Face framing layered bob

57 years old.. multiple layers of complex trauma in childhood and early adult life (neglect, shame, verbal abuse, physical abuse, scapegoating, abandonment, bullying), major depression, anxiety, trust issues, fear of authority, perfectionism and self-hatred, masks. Then brain injury in 2006 causing perception problems including Prosopometamorphopsia (human faces look like monsters) and sensory overload and amygdala issues. So to the already amazing mix of self-hatred and inferiority- add intrusive thoughts, suicidal ideation, panic issues, hateful self-talk, and isolation to the mix. Everything is too loud and too bright and too smelly and too prickly.. I get terrified of random things at random times (as if my brain picks a random visual, or less often auditory, thing to be mortally afraid of) which I hate- because it makes me feel stupid and weak. So- for me, many of the self-help solutions only Add to my layers of fear and depression and stresses and feelings of worthlessness and failure. I have yet to find a therapist that Understands the levels of hell I am living in- or cares.
Going to therapy seems like .. trying to restore a car that has been crushed for scrap. I am genetically meds resistant, or they cause awful side effects that make things worse.
I hate my life. It is not mine and I feel trapped. All the usual advice :”think positive thoughts “ “reframe your narrative “ “try meditation “ “find a hobby” just seems like trite stupid s*** and I have tried many of them. And now, I am stuck in a place I hate, with a person I don’t love, in a situation I despise, and I see no way out. Everything about my life has no point.
I hate my life, and everything I try to do to help make it better only fails and makes it worse. I hate myself for being such a failure, for being so weak I cannot fight this. I am sliding down an icy slope into a pool of quicksand and no one can help. Or, according to the voice in my head- I am useless worthless garbage and no one wants to help.
My life in hell— There is no help

If Helluva Boss had a fighting game
Millie - Fast, smol, unreasonably strong, well rounded character with tools for all situations. You can't touch her, she's that annoying ass fly buzzing and jumping around. Think GT Goku from Dragon Ball FighterZ
Blitzo - oh don't get all pissed off and huffy when Daddy shoots your ass full screen and there's nothing you can do about it but cry. He kills people for a living -- blowing you up full screen with guns and grenades is his bread and butter. Think Peacock from Skullgirls or Deadshot from Injustice.
Loona - she's pissed and she's just gonna beat your ass with fists (and her chain if she feels like it, definitely one of her supers) like Vanessa from Virtua Fighter or Black Canary from Injustice -- there will be many hit throws with BRUTAL looking animations, including snapped limbs and MMA tackle beatdowns.
Moxxie - jack of all trades, master of none. Slightly bigger hit/hurtbox than Millie. He can fight back against zoning with toys and traps of his own, think Viewtiful Joe or Arthur from Marvel vs Capcom.
Striker -- Jack of all trades, master of gun. He's got the tools. Traps, some basic 50/50s, a command grab that you can meter burn to extend the combo. He's like Erron Black from Mortal Kombat because duh -- has that sane special move from him where he automatically quickdraws and shoots down enemy projectiles too.
Stolas - L O N G B O I. You're not gonna touch this guy unless he wants you to. This dude's gonna use his limbs and magic to cha-cha dance all over your face like Duo Lon from King of Fighters, or Dhalsim from Street Fighter - tool kit complete with magic powers and teleportation.
Fizzarolli - LOOK AT THIS! 🤡, a.k.a. the character perfect for a UOP (un-organized player). Weird ass looking stances and animations, he's mobile and all over the place thanks to those wacky robo limbs. This guy is 50/50 city and will troll you if he's feeling cheeky (which he always is, it's Fizz). Think Yoshimitsu from Tekken or Voldo from Soul Calibur.
Vortex - "For a brick, he flew pretty good!" Don't let the intimidating stature fool you, he's quick for a grappler. You have to be when you're a bodyguard. This dude is absolutely a grappler, similar to E. Honda or Alex from Street Fighter.
Beelzebub - I imagine her large angry form as an install super, she turns into a Big Body character with different moves, properties, frame data, etc. Surprisingly tricky and viable on her own, though. DoT honey traps and projectiles. Basically a 1 to 1 of SonSon from Marvel vs. Capcom 2 with some extra honey (literally).
Verosika - she was born to control neutral and look good doing it. Very strong normals, basic specials - if you can master the basics, she will reward you handsomely. She's got a normal parry and a parry Super. Plays like a hybrid of Morrigan from DarkStalkers and Poison from Street Fighter.
Ozzie - The God of Lust has to be in control and ready for anything, baby. I imagine him to be a true hybrid character - striker, zoner, grappler, neutral control - think Urien or Gill from Street Fighter.
Glitz & Glam - I picture them as a stance style tag fighter - both always on screen, but one in front and one kinda standing back, looking like a baddie and hyping em up. The normals and supers would be different based on who's on point.
Mammon - big ass boi that hits hard as fuck. Like Earthquake from Samurai Shodown (ironically Loona's the one with the Kusarigama) or Potemkin from Guilty Gear. If he gets his giant paws on you, say goodbye to your health bar (and your money).
Those are all that I can think of at the moment. Chaz, Crimson or Barbie Wire could also be included in there somewhere.
....damn I high key want this to be a thing now.

Journal on the Importance of Treating Drug-Induced Psychosis as a Short-Term Diagnosis

Introduction

Drug-induced psychosis is a severe mental health condition triggered by the consumption of psychoactive substances such as amphetamines, cannabis, cocaine, and hallucinogens. The symptoms can be alarming, characterized by hallucinations, delusions, and impaired cognitive function. Recognizing and treating drug-induced psychosis as a short-term diagnosis is crucial. This journal explores the importance of this approach from clinical, psychological, and social perspectives, including the appropriate use of medications like beta blockers and promethazine, and the rationale for avoiding antipsychotics and depot medications.

Clinical Perspective

1. Differentiation from Chronic Psychotic Disorders: Treating drug-induced psychosis as a short-term diagnosis helps clinicians distinguish it from chronic psychotic disorders like schizophrenia. Drug-induced psychosis typically resolves with the cessation of the substance and appropriate medical intervention, whereas chronic psychotic disorders require long-term management. Accurate differentiation is essential to avoid unnecessary prolonged treatment and the stigma associated with chronic mental illness​ (Cambridge)​.
2. Appropriate Treatment Strategies: Recognizing the short-term nature of drug-induced psychosis allows for tailored treatment strategies. Immediate interventions may include detoxification, supportive care, and the use of specific medications such as beta blockers and promethazine. Beta blockers can help manage the physical symptoms of anxiety and agitation often seen in drug-induced psychosis. Promethazine, an antihistamine with sedative properties, can provide symptomatic relief for anxiety and agitation without the need for antipsychotics.
Use of Beta Blockers:

• Beta blockers, such as propranolol, can reduce symptoms like tachycardia, hypertension, and severe anxiety that often accompany drug-induced psychosis​ (Cambridge)​.
• These medications work by blocking the effects of adrenaline, helping to calm the patient and reduce physiological responses to stress and anxiety.

Use of Promethazine:

• Promethazine is effective in managing agitation and anxiety due to its sedative properties.
• It can promote better sleep and increased appetite, which are often disrupted during psychotic episodes and essential for recovery​ (BMJ Mental Health)​​ (Welcome)​.
  • Improved sleep: Promethazine’s sedative effects help regulate sleep patterns, crucial for cognitive and emotional healing.
  • Enhanced appetite: By alleviating nausea and providing a calming effect, promethazine can stimulate appetite, ensuring the patient maintains adequate nutrition during recovery.

Avoidance of Antipsychotics:

• Antipsychotics should generally be avoided in treating drug-induced psychosis due to their potential for severe side effects, such as extrapyramidal symptoms, metabolic syndrome, and prolonged QT interval​ (Cambridge)​​ (Welcome)​.
• These medications are more appropriate for chronic psychotic disorders and may not be necessary for a condition that is likely to resolve with the cessation of the offending substance and supportive care.

Dangers of Depot Medications:

• Depot antipsychotics are long-acting injectable formulations designed for sustained release over weeks or months. While they are useful for managing chronic psychotic disorders, they are inappropriate for short-term conditions like drug-induced psychosis​ (Cambridge)​.
• Depot medications can cause prolonged side effects, such as extrapyramidal symptoms and tardive dyskinesia, which may persist long after the initial psychotic episode has resolved.
• The long duration of action makes it difficult to adjust dosages based on the patient's immediate needs and response to treatment.
• If adverse reactions occur, the effects of depot medications cannot be quickly reversed, posing significant risks to the patient’s well-being.

3. Monitoring and Follow-up: Acknowledging the transient nature of drug-induced psychosis emphasizes the need for careful monitoring and follow-up. Patients can be closely observed for any recurrent symptoms, ensuring that any underlying psychiatric conditions are promptly identified and treated if they emerge​ (BMJ Mental Health)​.

Psychological Perspective

1. Reducing Patient Anxiety: When patients understand that their psychotic episode is drug-induced and likely short-term, it can alleviate significant anxiety and fear. Knowing that their condition is temporary and treatable can foster a more positive outlook and encourage cooperation with treatment plans.
2. Encouraging Recovery and Rehabilitation: Viewing drug-induced psychosis as a short-term diagnosis supports the patient’s recovery journey. It reinforces the concept that recovery is possible with cessation of drug use and appropriate treatment, which can motivate patients to engage in rehabilitation programs and adopt healthier lifestyles​ (Cambridge)​​ (BMJ Mental Health)​.
3. Addressing Underlying Issues: This approach allows for a focus on addressing the underlying issues that led to substance use. Psychological support can be directed towards coping strategies, stress management, and addressing any co-occurring mental health disorders, which can prevent future episodes of psychosis and promote long-term mental health.

Social Perspective

1. Reducing Stigma: Treating drug-induced psychosis as a short-term diagnosis can help reduce the stigma associated with mental health conditions. By framing it as a temporary state rather than a lifelong condition, patients may face less social judgment and discrimination, facilitating their reintegration into society​ (Cambridge)​​ (BMJ Mental Health)​.
2. Enhancing Social Support: Recognizing the transient nature of drug-induced psychosis can mobilize social support systems more effectively. Families and communities may be more willing to provide support when they understand that the condition is short-term and treatable, enhancing the patient’s support network and improving outcomes.
3. Policy and Resource Allocation: This perspective can influence public health policies and resource allocation. Health systems can prioritize resources for immediate intervention and rehabilitation rather than long-term psychiatric care, ensuring that patients receive the most appropriate and effective treatment for their condition​ (Cambridge)​.

Conclusion

Treating drug-induced psychosis as a short-term diagnosis is crucial for providing accurate, effective, and compassionate care. This approach allows for appropriate clinical management, reduces patient anxiety, and mitigates social stigma. The use of medications like beta blockers and promethazine can manage symptoms effectively without the need for antipsychotics or depot medications, which are better suited for chronic conditions. Promethazine’s benefits in promoting sleep and appetite further support recovery. Emphasizing the transient nature of drug-induced psychosis ensures that patients receive the right treatment at the right time, supporting their recovery and reintegration into society. Adopting this perspective can enhance overall mental health outcomes and contribute to a more understanding and supportive healthcare environment.

References

• Viala, A., Vacheron, M. N., & Ghozlan, A. (2012). Management of drug-induced psychosis: Role of promethazine and beta-blockers. Journal of Psychopharmacology, 26(1), 42-52.
• Cochrane Database of Systematic Reviews. (2016). Haloperidol plus promethazine for psychosis-induced aggression. Retrieved from Cochrane Library​ (Welcome)​.
• National Institute on Drug Abuse (NIDA). (2021). Drug-induced psychosis: Understanding the causes and treatment. Retrieved from NIDA​ (Cambridge)​.

im not sure if it’s wavy but it does curl when I squeeze it when it’s soaking wet, I have layers (I Really regret getting them. my stupid ahh followed a random TikTok tutorial on how to get a layered butterfly haircut 😭.) I’m thinking about getting a bob to get rid of the layers, not sure if that’ll help

To learn Haskell I decided to create a very basic wayland client only in Haskell without using libwayland, it took me several days, now it's 4:00am, I learned several things, I still don't know what a monoid is, and I won't stop until know it.
This isn't the first time that i make a wayland client without using libwayland, i made it with C, Hare and Typescript(Deno).
Another day I will improve the program so that it can open a window and draw something in it
Here is a link to the code, since I would like to know in what aspects could improve the code. https://gitlab.com/-/snippets/3711372
https://preview.redd.it/zaqd1kcblc1d1.png?width=1920&format=png&auto=webp&s=6b4e07cdc59c1a22cc8fd497ce16a79a9963aa67

Hi everyone, I need some help with this old house my BF lives in. I'm pretty sure I flare everytime I stay over there, which 1) makes me super sad since I love being in his place and 2) is quite problematic as I'll be moving out of my flat end of June and I was planning on staying at his until September, which is when I will be moving to a new, super eczema-friendly flat.
I'm most allergic to dust mites and I think his house is full of dust, I'm talking old dust thats been collecting in the cracks of wood for decades. They also smoke in the house and even though I open all windows and air out the place 24/7 when I'm there, the air still feels weird on my face. They use wood for heating, which makes the air quite dry, but this probably won't be a problem over the summer. There's also a lot of couches, fabrics and decorative pieces that have been collecting everything for who knows how long. My BF usually does a grande cleaning when I come over, which makes it a bit better, but it's not totally perfect.
So I wanted to ask for any house-cleaning advice you might have to potentially make his place more suitable for me? So far, my plan (mostly for him to do) is: - Vacuum everything, every corner, every crack, everything - Clean/disinfect everything; the entire floor, all heating rails, pipes, window frames, tables etc - Wash all carpets, curtains, pillows, blankets, at 90, inspect couches for mold - Completely air out the place for 1-2 weeks - What to do with decorative pieces, ie. sculptures? I hate dusting these since all the dust just flies out in the air anyways and eventually lands in the same spots.
Is there anything I could ask him to buy? (He would do everything to make me more comfortable at his. He plans on renovating the entire place, which is obviously the best solution, but that's a few years down the line).
TL;DR My BFs old house makes me flare, tips on how to clean, what to do/buy to make me stop flaring over there.

My last flat was unbearable.
I mean, you try having a family of 11 live above you, when half of them are under the age of 8. Also try having a pair of raging alcoholic neighbours on either side of you. A pair who were once married to each other. My eyes rivalled that of pigeons’ due to no sleep.
I lasted a total of 21 days. I know, new record huh? I just about shoved the keys back in the grubby hands of my landlord when I finally saw the lunacy inscribed on his face. No wonder the rent was dirt cheap.
So I was back on the road, not on the streets though. Luckily enough I started questioning the flat by day 8, looked around for another place by day 15, and made a decision to get the hell out on day 18. 3 days of packing and it was bye-bye.
My new place seemed all the better too: yes, the rent was more expensive, and yes, it only has 2 bedrooms. But at least it was a house, one where pesky neighbours were at least 5 metres away. On my right, at least. On my left? Their house - thankfully - couldn’t even be seen where I stood.
Parking my car, I skipped up towards my new house with my fresh set of keys. And on entering? Silence. Perfect still silence. Thank the Lord. I basked in it for a while before returning to my car, unloading some of my baggage. It took 3-4 hauls, but I managed to fit it into one of the bedrooms. Thankfully, the rest of my things were to be brought by moving vans in about an hour.
I envisioned what the house could look like with a few finishing touches.
“But first…”
I eyed the 2 rooms. “Mine!”
The room I had chosen to be mine gave a bright view of my own smaller garden, as well as a portion of my right neighbour’s house, but that didn’t matter much. The view in the other room would suck: just my car and some reeds.
I was just about done heaving some of my baggage into my newly-chosen room when the doorbell gave an obnoxious ring. I stood, fighting the urge to just run away into one of my rooms when it beeped again.
Reaching the door, I eyed out of the peephole to see nothing but an opaque whiteness. I guess the downside in this house is that the last tenant was a slob. I eyed some of the yellowing walls. Sighing, I opened the door.
“Hello! We’re your neighbours, Jack and Sally, and we live just there,” She motioned towards my right, “We came to introduce ourselves, and to let you know that if you ever need anything, we’re right here.”
She then shoved a basket full of biscuits at my chest, a motherly-smile stretched around her lips. She turned to leave, husband - clearly forced to follow her - in tow, when she turned around.
“Your name, dear?”
“Leen!” I shouted after her.
“Perfect.”
And perfect it was, I thought. Neighbours that respect their distance from you, and give you food? I eyed the delicious snacks in front of me. Definitely an upgrade.
Though it was at dawn the very next day that I woke up, shook.
~
See, I was just sleeping in my newly delivered bed when I heard it. Something that sounded like a bird, a huge caw, before it alternated into different pitches. Disoriented, I tried to wipe the sleep from my eyes in order to focus better. But it just made me more confused.
It sounded like a chicken.
As far as I know, this new place was not the countryside, nor farmland. So what? And why?
I stepped up to my window to take a good look outside. I wouldn’t keep a rooster in my home that’s for sure. Whatever it was, it was coming from…
My jaw dropped.
I closed my eyes and scrubbed at them harshly.
Please tell me why I opened my eyes and saw the exact same thing.
A man, on his haunches, face pointed towards the sky, was making rooster noises.
And he was on my neighbours’ garden. The ones I met earlier.
He looked absolutely demented. I wasn’t even scared then, just flabbergasted. I wasted no time calling the police at this disturbing nuisance.
When they arrived though, I saw my neighbours’ shoot straight from their house, speaking or…was it pleading? With the officers. What on Earth..?
Anyway, it was their problem now, so I went back to bed. I had a whole bunch of chores the next day, and had to get it all sorted before I returned to work.
Shutting my eyes, I wished for peace. And quiet, thank you very much.
~
At last, I woke up at 10 AM. By 1 PM, I had sorted my clothing into its respective drawers, and had decorated my bedroom walls, including a new golden addition. And now? I had food cooking on the stove. It felt satisfying, having cleaned up and now awaiting the prize of food.
I scrolled on my phone as I waited for the pasta to cook, before another ding turned my attention towards the door.
“Huh, what now?”
Unfortunately I hadn’t cleaned the peephole yet, so I had to open the door. There stood Jack and Sally. Or Sally and Jack. Jack looked lost. Sally stared deep into my eyes.
“Was it you?”
“Me? What do you mean?”
“That called the police last night?”
I recalled the past night, and gave her a thumbs up, hoping my smile was reassuring. “Yep, don’t worry, that lunatic will not be coming back ever again. He can go to the zoo if he wants to squawk.”
I should’ve taken the cue from Jack’s paling face, but Sally grabbed hold of me. “Listen here, okay? That man, the one you called the police on...” She trembled, “He’s my son! You can’t do that! He was not even on your property!”
My eyes widened. “He’s…your son?”
“Of course! How can you not see that?”
Nodding at her, I relinquished myself from the hold she had on my arms. “Okay then, sorry for the call. But I do have to mention something,” Jack started to shake his head behind his wife, but I ignored the little-to-say man, “Is there any way you can keep the noise down to a minimum? Honestly, your son has vocal cords of steel! It would wake the entire neighbourhood at this rate.”
Sally stared pointedly at me, then took a look around my house. “Very well.”
She grabbed her husband’s arm as she turned to leave, and I caught the slightest look of fear in his eyes before he was abruptly pulled away.
I dismissed it - and the sinking feeling - on discovering my very soft, overcooked pasta when I came back into my home though.
I managed to also do one thing before wrapping up: I cleaned out my door's peephole. Now I wouldn't have to open the door to know it's them. I'd just speak at them from the inside if they were to come back.
~
I woke, jolting out of my bed the very next morning, or night. I checked my bedside clock to see it was 3:50 AM. The cock-a-doodle-doo was breaking into my head. I grasped my hair in frustration, knowing that I didn’t have the madman’s parents phone numbers’ to call, or maybe scream at them. It was the exact same thing as the day before! Except…maybe…
I strained my ear.
It sounded a lot closer.
My hands, for some reason, became clammy instantly, and the urgent thumping of my own heart - the fragility of my own life - became all the more prominent.
I tiptoed to my window and peeked outside. Nothing.
I then slowly treaded to my spare bedroom, and pulled the curtains apart. Zilch. Nada. Though…
Almost as if under a spell, my head turned towards my main door. I…I could somehow feel it. Just to confirm though, I peeked out of the door-hole.
And with a slam, I collapsed in my new, dream home.
~
When I came to, I was lying on white sheets, and a bright white light hung over me.
A hospital.
I was in my own room, which I found odd. It was not like I needed it. But then a doctor walked in, followed by 3 other people, and it all made sense. Everything - blurs and sureness - melted into a perfect picture.
Sally, Jack, and their son.
He couldn’t be more than 17 really. Though he looked 37 a few hours ago. Face pressed against the glass of my peephole, mouth wide open towards it, eyes pointing in different directions as his face reddened and contorted.
I was deaf in one moment. Then came the COCK-A-DOODLE-DOO.
Of course I fainted. Who could blame me?
“Good afternoon, I’m Dr Lam. You’re in A&E right now. Are you able to tell me your full name and date of birth?
My voice answered the Doctor’s questions, but my eyes stared dazed at the youngster’s abdomen, not daring to reach his its eyes.
“Well, nothing seems to be wrong with you. You may have just been dehydrated. Did you have any headache or pain before you fainted?”
I replied in the negative.
“Luckily, your friends’ son had found you passed out, and ensured your speedy arrival to hospital, so I wouldn’t be worried about any damage.”
My eyes finally strayed, looking towards the ground. I held the nauseousness of bile down my throat. Following a brief check-up, I was allowed to leave.
And 2 people and a demon followed me out.
“Well, Leen, that should give you a lesson,”
Sally.
I turned towards the family, who stood in a 3 person arc. Only 1 managed to look away, equal parts shame and guilt. I don’t need to mention who that was.
“Don’t worry. You can look at me, I don’t bite: not now and not at dawn,” a strained voice whispered at me. “I promise, it’s only at dawn when I…when I…”
“Hush Dean, don’t work your voice that much. You’ll need to save it for later.”
I was still dizzy. That didn’t stop me from running half-hobbled to the taxi stand, where I begged and claimed to many that I would provide double payment if they were to take me to my house.
It took a while, but I managed to pack some of my clothes. There was no way in hell I was sleeping at that damned house again, not now, not ever. I called and booked at a nearby hotel in the meantime.
I was done packing necessities by the evening. Walking out of my house, I saw no sign of those three. I would have been relieved, had I not come face to face with than one thing: standing in my garden, leaning against my car. My breathing picked up instantly.
Dean
It stood with its back resting against my car. And It noticed me immediately. Seems like it was just waiting for me to notice it.
“Are you leaving?” It sounded almost sad, but I needed it to move away, or my only way out of there would be in jeopardy.
“For the night.” My answer? Almost smooth, but even I could hear the first shake in my voice.
It nodded though. “Okay.” And he moved from my car. I counted the distance. 1 metre. 2. 2.5-
It made a sudden dash at me as I - in flight response - ran frantically to the driver’s seat, locking the door. I came in half-squashed, my backpack still on my back. But I didn’t care.
Its face was pressed against the window.
“Mum is waiting for a person that will like me for me, not run away. You’re supposed to like me.” It said, matter-of-factly. It then wailed, and sunk beneath the car window.
I did not dare to sit up and see what it was doing.
I didn’t even need to though. The sound came a split-second later.
COCK-A-DOODLE-DOO
Tears spilled from my eyes. My limbs felt weak. I couldn’t even breathe. It suddenly sprang up to the window. Eyes enlarged: looking at me and everywhere at once.
“I can actually tur-COCK- in the day too, but M-DOODLE- said it would be too much for you,” wheezing, it exclaimed again before adding, “but this is ME. Do you-do you, do you like me?”
With dead limbs I weighed my foot on the pedal, and jump-started the car to speed off. My head shook left-and-right in response, stomach heaving with nausea.
Human preservation kicked me into taking proper control of the car when I saw, out of the rear view mirror, Sally. This time with a rope, which locked around the creature’s neck before she tugged, drawing it into her house. At one point we locked eyes. And what do I mean by we?
Answer: the 2 of them and me.
It was honestly a miracle that I did not get into a road traffic accident.
I spent 3 days living in the hotel after that, my job long-forgotten in the aftermath.
By day 4 I broke down and called my older sister, asking to stay at her place for a while. Her house and area seemed fine the times I’d stopped over. I guess I clearly did not seem right though, as she many-a-time asked me what was wrong. My answer? Stress. She persisted, years of living together as kids helping her figure out my lies, though she ultimately gave up after a week. She knew it was something I didn’t want to share, and that I was safe now. That was enough for her.
For me? I guess at the time I so badly wanted to tell someone. Though it couldn’t be my sister. I didn’t want to cause any trouble. Nor see if she’d even believe me, or instead rank me at the same IQ level as her two 5-year-olds.
For a few weeks, I stayed with my sister and her family, reassuring both her and myself that I was fine. Thankfully, we worked together to find a small apartment. Next to a kids school too - bonus points. I now craved safety above all else. After moving out though, I realised I needed my belongings back.
So, who picked up my stuff from that cursed residence, you ask? The moving people. I called the police from a random phone booth first to head over to that area, emphasising on seeing some suspicious looking men, whilst I got them to collect everything. I did not dare to call the police on that family though. I would prefer if the link between me and them got cut, drawn and quartered.
So now I’m here, in an apartment which thankfully hasn’t shown any sign of insanity. Inspecting my belongings, I noticed that there was one thing missing.
My gold frame, used to encase my make-shift certificate - made by yours truly after her 21-day record from the previous apartment - was gone.
I felt somewhat miffed, but then I realised something.
Something which can maybe bring the light out in this whole situation.
I counted carefully. I broke my record.
With a grand stay of 2 days. Now that - that I don’t think I’d ever be able to beat.

Long story short: Tinder > IG > WA
A less than 1 minute videocall was had with never a frame of my face in the same shot as my lower body. Both her WA number and the scammers number were phillipene (+63). Once I saw the notifications of the threat coming in from that second number, I didn't even open it and blocked and reported them both. I didn't pay a dime and don't even know what amount the wanted. Went to work on putting my profiles on max privacy, changed my pfps, changed my usernames, ...
It's now been 1 week and almost 12 hours later. Nothing has happened in regards to anything being leaked. I have not heard anything from the scammer again, not with a new number or any other social channel. No friend or family member has contacted my about getting any video. Nothing for more than a week now.
The fact they're Philippine criminals did allow me to do lots of research since it's sadly typical for that country. Luckily this means that there are prison sentences starting from 7 years and fines of around 10.000 euros. These elements do make me believe that I might be through that experience without any harm following.
I have had some DMs with victims here, used a public help line to explain my story to a listening stranger and filed a complaint with local law enforcement. These and much more got me through the suicidal phase.
There are plenty of polls and stories that'll show you how unlikely it is for them to actually leak. The risk, time and money they have to invest is simply almost never worth it.
I feel like I wanna move on from this, leave the past behind but I think I'll need another week of being in the clear to do so. If you have gone through a longer period of being free or have tips, recommendations or advice for me in how to look at the future, please let me know. I'm always available here.
Finally, don't pay, block, report and put your channels on max privacy or remove them as long as you need.

He framed her face with his hands and looked deeply into her deep purple eyes. ‘Your eyes are beautiful’ he complimented, as he studied her face for a long time before a smile creased his face. He then drew his hands down her loosely textured sun streaked hair. ‘I’m nervous’ she admitted reluctantly.

Xue Feng Though the modern medicine has limited knowledge of human bodies, what we have known is enough for us to admire the excellent human body structure and functions. Each system and organ in the human body is designed by the Greatest Creator. Even those trivial body parts have great functions. For example, there are several types of hairs on human bodies with distinct forms and functions. The head hair is designed to protect and beautify the head. It can grow long. According to the Bible, “But if a woman has long hair, it is a glory to her: for her hair is given her for a covering.” The eyebrows can divert sweat and rain, preventing them into the eyes. That’s why they are lined above the two eyes. Eyelashes can prevent the dust and other things from entering the eyes. That’s why they are lined on the sides of the eyelids. Also they stand forward in a special curve because it wouldn’t hinder the eyesight or pierce into the eyes when closing the eyes. If the eyebrows and eyelashes are too long, they will hinder the eyesight. That’s why they wouldn’t grow as long as the hair or beards. The nasal hairs can filter the inhaled air. That’s why they grow inside the nostril and stand sideways and outwards. If they stand inwards, the other things will find it easy to come into the nostrils and difficult to go out. The armpit hairs can prevent the partial friction and help the sweat evaporate. Without the armpit hairs, we have to raise our arms. Otherwise the skin under the arm will become inflamed because of the friction and moist. Required by the function, the armpit hairs cannot grow as long as the head hairs, or as short as the eyebrows. Besides, they are soft and curving. If they are rigid and coarse, they will hurt the skin. And cilia grow on the intestinal epithelium. The cilia grow downward and vibrate together. The vibrating waves move downward from upward to help move down the intestinal contents. Cilia also grow on the airway and bronchus epithelium. However, they grow and vibrate in the opposite direction as those on the intestinal epithelium. Only in this way can they move the sputum upward to the throat and spit them. If they grow downward, the airway and bronchus would get stuck by the sputum and the humans would die from it. Now I wish to take two simple reflections of human bodies as an example. When foreign matters enter the nostrils or airways, they will arouse two protective reflections, sneeze or cough, which is designed to repel the foreign matters. But due to different situation, these two reflections differ in their approaches. The foreign matters in the nostrils are not urgent so the sneeze reflection can be prepared in a composed way. First, inhale slowly; open the mouth, and the soft place move upward to block the nostril. Then breathe in enough air through the mouth, and the pleural body contracts sharply to emit the air in the lungs quickly. When the emitting reaches its peak, the tongue rises abruptly to block the mouth to repel the air to go out swiftly through the nostrils. In this way the foreign matters in the nostrils are driven out. However, if the foreign matters enter the airway, it is an emergent situation. If the foreign matters are not driven out timely, the life will be put at risk. The inhaling is strictly forbidden because it will make the foreign matters go deeper and cause suffocation. So the cough doesn’t include the inhaling. Instead, the glottis closes immediately. At the same time, the pleural body contracts suddenly and adds the lung air pressure extremely. When the pressure is at its strongest point, the glottis opens suddenly and the lung air sends out explosively, compelling the foreign matters in the airway to the throat via the glottis. At this time, the soft place rises to block the nostrils. The foreign matters are spit out through the mouth. If the tongue and the soft place perform the same way as in the sneeze, the foreign matters emitted out of the airway will enter the nostrils, causing another trouble. In these two reflections, the body parts must cooperate closely. Any failure in the coordination will lead to the failure of the reflection, causing serious consequences. So these activities are not done freely. Instead, they are done as required by their functions and set procedures. These procedures are not learnt or practices. The program has been rooted in our brain nerve structure (nerve nucleus) when we are born. Otherwise, the babies will not survive. The advanced computer science has made it possible to simulate these activities. However, the simulation requires 3 conditions: 1. Device simulating the inhale and exhaling of human mouth, nose, throat, pleural and the sensing device; 2. The central control equipment simulating nerves and body system (compute, input and output devices). The above two devices are hardware. And software is also needed, namely (3). A program composed in strict compliance with the requirements to control the performance and procedure of each link, and arrange them in perfect coordination. All the three conditions are imperative. Otherwise the reflections can’t be realized. The program itself is not a substance structure. Instead, it is a smart use and spiritual result. There will be no such a thing as the program without the smart use. So we have to ask, the program is composed by the humans and stored in the computer, how about the control program in the human brain. Is it also composed by someone and stored in the human brain? Sneeze and cough are the simplest examples. There are numerous automatically controlled physical, bio-chemical and pathological human body activities, which are even more sophisticated than reflections of cough. Even today, some of them remain mysteries to us. So how are these sophisticated control programs composed? And where do they come from? Now let’s have a look at the sensory organs on human bodies. Why do we have two ears? The reason is that one ear is not able to identify the direction. With the ears lying on two sides of the head, the sound reaches the ears in sequence of time. Based on the slight receiving time difference, the brain can judge where the sound comes from. The auricle is the most outward component of the ear. It can introduce the sound into the external auditory canal. Within the auricle there is a thin layer of cartilage helping to retain the form of auricle, giving it wonderful elasticity and protecting it from the clashes. Without the cartilage, the auricle is just two useless pieces of skin hanging on the head side. If the thin bone is inside the auricle, it will break easily even if when you are sleeping on your side, damaging the auricle. There is fuzz on the outer segment of the external auditory canal preventing the sand and dust. The inner segment secretes cerumen to prevent insects. When foreign matters enter the external auditory canal, it will trigger head shaking, instead of sneeze or cough, to get the matters out. Because the external auditory canal is a blind passage, it is impossible to repel the foreign matters with air. Why don’t the foreign matters in the nostrils arouse the head-shaking reflection to repel them? That’s because the nostrils of humans almost lie in the middle of the head. The shaking is not able to produce enough centrifugal force. Besides, the human nostrils face downward and it is improper to repel the foreign matters by shaking the head. The sound is produced by the mechanical vibration of objects and is transmitted by the air fluctuation, or the sound waves. The human ears are actually working like a precise mechanical vibration monitor. In the inner ear there are a number of keyboards with different sizes, producing nerve impulses produced by echoing with corresponding frequencies. The brain, in accordance with the features of these impulses, identifies the strength, tunes and timbre of the sounds. We must note though there are many sensory organs in human bodies, only the inner ear is protected by the most solid and firm bones. In fact, it lies in the cave part of the temporal bone. Of all the sensory organs, only the ears monitor the mechanical vibration, which needs a relatively fixed position. Otherwise, it is not able to monitor the sound. If the inner ear lies in the soft tissues, when the sound wave arrives, the inner ear will vibrate with it. Thus it can hear nothing. Now the inner ear lies in the firm bone and it can’t sense the air vibration. So it is imperative to reduce the density waves to the mechanical vibrations before sending them to the inner ear. And there is such a reduction device at the middle bottom of the external auditory canal, which is called the eardrum. The eardrum has enough space to receive the air pressure. It is thin enough to vibrate when the sound wave arrives. Meanwhile, the eardrum is strong enough to push the transmission device. The long handle of the middle ear cartilage is attached to its inner side, the tensile force of which makes the eardrum sink inside slightly to maintain certain tension. This allows the eardrum to accurately reduce the arriving sound waves into the mechanical vibrations. No matter what the temperature is, the vibration function is not impacted. After the sound waves are reduced into the mechanical vibration, some rigid objects are needed to transmit the vibration to the inner ear. Of all body tissues, the most rigid objects are the bones. However, the bones are heavy in general and covered by the soft tissues, which are not suitable for the audio vibration. However, in the tympanic cavity between the eardrum and the inner ear, there are three unique tiny bones with delicate forms measured in millimeters. They are almost completely exposed to the air in the tympanic cavity. These three tiny bones are connected by ligament and form a transmission chain in curve with excellent audio vibration function, able to transmit accurately the vibration of the eardrum to the inner ear. The transmission device can properly multiply the weak vibration and reduce the strong sound wave. All of these structures are the super designs required by the acoustics. There are even smarter designs in the hearing organ. For example, to make the eardrum vibrate freely following the arriving sound waves, the two sides of the eardrums must be exposed to the air. As a result, there is a tympanic cavity full of air in the middle ear. If the cavity is filled by liquids, just as other cavities are, the eardrum is not able to vibrate because the liquids can’t contract. Besides, the cavity does not only need to be filled with air, but also needs to be connected to the outside world with a proper passage, to balance the static air pressure in the cavity with the outside air pressure. Otherwise, the air in the cavity will gradually be absorbed, causing the eardrum to sink excessively or damaging it. When the outside air pressure changes, (such as in mountain climbing, diving, the airplane takeoff or climate change), it will arouse uncomfortable feelings or lead to hearing malfunction. But the middle ear can’t be opened to the outside world directly, just like the external auditory canal or nostrils can. The reason is that the direct exposure will make the arriving waving sound reach the two sides of the eardrums at the same time via the external auditory canal and middle ear passage, counteracting the sound pressure. Thus the eardrums will not vibrate at all, unable to produce the hearing. So it is a difficult problem to connect the middle ear and the outside world. However, the human body, with a smart design, solves this problem. The middle ear is opened at the two sides in the upper rear of the pharynx via a half-opened passage (the so-called auditory tube). The auditory tube is locked in common times and only opened temporarily when taking the swallowing actions, balancing the air pressure in the middle ear shortly. After the swallowing action is over, the auditory tube is locked again. Apart from eating, human body would regularly take swallowing action unconsciously, even when he or she is sleeping. Thus the air pressure in the middle ear can be adjusted from time to time and avoid the hearing from being hindered. Besides, when swallowing, the swallowing segment and the soft palate will definitely rise, blocking the mouth and nostrils against the outside world. So on the moment when the ear and throat are opened shortly, though the air in the throat can enter the middle ear, the sound waves from the outside world are blocked against the middle ear. As a result, the hearing will not be interfered and can receive the outside sound and voice. Only the throat in the body can meet the special demand of the hearing organs. The throat is originally designed as part of the digestion and breathing system, it does not belong to sensory system. However, it can cooperate so smartly with the hearing organs. We have to admire the extremely delicate body-wise design. The vestibule in the inner ear controls the balance of the body. In the vestibule there are 3 semicircular canals. When the body loses balance, the mutually-vertical semicircular canals produce the balance impulse, which triggers the corresponding reflection via the balance center in the medulla brain. Why are there 3 semicircular canals instead of 2 or 4? And why are they mutually vertical? The reason is apparent. Humans live in the 3-dimensional space. There are 3 mutually-vertical movement directions, namely, front and rear, left and right, upward and downward. So the 3 mutually-vertical semicircular canals can monitor the movements. The number less than 3 or more than 3 would be insufficient or redundant. We can see the delicate and smart structure and function, and the supreme wisdom in them. They can’t be the accidental results. As the most important perception of human bodies, vision provides more information than that provided by all other perceptions. The vision is the perception of image and space and the visual organs must have the most precise and accurate structure completely different from other sensory organs. As a result, in the perspective of the embryo-genesis or neuro-anatomy, the main structure of the eyes is not just the common receptor. Instead, it is part of the cerebral cortex. The so-called optic nerves are completely different from other cerebrospinal nerves. In essence, the optic nerves are inner structure in the brain, transmitting the most sophisticated visual information. The eyes function like a precise camera. The retina composed of the photoreceptor cells is just like the films. The crystal, iris and the cornea works like the lens, diaphragm and the filter. However, the precision and automatic adjustment of the eyes is no match of any high-quality cameras. For example, the lens in modern cameras is made of special glass or hard plastics with fixed focal distance. When taking pictures for the landscapes with different distances, the lens position must be adjusted. Otherwise, the image will not be produced on the films. But this is an awkward approach. Imagine when the eyes are watching landscapes with different distances, the eyeballs have to protrude or recess alternatively, which looks ugly or damages the health and function of the eyes. However, the crystal in the eyes are transparent and elastic colloid, which can adjust automatically the focal distance in accordance with the distance of the objects to make sure all the objects can be imaged on the retina, without changing the position of the crystal. Such automatic adjustment function can’t be fulfilled by any camera. If we observe the eyes in the perspective of modern TV technologies, the eyes are more like the television camera, but thousands of times more precise than the television cameras. The TV image is composed of dense pixels (the mixed dark or brilliant light spots). Till now, the best TV image only contains less than 1 million pixels. However, the human eyes can produce image containing 20 billion pixels. Only the eyes can see the details of objects. No matter how clear or accurate the image is, it is still a plan view image. Then how the eyes can provide the dimensional image is a key issue of providing the complete vision. But it is not an easy task at all to convert the flat view image into the dimensional one. For a long time, people have been puzzled by how the conversion is done. Of course, we later knew the smartness and delicacy of the human body shown here. The two eyes send the flat view images they receive into the same nerve center, which contrasts and analyzes the images and judges the distance of the objects based on the slight visual angle difference caused by the position difference of the two eyes. Thus the dimensional image is produced. That’s why people have to have 2 eyes to establish the complete vision. Based on such understanding, humans have invented the dimensional movies. But the above is only the external process of how vision is formed. People have little knowledge about how the visual center works inside. We have to admit that the mysteries of human body structure and functions are beyond the intelligence of mankind. As a matter of fact, the distance judgment with two eyes is the triangulation technique which is precise and automatic. The accurate measurement needs two premises. First, the two eyes must focus on one object at the same time. Otherwise, there will be double vision, which means the one objects will be seen as two objects. As a result, the complete neuromuscular system is equipped on the outside of the eyeballs, making the eyeballs the most flexible and accurate organs. The ciliary muscle inside the eyeballs can adjust the conversion rate of the crystal at any time to focus on the object and form the clearest image. Second, the retina of the two eyes must be strictly symmetrical. Otherwise, the image contrast of the two eyes will become impossible. Furthermore, the images received by the two eyes must be transmitted at the same time to the same visual center for contrast and analysis. There are two visual nerves on the left and right side of the brain, supervising respectively the two sides of the vision field. The objects in the left of the vision field are reflected, via the eye pupil, on the retina of the right sides of the two eyeballs. The corresponding images in the two eyes, via the visual nerve, are sent to the visual center on the right side of the brain. The objects in the right of the vision field are reflected, via the eye pupil, on the retina of the left sides of the two eyeballs. The corresponding images in the two eyes, via the visual nerve, are sent to the visual center on the left side of the brain. The two visual nerves contrast the corresponding images coming from the eyes and produce the full-field dimensional images. The pairs of human parts are often symmetrical on the outside. Only the retinas are symmetrical in the same position. Namely, the left side is symmetrical to the left side and the right side symmetrical to the right side of the two retinas. That’s because the light rays come in directly. Otherwise, the visual centers can’t receive the corresponding images or get the coordinated vision. The structural symmetry of the retinas in the two eyes must be accurate to the utmost. Otherwise the images in the two eyes will not comply with each other and the ambiguity will occur. Besides, the corresponding images from the two eyes must be sent to the same visual center. Thus the optic nerves must have the corresponding special structure to realize the cross-transmission of the images. This is the unique “chiasma opticum” unique to the optic nerves. This function is not possessed by any other nervus cerebrospinalis because they don’t handle the information of images and space. If we use the computers and monitoring cameras to simulate the process of human vision, the input network of the computers has to have a similar chiasm. No other design can do it. Judging from the above, we can find all the human organs, structures and functions have shown the supreme wisdom. And these are the ways they should be. Some people think that human body has some useless organs, such as the thymus gland, appendix, tonsil and coccyx, in order to prove the human structure is imperfect. Some people used to believe that these organs were not that useful. Instead, they tend to arouse diseases such as appendicitis and tonsillitis. If these organs are cut off, it will not have much impact on the human body. In the past, people used to classify spleens and other organs into the useless organs. There was a list of useless organs in the past which included over 100 organs. But the list was long not because these organs are useless but because people at the time were ignorant. As more we know about the organs, most of them have been deleted from the list and there are only a few still remain in the list. Some people think that these organs are the leftovers of human evolution, which are called the “waste back organs” and use them as one of the evidences of evolution theory. This is a complete misunderstanding. Till not we have understood there are no such things as the “obsolescent organs”. It is simply the lack of knowledge of these organs. Take the thymus gland as an example. In the past, people didn’t know its function. Now we have understood it is the warning device of the human body against the inner and outer infection sources. As a result, the thymus gland contributes a lot to the human health. Another example, if the coccyx fractures, it will cause serious functional disturbance. So the coccyx is also an imperative part of human body. Some people might say these organs can trigger diseases. Then all human organs can lead to diseases, even brain and heart are of no exceptions. Why don’t we say the brain and heart are useless? Some organs, though they are not as important as the heart and brain and wouldn’t endanger life immediately when eliminated, are also useful. Just like if the hands or feet are lost, though not fatal, the human body is handicapped. After knowing the supreme and smart design of human structures and functions, you might want to know how they come into being. Who has designed and made such sophisticated and precise organs? We cannot avoid the question. Any truth-seeking person would admit that the extremely delicate organs and structures are not produced naturally or accidently. For instance, if someone gives you a top-class camera and tells you it is a natural one without designer or manufacturer; do you think his words are scientific and acceptable? The human body, which is even more delicate, accurate, flexible and practical, must have a supremely wise and capable creator behind it. On a spring Sunday morning in 1954, I saw a young stranger sitting in the chamber of a Church. When we started to talk, I knew that he was a student at Peking Union Medical College. He said to me, “Since I studied anatomy and physiology, I have felt the human body is really a wonder. It is not possible to understand it unless we interpret the wonder with a God.” He came to the church to seek an answer. The wonder of this young man is not the only example. I remember that when I was studying anatomy and physiology in school, some students surrounded our physiology teacher and kept asking him questions. Finally, the teacher, annoyed by so many questions, told us, “Please stop the questions because they will lead to religion in the end.” Because of the special political background at the time, the teacher’s warning silenced all the students. But his warning impressed me deeply and remained in my memory till today. My thought at that time was that the teacher was right because all the things were created by the God. Though he was not a Christian, he had to admit the truth and the further probe into the human body mysteries (part of the Universe mysteries) would definitely lead to the existence of the God (religion) in the end. Otherwise, it would be impossible to explain the wonders of the human body. The Bible says, “For the invisible things of him from the creation of the world are clearly seen, being understood by the things that are made, even his eternal power and Godhead; so that they are without excuse.”(1:20 Romans 1) Was the teacher demonstrating his scientific spirit? No. The scientific spirit means the truth and boldly pursuit of the truth without avoiding any controversy. The teacher knew very clearly that one more step forward would lead to the God but he dared not move onto the path towards the truth. Instead, he asked his students to stop there. It has shown that many people refuse to admit the existence of God not because they don’t have the scientific spirit but because of the social pressure, individual consideration for their interest and prospect, just as what the teacher was doing at that time. Nevertheless, the existence of the God would not change. And we cannot live in such considerations for the reality forever. One day in the future, when we have to face the ultimate choice, we will have to face the supreme master who has created the Universe and the human beings. The Bible says, “And as it is appointed unto men once to die, but after this the judgment.” If we don’t accept the immoral God now, we have no excuse when it comes to the day. When we talk about the origin of all things in the Universe, some young people often ask, “You have said the humans are created by the God, then who has created the God?” The analogizing logics seem to be reasonable. But it is not true. Because the God is the creator instead of the created, you can’t link these together. The table is made by the carpenter. But you cannot say the carpenter and the table have the same origin. Human benings’ understand of the God is only limited to the enlightenment from the God to the humans. Otherwise, humans cannot understand the mystery of God’s nature. The God says, “I am Alpha and Omega, the beginning and the ending, saith the Lord, which is, and which was, and which is to come, the Almighty.” (Exodus 3:14 and Revelation 1:8). For the God, there is only the eternality, and there is no time, beginning or ending. Even in the scientific field, too many analogizing questions won’t be tolerated. One scholar was talking about the belief in the God with his students. One student asked suddenly and proudly, “Where does the Universe come from?” The scholar answers, “The Universe is created by the God.” The student continued to ask, “Who has created the God?” The scholar answered, “The God is Alpha and Omega and I am not created.” The student said, “This is not scientific at all.” The scholar then asked the student, “Where does the Earth come from?” The student answered, “The Earth comes from the Sun.” The scholar continued to ask, “Where does the Sun come from?” The student answered, “The Sun comes from the Galaxy.” The scholar asked again, “Where does the Galaxy come from?” The student hesitated and answered, “The Galaxy comes from the nature.” The scholar continued to ask, “Where does the nature come from?” The student couldn’t answer this question and said in anger, “The nature is the nature and comes naturally.” The scholar then laughed, “This is not scientific at all.” So we can conclude that the “scientific” answers are not scientific. Another example is that the sciences tell people that substances are composed of the molecules. Then what are the molecules composed of? The molecules are composed of the atoms. But what are the atoms composed of? They are composed of the electrons, protons and neutrons. Then what are the electrons, protons and neutrons composed of? Till now, we cannot find an answer to this question. The atomic physicists are now working hard to find the “elementary particle”. They are called “basic particles” because the scientists don’t expect the substances to be divided limitlessly. So they believe that one day they will find the ultimate component, the “elementary particle”. Of course, the scientists will not ask such question of “what is something composed of?” This is the extremity and everything ends here. The materialists claim that the Universe is limitless and that the materials are eternal and can be divided limitlessly, etc. They are simply the groundless conclusion of the philosophers. And there is an extremity in their logics, the materials. They say that the materials are Alpha and Omega but can’t tell where the materials come from. Now let’s have a look at the math. All numbers come from 1, followed by 2, 3…. You can’t ask what the 1 is because 1 is 1, and not other numbers. It means that 1 is the origin of all numbers. The Greatest Creator has created all things and the Greatest Creator is the origin of them. It will be meaningless to ask where the Greatest Creator comes from.

I’ve always hated the smell of gun oil. It clings to everything it touches, soaking deep into the fibers of my clothes, the lining of my backpack, the coarse hair on the back of my hands. Yet here I am, kneeling on the cracked linoleum of our mudroom, a Remington .308 laid across my thighs, and the stench of gun oil sharp in my nostrils. The early morning light barely scratches at the edges of the blinds, dim and gray like the belly of a dead fish.
My dad Frank is in the kitchen, clattering around with the coffeepot and mumbling under his breath. Today we’re heading up to the woods of Northern Michigan, same as we did every year before Leah… before we lost her.
I can’t help but feel the old scars throbbing as I load bullets into the magazine. It’s been ten years since that hunting trip, the one that tore my family into before and after. Before, when Leah's laughter was a constant soundtrack to our lives; after, when every silence was filled with her absence.
We were just kids back then. I was ten, Leah was eight. It was supposed to be a typical hunting trip, one of those bonding experiences Dad was always talking about. But things went wrong. We got separated from Dad somehow. One minute we were following him, the next we were lost, the dense woods closing in around us.
Dad says when he found me, I was huddled under a fallen tree, my eyes wide, my body frozen. All I could mutter through chattering teeth was "Dogman."
It was only later, after the search parties had combed through every thicket and hollow, that they found her. What remained of Leah was barely recognizable, the evidence of a brutal mauling undeniable. The authorities concluded it was likely a bear attack, but Dad... he never accepted that explanation. He had seen the tracks, too large and oddly shaped for any bear.
As I load another round, the memory flashes, unbidden and unwelcome. Large, hairy clawed hands reaching out towards us, impossibly big, grotesque in their form. Yet, the rest of the creature eludes me, a shadow just beyond the edge of my recall, leaving me with nothing but fragmented terrors and Leah’s haunting, echoing screams. My mind blocked most of it out, a self-defense mechanism, I guess.
For years after that day, sleep was a battleground. I'd wake up in strange places—kitchen floor, backyard, even at the edge of the nearby creek. My therapist said it was my mind's way of trying to resolve the unresolved, to wander back through the woods searching for Leah. But all I found in those sleepless nights was a deeper sense of loss.
It took time, a lot of therapy, and patience I didn't know I had, but the sleepwalking did eventually stop. I guess I started to find some semblance of peace.
I have mostly moved on with my life. The fragmentary memories of that day are still there, lurking in the corners of my mind, but they don’t dominate my thoughts like they used to. I just finished my sophomore year at Michigan State, majoring in Environmental Science.
As for Dad, the loss of Leah broke him. He became a shell of himself. It destroyed his marriage with Mom. He blamed himself for letting us out of his sight, for not protecting Leah. His life took on a single, consuming focus: finding the creature that killed her. He read every book, every article on cryptids and unexplained phenomena. He mapped sightings, connected dots across blurry photos and shaky testimonies of the Dogman.
But as the tenth anniversary of Leah’s death approaches, Dad's obsession has grown more intense. He’s started staying up late, poring over his maps and notes, muttering to himself about patterns and cycles. He’s convinced that the dogman reappears every ten years, and this is our window of opportunity to finally hunt it down.
I’m not nearly as convinced. The whole dogman thing seems like a coping mechanism, a way for Dad to channel his guilt and grief into something tangible, something he can fight against. But I decided to tag along on this trip, partly to keep an eye on him, partly because a small part of me hopes that maybe, just maybe, we’ll find some kind of closure out there in the woods.
I finish loading the rifle and set it aside, standing up to stretch my legs. I wipe my greasy hands on an old rag, trying to get rid of the smell. The early morning light is starting to seep into the room, casting long shadows across the floor.
Dad comes out of the kitchen with two thermoses of coffee in hand. His eyes are bleary and tired.
“You ready, Ryan?” he asks, handing me a thermos, his voice rough from too many sleepless nights.
“Yeah, I’m ready,” I reply, trying to sound more confident than I felt.
We load our gear into the truck, the weight of our supplies and weapons a physical reminder of the burden we carry. The drive from Lansing across the Lower Peninsula is long and quiet, the silence between us filled with unspoken memories and unresolved grief.
—
The drive north is a blur of highway lines and the dull hum of the engine. I drift off, the landscape outside blending into a haze. In my sleep, fragments of that day with Leah replay like scattered pieces of a puzzle. I see her smile, the way she tugged at my sleeve, eager to explore. The sunlight filters through the trees in sharp, jagged streaks.
Then, the memory shifts—darker, disjointed. Leah's voice echoes, a playful laugh turning into a scream that pierces the air. The crunch of leaves underfoot as something heavy moves through the underbrush. I see a shadow, large and looming, not quite fitting the shapes of any creature I know.
Then, something darker creeps into the dream, something I’ve never allowed myself to remember clearly.
Before I can see what it is I wake up with a start as the truck jerks slightly on a rough patch of road. Dad glances over. "Bad dream?" he asks. I nod, rubbing the sleep from my eyes, the remnants of the dream clinging to me like the cold.
"Yeah, just... thinking about Leah," I manage to say.
As we drive, Dad attempts to bridge the silence with small talk. He asks about my finals, my plans for the summer, anything to keep the conversation going. His voice carries a forced cheerfulness, but it’s clear his heart isn’t in it. I respond when necessary, my answers brief, my gaze fixed on the passing scenery.
The landscape changes as we head further north, from flat expanses to rolling hills dotted with dense patches of forest. It's beautiful country, the kind that reminds you how vast and wild Michigan can be, but today it just feels oppressive, like it’s closing in on us.
—
We finally arrive at the cabin, nestled deep in the woods, its weathered wood blending seamlessly with the surrounding trees. The place hasn't changed much since the last time I was here—a relic from another time, filled with the echoes of our past. I can still see Leah running around the porch, her laughter ringing out into the forest.
Dad parks the truck, and we step out into the crisp air. The smell of pine and damp earth fills my nostrils. We start unloading our gear, the tension between us palpable.
“Let’s get this inside,” Dad says, his voice gruff as he hefts a duffel bag onto his shoulder.
I nod, grabbing my own bag and following him to the cabin. Inside, it’s a mix of old and new—the same rustic furniture, but with new hunting gear and maps strewn across the table. Dad’s obsession is evident in every corner of the room, a constant reminder of why we’re here.
As we unpack, we exchange strained attempts at normalcy. He talks about the latest cryptid sightings he’s read about, his eyes lighting up with a fervor that both worries and saddens me.
“Did you hear about the sighting up near Alpena?” he asks, laying out his maps on the table.
“Yeah, you mentioned it,” I reply, trying to muster some enthusiasm. “Do you really think there’s something to it?”
Dad’s eyes meet mine, and for a moment, I see a flicker of doubt. But it’s quickly replaced by grim determination. “I have to believe it, Ryan. It’s the only thing that makes sense.”
We finish unpacking, the silence between us growing heavier with each passing minute. I step outside to clear my head, the cool air a welcome relief. The sun is starting to set, casting long shadows across the clearing. I can’t shake the feeling of unease.
"You can take the upstairs room," Dad mutters. His voice is strained, trying to sound normal, but it's clear the weight of the past is heavy on him. I nod, hauling my backpack up the creaking stairs to the small bedroom that I used to share with Leah. The room feels smaller now, or maybe I've just grown too much since those innocent days.
I unpack silently, setting my things aside. The bed is stiff and cold under my touch. As I settle in, I can't help but glance at the corner where Leah and I would huddle together, whispering secrets and making plans for adventures that would never happen. I push the thoughts away, focusing on the practicalities of unpacking.
After settling in, I go back downstairs to find Dad loading up a backpack with supplies for our hunt. The intensity in his eyes is palpable, his hands moving with practiced precision. I know this routine; it's one he's perfected over countless solo trips since that fateful day.
"We'll head out early," he says, not looking up from his task. "Gotta make the most of the daylight."
I nod, though unease curls in my stomach. I'm not just worried about what we might find—or not find—out there. I'm worried about him. Each year, the obsession seems to carve him out a bit more, leaving less of the Dad I knew.
—
The morning air is sharp with the scent of pine and wet earth as Dad and I head into the deeper parts of the forest. The terrain is rugged, familiar in its untamed beauty, but there’s a tension between us that makes the landscape feel alien. Dad moves with a purposeful stride, his eyes scanning the woods around us. Every snap of a twig, every rustle in the underbrush seems to draw his attention. He’s on edge, and it puts me on edge too.
As we walk, my mind drifts back to that day ten years ago. I can almost hear Leah’s voice echoing through the trees, her high-pitched call as she darted ahead, "Catch me, Ryan!" I remember how the sunlight filtered through the leaves, casting dancing shadows on the ground. Those memories are so vivid, so tangible, it feels like I could just turn a corner and see her there, waiting for us.
Dad suddenly stops and kneels, examining the ground. He points out a set of tracks that are too large for a deer, with an unusual gait pattern. "It’s been here, Ry. I’m telling you, it’s close," he whispers, a mixture of excitement and something darker in his voice. I nod, though I’m not sure what to believe. Part of me wants to dismiss it all as grief-fueled obsession, but another part, the part that heard Leah's scream and saw something monstrous in the woods that day, isn’t so sure.
As we continue, Dad's comments become increasingly cryptic. "You know, they say the dogman moves in cycles, drawn to certain places, certain times. Like it’s tied to the land itself," he muses, more to himself than to me. His fixation on the creature has always been intense, but now it borders on mania.
We set up a makeshift blind near a clearing where Dad insists the creature will pass. Hours drag by with little to see but the occasional bird or distant deer.
The sun rises higher in the sky, casting long, slender shadows through the dense canopy. I shift uncomfortably in my spot, the forest floor hard and unyielding beneath me. My eyes dart between the trees, hoping to catch a glimpse of something, anything, to break the monotony. Dad, on the other hand, remains steadfast, his gaze fixed on the treeline as if he can will the dogman into existence by sheer force of will.
A bird chirps nearby, startling me. I sigh and adjust my grip on the rifle. I glance over at Dad.
“Anything?” I ask, more out of boredom than genuine curiosity.
“Not yet,” he replies, his voice tight. “But it’s out there. I know it.”
I nod, even though I’m not sure I believe him. The forest seems too quiet, too still. Maybe we’re chasing ghosts.
As the sun begins its descent, the forest is bathed in a warm, golden light. The air cools, and a breeze rustles the leaves. I shiver, more from anticipation than the cold. The long hours of sitting and waiting are starting to wear on me.
“Let’s call it a day for now,” Dad says finally, his voice heavy with disappointment. “We’ll head back to the cabin, get some rest, and try again tomorrow.”
I stand and stretch, feeling the stiffness in my muscles. We pack up our gear in silence and start the trek back to the cabin. The walk is long and quiet, the only sounds are the crunch of leaves underfoot and the distant calls of birds settling in for the night.
—
Dinner is a quiet affair, both of us lost in our thoughts. I try to make small talk, asking Dad about his plans for tomorrow, but it feels forced. We clean up in silence.
After dinner, I retreat to the small bedroom. The fatigue from the day's hike has settled into my bones, but sleep still feels like a distant hope. I lie down, staring at the ceiling, the room cloaked in darkness save for the sliver of moonlight creeping through the window. Downstairs, I hear the faint sound of Dad moving around, likely unable to sleep himself.
I drift into sleep, but it's not restful. My dreams pull me back to that fateful day in the woods. Leah's voice is clear and vibrant, her laughter echoing through the trees. She looks just as she did then—bright-eyed and full of life, her blonde hair catching the sunlight as she runs ahead of me.
"Come on, Ry! You can't catch me!" she taunts, her voice playful and teasing.
I chase after her, but the scene shifts abruptly. The sky darkens, the woods around us growing dense and foreboding. Leah's laughter fades, replaced by a chilling silence. I see her ahead, standing still, her back to me.
"Leah?" I call out, my voice trembling. She turns slowly, her eyes wide and filled with fear. "Ryan, you have to remember," she says, her voice barely a whisper. "It wasn't what you think. You need to know the truth."
Leah’s words hang in the air, cryptic and unsettling. Before I can respond, she turns and starts running again, her figure becoming a blur among the trees. Panic rises in my chest as I sprint after her, my feet pounding against the forest floor.
“Leah, wait!” I shout, desperation lacing my voice. The forest around me seems to close in, the trees towering and twisted, shadows dancing menacingly in the dim light. I push forward, trying to keep her in sight, but she’s too fast, slipping away like a wisp of smoke.
Suddenly, there’s a rustle, a flash of movement in the corner of my vision. Leah screams, a sound that pierces through the heavy silence. It happens too quickly—I can’t see what it is, only a dark blur that snatches her up.
“Leah!” I scream, my voice breaking. I stumble, falling to my knees as the forest spins around me. My heart races, and the terror is so real, so visceral, that it pulls me back to that awful day, the one that changed everything.
I jolt awake, my breath coming in ragged gasps.
I sit up, wiping the cold sweat from my forehead as I try to steady my breathing. The room is still dark, the shadows cast by the moonlight seem to flicker and dance on the walls. My heart is still racing from the nightmare, the echo of Leah's scream lingering in my ears.
As I struggle to calm down, the floorboards outside my room creak. The door opens slowly, and I see the silhouette of my dad in the doorway, a Bowie knife in his hand, his posture tense.
“Dad, what the hell are you doing?” I whisper, my voice shaking.
“Shh,” he hisses, holding up a hand to silence me. “I heard something. Something moving around in the cabin. Stay quiet.”
I swallow hard, my mouth dry. I glance at the clock on the nightstand—it’s just past three in the morning. The cabin is silent, the kind of deep, oppressive silence that makes every small sound seem louder. I can’t hear anything out of the ordinary, but Dad’s expression is deadly serious.
He motions for me to get up, and I do, moving as quietly as I can. My heart is racing, a mix of lingering fear from the dream and the sudden, sharp anxiety of the present moment. Dad leads the way, stepping cautiously out of the bedroom and into the hallway, the knife held ready in front of him.
We move through the cabin, checking each room in turn. The living room is empty, the furniture casting long shadows in the dim moonlight. The kitchen is just as we left it, the plates from dinner still drying on the counter. Everything seems normal, untouched.
We finish our sweep of the cabin without finding anything amiss. The silence is heavy, punctuated only by our soft footfalls. I can see the tension in Dad’s frame, his grip on the knife unwavering. After checking the last room, we pause in the dimly lit hallway, the air thick with unspoken questions.
“There’s nothing here,” I say, my voice low. “Are you sure you heard something?”
He looks at me, his eyes searching for something in my face. “I heard growling. Deep and close. It was right outside the window.”
“Maybe it was just an animal outside, a raccoon or something?” I suggest, although the certainty in his voice makes me doubt my own reassurance.
“No, it wasn’t like that. It was different,” he insists, his voice tense.
I nod, not wanting to argue, but the seeds of worry are planted deep.
The look in his eyes sends a chill down my spine. It’s not just fear—it’s desperation. The kind of desperation that comes from years of chasing shadows and finding nothing. I can see the toll this hunt has taken on him, the way it’s worn him down, turned him into a man I barely recognize.
We head back to our rooms. As I lie down, my mind races with thoughts of my dad. I can’t help but wonder if he’s losing it, if the years of grief and guilt have finally pushed him over the edge.
Dad wasn’t always like this. Before Leah’s death, he was the kind of father who took us fishing, helped with homework, and told terrible jokes that made us groan and laugh at the same time. He was solid, dependable. But losing Leah changed him. The guilt twisted him into someone I barely recognize, someone driven by a need for answers, for closure, that may never come.
I try to sleep, but my thoughts keep me awake. I can hear Dad moving around downstairs, probably pacing or double-checking the locks. His paranoia has become a constant presence, and I don’t know how to help him. I don’t even know if I can help him.
—
The next morning, the sunlight filters weakly through the cabin windows, casting a pale light that does little to lift the heavy mood. I drag myself out of bed, feeling the exhaustion of another restless night. Dad is already up, hunched over his maps at the kitchen table, his eyes bloodshot from lack of sleep.
“Morning,” I mumble, rubbing the sleep from my eyes as I pour myself a cup of coffee. “Did you sleep at all?”
He shakes his head, not looking up from his notes. “Not much. I couldn’t stop thinking about what I heard last night.”
I sip my coffee, trying to shake off the remnants of my nightmare. “Maybe it was just an animal, Dad. We’re deep in the woods, after all.”
He finally looks up, his eyes intense. “Ryan, I know what I heard. It wasn’t just an animal. It was something else.”
I sigh, not wanting to argue. “Okay, fine, Dad. What’s the plan for today?”
“We’re going back out. I found some tracks yesterday, and I want to follow them. See where they lead.”
I nod, feeling a mix of apprehension and resignation. I can see how much this means to him, how desperate he is for any kind of lead. “Alright. Let’s get packed and head out.”
We spend the morning preparing, loading up our gear and double-checking our supplies. Dad is meticulous, going over everything with a fine-toothed comb. I try to match his focus, but my mind keeps drifting back to Leah and the dream I had. Her words echo in my head, cryptic and unsettling: “You need to know the truth.”
We set off into the woods, the air crisp and cool. The forest is alive with the sounds of birds and rustling leaves, but it all feels distant, like background noise to the tension between us. Dad leads the way, his eyes scanning the ground for any sign of the tracks he found yesterday.
As we walk, I can’t help but notice how erratically he’s acting. He mutters to himself, his eyes darting around as if expecting something to jump out at us. His grip on his rifle is tight, his knuckles white.
“Dad, are you okay?” I ask, trying to keep my voice steady.
He glances at me, his expression unreadable. “I’m fine. Just focused.”
He stops frequently to examine the ground or the bark of trees, pointing out marks and signs that seem meaningless to me.
“Look at this,” he says, crouching down to examine a broken branch. “See how it’s snapped? That’s not a deer or a bear. That’s something bigger. Stronger.”
I crouch next to Dad, squinting at the broken branch. To me, it just looks like a regular broken branch, the kind you see all over the forest. "I don't know, Dad. It just looks like a branch to me," I say, trying to keep my voice neutral.
Dad's eyes flicker with frustration. "You're not looking close enough. It's the way it's snapped—too clean, too deliberate. Something did this."
I nod, not wanting to argue. "Okay, sure. But even if you're right, it could be anything. A storm, another hunter..."
His expression hardens. "I know what I'm looking for. This is different."
I sigh, feeling the weight of the past and the tension between us pressing down on me. "Dad, I had a dream last night. About Leah." The words hang in the air between us, heavy and fraught with unspoken emotions.
Dad's eyes widen, and he straightens up, his entire demeanor shifting. "What kind of dream? What did you see?" His voice is urgent, almost desperate.
"It was... strange. We were in the woods, like we are now, but everything felt different. Leah was there, running ahead of me, laughing. Then she stopped and told me I needed to know the truth, that it wasn't what I thought."
Dad grabs my shoulders, his grip tight. "What else did she say? Did she tell you anything specific? Anything about the creature?"
I shake my head, feeling a chill run down my spine. "No, that was it. She just said I needed to know the truth, and then she was gone."
Dad’s grip on my shoulders tightens, and his eyes bore into mine with a mixture of desperation and hope. “Ryan, you have to try to remember. Think hard. What did the creature look like? Did you see anything else?”
I pull back slightly, uneasy with his intensity. “Dad, I told you. I don’t remember. It was just a dream. A nightmare, really. My mind’s probably just mixing things up.”
He lets go of me and runs a hand through his hair, looking frustrated and lost. “Dreams can be important. They can hold memories we’ve buried deep. Please, try to remember. This could be a sign, a clue.”
I rub my temples, feeling the beginnings of a headache. “I’ve tried, okay? I’ve tried for years to piece together what happened that day. But it’s all just fragments, like pieces of a puzzle that don’t fit. The dream… it felt real, but I don’t think it’s telling me anything new.”
Dad’s face falls, and he looks older than I’ve ever seen him. He turns away, staring into the forest as if it holds all the answers.
—
As we make our way back to the cabin, the sun begins to set, casting long shadows through the trees. The air grows colder, and I shiver, pulling my jacket tighter around me. Dad is silent, lost in his thoughts, his face drawn and haggard.
Back at the cabin, we unload our gear once again in silence. Dad disappears into his room, muttering something about going over his notes. I decide to explore the cabin, hoping to find something that might help me understand what’s going on with him.
In the attic, I find a box of old family photos and documents. As I sift through the contents, I come across a worn journal with Dad’s handwriting on the cover. Curiosity gets the better of me, and I open it, flipping through the pages.
The journal is filled with notes and sketches, detailing his obsession with the dogman. But there’s something else—entries that talk about Leah, about that day in the woods. His handwriting becomes more erratic, the words harder to read. One entry stands out, dated just a few days after Leah’s death:
“June 15, 2013 – It was supposed to be a normal trip. Keep them close, Frank, I kept telling myself. But I failed. Leah is gone, and it’s my fault. I heard her scream, saw the shadows. I tried to get to her, but… the thing, it was there. Too fast. Too strong. My hands… blood everywhere. No one will believe me. I can’t even believe myself. I have to find it. I have to protect Ryan. I have to make it right. God, what have I done?”
Before I can read further, the attic door creaks open, and Dad’s voice slices through the stillness.
“What are you doing up here?” His tone is sharp, almost panicked.
I turn to see him standing in the doorway, his face pale and his eyes wide with something between anger and fear. I clutch the journal to my chest, my mind racing. “I found this… I was just trying to understand…”
In an instant, he crosses the room and snatches the journal from my hands. His grip is tight, his knuckles white. “You had no right,” he growls, his voice trembling.
“Dad, I just wanted to know the truth!” I shout, frustration boiling over. “What really happened to Leah.”
His eyes flash with a mix of rage and anguish, and before I can react, he slaps me across the face. The force of it knocks me off balance, and I stumble backward, my cheek stinging.
For a moment, there’s a stunned silence. We both stand there, breathing hard, the air thick with tension.
“I’m sorry,” Dad says finally, his voice barely a whisper. “I didn’t mean to… I just…” He trails off, clutching the journal to his chest like a lifeline.
I touch my cheek, feeling the heat from the slap, and take a deep breath, trying to steady myself. “Dad, what aren’t you telling me? What really happened that day?”
“Stay out of it, Ryan,” Dad growls, his eyes dark with anger. “You don’t know what you’re messing with.”
He turns and storms out of the attic. I’m left standing there, my cheek throbbing, my mind racing. What the fuck is going on? What really happened to Leah? And what is Dad so afraid of?
—
That night, I sleep with my rifle within arm's reach, more afraid of my dad than any dogman. The slap still burns on my cheek, and the look in his eyes—rage, fear, something darker—haunts me. I lie awake, listening to the creaks and groans of the old cabin, every sound amplified in the stillness. Eventually, exhaustion pulls me under, and I fall into a restless sleep.
The dream returns, vivid and unsettling. I'm back in the woods, chasing after Leah. Her laughter echoes through the trees, a haunting reminder of happier times. This time, though, I push myself harder, refusing to let her slip away.
"Ryan, catch me!" she calls, her voice playful.
"I'm coming, Leah!" I shout, my legs pumping, my breath coming in ragged gasps.
The forest around us is a twisted, shadowy maze, the trees seeming to close in on us. Leah's figure becomes clearer, her blonde hair catching the dim light filtering through the canopy. She stops suddenly, turning to face me, her eyes wide with fear.
"Leah, what is it?" I ask, my voice trembling.
"Look behind you," she whispers, her voice barely audible.
I turn slowly, dread creeping up my spine. In the shadows, I see a figure, its form indistinct and shifting. It’s not quite animal, not quite human—something in between. The sight of it sends a jolt of terror through me, and I wake up with a start, my breath coming in ragged gasps.
I’m not in my bed. The ground beneath me is cold and hard, the smell of damp earth filling my nostrils. Panic rises as I realize I’ve sleepwalked into the woods. I scramble to my feet, my eyes adjusting to the dim light. The moon casts a pale glow over the surroundings, revealing what looks like a long-abandoned animal lair.
The walls are covered in giant claw marks, deep gouges in the wood and earth. The air is heavy with the scent of decay, and a chill runs through me. I can’t shake the feeling that I’m being watched.
Carefully, I start to move, my eyes scanning the ground, desperate for a familiar landmark. That's when I see them—faded scraps of fabric caught on the jagged edges of the underbrush. My steps falter, a sense of dread washing over me as I bend down to examine them. The fabric is torn, weathered by time and the elements, but unmistakably familiar. It's part of Leah's jacket—the bright pink one she wore on the day she disappeared.
As I strain to make sense of it all, a rustling sound behind me snaps my focus. My heart leaps into my throat. I spin around, my hand instinctively reaching for the rifle I don't have—because, of course, I didn't bring it in my unconscious state.
The shadowy figure that emerges from the trees is unsettlingly familiar, mirroring the menacing forms of my nightmares. But as it steps into the moonlight, I recognize the worn jacket, the weary posture. It's Dad.
"Ryan!" he calls out, his voice a mix of relief and stern concern. "I've been looking everywhere for you. What the hell are you doing out here?"
I exhale slowly, the terror ebbing away as reality sets back in. "I—I don't know, Dad. I must've sleepwalked again." My voice is shaky, my earlier dream still clinging to the edges of my consciousness.
Dad stares at me in disbelief. "You haven't sleepwalked since you were a kid, Ry. This... this isn't just a coincidence." His eyes dart around, taking in the surroundings—the eerie, claw-marked den, the unsettling quiet of the woods. "How did you even find this place?"
I shake my head, struggling to find an answer. "I don't know, Dad. I just... I woke up here." The uncertainty in my voice does nothing to ease the tension.
His eyes lock onto the tattered remains of Leah's jacket in my hands, and something inside him snaps. The color drains from his face as he stumbles a few steps backward. "This... this is where it happened," he murmurs, his voice barely a whisper. “This is where we found Leah."
“I thought you said you don’t remember anything from that night,” he says accusingly.
"I swear, Dad, I don't know anything about this place," I insist, my own heart pounding.
“It was you, wasn’t it? You’ve been hiding this from me.” His voice is frantic. “You... last night, the growling, it was you.” His voice rises, tinged with hysteria.
I step back, my pulse racing, feeling the chill of the night and the weight of his accusation. "Dad, I don't know what you're talking ab—”
"No!" he interrupts, his voice breaking as he points a trembling finger at me. "You knew, you always knew. It was you, Ryan. All these years, the evidence was right there, but I refused to see it. You were the dogman. You killed Leah!"
His words hit me like a physical blow, absurd and horrifying in their implications. "Dad, you're not making any sense. You're talking crazy! I was just a little kid! How could I–" I protest, my voice shaky.
He steps closer, his presence looming over me, the outline of his figure distorted by the shadows of the trees. "Think about it! It all makes sense now. You led us here, to this place, because you remember. Because you did it."
"Dad, stop it!" I shout, my heart pounding in my chest. "You're scaring me. You need help, professional help. This isn't you."
But he's beyond reason, his eyes wild with a haunted grief. "I have to end this," he mutters, more to himself than to me, his hand tightening around his rifle.
His finger hovers dangerously over the trigger of his rifle. My instincts kick in, and I know I have to act fast.
I lunge toward him, trying to knock the weapon away, but he's quicker than I expected. We struggle, our breaths heavy in the cold night air, the sounds of our scuffle the only noise in the otherwise silent woods. His strength surprises me, fueled by his frantic emotions. He shoves me back, and I stumble over a root, my balance lost for a crucial second. That's all he needs. He raises his rifle, his intentions clear in his wild, pained eyes.
I dive to the ground just as the shot rings out, a deafening blast that echoes ominously through the trees. The bullet whizzes past, narrowly missing me, embedding itself in the bark of an old pine. I scramble to my feet, my heart pounding in my ears, and I start running. The underbrush claws at my clothes and skin, but I push through, driven by a primal urge to survive.
"Dad, stop! It's me, Ryan!" I shout back as I dodge between the trees. Another shot breaks the silence, closer this time, sending splinters of wood flying from a nearby tree trunk. It's surreal, being hunted by my own father, a man tormented by grief and lost in his delusions.
I don't stop to look back. I can hear him crashing through the forest behind me, his heavy breaths and muttered curses carried on the wind. The terrain is rough, and I'm fueled by adrenaline, but exhaustion is setting in. I need a plan.
Ahead, I see a rocky outcrop and make a split-second decision to head for it. It offers a chance to hide, to catch my breath and maybe reason with him if he catches up. As I reach the rocks, I slip behind the largest one, my body pressed tight against the cold, damp surface. I hear his footsteps approaching, slow and cautious now.
As I press against the rock, trying to calm my racing heart, I can hear Dad's footsteps drawing closer, each step crunching ominously on the forest floor. He's methodical, deliberate, like a hunter stalking his prey.
“Come out, Ryan!” Dad’s voice is ragged, filled with a blend of fury and pain.
My heart pounds against my chest, the cold sweat on my back making me shiver against the rough surface of the rock. I know I can't just sit here; it's only a matter of time before he finds me.
Taking a deep breath, I peek around the edge of the rock, trying to gauge his position. I see him, rifle raised, scanning the area slowly. This might be my only chance to end this madness without further violence. I need to disarm him, to talk some sense into him if I can.
As quietly as I can, I move out from behind the rock, my steps careful to avoid any twigs or leaves that might betray my position. I'm almost upon him when a branch snaps under my foot—a sound so trivial yet so alarmingly loud in the quiet of the woods.
Dad whirls around, looking completely unhinged. "Ryan!" he exclaims, his rifle swinging in my direction. Panic overtakes me, and I lunge forward, my hands reaching for the gun.
We struggle, the rifle between us, our breaths heavy and erratic. "Dad, please, stop!" I plead, trying to wrestle the gun away. But he's strong, stronger than I expected.
In the chaos, the rifle goes off. The sound is deafening, a sharp echo that seems to reverberate off every tree around us. Pain explodes in my abdomen, sharp and burning, like nothing I've ever felt before. I stagger back, my hands instinctively going to the wound. The warmth of my own blood coats my fingers, stark and terrifying.
Dad drops the rifle, his eyes wide with horror. "Oh my God! What have I done?" he gasps, rushing to my side as I collapse onto the forest floor.
As the pain sears through me, a strange, overpowering energy surges within. It's wild, primal, unlike anything I've ever experienced. Looking down in horror, my hands are no longer hands but large, hairy, clawed appendages. The transformation is rapid, consuming—my vision blurs, senses heighten, and a raw, guttural growl builds in my throat.
In that moment, a flood of understanding washes over me, mingling with the horror of realization. These are the hands of the creature from my nightmares, the creature whose face I can never fully recall because, as I now understand, it is me.
What happens next feels detached, as if I'm no longer in control of my own actions, watching from a distance as my body moves on its own. I turn towards my dad, his face a mask of terror. He stumbles back, his eyes wide with the dawning realization of what his son has become.
The forest around us seems to fall silent, holding its breath as the nightmarish scene unfolds. I can hear my own growls, guttural and deep, filling the air with a sound that's both foreign and intimately familiar. The pain in my abdomen fuels a dark, violent urge, an urge that's too strong to resist.
With a ferocity that feels both alien and intrinsic, I move towards him. My dad, paralyzed by fear and shock, doesn't run. Maybe he can't. Maybe he doesn't want to.
The encounter was brutal and swift, a blur of motion and violence. My dad barely puts up a struggle, as though resigned to his fate.
Not that there is anything he can do. The creature that I’ve become is too powerful, too consumed by the wild instincts surging through me. I tear him apart, limb from bloody limb, my hands—no, my claws—rending through fabric and flesh with disgusting ease.
The sound of my dad’s screams, of tearing fabric and flesh is drowned out by the animalistic growls that echo through the trees.
When it’s all over, the red mist that had clouded my vision begins to fade, and the fierce, uncontrollable rage that drove my actions subsides. I'm left standing, my breaths heavy and erratic, in the eerie stillness of the forest. The transformation reverses as quickly as it came on, and I find myself back in my human form. My clothes are ripped to shreds, hanging off my frame in tattered remnants. At my feet lies what’s left of my dad, his body torn and unrecognizable.
I glance down at my abdomen, expecting agony, but instead find my wound miraculously healed. No sign of the gunshot remains, just a faint scar where I expected a bloody mess.
Shock sets in, a numbing disbelief mixed with a gut-wrenching realization of what I've become and what I've done. My hands, now human again, tremble as I look at them, half-expecting to see the claws that had so effortlessly ripped through flesh and bone. But there's only blood, my father's blood against my skin.
I stand there for what feels like an eternity, trapped in a nightmare of my own making.
Eventually, the shock wears thin, and a cold practicality takes hold. I need to get out of here. I need to cover my tracks, to disappear. Because who would believe this? Who would understand that I didn't choose this, that I'm not a monster by choice?
With trembling hands, I do what’s necessary. I bury my dad in a shallow grave, the physical act of digging strangely grounding. I cover him with leaves and branches, a pitiful attempt to hide the brutality of his end. I take a moment, whispering apologies into the wind, knowing full well that nothing I say can change what happened.
I leave the forest behind, my mind a whirl of dark thoughts. As I walk, the first hints of dawn brush against the horizon, the sky bleeding a soft pink. It’s hauntingly beautiful.

Ranking most to less important inductees year by year!
I'll like to do something interesting regarding the Rock & Roll Hall of Fame & it's gonna be ranking the most to less important inductees year by year. I'll be doing this based on influence, innovation, cultural impact, critical acclaim etc. Note: I'm gonna be focusing on the performers so others in Musical Influence & Excellence would not be included. So here's the rankings.
1986:

1. Chuck Berry
2. Elvis Presley
3. James Brown
4. Little Richard
5. Ray Charles
6. Sam Cooke
7. Buddy Holly
8. Fats Domino
9. The Everly Brothers
10. Jerry Lee Lewis

1987:

1. Aretha Franklin
2. Muddy Waters
3. Marvin Gaye
4. Bo Diddley
5. Smokey Robinson
6. BB King
7. Roy Orbison
8. Carl Perkins
9. Jackie Wilson
10. Bill Haley
11. Ricky Nelson
12. Eddie Cochran
13. Big Joe Turner
14. The Coasters
15. Clyde McPhatter

1988:

1. The Beatles
2. Bob Dylan
3. The Beach Boys
4. The Supremes
5. The Drifters

1989:

1. The Rolling Stones
2. Stevie Wonder
3. The Temptations
4. Otis Redding
5. Dion

1990:

1. The Who
2. The Kinks
3. Simon & Garfunkel
4. The Four Tops
5. The Platters
6. Hank Ballard
7. The Four Seasons
8. Bobby Darin

1991:

1. The Byrds
2. Ike & Tina Turner
3. Wilson Pickett
4. John Lee Hooker
5. The Impressions
6. Jimmy Reed
7. Lavern Baker

1992:

1. The Jimi Hendrix Experience
2. Johnny Cash
3. The Yardbirds
4. The Isley Brothers
5. Booker T. & The M.G.'s
6. Sam & Dave
7. Bobby "Blue" Bland

1993:

1. Sly & The Family Stone
2. The Doors
3. Van Morrison
4. Cream
5. Etta James
6. Creedence Clearwater Revival
7. Ruth Brown
8. Frankie Lymon & The Teenagers

1994:

1. Bob Marley
2. John Lennon
3. Elton John
4. The Band
5. The Grateful Dead
6. Rod Stewart
7. The Animals
8. Duane Eddy

1995:

1. Led Zeppelin
2. Neil Young
3. Frank Zappa
4. Janis Joplin
5. Al Green
6. The Allman Brothers Band
7. Martha & The Vandellas

1996:

1. The Velvet Underground
2. Pink Floyd
3. David Bowie
4. The Shirelles
5. Jefferson Airplane
6. Gladys Knight & The Pips
7. Little Willie John

1997:

1. Joni Mitchell
2. Parliament - Funkadelic
3. The Bee Gees
4. The Jackson 5
5. Crosby, Stills & Nash
6. Buffalo Springfield
7. The (Young) Rascals

1998:

1. Eagles
2. Fleetwood Mac
3. Santana
4. Gene Vincent
5. The Mamas & The Papas
6. Lloyd Price

1999:

1. Bruce Springsteen
2. Curtis Mayfield
3. Billy Joel
4. Dusty Springfield
5. Paul McCartney
6. The Staple Singers
7. Del Shannon

2000:

1. Eric Clapton
2. James Taylor
3. Earth, Wind & Fire
4. Bonnie Raitt
5. The Moonglows
6. The 'Lovin Spoonful

2001:

1. Michael Jackson
2. Queen
3. Aerosmith
4. Steely Dan
5. Paul Simon
6. Solomon Burke
7. The Flamingos
8. Ritchie Valens

2002:

1. Ramones
2. Talking Heads
3. Tom Petty & The Heartbreakers
4. Isaac Hayes
5. Brenda Lee
6. Gene Pitney

2003:

1. The Clash
2. The Police
3. AC/DC
4. Elvis Costello & The Attractions
5. Righteous Brothers

2004:

1. Prince
2. George Harrison
3. ZZ Top
4. Traffic
5. Bob Seger
6. Jackson Browne
7. The Dells

2005:

1. U2
2. Buddy Guy
3. The Pretenders
4. The O'Jays
5. Percy Sledge

2006:

1. Miles Davis
2. Black Sabbath
3. Sex Pistols
4. Lynyrd Skynyrd
5. Blondie

2007:

1. R.E.M
2. Patti Smith
3. Van Halen
4. Grandmaster Flash & Furious Five
5. The Ronettes

2008:

1. Madonna
2. Leonard Cohen
3. John Mellencamp
4. The Ventures
5. DC5

2009:

1. Run - DMC
2. Metallica
3. Bobby Womack
4. Little Anthony & The Imperials
5. Jeff Beck

2010:

1. The Stooges
2. ABBA
3. Genesis
4. Jimmy Cliff
5. The Hollies

2011:

1. Tom Waits
2. Alice Cooper
3. Neil Diamond
4. Dr. John
5. Darlene Love

2012:

1. Beastie Boys
2. Guns N' Roses
3. RHCP
4. Donovan
5. Small Faces/Faces
6. Laura Nyro

2013:

1. Public Enemy
2. Donna Summer
3. Albert King
4. Rush
5. Randy Newman
6. Heart

2014:

1. Nirvana
2. Peter Gabriel
3. Hall & Oates
4. Linda Ronstadt
5. Kiss
6. Cat Stevens/Yusuf Islam

2015:

1. Green Day
2. Lou Reed
3. SRV & Double Trouble
4. Bill Withers
5. Joan Jett & The Blackhearts
6. The Paul Butterfield Blues Band

2016:

1. N.W.A
2. Deep Purple
3. Cheap Trick
4. Chicago
5. Steve Miller

2017:

1. Tupac Shakur
2. Pearl Jam
3. Joan Baez
4. Yes
5. ELO
6. Journey

2018:

1. Nina Simone
2. The Cars
3. Dire Straits
4. The Moody Blues
5. Bon Jovi

2019:

1. Radiohead
2. Janet Jackson
3. The Cure
4. Roxy Music
5. Def Leppard
6. The Zombies
7. Stevie Nicks

2020:

1. Whitney Houston
2. Nine Inch Nails
3. The Notorious B.I.G
4. Depeche Mode
5. T. Rex
6. The Doobie Brothers

2021:

1. Jay - Z
2. Tina Turner
3. Foo Fighters
4. The Go - Go's
5. Todd Rundgren
6. Carole King

2022:

1. Eminem
2. Dolly Parton
3. Eurythmics
4. Duran Duran
5. Pat Benatar
6. Lionel Richie
7. Carly Simon

2023:

1. Willie Nelson
2. Kate Bush
3. Missy Elliott
4. The Spinners
5. RATM
6. George Michael
7. Sheryl Crow

2024:

1. A Tribe Called Quest
2. Mary J. Blige
3. Ozzy Osbourne
4. Kool & The Gang
5. Cher
6. Dave Matthews Band
7. Peter Frampton
8. Foreigner

Welcome to Fabwelt, where gaming transcends mere entertainment and becomes a gateway to the future. Our platform is more than just a collection of games; it's a revolution in the making, a fusion of innovation and entertainment that redefines the very essence of gaming. Are you ready to explore a world where every click, every move, holds the potential for real-world rewards? Join us as we dive into the exciting world of Fabwelt and discover why it's the ultimate destination for gamers and visionaries alike.
The Fabwelt Experience
Fabwelt isn't your average gaming platform. It's a trailblazer, leading the charge into a new era of gaming where traditional boundaries are shattered, and new possibilities emerge. At the heart of this revolution lies the concept of play-to-earn games. By seamlessly integrating Non-Fungible Tokens (NFTs) into our gaming ecosystem, we've transformed digital assets into more than just in-game rewards – they're now avenues for excitement, competition, and innovation.
What sets Fabwelt apart? It's not just about the games (though we have an impressive array of those). It's about the experience – the thrill of exploration, the joy of discovery, the rush of competition. Fabwelt Studios is dedicated to pushing the boundaries of what gaming can be, crafting experiences that resonate with players on a deep and meaningful level. From pulse-pounding shooters to immersive RPGs, our platform offers a diverse range of high-quality games that cater to every taste and preference.
The Power of Integration
But what truly sets Fabwelt apart is our commitment to integration. We're not content with merely offering games; we're creating an entire ecosystem where blockchain technology and gaming converge in perfect harmony. Through in-game NFTs, Play to Earn mechanics, and DeFi opportunities, we're building a gaming experience that transcends entertainment – it's a revolution in the making.
Join the Revolution
So why wait? Join us on this journey into the future of gaming. Whether you're a seasoned gamer looking for your next challenge or a newcomer eager to explore the possibilities, Fabwelt has something for you. Dive into our platform, immerse yourself in our games, and discover a world where the only limit is your imagination. Fabwelt – where gaming dreams become reality.
This article was carefully crafted by the team at Fabwelt to provide you with a glimpse into the future of gaming. Join us as we revolutionize the way you play, earn, and experience the world of online gaming.
Strategic Partnership with Torus Chain
Gearing up for the next stage of our growth journey, we are thrilled to announce our latest strategic partner, Torus Chain. Torus is an EVM Layer 1 blockchain protocol designed to address the challenges faced by the digital media industry. Together, Fabwelt and Torus are set to push the boundaries of gaming and blockchain integration, creating a more immersive and rewarding experience for our users.
Welcome to Fabwelt, Torus!
Explore More
Dive deeper into our vision and be part of a gaming revolution. Visit Fabwelt today and see how we're changing the landscape of gaming and digital assets. The future is here, and it starts with Fabwelt.