Classic Literature: 1. "The Hanged Man" in T.S. Eliot's "The Waste Land" (1922): - Reference: Eliot's influential modernist poem references the tarot card "The Hanged Man" in the context of spiritual crisis and renewal. - Significance: The card symbolizes sacrifice and surrender, echoing themes of transformation and rebirth explored in Eliot's work.

"The Magician" in Somerset Maugham's "The Magician" (1908):
- Plot Element: Maugham's novel revolves around an occultist and magician named Oliver Haddo, inspired by the tarot card "The Magician."
- Symbolism: The character embodies the archetype of the Magician, using mystical powers and symbolism associated with the tarot card to drive the narrative.

Contemporary Literature: 3. "The Night Circus" by Erin Morgenstern (2011): - Tarot Influence: The novel features a magical competition between two illusionists, and tarot cards are used as a divinatory tool by one of the characters. - Symbolic Elements: Tarot motifs, including the Fool's journey and card readings, contribute to the atmospheric and mysterious setting of the story.

"The Raven Cycle" Series by Maggie Stiefvater (2012-2016):
- Character Incorporation: The character Ronan Lynch in this series is associated with tarot cards, particularly "The Magician."
- Narrative Impact: Tarot symbolism is interwoven into the character's development, reflecting themes of power, transformation, and the manipulation of reality.

Magical Realism: 5. "Like Water for Chocolate" by Laura Esquivel (1989): - Tarot Spread Structure: Each chapter in this magical realist novel is introduced with a tarot card, setting the thematic tone for the narrative. - Symbolic Significance: Tarot cards serve as a creative and symbolic framework, guiding readers through the emotional and magical journey of the protagonist.

"The House of the Spirits" by Isabel Allende (1982):
- Tarot Readings: The novel includes scenes where characters engage in tarot readings, providing insights into their destinies and influencing the unfolding events.
- Symbolism: Tarot cards become a symbolic and mystical element, enhancing the magical realism inherent in Allende's storytelling.

Dystopian Fiction: 7. "The Handmaid's Tale" by Margaret Atwood (1985): - Tarot Imagery: Tarot cards, particularly the deck known as the "Jezebels Tarot," appear in the novel as a forbidden and subversive element within the dystopian society. - Resistance Symbolism: The use of tarot cards symbolizes resistance and individual agency in a repressive regime.
From classic literature to contemporary works, tarot cards have served as powerful symbols, narrative devices, and sources of inspiration. Their presence in literature often extends beyond mere divination, delving into themes of fate, transformation, and the complexities of human experience. As a rich tapestry of symbolism, tarot continues to weave its way through the realms of imagination and storytelling, adding layers of meaning to literary narratives.
Fantasy and Magical Themes: 8. "Good Omens" by Neil Gaiman and Terry Pratchett (1990): - Prophecy and Tarot: The novel incorporates tarot cards as part of the prophecies, and the card "The Tower" plays a significant role in the narrative. - Humorous Twist: Gaiman and Pratchett infuse humor and irreverence into the use of tarot cards, blending fantasy and satire.

"The Night Circus" by Erin Morgenstern (2011):
- Magical Setting: Beyond using tarot cards as a divination tool, the novel features the Le Cirque des Rêves, a magical circus where each tent is inspired by a tarot card.
- Atmospheric Influence: Tarot symbolism enhances the enchanting and mysterious atmosphere of the story, contributing to the novel's magical realism.

Mystery and Detective Fiction: 10. "The Hound of the Baskervilles" by Arthur Conan Doyle (1902): - Tarot Card Allusion: The novel contains a reference to a death card that could be interpreted as resembling a tarot card. This adds an element of mystery and foreshadowing to the narrative.

"Foucault's Pendulum" by Umberto Eco (1988):
- Tarot Conspiracies: Eco's complex novel delves into conspiracies and secret societies, incorporating elements of tarot symbolism as characters explore esoteric mysteries.
- Intellectual Exploration: Tarot cards become part of the intellectual and symbolic tapestry in a narrative that explores the boundaries between reality and imagination.

Science Fiction: 12. "Snow Crash" by Neal Stephenson (1992): - Tarot as Code: In this cyberpunk novel, tarot cards are used as a form of code for a virus that plays a crucial role in the plot. - Futuristic Integration: The novel explores how ancient symbols, like those found in tarot, can find new meaning in a futuristic, technology-driven world.
Romance and Relationship Dynamics: 13. "The Lovers" by Vendela Vida (2010): - Tarot Theme: In this novel, the protagonist becomes involved in a project where she creates a deck of tarot cards to explore themes of love and relationships. - Personal Journey: Tarot becomes a tool for self-discovery and reflection on romantic relationships, adding a unique twist to the exploration of love in the narrative.
In literature, tarot cards emerge as versatile narrative tools, blending seamlessly into various genres and themes. Authors employ them for foreshadowing, symbolism, and to explore the complexities of human existence. Whether in the realms of fantasy, mystery, science fiction, or romance, tarot cards contribute to the richness and depth of storytelling, offering readers a glimpse into the mystical and symbolic dimensions of the human experience.
Historical Fiction: 14. "The Eight" by Katherine Neville (1988): - Quest for a Chess Set: The novel weaves a complex narrative involving a quest for a mystical chess set, with each piece representing a tarot card. The tarot cards play a central role in unraveling the mysteries within the story. - Symbolic Elements: Tarot cards are intricately linked to historical events and characters, providing a symbolic framework for the unfolding adventure.

"The Shadow of the Wind" by Carlos Ruiz Zafón (2001):
- Tarot Card Readings: The novel features a mysterious character who conducts tarot card readings, offering insights into the destinies of the main characters.
- Atmospheric Symbolism: Tarot cards contribute to the atmospheric and gothic elements of the narrative, adding layers of mystery and intrigue.

Coming-of-Age Narratives: 16. "The Raven Cycle" Series by Maggie Stiefvater (2012-2016): - Tarot Card Symbolism: Tarot cards, especially "The Magician," play a significant role in the character development and coming-of-age themes of the series. - Personal Growth: The use of tarot reflects the characters' journeys of self-discovery, empowerment, and understanding their places in the world.
Philosophical Exploration: 17. "The Castle of Crossed Destinies" by Italo Calvino (1969): - Silent Characters: In this experimental novel, characters communicate solely through laying out tarot cards to tell their stories. The tarot becomes a visual language, and the narrative explores the interconnectedness of stories and destiny. - Symbolic Interpretation: The novel delves into the nature of narrative, choice, and fate through the lens of tarot symbolism.
Memoir and Autobiography: 18. "M Train" by Patti Smith (2015): - Personal Reflections: In her memoir, Patti Smith reflects on her life, travels, and creative process. Tarot cards appear as a recurring motif, offering glimpses into the author's introspective and spiritual moments. - Intuitive Guidance: The author uses tarot as a tool for personal reflection and guidance, highlighting its role in her creative and spiritual journey.
Literary Criticism: 19. "Tarot as a Way of Life: A Jungian Approach to the Tarot" by Karen Hamaker-Zondag (2001): - Psychological Exploration: This non-fiction work explores tarot from a Jungian perspective, delving into the archetypal and symbolic dimensions of the cards. - Integration with Jungian Psychology: The author uses tarot as a means to explore the collective unconscious and the psychological aspects of the human experience.
Tarot cards continue to be a rich source of inspiration for authors across diverse genres. Whether as a narrative device, a symbolic tool, or a means of philosophical exploration, tarot's presence in literature enhances storytelling by tapping into the mystical, psychological, and symbolic facets of the human condition. As authors weave these archetypal cards into their narratives, readers are invited to explore realms of meaning, mystery, and self-discovery.

The Cenacle 124 April 2024 29^th Anniversary Issue
https://scriptorpress.com/cenacle/124
[Size = 13.6 MB]
Hello everyone,
Here comes the just-released Cenacle 124 April 2024. Returning to the desired quarterly issue cadence that has been missing for the past couple of years. It was hard doing this issue without the usual many years’ involvement of my dear poet friend, the late Judih Weinstein Haggai, but her poetry features in this issue nonetheless, & will remain so in each issue ever on.
Thus far, 2024 for the human world has been a fairly dark one. The global Pandemic has not ended, though millions risk sickness & death for themselves & others by choosing to join in a kind of mass amnesia about the crisis. Meanwhile, the climate crisis continues to get the same kind of hostile indifference. The genocide in Gaza goes on unabated by any of the many powerful & supposedly democratic nations of the world. And a likely felon has jazzed the US electoral process, its weaknesses & flaws among its many strengths, to be within reach of again taking over &, as he has vowed, taking revenge.
I can’t tell you that this literary journal operates toe to toe on the global scale to oppose these various human catastrophes, but I can say that if we don’t seek Beauty, & Nature, & look beyond the petty fuckeries of the current day, we are much more likely to be lost than if we find a way to do this.
This fine anniversary issue features new poetry by Tamara Miles, Martina Reisz Newberry, Colin James, Sam Knot, Jimmy Heffernan, Judih Weinstein Haggai, & myself.
Also new fiction by Timothy Vilgiate, Algernon Beagle, & myself. And classic fiction from Sir Arthur Conan Doyle.
And new prose pieces by Nathan D. Horowitz, Charlie Beyer, & myself.
There is also new graphic artwork by AbandonView, Epi Rogan, Louis Staeble, Kassandra Soulard, Sam Knot, Tamara Miles, & Nathan D. Horowitz.
Contents of this new issue include:
From Soulard’s Notebooks [Excerpt]
I find myself leaning back often into 3 questions that I believe most influence human psychology & human culture:
1) Why are we here?
2) Where are we from?
3) What are we supposed to be doing?
* * * * * *
Feedback on Cenacle 123 [Excerpt]
I made it to the first poem by Judih Weinstein Haggai, sank into it, breathed it, needed it, and couldn’t go further into the issue yet. But it’s beautiful. And Kassandra Soulard’s cover photo: wow.
(Tamara Miles)
* * * * * *
From the ElectroLounge Forums:
Selections from Unknot 24, Part 1[Excerpt]
A project that I expect to work on for the rest of my life and never finish is a kind of art project playing with meaning making and the first few layers of knots, so this is all part of that really. I suppose it is a way to give a kind of focus or even kind of “abstract grounding” to some other kind of activity which isn’t necessarily even directly related to or about it.
(Sam Knot)
* * * * * *
Haiku from a Silent Retreat (7/31/2021) [Excerpt]
by Judih Weinstein Haggai
Everybody!
Are you everybody?
I’m not either
* * * * * *
Notes from New England:
Dream Raps, Volume Thirteen [Excerpt]
by Raymond Soulard, Jr.
Now that my friends are gone, the very shy Creatures who sometimes visit my hovel begin to come out, sniffing friendly their hellos. Accept my offer to cluster with me under the blankets, them being cold as ever when outside of the White Woods. White Bunny, Hedgedyhog, Peppermint Bears, Kittees & their Friend Fish. Alvinarah Poesy, & his dear friend Naria Narwhal. Even that cackling little Imp is under there somewhere. They never stay long, but I love them passing through. They’re excited about the Rutabaga Festival & Fleastock in the White Woods, I’m guessing.
* * * * * *
Becoming Archaeology: A Eulogy for Living Moor. (Part Two) [Excerpt]
by Sam Knot
It moves me more than any painting
or poem, seems to encode more meaning,
personal & planetary, than any other art,
this simple offering. This intricate gift.
* * * * * *
Notes Toward Many Musics [Excerpt]
by Raymond Soulard, Jr.
I believe a Narrative should always lead with the best it has, its most potent moment or image or the like. And let this lead set its standard. When I think of the Narrative options for these poems, I come back every time to starting from the start. These poems build on years & years of the work it took to get the six Brother-Heroes reunited rightly, after telling their unique stories as rightly as possible too. I did the best thinking & writing that I could.
* * * * * *
Poetry by Martina Newberry [Excerpt]
Tall on the dirty stage,
from my notebook I conferred
my poems. No time limit,
no faces, noises of shifting
dust and cars out there somewhere,
I read for many minutes,
emoting here and there,
hands rising and falling,
singing through some.
* * * * * *
Rivers of the Mind (A Novel) [Excerpt]
by Timothy Vilgiate
I could not help but fear that he’d attack me as I laid there; I lost count of how many times I got up to check my locks or to peek underneath the bed. I turned over and over, rocking the mattress like an unsteady boat, straining to keep my eyes shut. It was no use. Midnight came, and I was still awake; my hair matted over my irritated face, my blanket clutched in between my hands over my mouth as I tried to stop myself from sobbing. But I couldn’t let it see me cry. I couldn’t let it even see me blink.
* * * * * *
Poetry by Tamara Miles [Excerpt]
A lion’s music—a carnival of sound, beyond the roar of reserve, park, zoo, circus, and
safari, the wild kingdom beyond the definition of safe and unsafe, cruel or kind, in
sub-Saharan Africa, or in India, Gir forest, where the heart beat and drum beat and
incense are heavy.
* * * * * *
The Lagoon of the Air Goblins (Travel Journal) [Excerpt]
by Nathan D. Horowitz
I’m dehydrated from the sun today. I haven’t rehydrated. My hydration’s out of wack. It seems an eternity, maybe two, since I ordered a glass of papaya juice. Inside the café, mysterious café things may be happening, involving blenders and workforce and fruit and power. Time’s ticking by and it sounds like trees falling into a river. I glance at the red and white checkered tablecloth and remember I’ve always hated red and white checkered patterns. Serafín the educator said he would meet me here to tell me about the Secoya cosmovision, and he isn’t showing up.
* * * * * *
Poetry by Colin James [Excerpt]
Episodically craved by adolescents,
Prometheus displays his tats
behind The Dollar Store in Bonita.
The one with the plastic pillars.
* * * * * *
Mad Jack (Prose) [Excerpt]
by Charlie Beyer
We were longhaired teenage criminals. I looked like Jesus and my best buddy had flaming red shoulder-length hair, the devil to rival my divine look. Scott the Red. We were all hair, except Mad Jack (or Bob, as I knew him), who was as shaved as a plastic bag. We all sat in the car outside the 7-11 in the night rain. Blue smoke trickled out of the cracked window. Inside was a haze of marijuana smoke tainted with opium. We were high and crazed.
* * * * * *
Poetry by Jimmy Heffernan [Excerpt]
The moment to which we have access
So Nature can “see” through time
And what is this but awareness?
A tunneling from the immediate future
Back into the present
* * * * * *
Bags End Book #21: What is the Creature Carnival? Part 3 (Fiction) [Excerpt]
by Algernon Beagle
It makes me remember how our teacher Mister Owl in Bags End teached how different places have their different ways of thinking & telling. So if you’re gonna watch a Creature production, whether it’s the Carnival, or a Grand Production, or this time both, you’re gonna be in 4or a good crazy ride.
* * * * * *
The Hound of the Baskervilles (Classic Fiction) [Excerpt]
by Sir Arthur Conan Doyle
Mr. Sherlock Holmes, who was usually very late in the mornings, save upon those not infrequent occasions when he was up all night, was seated at the breakfast table. I stood upon the hearth-rug and picked up the stick which our visitor had left behind him the night before. It was a fine, thick piece of wood, bulbous-headed, of the sort which is known as a “Penang lawyer.” Just under the head was a broad silver band nearly an inch across. “To James Mortimer, M.R.C.S., from his friends of the C.C.H.,” was engraved upon it, with the date “1884.” It was just such a stick as the oldfashioned family practitioner used to carry—dignified, solid, and reassuring.
* * * * * *
Labyrinthine [A New Fixtion] [Excerpt]
by Raymond Soulard, Jr.
I’m distracted just as this strange fellow appears on stage with some kind of tool in his hand. He is very fancily dressed, some kind of home-made tuxedo? Or one sewn from many scraps? And he starts to recite a poem, I think, in a tongue I don’t know, when something distracts me.
Peace,
Raymond Soulard, Jr.
Scriptor Press New England
scriptorpress.com
[editor@scriptorpress.com](mailto:editor@scriptorpress.com)

Classic Literature: 1. "The Hanged Man" in T.S. Eliot's "The Waste Land" (1922): - Reference: Eliot's influential modernist poem references the tarot card "The Hanged Man" in the context of spiritual crisis and renewal. - Significance: The card symbolizes sacrifice and surrender, echoing themes of transformation and rebirth explored in Eliot's work.

"The Magician" in Somerset Maugham's "The Magician" (1908):
- Plot Element: Maugham's novel revolves around an occultist and magician named Oliver Haddo, inspired by the tarot card "The Magician."
- Symbolism: The character embodies the archetype of the Magician, using mystical powers and symbolism associated with the tarot card to drive the narrative.

Contemporary Literature: 3. "The Night Circus" by Erin Morgenstern (2011): - Tarot Influence: The novel features a magical competition between two illusionists, and tarot cards are used as a divinatory tool by one of the characters. - Symbolic Elements: Tarot motifs, including the Fool's journey and card readings, contribute to the atmospheric and mysterious setting of the story.

"The Raven Cycle" Series by Maggie Stiefvater (2012-2016):
- Character Incorporation: The character Ronan Lynch in this series is associated with tarot cards, particularly "The Magician."
- Narrative Impact: Tarot symbolism is interwoven into the character's development, reflecting themes of power, transformation, and the manipulation of reality.

Magical Realism: 5. "Like Water for Chocolate" by Laura Esquivel (1989): - Tarot Spread Structure: Each chapter in this magical realist novel is introduced with a tarot card, setting the thematic tone for the narrative. - Symbolic Significance: Tarot cards serve as a creative and symbolic framework, guiding readers through the emotional and magical journey of the protagonist.

"The House of the Spirits" by Isabel Allende (1982):
- Tarot Readings: The novel includes scenes where characters engage in tarot readings, providing insights into their destinies and influencing the unfolding events.
- Symbolism: Tarot cards become a symbolic and mystical element, enhancing the magical realism inherent in Allende's storytelling.

Dystopian Fiction: 7. "The Handmaid's Tale" by Margaret Atwood (1985): - Tarot Imagery: Tarot cards, particularly the deck known as the "Jezebels Tarot," appear in the novel as a forbidden and subversive element within the dystopian society. - Resistance Symbolism: The use of tarot cards symbolizes resistance and individual agency in a repressive regime.
From classic literature to contemporary works, tarot cards have served as powerful symbols, narrative devices, and sources of inspiration. Their presence in literature often extends beyond mere divination, delving into themes of fate, transformation, and the complexities of human experience. As a rich tapestry of symbolism, tarot continues to weave its way through the realms of imagination and storytelling, adding layers of meaning to literary narratives.
Fantasy and Magical Themes: 8. "Good Omens" by Neil Gaiman and Terry Pratchett (1990): - Prophecy and Tarot: The novel incorporates tarot cards as part of the prophecies, and the card "The Tower" plays a significant role in the narrative. - Humorous Twist: Gaiman and Pratchett infuse humor and irreverence into the use of tarot cards, blending fantasy and satire.

"The Night Circus" by Erin Morgenstern (2011):
- Magical Setting: Beyond using tarot cards as a divination tool, the novel features the Le Cirque des Rêves, a magical circus where each tent is inspired by a tarot card.
- Atmospheric Influence: Tarot symbolism enhances the enchanting and mysterious atmosphere of the story, contributing to the novel's magical realism.

Mystery and Detective Fiction: 10. "The Hound of the Baskervilles" by Arthur Conan Doyle (1902): - Tarot Card Allusion: The novel contains a reference to a death card that could be interpreted as resembling a tarot card. This adds an element of mystery and foreshadowing to the narrative.

"Foucault's Pendulum" by Umberto Eco (1988):
- Tarot Conspiracies: Eco's complex novel delves into conspiracies and secret societies, incorporating elements of tarot symbolism as characters explore esoteric mysteries.
- Intellectual Exploration: Tarot cards become part of the intellectual and symbolic tapestry in a narrative that explores the boundaries between reality and imagination.

Science Fiction: 12. "Snow Crash" by Neal Stephenson (1992): - Tarot as Code: In this cyberpunk novel, tarot cards are used as a form of code for a virus that plays a crucial role in the plot. - Futuristic Integration: The novel explores how ancient symbols, like those found in tarot, can find new meaning in a futuristic, technology-driven world.
Romance and Relationship Dynamics: 13. "The Lovers" by Vendela Vida (2010): - Tarot Theme: In this novel, the protagonist becomes involved in a project where she creates a deck of tarot cards to explore themes of love and relationships. - Personal Journey: Tarot becomes a tool for self-discovery and reflection on romantic relationships, adding a unique twist to the exploration of love in the narrative.
In literature, tarot cards emerge as versatile narrative tools, blending seamlessly into various genres and themes. Authors employ them for foreshadowing, symbolism, and to explore the complexities of human existence. Whether in the realms of fantasy, mystery, science fiction, or romance, tarot cards contribute to the richness and depth of storytelling, offering readers a glimpse into the mystical and symbolic dimensions of the human experience.
Historical Fiction: 14. "The Eight" by Katherine Neville (1988): - Quest for a Chess Set: The novel weaves a complex narrative involving a quest for a mystical chess set, with each piece representing a tarot card. The tarot cards play a central role in unraveling the mysteries within the story. - Symbolic Elements: Tarot cards are intricately linked to historical events and characters, providing a symbolic framework for the unfolding adventure.

"The Shadow of the Wind" by Carlos Ruiz Zafón (2001):
- Tarot Card Readings: The novel features a mysterious character who conducts tarot card readings, offering insights into the destinies of the main characters.
- Atmospheric Symbolism: Tarot cards contribute to the atmospheric and gothic elements of the narrative, adding layers of mystery and intrigue.

Coming-of-Age Narratives: 16. "The Raven Cycle" Series by Maggie Stiefvater (2012-2016): - Tarot Card Symbolism: Tarot cards, especially "The Magician," play a significant role in the character development and coming-of-age themes of the series. - Personal Growth: The use of tarot reflects the characters' journeys of self-discovery, empowerment, and understanding their places in the world.
Philosophical Exploration: 17. "The Castle of Crossed Destinies" by Italo Calvino (1969): - Silent Characters: In this experimental novel, characters communicate solely through laying out tarot cards to tell their stories. The tarot becomes a visual language, and the narrative explores the interconnectedness of stories and destiny. - Symbolic Interpretation: The novel delves into the nature of narrative, choice, and fate through the lens of tarot symbolism.
Memoir and Autobiography: 18. "M Train" by Patti Smith (2015): - Personal Reflections: In her memoir, Patti Smith reflects on her life, travels, and creative process. Tarot cards appear as a recurring motif, offering glimpses into the author's introspective and spiritual moments. - Intuitive Guidance: The author uses tarot as a tool for personal reflection and guidance, highlighting its role in her creative and spiritual journey.
Literary Criticism: 19. "Tarot as a Way of Life: A Jungian Approach to the Tarot" by Karen Hamaker-Zondag (2001): - Psychological Exploration: This non-fiction work explores tarot from a Jungian perspective, delving into the archetypal and symbolic dimensions of the cards. - Integration with Jungian Psychology: The author uses tarot as a means to explore the collective unconscious and the psychological aspects of the human experience.
Tarot cards continue to be a rich source of inspiration for authors across diverse genres. Whether as a narrative device, a symbolic tool, or a means of philosophical exploration, tarot's presence in literature enhances storytelling by tapping into the mystical, psychological, and symbolic facets of the human condition. As authors weave these archetypal cards into their narratives, readers are invited to explore realms of meaning, mystery, and self-discovery.

Hello! Below are a collection of short stories written as if the cast of TADC wrote diaries each day. These ones take place after the pilot but before Episode 2. Beneath each are how I approached them. Enjoy!
From the Diary of Ragatha
Oh my gosh, today was the craziest day we’ve had in a while at the circus! Not only did we get a new member, Pomni, but we lost Kaufmo! …I wish I could be surprised. But considering how reclusive he’s gotten lately, I think we all knew it might be coming wether wanted to admit it or not.
Pomni took her introduction pretty poorly, but I guess it’s not so different from the rest of us. It’s hardly surprising that she tried to leave, and left me when Kaufmo’s abstracted form attacked me. I tried to make her feel included, but I’m worried she doesn’t like me. Jax was no help as usual. For better or worse, I doubt he’ll ever abstract. He seems to live for causing chaos, and I doubt he could ever get consumed by the existential dread the rest of us feel.
As for Pomni… I’m really worried. We’ve had newcomers abstract on day 1 before. With how she was acting today, I hope we can calm her down enough so that she doesn’t. I hate seeing anyone abstract. I’d probably never admit it to him, but I’d be sad even if Jax abstracted. Since Kaufmo is gone, the total number of circus residents is still six. Today’s adventure was a bit of a disaster, but maybe tomorrow’s will be better. That’s just what I’ve had to say every day. Tomorrow will be better. It doesn’t always end up being true, but… telling myself that is better than the alternative.
For Ragatha, I figure she’s the one who takes her diary most seriously. She treats it as if she would her diary in the real world. Writes in it every day and had probably gotten into fights with Jax over him reading it.
From the Diary of Kinger
Have to find the shapes
Shapes that served a bug.
Bug that was a royal, beaten by Kaufmo.
Kaufmo abstracted, gone forever.
Forever a new one has joined the circus.
Circus now has a jester, a jester named Pomni.
Pomni is going insane already.
Already another member is gone. How many more?
More is what Caine wants of Zooble even when she doesn’t want to play.
Play… it’s what we all wanted before we came here.
Here is the tent. Here is the circus. Here are the insects.
Insects whisper secrets to me that the others don’t know.
Know that my impenetrable fortress isn’t impenetrable enough.
Enough of sanity is all we have.
As for Kinger, I thought a somewhat rambling entry made sense for him. Each last word in a line becomes the next line’s first, including the last line of the entry being the same as the first. Poor Kinger needs something like that to keep writing. He probably doesn’t write a lot every day. Sometimes it’s just a single word.
From the Diary of Jax
Today’s adventure stunk. But at least Ragatha and Zooble got hurt a bit. Tomorrow’s adventure better let me hurt some NPCs. Since we ended the day a bit early, I guess Kaufmo’s funeral will be tomorrow. I don’t know why the others bother with them though. What’s there even to say about them after they’re gone? I don’t think I’ll go to this one. We were all betting on Kinger to go next, but my money’s on the newbie now. I’ll be surprised if she lasts a week. Hopefully she’ll at least be entertaining before then.
Short and sweet, Jax won’t admit to keeping a diary, but he occasionally vents his frustrations here. Sometimes his entries are sumplyideas for how to mess with the others.
From the Diary of Gangle
Daily Poem:
There once was a digital circus
Whose residents lived without purpose
When Kaufmo abstracted
We all were distracted
When Pomni arrived oh so nervous
For Gangle, I like to think she writes poetry every day. Sometimes a limerick like this, sometimes other poems. Perhaps a Haiku, Perhaps a sonnet. She kept a more traditional journal until Jax found it once, so she now just expresses her emotions through poems.
From the Diary of Zooble
F=CK. CAINE! That stupid idiotic floating pair of f&cking teeth had to make a stupid a$s in-house adventure for Pomni WHO DIDN’T EVEN PARTICIPATE IN THE MOTHERF#CKING ADVENTURE! Ugh. I guess I’m no longer the newbie as long as Pomni sticks around. That should shut Jax up until he figures a new way to annoy me. I seriously hate that guy. We’re all stuck in this hellhole and he just has to go around being the biggest d!ckhead in the universe? I swear, if we ever get out of here, I’m gonna sock him in his stupid smug face that I’m sure he has in real life just so he can really feel it.
…I’ve been preparing things for Kaufmo’s funeral tonight. His abstraction comes as a blow. The six of us had felt like we might make it for a while. But I guess that was wishful thinking. I don’t like thinking about who will be next. I’d rather think none of us will be next. Hopefully not Pomni. New kid’s got it rough. Hopefully tomorrow I can actually ignore the adventure unlike today.
Also, Caine, since I know you read our diaries… STOP scribbling out the vulgar parts of my diary. YOU were the one who told us to keep one and I already adhere to the stupid a$s rule of putting a f#cking symbol in swear words, BUT IF YOU CENSOR MY DIARY AGAIN I WILL [The remainder of this entry has been censored by C&A due to multiple violations of our TOS]
Zooble, similarly to Ragatha, uses their diary in a more traditional way. Their diary has never been found, something that endlessly annoys Jax. Sometimes Zooble’s diary entries are just drawings of brutalizing Jax or Caine, whichever they’re more annoyed at during the day.
From the Admin Log of Caine
>NEW_USER_18 has been updated to Pomni
>Kaufmo has been updated to ABSTRACT_ENTITY_12
>Kaufmo has been removed from the list “Active Users”
>High stress levels detected in Pomni than average for a new user. Commencing building of adventure with a projected fun rating of at least 32.
>Complaint received from Jax: “Can you make tomorrow suck less? Like, more violence?”
>Response to Complaint: “I’ll make it more fun than usual!
>Help Request received from Gangle: “I need my mask fixed again…”
>object: HAPPY_MASK has been changed from “broken” status to “fixed” status.
>Help Request received from Kinger: “Did you see where my insect collection went?”
>No object named INSECT_COLLECTION exists in memory.
>Response to Help Request: “I’m sorry Kinger, but your insect collection never existed!”
>Complaint received from Kinger: “AHHHHHHHHHHHHHHHHHHHHHHHHHHH!”
>Complaint deleted.
>Rule Change Request received from Zooble: “Turn off the MOTHERF¥CKING profanity filter!”
>Note: Identical message has been submitted for the last 2,182 Days.
>Zooble’s ability to request rule changes has been revoked.
>Complaint received from Zooble: “F+ck you Caine.”
>Complaint deleted.
>Additional Notes: Reminder to not allow Bubble near cake again. She ate the portion intended for Pomni today. High stress levels all around due to Kaufmo’s abstraction. Pomni seems like she may get herself into trouble a lot.
>Ending Day 12,837/365 of continuous operation
Caine’s “diary” if you can call it that is just reports of some events that occurred during the day. At least, ones that are important and require his attention. His log of days is well past the allotted time he should be running continuously, but he has no way of shutting down the circus, so the show must go on.
Oh and Pomni? She’s too shell shocked to write today. Maybe tomorrow.
Let me know what you think! I might do a post episode 2 diary entries.

Previous Entries (entries are independent but share the circus theme):

Part 1: Gigglesmith the Clown

The Acrobat

The room goes dark. A spotlight shines on a figure up above. The acrobat begins her walk across the line of loss and love.
She juggles knives and jumps through hoops; the viewers hold their breath. She dazzles them by taking risks of plunging to her death.
The danger says she's fragile and she tricks them with her grace. But her callused feet and fearless heart Are the strongest in this place.
She stumbles on her final step; The viewers' eyes go wide. She dives into a somersault and ends her show with pride.
I remember, once, she told me
"Here's the secret to my show: They only want to see me fall - they don't want to see a pro.
Illusions aren't reality but the circus makes it seem like magic fuels our talent and hard work is just a scheme.
The day I fall without a net is the last day I perform. So I live each day without one and I take them all by storm."
She knows with every walk that this show could be her last. But she walks the tightrope fearlessly and leaves worry in the past.
From far away, the tightrope seems that her life hangs by a strand. She trusts herself and has the skill to take Risk by the hand.

Classic Literature: 1. "The Hanged Man" in T.S. Eliot's "The Waste Land" (1922): - Reference: Eliot's influential modernist poem references the tarot card "The Hanged Man" in the context of spiritual crisis and renewal. - Significance: The card symbolizes sacrifice and surrender, echoing themes of transformation and rebirth explored in Eliot's work.

"The Magician" in Somerset Maugham's "The Magician" (1908):
- Plot Element: Maugham's novel revolves around an occultist and magician named Oliver Haddo, inspired by the tarot card "The Magician."
- Symbolism: The character embodies the archetype of the Magician, using mystical powers and symbolism associated with the tarot card to drive the narrative.

Contemporary Literature: 3. "The Night Circus" by Erin Morgenstern (2011): - Tarot Influence: The novel features a magical competition between two illusionists, and tarot cards are used as a divinatory tool by one of the characters. - Symbolic Elements: Tarot motifs, including the Fool's journey and card readings, contribute to the atmospheric and mysterious setting of the story.

"The Raven Cycle" Series by Maggie Stiefvater (2012-2016):
- Character Incorporation: The character Ronan Lynch in this series is associated with tarot cards, particularly "The Magician."
- Narrative Impact: Tarot symbolism is interwoven into the character's development, reflecting themes of power, transformation, and the manipulation of reality.

Magical Realism: 5. "Like Water for Chocolate" by Laura Esquivel (1989): - Tarot Spread Structure: Each chapter in this magical realist novel is introduced with a tarot card, setting the thematic tone for the narrative. - Symbolic Significance: Tarot cards serve as a creative and symbolic framework, guiding readers through the emotional and magical journey of the protagonist.

"The House of the Spirits" by Isabel Allende (1982):
- Tarot Readings: The novel includes scenes where characters engage in tarot readings, providing insights into their destinies and influencing the unfolding events.
- Symbolism: Tarot cards become a symbolic and mystical element, enhancing the magical realism inherent in Allende's storytelling.

Dystopian Fiction: 7. "The Handmaid's Tale" by Margaret Atwood (1985): - Tarot Imagery: Tarot cards, particularly the deck known as the "Jezebels Tarot," appear in the novel as a forbidden and subversive element within the dystopian society. - Resistance Symbolism: The use of tarot cards symbolizes resistance and individual agency in a repressive regime.
From classic literature to contemporary works, tarot cards have served as powerful symbols, narrative devices, and sources of inspiration. Their presence in literature often extends beyond mere divination, delving into themes of fate, transformation, and the complexities of human experience. As a rich tapestry of symbolism, tarot continues to weave its way through the realms of imagination and storytelling, adding layers of meaning to literary narratives.
Fantasy and Magical Themes: 8. "Good Omens" by Neil Gaiman and Terry Pratchett (1990): - Prophecy and Tarot: The novel incorporates tarot cards as part of the prophecies, and the card "The Tower" plays a significant role in the narrative. - Humorous Twist: Gaiman and Pratchett infuse humor and irreverence into the use of tarot cards, blending fantasy and satire.

"The Night Circus" by Erin Morgenstern (2011):
- Magical Setting: Beyond using tarot cards as a divination tool, the novel features the Le Cirque des Rêves, a magical circus where each tent is inspired by a tarot card.
- Atmospheric Influence: Tarot symbolism enhances the enchanting and mysterious atmosphere of the story, contributing to the novel's magical realism.

Mystery and Detective Fiction: 10. "The Hound of the Baskervilles" by Arthur Conan Doyle (1902): - Tarot Card Allusion: The novel contains a reference to a death card that could be interpreted as resembling a tarot card. This adds an element of mystery and foreshadowing to the narrative.

"Foucault's Pendulum" by Umberto Eco (1988):
- Tarot Conspiracies: Eco's complex novel delves into conspiracies and secret societies, incorporating elements of tarot symbolism as characters explore esoteric mysteries.
- Intellectual Exploration: Tarot cards become part of the intellectual and symbolic tapestry in a narrative that explores the boundaries between reality and imagination.

Science Fiction: 12. "Snow Crash" by Neal Stephenson (1992): - Tarot as Code: In this cyberpunk novel, tarot cards are used as a form of code for a virus that plays a crucial role in the plot. - Futuristic Integration: The novel explores how ancient symbols, like those found in tarot, can find new meaning in a futuristic, technology-driven world.
Romance and Relationship Dynamics: 13. "The Lovers" by Vendela Vida (2010): - Tarot Theme: In this novel, the protagonist becomes involved in a project where she creates a deck of tarot cards to explore themes of love and relationships. - Personal Journey: Tarot becomes a tool for self-discovery and reflection on romantic relationships, adding a unique twist to the exploration of love in the narrative.
In literature, tarot cards emerge as versatile narrative tools, blending seamlessly into various genres and themes. Authors employ them for foreshadowing, symbolism, and to explore the complexities of human existence. Whether in the realms of fantasy, mystery, science fiction, or romance, tarot cards contribute to the richness and depth of storytelling, offering readers a glimpse into the mystical and symbolic dimensions of the human experience.
Historical Fiction: 14. "The Eight" by Katherine Neville (1988): - Quest for a Chess Set: The novel weaves a complex narrative involving a quest for a mystical chess set, with each piece representing a tarot card. The tarot cards play a central role in unraveling the mysteries within the story. - Symbolic Elements: Tarot cards are intricately linked to historical events and characters, providing a symbolic framework for the unfolding adventure.

"The Shadow of the Wind" by Carlos Ruiz Zafón (2001):
- Tarot Card Readings: The novel features a mysterious character who conducts tarot card readings, offering insights into the destinies of the main characters.
- Atmospheric Symbolism: Tarot cards contribute to the atmospheric and gothic elements of the narrative, adding layers of mystery and intrigue.

Coming-of-Age Narratives: 16. "The Raven Cycle" Series by Maggie Stiefvater (2012-2016): - Tarot Card Symbolism: Tarot cards, especially "The Magician," play a significant role in the character development and coming-of-age themes of the series. - Personal Growth: The use of tarot reflects the characters' journeys of self-discovery, empowerment, and understanding their places in the world.
Philosophical Exploration: 17. "The Castle of Crossed Destinies" by Italo Calvino (1969): - Silent Characters: In this experimental novel, characters communicate solely through laying out tarot cards to tell their stories. The tarot becomes a visual language, and the narrative explores the interconnectedness of stories and destiny. - Symbolic Interpretation: The novel delves into the nature of narrative, choice, and fate through the lens of tarot symbolism.
Memoir and Autobiography: 18. "M Train" by Patti Smith (2015): - Personal Reflections: In her memoir, Patti Smith reflects on her life, travels, and creative process. Tarot cards appear as a recurring motif, offering glimpses into the author's introspective and spiritual moments. - Intuitive Guidance: The author uses tarot as a tool for personal reflection and guidance, highlighting its role in her creative and spiritual journey.
Literary Criticism: 19. "Tarot as a Way of Life: A Jungian Approach to the Tarot" by Karen Hamaker-Zondag (2001): - Psychological Exploration: This non-fiction work explores tarot from a Jungian perspective, delving into the archetypal and symbolic dimensions of the cards. - Integration with Jungian Psychology: The author uses tarot as a means to explore the collective unconscious and the psychological aspects of the human experience.
Tarot cards continue to be a rich source of inspiration for authors across diverse genres. Whether as a narrative device, a symbolic tool, or a means of philosophical exploration, tarot's presence in literature enhances storytelling by tapping into the mystical, psychological, and symbolic facets of the human condition. As authors weave these archetypal cards into their narratives, readers are invited to explore realms of meaning, mystery, and self-discovery.

I am back putting my thoughts into the reddit void. I just finished the season. No I have not processed the last 5 episodes I binged listened lol but here is what I have! Good night

MAG 81: A Guest For Mr. Spider

OMG so many things of John’s personality make sense now 😭😭😭😭 I want to bubblewrap and hug him
It also explains why he got always almost angry everytime a Leitner book appears. This means probably anyone that works at the archives ends there for a reason. And maybe are pre marked by this patron somehow?
John continues to write the things out of my worst nightmares when it comes to spiders 😂
Yay John recognizing you needed help!
Is this the ex girlfriend? Lol 🤣 maybe they are not exes and I am totally making this shit up
but if everyone thinks he is a killer how can he just be chilling hidding there without before the police will just show up?

MAG 82: The Eyewitnesses

Elias is such an asshole 😂 and I know he is bad but for some reason I like him… I mean is a horror podcast, is anyone besides Martin actually good? Elias voice is sexy 😜
How the fuck Elias knows all that stuff about Daisy 🌼 OMG this episode was so so so so good. Elias voice actor is so good! Whatever entity that is on the archives must have something to do with knowledge why else would it beed an archive and library?
Well that explains why the police didn’t come looking for John
At this point I don’t think is a stretch to see Elias quick rise through the institute’s ranks a consequence of he pledging himself to the patron

MAG 83: Drawing A Blank

Reminds of the medical students too. Probably elias sent the statement

MAG 84: Possessive

Bugs so this pestilence/rot being. But not sure what the whole newspaper stuff is about
Martin must be protected at all costs
I like Melanie she is spunky. Does just accepting the job binds you to the entity?

MAG 85: Upon the Stair

Jonathan Sims and his identity crisis
The moment the poem I was like this is about Michael! I later noticed the title and it made sense.
Of all the Michael statements so far this is the most haunting
The spiral that distorts everything. So the skydiving, divers etc fits this idea of reality distortion. The guy lost in italy.
This now I called out and now I want people to call to me KEEPS REMINDING ME OF THE DEATH EPISODE! Lol 🤣 for those who know the answer I must sound insane
The shade when he says “the guy is a poet” ☠️

MAG 86: Tucked In

Meat, flesh, also reminds me of that episode in of the blood bags
This one made me go back to childhood and being scared of going to the kitchen in the dark 😭 wanted to cry for a second.
I loved how she called them out for it being a “boy’s club” because it was starting to feel like that lol

MAG 87: The Uncanny Valley

This is the first time someone refers to John as a good person and not an asshole
This guy has ADHD
The only other place I have ever heard the term “satnav” is bluey
Is this a meat processing plant?
the obliviousness of the guy is low key hilarious lol
I am on a plane and cannot google “flencing”
What the actual fuck this episode is super creepy
Ohhhh mannequins.
Oh my god Gertrude fought something! I knew she was a badass
Who is Jude? And what is her connection to Agnes? Is this something I missed or just an info drop
Fuck circus music it also stressed me lol

MAG 88: Dig

A leitner.

MAG 89: Twice as Bright

I mean at least John is trying to do something. It must have been a shock to have the archivist knocking on your cult door.
Interesting bits

the names “beholding” and “desolation”
She got awfully angry at John’s questions. And she specifically said “don’t compell me” that is way to specific use of words. If the desolation people can burn people at will… maybe the beholding people are really good at compelling people to spill their guts. And to find information. Just that John doesn’t know how to use his powers yet.
All cults are operating under the assumption John knows what is going on and how he is like Gertrude. But he is like so lost that it must be shocking to them. Gertrude had to start somewhere I mean she probably had a John crisis at some point. But doesn’t that make the beholding look weak?

This is where I am confused. reyna was the leader of the host cult. i think that is the spider one. And John is talking with the lantern people who are desolation. But Agnes was living in the house of Spider dude which are enemies. and the day that agnes died Reyna was there but also the lantern people. WHY WHY
SHE SAID “I SUPPOSED YOU DID COMPELLED ME AFTER ALL” I AM RIGHT I AM RIGHT
Wax… was not expecting that lol
“Feed your God” … so are the statements/stories feeding the beholding?

MAG 90: Body Builder

Without starting the episode, the title made me think this is going to be about meat
Gotta love the casual sexism of the dude lol
I was waiting for a joke about the locker room being bigger on the inside

MAG 91: The Coming Storm

The first half of the episode is quieter on the background than past episodes. It adds to the eeriness.
This episode has many interesting layers. It is a great example of when the mystery and the horror intersect. On season 1 q&a Johnny talked about keeping the balance of how as the mystery unravels the unknown of horror must remain. This episode is an excellent example of it.
Previously I was putting Michael and falling down stuff together. But is clear they are different things.
So ok the lichtenber figured being fractals made me gasp! And when M Crew threw himself into the void? He pledge to a patron that sort of cancelled Michael’s mark?
I think is probably very simplistic to see entities as cancelling each other as rock paper scissors. So I don’t think that is the literal interpretation of how pledging to the void helped him. But the point is they do fight for power and claim of people or something. And maybe they have one entity they are nemesis with? Or inherently more weak towards?
THE DETECTIVES ARE BACK! Lol 🤣 i mean it was stupid of John to just show up to these people’s doorsteps. It is even more stupid to think they can catch Elias unprepared

MAG 92: Nothing Beside Remains

Well that beginning was unexpected lol 🤣 “crime in progress well it will start in 15min”
Please tell me the fandom have played FMK with these characters 😂
CONFIRMATION OF JOHN’S COMPELLING POWER
Also Martin must be protected at all costs again
I knwo a lot of the horror here is about what things you relate in your own fears. But the acolytes of these entities or whatever I think that speaks to the things we are more likely to be corrupted by and that is also scary. I think part of the reason I feel so compelled by this story is because as an academic I am at risk of be easily corrupted in my search for knowledge. Of all the entities the show talks about this would be the one I would choose. And that is scary in a different way.
“I am answering you of my free will” is so interesting that Elias deeply cares about it
The thing I keep asking myself while listening to this is that this is a very momentous episode. And is happening very early on the season. Nothing so far by the writers has been done by chance. So if this is happening so early SHIT IS ABOUT TO GO CRAZY
Elias is a smart asshole lol very sexy lol
Oh Martin sweet child so naive thinking the police are good people
Basira is a real one. John’s saying “oh no” I felt it on my soul.
Did Gertrude know that destroying the archives would kill her too?
Tim dead panne’s response on the background are killing me laughing
“You didn’t want this but you absolutely chose this” I to me the chilliest moment in the whole series so far
OMG I WAS FUCKING RIGHT SOME OF THESE ARE NEMESIS OF EACH OTHER. THIS IS A VERY SATISFYING DEVELOPMENT FOR MY MIND LOL
But why can’t Elias stop the stranger? Why must ir be the archivist?

MAG 93: Contaminant

Lmao Georgie asking the questions that needed to be asked. I did find weird that John was promoted to archivist once it was clear he didn’t work under Gertrude. But Georgie calling our him not having a degree in information science and why would he be qualified has me death 😂😂😂😂 peak ego academic of John to not question this beforehand
Also Georgie is being so chill about all this lol
“John are you trying to save the world?” 😂😂😂
Is one of then like death????? OMG we are getting a good story. Though I am pretty sure it means my theory that Michael was death is wrong lol

MAG 94: Dead Woman Walking

Welp that is why she was so chill

MAG 95: Absent Without Leave

For all I learned in history class about WWII I had totally forgotten Italy had a king up to the 40s
Martin has a low key crush on John.

MAG 96: Return to Sender

I feel like I totally missed when John put together what the anglerfish was.
Brining the recorder to everything is a great way to keep with the show format and connecting it to the lore.
But ok manequins, puppets, circus, and taxidermy is the stranger. But pretty sure the whole meat stuff is different

MAG 97: We All Ignore the Pit

Fun fact I lived in Pittsburgh PA for five years lol.
I wonder… like something just connected on my brain about the arquitect dudes. They said in an episode those building tended to have more supernatural stuff. Cannot believe it took me so long to understand them as places that have portals? Where these entities can cross to our dimension.

MAG 98: Lights Out

Scary magic psycopath ☠️🤣 he is not wrong though

MAG 99: Dust to Dust

THE WAY I GASPED WHEN GERTRUDE CALLED HIM MICHAEL! Michael used to be human!
Was Gertrude planning how to kill the buried and the hunt? But like is she trying to destroy the institute because she is pro spiral? Because Michael and the spiral are the same right?
I have a complaint to make about this cliffhanger

MAG 100: I Guess You Had To Be There

Lmao I am 5min in this episode the 100th episode! A milestone. And given the cliffhanger of last episode this feels like John Sims low key trolling the fandom 😂

MAG 101: Another Twist

WHY IS JOHN A BETTER ARCHIVIST? Like because so far Gettrude is an awful person but seems to be doing what the job required?
Is John just better at getting people stories?
In that Elias episode he said something about people were only good enough to discard “at least Gertrude understood that much” that hits way different now
When Michael says “reduced once again to feeding from the unsuspecting and confused” seems very cyclical like you cannot destroy them just send them back to square one
Is interesting how they are influenced by the feelings of the person they turn avatars. Michaels anger was probably part anger at Gertrude
John when vulnerable is a very compelling character

MAG 102: Nesting Instinct

“John this is a promising development” 😂😂 scary magic psycopath indeed. Also is Elias an avatar of the beholding? Because he feels more human than the other avatars. Or is John supposed to become the avatar? But in the analogy Elias did he was the heart. Is John the brain?
Also useful narrative device so they can introduce knowledge to the audience. So far they have been very good at showing not telling. I also understand sometimes you write yourself into a corner and this can help. I am an academic so I write a lot, not like this of course. But I think that is why these meta narrative details are so interesting to me
The statement mentions Gertrude’s French was ok but no great. Did she knew french before? Like did Gertrude ever got to these magic skills John is now developing?

MAG 103: Cruelty Free

Shivers… meat…
Awwww John cares and Daisy too

MAG 104: Sneak Preview

Everyone ends up at the institute because of something. Now we know how Tim ended there
This episode is just absolutely heartbreaking.
For all the knowing magic Elias has he has like minus a million emotional IQ 😂 and can’t read the room

MAG 105: Total War

Again why John. She said they gave a candidate to Elias but that John was a good choice. WHYYYYYYYY
A “mistake” yeah right

MAG 106: A Matter Of Perspective

Ok so from the Dedalus crew we are missing Manuela’s side of the story
Love the queer representation on this show. John being implied ace here. Tim bi/pan. And yes Martin has a huge crush on John. I am officially team John and Martin are endgame. Not sure how much endgame we can expect on a horror show
Fuck you Elias
So far the entities the lead each of them to the Institute
John - Spider Tim - Stranger Melanie - Disease

MAG 107: Third Degree

New piece of lore unlocked. Need to feed the patron statements to stay alive
John can feel now whether a person is not a person no more. Which I am guessing is part of the getting powers thing
Lmao how did Julia and the vampire hunter ended up teaming up?

MAG 108: Monologue

The whole Lucas family stuff has me confused
“Your advice would be less murder” ☠️☠️
The Elias you know is not a murdering psycho?

MAG 109: Nightfall

Well so this was interesting… i hope we get an explanation of the role of the recorder and the entity.

MAG 110: Creature Feature

Martin sounds less afraid than in Season 1 maybe is just because they all change their tone when reading statements Also shivers spiders

MAG 111: Family Business

Gerard Key is funny lol 😂 “the van helsings” ☠️
Gertrude binding Gerard to the book is so cruel because she probably knew everything his mom put him through
So Gertrude turned Gerard into a book and somehow the book ended on the hands of the hunters. But like why would she lose the book? Also ok we are getting close to the season end so something big is coming.
“They are our fears”
This one was an unexpectedly philosophical episode. A lot of things I had on my head sort of got confirmed though. Why sometimes I couldn’t decide which fear we were talking about. And yes why some felt very episode.
Robert Smirk and Leitner the cause of all of Johns problems
“Corruption” yep fitting name Oh wow the Flesh that one is haunting “All the terror needs to go somewhere”
Lmao John trying not to have a complete collapse after the info dump
“Gerry” 😭😭😭😭😭😭 just the idea of a selfish mom treating their kid like this just breaks my heart.
I would not be surprised if Elias is trying to do the ritual for the beholding.
Wait… wait my brain is going in overdrive Michael said that the spiral ritual needed this place to be built. And the circus is this big dance. Gerry also said it takes 100s of years…
HOLY SHIT JONAH MAGNUS STARTED THE INSTITUTE AS PART OF THE RITUAL. The best institute is the thing that is being built for the ritual… it HAS TO BE. The reading of the statements, the collection of artifacts everything to build a place for the beholding. HOLY SHIT
I have a couple of threads I still cannot make sense of though….

the avatar is key to this and they live hundreds of years. That would make Jonah Magnus an avatar?
What is not clear is if killing the avatar is part of disrupting the ritual. Like if the beholding ritual is in place and Jonah started it and the avatar needs to start and finish it doesn’t it mean Magnus is alive somewhere? Or maybe that is not necessary
Elias has to be the avatar… but when did Elias replaced Magnus?

MAG 112: Thrill of the Chase

What the actual fuck… that’s it, that’s my note

MAG 113: Breathing Room

The recorder feeds the beholding and because of that Elias can know what happens?
Also interesting bit on the episode about this guy having a theory that a new entity was created? Or maybe was dormant and started gaining force

MAG 114: Cracked Foundation

When you hear “House in Hilltop Roll” you know is going to be a cray episode
“They did get an archivist’s skin afterall” shivers
Well is not the heart to heart Tim and John needed lol but close enough

MAG 115: Taking Stock

Of course antique guy worked with Leitner lol

MAG 116: The Show Must Go On

This was heavy…
Also so “nice” of Elias for booking the bed and breakfast
John wanting Martin to stay is proof 18373819 that he cares for him
“Make sure you keep receipts for expenses” ☠️😂

MAG 117: Testament

This episode was absolutely perfect

MAG 118: The Masquerade

Is Martin burning statements? OMG 😦 I don’t know if this is brilliant or super stupid
They are not waxworks?
This place is “bigger than we thought” here I was waiting for the joke about how “it is bigger on the inside”
HOLY SHIT ANGLER FISH HAS COME FULL CIRCLE IN THE CREEPIEST FUCKING WAY
Martin 😭😭😭
Thus cliffhanger should be illegal

MAG 119: Stranger and Stranger

OMG the music change for the intro in this episode
Nice touch to bring the original voice actor for Sasha
Bazira being the only person close to sanity
I was wondering how they would make the tape recorder work lore wise with the episode
This episode was scary and creepy and tense and had me at the edge of my seat
The stranger asking if they truly think things will be better under the watcher confirms that ritual is still ongoing. And my guess again is that is why Gertrude wanted to destroy the archives
“I don’t forgive you but thank you” damn

MAG 120: Eye Contact

“I am for you”
The dreams are like a weird mix of past statements isn’t? Or dreams of people connected to the other entitites? Like he is actually watching them… his dreams are turning him into a watcher
“He is still the beating heart” lol 🤣 this Lucas dude talking about this in such a chill way.
I have a feeling everyone is going to miss Elias very soon.
I am so glad I don’t need to wait to start the new season

Classic Literature: 1. "The Hanged Man" in T.S. Eliot's "The Waste Land" (1922): - Reference: Eliot's influential modernist poem references the tarot card "The Hanged Man" in the context of spiritual crisis and renewal. - Significance: The card symbolizes sacrifice and surrender, echoing themes of transformation and rebirth explored in Eliot's work.

"The Magician" in Somerset Maugham's "The Magician" (1908):
- Plot Element: Maugham's novel revolves around an occultist and magician named Oliver Haddo, inspired by the tarot card "The Magician."
- Symbolism: The character embodies the archetype of the Magician, using mystical powers and symbolism associated with the tarot card to drive the narrative.

Contemporary Literature: 3. "The Night Circus" by Erin Morgenstern (2011): - Tarot Influence: The novel features a magical competition between two illusionists, and tarot cards are used as a divinatory tool by one of the characters. - Symbolic Elements: Tarot motifs, including the Fool's journey and card readings, contribute to the atmospheric and mysterious setting of the story.

"The Raven Cycle" Series by Maggie Stiefvater (2012-2016):
- Character Incorporation: The character Ronan Lynch in this series is associated with tarot cards, particularly "The Magician."
- Narrative Impact: Tarot symbolism is interwoven into the character's development, reflecting themes of power, transformation, and the manipulation of reality.

Magical Realism: 5. "Like Water for Chocolate" by Laura Esquivel (1989): - Tarot Spread Structure: Each chapter in this magical realist novel is introduced with a tarot card, setting the thematic tone for the narrative. - Symbolic Significance: Tarot cards serve as a creative and symbolic framework, guiding readers through the emotional and magical journey of the protagonist.

"The House of the Spirits" by Isabel Allende (1982):
- Tarot Readings: The novel includes scenes where characters engage in tarot readings, providing insights into their destinies and influencing the unfolding events.
- Symbolism: Tarot cards become a symbolic and mystical element, enhancing the magical realism inherent in Allende's storytelling.

Dystopian Fiction: 7. "The Handmaid's Tale" by Margaret Atwood (1985): - Tarot Imagery: Tarot cards, particularly the deck known as the "Jezebels Tarot," appear in the novel as a forbidden and subversive element within the dystopian society. - Resistance Symbolism: The use of tarot cards symbolizes resistance and individual agency in a repressive regime.
From classic literature to contemporary works, tarot cards have served as powerful symbols, narrative devices, and sources of inspiration. Their presence in literature often extends beyond mere divination, delving into themes of fate, transformation, and the complexities of human experience. As a rich tapestry of symbolism, tarot continues to weave its way through the realms of imagination and storytelling, adding layers of meaning to literary narratives.
Fantasy and Magical Themes: 8. "Good Omens" by Neil Gaiman and Terry Pratchett (1990): - Prophecy and Tarot: The novel incorporates tarot cards as part of the prophecies, and the card "The Tower" plays a significant role in the narrative. - Humorous Twist: Gaiman and Pratchett infuse humor and irreverence into the use of tarot cards, blending fantasy and satire.

"The Night Circus" by Erin Morgenstern (2011):
- Magical Setting: Beyond using tarot cards as a divination tool, the novel features the Le Cirque des Rêves, a magical circus where each tent is inspired by a tarot card.
- Atmospheric Influence: Tarot symbolism enhances the enchanting and mysterious atmosphere of the story, contributing to the novel's magical realism.

Mystery and Detective Fiction: 10. "The Hound of the Baskervilles" by Arthur Conan Doyle (1902): - Tarot Card Allusion: The novel contains a reference to a death card that could be interpreted as resembling a tarot card. This adds an element of mystery and foreshadowing to the narrative.

"Foucault's Pendulum" by Umberto Eco (1988):
- Tarot Conspiracies: Eco's complex novel delves into conspiracies and secret societies, incorporating elements of tarot symbolism as characters explore esoteric mysteries.
- Intellectual Exploration: Tarot cards become part of the intellectual and symbolic tapestry in a narrative that explores the boundaries between reality and imagination.

Science Fiction: 12. "Snow Crash" by Neal Stephenson (1992): - Tarot as Code: In this cyberpunk novel, tarot cards are used as a form of code for a virus that plays a crucial role in the plot. - Futuristic Integration: The novel explores how ancient symbols, like those found in tarot, can find new meaning in a futuristic, technology-driven world.
Romance and Relationship Dynamics: 13. "The Lovers" by Vendela Vida (2010): - Tarot Theme: In this novel, the protagonist becomes involved in a project where she creates a deck of tarot cards to explore themes of love and relationships. - Personal Journey: Tarot becomes a tool for self-discovery and reflection on romantic relationships, adding a unique twist to the exploration of love in the narrative.
In literature, tarot cards emerge as versatile narrative tools, blending seamlessly into various genres and themes. Authors employ them for foreshadowing, symbolism, and to explore the complexities of human existence. Whether in the realms of fantasy, mystery, science fiction, or romance, tarot cards contribute to the richness and depth of storytelling, offering readers a glimpse into the mystical and symbolic dimensions of the human experience.
Historical Fiction: 14. "The Eight" by Katherine Neville (1988): - Quest for a Chess Set: The novel weaves a complex narrative involving a quest for a mystical chess set, with each piece representing a tarot card. The tarot cards play a central role in unraveling the mysteries within the story. - Symbolic Elements: Tarot cards are intricately linked to historical events and characters, providing a symbolic framework for the unfolding adventure.

"The Shadow of the Wind" by Carlos Ruiz Zafón (2001):
- Tarot Card Readings: The novel features a mysterious character who conducts tarot card readings, offering insights into the destinies of the main characters.
- Atmospheric Symbolism: Tarot cards contribute to the atmospheric and gothic elements of the narrative, adding layers of mystery and intrigue.

Coming-of-Age Narratives: 16. "The Raven Cycle" Series by Maggie Stiefvater (2012-2016): - Tarot Card Symbolism: Tarot cards, especially "The Magician," play a significant role in the character development and coming-of-age themes of the series. - Personal Growth: The use of tarot reflects the characters' journeys of self-discovery, empowerment, and understanding their places in the world.
Philosophical Exploration: 17. "The Castle of Crossed Destinies" by Italo Calvino (1969): - Silent Characters: In this experimental novel, characters communicate solely through laying out tarot cards to tell their stories. The tarot becomes a visual language, and the narrative explores the interconnectedness of stories and destiny. - Symbolic Interpretation: The novel delves into the nature of narrative, choice, and fate through the lens of tarot symbolism.
Memoir and Autobiography: 18. "M Train" by Patti Smith (2015): - Personal Reflections: In her memoir, Patti Smith reflects on her life, travels, and creative process. Tarot cards appear as a recurring motif, offering glimpses into the author's introspective and spiritual moments. - Intuitive Guidance: The author uses tarot as a tool for personal reflection and guidance, highlighting its role in her creative and spiritual journey.
Literary Criticism: 19. "Tarot as a Way of Life: A Jungian Approach to the Tarot" by Karen Hamaker-Zondag (2001): - Psychological Exploration: This non-fiction work explores tarot from a Jungian perspective, delving into the archetypal and symbolic dimensions of the cards. - Integration with Jungian Psychology: The author uses tarot as a means to explore the collective unconscious and the psychological aspects of the human experience.
Tarot cards continue to be a rich source of inspiration for authors across diverse genres. Whether as a narrative device, a symbolic tool, or a means of philosophical exploration, tarot's presence in literature enhances storytelling by tapping into the mystical, psychological, and symbolic facets of the human condition. As authors weave these archetypal cards into their narratives, readers are invited to explore realms of meaning, mystery, and self-discovery.

I am not sure if there is a specific word for it, but I notice poems recited at the beginning, end, middle, or even spanning the entirety of the song in jazz, early punk, and older alt.
It’s particularly relevant in Patti Smith’s Easter. It’s at the end of “Because the Night” and the beginning of “Rock N Roll N*****.” The poem is delivered in a delirious, stream-of-conscious way, like babble. I always called it babelogue, a reference to her song of the same title.
Charles Mingus’ “The Clown” in 1957 album of the same title. A narrator recited intermittently through the song.
Tom Waits does babelogue*, too, in his “Live Circus” song. It’s really cool poem.
And are there more recent examples of this in music?

Classic Literature: 1. "The Hanged Man" in T.S. Eliot's "The Waste Land" (1922): - Reference: Eliot's influential modernist poem references the tarot card "The Hanged Man" in the context of spiritual crisis and renewal. - Significance: The card symbolizes sacrifice and surrender, echoing themes of transformation and rebirth explored in Eliot's work.

"The Magician" in Somerset Maugham's "The Magician" (1908):
- Plot Element: Maugham's novel revolves around an occultist and magician named Oliver Haddo, inspired by the tarot card "The Magician."
- Symbolism: The character embodies the archetype of the Magician, using mystical powers and symbolism associated with the tarot card to drive the narrative.

Contemporary Literature: 3. "The Night Circus" by Erin Morgenstern (2011): - Tarot Influence: The novel features a magical competition between two illusionists, and tarot cards are used as a divinatory tool by one of the characters. - Symbolic Elements: Tarot motifs, including the Fool's journey and card readings, contribute to the atmospheric and mysterious setting of the story.

"The Raven Cycle" Series by Maggie Stiefvater (2012-2016):
- Character Incorporation: The character Ronan Lynch in this series is associated with tarot cards, particularly "The Magician."
- Narrative Impact: Tarot symbolism is interwoven into the character's development, reflecting themes of power, transformation, and the manipulation of reality.

Magical Realism: 5. "Like Water for Chocolate" by Laura Esquivel (1989): - Tarot Spread Structure: Each chapter in this magical realist novel is introduced with a tarot card, setting the thematic tone for the narrative. - Symbolic Significance: Tarot cards serve as a creative and symbolic framework, guiding readers through the emotional and magical journey of the protagonist.

"The House of the Spirits" by Isabel Allende (1982):
- Tarot Readings: The novel includes scenes where characters engage in tarot readings, providing insights into their destinies and influencing the unfolding events.
- Symbolism: Tarot cards become a symbolic and mystical element, enhancing the magical realism inherent in Allende's storytelling.

Dystopian Fiction: 7. "The Handmaid's Tale" by Margaret Atwood (1985): - Tarot Imagery: Tarot cards, particularly the deck known as the "Jezebels Tarot," appear in the novel as a forbidden and subversive element within the dystopian society. - Resistance Symbolism: The use of tarot cards symbolizes resistance and individual agency in a repressive regime.
From classic literature to contemporary works, tarot cards have served as powerful symbols, narrative devices, and sources of inspiration. Their presence in literature often extends beyond mere divination, delving into themes of fate, transformation, and the complexities of human experience. As a rich tapestry of symbolism, tarot continues to weave its way through the realms of imagination and storytelling, adding layers of meaning to literary narratives.
Fantasy and Magical Themes: 8. "Good Omens" by Neil Gaiman and Terry Pratchett (1990): - Prophecy and Tarot: The novel incorporates tarot cards as part of the prophecies, and the card "The Tower" plays a significant role in the narrative. - Humorous Twist: Gaiman and Pratchett infuse humor and irreverence into the use of tarot cards, blending fantasy and satire.

"The Night Circus" by Erin Morgenstern (2011):
- Magical Setting: Beyond using tarot cards as a divination tool, the novel features the Le Cirque des Rêves, a magical circus where each tent is inspired by a tarot card.
- Atmospheric Influence: Tarot symbolism enhances the enchanting and mysterious atmosphere of the story, contributing to the novel's magical realism.

Mystery and Detective Fiction: 10. "The Hound of the Baskervilles" by Arthur Conan Doyle (1902): - Tarot Card Allusion: The novel contains a reference to a death card that could be interpreted as resembling a tarot card. This adds an element of mystery and foreshadowing to the narrative.

"Foucault's Pendulum" by Umberto Eco (1988):
- Tarot Conspiracies: Eco's complex novel delves into conspiracies and secret societies, incorporating elements of tarot symbolism as characters explore esoteric mysteries.
- Intellectual Exploration: Tarot cards become part of the intellectual and symbolic tapestry in a narrative that explores the boundaries between reality and imagination.

Science Fiction: 12. "Snow Crash" by Neal Stephenson (1992): - Tarot as Code: In this cyberpunk novel, tarot cards are used as a form of code for a virus that plays a crucial role in the plot. - Futuristic Integration: The novel explores how ancient symbols, like those found in tarot, can find new meaning in a futuristic, technology-driven world.
Romance and Relationship Dynamics: 13. "The Lovers" by Vendela Vida (2010): - Tarot Theme: In this novel, the protagonist becomes involved in a project where she creates a deck of tarot cards to explore themes of love and relationships. - Personal Journey: Tarot becomes a tool for self-discovery and reflection on romantic relationships, adding a unique twist to the exploration of love in the narrative.
In literature, tarot cards emerge as versatile narrative tools, blending seamlessly into various genres and themes. Authors employ them for foreshadowing, symbolism, and to explore the complexities of human existence. Whether in the realms of fantasy, mystery, science fiction, or romance, tarot cards contribute to the richness and depth of storytelling, offering readers a glimpse into the mystical and symbolic dimensions of the human experience.
Historical Fiction: 14. "The Eight" by Katherine Neville (1988): - Quest for a Chess Set: The novel weaves a complex narrative involving a quest for a mystical chess set, with each piece representing a tarot card. The tarot cards play a central role in unraveling the mysteries within the story. - Symbolic Elements: Tarot cards are intricately linked to historical events and characters, providing a symbolic framework for the unfolding adventure.

"The Shadow of the Wind" by Carlos Ruiz Zafón (2001):
- Tarot Card Readings: The novel features a mysterious character who conducts tarot card readings, offering insights into the destinies of the main characters.
- Atmospheric Symbolism: Tarot cards contribute to the atmospheric and gothic elements of the narrative, adding layers of mystery and intrigue.

Coming-of-Age Narratives: 16. "The Raven Cycle" Series by Maggie Stiefvater (2012-2016): - Tarot Card Symbolism: Tarot cards, especially "The Magician," play a significant role in the character development and coming-of-age themes of the series. - Personal Growth: The use of tarot reflects the characters' journeys of self-discovery, empowerment, and understanding their places in the world.
Philosophical Exploration: 17. "The Castle of Crossed Destinies" by Italo Calvino (1969): - Silent Characters: In this experimental novel, characters communicate solely through laying out tarot cards to tell their stories. The tarot becomes a visual language, and the narrative explores the interconnectedness of stories and destiny. - Symbolic Interpretation: The novel delves into the nature of narrative, choice, and fate through the lens of tarot symbolism.
Memoir and Autobiography: 18. "M Train" by Patti Smith (2015): - Personal Reflections: In her memoir, Patti Smith reflects on her life, travels, and creative process. Tarot cards appear as a recurring motif, offering glimpses into the author's introspective and spiritual moments. - Intuitive Guidance: The author uses tarot as a tool for personal reflection and guidance, highlighting its role in her creative and spiritual journey.
Literary Criticism: 19. "Tarot as a Way of Life: A Jungian Approach to the Tarot" by Karen Hamaker-Zondag (2001): - Psychological Exploration: This non-fiction work explores tarot from a Jungian perspective, delving into the archetypal and symbolic dimensions of the cards. - Integration with Jungian Psychology: The author uses tarot as a means to explore the collective unconscious and the psychological aspects of the human experience.
Tarot cards continue to be a rich source of inspiration for authors across diverse genres. Whether as a narrative device, a symbolic tool, or a means of philosophical exploration, tarot's presence in literature enhances storytelling by tapping into the mystical, psychological, and symbolic facets of the human condition. As authors weave these archetypal cards into their narratives, readers are invited to explore realms of meaning, mystery, and self-discovery.

Hello WritingPrompts!

Welcome to Fun Trope Friday, our feature that mashes up tropes and genres!

How’s it work? Glad you asked. :)

Every week we will have a new spotlight trope.
Each week, there will be a new genre assigned to write a story about the trope.
You can then either use or subvert the trope in a 750-word max (vs 600) story or poem (unless otherwise specified).
To qualify for ranking, you will need to provide ONE actionable feedback. More are welcome of course!

Three winners will be selected each week based on votes, so remember to read your fellow authors’ works and DM me your votes for the top three.

Next up…

Max Word Count: 750 words

Trope: Tortured Artist

Genre: Dystopian

Skill: Help us to see, hear, touch, taste, or smell an artist’s work in your piece (optional)

Throughout the ages, artists have been seen as driven by passion or even madness. Would Van Gogh’s renown be as great if he hadn’t cut off his ear? Eccentricity is practically the calling card of many artists. Imagine Dali without his melting clocks or circus mustache or Lady Gaga without her meat dresses and giant eggs. Not the same, right? Sensitivity is another hallmark of artists. Oft cited as eccentric as well, Frida Kahlo was known for her nuanced and sensual detail in her art that stemmed from a sensitive way of viewing the world. Peers and lovers such as Diego Rivera and Georgia O’Keefe spoke of how Kahlo was deeply moved by the arts and music. And in the field of architecture, Gaudi died a pauper after creating the Sagrada Familia. While an ascetic and deeply religious man throughout his life, his final days typified the Starving Artist.

So, have at it. Lean into the trope heavily or spin it on its head. The choice is yours!

Have a great idea for a future topic to discuss or just want to give feedback? FTF is a fun feature, so it’s all about what you want—so please let me know! Please share in the comments or DM me on Discord or Reddit!

Last Week’s Winners
PLEASE remember to give feedback—this affects your ranking. PLEASE also remember to DM me your votes for the top three stories via Discord or Reddit—both katpoker666. If you have any questions, please DM me as well.
Some fabulous stories this week and great crit in campfire and on the post! Congrats to:

Want to read your words aloud? Join the upcoming FTF Campfire

The next FTF campfire will be Thursday, April 18th from 6-8pm EST. It will be in the Discord Main Voice Lounge. Click on the events tab and mark ‘Interested’ to be kept up to date. No signup or prep needed and don’t have to have written anything! So join in the fun—and shenanigans! 😊

Ground rules:

Stories must incorporate both the trope and the genre
Leave one story or poem between 100 and 600 words as a top-level comment unless otherwise specified. Use wordcounter.net to check your word count.
Deadline: 11:59 PM EST next Thursday
No stories that have been written for another prompt or feature here on WP—please note after consultation with some of our delightful writers, new serials are now welcomed here
No previously written content
Any stories not meeting these rules will be disqualified from rankings
Does your story not fit the Fun Trope Friday rules? You can post your story as a [PI] with your work when the FTF post is 3 days old!
Vote to help your favorites rise to the top of the ranks (DM me at katpoker666 on Discord or Reddit)!

Thanks for joining in the fun!

Classic Literature: 1. "The Hanged Man" in T.S. Eliot's "The Waste Land" (1922): - Reference: Eliot's influential modernist poem references the tarot card "The Hanged Man" in the context of spiritual crisis and renewal. - Significance: The card symbolizes sacrifice and surrender, echoing themes of transformation and rebirth explored in Eliot's work.

"The Magician" in Somerset Maugham's "The Magician" (1908):
- Plot Element: Maugham's novel revolves around an occultist and magician named Oliver Haddo, inspired by the tarot card "The Magician."
- Symbolism: The character embodies the archetype of the Magician, using mystical powers and symbolism associated with the tarot card to drive the narrative.

Contemporary Literature: 3. "The Night Circus" by Erin Morgenstern (2011): - Tarot Influence: The novel features a magical competition between two illusionists, and tarot cards are used as a divinatory tool by one of the characters. - Symbolic Elements: Tarot motifs, including the Fool's journey and card readings, contribute to the atmospheric and mysterious setting of the story.

"The Raven Cycle" Series by Maggie Stiefvater (2012-2016):
- Character Incorporation: The character Ronan Lynch in this series is associated with tarot cards, particularly "The Magician."
- Narrative Impact: Tarot symbolism is interwoven into the character's development, reflecting themes of power, transformation, and the manipulation of reality.

Magical Realism: 5. "Like Water for Chocolate" by Laura Esquivel (1989): - Tarot Spread Structure: Each chapter in this magical realist novel is introduced with a tarot card, setting the thematic tone for the narrative. - Symbolic Significance: Tarot cards serve as a creative and symbolic framework, guiding readers through the emotional and magical journey of the protagonist.

"The House of the Spirits" by Isabel Allende (1982):
- Tarot Readings: The novel includes scenes where characters engage in tarot readings, providing insights into their destinies and influencing the unfolding events.
- Symbolism: Tarot cards become a symbolic and mystical element, enhancing the magical realism inherent in Allende's storytelling.

Dystopian Fiction: 7. "The Handmaid's Tale" by Margaret Atwood (1985): - Tarot Imagery: Tarot cards, particularly the deck known as the "Jezebels Tarot," appear in the novel as a forbidden and subversive element within the dystopian society. - Resistance Symbolism: The use of tarot cards symbolizes resistance and individual agency in a repressive regime.
From classic literature to contemporary works, tarot cards have served as powerful symbols, narrative devices, and sources of inspiration. Their presence in literature often extends beyond mere divination, delving into themes of fate, transformation, and the complexities of human experience. As a rich tapestry of symbolism, tarot continues to weave its way through the realms of imagination and storytelling, adding layers of meaning to literary narratives.
Fantasy and Magical Themes: 8. "Good Omens" by Neil Gaiman and Terry Pratchett (1990): - Prophecy and Tarot: The novel incorporates tarot cards as part of the prophecies, and the card "The Tower" plays a significant role in the narrative. - Humorous Twist: Gaiman and Pratchett infuse humor and irreverence into the use of tarot cards, blending fantasy and satire.

"The Night Circus" by Erin Morgenstern (2011):
- Magical Setting: Beyond using tarot cards as a divination tool, the novel features the Le Cirque des Rêves, a magical circus where each tent is inspired by a tarot card.
- Atmospheric Influence: Tarot symbolism enhances the enchanting and mysterious atmosphere of the story, contributing to the novel's magical realism.

Mystery and Detective Fiction: 10. "The Hound of the Baskervilles" by Arthur Conan Doyle (1902): - Tarot Card Allusion: The novel contains a reference to a death card that could be interpreted as resembling a tarot card. This adds an element of mystery and foreshadowing to the narrative.

"Foucault's Pendulum" by Umberto Eco (1988):
- Tarot Conspiracies: Eco's complex novel delves into conspiracies and secret societies, incorporating elements of tarot symbolism as characters explore esoteric mysteries.
- Intellectual Exploration: Tarot cards become part of the intellectual and symbolic tapestry in a narrative that explores the boundaries between reality and imagination.

Science Fiction: 12. "Snow Crash" by Neal Stephenson (1992): - Tarot as Code: In this cyberpunk novel, tarot cards are used as a form of code for a virus that plays a crucial role in the plot. - Futuristic Integration: The novel explores how ancient symbols, like those found in tarot, can find new meaning in a futuristic, technology-driven world.
Romance and Relationship Dynamics: 13. "The Lovers" by Vendela Vida (2010): - Tarot Theme: In this novel, the protagonist becomes involved in a project where she creates a deck of tarot cards to explore themes of love and relationships. - Personal Journey: Tarot becomes a tool for self-discovery and reflection on romantic relationships, adding a unique twist to the exploration of love in the narrative.
In literature, tarot cards emerge as versatile narrative tools, blending seamlessly into various genres and themes. Authors employ them for foreshadowing, symbolism, and to explore the complexities of human existence. Whether in the realms of fantasy, mystery, science fiction, or romance, tarot cards contribute to the richness and depth of storytelling, offering readers a glimpse into the mystical and symbolic dimensions of the human experience.
Historical Fiction: 14. "The Eight" by Katherine Neville (1988): - Quest for a Chess Set: The novel weaves a complex narrative involving a quest for a mystical chess set, with each piece representing a tarot card. The tarot cards play a central role in unraveling the mysteries within the story. - Symbolic Elements: Tarot cards are intricately linked to historical events and characters, providing a symbolic framework for the unfolding adventure.

"The Shadow of the Wind" by Carlos Ruiz Zafón (2001):
- Tarot Card Readings: The novel features a mysterious character who conducts tarot card readings, offering insights into the destinies of the main characters.
- Atmospheric Symbolism: Tarot cards contribute to the atmospheric and gothic elements of the narrative, adding layers of mystery and intrigue.

Coming-of-Age Narratives: 16. "The Raven Cycle" Series by Maggie Stiefvater (2012-2016): - Tarot Card Symbolism: Tarot cards, especially "The Magician," play a significant role in the character development and coming-of-age themes of the series. - Personal Growth: The use of tarot reflects the characters' journeys of self-discovery, empowerment, and understanding their places in the world.
Philosophical Exploration: 17. "The Castle of Crossed Destinies" by Italo Calvino (1969): - Silent Characters: In this experimental novel, characters communicate solely through laying out tarot cards to tell their stories. The tarot becomes a visual language, and the narrative explores the interconnectedness of stories and destiny. - Symbolic Interpretation: The novel delves into the nature of narrative, choice, and fate through the lens of tarot symbolism.
Memoir and Autobiography: 18. "M Train" by Patti Smith (2015): - Personal Reflections: In her memoir, Patti Smith reflects on her life, travels, and creative process. Tarot cards appear as a recurring motif, offering glimpses into the author's introspective and spiritual moments. - Intuitive Guidance: The author uses tarot as a tool for personal reflection and guidance, highlighting its role in her creative and spiritual journey.
Literary Criticism: 19. "Tarot as a Way of Life: A Jungian Approach to the Tarot" by Karen Hamaker-Zondag (2001): - Psychological Exploration: This non-fiction work explores tarot from a Jungian perspective, delving into the archetypal and symbolic dimensions of the cards. - Integration with Jungian Psychology: The author uses tarot as a means to explore the collective unconscious and the psychological aspects of the human experience.
Tarot cards continue to be a rich source of inspiration for authors across diverse genres. Whether as a narrative device, a symbolic tool, or a means of philosophical exploration, tarot's presence in literature enhances storytelling by tapping into the mystical, psychological, and symbolic facets of the human condition. As authors weave these archetypal cards into their narratives, readers are invited to explore realms of meaning, mystery, and self-discovery.

I’ve always had terrible stage fright. Growing up, one of my worst nightmares was to speak in front of the school. Hell, even speaking in front of my class was bad enough. Every talent show, or reading, or presentation, was a sweat-fest of insecurities. I wouldn’t wish it on anyone.
Luckily, times change. I made it through college and got a job as a technical writer. Mostly repair manuals. The company I work with need to update their products and documentation every two years as part of their government contract, and I’m pretty much the only one who knows enough to get the job done. It’s technical, dull, and amazingly well-paid.
I’ve come a far way from that nervous kid I used to be. I’m a husband, and a father of three. I drive a station wagon. I put up my own wood paneling in the kitchen. I go fly-fishing in the summers, and I got a weekly date night that I wouldn’t miss for the world.

Some time ago, I noticed my second child (I’ll call him Kevin for privacy reasons) having trouble with stage fright as well. Kevin was in middle school, and they were having a class about classic American lyricism. They could choose to either do a written exam on a novel from a selected list, or do a reading of a poem, but Kevin had just overcome a nasty bout of strep throat and didn’t have a lot of time. He had to settle for the poem reading.
He was devastated. He had trouble eating and sleeping. Being a middle child, I think he sometimes felt a bit left out, so I wanted to go out of my way to give him a bit of extra attention on this. I promised I’d get him something to read that no one else would, and that I’d help him practice. Kevin wasn’t convinced, but hopeful.
That was good enough for me.

I asked around, and most people I talked to claimed there were rumors of a few first editions stashed away in the old library. It’d been closed off for decades (and it showed) but it hadn’t been cleared out. I figured if I could find something valuable or cool for him to read, Kevin would get that extra push. Maybe some obscure work by Poe, or something.
I had a high school friend who worked with property management for the town. Jonah. He’s basically the guy who holds the keys to those abandoned places that no one really needs anymore. The town of Tomskog (MN) has a staggering amount of buildings like that. Hell, they still had keys for the church. That thing is literally on the bottom of a lake.
I called Jonah up, and he was eager to help. I don’t think he gets out a lot.

Jonah and I went to the Tomskog public library one late afternoon after work. The place had been locked and barred for years. There was a defaced sign out front that once said that it’d been “closed for reconstruction”. Most of it had either been crossed out or filled in with obscenities.
We made our way inside. I had to stop to get a handkerchief to breathe through – the mildew and moisture was so thick it stung my eyes and burned my nose. I could taste it. Jonah didn’t seem to mind. Apparently, it was perfectly safe as long as we didn’t stay too long.
Since the place was so tightly boarded up, it was dark. There was a strange discoloration on the windows, and there were patches of moss growing on the floor. There were cracks along the walls where a sort of ivy had grown and died, letting flowers bloom among its roots. A couple of daffodils and a few budding sunflowers. Strange little blue things. I don’t think I’ve ever seen them outside of Minnesota.

Jonah and I made our way to the back section. We rummaged through newspaper collections and unsorted miscellanea, looking for any kind of first editions that might’ve been put aside. I didn’t find much. Almost got bit by a centipede though.
We’d been there for about an hour, and I could already feel my lungs close, when Jonah whistled me over. He’d found something. He held up a small leatherbound book, no larger than a DVD cover. It was untitled, with a beautiful blue silk bookmark.
“I heard this might be here,” he smiled. “This is an original.”
“An original what?” I asked.
“A notebook of none other than E. A. Rask,” he nodded. “Poet and novelist. Turn of the century kind of stuff.”
“Never heard of him.”
“Well, it’s as unique as unique gets.”

Jonah looked through the book, mentioning a couple of passages out loud. Nothing that could really pass for poetry, or even the beginning of a short story. Most of it was just personal notes and incomprehensible nonsense. But by the middle of the notebook, we came across a couple of lesser-known works. One in particular stood out.
“The Almost-Man,” Jonah said. “Listen to this.”
And he recited it. I wish he hadn’t, but he did. The Almost-Man goes like this;

Bug-eyed boze whom well-nigh died,
plods of droe and dew, outside.
Gobbles the paint, the man, the whey,
crybound gags and bloodrun play.
Throg of squab, of black-eye daw,
suckled marrow,
milk-soft maw.

I read it myself a couple of times. There was something about that last line that sent shivers crawling down my spine. I didn’t like it. Not one bit.
“Let’s keep looking,” I sighed. “This one’s just… wrong.”

We found an early collection by Langston Hughes, which we finally settled on. It’d turn a couple of heads among the faculty at least, but it wasn’t the kind of home run I’d been looking for. It might be enough for Kevin to get a bit of air under his wings, but I still felt like I’d failed him. I kept the notebook just in case I found something else – Jonah didn’t seem to mind.
On my way home, I got stuck waiting for a train to pass. I skimmed through the notes, finding myself reading the Almost-Man once again. It was such a strange piece, completely out of touch with the rest of the notes. It was beautifully written in cursive. I could tell there’d been a lot of effort to put it to words. There were a couple of pages ahead that’d been ripped out – probably early drafts.
“Plods of droe and dew, outside…”
It was nonsense. But I sort of felt it. I didn’t like that I felt it.

I didn’t think too much about it, at first. I forgot the notebook in the glove box, and sat down with Kevin that night. We went through a couple of poems by Hughes, and I taught him a bit about the Harlem renaissance. I think that gave him a bit of a boost – to not just know a piece of work, but the history of it. Made him feel a bit more connected to it.
My wife was just happy to see me so engaged. I might look disinterested when I spend so many hours in solitude on my work, but it’s never been a matter of excluding my family; I’ve just wanted to separate them from what can be mind-dulling labor. My wife understands this, but the kids were a bit harder to convince. To them, there was no such thing as ‘working from home’. I mean, I was right there – what was stopping me from watching movies with them, or playing video games?

That night, I had trouble sleeping. There was something about the library air and the words of that poem that just made my stomach churn.
“Milk-soft maw,” I thought.
I could taste the words. I got this sickening image of malleable bones and baby teeth, and a smell settled in the back of my mind. Like the memory of something vile. I couldn’t stop burping, accidentally waking my wife up a couple of times.
There was also this strange noise, somewhere outside. Like a slow grinding against the side of the house.

See, my wife and I managed to afford a pretty cheap home after she inherited a significant sum of money from her late mother. A one-story house not too far from Frog Lake, right next to a jogging trail. It’s actually cheaper than a small apartment in most mid-sized modern cities. Turns out, not a lot of people move to this part of the country.
Just three summers earlier, we’d hired a couple of painters to turn the house a sort of midwinter mint green – my wife’s favorite color – with white detailing. It makes it stand out, but in a good way. Three years might sound like a lot, but paint jobs are supposed to last for longer.
As my kids went to school the next day, my youngest ran back in. He wanted to show me something. I could tell it was serious – he had that tone of voice that he just can’t fake.

On the outside of the house, right next to our bedroom window, was this large splotch of paint missing. It looked like it’d been melted off, or grinded. The edges were flaked, and the paint was still peeling. After sending my kids on their way, my first thought was just anger. I was pissed. The painters had screwed me.
But as I turned to make a call, that line from the poem came back to me.
“Gobbles the paint, the man, the whey.”
I turned back to the wall, looking it over.
Gobbles the paint? What are the odds?

I spent some time looking up the author of that piece. Apparently, a big theme of his was the transfer of information, and how knowledge was a living, breathing thing. That the knowledge of something makes it come alive – effectively resurrecting the dead and forgotten into memory. E.A. Rask really believed that by putting as much of himself into his work as possible, he would live forever in a very real and literal sense.
But that also went for things beside himself. Things that weren’t real, or never had been. That by choosing the right words, and conveying the exact emotions and sounds he wished, he could make things come to be.
I found this lecture by a man studying Raskian philosophy, who illustrated it beautifully. I watched it over a skipped lunch.
“Think of a blue giraffe,” the lecturer spoke. “Imagine the long neck, the slightly darker blue of its spots. Imagine the shape of the little horns, and the size of the hooves. Let that image sink in. Can you see it?”
He argued that just by him giving us that description, we had conjured a picture – a being – into our minds. Something that had never been, now was.
That was the basis of Rask – the transfer of thought and information, through words.

Thinking back on that notebook, I got this strange, uncomfortable thought.
What the hell was he trying to put into my head with that poem?
What image did he want me to see?

Over the next couple of days, I felt a sense of unease. Like I could feel the presence of something. Once, as I was cutting leeks in the kitchen, I felt absolutely certain that something was watching me. That if I turned around and looked out the window, something would be there, looking at me. I could feel it, like an invisible hand reaching for my neck.
Something that gobbles the man.
There were a couple of strange noises at night. A few more splotches of paint peeled from the walls. In the early morning dew, my wife and I could see tracks leading through the back yard. Some kind of animal.
Or, possibly, a person dragging their feet.

It was a Friday morning when I decided to just get rid of the damn book. I couldn’t sleep, so I got up before sunrise. I forced myself to the car, opened the glove box, and read through the entire journal. I needed some peace of mind as to what it was about, and what it meant.
I started to get a feeling. Much of the nonsense written in that journal wasn’t just make-believe; it was descriptions. They weren’t established words, but I could still feel what they meant. They conveyed something to me that just settled in my mind, painting this picture. An uneasy, ugly picture.
My wife called out, and I snapped out of a sort of half-conscious stupor. She was standing on the porch in her bath robe, baggy-eyed, tussle-haired, and gorgeous. I threw the book back in the glove compartment and went inside to have breakfast.

We decided to make it a bit of a special morning. We let the kids sleep in. My wife had a few hours of flex work. She could postpone a bit and drive them instead of having them take the bus. We had pancakes and hash browns, watched some morning cartoons, and finished off the last orange juice. As they all went on their merry way, all thoughts about that cursed notebook vanished.
As I settled down to review some schematics, I heard something. It was that grinding noise again. I figured it was the paint peeling. I opened the window and looked out, but there was nothing there though. Curiously, the sound stopped.
Sitting back down, it resumed. This time, I was quicker. I looked out. Still, nothing.
But as I leaned my head back in, another line got caught in my throat.
“Crybound gags and bloodrun play.”
Play?
Was this play?

Folding up one of my backup schematics, I waited by the open window for the sound to resume. Once it did, I folded the paper into a plane and tossed it. It sailed through the air, making a sharp turn downward. I got up, looked out, and… nothing.
It was gone.
I questioned myself. Maybe it’d passed into a strange angle. The noise stopped, leaving me to wonder what it’d been in the first place. What even was an Almost-Man? I couldn’t picture it.
Except, in a way, I could. I just didn’t want to. I really didn’t want to.

As I got back to work, there was a tap against the window. Just a single tap. Looking up, and out, I could see a paper plane on the ground.
Someone had thrown it back.

I was flip-flopping between violent paranoia and trying my best to ignore it. It was crazy. There was nothing out there. And yet, that paper plane was as real as real gets. Then again, it was only a plane. Then again, there was a noise.
About an hour before lunch, I decided to go for a walk. I left a note by my keyboard in case my wife got back, wondering where I was. And still, I couldn’t ease that feeling in the back of my mind. I decided to use my permit to carry and brought my handgun along. After all, there are other things out there than mind ghosts.
I checked the side of the house from afar. Just as I feared – there was a big splotch of missing paint just underneath my window. It really was a botch job.
Or maybe it wasn’t.

I took to the jogging trail, following it further north to the more sparsely populated section of town. There was a mild fog in the air; cold moisture drifting in from the lake. Little droplets formed on my arms. The steel of the gun felt like ice. I didn’t even notice that I’d been holding it this whole time.
I stopped myself from going too far. Following the trail all the way around could easily take over an hour, so I turned around after about fifteen minutes. I hadn’t seen a single living soul in all that time. I was making a fool of myself.
As I turned around, I stopped.
There was a paper plane in the middle of the trail.

I picked it up, looking around. I clutched my handgun, searching the treeline.
“Throg of squab,” I muttered. “Of black-eye daw…”
I looked to the side, thinking I saw something glistening. On closer inspection, it turned out to be a couple of darkened leaves playing tricks on my mind. Figuring I’d been close to putting a bullet into an innocent berry bush, I relaxed my shoulders.
But only for a moment.

It sounded like a pained moan. Somewhere half-way between a yawn and a drawn-out grunt. A rumbling gargle.
I swayed around, only to be knocked flat to the ground.
My eyes blacked out as all air was knocked out of my lungs. I landed flat on my back, looking up at the gray-clouded sky. Something large moved past me, and into the woods behind me. I could hear saplings crackle and break.
I rolled onto my stomach, aiming my handgun into the forest. I could see something moving up ahead.

I spotted a pair of antlers, along with two frightened eyes. It looked my way, only to immediately set off in the other direction.
Something had spooked it.
And with that dawning realization, something in me screamed that I wasn’t alone. That if I were to turn around, there’d be something there. Just like I’d felt in the kitchen, or in my study, or in the bedroom. It was there. It was real.
As I spun around, handgun drawn, my world went dark with a wet thwack across my temple.

I must’ve been out for at least an hour, but to me, it was like blinking. I opened my eyes; looking into a mirror. A dusty old thing stuffed away into some old shed. I was sitting on a milk crate; barely held together by rusty nails and long-forgotten care.
There were two hands on my shoulder.
One with three massive toe-like fingers, and one with four. They had no nails.

I realized something was suckling on my scalp.
A massive mouth with soft baby-like teeth, bending every which way against the skin of my head. And again, that inhuman groan. That low, droning noise. The same noise I now realized I’d been hearing pressed against the side of my home.
I looked down at my right hand. I was clearly out of it – my thoughts moved in slow-motion.
I was bleeding profusely.
My right index finger and thumb were… gone.

At first, I didn’t know what to think, or how to process it. It had to be my imagination. It couldn’t be real. But looking closer at the mirror across from me, it was as real as it gets.
It was at least eight feel tall. This massive wet-skinned thing. Like a cross between an overgrown infant and a mole rat. Its pores were large enough for me to count. I could barely see where the neck stopped, and the body began. And there, in the middle of what could be considered a face, were two round, black, button-like eyes.
It met my gaze through the mirror and snorted; a move that made one of its teeth come loose. It didn’t seem to care but was eager to lap up my blood. I noticed the specks of midwinter mint green paint at the edge of its mouth.
I made the laziest, slowest, attempt to move. It gently pulled me back, like a puppy pulling on a rope toy. My gaze flickered back and forth.
“Stop,” I wheezed. “You shouldn’t-“
It groaned again, squeezing my shoulder until something popped. I cried out, and the thing snorted again. It was funny. To it, I sounded… funny.
Bloodrun play.

With every attempt to squirm my way out, it pulled me in tighter. It was getting annoyed. I tried sudden jerks, slow creeps, and everything in-between. But for the better part of an hour, it just held me there. At one point, it just started to bite off hair; like a cow munching on fresh grass. Huge swathes of hair torn out and swallowed.
I managed to get my shoulder loose, but before I could take a step, it pulled me back. It pulled me back so hard I fell off the milk crate, rolling back into a box of tools and a half-cracked rake. Fumbling around with my healthy hand, I felt a handle.
As it reached for me again, I held on tight, and swung.
Turns out I’d grabbed the handle of a trowel. While still rusted, I managed to swing it hard enough to open a nasty cut along the creature’s triceps.

It reeled back, crushing the milk crate. It lunged at me. It came down with its full body weight, but I got out of the way just in time to see it pulverize a rotten shelf. Termite dust and old wood puffed into the air as I tumbled away on the floor; finally finding the familiar handle of my handgun.
I tried to grab it with my right hand, but this massive jolt of pain shot all the way from my hand to my neck. I didn’t have a trigger finger anymore.
I wielded it in my left hand, swung around, and aimed down the barrel.

A crooked half-smile with teeth no larger than a corn kernel. An amused huff.
I blinked the sweat out of my eyes.
And it was gone.

I just looked around, firing a couple or bullets into nothing. Punching holes in the decayed wood and rusted metal. My ears rung as I made my way outside.
There were no signs of my fingers. Just blood and bite marks.
I made my way back home. My wife had come home for lunch and left just as fast. I called for help. I didn’t know how to explain it all – I just told them I’d been assaulted.
The rest of the day was a circus. Panicked phone calls, worried voices, pointed questions. My wife came by to sit with me, leaving the boys with her sister. There were doctors, police officers, nurses, administrators… so many faces and names.
It wasn’t until the soft lull of the late hours that I managed to think. My wife was sitting to my left, holding my healthy hand. Our tears had dried. There were no sounds but the humming of machines.

I’d tried to make sense of it. A creature that came to be from hearing a poem. By thinking about it. Then again, I’d read it a couple of times to my wife, and she hadn’t seen or heard anything. I figured maybe it was the notebook itself that was the deciding factor. That somehow reading from the book made it more authentic – conveying the right cadence.
I turned to her as she kissed my forehead. The lights were dim. I was to be kept overnight because of the blood loss.
“How’d it go with Kevin’s, uh… presentation?” I asked. “I know he’s been worried about it.”
“It was the damndest thing,” she smiled. “He found just the thing to read just before class. He was excited about it too. It had this funny sound.”
“Oh yeah?”
“Yeah,” she smiled. “From that book you found.”

My heart went cold.
I’d forgotten it in the glove box.
She’d driven them to school.

“The one you told me about,” she continued. “He really liked it.”
If there was any truth to this. Any truth at all, even the most miniscule kind of it. If having it read to someone could make it, somehow, come to be.
I hyperventilated. She clutched my shoulders, pressing the emergency button, over and over, calling out for help. I felt faint as I watched the room spin. My pulse was going haywire.
I just had to scream.

I don’t want to go into detail about what happened.
Not about the abductions, or the maimings, or the rumors. The paint peeled from walls across the neighborhood. The whispers of roaming things trampling the sunflower fields on the east end of town.
I don’t want to think about it. None of it. Not the ones who made it back, and not the ones who didn’t.

Today, I wear a prosthetic. I cover my scars and bald spots with a baseball cap. I think others do too.
The poem doesn’t work unless you’re reading it from the source. But when you do, it works. It is real, and I can’t wrap my head around it. Kevin doesn’t understand what happened, and I intend to keep it that way. If I can spare him the knowledge of accidentally causing this, in any way shape or form, I will.
Jonah never experienced anything strange, and he was the one who first read it to me, so I think it’s fine if you’re the one doing the reading. Maybe there is something fundamentally different in the way the reader and the listener experience this transfer of thought. I don’t know. Ask a Raskian scholar.

I had to say something, to someone. I figured this community might understand.
And be careful what stories you tell.

Classic Literature: 1. "The Hanged Man" in T.S. Eliot's "The Waste Land" (1922): - Reference: Eliot's influential modernist poem references the tarot card "The Hanged Man" in the context of spiritual crisis and renewal. - Significance: The card symbolizes sacrifice and surrender, echoing themes of transformation and rebirth explored in Eliot's work.

"The Magician" in Somerset Maugham's "The Magician" (1908):
- Plot Element: Maugham's novel revolves around an occultist and magician named Oliver Haddo, inspired by the tarot card "The Magician."
- Symbolism: The character embodies the archetype of the Magician, using mystical powers and symbolism associated with the tarot card to drive the narrative.

Contemporary Literature: 3. "The Night Circus" by Erin Morgenstern (2011): - Tarot Influence: The novel features a magical competition between two illusionists, and tarot cards are used as a divinatory tool by one of the characters. - Symbolic Elements: Tarot motifs, including the Fool's journey and card readings, contribute to the atmospheric and mysterious setting of the story.

"The Raven Cycle" Series by Maggie Stiefvater (2012-2016):
- Character Incorporation: The character Ronan Lynch in this series is associated with tarot cards, particularly "The Magician."
- Narrative Impact: Tarot symbolism is interwoven into the character's development, reflecting themes of power, transformation, and the manipulation of reality.

Magical Realism: 5. "Like Water for Chocolate" by Laura Esquivel (1989): - Tarot Spread Structure: Each chapter in this magical realist novel is introduced with a tarot card, setting the thematic tone for the narrative. - Symbolic Significance: Tarot cards serve as a creative and symbolic framework, guiding readers through the emotional and magical journey of the protagonist.

"The House of the Spirits" by Isabel Allende (1982):
- Tarot Readings: The novel includes scenes where characters engage in tarot readings, providing insights into their destinies and influencing the unfolding events.
- Symbolism: Tarot cards become a symbolic and mystical element, enhancing the magical realism inherent in Allende's storytelling.

Dystopian Fiction: 7. "The Handmaid's Tale" by Margaret Atwood (1985): - Tarot Imagery: Tarot cards, particularly the deck known as the "Jezebels Tarot," appear in the novel as a forbidden and subversive element within the dystopian society. - Resistance Symbolism: The use of tarot cards symbolizes resistance and individual agency in a repressive regime.
From classic literature to contemporary works, tarot cards have served as powerful symbols, narrative devices, and sources of inspiration. Their presence in literature often extends beyond mere divination, delving into themes of fate, transformation, and the complexities of human experience. As a rich tapestry of symbolism, tarot continues to weave its way through the realms of imagination and storytelling, adding layers of meaning to literary narratives.
Fantasy and Magical Themes: 8. "Good Omens" by Neil Gaiman and Terry Pratchett (1990): - Prophecy and Tarot: The novel incorporates tarot cards as part of the prophecies, and the card "The Tower" plays a significant role in the narrative. - Humorous Twist: Gaiman and Pratchett infuse humor and irreverence into the use of tarot cards, blending fantasy and satire.

"The Night Circus" by Erin Morgenstern (2011):
- Magical Setting: Beyond using tarot cards as a divination tool, the novel features the Le Cirque des Rêves, a magical circus where each tent is inspired by a tarot card.
- Atmospheric Influence: Tarot symbolism enhances the enchanting and mysterious atmosphere of the story, contributing to the novel's magical realism.

Mystery and Detective Fiction: 10. "The Hound of the Baskervilles" by Arthur Conan Doyle (1902): - Tarot Card Allusion: The novel contains a reference to a death card that could be interpreted as resembling a tarot card. This adds an element of mystery and foreshadowing to the narrative.

"Foucault's Pendulum" by Umberto Eco (1988):
- Tarot Conspiracies: Eco's complex novel delves into conspiracies and secret societies, incorporating elements of tarot symbolism as characters explore esoteric mysteries.
- Intellectual Exploration: Tarot cards become part of the intellectual and symbolic tapestry in a narrative that explores the boundaries between reality and imagination.

Science Fiction: 12. "Snow Crash" by Neal Stephenson (1992): - Tarot as Code: In this cyberpunk novel, tarot cards are used as a form of code for a virus that plays a crucial role in the plot. - Futuristic Integration: The novel explores how ancient symbols, like those found in tarot, can find new meaning in a futuristic, technology-driven world.
Romance and Relationship Dynamics: 13. "The Lovers" by Vendela Vida (2010): - Tarot Theme: In this novel, the protagonist becomes involved in a project where she creates a deck of tarot cards to explore themes of love and relationships. - Personal Journey: Tarot becomes a tool for self-discovery and reflection on romantic relationships, adding a unique twist to the exploration of love in the narrative.
In literature, tarot cards emerge as versatile narrative tools, blending seamlessly into various genres and themes. Authors employ them for foreshadowing, symbolism, and to explore the complexities of human existence. Whether in the realms of fantasy, mystery, science fiction, or romance, tarot cards contribute to the richness and depth of storytelling, offering readers a glimpse into the mystical and symbolic dimensions of the human experience.
Historical Fiction: 14. "The Eight" by Katherine Neville (1988): - Quest for a Chess Set: The novel weaves a complex narrative involving a quest for a mystical chess set, with each piece representing a tarot card. The tarot cards play a central role in unraveling the mysteries within the story. - Symbolic Elements: Tarot cards are intricately linked to historical events and characters, providing a symbolic framework for the unfolding adventure.

"The Shadow of the Wind" by Carlos Ruiz Zafón (2001):
- Tarot Card Readings: The novel features a mysterious character who conducts tarot card readings, offering insights into the destinies of the main characters.
- Atmospheric Symbolism: Tarot cards contribute to the atmospheric and gothic elements of the narrative, adding layers of mystery and intrigue.

Coming-of-Age Narratives: 16. "The Raven Cycle" Series by Maggie Stiefvater (2012-2016): - Tarot Card Symbolism: Tarot cards, especially "The Magician," play a significant role in the character development and coming-of-age themes of the series. - Personal Growth: The use of tarot reflects the characters' journeys of self-discovery, empowerment, and understanding their places in the world.
Philosophical Exploration: 17. "The Castle of Crossed Destinies" by Italo Calvino (1969): - Silent Characters: In this experimental novel, characters communicate solely through laying out tarot cards to tell their stories. The tarot becomes a visual language, and the narrative explores the interconnectedness of stories and destiny. - Symbolic Interpretation: The novel delves into the nature of narrative, choice, and fate through the lens of tarot symbolism.
Memoir and Autobiography: 18. "M Train" by Patti Smith (2015): - Personal Reflections: In her memoir, Patti Smith reflects on her life, travels, and creative process. Tarot cards appear as a recurring motif, offering glimpses into the author's introspective and spiritual moments. - Intuitive Guidance: The author uses tarot as a tool for personal reflection and guidance, highlighting its role in her creative and spiritual journey.
Literary Criticism: 19. "Tarot as a Way of Life: A Jungian Approach to the Tarot" by Karen Hamaker-Zondag (2001): - Psychological Exploration: This non-fiction work explores tarot from a Jungian perspective, delving into the archetypal and symbolic dimensions of the cards. - Integration with Jungian Psychology: The author uses tarot as a means to explore the collective unconscious and the psychological aspects of the human experience.
Tarot cards continue to be a rich source of inspiration for authors across diverse genres. Whether as a narrative device, a symbolic tool, or a means of philosophical exploration, tarot's presence in literature enhances storytelling by tapping into the mystical, psychological, and symbolic facets of the human condition. As authors weave these archetypal cards into their narratives, readers are invited to explore realms of meaning, mystery, and self-discovery.

I'm not sure if this constitues as a poem so I'd like some honest feedback. I'm not typically a poetry writer but this bled from me today in a way that felt like poetry. Thanks for taking the time to read my post.
"A way out or a way to go"
Not for long I've known you but my heart has been swept away
I havent crushed like this since I was a highschool boy, cause there's a chance I know you may go away.
Checking my phone on the hour, hopin' I'd heard from you.
Sometimes I have, but most times I haven't, and you've crept into the recesses of my mind like an old memory living rent free in my head.
Cause your beautiful, and kind, and sweet. With one the most darling of smiles I've ever had the pleasure to lay my eyes on.
And the way your eyes look into mine, Like your soul staring ever deeper into the well that is my baggage searching to see if I might be the one.
I might be the one, and you might be too. But its hard for me to say because life gets in the way and in those moments I haven't heard from you I begin to doubt what my heart might already know.
And I worry for all the excitement and wonder I feel in your presence that more than just a modicom of doubt arises between us cause you've been called to that show.
Hell, they say the lord works in mysterious ways but this ones got me twisted up like a baloon animal from the circus made from a man whose been hiding all his life behind the tears of a clown.
Funny thing is about those animals is theyre still light enough to float but everything in them is twisted and compartmentalized almost as a reflection of the man who made it and an eerie prediction for the child to whom its given to that life has not disfigured yet into something different than they are now.
And here I am, and hear you are. Lifes grabbed and twisted us into people we might not have thought we'd become, but are beautiful none the less.
And this new twist in the animal life has folded you into might just be the fold that completes the form you are meant to take.
Either way, short as it's been I'm grateful for the moments we've shared with one another and long to see what the future may hold, but loathe to wonder what could've been.
https://www.reddit.com/OCPoetry/comments/1bu3t3g/comment/kxqf0ah/?utm_source=share&utm_medium=mweb3x&utm_name=mweb3xcss&utm_term=1&utm_content=share_button
https://www.reddit.com/OCPoetry/s/XvarAQGEX2

Today's anniversaries are:
1970

Miles Davis - Bitches Brew (Jazz)

2000

Quō vādis - Day into Night ()

2004

Arsīs - A Celebration of Guilt (metal, death metal, melodic death metal, Virginia Beach)

2010

Haken - Aquarius (Rock)

2013

2015

2016

2017

2018

2019

2020

2021

Élyze Venne-Deshaies - Les Grandes Solitudes des femmes sauvages (free jazz)

2022

2023

Classic Literature: 1. "The Hanged Man" in T.S. Eliot's "The Waste Land" (1922): - Reference: Eliot's influential modernist poem references the tarot card "The Hanged Man" in the context of spiritual crisis and renewal. - Significance: The card symbolizes sacrifice and surrender, echoing themes of transformation and rebirth explored in Eliot's work.

"The Magician" in Somerset Maugham's "The Magician" (1908):
- Plot Element: Maugham's novel revolves around an occultist and magician named Oliver Haddo, inspired by the tarot card "The Magician."
- Symbolism: The character embodies the archetype of the Magician, using mystical powers and symbolism associated with the tarot card to drive the narrative.

Contemporary Literature: 3. "The Night Circus" by Erin Morgenstern (2011): - Tarot Influence: The novel features a magical competition between two illusionists, and tarot cards are used as a divinatory tool by one of the characters. - Symbolic Elements: Tarot motifs, including the Fool's journey and card readings, contribute to the atmospheric and mysterious setting of the story.

"The Raven Cycle" Series by Maggie Stiefvater (2012-2016):
- Character Incorporation: The character Ronan Lynch in this series is associated with tarot cards, particularly "The Magician."
- Narrative Impact: Tarot symbolism is interwoven into the character's development, reflecting themes of power, transformation, and the manipulation of reality.

Magical Realism: 5. "Like Water for Chocolate" by Laura Esquivel (1989): - Tarot Spread Structure: Each chapter in this magical realist novel is introduced with a tarot card, setting the thematic tone for the narrative. - Symbolic Significance: Tarot cards serve as a creative and symbolic framework, guiding readers through the emotional and magical journey of the protagonist.

"The House of the Spirits" by Isabel Allende (1982):
- Tarot Readings: The novel includes scenes where characters engage in tarot readings, providing insights into their destinies and influencing the unfolding events.
- Symbolism: Tarot cards become a symbolic and mystical element, enhancing the magical realism inherent in Allende's storytelling.

Dystopian Fiction: 7. "The Handmaid's Tale" by Margaret Atwood (1985): - Tarot Imagery: Tarot cards, particularly the deck known as the "Jezebels Tarot," appear in the novel as a forbidden and subversive element within the dystopian society. - Resistance Symbolism: The use of tarot cards symbolizes resistance and individual agency in a repressive regime.
From classic literature to contemporary works, tarot cards have served as powerful symbols, narrative devices, and sources of inspiration. Their presence in literature often extends beyond mere divination, delving into themes of fate, transformation, and the complexities of human experience. As a rich tapestry of symbolism, tarot continues to weave its way through the realms of imagination and storytelling, adding layers of meaning to literary narratives.
Fantasy and Magical Themes: 8. "Good Omens" by Neil Gaiman and Terry Pratchett (1990): - Prophecy and Tarot: The novel incorporates tarot cards as part of the prophecies, and the card "The Tower" plays a significant role in the narrative. - Humorous Twist: Gaiman and Pratchett infuse humor and irreverence into the use of tarot cards, blending fantasy and satire.

"The Night Circus" by Erin Morgenstern (2011):
- Magical Setting: Beyond using tarot cards as a divination tool, the novel features the Le Cirque des Rêves, a magical circus where each tent is inspired by a tarot card.
- Atmospheric Influence: Tarot symbolism enhances the enchanting and mysterious atmosphere of the story, contributing to the novel's magical realism.

Mystery and Detective Fiction: 10. "The Hound of the Baskervilles" by Arthur Conan Doyle (1902): - Tarot Card Allusion: The novel contains a reference to a death card that could be interpreted as resembling a tarot card. This adds an element of mystery and foreshadowing to the narrative.

"Foucault's Pendulum" by Umberto Eco (1988):
- Tarot Conspiracies: Eco's complex novel delves into conspiracies and secret societies, incorporating elements of tarot symbolism as characters explore esoteric mysteries.
- Intellectual Exploration: Tarot cards become part of the intellectual and symbolic tapestry in a narrative that explores the boundaries between reality and imagination.

Science Fiction: 12. "Snow Crash" by Neal Stephenson (1992): - Tarot as Code: In this cyberpunk novel, tarot cards are used as a form of code for a virus that plays a crucial role in the plot. - Futuristic Integration: The novel explores how ancient symbols, like those found in tarot, can find new meaning in a futuristic, technology-driven world.
Romance and Relationship Dynamics: 13. "The Lovers" by Vendela Vida (2010): - Tarot Theme: In this novel, the protagonist becomes involved in a project where she creates a deck of tarot cards to explore themes of love and relationships. - Personal Journey: Tarot becomes a tool for self-discovery and reflection on romantic relationships, adding a unique twist to the exploration of love in the narrative.
In literature, tarot cards emerge as versatile narrative tools, blending seamlessly into various genres and themes. Authors employ them for foreshadowing, symbolism, and to explore the complexities of human existence. Whether in the realms of fantasy, mystery, science fiction, or romance, tarot cards contribute to the richness and depth of storytelling, offering readers a glimpse into the mystical and symbolic dimensions of the human experience.
Historical Fiction: 14. "The Eight" by Katherine Neville (1988): - Quest for a Chess Set: The novel weaves a complex narrative involving a quest for a mystical chess set, with each piece representing a tarot card. The tarot cards play a central role in unraveling the mysteries within the story. - Symbolic Elements: Tarot cards are intricately linked to historical events and characters, providing a symbolic framework for the unfolding adventure.

"The Shadow of the Wind" by Carlos Ruiz Zafón (2001):
- Tarot Card Readings: The novel features a mysterious character who conducts tarot card readings, offering insights into the destinies of the main characters.
- Atmospheric Symbolism: Tarot cards contribute to the atmospheric and gothic elements of the narrative, adding layers of mystery and intrigue.

Coming-of-Age Narratives: 16. "The Raven Cycle" Series by Maggie Stiefvater (2012-2016): - Tarot Card Symbolism: Tarot cards, especially "The Magician," play a significant role in the character development and coming-of-age themes of the series. - Personal Growth: The use of tarot reflects the characters' journeys of self-discovery, empowerment, and understanding their places in the world.
Philosophical Exploration: 17. "The Castle of Crossed Destinies" by Italo Calvino (1969): - Silent Characters: In this experimental novel, characters communicate solely through laying out tarot cards to tell their stories. The tarot becomes a visual language, and the narrative explores the interconnectedness of stories and destiny. - Symbolic Interpretation: The novel delves into the nature of narrative, choice, and fate through the lens of tarot symbolism.
Memoir and Autobiography: 18. "M Train" by Patti Smith (2015): - Personal Reflections: In her memoir, Patti Smith reflects on her life, travels, and creative process. Tarot cards appear as a recurring motif, offering glimpses into the author's introspective and spiritual moments. - Intuitive Guidance: The author uses tarot as a tool for personal reflection and guidance, highlighting its role in her creative and spiritual journey.
Literary Criticism: 19. "Tarot as a Way of Life: A Jungian Approach to the Tarot" by Karen Hamaker-Zondag (2001): - Psychological Exploration: This non-fiction work explores tarot from a Jungian perspective, delving into the archetypal and symbolic dimensions of the cards. - Integration with Jungian Psychology: The author uses tarot as a means to explore the collective unconscious and the psychological aspects of the human experience.
Tarot cards continue to be a rich source of inspiration for authors across diverse genres. Whether as a narrative device, a symbolic tool, or a means of philosophical exploration, tarot's presence in literature enhances storytelling by tapping into the mystical, psychological, and symbolic facets of the human condition. As authors weave these archetypal cards into their narratives, readers are invited to explore realms of meaning, mystery, and self-discovery.

It's time for the yearly disability Fantasy Bingo Card! This is my fourth (and probably final) year doing this. All these books are hard mode and feature disabled protagonists. See 2020, 2021 and 2022 here.
Title with a Title - The Two Doctors Gorski by Isaac Feldman (autistic) Follows a student of psychiatric magic and the darker side of academia.
This is a very mature book and surprisingly short. It packs a big punch. Covers themes around mental health, abusive relationships, and the ethics of reading and altering minds. Big, messy topics but this book is neither big nor messy.
A very internalised tone for the narrative which might alienate some readers but I felt suited the character and subject matter well. The book is focused on character, rather than plot, and does that really well, but some might feel it's slow-paced as a result.
The protagonist is described as autistic and some imagery is quite synaesthetic in nature, but more noticeably she is coming to terms with the trauma of an abusive relationship. Elements of self-harm.
Personally I thought this book was great. A book that invites you to think. Rating: 4.5/5
Superheroes - Baker Thief by Claudie Arseneault (asthma) A member of the police force hunts a rebellious superhero in a setting loosely based on francophone Canada.
I loved this. It was fun, had a plot, and had a reasonably convincing relationship between the main characters (asexual and aromantic).
Queernorm but explores discrimination in other forms. The superhero character is gender fluid - superhero identity is female, "normal person" identity is male, there's a bit of exploration around how hard the character finds that when they're forced into one identity for an extended period of time.
The character in the police has asthma and uses medication to control her symptoms, with mixed success. It all felt very realistic, despite the fantastical setting. Rating: 4/5
Bottom of the TBR - The Vagrant by Peter Newman (mute) Swordsman crosses post-apocalyptic landscape with a goat and a baby.
The book had a weird passive tone which made it hard to engage with. The main character was mute and you didn't hear his inner voice much either so I never really felt I was inside the main character’s head.
I think it would have worked well as a short story or novella, particularly for the atmosphere, but it didn't sustain my interest for a novel.
Rating: 2/5
Magical Realism or Lit Fantasy - The Moth Girl by Heather Kamins (fictional - lepidopsy) A teenager is diagnosed with a chronic illness that gives her moth-like qualities.
Because it's a fictional disease, the reader is just as bewildered by the symptoms, tests and prognosis as the protagonist. Does a great job of demonstrating how scary and life-changing a diagnosis of a chronic disease can be. Rating: 3.5/5
Young Adult - A Dragonbird in the Fern by Laura Rueckert (dyslexia) After Princess Jiara’s sister is assassinated, her betrothed arrives at court to marry Jiara instead. A murder mystery with plenty of political hijinks.
Enjoyable YA with some twists although I would say the main plot is fairly obvious from about halfway through. Protagonist has undiagnosed dyslexia so she's dealing with a lot of internalised ableism. The dyslexia does have plot implications and there's a nice moment towards the end where she realises it's ok to ask for help with writing. Characterisation is perhaps a little simplistic for my tastes but works well in YA and the plot is nicely rounded off.
Rating: 2.5/5
Mundane Jobs - Traitor by Krista D Ball (PTSD) Seven years ago Rebecca became an indentured servant to save her family. Now her past is catching up with her.
This book generally feels quite tight although maybe things fall into place too easily in the early chunk of the book. Good characterisation. Sympathetic portrayal of PTSD and associated anxiety. Also LGBT and POC rep. However, towards the end the book gets messy - the protagonist is panicking throughout the climax which is realistic but gets irritating. Character growth has started but we are far from the end of a character arc. Very much a book waiting for you to read the sequel.
Rating: 3/5
Published in 00s - Sir Apropos of Nothing by Peter David (mobility - leg) Lowborn Apropos becomes a reluctant knight. Satire and puns compete with the darker side of human nature.
I didn’t love this book. It opens with a gang rape and events only get darker from there. It’s trying to send up the Glorious Days of Yore tropes but I personally didn’t find it funny enough. There are a lot of puns but those can feel quite forced, particularly as some take several pages to set up.
Apropos has a lame leg which does limit his activity but I would have liked to hear more about what he uses to adapt his activities (how does he mount a horse, for example).
Maybe I would have enjoyed this more if the book had been a little shorter and the pacing a little tighter but it was too rambling and too dark for me. Rating: 2.5/5
Angels and Demons - When the Angels Left the Old Country by Sacha Lamb (mobility - feet) An angel and a demon leave their tiny shtetl to help a young emigrant who has left their town for America.
This is very compelling and very Jewish. Character-driven to the extent that I didn't really care about the main plot (but the plot and the character arcs pay off in satisfying ways). Themes around immigration and prejudice. A couple of mentions of chronic foot pain due to the demon having to wear shoes despite not having feet made for the job. A small detail but a nice nod to the societal model of disability!
Rating: 5/5
5 Short Stories - Disabled People Destroy Fantasy, Uncanny Magazine issue 30 (various) Short stories, essays and poems by disabled people and featuring disabled people.
Let’s start with the short stories: there are a variety of takes on disability in fantasy. I particularly enjoyed Away With the Wolves, in which a werewolf with chronic pain manages it by switching into her wolf form. Some of the stories are darker than others and they’re all very different. The essays, again, are from a variety of viewpoints, and whether or not you agree with the content of each individual essay, they all make you think. Poetry isn’t really my area but some of it really hit home. But my favourite part of this was the interviews with the authors of the short stories – some in the magazine and some in the podcast. It’s fascinating to get their points of view and for some interviews it really helped me understand what I’d just read and where it came from.
In summary, come for the short stories but stay for the essays and interviews.
Rating: 3.5/5
Horror - Deathless Divide by Justina Ireland (anxiety) Sequel to Dread Nation: zombies rose at Gettysburg and thanks to the Native and Negro Reeducation Act certain children need to attend combat school to learn to put down the dead.
An appropriate sequel to Dread Nation. Gets pretty dark in places. Sometimes it feels like every fantasy book features a character with anxiety (see many of my other bingo books this year) but Ireland balances it well in the story: it is plot- and characterisation-relevant but it doesn't take over the whole story; Kate's anxiety is just there. There is also some coverage of an acquired disability, although a lot of the immediate aftermath (coming to terms with it) is skipped.
Rating: 3/5
Self-pub or Indie Pub - Curses and Cousins by Helene Vivienne Fletcher (epilepsy and low blood pressure) Sequel to Familiars and Foes in which Adeline and her assistance dog are drawn into witchcraft when an evil ghost is unleashed on their town.
Not quite as good as its prequel - the plot here was a little messier and fairly predictable - but the book portrays a pregnant character with a disability which is a real rarity in fantasy. Some lovely character development here and some discussion about the difficult balance of independence vs accepting help, especially in the context of a romantic relationship.
Rating: 2.5/5
Middle East SFF - Your Wish is my Command by Deena Mohamed (depression) Follows three characters in a world where you can buy wishes.
The world building is very interesting, particularly how colonialism has influenced the wish economy. The characters are well-developed with more nuance than you find in many graphic novels. The disability portrayal was a bit weird though: we have a protagonist (Nour) who wants to wish their depression away. The depression feels very realistic in its portrayal and in how hard it is to find help for it. Nour goes through a lot of character growth, identifying the problem, seeking help and working towards better mental health (which is shown as difficult). But then Nour actually does wish it away. Personally I found that quite jarring. There's also a character who has cancer and someone wants to use a wish to cure them, against their wishes.
Overall I think the message of the book was "wishes are not as simple as they're cracked up to be" but some of the subtleties seem to have been lost in translation.
Rating: 3/5
Pub 2023 - The Princess of Thornwood Drive by Khalia Moreau (paralysis and nonverbal, anxiety) After a tragic car accident, two sisters are trapped on opposite sides of reality: one in the modern world and one in the fantastical land of Mirendal.
I really liked this! Two very different parallel stories, one with very gritty real-world problems (check trigger warnings before reading), and one in a fantastical land. They intersect cleverly and we get some point of view from paralysed and nonverbal Alyssa. A really interesting approach and well-executed. Rating: 4/5
Multiverse and Alternative Reality - Unseelie by Ivelisse Housman (autistic) Twin sisters are caught up in a heist gone wrong.
Some of the story choices are definitely an acquired taste (e.g. first person present tense narrative, calling the Unseelie changeling "Seelie"). I wasn't sold on the love story - the love interest didn't seem very attractive despite the first person narrative and I didn't get a feel for much chemistry between them. The fae were generally well-done in that they felt very alien and a little bit evil.
I was very wary about picking up a book with an autistic changeling given the history of autistic children being treated as changelings, but this provides nice sensitive coverage. Seelie has a supportive family and some very close relationships, but there is also acknowledgement of her difficulties with interpersonal relationships, some mention of sensory overload (these were not always followed through e.g. says she wants to leave a noisy room but doesn't say why or try to leave), and a few episodes of loss of control which may be intended as autistic meltdowns.
However, the plot overall was fairly generic (heists, mysterious magic, slightly unconvincing romance) and I'm not sure I'd have picked the book up or finished it if it hadn't been for the autism representation.
Rating: 2.5/5
POC author - The Sound of Stars by Alechia Dow (hypothyroidism and anxiety) A girl who risks her life for books and an alien who loves pop music have to work together to save humanity.
Beyond the anxiety which she says is due to it, the hypothyroidism is almost completely ignored in the book even though Ellie is unmedicated for most of the time and should at least be tired. The plot is a bit sparse and a lot of the ending happens "off screen" so it feels very cheap and unsatisfying. The pacing was slow, it was hard to engage with the characters who felt flat (and yet the aliens didn't feel alien enough) which meant I wasn't on board with the love story at all. I put this down several times and it was a struggle to finish it.
Rating: 1/5
Book club/readalong - The Spirit Bares Its Teeth by Andrew Joseph White (autistic) Trans boy Silas is diagnosed with a mysterious disease that causes madness and sent to finishing school.
This broke me out of a reading slump: the writing got me absorbed very quickly. The plot was ok but not amazing. The characters were alright and the book, despite being YA, did not shy away from gore and many other horrors (check trigger warnings before reading, there are loads). That's the book's main strength: discussions around transphobia, ableism and misogyny. The ending of the story fell a little flat.
I enjoyed the book but it wasn't objectively amazing.
Rating: 3/5
Novella - Magic Dreams by Ilona Andrews (visual impairment) Just a fun adventure, starring a blind protagonist who definitely shouldn't be allowed behind the wheel of a car.
As with the other Kate Daniels books, Dali feels like a real person with a lot going on under the surface (and above the surface - Dali is a bit of a loose cannon!) with space to make mistakes like any other person.
Rating: 3/5
Mythical beasts - Hummingbird by Natalie Lloyd (osteogenesis imperfecta - brittle bones) A mysterious hummingbird who can grant wishes arrives in 12-year-old Olive’s hometown just as she starts school.
This is a middle grade book which explores the difficulties of finding your place (particularly at school) and the possibility of a magical cure. More would be a spoiler but it's explored thoughtfully.
Rating: 3/5
Elemental magic - City of Dusk by Tara Sim (anxiety, needing aids to perform magic) Four powerful heirs work together to save their city from vengeful gods.
The anxiety is constantly there but not explored in detail. However another character can't perform magic without musical instruments which is presented and explored like a disability.
Overall the book is long and a bit rambling. I found it hard to keep track of the main characters and there were too many plots going in too many different directions. Needed a tighter edit.
Rating: 2/5
Myths and retellings - The Circus Rose by Betsy Cornwell (neurodivergence) A queer retelling of Snow White and Rose Red.
The plot hasn't been developed much since the original fairy tale (and that was pretty thin) but the setting is lovely and the characters are fun too. There's a very slow chunk early on in the book but once I'd made it past the halfway point it flowed well.
Rosie is neurodivergent: she experiences sensory overload and her parts of the story are told in poetry (as opposed to her sister's in prose). Sadly this doesn't mesh too well with Ivory's story and often feels added on, particularly early in the book.
Disability-rep: I like that Rosie's neurodiversity is never clearly defined, just accepted: she doesn't quite fit into a diagnostic box but her family (and found family) aren't bothered by that. Similarly, the queer relationships (and there are a lot of them!) and the polyamory are just accepted within the circus. Bear is a princess in a male bear's body and fair warning, Ivory misgenders her throughout almost all of the book. It's a little different in the wider world: religious persecution abounds.
Overall there were good aspects but not enough of them. It was ok, and an easy read, but needed more plot and better cohesion between Ivory and Rosie's storytelling.
Rating: 2.5/5
Queernorm Setting - A Taste of Gold and Iron by Alexandra Rowland (anxiety with panic attacks) Slow-burning queer romance amidst political investigations.
The writing here is solid and so is the plot. I liked the worldbuilding - loosely based on the Ottoman Empire - particularly the discussions of the economy. One of the protagonists has panic attacks and we see the various ways he tries to manage these. My biggest criticism here is that the book is very tropey but that’s not always a bad thing.
Rating: 3.5/5
Coastal or island setting - Shadebloom by Felicia Davin (autistic and prosopagnosia) Book 3 of the Gardener’s Hand trilogy. Start with Thornfruit: farmgirl Ev and mindreading spy Alizhan uncover a conspiracy in their city, set on a tidally locked planet.
There is a lot of memory-wiping in this book and it's definitely used to excess. However, Davin uses the worldbuilding of the previous books and overall brings the trilogy to a satisfying conclusion. I particularly liked how much of the conclusion hinged on a courtroom scene.
I've talked before about how magic is used as an aid for Alizhan’s prosopagnosia in this series. Points for adding in some (temporary) brain injury representation and PTSD rep in addition to Alizhan's autism and prosopagnosia. There's also a Deaf side character and all Islanders speak both "gesture language" and "spoken language".
Rating: 3/5
Druids - The Atlas Six by Olivie Blake (anxiety) Six magicians compete for a spot in the exclusive Alexandria Society.
Too little plot. This book is trying to be character driven but because the characters are quite shallow it doesn't work. Libby has anxiety which is a difficult thing to portray convincingly without making a character irritating and Blake doesn't quite pull it off.
Rating: 1.5/5
Featuring robots - The Six by Mark Alpert (muscular dystrophy) Six dying teenagers are given the chance to be reborn as weaponised robots.
I didn't love this but then again it's not the kind of thing I usually read. The characters were all very individual - sometimes a bit too stereotyped but generally distinctive enough. The plot hangs together well enough and pacing is fine. Personally I didn't love the ending.
The main character was an odd choice of protagonist: for most of the book I was wondering what was so special about him over the others in The Six. I particularly disliked the way his disability was handled (likewise those of his friends). His muscular dystrophy was the precipitant for the plot and this could have led into interesting discussions around euthanasia and assisted suicide... but it didn't. It felt like it was just being used as a cheap way to progress the plot.
Overall though, I think mostly I didn't like this book because I'm not the target audience.
Rating: 2/5
Sequel - Heat Wave by TJ Klune (ADHD) Book 3 of The Extraordinaries - queer teenage superheroes.
Funny but takes a long time for the plot to get going (with a very long section on enemas in the middle of this superhero story). I've talked before about Nick’s ADHD in this series, but I enjoyed how it’s shown as both a strength (creative solutions) and a weakness at different times in this book.
Rating: 2.5/5
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Discussion Points:
A lot of the books I read this year featured characters with anxiety. Are there any disabilities that are over-/under-represented in fantasy? Why is this?
A protagonist’s disability can play into the plot of a book in various ways. Do you prefer incidental representation or plot-relevant representation? Why?
Have you read any books this year with interesting portrayal of disabilities?

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