Intro

It’s not much of a stretch to say that violence is the primary form of interaction in video games. With a handful of exceptions, most video games involve guys whacking other guys, with varying degrees of brutality. Even chill games fall into this - Stardew Valley has sections with combat in them! Considering the pervasiveness of violence in video games, there has been a ton of amateur and academic commentary on the topic. However, while this is a well-established school of thought, I haven’t seen people try to apply this to Fire Emblem specifically.
So, let’s do that now! In this post, I’ll be exploring how violence in Fire Emblem is implemented - what limitations are placed on violence, how it warps wider game and narrative design, and what it implicitly says and does not say. I hope this post doesn’t come off as too early-2010s “makes you think”-y, but I do think there are multiple interesting things worth talking about here!
Despite the length of this post, "a brief discussion" is an appropriate title, as we won't be able to go into depth on everything. After all, video games are holistic works, so the attitude towards violence is relevant to every aspect of their design. However, I have managed to wrangle some of these threads into the following structure: first a discussion on the fundamental mode of interaction in Fire Emblem, then how stories are constructed with regards to violence, and ending with the aesthetics of violence and how they relate to characters. Also, as FE is a huge series, be aware that I am gonna be making some broad statements which may not apply to each individual plot point of every game. I actually planned to write 3 case studies around Thracia 776, Fates, and Three Houses (which have the most interesting attitudes to violence in the series IMO) which point out these deviations, but this post is way too long and full of tangents already. If people are interested, I’ll make a followup to this post which goes into them in more detail. Also also, because of the nature of this post, I’ll actually give a useful TL;DR for once:
TL;DR: Nintendo games must be fun mechanically, and they can’t be too uncomfortable narratively. If you try to provide a counterpoint by saying “oh this Kirby final boss is super dark it eats 100 morbillion galaxies”, you do not deserve rights. IntSys has to keep to this as a 2nd party publisher, but they also have to deal with the fact that their games are at least nominally about ‘war’ (or at least they put their toes into that particular thematic pool). This conflict between making a fun video game for children/teens and the wider framing of the narrative leads to interesting narrative and aesthetic tensions. also fun is cringe, misery is based

“Do you like hurting other people?” (or The Fundamental Mode of Interaction)

OK LISTEN I KNOW I LITERALLY JUST SAID THAT I DIDN’T WANT TO COME ACROSS AS A EARLY 2010s “VIOLENCE IN VIDYA BAD :O????” PERSON BUT I SWEAR I’M GOING SOMEWHERE WITH THIS
The best place to start when talking about violence in video games is to think about the primary form of interaction in said game. In the case of Fire Emblem, this is in the in-chapter gameplay. Sure, in objective terms the player moves arbitrary objects across a 2D grid which perform subtraction on arbitrary objects controlled by the computer, but this is always framed as controlling a squad of soldiers to engage in (typically lethal) combat with enemies (who are normally also soldiers). When you’re not doing this in-chapter gameplay, you are preparing for the next chapter of combat. This involves surveying the area of combat, preparing weapon loadouts, etc, however more recent entries also include light life-sim-esque elements. To summarize, Fire Emblem’s interactivity involves ordering violence as well as the preparations to order said violence.
For players, this strategic thinking is extremely fun and is the primary draw of the series! You have all these tier lists of who’s better at killing, discussion of the maps where you do the killing, complaints about the length of gameplay sections where you don’t do killing, etc. This is by design, as while I don’t know the core brand tenets of Nintendo, I imagine the Reggie quote “If it isn’t fun, why bother?” is carved into a solid gold statue of Mario in the office lobby. This then is enforced on all associated studios, including IntSys and so Fire Emblem. While I would disagree with that Reggie quote (especially the bit where he says “If it’s not a battle, where’s the fun?” which is a wild statement to make about an entire medium), this approach to making games is ultimately fine, and so IntSys tailored the strategic gameplay to be satisfying to your dopamine receptors. You could analyse what the normalisation of violence even in ‘just for fun’ games says about wider gaming culture, but I won’t get into that here. In any case, let’s dig into a few specifics of FE’s interactivity.
One thing that’s interesting with regard to strategy games is the detached perspective of the player. You order units and observe the resulting violence, but it’s not tactile, you don’t directly swing the sword or shoot the bow or cast the spell like with action games. This adds a layer of separation between the player and what fundamentally happens, at least within the framing that the game provides. It’s not like Call of Duty, where your relationship to the violence is very visceral, where you view everything down the barrel of a gun. OK, I probably shouldn’t use a series that I have very little personal experience with (I only listen to the supplementary lore material, so let’s talk about Sekiro: Shadows Die Twice. While you’re not directly in the driver’s seat, John Sekiro reacts to your every input with extreme responsiveness, so overcoming the game’s challenges i.e. stabbing people is incredibly visceral and satisfying. While this violence is fantastical in nature, there is sufficient blood and explicit sword-action to clearly say “oh yeah you are violently killing all of those bozos with a katana”. Coming back to FE, not only are you far more detached from the violence, it is presented in an extremely cartoony manner… but let’s not get ahead of ourselves here, we’ll get to the aesthetics later. Point is, Fire Emblem gives the viewpoint of a stoic commander, who Does What Needs To Be Done™, and not the viewpoint of an actual soldier who has to do the actual killing.
Now let’s view the player’s perspective on violence from a different angle. Fire Emblem intends for its combat to be relatively relaxed on the player side of things - the turn-based nature allows the player to calmly think through all of their moves, and you typically have perfect information on the enemies. The only exceptions to this are Fog of WaSame Turn Reinforcements, which are rare and typically unpopular amongst the fanbase. This leans into ‘combat as sport’, where (going back to the Reggie quote) you have a fun time picking apart a puzzle with the tools you have, and we all collectively enjoy this! This is a valid way of designing strategy games, and I like what IntSys has done. However, it’s not the only way of making these games - for example, in Total War you have to juggle all your battalions in real time whilst the enemy is bearing down on you, and the XCOM games always have Fog of War and limited information on the enemies, with you never knowing what kind of awful new monster is going to suddenly charge at you. Don’t get me wrong, neither of these follow ‘combat as war’, the principle that violence should properly mimic the stress, tension and unfairness of actual conflict. Hell, neither of them are particularly mature either - Total War is the strategy game equivalent of smashing action figures together, and XCOM emulates a pulp sci-fi alien invasion story. However, the additional pressures these games have make them hew slightly closer to actual conflict, putting you more in that mindset in a way that the clean fun Fire Emblem doesn’t really do. Again, I want to say FE’s approach to violence in in-map gameplay is fine, but when all three of these franchises have an explicit narrative framing of ‘warfare’, it does make Fire Emblem’s narrative a little more… stretched.
Finally, I want to briefly mention the maps. To steal from a brilliant Jacob Geller video, these are Worlds Designed For Violence. At least outside of the Kaga games, the maps you fight on are primarily designed around how the player interacts with them, i.e. fights on them. While I imagine the narrative designers and artists at IntSys are involved throughout the map design process, the gameplay flow probably takes precedence most of the time. Maps are not designed to resemble realistic places that you have to fight through, they are instead designed primarily to provide fun gameplay experiences before being dressed up by the artists to look realistic/fit the specific story beat. This is a more consistently entertaining approach to map design - heaven knows we have a lot of Kaga castle assault maps which are as fun as actually assaulting an entrenched position IRL - but this lack of friction could potentially take the bite out of the intended vibe, neuter any commentary on violence throughout the story.
You may have noticed that we’ve only talked about the “in-map” gameplay for now, when there’s an entire second half of these games, i.e. all the gameplay between the maps. Don’t worry, we’ll get to all of that, but this may fit better in:

Something something “ludonarrative” something something (or Narrative Implications)

(To clarify, here I’m going to talk about the wider plots and narrative structure as opposed to characterisation, as that fits more into the aesthetics of the series)
It’s not bold to say that the narratives of games have to warp around the core gameplay structure. Especially in AAA video game production, the narrative designers usually have to take a back seat to the systems and level designers, at least outside of the initial rough outline they provide in the original game pitch. In this case, the job of the writer is to form vaguely coherent connective tissue between individual levels, setpieces and expensive pre-rendered cutscenes. This must be a very difficult job, and is probably the reason why most video game stories are the way they are. I am not privy to IntSys internal meetings, but I imagine they abide by this paradigm, trying to give a reason for why you fight 20 battles which roughly align with plot beats that were decided years ago.
Put another way, the writers of Fire Emblem must contrive a reason why the characters fight a vast number of violent battles in a strategic manner. This has a pretty easy solution - war! We have found something it’s good for, as whenever the gameplay designers decide that an extra map is required, the writers can just insert “oh no there’s a blockade of enemy soldiers in the way, guess you gotta kill them all”. This is the case for almost all the games and is a fair enough narrative choice, as it’s frankly one of the few scenarios where you could reasonably contrive so many battles, but it’s worth examining this in a bit more detail.
Even in the framing of warfare, there are still a lot of skirmishes, which sometimes the narrative or tone fails to support - or at least, their presence means that violence isn’t taken that seriously. Let’s take an example from early in Awakening: Emmeryn sends the Shepherds to negotiate an alliance with Regna Ferox. On the way, they are ambushed by Risen on the Northroad (1), have to fight the border guards who think Chrom is a bandit I think??? (2), and then after arriving they need to take part in Regna Ferox’s ritual combat to secure their alliance (3). These beats aren’t necessarily bad, and I actually think Awakening uses these opportunities quite well: the Risen are established as a constant threat to the world (except not really in the main story but that’s a whole other thing), “Marth'' gets more development, we set up Regna Ferox as fighty people who like to fight, and while the middle encounter is very tenuous it does set up a funny joke in Cynthia’s paralogue. However, I want to communicate that if the map/encounter designers need X maps between plot points A and B - in this case, needing low-stakes trials in the tutorial period - then there’s gonna be a fair bit of narrative filler. That is to say, there must be multiple combat encounters that kinda just happen, which makes violence a lot more casual in the narrative. See also the myriad examples of “oh shit random bandits attack!”, used to have a lower stakes map, with bandits appearing and vanishing as needed. This works fine enough in the context of ‘combat as sport’, allowing your favourite scrunglo to build up a triple-digit body count, but this casual attitude circumvents potentially interesting ideas with regards violence. Taking the example further, banditry and its causes are never seriously explored, as bandits are just treated as a filler enemy (except in Based As Hell Thracia 776).
Another narrative consequence of needing so many fights is that… you need to fight. That is to say, any anti-war sentiment or appeal to diplomacy in the series is fundamentally undercut by a) strategic combat being a core appeal of the series and b) narrative beats needing to be structured around fighting enemies. It’s a struggle to have moments of diplomacy and reconciliation when you had a fight within 3 minutes of said moment, lest some people start screaming that things are getting boring. This also makes any appeals to pacifism kinda moot. Xander’s quote about “war bad” in Conquest is utter bullshit, as a huge part of the marketing around that route focuses on the coolness of the tactical combat and its challenge. Eirika and Ephraim can never be equal, because Ephraim’s “fighting is fucken awesome” is encouraged by the gameplay, and Eirika can NEVER save 11037 because we need a final boss and no-one else fits the bill.
Speaking of, in video games it’s best practice to have a big bad guy you fight at the end of the story, the toughest mechanical challenge coinciding with the narrative climax. In Fire Emblem, you have one grand final battle which decides the fate of the war and/or world, before cutting to a brief wrap-up and then credits. This is an attempt to make these games satisfying, which is fine, but this is at odds with an anti-war message (which FE often gestures towards) - that is, actual wars tend to be deeply unsatisfying in a narrative sense! Oftentimes, after a decisive battle, things just kinda keep going for a little while afterwards with casualties continuing to pile up until peace terms are agreed. In the few cases where there is a final battle, it’s more of a formality as the decisive moment occurred months ago. See World War 1 and… World War 2 for examples of each, not to mention a whole host of war-related books and films. The problem with doing this in a video game is that it would require having multiple one-sided fights past the most climatic fight, which would be unfun, and we return to that fucking Reggie quote again. While video games can effectively explore this anti-war narrative space - This War of Mine is a fantastic example - it just doesn’t gel with the fun games that IntSys wants to make. I bring this up in the context of FE because Fire Emblem has such an aesthetic focus on warfare compared to other video games, so it sticks out even further. Even in FE6/FE9 where the war is effectively over in the final few maps, the enemies still remain extremely challenging, because if they didn’t things would be boring.
A few minor things that didn’t fit in above before we wrap up this section. First of all, in making an action packed story, Fire Emblem neglects an important aspect of army life in warfare - the “hurrying up and waiting”. In the majority of cases, the breaks between fights is under 10 minutes, it’s just glossed over. Fire Emblem Three Houses is the exception to this, but there it’s more framed as school life. Some people may say “what’s the point in having large amounts of timewasting where nothing happens in my game about war” and to that I would say fuck you, I want to play Jarhead Emblem. Next, Fire Emblem involves fighting people AND monsters, but these targets are typically given equal narrative weight, outside of maybe a funny line of dialogue about someone being afraid of monsters. In 99% of cases, enemy soldiers you fight have no more humanity than literal monsters. The death of any of your beloved soldiers is a tragedy with big sad death quotes, the death of those poor fuckers is quite literally a statistic which is proudly used to rank how well your guys have done at the end of the game. Finally, the limited scope of the violence the series can show limits the potential impact of scenes. In some cases, this is good as the implication is enough, e.g. the ‘Monica’ scene in Sacred Stones is wonderfully grim and would be weakened by anything explicit. However, a number of other scenes are neutered by the limitations on violence. This fundamentally relates to the aesthetics of the series:

insert prozd tweet/skit here (or Aesthetics, Tone, and Characters)

I’ve been talking a lot about ‘the violence committed’, and this might have seemed a bit weird to you. It’s a true statement, but because the violence is mostly cartoony and abstracted - bad guys disappear into nothingness, there’s no blood, etc - it’s hard to think of it in that way. It’s basically impossible to place Fire Emblem in the same artistic sphere as, say, All Quiet on the Western Front. This aesthetic sense was partially tech-limited in the early NES and SNES games, which was grandfathered into the more graphically complex titles, but it’s also related to how the aesthetics unavoidably warp the tone of the work. IntSys needs their games to be relatively lighthearted and unconcerned with the consequences of its violence, as one of the core appeals of these games is the charming cast of characters. As you would expect, it would be a lot harder to appreciate your goofy blorbos and their lighthearted chats about nothing if you could see the brutal consequences of their triple digit body counts. If violence was more realistic, there would be a lot less “ooh I like training and/or this one hyperspecific food” or “I like peace, but I guess violence may be possibly needed sometimes” and there would have to be a lot more trauma and dourness. There are also age rating concerns, as you can’t exactly sell Come And See Emblem to pre-teens. And once more, to clarify: Fire Emblem as it exists now is fine! I like the lighthearted tone of this series, and I like the characters that reside within it. However, a few problems do arise from IntSys’s approach to violence, as occasionally they brush up against darker ideas but (due to similar reasons to the above) they can never commit to them, which neuters their potential impact. This is especially troublesome with regards to characterisation, as the little dudes are a core appeal, so if something is off that could cause problems. In a sense, at points we have severe aesthetic tension.
A fairly useful case study to see how this affects characterisation is with Mozu in Fire Emblem Fates. Mozu is a charming character, a genial country bumpkin with a bit of an edge at times, who has fond memories of her hometown. This lines up with the lighthearted tone of her recruitment paralogue, where (checks notes) her entire village gets massacred by inhuman monsters, with her mother literally being murdered right in front of her, and she joins up with Corrin’s party because there is literally nothing left of her old life. I understand that people who experience extreme trauma do still manage to live meaningful lives, and that IntSys wouldn’t want to have a character who is a barely functional traumatised mess for 90% of the campaign. However, this doesn’t explain the sheer dissonance between the relatively normal and well-adjusted Mozu who quietly remembers her lost loved ones, and the fact that her village got My Lai’d a handful of weeks ago in the game’s timeline. IMO this would work a lot better if there were a few survivors (instead of literally everyone else dying), with Mozu actively choosing to leave her old life to help others instead of being forced to leave by circumstance. This reduction in scope would mitigate the dissonance between the character and what actually happens to her. This is by far the most extreme example in the series, however I’m sure you can think of others. My issue here is not with having ‘normal’ characters, or with them suffering tragedies, my issue is the dissonance between the two when viewing the scope of said tragedies. This is just one way the series wants to get into darker territory, then swiftly backing off instead of delving into the consequences.
This aesthetic restriction also affects the potential impact of dramatic scenes in the main story, limiting what the focus of these scenes can actually be. This little bit will involve heavy spoilers for Genealogy of the Holy War and Spec Ops: The Line (I KNOW THESE GAMES ARE VERY DIFFERENT WITH VERY DIFFERENT INTENDED DEMOGRAPHICS IN VERY DIFFERENT CULTURAL CONTEXTS, SHUT UP). Both have a very important narrative moment around their midpoints, involving fire magic/white phosphorus respectively. In each game, the deaths that occur are utterly horrific when you think about them. In FE4 the focus is on the drama of the plot twist and effects on the characters, with the actual effects of the violence being left to implication. We don’t know if this was the original intent of Kaga and the team, or if this was enforced by various tech- and publisher-related restrictions, but in either case we do not see anything explicit. In any case, in Spec Ops: The Line, the horror and graphic nature of the violence is completely inescapable, and therefore forms the core of the turning point of the story. The specifics of the violence itself are crucial - the game does not work if you don’t see the consequences of the white phosphorus - and it leads beautifully to the complete descent of its endgame. You may be saying “of course you couldn’t show that violence in FE, it’s a kids game” which is true, and in any case the scene in Genealogy is very good, even without showing the violence. I imagine if we get a remake in the year 202X we wouldn’t see anything explicit anyway, partially due to the publisher but also because the scene doesn’t necessarily need it. The point I am trying to make is that the aesthetics form a limitation on what Fire Emblem can explore, narrative space that the series fundamentally cannot reach.
One more thing, and this isn’t really about the games themselves but the impressions leading into them, and how the aesthetics can affect that. Do you guys remember when the intro cutscene of Three Houses was released a few weeks before release? I do, and I also remember the collective shock of the community when seeing the early previews. It was so drastically different to everything that had come before, and consequently was really intriguing - you can see a lot of speculation in the above comments. To clarify, I don’t want to pretend that 3H is some kind of super mature ultra gritty war story, or that blood = good game, but that beginning cutscene gave one hell of a first impression. Even though the game isn’t that much darker than any other FE game, the sheer unexpectedness put people off-kilter in a kinda awesome way. Does the game actually deliver? YMMV, but I think this (and some of the later cutscenes, such as the mid-game Dimitri one) work quite well. Sometimes, a little injection of harsher violence can go a long way.

Conclusion

Frankly I don’t really have a conclusion, sorry. As you can see, there are so many disparate strands, I can’t possibly make one grand thesis statement. Maybe the inherent contradictions of having warfare in a family friendly video game weakens the potential end result? I guess, but I don’t want to imply that what we have now is bad, as it is pretty good tbh. So, uhh…
…
OK, if I had to say something, it’s more about the process of making this. Having to try and think about how violence intersects with a video game you like takes you in a number of different directions. Ultimately, this process was really fulfilling for me, and I would recommend that you do the same (for FE or anything else)! Trying to analyse something you enjoy from a perspective not usually applied is pretty neat. If you guys have any thoughts (on the points above or your own), I’d be very interested to hear them!
Also, if people are interested, I’ll try to make a few case studies. I would focus on Thracia 776, Fates, and Three Houses, as (when thinking on this topic) I found that these games were consistently the most intriguing, with the most interesting relationships to violence. This would probably take a while though, as I am gonna be very busy in June, and I probably won’t have time this month either.

I’m still fairly new lvl 180 and did earle for the first time today, was such a fun experience and having to escape the mine was so fun/panic with the rubble falling blocking paths and such.
However, I noticed something I found as odd and maybe I’m overthinking. We had all 8 in ready to go, 30 seconds prior to start some lvl 500ish leaves. I assumed they thought maybe wasn’t worth it, disconnect, etc. Not a big deal at all.
THEN, fast forward we got Earle thinking about sandwiches and almost dead, maybe another couple minutes or so. NUKE STRIKE IMMINENT. lol person who quit launched it and I panic thinking oh shit that dude launched on us at the prime time to try to gank our screws. I don’t know if that’s even possible or a thing, but thought I’d share this awesome experience with everyone. It made the ending that much more memorable than it already was.
Also, the screws are safe and I got a new rug? lol. Any insight would be appreciated if this is possible and/or a thing? and thanks for reading :]

A lot of this stuff may have already been covered but I just want to give my two cents.

1) We need female ai and player enemies. To be honest I didn’t check the character creator enough to verify, but all I ever see is dudes on the game. I would really enjoy having a ‘cartel muscle mommy’ as a n enemy boss.

Good now I have your attention…

2) The AI are super broken. We all know it. The aimbot hip fire kills across a zone of interest are starting to get on my nerve. Like I get 5 seconds of continuous arm stamina to pull off maybe one or two headshots on stationary AI while I’m stationary, and the ai is just like, ‘React, Spin, Hipfire Kill.’ And it seems like it’s only gotten worse since ai reach level 29.

3) The suppressors have to actually do something for the ai for me to use them. From what I can tell, the ai is aggravated regardless of the use of suppressors. The ai should become suspicious, not immediately activated by the sound of the suppressor unless they were hit or they were in direct eye line of another enemy ai. The ai should aggro even more if they find a body. At this point the only thing the suppressors do is alert enemy players that I am in the area. I know because that’s what I do against the enemies.

4) LZ camping. Easy fixes include random placements within a certain area with smoke discharge from helicopter.

5) Fratricide. My proposed fix is after two instances of friendly fire (does not have to result in kill could just injure, i.e. if a total of 200 friendly HP damage - assume each player has a total of 100HP is dealt within a single life) the player is now marked as AWOL. A bounty is placed on the AWOL allowing all friendlies to hunt. At the same time a group of guard AI from the base get into a helicopter and fly to the nearest LZ to eliminate the AWOL. The guards are killable and only one helicopter of guard AI will be sent out.

6) Base Raids. They should be more fun and flushed out. There should be an ability to initiate an official raid on an enemy base after having trekked from a preexisting LZ. When the raid is initiated (either by flare, task, timed event, etc) two friendly LZs should spawn in proximity to either the enemy starting town or base. These LZs will remain active for the use of 3 to 5 reinforcement helicopters each and one exfil chopper from each of the newly spawned LZs.

7) General bug fixed and optimization. I can’t tell you how many times I’ve been killed by an ai that’s stuff in a wall, floor, or ceiling and can shoot through it.

8) Gear FeaEconomy/Loot Pool. It’s too easy to get gear. Maybe that’ll change with the introduction of new lootable items and gear. I don’t think I’ve dipped below 200k since level 7.

9) AI health and seeming invincibility. Maybe it’s a server issue, but holy cow… you dump a full 60rd M855A1 into an unarmored skinny and they’ll still spin around and one tap you. That NEEDS TO BE FIXED.

10) Faction ID. We need to be able to better distinguish teammates. Optional armbands would be a start. Also dog tags would be awesome for tasks or collection.

11) More task variety. I’m level 29 (~100hrs) and I still haven’t gotten any specifically PVP missions.

12) Stamina. Give me some way to improve my stamina without having to take the in game drugs

13) Helicopter Speed/redirection. The meta is already to switch servers if waiting for a pick up takes just as long as finding a new server. Speed it the heck up or give more chopper. Also give us the option to redirect the helicopter when on the helicopter. Also to see where a chopper is heading to prior to it landing at base camp.

14) Coma. Allow me to activate a beacon friendly visible within 250m so that as a solo I don’t always waste my Coma state.

15) Logs, Roots, twigs & pebbles, need a rework so that I’m not getting caught on every single thing while walking in the forests .

These are the things that irk me right now. Feel free to add in the comments.

Long story short and as much as it sucks to say, I haven't really experienced much of anything. I'm going to intentionally beat around the bush as to what category that "experience" falls under but I think most people should be able to figure it out lol. In other words (and if you play games), I'm a complete noob when it comes to all things girls. As for why those things haven't happened and why I want that to change.. There's a few reasons, but the main reason why I'm putting such an emphasis on this is because I'm a huge homebody and I don't go out much at all which makes it difficult to meet people. That's where Reddit comes in! The message I'm essentially trying to send is becoming physically and emotionally close with a girl is what I want the most. I want to experience it all; the laughs, excitement, curiosity, intimacy, hanging out, fun. Blame all the Disney movies I watched as a kid for that lol.
Finding someone would be a dream come true, but I'd love to find friends too if that's all you're looking for! Local or international, just let me know if that's what you want instead :) We could end up being really close friends and you'll introduce me to a friend who I end up being with? That may or may not be the plot from a romcom 🤔 So that means I definitely wouldn't be opposed to a relationship! I've obviously never been in one so I'm not exactly sure how to transition to that, haha. I totally wouldn't mind finding out, though :) Also someone to say good morning and night to, too. That would be the best even if it's incredibly cheesy.
Anyway, it could be someone with a lot of experience or someone with no experience like me, or introverted or not introverted, etc. I don't have a preference either way :) But if I were to be reaaally picky: they'd be sweet and down to earth because just cuddling on its own would be all kinds of cool. A bit about me: I'm shy, caring, kind, sweet and am normal in the weight and height categories. I want to say I'm cute in the looks department? 🙈 I'll let you decide that though lol. I think it's super fun learning about people through conversation so I'll leave the following hobbies section blank. Then again, I suppose it wouldn't hurt to give a small hint to something I love.. My username should provide clues to that! I Siriusly need to re-watch the movies again. Maybe with someone I meet through r4r?
Alright, I can't hold it in anymore. I pretty much like a little bit of everything. For example, when it comes to music, I go through Backstreet Boys phases to Disney song phases (Moana is awesome and I haven't even seen the movie 🙊) to something like Linkin Park, Paramore or 50 Cent. What I'm trying to say is I like a little bit of everything! So there's a good chance I'll like whatever you like when it comes to hobbies and interests and that means connecting with each other should be relatively natural/seamless. Or maybe that's wishful thinking on my part, haha.
I'm not the best with openers and if you're also in the same boat, then how about this: If you could have any superpower what would it be and how would you use it? Being out of this world smart like Tony Stark is an acceptable super poweanswer, by the way.
Hopefully my first impression is a good one! If anyone is even remotely interested, then just let me know and I'll get back to you asap!

Posting this off the back of the last J post where i noticed we all have about 5 different theories about why J is hidden from Ashley’s SM. I wanted to address the main 5 theories and why I think only 1 of them tracks with all we know of Ashley and her behavioupersonality. J being hidden is a big and curious enough arc of Ashley’s as to warrant speculation and discussion- I say that as a caveat as I know some folks here find speculative posts distasteful, but I personally think theyre valid within reason.

1. Ashley doesnt want J to discovery her SM/snark sub- I think Ashley is VERY cocky and confident about her SM platform. I bet she is boastful about it and it is very much part of how she identifies as “special”. I do not believe she’s ever tried to hide her SM from anyone. Just look at the geotags for her hospital. That she posts under her legal name on a public platform, never once going private. She has updated LinkedIn after graduation using her name- knowing full well that people will google her. I do not believe she finds her snark sub or google search of her name problematic either because I truly believe she sees criticism as both evidence that she is “famous” and that people are super “jealous” of her. Her narcissistic defence mechanisms cannot and will not process criticism as anything but an affirmation that she is important. She is in 100% denial in this way, which is why she doesnt change her username/go private/damage control. Anything but asspats = a different kind of asspat in the mindscape of Ashley Carnduff.
   
2. Ashley is protecting J from “trolls”- I find this very unlikely because I do not believe Ashley gives many fucks about anyone but herself. I do not see her having any insight whatsoever enough to think to herself: “I dont want to put J into the line of fire as Im aware I’m a little controversial”- “protecting” J from potential online fallouts would infer that she is VERY aware of how rubbish her online reputation is, but there is no evidence that she at all computes this enough to have a foresight to keep him away from it. It would be her admitting that she is problematic, and I dont think this revelation is possible for Ashley and how her disordered thinking behaves.
   
3. J himself has asked Ashley not to reveal him - This would imply J is well aware of her reputation and has smartly asked her not to involve him because he doesnt want to be associated with her online- again, I find this an unlikely situation because I do not believe Ashley would put up with a person who has basically said “I’m ashamed to be associated with you online”. We have seen how she only talks about J via what HE does for HER, and I get the impression nothing less that total subservience to her is all she would tolerate in a relationship. Look at her post to Pacifica Beauty- the smugness, the self-surety, the RAGE in her face at anyone DARING to oppose her. J rejecting her SM would be a total affront to her idea of herself as all-mighty and amazing. I think it would be an affront to her ENTIRE personality as well, since SM is her one and only constant hobby/obsession and lifestyle. I would think a man asking her to keep him off her socials would be akin to a massive insult to her that she would NOT tolerate. Furthermore, if this dude WAS serious about her keeping him seperate, why does he happily let her take pics of his hands/feet, and constantly post about him? If he is direct enough to demand a separation between him and her socials, why would he be okay with posing like a monkey with pickleball paddles? Why would he be okay with her posting throwing rose petals on her bed at her mom’s house for Valentine’s Day? If he wants nothing to do with her socials, then why does he let her use him for her socials all the time?
   
4. J is married - this is extremely unlikely. I do believe J has been accepted into her family as her “partner” and I do not believe they would condone their daughter having an affair with a married man. I also do not think Hailey Idaho is big enough for her to hide such a thing from the community. I also think J is mid 20’s- he does not at all appear older from the shots of his legs and hands. J almost certainly lives with his parents, or in a shitty house-share/hostel set-up- which is why J visits HER at Patti’s house and not the other way around.
   
5. J is “ugly” according to Ashley - this is the most viable explanation imo and tracks with all we know about Ashley Carnduff and her self-serving personality and platform. He is simply not aesthetic enough for her SM. My bet is she of course hasn’t TOLD him this, but pretends that she’s protecting him from her “fame” as a way to explain why she doesnt want his mug in any of her pics. This explains why he is happy posing like a performative monkey with his hands, but not normal selfies, like any normal, happy couple would do.
   

Ashley is cunning and conniving, and SM is her entire world. Her hiding J, as far as I can tell, is 100% a decision SHE’S made for self-serving purposes and nothing more. It’s NOT to keep him private, or protect him from any potential online scandal. It’s NOT because she fears J will discover her atrocious reputation- that would require her to actually compute that she has humiliated herself AND done wrong. Not an option. Not with her. He’s definitely not married.
I also dont believe he’s just a random dude playing along cause he gets some sexy times on the side. He is real and they are in a relationship. He knows everything about her, but he is not in any position to take his pick from Hailey Idaho single ladies. He’s likely very awkward as well, and likely feels lucky to have any woman be with him- as she likely absolutely enjoys this fact. As harsh as that sounds, it really is the way these things often work in these matters. Being with an awkward and not intimidatingly attractive man, would be an ideal partner for someone like Ashley- he’s there to serve HER and he best always treat her like a princess because she’s SOOOO much out of his league and should count his blessings someone like HER would even consider him. A man who knows what he is, what he wants, and who can confidently go out and achieve that, is NOT a person that would appeal to a fragile narcissist like Ashley. She would not cope with the threat to her self-esteem being with a man who has his shit together and has options.
Honourable mention: I get a suspicion that Ashley dove quickly into a relationship because she was triggered by her ex - who she likely stalked online daily for a LONG time after the breakup and lost her fucking mind when she saw he had happily moved on with a woman he is proud to take selfies with. I think this whole relationship arc was triggered by her mental instability surrounding her ex- but has now developed into an actual relationship. Because this J arc was triggered by some emotional revenge toward her ex, revealing his face as “not aesthetic” would be counteractive to her goal of making her ex jealous. I personally think it’s as simple as that.

Just wanted to let you folks know that your city is awesome!
Usually not a fan of cities in general, more of a country mouse. Dislike the traffic and noise and confusing routes and dickhead people and prices etc.... Been to many bigger cities all over the USA and mostly hate them all, hah.
Go to a lot of concerts which brings me to various cities and came to Lexington for Billy Strings a few weekends ago.
Everybody I met was super friendly, especially the local people at the concerts, and seemed pretty genuine.
We stayed in an AirBnb near Transylvania College and we hung out with some guy who lived in the apartments, just genuinely nice cool dude, you could tell he was a good dude because his big dog was super nice too.
We ate at restaurants and went to bars the whole time and they were all affordable and had good service.
I usually refuse to drive anywhere when staying in cities that I'm not familiar with, but it was super easy to drive around and the people did not drive like assholes. We drove to McConnell Springs park, which was very nice for being so near the city, and there was some event going on there where young people had owls and hawks and were super enthusiastic to tell me about them, and some old timers were playing some really good bluegrass music there. Seemed like there was bluegrass playing everywhere, and bluegrass is why I came there!
We walked home from the concerts both nights and it was completely uneventful, felt perfectly safe.
Have added Lexington, KY to the short list of cities that I really like along with Wilmington, NC, St. Augustine, FL, and Atlantic City, NJ (OK, I just like that place because you do not have to drive anywhere at all once you park and it's like a giant carnival on the ocean, I don't even gamble.)

I love the Ashlands and it's already become my favorite biome, because it actually feels challenging. That being said, there are a couple things I dislike and I'm really hoping that these are either addressed before or after the update goes live.
1- Drakkar is the worst ship in the game. It's slower than the Karve for some reason, if you try to use it for sailing to older biomes, you can go ahead and kiss an hour and half of your time goodbye. Even with tailwind it feels painfully slow. Also I love sailing through narrow or cluttered waters, but why am I forced to bring the Drakkar (a ship that is 2x wider than the Longship), to a boiling sea filled with tall, wide jagged rocks. This could've easily been mitigated if we just had a ceramic plated Karve, but no, bigger is better apparently. Drakkar looks cool, don't get me wrong, but in practice it just sucks. Instead of just making a smaller boat, they just removed more of the rocks which wasn't the problem to begin with, you're still going to hit those rocks with the Drakkar.

1. They kinda lied to us. They said this biome would have over 30+ new weapons and they said it would be the most weapon diverse biome yet. This is a half truth, there is only 12 (14 if you count shields) unique weapons in this biome, that 30+ number is completely bloated by the gem enchanting. You can enchant your sword 3 different ways sure but at the end of the day it's still a damn sword. No new knife, atgeir, battleaxe, buckler and of course, no new fist weapon. The problem of weapon gaps in this game is starting to get really annoying and they said in their walk and talk series that they wanted the Ashlands to accommodate ALL playstyles. We know this now to be not true.
   
2. As someone who uses magic, in the Mistlands, it felt really nice and balanced. It didn't overpower melee but it also didn't underperform when compared to melee. It felt good to use and it's raw power was balanced out by the fact that it was a new skill you had to level up. Now that I'm in the Ashlands my sword and magic skills are pretty equal, but I never really need to use my sword because of how op magic is now. In the Mistlands, the terrain prevented you from kiting the bugs all over the place, but in the Ashlands the terrain is far more flat and less bothersome to traverse, so you kite all you want. This allows you to deal insane amounts of damage while staying almost completely safe. The new Staff of the Wild is a symptom of this problem, you just throw 3+ down on the ground and kite all the melee enemies through the roots while you recover stamina/eitr. Don't get me started on Fader, he's completely trivial with magic, which leads me to my next point.
   
3. The difficulty of this biome seems to be aimed more towards melee players. Fader for example gives you barely any time to recover stamina, attack or heal. Lord reto is cheese for ranged, but will 2 shot you even if you have full level 3 flametal and 300+ health. Thankfully the Valkyrie at least comes down to the ground to attack you.
   
4. The fortresses, oh god the fortresses. I've been hyped to do "fortress time" for so long and now that it's here it just feels bitter-sweet. It's awesome to bring the battering ram up to the door and bust it down, but the actual combat there is pretty easy. Just destroy the spawners/Skuggs and kite the remaining dudes outside to finish them off. It also feels disappointing knowing that the original concept art for the fortresses showed them looking like castles, but the ones we get in game are just glorified boxes.
   

In conclusion, I just want to say I love this game and I love this update, but it still feels like it needs more content/time before releasing to the live branch. I highly doubt that will happen though and I bet they aren't going to do a whole lot with the Ashlands once it does go live :(. I pray to Odin that I am wrong. Thanks for reading.

Modem finally died; had to have a service call for a new one.
Tech arrived to troubleshoot. Dude was cool AF and didn't waste any time. He agreed that the modem needed to be replaced (old Arris DG1670), but he didn't have a new one on the truck. Fortunately another tech nearby had one; he was back to the house in a flash.
He starts unpacking everything and proceeds to tell me that the new way of doing things is to have two separate devices, a modem and a router, instead of an all-in-one. And the new devices have wall worts that cover up two power outlets, so some of my stuff is offline until I can spend a couple hours reconfiguring.
To Spectrum: Why couldn't you just mail me the hardware instead of sending a tech? Why don't you provide business equipment to techs assigned to calls for business accounts? Why do I need two separate devices now? And why are their power cables so obnoxious?
To Rahsaan: I hope you're reading this. You were awesome to work with today.

Full disclosure, I attempted to post this is the proper sub, but I couldn't, so I'm reaching out to you guys for help.
Okay, so there's this security guard at my work. Super cool, handsome dude. I have MASSIVE social anxiety, but overcame it to give this man my number. The weekend was awesome, the communication has been excellent, this man has made it clear that he wants to talk to me about dating. But then yesterday, he asks me about one of my coworkers, saying he wants to "holla" at her. Now don't get me wrong, I totally understand the current dating culture, it's just not for me. And I made it clear that when it comes to dating, I'm old fashioned af. So my question I guess here, is am I the asshole for calling him out on this behavior? I said it made me uncomfortable, and he said he didn't want it to lead to any "unnecessary drama". Any help would be appreciated, idk what to do

Hello! Here we are again, back for another ATLA commentary.
Before we get started I do want to point out that I’m numbering and labeling episodes according to how they appear on Netflix. Episode 12, as I understand it, is actually two episodes. However, since they’re presented as one thing here, that’s how I’m watching it.
Brief update on other projects: I thought I’d try watching the first Harry Potter movie, but realized it’s two and a half hours long. That’s, at the bare minimum, five hours of commentary writing. So… yeah, we’re gonna hold off on that lol I’m also considering watching a superhero/comic book show called The Boys, because I accidentally caught part of a trailer for it that my girlfriend was watching and it looks very interesting. I’ll be doing the new Game of Thrones commentary next, not sure when exactly.
Okay, let’s go!
Episode 12- The Secret of the Fire Nation

1. Well that’s a heck of a title! I hope we learn something juicy!

It’s nice to see Aang and Katara bending for fun, thought I’m surprised Aang is so willing to encase himself in a block of ice. You’d think he’d have some trauma from that lol But also, I love Katara’s hair when she lets it down.
Yeah… I’m kind of surprised Aang is taking Appa’s loss as well as he is, considering how he reacted last episode. Since Sokka is talking about walking to Ba Sing Se, I take it they’re not going to be spending time looking for him? But then, didn’t the sandbenders say they sold him to a merchant from Ba Sing Se? Maybe he’s there, and Aang’s banking on that hope.

1. I know I keep applying real-world logic to a cartoon show, but wouldn’t Ba Sing Se get awfully crowded if they’re constantly taking in refugees from the rest of the Earth Kingdom? Iroh put the city under siege for almost two years. What if the Fire Nation does that again? More mouths to feed makes starvation quicker!

Iroh and Zuko are refugees. I still can’t get over that irony lol Hey, it’s Jet! My goodness, he’s onscreen for less than ten seconds and he’s already planning a robbery. He and Zuko are going to get along just fine, aren’t they?
The cabbage merchant! Always a delight to see him and his cabbages! Also hilarious that a bunch of people are impersonating Aang (thought it probably would be less hilarious if any of them met Azula). If passports are necessary, how did Zuko and Iroh get tickets? Also, good on Toph for taking advantage of her privilege lol
Hey! I think that’s Suki! Her eyes are drawn really distinctively and her voice sounds familiar! Two seconds after pressing play: it is Suki! Don’t you just love my long winning streak of figuring things out right before they let us know? Lol

1. Glad to see ATLA Suki appreciates Sokka’s muscles just as much as NATLA Suki lol

Someone took the pregnant family’s tickets and belongings. Is that how Zuko and Iroh got their tickets? Zuko’s robbed families before, so I wouldn’t put it past him.
Well damn, Suki got her armor and makeup on real quick, didn’t she? Hm… Sokka’s worried about her. I think Suki’s going to interpret that as him being sexist again but he’s probably traumatized from losing Yue. He’s been through way too much to still be sexist. If he still had a misogynistic bone in his body, Toph would have beaten it out of him by now.

1. Well the Serpent’s Pass looks terrifying. Also, this pregnant lady took one look at some scratched graffiti saying “Abandon Hope” and immediately started crying, saying “How can we abandon hope? It’s all we have!” Like… come on, lady lol Just because you see graffiti telling you to do something doesn’t mean you have to, otherwise I would have called quite a few people for a good time by now.

Hope is a distraction, huh? I guess I can see the logic of that from a practical application perspective. But it’s kind of a depressing philosophy for a monk to have.
Holy shit! Nope, I would not be walking along a cliff path that narrow! I will build a rowboat and paddle my way to Ba Sing Se.
Toph is really carrying the team (and some refugees too) this episode.

1. There’s a fine line between being protective and being smothering and Sokka has hopped, jumped, and skipped right over it.

Zuko’s not wearing his blue spirit mask. Not that he needs it, he and Jet work together like cogs in a machine. Ironic lol
Ow! Geez, that rejected hug hurt me lol Katara’s right though. Bottling up emotions just makes them worse in the long run. You have to allow yourself to feel bad sometimes. Granted, you can’t fly off the handle like he did last episode, but that’s a reaction. You can control your reactions, but you can’t control your feelings.
“It’s a beautiful moon.” “Yeah, it really is.” Okay, I know Sokka said last episode that Yue is the moon, but he was tripping on peyote. Does he actually believe that Yue is the moon now? Is Yue the moon now? I interpreted her death as he sacrificing herself to bring the moon spirit back to life, not to become the new moon spirit.
“Who is this guy? Is he taller than me?” Dude, we were having a moment. Damn it, just kiss her! Well actually, the moon’s right there so if Yue really did turn into the new moon spirit, it might be a tad awkward to kiss in front of her. But what’s he gonna do, only ever show intimacy during the day?

1. Um… I’m probably reading too much into this Smellerbee scene with Iroh and Longshot and I’m almost hesitant to say what I’m thinking because I can just imagine the backlash I could get for voicing it. And it’s not like ATLA has had great LGBTQ representation up to this point, so… Yeah, I’m probably just seeing things that aren’t there.

You know, I’ve never really cared a lot about Jet as a character (in fact, I’m kind of surprised to see him again. I figured he’d be a one-off character) but I am really enjoying his scenes with Zuko and Iroh. They have so much in common, which is probably the point of this whole juxtaposition. If he only knew who they really were lol
Of course Iroh believes in second chances. He’s the best. And also, he’s living proof that some people deserve a second chance.

1. Uh… Katara parting the sea while leading refugees to safety invokes a certain comparison, doesn’t it? But can I just say that I love how her solution to crossing the gap is to literally walk through the ocean instead of making a raft out of ice and floating across. She just never misses an opportunity to flex on everyone, does she? Lol

Momo continuing his pattern of trying to kill every small animal he sees is something I’ve come to treasure.
Is that the unagi?! I think that’s what it’s called/spelled but I haven’t seen that episode in a while. It would be fitting if Suki and the sea serpent both share the same episodes lol No that’s not the unagi. It’s a different color. Um… what exactly was Sokka planning to do if the sea serpent actually accepted his offer and ate Momo? Considering how he reacted to losing Appa, I don’t think Aang would be too happy with him.
Oh, now she’s making an ice bridge. Not as much of a flex as maintaining an air bubble so they plumb the depths but it is faster. Oh, Toph can’t see on ice. And she can’t swim? An earthbender not being able to swim feels like a stereotype for some reason, even though I have absolutely no reason to think that lol
“You can go ahead and let me drown now.” That’s gonna be a favorite joke of mine, I just know it lol And I’m pretty sure this is probably a jumping point for a Sokka/Toph ship. What does the community call that? Soph? Tokka? (How old is Toph, anyway? Probably Aang’s age, right? That’s… probably not an appropriate ship then)

1. Why does Ba Sing Se’s wall remind me of The Wall from Game of Thrones? Obviously not made of ice though lol

Okay, time for ATLA’s viewers to experience the miracle of childbirth!

1. Like I said earlier, ATLA isn’t heavy on the LGBTQ representation, but I swear I’m picking up on some tension and chemistry between Jet and Zuko (Juko? Jeko? Zet?). And now half of Jet’s little group is an LGBTQ allegory for me lol Even the dialogue between Jet and Zuko in this scene is slightly suggestive.

So… can Katara waterbend the baby out or…
Baby Hope, eh? Probably not a super common name in this world.
Oh? Was that Aang’s way of telling Katara he loves her without actually saying it? Aww. And hey, he’s heading off on his own to search for Appa. Which… honestly kind of feels like he should have been doing that this whole time lol
Yes! Get some, Sokka! Wait, nevermind. I fucking hate that line. Ugh No! I’m not gonna be a bitter old lady on this watch-through! They’re kissing and it’s very sweet and I love that for them!
Um… there’s a giant metal dildo on the way to penetrate Ba Sing Se! Lol but seriously, how technologically advanced is the Fire Nation? A giant mobile drill of that scale would be a marvel of engineering even by our modern standards.

1. Well hey, there’s the title card letting me know when the next episode starts.

Woah, the way the drill moves is so cool! I’m legitimately wondering if such a thing would actually be possible in our world with our physics. I don’t know why we would want to, but still. And of course Azula’s leading this attack. She gets all the best opportunities. And she’s smart too! The war minister guy is dismissive of the earthbenders, believing his drill to be impervious to earthbending attacks. You can practically smell the hubris. But Azula leaves nothing to chance and she sends her girls out to neutralize any potential threat.
And this is why we love Azula. She’s not just a scary villain, she’s a competent villain.

1. And the Earth Kingdom general shares the War Minister’s hubris. Why are the people in charge always the worst people to be in charge? Also, I love that Toph is the one to point out that Iroh broke through the wall.

So the Earth Kingdom’s elite Terra Team force were taken out by two teenage nonbenders from the Fire Nation in about twenty seconds. How have they lasted this long? Lol (I say two, but let’s be honest. Ty Lee’s doing the heavy lifting here)
Yes! I love that they acknowledge Sokka as the “Idea Guy”!
Iroh has got rizz for days lol I’m kind of surprised he only ever had one son. Jet wants to recruit Zuko. I’m totally down for that! They’re such an interesting pair!

1. I really love that Katara, whose probably the best waterbender in the world at this point, respects Ty Lee enough to recognize how dangerous she is. And Sokka had an idea! They’re going to take down the drill from the inside. Because how the hell else are they going to stop something that big?

Again with the underestimation! I swear Azula’s the only competent person in the entire Fire Nation military since Iroh retired.
Okay, engineer Sokka figured it out. It’s all a little too easy, isn’t it?

1. Ah shit, Jet just realized the truth, because Iroh used firebending to heat up his tea lol I think he’s getting a little too relaxed.

Okay, just the fact that they slice through metal with water at all is pretty impressive. And the drill has reached the wall, and Azula still doesn’t look impressed.
Oh yeah, I guess this is a pretty high stakes battle for them, huh? If they lose Ba Sing Se, they basically lose the entire Earth Kingdom, right? Omashu’s already fallen, the smaller villages and whatnot have no real defense. Ba Sing Se is the last big puzzle piece to world domination (aside from the water tribes, but they’re so isolated they’re not really a threat).
I love that Toph’s nickname for Aang is Twinkle Toes. Also I laughed at the War Minister’s face when he was side-eyeing Azula just then. +That’s the face of a man who’s about to be punished!

1. lol Sokka’s the only one with more rizz than Iroh! Maybe a legitimate battle strategy here would be to woo Ty Lee into switching sides? Aside from Azula she seems to be the most dangerous one. No offense to Mai, but she is kind of the odd woman out here.

Oh please let me get Aang and Azula 1v1! I really badly want to see how he fares against her without everyone else helping him. He’ll probably have to use the Avatar State to defeat her.
Ty Lee dives into the slurry after Katara and Sokka while Mai refuses. Yeah, Mai is the weak link here in Ozai’s Angels (I love that name, by the way).

1. Did Aang seriously think the general was going to hear him from that high up? Lol Toph’s helping Katara bend the slurry (how convenient that it’s both water and earth!). Ty Lee’s still trapped in it and the drill is about to blow. If I hadn’t learned my lesson on the last post, I’d probably be worried she might die in the explosion. But this is a kid’s show, she’ll be fine.

Here we go! Aang vs Azula! Her fighting style is so elegant. Every move she makes feels on purpose, if that makes sense. Like, whenever Aang fought Zuko, Zhao, or NPC firebenders their style is a little more chaotic and fearsome and rawr, you know? But Azula’s totally calm. Everything she’s doing feels calculated, and it’s working! If she hadn’t had to dodge that boulder after blasting Aang back she might have been able to deliver a finishing blow!
She beat him! He’s unconscious! Okay, well not anymore lol See… that right there was hubris (actually, it was kid’s show writing but whatever)! He was out for like fifteen seconds. She should have roasted him where he lay instead of picking him up and gloating.
Another fight with Azula ends in a draw with neither one beating the other! I’m starting to get a little peeved with all this edging lol but that was great! Azula is an absolute beast!

1. Okay, the way Aang hammered that rock spike into the drill was pretty epic. Mai’s “We lost” (and thank you for your contribution to the fight, Mai lol) is interesting. It’s true, they did lose. Not in the combat sense, Aang couldn’t beat Azula, but he didn’t have to. He just had to hold her off. Maybe that’s kind of a metaphor for the Fire Nation military in general. It’s very powerful, but it’s also marred by incompetence and weaknesses. Many of its generals are prideful and blind to their own weaknesses, or just outright incompetent. Look at this fight: even Mai just kind of gave up halfway through. If Ty Lee wasn’t trapped in the slurry, she might very well have been able to beat Katara, Sokka, and Toph, especially since they don’t Appa this time to bail them out. And if Mai had been with her, she might have been to break Katara’s concentration with a thrown weapon, thus freeing Ty Lee from the slurry.

I wondered how the Earth Kingdom lasted so long and maybe that’s just it. They can’t beat the Fire Nation, but they don’t have to. They just have to hold them off and the Fire Nation’s own shortcomings will end up beating themselves. It’s a hundred year stalemate.

1. Looks like Jet’s going to be causing a problem for Iroh and Zuko. I wonder if his relationship with them is what’s going to finally let him realize that not all Fire Nation people are inherently evil?

Hey, that’s Baby Hope! And Iroh gets to fawn over her too and I love that for him. You know, if Aang defeats the Fire Nation in a timely manner, Hope might actually get to grow up in a world at peace. Well, kind of. I’m sure there’s going to be massive issues with racism from generations of propaganda painting the other side as inhuman, huge demands for reparations, not to mention the territories the Fire Nation currently occupies. It’s been so long that there must be at least two generations of Fire Nation citizens who were born in and grew up in the Earth Kingdom, and I’m sure there’s been interbreeding with the Earth Kingdom people, because that’s what always happens with colonizers. Once they become established, genocide is pretty much the only way to get rid of them, and I doubt the Avatar is going to allow that.
So Hope’s probably going to grow up in pretty interesting times!
Um… is Ba Sing Se a city or is it a little walled country? Cuz all I see are farms and plains!
Katara, I love you, but you’re wrong. Team Avatar is going to catch on because it’s awesome, and that’s that.
Episode 13- City of Walls and Secrets

1. Oh, there’s an inner wall. So Ba Sing Se is kind of like the country in Attack on Titan! Oh yeah, in all of the excitement I almost forgot about Appa. Seriously, how many episodes has he been missing now? Damn, now that’s a city!

Yeah… something’s up with Joo Dee.
Walls inside that help maintain order? You mean walls that protect the rich and elite from the dirty poors? Lol Oh, Katara just confirmed it. They pen up all the poor people into a walled ghetto.

1. lol when Iroh’s talking about someone bringing home a lady friend, does he mean himself? Or Zuko? It is really interesting how their views of Ba Sing Se differ though. Iroh’s talking about getting a home, socializing, building a life, and he’s even found them jobs! Zuko sees the same situation as a prison.

Well, I’m glad Jet’s turning over a new leaf by letting the authorities handle things. Too bad I don’t trust the authorities to be any better.
Toph knows what’s up. Joo Dee is purposefully brushing Sokka off and distracting the group. I’m not sure why at the moment, but something is clearly up.

1. Of course they’re going to work in a tea shop! Lol Zuko’s right btw, all tea is hot leaf juice. Well, except for the teas that are hot root juice.

The cultural authority of Ba Sing Se, who guard their traditions and are called the Dai Li. Yeah… maybe it’s my conservative religious upbringing but when I hear about people “guarding their traditions” I immediately think of abuse, propaganda, and oppression. Generally people who are obsessed with traditions tend to be conservatives, who by their very nature cannot allow progress or improvement.
Someone important is trying to keep them under constant surveillance and prevent them from seeing the Earth King. In NATLA, there were spies in Omashu. Since Ba Sing Se is much bigger and more important, I imagine it’s riddled with Fire Nation spies as well, and somebody high ranking might be a traitor.

1. Joo Dee is kind of scary lol and clearly the citizens are terrified of her. But what’s interesting to me is that she’s preventing them from giving information about Appa, which suggests that whoever is stopping them from seeing the Earth King also has Appa. But why? What would be the point of keeping Aang away from Appa? Is it to restrict his mobility and make him easier to capture?

So people aren’t allowed to talk about the war, and the Dai Li seem to be responsible. But why? If everyone knows there’s a war going on anyway, why keep people from talking about it?
It’s lucky that Iroh borrowed his neighbor’s spark rocks, but why would he refrain from firebending in what he assumes is privacy? Unless he knows he’s being watched.

1. Huh, is the king’s pet bear the first normal animal on the show? Lol I am digging this undercover plan though.

I love that this show lets its characters try on different looks from time to time, even if they are mostly the same outfits. Katara and Toph’s high society get-ups are gorgeous!
The lost boys- I mean, freedom fighters are turning on Peter Pa- I mean, Jet. The weird thing is… he’s right! They are firebenders! But his behavior still isn’t healthy!

1. Okay, let’s go! Jet’s hurling accusations and attacking them in public! And now Zuko’s fighting back with swords. It’s the duel of the dual-wielders! Honestly, this is probably good for Zuko. He needs to blow off some steam after everything he’s been through.

Well how about that? Security at the palace is actually competent and Toph can’t bluff her way in.
This Long Feng guy is cultural minister to the king, which means he’s probably the bad guy! And also we haven’t met any other high ranking government officials with names, so he’s currently the only option lol

1. Geez, Zuko straight up intended to decapitate Jet right there. If Jet were a little slower, he would have! Man, I hope they do this fight scene in NATLA.

Uh-oh, scary lady Joo Dee is the scared one now. But can I just say how much I like her facial expressions?
Yeah… can’t blame them for arresting Jet. He did look like a crazy person.
The Dai Li’s specific brand of earthbending is very cool! It almost doesn’t seem like bending at all, if that makes sense. The stones they use are like a part of their own body. And of course Long Feng is their leader.
Okay I get the king is just a puppet and Long Feng is the real rule of the country, but I still don’t understand why he doesn’t allow mention of the war in the city. I mean, it’s common knowledge! A significant portion of their population are literally refugees fleeing war! Who doesn’t know
Oh… is it the king? Does the king just not know there’s a war happening and Long Feng keeps it from him so he can stay in charge? I mean, that’s still a stretch but it would explain why he doesn’t want Team Avatar talking to the king.

1. Jet is being hypnotized. Also, I do want to point out that I have seen “There is no (whatever) in Ba Sing Se” many times in the wild lol it’s nice to see where it comes from!

Ah… Long Feng is holding Appa as leverage over Aang.
I didn’t think Joo Dee could be any scarier but here we are! This episode almost has horror movie vibes.
Concluding thoughts: This was a fantastic couple/throuple of episodes! I loved seeing Suki again, and I really enjoyed how the refugee subplot ties so perfectly in with Iroh and Zuko. The whole drill sequence was probably the best “action” the show has had thus far and that’s saying something. It’s also nice to have my suspicions that the Earth Kingdom has its own corruption problems and bad guys confirmed.
I have a new theory to replace my “Iroh’s going to die theory”. They’ve been showing us all season how Zuko isn’t really cut out for life on the run, whereas Iroh embraces it. I think they’re driving to a separation between Zuko and Iroh. He may not have died, but narratively speaking Zuko and Iroh have to part ways permanently or semi-permanently for his character to grow. Iroh has been propping him up and supporting him this whole time, now it’s time for Zuko to leave the nest and become his own person.
My new theory is that Iroh will enjoy his new life in Ba Sing Se so much that he elects to stay there permanently, whereas Zuko is too restless to do so. He can’t go back to the Fire Nation and the Earth Kingdom will not accept him, so his only choice is to join Team Avatar, where he will likely end up teaching Aang firebending.
And to expand further on a previous theory of mine, which was: Azula will kill or depose Ozai. I’ve accepted at this point that death is off the table. Kid’s show and all that. But I noticed something… lots of people were quick to say that Azula would never kill Ozai. But not one person has said she wouldn’t depose him in those refutations (unless I’m misremembering but I don’t think I am). Since you all know not to hint at things or spoil them, I think your eagerness to point out that she won’t kill Ozai is an attempt to mislead me into thinking the whole theory is wrong so I’ll be surprised when she ends up deposing (not killing) him. I mean, I could be wrong but I have a strong feeling that the final villain is going to be Fire Lord Azula, with Ozai in exile somewhere (that would be fitting! The man who banishes his own son ends up being banished himself!).
Maybe that will even be the conclusion of Zuko’s arc! While Aang goes off to save the world from Azula, Zuko splits up to confront Ozai himself! Where we are in the show right now, it really does feel like Azula is Aang’s primary antagonist whereas Ozai is Zuko’s primary antagonist.
By the way, from here on out, no confirming or denying my theories either way, okay? Let it unfold naturally, and let me figure things out on my own. I mean, where’s the fun in just giving me the answers?
And also, some of you could be a little nicer with your criticisms. I had to block someone last time I posted and I don’t want to do that anymore. It’s fine to disagree with me, it’s fine to explain why you disagree with me. Hell, most of you do! I don’t mind that, I like that we all have different views of things even if I don’t agree. It makes things interesting! But don’t talk down to me, don’t use belittling language, don’t be disrespectful. Whenever I don’t like something about ATLA (or like something about NATLA) some of you seem to take it as a personal insult or something.
Just be polite, that’s all I ask.
Okay, I’ll see you same time next week probably!

Those dudes are freakin’ awesome - $25 for a full patch tire repair (stupid roofing nail, ugh), and it was done in 15 minutes. Plus, they were really nice, which is rare for mechanics around here. I’ve found my new spot for vehicle repairs & simple maintenance!

Hello! Here we are again, back for another ATLA commentary.
Before we get started I do want to point out that I’m numbering and labeling episodes according to how they appear on Netflix. Episode 12, as I understand it, is actually two episodes. However, since they’re presented as one thing here, that’s how I’m watching it.
Brief update on other projects: I thought I’d try watching the first Harry Potter movie, but realized it’s two and a half hours long. That’s, at the bare minimum, five hours of commentary writing. So… yeah, we’re gonna hold off on that lol I’m also considering watching a superhero/comic book show called The Boys, because I accidentally caught part of a trailer for it that my girlfriend was watching and it looks very interesting. I’ll be doing the new Game of Thrones commentary next, not sure when exactly.
Okay, let’s go!
Episode 12- The Secret of the Fire Nation

1. Well that’s a heck of a title! I hope we learn something juicy!

It’s nice to see Aang and Katara bending for fun, thought I’m surprised Aang is so willing to encase himself in a block of ice. You’d think he’d have some trauma from that lol But also, I love Katara’s hair when she lets it down.
Yeah… I’m kind of surprised Aang is taking Appa’s loss as well as he is, considering how he reacted last episode. Since Sokka is talking about walking to Ba Sing Se, I take it they’re not going to be spending time looking for him? But then, didn’t the sandbenders say they sold him to a merchant from Ba Sing Se? Maybe he’s there, and Aang’s banking on that hope.

1. I know I keep applying real-world logic to a cartoon show, but wouldn’t Ba Sing Se get awfully crowded if they’re constantly taking in refugees from the rest of the Earth Kingdom? Iroh put the city under siege for almost two years. What if the Fire Nation does that again? More mouths to feed makes starvation quicker!

Iroh and Zuko are refugees. I still can’t get over that irony lol Hey, it’s Jet! My goodness, he’s onscreen for less than ten seconds and he’s already planning a robbery. He and Zuko are going to get along just fine, aren’t they?
The cabbage merchant! Always a delight to see him and his cabbages! Also hilarious that a bunch of people are impersonating Aang (thought it probably would be less hilarious if any of them met Azula). If passports are necessary, how did Zuko and Iroh get tickets? Also, good on Toph for taking advantage of her privilege lol
Hey! I think that’s Suki! Her eyes are drawn really distinctively and her voice sounds familiar! Two seconds after pressing play: it is Suki! Don’t you just love my long winning streak of figuring things out right before they let us know? Lol

1. Glad to see ATLA Suki appreciates Sokka’s muscles just as much as NATLA Suki lol

Someone took the pregnant family’s tickets and belongings. Is that how Zuko and Iroh got their tickets? Zuko’s robbed families before, so I wouldn’t put it past him.
Well damn, Suki got her armor and makeup on real quick, didn’t she? Hm… Sokka’s worried about her. I think Suki’s going to interpret that as him being sexist again but he’s probably traumatized from losing Yue. He’s been through way too much to still be sexist. If he still had a misogynistic bone in his body, Toph would have beaten it out of him by now.

1. Well the Serpent’s Pass looks terrifying. Also, this pregnant lady took one look at some scratched graffiti saying “Abandon Hope” and immediately started crying, saying “How can we abandon hope? It’s all we have!” Like… come on, lady lol Just because you see graffiti telling you to do something doesn’t mean you have to, otherwise I would have called quite a few people for a good time by now.

Hope is a distraction, huh? I guess I can see the logic of that from a practical application perspective. But it’s kind of a depressing philosophy for a monk to have.
Holy shit! Nope, I would not be walking along a cliff path that narrow! I will build a rowboat and paddle my way to Ba Sing Se.
Toph is really carrying the team (and some refugees too) this episode.

1. There’s a fine line between being protective and being smothering and Sokka has hopped, jumped, and skipped right over it.

Zuko’s not wearing his blue spirit mask. Not that he needs it, he and Jet work together like cogs in a machine. Ironic lol
Ow! Geez, that rejected hug hurt me lol Katara’s right though. Bottling up emotions just makes them worse in the long run. You have to allow yourself to feel bad sometimes. Granted, you can’t fly off the handle like he did last episode, but that’s a reaction. You can control your reactions, but you can’t control your feelings.
“It’s a beautiful moon.” “Yeah, it really is.” Okay, I know Sokka said last episode that Yue is the moon, but he was tripping on peyote. Does he actually believe that Yue is the moon now? Is Yue the moon now? I interpreted her death as he sacrificing herself to bring the moon spirit back to life, not to become the new moon spirit.
“Who is this guy? Is he taller than me?” Dude, we were having a moment. Damn it, just kiss her! Well actually, the moon’s right there so if Yue really did turn into the new moon spirit, it might be a tad awkward to kiss in front of her. But what’s he gonna do, only ever show intimacy during the day?

1. Um… I’m probably reading too much into this Smellerbee scene with Iroh and Longshot and I’m almost hesitant to say what I’m thinking because I can just imagine the backlash I could get for voicing it. And it’s not like ATLA has had great LGBTQ representation up to this point, so… Yeah, I’m probably just seeing things that aren’t there.

You know, I’ve never really cared a lot about Jet as a character (in fact, I’m kind of surprised to see him again. I figured he’d be a one-off character) but I am really enjoying his scenes with Zuko and Iroh. They have so much in common, which is probably the point of this whole juxtaposition. If he only knew who they really were lol
Of course Iroh believes in second chances. He’s the best. And also, he’s living proof that some people deserve a second chance.

1. Uh… Katara parting the sea while leading refugees to safety invokes a certain comparison, doesn’t it? But can I just say that I love how her solution to crossing the gap is to literally walk through the ocean instead of making a raft out of ice and floating across. She just never misses an opportunity to flex on everyone, does she? Lol

Momo continuing his pattern of trying to kill every small animal he sees is something I’ve come to treasure.
Is that the unagi?! I think that’s what it’s called/spelled but I haven’t seen that episode in a while. It would be fitting if Suki and the sea serpent both share the same episodes lol No that’s not the unagi. It’s a different color. Um… what exactly was Sokka planning to do if the sea serpent actually accepted his offer and ate Momo? Considering how he reacted to losing Appa, I don’t think Aang would be too happy with him.
Oh, now she’s making an ice bridge. Not as much of a flex as maintaining an air bubble so they plumb the depths but it is faster. Oh, Toph can’t see on ice. And she can’t swim? An earthbender not being able to swim feels like a stereotype for some reason, even though I have absolutely no reason to think that lol
“You can go ahead and let me drown now.” That’s gonna be a favorite joke of mine, I just know it lol And I’m pretty sure this is probably a jumping point for a Sokka/Toph ship. What does the community call that? Soph? Tokka? (How old is Toph, anyway? Probably Aang’s age, right? That’s… probably not an appropriate ship then)

1. Why does Ba Sing Se’s wall remind me of The Wall from Game of Thrones? Obviously not made of ice though lol

Okay, time for ATLA’s viewers to experience the miracle of childbirth!

1. Like I said earlier, ATLA isn’t heavy on the LGBTQ representation, but I swear I’m picking up on some tension and chemistry between Jet and Zuko (Juko? Jeko? Zet?). And now half of Jet’s little group is an LGBTQ allegory for me lol Even the dialogue between Jet and Zuko in this scene is slightly suggestive.

So… can Katara waterbend the baby out or…
Baby Hope, eh? Probably not a super common name in this world.
Oh? Was that Aang’s way of telling Katara he loves her without actually saying it? Aww. And hey, he’s heading off on his own to search for Appa. Which… honestly kind of feels like he should have been doing that this whole time lol
Yes! Get some, Sokka! Wait, nevermind. I fucking hate that line. Ugh No! I’m not gonna be a bitter old lady on this watch-through! They’re kissing and it’s very sweet and I love that for them!
Um… there’s a giant metal dildo on the way to penetrate Ba Sing Se! Lol but seriously, how technologically advanced is the Fire Nation? A giant mobile drill of that scale would be a marvel of engineering even by our modern standards.

1. Well hey, there’s the title card letting me know when the next episode starts.

Woah, the way the drill moves is so cool! I’m legitimately wondering if such a thing would actually be possible in our world with our physics. I don’t know why we would want to, but still. And of course Azula’s leading this attack. She gets all the best opportunities. And she’s smart too! The war minister guy is dismissive of the earthbenders, believing his drill to be impervious to earthbending attacks. You can practically smell the hubris. But Azula leaves nothing to chance and she sends her girls out to neutralize any potential threat.
And this is why we love Azula. She’s not just a scary villain, she’s a competent villain.

1. And the Earth Kingdom general shares the War Minister’s hubris. Why are the people in charge always the worst people to be in charge? Also, I love that Toph is the one to point out that Iroh broke through the wall.

So the Earth Kingdom’s elite Terra Team force were taken out by two teenage nonbenders from the Fire Nation in about twenty seconds. How have they lasted this long? Lol (I say two, but let’s be honest. Ty Lee’s doing the heavy lifting here)
Yes! I love that they acknowledge Sokka as the “Idea Guy”!
Iroh has got rizz for days lol I’m kind of surprised he only ever had one son. Jet wants to recruit Zuko. I’m totally down for that! They’re such an interesting pair!

1. I really love that Katara, whose probably the best waterbender in the world at this point, respects Ty Lee enough to recognize how dangerous she is. And Sokka had an idea! They’re going to take down the drill from the inside. Because how the hell else are they going to stop something that big?

Again with the underestimation! I swear Azula’s the only competent person in the entire Fire Nation military since Iroh retired.
Okay, engineer Sokka figured it out. It’s all a little too easy, isn’t it?

1. Ah shit, Jet just realized the truth, because Iroh used firebending to heat up his tea lol I think he’s getting a little too relaxed.

Okay, just the fact that they slice through metal with water at all is pretty impressive. And the drill has reached the wall, and Azula still doesn’t look impressed.
Oh yeah, I guess this is a pretty high stakes battle for them, huh? If they lose Ba Sing Se, they basically lose the entire Earth Kingdom, right? Omashu’s already fallen, the smaller villages and whatnot have no real defense. Ba Sing Se is the last big puzzle piece to world domination (aside from the water tribes, but they’re so isolated they’re not really a threat).
I love that Toph’s nickname for Aang is Twinkle Toes. Also I laughed at the War Minister’s face when he was side-eyeing Azula just then. +That’s the face of a man who’s about to be punished!

1. lol Sokka’s the only one with more rizz than Iroh! Maybe a legitimate battle strategy here would be to woo Ty Lee into switching sides? Aside from Azula she seems to be the most dangerous one. No offense to Mai, but she is kind of the odd woman out here.

Oh please let me get Aang and Azula 1v1! I really badly want to see how he fares against her without everyone else helping him. He’ll probably have to use the Avatar State to defeat her.
Ty Lee dives into the slurry after Katara and Sokka while Mai refuses. Yeah, Mai is the weak link here in Ozai’s Angels (I love that name, by the way).

1. Did Aang seriously think the general was going to hear him from that high up? Lol Toph’s helping Katara bend the slurry (how convenient that it’s both water and earth!). Ty Lee’s still trapped in it and the drill is about to blow. If I hadn’t learned my lesson on the last post, I’d probably be worried she might die in the explosion. But this is a kid’s show, she’ll be fine.

Here we go! Aang vs Azula! Her fighting style is so elegant. Every move she makes feels on purpose, if that makes sense. Like, whenever Aang fought Zuko, Zhao, or NPC firebenders their style is a little more chaotic and fearsome and rawr, you know? But Azula’s totally calm. Everything she’s doing feels calculated, and it’s working! If she hadn’t had to dodge that boulder after blasting Aang back she might have been able to deliver a finishing blow!
She beat him! He’s unconscious! Okay, well not anymore lol See… that right there was hubris (actually, it was kid’s show writing but whatever)! He was out for like fifteen seconds. She should have roasted him where he lay instead of picking him up and gloating.
Another fight with Azula ends in a draw with neither one beating the other! I’m starting to get a little peeved with all this edging lol but that was great! Azula is an absolute beast!

1. Okay, the way Aang hammered that rock spike into the drill was pretty epic. Mai’s “We lost” (and thank you for your contribution to the fight, Mai lol) is interesting. It’s true, they did lose. Not in the combat sense, Aang couldn’t beat Azula, but he didn’t have to. He just had to hold her off. Maybe that’s kind of a metaphor for the Fire Nation military in general. It’s very powerful, but it’s also marred by incompetence and weaknesses. Many of its generals are prideful and blind to their own weaknesses, or just outright incompetent. Look at this fight: even Mai just kind of gave up halfway through. If Ty Lee wasn’t trapped in the slurry, she might very well have been able to beat Katara, Sokka, and Toph, especially since they don’t Appa this time to bail them out. And if Mai had been with her, she might have been to break Katara’s concentration with a thrown weapon, thus freeing Ty Lee from the slurry.

I wondered how the Earth Kingdom lasted so long and maybe that’s just it. They can’t beat the Fire Nation, but they don’t have to. They just have to hold them off and the Fire Nation’s own shortcomings will end up beating themselves. It’s a hundred year stalemate.

1. Looks like Jet’s going to be causing a problem for Iroh and Zuko. I wonder if his relationship with them is what’s going to finally let him realize that not all Fire Nation people are inherently evil?

Hey, that’s Baby Hope! And Iroh gets to fawn over her too and I love that for him. You know, if Aang defeats the Fire Nation in a timely manner, Hope might actually get to grow up in a world at peace. Well, kind of. I’m sure there’s going to be massive issues with racism from generations of propaganda painting the other side as inhuman, huge demands for reparations, not to mention the territories the Fire Nation currently occupies. It’s been so long that there must be at least two generations of Fire Nation citizens who were born in and grew up in the Earth Kingdom, and I’m sure there’s been interbreeding with the Earth Kingdom people, because that’s what always happens with colonizers. Once they become established, genocide is pretty much the only way to get rid of them, and I doubt the Avatar is going to allow that.
So Hope’s probably going to grow up in pretty interesting times!
Um… is Ba Sing Se a city or is it a little walled country? Cuz all I see are farms and plains!
Katara, I love you, but you’re wrong. Team Avatar is going to catch on because it’s awesome, and that’s that.
Episode 13- City of Walls and Secrets

1. Oh, there’s an inner wall. So Ba Sing Se is kind of like the country in Attack on Titan! Oh yeah, in all of the excitement I almost forgot about Appa. Seriously, how many episodes has he been missing now? Damn, now that’s a city!

Yeah… something’s up with Joo Dee.
Walls inside that help maintain order? You mean walls that protect the rich and elite from the dirty poors? Lol Oh, Katara just confirmed it. They pen up all the poor people into a walled ghetto.

1. lol when Iroh’s talking about someone bringing home a lady friend, does he mean himself? Or Zuko? It is really interesting how their views of Ba Sing Se differ though. Iroh’s talking about getting a home, socializing, building a life, and he’s even found them jobs! Zuko sees the same situation as a prison.

Well, I’m glad Jet’s turning over a new leaf by letting the authorities handle things. Too bad I don’t trust the authorities to be any better.
Toph knows what’s up. Joo Dee is purposefully brushing Sokka off and distracting the group. I’m not sure why at the moment, but something is clearly up.

1. Of course they’re going to work in a tea shop! Lol Zuko’s right btw, all tea is hot leaf juice. Well, except for the teas that are hot root juice.

The cultural authority of Ba Sing Se, who guard their traditions and are called the Dai Li. Yeah… maybe it’s my conservative religious upbringing but when I hear about people “guarding their traditions” I immediately think of abuse, propaganda, and oppression. Generally people who are obsessed with traditions tend to be conservatives, who by their very nature cannot allow progress or improvement.
Someone important is trying to keep them under constant surveillance and prevent them from seeing the Earth King. In NATLA, there were spies in Omashu. Since Ba Sing Se is much bigger and more important, I imagine it’s riddled with Fire Nation spies as well, and somebody high ranking might be a traitor.

1. Joo Dee is kind of scary lol and clearly the citizens are terrified of her. But what’s interesting to me is that she’s preventing them from giving information about Appa, which suggests that whoever is stopping them from seeing the Earth King also has Appa. But why? What would be the point of keeping Aang away from Appa? Is it to restrict his mobility and make him easier to capture?

So people aren’t allowed to talk about the war, and the Dai Li seem to be responsible. But why? If everyone knows there’s a war going on anyway, why keep people from talking about it?
It’s lucky that Iroh borrowed his neighbor’s spark rocks, but why would he refrain from firebending in what he assumes is privacy? Unless he knows he’s being watched.

1. Huh, is the king’s pet bear the first normal animal on the show? Lol I am digging this undercover plan though.

I love that this show lets its characters try on different looks from time to time, even if they are mostly the same outfits. Katara and Toph’s high society get-ups are gorgeous!
The lost boys- I mean, freedom fighters are turning on Peter Pa- I mean, Jet. The weird thing is… he’s right! They are firebenders! But his behavior still isn’t healthy!

1. Okay, let’s go! Jet’s hurling accusations and attacking them in public! And now Zuko’s fighting back with swords. It’s the duel of the dual-wielders! Honestly, this is probably good for Zuko. He needs to blow off some steam after everything he’s been through.

Well how about that? Security at the palace is actually competent and Toph can’t bluff her way in.
This Long Feng guy is cultural minister to the king, which means he’s probably the bad guy! And also we haven’t met any other high ranking government officials with names, so he’s currently the only option lol

1. Geez, Zuko straight up intended to decapitate Jet right there. If Jet were a little slower, he would have! Man, I hope they do this fight scene in NATLA.

Uh-oh, scary lady Joo Dee is the scared one now. But can I just say how much I like her facial expressions?
Yeah… can’t blame them for arresting Jet. He did look like a crazy person.
The Dai Li’s specific brand of earthbending is very cool! It almost doesn’t seem like bending at all, if that makes sense. The stones they use are like a part of their own body. And of course Long Feng is their leader.
Okay I get the king is just a puppet and Long Feng is the real rule of the country, but I still don’t understand why he doesn’t allow mention of the war in the city. I mean, it’s common knowledge! A significant portion of their population are literally refugees fleeing war! Who doesn’t know
Oh… is it the king? Does the king just not know there’s a war happening and Long Feng keeps it from him so he can stay in charge? I mean, that’s still a stretch but it would explain why he doesn’t want Team Avatar talking to the king.

1. Jet is being hypnotized. Also, I do want to point out that I have seen “There is no (whatever) in Ba Sing Se” many times in the wild lol it’s nice to see where it comes from!

Ah… Long Feng is holding Appa as leverage over Aang.
I didn’t think Joo Dee could be any scarier but here we are! This episode almost has horror movie vibes.
Concluding thoughts: This was a fantastic couple/throuple of episodes! I loved seeing Suki again, and I really enjoyed how the refugee subplot ties so perfectly in with Iroh and Zuko. The whole drill sequence was probably the best “action” the show has had thus far and that’s saying something. It’s also nice to have my suspicions that the Earth Kingdom has its own corruption problems and bad guys confirmed.
I have a new theory to replace my “Iroh’s going to die theory”. They’ve been showing us all season how Zuko isn’t really cut out for life on the run, whereas Iroh embraces it. I think they’re driving to a separation between Zuko and Iroh. He may not have died, but narratively speaking Zuko and Iroh have to part ways permanently or semi-permanently for his character to grow. Iroh has been propping him up and supporting him this whole time, now it’s time for Zuko to leave the nest and become his own person.
My new theory is that Iroh will enjoy his new life in Ba Sing Se so much that he elects to stay there permanently, whereas Zuko is too restless to do so. He can’t go back to the Fire Nation and the Earth Kingdom will not accept him, so his only choice is to join Team Avatar, where he will likely end up teaching Aang firebending.
And to expand further on a previous theory of mine, which was: Azula will kill or depose Ozai. I’ve accepted at this point that death is off the table. Kid’s show and all that. But I noticed something… lots of people were quick to say that Azula would never kill Ozai. But not one person has said she wouldn’t depose him in those refutations (unless I’m misremembering but I don’t think I am). Since you all know not to hint at things or spoil them, I think your eagerness to point out that she won’t kill Ozai is an attempt to mislead me into thinking the whole theory is wrong so I’ll be surprised when she ends up deposing (not killing) him. I mean, I could be wrong but I have a strong feeling that the final villain is going to be Fire Lord Azula, with Ozai in exile somewhere (that would be fitting! The man who banishes his own son ends up being banished himself!).
Maybe that will even be the conclusion of Zuko’s arc! While Aang goes off to save the world from Azula, Zuko splits up to confront Ozai himself! Where we are in the show right now, it really does feel like Azula is Aang’s primary antagonist whereas Ozai is Zuko’s primary antagonist.
By the way, from here on out, no confirming or denying my theories either way, okay? Let it unfold naturally, and let me figure things out on my own. I mean, where’s the fun in just giving me the answers?
And also, some of you could be a little nicer with your criticisms. I had to block someone last time I posted and I don’t want to do that anymore. It’s fine to disagree with me, it’s fine to explain why you disagree with me. Hell, most of you do! I don’t mind that, I like that we all have different views of things even if I don’t agree. It makes things interesting! But don’t talk down to me, don’t use belittling language, don’t be disrespectful. Whenever I don’t like something about ATLA (or like something about NATLA) some of you seem to take it as a personal insult or something.
Just be polite, that’s all I ask.
Okay, I’ll see you same time next week probably!

Hey there awesome people! I am originally from Pennsylvania, but I’ve lived in ABQ for a few years.
One of the first things I noticed were the number of Pittsburgh Steelers hats, shirts, license plate covers, everything here. I am not a sports person, but as a former PA person, I was like “we’re apparently still in Steelers country?”
I asked someone once why folks here love that team, and the answer the dude gave me was “cause we have good taste.” Which is a fantastic response…but also didn’t answer my question.
Just curious, why does New Mexico love a Pennsylvania team? I’ll ask in western Pennsylvanian: “The Stillers are real special n’at, even over ere?”
You all are the best, thanks for entertaining my silly question.

Hello Dears Hope you all are doing good!
So i Have been considering gifting my friend my redundant PC (long story)
Anyway dude been awesome to me and he deserves something cool least a friend could do
I am no rich by any means but i will spare a budget in upgrade this build
Yet i need your advice my friend is a console gamer and has little knowledge about PC environment & Specs personally my knowledge is possible dated too
Here is my redundant PC specs:
Motherboard: Asus Rog strix X570-i
CPU: AMD ryzen 3900x
Storage: Sabrent rocket Q 2TB NVME M.2
RAM: Corsair vengeance RGB 32.GB
Cooling: (if i remember correctly it was AiO Corsair Hydro H60)
And nocuta fans
PSU: Probably 700-800w
My goal is for him to feels good with the gift and notice an improvement on console (i think he owns ps5 & ps4) that hopefully he likes and doesn't feel the need to upgrade so quickly (2-3yrs)
As you noticed the build currently doesn't have a gpu
I checked local market and i honestly couldn't decide on which gpu to pick (some recommended me a 1650 ti and i noticed some used cards 3070 ti and 4060 being sold at around reasonable price 180-300ish $)
Also Does the cpu need upgrade?
Personally i am using amd ryzen 3950x and asus rtx 3080 on my own pc and i am very content but unlike him i dont play any FPS or shooters or require heavy load/resources yet i bet his games does
Thank you all in advance!
TLDR:
What reasonable GPU to get? Does the cpu need upgrade?
And what reasonable budget i could put on this PC

I was having a frank discussion with my gf about if I made awkward small-talk and she said no but that I came across as snarky sometimes.
I was kinda shocked and asked what she meant and after discussing more she mostly meant my use of sarcasm, and says that it can sound snarky sometimes.
Here’s a hypothetical but accurate example:
Friend: “This day has been shit dude. My tire popped, I was late to class, and I have to stay up late finishing a paper so I won’t get any sleep.”
Me: “Wow, sounds like a great day haha” with a voice that clearly hints I’m not being literal and being sarcastic.
And usually in these situations the other person might chuckle a little or join in on the sarcasm, and then we continue the conversation.
But my gf says from her perspective I use this sort of conversation technique too much to the point of sounding snarky. And I do use sarcasm a good bit, but I can’t say I’ve ever had a negative reaction from what I can tell.
I would also like to be clear I am careful not to go too far with this. If someone confided in me a relative died for example, I wouldn’t go “Wow I bet that was awesome haha.” Sarcasm or not that clearly makes me sound like an asshole.
But I’ve been reflecting on my past conversations with friends and family and now I’m not sure what steps I should take next.

Basically the title.
For instance, if a dude averages 3 blocks a game, I assume that is considered awesome, but that amounts to disrupting just three shots in the whole game.
Is the thinking that the threat of the block screws up the ability / inclination of the other team to even go in and attack the rim?
Or would the 3 blocks by themselves be of enough value that any coach would be happy with just those specific disruptions?