2024.05.18 14:47 molten07 Help With This Crash Please! "Unhandled exception "EXCEPTION_ACCESS_VIOLATION" at 0x000000000000"
\[Compatibility\] F4EE: false \[Crashlog\] AutoOpen: true PromptUpload: true \[Fixes\] ActorIsHostileToActor: true CellInit: true CreateD3DAndSwapChain: true EncounterZoneReset: true GreyMovies: true MagicEffectApplyEvent: true MovementPlanner: true PackageAllocateLocation: true SafeExit: true TESObjectREFRGetEncounterZone: true UnalignedLoad: true UtilityShader: true \[Patches\] Achievements: true ArchiveLimit: false BSMTAManager: true BSPreCulledObjects: true BSTextureStreamerLocalHeap: false HavokMemorySystem: true INISettingCollection: true InputSwitch: false MaxStdIO: -1 MemoryManager: true MemoryManagerDebug: false ScaleformAllocator: true SmallBlockAllocator: true WorkshopMenu: true \[Warnings\] CreateTexture2D: true ImageSpaceAdapter: trueSYSTEM SPECS:
OS: Microsoft Windows 10 Home v10.0.19045 CPU: GenuineIntel 11th Gen Intel(R) Core(TM) i7-11800H @ 2.30GHz GPU #1: Nvidia GA106M \[GeForce RTX 3060 Mobile / Max-Q\] GPU #2: Intel TigerLake-H GT1 \[UHD Graphics\] GPU #3: Microsoft Basic Render Driver PHYSICAL MEMORY: 11.39 GB/15.75 GBPROBABLE CALL STACK:
\[0\] 0x7FFC405E5CE2 Buffout4.dll+0085CE2 \[1\] 0x7FFC405D9E7F Buffout4.dll+0079E7F \[2\] 0x7FFC405E34F5 Buffout4.dll+00834F5 \[3\] 0x7FFCAD8BD827 KERNELBASE.dll+012D827 \[4\] 0x7FFCAFE75570 ntdll.dll+00A5570 \[5\] 0x7FFCAFE5CA06 ntdll.dll+008CA06 \[6\] 0x7FFCAFE7247F ntdll.dll+00A247F \[7\] 0x7FFCAFE214B4 ntdll.dll+00514B4 \[8\] 0x7FFCAFE70F8E ntdll.dll+00A0F8EREGISTERS:
RAX 0x1C433721280 (void\*) RCX 0x1C433723E40 (void\*) RDX 0x0 (size\_t) RBX 0x1C50B3D6780 (BSFadeNode\*) Name: "Phone01Residential" RSP 0x8C7CDCF458 (void\*) RBP 0x8C7CDCF620 (void\*) RSI 0xD0 (size\_t) RDI 0x1C50B3D6780 (BSFadeNode\*) Name: "Phone01Residential" R8 0x1 (size\_t) R9 0x20 (size\_t) R10 0x8C7CDCF240 (BSTArrayAllocatorFunctorSTACK:\*) R11 0x8C7CDCF3F0 (void\*) R12 0x1 (size\_t) R13 0x1C37452CAE0 (void\*) R14 0x4F (size\_t) R15 0x69 (size\_t)
\[RSP+0 \] 0x7FF7F64F9277 (void\* -> Fallout4.exe+1B99277) \[RSP+8 \] 0x1C4E5047900 (BSFadeNode\*) Name: "PlasticBin" \[RSP+10 \] 0x1C400000002 (void\*) \[RSP+18 \] 0x1C47FFFFFFF (size\_t) \[RSP+20 \] 0x1C4E5078EA8 (void\*) \[RSP+28 \] 0x69 (size\_t) \[RSP+30 \] 0x0 (size\_t) \[RSP+38 \] 0x8C7CDCF620 (void\*) \[RSP+40 \] 0x7FF7F7131AC5 (void\* -> Fallout4.exe+27D1AC5) \[RSP+48 \] 0x8C7CDCF620 (void\*) \[RSP+50 \] 0xD0 (size\_t) \[RSP+58 \] 0x1C50B3D6780 (BSFadeNode\*) Name: "Phone01Residential" \[RSP+60 \] 0x1 (size\_t) \[RSP+68 \] 0x1C50B3D6780 (BSFadeNode\*) Name: "Phone01Residential" \[RSP+70 \] 0x7FF7F64F9362 (void\* -> Fallout4.exe+1B99362) \[RSP+78 \] 0x1C546C63880 (NiNode\*) Name: "" \[RSP+80 \] 0x0 (size\_t) \[RSP+88 \] 0x1C51EEFF4C0 (NiNode\*) Name: "" \[RSP+90 \] 0x0 (size\_t) \[RSP+98 \] 0xA (size\_t) \[RSP+A0 \] 0x1 (size\_t) \[RSP+A8 \] 0x1C4DDCAA080 (BSMultiBoundNode\*) Name: "" \[RSP+B0 \] 0x7FF7F64F9362 (void\* -> Fallout4.exe+1B99362) \[RSP+B8 \] 0x8C7CDCF620 (void\*) \[RSP+C0 \] 0x48 (size\_t) \[RSP+C8 \] 0x1C546C63880 (NiNode\*) Name: "" \[RSP+D0 \] 0x0 (size\_t) \[RSP+D8 \] 0x0 (size\_t) \[RSP+E0 \] 0x7FF7FA3CBDC0 (JobListManager::ServingThread\*) \[RSP+E8 \] 0x1C4DDCAA080 (BSMultiBoundNode\*) Name: "" \[RSP+F0 \] 0x7FF7F6638C58 (void\* -> Fallout4.exe+1CD8C58) \[RSP+F8 \] 0x9C0 (size\_t) \[RSP+100\] 0x0 (size\_t) \[RSP+108\] 0x8C7CDCF620 (void\*) \[RSP+110\] 0x0 (size\_t) \[RSP+118\] 0x3F800000 (size\_t) \[RSP+120\] 0x0 (size\_t) \[RSP+128\] 0x3F80000000000000 (size\_t) \[RSP+130\] 0x0 (size\_t) \[RSP+138\] 0x0 (size\_t) \[RSP+140\] 0x3F800000 (size\_t) \[RSP+148\] 0x0 (size\_t) \[RSP+150\] 0x3F80000000000000 (size\_t) \[RSP+158\] 0x0 (size\_t) \[RSP+160\] 0x0 (size\_t) \[RSP+168\] 0x1C4DDCAA080 (BSMultiBoundNode\*) Name: "" \[RSP+170\] 0x7FF7F6503C05 (void\* -> Fallout4.exe+1BA3C05) \[RSP+178\] 0x1C4DDC9A200 (TESObjectCELL\*) File: "Unofficial Fallout 4 Patch.esp" Flags: 0x00040009 Form ID: 0x03000CD5 Form Type: 63 Full Name: "" \[RSP+180\] 0x8C7CDCF620 (void\*) \[RSP+188\] 0x1C4DDC9A200 (TESObjectCELL\*) File: "Unofficial Fallout 4 Patch.esp" Flags: 0x00040009 Form ID: 0x03000CD5 Form Type: 63 Full Name: "" \[RSP+190\] 0x9C0 (size\_t) \[RSP+198\] 0x2 (size\_t) \[RSP+1A0\] 0x7FF7F4D19A60 (void\* -> Fallout4.exe+03B9A60) \[RSP+1A8\] 0x1C4DDCAA080 (BSMultiBoundNode\*) Name: "" \[RSP+1B0\] 0x1C546BC6180 (AddCellGrassTask\*) \[RSP+1B8\] 0x2 (size\_t) \[RSP+1C0\] 0x1C37452CAE0 (void\*) \[RSP+1C8\] 0x1C400000000 (void\*) \[RSP+1D0\] 0x0 (size\_t) \[RSP+1D8\] 0x80000 (size\_t) \[RSP+1E0\] 0x7FF700000001 (size\_t) \[RSP+1E8\] 0x0 (size\_t) \[RSP+1F0\] 0x0 (size\_t) \[RSP+1F8\] 0x1C3C9E061D0 (GridCellArray\*) \[RSP+200\] 0x0 (size\_t) \[RSP+208\] 0x0 (size\_t) \[RSP+210\] 0x7FF7F4B33A98 (void\* -> Fallout4.exe+01D3A98) \[RSP+218\] 0x1C4DDC9A200 (TESObjectCELL\*) File: "Unofficial Fallout 4 Patch.esp" Flags: 0x00040009 Form ID: 0x03000CD5 Form Type: 63 Full Name: "" \[RSP+220\] 0x1C4DE672401 (void\*) \[RSP+228\] 0x0 (size\_t) \[RSP+230\] 0x7FF7FA3CBDC0 (JobListManager::ServingThread\*) \[RSP+238\] 0x7FF7FA3CBDC0 (JobListManager::ServingThread\*) \[RSP+240\] 0x1C348BF17A0 (void\*) \[RSP+248\] 0x1C3C9DB3EC0 (TES\*) \[RSP+250\] 0x7FF7F4A55DA8 (void\* -> Fallout4.exe+00F5DA8) \[RSP+258\] 0x1C3C9DB3EC0 (TES\*) \[RSP+260\] 0x1C348CB4450 (void\*) \[RSP+268\] 0x1C35C612800 (SceneGraph\*) Name: "WorldRoot Node" \[RSP+270\] 0x7FFCAD7FF55B (void\* -> KERNELBASE.dll+006F55B) \[RSP+278\] 0x0 (size\_t) \[RSP+280\] 0x7FF7FA3CBDC0 (JobListManager::ServingThread\*) \[RSP+288\] 0x0 (size\_t) \[RSP+290\] 0x7FF7FA3CBDC0 (JobListManager::ServingThread\*) \[RSP+298\] 0x0 (size\_t) \[RSP+2A0\] 0x7FFCAD7B1C4E (void\* -> KERNELBASE.dll+0021C4E) \[RSP+2A8\] 0x6 (size\_t) \[RSP+2B0\] 0x1C35C61DC20 (void\*) \[RSP+2B8\] 0x1C4DE81A100 (TESObjectCELL\*) File: "BusMod.esl" Flags: 0x0004000B Form ID: 0x03000D0B Form Type: 63 Full Name: "" \[RSP+2C0\] 0x7FF7F569C080 (void\* -> Fallout4.exe+0D3C080) \[RSP+2C8\] 0x1C300000000 (void\*) \[RSP+2D0\] 0x0 (size\_t) \[RSP+2D8\] 0x48 (size\_t) \[RSP+2E0\] 0x1 (size\_t) \[RSP+2E8\] 0x0 (size\_t) \[RSP+2F0\] 0x0 (size\_t) \[RSP+2F8\] 0x46BF538AC5BF7210 (size\_t) \[RSP+300\] 0x446C5474 (size\_t) \[RSP+308\] 0x0 (size\_t) \[RSP+310\] 0x7FF7F561E5B0 (void\* -> Fallout4.exe+0CBE5B0) \[RSP+318\] 0x1C348CB4448 (void\*) \[RSP+320\] 0x0 (size\_t) \[RSP+328\] 0x7FF7FA3CBDC0 (JobListManager::ServingThread\*) \[RSP+330\] 0x1C348BF17A0 (void\*) \[RSP+338\] 0x0 (size\_t) \[RSP+340\] 0x7FF7F561D20D (void\* -> Fallout4.exe+0CBD20D) \[RSP+348\] 0x1C348CB4448 (void\*) \[RSP+350\] 0x1C348CB4450 (void\*) \[RSP+358\] 0x0 (size\_t) \[RSP+360\] 0x4F18 (size\_t) \[RSP+368\] 0x0 (size\_t) \[RSP+370\] 0x0 (size\_t) \[RSP+378\] 0x7FF7FA3CBDC0 (JobListManager::ServingThread\*) \[RSP+380\] 0x7FF7F56207A7 (void\* -> Fallout4.exe+0CC07A7) \[RSP+388\] 0x1C348CB4400 (void\*) \[RSP+390\] 0x1C348CB4450 (void\*) \[RSP+398\] 0x0 (size\_t) \[RSP+3A0\] 0x0 (size\_t) \[RSP+3A8\] 0x7FF7FA3CBDC0 (JobListManager::ServingThread\*) \[RSP+3B0\] 0x7FF7F647CFED (void\* -> Fallout4.exe+1B1CFED) \[RSP+3B8\] 0x4F48 (size\_t) \[RSP+3C0\] 0x8C7CDCF830 (void\*) \[RSP+3C8\] 0x1C35C5FBC90 (void\*) \[RSP+3D0\] 0x0 (size\_t) \[RSP+3D8\] 0x7FF7FA3CBDC0 (JobListManager::ServingThread\*) \[RSP+3E0\] 0x0 (size\_t) \[RSP+3E8\] 0x0 (size\_t) \[RSP+3F0\] 0x7FFCADE17344 (void\* -> KERNEL32.DLL+0017344) \[RSP+3F8\] 0x0 (size\_t) \[RSP+400\] 0x0 (size\_t) \[RSP+408\] 0x0 (size\_t) \[RSP+410\] 0x0 (size\_t) \[RSP+418\] 0x0 (size\_t) \[RSP+420\] 0x7FFCAFE226B1 (void\* -> ntdll.dll+00526B1) \[RSP+428\] 0x0 (size\_t) \[RSP+430\] 0x0 (size\_t) \[RSP+438\] 0x0 (size\_t) \[RSP+440\] 0x0 (size\_t) \[RSP+448\] 0x0 (size\_t) \[RSP+450\] 0x0 (size\_t) \[RSP+458\] 0xA8D0C89F00000000 (size\_t) \[RSP+460\] 0x0 (size\_t) \[RSP+468\] 0x0 (size\_t) \[RSP+470\] 0x7FFCAD8BD640 (void\* -> KERNELBASE.dll+012D640) \[RSP+478\] 0x8C7CDCDF80 (void\*) \[RSP+480\] 0xAB63DBE0000FFF8 (size\_t) \[RSP+488\] 0x7FFC055B1EDF (size\_t) \[RSP+490\] 0x8C7CDCDF80 (void\*) \[RSP+498\] 0x0 (size\_t) \[RSP+4A0\] 0x0 (size\_t) \[RSP+4A8\] 0x0 (size\_t) \[RSP+4B0\] 0x0 (size\_t) \[RSP+4B8\] 0x0 (size\_t) \[RSP+4C0\] 0x0 (size\_t) \[RSP+4C8\] 0x0 (size\_t) \[RSP+4D0\] 0x0 (size\_t) \[RSP+4D8\] 0x0 (size\_t) \[RSP+4E0\] 0x0 (size\_t) \[RSP+4E8\] 0x0 (size\_t) \[RSP+4F0\] 0x0 (size\_t) \[RSP+4F8\] 0x0 (size\_t) \[RSP+500\] 0x0 (size\_t) \[RSP+508\] 0x0 (size\_t) \[RSP+510\] 0x0 (size\_t) \[RSP+518\] 0x0 (size\_t) \[RSP+520\] 0x0 (size\_t) \[RSP+528\] 0x0 (size\_t) \[RSP+530\] 0x0 (size\_t) \[RSP+538\] 0x0 (size\_t) \[RSP+540\] 0x0 (size\_t) \[RSP+548\] 0x0 (size\_t) \[RSP+550\] 0x0 (size\_t) \[RSP+558\] 0x0 (size\_t) \[RSP+560\] 0x0 (size\_t) \[RSP+568\] 0x0 (size\_t) \[RSP+570\] 0x0 (size\_t) \[RSP+578\] 0x0 (size\_t) \[RSP+580\] 0x0 (size\_t) \[RSP+588\] 0x0 (size\_t) \[RSP+590\] 0x0 (size\_t) \[RSP+598\] 0x0 (size\_t) \[RSP+5A0\] 0x0 (size\_t) \[RSP+5A8\] 0x0 (size\_t) \[RSP+5B0\] 0x0 (size\_t) \[RSP+5B8\] 0x0 (size\_t) \[RSP+5C0\] 0x0 (size\_t) \[RSP+5C8\] 0x0 (size\_t) \[RSP+5D0\] 0x0 (size\_t) \[RSP+5D8\] 0x0 (size\_t) \[RSP+5E0\] 0x0 (size\_t) \[RSP+5E8\] 0x0 (size\_t) \[RSP+5F0\] 0x0 (size\_t) \[RSP+5F8\] 0x0 (size\_t) \[RSP+600\] 0x0 (size\_t) \[RSP+608\] 0x0 (size\_t) \[RSP+610\] 0x0 (size\_t) \[RSP+618\] 0x0 (size\_t) \[RSP+620\] 0x0 (size\_t) \[RSP+628\] 0x0 (size\_t) \[RSP+630\] 0x0 (size\_t) \[RSP+638\] 0x0 (size\_t) \[RSP+640\] 0x0 (size\_t) \[RSP+648\] 0x0 (size\_t) \[RSP+650\] 0x0 (size\_t) \[RSP+658\] 0x0 (size\_t) \[RSP+660\] 0x0 (size\_t) \[RSP+668\] 0x0 (size\_t) \[RSP+670\] 0x0 (size\_t) \[RSP+678\] 0x0 (size\_t) \[RSP+680\] 0x0 (size\_t) \[RSP+688\] 0x0 (size\_t) \[RSP+690\] 0x0 (size\_t) \[RSP+698\] 0x0 (size\_t) \[RSP+6A0\] 0x0 (size\_t) \[RSP+6A8\] 0x0 (size\_t) \[RSP+6B0\] 0x0 (size\_t) \[RSP+6B8\] 0x0 (size\_t) \[RSP+6C0\] 0x0 (size\_t) \[RSP+6C8\] 0x0 (size\_t) \[RSP+6D0\] 0x0 (size\_t) \[RSP+6D8\] 0x0 (size\_t) \[RSP+6E0\] 0x0 (size\_t) \[RSP+6E8\] 0x0 (size\_t) \[RSP+6F0\] 0x0 (size\_t) \[RSP+6F8\] 0x0 (size\_t) \[RSP+700\] 0x0 (size\_t) \[RSP+708\] 0x0 (size\_t) \[RSP+710\] 0x0 (size\_t) \[RSP+718\] 0x0 (size\_t) \[RSP+720\] 0x0 (size\_t) \[RSP+728\] 0x0 (size\_t) \[RSP+730\] 0x0 (size\_t) \[RSP+738\] 0x0 (size\_t) \[RSP+740\] 0x0 (size\_t) \[RSP+748\] 0x0 (size\_t) \[RSP+750\] 0x0 (size\_t) \[RSP+758\] 0x0 (size\_t) \[RSP+760\] 0x0 (size\_t) \[RSP+768\] 0x0 (size\_t) \[RSP+770\] 0x0 (size\_t) \[RSP+778\] 0x0 (size\_t) \[RSP+780\] 0x0 (size\_t) \[RSP+788\] 0x0 (size\_t) \[RSP+790\] 0x0 (size\_t) \[RSP+798\] 0x0 (size\_t) \[RSP+7A0\] 0x0 (size\_t) \[RSP+7A8\] 0x0 (size\_t) \[RSP+7B0\] 0x0 (size\_t) \[RSP+7B8\] 0x0 (size\_t) \[RSP+7C0\] 0x0 (size\_t) \[RSP+7C8\] 0x0 (size\_t) \[RSP+7D0\] 0x0 (size\_t) \[RSP+7D8\] 0x0 (size\_t) \[RSP+7E0\] 0x0 (size\_t) \[RSP+7E8\] 0x0 (size\_t) \[RSP+7F0\] 0x0 (size\_t) \[RSP+7F8\] 0x0 (size\_t) \[RSP+800\] 0x0 (size\_t) \[RSP+808\] 0x0 (size\_t) \[RSP+810\] 0x0 (size\_t) \[RSP+818\] 0x0 (size\_t) \[RSP+820\] 0x0 (size\_t) \[RSP+828\] 0x0 (size\_t) \[RSP+830\] 0x0 (size\_t) \[RSP+838\] 0x0 (size\_t) \[RSP+840\] 0x0 (size\_t) \[RSP+848\] 0x0 (size\_t) \[RSP+850\] 0x0 (size\_t) \[RSP+858\] 0x0 (size\_t) \[RSP+860\] 0x0 (size\_t) \[RSP+868\] 0x0 (size\_t) \[RSP+870\] 0x0 (size\_t) \[RSP+878\] 0x0 (size\_t) \[RSP+880\] 0x0 (size\_t) \[RSP+888\] 0x0 (size\_t) \[RSP+890\] 0x0 (size\_t) \[RSP+898\] 0x0 (size\_t) \[RSP+8A0\] 0x0 (size\_t) \[RSP+8A8\] 0x0 (size\_t) \[RSP+8B0\] 0x0 (size\_t) \[RSP+8B8\] 0x0 (size\_t) \[RSP+8C0\] 0x0 (size\_t) \[RSP+8C8\] 0x0 (size\_t) \[RSP+8D0\] 0x0 (size\_t) \[RSP+8D8\] 0x0 (size\_t) \[RSP+8E0\] 0x0 (size\_t) \[RSP+8E8\] 0x0 (size\_t) \[RSP+8F0\] 0x0 (size\_t) \[RSP+8F8\] 0x0 (size\_t) \[RSP+900\] 0x0 (size\_t) \[RSP+908\] 0x0 (size\_t) \[RSP+910\] 0x0 (size\_t) \[RSP+918\] 0x0 (size\_t) \[RSP+920\] 0x0 (size\_t) \[RSP+928\] 0x0 (size\_t) \[RSP+930\] 0x0 (size\_t) \[RSP+938\] 0x0 (size\_t) \[RSP+940\] 0x0 (size\_t) \[RSP+948\] 0x0 (size\_t) \[RSP+950\] 0x0 (size\_t) \[RSP+958\] 0x0 (size\_t) \[RSP+960\] 0x0 (size\_t) \[RSP+968\] 0x0 (size\_t) \[RSP+970\] 0x0 (size\_t) \[RSP+978\] 0x0 (size\_t) \[RSP+980\] 0x0 (size\_t) \[RSP+988\] 0x0 (size\_t) \[RSP+990\] 0x0 (size\_t) \[RSP+998\] 0x0 (size\_t) \[RSP+9A0\] 0x0 (size\_t) \[RSP+9A8\] 0x0 (size\_t) \[RSP+9B0\] 0x0 (size\_t) \[RSP+9B8\] 0x0 (size\_t) \[RSP+9C0\] 0x0 (size\_t) \[RSP+9C8\] 0x0 (size\_t) \[RSP+9D0\] 0x0 (size\_t) \[RSP+9D8\] 0x0 (size\_t) \[RSP+9E0\] 0x0 (size\_t) \[RSP+9E8\] 0x0 (size\_t) \[RSP+9F0\] 0x0 (size\_t) \[RSP+9F8\] 0x0 (size\_t) \[RSP+A00\] 0x0 (size\_t) \[RSP+A08\] 0x0 (size\_t) \[RSP+A10\] 0x0 (size\_t) \[RSP+A18\] 0x0 (size\_t) \[RSP+A20\] 0x0 (size\_t) \[RSP+A28\] 0x0 (size\_t) \[RSP+A30\] 0x0 (size\_t) \[RSP+A38\] 0x0 (size\_t) \[RSP+A40\] 0x0 (size\_t) \[RSP+A48\] 0x0 (size\_t) \[RSP+A50\] 0x0 (size\_t) \[RSP+A58\] 0x0 (size\_t) \[RSP+A60\] 0x0 (size\_t) \[RSP+A68\] 0x0 (size\_t) \[RSP+A70\] 0x0 (size\_t) \[RSP+A78\] 0x0 (size\_t) \[RSP+A80\] 0x0 (size\_t) \[RSP+A88\] 0x0 (size\_t) \[RSP+A90\] 0x0 (size\_t) \[RSP+A98\] 0x0 (size\_t) \[RSP+AA0\] 0x0 (size\_t) \[RSP+AA8\] 0x0 (size\_t) \[RSP+AB0\] 0x0 (size\_t) \[RSP+AB8\] 0x0 (size\_t) \[RSP+AC0\] 0x0 (size\_t) \[RSP+AC8\] 0x0 (size\_t) \[RSP+AD0\] 0x0 (size\_t) \[RSP+AD8\] 0x0 (size\_t) \[RSP+AE0\] 0x0 (size\_t) \[RSP+AE8\] 0x0 (size\_t) \[RSP+AF0\] 0x0 (size\_t) \[RSP+AF8\] 0x0 (size\_t) \[RSP+B00\] 0x0 (size\_t) \[RSP+B08\] 0x0 (size\_t) \[RSP+B10\] 0x0 (size\_t) \[RSP+B18\] 0x0 (size\_t) \[RSP+B20\] 0x0 (size\_t) \[RSP+B28\] 0x0 (size\_t) \[RSP+B30\] 0x0 (size\_t) \[RSP+B38\] 0x0 (size\_t) \[RSP+B40\] 0x0 (size\_t) \[RSP+B48\] 0x0 (size\_t) \[RSP+B50\] 0x0 (size\_t) \[RSP+B58\] 0x0 (size\_t) \[RSP+B60\] 0x0 (size\_t) \[RSP+B68\] 0x0 (size\_t) \[RSP+B70\] 0x0 (size\_t) \[RSP+B78\] 0x0 (size\_t) \[RSP+B80\] 0x0 (size\_t) \[RSP+B88\] 0x0 (size\_t) \[RSP+B90\] 0x0 (size\_t) \[RSP+B98\] 0x0 (size\_t) \[RSP+BA0\] 0x0 (size\_t)MODULES:
XINPUT1\_3.dll 0x000000400000 mdnsNSP.dll 0x000068F90000 X3DAudio1\_7.dll 0x000069340000 steam\_api64.dll 0x000069350000 BakaScrapHeap.dll 0x01C3579D0000 wintrust.dll 0x01C361800000 Fallout4.exe 0x7FF7F4960000 DSOUND.DLL 0x7FFBEDED0000 MpOav.dll 0x7FFBF73C0000 nvcuda64.dll 0x7FFC3D940000 d3dcompiler\_47\_64.dll 0x7FFC3E360000 NvCamera64.dll 0x7FFC3E770000 XAudio2\_7.dll 0x7FFC3FE10000 DINPUT8.dll 0x7FFC3FEA0000 gameoverlayrenderer64.dll 0x7FFC3FEF0000 UneducatedShooter.dll 0x7FFC40090000 rename\_anything.dll 0x7FFC40110000 RefLookup.dll 0x7FFC40160000 mcm.dll 0x7FFC401A0000 LongLoadingTimesFix.dll 0x7FFC40240000 HighFPSPhysicsFix.dll 0x7FFC402A0000 f4pm.dll 0x7FFC40330000 f4ee.dll 0x7FFC403A0000 ClassicHolsteredWeapons.dll 0x7FFC404B0000 Buffout4.dll 0x7FFC40560000 f4se\_1\_10\_163.dll 0x7FFC40990000 tier0\_s64.dll 0x7FFC40A70000 steamclient64.dll 0x7FFC40C10000 flexRelease\_x64.dll 0x7FFC42290000 vstdlib\_s64.dll 0x7FFC44630000 MSVCR110.dll 0x7FFC446F0000 BulletCountedReload.dll 0x7FFC46FB0000 achievements.dll 0x7FFC4CE70000 GFSDK\_SSAO\_D3D11.win64.dll 0x7FFC4DAE0000 nvwgf2umx.dll 0x7FFC56FA0000 f4se\_steam\_loader.dll 0x7FFC5D0F0000 MSVCP110.dll 0x7FFC5D130000 cudart64\_75.dll 0x7FFC5E080000 bink2w64.dll 0x7FFC5E0E0000 GFSDK\_GodraysLib.x64.dll 0x7FFC6A0F0000 flexExtRelease\_x64.dll 0x7FFC6AC70000 nvspcap64.dll 0x7FFC6BFE0000 nvgpucomp64.dll 0x7FFC72020000 nvldumdx.dll 0x7FFC75590000 MSVCP140.dll 0x7FFC84E10000 MessageBus.dll 0x7FFC87970000 ncryptsslp.dll 0x7FFC88C40000 VCRUNTIME140.dll 0x7FFC8A040000 VCRUNTIME140\_1.dll 0x7FFC8B020000 webio.dll 0x7FFC8F640000 winmmbase.dll 0x7FFC91DD0000 mskeyprotect.dll 0x7FFC91F60000 igc64.dll 0x7FFC94240000 dbghelp.dll 0x7FFC98B70000 Secur32.dll 0x7FFC9B840000 OneCoreCommonProxyStub.dll 0x7FFC9BB70000 amsi.dll 0x7FFC9D010000 WeaponDebrisCrashFix.dll 0x7FFC9D8E0000 wbemsvc.dll 0x7FFC9E590000 fastprox.dll 0x7FFC9E5B0000 NvMessageBus.dll 0x7FFC9E930000 wbemcomn.dll 0x7FFC9EE50000 nvapi64.dll 0x7FFC9F020000 igd10um64xe.DLL 0x7FFC9F6F0000 textinputframework.dll 0x7FFCA08E0000 WINMM.dll 0x7FFCA0A40000 igdgmm64.dll 0x7FFCA0A70000 IntelControlLib.dll 0x7FFCA0EB0000 ControlLib.dll 0x7FFCA0F20000 igd10iumd64.dll 0x7FFCA0FB0000 inputhost.dll 0x7FFCA1390000 Windows.UI.dll 0x7FFCA1850000 dxcore.dll 0x7FFCA21D0000 wbemprox.dll 0x7FFCA2E40000 OneCoreUAPCommonProxyStub.dll 0x7FFCA2E80000 drvstore.dll 0x7FFCA4660000 cryptnet.dll 0x7FFCA4800000 WindowsCodecs.dll 0x7FFCA5270000 fwpuclnt.dll 0x7FFCA57A0000 twinapi.appcore.dll 0x7FFCA5980000 WindowManagementAPI.dll 0x7FFCA5BF0000 MMDevApi.dll 0x7FFCA5D80000 AUDIOSES.DLL 0x7FFCA5E10000 VERSION.dll 0x7FFCA5FC0000 rasadhlp.dll 0x7FFCA6330000 dhcpcsvc6.DLL 0x7FFCA6360000 XINPUT9\_1\_0.dll 0x7FFCA6650000 avrt.dll 0x7FFCA6A20000 dhcpcsvc.DLL 0x7FFCA6BB0000 nvToolsExt64\_1.dll 0x7FFCA6E40000 WINHTTP.dll 0x7FFCA8210000 WINNSI.DLL 0x7FFCA8330000 PROPSYS.dll 0x7FFCA8C40000 d3d11.dll 0x7FFCA9330000 wintypes.dll 0x7FFCA9FD0000 dcomp.dll 0x7FFCAA130000 CoreMessaging.dll 0x7FFCAA6A0000 CoreUIComponents.dll 0x7FFCAA7A0000 apphelp.dll 0x7FFCAAC30000 uxtheme.dll 0x7FFCAAD20000 resourcepolicyclient.dll 0x7FFCAAEF0000 dwmapi.dll 0x7FFCAAFF0000 kernel.appcore.dll 0x7FFCAB2E0000 windows.storage.dll 0x7FFCAB500000 HID.DLL 0x7FFCABCA0000 dxgi.dll 0x7FFCABD00000 schannel.DLL 0x7FFCAC3C0000 rsaenh.dll 0x7FFCAC4B0000 ntmarta.dll 0x7FFCAC5D0000 UMPDC.dll 0x7FFCAC870000 IPHLPAPI.DLL 0x7FFCAC890000 DNSAPI.dll 0x7FFCAC8D0000 powrprof.dll 0x7FFCACA00000 MSWSOCK.dll 0x7FFCACC00000 CRYPTBASE.DLL 0x7FFCACDF0000 CRYPTSP.dll 0x7FFCACE00000 Wldp.dll 0x7FFCACEA0000 NTASN1.dll 0x7FFCACED0000 ncrypt.dll 0x7FFCACF10000 msasn1.dll 0x7FFCAD030000 devobj.dll 0x7FFCAD200000 DPAPI.DLL 0x7FFCAD260000 USERENV.dll 0x7FFCAD320000 SSPICLI.DLL 0x7FFCAD350000 profapi.dll 0x7FFCAD3B0000 gdi32full.dll 0x7FFCAD480000 bcryptPrimitives.dll 0x7FFCAD5A0000 cfgmgr32.dll 0x7FFCAD6A0000 msvcp\_win.dll 0x7FFCAD6F0000 KERNELBASE.dll 0x7FFCAD790000 bcrypt.dll 0x7FFCADA90000 win32u.dll 0x7FFCADB70000 ucrtbase.dll 0x7FFCADBA0000 CRYPT32.dll 0x7FFCADCA0000 KERNEL32.DLL 0x7FFCADE00000 MSCTF.dll 0x7FFCADEC0000 SHELL32.dll 0x7FFCADFE0000 SETUPAPI.dll 0x7FFCAE750000 NSI.dll 0x7FFCAEC20000 SHCORE.dll 0x7FFCAEC30000 ADVAPI32.dll 0x7FFCAECE0000 GDI32.dll 0x7FFCAED90000 imagehlp.dll 0x7FFCAEE80000 OLEAUT32.dll 0x7FFCAEEA0000 clbcatq.dll 0x7FFCAEF70000 sechost.dll 0x7FFCAF020000 WS2\_32.dll 0x7FFCAF0C0000 ole32.dll 0x7FFCAF140000 USER32.dll 0x7FFCAF270000 shlwapi.dll 0x7FFCAF410000 PSAPI.DLL 0x7FFCAF470000 msvcrt.dll 0x7FFCAF630000 IMM32.DLL 0x7FFCAF6D0000 combase.dll 0x7FFCAF820000 RPCRT4.dll 0x7FFCAFC60000 ntdll.dll 0x7FFCAFDD0000F4SE PLUGINS:
achievements.dll BakaScrapHeap.dll v1.3 Buffout4.dll v1.28.6 BulletCountedReload.dll ClassicHolsteredWeapons.dll f4ee.dll f4pm.dll HighFPSPhysicsFix.dll LongLoadingTimesFix.dll mcm.dll RefLookup.dll rename\_anything.dll UneducatedShooter.dll v1 WeaponDebrisCrashFix.dllPLUGINS:
\[ 0\] Fallout4.esm \[ 1\] DLCRobot.esm \[ 2\] DLCworkshop01.esm \[ 3\] DLCCoast.esm \[ 4\] DLCworkshop02.esm \[ 5\] DLCworkshop03.esm \[ 6\] DLCNukaWorld.esm \[ 7\] Unofficial Fallout 4 Patch.esp \[ 8\] ArmorKeywords.esm \[ 9\] HUDFramework.esm \[ A\] Homemaker.esm \[ B\] Loads.esm \[ C\] Armorsmith Extended.esp \[ D\] clothingoverhaul.esp \[ E\] OA\_LootableMaterialsCrates\_vanilla.esp \[ F\] A Forest.esp \[10\] Ceft\_Main.esp \[11\] OpenCambridge.esp \[12\] downtownsettlement01\_v2.0.esp \[13\] MojaveImports.esp \[14\] Eli\_Armour\_Compendium.esp \[15\] Some Assembly Required.esp \[16\] Reverb and Ambiance Overhaul.esp \[17\] Rebuilt\_Tenpines.esp \[18\] Raider Gang Extended NPC (Fixed & Cleaned).esp \[19\] AssaultRifleOverhaul.esp \[1A\] UniqueUniques.esp \[1B\] 3dscopes.esp \[1C\] JUNKLANDFIREARMS.esp \[1D\] F4NVRechargerWeapons.esp \[1E\] PigFNC.esp \[1F\] DAKMAC.esp \[20\] Fr4nssonsLightTweaks.esp \[21\] Vivid Weathers - FO4.esp \[22\] RRSouthBoston.esp \[23\] MikeMooresMCAM.esp \[24\] Gas Masks of the Wasteland.esp \[25\] Skb\_RiflesRebirth.esp \[26\] Backpacks of the Commonwealth.esp \[27\] Moddable Plasma Caster.esp \[28\] Glock86.esp \[29\] 1918bar.esp \[2A\] SigSauer127.esp \[2B\] ChinaLakeandHolorifle.esp \[2C\] CorvalhoWidowShotgun.esp \[2D\] AMAC1500.esp \[2E\] mk14.esp \[2F\] cambridgefacility.esp \[30\] LeeEnfieldNo4MkI.esp \[31\] MTs255.esp \[32\] FN-FAL.esp \[33\] RemingtonM11.esp \[34\] HuntingShotgun.esp \[35\] win1897.esp \[36\] DP\_CaravanShotgun.esp \[37\] FCOM.esp \[38\] HandmadeRevolver.esp \[39\] SVT40.esp \[3A\] Dak20mm.esp \[3B\] SettlementMenuManager.esp \[3C\] Gas Mask NPC.esp \[3D\] DV-Durable Vertibirds.esp \[3E\] DV-No Levelled Vertibirds.esp \[3F\] TimedAutosave10Min.esp \[40\] HuntingRevolver.esp \[41\] MysteriousMagnum.esp \[42\] WM Chinese Assault Rifle - Standalone.esp \[43\] DOOMThatGun.esp \[44\] AUG-A1.esp \[45\] M1A.esp \[46\] Sten.esp \[47\] 45autoPistol.esp \[48\] Hunting Revolver\_SA.esp \[49\] 10mm.esp \[4A\] AROAWKCR.esp \[4B\] ARONukaWorld.esp \[4C\] AROSeeThrough.esp \[4D\] AnimChemRedux.esp \[4E\] DX Adventurer Outfit.esp \[4F\] AnimatedRadaway.esp \[50\] Brown Face Fix Male.esp \[51\] BLD\_Barricades.esp \[52\] 44MBF4.esp \[53\] DOOMDesertEagle.esp \[54\] Extended weapon mods.esp \[55\] DaksCombatRifle.esp \[56\] HlgCavalryRevolver.esp \[57\] Campsite.esp \[58\] AWKCR - Mod Power Armor Engine Glitch Fix.esp \[59\] ClothingOverhaulSP\_XB1\_PC.esp \[5A\] FunctionalDisplays.esp \[5B\] FunctionalDisplays-Patch-DLC-ALL.esp \[5C\] Crossbow.esp \[5D\] CrossbowPatch.esp \[5E\] EveryonesBestFriend.esp \[5F\] Meleebangs.esp \[60\] \[ETH\]EthnetsMeleeSounds.esp \[61\] Gas Mask ArmorKeywords.esp \[62\] Holsters & sheaths.esp \[63\] FunctionalDisplays-AID-VIS.esp \[64\] FunctionalDisplays-Collectibles.esp \[65\] FunctionalDisplays-MISC-VIS.esp \[66\] FunctionalDisplays-Patch-DLC-ALL-VIS.esp \[67\] Hunter of the Commonwealth.esp \[68\] ImmersiveAnimationFramework.esp \[69\] HandmadeRevolver - AWKCR.esp \[6A\] PigAAMBeretta.esp \[6B\] FLTWP\_HMEPistol.esp \[6C\] Flashy\_CommonwealthFishing.esp \[6D\] Homemaker - Streetlights Use Passive Power.esp \[6E\] Homemaker - Unlocked Institute Objects.esp \[6F\] K9TacticalHarness.esp \[70\] Journey.esp \[71\] RailwayPistol.esp \[72\] Mosin.esp \[73\] M14.esp \[74\] MP153.esp \[75\] Project Reality Footsteps FO4.esp \[76\] Binoculars.esp \[77\] Locksmith.esp \[78\] NewShacksBGD00.esp \[79\] PhotoMode.esp \[7A\] Post Apocalyptic Survivor Outfit.esp \[7B\] Loads of Ammo - Leveled Lists.esp \[7C\] RealThrowingWeapons.esp \[7D\] Schofield.esp \[7E\] LureEnemies.esp \[7F\] Smoke-able Cigars.esp \[80\] rhlegendary.esp \[81\] NateOutfit.esp \[82\] M2216.esp \[83\] SingleShotgun.esp \[84\] TruePipBoyLight.esp \[85\] GR123 West Tek Tactical Gloves.esp \[86\] SVT40-AWKCR.esp \[87\] 1CAS\_serviceRifle.esp \[88\] AnS Wearable Backpacks and Pouches.esp \[89\] Wasteland Sniper by Hothtrooper44.esp \[8A\] TFSRangerRedux.esp \[8B\] WastelandFashion.esp \[8C\] Vivid Weathers - FO4 - Far Harbor.esp \[8D\] Vivid Weathers - Natural Bright.esp \[8E\] Vivid Weathers - Nuka World.esp \[8F\] WastelandFashionAccessories.esp \[90\] console.esp \[91\] StartMeUp.esp \[92\] BostonFPSFixAutomatron.esp \[93\] EnhancedLightsandFX.esp \[FE: 0\] Munitions - An Ammo Expansion.esl \[FE: 1\] Munitions - Vanilla Ammo Addon.esl \[FE: 2\] BusMod.esl \[FE: 3\] BulldogRevolver.esl \[FE: 4\] FO4ParticlePatch.esp \[FE: 5\] AUR\_RebuildCastle.esp \[FE: 6\] AUR\_RebuildTenpinesBluff.esp \[FE: 7\] LushAmbienceFarHarbor.esp \[FE: 8\] AUR\_Build\_LongfellowsBridge.esp \[FE: 9\] RCW.esp \[FE: A\] wastelandwoundcare.esp \[FE: B\] AnotherOneKukri.esp \[FE: C\] RSh-12.esp \[FE: D\] BusMod-VIS.esp \[FE: E\] SF Beards N Staches.esp \[FE: F\] MinutemenEnforcer.esp \[FE: 10\] Huot.esp \[FE: 11\] CROSS\_BreakActionLaser.esp \[FE: 12\] TEC9.esp \[FE: 13\] Vz52.esp \[FE: 14\] AmmoCounterFramework.esp \[FE: 15\] M1 Carbine.esp \[FE: 16\] CovertSidearmVVSounds.esp \[FE: 17\] Bullet Impact Overhaul.esp \[FE: 18\] CODVG Wade Outfit Pack.esp \[FE: 19\] GaussRifleVVSounds.esp \[FE: 1A\] OMEGA - IAF Wound Care Patch.esp \[FE: 1B\] IAF - Far Harbor & Nuka World.esp \[FE: 1C\] LaserGarand.esp \[FE: 1D\] LostWorld.esp \[FE: 1E\] FS\_NukaWorldTramFastTravel.esp \[FE: 1F\] ODT - Pip Boy Skins.esp
2024.05.18 07:14 Eldervaron Please god help me
\[Compatibility\] F4EE: false \[Crashlog\] AutoOpen: true PromptUpload: true \[Fixes\] ActorIsHostileToActor: true CellInit: true CreateD3DAndSwapChain: true EncounterZoneReset: true GreyMovies: true MagicEffectApplyEvent: true MovementPlanner: true PackageAllocateLocation: true SafeExit: true TESObjectREFRGetEncounterZone: true UnalignedLoad: true UtilityShader: true \[Patches\] Achievements: true ArchiveLimit: false BSMTAManager: true BSPreCulledObjects: true BSTextureStreamerLocalHeap: false HavokMemorySystem: true INISettingCollection: true InputSwitch: false MaxStdIO: -1 MemoryManager: true MemoryManagerDebug: false ScaleformAllocator: true SmallBlockAllocator: true WorkshopMenu: true \[Warnings\] CreateTexture2D: true ImageSpaceAdapter: trueSYSTEM SPECS:
OS: Microsoft Windows 10 Home v10.0.19045 CPU: GenuineIntel Intel(R) Core(TM) i7-6700K CPU @ 4.00GHz GPU #1: Nvidia TU116 \[GeForce GTX 1660 SUPER\] GPU #2: Microsoft Basic Render Driver PHYSICAL MEMORY: 10.78 GB/15.92 GBPROBABLE CALL STACK:
\[0\] 0x7FF61804E547 Fallout4.exe+0E2E547 -> 656299+0x347 \[1\] 0x7FF617F9AD40 Fallout4.exe+0D7AD40 -> 1176621+0x680 \[2\] 0x7FF6181317D0 Fallout4.exe+0F117D0 -> 1114836+0x180 \[3\] 0x7FF618124AC0 Fallout4.exe+0F04AC0 -> 706499+0x40 \[4\] 0x7FF618D70F26 Fallout4.exe+1B50F26 -> 329005+0xC6 \[5\] 0x7FF618D71432 Fallout4.exe+1B51432 -> 194800+0x202 \[6\] 0x7FF618D73F67 Fallout4.exe+1B53F67 -> 1492866+0x67 \[7\] 0x7FF618D3CFED Fallout4.exe+1B1CFED -> 1079791+0x3D \[8\] 0x7FFC77C17344 KERNEL32.DLL+0017344 \[9\] 0x7FFC78E826B1 ntdll.dll+00526B1REGISTERS:
RAX 0x0 (size\_t) RCX 0x21508166100 (void\*) RDX 0x21508160F00 (Actor\*) Object Reference: File: "" Flags: 0x00000008 Form ID: 0xFF00D9A7 Form Type: 45 File: "" Flags: 0x00400508 Form ID: 0xFF00D9A5 Form Type: 65 RBX 0x0 (size\_t) RSP 0x90022FF570 (void\*) RBP 0x90022FF5E9 (void\*) RSI 0xFFFFFFFF (size\_t) RDI 0x0 (size\_t) R8 0x0 (size\_t) R9 0x90022FF548 (void\*) R10 0x2150816F108 (void\*) R11 0x21512BE6520 (void\*) R12 0x21508160F00 (Actor\*) Object Reference: File: "" Flags: 0x00000008 Form ID: 0xFF00D9A7 Form Type: 45 File: "" Flags: 0x00400508 Form ID: 0xFF00D9A5 Form Type: 65 R13 0x21508166100 (void\*) R14 0xFFFFFFFF (size\_t) R15 0x214EFB6B2E0 (void\*)STACK:
\[RSP+0 \] 0x12 (size\_t) \[RSP+8 \] 0xFFFFFFFF (size\_t) \[RSP+10 \] 0x90022FF5E9 (void\*) \[RSP+18 \] 0xFFFFFFFF (size\_t) \[RSP+20 \] 0x2150816F120 (void\*) \[RSP+28 \] 0x7FF618016525 (void\* -> Fallout4.exe+0DF6525) \[RSP+30 \] 0x0 (size\_t) \[RSP+38 \] 0x0 (size\_t) \[RSP+40 \] 0x90022FF658 (void\*) \[RSP+48 \] 0x7FF6172B96F8 (void\* -> Fallout4.exe+00996F8) \[RSP+50 \] 0x2150816F100 (void\*) \[RSP+58 \] 0xFFFFFFFF (size\_t) \[RSP+60 \] 0xFFFFFFFF (size\_t) \[RSP+68 \] 0x7FF618034994 (void\* -> Fallout4.exe+0E14994) \[RSP+70 \] 0x21508160F00 (Actor\*) Object Reference: File: "" Flags: 0x00000008 Form ID: 0xFF00D9A7 Form Type: 45 File: "" Flags: 0x00400508 Form ID: 0xFF00D9A5 Form Type: 65 \[RSP+78 \] 0x7FF6176174B5 (void\* -> Fallout4.exe+03F74B5) \[RSP+80 \] 0x0 (size\_t) \[RSP+88 \] 0x0 (size\_t) \[RSP+90 \] 0x0 (size\_t) \[RSP+98 \] 0x0 (size\_t) \[RSP+A0 \] 0x0 (size\_t) \[RSP+A8 \] 0x0 (size\_t) \[RSP+B0 \] 0x21508160F00 (Actor\*) Object Reference: File: "" Flags: 0x00000008 Form ID: 0xFF00D9A7 Form Type: 45 File: "" Flags: 0x00400508 Form ID: 0xFF00D9A5 Form Type: 65 \[RSP+B8 \] 0xFFFFFFFF (size\_t) \[RSP+C0 \] 0x7FF61CE08080 (void\* -> Fallout4.exe+5BE8080) \[RSP+C8 \] 0x7FF61CE08088 (void\* -> Fallout4.exe+5BE8088) \[RSP+D0 \] 0x7FF61CCD3BF0 (ProcessLists\*) \[RSP+D8 \] 0x7FF617F9AD40 (void\* -> Fallout4.exe+0D7AD40) \[RSP+E0 \] 0x12 (size\_t) \[RSP+E8 \] 0x0 (size\_t) \[RSP+F0 \] 0x0 (size\_t) \[RSP+F8 \] 0x21508160F00 (Actor\*) Object Reference: File: "" Flags: 0x00000008 Form ID: 0xFF00D9A7 Form Type: 45 File: "" Flags: 0x00400508 Form ID: 0xFF00D9A5 Form Type: 65 \[RSP+100\] 0x21424813040 (ActorValueInfo\*) File: "Fallout4.esm" Flags: 0x00000009 Form ID: 0x000002D5 Form Type: 98 Full Name: "" \[RSP+108\] 0x7FF618016B55 (void\* -> Fallout4.exe+0DF6B55) \[RSP+110\] 0x214F78F9D00 (Actor\*) Object Reference: File: "" Flags: 0x00000008 Form ID: 0xFF00DA67 Form Type: 45 File: "Fallout4.esm" Flags: 0x00420409 Form ID: 0x00187ABA Form Type: 65 \[RSP+118\] 0x0 (size\_t) \[RSP+120\] 0x40AA3DE9 (size\_t) \[RSP+128\] 0x0 (size\_t) \[RSP+130\] 0x0 (size\_t) \[RSP+138\] 0x0 (size\_t) \[RSP+140\] 0x3C76CC00 (size\_t) \[RSP+148\] 0x0 (size\_t) \[RSP+150\] 0x21508166100 (void\*) \[RSP+158\] 0x7FF6181317D0 (void\* -> Fallout4.exe+0F117D0) \[RSP+160\] 0x0 (size\_t) \[RSP+168\] 0x21508160F00 (Actor\*) Object Reference: File: "" Flags: 0x00000008 Form ID: 0xFF00D9A7 Form Type: 45 File: "" Flags: 0x00400508 Form ID: 0xFF00D9A5 Form Type: 65 \[RSP+170\] 0x7FF61CCD3BF0 (ProcessLists\*) \[RSP+178\] 0x0 (size\_t) \[RSP+180\] 0x0 (size\_t) \[RSP+188\] 0x0 (size\_t) \[RSP+190\] 0x0 (size\_t) \[RSP+198\] 0x0 (size\_t) \[RSP+1A0\] 0x0 (size\_t) \[RSP+1A8\] 0x0 (size\_t) \[RSP+1B0\] 0x0 (size\_t) \[RSP+1B8\] 0x0 (size\_t) \[RSP+1C0\] 0x0 (size\_t) \[RSP+1C8\] 0x0 (size\_t) \[RSP+1D0\] 0x7FF61CE08084 (void\* -> Fallout4.exe+5BE8084) \[RSP+1D8\] 0x1 (size\_t) \[RSP+1E0\] 0x0 (size\_t) \[RSP+1E8\] 0x7FF618124AC0 (void\* -> Fallout4.exe+0F04AC0) \[RSP+1F0\] 0x7FF61CCD3BF0 (ProcessLists\*) \[RSP+1F8\] 0x2142472E320 (void\*) \[RSP+200\] 0x21508160F00 (Actor\*) Object Reference: File: "" Flags: 0x00000008 Form ID: 0xFF00D9A7 Form Type: 45 File: "" Flags: 0x00400508 Form ID: 0xFF00D9A5 Form Type: 65 \[RSP+208\] 0x0 (size\_t) \[RSP+210\] 0x7FF61CE09630 (void\* -> Fallout4.exe+5BE9630) \[RSP+218\] 0x7FF618D70F26 (void\* -> Fallout4.exe+1B50F26) \[RSP+220\] 0x7FF61CE09630 (void\* -> Fallout4.exe+5BE9630) \[RSP+228\] 0x0 (size\_t) \[RSP+230\] 0x0 (size\_t) \[RSP+238\] 0x0 (size\_t) \[RSP+240\] 0x0 (size\_t) \[RSP+248\] 0x0 (size\_t) \[RSP+250\] 0x7FF61CE20440 (void\* -> Fallout4.exe+5C00440) \[RSP+258\] 0x1 (size\_t) \[RSP+260\] 0x7FF61CE095C0 (BSJobs::JobThread\*) \[RSP+268\] 0x7FF618D71432 (void\* -> Fallout4.exe+1B51432) \[RSP+270\] 0x1 (size\_t) \[RSP+278\] 0x7FF61CE095E0 (void\* -> Fallout4.exe+5BE95E0) \[RSP+280\] 0x0 (size\_t) \[RSP+288\] 0x90022FF850 (char\*) "lJ" \[RSP+290\] 0x0 (size\_t) \[RSP+298\] 0x0 (size\_t) \[RSP+2A0\] 0x0 (size\_t) \[RSP+2A8\] 0x7FF618D73F67 (void\* -> Fallout4.exe+1B53F67) \[RSP+2B0\] 0x7FF61CE095C0 (BSJobs::JobThread\*) \[RSP+2B8\] 0x0 (size\_t) \[RSP+2C0\] 0x0 (size\_t) \[RSP+2C8\] 0x0 (size\_t) \[RSP+2D0\] 0x7FF61CE095C0 (BSJobs::JobThread\*) \[RSP+2D8\] 0x7FF618D3CFED (void\* -> Fallout4.exe+1B1CFED) \[RSP+2E0\] 0x4A6C (size\_t) \[RSP+2E8\] 0x90022FF870 (void\*) \[RSP+2F0\] 0x2142470BC90 (void\*) \[RSP+2F8\] 0x0 (size\_t) \[RSP+300\] 0x7FF61CE095C0 (BSJobs::JobThread\*) \[RSP+308\] 0x0 (size\_t) \[RSP+310\] 0x0 (size\_t) \[RSP+318\] 0x7FFC77C17344 (void\* -> KERNEL32.DLL+0017344) \[RSP+320\] 0x0 (size\_t) \[RSP+328\] 0x0 (size\_t) \[RSP+330\] 0x0 (size\_t) \[RSP+338\] 0x0 (size\_t) \[RSP+340\] 0x0 (size\_t) \[RSP+348\] 0x7FFC78E826B1 (void\* -> ntdll.dll+00526B1) \[RSP+350\] 0x0 (size\_t) \[RSP+358\] 0x0 (size\_t) \[RSP+360\] 0x0 (size\_t) \[RSP+368\] 0x0 (size\_t) \[RSP+370\] 0x0 (size\_t) \[RSP+378\] 0x0 (size\_t) \[RSP+380\] 0xC106FF700000000 (size\_t) \[RSP+388\] 0x0 (size\_t) \[RSP+390\] 0x0 (size\_t) \[RSP+398\] 0x7FFC7689D640 (void\* -> KERNELBASE.dll+012D640) \[RSP+3A0\] 0x90022FE640 (void\*) \[RSP+3A8\] 0xFFF8F533736E00 (size\_t) \[RSP+3B0\] 0x7FFC7A99B9B7 (size\_t) \[RSP+3B8\] 0x90022FE640 (void\*) \[RSP+3C0\] 0x0 (size\_t) \[RSP+3C8\] 0x0 (size\_t) \[RSP+3D0\] 0x0 (size\_t) \[RSP+3D8\] 0x0 (size\_t) \[RSP+3E0\] 0x0 (size\_t) \[RSP+3E8\] 0x0 (size\_t) \[RSP+3F0\] 0x0 (size\_t) \[RSP+3F8\] 0x0 (size\_t) \[RSP+400\] 0x0 (size\_t) \[RSP+408\] 0x0 (size\_t) \[RSP+410\] 0x0 (size\_t) \[RSP+418\] 0x0 (size\_t) \[RSP+420\] 0x0 (size\_t) \[RSP+428\] 0x0 (size\_t) \[RSP+430\] 0x0 (size\_t) \[RSP+438\] 0x0 (size\_t) \[RSP+440\] 0x0 (size\_t) \[RSP+448\] 0x0 (size\_t) \[RSP+450\] 0x0 (size\_t) \[RSP+458\] 0x0 (size\_t) \[RSP+460\] 0x0 (size\_t) \[RSP+468\] 0x0 (size\_t) \[RSP+470\] 0x0 (size\_t) \[RSP+478\] 0x0 (size\_t) \[RSP+480\] 0x0 (size\_t) \[RSP+488\] 0x0 (size\_t) \[RSP+490\] 0x0 (size\_t) \[RSP+498\] 0x0 (size\_t) \[RSP+4A0\] 0x0 (size\_t) \[RSP+4A8\] 0x0 (size\_t) \[RSP+4B0\] 0x0 (size\_t) \[RSP+4B8\] 0x0 (size\_t) \[RSP+4C0\] 0x0 (size\_t) \[RSP+4C8\] 0x0 (size\_t) \[RSP+4D0\] 0x0 (size\_t) \[RSP+4D8\] 0x0 (size\_t) \[RSP+4E0\] 0x0 (size\_t) \[RSP+4E8\] 0x0 (size\_t) \[RSP+4F0\] 0x0 (size\_t) \[RSP+4F8\] 0x0 (size\_t) \[RSP+500\] 0x0 (size\_t) \[RSP+508\] 0x0 (size\_t) \[RSP+510\] 0x0 (size\_t) \[RSP+518\] 0x0 (size\_t) \[RSP+520\] 0x0 (size\_t) \[RSP+528\] 0x0 (size\_t) \[RSP+530\] 0x0 (size\_t) \[RSP+538\] 0x0 (size\_t) \[RSP+540\] 0x0 (size\_t) \[RSP+548\] 0x0 (size\_t) \[RSP+550\] 0x0 (size\_t) \[RSP+558\] 0x0 (size\_t) \[RSP+560\] 0x0 (size\_t) \[RSP+568\] 0x0 (size\_t) \[RSP+570\] 0x0 (size\_t) \[RSP+578\] 0x0 (size\_t) \[RSP+580\] 0x0 (size\_t) \[RSP+588\] 0x0 (size\_t) \[RSP+590\] 0x0 (size\_t) \[RSP+598\] 0x0 (size\_t) \[RSP+5A0\] 0x0 (size\_t) \[RSP+5A8\] 0x0 (size\_t) \[RSP+5B0\] 0x0 (size\_t) \[RSP+5B8\] 0x0 (size\_t) \[RSP+5C0\] 0x0 (size\_t) \[RSP+5C8\] 0x0 (size\_t) \[RSP+5D0\] 0x0 (size\_t) \[RSP+5D8\] 0x0 (size\_t) \[RSP+5E0\] 0x0 (size\_t) \[RSP+5E8\] 0x0 (size\_t) \[RSP+5F0\] 0x0 (size\_t) \[RSP+5F8\] 0x0 (size\_t) \[RSP+600\] 0x0 (size\_t) \[RSP+608\] 0x0 (size\_t) \[RSP+610\] 0x0 (size\_t) \[RSP+618\] 0x0 (size\_t) \[RSP+620\] 0x0 (size\_t) \[RSP+628\] 0x0 (size\_t) \[RSP+630\] 0x0 (size\_t) \[RSP+638\] 0x0 (size\_t) \[RSP+640\] 0x0 (size\_t) \[RSP+648\] 0x0 (size\_t) \[RSP+650\] 0x0 (size\_t) \[RSP+658\] 0x0 (size\_t) \[RSP+660\] 0x0 (size\_t) \[RSP+668\] 0x0 (size\_t) \[RSP+670\] 0x0 (size\_t) \[RSP+678\] 0x0 (size\_t) \[RSP+680\] 0x0 (size\_t) \[RSP+688\] 0x0 (size\_t) \[RSP+690\] 0x0 (size\_t) \[RSP+698\] 0x0 (size\_t) \[RSP+6A0\] 0x0 (size\_t) \[RSP+6A8\] 0x0 (size\_t) \[RSP+6B0\] 0x0 (size\_t) \[RSP+6B8\] 0x0 (size\_t) \[RSP+6C0\] 0x0 (size\_t) \[RSP+6C8\] 0x0 (size\_t) \[RSP+6D0\] 0x0 (size\_t) \[RSP+6D8\] 0x0 (size\_t) \[RSP+6E0\] 0x0 (size\_t) \[RSP+6E8\] 0x0 (size\_t) \[RSP+6F0\] 0x0 (size\_t) \[RSP+6F8\] 0x0 (size\_t) \[RSP+700\] 0x0 (size\_t) \[RSP+708\] 0x0 (size\_t) \[RSP+710\] 0x0 (size\_t) \[RSP+718\] 0x0 (size\_t) \[RSP+720\] 0x0 (size\_t) \[RSP+728\] 0x0 (size\_t) \[RSP+730\] 0x0 (size\_t) \[RSP+738\] 0x0 (size\_t) \[RSP+740\] 0x0 (size\_t) \[RSP+748\] 0x0 (size\_t) \[RSP+750\] 0x0 (size\_t) \[RSP+758\] 0x0 (size\_t) \[RSP+760\] 0x0 (size\_t) \[RSP+768\] 0x0 (size\_t) \[RSP+770\] 0x0 (size\_t) \[RSP+778\] 0x0 (size\_t) \[RSP+780\] 0x0 (size\_t) \[RSP+788\] 0x0 (size\_t) \[RSP+790\] 0x0 (size\_t) \[RSP+798\] 0x0 (size\_t) \[RSP+7A0\] 0x0 (size\_t) \[RSP+7A8\] 0x0 (size\_t) \[RSP+7B0\] 0x0 (size\_t) \[RSP+7B8\] 0x0 (size\_t) \[RSP+7C0\] 0x0 (size\_t) \[RSP+7C8\] 0x0 (size\_t) \[RSP+7D0\] 0x0 (size\_t) \[RSP+7D8\] 0x0 (size\_t) \[RSP+7E0\] 0x0 (size\_t) \[RSP+7E8\] 0x0 (size\_t) \[RSP+7F0\] 0x0 (size\_t) \[RSP+7F8\] 0x0 (size\_t) \[RSP+800\] 0x0 (size\_t) \[RSP+808\] 0x0 (size\_t) \[RSP+810\] 0x0 (size\_t) \[RSP+818\] 0x0 (size\_t) \[RSP+820\] 0x0 (size\_t) \[RSP+828\] 0x0 (size\_t) \[RSP+830\] 0x0 (size\_t) \[RSP+838\] 0x0 (size\_t) \[RSP+840\] 0x0 (size\_t) \[RSP+848\] 0x0 (size\_t) \[RSP+850\] 0x0 (size\_t) \[RSP+858\] 0x0 (size\_t) \[RSP+860\] 0x0 (size\_t) \[RSP+868\] 0x0 (size\_t) \[RSP+870\] 0x0 (size\_t) \[RSP+878\] 0x0 (size\_t) \[RSP+880\] 0x0 (size\_t) \[RSP+888\] 0x0 (size\_t) \[RSP+890\] 0x0 (size\_t) \[RSP+898\] 0x0 (size\_t) \[RSP+8A0\] 0x0 (size\_t) \[RSP+8A8\] 0x0 (size\_t) \[RSP+8B0\] 0x0 (size\_t) \[RSP+8B8\] 0x0 (size\_t) \[RSP+8C0\] 0x0 (size\_t) \[RSP+8C8\] 0x0 (size\_t) \[RSP+8D0\] 0x0 (size\_t) \[RSP+8D8\] 0x0 (size\_t) \[RSP+8E0\] 0x0 (size\_t) \[RSP+8E8\] 0x0 (size\_t) \[RSP+8F0\] 0x0 (size\_t) \[RSP+8F8\] 0x0 (size\_t) \[RSP+900\] 0x0 (size\_t) \[RSP+908\] 0x0 (size\_t) \[RSP+910\] 0x0 (size\_t) \[RSP+918\] 0x0 (size\_t) \[RSP+920\] 0x0 (size\_t) \[RSP+928\] 0x0 (size\_t) \[RSP+930\] 0x0 (size\_t) \[RSP+938\] 0x0 (size\_t) \[RSP+940\] 0x0 (size\_t) \[RSP+948\] 0x0 (size\_t) \[RSP+950\] 0x0 (size\_t) \[RSP+958\] 0x0 (size\_t) \[RSP+960\] 0x0 (size\_t) \[RSP+968\] 0x0 (size\_t) \[RSP+970\] 0x0 (size\_t) \[RSP+978\] 0x0 (size\_t) \[RSP+980\] 0x0 (size\_t) \[RSP+988\] 0x0 (size\_t) \[RSP+990\] 0x0 (size\_t) \[RSP+998\] 0x0 (size\_t) \[RSP+9A0\] 0x0 (size\_t) \[RSP+9A8\] 0x0 (size\_t) \[RSP+9B0\] 0x0 (size\_t) \[RSP+9B8\] 0x0 (size\_t) \[RSP+9C0\] 0x0 (size\_t) \[RSP+9C8\] 0x0 (size\_t) \[RSP+9D0\] 0x0 (size\_t) \[RSP+9D8\] 0x0 (size\_t) \[RSP+9E0\] 0x0 (size\_t) \[RSP+9E8\] 0x0 (size\_t) \[RSP+9F0\] 0x0 (size\_t) \[RSP+9F8\] 0x0 (size\_t) \[RSP+A00\] 0x0 (size\_t) \[RSP+A08\] 0x0 (size\_t) \[RSP+A10\] 0x0 (size\_t) \[RSP+A18\] 0x0 (size\_t) \[RSP+A20\] 0x0 (size\_t) \[RSP+A28\] 0x0 (size\_t) \[RSP+A30\] 0x0 (size\_t) \[RSP+A38\] 0x0 (size\_t) \[RSP+A40\] 0x0 (size\_t) \[RSP+A48\] 0x0 (size\_t) \[RSP+A50\] 0x0 (size\_t) \[RSP+A58\] 0x0 (size\_t) \[RSP+A60\] 0x0 (size\_t) \[RSP+A68\] 0x0 (size\_t) \[RSP+A70\] 0x0 (size\_t) \[RSP+A78\] 0x0 (size\_t) \[RSP+A80\] 0x0 (size\_t) \[RSP+A88\] 0x0 (size\_t)MODULES:
XINPUT1\_3.dll 0x000000400000 X3DAudio1\_7.dll 0x0000500E0000 steam\_api64.dll 0x0000500F0000 mdnsNSP.dll 0x000051370000 ClassicHolsteredWeapons.dll 0x02141FB00000 Fallout4.exe 0x7FF617220000 steamclient64.dll 0x7FFBEEDB0000 BackportedBA2Support.dll 0x7FFBF3840000 gameoverlayrenderer64.dll 0x7FFBFA580000 wsfw\_identifier.dll 0x7FFBFB5C0000 Buffout4.dll 0x7FFBFC3B0000 XAudio2\_7.dll 0x7FFBFD940000 po3\_SpellPerkItemDistributorF4.dll 0x7FFBFEA50000 mcm.dll 0x7FFC18B30000 f4ee.dll 0x7FFC26E60000 BakaFramework.dll 0x7FFC30A60000 f4se\_1\_10\_163.dll 0x7FFC33A40000 PowerGridTools.dll 0x7FFC445A0000 BulletCountedReload.dll 0x7FFC455A0000 tier0\_s64.dll 0x7FFC45630000 flexRelease\_x64.dll 0x7FFC457D0000 vstdlib\_s64.dll 0x7FFC45B40000 GFSDK\_SSAO\_D3D11.win64.dll 0x7FFC45D00000 nvspcap64.dll 0x7FFC47DE0000 faster\_workshop.dll 0x7FFC4C590000 winmmbase.dll 0x7FFC4CCA0000 SettlementOfUnlimitedSize.dll 0x7FFC4EB50000 GLXRM\_ScalingFlagRemover.dll 0x7FFC50590000 cudart64\_75.dll 0x7FFC51BA0000 MSVCR110.dll 0x7FFC51C00000 COMCTL32.dll 0x7FFC529B0000 GFSDK\_GodraysLib.x64.dll 0x7FFC52FD0000 MSVCP110.dll 0x7FFC53030000 flexExtRelease\_x64.dll 0x7FFC58990000 f4se\_steam\_loader.dll 0x7FFC5B9C0000 bink2w64.dll 0x7FFC5BA00000 webio.dll 0x7FFC5F630000 nvwgf2umx.dll 0x7FFC5FD50000 wbemsvc.dll 0x7FFC63E20000 OneCoreCommonProxyStub.dll 0x7FFC63E50000 fastprox.dll 0x7FFC63F80000 NvMessageBus.dll 0x7FFC64300000 wbemcomn.dll 0x7FFC64870000 InputHost.dll 0x7FFC64E90000 textinputframework.dll 0x7FFC64FF0000 Windows.UI.dll 0x7FFC650F0000 VCRUNTIME140\_1.dll 0x7FFC65950000 MSVCP140.dll 0x7FFC65960000 VCRUNTIME140.dll 0x7FFC659F0000 nvgpucomp64.dll 0x7FFC667B0000 nvapi64.dll 0x7FFC689D0000 WINMM.dll 0x7FFC69810000 DSOUND.DLL 0x7FFC6B180000 mskeyprotect.dll 0x7FFC6B420000 ncryptsslp.dll 0x7FFC6B740000 fwpuclnt.dll 0x7FFC6BBE0000 Secur32.dll 0x7FFC6BCB0000 rasadhlp.dll 0x7FFC6BCC0000 MpOav.dll 0x7FFC6CD10000 amsi.dll 0x7FFC6CDA0000 nvldumdx.dll 0x7FFC6DAA0000 OneCoreUAPCommonProxyStub.dll 0x7FFC6DE20000 WINHTTP.dll 0x7FFC6F0D0000 dxcore.dll 0x7FFC6F1E0000 wbemprox.dll 0x7FFC6F2C0000 dhcpcsvc6.DLL 0x7FFC6F970000 drvstore.dll 0x7FFC6FA30000 VERSION.dll 0x7FFC6FC50000 cryptnet.dll 0x7FFC6FD10000 dhcpcsvc.DLL 0x7FFC6FDE0000 WINNSI.DLL 0x7FFC70280000 twinapi.appcore.dll 0x7FFC706C0000 MMDevApi.dll 0x7FFC708D0000 WindowManagementAPI.dll 0x7FFC70960000 AUDIOSES.DLL 0x7FFC70A20000 avrt.dll 0x7FFC70F60000 nvToolsExt64\_1.dll 0x7FFC710A0000 PROPSYS.dll 0x7FFC71D60000 d3d11.dll 0x7FFC71EE0000 wintypes.dll 0x7FFC72CC0000 dcomp.dll 0x7FFC72E20000 CoreUIComponents.dll 0x7FFC73390000 CoreMessaging.dll 0x7FFC73700000 uxtheme.dll 0x7FFC73BE0000 resourcepolicyclient.dll 0x7FFC73CA0000 dwmapi.dll 0x7FFC73ED0000 dbghelp.dll 0x7FFC74350000 windows.storage.dll 0x7FFC74560000 HID.DLL 0x7FFC74D00000 kernel.appcore.dll 0x7FFC74D40000 dxgi.dll 0x7FFC74D60000 schannel.DLL 0x7FFC75420000 rsaenh.dll 0x7FFC75510000 ntmarta.dll 0x7FFC75630000 UMPDC.dll 0x7FFC758D0000 IPHLPAPI.DLL 0x7FFC758F0000 DNSAPI.dll 0x7FFC75940000 powrprof.dll 0x7FFC75A10000 MSWSOCK.dll 0x7FFC75C60000 CRYPTSP.dll 0x7FFC75E50000 CRYPTBASE.DLL 0x7FFC75E70000 Wldp.dll 0x7FFC75F00000 NTASN1.dll 0x7FFC75F30000 ncrypt.dll 0x7FFC75F70000 msasn1.dll 0x7FFC76090000 devobj.dll 0x7FFC76260000 DPAPI.DLL 0x7FFC762C0000 USERENV.dll 0x7FFC76380000 SSPICLI.DLL 0x7FFC763B0000 profapi.dll 0x7FFC76410000 CRYPT32.dll 0x7FFC764E0000 bcryptPrimitives.dll 0x7FFC76640000 wintrust.dll 0x7FFC766D0000 bcrypt.dll 0x7FFC76740000 KERNELBASE.dll 0x7FFC76770000 win32u.dll 0x7FFC76A70000 gdi32full.dll 0x7FFC76AA0000 msvcp\_win.dll 0x7FFC76BC0000 ucrtbase.dll 0x7FFC76C60000 cfgmgr32.dll 0x7FFC76E10000 OLEAUT32.dll 0x7FFC76E60000 USER32.dll 0x7FFC76F30000 msvcrt.dll 0x7FFC770D0000 SHELL32.dll 0x7FFC77380000 KERNEL32.DLL 0x7FFC77C00000 SETUPAPI.dll 0x7FFC77CC0000 ADVAPI32.dll 0x7FFC78130000 PSAPI.DLL 0x7FFC78240000 GDI32.dll 0x7FFC78250000 IMM32.DLL 0x7FFC78290000 shlwapi.dll 0x7FFC782D0000 sechost.dll 0x7FFC78330000 imagehlp.dll 0x7FFC78430000 clbcatq.dll 0x7FFC78450000 WS2\_32.dll 0x7FFC78500000 NSI.dll 0x7FFC78570000 SHCORE.dll 0x7FFC78580000 RPCRT4.dll 0x7FFC78630000 combase.dll 0x7FFC78760000 MSCTF.dll 0x7FFC78AC0000 ole32.dll 0x7FFC78BE0000 COMDLG32.dll 0x7FFC78D10000 ntdll.dll 0x7FFC78E30000F4SE PLUGINS:
BackportedBA2Support.dll v1 BakaFramework.dll v1.10 Buffout4.dll v1.28.6 BulletCountedReload.dll ClassicHolsteredWeapons.dll f4ee.dll faster\_workshop.dll GLXRM\_ScalingFlagRemover.dll v1 mcm.dll po3\_SpellPerkItemDistributorF4.dll v2 PowerGridTools.dll SettlementOfUnlimitedSize.dll wsfw\_identifier.dllPLUGINS:
\[ 0\] Fallout4.esm \[ 1\] DLCRobot.esm \[ 2\] DLCworkshop01.esm \[ 3\] DLCCoast.esm \[ 4\] DLCworkshop02.esm \[ 5\] DLCworkshop03.esm \[ 6\] DLCNukaWorld.esm \[ 7\] Unofficial Fallout 4 Patch.esp \[ 8\] ArmorKeywords.esm \[ 9\] WorkshopFramework.esm \[ A\] TacticalReload.esm \[ B\] CleanMySettlement.esm \[ C\] InstituteTechnologyOverhaul.esm \[ D\] SimSettlements.esm \[ E\] CALIBER-COMPLEX.esm \[ F\] Kermie's Explosives Complex.esp \[10\] Loads.esm \[11\] LootableCars.esp \[12\] Armorsmith Extended.esp \[13\] Crafting Mastery.esp \[14\] Crafting Mastery - Armor Keywords Patch.esp \[15\] clothingoverhaul.esp \[16\] ClothingOverhaulSP\_XB1\_PC.esp \[17\] Freeze.esp \[18\] MojaveImports.esp \[19\] CROSS\_PlasRail.esp \[1A\] InstituteTechnologyOverhaul - LITE.esp \[1B\] America Rising - A Tale of the Enclave.esp \[1C\] ConcordDowntown.esp \[1D\] Raider Gang Extended NPC (Fixed & Cleaned).esp \[1E\] SimSettlements\_XPAC\_Conqueror.esp \[1F\] GhoulBlood.esp \[20\] RussianAssaultPack.esp \[21\] Ozzys\_BP50.esp \[22\] SPR300.esp \[23\] ehtyeci\_MPX.esp \[24\] American180nv.esp \[25\] GhillieModRedux.esp \[26\] Gunsmith Extended.esp \[27\] Radical.esp \[28\] MikeMooresMCAM.esp \[29\] CondoVII2.esp \[2A\] CheatTerminal.esp \[2B\] Snappy\_HouseK.esp \[2C\] RegulatorsFactionPack.esp \[2D\] M2\_Flamethrower\_2.2.esp \[2E\] Forced Evolution.esp \[2F\] Eli\_Armour\_Compendium.esp \[30\] SimSConqAtomsGlory.esp \[31\] M2Agency.esp \[32\] Vargo52.esp \[33\] ImiUzi.esp \[34\] RemingtonM11.esp \[35\] F4NV-AMR.esp \[36\] HaxRPG7.esp \[37\] 9x39Project.esp \[38\] HowaRifle.esp \[39\] HandmadeAntiMaterielRifle.esp \[3A\] USP .45\_by\_tooun.esp \[3B\] Krebs.esp \[3C\] 9mmPistol.esp \[3D\] F4NVServiceRifleRedux.esp \[3E\] GrenadeExpansionPack.esp \[3F\] F4NVSingleActionArmy.esp \[40\] ToggleFanning.esp \[41\] Buildable\_PAFrames.esp \[42\] WIPAG\_Power Armor Overhaul.esp \[43\] standaloneconstruct.esp \[44\] MK18.esp \[45\] Remington R5 RGP.esp \[46\] Crossbow.esp \[47\] LString\_Bow.esp \[48\] Remington 1858.esp \[49\] SCAR-L.esp \[4A\] ClassicSniper.esp \[4B\] M1Garand.esp \[4C\] LeeEnfieldNo4MkI.esp \[4D\] tsuki no hana.esp \[4E\] SKKWorkshopUtilities.esp \[4F\] AK74M.esp \[50\] DakVintageRepeater.esp \[51\] tumba\_SynthCombatArmor.esp \[52\] MartiniHenryICI.esp \[53\] HuntingShotgun.esp \[54\] win1897.esp \[55\] 3dscopes.esp \[56\] DP\_CaravanShotgun.esp \[57\] TFRangerGear.esp \[58\] CrudeBlowback.esp \[59\] MilitarizedMinutemen.esp \[5A\] Assassins outfit.esp \[5B\] More Scavenging Stations.esp \[5C\] Classic Combat Armor.esp \[5D\] Type99.esp \[5E\] AWKCR - Last Resort CTD FIX.esp \[5F\] DP-27.esp \[60\] R97r Camo Weapon Skins.esp \[61\] R97R Pack Raider Overhaul.esp \[62\] ImmersiveAnimationFramework.esp \[63\] LooksMenu.esp \[64\] CourierDuster.esp \[65\] 65SeriesPistols.esp \[66\] F4NV-N99.esp \[67\] GhillieModRedux - Hotfix.esp \[68\] DakFR2.esp \[69\] AttachPack.esp \[6A\] DakProtoAA12.esp \[6B\] DakRevolverRifle.esp \[6C\] RaidenPreUpgrade.esp \[6D\] Freeze - Vanilla Patch.esp \[6E\] Nexus\_PMC.esp \[6F\] GunnerConq.esp \[70\] Sim Settlements Triggermen Faction Pack.esp \[71\] MJC\_Con\_Cells.esp \[72\] BOUNTIESFORYOU.esp \[73\] DOOMThatGun.esp \[74\] HuntingRevolver.esp \[75\] SKKMobileWorkshop.esp \[76\] AtomCatsRadio.esp \[77\] MJC\_Atom\_Cats\_Faction\_Pack.esp \[78\] SimSettlementsConquerorFaction\_SimpleBrotherhood.esp \[79\] InstitutePowerArmor.esp \[7A\] Green Commonwealth.esp \[7B\] AEWS.esp \[7C\] Smoke-able Cigars.esp \[7D\] BountifulBoards.esp \[7E\] WastelandFashion.esp \[7F\] WastelandFashionAccessories.esp \[80\] DOOMDesertEagle.esp \[81\] Elysium.esp \[82\] GrenadeExpansionPackAWKCRPatch.esp \[83\] GrenadeExpansionPackLoadsPatch.esp \[84\] Skibs-223PistolRedux.esp \[85\] M1Garand - 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AWKCR.esp \[AC\] Ev\_CPA10.esp \[AD\] EV\_CPA10\_LL.esp \[AE\] CROSS\_FireworksCannon.esp \[AF\] Crecy.esp \[B0\] Loads of Ammo - Leveled Lists.esp \[B1\] dD-Realistic Ragdoll Force.esp \[B2\] MsAutomatronPartsCollection.esp \[B3\] AutomatronWheelLegs.esp \[B4\] Lots More Facial Hair.esp \[B5\] Lots More Female Hairstyles.esp \[B6\] Lots More Male Hairstyles.esp \[B7\] JaguarLMG.esp \[B8\] DOOMLK05.esp \[B9\] Thematic and Practical.esp \[BA\] BoarsInstitutePack.esp \[BB\] USP .45\_by\_tooun\_TR\_patch.esp \[BC\] USP 45.esp \[BD\] AnotherLife.esp \[BE\] Scrap Everything - Ultimate Edition.esp \[FE: 0\] BakaFramework.esm \[FE: 1\] PMWorkshopPack.esl \[FE: 2\] RunningWithHandsAnim.esl \[FE: 3\] Munitions - An Ammo Expansion.esl \[FE: 4\] Munitions - Vanilla Ammo Addon.esl \[FE: 5\] GuardMat.esl \[FE: 6\] HellcatPA.esl \[FE: 7\] StandaloneWorkbenches.esl \[FE: 8\] Reapers Wasteland Imports Patch.esp \[FE: 9\] Springfield M1903.esp \[FE: A\] HaxRPG7 - EC Patch.esp \[FE: B\] AMR3000.esp \[FE: C\] F4NV-AMR\_CALIBER\_COMPLEX\_PATCH.esp \[FE: D\] CagebreakerPowerArmor.esp \[FE: E\] Huot.esp \[FE: F\] Huot\_TacReload.esp \[FE: 10\] HowaRifle\_TacReload.esp \[FE: 11\] Type\_81\_Rifle.esp \[FE: 12\] Vargo52TR.esp \[FE: 13\] IAF - Far Harbor & Nuka World.esp \[FE: 14\] Aogaras - AE Tweaks.esp \[FE: 15\] LOST Eli Compendium Patch.esp \[FE: 16\] LOST PMC Patch.esp \[FE: 17\] Ozzys\_BP50\_LL\_Patch.esp \[FE: 18\] RemingtonM11\_LvlListPatch.esp \[FE: 19\] CALIBER - 9mm.esp \[FE: 1A\] COLT\_SINGLE\_CALIBER-PATCH.esp \[FE: 1B\] DOOMDesertEagle\_CALIBER\_COMPLEX\_PATCH.esp \[FE: 1C\] ElysiumAK\_CALIBER\_COMPLEX\_PATCH.esp \[FE: 1D\] GrenadeExpansionPack-EC.esp \[FE: 1E\] HuntingRevolver\_CALIBER\_COMPLEX\_PATCH.esp \[FE: 1F\] HuntingShotgun-CC.esp \[FE: 20\] Service Rifle\_CALIBER\_COMPLEX\_PATCH.esp \[FE: 21\] Skibs223PistolRedux\_CC.esp \[FE: 22\] Springfield M1903 Unique.esp \[FE: 23\] Springfield M1903 Unique-CC.esp \[FE: 24\] Springfield M1903-cc.esp \[FE: 25\] spr\_sts\_patch.esp \[FE: 26\] SPR300\_LvlList.esp \[FE: 27\] Better Chems.esp \[FE: 28\] QwibWandererVaultSuit.esp \[FE: 29\] Caliber-Complex Ammo Crafting.esp \[FE: 2A\] ImiUziLvlList.esp \[FE: 2B\] Makeshifttextures.esp \[FE: 2C\] M2AgencyLvlListPatch.esp \[FE: 2D\] SCOURGE - Vanilla.esp \[FE: 2E\] SCOURGE - Automatron.esp \[FE: 2F\] SCOURGE - Far Harbor.esp \[FE: 30\] SCOURGE - Nuka World.esp \[FE: 31\] HangmanArmorfix.esp \[FE: 32\] WIPAG\_Construction\_Addon.esp \[FE: 33\] WIPAG\_Contraptions\_DLC\_Addon.esp \[FE: 34\] WIPAG\_FarHarbor\_DLC\_Addon.esp \[FE: 35\] WIPAG\_NukaWorld\_DLC\_Addon.esp \[FE: 36\] WIPAG\_Vanilla\_AWKCR\_PA\_Addon.esp \[FE: 37\] win1897\_TR.esp \[FE: 38\] Ozzys\_BP50\_TR\_Patch.esp \[FE: 39\] SPR300\_TacticalReload.esp
2024.05.17 21:53 UniversalSurvivalist What does MK Ultra, 'You'll own nothing and be happy' WEF slogan and Nicole Kidman have in common?
"There will be in the next generation or so a pharmacological method of making people love their servitude and producing dictatorship without tears, so to speak, producing a kind of painless concentration camp for entire societies so that people will in fact have their liberties taken away from them but will rather enjoy it." submitted by UniversalSurvivalist to conspiracy [link] [comments] Julian Huxley, brother of Aldous (best known for his 1932 novel 'Brave New World'), was the first director of the United Nations (UN) Educational, Scientific and Cultural Organization (UNESCO). He was also the President of the British Eugenics Society. The 2030 Agenda for Sustainable Development is a set of international development goals from 2016 to 2030, which was adopted by the UN Sustainable Development Summit held in September 2015 which built on the success of Millennium Development Goals (MDGs). Sustainable Development = The Great Reset! The Huxley's are one big satanic clan. Julian was one of the big promotors of transhumanism. Thomas Henry Huxley was one of Darwin's elite buddies, defending his satanic evolution theory hoax and was nicknamed 'Darwins Bulldog'. In 1956, Julian Huxley’s relative and MKULTRA Australia coordinator, Leonard G.H. Huxley, was elected to the Council of the AAS and he became Vice-President the following year. During this time, the headquarters of ASSA were located on the grounds of the ANU in Canberra, which Leonard was the Chairman of. ASSA was also influenced by the Carnegie Corporation and the pro-eugenics UNESCO which Julian Huxley founded. The ASSA council met with the heads of UNESCO Australia in October, 1956 and worked together to decide the direction of their eugenics program in Australia. Strehlow would go on to contribute the ‘Aborigines Project’ at ASSA with contributions from MKULTRA Doctors Ronald Taft and John Phillip Sutcliffe. The project was headed by Charles D. Rowley who was a founder and principal of the previously mentioned intelligence front, ASOPA. Leonard G.H. Huxley also supported weaponized anthropology outside of the AAS. In 1965 Huxley was the head of the Australian Fulbright Scholarship program at USEFA, which transferred MKULTRA doctors between Australia and the USA. In that year, Huxley accepts an application for a Scholarship from Dr. John D. McCaffrey from Stanford University. One of McCaffrey’s references was Gregory Bateson, a founder of the CIA and Project MKULTRA. McCaffrey’s proposed research outlined a visual approach where he would record feedback from Aborigines in the form of their artwork.[19] This study mirrored an unethical MKULTRA experiment by U.S. Military Doctor, Alexander H. Leighton at the Japanese War Relocation Center at Poston in the Mojave Desert.[20] Both studies aimed to learn about the concept of feedback which is important in understanding human personality. The role of feedback was discovered in a brainwashing experiment at McCaffrey’s Stanford University. The Institute of Psychiatry at Maudlsey Hospital – A base of Australian MKULTRA operations. In 1936, Julian Huxley’s friend Julian Treveleyan, took part in a mescaline study at the Institute of Psychiatry (IoP) at the Maudsley Hospital in London. Trevelyan’s son suggests Julian Huxley tipped him off about the experiment. Julian Huxley’s brother Aldous later wrote ‘The Doors of Perception’, which detailed his experiences after taking mescaline. Treveleyan and the Huxley’s were distantly related as he later married the great-granddaughter of Charles Darwin. Much of the IoP’s pre-WW2 finance came from the Rockefeller Foundation which enabled an exchange of doctors between the Maudsley and Nazi Germany. The IoP was originally a competitor to the notorious Tavistock clinic until it came under Tavistock control when the British Army & Intelligence crowd, including Dr. John Rawlings Rees and Eric Trist, started operating out of here. Julian Huxley later promoted the work of Dr. Eliot Slater at the IoP. At this point in time, Slater was the Vice-Chair of the British Eugenics Society and had a long history of working closely with MKULTRA Doctor, William Sargant. From the late 50’s onward, the IoP was the home of MKULTRA Sub-project 111, directed by Dr. Hans J. Eysenck. According to the book Undiscovered Paul Robeson: Quest for Freedom, Maudsley Hospital was the “staging ground for European and African MKULTRA operations”. There is evidence that strongly suggests it was also a staging ground for Australian operations. As Dr. Peter W. Sheehan explained, Prof. John Sutcliffe was the driving force behind MKULTRA Hypnosis research coming to Australia at The University of Sydney through his connections with Martin Orne. Prior to this, Sutcliffe was in contact with Eysenck who was Director of Subproject 111 at the time. Eysenck was an influential member of the British Psychological Society and so was an Australian Army Psychologist, Donald W. McElwain, who had carried out psychological experiments at Maudsley in the early 50’s. It’s no coincidence that McElwain was the President of the Australian Branch of the British Psychological Society at this time (1958-1959). While Eysenck had influence over Sutcliffe, Wendy A.F. Thorn was a student in Sutcliffe’s department studying hypnosis and multiple personality disorder with MKULTRA Sub-project 84 Doctor, Frederick J. Evans. She would later engage in research financed by the Australian Branch of the British Psychological Society (with assistance from Eysenck) at Leonard Huxley’s Australian National University, before travelling over to the IoP to begin research with Eysenck himself. The funding that helped Martin Orne establish Sub-project 84 at The University of Sydney was recieved through the Human Ecology Fund, specifically under a project titled, ‘Attitude Formation, Decision Matrices’. Eysenck also recieved his Sub-project 111 finance under the same title. It seems that both Sub-projects 84 and 111 were related and both had influence over Australian operations. In 1975, Dr. Martin Seligman went to the IoP at Maudsley on a ‘sabbatical’. It was here he was introduced to Eysenck and worked with IoP staff to study phobias and obsessions while developing his Learned Helplessness theory which later became the basis of the CIA’s 2001 torture program. Dr. Stanley Rachman was at the IoP at this time and he had published studies with Seligman that helped to develop his theory. Seligman’s work at the IoP was in the same year that Kidman was involved with Learned Helplessness research on sheep in Australia. In 1977, Eysenck gave a lecture at The University of Sydney on his Australian tour. Other Australian Maudsley connections are apparent from William Sargant’s involvement at the hospital. It was Sargant that had influence over the serial killer and MKULTRA Doctor, Harry Bailey. Dr. Ardie Lubin was based at the IoP until he left to study with Dr. Jacqueline Goodnow at the Walter Reed Army Institute of Research.[53][54] Shortly after these studies, Jacquline Goodnow and her husband Robert would be working with Dr. John Gittinger at Psychological Assessments Associates (PAA) – before coming back to Australia in 1972. Their official association with PAA didn’t end until 1974, around the same time Fiona Barnett alleges Gittinger was in Australia working with Dr. Antony Kidman. Nicole Kidman recently created the ‘Dr. Antony Kidman Scholarship in Health Psychology’ at the IoP. This could only be a coincidence if you have your eyes wide shut… In March this year, Nicole paid a visit to the IoP (now the IoPPN) to create the ‘Dr Antony Kidman Scholarship in Health Psychology’. This was made in memory of her father who died less than a month after MKULTRA Victim, Fiona Barnett, complained to the Australian Health Practitioners Regulatory Agency (AHPRA) about Antony’s abuse. In that complaint, Fiona alleged that Antony Kidman and Australian Theater Legend, John Bell raped her at a party in 1984 at the Kidman Family House in North Sydney. Fiona also alleges that Nicole witnessed Antony physically assault her the morning after while shouting, “Do you remember, now?!” until Fiona said “No.”. Fiona suffered from Multiple Personality Disorder (or Dissociative Identity Disorder) as a result of abuse like this. Possibly due to her real world experience, Nicole later played a psychologist in ‘Batman Forever’ who specializes in Multiple Personality Disorder. Australian Positive Psychology & Buddhism conference has multiple links to the CIA. Since 2006, a series of yearly conferences that jointly promote Buddhism and Positive Psychology have been held in Sydney. They’re called the ‘Happiness and It’s Causes’ conferences and the chief organizer is the Dalai Lama (via the Vajrayana Institute). The Dalai Lama is a well documented CIA asset with a long history of financial support from the agency.[60] Interestingly, the first conference was held in the Sydney Masonic Centre. The featured line up usually includes a mixture of Positive Psychology promoting psychologists, Buddhist scholars, monks and a few Australian Broadcasting Corporation employees. These journalists and media figures promote Positive Psychology, Buddhism and other attendees in their own time. In 2008, CIA Doctors Seligman and Kidman attended the conference and gave talks which promoted Positive Psychology and its potential role in education.[63] School Principal of Geelong Grammar, Stephen Meek, was also in attendance and he was also selling the idea of ‘Positive Schools’. Meek was the first School Principal in Australia have approved the program. In 2015, Meek told the Child Abuse Royal Commission that he was more interested in protecting his schools reputation than exposing pedophiles existing within his school. Two CIA assets promote Positive Psychology & Buddhism at a conference in Sydney. Kidman’s emissary, Dr Sarah Edelman was there in 2007 with the Dalai Lama. (You can find Edelman’s meditation CD’s for sale at the Theosophical Society. Meditation can lead to mania, depression and psychosis.) Australian False Memory Association Advisor & Associate of Dr. Martin Orne, Dr. Graham Burrows, was also in attendance. Another 2007 speaker was B. Alan Wallace who is an expert in Tibetan Buddhism from Stanford University. Wallace works on the on the Cultivating Emotional Balance project with CIA & Military psychologist Paul Ekman and his daughter Eve Ekman. The Dalai Lama is a strong supporter of this project, having played a crucial role in its creation in 2000. Another speaker to be at the conferences was Bob Carr, who is a previous attendee of the Bohemian Grove and a CIA supporter. This years event headlined Eve Ekman.[78] She’s the daughter of former Chief Psychologist of the United States Army, Paul Ekman who owns the Paul Ekman Group, which has worked with the CIA and FBI. Eve works for her father’s group and so does an, ex-Secret Service, ex-Army Interrogation & PSYOP expert, Paul Kelly, as the Director of Law Enforcement and Security workshops in the USA.[81] Vice-President John Pearse is also connected with intelligence, working for the Anti-Terrorist Branch at New Scotland Yard in London and he has been responsible for the design and delivery of a number of counter-terrorism seminars. In the late 1960’s, Paul Ekman worked alongside The University of Western Australia (UWA) on weaponized anthropology in Papua New Guinea.[83] At this time, UWA was a hub of MKULTRA research with Prof. Ronald Taft making use of his CIA money in similar studies. Interestingly, Ekman’s research was on the exact same tribe that Dr. Leonas Petrauskas, Dr. Vin Zigas and Dr. Carelton Gadjusek had focused their MKNAOMI linked research on. Ekman’s finance for this study came from the Advanced Projects Research Agency (ARPA) and the Air Force Office of Scientific Research. Just a year after working with the Dalai Lama to create the CEB project, Ekman was approached to join the CIA’s torture program that started at Martin Seligman’s house. Ekman denies joining the program, however he does admit his research assists interrogators. The Ekman Group offers training to detect lies and analyse body language which becomes useful for interrogation and mind control purposes. Could Positive Psychology be MKULTRA Mind Control? The term ‘Positive Psychology’ was coined by MKULTRA doctor, Abraham Maslow to describe his work. Albert Ellis was the “unsung hero of positive psychology” and gave a seminar at the CIA’s Esalen Institute in the 60’s to demonstrate his original work. Albert Ellis was influential in the careers of CIA Doctors & Positive Psychology pioneers, Dr. Martin Seligman and Dr. Antony Kidman. Dr. Aaron T. Beck is the father of Cognitive Behavioural Therapy (CBT) which was developed with Ellis and helped to form Positive Psychology.Beck was a Military Psychologist at Walter Reed Army Hospital who also went on to influence Seligman and Kidman. Beck ended up on the Advisory Board of the CIA’s False Memory Syndrome Foundation, having been personally invited by the head of MKULTRA Sub-project 84, Dr. Martin T. Orne. In 1998, Martin Seligman introduced Positive Psychology in his first address as President of the American Psychological Association with his fellow APA member, Dr. Antony Kidman in attendance. Three years later, Seligman would use his life’s research to develop the torture program with the CIA and SERE (Survival, Evasion and Resistance and Escape). SERE is an organisation which was developed using MKULTRA research from the Kubark Manual and the Phoenix Program. Positive Psychology is continuing to make its way into the Australian School System. In the 2015 Keynote Address of the Positive Schools Conference, Toni Noble, an attendee of the Happiness & it’s Causes Conferences and a lead author of the pro-paedophile ‘Safe Schools Framework‘, quoted the current director of ASIO and his desired need for ‘greater social cohesion’ to combat ‘youth militant extremism’. Noble proposed that Positive Psychology was the best way to achieve this objective. “American Soldiers Brainwashed with Positive Thinking.” A major red-flag against the introduction of such a program into schools would be the fact that the U.S. Military paid Seligman over $30 million dollars to create the ‘Comprehensive Soldier Fitness Program’ in 2008. This program was a blatantly unethical research project that used the guise of a fitness program to hide its true intentions. It effectively threw away the soldiers right to informed consent and turned them into human-guinea pigs. In this experiment, soldiers were taught to how to think and respond more obediently with the aid of Positive Psychology, rather than use their own critical thinking. The U.S. Army admits the purpose of this was an attempt to make an ‘indomitable army’. One component of the program was ‘Spiritual Fitness’. This inappropriately forced the idea that religion was essential to achieve better mental health. Positive Psychology promotes Buddhism from within its own core tenets and just like the conferences in Sydney, this seems to be an attempt to blur the lines between Eastern philosophy and Psychology. In his criticism of Seligman’s Positive Psychology, Dr. Kirk J. Schneider has shown that high levels of positive thinking correlate with Positive Illusion, which distorts reality: “What the researchers don’t help us to understand-and what will be essential to understand if we are ever to substantively broach human vitality-is how positivity ratios also appear to correlate with destructive human tendencies. For example, a growing body of research appears to suggest that what the researchers call high positivity-a disposition to pleasant, grateful, and upbeat feelings-is also correlative with a dimension called “positive illusion” (relative inaccuracy regarding reality); and that negativity (or what is generally characterized as mild to moderate depression) is correlated with relatively greater accuracy concerning reality. These findings, moreover, also appear to square with recent correlations between highly positive people and suppressed psychological growth, inability to self-reflect, and racial intolerance.” When we have a thought and behaviour modification program being implemented into schools that was designed by an MKULTRA Doctor and used for the purposes of mind-control by the CIA and the U.S. Military – organizations which have both been behind the largest mind control operations in history to be used on innocent civilians – it seems obvious that it might not actually be trying to improve peoples lives. Positive Psychology and Positive Schools will only serve to further reduce the ability of people to critically think and understand reality. These negative effects are consistent with the goals of the eugenics project we know as MKULTRA. |
2024.05.17 01:53 TippperO2 What's causing these squares and how do I fix them?
https://preview.redd.it/7ud9esdihv0d1.png?width=1920&format=png&auto=webp&s=7e2e0b0b104762cdfa3514a95f56c07eac3e4741 submitted by TippperO2 to Fallout4Mods [link] [comments] Steam just updated my Fallout 4 even though it wasn't in the time I set the automatic updates up to be, and now when I play the game the perk requirements for the workshop crafting isn't showing any real text. It's not game breaking but it is annoying as I would like to know what level of the perk I need to craft the upgrades. I have the right version of f4se installed after the update and Vortex and LOOT haven't notified me of any issues. Here's my load order as copied from LOOT if it helps: 0 0 Fallout4.esm 1 1 DLCRobot.esm 2 2 DLCworkshop01.esm 3 3 DLCCoast.esm 4 4 DLCworkshop02.esm 5 5 DLCworkshop03.esm 6 6 DLCNukaWorld.esm 254 FE 0 ccBGSFO4044-HellfirePowerArmor.esl 254 FE 1 ccBGSFO4115-X02.esl 254 FE 2 ccBGSFO4116-HeavyFlamer.esl 254 FE 3 ccBGSFO4110-WS_Enclave.esl 254 FE 4 ccBGSFO4096-AS_Enclave.esl 254 FE 5 ccFSVFO4007-Halloween.esl 254 FE 6 ccBGSFO4046-TesCan.esl 254 FE 7 ccSBJFO4003-Grenade.esl 254 FE 8 ccOTMFO4001-Remnants.esl 7 7 Unofficial Fallout 4 Patch.esp 8 8 HUDFramework.esm 254 FE 9 BakaFramework.esm 9 9 WorkshopFramework.esm 254 FE a PPF.esm PPF-HeavyFlamer-CR.esm 10 a MutantMenagerie.esm 11 b SouthOfTheSea.esm MutantMenagerie_BackwaterBeasts.esm 12 c AnnexTheCommonwealth.esm 13 d GoodneighborExpanded.esp 14 e SS2.esm PPF-NeonFlats-CR.esm 15 f TrueStormsFO4.esm 16 10 SS2_XPAC_Chapter2.esm 17 11 SS2_XPAC_Chapter3.esm 254 FE b Ownership Fixes.esp 18 12 AmericaRising2.esm 254 FE c CityAmbience.esl 254 FE d RadioactiveSignsAIO.esl 254 FE e NPSShopping.esl 254 FE f Kingsport Lighthouse - KingsVil.esl 254 FE 10 SS2WorkshopHUDOverride.esl 254 FE 11 BirdKiller.esl 254 FE 12 EssentialDrinkingBuddy.esl 254 FE 13 Fireflies.esl 254 FE 14 REFramework.esm 254 FE 15 Indubitable Ivy.esl 254 FE 16 CanarySaveFileMonitor.esl 254 FE 17 Eli_Display Shelves.esl 254 FE 18 NewPADisplay.esl 19 13 Homemaker.esm 254 FE 19 Bighorner.esl 20 14 AAF.esm 254 FE 1a Dogs can grab player.esl 254 FE 1b ChickensLayEggs.esl 254 FE 1c Fixed Gobo Effects.esp 254 FE 1d SavrenXCreaturesPackDlcREDONE.esp 254 FE 1e SavrenXLandscapeInteriorBuildingDLC.esp 254 FE 1f Wetness Shader Fix.esp 254 FE 20 FOLIP - New LODs.esp 21 15 PiperCaitCurieDialogueOverhaul.esp 22 16 A Forest.esp 23 17 Galaxy News Radio.esp 254 FE 21 A Forest-Base Mod Patch.esp 24 18 SS2Extended.esp 25 19 MODaquatic.esp 26 1a Stm_DiamondCityExpansion.esp 27 1b FogOut - Interiors - All DLC.esp 28 1c PreWarAtomCatsGarage.esp 254 FE 22 DiamondCityExpansion-eXoPatch.esp 29 1d BetterBostonAirport.esp 30 1e FLORA - The Fungal Forest.esp 31 1f SSTFungalForest.esp 32 20 MojaveImports.esp 33 21 SuperMutantRedux.esp 254 FE 23 BetterCoastalWaves.esp 34 22 The Train.esp 35 23 FaceMaxson.esp 36 24 TrainBar.esp 37 25 moreXplore.esp 38 26 Some Assembly Required.esp 254 FE 24 WhoIsTheGeneral.esp 39 27 CrimeTown.esp 40 28 gnEdits.esp 254 FE 25 GoodneighborExpanded[Patch-Crimetown].esp 41 29 DeadAirplane.esp 42 2a Immersive_Lexington.esp 43 2b AlleyEncampmentSettlement.esp 44 2c NoteRacks.esp 45 2d random stuff.esp 46 2e Believable Drumlin Diner (turret).esp 47 2f BetterFarHarbor_Open.esp 48 30 DeadlierDeathclaws.esp 49 31 Raider Gang Extended NPC (Fixed & Cleaned).esp 254 FE 26 4estGimp Edit - Raider Gangs Extended.esp 50 32 IcebreakerCDO-Piper.esp 51 33 WRVR.esp 52 34 ImmersiveBeantown.esp 53 35 W.A.T.Minutemen.esp 254 FE 27 SOTS - The Fungal Forest.esp 54 36 NukaRDC.esp 55 37 Radical.esp 254 FE 28 CRP Radio Towers 2.5.esp 254 FE 29 UniqueRaiderPatrols1.esp 56 38 DT_GunnerOutfitPack.esp 57 39 DTG_LeveledListIntegration.esp 58 3a CroupSettlerRescue.esp 59 3b LongFellowCabin-FarHarbor_Bridge.esp 60 3c PlaneWreck.esp 61 3d --abernathy--.esp CSEPLoadedBases.esp 254 FE 2a IntGrievingRaider.esp 62 3e Standalone Nuka Cola Manufacturing Workstation.esp 63 3f Forced Evolution.esp 254 FE 2b RansackedRelay.esp 64 40 Vertibird Faction Paint Schemes.esp 65 41 Eli_Armour_Compendium.esp 66 42 Nuka World Bottle Fix.esp 67 43 Cinematic Lensflares.esp 68 44 InGameCollectibleMaps.esp 69 45 SSTRagsPirates.esp 70 46 SSTTomsBruisers.esp 71 47 Toxic Raider Armour.esp 254 FE 2c Ack-Ack'sHarlequins.esp 72 48 ImprovedInstitute.esp 73 49 CourserCrusher.esp 74 4a City of Quincy.esp 75 4b UFOCrashSite.esp 76 4c Mirelurks Nest.esp CSEPTheExperiment.esp 254 FE 2d A Forest-AlleyEncampmentSettlement.esp PRP-SS2-Fixes-Ch2.esp 77 4d Atom Cats Power Armor Traders 10 hours V 1.6.esp 78 4e StopBangingOnMyHouse2.esp 79 4f ellen.esp 80 50 AtomsGloryThreads.esp JOTCPatch SS2 UFO4P.esp 81 51 SS2WastelandVenturers.esp 82 52 KingsportLighthouseLit.esp JOTCPatch AForest UFO4P.esp 83 53 Clean Water - Clear - Rads.esp 84 54 [SS2 Addon] SimSettlements SuperStructures.esp 85 55 Sanctuary Raider & Dog Removed.esp 86 56 FO4 NPCs Travel.esp JOTCPatch AForest AmericaRising2.esp 254 FE 2e Wastelanders.esp PRP-SS2-Fixes-Ch1.esp 254 FE 2f CoAPowerArmor.esp 254 FE 30 PATCH_SAR_ATOMPA.esp 87 57 FIXEDGoodfeels_no_DLC_needed.esp 88 58 More Smarter Companions Mod.esp 89 59 Ketaros_World.esp 90 5a EveryonesBestFriend.esp 91 5b SKKFastMinutemen.esp 92 5c TrueGrass.esp 254 FE 31 AForest-TrueGrass.esp 93 5d TrueStormsFO4-FarHarbor.esp 94 5e TrueStormsFO4-NukaWorld-FH-Compat.esp 95 5f ImprovedBoS.esp 254 FE 32 ImprovedBoSBoss.esp 96 60 ImprovedBoSEncounters.esp 97 61 TrueStormsFO4-EarlierSunsets.esp 98 62 TrueStormsFO4-EarlierSunsetsFH.esp 99 63 TrueStormsFO4-FarHarborExtraRads.esp 100 64 TrueStormsFO4-GlowingSeaExtraRads.esp 101 65 CF_AtomicWarlord.esp 254 FE 33 4estGimp - SotS Atoms Storm Atoms Glory Threads CoA.esp 102 66 CoASettlers.esp 103 67 MojaveImports - Combat Addon.esp 104 68 ImmersiveCovenantCompound.esp 254 FE 34 DLC04PackArmorFix.esp 254 FE 35 4estGimp - GOP NPC LL Integration Update.esp 105 69 _PAHelmetAlways.esp 254 FE 36 Crafting-GunnerOutfitPack-Standard.esp JOTCPatch TrueStorms FarHarbor NukaWorld.esp JOTCPatch DanseDilemma UFO4P.esp 254 FE 37 CityAmbience.esp JOTCPatch CityAmbience TrueStorms.esp JOTCPatch BetterGoodneighbor UFO4P.esp 254 FE 38 REPatch_AmericaRising2LegacyOfTheEnclave.esp JOTCPatch AmericaRising2 DLC.esp 254 FE 39 DiversePotC.esp 254 FE 3a UniqueAmoralCombatChallengers.esp 254 FE 3b UniqueIvey.esp 254 FE 3c FaceFixesNucleusCoA.esp 106 6a BetterSettlers.esp 107 6b BetterSettlersCleanFacePack.esp 254 FE 3d DiverseSettlersFarHarbor.esp 254 FE 3e FaceFixesCaravanGuards.esp 254 FE 3f BugFixSettlers.esp 254 FE 40 FaceFixesVisitorCenterSettlers.esp 254 FE 41 BugFixFarHarborSettlers.esp 254 FE 42 FaceFixesPackCaptives.esp 254 FE 43 FaceFixesVault81.esp 254 FE 44 DiverseCoursers.esp 254 FE 45 FaceFixesInstituteScientists.esp 254 FE 46 FaceFixesWastelandTravelers.esp 254 FE 47 Lost Soul No Hostility.esp 254 FE 48 LostSoulExpanded.esp 254 FE 49 Lost Soul No Hostility Expanded.esp 254 FE 4a DiverseScavengers.esp 254 FE 4b DiverseEnclaveAR2.esp 254 FE 4c RL_Recruit_Framework.esp 254 FE 4d Rescue Scruffy and Tink.esp 254 FE 4e Rescue Emmett and Toro.esp 254 FE 4f Rescue_Luna_Katana.esp 254 FE 50 HastyLetter.esp 254 FE 51 DiverseTriggermen.esp 254 FE 52 DiverseTrappers.esp 254 FE 53 DiverseRaiders.esp 254 FE 54 DiverseBoS.esp 108 6c JSChildrenoftheAtom.esp 254 FE 55 DiverseCoA.esp 109 6d ImprovedRR.esp 254 FE 56 DiverseRailroad.esp 110 6e NorwegianGhoul.esp 254 FE 57 DiverseGunners.esp 254 FE 58 DiverseMinutemen.esp 254 FE 59 Cait's Bandolier.esp 254 FE 5a UniqueL&LGang.esp 254 FE 5b DiverseRustDevils.esp 254 FE 5c DiversePack.esp 254 FE 5d DiverseDisciples.esp 254 FE 5e DiverseOperators.esp 111 6f MoveWorkshopItems-Capsafe.esp SuperMutantRedux_ArmorSmithExtended.esp 112 70 ExpandedSettlementBuildings.esp 113 71 BetterShackBridges.esp 114 72 ImprovedHostileFactions.esp 254 FE 5f DiverseForged.esp 254 FE 60 ImprovedHostileForged.esp 115 73 SS2_ruined_simsettlement_addonpack.esp 116 74 LongerPowerLines3x.esp 117 75 SS2_XDI Patch.esp 254 FE 61 Sim Settlers 2 Go Shopping.esp 254 FE 62 SS2Extended_OutfitInjectionPatch.esp 254 FE 63 SS2_DLCSettlerPatch.esp 118 76 IcebreakerCDO-Settlements.esp 119 77 Docile Radstags.esp 120 78 PreWarSafes.esp 121 79 Insignificant Object Remover.esp 122 7a DD_TrulyGhoulish.esp Mechanist's Lair without robobrain in chair.esp 123 7b Automatron Decals.esp 124 7c AutomatronDialogueFix.esp 125 7d SweetTooth.esp 126 7e 3dscopes.esp 254 FE 64 SRO - Syringer Overhaul.esp 127 7f ScrappableLegendaries.esp 128 80 AS_CraftableInstituteStations.esp 129 81 Pet - Call -Feed Dogmeat.esp 130 82 spacefiddle_Follower-Stealth-Distance-Fixes.esp 131 83 ResetHome.esp 254 FE 65 PetAnyDog.esp 132 84 LongRangeBulletHoles.esp 133 85 PlayerMarriage.esp 134 86 Move (Get Out the Way).esp 135 87 Killable Children.esp 136 88 Molerat_Disease_Immunity_PA_Hazmat.esp 254 FE 66 jdmCouchSleep.esp 137 89 NoTwigs.esp 138 8a Automatron Protectrons Expanded.esp 139 8b Nuka World Bot Fixes.esp 140 8c JunkCrafting.esp 141 8d More Cooking 1_1.esp 142 8e HumanMeat.esp 143 8f VaultPlus.esp 144 90 Eli_PlantPots.esp 145 91 DD_Spiral_staircases.esp 146 92 This is MY Bed (Extended).esp 147 93 EvilViking13_MinutemenMorale.esp 148 94 Lore Friendly Posters.esp 149 95 BrighterSettlementLights_LessHarsh.esp 150 96 BetterJunkFences.esp 254 FE 67 eXoMagazineShelf.esp 151 97 Interview.esp 254 FE 68 DynamicGlowingBeveragePack.esp 152 98 PoolRackFix.esp 153 99 BradbertonInteriors.esp 154 9a CriticalFX.esp 155 9b OWR_NWR.esp 156 9c ImprovedCaravanGuards.esp 254 FE 69 ImprovedGuardEncounters.esp 254 FE 6a ImprovedGuards.esp 157 9d RestorePAFrames.esp 158 9e ImprovedHostileFactionsEncounters.esp 254 FE 6b ImprovedHostileFactionsEncountersFast.esp 254 FE 6c ImprovedHostileNPCTravelPatch.esp 254 FE 6d ImprovedHostileSuperMutants.esp 254 FE 6e ImprovedHostileSuperMutantsSMRPatch.esp 159 9f Realistic_conversations.esp 254 FE 6f ImprovedRRBoss.esp 160 a0 ImprovedRREncounters.esp 254 FE 70 ImprovedRREncountersPatch.esp 254 FE 71 ImprovedRRStatAgents.esp 254 FE 72 ImprovedInstituteBoss.esp 161 a1 ImprovedInstituteEncounters.esp 254 FE 73 ImprovedInstituteNPCTravelPatch.esp 162 a2 ImprovedNukaRaiders.esp 254 FE 74 ImprovedNukaRaidersBeast.esp 254 FE 75 ImprovedNukaRaidersBoss.esp 163 a3 ImprovedNukaRaidersEncounters.esp 254 FE 76 ImprovedNukaRaidersNPCTravelPatch.esp 254 FE 77 FEVRatNoGrab.esp 164 a4 Ambient Wasteland.esp 165 a5 LooksMenu.esp 254 FE 78 Simple Dog Bed.esp 166 a6 OCDecorator.esp 167 a7 OCDecoratorDLC.esp 168 a8 OCDispenser.esp 169 a9 Taxidermy_Expanded.esp 170 aa [ARRETH] FGEP-DE.esp 171 ab NukaVimRack.esp 172 ac Eli_Display Shelves.esp 254 FE 79 BAM-BetterArmoryMod.esp 254 FE 7a TTP_MoneyBed.esp 254 FE 7b Female DC Security.esp 173 ad SettlementMenuManager.esp 174 ae Better_Notes.esp 254 FE 7c Publick Occurrences Expanded.esp 254 FE 7d DiamondCityExpansion-RedSeat.esp 175 af PlantedPlantable.esp 176 b0 Glowing Animals Emit Light.esp 177 b1 FatManRadiation.esp 178 b2 ImmersiveVendors.esp 179 b3 OWR2_TCM.esp 180 b4 DynamicInteriorFogRemoval.esp 181 b5 Realistic Death Physics - ALL DLC.esp 182 b6 AtomCatsRadio.esp 183 b7 AzarPonytailHairstyles.esp 184 b8 BetterSettlersCCAPack2.0.esp 185 b9 BetterSettlersMortalPack.esp 186 ba BetterSettlersNoLollygagging.esp 187 bb dD-Enhanced Blood Basic.esp 188 bc CBBE.esp 189 bd EvilViking13_WastelandWalls.esp 190 be Wall Oil Lamps.esp 191 bf WoodenPrefabsExtended.esp 192 c0 Frothy Weapons.esp 254 FE 7e WAVE.esp 193 c1 MinutemenPropaganda.esp 254 FE 7f DiverseDCSecurity.esp 254 FE 80 DiverseCovenantSecurity.esp 194 c2 Mojave Imports Add-On.esp 195 c3 NukaColaDisplayStand-MojaveImports.esp 254 FE 81 ImTalkingToYou.esp PRP.esp PRP-Compat-PointLookout.esp SouthOfTheSea[Previs].esp 254 FE 82 DiamondCity-PreVis.esp JOTCPatch SouthOfTheSea DLC.esp GoodneighborExpanded[Patch-PRP].esp PRP-SS2.esp 196 c4 EnhancedLightsandFX.esp 254 FE 83 EnhancedLightsandFX - Automatron.esp JOTCPatch ELFX UFO4P.esp JOTCPatch ELFX SS2.esp Bashed Patch, 0.esp |
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2024.05.11 08:42 Trick_Minimum3190 About Her Voice: A conversation on Mariah Carey with author and critic Andrew Chan
About Her Voice A conversation on Mariah Carey with author and critic Andrew Chan BY DANIELLE AMIR JACKSON DECEMBER 21, 2023 submitted by Trick_Minimum3190 to MariahCarey [link] [comments] Photo by Raph_PH via Flickr. Artistic rendering by Oxford American. Courtesy Wikimedia Commons This exclusive feature is an online extension of the OA’s annual music issue. Order the Ballads Issue and companion CD here. Singing is “the most enigmatic of performing arts,” the author, editor, critic, and self-professed “diva lover” Andrew Chan writes. It’s a simple matter of air and anatomy: breath moves through closed vocal folds which then vibrate and resound throughout the throat, chest, head, or sinuses. But when we listen intently, transcendence is available to us. Raised hairs on the upper arm, a tingle on the back of the neck. The irrepressible urge to tap one’s toes. Transcendence is something we can feel–a physical sensation that unleashes the emotions and connects us to the divine. That’s why a host of spiritual traditions embrace the human voice as a conduit for worship, and in secular music, many of the most popular traditions–r&b and its variants, country, even rap—foreground some sort of vocal virtuosity. A skilled vocalist can “seduce us, haunt us, heal us regardless of the text they’re delivering or even the culture that surrounds them,” Chan writes. In his first book, published just this past fall, Chan highlights the thirty-plus year career of Mariah Carey, whose five-octave vocal range; agile, multisyllabic melisma; and well-honed aptitude for catchy hooks and witty wordplay turned her into one of the most successful pop singer-songwriters of all time. Carey has earned five Grammys and nineteen number ones on the Billboard pop chart—the highest of any act besides the Beatles, surpassing Elvis. Two of her fifteen full-length albums are certified diamond, with sales of ten million or more in the United States alone. Why Mariah Carey Matters, part of the University of Texas Press’s Music Matters series, is the first book-length critical assessment of the artist’s wide-ranging career. Chan makes the case that from the beginning, Carey’s vocal dexterity and range set her apart—her mastery at blending piercing whistle tones, fluttery, feminine whispers, muscular belts, and “leathery low” notes, often within the same song. “There’s something irrational, bizarre, and hazardous-sounding about the way Mariah hopscotches over and across vocal registers without warning or transition,” Chan writes. She also blended and mixed styles of singing, infusing both big, sentimental ballads and buoyant, weightless bops alike with gospel fervor; in the ’90s, alongside artists like Mary J. Blige and Jodeci, she contributed to the creation and commercial dominance of “hip-hop soul.” In her house remixes, often painstakingly re-recorded versions of her mainstream pop hits, she frequently scatted and improvised in the tradition of Ella Fitzgerald or Sarah Vaughan. Equally impressive, and critical in understanding Carey, Chan says, is her “artistry outside the vocal booth.” She wrote or co-wrote all of her most enduring hits, including “Vision of Love,” “We Belong Together,” and “All I Want for Christmas Is You.” She’s produced herself and other artists, and is one of few women nominated for the Grammy Award for Producer of the Year (Non-Classical). It was an early honor, from 1992, for work on her second LP, Emotions. Chan is one of my favorite writers and an important voice in contemporary music and film criticism. He’s vivid in his assessment of Carey’s musical gifts. He layers in details of his own upbringing to help us understand why certain songs and singers turned him into a student of the art. I love the way he brings the reader along with him—we’re watching and listening together as Carey delivers her gospel-drenched rendition of “America the Beautiful” on the NBA Finals in 1990, hearing her sing the climactic sea-ahhh as she “evokes rolling vistas and open water.” He acknowledges the blemishes on Carey’s career and the unpredictability of her voice, which he insists is not a recent phenomenon. He situates Carey in refreshing context: with Black singers of the ’80s who influenced her sound, and with other female songwriter-producers like Patrice Rushen, Teena Marie, and Angela Winbush, who don’t often receive credit for their prowess behind the boards. “So much of the culture and money created during this era is the product of Black female creative energy,” writes Danyel Smith, another of my favorite music writers, in Shine Bright, her sweeping history of Black women in American pop. She’s talking about the middle of the twentieth century, when recordings like the Dixie Cups’ “Chapel of Love” achieved mammoth success that the performers—who came up with the arrangement we all know and love—were not credited for. Carey has received commercial rewards, and, as of late, critical adoration from outlets such as Pitchfork and Rolling Stone. But Chan suggests we still haven’t absorbed the magnitude of Carey’s genius, that our cultural blinders have hindered our ability to understand the breadth of her labor and mastery. Carey’s upbringing as a biracial daughter of a white mom who raised her largely on her own; her sense of not fully belonging among Black or white people; her insistence on femininity in an industry that privileges masculine presentation when it doles out points for credibility. She used it all in her art—especially in her ballads. Over a long and wide-ranging conversation, Chan and I discussed Carey’s melancholy, artistic lineage, the feeling of singing, r&b, gospel, and transcendence. Courtesy University of Texas Press Danielle Amir Jackson: Can we start with your background? I know you grew up in some American suburbs and in Malaysia. When did you begin to pay so much attention to Mariah Carey? Andrew Chan: I moved around quite a bit as a kid. I was born in Minneapolis, in a great music city, but I didn’t live there long. My family moved to Tampa, Florida and then to Malaysia. After moving back to the States, I lived in Atlanta, Georgia and Charlotte, North Carolina—the metropolitan New South. In the nineties. In the nineties. I moved to Atlanta… I think in ’97. I remember Butterfly had just come out. And I remember Usher was number one on the charts with “You Make Me Wanna…” Living in Atlanta and Charlotte in the nineties, I was one of the few Chinese Americans in school. For much of middle school and early high school, half of my friends were Black. So, there was a lot of exposure to the music that they were listening to. Hip-hop and r&b were becoming mainstream and dominating the charts. Having friends who were Black exposed me to more than just what was crossing over. I also felt connected emotionally to Malaysian culture. My parents exposed me to some of the great Asian divas of the eighties and nineties. Mandarin and Cantonese pop were important for me until, maybe, first grade. So, I was listening to people like Anita Mui, Priscilla Chan, and Teresa Teng and was completely obsessed with them before I had much knowledge of American pop music. Even then my ear was attuned to how different they sounded. Anita Mui had this beautiful contralto voice. Teresa Teng was more of a mezzo soprano. And they had different vocal approaches. Even if I didn’t have the language to analyze that or express that at that age, I was really drawn to the variety of women’s singing. That fascination carried over to the period when I started becoming obsessed with American pop music and American divas, mainly through Whitney and Mariah. When I heard “I Will Always Love You” and the whole Bodyguard era, I’d never heard something like that before. That drew me to the soul tradition of American singing. I don’t often hear people discuss Carey in the lineage of great American interpreters of ballads like Ella Fitzgerald or Frank Sinatra, and I really appreciate that it’s the note you lead with in your book—which parallels the way that Carey started her career. The OA’s annual music issue is a dive into ballads and the elasticity of the form. What’s special about ballads? Why might an artist like Carey launch her career with ballads? Even though she became frustrated with Tommy Mottola molding her into an adult contemporary ballad singer, the demo was full of ballads. She co-wrote all those songs. She found different ways of making the ballad fresh and interesting for herself. The ballad has always meant different things across time. If you were to compare Sinatra, singing an old jazz standard ballad like “Angel Eyes” or “In the Wee Small Hours of the Morning,” what does that have in common with Mariah Carey’s “Can’t Let Go?” They’re slow. They’re about passionate love. This does a couple of things for a singer: It gives you space to really milk every note and moment; the listener is drawn into the space of the ballad and is invited to listen very closely in a way that you just aren’t if you’re competing with an up-tempo beat behind you or if you’re singing fast. The feat is more about rhythm than it is about holding out long notes. The ballad accentuates the tone of the singer’s voice. It creates an intimate connection with the listener. It also puts the singer at risk of being uncool because ballads are kind of forbidden. And that is why we love them. They can be uncool. They almost feel like something that we shouldn’t admit we listen to or respect because they, especially the sad ones allow us to wallow, which we’re not supposed to do if we’re grownups and we want to be serious and mature. We’re not supposed to sink into our feelings of longing and despair. But this is one of the places in our culture where we get access to that intensity of emotion, and the slowness of the music mimics the infatuated person’s inability to let go of love or inability to stop thinking about the beloved. Mariah is an unabashedly sentimental singer, and that’s why it took so long for her to garner any kind of critical respect. She is in that tradition of musical wallowers. She loves her heartache. She loves to long and pine. She’s a bit of a masochist. Many interesting people are. Yeah. Ballads can be transportive to sing. The tempos are slower; you can really get your mouth around the words and feel each one of them. Because the song isn’t whizzing by at a crazy pace, you can build to a satisfying climax. You can go from low to high in this drawn-out, dramatic way. That shows the full capabilities of your voice. When you say ballads are transportive, are you talking about a transcendent experience? The Holy Ghost? A little bit. It’s to the point where you’re moving with your own performance, which is why singers sometimes get choked up when they’re singing their ballads, because it is such a vulnerable place to be. In karaoke, which most people don’t take seriously, if I’m singing a particular song and I’m really feeling it, I can get so lost in it. “She loves her heartache. She loves to long and pine. She’s a bit of a masochist.” ANDREW CHAN I like what you said about ballads being almost contraband. I remember when people realized Beyoncé was starting the Renaissance tour with slow songs. It seemed almost like an anachronism. Yeah, for her big house record. She’s a great ballad girl too. In terms of them being contraband, back in the Maoist era in China, love ballads were banned because they were seen as counterrevolutionary. If you were part of the revolution, you wouldn’t indulge in these individualistic displays of your own personal emotions. I do get into that a little bit in the book where I even had a moment in my teenage years where I was just like, These are pathetic. They’re a distraction from the real business of politics and liberation and revolution, you know? We include a song by Fannie Lou Hamer on our compilation accompanying the issue. You made me think of Elaine Brown, who was chair of the Black Panther party and recorded songs and some of them are balladlike. They’re propagandist, one-note songs. There is the political ballad too. I think there’s something about love ballads where it’s like surrendering and succumbing to feelings of longing, loss, yearning, desire. Of course, there’s misogyny involved in that too, because these are “feminized” emotions. Ideas about feminine hysteria are built into this hyperbolic style of singing as well. People forget that Whitney was booed and disrespected for much of her career. It’s funny that she and Mariah had a reappraisal where they’re legends now, but at the beginning of their careers, they were criticized for over-singing and being excessive. I wonder why people didn’t say that about Luther Vandross. He’s super indulgent. He’s so indulgent. “A House is Not a Home” or “Superstar”—those songs are seven minutes long or something. He had some pop crossover appeal, but he never hit it as big as Whitney and Mariah. But also, there’s a bit of misogyny in that, the difference between women doing it and men doing it. I mean, Al Green is a show-off. They’re all show-offs. Let’s talk about the eighties. You say that “Can’t Let Go,” is a revision of “Make It Last Forever” by Keith Sweat and Jacci McGhee and compare Carey’s work as a songwriter-singer-producer to Teena Marie and Angela Winbush. And you go into quite a bit of depth into all her references and homages in Glitter: Indeep, Zapp, Cherrelle. I’m having a moment right now—perhaps I’m where Mariah was back in ’99 and 2000—but I’m so obsessed with the sounds and sights of the Black ’80s. Miki Howard, whom you also mention, has been heavy on my mind, alongside Anita Baker, Patrice Rushen, Regina Belle. In your opinion, what was special about that era in music, particularly in Black pop, and how was it connected to Carey’s debut? I didn’t come into writing this book as an expert in eighties Black music. That is one of the areas where I felt a bit insecure because I felt I knew sixties and seventies r&b and nineties onward in terms of r&b, but for some reason the eighties were an area that I hadn’t explored sufficiently. I knew the major names and their works, but it is a decade that, when it comes to Black popular music, it’s so defined by one-hit wonders. Aside from the Whitneys and the Michael and Janet Jacksons and Lionel Richies, there weren’t a lot of a long-lasting careers that crossed over to non-Black audiences in a major way. Sometimes, DeBarge would have a pop hit, but for most of their significant catalog, mostly Black listeners were listening. I had to do a lot of catching up to get those sounds into my ears and really hear how they influenced Mariah. I think part of it is because eighties r&b is less canonized than the seventies and nineties. Even the nineties have experienced this resurgence of critical interest, but the eighties are almost like a blip. Part of it is where it came in the history of popular music—after the demise of disco, which really was a shaming of Black music by the white rock establishment. I’m sure it’s more complex than that, but that was certainly a dimension to that whole culture war. In the eighties, you have r&b coming out of the ashes of disco and utilizing the electronic elements that disco had been criticized or seen as superficial for. You get a lot of experimentation like Zapp—so kooky and goofy. The use of the talk box to manipulate vocals. You get club music, like Cherrelle, a sort of post-disco dance music, people having a lot of fun. Just like really deep grooves that went on for like six minutes. Gap Band, all that kind of stuff. There’s the kind of fun side of eighties r&b, but then on the other side you have this luxuriousness, the plush textures of Quiet Storm, which began in the seventies, but really came into its own commercially in the eighties with people like Luther, Anita Baker—who sort of took the slow-roasted, slow-jam, boudoir sound of Isaac Hayes and Al Green and Smokey Robinson—and pushed it to a whole new level. Even when they were singing at the tops of their lungs, it was still smooth. I hesitate to just generalize all eighties r&b, but I see those as the two parallel tracks. I think they both deeply informed Mariah’s aesthetic. I think Aretha is a huge influence on pretty much all r&b women singers. I think Mariah would cite her as the ultimate female influence, but I think when it comes to sonics, the luxuriousness, the Quiet Storm sound is so evident in songs like “Underneath the Stars” and “Fourth of July.” Those are what you would think of as Quiet-Storm Mariah, but you [also] hear it in the stuff that’s more hip-hop like “The Roof.” The way she’s stacking her vocals, the way she’s creating texture with her voice. It’s very Luther. The way she is manipulating her voice, the way she’s showing it off but not for its own sake, but to create an environment that you sort of wrap yourself in. When I think of Luther showcases like “Superstar” or “Forever, for Always, for Love,” it’s very much like some kind of texture that you can wrap yourself. This is quite different from the approach of the belters of the sixties and seventies, like Aretha or even Gladys or Chaka, powerful singers who really prioritized the belt. Mariah is a phenomenal belter—one of the greatest. Where she really distinguishes herself from other divas of her time is the subtler parts of her voice. I think a lot of that is influenced by Quiet Storm. When it comes to the zanier side of eighties r&b, you hear it in her sense of humor, her effervescence, especially as she became more of a jokester lyrically in her later years. You can sort of hear the lyrical experimentation and the kind of devil-may-care attitude of eighties Black music. One of my favorite live performances of Carey’s is where she sings “Somewhere Over the Rainbow” and “If Only You Knew,” her Patti Labelle homage. I love that era in her voice where there is that level of rasp. That performance—it’s very eighties Patti. “If Only You Knew” is so eighties. I think Mariah’s samples, too, are so interesting and root her in the time of her youth. She’s such a radio-head, the way she talks about listening to the radio in her memoir and her devotion to soaking up all those sounds. That was before streaming, where you really had to be glued to the radio. I don’t know if she had MTV back in the day, but the radio was the thing. And she wasn’t just listening to r&b. She was listening to Pat Benatar. The range of her musical references is so fascinating. I’d love to discuss Carey’s gospel moments. You spend a great deal of time on her rendition of Dottie Peoples’ “Jesus, Oh What a Wonderful Child” and note that while Carey didn’t grow up in the Black church, she joined one as an adult. What’s Mariah’s connection to the gospel of the ’90s? I’m thinking of artists like BeBe and CeCe Winans or Commissioned? I love gospel music, but I would never claim to know it. I love gospel music because that’s where r&b comes from. R&b is my portal into gospel music. It remains the source of so much great singing, even today. Le’Andria Johnson is one of my favorite singers alive. In terms of Mariah and gospel, I think it is so interesting to me that she didn’t grow up in a Black church and yet was so committed to singing in a gospel style, even from the beginning. There may not be songs that feel explicitly gospel on the debut album, but you do have moments. “There’s Got to Be a Way” has a gospel choir that feels kind of in the style of BeBe and CeCe Winans. That pop, commercial gospel that was happening in the late eighties and nineties—the kind of gospel that you would hear in Sister Act 2. Then she employs background singers like Kelly Price and Melonie Daniels—virtuosos of that sound. In the book, you note that Kelly Price had been trained by Mattie Moss Clark. Yes, I found that in a video of Kelly Price. She talked about doing some kind of workshop with Mattie Moss Clark when she was younger. [Carey’s] commitment to surrounding herself with not just skilled r&b background vocalists, who could do a commercial sound, but vocalists like Kelly Price and Melonie Daniels, who could bring a church sound, specifically a COGIC sound to her music is completely fascinating to me. The Clark Sisters were playing on r&b radio back in the seventies. Gospel had been having these kinds of crossover moments, but Mariah’s knowledge of the music surpasses just knowing “Oh, Happy Day” or “You Brought the Sunshine.” She was listening to Vanessa Bell Armstrong. From the very first album in interviews, she is citing Vanessa Bell Armstrong and the Clark Sisters as influences. I have to think that in her teens, she had been exposed to gospel music. I’m fascinated that she came to the music and absorbed its influence without having a longstanding background in the Black church. I bring this up, not so much as a point about appropriation, but more as another example of Mariah being someone obsessed with records and listening to music and soaking up any influence she could find, whether it was Journey—when she covers “Open Arms”—or gospel or hip-hop or what have you. To go back to gospel and “Jesus, Oh What a Wonderful Child,” she has moments where she wears her gospel influence on her sleeve even before that. “Anytime You Need a Friend” was one of the most significant gospel moments; she’s singing with a choir behind her and doing a lot of riffing and running and belting in the way of the great COGIC singers. “Jesus, Oh What a Wonderful Child” is significant because it sounds live. I read somewhere that it was recorded live in a church. The vamp is unlike anything that had come in her discography before. It is a gesture toward a kind of gospel authenticity. It’s no longer just gospel-pop. It’s going there and trying to recreate the spirit and the atmosphere and the feeling of a live gospel setting. I’m interested in her study of gospel as an example of her being a constant and abiding student of different forms of Black music. I love her later gospel songs like “Fly like a Bird,” “I Wish You Well,” and “Heavenly” where she combines a James Cleveland song with a Mary Mary song. There is a song called “I Understand” that’s one of those multi-megastar performances. There’s Rance Allen, Kim Burrell, and Mariah does just whistle at the very end. Do you think Mariah is fundamentally an r&b artist? We first have to acknowledge that genres are constructs. These terms have historical origins that are usually rooted in marketing and promotion. Most people track [r&b] to the 1940s. It replaced race music as the designation or the category for whatever African Americans listened to that was popular music. It’s a shifting signifier. The idea that there is a commonality between the music of Ray Charles and Lavern Baker and Fats Domino and Mariah and SZA—all these artists sound so different. I think there is something a little bit unhelpful about these genre markers. That being said, constructs take on their own reality for people who engage with them. For Mariah, and her listeners who gravitate to the r&b side of her catalog, r&b represents something. It’s as different as the music has become over the decades. There are still certain stylistic and sonic continuities. It’s very improvisational. There is melisma, runs. In classical music, you perform it as its notated. Melisma defies notation. You can sing so many notes so fast that you can’t really even transcribe it. It’s rooted in gospel. It’s rooted in a certain passion for delivery, a centrality of the voice and individual expression. An idea about struggle and transcendence, because it’s rooted in the Black experience and an acknowledgement that life is sometimes totally unbearable, and music is a vehicle to help you get over, to get through. People who gravitate to r&b are connecting with that. Of course, not every r&b song is about that. But even in a slow jam, you can hear that whining, that struggle, that tension. You hear all these elements in Mariah’s discography. For her, r&b became, at a certain point in her life, a way of expressing her Black identity, which had been dismissed or misrepresented or misunderstood. She was constantly asked about her race in interviews, constantly having to remind people of what she had said from the very beginning, that her father was Black and Venezuelan, and her mother was Irish American. Embracing r&b as her heritage was an important part of her owning her identity as a Black woman. R&b is so interesting as a cultural and political marker, because now we’re in an age where white artists like Justin Bieber or Justin Timberlake, or whoever, say that they’re r&b. I’m less interested in saying, “This person’s not r&b; this person is,” and more interested in what is it that makes people so desperate to align themselves with this genre. I think it’s the historical lineage—the gravity of the heritage. It’s the connection to the idea of soul, which is a spiritual idea. I’m not sure if any artist can be definitively anything when it comes to genre. But I think certainly Mariah perceives herself as an r&b artist and has conducted her artistic life in a way that shows that she’s committed to a certain ideal of what r&b is—passionate, soulful singing; a connection to music as a form of spirituality. “Even in a slow jam, you can hear that whining, that struggle, that tension.” ANDREW CHAN You have this part of the book where you’re talking about her covers of power rock anthems. You don’t say that she’s reappropriating, but you say she’s showing how permeable rock and r&b boundaries are. They have a shared origin, and they come together in her choices of what to cover and what to sing and how to sing them and her arrangements. For sure. If you think about Foreigner’s “I Want to Know What Love Is” that she covers, that’s an instance of a white band bringing gospel influence into a rock song. These boundaries are always permeable. Rock at one point was called r&b when it was sung by Black artists. What she demonstrates with her music is the variety within r&b and that the music is not a monolith. She’s giving you quiet storm. She’s giving you girl-group songs. She’s giving you New Jack Swing. She’s giving you hip-hop soul. She’s giving you power ballads. She’s giving you deep soul, in the tradition of Aretha with “Mine Again.” She is committed to a vision of herself as an r&b artist, but for her it is many things. All the things you were saying about the struggle and resilience r&b signifies—I think that’s also reflective of the queerness that many sense in a lot of Mariah’s songs. Absolutely. One song I want to write about is “Ain’t No Way.” Carolyn Franklin wrote that. I don’t know if we know definitively if she was queer, but I think all the history kind of shows that she was. There’s definitely a [queer] reading of that song. You have Luther as a queer artist and Sylvester, so many of the pioneers of the r&b. Little Richard. It makes sense because gospel was pioneered by queer people. Otherness and survival, the longing for transcendence is something so baked into the music. That’s certainly what I was responding to as a young closeted gay child, who’s experiencing racial otherness in the American South as well. Obviously, my experience is very different from Mariah’s, but I think there’s a longing to transcend the arbitrariness of what oppresses us through sound. And she does transcend and break through. She achieves it. What is beautiful about a Mariah Carey ballad is that she takes you into the depths of despair, sorrow, but through the sheer beauty and power and mastery of her voice, she is carrying us over. No matter how sorrowful or despairing it gets—and some of them really are quite dark and fatalistic—there’s something about the voice. The voice can be the vehicle that carries you over. |
2024.05.11 06:37 chris0287 My community tab is broken or something
So for like a month now, my community tab just shows me locked servers with 0 players, can someone please tell me how to fix it? submitted by chris0287 to tf2 [link] [comments] https://preview.redd.it/33kw579p7qzc1.png?width=1919&format=png&auto=webp&s=d1830c2be2ec7c31f7ea3e251726bb0426e7b38a |
2024.05.10 14:12 Andre3000RPI Yahoo Morning Briefing
2024.05.10 05:04 albert1165 Exclusive: Former Vin employees said ….
2024.05.09 20:17 redditduk [MEGALIST] SG Concerts Gigs Raves - Till Vesak Day (10 - 23 May 2024)
2024.05.08 20:46 wealthyGorgeousYoung The Rights & Wrongs of Apartheid (Setting Apart), Segregation, Quarantines & Solutions
ASIDE:We include the oppressed because it helps raise them higher without resulting in any decline of the larger society (including the oppressor). If including the oppressed results in harm (in any way) of any member of society (be it the oppressor) then inclusion may not be desirable. Now some readers may be too eager to ask for harm for the oppressors but this is a gentle reminder that harming the criminal element for their crimes is contrary to positive or restorative justice & results in long-term harm to everyone (for a explanation of how or why, the reader is referred to the work on restorative or positive justice, for in-depth explanations are beyond the scope of this piece, however brief summaries may be included in the appendix upon request).
Briefly non-white races (& the various races) were created via oppression by the idolaters after the age of Peleg (200 years after the flood). The idea was to subject people to harm by marking them darker or non-white & using them as receptacles of vices (anger, lust, violence) so as to break them, humiliate them, torment them. It is assumed that the reader understands that non-white people though they may think that they are just as good as (&even better than) whites (& they may be in some areas) are actually unwell due to generational oppression. It is assumed that the reader is erudite enough to know that non-white people have been historically oppressed & race-harmed from whiteness to non-whiteness & are as a result become unwell & carriers of a variety of vices & conditions, if the reader is unware of this then they are referred to the writings on racial justice & on ending upstream/downstream inequalities, however brief summaries will be reiterated in the appendix upon request.
END ASIDE
RECAP: Two hundred years after the flood during the age of Peleg the one land mass (Pangea) on earth was separated into the various continents by the idolaters & three climate zones were created by them.The idolaters placed "middle earth" or mediterranea in the center while they placed "purgatory" (or hyperborea separate from hades (or heck) in the northern hemisphere, reversing these zones in the southern hemisphere. This is likely because they wished to control who they wanted to be healed & who they wanted to condemn. The solution to racial-inequity ought to be obvious.
The first zone was called the "middle earth" with temperate climes & benign lifeforms (mediterranea or literally middle earth), the next zone was a cold zone called "hyperborea" (or extreme north) which served as purgatory (the cold sterilized or diminished the bacteria & virii & other diseases of body that also create psychological conditions & vices). The third zone was known as "hades" (the ancient name for heck or h_ll, heat on the other hand increases bacterial & viral growth & activity (worsening the condition)). This was where the earth was extremely hot & is the region around the equator , the tropics. Unlike the Mediterranean Hades (hot) & Purgatory (cold) have various functions. (the various advantages & disadvantages of hot vs cold to heal are discussed in the origins of upstream/downstream locales& are beyond the scope of this text but will be elaborated upon if requested).
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