Notmine, but some very creative people have come up with a campaign to get the word out and let the people know that SOMETHING needs to be changed/worked out BEFORE deciding that closing Library branches is the correct option.
Here is the info from the Facebook post (link at the end): The title is "The 'Seeing Red' Campaign."
Libraries are an indispensable resource to our community. They provide a safe place for our children to grow and learn. They offer services found nowhere else in our county. They are cool in the summer, warm in the winter, and welcoming to anyone. Our hardworking librarians have always done their best to give back to the community, but now we must come together in their defense.
On Friday, May 17th, the St. Charles County community was blindsided by a proposal to close three library branches – Deer Run, Kisker Road, and McClay. These closures may occur as soon as June 30th.
This proposal has us all Seeing Red. Due to community backlash, the final vote was postponed for 30 days, but we are still at risk of branches being closed. If this vote goes through, we will lose some of our most important community spaces, as well as the programs and services they offer. Library employees in these branches will lose their jobs and the livelihoods of those who worked to uplift our community will be put at risk.
It is time to come out and support your local libraries.
The primary goal of this campaign is to increase traffic to Deer Run, Kisker, and McClay over the next 30 days. We encourage all members of our community to check out books, attend programs, get to know staff, and take in what we are at risk of losing.
We also want to spread the word of what’s happening. If able, please take some time to inform others around you by reaching out to your friends, family, and acquaintances in the area, or by joining in peaceful protests outside of branches and spreading information to other branch visitors.
During this period of 30 days, as a symbol of our united frustration, outrage, and discontent with the library board’s actions, we request that you show up to any and all of our libraries while Wearing Red, but especially those most at risk. By standing together, we can show the board exactly how we feel about their choices.
Show up to our at-risk branches, wear red, write to the board, and make your voice heard. Together, we can make a difference. All of us must step up as members of our community and do our part to show support for our libraries. Show up nice and early to board meetings. Grab a comment card (they no longer allow patrons to pre-print them) and jump in line to speak your mind.
For those who wish to write directly to the library board to voice your concern, emails may be addressed to board@stchlibrary.org STCH Library Board Email: board@stchlibrary.org Steve Ehlmann email: sehlmann@services.state.mo.us Dan Borgmeyer email: dan.borgmeyer@stcharlescitymo.gov
If you know of businesses or organizations that are willing to promote red, we would love to involve the entire community in this. For example a cookie shop might sell Red Velvet Cookies at a discounted price to people who mention #SeeingRed.
https://www.facebook.com/share/p/JTdfwtQRqvjqaZrq/?mibextid=oFDknk

I made a post on a pretty big Facebook group, talking about writing smut in a McDonald's. This person starts with a comment of their own terrible McDonald's themed smut. It's not actually bad, it's the kind thats terrible on purpose.
Went to bed, they made a post about it and apparently the group's encouragement inspired them to write a fic on wattpad.
It's incredible. It is everything they wanted and it was pretty funny.
I'm glad I inspired someone to write, even if it was a shitpost. They asked for an update on the smut and I showed them what happened after.
All in all, it was really fun and definitely gave me some serotonin.

I’ve just learned of this interesting sword via a Facebook post - this thing has been doing the rounds for several years now. The source is an article at online magazine 'La Brujula Verde' entitled 'The sword embedded in the rock of the precipice of Rocamadour for 9 centuries' written by Guillermo Carvajal in Spanish in 2016, then published in 2019 in English, which seems to be what prompted it to go 'viral' to some extent. I'm a few years late but still hoping to nip this one in the bud as far as posting something that the curious can easily find if they care to look. I would link an image of the sword but all images appear on pages with associated bad history and the rules say not to link to that. Anyway...
I saw several people lamenting that the Cluny Museum had taken this treasure down and put it in a museum. For one thing, if a piece of ferrous metal had truly survived 900 years in an exposed rock crevice (the more famous ‘sword in the stone’ at Montesiepi Chapel was at least protected from the elements), it certainly would have required salvage and preservation. However, what the article’s author failed to bother to find out is that this thing was completely fake in the first place, put there to attract tourists (Barber, Arthurian Swords I, Arthurian Literature XXXV, Volume 35, p.14):

Tourists can see [Durendal] fixed in the cliff face above the doorway to the shrine of the Virgin at Rocamadour; but this is a relatively modern feature and the sword is a nondescript nineteenth-century decorative sword of poor workmanship. In 1787 or 1788, a local lord, the Vicomte d'Anterroches, bullied the canons at Rocamadour into agreeing to present the sword then shown to visitors as Durendal - a coarse short dagger, possibly Bronze Age to the prince de Condé, whose collection of antiquities was dispersed at the Revolution. At some point a story was created that Henry the Young King had stolen the original sword when he came to Rocamadour during his rebellion against his father in 1183, but the first printed record of this is in the work of a late nineteenth-century English historian. There is no known connection between Roland and Rocamadour, and even the origins of the idea that Durendal might have been at the shrine are totally obscure.

Barber’s reference for the sword being fake is none other than the Cluny Museum itself, where the now-relic fake ended up (L'épée: usages, mythes et symboles : Paris, Musée de Cluny--Musée national du Moyen Âge, 28 avril-26 septembre 2011, p.97). The Cluny didn’t acquire it to preserve some 900-year-old treasure, they took it because of its significance as an example of how swords are used symbolically. Notably, as they say, pregnant women in the early 20th century would ask that particular fake sword for favours for their unborn children. Now, there has to have been an earlier sword there because Alexis de Valon noted in 1851 that;

...in Rocamadour and its environs, local people revered Durandal, believing that both it and its modern substitute could make childless women conceive.

(Harry Redman, Jr. 1991. The Roland Legend in Nineteenth Century French Literature, University Press of Kentucky, p.104).
Despite Barber’s comment about unknown origins of the Rocamadour 'Durendal' we do in fact know these, back to the early 17th century at least and summarised by Redman as follows:

Writing in 1620, Scipion Dupleix stated that Roland had been interred at St. Romain's and that, according to tradition, his sword had been placed at his head and his horn at his feet. Later, he added, the sword was taken to Rocamadour, while the horn was deposited in St. Seurin's. Mérimée, Inspecteur Général des Monuments Historiques, was in an excellent position to know where such things ought to be, and he thought the sword was still at Rocamadour. Frédéric Mistral was convinced of it. Mérimée's friend Alexis de Valon was not so sure and held that it had been removed from Rocamadour at the time of the French Revolution and replaced by another one not at all resembling it. Prince Lucien had the sword, along with its owner, interred at Roncevaux. For Peyrat, Roland, his sword, and his horn were all buried where the paladin was struck down. Cervantes, we recall, believed that the sword was in the Madrid museum where Quinet claimed to have seen it.

(Harry Redman, Jr. 1991. The Roland Legend in Nineteenth Century French Literature, University Press of Kentucky, p.213). Lots more in that article on the background to a claimed Durendal at Rocamadour prior to the insertion of the fake removed in 2011 (and since replaced by a new fake!).
Note that the sword referenced by Cervantes is an entirely different one in the Real Armería de Madrid, which was never claimed to reside at Rocamadour. So we have two competing 'surviving' Durendals, neither of which are even period, much less anything to do with Roland. This is typical of ‘surviving’ heroic swords which are mostly contemporary to the time when they are first claimed to be original. There's every chance that the Rocamadour sword is a replacement for something much older. Redman speculates that there may have been three swords there prior to 2011 (p.106). Whether any sword once in that rock face dated to Roland's era or could even have been his, we will never know. I suspect it originated as a classic ecceliastical fundraising effort, like Arthur and Guinevere's grave at Glastonbury Abbey. Regardless, the claim at hand is about the sword removed in 2011, and we can be certain that the this was definitively a fake, itself now replaced by a sword that will likely also be assumed as real in future. And if you've been to Rocamadour since 2011, the sword you saw is brand new.
Sources - inline with text/linked.

Welcome! Today we will share with you one of how you can promote Gambling offers without getting your ad accounts banned on Facebook and Instagram, and to maintain a high level of profit.
There are 6 basic steps we need to follow:

1. Create your offer page
2. Warm up the ad account on Facebook
3. Cloak the offer page
4. Setup Facebook Pixel
5. Create Creatives
6. Campaign creation and targeting

Step 1: Create Your Offer Page​

Never use the offer pages that are provided by the affiliate network you work with; you should create your offer page. This way your offer page will be unique and it will raise the conversion rate. If you can't create an offer page from scratch, download the offer page from the affiliate network and then modify it, making sure to preserve the layout and browsing speed. *Not all affiliate networks allow you to download offer pages. You will need to talk with your manager to allow you to download them.

Step 2: Warm Up the Ad Account on Facebook

You must warm up your ad account well and slowly. For example, for an FB account, you would:

1. Log in to the account you bought and close the browser without logging out
2. After 3 hours open the browser and create a new page
3. After 1 hour add the page to your BM
4. After 3 hours add your payment card to the Ad account
5. After 5 hours create a campaign with a $15 daily budget
6. After 2 hours from the approval of your ads, you can gradually increase the budget, $10 each time

Step 3: Cloak Offer Page

Buy a domain and upload the offer page, then cloak the link to hide it from Facebook bots and admins. As for the white page, it is as important as the black page, because it is what will keep your ads going. In Gambling offers, your white page should be about "Best Online Games" or "Gambling History". This should not be difficult because all the information can be found online or on Wikipedia. * Don't forget to put an image of the ads that you will create on the white page! * Don't use external links on the White Page.

Step 4: Setup Facebook Pixel

​Add the Facebook pixel to the Thank You Page. This is very important to make Facebook bring similar people to those who sign up for your offer. *Don't worry, if you install the Facebook pixel to your Offer page, it will not be detected. But you must follow the directions for creating the white page.

​Step 5: Create Creatives

In the creative, you have to adhere to one rule. The rule is that the creative should be related to the white and black pages at the same time. We will show you a creative for a Gambling offer that has been approved by Facebook so that you have a clearer idea of how to implement this rule. One or two words can do the trick, there's no need to write too much in Creative.

Step 6: Campaign Creation and Targeting

​ If you follow all the previous steps, this step will be the easiest one. You must target people who can pay $200 without any problems. Through our experience in this field, the best targeting is 25+ years, target cities and not whole countries, specify the language, and for interests, we prefer to use gambling interests and start your tests with story placement.
One or two words can do the trick, there's no need to write too much in Creative.

Step 6: Campaign Creation and Targeting

​ If you follow all the previous steps, this step will be the easiest one. You must target people who can pay $200 without any problems. Through our experience in this field, the best targeting is 25+ years, target cities and not whole countries, specify the language, and for interests, we prefer to use gambling interests and start your tests with story placement.

Hey, this is my first time looking for a role play partner on reddit. I usually RP in a forum based on a book series (what I still do) but I wanted to look for someone I can try out some other ideas with.
About the plots I'm looking foI prefer to play: I only play females and am searching for someone playing male roles. If you are a man in real life doesn't matter to me. Woman playing men are also very welcome. :) I'm generally open for most plots in a medieval fantasy setting that include a slow burn romance and drama, but especially recently I thought about a plot in the Harry Potter universe regarding Severus Snape (you) and an OC (me). I have about a million ideas about who the OC could be and how Sev and her could get in touch and about when the play starts (before the waafter it/before lily's death/etc.). I think we will be able to work on a great plot together. I want to add that I didn't read the books, just watched the films and I wouldn't see the fandoms too strict. Just as a loose environment. No limit to our fantasy! But as I said, other ideas can be discussed too, also about completely self invented worlds with OCs only or other fandoms that I know good enough to play within.
About my writing preferences: I am very flexible in my writing, the only thing that's a no go for me is the star-style coughs. So third person, first person, past, present whatever you like. But generally I prefer novel style writing. The length of posts should be more than a few sentences but it doesn't have to be a bible every time. It depends on the post you are answering to, sometimes there is more to react and sometimes not. I am German but my English is good enough to RP in it (already did) and if we choose the HP idea I would even prefer English as language to write in. The platform where we write is free for you to choose. I've already written RP in forums, in Facebook messenger, in WhatsApp, in Google docs or discord (well WhatsApp is not a platform where I would RP with strangers but I guess that's obviously).
About me and what I expect from an RP partner: I am 23 years old, a student, a bookworm and cat mom. I do RP for about 10 years now, maybe a little longer already so I've got a lot of experience. Though I love drama in RP, I hate it in RL, I'm a very harmonic and peace loving person.
I'm looking for someone who is 18 years or older. As I said, gender doesn't matter as long as you play the male role. I don't care if you don't have much experience in RP yet or if you are not the best most literate writer, as long as you have a good grammar and spelling. More important for me is that you have ideas and as much fun as I have doing RP. We can improve our writing together while having fun with interesting stories. And fun also means that there is no pressure to answer quickly. I usually answer at least once within a week, sometimes more but I am totally okay with waiting longer. It's a hobby and it should be fun and no one should feel pressured or stressed to answer just because the last post was already long ago.
So, in Germany we say "Halbe Bibel, ganzer Hurensohn" and with that I end this probably way to long post. If you are interested in having an RP with me, send me a message (if that's possible, sorry, I really don't know how reddit works lol) or write a comment or something. Just try to contact me, then we will see if it fits and talk about anything else that is relevant to get started.
Cheers

Hello i have an annoying problem, the messages i writes dont pop up on my laptop then i use my phone, and vice versa.
like.. i can chat all day from work on my phone, but then i come home and open facebook/messenger on my laptop, the chat is not opdated... its the same google account and everything,

Welcome to the /WeAreTheMusicMakers Weekly Feedback Thread! The comments below in this post is the only place on this subreddit to get feedback on your music, your artist name, your website layout, your music video, or anything else. (Posts seeking feedback outside of this thread will be deleted without warning and you will receive a temporary ban.)
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🪞
Welcome back to the Asylum write-up, where we explore the decade-long slow-motion car crash that is the Emilie Autumn fandom.
Sorry this installment took so long to upload! Just a heads-up, I may take some time to deliver the last one too – these posts take forever to format on Reddit's finicky-ass editor, and my dumb real life is currently keeping me from precious Internet time. Thank you for your patience! You have my word that everyone who pre-ordered the final installment will receive a PERSONAL, HANDWRITTEN letter autographed and illustrated by me, a list of the snacks I consumed while composing this write-up, some exclusive behind-the-scenes secrets, and a pony.
Part 1 Part 2 Part 3 Part 4.1 – Part 4.2 Part 5

Places, everyone This is a test Throw your stones Do your damage Your worst, and your best (...) And if I had a dollar For every time I repented the sin And commit the same crime I'd be sitting on top of the world today (“God Help Me”, 2006🎵)

Quick recap of where we left off. First, there were five to ten halcyon years of pleasant and meaningful interactions between EA and her blossoming fanbase, prominently by way of her official forum. Then, circa 2009-2010, EA's online presence shifted towards sudden anger outbursts, ban-hammering, and an increasingly top-down communication style.
This created a sort of primordial rift within the fanbase, between those who supported EA's right to speak her mind and regulate her own fan spaces however she pleased – and those who thought that her reactions were rude and inappropriate (at best), and that even fan spaces should allow for reasonable, non-abusive criticism of the artist.
Between a poorly-handled book release (see Part 3), the controversial (Part 2) or dubiously true (Part 4) contents of said book, and serious shade from various former collaborators (Part 5), more and more fans had pressing thoughts about EA's work ethic and choices. EA attempted damage control through drastic forum rules that made it virtually impossible to voice any “serious” critical opinion. It didn't work, of course: instead of squashing the mutiny, she created a schism.
Critical fans and active haters started congregating on unofficial platforms.

“WITH MUFFINS LIKE THIS, WHO NEEDS ENEMIES?”: TROLL LIKE A GIRL

So here we were, the early 2010s. The official forum (which had about 700 members in 2006, if you recall) was now thousands-strong, reaching just over 12,000 registered users in 2012 – not all of them active, but still. In terms of sheer numbers and content creation, the party was POPPIN'... but increasingly in parts of the Asylum that escaped EA's jurisdiction, such as Tumblr, where they could speak their mind freely.

You play the victim very well You've built your self-indulgent hell You wanted someone to understand you Well, be careful what you wish for, because I do (“I Know Where You Sleep”, 2006🎵)

In one wing of Asylum Tumblr, a smattering of call-out blogs emerged, which laid out EA's various lies, faux pas, shitty takes, and general deep-seated terribleness in detailed timelines and screenshots (or, short of that, long-winded bullet points). While many such blogs framed it as “serious” whistleblowing and did their best to remain as fact-based and neutral as they could, there was some genuine disgust, animosity and creepiness towards EA on that side of Tumblr; for some ex-fans, “exposing the truth” was mostly justify obsessive hatred, prying and verbal abuse. Some, for instance, felt the bizarre need to side with EA's mother in their estrangement. (One user, with the URL “emilyautumnfischkopf”, argued in a serious and down-to-earth tone - but with zero sources - that EA's upbringing had been nothing but peaceful and supportive until she ungratefully kicked her loving family to the curb for no reason at all. They were later revealed 🔍 to have an alternate handle as “eaisalyingcunt”.)
Either way, through these blogs, a number of potential drama bombs that had mostly flown under the radar were dredged up from over the years – some of which were hard to ignore, even for supportive fans. Where to begin?
There was that nonsense in-joke song, captured twice on camera during the 2009 tour (to very little outrage, at the time), crassly called “Manatee Retard”📺. Or EA's scathing response, in print, to a wheelchair user who found it insensitive that she used a bedazzled wheelchair as a prop to do sexy acrobatics on stage. (“Your offence taken at my hard-won self-acceptance proves that I indeed have something to fight against”, she wrote). Spoken word tracks where she made trivializing knock-knock jokes about serious mental illnesses she didn't have, like schizophrenia and OCD. Multiple instances of calling Britney Spears a “bimbo” and a “Hollywood fucked-up”, resentfully claiming that she only shaved her head because she was “hopped up on drugs” and certainly not because she was “bipolar”, a word the press liked to wield as an insult anyway. (“That's almost like calling someone a retard!” Yeah, heaven forbid.) The meanest, most distasteful paragraphs in the book. Basically everything problematic EA had ever said or written.📝 In retrospect, it had been a long time coming, but it was a lot to take in – and certainly more off-putting, even to less emotionally invested fans, than silly lies about her age and last name.
In another wing of Asylum Tumblr, some fans had had it up to here and just wanted to have fun. 🎵 If Plague Rats had learned one valuable lesson from EA, it was how to crack a joke in the face of absurd tragedy – and the general state of the EA fandom certainly warranted a few.
In 2012, Fight Like a Girl was released. After six long years, three of which had been peaceful, the Opheliac era was officially over. The new album and ensuing tour confirmed that the Asylum had entered a process of glamorous Broadway-style militarization. 🎵📺
The mood board was “Roman general meets Vegas showgirl meets Victorian street urchin”.🪞 The color palette was, to naysayers, “musty pink and rotten, stale piss yellow”. 🐀 The keyword was “REVENGE” (through the power of... self-expression! sorority! brutal assault with rusty medical implements!). The chorus of the title song had an intriguing run-on line about getting “revenge on the world, or at least 49% of the people in it” 🎵 – which seemed like an awful lot, and was widely interpreted (to cheers, boos, or uncomfortable sighs) as a misandrist jab at literally all men on Earth.
The show was essentially a demo version of the musical, in that the setlist vaguely reflected the order of events in the story – but prior reading was essential in order to get what the hell was going on on stage. This one Broadway reviewer had not perused the literature before seeing the show 🔍, and hated: the set, the choreography, the skits, the plot, the lyrics, the music, the concept. (Seriously, you should read the review. It's not even my show and I feel like quitting show business.)
Pre-show VIP encounters, now violin-free, were lorded over by EA's new manager🐀, whose official title was “Asylum Headmistress”. (Interesting choice – she sounds fun!) The swag bags were less substantial than before, and the “greet” part of the meet-and-greet was rarely more than a quick hug and photo op.
On Twitter, EA continued to embrace her “I am very badass” fronting attitude...

Often wonder if cyberbullies r aware they’re fucking w/ a girl who’s BFs w/ maker of the SAW films & is marrying a knife-throwing scorpion. (🐀📝)

...and her taste for needlessly inflammatory statements. About an aisle sign in a supermarket:

If this does not infuriate you, then you're a fucking potato.

(Again with the confounding crypto-ableism, EA! 🔍) She also went through a phase of raging against Lady Gaga 📝, who had stolen her idea of using a wheelchair on stage as an able-bodied woman. 🔍 That failed to convince anyone that she wasn't the histrionic diva that haters made her out to be.
Spurred on by EA's rallying cries and “us vs them” mentality, loyalists turned the white-knighting up to 11. On Twitter, some Plague Rats got into cat fights with Lady Gaga's Little Monsters (what a time to be alive). Others tried to balance out the Tumblr negativity with initiatives like “Spreading a Plague of Love” – a “positive-only” confession blog, whose extreme fangirling, comically drastic rules and hyper-defensive tone📝 did not debunk the increasingly popular notion that “true Plague Rats” were a bunch of authoritarian and hopelessly brainwashed fanatics.
EA truthers and other anti-fans started lashing out at anyone who dared express any positive opinion of EA, solidifying claims that the backlash against EA was just a conspiracy of bitter, hysterical bullies.
All this to say: every passing day brought new reasons for fans to get mad at EA and each other, and everyone in the Asylum was in need of a laugh. It's not easy having a good time.🦠
Leading up to Fight Like a Girl and in the years that followed, user-submission-based meme blogs took off, most notably “Spreading a Plague of Lulz / Troll Like a Girl”. A lot of the early submissions were absurdist humor and toothless, cheezburger-Impact memes (a style that was, oddly, already dated at the time). Those often originated in good fun, and from loyal fans, on the official forum. But there was also true snark, satirizing EA's questionable ethics, outrageous claims, and easily spoofed artistic gimmicks. A new slang of Asylumspeak emerged: Glittertits (slight NSFW), GAGA!!, EA Gusta and all its memeface variants, Get outta mah house!, Are You Suffering?, Fight Like A Goat, [Random celebrity] copied EA (a subgenre in its own right), ...
Most of the “trolling” was directed at unrepentant bootlickers and, to a lesser extent, red-in-the-face haters and creeps. Meme blogs would post joke comments under “serious” or gushing submissions on Wayward Victorian Confessions, and taunt loyalist accounts by tagging them in their posts. When a few people complained on WVC that almost all of the Bloody Crumpets to date had been thin white able-bodied women, and a few fans responded by sharing their dream-casts for a more diverse line-up, the blog was flooded for days with confessions that “X should be a Crumpet” (candidates included RuPaul, Mitt Romney, Nicki Minaj, EA's therapist, and the WVC admins). Farcical shenanigans like that.
Ah, but some people will always cross the line, won't they. EA threads popped up on merciless, bully-friendly snark platforms like Lolcow, Pretty Ugly Little Liar, and Encyclopedia Dramatica. Snarkers with a mean streak and obsessive haters mingled in some of the more aggressive, 4-chan-spirited retaliation against EA – which would be called “brigading” in modern parlance. This included flooding EA's Goodreads page with one-star reviews (see part 4), repeatedly editing her Wikipedia page to include her legal name and birth year, and ensuring that Googling said name would bring up current pictures of her.
All of this compounded agitation fragmented the once-united fandom beyond recognition.🦠 Through substantial disagreements among fans, personal bickerings, layers upon layers of inscrutable in-jokes, and cross-platform telephone games, the Asylum morphed into a booby-trapped Escher room.
Satire blogs were taken in earnest. Earnest fan blogs scanned as satire. Memes would get called out as abuse. Appreciation without attached criticism would get mocked as bootlicking. Obvious jokes made by EA would be taken at face value. One divisive confession could trigger days and days of debate, to the point that WVC eventually banned confessions in response to other confessions. New waves of infighting created a confusing web of rival sub-factions🐀, each accusing the others of being toxic, cliquish, and delusional.
The shared fantasy was broken, the collective vision had crumbled, no onez was speaking the same language anymore. Fans would jump down the throat of other fans who held almost identical views about EA, except for that one thing she said or did that one time. Everyone had differing thoughts on what should or shouldn't acceptable to discuss, question, excuse, make fun of.
War is hell.

SCORCHED EARTH SHENANIGANS: HONEY, I SHRUNK THE ASYLUM

Would you tear my castle down Stone by stone And let the wind run through my windows Till there was nothing left But a battered rose? (“Castle Down”, 2003🎵)

Haters vs sycophants is not really the kind of conflict where one side can come out on top (if you're participating, you've already lost). But in the long tug-of-war between “grassroots” and “EA-sponsored” fan spaces, the ultimate winner is obvious – in that the former is gasping in agony, a shriveled husk of its former glory, while the latter... is non-existent. This is due in no small part to EA's tendency, like the Czars of old, to settle conflicts by setting Moscow on fire.🔍)
That's not entirely fair: unlike EA, the czar only did it that once.
By early 2013, as EA was gearing up for her third Fight Like a Girl tour at the end of the year, the official forum was... not as lively as it once had been. Not just because of the stifling rules and disgruntlement towards EA, or because EA herself hadn't really posted anything on there in years; the Internet was also changing, and forums in general were fast becoming passé.
This made it difficult for EA to create a safe space where she could talk to fans, and fans could talk to and about her, in a way she deemed suitable (ie, a space she could gate-keep and regulate enough to keep it completely free from negative criticism). Social media was a minefield; she still posted regularly, but didn't interact very much. So EA and the Headmistress came up with a way to filter out the unbelievers: an official fan club📝, aptly called the “Asylum Army”, with a $100 entry price.
Joining the AA came with a dog tag, a sew-on patch, and a lifetime membership certificate signed by EA and – for some reason – the Headmistress. (Unlike EA's best friend and sound engineer back in the forum's heyday, I don't think fans ever really embraced the FLAG-era manager as part of the Asylum in-group. She came across more as a coordinator / businessperson / adult chaperone, at best.🐀) So, slightly better goodies than you'd get by joining the other AA 🔍 ... but not by much. The main appeal was that members would have access to exclusive content, special merch, giveaways, early bird tickets for future shows, and regular video chats with EA.
The concept itself drew a fair amount of criticism, as you can imagine. Between the name🐀, the price, and the inherent gatekeeping of a pay-to-join fanclub, many balked at the monetizing of a concept that had once (like, three years back) been significantly more DIY, grassroots, and inclusive. 📝🐀
Then again, many also longed for a positive, drama-free space where fans could just be fans. And while the creation of the AA was generally recognized as a quick cashgrab, a lot of people were surprisingly cool with it. EA was trying to finance her dream musical, after all – although a number of fans wished she had gone about raising funds in a less sketchy way.
So around 400 fans shelled out (which, according to the Headmistress📝, “basically cover[ed] the cost of running the fanclub itself – keeping the database up, website, etc.”). Enough for a close-knit, but sizable community. But already, there was a conflict of interest: a high fanclub entry fee essentially demands that you pledge loyalty to the artist over loyalty to your fellow fans, who wish to join but can't afford to. Sharing, caring, and ensuring no one felt left out were some of the more positive values cultivated in the fandom... but leaking exclusive content would surely piss off other paying members🐀, and make EA feel betrayed all over again. (And she had barely just started to mellow out on social media!)
...But then again, this is the internet. After the first month of secret AA drops (lyric sheets, some photoshoot outtakes – nothing too juicy, really), there were, yes, some leaks. EA was predictably miffed, and retaliated by... ghosting the fanclub for weeks at a time in its first few months of existence (great look!). She eventually found the “solution” to her problem, by providing something you couldn't right-click-save (and which had been part of the promised perks to begin with): live interaction.
Over webcam, she was her usual in-person bubbly, charming, funny self. Everyone seemingly had a good time during the fanclub video chat, and this gave people faith and hope.
There were a few more events, giveaways, etc. As promised, ahead of the fall 2013 tour (the last one to date, it would turn out), AA members got priority access to show tickets and VIP bundles. The latter were much pricier than before, and only included soundcheck, a photo-op, and three goodies: a tin of loose-leaf tea, a signed printer-paper setlist, and a small flag that said “F.L.A.G.”.🔍 Some stuff continued to leak – but, as some of the outlaws pointed out (scroll down to the Disqus comments), they were mostly relaying information that was relevant to the entire fanbase, such as updates about ongoing projects (the dragged-out recording of the audiobook, for one).
In early 2014, lifetime memberships were closed, and replaced with monthly, quarterly and yearly subscription tiers. Bizarrely, you ended up paying $3 more per month if you bought a $99 yearly subscription📝 – but it did include the patch, dog tag, and piece of paper!

Sometimes I kind of want to be part of the cool kids and register to the Asylum Army. Then I remember how it came about, what you could get for the same price a couple years ago, how the whole thing was and is handled, and that I won’t support any of this bullshit. (And then I roll around naked in all the money I’m saving.) (🐀)

Still, a number of fans rejoiced at the affordable monthly option, and joined – if not for the exclusive content and merch (which were... okay, but not much to write home about), then for the friendly, drama-free exchanges with an artist they actually did love, in spite of all the frustration.
For the still-too-poor or still-undecided, there was always the forum! It wasn't as active as it used to be, but a few die-hards still managed to keep the lights on... until, inevitably, Someone Did Something and Ruined Everything. (Once again: EA's wrath is spectacular, but rarely completely unprovoked.) The incident features one notable figure in the Asylum community. Let's call him the Collector.
OK, so maybe you remember the meme I linked to in Part 4, with Christian Grey and the ginormous EA hoard. Well, that's the Collector's collection. The “Violin” promo that I called the "Holy Grail of the fandom" in the same paragraph? Also his. The handwritten lyrics that went for $940? Guess who won that auction. Over the years, the Collector had probably spent five figures on EA merch and shows, and although that fact was a little unsettling, he was a very active, easy-going, and generally well-liked fixture of the fandom.
One day in 2012, shortly after the Headmistress had replaced EA's old Chicago BFF as main forum admin, the Collector's account got banned or restricted over something dumb. When the ban wasn't lifted as quickly as he hoped, he took it... the way one takes things when one is unhealthily invested: he started spamming Headmistress and the mod team with increasingly rambling and abusive emails (lost to time, probably for the best). When that didn't work quickly enough, he tried a different route.
One of the many auctions that the Collector had won, some years prior, was EA's old iPod Touch📝 – which contained all of her favorite tunes and, buried somewhere in the data cache... a phone number. Which the Collector tried calling. And wouldn't you know it: EA picked up. She congratulated him on his sleuthing skills, listened patiently as he made his case, apologized for any distress caused by the unfair account restriction, and then they got married.
Kidding! She freaked the fuck out, hung up, and banned him for life from the forum and all EA shows and events.
After his ban, the Collector allegedly still tried to attend at least one VIP pre-show (one source in the comments says he was allowed to buy some merch, refunded for his ticket, and escorted out). He joined the Reform forum to bitch about EA and try to rally people to his cause, possibly made revenge posts about her on darker snark forums, and continued to hound the Asylum mod team. So in June 2014, EA came up with a radical and unexpected fix to the Collector problem.

The official Asylum Fan Forum has been shut down permanently. I have personally paid thousands of dollars each year to keep the forum safe and secure for you ... Unfortunately, the forum has not been kept safe and secure for me, a truth which disappoints me greatly, instead becoming a place where people who have physically threatened myself and my staff prey upon forum members, pressuring them to contact me and my staff on their behalf. If the gullible wish to humor my stalkers (who live in their parent’s basement at age 30 something) and thus put me in danger, they may do it on their own dime. They may also fuck off, because stupidity can kill, and I won’t be your victim. To those who enjoyed the forum, you know who to thank for its closure. (“On the closing of the Asylum Forum”)

Voilà! This is how a decade-long archive of shared history ends: not with a bang, but with a dirty delete and a sod-off communiqué.
The obliteration of the forum took everyone by surprise...

I was actually on the forum when it was taken down. I was navigating between posts and when I went to click on a different board, an error message came up. I honestly cried a little, I'm not ashamed to say. (WVC admin on Reddit, 2024)

...and I do mean everyone:

Chicago BFF / ex-admin, the next morning: Whoa, EA forum shut down? Ex-mod: It turns out that if someone spends enough years actively “waging war” to destroy what they can’t have, eventually they’ll be successful. * eye roll * Not even mods got prior warning. Just all the sudden, poof, gone. BFF: Really? She did not let the moderators know?! This is sounding worse and worse. Uggh. I’m so sorry. Such a loss. (...) Ok, threats are serious, but why not just put it in archive mode so no one can post? (...) Sad. I shall light a candle in the forum's honor. (Facebook posts; scroll down for screenshots)

It was a gut punch, especially for people who had poured countless hours into the community, or could have used some prior warning to save years of their own writing from the role-playing threads. One last chance to take a look around the place that had meant so much to so many.

From the wording of the announcement of closing the forum and a number of other things, it sometimes seems like EA doesn't like her fans much. :/ (🐀)

Three months after the forum was nuked, Battered Rose (a venerable EA fansite, which had been around since the Enchant era and had one of the most complete EA galleries online) announced that it was shutting down too.📝 The admin, who had also been a long-time forum mod, cited a lack of “time, energy, passion, or money” to keep the website going... and being upset at the sudden disappearance of the forum. It was, truly, the end of an era for the Asylum.
...Well, no point in living in the past. For those who could afford it, and still wanted to talk to/about EA after that (not everyone did 🐀), there was always the Asylum Army fanclub!
Over the summer of 2014, EA held regular live chats and Q&A's, and... many attendees really enjoyed them, and thought the AA was well worth the money after all. She also quietly parted ways with the much poo-pooed Headmistress around that time.

Just spent over 4 hours giggling, drinking tea and playing guessing games in chat with EA and other Asylum Army members ... No griping, no downers, just lots of fun. I think I like the way the ‘new fandom’ is going and now I’m really glad I finally decided to join the Army. (September 4, 2014🐀; Battered Rose had closed the day before)

The forum was lost forever, but perhaps that was a chance for a fresh start. Could this fanclub thing really be the Asylum Renaissance that fans had been longing for?

...I have come today to a very difficult but necessary decision, and that is to discontinue the Emilie Autumn Official Fanclub. The site itself, and the community chatroom, will remain open to you indefinitely, but I will no longer be making updates to the site. (Newsletter, September 8, 2014📝)

...Never mind, then.
Turns out the fanclub had been the Headmistress' idea all along. EA had been reluctant from the start, and although she really enjoyed the live chats with a safe community of people “who are there for the right reasons”, she couldn't overcome her fundamental discomfort with the concept. Lifetime and regular members would receive a bunch of digital downloads and a -35% coupon on the Asylum Emporium for their troubles. EA said she would definitely pop back once in a while for live chats, for free, just for fun, but to my knowledge, she never did.
And so the most devoted fans were left standing in the rain...

She is happy, she made it. She is fulfilling her dreams, found love and happiness after all the pain. I understand that she now doesn’t need “us” anymore ... That doesn’t change the fact she broke my heart with taking the Asylum Army and the forum from me. Yet, I am happy for her. (🐀)

...while naysayers pointed and laughed, Nelson-style.🦠

I don’t feel sorry at all for the people that paid for the Asylum Army fan club. Most of them knew that EA is an atrocious business woman and has broken many promises before. In fact, I laugh at them. They seriously thought that EA would actually stay consistent with this? (🐀)

EVERYTHING MUST GO: THE ASYLUM WHOLESALE

EA fans were left without an “official” home for about three years. This gave them plenty of time to be annoyed at EA for: not releasing the audiobook on time, not materializing any new project for a while... and the new sin of peddling random, ridiculously marked-up AliBaba jewelry as “merch” on her official store. Think faux-antique cameo pendants and $30 Big Ben rings (...because the Asylum story is set in London, get it?).

The whole accessories section looks like a tacky overpriced English souvenir shop. (🐀)

The fanbase lost a lost of steam in those in-between years, because there wasn't much to stick around for. As evidenced by the positive reception of the AA live chats, even in the midst of unresolved drama, out-loud interactions in a friendly environment have always been EA's saving grace. Considering the amount of online hate, there are shockingly few accounts of bad IRL encounters with EA: most people say that in live conversation, she comes across as a fun, warm, and genuinely sweet person. Some report that their negative opinion shifted after meeting her.
But there were no chats or live shows anymore. There was only social media, where she ignored questions and vague-posted about overdue projects – and the newsletter📝, which was all saccharine love-bombing to promote bland dropshipped trinkets. For fans who remembered the handcrafted merch (and two-way communication) of the early years, it was a bitter pill to swallow.

CONTINUED IN COMMENTS

​

Michael Gamble, Franchise Director, and Executive Producer:
Software Engineer Electronic Arts May 2004 - December 2005
Project Management Teaching Assistant University of Calgary January 2007 - August 2008
Black Rain Software January 2006 - July 2009: Led Development teams to develop mods for Neverwinter Nights 1-2, Warcraft 3 and other games, principal designer for all their projects.
Project Managers Mass Effect 2 and Firewalker, Producers on the Weapons and Armor DLC, Co-Project Manager on Kasumi - Stolen Memory, Project Managers on Overlord, Associate Producer Lair of the Shadow Broker
Producers Mass Effect 3, also on From Ashes, Leviathan, Omega and Citadel. DLC Producer on the Resurgence, Rebellion, Earth, Retaliation, and Reckoning multiplayer expansions. He also directed several of the DLCs
Producers Mass Effect: Andromeda
Lead Producers Anthem
Involved with the pitching and greenlighting process of the Legendary Edition
Parrish Ley, Franchise Creative Director
Cinematics Animators Mass Effect and Cinematic Director on Bring Down the Sky: Animated the opening of Mass Effect 1
Additional Animation Dragon Age: Origins
Lead Cinematics Animator Mass Effect 2, Cinematics Animators on Zaeed - The Price of Revenge, Kasumi - Stolen Memory, Overlord, Lair of the Shadow Broker and Arrival
Co-Lead Cinematics Animator Mass Effect 3, Cinematics Animators on From Ashes, Leviathan and Citadel: Animated the scene at the end of the Citadel DLC
Animation Director Anthem
Development Lead Improbable Studio March 2019 - January 2020: Worked on a new Ip
Additional Art Supervisors Mass Effect: Legendary Edition
Preston Watamaniuk, Game Director:
Other QA Baldur's Gate II: Shadows of Amn
System Designers, Core Design Team, Manual Writers and Additional Programming Neverwinter Nights
Senior Technical Designer, Assistant Lead Designer and Core Design Team Star Wars: Knights of the Old Republic
Additional Design Jade Empire
Lead Designer Mass Effect: Helped develop the game's lore and story, and came up with the synthetics vs. organic theme.
Lead Designer Mass Effect 2, also Additional Design on Zaeed - The Price of Revenge, Kasumi - Stolen Memory, Overlord and Lair of the Shadow Broker
Assistant Director of Design Dragon Age II
Lead Designer Mass Effect 3
Co-Lead Designer (Early Development) Mass Effect: Andromeda
Design Director Anthem
Derek Watts, Art Director:
Artists MDK 2
2D Artists Neverwinter Nights
Art Director, Concept Artists and Core Design Team Star Wars: Knights of the Old Republic
Additional Art Jade Empire
Art Director Mass Effect and the Bring Down the Sky DLC
Art Director Mass Effect 2, also Concept artist on the Firewalker Pack
Art Director Mass Effect 3
Additional Art Mass Effect: Andromeda
Art Director Anthem
Additional Art Supervisors Mass Effect: Legendary Edition
Piperworks Studio on Call of Duty: Vanguard
Artists The Walking Dead: Last Mile
Piperworks Studio on Call of Duty: Modern Warfare III
Books: Co-Writer The Art of the Mass Effect Universe with Casey Hudson. He also contributed to the development of the Mass Effect: Andromeda: Annihilation novel.
Nathan Zufelt, Animation Director:
Character Animators - Brave - TV series pitch
3D Effects Animators - Chaotic - TV Series: Credited on at least one episode
Character Animators - Zeke's Pad - TV Series - Pilot
Character Animators - Viva Pinata - TV Series: Credited on at least six episodes
Marketing and Web Development CG Toolkit 2004 - 2008
Cinematic Animators Dragon Age: Origins, Senior Cinematic Animator on Awakening, also Cinematic Animators on Leliana's Song
Senior Cinematic Animator Dragon Age II
Senior Cinematic Animator Mass Effect 3, also Cinematic Animators on From Ashes
Co-Lead Cinematic Animator Dragon Age: Inquisition also the Lead Cinematic Animator on Jaws of Hakkon and Trespasser
Additional Design Mass Effect: Andromeda
Assistant Animation Director Anthem
Animation Specialist Inflexion Games June 2019 - June 2020
May have contributed to the development of the 2020 teaser trailer
Also the Animation Director on Dreadwolf
Eric Vervaet, Director of Audio:
Sound Effects Editor Grover's Mill (Short Film)
Dialogue Editors Baltimore (Short Film)
Audio Team NBA Street Homecourt
Audio Assistants Need for Speed: ProStreet
Audio Artists NBA Live 09
Sound Artists Fifa Soccer 09
Supervising Sound Editor Fifa 10 Wii
Audio Team EA Sports Active: NFL Training Camp
Sound Effects Editors Fifa 11
Audio Artists SSX
Lead Audio Designer The Amazing Spider-Man (Videogame)
Audio Artists Fifa 14
Audio Artists 2014 Fifa World Cup Brazil (Videogame)
Senior Sound Designer Quicklime Studio on a then unannounced game
Audio Artists Dragon Age: Inquisition, also the Lead Audio Designer of Jaws of Hakkon and Trespasser
Senior Audio Designer Mass Effect: Andromeda
Senior Audio Designer Anthem
Director of Audio Mass Effect: Legendary Edition
Additional Audio Star Wars: The Old Republic Legacy of the Sith
Also Director of Audio on Dreadwolf
Mary C. DeMarle, Senior Narrative Director:
Production Assistant Phantasm II (Film)
Effects Assistant Lucky Stiff (Film
Worked for Hanna-Barbera (Cartoon studio) for several years starting off as a production assistant
Freelance Writing work for several years
Writer Myst III: Exile
Writers Homerworld 2
Writer - Designer Myst IV: Revelation
Writers Dungeon Siege II: Broken World
Additional Script Writing Tom Clancy's Splinter Cell: Conviction
Lead WriteNarrative Designer and Casting Crew Deus Ex: Human Revolution, Also Story Director and Casting Crew on The Missing Link DLC: Wrote much of the main plot for the base game, and co-wrote the scenario for The Missing Link DLC
Narrative/Writing Director Deus Ex: The Fall
Executive Narrative Director Deus Ex: Go
Executive Narrative Director Deus Ex: Mankind Divided, also on the Desperate Measures, System Rift and A Criminal Past DLC's also the Executive Narrative Director on Deus Ex: Breach: Worked primarily on the main plot for the base game.
Senior Narrative Director Marvel Guardians of the Galaxy
Books: Oversaw the development of several of the Deus Ex novels
Dusty Everman, Principal Narrative Designer:
Member of Technical Staff Amdahl 1992 - 1994
Senior Software Engineer Vivace Networks 2001 - 2003
Developed Mods for Neverwinter Nights
Cinematics Designers Jade Empire
Lead Technical Designer, also Lead Designer on Bring Down the Sky and Pinnacle Station: Scripting on the Citadel and the Normandy
Lead Level Designer and Uncredited Writer Mass Effect 2, Additional Design on Zaeed - The Price of Revenge, Firewalker Pack and Kasumi - Stolen Memory, Level Designers and Additional Design Overlord, Additional Design Lair of the Shadow Broker and Arrival: Designed Much of the Normandy SR2, Wrote Chawkas, Ken, Gabby and Kelly also, all the other non-companion NPCs on the Normandy, with some input from Lukas Kristjanson
Senior Level and Uncredited Writer Mass Effect 3, Level Designers on Leviathan, Additional Design Omega and Level Designers on Citadel: Designed Much of the Normandy SR2, Wrote Chakwas, Ken, Gabby, Kelly, and Steve Cortez. Also wrote the story for the scene at the end of the Citadel DLC and the script for Cortez's version.
Level Designers Dragon Age: Inquisition
Level Designers Mass Effect: Andromeda and Anthem left prior to the release of both games
Founder and Sole Member Dirty Sky Games, LLC June 2015 - October 2020: VR Game Developer
Rejoined Bioware in October 2020
Michael Tucker, Narrative Designer:
Filmmaking:
worked on Donkeys On: A Bus (Short Film)
Director, Writer and Editor (dik) (Short Film)
Director What It Can Be (dik) (Short Film)
Director, Writers, Cinematographer and Editor, Kaylie & Tristan - Film Noir (Short Film)
Editors SoundWorks Collection 2009 - 2011
Co-Founder Finite Fillms (Production Company
Cinematographer and First Assistant Director Another Way (Short Film)
Director McGuffin An Experimental Short Film About A Missing Turtle (Short Film)
worked on "Talk Show Host" on the Beach of Santa Cruz (Short Film)
worked on Facebook Friend Request (Short Film):
Director, Writer and Editor The Reunion of Amilia Marbleberry and Marcy Stills (Short Film)
Cinematographer, Associate Producer and Co-Editor Day 1000 (Short Film)
Director and Producers You Are Here (Short Film)
Producers The Kristy Corollary (Short Film)
Director, Writer and Producer Mistletoe (Short Film)
Cinematographer and Executive Producers Douche (Short Film)
Cinematographer, Writer story, Co-Scriptwriter, Producers Digital Effects, Special Effects and Sound Editors Stealing Time (Short Film)
Director, Co-Writer, Producers, Digital Effects and Co-Editor Defenseless (Short Film)
Producers, Editors and Sound Editors Forest Falls (Short Film)
Camera Operator The Sound of Transformers: Dark of the Moon (Documentary Short Film)
Producers and Additional Photography Occupational Hazards (Short Film)
Director, Writer, Producers, Additional Photography and Co-Editor Imperfect (Short Film)
Co-Director, Co-Writer, Producers, Additional Photography, Digital Effects, Special Effects, and Co-Editor Anamnesis (Short Film)
Director Workday (Short Film)
Producers Lovebound: Love Abounds (Short Film)
Director, Writer and Producers Status: Single (Short Film)
Sound Recordist Friend Zone: The Series on one episode (Web Series)
Director, Writers story, Scriptwriter, Editor, Sound Editing/Mixing, Visual Effects and an Actor playing himself in The Wedding Gift of Amuno Kensai (Surprise Video for Alex's Wedding!):
Co-Director, Co-Writer, Producers and Co-Editor Anamnesis (Webs Series)
Editors and Director of Motion Graphics Being George Clooney (Documentary)
Additional Graphics 30 for 30 on one episode (Documentary TV Series)
Co-Director, Producers, Editors, Digital Effects and Camera Operators At All Costs: Making an Esports Team (Documentary TV Movie)
Co-Producers and Camera Operators At All Costs: Making an Esports Team (Documentary/Reality TV Series): Editors on the original version of of the episodes
Co-Producers At All Costs (Documentary TV Movie)
Director Poltergeist by BANKS Spec Music Video (Unofficial)
Director Don't Start Now by Dua Lipa Spec Music Video (Unofficial)
Director BANKS — This is What it Feels Like (Unofficial) Music Video
Video Editors Magnit February 2022 - August 2023 prior to joining Bioware Youtube:
Finite Films Youtube Channel (No Longer Uploads)
His own personal Youtube Channel: Has posted 2 episodes of a podcast there in addition to videos of his films
Co-Creator Lessons from the Screenplay: Film, Television and Videogame storytelling analysis channel: Writing, Editing, Producing and Managing team and Host
Co-Creator Story Mode Videogame storytelling analysis channel: Writing, Editing, Producing and Managing team and Host/Hosts
Co-Creator Beyond the Screenplay: Film and Television podcast analysis channel: Editing, Producing and Managing team and Hosts
Hilary Heskett Hidey, Narrative Producer:
Co-Founder & CMO, Crabcat Industries (August 2010 - September 2012): A media production, event planning, and community development company. They partnered with developers and publishers on engagement and awareness strategies. The company served as an event consultant for BioWare/EA at San Diego Comic-Con 2011.
Community Consultant/Planner Bioware 2011 - 2013
North American Marketing Director and later Director, Global Marketing & Public Relations for Cint until October 2013
Global Product Marketing Manager at BioWare for Dragon Age: Inquisition, Inquisition Post Launch Content, and Andromeda until leaving in March 2016."
Sr. Brand Managers Bethesda Softworks April 2016 - May 2020, Sr. Brand Managers Starfield, Additional Contributions ZeniMax Media: Bethesda Softworks Marketing & Communications on Ghostwite Tokyo - Prelude: The Corrupted Case File, Ghostwire Tokyo and Hi-Fi Rush, also worked on The Elder Scrolls Online, The Elder Scrolls: Blades, The Elder Scrolls: Legends and The Evil Within 2.
Sr. Global Brand Manager Bioware/Electronic Arts Dragon Age and Mass Effect May 2020 - June 2021
Also Narrative Producer on Dreadwolf
Narrative Producer since June of 2021
Brenon Holmes, Producer:
Other QA and Additional Programming Baldur's Gate II: Shadows of Amn
Additional Programming MDK 2
Programmers Neverwinter Nights, also on the Shadows of Undrentide and Hordes of the Underdark Expansions: Ai scripting, Implementing DnD rules and Combat System
Additional Programming Star Wars: Knights of the Old Republic: Worked on scripting systems, Worked on combat system
Additional Programming Jade Empire: Worked on the save game System
Senior Programmer Mass Effect and Programmers on Bring Down the Sky: Worked on Ai systems
Unreleased Project
Programmers Dragon Age: Origins: Worked on prototypes, the appearance systems, player locomotion systems, and core animation systems. Created combat system features
Senior Programmer Mass Effect 2, Additional Design Overlord: Developed various gameplay systems
Gameplay Designers/Senior Designer Mass Effect 3, Additional Design Leviathan, Gameplay Designers Omega, Additional Design Citadel: Responsible for creative design of enemies, Direction for creatures concepts, also their animation and behaviours.
Additional Design Dragon Age: Inquisition
Gameplay Designers Mass Effect: Andromeda: Consultation, technical audits and reviews of designs
Lead Technical Designer and later Technical Design Director on Anthem: Responsible for creative design of enemies, Direction for creatures concepts, Managed creature/enemy design team
Technical Design Director Mass Effect: Legendary Edition
Former:
Amanda Klesko, Associate Producer until September 2022:
Freelance Graphic Design Services April 2010 - April 2014
Marketing Coordinator Dragon Age: Inquisition, also on Jaws of Hakkon and Trespasser
Business Development Specialist Mass Effect: Andromeda
Business Development Specialist Anthem
Business Development Specialist (Consumer Products) Mass Effect and Dragon Age Franchises until May 2019
Associate Producer (Entertainment & Publishing) Mass Effect: Legendary Edition
Associate Producer (Entertainment & Publishing) Dragon Age Franchise until October 2021
Associate Producer Mass Effect 5 September 2021 until September 2022 left to go join Humanoid Origin as an Associate Producer
Currently still at Humanoid Origin promoted to Narrative Producer
. They do also have several other long time Mass Effect developers like Patrick and Karin Weekes, David Falkner, and Matthew Rhodes
And yes they do still have several of the series' creators at the company.
They will also undoubtedly hire new talent, which, despite what many would think, is not a bad thing!

I used to adventure all of the time. I'd explore caves, ride motorcycles, go to waterfalls, meet new people, go on hikes all over the place, just ride around and explore what I could find. In 2023, I went through a lot of stress and trauma, and also just stopped taking care of myself. I didn't realize just how shape I had gotten, until I got smacked with a panic attack and also realized I was putting on weight when looking at myself in the mirror...
I want to get living again. I'm sitting here on a free Sunday afternoon. Old younger version of me would be on the dirt bike exploring a trail, or heading out to check out a cave.
I did used to be a bit reckless when I was younger, but I want to be safer now. I still want to adventure, but just take more mind to safety. I would over-do things when I was younger, now I'm a bit more wiser (I hope).
The problem is that as I've grown up and gotten out of shape it's lead to me becoming very scared. I am constantly afraid about whether or not I can handle XYZ adventure, even if it's a very light adventure. My sleep is fucked, I constantly wake up at 12pm or later and sleep 2-3am. I very struggle to make plans.
In many ways these problems (poor sleep & poor planning) is from my moderate success making money online. I can work anytime. anywhere. I don't need to be up at 8am... But I'd love to be up at 8am, not to "hustle" but to enjoy some nature activities.
I've been working out... Intensely. It's just depressing making progress but still being so far behind where I used to be. I want to cry just writing this out. A "hard" day these days is what an easy day was just a few years ago. And it's because of that that I'm scared to do any motorcycle ride or hike or any adventure, no matter how easy it is, because I know I'm not as strong as I was before physically.
I've also had mental trauma, and I'm seeing a therapist. Believe me, I'm attacking in many ways. Seeing an EMDR therapist to heal my mental trauma from last year, and working out intensely. I just need to fix my sleep and get in the habit of planning again and also get adventuring regularly again to show my brain that it's okay and that I don't need to be terrified (and also prove to myself that I'll "adventure responsibly" by using safety equipment and not overdo it, etc.).
I'm tired, and I think I'm addicted to YouTube, Reddit, Facebook, doomscrolling, staring at hot girls on IG, playing video games, etc, I just hate it. I feel like I can only think short-term and struggle planning, and I often feel like I'm in "withdrawal" when I'm not medicating with scrolling and whatnot. I think those things keep me up later at night, too.
I'd love to get out again. On a nice hike. Rock climbing. In a cave. Enjoying a waterfall. Cruising on a beautiful road early in the morning with little traffic.
What upsets me even more is that I definitely have the time and ability to do these things, it's just mainly my mental issues and bad sleep and bad planning holding me back. I have a huge list of adventures written out, I know what I want to do, I just have to get doing it more regularly.
Help, how can I get back on track?

I used to adventure all of the time. I'd explore caves, ride motorcycles, go to waterfalls, meet new people, go on hikes all over the place, just ride around and explore what I could find. In 2023, I went through a lot of stress and trauma, and also just stopped taking care of myself. I didn't realize just how shape I had gotten, until I got smacked with a panic attack and also realized I was putting on weight when looking at myself in the mirror...
I want to get living again. I'm sitting here on a free Sunday afternoon. Old younger version of me would be on the dirt bike exploring a trail, or heading out to check out a cave.
I did used to be a bit reckless when I was younger, but I want to be safer now. I still want to adventure, but just take more mind to safety. I would over-do things when I was younger, now I'm a bit more wiser (I hope).
The problem is that as I've grown up and gotten out of shape it's lead to me becoming very scared. I am constantly afraid about whether or not I can handle XYZ adventure, even if it's a very light adventure. My sleep is fucked, I constantly wake up at 12pm or later and sleep 2-3am. I very struggle to make plans.
In many ways these problems (poor sleep & poor planning) is from my moderate success making money online. I can work anytime. anywhere. I don't need to be up at 8am... But I'd love to be up at 8am, not to "hustle" but to enjoy some nature activities.
I've been working out... Intensely. It's just depressing making progress but still being so far behind where I used to be. I want to cry just writing this out. A "hard" day these days is what an easy day was just a few years ago. And it's because of that that I'm scared to do any motorcycle ride or hike or any adventure, no matter how easy it is, because I know I'm not as strong as I was before physically.
I've also had mental trauma, and I'm seeing a therapist. Believe me, I'm attacking in many ways. Seeing an EMDR therapist to heal my mental trauma from last year, and working out intensely. I just need to fix my sleep and get in the habit of planning again and also get adventuring regularly again to show my brain that it's okay and that I don't need to be terrified (and also prove to myself that I'll "adventure responsibly" by using safety equipment and not overdo it, etc.).
I'm tired, and I think I'm addicted to YouTube, Reddit, Facebook, doomscrolling, staring at hot girls on IG, playing video games, etc, I just hate it. I feel like I can only think short-term and struggle planning, and I often feel like I'm in "withdrawal" when I'm not medicating with scrolling and whatnot. I think those things keep me up later at night, too.
I'd love to get out again. On a nice hike. Rock climbing. In a cave. Enjoying a waterfall. Cruising on a beautiful road early in the morning with little traffic.
What upsets me even more is that I definitely have the time and ability to do these things, it's just mainly my mental issues and bad sleep and bad planning holding me back. I have a huge list of adventures written out, I know what I want to do, I just have to get doing it more regularly.
Help, how can I get back on track?

I used to adventure all of the time. I'd explore caves, ride motorcycles, go to waterfalls, meet new people, go on hikes all over the place, just ride around and explore what I could find. In 2023, I went through a lot of stress and trauma, and also just stopped taking care of myself. I didn't realize just how shape I had gotten, until I got smacked with a panic attack and also realized I was putting on weight when looking at myself in the mirror...
I want to get living again. I'm sitting here on a free Sunday afternoon. Old younger version of me would be on the dirt bike exploring a trail, or heading out to check out a cave.
I did used to be a bit reckless when I was younger, but I want to be safer now. I still want to adventure, but just take more mind to safety. I would over-do things when I was younger, now I'm a bit more wiser (I hope).
The problem is that as I've grown up and gotten out of shape it's lead to me becoming very scared. I am constantly afraid about whether or not I can handle XYZ adventure, even if it's a very light adventure. My sleep is fucked, I constantly wake up at 12pm or later and sleep 2-3am. I very struggle to make plans.
In many ways these problems (poor sleep & poor planning) is from my moderate success making money online. I can work anytime. anywhere. I don't need to be up at 8am... But I'd love to be up at 8am, not to "hustle" but to enjoy some nature activities.
I've been working out... Intensely. It's just depressing making progress but still being so far behind where I used to be. I want to cry just writing this out. A "hard" day these days is what an easy day was just a few years ago. And it's because of that that I'm scared to do any motorcycle ride or hike or any adventure, no matter how easy it is, because I know I'm not as strong as I was before physically.
I've also had mental trauma, and I'm seeing a therapist. Believe me, I'm attacking in many ways. Seeing an EMDR therapist to heal my mental trauma from last year, and working out intensely. I just need to fix my sleep and get in the habit of planning again and also get adventuring regularly again to show my brain that it's okay and that I don't need to be terrified (and also prove to myself that I'll "adventure responsibly" by using safety equipment and not overdo it, etc.).
I'm tired, and I think I'm addicted to YouTube, Reddit, Facebook, doomscrolling, staring at hot girls on IG, playing video games, etc, I just hate it. I feel like I can only think short-term and struggle planning, and I often feel like I'm in "withdrawal" when I'm not medicating with scrolling and whatnot. I think those things keep me up later at night, too.
I'd love to get out again. On a nice hike. Rock climbing. In a cave. Enjoying a waterfall. Cruising on a beautiful road early in the morning with little traffic.
What upsets me even more is that I definitely have the time and ability to do these things, it's just mainly my mental issues and bad sleep and bad planning holding me back. I have a huge list of adventures written out, I know what I want to do, I just have to get doing it more regularly.
Help, how can I get back on track?

Hi everyone,
I'm excited to share with you a project I've been passionately working on: Etymology: The Card Game. This game is designed for mid- to late teens and adults who love words and language. It features 300 cards divided into Latin, Greek, and Loanword categories and aims to make learning about the origins and meanings of words fun and interactive.
I recently created a prototype and would love your feedback and ideas on what to include. Your insights can help shape the final version of the game!
Here's how you can help:

1. Visit Our Facebook Page: Check out the prototype and see what we’ve got so far. https://www.facebook.com/profile.php?id=61560088701645
2. Share Your Ideas: What do you think would make the game better? Any roots, prefixes, suffixes, or loanwords you think should definitely be included?
3. Follow Our Page: If you’re interested in the game, please follow the Facebook page. Knowing the level of interest will help me determine how many sets to print.
4. Spread the Word: Share the page with friends or anyone you think might be interested in etymology or educational games.

A bit about me: I’m David Thomson from Scotland, and I’ve been channeling my energy into this game and writing children’s books as a way to stay positive and productive. Despite a challenging prognosis with glioblastoma multiforme, an aggressive brain cancer, I’m dedicated to bringing this game to life and sharing my love of words with others.
Thank you so much for your support and feedback. I look forward to hearing your thoughts and hopefully seeing you on the Facebook page!
Best regards, David Thomson

I work out of a branch with too much everything (the downtown site of a city with a lot of homeless, mental health, and drug abuse issues) a summary is here: https://www.reddit.com/Libraries/comments/1bho810/tales_from_a_downtown_library/
A new regular however has been the source of the topic recently.
an older man who is probably around 80 has been in at least twice a week for the last month, he's actually kind of hard to write out due to most of the interactions I know are short, frustrating, and mostly nonsense, but my first experience with him dose a decent job:
He comes to my basement-level reference area where I mostly am alone, requesting tech assistance and the use of a public computer, immediately there are some pretty interesting quirks some age-related like blatantly ignoring instructions, typing o's instead of #0, seemingly forgetting very common applications, swiping at the screen like it's an iPad and the other issue:
He's trying to get information from his bank account, the library has a strict policy that I agree with that once we are on the main page of the bank's website we do not go any further with them, I have nothing to do with login going through the site whatever is needed because it's a huge liability and none of our business.
He has no idea how online banking works and I think doesn't understand online accounts at all (despite having an email and Facebook that's been shown in later interactions) and thinks if you type name and card number into separate boxes it will magically give you all banking information including air miles what he wanted again I should not know this he announced to me and anyone in the room, so good forbid someone with malicious intent help him in a public branch well know to have issues.
another patron comes for my assistance and she's kind of intense as well, this is now already burning me out between the two, and when he's up here again hovering at the front nose practically pressed to the glass the only thing separating us in an obvious attempt to get the most attention and quickly (like I'm dealing with a toddler that doesn't want to wait until you finish a phone call) I am shorter than before stating there are other patron's I need to serve as well he is not first in line now, the response is very childish and rudder muttering under his breath for while I'm still working with her that her question isn't important and not worth the time., she's more patient after that defending your right to service will do that for some.
the same bs continues and we get nowhere because he literally can't get anywhere without another pretty much taking the mouse and doing it, to the shock of no one hes been scammed badly before, and get this won't call the bank to get information because they ask too Meany questions for personal information and cannot understand they are the one place that should.
I am over it and get my coworker so I dont scream, he's the one who runs Makerspace and is very techy and tries in vain to explain sometimes a different person with a slightly different way helps it dose not worse. I have had 2 tech issues experiences I've called someone else to handle or lose it on a patron the first took nearly 50 minutes this guy took 15.
hes has since been in several times and is worse in a way something is wrong mainly suspected dementia due to age and not making a lot of sense won't acknowledge people's suggestions and common interactions include "Why won't you help me" *what do you need* "the government is _________, school is _____ nonsensical mutter, social security ___________ nonsensical mutter, the 1960s are _______ nonsensical mutter"
until 4 days ago we did not even know he was bilingual until a page of paper to the glass (upstairs thankfully with 2 staff and more witnesses) and started demanding things in French had been band for the weekend for tone, building a case for a longer ban that has to be approved.

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