Movies and Adaptations

I actually haven't spoken about this part publicly. I have this sort of bee in my bonnet that I've wanted to do for years, which is I want to try to write and direct a low budget film, there's a lot of talent here in the area in Montana where I live, and it's something I've always wanted to do, and I kinda of figure I'm at the age where if I don't try to do it it'll never happen. The barometer as to whether or not this happens will be entirely as to whether or not I can write a script that I'm happy with and that other people would be interested in helping make. If I can manage to write a script that works then I'm going to give it a real shot, if not I'll go back and write another book. [1]
It's very interesting that one of the first storytelling books that comes to your mind is the Robert McKee one. I've always been fascinated with film and I would love to make film at some point. I might actually make a real effort in that direction this year, we shall see. The thing is, we didn't have television reception growing up but we would rent movies and we would watch a film every evening with dinner. We did that for years and years and years. I have seen a lot of movies. In films, if you read scripts, scripts are almost entirely structure and outline. They're a plan, a guideline for the story that is to be made into a film. [25]

You don't happen to sell bookmarks on your Etsy, would you? I'm in need of a few bookmarks and would love some Alagaësia or Fractalverse themed ones. Ha! We’re actually going to have some up in the nearish future. [T]

If you were to create a game of Eragon or any of your other books, which book would it be and what would be the winning state of that game? Well, the funny thing is I've been developing a tabletop RPG for the World of Eragon. And I'm currently waiting to hear back from a publisher if they want to move forward with it or if we need to find another home for it. The slight difficulty I've had, the reason it hasn't come out sooner, is that Disney and Fox already owns the merch rights for the World of Eragon. So we can do a rule book and we can do other stuff, but we can't do figurines or some other stuff. So it's a little tricky. But Eragon was the natural answer for me to develop that world and to not do a D&D based system, but to come up with a completely new game engine based around my ancient language and the rules of my magic and being a dragon rider and all of that. As far as what are the winning conditions, that depends on the individual campaign. How the players want to play. What kind of things would motivate a player in an Eragon campaign? Probably to be a dragon rider and to be cool. But I'm structuring the campaigns around, the guidance that I'm hoping to provide is to, just like with the books, send the players in the direction of achieving peace in the land, of having a positive influence. With the full knowledge that the players are probably going to disregard that and rampage across the land, but you know, you do your best. [23]

We have a lot of writers who are engaging in the video game industry. For example, Elden Ring. Would you consider writing for a game in the future? I would love to do that someday. It would really depend on the project though and my time. [32]

You might find a Bluetooth keyboard helpful for ipads and tablets. You can get folding ones too for travel. Already have one. I'm going to do a video on how to hack together an awesome mechanical keyboard for cheap. [T]

Along with the release of Murtagh we have the illustrated edition which came out at the same time. There is a new map here, from a fan. He did a version of this and posted it online, and I liked it so much I contacted him and said "well let's make a few tweaks, and if you are okay licensing it, let's do it", and so that's where this came from. So thank you Spencer. Oh that's cool. And do you have a favourite illustration? There's a couple of ones I really love. Hard to pick a favorite. I love the cover one. I love The Ra'zac in the cathedral at Dras Leona. There's one where it's multiple images that are sort of shattered of Brom and Saphira. There's Saphira in a snowy tree chasing a bird with Eragon near the beginning. It's really a lovely lovely book. [15]
It looks great. There is a kind of optimism in his art. A brilliance and joy that I like. [21]
I want a background for my PC created from the Battle under Farthen Dûr illustrated edition art. Would anybody know how to get a hi-res version of it? Even if I have to pay. I love the artwork for the scene so much. You could ping the artist on Instagram and see if he has an image you could use. He's usually pretty responsive. [R]
The first book that you released after your dry spell was not To Sleep in a Sea of Stars, it was an official Eragon coloring book. Yeah. Do you know how long it took to write that as well? I mean my God that was like 3 years of solid work. I didn't have to do the art, but just figuring out the words for a coloring book, it hurts. Do you think that coloring books are the key to curing writer's block, and do you recommend other bestselling fantasy authors struggling to publish a new book for the last decade to try this approach as well? Absolutely. Although, the thing is, is like I said, it was hard to write. If you're having trouble writing in general, you might find that tackling a coloring book actually sets you back even further, especially since some authors, not going to name names, don't have any discipline and would probably start doing a 10 book series in coloring books. But it was a rewarding experience. I really learned a lot as an author. And I've been able to apply that knowledge from the coloring book to my future books. Yeah, it's such a shame that Tolkien published so few books. Imagine what he could have accomplished if he put out a coloring book. Exactly, exactly. Of course, the problem with coloring books is they tend to be all black and white so it's very hard to get any shades of gray in your characters. [28]

In the acknowledgements section you also talk about the soundtrack for the audiobook of "Murtagh", which is available online. I've listened to it. It's good isn't, it? It's pretty cool! Do you have a favourite track? I think the main theme actually. Although I saw that apparently the most played track off of that is actually the Nal Gorgoth theme, the village. But I love the main theme because it has a sort of ache to it, a bittersweet ache, which feels very appropriate for Murtagh and Thorn. I've worked with the composer Malte Wegmann a couple of times, he did music for the audiobook for To sleep in a Sea of Stars and then Fractal Noise. Fractal Noise might actually work better as an audiobook versus in print, because the whole concept of the story is that there's a repetitive sound being emitted by this artifact on the planet and the audiobook can capture that in ways that a book can't. Malte has really evolved as a composer. He started as a fan, he was composing little pieces of fan music for the Inheritance Cycle and releasing it online as part of what he called "The Inheritance Project". I heard bits and pieces and I loved it and he was willing to collaborate and work. Of course, we paid him. I don't take fan work for free. And now we've done this for three books in a row. [15]
I loved Murtagh. In fact, I'm listening to Malte Wegmann's work for the audiobook music right now, and it's really amazing. It both confirms and expands my understanding of the book. I don't know how much of a hand you had and how the pieces turned out in the end, but if you did, can you share what the collaboration process was like? Malte is a fan, and he started releasing Inheritance-inspired music even before To Sleep in a Sea of Stars came out. I saw it, I enjoyed it, and I saw him developing as a composer as he was going along. With To Sleep in a Sea of Stars, we really worked on making that a beautiful package, both in the print version and the audiobook. So I reached out to Malte and asked if he'd be interested in doing some music for the audiobook, which he did. And he's now done music for every book since then. So To Sleep, Fractal Noise, and now, Murtagh. The Fractal Noise audiobook is fantastic. There's sound effects through the whole thing. There's music. It's really quite the production. With Murtagh, Random House does not normally use music in their audiobooks, and they haven't really done it with the Inheritance Cycle. I think they might've used a little outro music in the past, but that's about it. So I told them, "I want to do this", and Malte came up with some initial sketches for pieces for each of the different sections in the book. And then I gave him my feedback. Some of them, he nailed them right off the bat. Others, he was in the general ballpark, and then I wanted to work with him to get it right where I wanted it for the world. I think one or two pieces we had to go around with quite a few times, like the main theme for Murtagh himself. I wanted something that felt both noble and yet aching at the same time, and also masculine, which felt important. Just kind of getting the right tone, the right feel, that was tricky, and Malte did it. He really did it. So I got to hand it to him. It's great feeling throughout. And assuming he's available and interested, I look forward to continuing to have his music in my audio books. [31]
Ah! Been hearing pieces of the music that Malte Wegmann is composing for the Murtagh audiobook. It's SO GOOD. I'm half tempted to listen to the audiobook myself! Have you ever listened to one of your audiobooks before? Only extracts. [T]
Close your eyes and listen to the main theme that Malte Wegmann composed for the Murtagh audiobook. And yes, he really captured the feel. (There's a lot more music throughout, btw.). [T]

What was your favorite moment to see played out on the big screen? Well, none of my favorite moments made it onto the big screen, so... What I wanted to see was Saphira breaking the star sapphire in Tronjheim during the great battle. And that does not exist in the film that does not exist. That said, I'm an executive producer and co-writer on the show. So I've got my fingers in the pot pretty deeply. [30]
For all for all the jokes about the film, and I've said my share of them, it's not the worst film in the world. The problem is it's not a particularly good adaptation of Eragon, and that's where the disconnect happens. The budget on the film was actually ridiculously bigger than you would think watching the film. They spent a lot of money on the movie. It was huge. But behind the scenes it was a very difficult process with a lot of upheaval behind the scenes. It was the largest budget that that sub-studio of fox had ever worked with before. The biggest budget they'd worked with before that was Castaway, which I think was 80 million at the time, and most of that was Robert Zemeckis and Tom Hanks' salaries. It was something outside their wheelhouse. There was no one involved in the project who really loved the material. Perhaps it's unfair to have expected that. Because Eragon was so new, there wasn't the fan base that had grown up the way there is now. People didn't know where the story was going and the lore of Alagaësia did not exist to the degree it does now. But still, no one was ultimately in charge of the project who really liked the book on a deep level and I think that shows on the final product. Not enough to put you off trying again, which I think is very admirable. What's the alternative? You could just give up. You have to try. You have to try writing a book even if it doesn't work. You have to try making an adaptation even if it doesn't work. That's life. You fall flat on your face, you get up, you do it again. Was it always something that you wanted to see? Of course. I originally envisioned Eragon as a movie but there was no possible way to get that made as a kid, so I wrote it. [25]
What do you think of the film version of Eragon? It’s not a horrible film . . . but it's not a particularly good adaptation, and ultimately, that's the problem. Few of the things that people enjoy in my books are in the film. (As one example: you wouldn't even know that the books contained elves and dwarves, if you just watched the movie.) [20]
It was quite soon after Eragon became a success and I had little input. I think I had two phone calls from the director. I don't think it's a bad movie; it made good money. But the movie does not do justice to the book. [16]
We're going back. I just can't in good conscience dedicate a whole subreddit to the movie and leave the books to the wayside! Hope everyone had a fun April Fool's day! Well darn. Focusing on the movie was the best thing that could have happened! :D [R]
The Movie was so inspirational, Christopher released multiple books in its image. Hey, ripping off a masterpiece such as that movie was my best career path. Don't judge. [R]

The Eragon Disney Plus Show

Any news on the Eragon show? Yes, but I can't tell you. :D [T]

The TV show for Eragon is in development at Disney. Hopefully we'll be having some news on that fairly soon. Can't say anything about some of these things until you can, but it is still in the works. It's hard to sit on stuff. It is. We had a showrunner lined up for Eragon and then the strike happened and everyone parted ways because the strike. Everyone's going off and doing different things. So it goes. [30]
So we're waiting for Disney to greenlight it, are we? What we're waiting for is some key personnel to get into place, specifically we need the showrunner. We had a number of people interested and we were talking with people and there was one person in particular that I thought was going to be a good fit, and then the writer strike happened. Now we're having to restart the process. [25]

The TV show is in early development. We got stalled out because of the writers' strike. Basically we're looking for the showrunner. If we can't find the showrunner of the show won't happen. And it's a very short list of people who would qualify. Because you need someone who can run a big budget television show. Of which there are not many people. Someone who likes the subject material and wants to adapt it in a way that seems faithful. And someone who gets along with me and that I get along with them. Oh, and who is available. Because a lot of people who might qualify are under contract with that studio or that show. So we're looking and once we get that person hopefully then the show will actually start moving forward. [15]
And the thing is, it's a very short list of people who can take that position. For those who don't know, showrunners oversee an entire show. They may or may not direct any episodes, but they usually oversee the production and the writing. They often write many of the episodes or at least help. The list of people who can do that is A, small. There's only so many people who have the experience to run a big budget television show. B, it needs to be someone who likes the material and actually wants to adapt it in a way that is faithful to it. And C, gets along with me and I get along with them since we have to work together. So yeah, that's what we need to find. [25]

When and if we get showrunner in place, and of course, everything's shut down in Hollywood because of the holidays right now, so hopefully beginning of the year we will actually be able to nail something down. When and if we get a showrunner on the show, then that person and I will write probably the pilot and maybe the first two episodes, or at least the pilot and the first episode. And then Disney will look at that and that's what they'll make the decision on whether or not to commit to a first season. And if they commit to the first season, they pull the lever on that, then we go full speed ahead. And then the whole machine kicks in in terms of pre-production and design and costumes and casting and music and directors and all of that. So getting to that point is the first big pump if you will, the first week the first big hill to climb. [17]

I'm currently working on a giant map and as for what I'm writing next, not quite sure. I'll decide once I'm done with the map. But it'll either be something in the World of Eragon or the Fractalverse, and I may have a screenplay I need to write posthaste so we shall see, but exciting stuff. [22]
I'm currently writing and have been for a couple of weeks now. And I can't tell you what I'm working on because it's for- it's for someone I can't talk-, it's something I can't talk about. So hopefully I will be able to talk about it. I can't talk about it quite yet, but y'all would be excited with it if I could tell you. As far as upcoming plans, what I'm working on now is not actually a book, but I hope to have a book out next year. [29]
The big monkey wrench in that is that the television show for Eragon and the television show for To Sleep in a Sea of Stars are both still alive and kicking. And more than, in fact. So I have contractual - Now I think I know what you're up to. To quote a wonderful British show, you might say that, but I couldn't possibly comment. I have contractual obligations on both of those shows, so I have to basically drop everything and do writing on them if required, which is a wonderful opportunity, of course, and it's one I want, but it does come with a price on the book side of things. It does, but it also comes with a lot of reassurance for readers and fans like me. What they did do with their recent Percy Jackson series I thought was pretty great. Bert Salke, who produces Percy Jackson, is also the producer on the Eragon adaptation. And he and Percy just got picked up for a second season. So we're all very happy with how that's done. You're like, "I can't talk about it. I can't talk about it." Well, we wish that you could. [29]
Were I to go back and re-edit or tweak those first two books, there's definitely some things that could use a little ironing out. I've been looking at the first book in depth for a project I'm currently working on which I can't talk about. And I can definitely see that was my first book. But at the same time, it's my best-selling book. [30]

Is this show still safe given the state of Hollywood and all the cuts and cancellations of projects we're seeing at the moment? It's tough times in Hollywood at the moment, but Eragon is safer than, say, Spiderwick. Unlike Spiderwick, Disney owns 100% of Eragon, and -- so far -- Disney isn't selling or cancelling stuff that they outright own. [R]

Do you feel because of your last previous experience, you have more of a determination to see your favorite parts come to life in this adaptation? Well, two things. Yes. More determination to see it be faithful to what made the story popular in the first place, because I wrote it for certain things and people responded to those things, so those things need to be in the story. But part two is that also having more time away from the actual writing of the books, I've had years and years to think about the story, and as a result, I've thought of a number of ways to streamline, condense, actually adapt it. And those thoughts that I've had, it only comes with time, no subsitute for that. So having some distance from the writing has actually helped in terms of figuring out how to actually adapt it in a successful manner. [30]
With TV, especially nowadays, you've got so much room to explore and actually explore the universe that you've created. Yes. The difficult thing with adapting a book is that books can show you very easily what's going on inside someone's head. Film and television are all external and so, even if I were 100% in charge of an adaptation and I had all the money in the world and all the time in the world and I could make it exactly the way I wanted to make it, there is no way to make it exactly the way it is in the book because you just can't. Then on top of that, the way I envision and see the characters and the world is probably different from how a lot of readers envision and see it, and that's something also that people don't always think about when they say "oh I wish the creator was in charge of the project". It's like when I first met Terry Brooks, the author of The Sword of Shanara, except he says it shan-ara. Which is his right and I totally respect that he wants to say it The Sword of Shan-ara, but no it’s The Sword of Sha-nara. [25]
Given your history with adaptations of your work, what's your current opinion on, especially recently with the Wheel of Time adaptation, of great Hollywood studios' relationship with creators, how they treat fantasy authors when it comes to the creative process of adaptation? I have to say the Wheel of Time adaptation was not successful for me personally. But Robert Jordan is also not alive. He was not there to participate in that adaptation. And there's a lot of difficulties with adaptation that apply to any project, not just sci-fi fantasy. One of them is that when you write a story, you go through this entire chain of thought that allows you to build the plot and the world and the characters. You explore a lot of avenues that don't work. And as a result, you end up creating whatever it is you create, and you have a whole list of reasons for why you create what you did create. When someone comes in to adapt your work, they haven't gone through that whole chain of thought. They're starting from the outside working in instead of starting from the inside working out. And thus, it can be very easy for someone adapting a book to say, "Well, why don't we change XY? Why don't we just do this?" Because they don't understand why that wouldn't work, because they haven't put in sometimes literally years of thought into why XYZ wouldn't work in this world or with these characters. So adaptation is difficult at best. Fantasy, I think is the hardest genre along with comedy in order to do successfully because if it's fantasy set in a fictitious world, you need to create the feeling in your audience that this is a different world. So accents need to be different. The costumes need to be appropriate. It needs to feel real, while also perhaps magical and mythical if you're going for a Tolkien-esque feel. Game of Thrones was successful because it was fairly realistic, and they stuck with that for the most part. The Rings of Power is a completely different approach. They went for the mythic, epic feel in a way that Game of Thrones really didn't. So it's difficult and some adaptations are more successful than others. I'm currently watching the Percy Jackson show. The main producer for Percy Jackson, Bert Salke, is also the producer on the Eragon show. And Rick Riordan has been very, very deeply involved with that adaptation. And my understanding is that it's very close to the books and it's been very successful so far. And then, of course, there are film examples of Twilight and Hunger Games and Harry Potter, which stuck to the books fairly closely and thus had quite a bit of success with the audience. Hopefully, that's the model for Eragon. And part of why I am going to be co-writing, is to make sure that the person I'm working with understands who the characters are, what's important to them, what's important to the world. And even if some things have to change in order to best present the story in a different medium, which is television, that feeling and that core of meaning is maintained, but it is a major challenge. [32]

There is a Disney Plus series that is in the very, very early stages. If you had all the power in the world, would you give Brom a little bit more time in the Disney Plus series? Probably. I've been joking we should cast Sean Bean because then he can meet an early demise. Originally, I wanted Sean Connery or Patrick Stewart. But I think we need someone a little more robust at the moment. I do love how different their vibes are. They are. Actually, Karl Urban could do it easy. He's getting crusty. [9]

Do you have any dream casting for the main characters? I had a couple of people I would have liked to have seen in certain roles, but they've aged out of those roles at this point. And I'm a little bit behind on the current crop of actors because of young kids and work. I'll say this, and this might sound a little woo-woo, but the hardest part with an adaptation is capturing a vibe. Because a story or a character gives you a certain feeling, and everyone gets a different feeling from it perhaps. But replicating that feeling in a different medium is extraordinarily difficult. And so I think that's why, especially when it comes to casting, you go in with a preconceived notion, but someone else comes in and auditions and if they have the right vibe for the character, the right feel for the character, it's like, okay, they're six inches taller than I thought and a hundred pounds heavier, but it doesn't matter because they feel like the character. That said, you wanna be generally in the ballpark, but there's a reason why they cast Hugh Jackman as Wolverine even though he's like a foot taller than the character in the comic books. Hugh could do anything. I love him. Sing, dance, everything. I'm not sure I'd cast him as a hobbit, but he could probably do it. Very difficult. He'd make a better wizard. Or Ranger. Hugh Jackman as Aragorn, that'd be interesting. I actually was at Comic-Con one time when he was walking around dressed as Wolverine and everyone thought he was just a cosplayer at first. And my God, in person, the guy was ripped to the bone, tall, very, very imposing person in person. [30]
Regarding the Disney adaptation, if I am only asking you personally and if you have all the liberties in the world, what qualities will you be looking for in the person incarnating Eragon, beyond of course a resemblance and good acting? Is there anything more? I'm not sure I'm willing to commit to an answer for that at the moment, because it's such a particular thing, and there are probably a number of people who could do a good job in the role, and it's a hard role to cast because it needs to be someone who can capture youth, but at the same time be old enough to be convincing in terms of wielding a sword and having adventures. I remember when I was 15 and I thought I was so grown up and now I see 15 year olds and I look at them and go, "they're babies! they're babies!" But they're not. Because you are in many ways mostly a grown up at that point, you're just not entirely grown up. So I don't know, I think it's gonna be a long conversation to have with the producers about exactly who we're looking for and what we're looking for and then we have to see who's available. Since you mentioned that you would like to have a new face for this role, do you think it would be a good thing, if possible, to make an open casting, even in Europe, as to find the best Eragon possible? I have no idea how Disney would want to handle this, so this may be completely out of my control. I know that when Fox was looking for an actor to play Eragon, and I again, I wasn't part of the process back then, and I only found out about this after the fact, but they auditioned some insane number of young actors for the role. It was well over 1,000, it might have been more like 10,000. It was just some insane number of actors and I know they were kind of despairing. So I think an open casting would be a great idea just to attract talent from around the world. I actually think an actor from Europe might be a good pick because one of the problems with casting actors from the US unfortunately is you get the American accent, which for good or for ill, none of us really associate with an old world style fantasy story. But again, all of this is going to have be in collaboration with the producers, with whoever the show runner is, and I will have my say, but that's one say out of at least three and possibly more people. [17]
Hear me out… Danny DeVito as Galbatorix. Danny DeVito as Arya. . Odd note: DeVito and I share a birthday. [R]

When the movie that doesn't exist was not being made, they invited me out to the filming in Budapest. But I was on book tour at the time, so I couldn't do that. But they offered me a cameo, and I asked and they agreed that I could appear in the final battle as an Urgal, as the shortest Urgal ever, and that I could have my head chopped off on screen by Eragon. So that never happened, but maybe that'll get to happen with the television show. [32]

Would Arya make the best Disney Princess? Yes! [Y]

If Disney built a ride based off the Inheritance Cycle, what would want it to be called? Dragonflight. [R]

Disney Plus for Eragon. I cannot wait. The only advantage with it taking this long to get an Eragon adaptation made after all these years is that every year that goes by, it becomes more and more possible to actually do justice to the material in terms of the special effects. We could not even have been having the conversation about a proper television show of Eragon in 2011, for example. When Game of Thrones started coming out, doing a dragon on television with any sort of realism was just incredibly expensive. And it's still expensive, but we can do that plus more for the same amount of money. So yeah. So definitely the special effects are going to be slick. They have to be. There's two ways you go in Hollywood these days. You can either go micro budget, or you really just have to go so big that it's sort of a tent pole, and you can actually get it made. The mid-budget stuff has all been relegated to television. But there is no way to do Eragon low budget and do it any justice. So it's one of those things where the studio has to buy in and say, we like the scripts, the fan base is there we're willing to spend a god-awful amount of money to make this happen. And to be fair, that's what they did with Percy Jackson. I've heard numbers, I don't think I can share them, but it was an extremely expensive show to make, as you might imagine, and special effects look great. [29]

One of my other favorite properties would be Babylon 5, which managed to blend space elves and mythology with science fiction. It was one of those things where I bounced off it once or twice, and it's because it's so arc-based, and it was one of the first big shows to do that, you really have to sort of invest in it and really sign up for the long haul. And then the development of the characters and the world is surprisingly consistent. And that shouldn't be a surprise because J. Michael Straczynski wrote the vast majority of episodes himself, which has never been done before or since for a major show like that because it'd be insane to write all the episodes yourself. But I love the world building and I love the characters. And I think that one of the things that holds it back from perhaps a wider audience these days is the effects. They weren't preserved by the studio, so they looked better than they actually do now when they first aired. [Brandon Sanderson:] I almost got to make a show with Joe Michael Straczynski. Same, actually. I'll tell you the story off stage. Yeah, we don't have time for it right now, but got close. But things in Hollywood, everything's close. It may not have actually been that close. Everything's close, but nothing ever gets made. By the way, there are space wizards in Babylon 5. They're techno mages. [19]

The To Sleep in a Sea of Stars Show

Where can one keep up with the upcoming TSiaSoS show? No real news at the moment. Development got stalled out during the writers' strike. However, the project is still alive and moving forward. Things just take time in Hollywood. Lol. Also, switching from a film to a TV show took a lot more legal wrangling than we originally expected. [R]
To Sleep has been picked up as well, right? That was picked up even before it was published. Things often move slowly in Hollywood. And what happened was I worked on an adaptation for a film version of To Sleep in a Sea of Stars. And it was like ten pounds stuffed in a one pound sack. The script was not horrible, but it was unwieldy. It just couldn't work as one story. So we decided to shift to a television adaptation, and that seems to suit the material quite well. But then we had to take a very large, complicated contract that had already been negotiated and renegotiate, not from scratch, but renegotiate to shift it into television format. And that's just complicated. There were a lot of moving pieces, and it just took a long time. My lawyer has to look at it, their lawyers have to look at it. They have to talk about this. It goes back, it goes forth. And then, of course, we had the writer's strike and other stuff. So I did write the pilot for that and the second episode. So those are actually in fairly good shape. I think the next step would be we're going to be starting to look for a director to package it with then hopefully that could actually start moving forward. So yeah, along with the books and the kids, I've been rather busy. I can imagine. Are we allowed to know what platform To Sleep is going to be on? We don't know yet at the moment. [29]
The Eragon TV show is under development at Disney Plus, and I'm hopeful we're going to have some news on that front before too long here. I think things are moving along there. And I'm actually revising episode two of the television show for To Sleep in a Sea of Stars, which is also in development. Hopefully there's gonna be some news on both of those before too long. I hadn't heard about To Sleep in a Sea of Stars development. Yeah, it's been slow for a couple of reasons, but now the slowness has shifted, and now it's moving along pretty fast. [31]
I'm currently working on revisions for the second episode for television adaptation of To Sleep in a Sea of Stars, which is my big sci-fi novel [32]
With all of the success and attention that Dune has had, has there been any interest in adapting To Sleep in a Sea of Stars? I'm currently editing/revising the script for episode #2 for the TV adaptation of To Sleep. [T]
Christopher what are you working on? I'm actually revising the second episode of the television show for To Sleep in a Sea of Stars. Still in early days but it is moving forward. [Y]