Examples of tagalog declamation piece

If you're on the apps—whether you're looking for marriage, looking for a hookup or you're just looking for a nice night out on the town—one thing is for sure: You have seconds to make a first impression that keeps someone from swiping left. What's the key? Knowing how to make your Tinder bios stand out among the rest.
If you're wondering: "What is a good bio for Tinder? How do I spice up my Tinder bio?" then you've come to the right place. Marissa Moore, a counselor and couples therapist with years of experience, gave us all her recommendations for making your bio the best of them all (plus 40 ideas for the best Tinder bios, below!)
What to Put In a Tinder Bio
So, you've opened up the "edit" section on your Tinder bio (or Hinge bio or even Bumble bio, too) and you're staring blankly at your phone. How are you supposed to know how to write a Tinder bio that will stop someone in their tracks?
How Dating Apps Are Changing Our Psychology
The secret, Moore says, is deciding between a few different formulas, and sticking to one. Remember: This doesn't have to be super complicated. It's actually supposed to be fun! To get started, use these are a guide on what to put in Tinder bio:
Everyone loves a perfectly-timed one-liner, right? Write something that captures your personality or sense of humor.
Want to keep it straight forward? Go the old-fashioned route and write a brief description of yourself, highlighting your interests, hobbies or passions.
You're funny, so maybe use this time to show it off. Using a joke or witty remark can be a great way to give someone a sense of your personality, too.
Lastly, if you're a romantic at heart or suave in your own right, try using a creative and flirty pick up line that stands out (but avoid anything overly cheesy or inappropriate.)
How to Write a Tinder Bio
Now that you've got a road map for how to make a good Tinder bio—i.e. you've chosen a one-liner, keeping it straight forward, leaning on your humor or a pick up line—what is the best way to approach actually writing it all out?
Whether you're looking to write clever Tinder bios, Tinder bios for guys or just wanting to make your dating app bio shine with your personality, Moore has a few tried-and-true tricks up her sleeve to stand out.
Be Authentic
It might be tempting to want to make yourself look "better" than you are IRL, but this is never a good idea, and your dates will learn the truth eventually. That's why Moore suggests the biggest piece of advice: to be authentic.
Good Morning Texts For Her
Wake Her With A Smile With These 82 Good Morning Texts
Let her know that she's always the first thing on your mind.
Woman looks at her phone while smiling.
Funny, punny and non-corny inpsiration, right this way.
"Showcase your genuine personality and interests," Moore says. "Rather than trying to portray yourself as someone you're not."
Keep it Concise
Next up? Make sure to keep your Tinder bios as concise as possible. Remember: you've got seconds to impress the person on the other end — let's make sure you get a swipe right.
"Aim for a bio that is clear, concise and easy to read," she says. "Avoid overwhelming potential matches with too much information."
Show, Don't Tell
Another tip? Show, don't tell. According to Moore, Instead of listing qualities about yourself, you might consider sharing anecdotes or stories that illustrate who you are and what you enjoy. This can sometimes be more intriguing.
Highlight Your Unique Traits
What makes you unique is a good thing! Use it to your advantage. By focusing on what makes you stand out from the crowd, and what you can offer in a relationship, you may find someone who already loves your quirks and differences, right off the bat.
Funny Tinder Bios
Do you consider yourself a comic? If so, you might have chosen going with the funny Tinder bios route. If so, here are some ideas to use, below.
I'm not a photographer, but I can picture us together.
Looking for someone who can keep up with my pun game.
Swipe right if you're ready for cheesy pick up lines and spontaneous dance parties.
Looking for a wingwoman to hunt down the best tacos in town on a random Tuesday afternoon.
Seeking someone who will support my travel addiction and my obsession for squeezing everything into a carry on bag.
If you date me, you'll be the good looking one.
Looking for someone to appreciate my puns and share pizza with. If you can't handle my cheesy jokes, you're not the one for me. Let's see if we can find the perfect slice together!
You're single, I'm single. You know what that means? Nobody wants us.
Life's too short for boring conversations and dull dates! Let's do both.
I'm really bad at putting together IKEA furniture—looking for a cute helper 😉
Clever Tinder Bios
Maybe a clever bio is more your speed. If so, there are plenty of ideas for Tinder bio that fall under clever and smart, too.
Currently accepting applications for a partner in crime and fellow Netflix binge-watcher.
Like a 'Fun-Size' Snickers bar, they say good things come in small packages.
If life is a game, consider me your cheat code. Swipe right and let's unlock some bonus levels together.
I'm like a Rubik's Cube—complex, colorful and slightly frustrating at times. But once you figure me out, you'll realize I'm worth the challenge.
If you can guess my favorite pizza topping, you win bonus points.
Seeking someone who can match my level of sarcasm and appreciation for dry humor.
Looking for someone who can handle my impeccable taste in music, questionable cooking skills and my uncanny ability to always find the best meme for every situation.
Outdoor enthusiast and indoor Netflix champion.
Professional overthinker seeking someone who analyzes texts as much as I do. Showcases self-awareness and a touch of vulnerability.
Chapter 23 - Looking for someone to co-author the next chapters. Indicates a life seen as an unfolding story, inviting collaboration.
Cute Tinder Bios
If being cutesy is more your thing, look no further: using cute Tinder bios has been proven to work again and again. Being and feeling cute can be a confidence boost when dating — here are some of our fave examples.
Lover of sunsets, dog walks and spontaneous adventures. Let's create our own love story.
Looking for someone to share lazy Sunday mornings and late-night conversations with.
Searching for my partner-in-crime to explore the city, try new foods and cuddle up with on rainy days.
Puppy enthusiast. Ice cream connoisseur. A seeker of great coffee dates.
Might steal your heart, will steal your fries.
Just a Jim looking for his Pam. Bonus points if you give great bear hugs!
A believer in fairy tales, serendipity and the magic of a good cup of coffee.
Looking for someone who's all about making everyday moments a little bit extraordinary.
Cuddling champion searching for a worthy competitor. Must be fond of star-gazing and midnight snacks.
Looking for someone to share in my adventure of finding the best tacos in town.
Simple Tinder Bios
If being cute, funny or clever doesn't speak to you, it's OK to stick to simple, too! Here are some ideas to try on for size.
Looking for a real connection, not just a one-time thing.
Just trying to find my other half.
Drinks?
Come say hello.
____ born & raised.
Looking for more laugh lines.
Traveling and exploring. Want to join?
Let's see how this goes.
Looking for an adventure partner.
If I am not home, you can find me ____.

Rory is not a bad reporter...
While we very rarely get to hear anything she writes, she has been complimented by both professionals, friends, colleagues, and ordinary people alike. She works hard and gets shit done. That whole episode where she takes care of the Yale Daily News while Paris is having some weird breakdown in her tent is just one example. She isn't some girl that just doesn't do anything and whines all the time. She is clearly talented and smart and knows how to write. Hell even in the awful revival they mention her writing a piece for the New Yorker!
And to be honest I know this isn't what I originally posted this for but Rory is not nearly as bad as people make her out to be. Most of the revival doesn't count for this since wits definitely lackluster when talking about Rory's actual character but she is a good person. She care about people, I don't know where people get it that she's some egotistical selfish bitch or something she definitely not. She clearly has some attention seeking problems and confidence issues as well as indecisiveness but she's also a normal person. And if I'm being honest, with the exception of some plotlines her arc as a individual trying to achieve her goals was not at all irritating or bad to me but great. Season 1 to 7 I think Rory was a great character. Though I will say she's far from the best in the show.
Long rant over I just hate the hate on this character to be honest.

A few days ago I posted here pitching an idea for a player set up and asking if you've seen anything familiar I could take ideas from, but I think I didn't express myself very well. I now have a much more clear idea of what I want and want your opinions on a few doubting points in which I'll ask in the end of ghe post.
The idea for the set up:
It would be a mini player screen made of [material to be defined, but I have a few ideas] in which it would be divided into three sections:

1. An approximately A4 central piece in which players would glue the spell cards of spells they have prepared for quick reference.
   
2. Two aproximately A5 side pieces which would both be connected to the central piece via hinges. One piece would include the class Features. This would be a fixed piece, that is, a whole set up for each class. And the other side piece would be an empty one in which players would put their Racial Features (in which I'd do whenever they played a new race so they could place in that piece)
   
3. Players would glue the sleeved spell cards with that yellow rubbery mass we used in school to place notes on the walls. This way, they can easly change spells whenever they feel the need to do so without much complication.
   

Why am I doing this?

1. My players are practical players and like to have palpable things (probably from having a MtG background)
2. They are always consulting the book and sometimes precious time is used to do so, often happens that multiple players want the book at the same time.
3. They make small notes of what spells do, but that leads to some mistakes (partially on me for not confirming, but we are all new to TTRPG, except by brother, which is also a DM and offers me aid on that matter, but tries not to intervine often, so I can get experience), because they only type the things they feel its important and leave out small details on the spell that do matter.
4. Leads to a much cleaner set up, without papers everywhere.
5. I'll only do this for their classes/races, if this ends up being a fun little thing, I'll do more in ghe future, as they pick new classes and races, so I don't overwhelm myself with unnacessary work.

Having this said, I'd like to know something I have been thinking on and is: From your experience, how many spells, on average, players have prepared? I can't get my head on it because for example, a lvl 20 druid with +5 modifier has 29 (counting cantrips) prepared. I can't figure out how the druid player will fit 29 cards in the central piece. It is ludicrous.
Should I even worry about that? Will lvl 20 even be reached for me to even worry about that? XD all questions that could be hassle in particular situations, but I guess gotta be asked.
Everything for now, hope to hear from you

Thank you guys for all your nice comments on my previous post! Here's my followup post walking through the anthology - I apologize for the delay, but I wanted to sit with this half of the album a bit longer. This analysis will be slightly different: first I’ll go through themes present throughout the anthology, and then walk through each song individually, since it’s not as consecutive of a story as the first album. As with my first analysis, I tend to also stay away from literal details as proof that a song is about a certain subject or muse – to me, it’s easier to understand the album when you think first about what the song’s overarching meaning is, rather than getting caught up in literal details (and I think Taylor often throws these in as red herrings). Moreover, it’s important to note that it’s likely that the literal detail she’s thrown in is one that only she and the muse will understand (i.e. her referencing a lilac skirt in imgonnagetyouback is unlikely to be one we’ve ever seen her wearing in public, so it’s useless to paternity test based on that detail!).
Firstly, the word anthology means a collection of assorted literary works. As a result, I think there are more themes scattered through this album, and it’s meant to be a little harder to parse than the first one. I think this album is what TTPD would have been before it crystallized into a tighter theme – similar to the 3 AM tracks for Midnights, the majority of which were written prior to the standard edition’s tracks.
There are a few themes throughout this album. From a romantic context, to me, this album is primarily about Joe. I’ll walk through why I believe that, but this album feels less muddled to me in terms of its muses, and I think that is in part due to the fact that her self-described mania from the standard edition is not a theme on the anthology. This work also covers her own relationship to celebrity and fame, and how that affects her romantic relationships and her personal life in general. And finally, I think the final theme throughout this collection is the idea of childhood, of formative experiences, and how our author goes about processing events that happen to her.
The Black Dog
What happens when you intimately know someone, when you share every aspect of your life with someone, and then it's over? Six weeks after their breakup, she’s barely holding it together (“I move through the world with the heartbroken”). She even tried to rebound her pain away (“I took the miracle move on drug, the effects were temporary”), and wasn’t able to succeed. Meanwhile, she sees him go to a bar, and she has the sudden realization that he may be able to do what she failed to do – he might be able to move on, with someone new. Reckoning with that realization is horrifying. If he is able to pull it off, what does that mean about the love they shared? When he had told her for years that he was who he was for her, and her alone?
You said I needed a bravе man
Then proceeded to play him
Until I believed it too
And it kills me
How could they go from being so intimate that they shower together, that she’s aware of his every move, to being so distant from each other that she wonders if making her fall in love with him was a hazing? And the cruelest part of it is – she doesn’t want either one of them to be able to move on, and give validity to the fact that they weren’t right for each other, even though she knows they have to. Moreover, she’s already *tried* to move on at this point, and failed – she tried to manufacture a counterfeit version of their intimacy, but what if he’s able to perfectly replicate it? And to really drive in the knife, what if it’s with someone younger than her?
And you jump up, but she's too young to know this song
That was intertwined in the magic fabric of our dreaming
Given that a theme throughout the first album was her feeling like she’d given him so much of her youth, so much of her childbearing years, with nothing to show for it, what does it feel like to know that he can essentially reset time, by being with a younger woman, but she’ll never be able to get that time back?
imgonnagetyouback
We know that her and Joe took a break or two while they were together (see: Hits Different, The Great War, in addition to PR articles). To me, this song is about when you do take that break from your partner, and you’re trying to make a point to them that they’re not going to find anyone better than you (I can tell when somebody still wants me, come clean) – the two of you are too intimately intertwined to find a suitable replacement. You know what to wear, what to say, what to do to bring them back to you:
I, I hear thе whispers in your eyes
I'll make you wanna think twice
You'll find that you were never not mine
This song also has a lot of similarities to So Long, London, which is why I attribute it to Joe. To me, it provides a deeper story to some of the lines she touches on in So Long, London:
I didn't opt in to be your odd man out
I founded the club she's heard great things about
And to some of the lines in Hits Different:
I washed my hands of us at the club
You made a mess of me
I pictured you with other girls in love
Then threw up on the street
//
Bet I could still melt your world
Argumentative, antithetical dream girl
imgonnagetyouback is a story of one-upmanship – of trying to out-jealous your partner, of proving to them that nobody knows them better than you do. And maybe this time when they’re both playing this game, it works:
Push the reset button, we're becomin' something new
Say you got somebody, I'll say I got someone too
Even if it's handcuffed, I'm leavin' here with you
//
We broke all the pieces, but still wanna play the game (Oh)
Told my friends I hate you, but I love you just the same
Pick your poison, babe, I'm poison either way
The spacing to me is a deliberate red herring (the 1975 very famously made a song called fallingforyou), and a way to illustrate that the subject of the song wants space from her – but she’s not going to give it to him. This is another theme that calls back to Joe – in So Long, London, she describes him as constantly pulling away (Pulled him in tighter each time he was driftin' away). Matty didn’t pull away – he was all in for two weeks, until he chose to ghost her, and leave abruptly. There was no slow death, no push and pull to her relationship with Matty – it was a meteoric rise and fall.
The Albatross
This song feels like a sister song to “peace” – she describes what it’s like to love her. It’s a little more twisted, however, as she describes her love for her partner as both a danger, and a rescue from the danger she’s imposing on him by being involved with him:
Wise men once said
"Wild winds are death to the candle"
A rose by any other name is a scandal
Cautions issued, he stood
Shooting the messengers
They tried to warn him about her
She’s described herself as wind and liquor in her relationship with Joe previously, in Mastermind:
I'm the wind in our free-flowing sails
And the liquor in our cocktails
She has empathy for the narrator, but disdain for herself. There’s also acceptance though: she knows that she tried to prevent it, and tried to warn him about the danger she posed. In the end though, he chose this life with her, and he chose the danger – there’s only so much she can protect him from.
The devil that you know
Looks now more like an angel
I'm the life you chose
And all this terrible danger
Chloe or Sam or Sophia or Marcus
This song feels like another sister song to The Black Dog – how does she cope with the idea that her long-time partner might move on? How does she cope with the fact that if she chooses to leave, she also chooses the future in which they both move on? A future in which they don’t know each other? It also touches on her wondering if she should move on with Matty, and how feasible it would be to know someone else instead of her partner:
If you want to tear my world apart
Just say you've always wondered
This song, more than anything else, illustrates that moving on with Matty was nothing but a way to move past Joe – what she really wants, more than anything, is a response greater than indifference from Joe:
As the decade would play us for fools
And you saw my bones out with somebody new
Who seemed like he would've bullied you in school
And you just watched it happen
There’s also the realization that Joe may never love who she is now – who she was at the beginning of their relationship will always be who he prefers:
If you want to break my cold, cold heart
Just say, 'I loved you the way that you were'
She’s trying desperately to find some way to make up for the fact that she had to leave Joe, that there was nothing she could do to stay – she tried changing everything about herself, but still, the need to leave him eventually caught up with her:
I changed into goddesses, villains and fools
Changed plans and lovers and outfits and rules
All to outrun my desertion of you
And you just watched it
And she wonders whether despite his indifference, and the distance between them, she should still stay:
Could it be enough to just float in your orbit
Can we watch our phantoms like watching wild horses
Cooler in theory but not if you force it
To be, it just didn't happen
But now, they are merely ghosts of who they once were – it’s not possible to force the relationship anymore.
How Did It End?
When a long-term relationship ends, you can point to the factors that led to its demise: a difference of opinions on money, on marriage, on children, and so forth. It is easy to determine the “what” and the “why” of an ending. But what is harder to diagnose is how you both became the versions of yourselves that weren’t on the same page, that were unable to discuss these topics, that couldn’t move past these dilemmas. That is much, much harder to pinpoint, and this is the question Taylor asks in this song. She knows what killed them:
We hereby conduct this post-mortem
He was a hot house flower to my outdoorsman
//
We were blind to unforeseen circumstances
We learn the right steps to different dances (ohh)
And fell victim to interlopers' glances
Lost the game of chance, what are the chances?
But what she still doesn't know is how it happened – how did it end? She also finds the empathy from the media and from the public to be false and selfish – they only want to know what happened to feverishly spread the news like wildfire.
Come one, come all
It's happenin' again
The empathetic hunger descends
We'll tell no one
Except all of our friends
We must know
How did it end?
//
Soon they'll go home to their husbands
Smug 'cause they know they can trust him
Then feverishly calling their cousins (ohh)
//
Say it once again with feeling
What the feeding frenzy wants more than anything is gossip, and they don’t care that she is utterly lost – lost as to why this happened, and lost physically and mentally:
Guess who we ran into at the shops?
Walking in circles like she was lost
How does she give an answer to quell the empathetic hunger, when she herself doesn’t understand exactly how it happened?
So High School
In an album that touches so much on feeling like she’s running out of time to have the future that she wants, and running out of youth to give the various men who come into her life, it is interesting and heartwarming that the song about Travis on the anthology is one that describes being with him as regaining her youth:
The brink of a wrinkle in time
Bittersweet sixteen suddenly
Moreover, another detail to note in this song is the difference in how she describes alcohol and drugs – in nearly every other song on TTPD, alcohol is a vice she uses in her moments of despair, and drugs are what her previous partners turn to in their moments of strife (she also describes the influence of drugs on her partners as something she detests – “sinking in stoned oblivion” and “you needed me but you needed drugs more”). With Travis, she’s not imbibing in any substances – instead, his thoughts and jokes are enough for her:
I'll drink what you think, and I'm high
From smoking your jokes all damn night
Travis is giving her back her youth, making sober promises, and the impression that we get is that they’re building this dreamlike reality together – it’s wholesome, all-American, and high-school-inspired, yet still grounded in something tangible, unlike the promise of fate and destiny, which powered her relationship with Joe and her entanglement with Matty.
I Hate It Here
More than anything, I think this song illustrates how Taylor sometimes uses escapism and maladaptive daydreaming to ignore the reality of the situation she’s dealing with. She recognizes that it’s not possible to stay where she is, locked inside this prison of stagnation and boredom:
If comfort is a construct
I don't believe in good luck
Now that I know what's what
She recognizes that this isn’t what she used to be, and that she never intended to choose this life of secrecy, perhaps alluding to all those years she spent “locked inside her house”:
You see I was a debutante in another life but
Now I seem to be scared to go outside
She describes herself as finding hope in the places her mind creates (seemingly alluding to her creation of characters and places for folklore and evermore):
I hate it here so I will go to
secret gardens in my mind
People need a key to get to
The only one is mine
I read about it in a book when I was a precocious child
And her escapism into her past, and imaginings of what could have been:
I hate it here so I will go to
Lunar valleys in my mind
When they found a better planet
Only the gentle survived
I dreamed about it in the dark
The night I felt like I might die
All throughout the song, there’s recognition that she doesn’t want to be here – she doesn’t want to feel as if the only place she can be free is in these imaginary worlds she creates. But there’s also concession – is she perhaps only destined for an eternal consolation prize? For loneliness? For imagined romanticism? For the fantasy of how she imagined her life and her love to be?
I'm lonely but I'm good
I'm bitter but I swear I'm fine
I'll save all my romanticism for my inner life and I'll get lost on
purpose
This place made me feel worthless
Lucid dreams like electricity, the current flies through me,
and in my fantasies I rise above it
And way up there, I actually love it
​​thanK you aIMee
This song, along with a few others in the latter half of the anthology, discusses the loss of innocence she felt in key moments of her life. This one quite obviously alludes to Kim Kardashian, and their infamous feud. I will make a separate post on this, but I think people describing this song as petty may not remember the depth of the hate aimed at Taylor in 2016. Kim and Kanye organized a revenge porn music video for Famous, and held a museum exhibit so that people could take pictures with the naked dolls. The night the snapchat videos were released, every Kardashian family member descended upon social media to gleefully celebrate the #TaylorSwiftIsOverParty. The amount of hate Taylor got was so unprecedented that Instagram actually built their comment filtration system because of this incident. It really was that bad.
And every baby step Taylor took (for example, even just posting that she had a good 2017 was met with immediate media backlash) was quite literally mocked across the internet. People thought the reputation era was cringey, that she was over, and that she deserved everyone’s ire because she was “proven” to be a liar. She describes this in the song:
Each time that Aimee stomped across my grave
And then she wrote headlines in the local paper
Laughing at each baby step I'd take
And it was always the same searing pain
But the whole time, despite the pain and blood, she was dreaming of the day that she would heal, and dreaming of the day that she would climb her way back to to the mountaintop:
And our town, it looks so small from way up here
//
So I pushed each boulder up that hill
Your words were still just ringing in my head, ringing in my head
What still irks her though, is that this bully who created this entire hate train and organized her downfall will pretend as if it never happened – she will undoubtedly reframe things to make our subject seem overdramatic, petty, and unable to move past the incidents of years ago. Taylor, however, has always been clear about one thing: sometimes, no amount of time can heal you from something that deeply traumatized you.
I Look in People’s Windows
This song to me feels like a sister song to The Black Dog, but a few months after the official end of a relationship. A sub theme that runs through Taylor’s songs about the Joe breakup is the loss of being understood – when you are no longer with a long-term partner, how do you cope with the fact that you move the world knowing everything about this person, but at the same time, not knowing them anymore? Would you peek into their windows just to get a glimpse of what their life looks like now? As anyone who has gone through a breakup knows, the hardest part is often not being privy to the mundane details of that person’s world – their dinner parties, their wine, their friends, and so on.
I look in people's windows
Transfixed by rose golden glows
They have their friends over to drink nice wine
I look in people's windows
In case you're at their table
What if your eyes looked up and met mine
One more time
The Prophecy
The prophecy is devastating. More so than any other song Taylor has ever written, it is full of desperation and longing. All she asks for is to be known, to be understood – to not be perceived as an idea of a woman, or a starlet with no humanity:
Please
I've been on my knees
Change the prophecy
Don't want money
Just someone who wants my company
Let it once be me
Who do I have to speak to
About if they can redo
The prophecy?
It’s striking especially considering how much she laments that leaving Joe means she’s giving up being known – it’s also striking given the fact that in the epilogue poem, she states that neither Joe or Matty ever truly knew her:
He never even scratched the surface
of me.
None of them did.
What she desires beyond fame, beyond notoriety, beyond money, is to be loved and to be known. The song also alludes to her being in therapy, and to finding some sort of consolation that she will find someone to share her life with:
I'm so afraid I sealed my fate
No sign of soulmates
I'm just a paperweight
In shades of greige
Spending my last coin so someone will tell me
It'll be ok
Cassandra
This track is a sister song to ​​thanK you aIMee, and continues exploring the theme of fraught public womanhood we see in Clara Bow and Who’s Afraid of Little Old Me. In this song, Taylor discusses how the validation of women is never publicized in the way that the crucifixion of them is:
When the first stone's thrown, there's screaming
In the streets, there's a raging riot
When it's "Burn the bitch, " they're shrieking
When the truth comes out, it's quiet
Moreover, when women speak up about an issue, they’re often viewed as overdramatic, and unserious. Cassandra, in Greek mythology, was cursed by Apollo to always predict the future accurately, but never be believed. We see this happen every day to women in politics, in the media, and in pop culture:
So, they killed Cassandra first 'cause she feared the worst
And tried to tell the town
So, they set my life in flames, I regret to say
Do you believe me now?
And for Taylor, it’s reminiscent of all the times she’s been the first to speak out about something in the industry – for example, against Scooter Braun and his well-established pattern of bullying, or of the exploitation of artists on streaming services – but never been supported broadly by her peers. They believe her later, but at that point, very few people give her the credit for speaking up in the first place. It’s reminiscent of the Kimye scandal. When the news broke originally, the hatred she received was widespread. But when she was acquitted by the long-form video that leaked, it didn’t receive anywhere near the level of coverage that the original scandal received.
Peter
Peter is another song that touches on both the male muses for this album, and in turn, on the promises various men have given her over her life (we’ll circle back to this in The Manuscript!). It also touches on the theme of waiting that’s seen throughout this album, especially on her songs about Joe – how much time is enough time to give?
Both Matty and Joe were 25 when they met her, and it’s abundantly clear that both men made promises to her: promises of marriage, of children, and of a future. But how long can she wait for these promises to be fulfilled? To Joe, she gives six years of her life and youth, and to Matty, she gives him a chance to prove that he was reformed from the time she knew him last: both men eventually fail. Neither man is ready to give up their childish whims, and she has no choice but to lose hope that either of them ever will.
And you said you'd come and get me but you were 25
And the shelf life of those fantasies has expired
Lost to the lost boys chapter of your life
Forgive me Peter, please know that I tried
To hold onto the days when you were mine
But the woman who sits by the window has turned out the light
Another thing to note is the interesting double meaning of the song title. To peter also means to diminish gradually – much like her faith in both men’s promises.
The Bolter
A lot of the songs Taylor has written about Joe in this album deal with the question of “when is the right time to leave?” When you know that things are stagnant, and you know that you’ve given everything you have to a relationship, you know that you have to leave – but it’s easy to convince yourself if you have a history of “leaving before you get left” that you should ride out this wave, and that this pain might just be temporary.
The Bolter, to me, reflects on Taylor’s history – it seems like she prided herself on being able to see the warning signs, and being able to get out in time.
She's been many places with
Men of many faces
First, they're off to the races
And she's laughing drawin' aces
But, none of it is changin'
That the chariot is waitin'
Hearts are hers for the breakin'
There's an escape in escaping
It’s relevant to TTPD, because likely, she saw not bolting as a sign of growth and maturity. You know that you’ve grown as a person when you don’t abandon ship at the first sign of trouble, but what if there are so many signs of trouble that the truly mature thing to do would be to leave?
Robin
Robin leads into this theme of childhood and innocence that we see further in The Manuscript. The track name is also the name of Aaron Dessner’s child. She ponders how beautiful and sweet it is that we work so hard to protect childhood naivete:
Strings tied to levers,
slowed down clocks tethered,
all this showmanship
To keep it, for you,
In sweetness
And there’s an element of wistfulness to it – don’t we sometimes wish that we could also be protected from the worst the world has to offer?
You have no room in your dreams for regrets
You have no idea
The time will arrive for the cruel and the mean
You'll learn to bounce back just like your trampoline
But now we'll curtail your curiosity
The Manuscript
This song is perhaps the most climactic song on the album. It covers her romantic history up until that point, and starts at the moment she feels everything went awry – and it predates Joe and Matty. Instead, it calls back to the first time she experienced a proper heartbreak, and the first time she lost her childlike innocence in the world – her relationship with Jake Gyllenhaal (a time she described as her transition from childhood to womanhood). She describes how they compared licenses, and how he told her that if they had sex, and it was as good as the conversation was, then they would get married, and have a family. He was the first man to make her these promises:
He said that if the sex was half as good as the conversation was
Soon they'd be pushin' strollers
But soon it was over
He tells her that it’s ok that they have an age gap, because she’s so advanced for her age:
She thought about how he said since she was so wise beyond her years
Everything had been above board
She wasn't sure
While dating him, she desperately wants to be older, and starts emulating his behavior:
In the age of him, she wished she was thirty
And made coffee every morning in a French press
And when it’s over, she regresses, and turns back into a child – unable to sleep alone without the comfort of her mother, and unable to eat anything substantial besides the sugary cereal of her youth:
Afterwards she only ate kids' cereal
And couldn't sleep unless it was in her mother's bed
She forces herself to date boys her own age, to not rely on the maturity of an older man to guide her through adulthood, but she can’t help but feel disappointed in their youth:
Then she dated boys who were her own age
With dart boards on the backs of their doors
Finally, as she creates the All Too Well short film, she recognizes the damage he did to her, and how the consequences of that affair have shaped her life since:
And the years passed
Like scenes of a show
The Professor said to write what you know
Lookin' backwards
Might be the only way to move forward
Then the actors
Were hitting their marks
And the slow dance
Was alight with the sparks
And the tears fell
In synchronicity with the score
And at last
She knew what the agony had been for
Everything calls back to this first man, and these original promises – everything she’s been chasing since is reminiscent of this first scar. And just like how releasing All Too Well transformed and healed her, she hopes that by releasing this additional manuscript into the world, it will heal her again. As she describes in the epilogue poem, she is entering all her thoughts, emotions, and pain into evidence – she now asks the audience to process it with her, and thus conclude this process of healing.
The only thing that's left is the manuscript
One last souvenir from my trip to your shores
Now and then I reread the manuscript
But the story isn't mine anymore
If you read all of this - thank you! I enjoyed writing it, and I'm excited to discuss with you all in the replies :)

https://discord.com/invite/vGGtg3qj7w
Server name: Verda Vente RP (18+ RPvP)
Map: Savage Wilds Platform: PC
Style: PVE/RP/PVP Server Location: USA Direct Connect: 216.52.25.102:7783 RP Format: Text Based Max Level: 70 Slots: 60
Welcome to the Isle of Verda Vente!
Verda Vente is an RP server with a focus on storytelling and Mechanical PvP to drive conflict designed to allow our players to create tales of their own throughout the time they spend playing, and with players on all day there is always someone to visit or fight at your hearts content. With PvP, PvE, and RP options everyone has something they can do and relax! Just to show, here are a few...

PvP

~14~ Unique Races that come with their own specialized set of perks and bonuses that make each one a strong contender in our lore and in the game itself. We have: Humans Elves Dwarves Goblins Orcs Aquatics Beast-Kin Dragon-Kin Devil-Kin Fae Celestials Cursed Undead Cursed Vampires And Cursed Werebeasts!
~8~ classes that provide the bonuses needed for each character combination of Race ad Class to excel in what they do. We have: Fighters Rogues Magi Clerics Druids (With Shapeshifts) Rangers Paladins Warlocks
-Raiding opportunities with no restrictions on the use of Trebuchets, bombs, magic, and thrall use with building destruction a hard yes! Raiding times are between 6pm CST Friday, and 12am CST Monday
-Offline Raid protection so you can sleep well knowing that your buildings wont vanish overnight -A thieving system designed for Rogues to have their own spotlight outside of being quick and quiet! -Simple and easy to understand PvP rules that make ticketing far less common and less of a hassle!

PvE

Unique Dungeons scattered throughout the world that can be explored or fought for prizes you cannot get anywhere else. This includes a massive cavern known as the Underdark, and a Hell Dungeon meant for even the most geared groups to have a healthy challenge. Events hosted almost every day by me! Meant to drop rare loot you would be missing otherwise! World Bosses that takes full clans to remove from their perch! High Build counts at 1000 building pieces and 300 placeables per person so even the builders who don't enjoy PvP have room to breathe and relax with their game. High thrall counts at 6 fighting thralls and 1 mount per person that ensure your base is always guarded against the new purge system.
Our modlist was voted on by players at the start of each season, and we have a channel dedicated specifically to mod requests from our players! As examples, we have: -Indrid's custom races and classes -SvS Extended and SvS 2 -Emberlight -Highmane's Arsenal -Ancient Civilization -Ancient Sorcery -Less Building replacements -Shani's Stuff -Devious Desires -And many more high end character customization mods!
-We also have other systems in place to allow players to have the things other servers either don't allow or don't enforce, like: Kingdoms! With a King, Lord, and Heir ranking you and your clan can claim entire regions and set laws in place that are not only RP enforced but Admin enforced as well!
-Lore that is always growing at player request, so your character can have their names plastered in the server history for all time! A clear cut rules list for our moderators and admins, so players can always see what is accepted and expected from them!
With our community the stories have been great, the combat fantastic, and the memories better than the rest. Our server is geared for high end custom characters and buildings, and has delivered. Come and join, make your stories heard, and spend time in a world where we reward people not for dollhousing, but for RP'ing and interacting with others. https://steamcommunity.com/sharedfiles/filedetails/?id=3036155384

TW - mention of drug use, SH and alcohol
hello this is my first post ever on reddit. i feel this is the best down to earth non judgemental place to discuss my feelings.
edit to add - first comment i get and i am hopeful for some actual advice is purely shitty and it’s made me sad. i am purely editing to try and make the punctuation and paragraphs easier to read.
my partner m/24 and i f/25 have been together a little over a year and a half. he’s my absolute world, but the past few months have been rocky, and im questioning if its a rough patch or if we’re just over.
we don’t live together, and we mostly only see each other on weekends as his mother doesn’t allow guests staying over on week days. he works monday - friday, and my home is hostile, so i go to his.
i don’t get to see him every weekend, probably 2/4 weekends a month due to myself doing shift work.
we are the exact definition of chalk and cheese. he is the perfect example of avoidant attachment, stoner boyfriend and i am the bpd girlfriend who loves alcohol and drugs.
we have always done our upmost to have the understanding of each other and the best communication.
we’ve always been perfect imo and fit together like literal puzzle pieces and our friends have always referred to us as their ideal relationship.
the past couple of months, things have been different. he’s been more distant, i’ve taken a dip in my mental health and he’s cold and uninterested, which previously hasn’t been an issue. if i cry, he tells me that im trying to guilt trip him( or that he finds it irritating.
he is interested in me when it is sex, but not much else.
i sh rather bad when in a very low point a couple of weeks ago. i went to him for support, purely as i was terrified at the amount i was bleeding, and got met with anger, and shouted of why the f would i do that and i should’ve just come to bed, everyone is depressed and i did it to manipulate him.
he has always drilled into me that no one is allowed to shout at me, not even him.
after he finished shouting, i mentioned this and he says yes but you’ve pissed me off.
when he looks at me i feel like he just looks disgusted.
i have bought up above issues multiple times and communicated the best i can. i am met with ‘i don’t know what you want me to say’, and then i also got ‘nothings changed but you’re clearly suffering so leave if you need to’.
he’s made it clear many times he’d be fine if we split. but i know i wouldn’t. this was my first relationship that wasn’t horrifically toxic and i think im clinging onto it despite it turning sour.
i am terrified i am the problem.
i know the answer to this already. i am just scared, feeling very lost and alone.
i live with my parents and as i previously mentioned, home is hostile. horrifically toxic.
i have never ever had a place that has felt like home before him.
i have had relationships before him and he is the first person who has made me feel safe enough where just being with him felt like home. and now it doesn’t.
what the fuck do i do.

When you look back on the century so far, what 5 screenplays have stood out to you as mastercraft level scripts? Scripts that you think elevated the craft and are shining examples that should be put in a museum and studied?!
For me, those scripts are

1. The Social Network: It's just a towering achievement of a screenplay, taking great influences and themes and blending them into something truly magnificent, and I don't think it'll be topped.
   
2. Inception: screenwriters dream of writing something like this. It's such a crazy and silly concept written with a technician touch. A rousing big original genre exercise that feels smart and accessible to mass audiences at the same time, Nolan's best work on the page imo.
   
3. Inside Out: I think the movie is such a textbook example in how to fully explore and execute a concept, from front to bottom. With such emotional intelligence and deft of hand, it's amazing peice of work.
   
4. Parasite: Holy shit! It's such a twisty and complex piece of writing, and yet so fun. Like walking through the best fun house, so many moving parts, tonal shifts. The genre is so hard to pin down. It's what Bong is best at. It's such great fun!
   
5. Eternal Sunshine: Maybe the most original script on here, every screenwriter, at some point wants to be as original as Charlie Kaufman. He's a towering talent. It feels so personal and yet so relatable. Dripping with humanity and honesty.
   

Those are my pics, what are yours?

Platinum End Theory: Who Is God And Those Mysterious Beings In The Finale Explained
Original link- https://reddit.com/platinumend/comments/sdw2rc/deleted_by_use
Repost cause the original was deleted. I'm not OP. OP is https://www.reddit.com/usemuphenz
Deleted Theory https://www.reddit.com/platinumend/s/b347iH85A7
Thanks https://www.reddit.com/usecompletelylostcase for the Pastebin link. https://pastebin.com/A8K4bJiD
DISCLAIMER: This theory will go over the entire story of Platinum End, so obvious spoilers ahead.Just a heads up, this theory is posted at the time that only a few episodes of the anime have been released. Depending on how much the anime stays like the manga, details may end up changing. Therefore, the entire theory will be based solely on the manga. I will also leave snippets of the manga with the highlighted text to support my claim. Please be sure to read those as it will help this theory make sense. This theory is completely my own original thoughts. If anyone shares this, please be sure to credit me, Muphenz. Thanks! Hello, my fellow Platinum End fans! If you’re like me, the ending completely caught me off guard and left my head-scratching. Do not worry! I’ve overanalyzed everything and made a theory to possibly explain who god and those beings at the end of the story are, so you don’t have to. Those beings at the end of the manga, chapter 58, are drum roll…humans of the future who have achieved many scientific advancements who existed well before the story of Platinum End takes place and are simulating their own world with fake humans, fake angels, and a fake god. Why are the real humans running this simulation? Simply put, they’re suicidal and no amount of therapy is going to help with that. Why are they wanting to die? In the future, it is predicted by Gaku Yoneda that within 500 years, humans will achieve immortality. Once they achieve immortality, they will eventually master time and space and will be able to do things like teleport, time travel, see the future, etc. And once humans achieve immortality and are able to know all of the future, they will discover that the future cannot be changed according to Dr. Yoneda. Just like Dr. Yoneda’s prediction, the real humans are wanting to die which is why it’s stated by one of the real humans how annoying it is that there is no death. Whatever the process was that made the real humans immortal, it seems that it cannot be reversed to restore one’s mortality. Although it’s not stated how humans will achieve immortality and allow them to control time and space, this will somehow cause humanity’s apocalypse as well, destroying the original Earth. What makes these creatures more human-like than god-like is that they admit they were born on another planet, most likely the original Earth. They are also aware that they too were created by something that is above them. How do we know Dr. Yoneda’s predictions are right? It was stated by Shuji Nakaumi that his past predictions came true. One thing to understand about science is that it’s extremely good at accurately predicting things. Example 1: With Issac Newton’s law of motion, scientists can predict the position of an object at any specific time, past, present, or future. Example 2: In the 1840s, Fitzner astronomer Urbain Le Verrier was analyzing the orbit pathway of Mercury and found that it is changing very slowly over time. With technology limited at that time, it was hard to provide proof. In 1915, the famous German physicist, Albert Einstein was able to calculate the influence of the curved space in Mercury’s orbit. That is 75 years later that science proved its prediction was right. Although science cannot tell future events like a psychic will attempt to, I believe this is what the author was using to help advance the plot for the ending. The real humans already know the future and they’re aware that no matter what they try, death is not a part of that. If they cannot do it, someone else can. That is when these simulations come in. The real humans will create simulated humans. In one of the simulations, the story of Platinum End takes place. This would not be on a computer. This process would involve terraforming an entire planet to support carbon-based life. The planet that the simulated humans live on will be similar to the original Earth as well as the history and advancement of science will be similar to the real humans. As the simulated human’s society progresses, like in Platinum End, they would eventually learn how to become immortal and learn how to control space-time which would lead to them wanting to die just like the real humans. But unlike the real humans, the simulated ones may actually achieve a way to kill themselves once they obtain immortality that the real humans could use. But as we already know stated by the real humans, this specific simulation was a failure. Nothing was created that was capable of killing them. Thus, the real humans will move on to a new simulation. Pay very special attention to this picture. Notice right after all of the humans disappear when the fake god kills himself, the buildings are slowly crumbling away since no one is here to maintain them. According to World Building, it would take an average of 250 years for a building to start to break apart since materials like wood and plastic would be destroyed by the environment if not maintained. Metal would be expanding and no longer able to keep the building's structure in place. This would cause things like windows to fall off and shatter. So after a few hundred years, the real humans return to the planet after the simulated humans disappeared due to the fake god’s suicide. It’s possible that during this time they’re running other simulations on other planets and returned when this simulation was completed. Since the real humans have achieved master over space-time, teleporting to anywhere in the universe would not be out of the question. Since they cannot die, the amount of time it would take for the real humans to travel anywhere in the universe is irrelevant as well. Even though Gaku Yoneda’s predictions about the simulated humanity’s end were wrong, he was technically right. It did come true for the real humans. If Shuji Nakaumi, as the fake god, did not kill himself and wipe out all of the fake humans, they would of most likely learned how to cheat death and to control space-time in the future. Gaku was wrong about the fake god being a product of human belief in order to live. He even admits that the composition of the fake god was wrong. If the fake god required human belief to live, then Shuji would not have erased the memories of those who were not god candidates as it would have affected the fake god's existence if fewer people believed in him. There is one thing that begs the question. Why is a fake god needed to run these simulations? Why do the simulated humans have souls? Why not just create the simulated humans and leave them to figure out how to create an immortal killing machine without the process of a false god? This is because God and souls are actually real and are necessary for life to exist. To clarify, the “God” that Shuji Nakaumi was transmuted into is not the true God that I’m referring to. I’m referring to the first cause of everything, a self-aware creator, a deistic God who existed before time and space who created the universe and does not intervene in its creation. This means no miracles, prophecy, answering prayers, divine revelation, etc. Everything in the universe is governed by physics and these laws cannot be broken. The real humans who are running the simulations are aware that they are a creation made from a creator. However, since a deistic God does not interfere in the universe, the real humans cannot know of him, at least while they are still alive. Considering the real humans can control space-time, I can say for certain at one point, at least one person went to the very beginning of time and saw something that would be evidence of an intelligent designer creating the universe. When the real humans are conversing with each other at the finale, one human suggests identifying what created them and the second one replies that seeking their creator will be a waste of time. If a deistic God won’t intervene in its creation, the real humans would be wasting time by attempting to contact him. Even though they can control space-time, if the creator exists outside of reality, they would not be able to reach this entity. Focusing on figuring out who created them means that time is wasted if they're not figuring out how to die which is why it would take them further away from death. Just as the simulated humans have souls, the real humans also have souls. At some point, the real humans discovered the soul. They are aware that this is needed for life to be sentient. The discovery of the soul could have played a key part in the real humans achieving immortality. The fake god is engineered by the real humans to create souls so that life can be sentient, mimic the universe's deistic God by allowing the simulation to run with no interference, and act as a mod to keep an eye on life with the red and white arrows. The celestial realm was created so the fake god would not be a part of the simulated world. Even though time moves differently in the celestial realm, it is the closest thing that the real humans can engineer to simulate a deist God that is separated from its creation. This fake god does not have the powers of a supreme being. The fake god does not know everything, is not everywhere at once, and does not display any sort of omnipotent ability. There is a lot of things that the fake god admits to not knowing, such as who created him, why are souls preserved, and how long does the merging process take. Although we do see the fake god have the ability to observe humanity, I would say that this is the equivalent of having admin privileges to watch humanity live-streamed on YouTube. The fake god is aware that he is created by someone. The fake god noticed that there are things that had already been created that he was not a part of just by observing everything in the universe. Although he seems to not understand what created him. He even acknowledges the idea that humanity could have created him. All the simulated souls come from the fake god. This is done through a process of emanation, which means to flow from. In the Abrahamic religions, specifically Gnosticism, Jewish Mysticism, and certain sectors of Protestantism, instead of your typical creator being separate from its creation, everything is a spontaneous outflow from God. As pieces of God emanate from him, it becomes less divine, but these pieces will eventually become an individual soul that forms into human spirits, angels, demons, as well as other things that come into reality such as heaven, hell, and the world of the living. Eventually, everything that came from God, will return back to the creator. (If you’re still confused on what emanation is, I would do more research before continuing to read as this will play a key role in understanding who the fake god is.) Emanation is how the fake god created the simulated human and their soul, the fake angels, and the celestial realm. The fake god took a piece of himself and used it to create life. Since everything emanates from the fake god is connected to him, as he is dying, most of the angels are dying too. Due to this connection, when the fake god killed himself, everything that was tied to the fake god disappeared. But because the creation of the fake god is not connected to the physical world, the planet and everything that is not life remained on it. When the simulated human beings die, the soul goes to the celestial realm. This is the returning aspect of emanation. The souls that came from the fake god are returning back to him. You always see all angels, regardless of rank, having the task of carrying the souls to the celestial realm. It seems that the main purpose of the angels is to help with the return part of the emanation process. The more that the emanence is divided, the less divine it becomes. This is why the fake humans are considered sub-celestial in the hierarchy.It appears that there is a certain order to the flow of emanation. The newest creations emanate from the fake god. Kids will be the first in the line for the emanate process and their parents will be behind them. This is why when the fake god committed suicide, the kids were the first ones to disappear, then the adults. All things that emanate from the fake god are returning to the original source in reverse order when the fake god takes his own life. When the fake god merges with a human, this appears to go against the set pattern of the emanation process by breaking the order in which the emanence flows. This is why when Shuji merged with the fake god, it felt like there was something foreign in the fake god's body similar to how an infected person's body acts when the immune system detects foreign bacteria or a virus. The only way to get around it is by the fake god merging with a simulated human and having the fake god take over the new body when the fusion is completed. It is stated by the fake god that it is nothing more than humanity's assumption that God cannot die. This may be true for the deistic God, but not for a fake god. It is already known that the real humans achieved immortality. Although the fake god could have been engineered to be immortal, that would just create another being who would eventually want to die. The fake god was designed to live a long life, compared to humans, that could be extended through the process of merging with one of its emanated counterparts until the simulation was completed. This has been done throughout time in the form of the god choosing process. The fake god confirmed to Shuji that his purpose was to create life. Professor Yoneda confirmed that the fake god was created by human imagination and that its purpose was to end life. On the surface, this may seem like a contradiction. But both of them are right. The fake god’s purpose was to create the simulated humans. God is metaphorically a creation of human imagination. It was not by the simulated human’s imagination as stated by Yoneda, but it was designed and engineered by the minds of the real humans. Since the purpose of the simulation is for the fake humans to achieve immortality and figure out how to reverse it, you can say that the fake god is a part of that process of killing humanity. Right as all of the humans are disappearing, Dr. Yoneda realizes that the composition that makes up the creature is based on a science that the simulated humans have not discovered yet. The composition of the fake god is Aether. In medieval times, a common study among scholars is alchemy, which can be best described as the forerunner for modern-day chemistry mixed with the pseudoscience of metaphysics. According to Charles Gillispie, a historian at Princeton University, in his book, The Edge of Objectivity, An Essay in the History of Scientific Ideas, Aether is the fifth element, along with earth, wind, fire, and water, that are the basic building blocks of the universe. During medieval times, Aether is the substance that is believed to connect the physical world to the spiritual one. It was even a common belief that the Abrahamic God was surrounded by Aether and that all of the angels, demons, and souls that dwelled in the afterlife breathed it in as humans breathed in the air. According to Jakob Bernoulli, a mathematician from the 1600s, believed that Aether is what allowed souls to interact with their human bodies. All of these characteristics of Aether match the composition of the fake god. Aether is what allows life to become sentient, connecting all of the simulated humans back to the fake god from the physical world to the celestial realm. It seems at some point, the real humans discover this element. This discovery most likely led to the discovery of the soul. Using this element, the real humans used Aether to construct the fake god needed for the simulations. Everything that is a part of the simulation, the fake god, angels, the soul, the arrows, is made up of this element. The red arrow is what allows the god candidates to make other humans fall in love with them so much that the person who is under the influence of the arrow will do literally anything the person who is in control wants, even die for them. The white arrow has the ability to kill any life while all inanimate objects are unaffected. These were limits placed on the arrows by the fake god. According to Ogaro, the fake god can use the full power of the arrows at will. The red arrow is more than just making someone fall in love. The arrow does this by taking away their free will. The god candidates were limited to using the arrow on 14 people at once for a period of up to 33 days. With the fake god able to use the full power of the red arrow, he can enslave any or all simulated humans with a snap of his finger for as long as he desired. The red arrow also played a role in creating the first simulated life as well. The fake god stated that if life was left alone, it would multiply. The desire of falling in love and wanting to procreate was implanted by the red arrow when life was created. The white arrow is the opposite of the red arrow. This arrow can kill life instantly. The limit that was placed on this arrow is that only one white arrow can be shot at a time. Just like the red arrow, this arrow has a maximum range of 31.6 meters. When cycling the white arrow, there is a cool down period of 0.3 seconds. If these limiters are removed, the fake god can kill all humans with the white arrows with virtually no limit on distance, any number of arrows can be used simultaneously, and there would be no mandatory cool down period. The creation of the simulated humans involves two key ingredients. The first is the soul which comes from the fake god. The second is a physical body for the soul to be attached to. The real humans asked if it was worth planting another seed and another god as those are two separate things. The making of another god is obviously the fake god. But what is the seed? The seed is what makes the physical embodiment of all plants and animals that all emanence is attached to. I.E., souls attached to bodies. According to the fake god, before he created life on the fake Earth, there was some sort of micro-organism. This seed would be that micro-organism, specifically carbon-based bacteria that is capable of evolution. Around 3 billion years ago, the first life on Earth was bacteria. There are two types of bacteria, a classification of anaerobic bacteria that ate other organic compounds and simple sugars to survive. The other kind is autotrophs bacteria which is capable of self-feeding. Anaerobic bacteria would evolve into modern-day animals. Autotroph bacteria would evolve into modern-day plants that still have the ability to self-feed through a process of photosynthesis. It is possible to send bacteria through space. According to a 2020 study published in the Journal of Frontiers in Microbiology, bacteria were able to survive in space for three years. If the real humans were able to transport the seed through space in less than 3 years, it could easily survive. Considering they achieved immortality, it is within reason to think this would be a piece of cake for them. At some point, part of the anaerobic bacteria would come in contact with the fake god, who was on the fake Earth at that time to make life, recognized the fake god as food, and attempted to feed off of him to survive. The bacteria that fed off the fake god would eventually evolve into Nasse. The bacteria that did not feed off of the fake god would evolve into more complex forms of life on the fake Earth. Since Nasse was accidentally created from this event, it most likely means that she is the first angel that the fake god created. This means that she could serve as inspiration for the fake god to create angels for the celestial realm. The angels don't seem to share any ability to reproduce with each other. There is never any mention of any family heritage. It means that all of the angels were created around the same time. Since Nasse is the only angel that came from the seed/bacteria, her biological makeup differs from all the other angels. While the majority of her is angel, part of the genetic makeup is similar to carbon-based life. Although I would not say Nasse is an angel-human hybrid, she could be considered a type of Nephilim. Due to this biological difference, Nasse is the only angel that can interfere in both the physical world and the celestial realm. Much research has shown that facial expressions are innate among all animals, not just humans. The same animals that display facial expressions when expressing emotions, lying, determination, etc. use similar muscles in the face as humans do. For example, a Psychologist, Paul Ekman, studied facial expression from hours of film and ventured on to multiple isolated tribes who have very little contact with modern society. He showed them pictures of facial expressions and asked them to interpret them. These people were able to match facial expressions and their meaning with high accuracy. This is one of the many studies that show facial expressions are genetic. Even though Nasse is single-minded, she is able to understand facial expressions due to her biological relationship with the simulated life on the fake Earth. But hey, this is just a theory."

I used to be pretty happy with my supports. If they were having to cover a big area I was able to get them off in one big piece or at least several big chumks. It would typically leave nothing noticeable on the print. All of a sudden something changed and its horrible now. Thinking back it must have started after I upgraded Cura. My tree supports now use a ton of "stumps" and are hard as hell to get off the bottom of the print. I tried switching back to normal supports and I really can't describe whats its doing but again it makes it super tough to just pull off the print. I've tried changing a bunch but nothing has really helped. Anyone have some good settings I can try. Heres some examples and what most of my settings currently are.
https://imgur.com/a/hc2NlIe

I came into this trial as a blank slate. From the very little that I did know, the prosecution theory that an angry, drunken girlfriend killed her man with a car seemed plausible and the police conspiracy theory seemed, on the surface, to be unhinged.
But in the past five weeks, the prosecution has yet to provide any solid evidence Karen Read committed second-degree murder. Moreover, witness after witness is getting crushed on cross-examination. I've never seen a trial where so many prosecution witnesses appear to be lying or less than credible.
I'm still not sold on the conspiracy theory. But the amount of reasonable doubt so far is off the charts.
Here's my tally:

1. Karen's so-called "confession" of "I hit him, I hit him, I hit him" is on shaky ground. Multiple people have said they heard it, but then it turns out that it's not in any of the initial reports, except for a statement from Katie McLaughlin. And turns out that McLaughlin is friends with Caitlyn Albert, who was part of the after-party at 34 Fairview.
   
2. Even more damning, nobody at the scene acted like Karen was confessing. She wasn't immediately arrested or even questioned about what she was saying. That speaks volumes about the how seriously her statements were taken at first.
   
3. The unbelievably sloppy investigation the morning of Jan. 29 -- collecting blood in Solo cups; the snowblower; not questioning Read about her statements that she might have hit him; no search of the house; no attempt to separate witnesses during the initial police interviews; abandoning the crime scene early on.
   
4. I need to hear more about the injuries, but so far, it's hard to square JO's injuries with getting hit by a car. Also, the missing hat, belt and shoe are just weird.
   
5. The expert who testified about the lack of dog DNA seemed credible. But her tests relied on swabs supplied long after the event by the State Police. And based on this investigation so fair, I have no faith in the validity of those swabs.
   
6. Likewise, the expert on the blood-alcohol data seemed very knowledgeable. But his calculations all hinge on the supposition that Karen Read had her last drink at 12:45 p.m. Everybody else was still drinking after that; why wouldn't we assume she just went home and went to sleep? Right now, I have no faith in the blood-alcohol numbers.
   
7. All the personal links between the witnesses and the investigators, and the attempts to downplay them. As an example, Katie McLaughlin could have just acknowledged her friendship with Caitlin Albert upfront. Instead, it was "I knew someone by that name in high school." Her response was just so ... sus.
   
8. Testimony vs. the electronic record. The butt dials. The 2:27 a.m. Internet search that was deleted. The phones that were ditched just before a preservation order. The Life 360 data. The Canton PD key data. It's just astonishing to see witnesses deny the electronic records, and crazy that the prosecution case steamed ahead despite all these red flags. I really don't know if there was a conspiracy, but it's clear some of these folks are hiding SOMETHING.
   
9. Nobody seeing the JO's body in the yard. It's easy for me to understand how some people could have missed it. But everybody who must have walked by it that night? Makes no sense.
   
10. The fact Brian and Nicole Albert stayed in their house that morning. And it's hard to believe that Jen McCabe was the one to wake them up. Talk about the Case of the Dog That Didn't Bark! Not to mention Jen's two "butt dial" calls to Nicole.
    
11. Karen's hysterical reaction that morning does not appear to be that of a woman who intentionally killed her boyfriend.
    
12. The texting with Higgins made, in my eyes, Higgins more of a suspect than Karen. If she already had one foot out the door, what would be the need to kill JO? They weren't married. She was ambivalent about the parenting responsibilities. She had her own home, her own income. Even if the relationship was about to end, it's hard to understand a motivation for murder.
    
13. The issues around the broken taillight. So nobody saw ANY of those 40-some pieces of red plastic on the morning of Jan. 29, even though several cops were looking for evidence? Does that make sense?
    
14. I'm assuming that both sides will bring in experts to debate the 2:27 Google search for "hos long to die in the cold." But if it's just a case of dueling experts and everybody is left not knowing the truth, that's reasonable doubt.
    

That's what I have so far and we haven't even gotten to the issues involving Proctor and what appears to be missing video at crucial times and places.
Frankly, the defense doesn't have to convince the jury of their conspiracy theory. They just have to sow that reasonable doubt. And if people are left totally confused about how JO died, than Karen Read will be acquitted.

This post will repeat weekly through the month of December. Please repost or cross post as a way to promote this subreddit. Or ignore this one and check out our others! I apologize if it's cramping your style, but when I work hard on certain posts I want to be sure they are useful! I also am working on making these shorter so they don't get lost in the madness....
Scroll down for the Character Questions and create a thoughtful and empathetic profile of your main characters for your projects!
As always please use these as sparks to create and feel free to post your responses and ideas in comments or separate post! This is YOUR subreddit so go ahead and post away!
Prompt: Imagine a dystopian world where an oppressive government has successfully erased all forms of personal identity and history. In this society, individuals are assigned generic roles and are forbidden from expressing their unique thoughts, emotions, or experiences. Write a short story or reflective essay exploring the life of a character who discovers a hidden underground community that encourages self-expression and reignites the importance of personal narratives.
In your response, consider the following:

1. Character and World Building:
   • Describe the protagonist's background, their assigned role, and their initial perception of the oppressive world they inhabit.
   • Develop the hidden underground community, including its purpose, structure, and the means through which it safeguards personal stories.
   • Create a contrast between the protagonist's initial world and the underground community, highlighting the impact of personal narratives on shaping identity and resisting oppression.
2. Plot Analysis:
   • Outline the protagonist's journey of discovery, including their initial skepticism, the influential encounters they have within the underground community, and the personal sacrifices they make to preserve their identity.
   • Explore the challenges and conflicts faced by the protagonist, both externally (e.g., encounters with government authorities) and internally (e.g., the struggle to confront their identity).
3. Deep Introspection:
   • Prompt the protagonist to reflect deeply on the uncomfortable subjects that the government's erasure of personal narratives seeks to suppress. These could include topics such as individuality, memory, trauma, and the power of storytelling as a tool for empathy and resistance.
   • Encourage the protagonist to evolve their thoughts and perceptions throughout the narrative, considering the consequences of silence and the potential for personal growth through self-expression and sharing.
4. Requirements for Responses:
   • Conduct research to explore real-world examples of societies that suppress personal narratives or attempt to erase collective memory.
5. Prompt: In a post-apocalyptic world, a devastating pandemic has wiped out most of humanity. The survivors are forced to live in isolated communities, each with its own set of strict rules and customs. Write a short story or reflective essay exploring the life of a character who questions the existing order and embarks on a journey to unite these fragmented communities. Consider the role of unity, diversity, and collaboration in rebuilding a shattered world.
6. Prompt: Set in a future where advanced AI technology has permeated every aspect of society, write a story or reflective essay following a protagonist who begins to question the boundaries between human and machine. Delve into the ethical implications of human-AI relationships, the erosion of human emotions, and the potential consequences of blurring the line between artificial and genuine experiences.
7. Prompt: Imagine a world where climate change and environmental degradation have irreversibly altered the planet. Write a story or reflective essay from the perspective of a character who is part of a group striving to restore balance and heal the damaged Earth. Explore the connections between personal responsibility, collective action, and the intersections of social and environmental justice.
8. Prompt: Transport yourself to a society where strict social hierarchies are based on a person's genetic makeup. Write a short story or reflective essay following a character who challenges this system and advocates for equality and inclusivity. Examine the role of genetic determinism, discrimination, and the power of individual agency in reshaping social structures.
9. Prompt: Imagine a world where art and creativity are considered illegal, seen as tools of subversion and chaos. Write a story or reflective essay from the perspective of an artist who risks everything to defy this oppressive regime and reclaim the power of artistic expression. Analyze the significance of art as a form of resistance, its ability to inspire change, and its impact on personal and societal transformation.

Remember to consider the following for each of the prompts to insure a well rounded and thought out premise that will engage the audience and allow room for growth in the plot.
Prompt 1 - Post-Apocalyptic Community Building:

• Consider the unique customs, rules, and societal structures of each isolated community.
• Explore the protagonist's motivation for questioning the existing order and their vision for uniting the communities.
• Analyze the challenges and conflicts faced in the journey of uniting fragmented communities and the potential benefits and drawbacks of unity.

Prompt 2 - Ethical Implications of AI Technology:

• Reflect on the protagonist's personal experiences and interactions with AI, including the blurring of boundaries between human and machine.
• Explore the ethical dilemmas and consequences of advancing AI technology.
• Analyze the impact of human emotions, genuine experiences, and the potential loss or transformation of human qualities in a society heavily influenced by AI.

Prompt 3 - Environmental Restoration and Social Justice:

• Consider the protagonist's role in the restoration of the damaged Earth and their motivations for taking action.
• Explore the intersections of social justice and the environment, including the disproportionate impacts of climate change on marginalized communities.
• Analyze the challenges of collective action, personal responsibility, and the potential for transformative change in healing the planet and addressing social inequalities.

Prompt 4 - Genetic Hierarchy and Social Change:

• Reflect on the protagonist's experience within the rigid social hierarchy based on genetics.
• Analyze the implications of genetic determinism and discrimination in shaping social structures.
• Explore the role of individual agency, activism, and the potential strategies for challenging and reshaping the genetic-based hierarchy.

Prompt 5 - Artistic Expression as Resistance:

• Consider the protagonist's personal experiences as an artist within an oppressive regime.
• Reflect on the significance of artistic expression as a form of resistance and its power to inspire change and challenge societal norms.
• Analyze the risks, sacrifices, and potential outcomes associated with defying an oppressive regime through art.

1. Chick Lit: Write a chick lit novel or short story following a relatable protagonist navigating the challenges of love, career, and self-discovery. Explore themes of friendship, personal growth, and finding balance in a fast-paced, modern world.
2. Young Readers' Adventure: Imagine a group of young friends who stumble upon a hidden portal to another realm. Write an adventure novel or short story as they embark on a quest to save a magical world from darkness. Delve into themes of friendship, bravery, and the power of imagination.
3. Historical Fiction: Set in a time of significant historical events, write a novel or short story highlighting a lesser-known figure or group of people. Research the historical context meticulously and emphasize the character's resilience, struggles, and contributions during that tumultuous period.
4. Fantasy: Create a fantastical world filled with mythical creatures, magic, and ancient prophecies. Write a novel or short story following a young protagonist who discovers their extraordinary abilities and must navigate a treacherous journey to fulfill their destiny. Explore themes of self-discovery, heroism, and the blurred lines between good and evil.
5. Mystery/Thriller: Write a gripping mystery or thriller novel following a seasoned detective or amateur sleuth investigating a perplexing crime. Develop complex characters, suspenseful plot twists, and an intricate web of clues and red herrings that keep readers guessing until the very end.
6. Science Fiction: Set in a future where technological advancements have transformed society, write a novel or short story exploring the ethical and societal implications of groundbreaking inventions. Examine themes such as artificial intelligence, genetic engineering, or virtual reality and their impact on humanity's future.
7. Romance: Craft a heartwarming romance novel or short story centered around two individuals from different backgrounds or opposing sides. Explore themes of love, forgiveness, and the triumph of the human spirit in the face of adversity.
8. Coming-of-Age: Write a coming-of-age novel or short story following a young protagonist's journey of self-discovery, identity formation, and navigating the complexities of adolescence. Explore themes of friendship, personal growth, and the challenges of transitioning into adulthood.
9. Psychological Thriller: Create a psychological thriller novel or short story that delves into the intricacies of the human mind. Focus on a protagonist who becomes entangled in a web of deception, manipulation, and paranoia. Explore themes of trust, perception, and the blurred lines between reality and illusion.
10. Family Drama: Write a novel or short story exploring the dynamics and complexities within a multi-generational family. Include themes of love, secrets, and conflicts that arise as family members navigate their relationships, face past traumas, and strive for reconciliation.

Considerations for each prompt:

• Genre-specific elements: Ensure your story incorporates the defining characteristics and tropes of the chosen genre, such as the tone, pacing, and narrative conventions.
• Character development: Develop dynamic and relatable characters who undergo significant growth or transformation throughout the story.
• Plot structure: Create a compelling plot that introduces conflict, builds tension, and resolves in a satisfying manner, adhering to the common structure of the chosen genre.
• Themes and messages: Select themes that resonate with the genre and explore them through the characters' experiences and narrative development.
• Reader engagement: Craft a story that captivates the intended audience, keeping them invested in the characters and eager to uncover what happens next.

1. Historical Romance: Write a one-page historical romance set in a lavish ballroom during the Victorian era. Focus on the forbidden love between a spirited debutante and a mysterious gentleman from a different social class.
2. Science Fiction Comedy: Craft a one-page comedic story set in a futuristic space station. Follow the misadventures of a clumsy maintenance technician who unwittingly saves the day against all odds.
3. Paranormal Mystery: Pen a one-page mystery story set in a haunted mansion. Introduce a skeptical paranormal investigator who must solve the mystery of a ghostly apparition that has been terrorizing the inhabitants.
4. Literary Fiction: Write a one-page literary fiction piece centered around a character's contemplation of the fleeting nature of life and the importance of cherishing the present moment.
5. Action Adventure: Craft a one-page action-packed adventure story set in the jungles of an unexplored island. Follow a daring archaeologist's quest for a hidden treasure while battling against treacherous obstacles and rival adventurers.
6. Psychological Drama: Create a one-page psychological drama following the internal struggles of a troubled artist as they grapple with their inner demons and seek redemption.
7. Magical Realism: Write a one-page magical realism story set in a sleepy coastal town. Explore the extraordinary occurrences that happen when an enigmatic mermaid washes ashore and disrupts the mundane lives of the townsfolk.
8. Thriller: Craft a one-page thriller story involving a race against time. Follow a determined protagonist as they try to decipher cryptic clues and prevent a citywide disaster.
9. Fantasy Adventure: Pen a one-page fantasy adventure story set in a whimsical realm. Follow a young hero's quest to retrieve a stolen artifact and restore balance to the land, encountering fantastical creatures and overcoming obstacles along the way.
10. Historical Fiction Mystery: Write a one-page historical fiction mystery set during the Roaring Twenties. Follow a quick-witted detective as they unravel a web of deceit and intrigue surrounding a glamorous underground speakeasy in the heart of the city.

Considerations for each prompt:

• Engaging Beginning: Choose a compelling starting point that grabs the reader's attention and hooks them into the story from the very first sentence.
• Concise Plot: Craft a tightly woven plot that can be fully developed within one page, with an introduction, rising action, climax, and resolution.
• Strong Characterization: Develop distinct and memorable characters, even within the limited space, by providing key details that bring them to life and make them relatable to the reader.
• Descriptive Language: Use vivid and sensory language to paint a clear picture of the setting, engage the reader's imagination, and create an immersive reading experience.
• Resolution or Twist: Provide a satisfying resolution to the story or introduce an unexpected twist that leaves the reader intrigued and wanting more.

Protagonist Character Profile:

1. Name:
2. Age:
3. Gender:
4. Physical appearance:
5. Background:
6. Personality traits (list at least five):
7. Core values and beliefs:
8. Motivations and goals:
9. Biggest fear:
10. Internal conflicts:
11. External conflicts:
12. Strengths:
13. Weaknesses:
14. Childhood experiences and their impact:
15. Education and professional background:
16. Relationship status and dynamics:
17. Quirks or peculiar habits:
18. Psychological disorders, if any:
19. Familial relationships and dynamics:
20. Support system (friends, mentors, etc.):
21. Traumatic experiences and their effects:
22. Coping mechanisms:
23. Emotional vulnerabilities:
24. Resilience and determination:
25. Personal growth throughout the story:

Protagonist Character Questions:

1. What drives the protagonist to take action and pursue their goals?
2. How does the protagonist's childhood shape their behaviors and choices?
3. What values does the protagonist hold dear, and how do they influence their decision-making process?
4. What inner conflicts does the protagonist face, and how do they attempt to reconcile them?
5. How does the protagonist's education and professional background contribute to their strengths and weaknesses?
6. What traumatic experiences has the protagonist overcome, and how have these experiences shaped their worldview?
7. How does the protagonist cope with stress or adversity?
8. What relationships and dynamics are most significant to the protagonist, and how do these relationships evolve throughout the story?
9. In what ways does the protagonist exhibit resilience and determination in the face of challenges?
10. How does the protagonist approach personal growth and self-improvement?
11. What psychological disorders, if any, does the protagonist struggle with, and how do these disorders impact their thoughts and actions?
12. How does the protagonist's physical appearance contribute to their self-perception and interactions with others?
13. What unique quirks or habits does the protagonist possess that make them stand out?
14. What are the protagonist's primary desires and aspirations?
15. How does the protagonist's internalized fear drive or hinder their actions?
16. How does the protagonist navigate and resolve external conflicts?
17. What coping mechanisms does the protagonist rely on during times of stress or emotional turmoil?
18. How do familial relationships and dynamics influence the protagonist's actions and decisions?
19. What significant life choices or dilemmas does the protagonist face throughout the story, and how do they respond?
20. In what ways does the protagonist's support system impact their growth and resilience?
21. How does the protagonist's personal development and self-discovery contribute to the overall narrative arc?
22. How does the protagonist's background and experiences shape their perception of the world?
23. What are the protagonist's core beliefs and values, and how do these impact their interactions with others?
24. How does the protagonist handle setbacks or failures, and what lessons do they learn from these experiences?
25. What external influences or societal pressures affect the protagonist's decision-making process?

Antagonist Character Profile:

1. Name:
2. Age:
3. Gender:
4. Physical appearance:
5. Background:
6. Personality traits (list at least five):
7. Core values and beliefs:
8. Motivations and goals:
9. Biggest fear:
10. Internal conflicts:
11. External conflicts:
12. Strengths:
13. Weaknesses:
14. Childhood experiences and their impact $ Go on

1. Education and professional background: 16. Relationship status and dynamics: 17. Quirks or peculiar habits: 18. Psychological disorders, if any: 19. Familial relationships and dynamics: 20. Support system (friends, mentors, etc.): 21. Traumatic experiences and their effects: 22. Coping mechanisms: 23. Emotional vulnerabilities: 24. Strategies for achieving their goals: 25. Methods they employ to antagonize the protagonist:

Antagonist Character Questions:

1. What drives the antagonist to oppose the protagonist and act as an obstacle in their journey?
2. How does the antagonist's background and upbringing contribute to their negative behaviors and motivations?
3. What core values and beliefs does the antagonist hold that align with their antagonistic actions?
4. What personal goals or desires does the antagonist seek to fulfill?
5. What is the biggest fear or insecurity that drives the antagonist's actions?
6. How does the antagonist's internal conflicts manifest and impact their decisions?
7. What external conflicts arise as a result of the antagonist's actions, and how do they handle these conflicts?
8. In what ways does the antagonist exhibit strength and power, and how do these traits affect their interactions with others?
9. What are the antagonist's weaknesses or vulnerabilities that can be exploited by the protagonist?
10. How have childhood experiences shaped the antagonist's worldview and motivations?
11. How does the antagonist's education and professional background contribute to their methods and strategies?
12. What familial relationships or dynamics influence the antagonist's actions and choices?
13. What unique quirks or habits does the antagonist possess that make them distinct or memorable?
14. Are there any psychological disorders or conditions that contribute to the antagonist's behavior?
15. How does the antagonist cope with stress or emotional turmoil?
16. What strategies or tactics does the antagonist employ to achieve their goals and antagonize the protagonist?
17. How do the antagonist's actions impact their relationships and interactions with other characters in the story?

18.How does the antagonist perceive and justify their actions, even if they are considered morally or ethically wrong?

1. What external influences or societal pressures contribute to the antagonist's motivations or actions?
   
2. How does the antagonist's physical appearance contribute to their demeanor and portrayal in the story?
   
3. What significant life choices or dilemmas has the antagonist faced, and how have these shaped their character?
   
4. What is the antagonist's reaction to setbacks or failures, and how do they adapt their strategies?
   
5. How does the antagonist's support system or lack thereof impact their actions and decisions?
   
6. What past traumatic experiences or events have influenced the antagonist's worldview and behaviors?
   
7. How does the antagonist's emotional state or emotional vulnerabilities influence their actions and interactions with others?
   

A long, long time ago, I pulled an elaborate, long-running prank on my neighbor that involbed putting his house up for sale, repeatedly, over several months. Now that I'm a homeowner, I think it probably sent the wrong message.
The neighbor was a close family friend who was one of the most persistent prankers, he would prank everyone around but I don't think anyone had ever pranked him back. He was a school director and my stepmom worked for him at the school where I was a student. Small world, I know.
My grandfather (I promise this will become relevant) is the most accomplished prabker anyone around me has ever met. Everyone he knows has a story about being pranked by him. For example, one of his tamer pranks was that he would often try to see how many clotespins he could attach to someone's clothes before they noticed. He did this to the priest at church and then the priest would be up there in front of the whole church with a couple clothespins on his robe, everyone giggling.
My family, inspired by grandpa's pranks, came up with a plan to prank our neighbor by putting a For Sale sign in front of his house. My Dad did it the first time and the next day the neighbor was really puzzled about the whole thing. It was nice that my stepmom could get the reactions for us since they worked together. I think there was a second time not too long after.
The third time, probably a month later, there was a school fundraiser event that and my parents attended. So my grandpa posted the For Sale sign that time. That made it even harder for the neighbor to figure out who did it. We even had my grandpa call the neighbor the next day asking how much he want for his house.
Several months pass.
I was a student at the school, and there was a big end of the year field trip with a lot of the school staff, including the directoneighbor. I snuck in a For Sale sign in my suitcase and when we got there, I posted the sign on the Director's room.
Looking at him putting the pieces together and figuring out who did it was priceless. I was really proud of our 3-generation prank and carrying on grandpa's pranking legacy.
This was 20 years ago. Here's my issue. I am fortunate enough to have finally purchased a house recently. I was thinking about the prank again the other day and putting myself in the director's shoes. If someone put a For Sale sign in front of my house today, I would probably take it as a sign that someone doesn't want me here. We probably made him feel that for several months.... not cool. So now I'm not sure if it was a good prank.
What do you think? Epic prank or epic asshole?

i’ve been stalking this subreddit for a while now and every once in a while a post comes up about the inflation of gal brand prices, so i wanted to talk and explain about why that might be (disclaimer: i almost strictly do agejo and will mostly be talking about the big, well known brands)
a couple reasons may be, 1. economic inflation and the conversion rate of yen/to other currencies fluctuating

1. the rarity of items and how it’s becoming more difficult to get original brand seeing as it’s not produced anymore (ties into 3)
   
2. depending on the brand, some pieces may have been produced 20 years ago, so when in good condition (new, unused) it drives a higher price
   
3. the original brand was expensive anyway (jesus diamante, la parfait) or higher end (d.i.a, ma*rs)
   
4. people wanting to get import costs back depending on the country, importing from japan can be expensive and adds to the price of reselling
   
5. gal is on the decline and nowhere near as popular as it once was
   
6. scalping for profit
   

back when gal brand was still around, in magazine/scans you can see some of the original prices. some ma*rs pieces were 30,000¥, and back then the conversion rate was MUCH different than it is today. for example, some d.i.a tops costed closer to 70-90$, with that being 6,000¥-7,000¥, while 6,000¥ today is 40$
japan has (since 2022 imo) also started upping the prices of gal brand, either seeing it become more difficult to find or seeing the western community doing it. brands like jesus diamante have gone down in price (such as the coats originally costing 180,000¥) while ma*rs, d.i.a, alba rosa, etc have gone up in price. i truly think that’s because the more the years go by and gal brand isn’t being produced, it becomes more difficult to find, so people are less likely to give it up, and all the other reasons i stated above.
i agree that the prices of certain have become ABSURD (that one ma*rs dress on mercari going for 3,000$, while it’s original price was 50,000¥) but i think to a degree, wanting to gain money back or selling a rare piece for more now that it’s harder to find, is fine.
but you don’t need the brand to be gal, gal is more than brand name clothes. i hope this post was able to address some of the reasons i personally think the prices have shot up drastically, please be kind and respectful 💝

Hello, I'm a composer and I often like to take inspiration from musics and cultures around the world. I'm wondering if it would be acceptable or in away 'wrong' to use pre-existing Buddhist mantras as text for a piece of music.
I'm aware there are countless musicians and pieces of music that pull inspiration from the tradition music of southern/southeastern asia, but I've never seen an example of what I'd like to try doing. My intended use for these musical ideas is to find a mantra I personally like, and contruct a piece of music around it. I understand if that sounds strange but I'm willing to clarify on any questions someone may have.
Thank you.

Where do you guys stage your larger in store pickup orders? For example, I have to pull lots of lumber that end up on larger carts. We just got the newer remodel a couple of months ago on the front end that gave us the new order fulfillment area, but we end up with so many of these types of orders in a shift that we can’t just stick them all in there without the whole space getting congested.
For the orders that have a good amount of the longer pieces of lumber, like the 12ft or 16ft boards, I try to stick them in aisle 48 so that they don’t take up space in the order fulfillment bays. But I have some managers telling me I can’t do that. I understand to an extent because I know they don’t want to limit customer traffic down that aisle but it’s the only other wide enough space I can think of, and it’s not like I’m filling the whole length of the aisle with carts, there’s always enough room on both side of it to walk down.
Im honestly at a loss here 😭 our fulfillment area is so full of carts all the time, it’s hard to maneuver to even grab orders for customer pickup at the kiosk most of the time. I can’t stick them in the PUL bay in receiving because they don’t like that either. I honestly can’t think of anywhere else to put larger orders like this that is both convenient to grab for quick customer pickup, but will keep management happy and off my back. Any advice?

Hello IT colleagues,
The situation
I have two locations:

• At home
• At a colocation

At home on my ESXi host I've created a Ubuntu Server VM with WireGuard that connects to the colocation, also a ESXi host with an Ubuntu Server and WireGuard that acts as a VPN server.
VPN server colocation, also acts as a DHCP server for the colocation:
ens34 has a public IP ens35 has an internal IP, 10.0.0.1 wg0 is the WireGuard NIC
Settings wg0.conf file

[Interface] PrivateKey = HIDED Address = 10.0.0.1/24 ListenPort = 51820 [Peer] PublicKey = HIDED AllowedIPs = 10.0.0.2/24 PersistentKeepalive = 25 

IP routes

default via PUBLIC IP HIDED dev ens34 proto static 10.0.0.0/24 dev wg0 proto kernel scope link src 10.0.0.1 PUBLIC IP HIDED/29 dev ens34 proto kernel scope link src PUBLIC IP HIDED 192.168.1.0/24 dev ens35 proto kernel scope link src 192.168.1.1 

VPN client at home:
ens34 has an internal IP, 10.0.0.2 wg0 is the WireGuard NIC
Settings wg0.conf file

[Interface] PrivateKey = HIDED Address = 10.0.0.2/24 [Peer] PublicKey = HIDED AllowedIPs = 0.0.0.0/0, ::/0 Endpoint = PUBLIC IP HIDED:51820 PersistentKeepalive = 25 

The connection between the 2 works. Also when I change the gateway of another VPN at the ESXi host at home it still could connect to the internet, when I change the IP of the gateway to a non existing one as expected it doesn't work anymore to I am quite convinced that routing really works.
Now I want to connect to a Windows server at the colocation's ESXi host with the IP 192.168.1.100 but pinging back and forth does not work, not from the VPN client and also not from the VPN server. For this moment this seems to be the last piece of the puzzle that is missing. The wanted situation is that I can use my ESXi host at the colocation like its a server at home and so simulate different kind of networks (for lab purposes). For example setting up a Windows domain and use it on home computers that are also part of the lab env.
I need to admit that this is the first time for me dealing with VPN so it's also a lack of knowledge from my side. A lot of information was from YouTube and other sources on the internet.
Could someone help me out and advise me in how I can route the network so that 192.168.1.0/24 also is reachable? I've tried to add the range also to AllowedIPs = 10.0.0.2/24 but when I start WireGuard I get the error RTNETLINK answers: File exists. I am stuck at this moment. Any help would be highly appreciated!

Hello everyone! I just started my Etsy store https://ambgrrrdesign.etsy.com a little less than a month ago, and I have a few ads going, but though I am getting a few views/clicks here and there, really barely any sales. I specialize in digital customized pet portraits and character art for DnD, roleplay, etc. Seems I get the most views on the character art. I feel like my prices are fair for the time spent, and each piece is done by me in Procreate, I also provide a Timelapse video if asked with the picture just because I think they're neat (lol). I know about SEO a little and I think I have all that figured out.
My question is, what about my listings is deterring people? And is there some way I can combine two of my listings? For example, I have one price for 1 pet in the pet portraits, and I charge more for multiple pets, but because my art is digital only, the Etsy interface won't let me add variations to it, so I have two separate listings, one for 1 pet portrait and 1 for multiple pets, which doesn't make sense to me. I hope I explained that right. Any help is very much appreciated.