Penny Stocks & Small Caps:

• $GP announces the pricing of $2.3M underwritten public offering.
  
• 🚨Why did $SOFI fall despite stellar earnings results?
  
• $RACY could DELIST from Nasdaq due to non-compliance with filing Form 10-K.
  
• 🚨$NIO PARTNERS with its RIVAL $BYDDF to source batteries for the new AFFORDABLE EV brand Onvo, to compete with $TSLA Model Y.
  
• 10.46M FLOAT $IDR announces 80.6% INCREASE in gold production in Q1 2024, plans to construct a paste backfill plant!
  
• $GEL upsizes public offering of $700M in senior unsecured notes, closes May 9th.
  
• 🚨9.27M FLOAT $ARTNA announces 2% INCREASE in quarterly dividends
  

OTC Catalysts:

• $IQST reports $27M revenue in April ALONE, after recently reporting $50M for Q1 FY2024, which could surpass $250M by end of the year.
  
• 🚨$LPHM GOES PINK in the next few days!
  
• $HIRU THIS WEEK will release a CEO video, a press release, and answer questions about mining & gold processing, with the phone number provided.
  
• $NSAV LAUNCHES its new crypto token NSAVx, with AIRDROPS for token holders!
  

Market News:

• 9 Global Investment Banks in South Korea ILLEGALLY shorted $156 MILLION worth of stocks.
  
• 🚨U.S. Treasuries are now paying out $2 MILLION PER MINUTE.
  
• Robusta Coffee prices are TANKING after hitting all-time highs!
  

2017 Lincoln MKZ pulled a code for misfire in cylinder 2 and recommended coils and spark plugs. Took it to the mechanic and I only mentioned a misfire to them. Got a call that that they’ll need to replace spark plugs, fuel pump and coils. When my car was ready the receipt showed that warranty covered the fuel pump and they threw me the spark plug and coils for “free”. Seemed odd but I was just grateful I didn’t have to pay $2,200.
Less than a week later the engine light comes back on. Go to AutoZone and same codes come back, only this time my engine is overheating to the point the car is warning me. Next day I take it to the dealership and they say it’s a coolant intrusion and I’ll need a new engine for $9,400 that I don’t really have. This time Powertrain says I’m out of warranty (I got a new engine back in 2022). I asked the guy at the dealership if he thought the previous mechanic lied about the diagnosis and he said absolutely.
I’ve come to grips with me getting rid of the car. It was a graduation present to myself and I’ve enjoyed the time I’ve had with it. I have a year left to pay on it and I owe less than what the car is currently being sold for. I’m unsure on how to proceed and if the first mechanic I took it to is under any liability?
I appreciate any advice.

We surpassed 2k comments in last week's thread! That's a new record. \ud83d\ude32

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Keep preserving receipts (aka, screenshots) into the lying, body gains fabrication dedicated thread - easier to find in the future plus that thread doesn't get locked. Can't wait to see where the booty gains take us this week!
Just a reminder we have several dedicated off topic threads. The weekly main thread is ONLY for current events. As always, we welcome any DM's to ModMail with questions, comments, concerns--- this is located on the far right side, under the rules side bar.
Useful Links: Timeline of EventsLast weeks Thread Similarities Post Lying /Body Gains PostFlairs! Rules
Dedicated threads: Breanne Mike Karpenko RatPack Taylor McAllister Kat-21df Autumn Nicolette Anderson May Off topic thread

Need a bit of advice. I know no-one to ask, so here I am.
I'm looking to purchase a cheap used car as a bit of a runabout. Car will be used to run about town, and perhaps a trip to the city once every couple of weeks for work (80km return). Don't want to spend any more than around $7k. Needs to be auto.
I'm looking at a 2013 Hyundai Accent at the moment, high kms at 250k, owner says he has full service history until 200k, then regular services without any receipts. Needless to say, I'm sceptical. Would you trust this?
My searches are coming up with a multitude of shitty Cruzes and Captivas. I really don't know what I'm looking for. Essentially I want something reliable, that isn't too old (safety reasons). I know beggars can't be choosers, especially with my budget. I'm a little lost.
Will take any and all advice. Thanks in advance.

When someone is near-sighted, we give them glasses. When someone can’t walk, we give them a wheelchair. But when someone has trouble planning, we make ‘em try harder. At least, that’s what it felt like when I got diagnosed and started at the ADHD Treatment Center. After weeks of no progress with planning and organising tasks, my kind therapist kept encouraging me to try again, but I just kept walking into a wall. I couldn’t do it. At first I cried a lot, because after a lifetime of failing at things that seem simple for everyone else, it stung that I couldn’t even follow the therapy program specifically made for people with ADHD. But then it occurred to me: what if tech could replace some of the executive processes I struggle with, essentially outsourcing the task, giving me a piece of the brain ‘normal’ people have?
The relief when I got an auto-scheduling tool working for me… I can’t even describe it. I use a calendar now. Me! With an actual planning that’s automatically up-to-date the whole time. I know this wouldn’t be a big deal for anyone with normal executive functions, but I’ve never had this. I still felt like the stupidest kid in ADHD-class that I couldn’t do it the ‘normal’ way though, so I just said something offhand to my treatment coordinator at the Center, like: “Oh, by the way, the executive functioning coaching, I just couldn't do it, so I’m having AI do it for me now.” Waving a hand in the air, rolling my eyes at my own silly shortcomings, adopting this apologetic tone I often find myself using, basically saying; I’m sorry that I’m such an idiot I couldn’t even do X, Y or Z, and sorry to be cheating on your program, it’s me, not you, I’m just incapable of doing anything correctly. (Yeah, ADHD did a number on my self-esteem, which was one of my main reasons for seeking help.) To my horror, she told me she had a crying girl in her office recently who quit therapy because she, like me, ‘just couldn’t do it’. In fact, patients with ADHD regularly get so desperate that they give up.
Then I spoke to the psychologist giving the Cognitive Behavioral Therapy to ADHD-patients and she estimated roughly half of her patients genuinely can’t learn to plan by themselves. HALF! So I’m not some strange outlier at all. When I told her about auto-scheduling, her eyebrows shot up. “We’ve been teaching people to plan manually, but if what you’re saying exists… maybe we shouldn’t anymore.”
So here’s the thing. I want this information to be out there on the internet for people like me, because we need it the most. And because most of the information on relevant planning tools that I found was written by and for neurotypicals. Neurotypicals seemingly like holistic approaches and pretty apps, sitting down with matcha tea or coffee in the morning for 15 minutes to plan their day. Good for them, but that option is a non-starter for my ADHD-brain. After 4 months with dexamphetamine, I’ve also become a prescriber to the thought that ‘pills don't build skills’. I love my meds, they help so much with focus and they calm down my overactive chipmunk-like brain, but they’re not made of actual magic. Pills can’t give you an extra frontal lobe or a personality transplant. My executive skills are still weak or non-existent. Some of my issues are remarkably similar to people who experience brain damage after an accident, and when you think about it like a disability (like needing glasses, crutches or a hearing-aid) there’s only so much that ‘trying harder’ or ‘talking about how that makes you feel’ can realistically accomplish.
IN SHORT (TL;DR) Yes, auto-scheduling tools can take over the brain-process of planning and I believe this can be helpful for the ADHD-brains struggling with planning, task management and knowing where to start. Of all the tools out there for tasks and planning, I found only 5 that promised to take over for my brain and think for me, namely: Motion, Trevor, Atlas, Reclaim and Skedpal. I looked at all these apps, tested 4 of them, and found that my brain is currently only compatible with Reclaim. YMMV though; there are very good reviews from people with ADHD for Skedpal and Motion as well. I highly recommend auto-scheduling for people with ADHD who are spinning their wheels trying to learn how to plan.
MY HISTORY WITH PLANNING AND MY EXPERIENCE TESTING THE TOOLS To explain how AI bridges the gap between what my brain can and can’t do, I will describe the 4 steps of standardised executive functioning training that I received as part of my ADHD-treatment and what worked for me. There are huge differences in how ADHD manifests. Not everyone struggles to the same degree with the same things. Below, I’ll describe my history with planning, the trouble I ran into in my life and therapy and the upper limits of what my brain can manage. Getting a feel for my type of ADHD should help to determine in what sort of situations auto-scheduling can be helpful. If my story doesn’t spark recognition, some other tool might be a better fit.
Below the 4 therapy-steps, I describe my experience testing the 5 different tools and some of their specs/features. (Sorry, the first section is so long, skipping and scrolling down to the test-section is an option.)
Step 1: Pick a calendar and start using it. I felt a little uneasy when therapy started with this, because it reminded me of the first time I had to use a calendar in high school. I was almost 12 years old. The class-tutor handed out a bunch of papers with assignments from our teachers and told us to plan our homework in accordance with our schedule. Everybody grabbed their cute pocket diaries with pictures of ponies and cars, and started writing. Except for me. In the silent classroom, I tried to grasp what my classmates were doing, what they were looking at and how they all seemed to know what to write down, but I couldn’t figure it out. Eventually, I shoved the papers away and leaned back in my chair. The tutor looked up, surprised. “What are you doing? You need to plan your homework,” he told me. I shrugged and said: “I’ll just remember it.” He got angry, but I felt too embarrassed to admit that I was the only one who didn’t *understand* the assignment, especially with the whole class listening.
In the end, I never learned how to plan, forgot assignments, didn’t do the homework and was late a lot, which led to near-endless punishment for tardiness during my 6 years of high school. I cleaned the whole school more often than I can count and always thought that I would somehow get everything under control as I got older, but my last year was the worst by far. That year, a new ex-military headmaster digitised the system for recording lateness and ordered a crackdown. Teachers had to refuse entrance into the classroom if you were even a second late and if your school ID got scanned more than 5 minutes after the start of class, you were not allowed to enter anymore. The only scanner was attached to a computer all the way on the ground floor of the main building, so I always had to run there, find someone to operate and they had to start the system, which often led to time maxing out and me missing class. The first day of the crackdown, I got written up (well, scanned) SIX times. Dumbstruck, the headmaster asked how I’d managed to do it. Truthfully, I had no idea. I just spaced out a lot and was surprised every time the bell rang and everyone stormed out of the classroom. Everyone, except for me. I still had to figure out how to declutter my little desk, how to fit everything in my backpack again, where I needed to go after that, not walk off in the wrong direction, that sort of thing.
The new rules led to a sharp drop in my attendance, which turned out to be illegal. Without ever meaning to, I was suddenly violating compulsory education laws and the government threatened community service for me and financial sanctions for my parents. The headmaster often had me called away from classes later in the day as well so I could receive new punishments that steadily grew in severity and duration from hours, to days, to weeks, to months and eventually to more daytime hours than were still left in the school year.
This all made sense, because if you punish a kid enough, they’ll eventually learn how to plan, use a calendar, get more organised and be on time... right?
Wrong. I was missing so much class I was barely being taught anything anymore. Suddenly I found myself taking tests I never saw coming about subjects I never even heard about. I had to invent so many answers on the spot that one teacher started reading my 'hilarious' tests to his wife to make her laugh. My grades plummeted. I basically had to be on the school premises from dusk till dawn for all my detention-hours, even though I had to cycle to school for over 15 miles (and back) and had to work in the evenings. I stopped having breakfast, had no time for dinner before work, was always home late again and couldn’t sleep enough because I had to get up in the middle of the night to report for duty in the headmaster’s office long before sunrise. Somewhere in the meantime, I had to try and intercept the threatening letters from the government so I could hide them from my parents. Exhausted, I started daydreaming and messing up even more, which led to more threats, punishment, missed classes, forgotten assignments, bad grades, but no matter how hard I tried, I couldn’t seem to improve. Even though I desperately wanted to. It was a Catch-22 situation.
The pressure was absurd and it’s become a point of reference for me. If my brain had been capable of planning and getting organised, surely I would have learned then.
Instead, I was in serious danger of not graduating at all, after a while. By that point, I was running around half-dressed, cycling in a skirt with bare legs and wet hair in the middle of winter, always in a panic, pale, underfed, with dark circles under my eyes, until a couple of teachers seemed to decide that enough was enough. One by one, they defied the headmaster by pretending they couldn’t see me opening doors after the second bell and insisting my homework was suddenly always done (it wasn’t). I had an excellent memory, so the simple act of letting me stay in their classrooms during the lessons catapulted me to the top of those respective classes. I graduated, but only thanks to their mercy.
I had to keep showing up for punishment daily until I was excused a couple of weeks before the national final exams. Nobody ever seemed to question whether I was unorganised on purpose or if I *deserved* to be the kid who was punished more than anyone else in the school. It only seemed to confuse the obvious punks who were sometimes in detention with me for things like using graffiti on an outbuilding, sabotaging a teacher’s car or building a bomb in an empty can of Pringles to blow up a toilet. The boys asked skeptically what boring little me could possibly have done that was so bad and their questions made sense; I was this polite girl in a skirt who would never even attempt to stick chewing gum under a desk. But I didn’t know why or how everything went wrong all the time. Teachers had been punishing me ever since I was 5 when I regularly had to stand in the hallway outside the classroom for being late or loud, staying after school because my handwriting was supposedly bad on purpose, not trying hard enough to learn how to tie my shoes and failing, drifting off without finishing something, etc, etc.
When I went to college for my bachelor’s degree, I met the first person who realised I simply needed help. He also was a student and commented on my near-empty pocket diary; I’d only scribbled in the games and training sessions with the sports team I’d joined. He suddenly understood my repeated questions to the tune of ‘Wait, what assignment? A deadline? TOMORROW?!’ As the son of two psychologists, he connected my chronic lateness, the daydreaming, the clumsiness, the chaotic demeanour and the way I never seemed to stop moving with my bare dayplanner and he sat me down behind a computer to sign me up for Gmail and Google Calendar. He also introduced me to Wunderlist. He thought it would help with me losing and forgetting things all the time. It helped somewhat, especially when emails pertaining to events automatically started showing up in the Calendar. It was better than nothing, but it didn’t change my style of dumpster-fire-management to ‘plan’ my day. (Or, more accurately: have the day happen to me in a blur.) Students with ADHD in college also started diagnosing me (almost from across the room sometimes) and spontaneously offered their Ritalin. They were an awesome bunch. Unfortunately, methylphenidate made me fall asleep in the middle of the day, so I thought it was a dead end.
After college, I believe I was supposed to install and configure iCal for 2 separate professional jobs? I never got around to it. (The quality of my work was always good, so people thought it was odd, but nobody complained.)
Through the years, I started using Google Calendar more for birthdays, other recurring items, Facebook events, weddings, funerals and vacations. I tried to practise with appointments and reminders. This was a little hit and miss, especially because I still forgot to actually open Google Calendar and I also tended to not prepare for these happenings until the last minute. My husband, who met me when I was 25, attached his calendar to mine pretty soon in the relationship to help out, put things on my calendar and remind me of stuff. It didn't hurt that he has a top psychologist in his family, who noticed my ADHD without me even mentioning anything. Around the same time my husband heard an item on the radio about ADHD in women and called from the car yelling: “You have ADHD! You have all the symptoms! Everything! If you don’t have it, I’ll eat a hat. I’ll eat a store filled with hats.” I still didn't see the point of treatment then, but he’s been operating as if I were already diagnosed ever since. In the years that followed, two of my siblings got diagnosed before me.
So that's my natural level of executive functioning. Technically, I have a calendar, and a husband who helps me use it. Mission accomplished. (Not really though).
Step 2: Gather all your tasks in one place. So my therapist thought it was suboptimal for me to keep writing down tasks on my hand, in a few notebooks, in two separate bullet journals, on random pieces of papers lying around like envelopes and receipts, in Todoist, in Google Tasks and on post-its in many shades stuck everywhere. Go figure. She wanted me to pick 1 place. I glared at her. But the concept made sense.
It really happens too often that I lose a task because I throw away a piece of paper, a gust of wind blows an old post-it behind my desk or I accidentally use hand sanitizer dissolving the ink on my hand. That’s just too silly. And that's in addition to the issue that I forget tasks simply because it's in a notebook I haven't opened in two weeks.
So I picked Todoist, because I already use it to make sense of small shared projects and I like it. I put most of my tasks in there (it’s a lot). I also installed a large widget on my phone to quickly enter tasks in the inbox as soon as I think of them. It's been working pretty well.
Step 3: Add a simple 1-2-3 priority and deadlines to your tasks This is where I started to feel nauseous. I’ve never distinguished between tasks by different levels in priority. I only added an exclamation mark to a list every now and again, for tasks that needed to happen ASAP (so, last week).
To my surprise, and maybe thanks to the dexamphetamines I’ve been prescribed, it wasn’t as undoable as I thought. Turns out, Todoist has different colors for priorities (I vaguely noticed the feature before, but never used it). Grey for no priority, blue for Priority 3, orange for P2 and red for P1. The colors make sense to me. Gauging the priority of a task seems hard, but I can tell you what color a task is. I also know when a task has a real deadline and when one doesn’t. It took some effort and I struggled a bit with focus and decision fatigue, but I got it done and was quite proud of myself. Until step 4.
Step 4: Each morning, review the priorities you’ve assigned to your tasks, change priority levels, and plan your day and week accordingly. I had the biggest Error404. She wanted me to whatnow? I gave it a try. Stared at the list. Stared at the calendar. Went to get tea. Tried again. Got distracted for the rest of the day. Had to start over the next day because time had passed in which I’d officially planned to do something else. Spent half the day trying to ‘review the priority of tasks’ to plan, but got distracted by a related tasks that I thought I could knock off quickly, but it took much longer than I anticipated and I ended up not doing what I should have done that day. Gave up. Showed up empty handed at the ADHD Treatment Centre after one week.
The second week yielded essentially the same result. After the third week, I hadn’t even gotten around to giving it another go. My therapist was all encouraging words, reassuring me that setbacks were normal and that I just had to keep trying. But I already knew that this bar was too high. I felt resigned. I had such high hopes for ADHD-therapy and medication. I thought it would magically solve my problems and that somebody would finally tell me the secret to an organized life that had eluded me for all these years. Instead, the instructions were... very basic. And dexamphetamine did not enable me to sit down each day and just ‘review’ tasks and ‘plan’ my day and add ‘time blocks’. Like it’s easy, instead of a mind bendingly complicated puzzle that would consume a considerable amount of mental energy at the start of each day. (Which is how I know it’s never going to happen. I’ve learned that I need something simple enough that I can do it on my worst day.)
After 5 weeks without progress at the ADHD Treatment Centre, I mentioned that I sometimes use Goblin Tools to break down tasks. It helps me to figure out what has to be done, and it helps me get started. Goblin Tools was new for my therapist, so I heard myself explain it was just this website with AI that helps to break down tasks or figure out what to eat or how long something takes. I have it listed in my bookmarks bar in Google Chrome. When I left her office, I thought to myself that I needed a goblin ánd a pixy on my shoulder to tell me what to do. I stopped walking. What if pixies existed already as different AI tools?
Testing AI scheduling tools There are many organisational apps, some of which are very sleek and advanced, like Monday, Sunsama and Akiflow. However; they still require you to plan your day manually and that’s precisely the thing I struggle with. Which left me with Atlas AI, Trevor AI, Skedpal, Motion and Reclaim AI. (Purists will tell you that some of the software has as much to do with AI as the original Roller Coaster Tycoon, but for all intents and purposes, I’m going to refer to it as AI because that’s what we call it now even though it’s technically not artificial intelligence. Before ‘AI’ became a hype people would just refer to this as auto-scheduling or smart scheduling.)
Atlas AI This really is the most AI-rich of the selection. It looks promising for a lot more than schedule automation because its aim is to replace a real assistent, but it’s still in beta and I found that my ‘assistant’ didn’t always follow through. For instance, it can set timers, but it forgot to remind me when time was up, even though it said it would. It also planned only half of the appointments in Google Calendar that it said in black and white it would schedule. When I asked why this was the case, it replied that maybe it was my internet connection? Nice try, robot assistant who clearly learned everything from humans, including lying. Maybe next year or when it’s not in beta anymore I'll give it another go, but right now, I can’t afford for tasks and appointments to just disappear. (It’s also going to be quite expensive and geared towards business use, not personal organisation, so it was a long shot anyway.)
This left the 4 candidates more clearly dedicated to auto-scheduling my tasks on Google Calendar; Trevor AI, Skedpal, Motion App and Reclaim AI.
Trevor AI Trevor is the official ‘AI’ partner of Todoist, so it made sense to try this one, but I thought integration wasn’t that smooth. The ‘smart scheduling’ only happened after I accepted suggestions and that worked only for things I’d attached a date to. I often don’t add a solid deadline to tasks, so Trevor suggested that I buy a present for Fathers Day come June ASAP even though the task had no (=grey) priority attached and I did have much more pressing tasks at the time (this was back in april). I tried to get auto-scheduling to work, but found that I just had to drag tasks in myself to get what I wanted. I also couldn’t really figure out how it would automatically adjust my schedule after, you know, life happened, even though that’s listed as a feature. I got frustrated. Part of my tasks seemed to be missing. I actually tried twice and also removed Trevor twice.
If you prefer dragging tasks into a schedule yourself and only smart-schedule some items, or smart schedule by hand, this might be a decent option. But in that case, there are many other apps who assist with that, like Sunsama. A big part is also my brain. I couldn’t intuitively use Trevor and kept clicking on the wrong things, had to undo scheduling, that sort of thing. My biggest issue was that I couldn't get fully automated scheduling to work, but that could be my fault. It’s my impression Trever wasn’t originally meant to do that though, it’s more of a smart tool to help you see your tasks and your calendar side-by-side and decide what goes where, with some suggestions from Trevor.
Trevor is relatively affordable. You can use a basic version for free, or upgrade for smart features all the Pro-features for $3.99/mo or $36/year.
Skedpal Skedpal is reasonably (medium) priced software for smart scheduling with a wide array of options and great reviews. Project management is one of the extra attractive features. But I also noticed the interface looks a little bare bones and dated. The instruction videos are 5 years old and the blog was deserted 2 years ago. I found some old information on an app that made it seem like it wasn’t being updated? Skedpal is asking for 15 dollars a month or 10 dollars per month with a yearly subscription, which is decent, but not cheap. Ideally, you’d pick the yearly option in this case, but the idea of paying 120 dollars up front for a tool that might have been quietly abandoned or won’t receive updates anymore made me pause. If I’m going to invest money and the time to learn how to use a tool, I’d like to be able to trust that it’s going be around in the coming years. So I put Skedpal on my Plan B-pile.
However, I checked this today, to make sure, and noticed there were actually some recent tweets on X by Skedpal and also a message about beta-testing for Skedpal 3 last Januari. Skedpal is probably alive and well.I found various reviews for Skepal on social media, including from someone with ADHD, who said Skedpal worked better for them than Motion. This is saying something because there seems to be a consensus amongst reviewers that Motion is the best auto-scheduling tool on the market. It wasn’t for me though.
Motion AI After reading all the positive reviews about the high price tag that was deemed to be worth it (34 dollars a month, or $19 p/m when billed annually), my expectations were high as well. I really spent time trying to get Motion to work for me in the trial week, installing Zapier, importing tasks, getting several different apps integrated, but I found Motion to be annoyingly glitchy. I'm not the only one complaining about it either, so I'm pretty sure it wasn't my computer this time.
I ran into a particularly frustrating bug and I tried everything to solve it. I even changed the times in which tasks could be scheduled to free space to put something in, but it still wouldn’t schedule it and kept showing a ‘scheduling-conflict’ for no reason. I could solve all the other ‘scheduling conflicts’ easily enough, but this block of 2 hours just wouldn’t click into the free space for 2 hours and I couldn’t find out why. I spent hours and hours, watched videos in an effort to troubleshoot, some twice, kept asking the AI on the Motion website what could be the problem and I really, really couldn’t get it to work for me. (My frustration boiled over at one point; it wasn't pretty.)
The options on paper are amazing and endless. The task management feature is like Monday, with projects moving through stages, and it's automatized. Or you can star an important e-mail in Gmail, which can trigger Zapier to send it as a task to Motion, then Motion automatically puts it on your Calendar. (However, you could also add the e-mail to Google Tasks or Todiost via the buttons or plug-ins, and if those task managers are connected to any of the auto-scheduling tools listed here, the email would also show up on you Calendar.) It's enough to make anyone salivate.
Motion is not a match for my brain though, in part because of the bug, but it also felt a bit rigid. The system prefers that you put tasks straight into Motion directly, which makes sense and is possible, but auto-schedulers obviously require information on a task, like priority, how much time you estimate a task would take and a deadline. In Motion, a task without that information won’t be scheduled at all. But I know that I’m the kind of person who shoots a half-finished thought in the Todoist inbox without adding details until later (though I could forget) and I also don’t believe that every task needs those details (for instance, because it’s low priority and would roughly take me an hour, which should be default). I also couldn’t download/import tasks from Todoist and Google Tasks directly; only new ones or solo tasks came through with Zapier, and I spent a lot of time on that as well to get the prompts working. In the end, the tool was too hard for my brain to use and I also thought it wasn’t worth the high price point for me. However: the price is considerably lower for teams and that’s supposedly where Motion shines, also because of the project management with stages feature. I think it’s not originally geared towards personal use.
Reclaim AI I was flabbergasted that Reclaim immediately worked for me, I didn't think it was going to happen anymore. It hadn’t made the top of the list for me for several reasons. The look didn’t appeal to me much, the only app is a web-app and reviewers online consistently declared Motion the better app. I also read on the internet in older posts that people were missing certain functions that Motion had, like automatically re-scheduling tasks you haven’t marked as completed, or theming days for certain tasks, or how the program would prioritise longer tasks over urgent ones. So I'd written Reclaim off. But as soon as I tried Reclaim anyway, I stumbled across all the supposedly missing functions in the settings and instruction videos. Maybe the tool has been improved recently? Reclaim does still have an issue with recurring tasks from Todoist though. I didn't have those, so it wasn't an issue for me, but it probably is for a lot of people. Reclaim also leaves the big task management to other, existing apps and just plans everything. Motion and Skedpal do also incorporate project management within the tool. Reclaim seems to be geared a little more towards personal planning and also incorporating habits during the day, like taking a walk outside.
How visually attractive it is, is also easily adjusted (I’d assumed you were stuck with hip shades of purple), but it's actually irrelevant. I’m starting to feel like that’s almost the best thing about it. Reclaim is much more a tool doing the thinking for you in the background, unseen. I don’t really need to change my behaviour much. I’m still using my own task manager to braindump in and Reclaim schedules everything in Google Calendar. Because the connection goes both ways, I technically don't have to open Reclaim at all. I’ve taken to adding the estimated time a task will take in Todoist itself, but you can also do it in Reclaim or in Google Tasks if that's your task manager (Reclaim automatically sends you the shorthand when you connect Google Tasks). You can also change the default duration of tasks.
For the first time in my life, I have a fully planned schedule, exactly as I need it, in the time slots where I need it. Every day. Like a proper adult. I'm almost giddy. (Sure, I’m still severely underestimating how long tasks will take, but I can just add time or the machine will automatically reschedule it for me. I’ve set automatic rescheduling to after 1 day in the settings. Default is 3 days or only when time is added.)
I know what to do and when. I can stop worrying about that thing that I’m probably forgetting that I should really do first, because it’s all there in Google Calendar. And whenever I disagree with the planning, I can change the priority in Todoist/Google Tasks, go to Reclaim directly and drag the task to where I need it, or bump the task down the list showing the order decided by Reclaim. So that's pretty flexible. If tasks need more time to complete, I can just add time or click on the + button. When I add an appointment in Google Calendar, Reclaim automatically reschedules my whole calendar. When I add a task in ToDoist or Google Tasks, it’s automatically added to Google Calendar based on the priority and/or deadline I’ve added to the task.
When life happens and I only manage half the planned tasks that day (or much less), I used to have a brain-error and think ‘oh no, I did all that hard work making a planning for the week for nothing, EVERYTHING IS RUINED’. Seriously. But Reclaim just re-plans those tasks for the next day and shuffles everything else down the line. It’s just so nice to not have to think about it myself. To actually see tasks planned in time-frames, making visual what I could achieve that week (and what is definitely outside of the realm of possibilities because time is a limited resource, no matter what my brain says). Having a schedule that's always up to date makes using a calendar a lot easier.
I guess it was time, too. A long list of tasks never indicated anything to me anyway. Everything could be 5 minutes long or 10 hours long. Who knew? It felt abstract, even when I tried the Alastair Method in Bullet Journal. (Still my favourite way to do it manually on paper though, I just can't keep it up for more than 2 weeks.) Seeing all the tasks scheduled gives me more of a feeling of urgency that a static list doesn't. So not only do I know where to get started, on what and when, I actually get more done because I don’t wake up thinking ‘ooooh, another saturday… nothing planned… let’s learn to make homemade blocks of soap even though I still have 10 bottles of shower gel left!’
You can use Reclaim for free, surprisingly. I think it’s currently the only one on this list that auto-schedules for free. Free use is possible with a few basic apps like Google Calendar and Google Tasks, which makes auto-scheduling accessible for students with ADHD as well. Use with more specialised apps, including Zapier and Todoist, or extra scheduling links (for booking online meetings with clients, for instance) require a subscription starting at $10 a month or $8 when billed yearly.
I went back to my therapist and could tell her I made progress in a way I didn’t think possible. So if this is you, don’t give up hope yet and hold off on quitting therapy. See if there is a tool for you out there and how far it takes you.
Any auto-scheduling tool will definitely have a learning curve for most people, and you do need to look at the settings to determine what you want the program to do. It will cost time to set up, so it's smart to get a feel whether or not a tool would work for you, if you'd be able to add a level of priority or deadline to tasks at some point and what you'd need the tool to do. But there are plenty of tutorials on the internet, both long and short to help you get started. Goblin Tools is also free and nice to use for breaking down tasks to help get started some more (I’ll just put the links in a comment below). I hope that tools like these will continue to develop, so people who struggle with executive functioning can really lean on them. Just like glasses, a hearing aid or crutches.
I hope this helps someone out there. Thanks for reading this insane amount of text.
P.S. For simple recurring daily routines, I like the app Tiimo and a smart watch. But that’s a different story. :)

We had to force him to move out on the first because he didn’t even start packing and he asked if he could leave stuff until his next day off. He left the room trashed and filled with rotten old food.

[Note to mods: I am SO SORRY to break the rules, but my comments are too formatting-heavy - Reddit keeps giving me error messages when I try to post them, splitting the length changes nothing, and the formatting (embedded links, etc) DOES NOT carry over when I copy-paste and try again. I've been at it for an hour. I decided to just make a separate post before I lose my mind - hope that's alright.]
(Continued from Part 4.1.(https://www.reddit.com/HobbyDrama/comments/1ckor6b/musicbook_emilie_autumns_asylum_pt_4_the_great/))

“MIXED MEDIA AND ACRYLIC PAINT ON CANVAS”

You're so easy to read But the book is boring me (“Misery Loves Company”, 2006 🎵)

It is June 2023. An alert pings on your Instagram. Butter my muffins – your problematic teenage fave just posted! What has she been up to?
It's been almost a full year since EA's last communiqué. She was going to do an AMA on her new blog, Stark Raving Sane. Fans would submit their burning questions, and she would select twenty of them to answer in her next post. You could fill out a form with your name and email and question. Clearly, she didn't like some of the questions.
(Since then, the one interesting that's happened in the Asylum was when EA was listed as the opening act for one single Maroon 5 show in the Netherlands 📝, but that turned out to be – most likely – a Spotify glitch.)
You tap the notification to check out EA's comeback post. The caption reads:

Introducing 'My Heart Is A Weapon Of War,' and I painted her and I love her. Medium: Mixed media - digital (Procreate, Maya 3D Sculpting) and acrylic paint on canvas.” 🪞📝

The art style is yassified-oil-portrait-realistic, unlike anything EA has ever drawn or painted before.🪞 It's a pastel-colored portrait of a button-nosed, elven-faced woman shaped like a Rococo centerpiece. She's got an ethereal smile, a sheer pink heart on her cheek, flowers in her towering hair, and rockin' anime titties. The gold lamé of her skin-tight top blends with her actual skin at the neck, and her arms are non-existent.
You rub your eyes. This surely isn't... no. She can't possibly be serious.People in the comments are trying to be diplomatic:

EA, I've always loved and defended you, but this is clearly AI.

EA does not respond to the diplomatic people in the comments. Instead, she posts another portrait of a diaphanous woman with a cheek-heart and a weirdly levitating necklace. In another post:

Oh, if anyone is curious about my general process, I'm happy to share, as I'd love to see other artists try it. It is thus: I start in Procreate with an Apple pencil, move over to Maya/Zbrush and do some 3D sculpting and lighting to flesh things out and create otherworldly elements in incredible detail, go back to Procreate and... 📝

Commenters are now having mostly civilized back-and-forths over the ethical implications of AI. Many hope EA is reading, wondering if she is aware of those issues. Many say everything would probably be fine if EA would just admit to using AI.
EA admits to nothing and apologizes to no one. No: EA posts more art, in a slightly different, less generic style, that still looks nothing like her own. “Digital painting”, she maintains. Many are imploring EA to please end this charade and stop insulting her fans' intelligence. But then again, some fans are defending her (“She literally just explained that it was digital painting!”), so maybe she's right to do it...?
EA posts a picture of a “buried treasure” that she just randomly chanced upon – a pencil drawing from her teens, once posted on her website in the early 2000s. (It's the one I linked to earlier – the one with the “EAF” signature, and the false age, and the fire reference. Yes, this is the context in which she was posting that.) She's posting it, à propos nothing, because she literally just noticed that she still draws eyebrows the exact same way to this day! In fact, you can clearly, definitely, unmistakably see a very similar eyebrow shape in her most recent art! See?
People are gobsmacked, and dragging her to filth. Desperate loyalists are gently pressing EA to please just post a Procreate timelapse of one of her new “digital paintings”, so that people will stop calling her a fraud.
EA is happy to oblige, and posts a mini-timelapse 📺📝 of what looks like color splotches and blurs being removed from the top layer of a finished piece with the eraser tool.

I'm shriveling with second-hand embarrassment on her behalf. How is she not mortified...? 🐀

EA keeps posting. More generic AI girlies with pale skin and sad eyes, more abstract sploshes that she calls her “morning pages”, but also more Asylum member-berries (“...the original Unlaced violin part... someone please learn this!” 📝) – and more of the massive, medical-themed mixed-media sculptures that she started making the year before, even presenting a few pieces at Art Basel 2022. The difference in style is obvious to everyone but her.
She ignores the peasants screeching about AI, won't even deign address the existence of such a thing; it's all EA, OK? OK. She makes it look easy, because it is to her:

4 hours start to finish in Procreate only with Apple pencil. Did you know that [the art for a card deck she released in 2019] was the first thing I drew on an iPad, because I was recovering from a disastrous TMJ jaw surgery and my face was bandaged and I couldn't get out of bed? I didn't either until just now. 📝

...Because... because you just made it up...??
People are going full tinfoil hat now – she has to be doing this on purpose, right? She just has to.

I can’t help but find it extremely suspicious that she came back after a year of inactivity just to drop the very obviously AI-generated art pieces, refuse to forwardly acknowledge the controversy, and then immediately move on to posting a bunch of artwork that is very clearly hers. A part of me is genuinely convinced that this is some sort of publicity stunt... 🐀

What other explanation could there be to this madness?
Not everyone loves the modern art sculptures, but those are definitely her work. Some of them really have The Vibe. About a piece entitled “Manic Phase” 📺📝:

This is (...) a blueprint of brain activity during a very... interesting period. Just one of many over several years, until a very particular combination of chemicals conspired to bury them just below the surface (...) Every single day, right now, I am afraid of going back there.

Hoop, there it is. Girl... you just spent days covering every inch of a canvas the size of a patio table with spirals of text from your decade-old journals written in minuscule all-caps, after a disastrous three-week bender of trying to pass off obvious AI art as your own. Is it perhaps possible that you may be “there” already...?
The more art EA posts, the angrier people get, and the harder she doubles down. Some AI pieces are accompanied by lengthy blog posts where she elaborates on their meanings. Mostly old Asylum talking points and metaphysical ramblings (that, in some cases, only seem loosely related to the art), but also some concerning news... and another spoonful of denial for the road:

Biscuits has no tits and neither do I at present. I’ve lost them, along with my arse, and most of my muscle mass, because that’s what happens when you’ve got an auto-immune issue and it hurts to eat because your body is attacking itself. (I never say auto-immune “disease” because it’s an ugly brown and I don’t like the way the “s” that is really a “z” feels in my mouth, and it also sounds unnecessarily dramatic and that embarrasses me). I prefer not to talk about this. With anyone. I will fix it. I am fixing it. And I will be able to sing and dance. And that is all.” (“Biscuits” - Blog entry 📝)

...Well shit.
Despite her track record and the context of this disclosure, not many fans accuse EA of malingering (well, okay, some are really pissed and they do 🐀). An auto-immune disease does line up with things she has mentioned in passing for years (bad blood-works, diet restrictions, hospital visits...) – and she did look so thin in those Art Basel pictures that some people accused her covertly creating thinspo.
In light of this, some fans choose to cut EA some slack, or at least temper their disappointment with earnest sympathy and concern, as she is clearly struggling in more ways than one, and has been for some time. Others are less forgiving, pointing out that it's pretty manipulative of her to pull out the chronic illness card in the midst of the ongoing AI controversy. Everyone, everywhere, is shaking their head in sadness and disbelief.
And by everyone, I do mean a few dozen people tops. It's pretty echo-y in the Asylum halls these days.
This goes on for two months, into August 2023. The AI art drops eventually stop, but the controversy does not. EA soon restricts the comments on her Instagram. For two weeks, she shares more artworks made from old lyrics 📝 and partially melted medical supplies. Using a syringe, she glues a bazillion crystals onto a pink hospital gown. Then, one day, mid-project, she stops posting.
And as of this writing, that was the last we heard of singer-songwriter, author, actor, visual artist, and world-class violinist Emilie Autumn.

AFTERMATH

Other than broken hearts, bad health, and dwindling career prospects...?
I mean, what usually happens when a semi-obscure solo artist tells tall(ish) tales about... mainly their age and name? It took me three write-ups to explain why EA's absurd but ultimately harmless lies are relevant to anyone on Earth at all. TMZ is not interested.
Because most of EA's fabrications were so self-contained and irrelevant to anyone but her fans, most of the “consequences” remained strictly internal to the fandom. They never (as far as I'm aware) affected her interactions with the press, for instance.
In fact, there was a weird overlap between 2011 and 2014 when she still got a fair amount of new and positive media coverage, but it had become common and accepted knowledge within the active fanbase that she made stuff up. And no one beyond the walls of the Asylum cared, because why would they? Overall, EA is great at interviews: she's charming, funny, and gives amazing soundbites. Sympathetic outsiders were happy to print whatever wondrous things the dazzling lady had to say – about her connection to Alice Liddell, her artistic process, her larger-than-life projects, whatever – without much critical distance. She wasn't famous enough to fact-check or call out, and her creative license with truth made for exciting interviews. It was a frustrating time to be a grumpy EA fan!
Since the press was in on it, and the Asylum forum was strictly under EA's thumb, bitter Plague Rats took their whistleblowing elsewhere. Unofficial forums opened in the name of free speech; anonymous confessions, receipts, and snarky meme blogs started blowing up on Tumblr. But that wasn't public enough for some fans, who felt that EA should be shamed and exposed, lest anyone else “fall for her lies” like they had. So eventually, among other things, they took to Goodreads.
During the never-ending delay of the Asylum audiobook (okay, it was two years; but it felt really long) there was a noticeable influx of one-star reviews, some of which barely addressed the book at all, but went into great detail about the lies and crimes (and personal info) of its dastardly author. I don't have solid receipts for these, there aren't any screenshots – possibly because most of those reviews, while they were ad hominem attacks more than book critiques, weren't quite abusive enough 🐀 to go against Goodreads TOS. But things did escalate enough that Anne Rice felt the need to step in.
In 2015, the author of “Interview with a Vampire” – who takes cyber-bullying against novelists rather seriously... no matter what kind of novels they write 🔍 – shared someone's Facebook post 📝 about the “conspicuous, blatant personal attacks” targeted at author Emilie Autumn, along with a direct link to one such egregious review.
And that, my friends, is how EA's Goodreads page was durably purged of the really pissed-off comments, and TAFWVG's rating stabilized at a cozy 4-star-something. A bunch of indignant Anne Rice fans (or should I say, fangs? (no)) swooped in to mass-report the Asylum's most virulent escapees 🐀, while loyal Plague Rats flocked in with the 5-star reviews. Truly a bizarre week in the greater goth community.
As far as her fabrications go, that's about as intense as “open” fan retaliation against EA ever got. But it is sadly clear that ten years of successive call-out waves from her own supporters (and the mental gymnastics it must have taken to shut them out and not admit to anything, ever) have taken a toll on her general well-being, to a point where she no longer feels safe online... and seemingly can't engage with her audience, at all, in a healthy and honest way.

Slander and dissension They're parlor games to me Papers overrun with lies too mad to mention You say they never hurt you? No consequence, I'm happy We're much too far above it all – But oh no, that's not true! These wicked pastimes take their toll These tyrant vices break your soul Deliver me from all I am And all I never want to be I love you, doubt me not Re-write this plot for all to see (“Willow”, 2004 🎵)

As you can surely guess, it takes more than a handful of unsavory book reviews and anonymous call-out blogs to kill a fandom (and an artist's fighting spirit). In truth, I don't think that many people turned their backs on EA solely for her fabrications; a lot of fans were just low-key annoyed by them for years, and then it was something else that finally broke the camel's back.
There were so many something-else's to choose from.See, while EA's phony stories were an unending source of frustration, they were a mere backdrop to the years of actual, hands-on, ever-evolving drama that eventually brought the Asylum down.
And that's where we're headed in our final installments. Hope to see you there.

🫖 Welcome back to the Asylum write-up. This is where you live now. Part 1 Part 2 Part 3
In this installment, we finally take a closer look at how Emilie Autumn's hyper-loyal fanbase gradually started losing faith in her as, among other things, it became more and more apparent that she... wasn't exactly a reliable narrator – in her semi-autobiographical book, or in general.

HOW IT STARTED: A WOMAN OF MYSTERY

Willow, weep for me Don't think I don't see This life I'm living in two But still it's something I must do I'm not unique in this Nor am I special, sweet, or kind I court a thousand smiles Yet I keep my own to hide behind (“Willow”, 2004 🎵)

I've previously referred to EA as an “expert vagueposter”, and this is relevant here.
For an artist who built her brand on a pledge of raw, rats-and-all honesty, EA has always been quite guarded about the specifics of her personal life. (Until her current partner, for instance, she always danced around calling anyone a boyfriend, even when the nature of the relationship was pretty obvious.) Her whole angle is telling “the truth”, but through whimsical fantasy. As early as the fairy-themed Enchant era, she had her own world, her own vernacular; she spoke in metaphors, in-jokes, and quirky anachronisms. Taxis were carriages, her electric keyboard was a harpsichord, she always capitalized Time and Art like Shakespeare does. On the Asylum forum, automatic word filters would change “fan” to “muffin”, “fairy” to “faerie”, “bra” to “teacup holder”, and “responsibility” to “ratsponsibility”.
She's a chatterbox who loves to share memories and funny anecdotes, but she usually keeps them short and sweet, Snapple-facts style. 📝 She's great at painting by touches in her storytelling, revealing just enough to let your imagination auto-complete the rest. 🔍 Even the most banal tidbits are very artfully told, very “on brand”, often dense with symbolism and foreshadowing – but also very abstracted.
She is especially elusive when it comes to her background and formative years. See the way she catches herself in this interview 📺📝 while describing her “favorite scar”, which is from an eel bite: “My – well, someone I knew... [gasp-laugh] had it as a pet, and...” (She was about to say “my sister”.)
In short, the way EA talks about her life is often very personal, but not all that candid – and sounds more like it's meant to provide a curated, coherent backstory for Emilie Autumn the character, rather than Emilie Autumn the person.

I'll tell the truth, all my songs Are pretty much the fucking same I'm not a fairy but I need More than this life, so I became This creature representing more to you Than just another girl... (“Swallow”, 2006 🎵)

In the beginning, this guardedness naturally contributed to the mystique. It made it all the more special when, once in a while, she would briefly drop the theatrics to share something earnest and relatively unfiltered. Like this composed, but vulnerable post from 2004 📝 about her father losing his battle to cancer, and her attempts at closure over their tense relationship. Or this 2012 anti-bullying campaign thing 📺 in which she opens up about being a target of intense physical bullying in elementary school, to a point that contributed to her being homeschooled at 9.
Fans in the early years were curious about her backstory, of course – but not too prodding or invasive, to my knowledge. I think there was an understanding that EA, like many performers, wanted to come across as human and approachable, while still cultivating an “aura” and retaining some privacy. But obviously, when she announced that she was writing a Tell-All Memoir in 2007, everyone was dying to read it. TEA TIME!

HOW IT'S GOING: A WOMAN OF... MALARKEY???

LIAR! LIAR! LIAR! LIAR! LIAR! LIAR! LIAR! LIAR! LIAR! LIAR! LIAR! LIAR! LIAR! LIAR! LIAR! LIAR! (“Liar”, 2006 🎵)

As we've learned, the original 2009 release of EA's book was highly anticipated, but somewhat tainted by a bunch of shipping delays and unfulfilled promises. From the start of her career, EA had always cultivated a close parasocial involvement with her audience; many fans had as deep an attachment to her, personally, as they did to her art. So, for instance, when EA tweeted about all the personal dedications she was lovingly writing in overdue books, only for the books to arrive many months later and unsigned with no tangible explanation, it wasn't simply frustrating: it was betrayal amongst kin!
Really, it wasn't so much about fans not getting what they paid for – it was about the lack of clear communication or genuine accountability. This is pure speculation on my part, but the poppycock that EA tweeted about signing the books strikes me as the panic-lie of someone who hadn't realized just how many heartfelt, personalized dedications she would actually have to write when she came home from tour. And then she just couldn't do it, because she was overworked, paralyzed, distracted, depressed, procrastinating, whatever. Which... you know... is unfortunate, but probably not unforgivable. Especially for a touring performer who is open and vocal about their mental health issues.
I'm confident that most fans would have been happy to tell her that her well-being meant more to them than an autograph, or something along those lines. Instead, EA's cagey and avoidant demeanor around this issue left fans very salty – and newly suspicious of their favorite artist's word.
Which was regrettable timing for EA, because they had just received their copies of her memoir.
Here's a cursory look at some key biographical points that didn't hold up to scrutiny when more and more vexed fans, over the years, started looking into them.
Content warning until end of post: family estrangement, death by fire, worsening physical health issues, mention of disordered eating / weight loss / thinspiration, and LIES! LIES! LIIIIIES!

“EMILIE AUTUMN LIDDELL (BORN SEPTEMBER 22, 1979) IS AN AMERICAN SINGER-SONGWRITER...” (Wikipedia)

Every fandom has its Holy Grail. Because a number of EA's early releases were limited pressings put out through now-defunct record labels, the EA fandom in its heyday was a collector's wonderland. 📝🦠 At the height of her popularity, the original Enchant jewelcase (the one with the puzzle-poster) could easily fetch around $500 dollars on eBay, unsigned. The handwritten lyrics of an Opheliac B-side went for $940 in 2009. Don't even ask me about the hard copies of her two poetry books: those never even popped up over the five or six years that I had various alerts set up for all EA-related listings.
But the true crown jewel of EA rarities is the untitled promo version of her (also virtually unfindable) 2001 instrumental debut On a Day... No one knows how many copies exist. The darn thing is so rare that it's not even listed on Discogs. For a while, the only picture of the elusive “Violin” promo CD that was circulated online was this one.🪞 Go ahead, click the link. Notice anything odd? That black box where one composer's birth year should be?
I'm not sure why the notorious hyper-fan who originally shared this picture on the forum in the early 2010s took it upon himself to censor it before posting. I wasn't able to pinpoint when or why people started questioning EA's age, but clearly, something had already transpired to let him know that not redacting said birth year might, uh... cause an upset. In any case: at some point, people started digging – and eventually, the unredacted version of the “Violin” tracklist (as well as public records and literal receipts from eBay auctions) would be brandished as one more piece of damning evidence that EA was indeed (gasp!) two years older than she claimed to be.
“Okay, and?” you shrug. “What's the big deal?” I'm shrugging too! What can I say? People don't like realizing they've been fooled, even about something stupid. I will note that EA's fall equinox birthday (hence her middle name “Autumn”, yes) had been somewhat significant in the fandom. Over the years, EA's birthdays had been marked by online release parties, Q&A's, community events, special merch sales... A number of fans liked donning her trademark cheek heart on September 22. It felt a bit uncanny to realize that she had been announcing a false age on those occasions. It wasn't “a big deal” so much as it was incredibly odd.
Other than being appalled that Self-Proclaimed Staunch Feminist EA would give in to the cult of youth and not cop up to her real age, many fans were just plain bewildered: who would commit so stubbornly to such an inconsequential lie? What was even the point of lying by two years only? Why did she think anyone would care that she was 28 rather than 26 when Opheliac came out? What was she possibly getting out of this...??
My completely speculative theory is that, whether it was her idea or her then-manager's, the lie originated as a marketing strategy early on in her career. The “Violin” demo was recorded in 1997, when EA was 19-going-on-20. Per the liner notes of On a Day... 📝, which came out when she was 22, the demo's purpose was to be “a sort of calling card in the classical music industry”. Evidently, that didn't work out; EA claims, in the same paragraph, to have walked out on a classical recording deal at 18 because they wouldn't give her enough creative control.
Talented and unique as she was, she was trying to break out in a notoriously elitist and innovation-resistant milieu – and unlike her, most of the 22-year-old classical violinists she was in competition with had actually graduated from their prestigious music schools. But you know what sells better than an ambitious college dropout in her early twenties? Tweaking the truth just so to market yourself as an unconventional wunderkind, barely out of her teens! Any rendition of a complex, learnèd musical piece sounds more intriguing and impressive if you think it was played by an especially young (and beautiful) person. 20 was plausible, close enough to her real age, barely a lie at all, and such a nice, round number for a debut album.
Notice how much of the On a Day... liner notes, linked above, center on her precociousness, her uniqueness, and her savant-like dedication to her craft – a focus that seems absent from the promo version (from what I can decipher in those potato-quality pictures, anyway). These talking points would provide the basis for a lot of her early self-promotion and budding stage persona in the Enchant years. Even though the EP failed to make EA a household name in the classical world, the wunderkind narrative was her “in” to grab the attention and heart of a broader audience.
And I guess she's been running with it ever since.

“MY ANCESTRY IS POSITIVELY LITTERED WITH LUNATICS AND GIRLS WHO FALL DOWN RABBIT HOLES ... MY NAME IS EMILIE AUTUMN LIDDELL. YES, THAT LIDDELL.”

Oh, come on. Much as a fan may want to believe, isn't that a little on the nose? The anglophile with an obsession for tea, clocks, and madness... is literally related to Alice in Wonderland? 🔍 Curiouser and curiouser indeed.
EA came out as Emilie Autumn Liddell in The Book – of course – in a passage where she describes an interaction with a nurse. 📝 Note how she stresses the authenticity of her name, and how not-chosen it is (and the Alice connection, which just comes up organically) by disclosing it in a scene where she's filling out paperwork.
I'm pointing this out, because it would be tempting to allow room for creative license (and the slightest cringe) in a work of creative fiction based on personal experience. Buuut... TAFWG was not marketed as fiction. The main narrative in TAFWG, according to EA, is an actual fac-simile of the journals she kept during a harrowing stay at a Los Angeles psychiatric hospital following a suicide attempt. This is something that EA has stressed from the inception of the book (and throughout all subsequents re-issues, even as the main narrative was altered and reworked), even claiming that a legal team had advised her to redact some names to avoid potential lawsuits. So, no, she's not doing a bit there.
When, after it made the rounds a few times, it became apparent that the claim didn't really make sense 📝🔍, reactions were mixed. Some older, diplomatic fans downplayed it as a somewhat embarrassing, but harmless self-mythologizing – similar in nature to her insistence on calling her electric keyboard a “harpsichord”. Devout EA apologists (commonly referred to as “bootlickers” in an increasingly polarized fandom – oh, don't worry, we're getting to that!) invoked the “life as performance art” defense: when she said it was literally her first name, she meant it metaphorically, duh! And either way, she probably had her reasons.
But others took offense at the boldness of the lie, or simply became curious. Was Liddell even her name at all?
If you've checked the link just above, you already know the answer. Per the public California birth log (a somewhat demented invasion of privacy that could well have been avoided by... not repeatedly drawing attention to a name that someone in the book calls “right out of a movie”?) : yes, no, kind of.
EA was born Emily Autumn Fischkopf* on September 22, 1977. The name came from her father, a first-generation immigrant from Germany. Her maternal grandmother's maiden name was Liddell (but no, not that Liddell, or so remotely that it doesn't matter). EA may have had it legally changed at some point in the last decade, but as of 2012, based on the public log of foreign visitors to Brazil (where she toured that year), her passport still bore the name “Emily Autumn Fischkopf”.
*No, EA's birth name is not literally “Fischkopf”. It's a non-silly German name that begins with an F. I know that it's ridiculous to clutch my pearls about EA's peace of mind now, but triggering new and disquieting Google alerts for a name she clearly wants nothing to do with (and that you don't care about) just feels... distasteful? I don't know. That info has been floating around long enough, the point has been made; this write-up is not about EA's last name, but about the fiends we made along the way! So Fischkopf it is.
Let's track the evolution here! It appears that she went by “Autumn Fischkopf” for at least part of her formative years, if we are to believe the credits from Mark Ruffalo's middling film debut 📺 (she was the child actor's violin-playing body double) and this random article about a Nigel Kennedy performance in 1997. 🔍 (That last link – possibly her first ever mention in the press? – is a niche favorite of mine. Violin superstar Nigel Kennedy calls her a “talented fiddler”, which suggests that she did have some cred and promise in the classical milieu at a young age, and that there is at least some truth to her claims of being a wunderkind. It also cracks me up that, out of all the things she's reiterated over the years, “I was born in '79” was a lie, but “I was attacked by a pet eel” was fact-checked by Nigel Kennedy.)
At some point in her late teens, she dropped the Teutonic surname and adopted the French ending of her given name (she made it a “LIE”! how poetic) to form the moniker “Emilie Autumn”. I assume that's also when she started privately going by Emilie / EA for short.
So there you have it. The damning evidence. A performing artist... changed her name. To her grandmother's name. Riveting stuff!
And to think that her fans could have carried on naively believing “Autumn” was her last name, or assuming it was a romantic nom de scène she picked during her Ren Fair phase. Or perhaps, even, not thinking much about her name at all, like normal people.
But nooo, she just had to poke the hornet's nest by making a whole thing out of it.

“MY ENTIRE FAMILY DIED IN A FIRE.”

If you've never encountered a method-acting con artist or a person who struggles with pathological lying (I'll let you decide for yourself which of these, if either, applies to EA), you probably believe that you'd spot them a mile away. And in my experience, that's exactly why you wouldn't! Whether it's compulsion or calculated strategy, successful fibbers rely on people's natural social cues (like their assumption of good faith, their confirmation bias, their empathy, their desire for validation, their fear of awkwardness, ...) to subtly direct the flow and tone of the conversation. This allows them to short-circuit potential questioning of their claims.
One such strategy, for instance, I call the “I-will-not-further-speak-about-the-incident maneuver”. Out of the blue, you drop a graphic and incisive one-liner about something horrific that happened to you, in a curt or flippant tone that throws the listener off and usually shuts them up – thus sparing you from having to back up your claim with any convincing specifics. I'm not saying that every person who does this is a liar. Horrific stuff does happen to people, and I'm not here to police how they're supposed to disclose it. I'm just saying that if you wanted to fabricate an obvious Tragic Backstory™ and smuggle it past otherwise rational, discerning and reasonably intelligent people, that would be one way to do it. Full disclosure: it does work better in person than it does over the internet, especially when you've kept a blog.
When EA curtly dropped this bomb on Twitter (in response to an innocuous fan question that mentioned her parents – the receipt has sadly been X'd out of existence), and every subsequent time a new fan found out about her family's tragic demise (“I had no idea!”), the response was typically one of shock and sadness – and, in a few heartbreaking cases, commiseration from other survivors of family-annihilating events.
Many fans already had a hunch that something was up with her family, of course. She hinted at neglect and possible abuse in her book and lyrics. A number of her fans also came from dysfunctional households, so her not wishing to elaborate on the topic would probably have been a non-issue. But now she's saying they're dead? All of them? In a FIRE?! Holy macaroni! And you know it must have been awful, because EA – the same woman who got a dozen bangers out of a three-month-long toxic relationship, and based over a decade of her work on one bad hospital stay – had never, not once, felt called to share a song or poem about how it might affect a person to... lose all of their entire immediate family to a fire. Hmm. Meanwhile, the handful of older fans who had been following her since Enchant and remembered her dad passing in 2004 gritted their teeth and rolled their eyes. “Do your research. That's all I can say.” (We'll get into the culture of censorship free speech regulation on the Asylum forum in due time.)
Before more and more embittered ex-fans started compiling and circulating the receipts in the early-mid-2010s, investigating the whole “dead family” thing was a lonely journey – a coming-of-age expedition for the critical-minded Plague Rat, trawling through free background check websites and old Wayback Machine archives, until you went “Welp, there it is, I guess” and suddenly felt older, stupider, and a little bit hollow inside.
Although I don't remember how I personally made my way to The Truth (lol) back in the day, I still have a vivid memory of the moment I found the Facebook profile of EA's Very Much Non-Deceased Mother. It was mostly posts about her costume design work. A few candid pictures with EA's siblings and their kids. Christmas, birthdays, a wedding. Just... aggressively normal stuff. It was bizarre, looking in on this family of cheerful strangers with familiar cheekbones. Knowing that, somewhere out there, was an estranged eldest daughter, who had run off years ago to become a fiddle-wielding rockstar – and was now passing them off as having all died a gruesome death, while her fans secretly stalked their family photos. (Because I know you'll be asking in the comments: yes, EA's family is aware. Her mother once posted a picture of young EA and her siblings on Pinterest, sarcastically captioned “After most of us were killed in the fire.” 📝)
Again, it's tempting to discount EA's remark as a metaphor for family estrangement, taken too literally by neurodivergent minors who just didn't understand performance art. Well. First of all, even as a metaphor... let's admit, once again, that that 2000s edginess has aged like fine milk. It's a little crass to make a “metaphor” out of a plausible, life-shattering trauma that other people actually have to live with. (Veronica lost a beloved house to a literal fire 🔍 during her tenure as a Crumpet, for instance; no one died, but that alone seemed pretty rough.)
But, more to the point, evidence suggests that EA also told this to real people in her real, off-stage life – such as her Trisol manager, who backed the claim on the official Asylum Forum in 2007. 📝 When questioned about this post on a renegade forum in 2013, he had this to say:

I was the fool in this case. EA made that up of course. It’s just one thing on a long list of things she made up. Let’s agree she’s very creative with facts if she wants people to believe a story. (...) I once had a short chat with [EA's mom] and I got the strong impression she wasn’t dead at the time. Haha.

(OK, dude, but did you or did you not sell fake EA tickets on a scammy website in 2008? Because we never did get the skinny on that.)
Fifteens years on, EA continues to insist, unprompted, that “the fire” destroyed her childhood drawings and baby pictures. 📝 This more recent Instagram post is like a Greatest Hits of her most notorious yarns, to a degree that's either premeditated trolling or a subconscious call for help. She casually, yet pointedly mentions her age in relation to a specific year... and specifically draws attention to the signature, one that she used well into the Enchant era. In doing so, she made me notice, for the first time, that the A blends into an F. As one could expect from an artsy, Renaissance-obsessed teenager, her OG signature was a freaking monogram for Emily Autumn Fischkopf. It's like “The Tell-Tale Heart” for the digital age! AM I THE ONLY ONE SEEING THIS?? 🦠

A BIT O' THIS & THAT: MISCELLANEOUS CLAIMS

Just for fun, here are other sundry “citation needed” facts that EA has claimed over the years. All are originally from the book unless sourced otherwise. Some of them may have been jokes, some of them might even be true! Whatever that word still means!

• She suffered near-fatal leukemia at age 2, but miraculously recovered. Doctors were baffled.
• She has perfect pitch and tone-color synesthesia. 🔍
• She also had a photographic memory before Ativan ruined it. That's how she remembers what the sky looked like on the day she came out of the hospital leukemia-free.
• It is well-known and well-established, among the bipolar community, that bipolar people all over the world will regularly and inexplicably wake up at 4 in the morning. 🎵 On the dot. No one knows why, but they do. Doctors are baffled.
• She can play the violin on horseback!
• The traumatic hospital stay happened before Opheliac until it happened after. 🔍 Doctors are time lords.
• TAFWVG “has been cited in text-books used as part of the psychology curriculum at Oxford University in London.” 📝 I would have intuited Oxford University to be in Oxford, but then again, I didn't go to Oxford.

ELECTRIC VIOLIN: UNPLUGGED

You know how whenever a musician starts behaving obnoxiously, old sages will come down from Mount Wisdom to advise disgruntled fans to “simply ignore [behavior]” and “just focus on the music”? Well, in the Asylum, “just focusing on the music” won't always preserve you from EA's shenanigans. This “claim” is a little different, but I've decided to include it because it is so odd, emblematic, and ultimately tragic. I also count it as “biographical”, because it involves a key tenet of EA's character sheet: the violin.
Being a kickass fiddler is one of EA's trademarks, and has always been central to her narrative; as of 2024, “world-class violinist” is still the first claim to fame she lists in the “Story” section of her official website. Which beggars the question: why won't she play it? And why won't she acknowledge that she's not playing it?
We got our hopes up in 2020, with that one post 📝 about her iconic 1885 Gand & Bernardel getting refurbished by a luthier – a thoughtful birthday surprise from her boyfriend – but despite the promising “More to come...” at the end of the caption, that turned out to be a false alarm. In truth, it may well have been over a decade since anyone has witnessed EA draw a single note from her cherished instrument.
The fact that Lord Autumn was able to sneak it out during lockdown without the Lady noticing tends to confirm that she hadn't been playing much behind the scenes. She seems to be under the impression that e-violin manufacturer Zeta is no longer in business (they did close down in 2010 🔍, but reopened under new management in 2012), which suggests that she hasn't been keeping up with the violin scene for a while. Besides, the fingernails don't lie. 🐀
As the live shows veered more theatrical with the release of Opheliac, the extended violin features from the Enchant era were cut to two main appearances per concert: “Face the Wall”, a seven-minute-short, Hendrixesque take on Arcangelo Corelli's “La Folia” – and “Unlaced”, an arpeggio-ed frenzy that was originally paired with a stilt-walking and ballet performance by the Crumpets. These two instrumental tracks remained a fixture on four successive tours. And on four successive tours, “Unlaced” was... well... clearly dubbed. 📺 She was holding her e-violin, her hands were playing the notes, but what was coming out of the speakers was indubitably the studio version.
There were possible explanations, of course. Some sound buffs pointed out that “Unlaced” has multiple violin layers, and that a live violin solo would have sounded harsh and unbalanced over the supporting tracks 🔍 – but then, why pick an unplayable song as a staple of the show?
The violin-miming wasn't even very hush-hush, she didn't try that hard to hide it – it was just never addressed or acknowledged. On “Unlaced”, Veronica was usually summoned to “play” the keyboard – and we knew that was make-believe, they had a whole skit about it. 📺 Ditto when EA would play the intro to a song, then get up from the keyboard as she started singing, and the harpsichord track just kept going. It was part of the theatrics, the suspension of disbelief; live playing just wasn't the focus.
Still, because playing two songs should have been in her wheelhouse, EA's choice to stand on stage and mime along with her own world-class violin skills was puzzling. We knew EA was capable of playing “Unlaced”: “Face the Wall” was proof enough that she could still shred like nobody's business, and some lucky fans got to hear her nerd out about pitch standards and rock some Bach at VIP showcases in 2011 (though it was always the same piece, and reportedly not always on point: “she made beginner mistakes, like weird jaw, wrist, elbow placement and tension...” 🐀). And sure, “Face the Wall” was an intense piece, but... it was one of two in the show. The same two, always. She was supposed to be classically trained...!
As EA's fabrications became more common knowledge among the fanbase, people took increasing issue with this odd staging choice – particularly after “Face the Wall” was retired partway through the 2011 tour, leaving only the pantomime, with nothing else happening on stage to distract from it. 📺 People started fixating on her constant and inexplicable tweaking of the truth. Fake name, fake age, fake promises, and now she was fake-fiddling and making a grand show of it? Was she outright mocking her audience, daring them to call her out? Milking a skill she had grown bored with, in the lowest-effort way possible, knowing that goo-goo-eyed fans would still pay to see it? Playing them the world's saddest song on the world's quietest e-violin?
The release of new album Fight Like a Girl in 2012 did little to soothe the Plague Rats' fiddle blues. The violin was much less prominent on FLAG than it had been on Opheliac and Enchant. There were almost no solos, which provided fewer opportunities for playing or miming on stage. “Unlaced” was retired from the touring setlist. One night in Texas during the 2012 tour, due to being on vocal rest, EA played the melody line of “Liar” on the violin. 📺 And that was pretty much the last time world-class violinist Emilie Autumn was heard playing her instrument, on stage or in recording – to the dismay of many fans who had loved her for it.

Can someone please grab this woman by her hand, lead her across her livingroom/bedroom/study, and point at that lonely forgotten dusty violin in a corner of hers so she remembers that she actually owns it? (🐀)

It was yet another bizarre, glaring inconsistency in EA's narrative that fans seemed expected to ignore. Another elephant in the padded room. (Personal anecdote that I don't have a receipt for: in early 2012, when I asked if there was a possibility of EA playing another baroque set for the VIP events on the upcoming tour, her then-manager responded that that wouldn't be possible because venues didn't have the proper acoustics.)
Through some her posts over the years , attentive fans pieced together the likely truth of EA's effective retirement as a violinist. It's actually quite sad, and may cast a different light on EA's artistic shift.
The 2011 tour was initially scheduled for late 2010. It was postponed because EA had been neglecting a jaw injury for years, and needed emergency surgery to avoid “serious and irreversible damage” to her one violin-holding jaw. 📝 She had the surgery early in September; in late November, she performed all over Latin America for six nights straight, and by January, she was back on tour. The same tour during which she made “beginner's mistakes” on the Bach partita, and retired “Face the Wall” for good after a few shows.
She underwent jaw surgery again in 2018, after three years of orthodontic treatment which she said had “prevented [her] from performing”. It was the first anyone was hearing of this (she said she hadn't been touring because she was writing the musical!), and it's as far as EA ever got in terms of half-addressing the obvious: that after dedicating a third of her time on Earth to her craft, after years of pushing through the pain night after night, rushing through recovery periods, and making compromises so the show could go on... she may not be physically able to play concert-level violin anymore.
Once again, something that should (and would) have elicited empathy and support from most fans turned into a point of frustration, speculation and mockery, for years – because EA continued to favor pretend-play and fantasy over the sobering, unglamorous truth. Well, at least everyone's unhappy.

CONTINUED IN COMMENTS

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Hiya again, got some to move. Lowered prices to hopefully move. Price includes shipping please at this time only venmo, or paypal friends&familg. Anything bought today or tomorrow i'll get out monday. Please ask for additional pics/vids if you want thanks.
timestamp/pics: https://imgur.com/a/fun0gtC
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Busse combat competition finish S.O.B (son of a badger) Infi tiger micarta. Beautiful knife never used. Somebody buy this knife shes a beast in infi steel. SV 306
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thanks any questions dont hesitate - J

Situation: mechanical issues caused a late flight (PIT-IAD) which resulted in a missed connection to ZRH. Auto-rebooked onto a terrible itinerary leaving later. We talked to a rep at the United desk in IAD to instead get onto the same flight to ZRH the next day. They could but had to put us in Economy. Original flight had been an R class fare in Premium Economy. He said that there was only one seat in PE, so we opted to stay together in Economy and chase down the fare difference later.
The next day, we look at our new tickets and on the United app it is asking if we want to upgrade to PE for $399 per person.
Clearly they have seats.
We call, and the CSR says "I'm sorry but it's a completely full flight. I can't move you."
We do a back and forth for a bit and we can see the flight is not even close to full in the app. I finally said "Look, I can click a button right now on United's app right in front of me and get two seats in Premium Economy, and my receipt is still showing I have an R class fare for today's flight, but you are telling me there are no seats. Is it possible that your view is not actually showing you all the seats?"
We get a "I need you to hold for a moment" and then three minutes later we have two seats in PE.
Now, I don't think that the CSR or the agent at the desk were lying to us. They were just regular good people genuinely trying to solve problems, and I doubt that United is hiring accomplished liars into these positions.
But it does make me think that United is showing their "problem solving" people an unrealistic view of availability so they can basically eke out every last dollar. For us that meant downgrading us to economy after paying an R fare, and hoping they could sell those PE seats and that we wouldn't follow up for downgrade compensation.
Anyone else experienced this or have actual knowledge of what CSRs are shown in these cases? Really feels like United has structured this to be anti -customer on purpose.

Hi,
i tried to install Receipt Wrangler multiple times over several days on my Raspberry 4 using Docker and can't seem to get it working.
Every time I get following error inside the mariadb docker container:

2024-05-04 7:24:35 34 [Warning] Access denied for user 'root'@'localhost' (using password: NO) 

I also am not able to add new receipts using the Webfront, it just loads and then does nothing.
I'm following the installation steps from your site: https://receiptwrangler.io/docs/configuration-examples/mariadb
My docker-compose.yml file looks like this:

services: db: container_name: wrangler-db image: library/mariadb:10 restart: always environment: MYSQL_ROOT_PASSWORD: db_dev MYSQL_USER: db_user MYSQL_PASSWORD: sqlWRANGLER55 MYSQL_DATABASE: wrangler-db volumes: - ./mariadb:/valib/mysql healthcheck: test: ["CMD", "mysqladmin", "ping", "--silent"] interval: 10s timeout: 10s retries: 5 wrangler: container_name: wrangler image: noah231515/receipt-wrangler:latest entrypoint: ./entrypoint.sh restart: always volumes: - ./config:/app/receipt-wrangler-api/config - ./data:/app/receipt-wrangler-api/data - ./sqlite:/app/receipt-wrangler-api/sqlite depends_on: db: condition: service_healthy ports: - 9082:80 

I use docker compose up -d to start the containers.
After that I modifie the config.prod.json file, to reflect my docker-compose.yml changes (taken from your mariadb examples):

{ "secretKey": "secretKey", "aiSettings": { "type": "openAi", "url": "urlToLocallyHostedLLM", "key": "openAiKey", "numWorkers": 1, "ocrEngine": "tesseract" }, "emailPollingInterval": 1800, "emailSettings": [ { "host": "emailHost", "port": "emailPort", "username": "emailAddress", "password": "password/apiKey" } ], "features": { "enableLocalSignUp": true, "aiPoweredReceipts": true }, "database": { "user": "db_user", "password": "sqlWRANGLER55", "name": "wrangler-db", "host": "db:3306", "engine": "mariadb" } } 

Then I restart the wrangler container with docker restart wrangler.
Logs from the wrangler container:

2024/05/04 07:21:01 /app/receipt-wrangler-api/internal/repositories/db.go:85 SLOW SQL >= 200ms [237.483ms] [rows:0] CREATE TABLE `categories` (`id` bigint unsigned AUTO_INCREMENT,`created_at` datetime(3) NULL,`updated_at` datetime(3) NULL,`created_by` bigint unsigned,`created_by_string` longtext,`name` longtext NOT NULL,`description` longtext,PRIMARY KEY (`id`),UNIQUE INDEX `idx_categories_name` (`name`)) 2024/05/04 07:21:01 /app/receipt-wrangler-api/internal/repositories/db.go:85 SLOW SQL >= 200ms [200.677ms] [rows:0] CREATE TABLE `receipt_categories` (`receipt_id` bigint unsigned,`category_id` bigint unsigned,PRIMARY KEY (`receipt_id`,`category_id`),CONSTRAINT `fk_receipt_categories_receipt` FOREIGN KEY (`receipt_id`) REFERENCES `receipts`(`id`),CONSTRAINT `fk_receipt_categories_category` FOREIGN KEY (`category_id`) REFERENCES `categories`(`id`)) 

Logs from the wrangler-db container:

2024-05-04 12:10:13+00:00 [Note] [Entrypoint]: Entrypoint script for MariaDB Server 1:10.11.7+maria~ubu2204 started. 2024-05-04 12:10:16+00:00 [Warn] [Entrypoint]: /sys/fs/cgroup///memory.pressure not writable, functionality unavailable to MariaDB 2024-05-04 12:10:16+00:00 [Note] [Entrypoint]: Switching to dedicated user 'mysql' 2024-05-04 12:10:17+00:00 [Note] [Entrypoint]: Entrypoint script for MariaDB Server 1:10.11.7+maria~ubu2204 started. 2024-05-04 12:10:21+00:00 [Note] [Entrypoint]: MariaDB upgrade not required 2024-05-04 12:10:21 0 [Note] Starting MariaDB 10.11.7-MariaDB-1:10.11.7+maria~ubu2204 source revision 87e13722a95af5d9378d990caf48cb6874439347 as process 1 2024-05-04 12:10:21 0 [Note] InnoDB: Compressed tables use zlib 1.2.11 2024-05-04 12:10:21 0 [Note] InnoDB: Number of transaction pools: 1 2024-05-04 12:10:21 0 [Note] InnoDB: Using ARMv8 crc32 instructions 2024-05-04 12:10:21 0 [Note] mariadbd: O_TMPFILE is not supported on /tmp (disabling future attempts) 2024-05-04 12:10:21 0 [Warning] mariadbd: io_uring_queue_init() failed with errno 1 2024-05-04 12:10:21 0 [Warning] InnoDB: liburing disabled: falling back to innodb_use_native_aio=OFF 2024-05-04 12:10:21 0 [Note] InnoDB: Initializing buffer pool, total size = 128.000MiB, chunk size = 2.000MiB 2024-05-04 12:10:21 0 [Note] InnoDB: Completed initialization of buffer pool 2024-05-04 12:10:21 0 [Note] InnoDB: File system buffers for log disabled (block size=512 bytes) 2024-05-04 12:10:22 0 [Note] InnoDB: End of log at LSN=182390 2024-05-04 12:10:27 0 [Note] InnoDB: 128 rollback segments are active. 2024-05-04 12:10:27 0 [Note] InnoDB: Setting file './ibtmp1' size to 12.000MiB. Physically writing the file full; Please wait ... 2024-05-04 12:10:27 0 [Note] InnoDB: File './ibtmp1' size is now 12.000MiB. 2024-05-04 12:10:27 0 [Note] InnoDB: log sequence number 182390; transaction id 110 2024-05-04 12:10:27 0 [Note] InnoDB: Loading buffer pool(s) from /valib/mysql/ib_buffer_pool 2024-05-04 12:10:27 0 [Note] Plugin 'FEEDBACK' is disabled. 2024-05-04 12:10:27 0 [Warning] You need to use --log-bin to make --expire-logs-days or --binlog-expire-logs-seconds work. 2024-05-04 12:10:27 0 [Note] Server socket created on IP: '0.0.0.0'. 2024-05-04 12:10:27 0 [Note] Server socket created on IP: '::'. 2024-05-04 12:10:27 0 [Note] InnoDB: Buffer pool(s) load completed at 240504 12:10:27 2024-05-04 12:10:27 0 [Note] mariadbd: ready for connections. Version: '10.11.7-MariaDB-1:10.11.7+maria~ubu2204' socket: '/run/mysqld/mysqld.sock' port: 3306 mariadb.org binary distribution 2024-05-04 12:10:38 3 [Warning] Access denied for user 'root'@'localhost' (using password: NO) 2024-05-04 12:10:50 4 [Warning] Access denied for user 'root'@'localhost' (using password: NO) 2024-05-04 12:11:00 5 [Warning] Access denied for user 'root'@'localhost' (using password: NO) 

I really hope someone can help me with this, as I love the concept of this service and love to try it out.

I live abroad in the Philippines I'm retired military and handicap disabled. Philippines has no available US banking options here only through remittance at Philippines national bank's authorized retailer and I used to use that option until a marriage separation, I had my father help me out.
I had obtained a power attorney to my dad to open a joint checking account at his local Bank which has been going to 2 years soon or maybe past but at around ball park figure. My pension money goes there every month and I ATM withdrawal over here in Philippines at $7 a withdrawal charge and daily limit withdrawal the account locks at $1,000 max withdrawal.
My question is about at the counter or banking drive thru transactions I believe you have no limit transfer, or withdrawal limits at the teller. Is this true for inside banking transaction?
The reason I'm asking if true isthat I am Missing money balance a significant amount every month almost including last month and this month $1,000 t found missing from 24 lockouts because once I get paid balance I withdrawal max amount Daily $1000 on selected well security bank ATM here in Philippines to rule out hacking intentions for ATM withdrawals, and I lock every 24 hours since noticing missing balances happening now since opening this joint account with my father and we spoke on the phone he claims no knowledge of interest taking my money since joint accounting him for help? He won't send monthly receipts due to paperless online. I cannot open online account this country restricted me to do that and there is no online account open only teller or ATM transactions.
Are there any bankers out there or anyone who reads this can help me out understand where this money is coming out missing even my father says talks to the bank and says to many ATM withdrawals and fees but I figured out the final cost of that $180 total and set amount times going ATM all checks out from when I demanded monthly statements from my father. That checked out ok.
Any sound response with information about or solutions for this helps, I know my solutions but barriers are restricted to change banks, fly there, or re-open remittance, isn't going to workout for now.

Yesterday everything was fine, but in the 2 games I've played today its like there's a lockout on input sometimes. I'll be attacking a minion and all of a sudden no button presses register for like 3-4 seconds, can't use abilities, can't stop autoing to move, nothing. Or I'll be in lane spam click moving and then my inputs will just stop registering and I'll finish walking to the last place clicked and stand still for awhile. It doesn't seem like lag, I can see everything in the game happening just fine, every other champ/minion moves normally, health drops steadily as minions fight, ping stays consistent at 80ms, it's just me frozen. It happens like 1-2 times a minute and makes the game entirely unplayable as I just take free poke in lane or freeze during a fight and can't secure a kill. Anyone else have anything like this happen or know of a potential fix?

Toyota Stock Is Trouncing Tesla. Hybrids Aren't the Only Reason. -- Barrons.com
05/03/24 12:43 PM
Al Root
Toyota stock is trouncing Tesla in 2024, and while a popular explanation is the consumer shift to hybrid vehicles, investors shouldn't forget about the Yen.
The Japanese currency has weakened significantly against the dollar and euro. Today, one dollar buys 153 yen. A year ago it bought 135. In Europe, one euro buys 165 yen, while a year ago it bought 149.
A weakening yen is good for the Japanese auto maker, which makes a lot of cars in Japan -- paying its workers in yen -- and sells them overseas where customers pay in dollars and euros.
In 2023, Toyota exported some two million vehicles from Japan, about 20% of its total sales.
The currency weakness creates two benefits for the Japanese giant. There is the direct translation benefit of dollars being worth more yen. There is also the benefit of a relatively lower cost structure, which can be used to expand profit margins or market share -- or both.
Toyota estimates foreign currency valuation changes will boost its fiscal year 2024 operating profit by about $3.5 billion. That is roughly 11% of the total 2024 operating profit projected. It is also 25% of the improvement projected between fiscal year 2023 and 2024.
Pricing gains and currency benefits together account for more than 100% of the projected improvement in fiscal year 2024 operating income. Toyota isn't alone. The numbers for Honda Motor look similar.
The stock market illustrates the currency dynamic, too. Through midday trading Friday, Toyota's Japanese-listed shares were up about 38% year to date, outperforming Tesla stock by about 66 percentage points.
Toyota's U.S. American depositary receipts were up about 26% so far this year. In U.S. dollars, the outperformance shrinks to about 54 percentage points.
Of course, Toyota shares are still outperforming in both scenarios. Things are good and hybrid sales are a part of that.
In the U.S., sales of battery electric vehicles, or BEVs, grew just 7% year over year in the first quarter of 2024, according to data provider WardsAuto. That is down from 43% year-over-year growth in the fourth quarter of 2023. Sales of hybrids -- both traditional hybrids and plug-in hybrid vehicles -- grew about 65% year over year.
That is good news for Toyota, which sells a lot of hybrid vehicles. In the first quarter, it sold almost one million globally, accounting for almost 40% of total sales. More than 90% of Toyota's hybrid sales are the kind that don't plug in at all -- such as a traditional Prius. Traditional hybrids are the least expensive electrified vehicles on U.S. roads.
The positives add up to better profit, which is ultimately what drives any stock. Wall Street expects Toyota's operating profit to hit $34.4 billion in 2024, up from $30 billion earned in 2023 and $20.9 billion earned in 2022.
Margins are expected to come in at almost 12% in calendar year 2024, up from about 10.5% in 2023, according to FactSet. Tesla's 2024 operating profit margins are expected to be about 8.5%, down from 9.2% in 2023.
Toyota is a strong manufacturer of quality cars having a good year. Just don't forget the impact of currency.
Write to Al Root at allen.root@dowjones.com
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