track discussion of Armed to the Teeth from the Sony Connect Store interview:
LETHAL KILLERS TW: As far as how that [demo of the] song was constructed ... I did this trick where I would take a half-time drum loop and sort of nudge it one way and then put in another track and nudge it the other, and we got this sort of double time, rolling drum feel. So that - plus the sort of round-robin type of guitar parts that we have going - was sort of a very easy construction for a song. And then you start moving the bass part around, and, boom, you've got a song.
But I think that lyrically - I want to make it clear that that song isn't necessarily [about] "church is bad, government's bad." I think it's a little bit more complicated than that, though sometimes if you mix the two of religious power and government power, that can be bad for both of them. And I kinda like the idea of not living a life saying, "Well, you better live life in a certain way because then, you know, everything's gonna be great later in heaven." You know, the idea of, like, if this is all we have now, if that idea was just a little bit more embraced, our world could be a little bit better. I just find that a little bit more satisfying, too, if you think like, this is all you have and then you're gonna die. [Laughs] It seems a little bit more like, "Oh, okay, well!" instead of, like, thinking that there's some other life at some other time and you can put things off.
RABBLE TW: Well, a lot of the songs on this record - about two-thirds of it - have to do with a relationship I had that went south, and you know when you go through relationships you always have such a good 20/20 hindsight about things. And I think "Rabble" is just trying to basically say to somebody, "I just wanted to know you better" . . . It's just one of those things where, with this relationship in particular, I wish it would have turned out better. And there's a lot of things that happened that shouldn't have happened, and it's just sort of one of those "oh, what could have been?" scenarios.
THE CATALYST TW: "The Catalyst" is definitely along the same lines. I think the main line in that one is "I wish I could say something beautiful to make you fall in love again." There's a Coachella reference in there, too: "Love has slowly faded away like spotlights shining into space." Have you ever been to Coachella? Of course you have. You know, there's all those spotlights that shoot up in the air. I just thought that was kinda cool, like, how far do those lights really go? "The Catalyst" was also the last song written for the record. It was demoed while we were in the studio. And it's one of those songs that I said two-thirds of the record was written for somebody. That's one of them.
TIGHTER NOOSE TW: "Tighter Noose" is the oldest song on the record by far. It was probably written back in '99, 2000, or somewhere in there. I was thinking about it for the first record [2001's Humanistic], but it didn't really fit in with those kind of songs, so I kept it around and we'd even play it live occasionally. I think it fits in with these songs way better. [As for what "Tighter Noose" is about,] that song is one of those breaking-off-on-your-own- what-have-you-got-to-lose kind of things, because that was written sort of in the wake of when I was in The Eels. It wasn't a terribly happy situation, so I was like, well screw it, I'm just gonna go off and do my own thing. And then it's sort of like, well, you know: "I'm gonna go start my own thing. Uh, I have to learn to sing and write songs now." [Laughs] It's kinda funny: "Screw you guys! I'm gonna go get a deal!" And then like, "Uh oh." But really, I'm a firm believer in that [idea that] you just gotta go for it. And so it was like, well, this is gonna be difficult, but it's gonna be better than what I had before. And actually, with some distance on that situation, I realized I made the right decision and made a lot more money and was a lot more happy as a result. So that was sort of a leap of faith, you know. I didn't want to be someone's stupid bass player. Now I'm my own stupid bass player.
WAITING TO PANIC TW: There was a lull between record companies. The first record [Humanistic] was on Extasy - I don't know if you know about that company, but we were basically the poster-child for the implosion of an indie label. I came off the road in 2002, the label's folding, and I'm like, well, I'm just gonna go back and give this my best shot and we'll get another deal. It seemed highly unlikely, but we ended up doing it. And there was just a lull in there where nobody was interested. I had attorneys not returning my phone calls - that kinda stuff. It felt like, I'm just waiting around and I'm really anxious. So that was a song of frustration that was written and demoed all in one day - it was a song that just came out of me in like eight hours. We also put an EP out [The Reverb EP] and on the EP is the version of that demo that I did in one day. It doesn't happen [like that] very often. Usually I build bed tracks and come back to it a few weeks later and add something, and then come back a couple of days later. This one was all in one shot.
HUNTING TW: My friend Ross Golan, who has his own band Ross Golan and Molehead, had been following the wake of the relationship. He's like, "You just gotta write her a song and use her name." And I'm like, nah, nah, it's not covered enough. And he's like, "No, just do it. Go for it." So I did. I wrote this song and I wrote it for her for her birthday and I used her name, which is in the first lyric of the song, which is "Ginny." So I just went for it and wrote it. It was basically a birthday gift, and it was basically saying, like, you know, "Oops!" [Laughs] It didn't get me very far, but I like the song. We're friends, she's a good girl, absolutely, but back at that time, it was kinda like, "Erraaghhh! Here's a song!" But I like the song and I just think it was one of those times where I was really putting myself out there, and I know she liked it, too. But then, I think that's a myth where you just write a song and all of a sudden the girl just says, "Oh! Okay!" But, you know, hey. There it is. It's on the record.
That's the romantic notion of how they'll react to the song, at least.
TW: Exactly. And I'm really glad we're past that whole ironic phase, which I was part of with The Eels, where everything was super ironic and we'd play "The Macarena" on stage - [sarcastically] and that was funny! I'm glad we're through all that stuff, even though I was still a Beck fan when he was doing all that stuff, too. But I like being sincere and sappy and romantic. I kinda think that's a great thing.
ARMED TO THE TEETH TW: This is one of the first songs written when we came off the road and I had a lot of momentum. If you look at the state of the industry you can see a lot of corporations that seem to have to buy everything in sight. They just have to own everything, and to what purpose? Does it really make the industry much better? No. There's fewer outlets, there's a lot more gatekeepers. They want to buy stuff and it just kinda makes things bad for everybody. All the radio stations play the same shit - except for Indie 103.1 and KCRW in L.A. In spite of it all, I'm just gonna try to do my best and have a career anyway. When we came off the road I felt like I had a lot of momentum. Performing live is inspiring to writing, so it was just the whole idea of, "Alright, now that I have one record under my belt, I'm gonna really go for it in spite of all the forces that be." Even though they're pretty much indifferent to us, [laughs] their actions do affect us. It's sort of a song of bravado.
Why did you also choose "Armed To The Teeth" as the name of the album, too, which, in turn, implies it as the overall theme?
TW: Yeah, which is funny, since I kinda decided on that theme early on, thinking I was gonna go in a certain way, but then, like I said, two-thirds of the record is love songs. So "Armed To The Teeth" doesn't really fit in a certain way, but I also liked it just because [of] that idea of, like, now I'm really ready to make a record, and also I think it reflects the state of the country a little bit. Everything's a little bit aggressive, we're at war, and I thought it was sort of timely in that way
SOONER OR LATER TW: "Sooner Or Later" is another one of those tracks that was written after we got signed, so it's a newer song. I mentioned that sort of double time drum loop thing with "Lethal Killers" - this is the same thing. It's a half time drum loop that I nudged in one direction and then put in another track and nudge it in the other, then "boom," it's double time. And I like that, it's a good effect. It really sets up this kind of overlapping, rolling sound that a real drummer can't do. And things flam a little bit, and I really like that feel, so this song was constructed in the same manner where you have a rolling drum loop and then you put over a couple of guitar parts here and there and all of a sudden you got a song - I think this song is over six minutes. This is, um, I guess it's a couple things. Lyrically, it's sort of saying, like, whatever you do or whatever you say, there's no point in hiding anything because it all comes out in the end - which is the tagline in the chorus. There's no hiding. And in the verse it says, "Sooner or later / It's all coming down." In some way or another, whether you acknowledge it or if it just eats at your self, you can't really get away with anything. It's sort of fatalistic that way, but also in terms of, like, seeing how I also look at as a bigger picture of, like, politically, and since we're at war right now, it seems like things are getting a little scary. And that's kind of like one of those doomsday scenarios. If you look around a little you can really freak yourself out if you're reading about, like, bio-warfare and things like that. So a lot of this talk about "smoking gun in the shape of a mushroom cloud" and all that, it sort of brought up for me a lot of doomsday scenarios. So it's two-fold: it's that doomsday scenario, in terms of as far as the world is concerned, and then, personally, if you do stupid shit then you're eventually gonna pay for it somehow.
SAILING SEAS TW: Like "Hunting," this is probably the most direct, out-there storytelling song. Instead of using her [real] name, it's switched to "Holly," which is in the chorus. So it's another one of those songs talking straight to somebody. And there's a lot of details in there that I wouldn't talk about in normal conversation. That's the funny thing about songwriting where I wouldn't talk about this, but then I can put it in this song and you can still hear it and you still understand, but it's sort of masked a little bit. It's presented in a certain way where it's somehow okay to say that when you're in a major key or something. Because like, the second verse is about pretending you're outside a room listening to somebody [you love] have sex [with someone else], and that's a situation to put yourself into to really torture yourself. I created this scenario in my head and I put it in a song, and it's kinda brutal, but the [beat of the] song is upbeat and happy.
RENEGADE TW: This is a sample-based type song [with] drum loops. The cello was originally a Bjork sample and we replaced it. This one is sort of hard to explain. To me it’s just sort of like just a creation, because some of the record is social commentary, and I think there's a lot of that in this song, and it's like little snippets and ideas, and not necessarily one unifying idea. I think it's just kind of a song based on looking around and taking stock of things. This song in particular isn't really even about anything. It's just, like, observations, pretty much. And, oh, by the way, Billy Howerdel, the guitarist from A Perfect Circle, is playing guitar on that song. He jumped on that track and he's the one that makes it sound scary.
MAYBE THEN SOMEDAY TW: That was one of the first songs written in the wake of the breakup. It was one of those kind of "well-it-just-didn't-work-out-but-maybe-one-day-we'll-see-what-happens" kind of things. Because the circumstances are such that it wasn't gonna happen immediately so I was kinda like, well, we'll see. I don't have much to say about that; it's just grouped in with "songs about her."
GOODBYE SONG TW: That was also written when there was not a lot going on for me and we hadn't really nailed down the record deal. She [Tommy's ex-girlfriend] always thought she was bad luck - she'd show up and bad things would start happening - so she thought it was her fault that I hadn't got a deal. She actually moved away and soon as she did, we got a deal. [Laughs] I think it's funny to sort of say, like the first line of the song is "I'm not washed up / And you're not bad luck for anyone," so, you know, get off the ledge, really. And it's just one of those things; it's one of those yearning songs. I think with a lot of those songs there's a certain amount of effort spent on presenting evidence, like, "Look, I know this is how you feel, but look at all the other stuff." It's almost like making a case for your self [in a song]. And like I said, it didn't get me far, but it's still a good venting process. And I sort of realize when I say things like, "I wrote this for her" or whatever, it's not really for her. It's more self-indulgent to get this stuff out. And in a way you're saying, "Yeah, I wrote this song for you," but no, you wrote it for yourself so you could say things that you felt like saying. So I realize that and I think I realized that while I was writing them, but my job is to write songs so you take from what's around you to make it happen.
submitted by ggwplucky to AbandonedPools [link] [comments]


2024.05.19 10:04 Bixie Seeking help while undergoing surgery/treatment for Graves’ disease

Hi my name is Gina and I’m fundraising to help my family while I’m obtaining treatment for Graves’ Disease.
Earlier this year, I was diagnosed with Graves’ Disease, an autoimmune disorder that results in hyperthyroidism. My employer terminated me due to my illness and while I’m pursuing legal action/a settlement via a law firm working on contingency time is not on my side financially. Thankfully while Graves’ Disease is not fatal, it is a life long, chronic condition, that can have a wide range of effects on the body. In my case, breathing has become increasingly difficult, especially when trying to sleep, along with difficulty swallowing any food or liquids, thanks to inflammation in the neck and throat. Between barely being able to eat and barely being able to sleep, my life has ground to a halt, the prospect of job hunting, or maintaining myself financially through freelance and independent art work made impossible, due as well to other symptoms of the disease, such as muscle cramping and tremors. This, combined with anxiety and panic attacks further fuelled by increased thyroid hormone production, along with a host of other minor afflictions Graves’s Disease carries with it, has made life a living hell.
Thankfully, there is a simple treatment, medication and a full thyroidectomy, that can reverse these symptoms and let me lead the productive and creative life I once had. And even better, the surgery is covered by the Canadian healthcare system, but that surgery isnt until June 6, until then, and for the recovery time after, I am unable to support myself financially, or to afford the accompanying medications I will need to take for the rest of my life.
I need your help to get through this dark time and reach the other side.
Currently, my cashflow runs at a deficit of $1,200 - $1,600 a month, expected to continue another 4-8 months as I recover from surgery. To get through this time, to survive so I can later thrive, I need between $4,800-$6,400 (based on 4 months recovery) to $9,600-$12,800 (based on 8 months recovery).
Any help will be greatly appreciated. Please, give generously, so I can get my life back. if consumerism is more your taste than donations, you can peruse and arrange to purchase my art through either my Instagram @paint_splattered_cats or if you prefer art on products you can find my merchandise on Redbubble PSCats.
https://www.gofundme.com/f/help-gina-in-her-fight-to-get-her-graves-disease-controlled
submitted by Bixie to gofundme4everyone [link] [comments]


2024.05.19 09:59 Bixie Seeking help affording my medications and bills while undergoing surgery and treatment for Graves’ disease

Seeking help affording my medications and bills while undergoing surgery and treatment for Graves’ disease
Hi my name is Gina and I’m fundraising to help my family while I’m obtaining treatment for Graves’ Disease.
Earlier this year, I was diagnosed with Graves’ Disease, an autoimmune disorder that results in hyperthyroidism. My employer terminated me due to my illness and while I’m pursuing legal action/a settlement via a law firm working on contingency time is not on my side financially. Thankfully while Graves’ Disease is not fatal, it is a life long, chronic condition, that can have a wide range of effects on the body. In my case, breathing has become increasingly difficult, especially when trying to sleep, along with difficulty swallowing any food or liquids, thanks to inflammation in the neck and throat. Between barely being able to eat and barely being able to sleep, my life has ground to a halt, the prospect of job hunting, or maintaining myself financially through freelance and independent art work made impossible, due as well to other symptoms of the disease, such as muscle cramping and tremors. This, combined with anxiety and panic attacks further fuelled by increased thyroid hormone production, along with a host of other minor afflictions Graves’s Disease carries with it, has made life a living hell.
Thankfully, there is a simple treatment, medication and a full thyroidectomy, that can reverse these symptoms and let me lead the productive and creative life I once had. And even better, the surgery is covered by the Canadian healthcare system, but that surgery isnt until June 6, until then, and for the recovery time after, I am unable to support myself financially, or to afford the accompanying medications I will need to take for the rest of my life.
I need your help to get through this dark time and reach the other side.
Currently, my cashflow runs at a deficit of $1,200 - $1,600 a month, expected to continue another 4-8 months as I recover from surgery. To get through this time, to survive so I can later thrive, I need between $4,800-$6,400 (based on 4 months recovery) to $9,600-$12,800 (based on 8 months recovery).
Any help will be greatly appreciated. Please, give generously, so I can get my life back. if consumerism is more your taste than donations, you can peruse and arrange to purchase my art through either my Instagram @paint_splattered_cats or if you prefer art on products you can find my merchandise on Redbubble PSCats
submitted by Bixie to gofundme [link] [comments]


2024.05.19 09:53 Asleep-Mycologist333 Picsart Gold v24.9.6 MOD APK (Premium Unlocked)

Picsart Gold v24.9.6 MOD APK (Premium Unlocked)
https://preview.redd.it/49orqzro9c1d1.png?width=512&format=png&auto=webp&s=d19688d21dd5affb64ebe41c82feb7f50ef80936
Name Picsart AI Photo Editor
Publisher PicsArt
Genre Photography
Size 78 MB
Version 24.9.6
MOD Premium & Gold Unlocked
https://modyolo.co.in/opera-mini/
👆👆👆👆Download Link👆👆👆👆
Also Join us on telegram
https://t.me/official_modyolo
Also join us on Instagram
https://instagram.com/modifiedmod.in
Also join us on Discord
https://discord.gg/GQUCUPEeed
Follow us on WhatsApp: https://whatsapp.com/channel/0029VaAMOg5AInPlcwBnJd2Y
Picsart is a widely used image and video editing application with features that make your products completely artistic. You can completely adjust your photos easily with essential features and add many beautiful elements. At the same time, the application can also make you more attractive when taking selfies and convenient in editing if you do not want to go through many editing steps.

DRAW LARGE GAPS SIMPLY

In the new version of Picsart, users can find a new feature called Bucket Fill, and its use is to help you add color or other elements to a space inside the photo. This space often has a point that they are usually quite large and occupy the area inside the image. So you’ll be able to add the elements you want to empty spaces with the new feature more quickly without having to sit and draw for a long time.

ADJUST VIDEO AND IMAGES IN A SIMPLE WAY

The feature that users can find in Picsart is straightforwardly editing images and videos with many unique tools and effects that you cannot ignore. You can make your products more beautiful and easily attract the attention of users. At the same time, the number of tools that you can experience stretches across many different photo aspects that you will take the time to reach and master.

CUSTOMIZE IMAGES WITH BASIC TOOLS

When you get started with Picsart, you won’t ignore photo-related factors such as the aspect ratio of images and videos. Specifically, to match the platforms you can share, the application will bring you many crop features for you to use and add other essential functions. For videos, it will be to cut unnecessary segments so that users can see the necessary information. You can also use dispersion to create a disintegration effect for a character in an image.

A VARIETY OF FILTERS THAT YOU CAN USE

When it comes to an editing app like Picsart, you shouldn’t overlook the number of filters you can use. You can give your image or video a new color that you feel is right, and when you pass this step, photos with dull colors also become beautiful. Of course, you can find many criteria for filter types, and you can choose to facilitate your search.

CHANGE THE BACKGROUND AND BLUR IT

Besides the above features, many people often use them to change the background and simply blur the scene. Changing the environment requires that you recognize the object correctly for the change to go smoothly. Also, blurring the background is often used when adding a landscape image to your image. After adding and blurring, you can use the eraser to erase the areas of the blurred image that overlap the original one.

ADD STICKERS AND LIGHT EFFECTS

When it comes to filters, you certainly won’t ignore the stickers and effects that you can take advantage of. Specifically, you can find many stickers with different categories to make your image colorful and suitable for it. You can also add some artistic lens effects and use brushes to add these images by dotting a specific spot.

DIFFERENT TYPES OF FONTS BEAUTIFY THE IMAGE CONTENT

When you edit a photo, you will want to tell some story, and the way you show this is through different text. You can add text with additional content and change them into 200 different fonts to use. That turns your texts into absolutely stunning decorative elements. You can load the meaningful text in the internet to insert it into your images if you don’t have any content.

CREATE UNIQUENESS WITH IMAGES AND MUSIC

When you edit images or videos with this application, you can easily add other files to your product. For images, you can use another photo that further supports the main image you are using and can use the case of blur background. Videos can create attraction for viewers when you add songs that are trending or relevant to the content of the video.

EDIT OR TAKE PICTURES QUICKLY

If you want to have a beautiful image where the character in the photo does not have any defects, you should take a selfie and turn on the beauties feature. It is similar to a makeup feature that helps you effectively hide imperfections and correct some other parts of your face. Also, if you don’t want to edit the step process, you can reuse some of the images suggested by the replay feature and replace some of your sign elements.

FEATURES SUM UP

  • You may crop video clips to the right size and ratio, apply Glitch video effects and other fashionable filters in video editors, trim videos, or use smart video merge to join videos together Produce montage slideshows with music using a slideshow creator
  • To clean up images and remove unwanted objects, use the Remove Object tool. You can also add text to photos using 200+ designer fonts. The AI-powered smart selection tool blurs backgrounds and lets you add stickers to photographs.
  • Fotocollagen sind aktuell. Options include photo grid, freestyle, scrapbook, and picture frames. Make a meme and send it to friends. Story Maker’s Instagram Story templates are a must-have.
  • Outline your selfies with the popular Sketch effects. Canvas effects turn portraits into works of art. Create Drip Art with Dripping Effect Stickers and tweak the mixing mode. Animate yourself in seconds with stunning Magic effects
  • Pro drawing tools and customizable brushes in Picsart Draw. Doodle on photos to make translucent garments. Create drawings and images from scratch using a blank canvas. Doodle Art lets you doodle for hours.
submitted by Asleep-Mycologist333 to Modifiedmods [link] [comments]


2024.05.19 09:52 ireallylikeoctopi I think I’m finally done. WP unblocked AP who tried to SA me.

I’ve made posts on here before about how unstable AP is. They have constantly caused issues and have tried reaching out anytime they get the chance even when blocked. They will create fake numbers and social media accounts to stalk us and get their friends to do so. They originally messaged me claiming they had “no idea my WP was with someone else”, only to find out that was a lie and they essentially have begun stalking me now too.
My WP claimed AP SA’d them later on. When AP reached out to me and wanted to meet up to show me “proof” of my WP cheating, they touched me inappropriately multiple times despite me asking over and over for them to stop and even then tried to full on have sex with me. This resulted in me getting out of there as soon as I could, which was extremely hard to do with how they were behaving.
My WP knows this and they also know I have a lot of trauma from being SA’d in the past, so this really hit home for me and my mental health hasn’t been very well over it. Instead of being supportive, they have actually just continued to accuse me over and over of “probably lying about it because I most likely slept with AP and am hiding the truth”. They constantly tell me they have “no reason to believe me” and that “maybe I shouldn’t have gone to AP’s house in the first place”.
This hurts on such a deep level I can’t even describe it to you. I have not been sure if I’ve wanted to re-enter into R with my WP for awhile now. They keep insisting on trying for R, but there’s just been so much damage. The reason I’m writing this post though, is because I found out tonight they unblocked AP again and have been talking to them. This started last Sunday when they told me that “AP tried calling them, but they didn’t answer and AP is blocked anyway, but their phone lets them see when blocked numbers call them”.
This didn’t make any sense to me, because while I know their phone does in fact show in the call log if a blocked number has tried to call, it wouldn’t ring/go through, and they gave away that the phone did ring by saying they “didn’t answer it”. So obviously AP was not blocked, but I knew prying wasn’t going to make them be honest with me about it. I tried move on from this best I could, until a few days ago they decided to tell me what actually happened. They told me they never blocked AP because they “forgot”, and that AP actually texted them and they had a full blown conversation, but that they told AP they didn’t want them in their life whatsoever.
They told me AP then tried to call, but WP didn’t answer and blocked them. As if that wasn’t enough, tonight I find out that they unblocked AP and talked to them again. When I asked why they unblocked them at all, they said “to see if AP would listen”. So I asked what they said to them since it sounds like they messaged AP first. They swore up and down AP messaged first, which makes no sense because then why would you unblock them to “see if they would listen”? Listen to what? They claimed they wanted to “see if AP would listen and not message them, since my WP told them to not reach out again the last time they spoke to AP”.
I tried asking more details, to which none of the answers made any sense and they were half-assed. They told me it sounds like AP is “keeping tabs on them which was unsettling”, but they didn’t further elaborate and honestly that adds up because AP has stalked both of us for close to a year. They said they blocked AP again. I lost it. I told them they obviously unblocked them because they want this person around, want to talk to them or at the very least enjoy the attention they’re getting from them.
WP got mad and said that wasn’t the case, but I told them there’s no other reasoning for them to unblock them. If they genuinely didn’t want AP around and were as unsettled by AP’s actions as they’ve claimed to be, they wouldn’t be unblocking them just to “see if they would listen and not reach out like they said they would”. Why would you even want to know if this person reached out at all? This makes zero sense and nobody who genuinely didn’t want to speak to someone would do this.
What hurts me the most though, is they are actively keeping a person around who they know tried to SA me. They know this person makes me feel uncomfortable and severely stressed out. They know this person has posed a physical danger to me and apparently SA’d them too, so why are they keeping them around? Why do they want to be engaging with someone like that?
I told them I don’t want them in my life anymore. I told them to do whatever they want, but to keep me out of it and to not contact me again. I told them if I ever am contacted again by AP or their friends or if I see them around here, I will be calling police. They haven’t responded and to be honest, I’m just a mess. I was debating R and now I don’t think that’s an option whatsoever anymore. How could anyone do this to someone they claim to love?
submitted by ireallylikeoctopi to AsOneAfterInfidelity [link] [comments]


2024.05.19 09:49 BenJepheneT Hot Take: E4 would be enhanced if Fang remained Non-Binary

Before I continue:
My reasoning is entirely subjective. Though I'll be referencing themes/plot points from the story I won't be reaching over my head to make my arguements. This is just how I feel. Your opinions regarding mine are as correct (and wrong) as mine.
With the idea that by E4, Fang finds her sense of self-worth and becomes truly herself, I find it a bit bland for the story to just turn Fang into a "normal" character; normal as in her aesthetics and behaviour are completely mellowed out when Anon comes back from college. It's a big shame, cause' I'm sure that Fang's aesthetic and identity was a big pull to why we like her in the first place (aside from wanting to bang qt goth ptero dinussy). It also feels a bit to me like character assassination. I'll explain more below.
Throughout the story and the subsequent events leading to E4 we see Fang discarding Trish's influences, but to completely rid of her history is unrealistic, I feel. Manipulation or not, living a whole year and maybe more in a certain mindset will change someone, moreso if they're a teen, and you don't just forget or discard it in a mere few months. You aren't just who you're born as, you're also influenced by your surroundings and your history. This is why you find stories of misplaced twins in orphanages who become completely different people when they meet again, because that's how strong upbringings can be.
Plus, regardless of Trish's manipulation, she still had a big hand in helping with Fang's life. They were still best friends with misguided intentions. Trish just wanted what's best for Fang, as twisted as it may be. I feel like the story overexaggerated how negative Trish's actions were. At worst, Fang simply had a phase like how all teenagers do. At best, Trish gave Fang an outlet to tell her worries and have friends she could count on during times of crisis. I'd argue Fang would probably be worse off if Trish wasn't there.
And, even if Fang was still a lost soul throughout the first half of the story, we could see her rough tenacity and strong headedness about an identity she supposedly didn't abide by. Being NB gave her an outlet to express her dissatisfaction against the world, and I think many queer people could relate to that before they eventually found their identity. It should make sense that her non-binary-ness(?) would dictate a major part of her metamorphosis into E4 Fang.
Now I'm not a writer (I've got 2 years as a failed fan fiction/original web-author and no finished series under my belt) but I would make it so that Fang still retains her non-binary identity but frame it so that she's non-binary BECAUSE it dictated much of what she's experienced during her growth, not because Trish told her she's NB. I'll even go as far as to make her gender fluid (NB/Female) and adopt she/they pronouns, as a way to combine canon Fang together with my interpretation of her.
This also serves to aid Anon's character arc. He'd supposedly learned to have empathy and compassion for things he doesn't understand or agrees with by then, so better way to show that growth other than for him to start using Fang's preferred pronouns? He could start small, by interjecting with a small insult every time he has to consciously use [they] to refer to Fang, but he comes to get used to it overtime and finally learns to accept it by the end.
I understand this isn't a popular opinion and that it cuts Fang's detransition which plays a big part in her finding an identity but I like what I've substituted: acceptance of not only self but your past and the people that came along the way.

No doubt there'll be unsavoury, bigoted comments below but I hope the responses are civil. I know we hail from the Mongolian basket weaving forum but come on, it gets old, y'know. I just want to discuss headcanons and analysis for a second instead of shit flinging in /pol/.
submitted by BenJepheneT to SnootGame [link] [comments]


2024.05.19 09:40 d_pock_chope_bruh Progenitors

It started with a whisper, a shiver of information that slithered through the corridors of the CIA like a cold, uninvited guest. I was a senior analyst, tasked with sifting through the static and noise of global intelligence. But this—this was different. It was 2009 when the first document crossed my desk, a classified report from the Global Access Program. The title was innocuous: “Unidentified Aerial Phenomena – Preliminary Analysis.” But the content… it was nothing short of extraordinary.
The initial report detailed sightings of craft with capabilities far beyond our own. These weren’t the erratic, drunken movements of weather balloons or the technological marvels of hostile nations. These were intelligent, deliberate maneuvers, the kind that hinted at minds far advanced from ours. It was chilling, but it was only the beginning.
As weeks turned into months, the trickle of information became a flood. Documents stamped with the highest levels of classification described encounters, recoveries, and, most disturbingly, autopsies. The recovered bodies weren’t the little green men of popular culture. They were eerily humanoid, yet undeniably otherworldly. Their skin had a silicon-like quality, translucent and tough, and their eyes—large, dark, and haunting—seemed to pierce through the veil of secrecy we so desperately tried to maintain.
I was part of a small, compartmentalized team, tasked with understanding the implications of these findings. The government’s approach was twofold: reverse-engineer the technology and determine the intentions of these visitors. But as our understanding grew, so did our fear.
One evening, after hours of staring at grainy footage of a UFO darting through the sky over a desolate military base, I received a call. The voice on the other end was panicked, speaking in hushed, frantic tones. It was one of our field operatives, stationed at a classified recovery site. They had just intercepted a transmission. It wasn’t human.
The transmission was a distress signal, but not one of desperation. It was a call to arms. These beings, it seemed, were not just explorers. They were scouts, and their mission was not benign. The transmission hinted at a hive mind, a collective consciousness that controlled these entities. They were here to assess, to probe, and to prepare. For what, we could only speculate.
Days later, another recovery operation took place. A craft was shot down over the Nevada desert, and the bodies retrieved told a horrifying story. They were connected, biologically and technologically, to this hive mind. When one entity was captured, the others knew. When one died, they all felt it. The implications were staggering. We were not just dealing with isolated visitors; we were confronting a unified front.
The more we learned, the more paranoid our superiors became. Orders came down to contain the information at all costs. Whistleblowers were silenced, dissenters disappeared. But the truth was too big to contain. The technology we recovered was decades, if not centuries, ahead of our own. Anti-gravity propulsion, energy sources that defied our understanding of physics, biological materials that healed and adapted.
And then came the darkest revelation. The autopsies revealed something even more unsettling. These beings had genetic material strikingly similar to our own. They weren’t just visitors; they were progenitors. We were their experiment, their creation. The implications shattered every paradigm we held dear. Religion, science, history—all of it was called into question.
As I sit here, penning this confession, I know my time is limited. They will come for me, as they have come for others. But the truth must be known. We are not alone, and we never have been. Our governments have hidden this from us, not out of malice, but out of fear. Fear of the unknown, fear of the truth, fear of the inevitable.
To you who reads this, understand this: the veil has been lifted. The shadows hold secrets that are darker and more profound than we can imagine. And the truth, once revealed, will change everything.
This is my testament. Believe it, or don’t. But know this: the world is not as it seems. The universe is vast, and we are not the apex of creation. We are but a fragment in a grand, terrifying design.
The truth is out there, waiting to be uncovered. And when it is, the world will never be the same.
The progenitors, as we came to call them, had motives far more complex and far-reaching than simple exploration or conquest. The truth unraveled slowly, like an intricate tapestry revealing a grand design. It began with fragments of intercepted communications and culminated in a terrifying, awe-inspiring understanding of our place in the universe.
The progenitors did not come from a distant star merely to observe. They were architects of life, and Earth was their grand experiment. Our planet, teeming with diverse life forms, was a controlled environment, a living laboratory designed for a singular purpose: evolution.
From the ancient texts to modern scientific discoveries, we’ve always sought answers to our origins. The progenitors provided those answers, but they came at a cost. We discovered that they seeded countless worlds, each designed to test different variables of life. Earth was unique due to its biodiversity and its potential for intelligent life.
The genetic similarities between us and the progenitors weren’t just a coincidence. They were deliberate. By seeding their own DNA into the primordial soup of Earth, they ensured a certain path of evolution. Our intelligence, our creativity, our very civilization were results of their intricate design. We were, quite literally, their children, bred and cultivated to reach a specific level of advancement.
But why? The reasons were as complex as they were chilling. The progenitors were not just scientists; they were facing an existential crisis. Their civilization, once spanning galaxies, was in decline. They needed a solution to prevent their extinction, and their answer was found in genetic diversity and adaptability.
Earth and its human inhabitants were part of a grander scheme: to evolve a species capable of assimilating their consciousness, their essence, into a new form. Our rapid technological advancement was not just a natural progression but was subtly influenced to accelerate our development. They needed us to reach a level where we could understand and perhaps even merge with their advanced consciousness.
We learned through decrypted communications and rare encounters that the progenitors were a hive mind, an interconnected collective consciousness. Over millennia, they had lost individuality, becoming a singular entity spread across countless biological hosts. This form of existence had its limits, and they sought to evolve beyond those constraints. They aimed to create a hybrid species—humans with the potential to host their collective consciousness.
This wasn’t just about survival; it was about transcendence. By merging with us, they hoped to achieve a new state of being, combining their ancient wisdom and collective power with our adaptability and creativity. We were to be the vessels for their next evolution.
However, this plan wasn’t without resistance. Among the progenitors, there were factions. Some believed in the purity of their collective consciousness, resisting the idea of merging with what they considered lesser beings. These internal conflicts spilled over into their actions on Earth, leading to sporadic yet significant interventions in our history.
As our understanding grew, so did the dread. The government’s attempts to contain this knowledge were born out of sheer terror. How could they explain to the world that we were bred for a purpose beyond our control? That our creators intended to use us to save themselves?
The intercepted transmissions became increasingly desperate. The progenitors’ time was running out, and their interest in Earth intensified. Reports of sightings and encounters surged. The military engaged in numerous clandestine operations to intercept and study these beings, leading to an underground war of sorts.
And then came the ultimate revelation: the progenitors were already among us. Their advanced technology allowed them to blend in, to influence, and to manipulate. The rise and fall of civilizations, the sudden leaps in technology, the inexplicable events in history—they were all part of the progenitors’ intricate plan to guide us towards the inevitable merging.
The truth, when finally pieced together, was more than earth-shattering. It was paradigm-shattering. We were not alone, nor were we masters of our fate. We were pawns in a cosmic game, engineered for a destiny we had yet to fully comprehend. The progenitors, our creators, were not gods but beings driven by survival and evolution, using us as their means to an end.
As I document this, I know the implications are beyond comprehension. The world must know, not to incite fear, but to understand. We stand at the brink of an unprecedented revelation, one that will redefine our existence and our place in the universe.
This is the truth, unfiltered and unvarnished. We are the progeny of ancient architects, part of a grand design stretching across the stars. Our future is intertwined with theirs, and the choices we make now will determine the fate of both our species.
submitted by d_pock_chope_bruh to scarystories [link] [comments]


2024.05.19 09:39 Stack50 Good Use of OOP in Python? Is this overcomplicated?

Hello programmers,
I have been rewriting my Tetris game from a while ago that was very messy (one big old file). I am trying to go for MAXIMUM code quality with SOLID. This section of code is from the piece queue system, which originally was just hard coded in the game logic along with everything else. What do you think of this design? Is it way overcomplicate (how do I simplify)? Is it "pythonic"?
from typing import TypeVar, Generic, Iterable from abc import ABC, abstractmethod import random _T = TypeVar("_T") """ Alternate designs: - Take in Generator function and use next(self.generator) - Create strategy class and take that in """ class RefillingQueue(ABC, Generic[_T]): def __init__(self, refill_items: Iterable[_T], visible_size: int = 1) -> None: self.refill_items = list(refill_items) self.visible_size = visible_size self.queue = [] self.fill_queue() def insert_at_start(self, items: list[_T]) -> None: self.queue = items + self.queue def pop(self) -> _T: value = self.queue.pop(0) self.fill_queue() return value def view(self) -> list[_T]: return self.queue[self.visible_size:] def fill_queue(self): while len(self) < self.visible_size: self.queue.extend(self.generate()) u/abstractmethod def generate() -> list[_T]: pass class FullRandomQueue(RefillingQueue[_T]): def generate(self) -> list[_T]: return [random.choice(self.refill_items)] class ShuffledBagQueue(RefillingQueue[_T]): def generate(self) -> list[_T]: items = self.refill_items.copy() random.shuffle(items) return items class LessRepeatRandomQueue(RefillingQueue[_T]): def __init__(self, refill_items: Iterable[_T], visible_size: int = 1) -> None: super().__init__(refill_items, visible_size) self.last_item = random.choice(self.refill_items) def generate(self) -> list[_T]: roll_num = random.randrange(-1, len(self.refill_items)) if roll_num == -1 or self.refill_items[roll_num] == self.last_item: roll_num = random.randrange(0, len(self.refill_items)) self.last_item = self.refill_items[roll_num] return [self.last_item] 
What I am going for:
  1. Single Responsibility Principle (SRP)
  2. Open/Closed Principle
  3. Liskov’s Substitution Principle (LSP)
  4. Interface Segregation Principle (ISP)
  5. Dependency Inversion Principle (DIP)
From: https://www.geeksforgeeks.org/solid-principle-in-programming-understand-with-real-life-examples/
I am open to all suggestions, even if they are of the goal itself. THANK YOU FOR YOUR TIME!
submitted by Stack50 to learnprogramming [link] [comments]


2024.05.19 09:33 MarvSee Magnetic Screen Door - All Informations you need

Have you ever heard of a magnetic screen door? If not, you're in for a treat!
We will explore what a magnetic screen door is and how it works. We will also discuss the numerous benefits of using one, such as easy entry and exit, keeping bugs out, and saving energy.
We will delve into the different types of magnetic screen doors, how to install them, tips for maintenance, common issues to watch out for, and more.
So, sit back, relax, and let's dive into the world of magnetic screen doors!

👉 Klick hier für mehr Informationen

Key Takeaways:

What Is a Magnetic Screen Door?

A magnetic screen door is a convenient and versatile solution for keeping insects out while allowing a refreshing breeze to flow through your living space. Typically made of PVC coated polyester mesh, these doors feature velcro strips and magnets for easy installation and use.
These screen doors are designed to fit most standard door sizes, and some models are customizable, allowing you to choose the perfect fit for your specific doorway.
The variety of colors available ensures that you can find a magnetic screen door that complements the aesthetics of your home.
Privacy screens are an essential feature of many magnetic screen doors, providing not only protection from insects but also a shield from prying eyes in busy outdoor settings.

How Does a Magnetic Screen Door Work?

A magnetic screen door operates through the use of strategically placed magnets along the edges that ensure a secure closure after entry or exit. This mechanism effectively prevents bugs and insects from entering the living space while allowing a continuous flow of fresh air through the PVC mesh material.
These magnets act as a powerful force, promptly pulling the screen closed behind anyone passing through. The PVC mesh screen acts as a dual-action feature, filtering out dust and providing excellent ventilation without compromising on security. This combination ensures that homes remain pest-free, while still enjoying the benefits of a constant breeze flowing through the room. The seamless blend of magnetic closures and durable mesh makes these screen doors an innovative solution to keep indoor spaces bug-free and airy.

👉 Klick hier für mehr Informationen

What Are the Benefits of Using a Magnetic Screen Door?

Utilizing a magnetic screen door offers numerous advantages, including easy access for entry and exit, protection against bugs and insects, natural ventilation that brings in a refreshing breeze, and energy efficiency by reducing the need for artificial cooling systems.
These doors play a crucial role in enhancing the connection between indoor and outdoor spaces. They create a seamless transition, making it easier to move between the two areas without any barriers. This not only promotes a sense of openness but also allows for better air circulation, improving the overall air quality within the living space.
With the installation of magnetic screen doors, you can enjoy the beauty of the outdoors while maintaining a level of privacy, especially when compared to traditional outdoor curtains. These doors contribute to energy savings by allowing natural light to enter the home, reducing the reliance on artificial lighting during the day.

Allows for Easy Entry and Exit

One of the primary benefits of a magnetic screen door is its seamless installation process that enables convenient entry and exit from your living space without the need for complex mechanisms or tools.
These innovative screen doors only require basic household tools to set up, making it a hassle-free addition to your home. By following the straightforward instructions provided, you can easily attach the magnetic strips to your door frame in a matter of minutes.
Once installed, the magnetic screen door effortlessly opens and closes, allowing for a smooth transition between your indoor and outdoor spaces. Its user-friendly design is ideal for those who value simplicity and functionality in their home improvement projects.

Keeps Bugs and Insects Out

The PVC mesh material of a magnetic screen door acts as a barrier against insects and bugs, ensuring a pest-free environment within your living space. Regular cleaning with appropriate agents helps maintain its effectiveness.
By incorporating PVC mesh in the construction of the screen door, homeowners create a strong line of defense against unwanted critters while still allowing fresh air to circulate. The mesh structure effectively blocks out mosquitoes, flies, and other pests without obstructing the view or airflow.
To ensure continued protection, it is crucial to conduct routine cleanings using gentle agents that preserve the integrity of the material. This not only helps in removing any trapped debris or dust but also safeguards the door's durability against wear and tear due to dirt accumulation.

👉 Klick hier für mehr Informationen

Provides Natural Ventilation

By allowing a refreshing breeze to pass through, a magnetic screen door provides natural ventilation that enhances indoor air quality and creates a comfortable environment. Privacy screens can be integrated for added security.
One of the key advantages of incorporating magnetic screen doors is their ability to facilitate the circulation of fresh air throughout your living space. This not only helps in reducing stuffiness but also contributes to maintaining a healthier indoor atmosphere by minimizing the build-up of pollutants and odors.
The option to include privacy screens further enhances the functionality of these doors. The privacy screens provide an additional layer of security, preventing unwanted intrusions while still allowing airflow to pass through effortlessly.

Saves Energy

The use of a magnetic screen door promotes energy efficiency by reducing the reliance on artificial cooling systems, leading to potential cost savings. Combining it with outdoor curtains can further enhance insulation.
When these two elements are paired together, the magnetic screen door acts as a barrier against insects and allows fresh air to flow into the space, reducing the need for constant air conditioning usage. This results in lower electricity bills and decreased energy consumption, aligning with sustainable living practices.
Incorporating outdoor curtains alongside the magnetic screen door creates an additional layer of protection from heat gain or loss, effectively maintaining indoor temperatures during different seasons. Properly sealed windows and doorways play a crucial role in preventing energy wastage, promoting a comfortable living environment without the need for excessive heating or cooling."

👉 Klick hier für mehr Informationen

What Are the Different Types of Magnetic Screen Doors?

There are various types of magnetic screen doors available, including retractable, hanging, and sliding options, each offering unique features and installation methods to suit different door configurations and preferences.
Retractable magnetic screen doors are popular for their sleek and space-saving design, ideal for single entry doors or French doors that need easy access.
Hanging magnetic screen doors, on the other hand, provide a cost-effective solution for temporary use or renters, with easy setup and removal.
Sliding magnetic screen doors are perfect for patio or sliding doors, offering seamless operation without obstructing the view.

Retractable Magnetic Screen Doors

Retractable magnetic screen doors feature a roll-up mechanism that allows for easy installation and operation, making them an ideal choice for doorways with limited space or aesthetic preferences.
These innovative doors offer a practical solution for keeping insects out while maintaining airflow and natural light indoors. The unique design ensures that the screen neatly rolls away when not in use, maximizing space efficiency.
Due to their versatility, they can be installed on various entryways, including French doors, sliding patio doors, and single doors. The user-friendly installation process makes it convenient for homeowners to set them up without the need for professional assistance.

Hanging Magnetic Screen Doors

Hanging magnetic screen doors are suspended from a top rail and provide effective insect protection while offering easy passage for humans and pets through the center opening.
These innovative doors are designed to keep pesky bugs like flies, mosquitoes, and gnats out of your home while allowing fresh air to flow freely. The strong magnets strategically placed along the edges ensure that the door snaps shut behind you, preventing any unwanted invaders from sneaking inside. The convenience of simply walking through the magnetic closure without using your hands makes them ideal for busy households with children and pets.

👉 Klick hier für mehr Informationen

Their sleek and unobtrusive design adds a modern touch to any doorway.

Sliding Magnetic Screen Doors

Sliding magnetic screen doors glide along tracks to open and close, ensuring a snug fit that keeps insects out while providing a smooth operation for users. Proper installation is crucial to maximize their effectiveness.
Regarding the features of sliding magnetic screen doors, their design allows them to effortlessly slide along the designated tracks, offering a user-friendly experience that blends functionality and convenience. One of the standout qualities is their ability to be customized to fit various door sizes and types, catering to different home setups and preferences. This customization factor ensures that the door snugly fits in place, leaving no gaps for pesky insects to sneak through.
Installing these doors requires attention to detail and precision. Fit accuracy is paramount to prevent any gaps that could compromise the insect protection they provide. An improperly installed screen door may not only let insects in but also hinder the smooth operation of the door itself. Ensuring a precise installation is key to enjoying the full benefits of a sliding magnetic screen door.

How to Install a Magnetic Screen Door?

Installing a magnetic screen door is a straightforward process that begins with measuring your door frame accurately, followed by preparing the components and securing the screen door in place using the provided instructions.
Once you have measured the width and height of your door frame, ensure to double-check the accuracy to avoid any fitting issues later on. Accurate measurements are crucial for a seamless installation process.
Next, clear the door frame area of any debris or obstructions that may hinder the installation. This step will create a clean surface for attaching the magnetic screen door.
Before beginning the installation, carefully unpack all the components that come with the screen door kit and familiarize yourself with the different parts. Each component plays a vital role in ensuring the door functions properly.

👉 Klick hier für mehr Informationen

Measure Your Door Frame

Before installing a magnetic screen door, ensure precise measurements of your door frame to facilitate custom sizing and a secure fit, enhancing the door's overall effectiveness.
Accurate measurements play a crucial role in ensuring that the magnetic screen door aligns perfectly with the door frame. Custom sizing allows for a tailored fit, eliminating gaps that could let bugs in and maintaining the aesthetic appeal of your doorway. An ill-fitted screen door may not only compromise its functionality but also lead to potential damage or wear and tear. By taking the time to measure your door frame correctly, you set the foundation for a smooth installation process and long-term satisfaction with the performance of your magnetic screen door.

Prepare the Magnetic Screen Door

Preparing the magnetic screen door involves familiarizing yourself with the components, ensuring all parts are included, and verifying the integrity of the PVC coated polyester mesh before proceeding with the installation process.
Inspect all the elements of the magnetic screen door kit, including the frame, magnets, and fastening strips, to guarantee nothing is missing or damaged.
Check the PVC coated polyester mesh for any tears, holes, or weak spots that could compromise its effectiveness in keeping bugs out while allowing fresh air to flow through.
Address any issues with the mesh promptly by either repairing small damages with a patch or contacting the manufacturer for a replacement if necessary.

👉 Klick hier für mehr Informationen

Install the Screen Door

The final step in installing a magnetic screen door is to follow the manufacturer's instructions to securely attach the screen door to the door frame, ensuring proper alignment of magnets for effective closure and insect protection.
Ensure that the magnetic strips on both sides of the door are aligned correctly to allow for a strong magnetic closure.
Following the guidelines meticulously will help in achieving a seamless installation and optimal performance of your magnetic screen door.

What Are Some Tips for Maintaining a Magnetic Screen Door?

To ensure the longevity and efficiency of your magnetic screen door, it is essential to clean it regularly using gentle cleaning agents that do not damage the PVC mesh. Avoid harsh chemicals that may compromise the door's integrity.
Regular cleaning not only helps in maintaining the overall appearance of the magnetic screen door but also ensures proper functioning by preventing clogs and blockages caused by dirt and debris. Insects, such as mosquitoes and flies, are common nuisances that can get trapped in the mesh, affecting the door's performance. By using appropriate cleaning agents, you can effectively eliminate these unwanted visitors while preserving the durability of the PVC mesh. It's crucial to keep in mind that harsh chemicals can deteriorate the materials over time, leading to tears and damage that may affect the door's effectiveness.

Clean Regularly

Regular cleaning of the PVC mesh on your magnetic screen door, using mild soapy water and a soft brush, helps remove dirt, dust, and debris that may impede the door's functionality. For vinyl magnet screen doors, gentle wiping is recommended.
When cleaning PVC mesh screens, start by removing the screen from the door frame, if possible, to clean it more thoroughly. Fill a bucket with warm water and a small amount of mild detergent to create a cleaning solution. Gently scrub the mesh with a soft brush or sponge to loosen any stubborn dirt or stains. Rinse the screen with clean water and allow it to air dry completely before reinstalling.
For vinyl magnet screen doors, use a damp cloth or sponge to wipe down the surface. Avoid using harsh chemicals or abrasive cleaners that can damage the vinyl material. Regular wiping will help maintain the appearance and longevity of the magnetic screen door.

👉 Klick hier für mehr Informationen

Avoid Harsh Chemicals

When cleaning your magnetic screen door, refrain from using harsh chemicals or abrasive cleaners that can cause damage to the PVC mesh material. Opt for mild cleaning agents to preserve the door's structural integrity.
This is crucial as harsh chemicals can lead to discoloration or weakening of the PVC mesh, which could compromise the overall effectiveness of the door in keeping bugs out while allowing fresh air to flow through.
By selecting gentle cleaning solutions, you not only maintain the aesthetic appeal of your magnetic screen door but also extend its lifespan, ensuring that it continues to function seamlessly for years to come.

Store Properly During Winter Months

During the winter months, it is advisable to store your magnetic screen door properly to prevent damage from harsh weather conditions. Consider removing and storing privacy screens and outdoor curtains for added protection.
Proper storage of your magnetic screen door involves more than just taking it down and leaving it in the garage. To ensure its longevity, protecting it from the snow, ice, and winds is crucial. Opt for a clean and dry storage space, away from moisture and extreme temperatures. If possible, store it in its original packaging or cover it with a sturdy material to prevent dust accumulation.
For those who have privacy screens or outdoor curtains attached, make sure to remove and store them properly as well. Clean them before storing to avoid mold growth during the months they are not in use.

What Are Some Common Issues with Magnetic Screen Doors?

While magnetic screen doors offer numerous benefits, common issues may arise such as magnet strength variations, fit and installation challenges, and wear and tear over time that can impact their performance and durability.

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One potential problem associated with magnetic screen doors is the inconsistent magnet strength. Due to variations in manufacturing or environmental factors, the magnetic attraction may not always be uniform, leading to gaps or ineffective closure.
Another common challenge lies in fit adjustments, as the screens may require precise installation to ensure a tight seal. Improper fit can result in insects sneaking through or the door not closing securely.
Long-term durability concerns come into play as the constant opening and closing of the door, exposure to elements, and normal wear and tear can degrade the quality over time, compromising its functionality.

Magnet Strength

One of the issues that users may encounter with magnetic screen doors is inconsistent magnet strength, leading to gaps in closure and reduced insect protection. Ensuring optimal magnet alignment can help address this challenge.
Proper magnet alignment is crucial in ensuring a secure and tight seal when the screen door is closed, preventing insects from entering the house. The strength of the magnets plays a key role in maintaining the integrity of the seal. Strong magnets help keep the door closed securely, maximizing its effectiveness in keeping bugs out. To enhance magnet strength, users can consider options like upgrading to higher-grade magnets or adding supplementary magnets along the door frame to improve closure reliability.

Fit and Installation

Proper fit and installation are crucial for the optimal performance of magnetic screen doors. Issues with fit and installation can result in gaps that compromise insect protection and airflow control, necessitating adjustments for a secure seal.
Ensuring that the magnetic screen door fits correctly is essential to prevent bugs and insects from entering your home while allowing fresh air to flow through. A common challenge during installation is getting the measurements right to avoid gaps that can undermine the door's effectiveness.
When facing fit issues, consider adjusting the tension of the screen or checking the alignment of the frame. Improper installation can lead to the door not closing properly or tearing prematurely. It's crucial to follow the manufacturer's instructions meticulously to ensure a snug fit and proper functioning.

Wear and Tear

Over time, magnetic screen doors may experience wear and tear due to frequent use and exposure to elements.
Regular upkeep is essential for ensuring that these doors function smoothly and efficiently. Dust, dirt, and debris can accumulate on the magnetic strips and mesh, causing them to deteriorate over time.
It is recommended to clean the door regularly using a gentle soap and water solution. Checking for loose screws, damaged components, and tears in the screen is crucial. Addressing these issues promptly through maintenance and timely repairs can significantly prolong the life of the door.

👉 Klick hier für mehr Informationen

Conclusion

In conclusion, magnetic screen doors offer a practical and efficient solution for enhancing indoor-outdoor connectivity, protecting against insects, and promoting natural ventilation. Coupled with the option to include privacy screens or outdoor curtains, these doors contribute to a comfortable and energy-efficient living environment.
These innovative doors not only keep bugs at bay but also allow for uninterrupted airflow, creating a refreshing ambiance inside the house. With the added feature of privacy screens, magnetic screen doors offer the flexibility to control visibility and enhance security without compromising on the aesthetic appeal. The incorporation of outdoor curtains provides an extra layer of insulation, helping maintain a stable indoor temperature throughout the seasons. Whether for a cozy reading nook or a lively patio, these doors cater to various preferences and seamlessly blend functionality with style.

Frequently Asked Questions

1. What is a magnetic screen door?

A magnetic screen door is a type of screen door that is designed to easily open and close using magnets instead of traditional hinge mechanisms. It is often used as a temporary solution for keeping insects out while allowing for easy access through the door.

2. How does a magnetic screen door work?

A magnetic screen door works by using a series of magnets that are sewn into the edges of the screen. When the door is opened, the magnets automatically align and close the screen behind the person walking through. As the person exits, the magnets separate and the screen opens again.

3. What are the benefits of using a magnetic screen door?

There are several benefits to using a magnetic screen door, including allowing for easy entry and exit without the need to constantly open and close a traditional door. It also helps keep insects and pests out while still allowing for fresh air and natural light to enter the space.

4. Can a magnetic screen door be used on any type of door?

Generally, magnetic screen doors can be used on most types of doors, including single and double doors, sliding doors, and even RV doors. However, it is important to check the dimensions and compatibility of the screen door with your specific door before purchasing.

5. How do you install a magnetic screen door?

Magnetic screen doors are typically easy to install and require no tools or drilling. Most models come with a velcro strip or adhesive tape that allows the screen to be attached to the door frame. It is important to follow the manufacturer's instructions for proper installation.

6. Are there any downsides to using a magnetic screen door?

While magnetic screen doors have many benefits, there are also a few potential downsides to consider. They may not be as durable as traditional screen doors and may not hold up well in extreme weather conditions. Some models may also not provide as much protection from strong winds or heavy rain.

👉 Klick hier für mehr Informationen

submitted by MarvSee to ReviewsAndTools [link] [comments]


2024.05.19 09:30 adulting4kids Prompt

A fundamental value that has profoundly shaped my life is empathy, cultivated through personal experiences and understanding the perspectives of others. This value acts as a compass in my decision-making and interactions.
Questions:
submitted by adulting4kids to writingthruit [link] [comments]


2024.05.19 09:21 MagicalSausage Is this considered infodumping?

Obviously paragraphs and paragraphs of explaining the lore of your world is considered infodumping, but where would you draw the line?
I don't know if what I try to do is considered infodumping. Basically, I insert one paragraph of a character using their knowledge of the world to explain something in the middle of your usual descriptory prose.
For example (an excerpt of chapter 4 from my first attempt at writing a full length novel. I'm about 11k words in):
Despite the boy standing at least two dozen paces away from her, Emily felt like he had drilled stakes into her eyes with his gaze. They were green-within-green without any trace of human white in them. They weren’t natural. They weren’t human. Her heart raced. Foreboding trepidation rushed through her veins. She became aware of her panting and her sweat inching down her forehead. She trembled, all of a sudden warming up despite the stale, cold air in the great hall.
She lowered her head, realising that she had torn holes into her gloves from balling her fists.
Before her stood a Roamer. Samira had taught her about them in her lessons. She was told the last of them died a century ago. A race of mutants created to serve as the personal bodyguards of lords and kings centuries ago, one of them served the Embelwoods of the past. Along with her great-grandfathers, they built the great duchy of New Calinthia on the backs of honour and virtue.
Her right palm throbbed. Pulling off her glove, Emily looked at the angular birthmark on her right palm again, and she noticed that it glowed gently with the same shade of green from the boy-Roamer’s eyes.
From under the boy’s coat, the characteristic Roamer’s dark-veins crept up his pale-skinned neck, stopping short of his jaw like serpents slithering through snow. He took off his hat, revealing a head of black hair. As he made his way through the great hall, nobody spoke a word. She saw tense looks on many soldiers’ faces, the look of shock given by bystanders witnessing a murder.
I've italicised the paragraph in question. It's not really describing action and feelings like the other paragraphs around it, but it also isn't a large wall of text describing the lore and such–that would be an obvious infodump. How large of a break from the flow of action to describe something about the world would you consider an infodump?
Edit: The paragraph also doesn't fully explain what they are fyi. I'm planning to explore the Roamers' abilities later in the story and sprinkle in more tidbits of lore throughout. I can add the premise of the story here for context if someone requests it.
submitted by MagicalSausage to fantasywriters [link] [comments]


2024.05.19 09:04 osakan Yen Press is actually doing a decent job.

Just to be clear, I'm not working for Yen Press, and I have no interest in boosting their sales. I've seen a lot of criticism of Yen Press' localizations, especially for Overlord. While they're not perfect, they're not doing as terrible a job as some suggest.
Here are a few issues people have raised recently, along with my thoughts:
Bad Translation For example, in this Reddit comment. Yen Press' translations aren't perfect, but they're more accurate than they're given credit for. The example user xshot40 mentioned was off the mark. They would be correct if the Japanese version used "Mahou" (魔法王), but it didn’t. The word used in Ainz's title was "Madou" (魔導王). It combines “Ma” 魔 (which can mean evil or monster) and “Dou” 導 (which can mean leading). As proposed by Cocytus in the novel, “Madou” means the art of sorcery but can also be understood as “leader of the monsters.” This crucial element was completely lost in "Sorcerer King." Translating Overlord is a complex and challenging task. The author is a master at world-building, and the details in his crafted world are extensive. Many tiny, ambiguous details later become significant in the bigger scenario, so the translator must ensure nothing is missed to avoid inconsistencies. In fan translations, the translators have the advantage of being able to go back and fix mistakes later, allowing them to focus on flow and rephrase sentences for smoothness. This, however, isn't true for official translations.
Hard to Read An example can be seen in this Reddit comment. The Japanese version of Saga of Tanya the Evil (Youjo Senki) is one of the hardest books I’ve ever read. The language frequently shifts according to the protagonist's mental state, sometimes becoming unhinged or deranged. Add to that the complex fantasy military lingo and historical events from different countries (mostly during WWI) but in a magical setting. If the English version is hard to read, it's just faithful to the original.
Yen Press isn't changing their localizations "to appeal to the modern audience" (as far as I'm aware) In this day and age, I believe that’s a valuable quality.
We need to support the authors so they're willing to create more masterpieces for us to enjoy Fan translations are usually passion projects and can sometimes be better than the official versions. However, they don’t benefit the creators of the original material other than by providing exposure. While you can critique or prefer fan translations, I don’t think it’s appropriate to actively encourage people not to buy the official localizations. Such actions harm the authors and publishers, and in the end, we, the fans, suffer the consequences.
submitted by osakan to overlord [link] [comments]


2024.05.19 09:03 Beginning_Story1811 (Headcanon) Facts about Gary

(Headcanon) Facts about Gary
  • Gary Born USA, Lambert City
  • Gary's nationality: American, but mom's grandparents are of Croatian-Georgian descent Gary (🇬🇪🇭🇷) Or does Gary have some kind of Indian, Asian roots? (Debatable)
  • Iq Gary 149 Gary and Steve, is very good at chemistry. That's why one day Gary and Steve were held captive and forced to cook meth. When Gary was doing Crime he often had to work on something with the help of chemistry
  • Height Gary 182-183
  • Gary Robbed banks twice during the events Gorebox (2034) Gary is a very good strategist and especially the main trait: a planner
  • Gary Soto has many connections, including with the government. During the events Remastered, Gorezone He made many "friends" and acquaintances. Perhaps it was Gary who gave it to scientists Steele Leaf Drawing RC In 2033 and later, Phil hired the mercenary Garik Lincoln or did not hire him, but all this was according to plan. To events Animosity Perhaps Gary found out something about Phil and decided to take action by making a mask so that he would recognize him. And money is always needed + without connections Gary would not have been able to get on the conspiracy map
  • Experience Gary: 5-7 years In this hard world.
  • The main skills that Gary acquired: 1) When Gary survived in Lambert City Against mutants and marauders. 2) Training at a military camp where they were taught to shoot and curse 3) Gary, like some others, got caught up in the events Gorezone. He was among the newcomers who trained very hard and intensely every day, sometimes to death, and there were also tests. Among these newcomers was Phil. Later, Gary ends up in a squad that consists of From experienced fighters. Garik Lincoln and Drab Gary learned a lot. In many ways Drab Taught him everything, like: Gary was the only newcomer on the team, and Drab took on the responsibility. Gary even made masks similar to Drab's during training missions. Garik Lincoln taught Gary how to use a knife correctly and effectively (Of course not like Steve Sanderson, because Garik irradiated Steve for 2-3 years in the squad Killerfich. But it's okay) But it was also just experience and Gary could observe.
  • Gary, back then, got shot with RC Phil, was very badly wounded. Gary was later taken to hospital, where he was near death. Lots of burns and just scratches from a shot that was not yet finished RC + Gary was slightly radioactive. Gary spent 3 months unconscious in the hospital. He had two surgeries and the third was plastic surgery, but even after plastic surgery he was desperate, burns and scars were visible (But to the events Animosity Scars and burns will completely disappear, and even if Gary remains in his clothes and has grown a beard, so it is not visible) Gary used to wear glasses and have blue eyes. But after training, his eyes became gray, and with each month his vision was restored and later returned to normal, well, perhaps, albeit with defects (Gary's Vision - Left 01, Right 02 Not quite completely but it will do 👍🗿. It is not known exactly where I met outbreak Uncoha In the hospital or later. Because Gary, during the fight with Phil in Gorezone, said that: Gary has lost all his friends, family, acquaintances. It’s correct to say, as in his head: Gary was already a little I was arguing with Phil. After that night when Gary was hospitalized and had nightmares + Gary encountered an epidemic there. Gary didn’t understand what was wrong with Phil, why he was doing this. Isa Phil Gary had to go through This endless hell in Lambert City: Gary's friends, Gary's family, everyone is dead, only he is alive and he saw everything. Most importantly, Gary lost a Friend. Gary wanted revenge for everything Phil had done and most importantly Made Gary survive. Yes, Gary is also very tough, but perhaps more humane. If Gary had been a good person, he wouldn't have survived Lambert City
  • Mask Gary: This mask is inspired by his mentor - Drab. Gary specially made it in honor of his mentor and so that Phil would recognize him + Gary would be more comfortable this way? It's kind of closing. This mask is more than a mask. When Gary was Drab's student, Gary made his own homemade version + Holy Trinity - Hyper cruel and elite maniacs wear exactly the same masks as Drab
  • Gary in Gorezon, Remastered Didn't have the same physical strength as in Animosity. To events Animosity He began to train every day and lift his muscles, that’s why he has such muscles
  • Gary's main colors: gray, black, white. Gary used to wear purple in his youth
  • By character in many places, Gary is somewhat reminiscent of Steve, only tougher and Gary seems more closed, because: Steve is quite friendly
  • Steve Sanderson and Gary Sato We did a lot together: we killed many enemies, did a lot of work and tasks, killed scientists Steele Leaf and Chaos, Fought with assassins and mercenaries. But perhaps in 2036 Steve and Gary have parted ways, perhaps Steve or Gary are both dead, more likely Steve
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