As the title states I found this dress a few months back on pintrest and fell in love with it. However I have scoured the net trying to find better pictures of it or even a price for it. But all Ive found is the brand name.
so the brand name is Rimple and Harpreet And I can’t find anything on this dress 😭🥺 does anyone have any idea where I can find a dupe similar to it or if someone is reselling it I’m begging.
https://preview.redd.it/zrqaeu29if1d1.jpg?width=1300&format=pjpg&auto=webp&s=764b58344dae46f4152d056ae068c3668c54463f
https://preview.redd.it/rph04u29if1d1.jpg?width=1300&format=pjpg&auto=webp&s=95bc9df5d567415b02395bed71c87454fdb899ea

(This ranges from one scene to entire episodes.)
After seeing negativity aplenty recently I wanted to take a moment to celebrate my love for Doctor Who and each of the main character’s wonderful performers.
1: A moment that truly shows William Hartnell’s chops as more than the miserly old man he portrayed, a speech of warmth and bittersweetness in a lovely point of believability amongst an era of cardboard backgrounds and the Zarbi. William Hartnell truly was the Doctor, he absolutely loved the role, he loved the fans, he loved that moment in his life and you can see it in his performances even as he flubs his lines and tried to keep going instead of slowing down. Here though, you see his absolute best, which is iconic for a reason.
2: One of the most impressive performances of the entire sixty years, where Patrick Thoughton masterfully conveys both the Doctor and a complete opposite sort of character in Salamander in a creative and unique story.
3: Pertwee’s best story in my opinion and he carries it through expertly from start to finish, absolutely selling the tremendously dramatic stakes, with some of the best cliffhangers ever, one of which pictured where you can see his top notch acting as he faces the terror of being surrounded by soldiers and idiot scientists that won’t listen to his warnings of imminent destruction.
4: You might find more expert comedic performances from Tom Baker, like City of Death, than any moving sorrow, powerful anger or abject terror, however Genesis of the Daleks showed he’s more than the witticisms and quirk that make his Doctor so beloved and he delivers the moment in a grounded and understated way that works.
5: Possibly the greatest Doctor Who story, certainly voted as such multiple times and a surprisingly captivating and devastating performance from Davidson from start to finish in an otherwise less-dramatic early 80s, coming to a crescendo with one of the better regenerations.
6: A showcase of how Colin Baker was absolutely right for the Doctor, even as the programme began the process of collapsing around him, denouncing his own people in a farcical trial against himself. Despite the turbulence, Colin only ever got better and deserved so much more than the doomed destiny he found himself stuck in.
7: The perfect capture of 7’s character, cunning and manipulative with defined layers to Sylvester McCoy’s performance as he sells a facade of betrayal to his loyal companion, far departed from the clown-like early writing of the character, in a good story with many cogs turning. An actor acting acting. And good acting. A hard task that Sylvester does effortlessly.
8: A showcase of tragedy as we see how amazing Paul McGann’s Doctor is on screen, only for a brief moment, as he delivers a minisode so brilliantly people are still saying he deserves his own series 11 years later. Having played the Doctor for a very long time on audio, you can see how much he has become the character and he certainly deserves more opportunities to show it visually.
9: One of Nine’s (many) best episodes, where he delivers every emotion, absolute fear, to mocking laughter, to terrifying fury, to bitter melancholy, to honest repentance at the end, all conveyed in what might be my favourite performance of any Doctor to date, from my favourite Doctor of them all.
10: Everything from “get out of the way” from the Master to “I don’t want to go” from the Doctor may just be the best television I’ve ever watched and ever will. I’ve watched objectively some of the highest-rated series there is, so I know what objective quality is. However, nothing has ever made me feel more than the ending of the End of Time. And feeling is what creative art is all about, truly. David Tennant is voted for in polls for a reason and this performance is a massive part in it. He and Bernard Cribbins performed the finest scene in the history of Doctor Who for me.
11: Not one of my favourite incarnations but despite that I respect Matt Smith’s excellent ability and when he got to show it, he shows he’s absolutely the Doctor, the best example of this in my opinion is convincingly conveying the burning emotion of 1000 years of every type of memory of the character being wilfully offered to a greedy deity. It would go to The Angels Take Manhattan, however I have a lot of problems with that story so the emotional performance isn’t as impactful as it should be.
12: I’m not on the hype train many are with the Capaldi era (sorry) but that’s due to Moffat’s show-running than Capaldi’s performances, which are obviously among the best in the series and he has many to choose from, perhaps more than any other Doctor, however I believe The Doctor Falls is his most mesmerising. (And should’ve been the Twelfth Doctor’s last story.)
13: A vastly unpopular era, with perhaps not a lot of moments to work with due to Chris Chibnall’s confusing characterisation and writing, however the Thirteenth Doctor’s final moments were beautiful, from sitting on the Tardis watching the Earth turn, to regenerating at Durdle Door, and Jodie Whittaker defined her Doctor well with “blossomiest blossom” and “tag you’re it”, a lovely end to what most consider a dark time.
14: David Tennant had three episodes to not only sell that he’s not just doing the same thing again, but also to match the absurd levels he reached previously and he did, in Wild Blue Yonder when his face uncharacteristically shows it is not 10 again, as he outpours honest emotions that retroactively improve the previous era’s controversial decisions and series arc. On top of that, also playing a villain like Troughton where you can see the venom, the emptiness and evil in his eyes in the same episode. Seriously, seriously marvellous.
15: THIS IS SUBJECT TO CHANGE (And very, very likely will.) However, the entire episode of Boom is one of the most challenging acting scenarios any Doctor actor has ever had to face and Ncuti Gatwa has proven doubters wrong early doors by playing it to such a standard that you truly believe every second of the terribly razor-thin margin for error, how much of a tragedy it would be if that face died already, how much agony and guilt he selflessly feels for Ruby and the rest of the soldiers he doesn’t even respect for dooming them carelessly and the pure control and intelligence he displays despite being restricted from action altogether. An all-timer performance and a great episode.

https://www.famitsu.com/article/202405/5194 (translated by DeepL: there are probably translation errors)

Shadows is the next step forward for Assassin's Creed

Mr. KARL ONNÉE, Producer
--First of all, let me say "Thank you" from us Japanese, as "Assassin's Creed" is finally coming out, which is set in Japan!
KARL: Thank you for coming here today. I have been wanting to do this work for years, so my dream has come true.
--Why did you choose the Azuchi-Momoyama period as the setting for this work?
KARL: I chose it because it is a very rich period in history. It was a time of war and political maneuvering, a time of change from rural to urban areas, and also the birth of art. I also chose it because it was the start of the unification of Japan. It was a pivotal moment for Japan. Together, these elements provided an excellent canvas on which to tell the story.
--What kind of image do you have of the Azuchi-Momoyama period?
KARL: This was a time when the feudal lords of the warring states were fighting for power in the name of unifying the country, but it was also a struggle for control of trade. Portuguese missionaries and merchants came to Japan together. The Portuguese missionaries and merchants came to Japan together, and people who wanted a beautiful country and peace. This is the kind of image we have, but I think there was a mixture of various cultures and people's thoughts. And of course, there were the warring feudal lords. These are great canvases for the story.
--What do you think should be inherited from "Assassin's Creed" and what are the unique aspects of this game?
KARL: When people think of "Assassin's Creed," they think of stealth, but shinobi fantasy is not only a perfect fit for an "Assassin's Creed" game, it also fits the DNA of the "Assassin" brand.
What we wanted to do with "Assassin's Creed Shadows" was to push stealth even further. We started this effort with the previous game, "Assassin's Creed Mirage," but we wanted to take it further with new features. Systems such as light and shadow, grappling ropes, belly crawling, and a variety of tools available in the game provide a new experience.
The gameplay is also enriched by two characters, Naoe, a shinobi, and Yasuke, a samurai. Players will explore and discover Japan through the eyes of Naoe, a local, and one non-Japanese outsider. The game is more dynamic than ever before, pushing the limits of technology and offering an experience exclusive to the first state-of-the-art consoles.
The gameplay is also enriched by two characters, Naoe, a shinobi, and Yasuke, a samurai. Players will explore and discover Japan through the eyes of Naoe, a local, and one non-Japanese outsider. The game is more dynamic than ever before, pushing the limits of technology and offering an experience exclusive to the first state-of-the-art consoles.
--The "Assassin's Creed: Valhalla," released in 2020, is based on the theme of "Vikings" and has been a huge sales success. As a Japanese, I feel that from a global perspective, the Japanese "shinobi" theme is even more niche, but what is your current response?
KARL: I would like to talk about how it compares to "Viking" fantasy. Both shinobi and samurai are exciting and celebrated as fantasy with power, and are widely discussed in pop culture, and we are very much inspired by them.
Shinobi were on our radar from the beginning because we thought they fit well with the "Assassins" brand, but we felt that incorporating a powerful samurai would create two different gameplay experiences and give us the opportunity to tell the story from two different perspectives. We feel that this is a powerful motif that can compete with the "Viking" motif.
--How did you like the setting of Japan as a subject matter for the latest model?
KARL: I think it was perfect. For example, the "Global Illumination" technology allowed us to explore the response of light and shadow. Some consoles are still called "Baked GI", but by using dynamic lighting and the power of the new hardware, we were able to explore the creativity.
We are now able to express not only light and shadow, but also the dynamism of nature in greater detail. Naturally, since it is set in Japan, we have never dealt with so many trees, and thus so much data, in previous works in the series. We also needed more data to seamlessly move various things at the same time because of the seasonal changes. The latest models have allowed us to realize our vision, and our ambition for this film and for "Assassin's Creed" will continue.
--Assassin's Creed Mirage marks the 15th anniversary of the game. Can we consider this work as the next step forward for the next generation of "Assassin's Creed"?
KARL: You are absolutely right. Mirage" was a tribute to existing works, but this film is the first step into a new era. We are in the era of modern equipment. With the new generation of our engine "Anvil", plus the opportunity to create a new era by using the power of the latest consoles, we are able to do what we wanted to do with "Assassin's Creed Shadows".
With technologies such as global illumination and dynamism, we are now making the game we really wanted to make.
--What are the four pillars you are focusing on in the development of this game?
KARL: We are focusing on four pillars.

• The first is to create an authentic and dynamic world.
• Second is the story, introducing a new form of storytelling to "Assassin's Creed" by introducing two characters with different stories and perspectives.
• Third, there are two different action sequences. Samurai and Shinobi each have their own training elements and unique weapons. For example, in castles, each has a different positioning that they excel at, which makes a big difference in how they play.
• And finally, there is stealth. We are promoting the importance of stealth more than ever with new systems such as light and shadow, objects in the environment, depression, and grappling ropes.

-- The launch is scheduled for November 15, 2024. What is the current development status?
KARL: Development is going very well. We are proud to say that we have done a good job, but of course it is not finished and there are still glitches. This is the result of all the work we have done so far. We are very happy with how things are going right now, and we hope you will stay tuned for more news.
-- I understand that "Assassin's Creed Infinity" was announced at the previous Ubisoft Forward and that this title will be included in the game? Also, what is the development status of that game at ......?
KARL: "Assassin's Creed Infinity" is introduced as an Animus Hub (*a hub that will function in the future as an entry point for the series), which we will talk about at a later date.
--What is your message to your fans around the world and in Japan?
KARL: We are humbled that our dream of creating a game in this setting has come true. This is a setting that our fans have been anticipating for a long time, and for us it has been a wonderful experience to work on a game that we have always wanted to make.
This game is the result of our love. We hope you enjoy it. We look forward to talking more about it in the coming months.

The Shinobi Assassin and the Legendary Samurai. Experience the different fighting styles created by these two characters.

(left) Mr. JONATHAN DUMONT (Creative Director), (right) Mr. CHARLES BENOIT (Game Director)
--When did you start the development of this work?
JONATHAN: Development began about four years ago, and research into the time period in which the film is set began immediately. There were a number of cool subjects that brought us great characters and story plots. I had a gut feeling that this was going to be a very good game.
--Was the Azuchi-Momoyama period chosen as the period setting from the pre-development stage? Did you have an idea for a major point in Japanese history, such as the end of the Tokugawa Shogunate?
JONATHAN: I started from the beginning of my study of Japanese history, but I began reading with the feeling of a student. Following the Socratic principle, you took the attitude of knowing nothing. As I read on, I found some very interesting settings.
I focused on the Azuchi-Momoyama period because I felt it was an extremely important period for Japan. It was a time of warring states, the need to unify the country, and the need to defend itself against the growing influence of other countries.
It was a grand and complex period, and there are many stories that can be told from different angles. Among the heroes of the unification of Japan, Tokugawa Ieyasu, Toyotomi Hideyoshi, and Oda Nobunaga are best known among the outstanding characters in Japanese history.
Not only war, but also politics are involved, and they are moving toward the peace that will eventually come, with a good ending waiting somewhere in the middle. I strongly felt that this was a wonderful and interesting period that deserved to be featured.
It was also a time when the foundations of the arts were laid. Castle towns were built, the world changed, and people's relationships with each other and with art, as well as their inner lives, also changed. It was very interesting to explore this period, and I was strongly attracted to the characters who lived in this time.
-- Why did you choose the title "Shadows"?
CHARLES: From my point of view, there are two reasons. Shinobi hide in the shadows, so "Shadows" is of course inspired by that. In a way, this embraces the "Assassin" brand and shinobi.
There are other aspects to "Shadows" as well. There are "hidden things" in the game that must be discovered by the player, but they are hidden in the darkness in some way.
JONATHAN: Both characters are in a way connected to being shadowy heroes living in the underworld of this era. It's a cool title, if you can think of it this way.
--Why did you choose two main characters and two fighting styles? Also, what kind of combat action can the Shinobi and Samurai experience respectively?
JONATHAN: One of the reasons for the separation of the two styles is that from the beginning of development, we wanted to have two distinct and cool archetypes to play with: the samurai and the shinobi.
We also wanted to make sure that this fantasy was as close to reality and expectation as possible without being diluted. I also often felt the need to have two points of view in the development of the story, since history is rarely clearly black and white. The two protagonists provided interesting dynamics and perspectives on how to approach the game.
CHARLES: I think it is very interesting that in combat, both the samurai and the shinobi have special types of weapons. Therefore, the style of combat in this work is built on a more weapon-based approach.
There are weapons that only Samurai can use, and the same goes for Shinobi. The player can get a good feel for the two different fighting styles. And it is possible to switch between them.
--What weapons can Naoe and Yasuke use?
CHARLES: Both players have different types of weapons. For Naoe, we went for a more classic fantasy type shinobi. The chain scythe is a weapon that covers a wide area and can only be used by Naoe.
In addition, she also has a dagger used at close range, which can be combined with a hidden blade (Hidden Blade). Naoe can fight very quickly and efficiently with these.
On the other hand, Yasuke, who excels at overpowering with force, is given more types of weapons, some of which are firearms type weapons. They also have the typical samurai bow.
--Why did you choose to make the shinobi Naoe an original character and the samurai Yasuke a historical figure?
JONATHAN Even though they are well known in Japan, at least in North America, not much is known about farmers, what happened to them, and where the Shinobi came from.
So we decided to introduce a figure from Iga who is shrouded in mystery. We considered historical figures from the region, but we preferred a sense of mystery, so we came up with Naoe as someone who may or may not have actually existed.
As for Yasuke, from the beginning we thought that a story about the arrival of the Portuguese would be a very good way to tell the story of the crisis in Japan. The team liked the character Yasuke, and we thought we could use him to show the promise of discovering Japan.
We thought that if we started with a samurai already in Japanese society, he would be a very interesting and intriguing character, with concepts that we don't necessarily know. And it would also be interesting to see what happened to him. He starts out as a character who is already rooted in history, and we are curious to find out what happens to him.
I thought they would make a cool team, complementing each other in terms of storytelling, physique, and family background.
--What did you keep in mind when creating the scenario where the two main characters switch? What were some of the challenges?
JONATHAN: I wanted the audience to feel that "both are the main characters," but this was more complicated than it seems. Their stories overlap in places, but I wanted to make sure that as the game progresses, you gradually discover more and more about both characters. They have similar goals and motivations, but they are not 100% the same, which made it complicated and difficult to maintain their individual personalities.
Naturally, the quest can be played by either character. If a quest needs to be started by one character and completed by the other, the settings must accommodate both play styles. Thus, although it can be complicated, there are many opportunities to tell the story from one of the two perspectives.
Having two different points of view is a lot of fun, but there were some complications, such as having to use new technology in the conversation tools. There were some cool things, however. It is interesting that in the conversational scenes, the player decides which of the two protagonists speaks and they ask for different things. This is cool in a way.
CHARLES: Both characters are attacking the castle and at some point the player is asked if they want to continue with Yasuke or Naoe, both are interesting. At various points the player must make these choices.
The stories are independent, so if you want to know more about Naoe's or Yasuke's past, you can play as one character and delve into that character's story.
--Are there areas of action that differ, such as places that only Naoe, a shinobi, is allowed to enter?
JONATHAN: There are areas where both Naoe and Yasuke have different areas of activity. I can't go into details because there are a few surprises, but since Naoe can use a hooked rope, there are places that are almost exclusively accessible to her.
The world is designed to be enjoyed by both characters, and players can switch between the two at will.
Of course, if you want to reach the final point of the world or reach the summit through the ruins, then perhaps Naoe is the better choice. However, if you want to break through the fort head-on alone and open the way, Yasuke seems like a better choice. Of course, you can play with either character.
CHARLES: Each character also has specific actions. Naoe can hook the hooked rope to a specific spot and move like a pendulum, or hook the hook to a high spot and climb the rope to get to where she wants to go faster than Yasuke. However, Yasuke can use a shoulder bash to break down reinforced doors.
Yasuke can also perform parkour very efficiently in a more daring way. What can be felt when Yasuke performs parkour is how the crowd reacts. Because Yasuke is a samurai and exudes dignity as a superior class, the crowd reacts accordingly. Naoe, on the other hand, gives the impression of being more integrated into the world.
--Can you both use the Hidden Blade, Hawk's Eye, and other Assassin abilities?
CHARLES: Without spoiling anything, the traditional skills of the Assassins are mainly for Naoe. However, there is another mechanism called "Kantori" (tentative name) that can be used when you want to find an enemy or target person, and this can be used by both of them.
You can use free aim to look around, but you cannot see through walls. Yasuke can also be killed by stealth, but in a more direct and easier way. Even with stealth, there will be some sound, so it is a "stealth-like" approach.
JONATHAN: Kantori (tentative name) can be used to find many things in your current location. It is a very good guide for a certain area, but it does not take all the fun out of exploration. It is a good guide because you can learn a little more about where you want to go, but you are left with the surprise of discovering something.
-- Is there a skill tree that makes Naoe more combat-oriented or enhances Yasuke's stealth?
CHARLES: Both have skills that are more combat-oriented and stealth-oriented. Also, some equipment has effects such as increased resistance when attacked. We also offer perks that enhance your abilities in combat.
Naoe, enhanced to be more combat-oriented, has an advantage in melee combat compared to Naoe, enhanced to be more stealth-oriented. Both have a range, but cannot go in completely opposite directions. There is some overlap between the two, but we have made sure that the characteristics of each ability are properly felt.
--Please explain the skill system.
JONATHAN: Both characters share XP and level up together, but the rest of the system is a bit similar to that of "Assassin's Creed Odyssey".
XP and character abilities are available, weapons can be crafted to some degree, and various upgrades can be made as the game progresses. Weapons are not stand-alone, but for two, so each weapon has its own unique skill system. Players should not feel any discomfort, but this is a very different part of the game from the past.
CHARLES: There are two things that were very important to us in terms of skills.
First, we have to be very aware of archetypes. In Japan, there are distinct archetypes, such as the armor-clad samurai, the revolting monk, and the bandit, which are quite different. We try to make it clear to the player who is stronger, and we try to make that part of the leveling process as important as possible. Samurai are always stronger than bandits.
Secondly, player skill is added to the mix. The better you are at timing, reading attacks, understanding weapons, etc., the better you will be and the further ahead you will be.
--What is the volume of the map compared to past works? I would also like to know how you decided on the scale of this work.
JONATHAN: The biggest difference is the scale ratio. The mountains are not the actual size, but we wanted them to be true forests, consisting of trees of a certain size, so that you feel you are in a forest. To achieve this, we needed space.
We also decided to keep it close to a realistic scale, so we could feel the breath of many things. When we visited Japan and saw the castle, we were so glad we made this decision. Japanese castles are huge! Of course, we had seen pictures of castles before and thought they were big and magnificent, but when we saw them in person, they were astonishingly large.
And I wanted more space to explore the castle. Castles were built to be large battlegrounds, you know. You need space to build intricate walls for defense.
The overall scale of the map is similar to the size of the map in Origins. However, the scale ratio makes it feel more realistic. The open space leads to secluded areas throughout the game, which will be fun to explore. This sense of scale is a very interesting aspect of this film for us.
CHARLES: The story led us to choose which locations in Japan we would choose. The major events in Kyoto, around Osaka, and around Azuchi Castle took place in the same area, so we were able to focus on that.
JONATHAN: Of course, we had to choose a size that matched the game, but I think it was the perfect size for this story and type of game.
--Since the game is set in the Warring States period, is there a system that allows players to participate in battles?
JONATHAN: We see several battles in the story, and the battle at Iga is playable. There are other battles as well, but I can't talk about them right now. The game is set in the Warring States period, but it is not only about battles. It is a game that allows you to travel and discover that world.
--What challenges have you faced and what have you been able to achieve as a result?
JONATHAN: By making the big decision to go completely modern and demanding a very high level from the "Anvil" engine, we were able to increase the number of particles, create a more realistic atmosphere, and expand the graphical possibilities of the changing seasons.
This allowed us to work on a fresh new Assassin's Creed. This was a great opportunity for us to take a big leap forward in graphics.
CHARLES: Also, thanks to the new global illumination system, we were able to take advantage of light and shadow, which had a huge impact on the gameplay and stealth approach. For example, enemies became aware of our presence through our shadows, enemies gathered for warmth under a fire in the winter, or shadows through shoji screens depicted enemy presence, giving a new dimension to stealth.

By having two main characters, it is possible to show a wider range of angles and different perspectives.

(left) BROOKE DAVIES, Associate Narrative Director, (right) SACHI SCHMIDT-HORI, Narrative Consultant
--Did you choose the Azuchi-Momoyama period as the period setting from the pre-production stage?
BROOKE: I joined the project after the choice of period had been made, so the Azuchi-Momoyama period had already been chosen. This period offered so many wonderful opportunities from a narrative perspective. The complexity and duality of the period is well reflected in the characters of Naoe and Yasuke.
--What were you aware of and what were the challenges in creating a scenario where the two main characters switch?
BROOKE: From a storytelling perspective, I see it more as a wonderful opportunity than a challenge. When I write a story, I try to show rather than tell, and having two characters allows me to show what's going on from a wider range of angles and different perspectives. I hope this will encourage players to want to share their feelings with them.
--What do you think are the most important points in bringing original characters and historical figures into the game?
BROOKE: Both offer different and unique opportunities. With regard to Yasuke, I found him very interesting historically because we know some things about him, but there are many unknowns. So we needed to fill in the blanks in the story. It is important to note that Yasuke is a historical figure.
And in the case of Naoe, an original character, we were able to draw the story freely to some extent. The fact that she is a member of the Fujibayashi family and that her father is Masayasu Fujibayashi Nagato Mamoru allowed us to place her firmly within the setting. Because Yasuke is a real person but appears as a foreign-born samurai, the Japanese-born Naoe is on equal footing with Yasuke, although she has a different perspective.
--Will other historical figures appear besides Nobunaga Oda and Yasuke?
BROOKE: You will meet Luis Frois (a Jesuit missionary) at the meeting in Azuchi Castle. Also, Nene and Oichi will appear. The Japanese art renaissance that began in the Azuchi-Momoyama period blossomed in the Edo period, and you will also meet Sen no Rikyu, Kano Eitoku, and other important figures.
--Please tell us what year the story will be depicted.
BROOKE: I can't tell you what players will see, but I think it covers a part of the Azuchi-Momoyama period, from 1579 to 1584.
--I think the appeal of the series is to depict the struggle between the Assassin Order and the Templars while taking into account the history, but I would like to ask if there were any difficulties in putting the Azuchi-Momoyama period into it.
BROOKE: I don't want to mention the Knights Templar because I don't want to spoil anything, but the fascination and dynamics of this period are very interesting and provided wonderful opportunities for storytelling.
--How did you go about creating a world with a realistic feel of the Azuchi-Momoyama period?
BROOKE: We were very lucky to work with the Environment Team. The visuals they created for the game provided a great backdrop for the story.
The in-world experience added so much to the story. What we see from the stories and characters of this time period is complexity. I also believe that many of the people surrounding the World had their own struggles.
It was a very difficult time historically, and we see duality. Nothing is ever clear-cut and black and white. In warfare, two groups face each other and are confronted with different perspectives. But in the midst of it all, there are glimpses of hope for the future as we know it, which will later blossom.
--What advice did you actually give?
HORI: One scene that left a strong impression on me was the scene where Nobunaga's sister, Oichi, remarries Katsuie Shibata. In the original story we received, it was thought that the two families decided on their own without regard to Oichi's intentions, and Katsuie was portrayed negatively because he was more than 20 years older than Oichi.
So I spoke with BROOKE and the team and asked them to change it. Oichi had young children after the death of her husband Nagamasa Asai, so if her remarriage was to Katsuie, a trusted man who had served Nobunaga, she would have married him as a matter of course. When I explained that it was better to portray it in a positive light, it was a new discovery for the BROOKEs, and they were very moved by it. The rewritten version of the episode was very moving.
The other scene is the tea ceremony scene featuring Sen no Rikyu. Chanoyu is widely known to be translated as tea ceremony, but experts say it is a mistranslation. After researching the misunderstanding over here, I advised them, as far as I could understand, not to use a teapot or tea leaves, for example.
--Even we Japanese have a strong image of "ninja" as a fantasy. Did you encounter any difficulties with the theme of "ninja" in order to achieve a high level of fidelity to the historical reconstruction?
HORI: Ninja are certainly a fantasy, so I think it's a good thing that we can express ourselves creatively and without reservation. However, there are also dedicated ninja fans and communities around the world, and I am not sure to what extent they see the ninja as a real existence, or as an entity that existed in history.
Therefore, the extent to which ninja are represented in the game depends on the level of tolerance of the avid shinobi fans. I discussed this with the members of the development team. We did not have a specific policy on how much to express, but made decisions on a case-by-case basis. We decided on a case-by-case basis. We would say, "This is an acceptable creative expression," or "This is stereotypical", so let's not do that.
--I'm sure there are many references, but which one left a particularly strong impression on you?
BROOKE: The first book I looked through was "Nobunaga no Kouki" by Ota Ushiichi (Azuchi-Momoyama period, military commander and military history author). I was impressed by his personal observations as he recounts the details. We can learn a lot of historical facts from reading history books, but this author incorporated his own views so that I felt I could understand even his character and what it was like to live in that era, and I was completely drawn in. I was thrilled to be able to portray this time period and the people in this book.
--The drama "Shogun" which is set in a similar time period, has been a hit, and I hope that this work will attract the same kind of attention from game fans. I understand that you have prepared a "Discovery Tour" that allows visitors to freely walk around the game world with historical explanations.
BROOKE: I can't answer about the Discovery Tour today, but I am glad to see that interest in the setting and time period of the game is growing. I look forward to the day when we can bring this film to you.

Gathering a lot of information to recreate 16th century Japan and build a living world

(left) THIERRY DANSEREAU, Art Director, (right) STÉPHANIE-ANNE RUATTA, Historical Supervisor and World Director
--Please tell us what kind of materials you used as references to describe the field and the characters' costumes in the Azuchi-Momoyama period.
THIERRY: I have been working with experts and consultants for a long time, but for the characters, I referred to museum exhibits and books for their appearances and costumes. I visited several museums, did my research, and checked the materials with STÉPHANIE-ANNE.
Based on these, we created the characters. We also referred to descriptions in the books about the colors and the flags people carried. We used multiple sources, but we have checked them for historical accuracy.
STÉPHANIE-ANNE: For several years we had the help of experts, but we also did research with a Japanese studio and team. We used different kinds of sources to make sure the team got it right and had all the information they needed to reconstruct what Japan looked like in the 16th century.
We used museum databases, as THIERRY mentioned, but we also used inscriptions, scientific books, articles, and medieval depositions. For example, the Principles of Nobunaga has been translated into English, so we used that as a reference to describe 16th century Japan. I also referred to the documents of Luis Frois from the same period, which compare European and Japanese society.
--This period was also a time when there was a large influx of immigrants. Will you also depict the episodes, lifestyles, and culture of these people (missionaries, merchants, etc.) as well as Yasuke?
STÉPHANIE-ANNE: Yes, it is important to introduce the presence of Portuguese missionaries and merchants in the 16th century. They influenced the course of warfare during this period and the changing power of certain merchants in Japan.
--I am wondering what castles, shrines and temples that symbolize the Azuchi-Momoyama period will appear in the game. Although the game is set in the Kansai region, is the Osaka Castle built by Toyotomi Hideyoshi ......?
STÉPHANIE-ANNE: The era is represented by the construction of various castles and castle towns, so players will discover a wide variety of castle types and castles destroyed in battle. The Azuchi Castle, which is related to the name of the era, will also be featured.
THIERRY: Himeji Castle, Osaka Castle, and Takeda Castle are also available, and it is wonderful that players can visit and play in these castles. I think this is one of the strengths of the franchise, but all of the castles are based on actual historical blueprints, which I think is very unique, both as an experience and a learning opportunity.
The Koyasan Okunoin Cemetery is the oldest graveyard in Japan, which can also be seen in the game. There are too many to mention them all, but thanks to STÉPHANIE-ANNE and the experts, I think they are well described and it is wonderful that players will be able to travel to these places.
--The architectural style and decoration of the buildings is a different culture from the previous works in the series. What were you conscious of in recreating the culture and what were the challenges? I am also interested in the possibility of diving on the "Shachihoko".
STÉPHANIE-ANNE: The building team did a lot of research, and then we checked the results with experts and asked them to add the elements needed to build a great castle. We did research to recreate the decorations of not only the castle, but also the temples and shrines, and also to find out what materials were used to make them.
THIERRY: The colors also change over time, so we made adjustments to that as well. Of course, this is "Assassin's Creed," so you can climb anywhere and jump from almost anywhere. Exploring is fun.
--Japanese period games tend to be rather subdued, but were there any barriers to making it a worldwide production?
STÉPHANIE-ANNE: It's a game based on history, and we want players to have the opportunity to play with history. This period is so fascinating and celebrated, and has had such an impact on pop culture, that we were fortunate to have the help of renowned experts to make sure we had all the information we needed to faithfully recreate medieval Japan in the 16th century.
We maintained historical fidelity in this film because it was a rich period with so much to talk about and we didn't feel the need to change it. It is a rich setting, so there is an experience that goes into fantasy, but keeping it authentic was our primary goal.
--In the main storyline, can we experience famous episodes from the Azuchi-Momoyama period (such as the Battle of Nagashino, the Honnoji Incident, the Battle of Komaki and Nagakute, etc.)?
STÉPHANIE-ANNE: You will have to wait a little longer for that.
--In the recent series, "Origins," "Odyssey," and "Valhalla," you can enjoy the connection to mythology and fantasy elements based on mythological themes. Will this work also contain elements based on Japanese mythology, yokai, and other fictional creatures?
STÉPHANIE-ANNE: That is a very good question, but I will answer this one later.
--This work also reproduces the four seasons of Japan. Which season did you start first? And which seasons were particularly difficult to express?
THIERRY: I started with spring. We all know about cherry blossoms, and I think they are the most symbolic Japanese element for foreigners. And the big difference is winter. I wouldn't say that winter is more complicated because it has many different expressions, but it was very different from spring, summer, and fall, and the challenges were also different.
--What was particular about the representation of water, such as waterfalls, rivers, lakes, etc.?
THIERRY: All of the water topics were very important to us. We knew that there is a Shinto belief in waterfalls and rivers, and that they are important places in the Japanese eco-system. Even the blueprints of the suburbs are lined with irrigation canals, and they even go into the houses. Thus, we knew that water is a key component of Japanese culture, especially for agriculture.
This is why we installed drains everywhere in this work. The presence of water in the Japanese landscape was different, so we took it seriously and treated it as an inviolable part of the Japanese landscape and way of life.
--What are some of your favorite places, castles, or cultures that appear in your work?
STÉPHANIE-ANNE: That's difficult.
THIERRY: My favorite is Takeda Castle. It is on top of a high mountain and is called the castle in the sky, and I like this location. I can't say it's fair because we built it ourselves, but there are many other great places to visit.
It was a lot of work to create the forest, but I really enjoy looking at the landscape. I also like how all the ecosystems interact with each other, such as the clouds in the weather system. It's not a location, but I enjoy it because it encompasses the whole game.
STÉPHANIE-ANNE: I was impressed by the "Rakuchu Rakugaizu," Japanese folding screens from this period. I was fascinated by the fact that just by looking at them, one could come into contact with the vivid world of this period.
The artistic touch is something special. I have never seen anything so full of art. I truly admire the artists of this era.
THIERRY: I also think the most striking thing for me was the harmony of nature and architecture. I visited the site and found many places, and I could see how everything was deliberately composed.
I was told that trees were planted while the chedi was being built at the time, but everything looked perfect. Also, the culture loves the age and values it, so they cherish moss and things that have taken root there. Japan has maintained these places so they still exist and are still in use.
I realized that we are dealing with a subject that has a long history. It is also a culture that values space, living space. These were the most exciting discoveries during my travels in Japan.

I’ve seen this dog referred to as both Buster and Ruff. In some places, he’s a Boston terriers, and in others, he’s a frenchie.
I have a stamp of the two but I desperately long for more graphics of him and Barbie together, even colouring pages, but they seem to be quite rare. With this animation style, it’s usually just her and the goldens.
Anyone have the real story? Does anyone know where I can find more pictures of him and Barbie?
Thanks, Barbies!

Best Pizza in Doral Fl Craving the best pizza in Doral, FL? Look no further! We've done the tasty legwork, uncovering the top pizzerias that will satisfy your pizza dreams.With coal-fired flavors that steal hearts and authentic recipes passed down through generations, Anthony's Coal-Fired Pizza is a must-try.Piola impresses with thin crusts and a wide selection.Siamo's Neapolitan-style pizzas cooked with imported flour from Italy are pure perfection.Get ready to indulge in the flavors of Italy right here in our vibrant city.Key TakeawaysAnthony's Coal-Fired Pizza is known for its simple-to-please pizza with a coal-fired flavor and authentic recipes handed down through the centuries.Piola is renowned for its thin crusts and wide selection of pizzas, as well as its other authentic Italian dishes.Siamo is a delightful Italian restaurant that serves Neapolitan-style pizzas with an emphasis on fresh ingredients and traditional preparation.Moderato Ristorante is a trendy eatery that offers tasty pizzas and an extensive Italian menu, with a focus on fresh ingredients and fantastic service.Coal-Fired Pizza Restaurants in Doral FlWe should try out some of the coal-fired pizza restaurants in Doral, Fl. Coal-fired pizza, a delicious alternative to wood-fired pizza, has a rich history that dates back centuries. The distinct flavor and texture of coal-fired pizza can be attributed to the unique cooking method. The use of coal as a heat source creates intense heat, resulting in a crispy crust with a slight smoky taste.The history of coal-fired pizza can be traced back to the early 20th century in the coal mining regions of Pennsylvania. Italian immigrants, who worked in the coal mines, brought their traditional pizza recipes with them. They utilized the abundant and affordable coal to bake their pizzas, giving birth to the coal-fired pizza tradition.Coal-fired pizza restaurants in Doral, Fl, like Anthonys Coal-Fired Pizza, have perfected this ancient technique. They use premium ingredients, such as hand-selected Italian tomatoes and vine-ripened plum tomatoes, to create authentic and flavorful pizzas. One popular dish is the Broccoli Rabe and Sausage Pizza, topped with Italian greens and crumbled Italian sausages.When comparing coal-fired pizza to wood-fired pizza, both have their unique qualities. While wood-fired pizza imparts a distinct smoky flavor, coal-fired pizza offers a charred crust that provides a delightful crunch. Ultimately, the choice between the two comes down to personal preference.Italian Pizza Chains in Doral FlI've heard that Piola, an Italian pizza chain in Doral Fl, is renowned for its thin crusts and wide selection of pizzas. When you walk into Piola, the aroma of freshly baked dough and bubbling cheese fills the air. The atmosphere is warm and inviting, with cozy seating and friendly staff ready to serve you.Here are three things that make Piola stand out among other Italian pizza chains in Doral Fl:Authentic Neapolitan-style pizzas: Piola takes pride in their traditional Neapolitan-style pizzas. The crust is thin and crispy, with a slight char from the brick oven. Each pizza is topped with fresh ingredients like hand-selected Italian tomatoes and creamy mozzarella. The flavors are simple, yet rich and satisfying.Wide selection of pizzas: At Piola, you'll find a pizza for every palate. From classic Margherita to adventurous combinations like Diavola with hot salami, there's something for everyone. Vegetarian and gluten-free options are also available, ensuring that all guests can enjoy a delicious slice.Fresh and high-quality ingredients: Piola sources the freshest ingredients to create their pizzas. From the ripest tomatoes to the finest Italian cheeses, every bite is bursting with natural, fresh flavors. You can taste the quality and care put into each pizza.If you're in Doral Fl and craving authentic Italian pizza, Piola is a must-visit. With their thin crusts, wide selection of pizzas, and commitment to fresh ingredients, they truly stand out among the Neapolitan-style pizza restaurants in the area.Neapolitan-Style Pizza Restaurants in Doral FlNeapolitan-Style Pizza Restaurants in Doral, FL offer a taste of authentic Italian flavors and traditional preparation techniques.These restaurants pride themselves on using the finest imported flour from Naples, Italy, and emphasizing the use of fresh ingredients.With delightful options like Hawaiian Pizza with pineapples and smoked ham, these establishments bring the true essence of Neapolitan-style pizza to the table.Authentic Neapolitan FlavorsOne of the Neapolitan-style pizza restaurants in Doral offers authentic flavors that transport us to Naples, Italy, with its fresh ingredients and traditional preparation. Here are three things that make their pizzas truly remarkable:Hand-stretched dough: The pizzaiolos at this restaurant use Neapolitan pizza making techniques to create a thin and chewy crust. The dough is hand-stretched to perfection, resulting in a light and airy texture that complements the toppings beautifully.San Marzano tomatoes: To achieve the authentic Neapolitan flavors, only the finest San Marzano tomatoes are used for the sauce. These tomatoes are known for their sweet and tangy taste, adding a burst of freshness to every bite.Wood-fired oven: The pizzas are cooked in a traditional wood-fired oven, which imparts a smoky and slightly charred flavor to the crust. The high heat ensures that the toppings are cooked evenly and the cheese melts to perfection.With these traditional preparation techniques, the restaurant truly captures the essence of Neapolitan-style pizza and guarantees a delightful dining experience.Traditional Preparation TechniquesWe have discovered three traditional preparation techniques that make Neapolitan-style pizza restaurants in Doral, FL stand out: hand-stretched dough, the use of San Marzano tomatoes, and cooking in a wood-fired oven. These techniques ensure a truly authentic and delicious pizza experience.The hand-stretched dough is made using traditional pizza dough recipes, resulting in a thin and crispy crust that's both flavorful and light.The use of San Marzano tomatoes, known for their rich and sweet flavor, adds depth to the sauce and enhances the overall taste of the pizza.Cooking in a wood-fired oven gives the pizza a unique smoky flavor and allows for quick and even cooking.These techniques, combined with the freshest ingredients, create a pizza that's both satisfying and safe to eat.Now, let's explore the authentic Italian restaurants with pizza in Doral, FL.Authentic Italian Restaurants With Pizza in Doral FlWhen it comes to authentic Italian restaurants with pizza in Doral Fl, there are several options to choose from.These restaurants pride themselves on using traditional pizza techniques and offering authentic Italian flavors.From trendy eatery Moderato Ristorante to the beloved Spizzigo, these restaurants provide a wonderful dining experience with delicious pizzas and a wide range of Italian cuisine.Traditional Pizza TechniquesI love how authentic Italian restaurants in Doral, FL use traditional pizza techniques to create delicious and flavorful pies. These techniques have been passed down through generations, preserving the rich history of pizza making.Here are three aspects that make these techniques so special:Hand-tossed dough: Watching skilled pizzaiolos toss and stretch the dough with precision is a sight to behold. This technique creates a thin and airy crust that's crispy on the outside and chewy on the inside.Wood-fired ovens: The use of wood-fired ovens adds a unique smoky flavor to the pizzas. These ovens reach high temperatures, resulting in a perfectly charred and blistered crust that enhances the overall taste.Fresh ingredients: Authentic Italian restaurants prioritize using fresh, high-quality ingredients. From the rich San Marzano tomatoes to the creamy mozzarella cheese, every component of the pizza is carefully selected to ensure a burst of authentic Italian flavors.Authentic Italian FlavorsSome of the authentic Italian restaurants in Doral, FL offer a wide variety of pizzas with mouthwatering toppings that truly capture the essence of authentic Italian flavors. These restaurants pride themselves on using traditional pizza techniques and fresh ingredients to create delicious and safe meals for their customers.In Italian cuisine, the use of fresh ingredients is of utmost importance. The traditional techniques employed by these restaurants ensure that the flavors are preserved and enhanced. The table below showcases some of the key differences between traditional and modern pizza techniques:Traditional Pizza TechniquesModern Pizza TechniquesHand-stretched doughMachine-made doughWood-fired ovensElectric or gas ovensSlow fermentation processRapid dough risingBy using traditional techniques, such as hand-stretched dough and wood-fired ovens, the pizzas are able to achieve a unique and authentic taste. This, combined with the use of fresh ingredients, ensures that every bite is packed with flavor and quality.The importance of fresh ingredients in Italian cuisine cannot be overstated. From the hand-selected Italian tomatoes to the vine-ripened plum tomatoes, every ingredient plays a role in creating the perfect pizza. These restaurants understand the significance of using premium ingredients and take pride in sourcing the freshest produce available.Italian Restaurants With Wood-Fired Pizza in Doral FlThere are a few Italian restaurants with wood-fired pizza in Doral Fl, including Spizzigo.When it comes to wood-fired pizza, there's a distinct difference between traditional and modern styles. Traditional wood-fired pizza is cooked in a brick oven, giving it a unique and smoky flavor. The crust is thin and crispy, with a slightly charred edge that adds a delightful crunch. The toppings are carefully chosen, with classic combinations like margherita or pepperoni being the favorites.On the other hand, modern wood-fired pizza offers a twist on tradition. While still cooked in a wood-fired oven, the crust is often thicker and chewier, allowing for a more substantial bite. The toppings can be more adventurous, with unique combinations like arugula and prosciutto or truffle and mushroom.In Doral Fl, the art of pizza making is taken seriously. The restaurants pride themselves on using the freshest ingredients, from the tomatoes to the cheese. Each pizza is carefully crafted, with attention to detail and a passion for creating the perfect pie. Safety is a top priority, with strict adherence to health and sanitation guidelines.Whether you prefer the traditional or modern style, you can trust that the wood-fired pizzas in Doral Fl will deliver a delicious and satisfying dining experience.Papa Johns Pizza in Doral FlWe absolutely love the mouthwatering flavors of Papa John's Pizza in Doral Fl. This popular pizza chain offers a wide variety of delicious pizzas that are sure to satisfy any craving. Papa John's is known for their commitment to using authentic Italian flavors and traditional pizza techniques, ensuring that each bite is bursting with taste.One of the things that sets Papa John's apart is their dedication to using only the finest ingredients. From their hand-tossed dough made with high-quality flour to their signature sauce that's unique to them, every element of their pizzas is crafted with care. They also offer a range of innovative and classic toppings, allowing customers to customize their pizza to their liking.In addition to their amazing pizzas, Papa John's also provides a cozy and inviting atmosphere. Whether you choose to dine in or take your pizza to go, you can expect friendly and attentive service from their staff.Overall, Papa John's Pizza in Doral Fl is a fantastic choice for those craving authentic Italian flavors and traditional pizza techniques. With their wide range of delicious pizzas and commitment to quality, it's no wonder that Papa John's is renowned worldwide.Dominos Pizza in Doral FlLet's head over to Dominos Pizza in Doral Fl for a quick and delicious lunch. When it comes to Dominos Pizza, there are a few things that come to mind.Speedy Delivery: Dominos Pizza is known for its efficient delivery service. With their fleet of delivery drivers, you can expect your piping hot pizza to arrive at your doorstep in no time. They prioritize safety, ensuring that your food is handled and delivered with care.Varied Menu: Dominos Pizza offers a diverse menu to cater to different tastes and dietary preferences. Whether you're a fan of classic pepperoni or prefer something more adventurous like their BBQ Chicken pizza, you'll find something to satisfy your cravings. They also have options for vegetarians and those with gluten sensitivities.Quality Ingredients: Dominos Pizza prides itself on using high-quality ingredients to create their mouthwatering pizzas. From their signature pizza sauce to the freshly shredded cheese, each component is carefully selected to ensure a flavorful and satisfying experience.Mazza Pizzeria in Doral FlWe should try the authentic Italian-style pizzas at Mazza Pizzeria in Doral Fl, known for their distinctively crunchy crust and sauce made with San Marzano tomatoes. Mazza Pizzeria offers a wide variety of delicious pizzas, as well as salads, calzones, sandwiches, and desserts.The authentic Italian-style crust is what sets their pizzas apart from the rest. It's perfectly crispy on the outside, yet soft and chewy on the inside, creating a delightful texture with every bite.One of the standout features of Mazza Pizzeria is their sauce made with San Marzano tomatoes. These tomatoes are known for their sweet and tangy flavor, making the sauce rich and flavorful. The combination of the authentic Italian-style crust and the San Marzano tomato sauce creates a harmonious balance of flavors that will truly satisfy your taste buds.When it comes to safety, Mazza Pizzeria prioritizes the well-being of their customers. They ensure that their ingredients are fresh and of the highest quality. The pizzeria follows strict food safety guidelines and maintains a clean and hygienic environment.If you're craving authentic Italian-style pizzas with a crunchy crust and delicious San Marzano tomato sauce, Mazza Pizzeria in Doral Fl is the place to go. Their commitment to quality and safety guarantees a memorable dining experience.Frequently Asked QuestionsWhat Is the History of Coal-Fired Pizza and How Does It Contribute to the Unique Flavor of the Pizza at Anthony's Coal-Fired Pizza in Doral, Fl?The history of coal-fired pizza can be traced back to Italy, where it originated. This method involves cooking pizzas in a coal-fired oven, which gives them a unique flavor and charred crust.At Anthony's Coal-Fired Pizza in Doral, FL, their pizzas are made using authentic recipes passed down through the centuries. The premium ingredients, like hand-selected Italian tomatoes and vine-ripened plum tomatoes, further enhance the flavor.The coal-fired cooking technique at Anthony's contributes to the distinct and delicious taste of their pizzas.What Are Some of the Signature Pizzas and Italian Dishes Offered at Piola, an Italian Pizza Chain in Doral, Fl?At Piola, an Italian pizza chain in Doral, FL, you can indulge in a variety of signature pizzas and authentic Italian dishes. With their thin crusts and wide selection, their pizzas are a delight. From the Diavola Pizza with hot salami and fresh mozzarella, to their spaghetti and beverages, Piola offers a true taste of Italy.Their commitment to authenticity is evident in their imported flour and traditional techniques. Plus, they provide low-fat and gluten-free options for those with dietary restrictions.How Does Siamo, a Neapolitan-Style Pizza Restaurant in Doral, FL, Maintain the Authenticity of Its Pizzas Using Imported FLour From Naples, Italy?Using imported flour from Naples, Italy is crucial for Siamo, a Neapolitan-style pizza restaurant in Doral, FL, to maintain the authenticity of its pizzas. This high-quality flour ensures the perfect Neapolitan-style crust, which is light, airy, and slightly chewy.Siamo also emphasizes the use of fresh ingredients and traditional preparation techniques to further enhance the authenticity of their pizzas. By sourcing ingredients from Italy, Siamo strives to provide an authentic and delightful dining experience for pizza lovers in Doral.What Are Some of the Traditional Italian Techniques and Old Recipes Used at Moderato Ristorante, an Authentic Italian Restaurant With Pizza in Doral, Fl?At Moderato Ristorante, an authentic Italian restaurant with pizza in Doral, FL, we use traditional Italian techniques and old recipes to create our delicious pizzas.Our experienced chefs handcraft each pizza with care, ensuring the perfect balance of flavors.We also incorporate modern twists on Italian pizza recipes, offering a unique and exciting dining experience.From our fresh ingredients to our fantastic service, we strive to provide an authentic taste of Italy in a warm and welcoming atmosphere.What Are Some of the Low-Fat and Gluten-Free Options Available at Spizzigo, an Italian Restaurant With Wood-Fired Pizza in Doral, Fl?At Spizzigo, an Italian restaurant in Doral, FL, we offer a variety of low-fat and gluten-free options to cater to different dietary needs.Our menu includes delicious wood-fired pizzas with toppings like arugula, fresh tomato, and mozzarella.We prioritize using high-quality ingredients and traditional cooking methods to ensure flavorful and satisfying meals.With fast delivery service and a wide selection of beverages, Spizzigo is the perfect choice for those seeking a safe and enjoyable dining experience.ConclusionIn our quest to find the best pizza in Doral, Florida, we uncovered a treasure trove of delicious options.From the coal-fired flavors of Anthony's Coal-Fired Pizza to the thin crusts of Piola and the Neapolitan-style pies of Siamo, each pizzeria offered a unique and mouthwatering experience.Whether you prefer a trendy eatery like Moderato Ristorante or the convenience of fast delivery from Spizzigo, Doral has it all.So come and indulge in the flavors of Italy right here in our vibrant city.

Dining Room Set ID
My wife and I are trying to identify a three piece dining set. We’re clued in that it’s possibly a Duncan Phyfe set but we have no idea how to find any markings of any kind, where they’d be, how old the set is, and how to figure out if it’s a reproduction or an original. We know it’s mahogany veneer but that’s about it. The only markings on it are stamps from an unknown auction prior to it being part of an estate sale in 2009. We know about the telltale signs of Duncan Phyfe design which for the most part (especially the dining table) it all has. But we can’t find any manufacturing dates, manufacturer stamps, or anything that would clue us in on when/where it came from.
Can provide more pictures of it if necessary but we’re just trying to nail down where exactly this came from. We know it’s been in the United States at the very least since its sale at auction to us still owning it.