School library slogans

School Library Media Specialists

2017.03.08 01:47 iamnotchris School Library Media Specialists

Subreddit for all things library and media center.
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2012.04.19 19:57 8m4ck Frisco, Texas

Subreddit for the city of Frisco, Texas.
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2009.11.25 23:56 The Royal Library of Alexandria

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2024.05.29 05:07 Spiritual_Task_6574 Introverted parents

Ok, so I need help.
My husband and I are introverted. We live out of town without nearby neighbors. I work but he stays home. We just moved here 2 years ago. I don't work with anyone with kids. My kids go to an online charter school and they love it. There's a lot of reasons we do that - mainly that the schools here are horrible, unsafe and the only private one is a catholic school with quite the history.
We get them out a lot! They're in piano, community ed sports in the summer, summer camps, etc. We go to the library all the time and the parks.
They make friends quick at the park, camp, sports or wherever they are and I sometimes can get parents numbers but nothing ever pans out. I go WAY outside my comfort zone and try to text parents to plan meetups but it's either only me planning it or they just don't have availibility to meet up.
How do I find/help my kids make friends outside of school? Parents seem so uninterested and I feel horrible that they don't have friends to hang out with.
submitted by Spiritual_Task_6574 to Parenting [link] [comments]


2024.05.29 04:39 unnervingorphan2 Having Trouble Finding Hobbies, Interests, Friends, or Preferences as an Adult (23)

I experienced intense medical trauma throughout an entire decade of my childhood on top of at home mental and emotional abuse. I am now away from that home and much healthier, but have had it pointed out to me that I seem to lack the normal amount of hobbies or interests or preferences for adults, and I also have trouble making friends.
As a kid I had many things I was interested in at different points, and was frequently made fun of and ridiculed by the adults in my life. I would often be cut off in the middle of a sentence with a "Who cares" or "One track mind", so by the end of middle school I kept everything in my life to myself, until eventually I had no hobbies or interests at all.
I was also an incredibly sick child and was told more than once that I was also very selfish. This led me to never wanting to intrude on other people or cause any more issues than I already caused thanks to my supposed selfishness and illness. This means my only preference is "Whatever you want!" Honestly, I'm not even sure what my favorite food is.
Now, as an adult, I have no hobbies or interests past being in college. I care very much about my major, but it is an unpopular one, so I don't talk about it with anyone other than my partner and best friend, and even then it is very little and no more than a few sentences. Never a conversation.
When I leave the house, I consider my favorite place to be the library, where I can check out books relating to my field of study. I don't talk to anybody unless forced to despite how lonely I feel, so I only have my partner and best friend in my life as companions. I think this is because I was bullied as a child by my peers, because for the better part of a decade I was on a medicine type that had me about 20 pounds overweight (I am very short, so the weight on my frame was noticeable and also not in a pleasing distribution). I was a very cute young child, but the medicine made me an "ugly" adolescent and teen, which is a mindset I still find myself stuck in despite no longer being on that medicine and now receiving compliments semi-frequently (in relation to how little I actually leave the house).
My partner has urged me to find a community for a hobby or common interest, but I have literally nothing. I don't do a craft, I only play single-player games, and I'm not athletic. My social skills are also incredibly stunted, and I literally shake and sweat when meeting someone new. I've also been told that I have bad RBF, which I developed as a pre-teen to get people to leave me alone, but now I can't turn off.
Has anyone else dealt with this lack of personal identity despite no longer being in a bad situation? If so, do you have any advice for me on how to find who I am again? It has been over 10 years since I had a hobby or group of friends, and I have no idea where to begin.
submitted by unnervingorphan2 to CPTSD [link] [comments]


2024.05.29 04:31 yell0wbirddd How can I leverage my anthro degree 10 years later?

To make a long story short, I graduated college in 2014 with a BS in anthropology and minor in psych. I've spent the last 10 years in entry level healthcare admin assistant positions. I'm tired of it and am wondering if I should return to my roots.
I have trouble narrowing down my goals, and I've considered going back to school several times (for social work, library science, genetic counseling, and a MPH) but I just don't think it's worth it.
Are there any career paths I might be forgetting about that would require a quick certification at most? I've applied to several research associate jobs that were looking for social science degrees. I was considering applying to some museums, but I don't know if anyone would even consider me since it's been so long?
submitted by yell0wbirddd to AskAnthropology [link] [comments]


2024.05.29 04:27 pet-pop-peach Anthro furry characters, pirate setting, fantasy adventure, aged for middle schoolers. Map in cover

hi! this is my first time here so im hoping this is done correctly.
every time i look for this book i get like, childrens picture books, which. it isn't. it was a proper middle school-high school age chapter book, like percy jackson. i remember it also had a map of the area in the very front cover of the book, which i really liked and referred back to several times
i cant remember a whole lot about it other than i really liked it, it was about pirates and i remember they were animals. i think one of them was a fox specifically? they werent animals like warrior cats, but instead like zootopia furries.
it was set i think during the golden ages of pirates so like 1600-1700s. umm.. it wasn't very long, probably 300-400 pages. the copy i had was borrowed from my middle schools library and was a paper back. i would have read it anywhere between 2012 - 2015. it was pretty age appropriate.
the book wasnt violent, but there might have been some fights. i remember at one point they let a ship go because they thought it was just a commerce ship, but that was actually a different pirate crew and it screwed them over later on. this might have been a HUGE thing for the climax because i remember this pretty well.
i.. think about this book all the time for no good reason. thank you for your help!!!!
submitted by pet-pop-peach to whatsthatbook [link] [comments]


2024.05.29 04:26 InteractionProud7297 need honest criticism

i'm working on a novel and would like to know if anyone could tell me any improvements i could make to the first chapter and prologue
Prologue
The day had started the same way it had for the past two years. The only difference was that I was going home. The hallway was crowded with people walking to and from their classes. Everyone was crowded next to each other so the halls were making the area feel claustrophobic. All the people talking mixed with the summer heat made me feel like I was locked in a sauna. I walked with Preston to the last class we would ever have together and as usual he was smiling. I never got why he always smiled even in situations where people should be sad he still smiled. He knew what today meant for me and he tried to keep light of the situation. I kept my head down away from what was ahead of me. My mind was too clouded about returning to see my family to notice anything in front of me. I walked into another student. It felt like I had walked into a wall. I knew immediately I had walked into tree. I stumble onto the ground and the commotion around me slows down to make room for us. He turned his bulky body around and apologized profusely without saying a word even though I had walked into him. He helped me off of the ground before hurrying down the hall.
“Alexandria, are you doing okay?” Preston said he had tilted his body downward so I had to look down to look him in his eyes. The way he was standing made him look like an idiot but he didn't seem to care. The way he acted made me laugh, which caused his smile to widen.
“I'm doing fine, just got lost in my head.”
“Thinking about how you’ll leave soon,” he said
“Was it that obvious?” He was the only person I told about me being an exchange student. I came to spend high school in Newkinawa and he was the only person I ever hung out with.
“I see what you mean,” he said “Newkinawa is a beautiful place with beautiful people to live in it…myself included”
“You wish,” I say with a smile we continue walking through the hallway “I'm just not excited to go back yet”
After I say that his smile grows wider “So you will miss me after all”
“I wouldn't say that much” I responded whilst smiling.
We had made it to our last class only to see it closed with a sign labeled “Uma incident” Uma was a student known for messing with the chemistry lab and destroying school property in the process. I've never actually met her but Preston says “She's a little weird but still nice”
“Guess class is canceled for today,” Preston remarked with a smile “Wanna go out to the court till the bell rings.”
“Sure let's go” I respond
The place we ate every day was outside. It used to be a tennis court before I moved in. Now they put trees and flowers all over the place. Preston really liked the blue color of the flowers but it just never clicked for me. I look over at Preston and he's staring up at the sky. There are a number of clouds in almost enough to block the sun but it still pokes its rays through and lands on Preston's face. The clouds swim in front of the sun till they block out the sun's light. Preston faces towards me.
“I'm gonna miss you Alexandria” he says
“You know you can just call me Alex,” I replied. I start to smile again. “I'll miss you too!" He smiles toward me again as we get up to leave as the clouds start to clump together and rain slowly falls. As we're walking back to the school there's a loud tearing sound followed by screams as the ground shakes.
The ground tears itself apart as the dirt and stone erupt from the ground. The sky blackens and a pale blue light escapes the earth. Then creatures erupt from the ground in a violent ejection from the earth creating a white pillar diffusing as they reach higher in the air. Some are clawing their way out of the cracks like maggots out of a corpse. People are swept into the updraft screaming for their lives.
The creatures descend like a tidal wave and tear apart any people caught in their path. They storm out of the crack in hundreds as more cracks in the earth form. Me and Preston started running away as people were screaming behind us. A girl running next to us has her legs slashed by a creature. The monster begins to tear open her chest as she chokes on her own blood. The monster shovels her lungs and innards into its decrepit mouth. Me and Preston keep running until we're met at the entrance of the school and we catch the attention of a monster as it begins to savagely rush toward us. The monster resembles ghosts my father told me about. But this one looks monstrously horrific. It floats in the air and opens its mouth so wide it nearly replaces its entire torso; its jaws hold savage teeth each the same old gray color of its body. Its eyes glow a rotten yellow color through the dark. It stretches out its arms showing its giant hands and claws like fingers. It swipes at us leaving a giant claw mark on the door behind us but Preston ducks my body down to avoid the attack. We run around it as the monster swaps its focus to another bystander. Screaming past us. Me and Preston run into the parking lot as people scream around us. We hide next to a car.
“What the hell is happening!?” I yell to Preston. More of the creatures fly over us and swoop down to people like vultures on roadkill devouring the fleeing people.
Preston starts to breathe heavily ”we need to get out of here and someplace safer”. As we were talking one of the monster phases through the car we were hiding next to forcing us to run into the street.
“Lets go to your house till things cool down” i say to Preston through panted breaths
“Wait couldn't we head to your house instead” Preston says.
“Why would that matter your house is closer anyways” i respond
“But-” Preston is interrupted by two creatures swooping above us to grab another person. The two monsters begin to pull the person apart while he writhes in pain before having his flesh be torn in half and having his organs be devoured.
“Come on lets go!!” I say as I grab his hand and run even faster.
By the time we reach Preston's house any living person is gone. On the street are just corpses laying torn and mutilated on the roads and sidewalk. The air in the neighborhood feels cold despite the season being summer. When I walk down the street I can still hear the occasional horrific wail the monsters give off. We move closer to Preston's house and I can see him sweating. He looked more worried than before when the creatures were chasing us and he kept darting his eyes away from his home.
“Preston, are you feeling okay?” he doesn't respond to my question and keeps darting his eyes. He walks slowly behind me and as I reach for the door handle and when I touch it it feels nearly freezing. I wrap my hoodie around my hand and slowly open the door. The house is quiet so me and Preston creep further into his house. The inside is cold and damp as if we were locked in a freezer. The further we move into the house the louder a subtle chewing sound is heard.
“It sounds like rats are eating a dead cow over there” I whisper. Preston continues to stay silent behind me. We slowly walk closer towards the kitchen and the sound gets louder and louder and louder until we reach the room.
We're met with a rancid smell of vomit and blood. My blood starts to run cold and every instinct in my body is telling me to run. I can feel Preston breathing get heavier as we get closer. We turn the corner and see Preston's mom lying on the ground dead with one of the creatures hunched over slurping her intestines. The sight causes me to vomit alerting the monster to our presence. The creature turns around and its mouth turns into a mortifying grin as it flies into Preston's moms body. The corpse begins to rise and spur splashing blood over the kitchen. When the corpse stops spasming it picks itself up from the ground and with glazed over eyes it holds its intestines in its hand and gives us the same grin it did when it was outside her body. The possessed corpse lunges at me and starts to chase me around the kitchen. The body is running into the walls and cabinets spraying its blood and other loose organs around the area as I'm avoiding its assault. The corpse leans over and ejects one of its loose intestines towards me, wrapping me in it. It pulls me towards it so fast I'm flung towards the ground. The corpse limbers over to me and raises its free hand aiming for my head. The creature's deranged smile causes the corpse’s cheeks to tear apart. It places both of its bloodied and demented hands on my face and starts to press my skull into the ground. I struggle to breathe. The room starts to get dark and blood escapes my head.
Until Preston jumps on top of his mothers corpse with a kitchen knife and repeatedly stabs it in the head. The possessed body tries to shake him off but he keeps stabbing, blood gets in on his face and tears start to escape his eyes. The creature violently ejects from the corpse's mouth causing her head to nearly explode and Preston stops stabbing the body. The body falls over in a splash of blood and organs. The monster leaves phasing through the roof leaving Preston crying over his mother's body. As the blood mixes with the tears he collapses to his knees crying. I walk over and hug him as the air around us turns bitter and the chill of death leaves the room and us with it.
Chapter 1 Eclipse
It's been 2 months since the apocalypse started. We've kept ourselves alive by looting grocery stores and houses, we hide from the creatures as we have no way to fight back against them. Preston came up with the idea to call them glanter’s. He’s looking better since we left his family home but I can tell something is wrong with him that he's not telling me. Everytime I ask him about it he tells me it's no big deal. I asked him earlier today and he just told me
“don't worry about it, I'm over it” without even looking at me. Now we're walking through the street and I'm walking behind Preston, I can barely see his head past the giant bag we're both carrying on our backs we use to carry supplies. I look up at the sky and it's still pitch black except for the moon giving us any amount of light. Preston turns around to face me.
“Let's check out that house, it might have some cool stuff in it” he points to a white house to our right. The house is a two story building with steps leading to the front door. There's a generator poking out from the backyard. The driveway is empty save for a couple of dried blood stains and tire marks. It's similar to the other houses in the neighborhood except for a couple broken windows.
“Sure why not” We head over to the house and I see something shining on the side of the house in the corner of my eye. I turn my head to look at it closer but it quickly disappears before I can see it clearly.
“Probably squirrel or something” I mumble to myself. Preston walks up the stairs to the house and I walk up the steps behind him as a breeze blows past my face. Preston tries to turn the door knob but the door is locked. I start to pull out a lockpick I grabbed at the store earlier. I motion towards Preston to move out of the way as I kneel down to pick the lock. It takes me a couple of minutes to unlock the door so I walk inside the house and Preston follows behind me while closing and locking the door. The doorway of the house leads to a dark room so I take a flashlight out of my bag to illuminate the area. Were put into the living room and bookshelves are on the walls and a large TV sat in front of a large black couch with smaller chairs surrounding it. Dust is covering every surface of the room and spiderwebs litter the corners of the walls. The area smells like moth balls and there's a lack of blood anywhere nearby.
“Guess the owners got out before the Glanter’s got in, '' I say to Preston. When he doesn't respond I turn around and he's already looking further into the house. When I find him he's managed to find a flight of stairs that lead to a lower portion of the house.
“I'll check on him later,” I think to myself as I headed towards the kitchen to see if we could restock on food. I walk past a bedroom and remark on how childish it looked. The walls were painted with blue and green stripes and a bunk bed sat on the right wall. There's a chest at the foot of the bed so I walk over and lift the top off of it. The box is layered with children's toys, a multitude of dolls, bears, and figures all jut out of the box. I notice a small robot toy and inspect it in my hands.
The cold metal makes my hand shiver and the sharp body shape makes the robot bigger than my hand. There's red lining around the robot's buttons surrounded by the cold gray of the robot's “skin”. It reminds me of a toy my little brother had. My heart feels heavy as I worry about what happened to my family. If they're alive, dead, or worse…possessed. The thoughts send a chill down my spine but I push them aside for now. I put the toy in my bag and exit the bedroom.
I can see the kitchen is down the hallway so I walk down the hall and enter. The kitchen is pretty clean except for a couple of dishes in the sink and the dust. There's a table seated for 3 people in the center of the room. I start opening the cabinets in search for any food or water. There's boxes of cereal leftover on top of shelves and a mix of chip bags and cookies in neat boxes stationed in the cabinets.
“Score,” I say to myself as I begin to put the snacks into my bag. When the cabinets are empty I look inside the fridge. The inside of the fridge ran out of power so most of the food inside is rotted. There are a couple of bottles of water in the front so I shove those in my bag. There's also a bag of oranges that still seem to be healthy in the back. I grab them and toss them on the table. There's rotten sandwich meat hidden in the drawer of the fridge.it smells like a dumpster outside of a butcher shop. I wrinkle my nose at the smell. I look around the kitchen for any bread with no luck.
I continue to look through the fridge until I hear Preston scream from another room. Immediately I bolt out of the kitchen leaving my bag behind and run towards the lower part of the house. I run down the stairs and nearly trip on the steps. The stairs lead to a big room. There are posters to tv shows and movies I don't recognize. The walls are painted black and there's a bear skin rug on the floor. I notice Preston standing next to a really big TV hyperventilating. I walk over to him and ask him.
“Are you ok? What happened?”
He talks through deep breaths “I… saw a… spider.”
“What?!” I respond in confusion.
“It was really big and I had jumped at my face”
“Sure it was.” I say while laughing “Let's go upstairs there's some food in the fridge we can eat”
“Wait, I think you should check this out.” He says while pointing towards one of the walls. I grab Preston's flashlight off the floor and face it towards the wall. Hanging halfway off the wall is a large map labeled Newkiwana scavenger hunt of 76.
“I think we should take it,” Preston says “You can read a map right?”
“A little but I'm not the best at it,” I say to him “can you read a map?”
“it shouldn’t be too hard it’s mainly pictures any way I'm sure I can figure it out”
I walk over to the wall where the map is hung there are trophies covering tables and shelved in their own personal cases one of them reads “1st place 100-meter swimming competition for 1986 Zack Hemmingway” and another one reads “2nd place 100-meter swimming competition for 1989 Zack Hemmingway”
“Guess this guy really liked swimming,” Preston remarks while staring at a wall of newspaper clippings. All of them are about the same person in swimming competitions. All labeled different things like “a new record for Zack “the dolphin” Hemmingway”,
‘Zach Hemmingway our star plans for the future” all the newspapers are about this kind he has paler skin and a bulky enough build to swim pretty well. Most of the pictures have him coming out of the water in a pool, his long black hair soaked and sitting at his shoulders. Another one has him sitting at a desk over a pile of books and his hair in a knot , “vicious wipeout ends the Dolphins career”, and “ex-swim champ Zack Hemmingway found in a drunken stupor outside strip club.
“Everyone has their own hobbies I guess,” I say as I take the map off of the wall and fold it up. “Sucks what happened to Zack though” I walked over to Preston’s bag and put the rolled map in one of the pockets. I walk back up the stairs and Preston grabs his bag and follows behind me.
We make our way towards the kitchen and Preston starts looking through the fridge for anything to eat. I grab an orange from the table and throw it at his head. The fruit bounces off his head and rolls on the floor. He turns around and grabs the fruit from the floor
“Why did you throw an orange at me?”
“It's the only food we have unless you plan on eating spoiled a sandwich“ He starts to peel it while walking towards the table. We both take a seat and start to eat the oranges from the bag. He plants his feet on top of the table and bites into the fully peeled orange. I grab a water bottle from a bag and start to drink from it as Preston says.
“I saw a dvd player in that man cave downstairs we could watch a movie if it still has power”
“Sure it could be fun.” Me and Preston spend the rest of our time eating until the bag of oranges is emptied and we head back downstairs. Preston grabs the DVD player from under the table and blows the dust off the top of it; he plugs it into the wall as I plop myself onto the couch. He plugs the DVD player into the TV and sits on the recliner next to me. He presses a few buttons on the remote and the TV lights up. I squint my eyes at how bright it is. It's the most amount of light I've seen that didn't come from a flashlight. I notice there's a box filled with DVDs. I pull the box over towards me. I ruffle through the box and see movies like Silence of the Lambs, Terminator 2, and Home alone.
“Dude some of these came out just before the world turned inside out” I say to him.
“Really? Let's play one.” He responds. I toss him Terminator 2 and he puts it into the DVD player.
We spend the next couple hours watching movies and laughing together. It's some of our only moments of peace we’ve had since the end of the world and to me it's the most fun I've had yet. We're putting in the next DVD when there's a loud crash outside and the TV shuts off. Preston goes behind it to see if it's still plugged in.
“I think the generator outside is busted” i say
“It seems that way” Preston replies while backing away from the tv” i'm gonna go check it out”
“Don't worry I got it” I say as I hop out of my chair. Preston waves goodbye as I head up the stairs. I make my way back through the hallway leading to the living room and front door. I reach the door and start to turn the knob. I open the door wide as a car speeds down the street. I step out of the door to see what had happened when I hear the screech of a glanter. It cuts through the sky like an unholy opera singer. A group of them fly by and chase the car as I rush back inside the house. I slam the door shut and look through the window as I see a couple of smaller glanters grab and shake the car violently looking for the driver. They tear at it, ripping off doors and breaking the windows. The driver screams as the seats cover with blood and he's ripped out of the car as multiple smaller glanters tear and bite off parts of his body like piranha's until his body is completely devoured. I run back to the man cave to warn Preston about what had happened. I spot him laying in his chair spinning a DVD disc on his finger.
“It's not safe outside right now”
“Why not?
“There's glanter's outside, they just ate a dude in his car”
“Did they see you come inside?”
“I don't think so , they flew off before I went inside.”
“well we're not dead so I'm gonna say they didn't see you. But let's stay here for a couple more hours just to be safe”
“Sounds good i'm gonna go find the master bedroom.” I start to walk back up the stairs to the house
“ Hold on why do you get the master bedroom” Preston says while walking after me.
“Because I'm gonna find it first” I say as I start to run to find the bedroom. He chases after me in pursuit of the bedroom. Me and Preston run around the house looking for the master bedroom. We look through room after room finding closets, the garage, a bathroom and a door leading to a balcony in the back of the house. I manage to run into the bedroom and yell out to Preston.``Found it!!”
He comes walking into the room breathing heavily from the running. We both check out the room. The walls are painted a cream yellow and the bed takes up most of the room's center. The bed has burgundy sheets poking out from its bottom and a quilt with multi-colored floral designs lay sprawled out on top of it. There's a wardrobe built into the wall and a black leather couch sits comfortably on the left wall.
“Dibs on the bed” I say as I jump on top of it. I stretch out on top of the quilt and search for a comfortable part to sleep in.
“Where am I supposed to sleep then?” Preston complains
“You can sleep on the couch it looks soft enough” I respond while pointing towards the couch “I saw some spare blankets in one of the closets”
“Alright i’ll be right back” he mumbles to himself “why do i always get the couch”
“ I'll be right here if you need me,” i call after him. I sit up on the bed and start to look around the room more. I notice the entrance to the wardrobe is cracked open slightly. I hop out of the bed and grab a flashlight from my bag as I walk into the wardrobe. I turn on my flashlight and stare in awe at how many clothes are in there. The room is only half as big as the bedroom but it's still bigger than any closet I've ever had. The wardrobe is full of shirts, dresses, pants, and shoes for men and women. I immediately start to look through the shoes to see if any fit my size. I throw a pair of black high heels behind me as Preston finds me in the wardrobe. He looks around before asking me.
“What are you doing?”
“Finding a new pair of clothes to wear cause I've been wearing the same pair of jeans for waaaaay too long”
“Fair enough. Is there any guy stuff in there?”
“Yeah right there” I hook my thumb behind me to point to the other end of the closet.
“I'm sure they won't mind if we take a couple of things…they're probably dead by now anyways,” Preston says with a slight grin on his face. The way he said made me spin my head to look at him but he was already on the opposite end of the wardrobe looking at suits.
I shake away the thought and continue looking for any pair of sneakers in my size. 40 minutes pass before I walk out of the wardrobe holding a new pair of jeans and a black guns-N-roses t-shirt. I toss the clothes on top of the bed and check to see if the shower in the bathroom still works. I turn the dial and wait for a moment. The shower head chokes a little before water comes pouring out. I reach my hand under the showerhead to feel the water. The water is cold, it causes my hand to shiver when I take it out. I shake the water off and say to myself.
“Good enough” as I start to take off my old clothes and get in the shower. The cold water bounces off my skin, it sends shivers down my spine but I still get the old dirt from the last few months off of me. I step out and see a couple of dry towels hanging off of the door. I grab one and dry my body off and grab another to wrap around my head and dry my hair. I step out of the bathroom and Preston is still inside the wardrobe. I put on my new clothes while his back is turned and walk over towards him when I'm finished.
“Still haven't found anything,” I ask him
He turns around “Nothing yet, the only thing interesting was this coat.” He holds a leather coat up to me. The coat is made of black leather and has a skull covered with blue flames on the back. There's a black shirt inside the coat with a skeleton hand making a thumbs-up embroidered on the front.
“ That's pretty cool, it's better than what you're wearing right now at least” he's outfitted in a blue hoodie with holes on the chest and tears at the sleeves. He also has a shirt with a faded picture of a blue flower printed on it.
“I guess you're right” he gets up from the floor and exits the wardrobe. He lays the clothes on the couch along next to the blanket and pillow he brought into the room.
“The shower works so you can get yourself clean In there,” I say to him
“You know, a shower sounds really good right now.” He gets up from the floor and grabs a pair of pajama pants that were laying next to him. He leaves the wardrobe and enters the bathroom, closing the door behind him. After a moment the water turns on and I hop on the bed to get ready to sleep. I squirm myself into the quilt and rest my head against one of the pillows. I shut my eyes and fall asleep listening to the passive sound of the shower like rain on a car.
I'm in a void. It feels like I'm standing in a puddle of water that reaches to my knees. I wade my way forward looking around for anything in the darkness. In the distance I can see 3 figures l. I moved closer to them and their silhouettes get clearer. I realize they are my dad and brothers. I start to run towards them kicking up water behind me until something grabs my leg. It pulls down violently forcing me under the water without a breath of air. I kick at the thing grabbing me until something grabs my other leg. I look down and see two glanter's each with a monstrous smile on their faces. They stare back at me and one of them tugs my leg harder than before and tears it off of my body. The water around me turns red as the glanter laugh's. The other smiles wider as it starts to fling me around the water forcing any air left in my lungs to be forced out as I scream in pain. The glanter throws me away and I can see my family slowly fade into the distance as I'm flown away.
I struggle to swim back to where I was, one of my legs is missing and the other is broken. The glanter's find me again and I try to get to the surface to escape them. I'm flapping my arms in any attempt to escape as one of the glanter's flies in front of me and grabs my arm. I look at the monster with tears in my eyes as it bites my arm and tears my body away from it. It flings my body away and with my remaining arm I clutch the wound as the water floods into my body leaving me in the void I started in. I look around and the glanter's seem to have left. I turn behind me and see my family again, this time I'm closer than before.
I grit my teeth and drag my body towards them slowly as I leave a trail of blood and tears behind me. I finally reach my family and grab one of my father's shoes. I stare up and he looks at me. His stare causes me to feel cold as a grotesque smile grows on his face. I stare in shock as my brothers each have the same look as my father.
I shoot up from my sleep panting heavily in a cold sweat.
“It was just a dream..just a dream…just a dream” I look at my hands as tears fall into them. I look around the room and see Preston sleeping peacefully on the couch. The room feels frozen in place as a chill runs down my spine. I get out of the bed and walk out of the bedroom. I make my way through the dark hallway and find the entrance to the balcony I saw earlier. I creak open the screen door and head outside. The Balcony is pretty large, about the size of the kitchen in the house. There are some chairs knocked over next to a table and I pick one up to sit on it. I look out into the expanse of the neighborhood, houses lined up next to each other, dozens broken apart by roads, and dead bodies scattered across the roads.
I look up in the sky and sit back in the chair. The sky looks empty except for the moon giving this world its only source of light. Without the moon, we’d be left in darkness. It hangs in the sky alone, no stars, no clouds, nothing but itself, and the void of the sky. I think back about the dream I had. My dad and my brother's all dead and possessed and then they kill me. I start to tear up thinking about it. I try to wipe away the tears but it’s no use. I'm too scared for my family. I don't know where they are if they're alive if they're worried about me I don't know anything! I start to quietly cry into my hands. I don't know how long I'm sitting there until I feel a hand on my shoulder. I turn my head to face it and I see Preston. He was smiling and looking at me. I turn away to wipe my tears and he walks next to me.
“I heard you sneaking out of the bedroom so I followed you to see where you were going.” he says “but that's not my question.” he pauses and looks at me “my question is what’s got you feeling so down?” he leans over the railing of the balcony
“It's nothing, I just came out here to clear my head.” I say as more tears escape from my eyes in big slow drops that ride down the sides of my face.
“if you don't feel like telling me you don't have to but i'll be here if you ever change your mind”. He looks up at the moon before turning to face me and his smile widens “I'll always be here with you…trust me I'm not going anywhere”
I stare up at him and wipe away my tears as a smile grows on my face to match his. I get up and stare over the balcony with him. “So where are we heading next?” I say to him, Preston pulls the map we got from the man cave downstairs out from his pocket.
“After I got out of the shower I decided to take a look at the map for anything interesting we could see.”
“Ok did you find anything?” i ask
“I did,” he points at a spot on the right of the map. “We should head to the museum”
“I didn't want to go to a museum before the apocalypse why would i want to go now?'' I ask him.
“Well the best part of museums is the cool stuff right”
“Yeah what about it”
“The only problem is that you could only look at the fossils and armor but you could never take them.”
“So you want to rob a museum?” Prestons eyes light up at the question
“Exactly they might have a really cool sword I could use, or I could sharpen a dinosaur tooth and use that as a weapon, there might be a cursed shield that can summon the dead to fight for you. This opportunity is too good to pass up. We need to go!”
“That does seem pretty cool but wouldn't carrying that stuff weigh us down. What if a glanter is chasing us and we can't run fast enough because of the stuff we took from the museum.”
“We’ll only take things that are light. Even then I could just block the glanter with my newly acquired 2000 year old shield.”
“Fair enough we can go in a couple hours” I yawn and stretch out my arms. “Cause I'm feeling way too tired to walk all the way over there right now.”
“Alright i'm heading back to my couch and THEN we’ll head out to the museum” he leaves the balcony and heads back to the master bedroom leaving me alone on the balcony.
“Thanks Preston I'm not leaving either” I say into the sky. I turn around and walk back inside the house, closing the balcony door behind me. I walk back into the bedroom and Preston is hunched over and holding a flashlight looking at the map. He’s drawing lines through roads and marking X’s in different areas.
“What are the X’s for?” i ask him
“They’re places that glanter’s usually stay around. I'm marking them off so we remember not to go through them, or at least be more cautious.”
“Cool. Did you find where we are right now?” He points to an area where the lines all converge out of.
“Right around here is where the neighborhood ends. So if we follow this path we can make it to the museum in one piece” I pat him on the back and take the map from his hands.
“Get some sleep Preston, we have a full day tomorrow” he grins to himself before laying down on the couch. I put the map back into my bag and hop on the bed to get to sleep. I cover my body in the quilt and roll over facing away from Preston as he falls asleep. I nestle myself into the bed and slowly fall asleep to get ready for the next day.
I'm awoken by Preston shaking the bed I'm sleeping on. My eyes open and the room is foggy, I wipe away the sleep from my eyes and focus my attention towards Preston. He's practically jumping out of his skin with excitement, he's already fully dressed for the trip and shaking the bed with a wide smile on his face.
“Ok ok i'm up the air feels heavy as a groggy feeling fills my body. I wipe my eyes and the room starts to clear up. I turn to face Preston. He's still shaking my bed to wake me up, he’s already fully dressed and nearly jumping out of his skin in excitement.
“Ok ok, i'm up you can stop shaking the bed” i say
“Then get up we’ve got a long walk ahead of us” he says as he stops shaking the mattress. He grabs the map from my bag and points to one of the red lines.
“We're gonna follow this way to the museum. We’ll move past the hotel around the ice skating rink and around the park. We’ll mainly stick to walking through the streets, we might have to go rooftop hopping to avoid any glanter’s if we see them but i'm sure we won’t reach that point.” he explains
“Wait, wait, wait, why are avoiding the skating rink and the park” i ask
“ everytime we go near the park there's weird noises and light coming out of it”
“And why can't we go to the ice skating rink?”
“I didn't think it would be important”
“It couldn't hurt to check it out at least”
“Fine we could make a detour”
“Ok and how do you plan on getting on top of roofs?”
“I'm sure we'll figure it out when we get to it”
“Ok man as long as you’re sure '' I yawn and step out of the bed. Preston starts to put the map in his bag. I walk into the bathroom with my clothes and change out of my pajamas. Minutes later I walk out and see Preston sitting on the couch twiddling his thumbs.
“Finally you're out” he smiles at me before handing me my bag and slinging it over his shoulder. We took a last look inside the kitchen to see if we missed anything. Afterwards we leave for the outside. The cold air bites at my face but Preston walks down the stairs, his face buried in the map. I jog to catch up to him as we both head into the street.
“Hey Preston, could I see the map?”
“Sure” he hands over the map and continues walking. I look at the map and the numerous lines drawn on roads. I look at the corner of the map and notice a small map key with numerous symbols for different areas like a library, school, hospital, and more. There's even a way to tell how far away each location is. The text reads “1 inch=5 miles” I quickly count how far we are from the museum.
“Dude this museum is like 100 miles away.”
“Yep it'll be a long walk, it'll take us a while to get there”
“Did you plan on us walking there the whole time?”
“We might find bikes or something.” he pauses “well i did think we would walk the whole way”
“This is gonna take us weeks to get there!”
“Did you have anything else planned?”
“Well…i guess not but we should still try to find some bikes or something”
“Ok if we see any way to travel faster we’ll take it”
“Alright cool” I hand him the map back and he folds it back up and puts it in his bag. We walk further until we leave the gated neighborhood we started in. Preston takes the map back out and looks at it before he turns right and continues walking. I follow him staring forward at the expanse of the road. The outside of the neighborhood is surrounded by roads all leading to different parts of Newkinawa. We walk past a sign that reads “Coretown 20 miles ahead” I nudge Preston towards the sign and he checks the map again.
“Yep, the museum’s in Coretown. Would you believe the residents were pretty proud of it. Should be a fun place to explore” he says
“Yeah but it’ll take us a million years to get there.” i complain
“Lighten up, I'm sure it will be worth it”. We continue walking down the road slowly making our way to Coretown.
submitted by InteractionProud7297 to writers [link] [comments]


2024.05.29 04:15 Tricky-Wealth-3 YA/NA contemporary romance about a teenage girl falling in love and overcoming her trauma

Young Adult/ New Adult Coming of age contemporary romance (fiction) story about a quite, maybe reserved girl falling in love with a really nice guy from school/work/her neighborhood. It's possible he worked at a record store or book store, somewhere he might be the only employee at times. This girl was sexually assaulted and afraid of intimacy; the boy gained her trust throughout the story by simply being a really great human being. That's the main focus I think - her learning that trust and intimacy are possible even after something so horrific. The characters are around 18 because they do have sex (I think closed door) at the end in the boy's room/apartment and I think one, maybe both, of them is a POC. We don't know why she's so wary at first- so I think she comes off as shy in the beginning- and the guy is a "sunshine" character who goes at her pace. Eventually she tells him about what happened and I think that's when the reader learns about it as well.
I read this book in the early 2000s so it might be older than that. I was in 8th grade/ middle school and had to sign the book out from my school library's circulation desk since it contained mature themes. I don't remember what the cover looks like but I always think of balloons or rainbows when I think of the book.
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2024.05.29 04:14 Every_Republic_7428 Am I trans?

I am 15 yrs old and male. I have been only pretty recently questioning if I am trans. I have always been kind of "girly" for a guy, wear nail polish a lot, made friends easier with girls when I was little(I'm introverted and talk to almost nobody outside of school accept a girl I met from hanging out at the library), and have always wondered what it would be like as a girl, or thinking that if I was to be born again I would want to be a girl, and just kind of stuff like that. When I was in elementary and middle school there was a lot of people that I felt might bully me for being "girly" as a boy, but I am now in a very LGBTQ+ friendly school and it has changed how I look at things, making me think about this more, and I have watched some videos on it but I am still unsure because I have taken several online gender dysphoria tests, and all of them all are mild or none. I don't want to ask anybody I know or see if I'm not, so I decided to come here. Can you please tell me your opinions on this?
submitted by Every_Republic_7428 to questioning [link] [comments]


2024.05.29 04:08 Trashpit996 Poop Stories

Poop Stories submitted by Trashpit996 to Stonetossingjuice [link] [comments]


2024.05.29 04:06 XyMa12 [Daddy goes to school] yall think any scanlation group is gonna pick this up again? the raws have 120+ chapters

[Daddy goes to school] yall think any scanlation group is gonna pick this up again? the raws have 120+ chapters submitted by XyMa12 to manhwa [link] [comments]


2024.05.29 04:02 lilpupper26 Searching for titles & episodes…

Hi all! LOVE the podcast but…really wish I wrote down all of my favorites as I love to revisit when possible. I've had terrible luck finding specific episodes and story titles…any help would be MUCH appreciated! Apologies for the shite descriptions… stories are blending together!
Gist of the stories I’m searching for:
-can’t tell if it’s two stories that are Japanese focused or if im mixing….Of a lady at a hospital attacking people followed by a little boy exploring grandmas house and discovering things about her?
-a girl takes care of her grandma but it isn’t actually her grandma it’s a creature??
-vaguely recall a huge…giant?? Or giant baby? Something creepy gosh this probably doesn’t help at all
-library books come to life u believe Peter Pan is one of the characters??
-creature that lives in… I think also a library basement? The girl that works there feeds it and it has babies?
-a story about red necks or country type folk and….I’m not sure..cannibalism? Or satanism? I remember it being funny and ridiculous
-vaguely recall like a senior home but the worker is stuck in a time loop???
-messed up zoo animals?? Because it’s a child playing and controlling real life animals and people??
ALSO, any stories like whitefall would be appreciated too!!!
Thank you in advance!!
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2024.05.29 03:57 spyder-baby I built the entire high school from scratch, inspired by the NSB challenge. The school colors have an overall mint theme and it's fully equipped to teach your sims any skills they choose. The library is fully stocked with all skill books too. There are enough desks for up to 40 students total.

I built the entire high school from scratch, inspired by the NSB challenge. The school colors have an overall mint theme and it's fully equipped to teach your sims any skills they choose. The library is fully stocked with all skill books too. There are enough desks for up to 40 students total. submitted by spyder-baby to Sims4 [link] [comments]


2024.05.29 03:27 V0XIMITY [TOMT] [Book] YA Book about a teen who joins high-ranking MOBA team

I checked this book out from the library a couple years ago, but I can't remember what it's called. Basically, there's a high school student who's a huge gamer and plays a lot of this MOBA (I can't remember what it's called, it's some knockoff of League of Legends). Eventually, they find out about an e-sports competition for this game with a huge cash prize, and they somehow get invited by one of the top teams in this game to play in the tournament. I don't remember much else, but I think it's revealed later in the book that the team's leader is a huge tool.
submitted by V0XIMITY to tipofmytongue [link] [comments]


2024.05.29 03:20 Lopsided-Effort4126 Kids/Preteen Girls Epistolary Book Series

These books are hardcover and they look like a classic black and white notebook featuring a girl on the front usually drawn hanging out of the title inside there were doodles on the pages with the text. These books are fiction featuring a young girl talking about her friend problems, school problems, and parents and just growing up. The key point that could point these books out is her and a friend or best friend used a form of the Caesar Cipher to write each other notes or letters These books aren’t long prob 20-25 pages not a chapter book. When I read this book I was 8/9 in 2007/2008 there were pretty new and you could always find one at your local library or book store. I’m not completely sure but i feel like it was focused for more preteen
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2024.05.29 03:19 Think-Orange3112 Looking for supernatural YA novel

Hey I’m trying to remember a book from my old high schools library. The story revolves around a kid with the power to project images into other people’s head. He goes to a school where his dorm mates all turn out to have powers, I remember one had a hypnotic voice and another had abnormal intelligence. He also has a ghost mentor and the school bully gets turned into a Wendigo
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2024.05.29 03:02 p1umtr33 Y/A fiction novel about flesh-eating moss discovered by young girl

i cannot stop thinking about this book i read in my elementary school library, and as such i know it must be somewhat kid friendly. i remember it was about a young girl who discovers this moss/grass in a forest which eats human flesh (she does not know this upon discovery). the book switches from her pov to the pov of the scientist who develops/studies this moss. the only major scenes i remember from this book is that she touches the moss while in the forest, walks back home, then falls asleep only to wake up in a pile of white flakes (later realized to be her dead skin). and that she was bullied by another character (a young boy). she eventually argues with this character in the woods, the fight ends with her unintentionally throwing the moss in his face (at this point i think she doesn’t know it can eat flesh). this results in his hospitalization as the moss begins to eat his face (i think maybe he gets lost in the woods before being taken to a hospital? not sure). at the end of the book they reconcile in the hospital as she apologizes to him and he laughs and says “i guess now you can really call me buttface” since they needed a skin graft for his face (real clever, i know, i only remember that one line). i know this is super vague but im hoping maybe someone has read this as well and will recognize the story or scenes. i think the cover may have had a scenery of a deep green forest? not sure. it was quite a long book and definitely a hardcover.
submitted by p1umtr33 to whatsthatbook [link] [comments]


2024.05.29 01:48 MirkWorks The Age of the World Picture by Martin Heidegger III

The Age of the World Picture
In metaphysics reflection is accomplished concerning the essence of what is and a decision takes place regarding the essence of truth*1. Metaphysics grounds an age, in that through a specific interpretation of what is and through a specific comprehension of truth it gives to that age the basis upon which it is essentially formed*2. This basis holds complete dominion over all the phenomena that distinguish the age. Conversely, in order that there may be an adequate reflection upon these phenomena themselves, the metaphysical basis for them must let itself be apprehended in them. Reflection is the courage to make the troth of our own presuppositions and the realm of our own goals into the things that most deserve to be called in question Appendix 1).
One of the essential phenomena of the modern age is its science. A phenomenon of no less importance is machine technology. We must not, however, misinterpret that technology as the mere application of modern mathematical physical science to praxis. Machine technology is itself an autonomous transformation of praxis, a type of transformation wherein praxis first demands the employment of mathematical physical science. Machine technology remains up to now the most visible outgrowth of the essence of modern technology, which is identical with the essence of modern metaphysics.
A third equally essential phenomenon of the modern period lies in the event of art's moving into the purview of aesthetics. That means that the art work becomes the object of mere subjective experience, and that consequently art is considered to be an expression of human life*4.
A fourth modern phenomenon manifests itself in the fact that human activity is conceived and consummated as culture. Thus culture is the realization of the highest values, through the nurture and cultivation of the highest goods of man. It lies in the essence of culture, as such nurturing, to nurture itself in its turn and thus to become the politics of culture.
A fifth phenomenon of the modern age is the loss of the gods*5. This expression does not mean the mere doing away with the gods, gross atheism. The loss of the gods is a twofold process. On the one hand, the world picture is Christianized inasmuch as the cause of the world is posited as infinite, unconditional, absolute. On the other hand, Christendom transforms Christian doctrine into a world view (the Christian world view), and in that way makes itself modern and up to date. The loss of the gods is the situation of indecision regarding God and the gods. Christendom has the greatest share in bringing it about. But the loss of the gods is so far from excluding religiosity that rather only through that loss is the relation to the gods changed into mere experience." When this occurs, then the gods have fled. The resultant void is compensated for by means of historiographical and psychological investigation of myth.
What understanding of what is, what interpretation of truth, lies at the foundation of these phenomena?
We shall limit the question to the phenomenon mentioned first, to science [Wissenschaft].
In what does the essence of modern science lie?
What understanding of what is and of truth provides the basis for that essence? If we succeed in reaching the metaphysical ground that provides the foundation for science as a modern phenomenon, then the entire essence of the modern age will have to let itself be apprehended from out of that ground.
When we use the word "science" today, it means something essentially different from the doctrina and scientia of the Middle Ages, and also from the Greek episteme. Greek science was never exact, precisely because, in keeping with its essence, it could not be exact and did not need to be exact. Hence it makes no sense whatever to suppose that modern science is more exact than that of antiquity. Neither can we say that the Galilean doctrine of freely falling bodies is true and that Aristotle's teaching, that light bodies strive upward, is false; for the Greek understanding of the essence of body and place and of the relation between the two rests upon a different interpretation of beings and hence conditions a correspondingly different kind of seeing and questioning of natural events. No one would presume to maintain that Shakespeare's poetry is more advanced than that of Aeschylus. It is still more impossible to say that the modern understanding of whatever is, is more correct than that of the Greeks. Therefore, if we want to grasp the essence of modern science, we must first free ourselves from the habit of comparing the new science with the old solely in terms of degree, from the point of view of progress.
The essence of what we today call science is research. In what does the essence of research consist?
In the fact that knowing [das Erkennen] establishes itself as a procedure within some realm of what is, in nature or in history. Procedure does not mean here merely method or methodology. For every procedure already requires an open sphere in which it moves. And it is precisely the opening up of such a sphere that is the fundamental event in research. This is accomplished through the projection within some realm of what is-in nature, for example-of a fixed ground plan*6 of natural events. The projection sketches out in advance the manner in which the knowing procedure must bind itself and adhere to the sphere opened up. This binding adherence is the rigor of research*7. Through the projecting of the ground plan and the prescribing of rigor, procedure makes secure for itself its sphere of objects within the realm of Being . A look at that earliest science, which is at the same time the normative one in the modern age, namely, mathematical physics, will make clear what we mean. Inasmuch as modern atomic physics still remains physics, what is essential - and only the essential is aimed at here- will hold for it also.
Modern physics is called mathematical because, in a remarkable way, it makes use of a quite specific mathematics. But it can proceed mathematically in this way only because, in a deeper sense, it is already itself mathematical. Ta mathemata means for the Greeks that which man knows in advance in his observation of whatever is and in his intercourse with things ; the corporeality of bodies, the vegetable character of plants, the animality of animals, the humanness of man. Alongside these, belonging also to that which is already-known, i.e., to the mathematical, are numbers. If we come upon three apples on the table, we recognize that there are three of them. But the number three, threeness, we already know. This means that number is something mathematical. Only because numbers represent, as it were, the most striking of always-already-knowns, and thus offer the most familiar instance of the mathematical, is "mathematical" promptly reserved as a name for the numerical. In no way, however, is the essence of the mathematical defined by numberness, Physics is, in general, the knowledge of nature, and, in particular, the knowledge of material corporeality in its motion; for that corporeality manifests itself immediately and universally in everything natural, even if in a variety of ways, If physics takes shape explicitly, then, as something mathematical, this means that, in an especially pronounced way, through it and for it something is stipulated in advance as what is already-known. That stipulating has to do with nothing less than the plan or projection of that which must henceforth, for the knowing of nature that is sought after, be nature: the self-contained system of motion of units of mass related spatiotemporally. Into this ground plan of nature, as supplied in keeping with its prior stipulation, the following definitions among others have been incorporated: Motion means change of place. No motion or direction of motion is superior to any other. Every place is equal to every other. No point in time has preference over any other. Every force is defined according to - i.e., is only - its consequences in motion, and that means in magnitude of change of place in the unity of time. Every event must be seen so as to be fitted into this ground plan of nature. Only within the perspective of this ground plan does an event in nature become visible as such an event. This projected plan of nature finds its guarantee in the fact that physical research, in every one of its questioning steps, is bound in advance to adhere to it. This binding adherence, the rigor of research, has its own character at any given time in keeping with the projected plan. The rigor of mathematical physical science is exactitude. Here all events, if they are to enter at all into representation as events of nature, must be defined beforehand as spatiotemporal magnitudes of motion. Such defining is accomplished through measuring, with the help of number and calculation. But mathematical research into nature is not exact because it calculates with precision; rather it must calculate in this way because its adherence to its object-sphere has the character of exactitude. The humanistic sciences, in contrast, indeed all the sciences concerned with life, must necessarily be inexact just in order to remain rigorous. A living thing can indeed also be grasped as spatiotemporal magnitude of motion, but then it is no longer apprehended as living. The inexactitude of the historical humanistic sciences is not a deficiency, but is only the fulfillment of a demand essential to this type of research. It is true, also, that the projecting and securing of the object-sphere of the historical sciences is not only of another kind, but is much more difficult of execution than is the achieving of rigor in the exact sciences.
Science becomes research through the projected plan and through the securing of that plan in the rigor of procedure. Projection and rigor, however, first develop into what they are in methodology. The latter constitutes the second essential characteristic of research. If the sphere that is projected is to become objective, then it is a matter of bringing it to encounter us in the complete diversity of its levels and interweavings. Therefore procedure must be free to view the changeableness in whatever encounters it. Only within the horizon of the incessant-otherness of change does the plenitude of particularity - of facts - show itself. -But the facts must become objective [gegenstiindlich]. Hence procedure must represent [vorstellen] the changeable in its changing, must bring it to a stand and let the motion be a motion nevertheless. The fixedness of facts and the constantness of their change as such is "rule." The constancy of change in the necessity of its course is "law." It is only within the purview of rule and law that facts become clear as the facts that they are. Research into facts in the realm of nature is intrinsically the establishing and verifying of rule and law. Methodology, through which a sphere of objects comes into representation, has the character of clarifying on the basis of what is clear - of explanation. Explanation is always twofold. It accounts for an unknown by means of a known, and at the same time it verifies that known by means of that unknown. Explanation takes place in investigation. In the physical sciences investigation takes place by means of experiment, always according to the kind of field of investigation and according to the type of explanation aimed at. But physical science does not first become research through experiment; rather, on the contrary, experiment first becomes possible where and only where the knowledge of nature has been transformed into research. Only because modern physics is a physics that is essentially mathematical can it be experimental. Because neither medieval doctrina nor Greek episteme is science in the sense of research, for these it is never a question of experiment. To be sure, it was Aristotle who first understood what empeiria (experientia) means; the observation of things themselves, their qualities and modifications under changing conditions, and consequently the knowledge of the way in which things as a rule behave. But an observation that aims at such knowledge, the experimentum, remains essentially different from the observation that belongs to science as research, from the research experiment; it remains essentially different even when ancient and medieval observation also works with number and measure, and even when that observation makes use of specific apparatus and instruments. For in all this, that which is decisive about the experiment is completely missing. Experiment begins with the laying down of a law as a basis. To set up an experiment means to represent or conceive [vorstellen] the conditions under which a specific series of motions can be made susceptible of being followed in its necessary progression, i.e., of being controlled in advance by calculation. But the establishing of a law is accomplished with reference to the ground plan of the object-sphere. That ground plan furnishes a criterion and constrains the anticipatory representing of the conditions. Such representing in and through which the experiment begins is no random imagining. that is why Newton said, hypothesis non fingo, “the bases that are laid down are not arbitrarily invented.” They are developed out of the ground plan of nature and are sketched into it. Experiment is that methodology which, in its planning and execution, is supported and guided on the basis of the fundamental law laid down, in order to adduce the facts that either verify and confirm the law or deny it confirmation. The more exactly the ground plan of nature is projected, the more exact becomes the possibility of experiment. Hence the much cited medieval Schoolman Roger Bacon can never be the forerunner of the modern experimental research scientist; rather he remains merely a successor of Aristotle. For in the meantime, the real locus of truth has been transferred by Christendom to faith - to the infallibility of the written word and to the doctrine of the Church. The highest knowledge and teaching is theology as the interpretation of the divine word of revelation, which is set down in Scripture and proclaimed by the Church. Here, to know is not to search out; rather it is to understand rightly the authoritative Word and the authorities proclaiming it. Therefore, the discussion of the words and doctrinal opinions of the various authorities take precedence in the acquiring of knowledge in the Middle Ages. The componere scripta et sermones, the argumentum ex verbo, is decisive and at the same time is the reason why the accepted Platonic and Aristotelian philosophy that had been taken over had to be transformed into scholastic dialectic. If, now, Roger Bacon demands the experimentum - and he does demand it - he does not mean the experiment of science as research; rather he wants the argumentum ex re instead of the argumentum ex verbo, the careful observing of things themselves, i.e., Aristotelian empeiria, instead of the discussion of doctrines.
The modern research experiment, however, is not only an observation more precise in degree and scope, but is a methodology essentially different in kind, related to the verification of law in the framework, and at the service, of an exact plan of nature. Source criticism in the historical humanistic sciences corresponds to experiment in physical research. Here the name “source criticism” designates the whole gamut of the discovery, examination, verification, evaluation, preservation, and interpretation of sources. Historiographical explanation, which is based on source criticism, does not, it is true, trace facts back to laws and rules. But neither does it confine itself to the mere reporting of facts. In the historical sciences, just as in the natural sciences, the methodology aims at representing what is fixed and stable and at making history an object. History can become objective openly when it is past. What is stable in what is past, that on the basis of which historiographical explanation reckons up the solitary and the diverse in history, is the always-has-been-once-already, the comparable. Through the constant comparing of everything with everything, what is intelligible is found by calculation and is certified and established as the ground plan of history. The sphere of histriographical research extends only so far as historiographical explanation reaches. The unique, the rare, the simple - in short, the great - in history is never self-evident and hence remains inexplicable. It is not that historical research denies what is great in history; rather it explains it as the exception. In this explaining, the great is measured against the ordinary and the average. And there is no other historiographical explanation so long as explaining means reduction to what is intelligible and so long as historiographical explanation so long as explaining means reduction to what is intelligible and so long as historiography remains research, i.e., an explaining. Because historiography as research projects and objectifies the past in the sense of an explicable and surveyable nexus of actions and consequences, it requires source criticism as its instrument of objectification. The standards of this criticism alter to the degree that historiography approaches journalism.
Every science is, as research, grounded upon the projection of a circumscribed object-sphere and is therefore necessarily a science of individualized character. Every individualized science must, moreover, in the development of its projected plan by means of its methodology, particularize itself into specific fields of investigation. This particularizing (specialization) is, however, by no means simply an irksome concomitant of the increasing unsurveyability of the results of research. It is not a necessary evil, but is rather an essential necessity of science as research. Specialization is not the consequence but the foundation of the progress of all research. Research does not, through its methodology, become dispersed into random investigations, so as to lose itself in them; for modern science is determined by a third fundamental event: ongoing activity (Appendix 2).*10
By this is to be understood first of all the phenomenon that a science today, whether physical or humanistic, attains to the respect due a science only when it has become capable of being institutionalized. However, research is not ongoing activity because its work is accomplished in institutions, but rather institutions are necessary because science, intrinsically as research, has the character of ongoing activity. The methodology through which individual object-spheres are conquered does not simply amass results. Rather, with the help of its results it adapts [richtet sich ... ein] itself for a new procedure. Within the complex of machinery that is necessary to physics in order to carry out the smashing of the atom lies hidden the whole of physics up to now. Correspondingly, in historiographical research, funds of source materials become usable for explanation only if those sources are themselves guaranteed on the basis of historiographical explanation. In the course of these processes, the methodology of the science becomes circumscribed by means of its results. More and more the methodology adapts itself to the possibilities of procedure opened up through itself. This having-to-adapt-itself to its own results as the ways and means of an advancing methodology is the essence of research's character as ongoing activity. And it is that character that is the intrinsic basis for the necessity of the institutional nature of research. In ongoing activity the plan of an object-sphere is, for the first time, built into whatever is. All adjustments that facilitate a plannable conjoining of types of methodology, that further the reciprocal checking and communication of results, and that regulate the exchange of talents are measures that are by no means only the external consequences of the fact that research work is expanding and proliferating. Rather, research work becomes the distant sign, still far from being understood, that modern science is beginning to enter upon the decisive phase of its history. Only now is it beginning to take possession of its own complete essence.
What is taking place in this extending and consolidating of the institutional character of the sciences? Nothing less than the making secure of the precedence of methodology over whatever is (nature and history), which at any given time becomes objective in research. On the foundation of their character as ongoing activity, the sciences are creating for themselves the solidarity and unity appropriate to them. Therefore historiographical or archeological research that is carried forward in an institutionalized way is essentially closer to research in physics that is similarly organized than it is to a discipline belonging to its own faculty in the humanistic sciences that still remains mired in mere erudition. Hence the decisive development of the modern character of science as ongoing activity also forms men of a different stamp. The scholar disappears. He is succeeded by the research man who is engaged in research projects. These, rather than the cultivating of erudition, lend to his work its atmosphere of incisiveness. The research man no longer needs a library at home. Moreover, he is constantly on the move. He negotiates at meetings and collects information at congresses. He contracts for commissions with publishers. The latter now determines along with him which books must be written (Appendix 3).
The research worker necessarily presses forward of himself into the sphere characteristic of the technologist in the essential sense. Only in this way is he capable of acting effectively, and only thus, after the manner of his age, is he real. Alongside him, the increasingly thin and empty Romanticism of scholarship and the university will still be able to persist for some time in a few places. However, the effective unity characteristic of the university, and hence the latter's reality, does not lie in some intellectual power belonging to an original unification of the sciences and emanating from the university because nourished by it and preserved in it. The university is real as an orderly establishment that, in a form still unique because it is administratively self-contained, makes possible and visible the striving apart of the sciences into the particularization and peculiar unity that belong to ongoing activity. Because the forces intrinsic to the essence of modern science come immediately and unequivocally to effective working in ongoing activity, therefore, also, it is only the spontaneous ongoing activities of research that can sketch out and establish the internal unity with other like activities that is commensurate with themselves.
The real system of science consists in a solidarity of procedure and attitude with respect to the objectification of whatever is - a solidarity that is brought about appropriately at any given time on the basis of planning. The excellence demanded of this system is not some contrived and rigid unity of the relationships among object-spheres, having to do with content, but is rather the greatest possible free, though regulated, flexibility in the shifting about and introducing of research apropos of the leading tasks at any given time. The more exclusively science individualizes itself with a view to the total carrying on and mastering of its work process, and the more realistically these ongoing activities are shifted into separate research institutes and professional schools, the more irresistibly do the sciences achieve the consummation of their modern essence. But the more unconditionally science and the man of research take seriously the modern form of their essence, the more unequivocally and the more immediately will they be able to offer themselves for the common good, and the more unreservedly too will they have to return to the public anonymity of all work useful to society.
Modern science simultaneously establishes itself and differentiates itself in its projections of specific object-spheres. These projection-plans are developed by means of a corresponding methodology, which is made secure through rigor. Methodology adapts and establishes itself at any given time in ongoing activity. Projection and rigor, methodology and ongoing activity, mutually requiring one another, constitute the essence of modern science, transform science into research.
We are reflecting on the essence of modern science in order that we may apprehend in it its metaphysical ground What understanding of what is and what concept of truth provide the basis for the fact that science is being transformed into research?
Knowing, as research, calls whatever is to account with regard to the way in which and the extent to which it lets itself be put at the disposal of representation. Research has disposal over anything that is when it can either calculate it in its future course in advance or verify a calculation about it as past. Nature, in being calculated in advance, and history, in being historiographically verified as past, become, as it were, "set in place" [gestellt]. Nature and history become the objects of a representing that explains. Such representing counts on nature and takes account of history. Only that which becomes object in this way is - is considered to be in being. We first arrive at science as research when the Being of whatever is, is sought in such objectiveness.
This objectifying of whatever is, is accomplished in a setting-before, a representing, that aims at bringing each particular being before it in such a way that man who calculates can be sure, and that means be certain, of that being. We first arrive at science as research when and only when truth has been transformed into the certainty of representation. What it is to be is for the first time defined as the objectiveness of representing, and truth is first defined as the certainty of representing, in the metaphysics of Descartes. The title of Descartes's principal work reads: Meditationes de prima philosophia [Meditations on First Philosophy]. Prote philosophia is the designation coined by Aristotle for what is later called metaphysics. The whole of modern metaphysics taken together, Nietzsche included, maintains itself within the interpretation of what it is to be and of truth that was prepared by Descartes (Appendix 4).
Now if science as research is an essential phenomenon of the modern age, it must be that that which constitutes the metaphysical ground of research determines first and long beforehand the essence of that age generally. The essence of the modern age can be seen in the fact that man frees himself from the bonds of the Middle Ages in freeing himself to himself. But this correct characterization remains, nevertheless, superficial. It leads to those errors that prevent us from comprehending the essential foundation of the modern age and, from there, judging the scope of the age's essence. Certainly the modern age has, as a consequence of the liberation of man, introduced subjectivism and individualism. But it remains just as certain that no age before this one has produced a comparable objectivism and that in no age before this has the non-individual, in the form of the collective, come to acceptance as having worth. Essential here is the necessary interplay between subjectivism and objectivism. It is precisely this reciprocal conditioning of one by the other that points back to events more profound.
[*1. "Reflection" translates Besinnung. On the meaning of the latter, see SR 155 n. 1. "'Essence" will be the translation of the noun Wesen in most instances of its occurrence in this essay. Occasionally the translation "coming to presence" will be used. Wesen must always be understood to allude, for Heidegger, not to any mere "whatness," but to the manner in which anything, as what it is, takes its course and "holds sway" in its ongoing presence, i.e., the manner in which it endures in its presencing. See QT 30, 3 n. 1. "What is" renders the present participle seiend used as a noun, das Seiende. On the translation of the latter, see T 40 n. 6.
*2. der Grund seines Wesensgestalt. Heidegger exemplifies the statement that he makes here in his discussion of the metaphysics of Descartes as providing the necessary interpretive ground for the manner in which, in the subjectness of man as self-conscious subject, Being and all that is and man - in their immediate and indissoluble relation - come to presence in the modern age. See Appendix 9, pp. 150 ff.
*4. Erlebnis, translated here as "subjective experience" and later as "life-experience," is a term much used by life philosophers such as Dilthey and generally connotes adventure and event. It is employed somewhat pejoratively here. The term Erfahrung, which is regularly translated in this volume as "experience," connotes discovery and learning, and also suffering and undergoing. Here and subsequently (i.e., "mere religious experience"), "mere" is inserted to maintain the distinction between Erlebnis and Erfahrung.
*5. Entgotterung, here inadequately rendered as "loss of the gods," actually means something more like "degodization".
*6. Grundriss. The verb reissen means to tear, to rend, to sketch, to design, and the noun Riss means tear, gap, outline. Hence the noun Grundiss, first sketch, ground plan, design, connotes a fundamental sketching out that is an opening up as well.
*7. "Binding adherence" here translates the noun Bindung. The noun could also be rendered "obligation." It could thus be said that rigor is the obligation to remain within the realm opened up.
*10. “Ongoing activity” is the rendering of Betrieb, which is difficult to translate adequately. It means the act of driving on, or industry, activity, as well as undertaking, pursuit, business. It can also mean management, or workshop or factory.]
To be continued...
submitted by MirkWorks to u/MirkWorks [link] [comments]


2024.05.29 01:41 KingreX32 Dundalk and Priton SCC Open House (Wednesday May 29th 2024)

Dundalk and Priton SCC Open House (Wednesday May 29th 2024) submitted by KingreX32 to SouthgateOntario [link] [comments]


2024.05.29 01:22 Edenfast Fort Collins pro and con master list

Hello, alllllll, I am moving from Fort Collins after living here for four years and going to school here. I decided to make a Fort Collins pro and con master list. Typing this up I realized how extremely subjective it is, so I don't know if people will find any value out of it. However, if people are searching the sub, thinking about moving here, and have similar demographics to me (22F, Lesbian) they might find it interesting. Comment if you think anything is a hot take, or what pros and cons I missed. Please be civil and don't start too many arguments etc.
There is a TL;DR at the bottom.
Pros:
The people: Met creative, wonderful, wacky folks here. A whole slew of queer granola girls, and some very creative DIY people.
Quiet and peaceful in the summers
Gorgeous parks
Access to nature
Mid-range gas prices
Old-Town is effing gorg
Supportive economy: Thrift stores, FOCO Cafe, and food pantries
Queer friendly
Meet and befriend other quirky girls (and boys and thems)
Poets!
So much stuff to do! Hiking, skating, the lyric, Gulo Gulo, cafe scene, and river life
Chill drug culture
Good libraries, green culture (zero-waste initiatives, renewable energy, bikeable, (kind-of) walkable)
Good, down to earth, city government
I have no idea who the mayor is
Somewhat purple politics
Local farm produce, farmers markets (though usually unaffordable)
Really good down-to-earth spiritual community (Buddhist groups, chill christian churches, non-denominational places.
Small town, most people know most people
Job market is preeeeeeesent I guess. Service work and other shit are available here.
Cons:
People: met some callused/rude, confused, and emotionally shut-off people. People in general trend towards older, somewhat white, middle to upper-middle class.
Can be a little hardened or older and apathetic to young people's problems.
Have to effin drive everywhere (if you don't have a really good bike)
Terrible gas mileage in town
Mediocre public transit
Old town is unaffordable
Some of the food pantries or thrift stores are still inaccessible without a car etc.
Local produce isn't super affordable Small-town, can be hard to get out of some bad crowds.
Somewhat slow/small queer scene. Everyone REALLY knows everyone.
Some trouble making (esp. trans) friends
Can sometimes feel isolated doing fave things. Hiking, skating, etc. are very male dominated.
Drinking is considered the norm
Can feel lonely/isolating as a young single person
Somewhat nuclear community (although I've met a few other poly people)
Kinda white
Parking/tickets/car bs can be a nightmare
My bike keeps getting effing stolen
People complain about everything, lol.
I have no effing idea who the mayor is
Meet the occasional jerk.
Food infrastructure (food goes bad on shelves here sometimes)
Big-ag and oil kinda run the economy around us
Poudre canyon sometimes dries the f up/catches on fire (although that is our fault)
So much to do yet culture here still feels slow.
very suburban.
kinda hard to find a job outside of tech etc.
TL,DR: Really cool, supportive, and green place. Down to earth and DIY community. Probably great if you are in a serious relationship/have a family. Is a little isolating as a young single person who is part of the queer community.
submitted by Edenfast to FortCollins [link] [comments]


2024.05.29 00:46 katennet [TOMT] (fantasy book) elementary school reading level fantasy book series with a fox on one of the covers

i read this book series in my elementary school library. i think i read it in 3rd or 4th grade but am not completely sure. there are at least 3 books in the series and none of them are very long. it's a fantasy series and the main thing i remember is the covers. they were dark colors like blue or green with borders along the edge, a painted or drawn image in the middle with the title towards the bottom. i think the main character was a girl thrust into this a situation where she wasn't prepared to be a hero. i remember an elf village. the fox was somewhat important at least in the first book and i know it's on one of the covers. i wish i remembered more but this has been bothering me for 10 years. if anyone has any ideas i would very much appreciate it!
submitted by katennet to tipofmytongue [link] [comments]


2024.05.29 00:30 EnvironmentalAsk4110 I stained the school couch

OMG I JUST WENT THROUGH THE MOST EMBARASSING MOMENT IN MY LIFE>
So I was in our school library cause I had a spare. Things were going well UNTIL I felt some leaking down "there". I was already PMsing this week, and me period is usually irregular so I didn't think much of it. Keep in mind it's spring right now so I was wearing a dress, not just any dress, A WHITE DRESS.
Our school library has couches for us to sit on, which happened to be where I was sitting. It was too late when I realized the red-warm liquid fluid flowing out of me, and onto the couch. I legit jumped from my seat, and saw that HUGE ASS STAIN ON THE COUCH. I knew my skirt was stained but wtf was I supposed to do in that situation??
Now people started looking at me, they were straight up STARING at me. Instead of calling the librarian, I decided to run away from the scene to the washroom. I had no pads on me, nor did I have an extra change of clothes. I had to call my friend to help buy some random ass clothes nearby for me to change. When I finished changing, the hall monitor was in the washroom waiting for me. Apparently someone from the library told the hall monitor about what happened, and told them I ran into the washroom.
I got brought out to the hallways where the hall monitor decided to ask me about that bloody scene I left behind. People were leaving their classes to go to their next class, so some people overheard our conversation. I know for sure our whole school knows about it, even our teachers. Every time people pass by me, they give me the "so you're the girl that bled in her pants" look.
I don't know what to do anymore. It's my last year in high school, but I don't wanna people to remember me this way. What should I do?
submitted by EnvironmentalAsk4110 to OntarioGrade12s [link] [comments]


2024.05.29 00:23 EnvironmentalAsk4110 Period Blood on the schools chair

OMG I JUST WENT THROUGH THE MOST EMBARASSING MOMENT IN MY LIFE>
So I was in our school library cause I had a spare. Things were going well UNTIL I felt some leaking down "there". I was already PMsing this week, and me period is usually irregular so I didn't think much of it. Keep in mind it's spring right now so I was wearing a dress, not just any dress, A WHITE DRESS.
Our school library has couches for us to sit on, which happened to be where I was sitting. It was too late when I realized the red-warm liquid fluid flowing out of me, and onto the couch. I legit jumped from my seat, and saw that HUGE ASS STAIN ON THE COUCH. I knew my skirt was stained but wtf was I supposed to do in that situation??
Now people started looking at me, they were straight up STARING at me. Instead of calling the librarian, I decided to run away from the scene to the washroom. I had no pads on me, nor did I have an extra change of clothes. I had to call my friend to help buy some random ass clothes nearby for me to change. When I finished changing, the hall monitor was in the washroom waiting for me. Apparently someone from the library told the hall monitor about what happened, and told them I ran into the washroom.
I got brought out to the hallways where the hall monitor decided to ask me about that bloody scene I left behind. People were leaving their classes to go to their next class, so some people overheard our conversation. I know for sure our whole school knows about it, even our teachers. Every time people pass by me, they give me the "so you're the girl that bled in her pants" look.
I don't know what to do anymore. It's my last year in high school, but I don't wanna people to remember me this way. What should I do?
submitted by EnvironmentalAsk4110 to OntarioGrade12s [link] [comments]


2024.05.29 00:05 island789 Do any states hire teachers with higher ed degrees that did not major in Art to be art teachers at public schools?

I know several people who were hired to work as library media specialists without having library certificates at public schools. This pestered some school librarians who worked hard to complete library degrees at these districts but the admin were fine with their decision. Does this sort of thing happen with Art as well? If yes, which specific states does this tend to happen in?
submitted by island789 to ArtEd [link] [comments]


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