Anecdotes and discussion please.
My experience is that most cases when someone claims they look much younger than their age it’s exaggeration or empty flattery they took very seriously and cling to.
For example a 4’11 Asian woman in her twenties can easily be mistaken for a teenager from a distance if she makes a point of wearing infantilising clothing. But that doesn’t mean she genuinely looks like a 16 year old, not just youthful.
I remember a makeup subreddit a woman kept bragging that “I’m in my 30s and people say I look like a teenager all the time” my god it was brutal how they roasted her, people went in her post history and said “ma’am you have crows feet and deep laugh lines, stop believing flattery”.
I always found it interesting as I feel that age is something people really care about. “Don’t ask a woman her age” etc.
I remember a birthday party where a woman started ugly crying when they brought out a cake with her age on it.
It affects us all… men I think have it rough as hair loss can age you massively.
It’s only now that I’ve gotten older that I realised a lot of the horseshoe hair pattern guys that I wrote off as “fat older guys” when I was a teen are often only in their late 20s or early 30s, some unfortunate guys earlier.
Women in my experience age better if they are a bit plump, round faces hide a lot of ageing.
A lot of it has to do with style, there was a viral tiktok showing how aged many female celebrities look if they had their hair cut and styled like the golden girls and wore frumpy clothing.

[Part 1]
Day 3
I woke the next morning from the sunshine in my eyes. My head was resting ever so slightly on Eli's arm as we had both fallen asleep on my bed after I begged him to stay. I blanched in horror at the drool stain I had left on the arm of his white t-shirt.
I began to slowly move myself and retreat downstairs as the memories of the night before came flooding back. How I had broken, screaming in terror, and how Eli had saved me, not knowing the true reason he found me curled up on the floor crying.
As I stepped off the bed, my leg got snagged in the frilly bed cover, and I went crashing to the ground, making quite the noise as I landed. With a yawn, Eli's eyes opened, and I felt myself blushing as he turned to look at me.
We both kind of stared at each other for a moment, not speaking. Eli opened his mouth, then closed it again as if unsure of what to say.
"Coffee?" I asked quickly, filling the awkwardness of our situation.
"Please," Eli said, smiling.
In minutes, I had a pot brewing as I leaned against the kitchen counter. Eli was picking up the scattered photographs from the floor and looking at them quizzically.
"Why do you have pictures of the Harmons?" Eli asked, showing me the photos of the yellow-haired man and his family.
"Is that their names? I found them out in the barn under a blanket," I answered as I rooted around the cupboards for two mugs.
"In the barn? I cleaned it out just last week. No way I would have missed this trunk," Eli said while examining the wooden trunk with its simple rustic hinges. It was plain and unadorned with any embellishments. Basic as basic could be.
"Well, you must have missed it because it was there," I said, putting emphasis on the "was" in a way that reminded me of my mother chastising my father.
"That's so weird," he said, shifting through the photos while sitting at the table. I brought him a cup of coffee and sugar, and he began absentmindedly adding a lot of sugar to his coffee. About six scoops later, he began stirring and sipping it.
"Well, anyways, thanks for coming last night. I wasn't myself, I hope you know that I'm not some damsel in distress," I said quickly, like word vomit, and I even chuckled at the end, feeling like a total weirdo.
"What happened anyway? You didn't say last night," he said, putting the photos down in a jumble on the table.
I paused for a moment, considering how to answer. As I sipped my coffee, I stared out into the yard beside the barn where the scarecrow stood, glancing around the edge of the barn, hanging limply in his hole. His appearance once again sad and dejected instead of murderous and terrifying.
"I was just scared, I had a nightmare, and it just scared me," I said dumbly, trying not to turn crimson again under his intense gaze.
His eyes seemed to cut right through my lie, as if he were staring directly into my being before he simply glanced away out the window. We fell silent again, and I filled some moments by sipping my drink. It seemed to revitalize me; the sun and the company made me feel secure.
"Why were you here anyways?" I asked after a moment.
"I heard screaming, so I came running. I live just on the other side of the grass there, behind the barn," Eli said, pointing to the barn out the window.
"Must be really close, I didn't see any houses on the way in," I said, prying deeper into the situation.
"It's actually a trailer, maybe like two hundred yards from here. I was outside getting some air when I heard you scream. So, I came running," Eli said, finishing his cup of coffee and placing it in between us like a barrier, as if he was hiding something.
"Could you, uh, not do that?" Eli asked, with an uncertain grin on his face.
"What am I doing exactly?" I asked, startled for a moment, my stomach doing a sort of flip.
"It's just that you like stare at people. You've been staring at me for like my whole cup of coffee, I don't think you blinked the whole time," Eli said, averting his eyes shyly.
"No, I don't," I said until I realized he was right. I never noticed that about myself.
"Right, well, I've got to go. I am probably going to start painting today, so you might see me in a bit," Eli said, rising and heading to the door.
"Wait," I said, grabbing his arm for only a moment before releasing it like it was scalding hot.
Eli glanced at my hand for a moment, then at his arm, before he, too, blushed crimson.
"I just wanted to say thank you again. For last night, I mean. Well, what I mean is I appreciate it," I said, my eyes downcast in, for some reason, shame. Like he had seen me at my weakest and it weighed on my gaze appropriately.
"It was nothing, besides I didn't get much sleep with your constant snoring," Eli said, laughing at me.
"I so don't snore," I said, swatting at him but unable to control a smile creeping up onto my face.
After Eli left, I felt instantly colder, my eyes kept returning to the scarecrow. I grabbed my camera from upstairs and went out to the yard. I scanned the dirt for anything out of the ordinary. There was no blood, or anything on the dirt where the scarecrow stood just last night. I slowly made my way to the scarecrow, but nothing happened. I snapped a photo of the inanimate object, and it didn't even flinch. I poked it, but all I felt was straw underneath its clothes. I removed its mask, expecting a severed head, but it was just straw. Nothing was here but straw. I dropped the mask on the ground and took another photo proving it was just straw and nothing else.
An idea struck me as I regarded the source of my torment. If I planned to stay even one more night here, I needed to do something about this scarecrow. I rooted around in the barn, a series of tools hung from nails in the wall. On one hung what I was searching for. An old rusted shovel with a dirty wooden handle that was worn smooth from use.
I returned to the side of the barn beside the scarecrow, knowing for whatever reason this thing only came when night fell and didn't react at all when I moved or touched it during the day.
Before my morning coffee had even settled, I began to dig at the dusty earth, loose and easy to dig, it came away in shovelfuls. Within an hour, I had a fair-sized hole in front of me. Sweat dripped from my brow, and when I wiped under my eyes, they came away black from last night's makeup. Glancing at the field of grass and knowing Eli could appear at any time, I decided to head inside and shower. The hot water was a godsend, and I lingered for longer, letting the water drain down my head and back, my eyes closed, trying to forget the images from the last two nights. I should just pack up my car and leave right this minute. But how could I explain this to my family? I decided to go through with my plan and bury the scarecrow. I could last one more night if I prepared for it.
I left the shower and dressed modestly, in another one of my old rock t-shirts and a pair of shorts. I returned to the yard and with a satisfying push, I dropped the scarecrow into the pit. It fell with a nice thud, and I smiled at my power over it in the day; it's just at night when I should fear it.
As I threw the first shovel of dirt back on top, I heard a noise in the grass, and it parted, revealing Eli wearing the same pair of jeans and work boots, but he had changed his shirt to a plain black one. In each hand, he held cans of paint and a brush.
"Should I even ask why you are burying that old scarecrow?" He asked as he came to stand beside me.
"Probably best if you didn't," I admitted, leaning on the shovel.
"Well, I'm going to anyway. Polly, why are you burying that old scarecrow?" He asked, a rare smile coming to his face.
"Because it's been haunting me at night," I said bluntly.
"Mhm, yeah, okay. Fine, don't tell me. I've been meaning to get rid of it anyway, but normal people take things to the landfill," Eli said with a smirk as he turned to the house and began setting up for his painting.
I finished burying the scarecrow and stomped the dirt down flat. I finished my job by moving my car and parking it directly over top of the spot where I buried it.
Eli watched me curiously but didn't remark. I returned the shovel to the barn and went out into the yard. I decided to go for a hike around the property. I needed some time alone to think and unwind.
As I made my way through the grass, it began to confuse me. This had obviously been a large farmland, but how had the wild plants grown in such a thick, endless maze of greenery?
It gave me an eerie feeling, like I was being watched as the grass covered three-quarters of my body, like there would be something lurking out in the grass, crouched low, waiting for me.
After a half-hour or so, I came upon a clear lake, only big enough to be considered an old swimming hole, I thought as I dipped my hand into the cool water.
I took off my outer clothes and decided to go for a swim. I lowered myself in slowly and reveled at the cool water. The pond wasn't deep, but the water was clean. A small rope swing had been hung from a large oak tree that bordered the pond. It also provided a nice layer of shade that made it the ideal spot to spend the day. I floated on my back in the water for what seemed like hours. The day seemed to slip away from me. A small beach of sand sat at one side of the pond, so I lay out in the sun and closed my eyes. The warm day warmed my soul, and soon I felt myself drifting off into sleep.
I awoke to the sound of crickets and darkness. I couldn't believe it. I had slept through the day; the long nights had finally caught up to me, and now I was stuck far away from the farmhouse. I didn't know if my plan with the scarecrow had worked, and this wasn't the place to test my theory.
A full moon lay overhead, casting a silvery glow on the world before me. A sea of grass swayed gently in the wind, sending shivers down it in shuddering waves. I looked around, but I was thankfully alone, just the crickets chirping along melodically as my only companions.
I had to make it back to the house, so I started on my way, my hands trailing along the tall grass. The pale light played easily on the deep green grass. Step by step, I made my way back towards the farmhouse and the barn, throwing caution to the wind, and I started to jog along, anything to get back faster. I would have to find Eli; maybe if we were together, he could stop it like before.
If I thought the field was creepy during the day, by night, it was a whole new world. Every sound made my heart stop for a beat before restarting in protest. When all of a sudden, the crickets stopped chirping. I dropped to my knees, letting the long grass cover me from sight. Through the strands, I could make out a shape moving slowly through the tall grass, the swish of the plants as it made its passage through them. My heart dropped. Was this Eli looking for me, or was it the scarecrow come for me?
That's when I heard a voice, a voice cutting through the silence. It started off quiet and raspy as it sang an eerie children's song.
"Did you, did you, did you come for me?
Run and hide, don't you know that I seek
The world it claims that I be not clean
When I come, you'll see how filthy I can be.
Tonight, it is happening, tonight you'll see
Beneath the moon, my shadows they do creep.
In this world, at night I shall be free.
Tonight it's happening, tonight you'll see.
When I come, you had better flee, or else I'll come and give my filth to thee."
I was frozen to the spot. It hadn't found me, but it knew I was in the grass somewhere. Now, with each word, chewed up and spat out like it was unhappy with it, now it was accompanied by the whistle of something in the air and a slicing sound as it cut through the grass around me.
It finished another round of its song, but now it stood within feet of me, its blade whistling as it cut. I took a moment to ready myself, and as it raised its blade to cut through the grass I hid in, I dashed out of my hiding spot and slammed into it. But nothing resisted me; I fell through it like it was a ghost.
In a tangle of limbs, I landed hard on the ground and tried quickly rolling to my feet. The blade of its weapon pierced the earth beside me. Now I could see it was a two-handed scythe the scarecrow carried, but something was off, its hands were human. Pale milky skin like a newborn baby. I had little time to examine the creature except for the canvas bag over its head. Two large black eyes came out of the slits that leaked a dark red blood like tears.
It screeched loudly and swung its scythe, but it was slow, and I took off through the grass in the direction of what I hoped was the farmhouse.
I completely gave up all pretense of hiding and sprinted as fast as I could without looking back. The grass seemed to part for me as I ran in terror. I was just glad that in high school, I had taken track as it was paying off now.
I could hear the noise of footsteps behind me, but I never turned. I ran and ran until my lungs felt like they were going to burst Something silver flashed to my left, and I tripped over something hard and unexpected. The wind was driven from my lungs as my chin slammed hard into the earth. I scrambled back, trying to escape, but the scarecrow was on me, its blade flashing angrily in the pale moonlight.
I wanted to move, I wanted to fight, but my body was weak and unable to catch its breath, and I lay there helpless as it swung its scythe towards me. I closed my eyes in fear, but I only heard the thud of dirt before I opened my eyes. The scythe was discarded, and the scarecrow stood staring at me.
It seemed to be struggling with something, one hand reached out towards me only to be snapped back to its side. A roar of rage pierced the canvas sack over its head as it struggled against its invisible bonds. For a moment, I thought I saw something behind it, three sets of hands holding it back. One feminine in nature, and the other two must have belonged to children. In a flash, I saw a beautiful woman who looked vaguely familiar with her long brown hair and plain dress.
"Run," she moaned as the scarecrow swung around wildly.
I didn't hesitate and fled, my breath had returned, and while my body still ached from my fall, I powered on, knowing this was the only respite I would receive tonight.
In the distance, I could see a small sheet metal shape; Eli's trailer was slowly coming closer as I ran, and I beelined it for the trailer. I could hear the footsteps behind me again as the scarecrow resumed its chase after me.
I reached the old trailer and banged on the door as loud as I could; I rattled the handle, but it was locked.
"Eli, it's me. It's Polly, please let me in. Please," I begged as I banged over and over again on the door of his trailer.
Nothing responded to me, and the trailer was dark. The single window in the back held no life inside the trailer. From the trailer, I couldn't tell which direction the farmhouse was in the dark, so I fled into the tall grass and crouched low, watching the clearing around the trailer.
While I caught my breath, I watched the scarecrow enter the clearing, its scythe back in its hand as it circled the trailer. When its raspy voice began singing again low and quiet, only loud enough for me to hear.
"Did you, did you, did you come for me?
Run and hide, don't you know that I seek
The world it claims that I be not clean
When I come, you'll see how filthy I can be.
Tonight, it is happening, tonight you'll see
Beneath the moon, my shadows they do creep.
In this world, at night, I shall be free.
Tonight it's happening, tonight you'll see.
When I come, you had better flee, or else I'll come and give my filth to thee."
The song made me shiver uncontrollably at the lyrics and the voice; it sounded demented like a crazy person letting their demons out into a nursery rhyme.
I lay perfectly still; for some reason, it couldn't find me. This creature I assumed was all-knowing seemed to have some very human weaknesses. It moved and talked like a human, even had certain body parts that were from a human; it even felt human the way it chased and reacted.
The scarecrow moved on through the tall grass, and I let out a sigh of relief as it lost my trail. How terrifying that beast was. In my pocket was the keys to my car. Eli had told me that the farmhouse was fairly close to his trailer. I had to navigate to the car, then drive as fast as I can away from this place. The fact that I hadn't left already because I was worried about money was insane. Who cares, I could drive to Barb's and demand my money back. Go home and just tell my parents the truth. The whole reason for actually leaving home this summer, why I was actually here in this field shivering uncontrollably in fear. But I couldn't think about that now, not now, there will be time to deal with that later. Now I needed to focus on staying alive, getting to the car, and getting out of here.
I went in the direction the scarecrow had; he knew the land better than I did, and every noise I made in the silence of the night made my heart drop. It took all my courage there and then to take one step forward, then another. I felt like I was going to be sick; my stomach was in knots to where it felt like even if I was sick, the only thing to come out would be only bile and stomach acid.
With each careful step, I made my way closer to the farmhouse and the scarecrow. Through the darkness, I could see my goal, the farmhouse, and the barn. Within minutes, I had made it securely to the farmhouse yard.
My car still sat in the same spot overtop of the hole where I buried the scarecrow. In the moonlight, I could see that the dirt had not been disturbed.
The scarecrow was nowhere to be seen, and I cautiously made my way to my car, my keys in my hand as I approached the driver's door. I hadn't locked the car, and it opened on the first try. I turned on my car as quietly as I could, but nothing could have prepared me for what happened next.
Something landed heavily on top of the roof of my car, making it dent inwards slightly. With horror, I saw the scarecrow swing its scythe into the back window of my car. With a crash, the glass shattered inwards; I put my car into gear and roared away down the lane. In my rearview mirror, I couldn't see anything, so I swerved back and forth, trying to shake the creature from the roof of my car when the scythe crashed in through the front window, making a hole just large enough for it.
The glass spidered, and I couldn't see out the window very well. I swerved down the road, but the scythe remained in the car, allowing the creature purchase. In a panic, I spun my wheel wildly, trying to dislodge it, but I lost control, and soon felt something crash into the front of my car. The airbag went off in my face, and I hadn't been wearing my seatbelt. I slammed hard into something else, and my vision went dark. I was in a daze; I must have passed out because I don't remember a lot of what happened next. I felt the car door open with a crunching tear, and it landed loudly as it was torn off. My body being grabbed and tossed on the ground. I felt no pain, just a gentle numbness. I felt blood on my head as I raised my arm to touch my face.
Then just blackness, complete, and empty just feelings, fear, unease, sadness. My eyes opened, and the scarecrow was overtop of me. Pain on my chest and my vision went dark again. Coughing as something poured down my throat. I couldn't breathe, why couldn't I breathe?
My eyes opened one last time, and I saw the scarecrow pouring a dark liquid from its mouth directly into my mouth and eyes. My vision was red and bloody before I closed them one last time.
The words of its song echoed into the emptiness of my thoughts.
"Did you, did you, did you come for me?
Run and hide, don't you know that I seek?
The world it claims that I be not clean.
When I come, you'll see how filthy I can be.
Tonight, it is happening, tonight you'll see,
Beneath the moon, my shadows they do creep.
In this world, at night, I shall be free.
Tonight it's happening, tonight you'll see.
When I come, you had better flee, or else I'll come and give my filth to thee."
The darkness enveloped me, and I felt myself slipping away, the sounds of the night fading into oblivion.
Day 4
When I awoke, it was morning, and I found myself lying in a hospital bed. My head throbbed with pain, and my body ached all over. The memories of the terrifying night flooded back to me, and I shuddered involuntarily.
A nurse entered the room, her kind eyes filled with concern. "You're awake," she said softly, her voice gentle like a soothing balm. "You're lucky to be alive. You were found unconscious by the side of the road next to your car. Do you remember what happened?"
I tried to speak, but my throat felt raw and dry. I croaked out a few words, barely audible. "The scarecrow... it attacked me..."
The nurse frowned, her brows furrowing in confusion. "Scarecrow? What scarecrow?"
My heart raced with panic as I realized the truth. Had it all been a nightmare? But the pain in my body felt too real, the memories too vivid to be mere hallucinations.
I tried to explain, to tell her about the terrifying creature that had pursued me through the night, but she only looked at me with concern, as if I were delusional.
"I'll get the doctor, and there is a young man who brought you in. He has been here all morning," the nurse said with a sly wink.
After a few minutes, she came back with Eli and a doctor, both of whom smiled gently at me through the window. The doctor came in first and went over my health with me. I had a concussion and bruises all over my body. A generous-sized cut from some glass on my scalp had been stitched and bandaged. My mind flashed back to the night before. How the scarecrow had filled me with its gooey red blood.
"Did you find anything else?" I asked cautiously, trying to avoid another scandal like with the nurse.
"No, as long as you have someone to pick you up and take you home, you are free to go. That nice young man out there said he would take you back home," the doctor said, pointing to Eli as he rose with a slight grunt.
I glanced at Eli, and he waved uncertainly at me. The doctor went out and began talking to Eli for a few minutes.
While I waited, my mind began to have strange thoughts. Something was wrong; I felt weird. My vision turned red, and I began to see images before my eyes.
The Harmons. They flashed before my eyes in real-time—the husband hugging his wife, then swinging his kids around, chopping wood outback next to the barn while his wife cooked in the kitchen.
As Eli entered the room, the visions stopped suddenly. Like my saving angel for the third time now, I was extremely grateful to Eli.
"Heyyyyy," Eli said, elongating the word in a sort of familiar yet awkward way.
"Hi," I said, closing my eyes and letting my embarrassment pass in only a few seconds.
"Why is it that fifty percent of the times we meet, you're in serious trouble?" Eli asked, coming to sit on the edge of my bed.
"Oh, you know me, bad luck, I guess," I said simply, becoming aware that under my blankets, I was in a backless hospital gown, and he was inches away from me.
I pulled the blanket up to my chin as a sort of cover for my appearance, but Eli didn't seem to notice. He continued talking to me. It was actually really sweet the way he seemed to care for me.
"Anyways, the doctor said I could take you back to the farmhouse to rest," Eli said.
"No," I said suddenly, becoming serious.
"What? Why not?" Eli asked.
"I just, I just can't right now. I'll tell you later. Just, we can't spend the night anywhere near the farm," I said, grabbing him by the arm, hoping to sway him.
"Well, I mean, if you want, we can grab your stuff, and my house can literally go anywhere," Eli said in an offhand manner, as if he had expected this.
"Promise?" I asked, trying not to seem too afraid.
Within the hour, we had returned to the farmhouse. The hole I dug was still covered over, and I stared at it as we parked in Eli's black pickup truck.
I ran inside and quickly got changed into my only clean clothes, grabbing everything I had from the farmhouse. I paused at the dinner table, looking down at the photographs of the Harmons and thinking back to that weird moment in the hospital with that odd vision.
The day was getting longer, and I hurried back to Eli, waiting in the pickup truck. I threw my bag in the back and climbed in beside him. He smiled and backtracked down the lane. We turned to the left and went down a side road where we came upon my poor old car. It had crashed directly into a tree, and the whole front part of the car had been destroyed. Fluid leaked all over the road, and I almost shed a tear for my departed friend. We had traveled far together. I grabbed a few things from the car, but something was off about the car. The front door had been knocked off and was discarded on the far side of the road. It looked impossible; the door hadn't even hit the tree.
Eli hooked his truck up to his trailer, and we sped off, leaving the property behind us. We headed into town and found a pullout on the side of the road with a set of bathrooms to camp at for the night. Eli's trailer was messy but cozy. He had laundry strewn over most surfaces, but it didn't smell bad.
The room consisted of a small kitchen with a bed in one corner. There were also a lot of posters and artwork on the walls. I examined one of a pretty girl with long raven-black hair. It was a realist painting, obviously taken from real life.
"Who is this?" I asked as Eli made us some food.
"That is just a friend," Eli said, glancing at the painting he had done.
"Well, she is a pretty friend," I said, enjoying watching the back of his ears turn bright red.
"Dinner's ready," he said, pouring the mixture of food he had made onto a pair of plates.
Eli served me and handed me a can of Coke to drink. I thanked him and sat on his bed. It was the only serviceable piece of furniture in the whole trailer. We both sat in silence for a moment while we ate. I could tell something was bothering Eli as he kept making glances toward me.
"What? What is it, Eli? Just say it," I said between bites.
"Tell me what happened, Polly. Tell me why you were burying the scarecrow, why you were passed out in the road with straw in your hair. Tell me why you were muttering about the Harmons and a scarecrow when I found you," Eli said suddenly, as if he were unloading a machine gun.
I looked Eli square in the face and relented. I told him about the last couple of nights at the farmhouse, about how the scarecrow had been tormenting me every night. About how he had saved me and how last night I had fled through the fields to his trailer and then to my car. I told him about the vision I had about the Harmons in the hospital. By the end of it, I was in tears. I felt so foolish and childish.
Eli took it in stride. He asked a few questions during my retelling, but by the end of it, he was silent. Tears fell down my face and landed in my lap. We had both put our plates on the counter, and Eli hugged me. He put his arms around me, and I nuzzled into his shoulder, feeling comforted again in him at the lowest points of my life.
With a gentle hand, he wiped away my tears, and I smiled, letting a nervous laugh escape my lips. I looked up into his face and felt his stare before I saw it. His pale blue eyes shone with comfort, and then his lips were on mine as he kissed me quickly before pulling away slightly.
"I'm sorry. I shouldn't have done that. That was insensitive of me. You're sad, and I took advantage of that," Eli said, moving back slightly.
"Shut up," I said, and grabbed his shirt, bringing him back in.

Good Day Ladies and Gents!
My fiancée and I are getting married next June 28th 2025! We are both in our late twenties and are very old fashioned. We've both been saving up a lot for our honeymoon and we want to take right after the wedding. So we are planning a FAT Honeymoon! We aren't on board of a minimoon we are all about going big and make lifelong memories on this trip.
We here on this planet for a good time not a long time... Okay so we definitely know that we want to visit Nice/Monaco (Debating Nice for the beach and then a day trip or two into Monaco) then onto Italy. Rome>Siena>Florence.
The trouble were having is figuring out if this is all too much for a 2 week honeymoon... We have gone back and forth on logistics of where to fly into then fly home to NYC from. I want to gauge all of you seasoned travelers out there.
Like if start in Rome for 5 nights, Siena 3 nights, Florence 2 days, and then 5-6 nights in Nice/Monaco Trouble with this is getting from Florence to Nice/Monaco. Either its a long train ride on the coast of Italy or we take a 2-hr fast train up to Milan then fly to Nice/Monaco.
Or if we do that in reverse and start with 5-6 nights in Nice/Monaco then from there fly to Rome for 5 nights, Siena 3 nights, Florence 2 days, and then anyone have advice on best way to get back to NYC from Florence?
I would love to know what your opinions are on this if its too much traveling, wow sounds awesome, or if you have a better idea or suggestion! Also would really appreciate any tips or hidden gems in these spots..
I do have a special connection to Siena. I studies there for 3 months years ago and think its one of the most beautiful places and would like to make it a definite stop. My fiancé and I did a week trip in Venice last year so don't see the need to go back that high north covered everything in Venice thanks to this community!

Supposedly it'd always been this way, stretching way back to when my Grandpa opened this place almost 97 years ago. I inherited it when he passed a decade or so ago given that my father didn't want anything to do with the place, and since then I've made sure to diligently follow his final wish.
He might've left me the theater, but there was one condition. Not that it'd be enforceable if I went against his wish - more about that later - but the condition was present nonetheless.
Never, ever let the film stop running in Screen 6.
Now, I'd practically grown up in that theater given it was a nice little hang-out spot after closing time - but I never knew anything about the existence of a sixth screen. It had always been five. Grandpa left that sentence and a little picture guide to find the controls for that screen as well as the security footage system for it. He also left a letter, only to be opened once I had been running the theatre for long enough to understand the importance of Screen 6. It baffled me at the time, but I kept that wish too and tucked the letter away. He never told me where to find the screen itself, either. The first thing I did was check the cameras, only to find they showed nothing of interest. No movie-goers were present in this secret little screen, nor were any employees. The black and white footage from the vantage point of a camera positioned above the screen of a silent, empty room filled with rows and rows and endless rows of dusty chairs stared back at me. Somehow it was larger than all of our other screens. After unlocking the neat little contraption he described, I realised the system for that screen was digital. "Huh, strange" I mumbled given the fact our theater was always quite proud of being the only film-only establishment in town.
I suppose digital files make running the screen endlessly an easier task. Something jumped out at me, though. The digital file being used to loop over and over was just that, a singular file. It wasn't cycling through a library of movies. The same one was playing over. And over. The file name?
"sacrifice.mxf"
I've always been a curious person, and part of me wanted to resist. Some instinct was screaming at me to stop. But I couldn't. I had to take a glimpse at the little outdated screen synced up to the projector. It was grainy and degraded, footage that looked like it had been shot in the mid-20th century or so. A group of men dressed in black and women dressed in white circled a tree with interlocked hands. They looked like they were speaking. Maybe singing. Regardless, there was no audio. They went round and round this great old tree for what felt like forever, before stopping in their tracks and just standing there for a minute or two. The footage cut an unspecified amount of time forward to reveal their black and white garments blowing in the wind as they hung from various branches of the tree. All of them. It didn't matter that there wasn't any audio, I could feel the silence seeping out of that screen.
Cut to black.
Part of me was horrified, and another part retained some morbid sense of fascination with what I'd seen. I wasn't planning on going against Grandpa's wishes anyway, but at least I'd seen something that spooked me enough to justify the strangeness of it all. Was that the entire film that had been playing over and over for god knows how long? How was such a massive auditorium just hidden away somewhere? What the fuck was that video?
I needed to find out. God, I wish I hadn't. But I did.
The next few weeks were spent meticulously researching everything I could possibly find about our little family-owned theater. My little theater. I spent hours on end in that projector room trying to make sense of what was being played. The footage described above wasn't alone but remained similar to the others I've since seen. All feature large groups of people in what looks like pre-war Europe. 1930 or so is my best guess. They start off peaceful enough, almost joyous, but I've learned by now to reject the faux happiness depicted. It grabs a hold of you before the violent sacrifices that soon follow rip your heart out. Sometimes I wonder about the people shown. There are so many of them across the different short films, probably more than I've known in my entire lifetime. All of them met such a gruesome end. It might sound easy to throw away their collective existence as mere pixels on a screen, but I can't.
The local newspaper allowed me access to their archive to find out a little more, and things began to tie themselves together. I had to sift through cardboard box after cardboard box to find what I'd been looking for, but I eventually did. Back in 1931, there had been an awful incident at our theater. At the time it was owned by Grandpa, and things were looking up given it was the only establishment of its kind in town - unfortunately something terrible was to happen soon. It was a cool October evening when local police were alerted to a disturbance down at the movie theater by terrified patrons. You see, back then there was a screen 6. Nestled right next to screen 5, it was the focal selling point as a state-of-the-art screen showing only the finest films. Those in screen 5 began to realise something was badly wrong when the sound of an incessantly crying and screaming child began to drown out the more pleasant sound of their film. "The Talkies", as films with spoken audio were known in their 1930s heyday, were a phenomenon and it took a lot to distract those in screen 5 from their entertainment. The child screamed for as long as it could until annoyance turned to worry and eventually fear.
By the time police swung open the double doors to Screen 6, the leather white seats were soaked in crimson red blood and the patrons inside had long since taken their last breaths.
Except one.
Still the child screamed.
I've always been open-minded when it comes to the unseen, not a believer per se, but not dismissive of the idea. Things began to come into a clearer focus. Hundreds of people had sacrificed themselves in that screen all those years ago, and now the screen is forever condemned to forever playing films of similar occurrences. The two had to be connected.
The letter.
It was time to open the letter. I was convinced I satisfied Grandpa's requirement for doing so, and it would fill in the parts of this deranged story I was missing. I slipped the letter out of its glum, off-white envelope and began to read.
"To my beloved Grandson,
By now you probably know much more about the story of our little theater than you did when I left it to you. I'm sorry it took until we were separated for you to learn the truth, but it was something that had to be done. Those people that are in the films playing on Screen 6 were part of an ancient cult. The Men of Mephistopheles they called themselves. They would live in communes and the peaceful images you've come to see are of their day-to-day lives, and as you have also come to see they would eventually offer themselves en masse in blood sacrifices. One of these sacrifices happened to take place in Screen 6 of our theater, and once again I'm sure you have come to learn of this given you are reading this letter.
The locations in which these sacrifices take place are forever bound to the souls lost there in some form or another. To illustrate, that great big tree in one of the films is now the site of countless suicides. Their crime? Daring to walk where the Men of Mephistopheles once walked, and where they left this Earth. Our particular curse happens to be that Screen 6 began to be the site of similar suicides, and so did our other screens. We could never figure out why they weren't contained to the immediate site of the original sacrifice, but needed to find a way to stop them. Times were tough, and the money the theater brought in was important to all of our lives. An occultist suggested the endless film screening as a way to stem the flow whilst we found a more permanent solution, but before long we realised it stopped the awful goings-on entirely. So we let the films play and then play some more. Screen 6 had originally been downstairs since the building only allowed for that kind of space down there, so we turned it into a tomb. Maybe the misguided souls lost there found some peace in the dusty catacomb of a theater left behind.
Now if you know the story of the sacrifice at our theater, you know there was a singular child who survived it all.
That child?
Your father.
I'm so sorry for keeping the truth locked away from you the way I did, you deserved to know whilst I was still there with you. Please know I only ever had your best interests at heart.
I love you always,
Poppy"
It's been a few weeks since I found out the truth about our small-town theater. Sleeping has been difficult because of the endless nightmares, as has bothering to keep up maintenance of the place.
Still, though, the film on Screen 6 plays.

Act 1 Scene 1
Int. Edd's Apartment Room - Bedroom - Morning
Edd (In sleep bed) SNORE, SNORE, SNORE- (EDD’S face is sprayed with Cola) I SUREDDER! (Looks around room) Oh.
(Cut to) Edd Int. Edd's Apartment room - Closet - Morning (Edd Choses which Hoodie to wear) [Hoodies references to different Hoodie designs] (Picks his Modern Hoodie design)
(Cut to) Int. Edd's Apartment Room - Bathroom Edd (Grabs toothbrush) (Zooms in to show that's it’s Cola flavored) (Brushes teeth) (Grabs cup of Cola) (Gurgles it) (Spits it out) (Makes a big wide smile showing his horrible teeth)
(Cut to) Edd Int. Edd's Apartment Room - Kitchen - Morning (Edd takes bacon in a Oven) (Puts it on a plate) (Edd sits at his table) (Holds up fork and spoon and licks his lips before shoving the entire plate into his mouth) NOM, NOM, NOM MM! The plate is always the best part! Act 1 Scene 2
(Transition to) Int. Edd's Apartment Room - Living Room - Morning Edd (Sits on couch) Ah.. it is a good day to watch Return of the Insane Zombeh Pirates from Hell 4! SLAM (The door goes as MATT and TOM come in)
Matt (Overlapping Tom) BLAH, BLAH, BLAH, BLAH BLAH, BLAH, BLAH, BLAH BLAH, BLAH, BLAH, BLAH I FOUND THIS GUY AND HE SOLD ME CRACK SO I GAVE IT TO A TWO YEAR OLD THEN IT STARTED TO-
Tom (Overlapping Matt) BLAH, BLAH, BLAH, BLAH BLAH, BLAH, BLAH, BLAH BLAH, BLAH, BLAH, BLAH I PULLED AND PULLED BUT IT WOULDN'T COME OUT, SO I GOT A PLANT AND STARTED SAYING NEVER GONNA GIVE-
Edd SHUT UP! (Matt and Tom look at each other) What is it…
Matt He broke mirror #1028!
Tom Nuh Uh!
Edd (Sigh) Tom, did you break the mirror?
Tom No!
Matt Liar, Liar, Dance on Pliers!
Tom (re: notice) Uh, Edd I found this by your door. (Hands to Edd)
Edd (Grabs) Blah, Blah, Blah. Your landlord will require possession of your apartment in 16 days, if rent is not paid! Oh no, I can't afford to paid rent!
Tom Don't worry- well actually do worry bc we all got it.
Matt Can't we mooch off of that crackhead down the street again?
Tom I’ve run out of crack to give to him, and I don't got enough to buy any either.
Edd Can't we get a job?
Tom Don’t you remember what happened last time we got a job!
Edd Oh yeah, we got fired for “immaturity, and irresponsible” or whatever bogus they said.
Matt We’re perfectly mature! They have to have a screw loose!
Tom One time I agree with you Matt. Right Edd… Edd?
Edd (Face plants onto couch) It’s hopeless…
Tom Come on Edd, things could be better!
Edd Do you mean worse?
Tom No, I meant better.
Matt Yeah, you could be friends with a stupid, narcissist and an unsupportive, alcoholic.
Edd (Annoyed, or disappointed face) Well… I guess- TOM WHAT ARE YOU DOING!
Tom (Standing on a chair with a hanging rope hanging from the ceiling fan) Who’s going second bc I'm going first.
Edd Tom, we promised to commit suicide when we get kids!
Tom Oh yeah.
Edd Tom, do you remember that safe in our old house?
Tom Yeah, the one that we left behind when it got destroyed?
Edd Yeah, that one. I was thinking we could go back and break into it. There’s bound to be some cash left in there.
Matt But what if the cops catch us?
Tom Relax, Matt. We’ll make sure no one sees us.
Edd We’ll go at night and make sure to cover our tracks.
Edd But we have no mask- (Tom, Matt are suddenly in Goofy Villain outfit) Edd Where did you even get those
Matt Dumpster!
Edd There's no way I'm wearing one of those! Act 1 Scene 3
(Cuts To) Ext. Old House - Backyard
The three friends stand in the backyard, wearing their goofy villain outfits, as Edd adjusts his costume with annoyance.
Edd (Cont'D) "This is ridiculous. I can't believe you two made me wear this."
Matt (Excitedly) "You look great! We're like the Three Stooges of crime!"
Tom (Grinning) "Yeah, but instead of just being fools, we're gonna be rich fools!”
Edd Matt did you cover our tracks?
Matt Yeah, look. (Shows an path of purple path leading right up to their location)
Tom Matt you know when I said I hated you?
Matt Yeah?
Tom I DIDN'T LIE!
Matt Aw...
Edd "Alright, let's just get this over with. We break into the safe, grab the cash, and get out. Simple enough."
Tom (Cocky) "Piece of cake, guys. We're professional criminals now."
Matt (Excitedly) "We're going to be rich!"
(The friends approach the safe and begin trying to open it.)
Edd Uh, does anyone remember the code?
Tom Not me!
Edd Matt?
(Camera pans to Matt admiring a picture of himself)
Matt I thought I lost you forever baby (Matt says as kissing it)
Edd
Tom(drunk) My idea is to blow up an orphanage!
Edd How do you get drunk off of Smirnoff in 4 seconds!?
Tom(drunk) Idk ask the unicorn in the sky!
Edd (Sigh) I'm going home.
As Edd turns to leave, Tom comes to his senses.
Tom "Guys, hang on. What if we try a brute force attack? Like, really give it a good ol' college try?"
Edd (Sarcastically) “Oh yes, because that's so much better than blowing up an orphanage.”
Tom (Ignoring the comment) “Just hear me out. We all know that safes have a maximum number of combination attempts before they lock us out. So, what if we just brute force it?”Edd But what brute force would... (Edd's eyes spark up with an idea, and a devious smile form's on his face)
Tom So... what's the idea?
Edd (Raises his eyebrows)
Tom I don't speak eyebrows?
Matt (Raises eyebrows)
Tom What!?
Edd (Overlapping Matt) THROW TOM!
Matt (Overlapping Edd) THROW TOM!
Tom Did I ever tell yall I HATE ALL OF YOU!As Matt and Edd start shoving Tom towards the safe, he starts resisting and shouting obscenities at them.
Tom (Yelling) "What the hell is wrong with you guys?! I'm not a goddamn battering ram!"
Matt (Laughing) "Oh come on, it'll be fine! What's the worst that could happen?"
Edd (Shoving Tom) "Just go with it, Tom. You'll thank us later."
Tom (Reluctantly) "Fine, but if I break anything, I'm suing you two.”(Edd and Matt lift Tom over their head and chuck him head first into the safe making a extremely loud smash)
Edd See Tom, that wasn't so bad!
Tom I think broke one of my hair bones
Matt Is it open?
Edd Nope. It's dented tho!Edd Still dented.
Matt Again-
(The gang hear police sirens)
Matt OH NO I'M TOO PRETTY TO GO TO JAIL!
(The police pull up and get out of the cop car with gun)
Cop 1 PUT YOUR HANDS UP!
(The entire gang puts their hands up with a ton of Matt's pictures falling out of his clothes)
(The police officers look confused as they witness the sight in front of them.*)
Officer 1 (Perplexed) “What the hell happened here?”
Matt (Innocently) “We were just trying to break into a safe. No big deal.” Act 1 Scene 4 Int. Cop Car - Midnight
Tom (Drowsy) “Why do my eyelids feel like heavy rocks…?”
Matt (Looking confused) “Hey, does anyone else smell pickles?”
Edd (Snickering) I knew I shouldn't have put on pickle deodorant!
Cop 1 (Driving) “Quiet, back there!”
Edd (Mumbling) Sorry Angry Mcgee!
Matt (Whisper) Pss, Edd!
Edd What?
Matt Get this! (Quickly throws a picture to Edd with his mouth)
Edd What is- Holy S**t I thought I lost this forever!
Camera pans down to show Edd, Matt, and Tom when they first moved in, including a old friend named Tord)*As the camera pans down to the picture, we see a glimpse of a time long ago. Three friends – Edd, Matt, and Tom – are laughing and smiling, with a fourth boy, Tord, standing beside them. They're holding balloons and standing in front of a house they recently moved into. Act 1 Scene 5
(Transition to) Jail - Cell - Midnight
Edd TOM! I'M DYING HELP ME!
Edd is dramatically lying on his back, holding an empty Cola can, pretending to have a heart attack. Meanwhile, Tom is sitting on a bunk bed and rolls his eyes.
Tom (Sarcastically) “Oh, yes, because your Cola addiction is definitely the biggest concern here. Not us being thrown in jail overnight.”
Edd OH WOE IS ME!
Edd writhes around on the bed in despair, while Tom just sits there, clearly agitated by Edd's melodrama.
Tom "Edd, you've been going on about your cola running out for hours now. Can you give it a rest, please?"
Edd (Frantically) "You don't understand, Tom! My cola was my life! How am I supposed to survive here without it?"
Tom (Tired) "Perhaps you should try sleeping or something?”Matt Uh, guys why is there a dude in helicopter trying to shoot us with a bazooka?
Edd (Sarcastically) Well thats just great.
(The group is flung back as the cell window is blasted open)
The man with the bazooka comes through the smoke.
Paul Hello, uh sorry I don't know your names. The Red Leader only refers people as code names.
Tom The Red who?
Matt My name is the beautiful Matt-
Edd covers Matt's mouth
Edd Don't tell him your name idiot!
Paul My name is Paul.
Camera Pans to Matt
Matt Why are your eyebrows 20 feet tall?
Camera Pans back to Paul
Paul They aren't even that big are you blind!?
Camera Pans back to Matt
Matt suddenly wearing blind glasses
Matt Yes
Patryk Hi my name is Patryk-
Paul PATRYK YOUR FLYING THE HELICOPTER!
Patryk Oh.
We hear a Helicopter explosion from outside. Paul and Patryk look down from the exposed cell wall, showing the burning half-destroyed Helicopter.
Patryk Don't worry I'll fix those scratches!
Paul Whatever.
Edd So, are you here to save us?
Paul Nah, we're gonna capture you!
Edd Aw, Bugger
Paul pulls out a "Super cool taser gun" as the label on the taser gun says.
Tom Lame.
(Tom is shocked and knocked out by the taser gun)
(The group watches in shock as Tom goes down from the taser-gun.)
Matt (Panicking) "Oh no, Tom! Edd, do something!!"
Edd (In shock) "What can I do? There's two nut jobs with a taser gun and an assault rifle who are trying to capture us!"
Paul (Casually) "Don't worry, if you don't resist, you'll be safe. The Red Leader just wants you guys for a special project.”
Edd Whatever.
Edd blacks out
(Cut to) Helicopter - Backseat - Morning
Edd wakes up
Edd (Distraught) Ow my head hurts!
Tom (Confused) What happened?
Edd (Deep Voice) Hey Babe.
Tom (Angry) Wtf Edd!
Matt is making muffled sounds because of a mask on his face that says "Beware ugly fish monster behind mask." Edd takes the mask off of Matt.
Edd (Disturbed) EW, the mask was right!
Matt (Angry) Hey!
Paul So you finally woke up!
Matt Uh, yeah
Edd This reminds me of when I flew a Helicopter when I was in the Uk Army!
Paul (Confused) You were in the army!?
Matt We all were can't you tell just by looking at us!
Camera pans to show all of the three boys looking exaggeratedly more stupid than usual.
Paul No.
The three friends look at each other in annoyance, feeling belittled by Paul's remark. Tom speaks up.
Tom (Sarcastically) "Oh wow, thanks for the compliment. Nice to know we look like a bunch of army rejects."
Matt (Defensively) "Excuse me, we are actually highly trained and intelligent individuals... in our own special way.”
Tom (Sarcastically) At least two of us are!
Tom and Edd high-five. Matt not realizing that they are inferring that he's the stupid one, keeps a smile on his face
Edd (Amused) Wait didn't your Helicopter crash like a few hours ago?
Patryk (Proudly) This is my 857th Helicopter!
Edd's Amused face goes to worried.
Edd (Unsettled) “Oh boy, this is going to be one bumpy ride…”
Edd At least we're away from the HELI-COP-TER
Everyone looks at Edd because of the horrible pun.
Tom So, where are we going?
Paul To the "SUPER EVIL EDGY VILLAINOUS BASE!"
The camera zooms out of the Helicopter to show that the place is actually called "SUPER EVIL EDGY VILLAINOUS BASE!"
Edd Well that's just silly.

Previous
So, if you’re just joining us, I work at a haunted zoo now. Since I’ve gotten some rest, it feels like I’ve got my head on straight, at least, so I’d like to continue where I left off.
I sat on the floor in the office after meeting the ghost until I’d settled my rattled mind (and realized I’d forgotten to ask her name, how rude is that?). I took a deep breath and got up off the floor. Walking over and falling into the rolling chair in front of the large screen of camera views, when I brought up the camera that covered the area in which I’d spotted her, she was still there, and it seemed she hadn’t moved an inch.
Sitting there, at a loss, I continued to watch her. The ghost hung around for another five minutes or so, appearing to look at a few things off-screen, though I’m not sure what. Then she walked off into the forest and left the view of the cameras. I wasn’t sure if she vanished into the ether or if she’d gone looking into the trees to look for something.
But that wasn’t the end of the job interview, so let me jump back there. It continued into what kind of animals the zoo had, with Andrew asking me how much experience I had with dangerous animals.
I took a moment to consider the question. “So, ah…I’ve been going hunting and fishing with a neighbor since I was sixteen,” I told him. “We always have to keep an eye out for gators, bears, and hogs. Then there’s snakes, of course…snapping turtles… Since I’ve lived here my whole life and been aiming for a job with wildlife for a long time, I know a lot about the animals in Arkansas in general. But good advice for all of the above is avoid them, so I’ve had encounters, but I don’t know if you’d say I have experience with them.”
“That’s fine,” Andrew said, nodding. “That’s an answer I’m satisfied with. Now, the ghost was the appetizer, Ripley; here’s the main course. To start with, the pay isn’t twenty-five an hour. It’s fifty.”
Staring in shock for a moment, I asked, “Are you serious?”
“Yeah. But that’d be weird to post online considering what applicants think we need, so I halved it.”
“That’s… Okay, why?”
“The animals are already here. You just can’t see them.”
I stared at him for a long moment, some disbelief worming its way into my expression, before saying, “Sorry, what?”
“There’s a chance you’d naturally never see them, or at least some of them,” he continued casually. “It depends on both your genetics and how long you stay on the job. I can naturally see six of them, but that’s it. Suzanne can see all of them, and more. Some are what people would label demons or ghosts. Or magic. Mostly you’d call them cryptids. The ghost was just a warm-up; I mentioned her first because it never takes more than a week to see her if you work the night shift. If you manage to handle her okay, soon you’ll be able to see the animals too. The more time you spend on the grounds, for weird reasons,” he said, wiggling his fingers in the direction of the back door, “the more you’ll be able to see.”
“So, this…this is a zoo for cryptids,” I echoed slowly. He nodded once, waiting to find out what kind of reaction I would have. I gestured vaguely around the room. “If this is a hidden camera show, will you cut me a check for showing up and participating?”
Andrew coughed out a chuckle and shook his head. “No joke. There are a ton of stories out there that have been written to death, pulverized until they’re not the Grimm stories of old and instead they’re Disney films. A lot of those stories come from what some humans have seen. There are dozens of other worlds pressed up against ours, and occasionally things come through by accident. If they’re smart, they’ll lay low and then make their way back when they can. If not, they become local folklore until someone helps them back. I’m just from London, but Suzanne is from somewhere else. She hires people like us for this zoo. Humans.”
Sighing, I shook my head. “That makes no sense. Why would she hire a muggle for a magic zoo?”
Andrew burst out laughing at that, and then waited to gather himself before he continued. “Fair point, but this is less about magic and more about animals, and you’re missing some information that will explain it. First of all, if I misjudge an employee, and they think they can make bank by outing the endangered and valuable animals we have, it’s easy to relocate the zoo.”
“Because magic?” I asked.
“Exactly,” he replied, ignoring the thread of skepticism in my tone. “That means it isn’t the end of the world if that happened, though it is a pain in the arse. But second…let me ask you a question. Speaking of reality shows, say the Discovery Channel put out a call to replace Steve Irwin when he passed. Imagine they had a line out the door,” he said with a gesture, “of people who thought they had the skill and natural talent to replace him, to take on everything he’d been doing his whole life. How many do you reckon would lose an arm, a leg, or their life, by the end of the day?”
My lips parted in surprise and I narrowed my eyes at him. “You’re saying people from…wherever…they’re just as dumb as humans, but they’re worse, because they actually think they can handle these things.”
Andrew pointed the pen at me. “Things. Exactly. You called them things. Suzanne and her friends grew up with them and would call them animals. These animals have dispositions and temperaments that we’ve studied for as long as there have been scientists. Where Suzanne’s from, they know the weaknesses of these animals, and also they’re in enclosures here, even if you and I can’t see the walls because they’re invisible things called ‘wards’. If I hire someone who’s got magic on top of all that, they’ll have almost no instinctive fear.
“Everything here is nocturnal, and every one of them is a hunter. Some of these things? Humans see them and they pass out. Not that I want you passing out, but I need someone who is scared of these things, who knows to stay out of the enclosures no matter what. Not someone who thinks they can train them to do tricks, who gets close enough for them to grab a mouthful of hair and drown them. Once, we had a night shift manager injured, and once killed, because they didn’t take these animals seriously enough.”
Thinking back to the Sea World orca incident I knew he’d been referencing, I remembered wondering how someone at that level of her profession could be so careless as I watched the video on YouTube. It made sense when he explained it like that. I hesitated before mentally throwing my hands up and going all in. “So, why put this place here, then? If they’re endangered and also dangerous, why have a zoo at all instead of just a small reserve?”
He pursed his lips, looking disappointed in me. “Ripley. You know that already. You already said as much.”
Thinking back through our conversation, I said, “The rich humans who pay top dollar to see supernatural animals.”
“Not humans,” he told me. “But people, yes, and they are rich, and they’re making donations and spending their money on a ticket here because everything we have is endangered.”
“So…”
I just let my voice trail off and my mind started to drift. Andrew remained silent, letting me do so. There’s that thing people say, ‘I believe that you believe it,’ which is just a kinder way of saying, ‘Bullshit.’ Parents say it about closet monsters. Psychologists say it to people who say they’ve been abducted and probed by aliens. I wanted to say it to Andrew.
But I also wanted a job. If it meant working overnight at an empty zoo, that was fine. When it came down to it, especially when I took the tone of our conversation into account, this was a zoo specifically focused on preserving endangered ‘animals’, and it was allegedly doing important work. Also, if this turned out to be the real deal and I started seeing the animals, I would deal with it, just like I would deal with an enclosure that had a lion or tiger or gorilla. If it came with a ghost and invisible creatures, I really didn’t see what the difference was, if I couldn’t go in the enclosures either way.
On that note, I’d like you to imagine a kid who looks at a roller coaster, watching everyone screaming and grinning as they go up and down and all around and they’re like, ‘Heck, I could do that! That looks like a blast!’
Then they get on, the first drop hits, and they realize they’ve made a terrible mistake.
“All right,” I sighed. “I can’t say I’m going to turn down a job just because it’s going to be scary. Especially not one with this paycheck.”
Andrew smiled. “Awesome. There’s an adjustment process for anyone working here, similar to a dog that gets adopted, actually. I know the general guidelines of, ‘three days, three weeks, three months’ in terms of milestones, until they finally feel they’re where they’re supposed to be,” he told me, “and you can think of your time here along those lines. I really think you’re a great fit, and once you reach the milestone of working here for three months, I’ll officially consider you our new night shift guard. And I hope you’ll stay with us for many years.”
I nodded and smiled at the flattery of an employer wanting me to work a great job for them for a long time. I’d never had a dog, but those milestones were well-known among anyone who knew animals, especially dogs. The first three days, the dog is getting to know its new digs, exploring, and decompressing. At three weeks, they’ve gotten used to their environment and are starting to get comfortable with their surroundings and the routines of the humans they live with. By three months, they know the rules and follow them, they trust you, and they feel they are where they’re meant to be. I could only hope to be so lucky.
I saw the ghost two days ago and she has yet to make another appearance (for those who are curious, I asked, and her name is Leila), and I still hadn’t seen any animals. I did hear one, though, I feel compelled to note. A growling roar sounded from the lake on occasion, echoing across the vast zoo, sending a shiver down my spine. Whatever that animal was, it sounded gigantic.
Andrew said there was apparently a group that wanted to visit for a birthday and they were offering a huge donation, so he let me know they were making an exception and that this group would be walking through the park that night. That meant I’d be watching people watching animals that, as far as I could tell, weren’t there.
It was anticlimactic. Even the three people who came for the tour just looked like people, not like aliens or something eldritch from another dimension, and I stayed in the security office the whole time. Andrew was the one giving the tour. I watched them spend about five minutes at each enclosure, the hour or so that they were there passing without incident. It was clear that they were able to see all the animals, though, since they motioned excitedly at each enclosure and spoke to Andrew, who presumably answered any questions they had.
If they could see the animals, that was that. There was still that niggle in the back of my head, from my twenty-three years of life never encountering anything like ghosts or cryptids, telling me that this was ridiculous. Waiting for someone to knock on the door, a camera mounted on their shoulder, to tell me that it was a big joke and they wanted to see how long I’d play along. But from all I saw, this was a real place with real, invisible animals.
I do carry a taser and pepper spray in my capacity as a security guard. Though it isn’t for the animals, since they’re in the enclosures; they’re actually for the rare instance of a break-in. Andrew mentioned that it had happened several times it the past, someone trying to steal an animal in the hopes of selling it on the black market. They’d been successful before, but apparently my predecessor Roger was good at his job, and mostly they left in handcuffs.
I’ll be honest, I’m not a huge fan of confrontation, but my job was to call Andrew and then confront the person, not kick their ass. That’s what the police were for, or rather, the people Andrew would call in lieu of police in certain situations.
Fifty bucks an hour. That’s the key here.
Andrew hadn’t set up direct deposit, since he was sticking with a strategy of waiting to see if I’d continue to work there once I found out myself dealing with the animals (I’ve decided I am going to just call them animals). Instead, I got an old-fashioned check after my shift every Friday. The number on the first check was delightful. I went out that evening and had a big dinner at the local diner, order my most expensive favorites on the menu and a big slice of pie for dessert.
When it came to the paychecks in general, though, I had this weird feeling of not wanting to tell my dad and brother about the fact that it was actually $50/hr. I previously mentioned that my dad, his name’s Nathan if you’re curious, works at a local grocery store. Our town has a couple food franchises, but I think its size is just short of whatever threshold Walmart uses to decide where to open. He earns $14/hr. and that’s after the tiny raises he’s gotten over the past thirteen years.
That’s not to say he’d feel bad about not making as much as me. On the contrary, he would be ecstatic for me and really proud. But, like me, he’d be suspicious. That hourly rate was the biggest hint that this was more than just a private zoo for cryptids. And as soon as that fat check cleared without problems, my dad wouldn’t be satisfied with reassurances; he’d want to come visit the zoo and look around.
I’d told him it’s a private preservation with scheduled (expensive) visits only and that it had only eleven animals, so he’d been appeased by me brushing off the idea of a visit. Also, I took a few photos of my workplace; one of the security room, one of me sitting in my chair, one photo of the many screens I watched, and a selfie where I was feigning sleep out of boredom, slouched in my chair with my mouth open in a faux snore. That let him feel like he knew where I was and what I was doing, and that I was safe.
But if I told him I was making double what he thought, my father would practically order me to quit. No job was worth my safety, he’d tell me. I was quite of the opposite opinion, however, considering how crucial any and all conservation efforts were these days. Especially with the steep extinction levels due to humans competing with other animals for space, not to mention climate change. Working in any job that helped preserve species and keep ecosystems in balance, or put them back in balance, was so important.
Then again, my father would also point out something I had realized right away: the fact was that I was working with endangered species that were not from Earth. I wasn’t helping my planet. To be honest, though…that didn’t matter to me. Especially after that talk with Andrew about why he hired a human for this job, I figured whichever dimension these animals came from had the equivalent of us, razing forests to the ground, clouding the planet with pollution, and leaving the animals with no avenue of recourse when yet more land was taken from them.
I really do hope to keep working here for a long time, though, and not just because of the money. I can’t help it; I want to know what these things were, and I want to work with them, to do the job of a zookeeper. The same way you go up to the chain-link fence to get close to a carnivore on the other side who thinks you’d make a nice afternoon snack. You just want to be closer to them, to experience that incredible, daunting feeling of being in their presence.
Unsurprisingly, it wasn’t long before I got what I wanted.
The day after we had the tour go through, I was doing my sweep when I saw the ghost again. She was sitting on a small boulder in the same area I’d seen her the first time, looking identical, blood covering the front of her slashed shirt, the wounds visible underneath. I stopped and stood there for a moment before I decided to raise my hand in a small wave.
The young woman cocked her head at me and raised a hand in the air in an imitation of my gesture, her expression showing a bit of curiosity.
She was low-key, seemingly not concerned with my presence, looking at me as a novel phenomenon in her world. I wondered what that world consisted of. Was she always here, sometimes visible and sometimes not? Or did she have another world next to ours, in the ether, where she left everything in this world behind and floated in her disembodied form? Did she still feel emotions? Was that really curiosity on her face, or was I projecting? Did she feel happiness? Fear? Did she have the option of moving on, or was she stuck here?
Many questions that I might never get the answers to. And that was assuming Andrew knew the answers, since I’d never met Suzanne Cooper and he hadn’t even mentioned that possibility. This place was clearly her baby, but I’m sure running it was a lot of work. Plus, if she was rich enough to own it, she was rich enough to have other businesses and charities to run.
When it comes to the enclosures, they’re all wrapped by a barrier of some kind, though never one that seems adequate. There was not a single place with the ugly metal weavings of a chain-link fence, and no stretches of circular razor wire. Instead, there are nice fences. Black iron, or wrought steel fencing in a similar style to the one circling the perimeter of the zoo, just shorter and with different patterns. Or a spaced picket fence, the wood stained in some tone of brown, or a split two-rail fence. As if to say, ‘This is the border of your enclosure, but we’re just letting you know out of courtesy.’
When I started to pass enclosure number seven last night, a young woman’s voice spoke, “Hello.”
I startled, unaware that I hadn’t been alone. “Oh. Hi,” I said, staring at her standing a few yards in.
She had been next to a large tree and I hadn’t seen her. This enclosure was behind a picket fence, and she walked through the large area of wild grasses and flowers that stretched across the other side of the fence. There were fewer tall grasses closer to the fence, which I guessed was because it had been tromped down by her regular pacing along it when there were visitors, or if she wanted to see the various enclosures of the zoo. Her sudden appearance was a bit weird, considering I had been expecting to see a cryptid and instead I was looking at, it seemed, an attractive Asian woman.
She wore a black kimono, the soft silk robe draped gently over her body, with beautiful patterns of cherry blossoms, more so over her left side, and red and blue birds with their wings spread. A sash wrapped around her abdomen, she wore socks and sandals on her feet, and her hair was up in those rolls that gave volume to the style.
I was no expert on any fashion, much less that of another country, so I just assumed it was all traditional Japanese clothing. Most likely, the visitors who came liked to see a certain time-honored style and that’s what she stuck with. Or maybe she played on stereotypes. That would be amusing.
“I’m Yui. It’s nice to meet you,” she spoke, arriving at the border of the fence and holding out a hand for me to shake.
I’d been standing about three yards away from her, and I’ll be honest, muscle memory tried to kick in. But I only made it two steps, my hand starting to rise, before I froze, the hand falling limply at my side. “Nice to meet you, too,” I answered, my voice quiet.
Damn. I wonder how many times that honey trap works back where she comes from.
The pleasant look on her face faded, and she lowered her hand. “You won’t shake hands with me? Isn’t that rude?”
“I mean, I kind of like my hand where it is. You know, attached to me.”
Her demure smile widened into something more amused. “I would never do something so revolting.”
Looking her up and down, as if more visual information would give me more knowledge of what she was, I asked her, “What would you do?”
“I would be less wasteful,” she said softly.
A finger of ice trailed down my spine, and I had the sudden image in my head of her grabbing my outstretched hand in an iron grip and yanking me over the fence, leaving me to sprawl on the ground. Then killing and consuming me efficiently, without a single careless step, the same way humans slaughtered pigs, using everything from the hog but the squeal. I was struck with a shiver at the idea of her consuming everything from me but my screams.
Slowly, I took one step further down the path, then another. Just as I got to a walking pace, though, I realized the woman had started walking too, in the same direction. I’d have eventually gotten to the end of her enclosure and keep going, leaving her behind, but she spoke up. “Are you leaving?”
I came to a stop, meeting her gaze again. “My job is to walk the zoo every hour. Then I’ll get back to the security room and stay there until my next walk.”
“Have you met the others yet?”
I hesitated before saying, “Just Leila.”
She blinked languidly. “That means nobody welcomed you here.”
“Andrew did.”
She didn’t reply to that. Instead, she slowly started to lean forward, and I flinched backward a few steps further as I saw insect legs start curling out from her back.
No. Not insect. Arachnid.
The eight legs ended in small ‘paws’ with tiny claws, a layer of hairs covering the leg from top to bottom, like any typical tarantula. I took two more slow steps back and my mouth went dry as the jointed legs just kept lengthening, until they were large enough to lever her off the ground.
My gaze had been on the spider legs, but my heart skipped a beat as I realized her human legs had melded together and turned into a bulging abdomen. Her skin was shifting to a carapace, eventually all the way up to her shoulders and down her arms, her fingers elongating and her nails stretching to claws. From there down, her body was that of a pale tarantula with pedipalps the size of my arms and piercing fangs in her jaws that looked like they could take my head off.
There was a moment, my vision blurring, where I was worried that I might piss myself. The part of my brain that still had its humor intact in that moment told me that I should keep an emergency set of clothes in my car, or at the very least, start wearing Depends to work.
“I show you my true form,” she said softly, her voice now raspy like an eighty-year-old after a lifelong smoking habit. “Welcome to Suzanne Cooper’s zoo. The night shift guard for many years was Roger, before he retired and the zoo moved, and I miss him dearly. What should I call you?”
I choked on my words. There was no way my throat was going to cooperate enough for me to clearly get a sentence out. Instead, I realized my legs had taken control of the situation themselves, unsatisfied with my conscious brain’s decision to stand and stare, taking steps backward. I backed up a yard, then five yards, then ten.
My mind focused on the fact that spiders don’t waste anything, and pictured my demise. I’d be wrapped in a cocoon, killed, and made nice and mushy before she had me for dinner.
The whole time, my brain was a frenzied mess, my pupils were probably the size of dimes, and I was staring at that tiny, pathetic fence between her and me. There was so much adrenaline pumping through my body that I felt like my bones were vibrating. The fence was, to my eyes, the only thing between us. The only thing keeping her from tackling and killing me. My only hope was that she’d do it quickly.
But she didn’t move. As I absorbed her innocent, polite words, the look on her face was calm, and I wondered if this was typically the way a conversation went before she devoured her prey. I wondered how many people she’d eaten. Not humans, not people from Earth, but the ones from where she came from. The fact that she doesn’t scare the shit out of those people means they’re staggeringly dumber than humans.
Finally, I rounded a corner, both relieved at having her out of my sight and worried that she would take that moment to come find me. When she’d been within eyeshot, I had at least known where she was and could run in the other direction. But I didn’t hear the sound of faint footsteps moving rapidly toward me. All was quiet, in that deep, smothering way that only an empty business in the middle of the night in small town America could be.
My hands trembling, I barely paid attention to anything but the confirmation that my surroundings were free of the colossal spider as I finally got back to the door. Grabbing the handle and letting my eyes dart around for about ten seconds and my ears prick for the slightest sound, I finally swiped my key card across the pad and went inside, shutting the door behind me and engaging the backup deadbolt.
Maybe that was why they had decided on keycards. If I was running from something and panicking, using an actual key or inserting the card like at a hotel would keep me from getting to safety considering my hands were shaking enough to mix a margarita.
Walking over to my chair, I fell into it, letting my body flush itself of terror as I looked up at the cameras. There she was, still in arachnid form, exactly where I’d left her behind that rinky-dink fence, casually looking around and slowly pacing back and forth. I stared at her as my racing heart gradually slowed, and a minute or so later she turned on her eight legs and walked back into the trees.
Whatever invisible fences the enclosures have apparently work, which is nice, because I wasn’t keen on getting killed by one of the creatures here. And that’s what brings me here, spilling out everything that’s happened so far. Because nearly passing out from terror isn’t something I wanted to deal with at work, obviously, but I keep going over what she did in my head again and again, and I feel like I reacted like a child who spotted a wolf spider on their bed. I started to worry for my overactive sense of self-preservation, at least in my capacity as an employee here.
The spider didn’t even try to hurt me, and so I was feeling a bit foolish. Even annoyed, actually, at the fact that I’d freaked out so hard and took off instead of trying to engage in at least basic conversation. I got the sense that she wasn’t at human-level intelligence, but I was never going to be able to hold any level of conversation with an alligator.
Sure, she did mention that she wouldn’t be so crass as to yank off my hand because she’d rather just have my entire corpse, but wouldn’t a wolf do the same if it was hungry? Wouldn’t any carnivore? Actually, they probably would’ve been satisfied with one of my hands. The fear here was from the fact that she turned into a giant spider. If she’d turned into Clifford, I would’ve reacted the same way, if not better than, meeting Leila.
With that, I decided I’m staying on the job. Considering how frustrated I can get with foolish people, it’s a bit hypocritical, and I’m being a bit of an idiot. But…there are definitely wards keeping them in their enclosures. Also, I signed up for creatures for another dimension, whether or not I believed in them at the time, and I will not let encountering my first one in an objectively boring way be the reason I quit.
The money is a factor, I’ll grant you. Of course it is. And I can’t spend it if I’m dead, but all signs point to surviving as long as I don’t do anything dumb. Also, yes, I’ll admit there’s a not-so-little voice in the back of my head that’s desperate to know what else is here. I never thought I’d do something like this, but finding out these things are real, I honestly do want to learn more about them.
Still, though, I decided to call Andrew at the end of my shift to ask if the pepper spray and taser I carried worked on a certain spider, as well as the other animals I’d yet to meet.
Previous

Hello together, Since i need to get this stuff out of my mind i thought of posting my full story about my past Relationship with a Girl with BPD.
About me
24M we we're together for 2,5 years. Parents divorced when i was 8, after that our Home was never rly a Family again. Have 2 Sisters but no strong Bond to them. She was my first real girlfriend and definetly is my first true Love (6th class i had a "gf" for 8~weeks that started while she was in a relationship that she ended for me). I was a virgin before her, and only kissed my "first GF" before no other Woman. I also Had very little contact to woman and didnt knew anything rly about them (how they behave/whats normal/whats not) at all after i started to work at 16. I have a strong protective Instinct for Woman and i am Overall very caring and nice Person.
About her
25F, 4 Boyfriends before me (8months/3months/3years/10months) she cheated on the second with the first and Kissed a Guy at the end of the 3year one. Parents divorced at age 13. Very rough childhood. Father a narcisst, mother made her feel Like she never wanted her. She has a older sister but the Bond isnt strong. One of her other Family members and His wife&children kinda became her Foster Family, she Sees them more as parents, and These are her Trust persons. Now diagnosed with BPD, Depression,ptsd
This will probably be a longer Story so i put it in parts.
First Meeting
The first time i met her was at a small Party at a friends house, one of my friends girlfriend knew her and warned me about her. She went through a breakup phase at the moment and they knew that she had Tinder at the moment and had slept with some Guys. This night she was flirting with someone Out of my town which later resulted in them becoming a couple.
Her Last relationship before me It lasted about 10months. It was her 4th, and the Guy never Had a Longtime relationship but a like 3/4shorter ones <1year. Since they belonged to the same friendcircle as me i noticed alot about it. It was destined to fail. He was on worktrips Monday-Friday (Army) so they only rly met in the weekends. They argued very much even in the beginning. U could see that neither of them we're rly happy in it. Personaly i dont rly like this guy since i dont like his charakter and the way he behaves sometimes.
How it started
At the end of her last relationship they moved together to my town (her ex also lived there) and they we're always at the same smaller meetups/partys as i was (only our friendcircle) with like 5-8ppl at most. One night He left earlier and she wanted to stay. This night she got a message from her father that she is not her daughter anymore since she moved out of her old apartment where he was the landlord. Due to coincidence i wanted to Go to toilet and saw her crying down the street, went to her and comforted and hugged her. Next days she thanked me for taking the time via wa(WhatsApp). The next week again there was a Party and again her Bf left earlier and she stayed. This time we we're the Last people and host closed it, WE then talked for about 3hours about her situation with her Family/ dad since i could understand it, her BF at the time Not. Also i hugged her from time to time when she was crying. Next week also the same, she stayed Bf left and she touched my Leg and Rubbed her feet against mine after he left, we also talked alot that night again after Party was closed. Couple days later she thanked me and said her Bf doesnt understand her, doesnt Take time for her problems, i Just wanted to help her and make her feel better, No romantic interest at that Point. Due to her issues we then went to for a Walk nearly everyday in the night to Talk about it. On the first Walk she literally told me about anything (Family&Friends/past relationship/ her Sex Life, with how many Guys she slept (8 at the time) and her Tinder Phase i got told about before (8 at the time)and that she isnt sexually satisfied in her relationship and never was before-outside of a ONS when she was single) All this caught me offguard since i was Virgin and never had a girl spoke to me about such things. Later we went to her place and talked more, i noticed her make me compliments all the time but i Just kinda ignored it. She then Fell asleep on my lap and i waked her Up after 10min and went home. We then went to meetup to Walk nearly everyday at the weekdays, and we fell in Love during that. But she Lied to her Bf Sometime(Not everytime) this went for Like 2/3weeks. After some time she told me she wants to leave her Bf and we cuddled Sometimes a little bit but no touching private parts more Like leaning against another (i then didnt realised that we we're cuddling). We also talked about a Future together and how we build a House and have Kids and stuff. I didnt feel Bad since her Bf treated her very poorly and never was caring or Loving for her. She then left him, and couple days later we Kissed and i was Always at her place but so that No one can notice (but people realised there is Something Off and that there something between us). During relationship she then told me that she wouldve betrayed her ex with me if i took the signals right (Like i noticed) but to my bad i didnt realised what that rly means.
The relationship
Finally i had a gf i couldnt believe it. But we kept it Hidden for 3months~ then Made it official, i then moved into her Apartment (she kept it) since i was living at parents since then. We never argued in the first 6months(!) it was just perfect. We had so much fun we enjoyed every minute and did Chat allday when Not together. I Had what i always thought what real love is. She was my best Friends and the only Person to ever give me this warm Feeling of being Loved&wanted&needed&cared for and i never trusted a Person Like her. Also the Sex did workout for her, i was the first Guy who cared for her wants and needs and she told me she never had this good Sex before and that she had her First orgasm (ngl i am also a bit over average in size but i only knew that once we bought condoms). Everything seemed Like it could Last forever she always talked about marriage, we talked about problems, we're always nice&Kind&Loving to each other and i thought well maybe i am one of the lucky people to find his wife at the first try. But after 6-8months the Sex life changed, it was still very good but only every 3-5weeks or when she was drunk (i have a high Libido). She told me before she has no high Sex Drive and had one year No Sex in the 3year relationship but that we have so few Sex now maybe a phase. So i thought ok i am Not Happy with it now but maybe it Changes and we still have Sex Sometimes and the Sex is still very good for both of us, i Made her like things before she didnt like (fingering) and we found Out some more Things she liked but has never tried/ the other did seemingly Not to her liking. But this Phase continued for the whole relationship, we never again had sex more often then every 3-5weeks outside for Like 3/4times. This put a big toll on me since for me it was very important, also she at some Point did Not Care for my needs and wouldnt do anything for me (only every 8-12weeks or so she would do give me a BJ or HJ) in bed only when she wanted Sex, also Sometimes she couldnt kiss me and tilted her head away, and often wanted it to end fast Out of nowhere. This was my only Problem and the reason i waited with marriage since every other aspect was rly fine. Only i was very Jealous since she chatted with some Guys (actually only friendship) and with on of our Friends He also came over in her want but WE only played cards or so, i asked her If there was Something but she said no and i trusted her. Also during the relationship she Always said she feared me leaving her and never would she leave me, and that she needs me in her life, that she was never so happy on all areas and that she doesnt understand how a Guy Like me who in her eyes is so perfect would Chose her.And how i always felt when Something was off and comforted her and how i am the most understanding amd empathic Person she ever met.And that she wants to marry me so bad, and that we together could conquer the world and do everything and clear every problem we have. This always gave me the confidence i needed in my life and i thought what should she wants from other Guys, she Had 4 Bad relationships and i am giving it my all so why think to much of it.
When BPD fully appeared / Breakup
Last OctobeNovember she started to have mental problems and went to weekly therapy. Thats when it all started. Her mental health became worse and worse, i tried everything i could, spoke with her all the time, tried to fix things tried to Bring Up solutions but nothing worked (Till the end of the relationship). But it only got worse. She Had suicidal thoughts, inner emtyness, started to distance herself from me, pushed me away. Didnt wanna spend time with me, wanted less and less to have physical interaction. Also in this time she talked A LOT to one of her Guy Friends who also Had Depression, and i mean a Lot. They chatted allday, Had Phone calls, and she hold her Phone away when i sat next to her when she chatted with him, but she told me i can Always See The Chat If i wanted to. They did never meetup tho, and i asked her If she Had feelings for him and she said now but that she Just wants to Talk to someone who isnt involved in her private life and i trusted that, but i was still very Jealous. Since why Not speak to me when she always could. When it was clear she has BPD she went into a 6week therapy to learn how to Deal with her suicidal thoughts etc. Later i realised where all Here Sometimes weird behavior (pushing me away/more Guy Friends/distancing/Moments where she would yell at me for no reason but 5minutes later came to say sry and her having problems to have Sex with because of the fear of emotion Connection and all the other stuff) came from since i informed myself alot about bpd. But before that we had alot of Talks how this should Work Out again since i felt she was falling for another Guy Just Like Back then with me, and i Said to her if we wont have more physical contact Like Kissing and Sex, that this wont Work Out in the longterm. But i always said i give u the time u need, i give u the time u want, together we can fix this youre never alone aslong as U have me. 1 Week later she said she Had lost feelings for me and that she wants to breakup and WE kinda did breakup there, but that she has no feelings for other and Just wants to go through this alone, but also that she constantly thinks about haveing Sexting and Sex with other Guys, Guys she has no feelings for, she can dump any Second, without having responsibilities, without the emotional Connection that was her Most important part. This was the moment i broke. I thought since she finally was satisfied she wouldnt want other Guys.. Never could i have a poly relationship. I only wanted her and i Made that clear the whole relationship even tho we Had a little Sex. I Said to her that i couldnt do this and she said she doesnt know If she rly wants it and so on. We talked for days about how to solve IT and what to do but came to the conclusion that she wants to put it ON ICE for a while,and that her Body and mind doesnt want to be touched from me but that she will install Dating apps soon... But also she changed her mind daily in nearly everything.. I thought that i broke the circle that i managed to Change he to make her feel better finally, since i was someone who gives everything for her, who Loves her for who she is, who Cares for her Like No other, she told me that she was never this satisfied, she never Had so good Sex, she never was this happy,she wanted Kids in her life but only with me she knew she want them, she said i am the right guy at the wrong time... Her Family Made clear that they want me to be her Future husband, all of them Loved me and her Friends too. During the therapy i visited her&brought her presents, Things to get her mind Off from the Situation, Pictures of us&her and her Friends&Family and everything was fine Like nothing happened. But when we chatted she didnt want to Chat, but on the Weekend we alone spent the whole time together, cuddled, but No Kissing or Sex. She Always said lets give it our all after the 6weeks and rly Work on it but i need time for me now and i respected it. But it all changed after 2 weeks she didnt want to me to visit or to Chat with me or to have Phone calls, but i knew she was on her phone the whole day.. But still she wanted to visit me in the weekends. In the 3rd week tho she said i comfort her when i am there but that she feels good without me and that the feelings are gone. Some Part of me died that moment. So we finally fully clearly broke up. We both cried alot and talked about it but there was No helping it.
After Breakup
We still have contact since her Cats& stuff is still at our Apartment, but she will get a new Apartment soon and the all of IT will be Out and i can start to fully heal. Also since we we're both active in the Association we Met Last Week, and she was crying all the time so i spoke to her, since i still Love her.. She told she wants to go back to therapy since she has again all time suicidal thoughts and does Cut herself now and in therapy/clinic she feels safe. I comforted and hugged her since she was crying all the time. I asked her how she feels and what therapy she will do in future and If she cheated on me during relationship she Said No and i asked If slept with other Guys after and she said yes.. 2 guys since and the first 1week after the breakup... And i asked If it felt good and she said that it felt very good and that she doesnt regret it.. I never felt so betrayed And Hurt i hoped that with all the Love she Had for me she could avoid doing that Just to feel good for 5minutes.. And that she did it to forget me. And she told me it since she cant lie to me and that she still has some feelings for me.. and that she Said that i know her better then she knows herself... I got so angry at that moment but Not at her at the Guy that it felt good with..(i dont know who He is and its better that way) But now i know that she will never have healthy relationship aslong as she doesnt get her Shit together, and Deals with her mental illness, she Said she wont have a relationship again aslong as she doesnt has it fixed and i Hope so for her. She Said herself she knows she will never find a Guy like me again and that she rly was never this happy in Life like with me and that never has a breakup Hurt her so much and that she never Had so strong feelings for someone and that she is very sorry it had to end this way and that she wished different but that she thanks for me for everything i have done for her.
Conclusion
I am absolutely broken my self confidence is at 0, but still i am not angry at her but very very disappointed that she gave It all Up. It was true Love from my Side and maybe to some degree from hers. BPD build Up and destroyed the relationship. But it was the best time of my and her Life. If she wouldnt have sleeped with other Guys DIRECTLY after breakup Things couldve ended differently but now i know that i will never be together or maybe even talk with the women i truly Loved with all my Heart, the Woman that Made me feel like No other, the Person i had so much fun with and could Talk about anything, the Woman with the sweetest Smile and the cutest laugh, but also the woman that didnt respect my boundaries and that Kills me. But i Said to her If she would do that its over, she did and didnt regret it. She will regret it one day i am 100% sure but then i will Not comeback. Its a shame what this illness does to people. Now i am left with a co dependency, the thought i can never Trust a Person this much or the words the say due to my Trust getting crushed once more, and the Feeling i can never Invest so much Love in a relationship again, and that i will just get the Same treatment. But still i am not a Bit angry at her funny isnt it.
Last words
To all of you out there who are living through the same shit, u have to think what you really want and what your boundaries are and set them clearly. I wish for u that it not has to end like in my Situation. Feel hugged 🫂! U are great people dont let your self confidence get crushed by them.

Taken from: https://www.theringer.com/movies/2024/5/21/24161120/greatest-movie-car-chase-scenes-ranked-furiosa-mad-max-saga
In honor of the imminent ‘Furiosa: A Mad Max Saga,’ we’re shifting into high gear to determine the best chase scene in cinema history
By Miles Surrey May 21, 2024, 6:30am EDTGetty Images/Ringer illustration
After wowing audiences with Mad Max: Fury Road, director George Miller returns to the franchise’s post-apocalyptic wastelands for Furiosa, the epic origin story of the eponymous heroine (now played by Anya Taylor-Joy), premiering on Friday. As the follow-up to one of the greatest action films ever made, it’s hard to overstate the hype for Furiosa, and that was before word got out about a showstopping 15-minute sequence that required nearly 200 stuntpeople and took 78 days to shoot. While Furiosa will have its own distinct flavor, as is true of every Mad Max movie, there’s one thing that unites these projects: intense, jaw-dropping scenes of vehicular mayhem. And what better way to honor the franchise than by celebrating what it does best?
Ahead of Furiosa’s release, we’ve put together our definitive ranking of the best car chases in cinema. There weren’t any strict rules in place, other than capping the list at 20—mostly for my own sanity—and limiting every franchise to one entry. (Apologies to Fury Road’s kickass predecessor The Road Warrior.) We also won’t discriminate against scenes that feature motorbikes, so long as cars (and/or trucks) remain part of the equation. As for what, exactly, constitutes a good car chase? Like list making, it’s bound to be subjective, but I tend to gravitate toward two key elements: the skill of the stuntwork on display and the ways in which a filmmaker conveys the action in relation to the story. (Also, the less CGI, the better.) Buckle up, ’cause we’re not wasting any time shifting into high gear.

20. Quantum of Solace (2008)

There have been some memorable car chases in the James Bond franchise: the first sequence featuring the iconic Aston Martin DB5 in Goldfinger, the corkscrew jump in The Man With the Golden Gun, the Lotus Esprit submarine in The Spy Who Loved Me. But I’m going with a somewhat controversial pick here: Quantum of Solace. There are many issues with Quantum of Solace—namely, it was one of the most high-profile blockbusters affected by the 2007-08 writers strike—but its opening scene isn’t one of them. Picking up right where Casino Royale left off, we find Bond (Daniel Craig) evading henchmen through the narrow roads around Italy’s Lake Garda. The frenetic, furious chase mirrors Bond’s sense of anguish after losing Vesper Lynd (Eva Green), the woman he opened his heart to, and his relentless quest for answers. It’s a thrilling tone-setter for Quantum of Solace and one that doesn’t overstay its welcome, capped off by Bond sending his final pursuers flying off a cliff:
If we’re being honest, though, it feels like James Bond has yet to create a franchise-defining car chase. Perhaps that’s a mission the newest 007, whoever it ends up being, can undertake.

19. Mission: Impossible—Rogue Nation (2015)

The Mission: Impossible franchise is no stranger to electrifying chase scenes, the best of which find Tom Cruise’s Ethan Hunt working up his heart rate. When it comes to action behind the wheel, though, Fallout tends to dominate the discussion—even on this very website. But I think the vehicular chase in Rogue Nation is being slept on. What we have is effectively two sequences for the price of one: The first finds Hunt pursuing Ilsa Faust (Rebecca Ferguson) by car through the narrow streets of Casablanca alongside some nefarious henchmen; the second sees him continue the chase outside the city on motorbike. (Adding to the chaos: Hunt had only just been resuscitated, and he’s clearly not all there.) In terms of death-defying stunts for the audience’s entertainment, a helmetless Cruise taking corners like a MotoGP racer is child’s play compared to his other exploits, but the actor’s authentic reaction to scraping his knee on the road underlines that there’s no one else in Hollywood doing it like him:
We’ll be sure to update this ranking if and when Cruise does something even more dangerous down the road, pun unintended.

18. Vanishing Point (1971)

A movie that counts the likes of Steven Spielberg and Quentin Tarantino among its biggest fans, Vanishing Point is the first of a few entries on this ranking that’s essentially one extended car chase. The film stars Barry Newman as Kowalski, a man tasked with delivering a Dodge Challenger T 440 Magnum from Colorado to California while eluding police across four states. One of Kowalski’s most memorable run-ins comes when a guy driving a Jaguar E-Type convertible challenges him to an impromptu race. Incredibly, we’re expected to believe the man in the Jag comes out of this crash in one piece:
Vanishing Point might not boast the impressive production values of other movies on this list, but considering Tarantino would go on to feature a white Challenger in Death Proof, its influence in the car cinema canon is undeniable.

17. Fast Five (2011)

Let’s face it, Fast & Furious has seen better days. Some believe the franchise’s dip in quality coincided with the death of Paul Walker; others are dismayed by the pivot from street racing to absurd feats of superherodom—emphasis on the Dom. Perhaps it’s a bit of both, but the very best movie in the series, Fast Five, manages to strike the perfect balance: It’s a relatively grounded heist thriller that nevertheless takes the franchise to ridiculous new heights. After Dominic Toretto (Vin Diesel) and his crew steal $100 million from a Brazilian kingpin, they drag the entire bank vault holding the money through the streets of Rio de Janeiro, all while being pursued by authorities. It’s a delightfully destructive sequence that does untold damage to Rio’s infrastructure and features some of the most bone-crunching crashes committed to film:
If the Fast franchise is going to break out of its recent slump, it would do well to remember that there’s nothing better than letting its heroes live their lives a quarter mile at a time—no detours to outer space required.

16. The Blues Brothers (1980)

A good car chase isn’t reserved just for action flicks: Comedies can get in on the act, too. In The Blues Brothers, starring the recurring Saturday Night Live characters played by John Belushi and Dan Aykroyd, the beloved bandmates must prevent the foreclosure of the orphanage where they were raised by scrounging together $5,000. Naturally, that’s easier said than done: Along the way, the Blues Brothers draw the attention of neo-Nazis, a country-and-western band, and local police. While The Blues Brothers has amusing gags and musical numbers, its chase sequences with the Brothers behind the wheel of a 1974 Dodge Monaco are what really steal the show—and none are better than a climactic pursuit across Chicago. More than 60 old police cars were used in the film, some of which are wrecked in a comically over-the-top pileup:
The sheer scale of The Blues Brothers’ final set piece is commendable in and of itself—as is the movie’s commitment to treating real-life cars like a bunch of Hot Wheels.

15. Baby Driver (2017)

For good and for ill, Edgar Wright’s movies exude an abundance of style, and Baby Driver is no exception. Baby Driver is centered on a clever gimmick: The action works in tandem with its soundtrack because the film’s protagonist, Baby (Ansel Elgort), suffers from tinnitus and constantly plays music to drown out the ringing. When everything’s clicking into place, Baby Driver feels like a supersized series of music videos, and nothing hits quite like its opening sequence. Baby acts as the getaway driver for a bank robbery while listening to the Jon Spencer Blues Explosion’s “Bellbottoms.” The ensuing chase works around rhythms of the song, as if Baby’s Subaru WRX were the star of its own dance number. Take nothing away from the actual driving, either, which puts the rally car to good use:
Baby Driver’s gimmick stretches a little thin by the end, but it’s hard to deny the crowd-pleasing power of Wright’s film when it’s firing on all cylinders.

14. The Raid 2 (2014)

With a trio of kickass Indonesian martial arts films under his belt, Gareth Evans has established himself as one of the most exciting action directors on the planet—someone who seems most in his element staging positively brutal hand-to-hand combat. In The Raid 2, however, Evans also brought his signature brand of carnage to the road. While there’s some cleverly executed close-quarters fighting within the confines of an SUV, courtesy of Iko Uwais’s hard-hitting protagonist, what really cements this sequence’s greatness are the moments when Evans turns the cars into an extension of the characters’ fists:
This belongs in an entirely new category of combat: car fights. There are so many action scenes in The Raid 2 worth writing home about—the kitchen showdown is an all-timer—but the fact that Evans casually tossed in an unforgettable car chase shows why he’s one of one.

13. The Driver (1978)

I’ll say this for Walter Hill’s The Driver: It sure lives up to its title. In this stripped-down thriller—one where none of the characters have a name—we follow the Driver (Ryan O’Neal), a getaway driver who has become a thorn in the side of the LAPD. In the film’s best scene, we see its taciturn protagonist living up to his reputation. With the Driver behind the wheel of a 1974 Ford Galaxie, a cat-and-mouse game unfolds when a handful of police cars are hot on his tail. What I love about this sequence is the pared-down nature of it all: The Driver outwits the cops as much as he outraces them. (Though, ironically, that wasn’t entirely by design: As Hill later explained, an accident on the last night of shooting meant they had to cobble together what had already been filmed.) Frankly, you’d never know the difference from the finished article:
If the general vibes of The Driver seem familiar, that’s because it was a major inspiration for Nicolas Winding Refn’s Drive, which just so happened to feature an unnamed protagonist (Ryan Gosling) evading police through the streets of Los Angeles.

12. The Bourne Supremacy (2004)

The shaky-cam style of the Bourne franchise isn’t for everyone—just ask John Woo—but credit where it’s due: These movies know how to deliver a good chase scene. (A friendly reminder that The Bourne Legacy is an underrated gem with an awesome motorbike sequence to boot.) But there’s one Bourne chase that stands above the rest: the Moscow getaway in The Bourne Supremacy. After being wounded by the Russian assassin Kirill (Karl Urban), Jason Bourne (Matt Damon) hijacks a taxi, with both the police and Kirill in hot pursuit. This isn’t the kind of sequence that lingers on any one shot; instead, what makes it work is the frenetic nature of the editing, which allows the viewer to feel like they’re in Bourne’s fight-or-flight headspace:
If I’m being honest, I’m usually one of those people who doesn’t like the Bourne movies’ shaky-cam style, but when it’s executed with such craftsmanship, you can’t help but get caught up in its adrenaline-pumping power.

11. The Seven-Ups (1973)

Philip D’Antoni was the producer of two movies featuring Hall of Fame car chases, Bullitt and The French Connection, the latter of which won him an Oscar for Best Picture. And with his lone directorial feature, The Seven-Ups, D’Antoni sought to craft an iconic sequence of his own. The film stars Roy Scheider as NYPD detective Buddy Mannuci (elite Italian American name; I can practically smell the gabagool), who commands a unit handling major felony cases that lead to seven-plus-year prison sentences; that’s why they’re known as the Seven-Ups. Midway through the movie, when one of the team members is killed by two shooters who flee the scene, Buddy chases after them. The 10-minute sequence, which starts in the Upper West Side before moving out of the city, is thrillingly immersive, alternating between close-ups of the characters and wider shots of all the damage they’ve caused. But the chase’s defining moment comes right at the end, when Buddy narrowly avoids a grisly death:
The sequence isn’t quite at the level of Bullitt or The French Connection—very few are—but D’Antoni still manages to leave an unmistakable imprint on the car chase canon.

10. Death Proof (2007)

If you ask Quentin Tarantino, Death Proof, his knowingly trashy tribute to exploitation cinema, is the worst movie he’s ever made. But that doesn’t mean there isn’t a lot to admire about the film, which honors the unsung heroes of Hollywood: stunt performers. The first half of Death Proof follows three female friends who cross paths with Stuntman Mike (Kurt Russell), a misogynistic serial killer who takes them out in his “death-proof” Chevy Nova. Fourteen months later, a group that includes stuntwoman Zoë Bell, playing herself, also lands on Mike’s radar. As Bell and her friends test out a ’70s Challenger, she performs a “ship’s mast” stunt, clinging onto the hood of the car with fastening belts. Unfortunately, when Mike pursues the women, it puts Bell in a precarious situation. Most of the entries on this list celebrate some next-level driving skills, but Death Proof’s inclusion is all about Bell pulling off one of the wildest stunts you’ll ever see. She’s quite literally hanging on for dear life:
If the Academy handed out Oscars to stunt performers—and let’s hope it does happen one day—Bell would’ve won in a landslide.

9. To Live and Die in L.A. (1985)

William Friedkin was already responsible for an all-time great car chase in The French Connection (more on that later), but the filmmaker made a commendable bid to outdo himself with To Live and Die in L.A. In this neo-noir thriller, Secret Service agent Richard Chance (William L. Petersen) is hell-bent on arresting an expert counterfeiter, Rick Masters (Willem Dafoe), who kills Chance’s partner days before his retirement. To capture Masters, Chance and his new partner, John Vukovich (John Pankow), attempt to steal $50,000 from a jewelry buyer for an undercover operation. The sting goes bad when the buyer, who is later revealed to be an undercover FBI agent, is killed and a group of gunmen goes after Chance and Vukovich. It’s a clever inversion of the usual car chase formula—this time, it’s the lawmen running away from the criminals. The outside-the-box thinking extends to the film’s most astonishing stretch, in which Chance evades the gunmen by driving into oncoming traffic:
The fact that Friedkin shot the chase at the end of filming—in case anything disastrous happened to the actors—underscores just how risky the endeavor was. The pulse-pounding results speak for themselves.

8. The Matrix Reloaded (2003)

The Matrix sequels have never been held in high esteem, but I’m ready to live my truth: The Matrix Reloaded fucking rules. (If anyone’s got a problem with this take, file your complaints with the Architect.) What’s more, the film happens to boast the finest action set piece of the franchise: the highway chase. After Morpheus (Laurence Fishburne) and Trinity (Carrie-Anne Moss) free the Keymaker (Randall Duk Kim), a program capable of creating shortcuts within the Matrix, they’re pursued by the Twins (Neil and Adrian Rayment). Morpheus once warned that going on the freeway was “suicide,” and it doesn’t take long to see why: The chase draws the attention of several Agents, who repeatedly take over the bodies of other drivers on the road. The scene is the best of both worlds: There’s some incredible stuntwork on display, including when Moss weaves around on a Ducati, and CGI augments some feats of superhuman strength. But the most jaw-dropping aspect of the sequence is how it came together, as the production spent $2.5 million to construct its own highway (!) on California’s Alameda Island. If that weren’t unique enough, I’m pretty sure Reloaded is also the only movie in existence in which a katana takes out an SUV:
The Matrix remains the Wachowskis’ masterpiece, but don’t get it twisted: The filmmakers were still cooking with gas in the sequel.

7. Gone in 60 Seconds (1974)

Size isn’t everything, but for H. B. Halicki, who produced, wrote, directed, and starred in Gone in 60 Seconds, it’s certainly part of the package. The indie action flick follows Maindrian Pace (Halicki), a Los Angeles insurance investigator who has a lucrative side hustle jacking high-end cars. The plot kicks into motion when a South American drug lord enlists Pace to nab 48 cars within five days in exchange for $400,000. Of course, Gone in 60 Seconds is best known for what happens after Pace is caught stealing a 1973 Ford Mustang Mach 1, when he leads police on a chase that lasts a whopping 40 minutes. (More than 90 cars were destroyed in the process.) Halicki, for his part, did all the driving himself, including a spectacular jump off a makeshift ramp of crashed cars:
While Halicki wound up making a few more indies after Gone in 60 Seconds, he died in an accident on the set of its sequel. His legacy as a do-it-all daredevil, however, lives on.

6. Terminator 2: Judgment Day (1991)

Long before James Cameron immersed himself in the world of Pandora, he was a pioneer of state-of-the-art visual effects. Case in point: Terminator 2: Judgment Day is credited for having the first CGI character in a blockbuster, the T-1000 (Robert Patrick), a killing machine composed of a futuristic liquid metal. But Cameron also understood that the CGI of that era shouldn’t be the main attraction: It worked best as a complement to the practical effects, as seen in Judgment Day’s epic viaduct chase. When the T-1000 tracks down a young John Connor (Edward Furlong) in a shopping mall, he’s saved at the last minute by the Terminator (Arnold Schwarzenegger), giving John a chance to escape on his dirt bike. As the T-1000 gives chase, the David and Goliath vibes between man and machine are further epitomized by the T-1000’s commandeering of a truck. The sequence already has a terrifying sense of urgency, but it hits another level when the T-1000 crashes through the viaduct like the Kool-Aid Man:
Big Jim is still revolutionizing what can be achieved with visual effects in the Avatar franchise, and while I cherish those movies, nothing beats his old-school showmanship.

5. Duel (1971)

The feature-length debut of Steven Spielberg—perhaps you’ve heard of him—the TV movie Duel is essentially one extended chase sequence between salesman David Mann (Dennis Weaver) and a sinister trucker determined to drive him off the road. I’ve attached a clip from the ending of the film, but that doesn’t do Duel justice. What cements this movie’s greatness is how it sustains an unbearable level of tension across its 90-minute running time—with a budget under $500,000, no less. Spielberg’s masterstroke is never once showing us the other driver, anthropomorphizing the truck itself as a monster. (You can see a lot of similarities with how he would build suspense in Jaws.) When Mann finally gets the upper hand, tricking his adversary into driving off a cliff, it feels like you can breathe again:
Spielberg would move on to bigger and better things after Duel, but considering how much the director accomplished with so little, you can’t help but wonder what else he could conjure up with limited resources.

4. Mad Max: Fury Road (2015)

Like Duel, Fury Road is basically one long car chase—the difference is Miller got to work with a blockbuster budget, and made every cent of it count. It’s hard to pick a single standout sequence in Fury Road, but if I had to choose, I’d go with the first attack on the War Rig after Furiosa (Charlize Theron) flees with the wives of Immortan Joe (Hugh Keays-Byrne). Here’s why: Think back to when you saw Fury Road for the first time, before you fully grasped the vehicular carnage that was in store. And then stuff like this kept happening:
To quote Steven Soderbergh’s thoughts on Fury Road: “I don’t understand how they’re not still shooting that film and I don’t understand how hundreds of people aren’t dead.” Whether or not Miller manages to one-up the action in Furiosa, the director is already in the pantheon.

3. The French Connection (1971)

We return to the Friedkin-verse for what may be his best film, The French Connection, the crime thriller based on Robin Moore’s 1969 nonfiction book of the same name. The story concerns two NYPD detectives, Jimmy “Popeye” Doyle (Gene Hackman) and Buddy “Cloudy” Russo (Roy Scheider), and their tireless pursuit of a French heroin smuggler. But while there’s plenty to admire about how The French Connection illustrates the thin line between police and criminals, its greatest claim to fame is its car chase. After Popeye narrowly survives a sniper attack, he goes after the shooter, who escapes on an elevated train. The ensuing sequence is true daredevil filmmaking that Friedkin shot without permits, leading to real crashes with New Yorkers that made the final cut. But Friedkin’s finest touch was mounting a camera to the front of the car, making the audience feel like they’re part of the action:
My Ringer colleague Justin Sayles believes The French Connection’s chase should’ve landed at no. 1, and I’m sure many folks will agree with him. Being the only film on this list to win Best Picture, however, is a solid consolation prize.

2. Bullitt (1968)

When it comes to modern car chases, all roads lead back to Bullitt. A Dad Cinema classic, the film stars Steve McQueen as Frank Bullitt, a San Francisco detective who pursues a group of mobsters after a key witness is killed in protective custody. In his search for answers, Bullitt realizes he’s being tailed by a couple of hitmen, and then turns the tables on them. From there, the chase is on. Aside from McQueen doing most of his own stunts behind the wheel of a Ford Mustang GT 390 Fastback, what’s so impressive about the sequence is how timeless it is. Even the little imperfections, like hubcaps repeatedly coming off the wheels, work to the film’s advantage, stressing just how much these drivers are living on a razor’s edge. It’s been more than 50 years since Bullitt revolutionized the car chase, and yet few movies since have felt like they’re pushing the envelope to such an exhilarating degree:
That the car driven by McQueen was recently sold at auction for $3.74 million, a then-record price for a Mustang, underlines Bullitt’s enduring legacy.

1. Ronin (1998)

“If I’m going to do a car chase,” filmmaker John Frankenheimer said in an interview with the American Society of Cinematographers, “I’m going to do a car chase that’s going to make somebody think about whether or not they want to do another one!” Boy, did he ever. In Frankenheimer’s late-career masterpiece, Ronin, the director actually incorporated several chases, but it’s the climactic sequence that stands alone as the greatest ever filmed. The movie concerns an international group of mercenaries who are hired to steal a mysterious briefcase; a series of double-crosses and double-bluffs ensue. But for the final chase, all you need to know is that Sam (Robert De Niro), a mercenary with ties to the CIA, is in pursuit of Deirdre (Natascha McElhone), an IRA operative in possession of the case. Winding through the streets and tunnels of Paris, what’s most striking is just how fluid it all feels. You’re completely engrossed in the chase’s forward momentum, captured from every conceivable angle; a symphony of controlled chaos. The driving styles even reflect the characters: Deirdre is reckless and impulsive, while Sam remains calm and controlled.
There are many worthy car chases in this ranking, but in my view, Ronin takes pole position. And while I can’t imagine a movie ever topping what Frankenheimer achieved, I’d love nothing more than to be proved wrong.

Previous Part
By the time I’d woke up bright and early at 4 A.M., Rocco had amassed an impressive pile of pilfered food in the corner of the tepee. He was just dragging in a turkey leg when I saw him, must’ve been at it all night form the looks of it.
“Rocco, what the hell!”
I shouted, waving my hands at the pile of food he’d brought in.
“I told you to stay out of trouble, lay low. This is… not that!”
I complained, trying to think of how I’d talk my way out of this if anyone asked about the missing food. Rocco simply responded by shrugging, turning around, and diving face first into the mountain of food. I was annoyed at the moment but then I got to thinking. If Rocco stole all that and no one saw him what else could he do without being noticed?
“Hey… hey Rocco no-one saw you stealing all this right?”
I asked, grabbing his tail and dragging him out of the food mountain.
“WHATS DA BIG IDEA!”
He protested, flailing around as I held him in the air by his tail before regaining his composure and adding.
“I’m a profesional, of course I didn’t get seen. Why?! Did someone say something!?
Rocco shot his head from side to side, like he would find someone listening or critiquing his heist. All the movement causing him to spin slowly, still dangling from his tail.
“No, I was just thinking, as long as your out here I could have a job for you.”
I said, setting him down as he answered,
“Whad’ya mean? Spit it out!”
with his classic charm.
“I mean, I want you to sneak into that blonde guy’s tepee. The one with the shitty attitude, Brooke I think his name was. Just see if you can find anything in there.”
I could see Rocco’s interest was peaked but he still had one last all to predictable question.
“What’s in it for me?”
“You keep whatever you find in there no questions asked.”
Before the words even left fully my lips Rocco cried, “DEAL” and sprinted out of the tepee on all fours, leaving me alone.
I wasn’t really sure what the process was now, was Shaoni going to come get us or did she expect us to meet her in the coliseum? I’d never been part of anything like this before, I had no idea what the attendance policy was like. So, lacking anything better to do, I walked down into the mines and waited in the coliseum. It was obvious they were’t really ready for us yet. A few of Shaoni’s people were down there placing cactus looking things into five carved wooden bowls on the floor. Five bowls, five people in these trials so those had to have something to do with us. I looked around the room, trying to find Shaoni. She wasn’t up on her perch like yesterday and she certainly wasn’t part of the small group setting up those bowls. I felt a little different about her now that we’d had a chance to talk. Before I’d been afraid of her, and for good reason, but she seemed to want the opposite of that. Maybe not from me specifically but in general. Although, how could you not be scared of someone who could turn into a giant bird and seemed to consistently be the cause of freak storms. There was a lot of power to her but she didn’t want people to be afraid of it, she wanted respect. I’m sure there was more to her that I hadn’t heard but I certainly was going to hear anything new here.
Seeing as I was still apparently early, I decided not to wear out my welcome in the coliseum. I made my way back out of the mines and settled down back at that canvas tent with the huge table. It was again filled with food that had come from nowhere in particular, probably set up by more of Shaoni’s people. As if to confirm my suspicion, the bandaged man Bianca had stabbed earlier emerged from the camp, walking towards me with a platter of bacon. He starred daggers at me as he placed the platter at the table but didn’t say anything. I was almost tempted to apologize on Bianca’s behalf but I got the sense that wouldn’t be a great idea. Not long after I saw two of the others approaching.
“… Sure, but for some glorified tent it’s still pretty comfortable.”
Brooke said to Katrina who looked thoroughly uninterested in what he had to say.
Brooke wore a… purple suit that made him look like some stereotypical version of a pimp. I couldn’t think of any reason he’d wear that out here, at least no-one would mistake him from anyone else, that ’s for sure. Katrina wore an equally confusing getup, a blue tank top and jeans that made her look kinda like the girl from those tomb raider games. It was about 50 degrees out and probably wasn’t going to get much warmer. If she wanted to freeze, so be it. I gave a slight nod to them as they sat down across from me. Katrina still eyeing Brooke with an expression that begged for him not to open his mouth again.
I couldn’t stop staring at her, no not like that, I was staring at her belt where a holster sat,
“You like it?”
She asked, noticing the staring that I should’ve been trying harder to hide, drawing the handgun from the holster on her hip.
“Beretta M9 semi-automatic pistol, my father’s service pistol actually. Always served me well, so I always keep it on me, well almost always.”
She said with a wink, checking the gun and pulling back its slide. I wasn’t all that familiar with guns but I distinctly saw her flip the safety off. Which had a profound effect on my nerves considering I was staring down its barrel.
“They let you keep that around here? I would’ve thought they take that from you.”
I asked incredulously, still eyeing the gun she had pointed at me.
“I hid it on me yesterday, if they have an issue with it they can try and take it from me. I’m not doing anything like this without some kind of insurance. They get me and Luke or nothing at all.”
She retorted, spinning the gun back into her holster and turning the safety back on with a practiced hand. “Oh that’s cute, she named it” I thought sarcastically as my nerves settled, a loaded gun no longer pointed directly at my face.
“I’m not sure Shaoni would let you leave, even if you wanted to.”
“Oh please! She wouldn’t dare lay a finger on me or she’d have bigger problems coming her way.”
Katrina laughed, throwing her hand back in seemingly genuine amusement. She really didn’t have a care about the Thunderbird? I found that hard to believe.
“So what do you do anyways then? If you’re so sure she wouldn’t touch you.”
I asked incredulously. This seemed to grab her attention as she immediately snapped her head down, locking eyes with me and barking,
“That’s a need to know thing and you don’t.”
Before returning her attention to the food on the table and ignoring me. She was military, that was probably a safe assumption.
Brooke had been listening in to our conversation as he ate. After Katrina snapped at me he finally spoke up.
“So hang on, you came all the way out here with no insurance, no protection? Does anyone even know you’re out here?”
I briefly thought about Rocco, he wasn’t great insurance but he sure came cheap. I hadn’t stopped to think about preparing anything to bring out here with me. I just stupidly assumed everyone was on the same page as me, an unprepared fish out of water.
“No, I guess not.”
I responded, a little shaken at the realization that everyone here was probably more prepared than me.
“You must be stupid or have balls of steel to do something like that.”
Brooke told me, reaching over the table to clap me on the shoulder. I didn’t know if this really was the Brooke Bianca told me about or not but I really did not like this guy. We ate the rest of our breakfast in silence. John and Robert never showed up but I guessed they were down in the mines helping set everything up. I guess being a participate in the trials didn’t exempt Shaoni's followers from having to help get ready for them.
Apparently my guess was right because Robert and John were both already in the coliseum when the three of us arrived. Shaoni was once again up on the balcony and all of the people that had been there earlier were gone. I could clearly see what was in the five bowls now. It was some kind of small cactus thing with a white-pink flower at the top. I’d never seen anything like it before but it did seem a little out of place.
“This is your first trial, the trial of morals. This trial is meant to show us where your morals lie through visions of the past and beyond. Sometimes the plant has a mind of its own though so I don’t expect anyone will have the same experience. Some may not even serve the purpose of the trial but the vision is more important than anything I hoped to learn.”
Shaoni spoke like an announcer from above us.
“There is a plant there for each of you, peyote plants that I had grow for just this occasion. Each of you will eat one of the plants and they will give you visions. You will walk among the spirits and they will show you what you need to see.”
Shaoni finished, like she hadn’t just asked us to take hallucinogenics in an unfamiliar environment surrounded by people we didn’t really trust. I wasn’t a huge fan of being here when I was in control of my faculties but while experiencing a vision, oh no, fat chance. Then again it wasn’t like I had all that much of a choice, I realized just before I opened my mouth to protest.
“Fine but what does that tell you about us? Sure we can go get high for you here but it doesn’t really help anyone.”
Brooke spoke up, taking his usual disrespectful tone with Shaoni.
“I have my ways of knowing, but this experiences is for you. It should tell you more about yourself than it will tell me but I assure you, I will learn something.”
An annoyed but composed Shaoni responded. With that she turned and left us to our task.
“So does anyone want to go first?”
Katrina asked, putting a finger to her nose, inviting anyone else to go first.
“Not so fast sweetcheeks, I don’t trust any of you so how about you take the first crack at it?”
Brooke pointedly suggested. I think Katrina wanted to throw a haymaker at his face right then but I stepped in first.
“What if we all did it at once? Then no one is waiting around and I highly doubt she would let anyone come down here and do anything to us if these trials are that important to her.”
I reasoned, pointing up at the balcony Shaoni had been standing on.
“I still don’t like it but I can live with that, I agree everyone at once like… what’s your name?”
“Keith”
“Everyone at once like Keith said.”
Commanded Katrina, looking everyone in the eye and daring them to challenge her. I didn’t know what she did before coming here but whatever it was gave her a glare even Shaoni would be proud of. No-one hesitated to walk up to their respective bowls and take a bite of the strange pinkish flower at the top of the cactus.
The effects weren’t immediate, John just ate his flower then knelt by his bowl, eyes closed waiting for the vision to come. Robert leaned against the wall looking at his watch, seemingly judging the time before it took effect.
“It’s not my first time with peyote, I’ll probably stay up a little longer than you guys.”
Brooke bragged to the room, taking a seat by his bowl as Katrina and I did the same.
Poetically, Brooke was actually the first of us to go down for the count. I had to resit the urge to stand up and kick the crumpled up purple ball that was formerly Brooke. I don’t think anyone would have stopped me, heck the way Katrina was glaring at him this morning she might’ve joined in. But given what came next it was probably a good idea I didn’t stand. All of a sudden the room began flashing different colors, orange then brown then blue. I felt like I was falling but I hadn’t moved. Eventually a sensation came over me, like I had stood up but I was acutely aware of the fact that my body was really lying on the floor of the coliseum. As my vision cleared I started to recognize things, sights and sounds of a hospital room. It would seem my vision had started by bringing me back to my father.
I inched through the hospital room, sure of what I’d see on the other side of the thin curtain. A heart monitor beeped, just the same as the first and last time I’d been in this room. I saw my father, splayed across the bed no different than the only time I’d been in this room. I’ve always maintained that my family life was generally normal, anything that lay outside of that box of normality could be attributed to my father. He was never what I’d call a good person. Sure, he was never aggressive towards me but it didn't really count for anything. You could tell he never really wanted me. What he did to my mother, that was another story. He came home drunk almost every night and she end up with a black eye or worse at least once a week. Unfortunately for us he had a good job, he paid the bills and my mother and I couldn’t really support ourselves on our own back then. Worse still my mother always told me she put up with it for my sake when I asked her about it. That meant I always felt partially responsible every time I heard a fist meet skin in the room below mine.
My father had ended up in this bed by way of a drunk driving incident. Funnily enough it wasn’t actually his fault. He just so happened to be in the wrong intersection at the wrong time when a box truck plowed right into him. The accident left him with severe brain and spinal damage. It was a sick joke he survived, not a miracle. He’d be on life support from now on. I could’ve made him pay for everything he did with the simple tug of a cable. The only reason I didn’t was that the owner of the company that employed the box truck driver offered to pay all his medical bills. He must not have looked to closely because my fathers insurance was covering all of it. But every week a hefty check came in the mail anyways. As long as he was alive and in that hospital bed, me and my mother could live comfortably. It wasn’t really the right thing to do but I figured it was what my mother deserved after years of putting up with his abuse.
The heart monitor’s shrill beeping focused me back to the situation. I stood over my father’s body, the old urge to just pull the plug washing over me again.
“It would be so easy. Mom’s fine now, you’re managing, why do you still need him?”
I thought to myself, toying with the idea as another voice spoke in my head, Shaoni’s voice.
“He’s earned it, he ruined years of your mother’s life, Its only fair he pay a price for what he did.”
I looked around for the source of her voice but I saw nothing, maybe I was just hearing things, it was just a vision after all right? I looked down to see I was now on the opposite side of the bed, hand reaching toward the cord that powered the life support. Time seemed to move at a crawl, was this really the best option? He was probably solely responsible for the distance between my mother and I, he beat her so many times. Some of the blame for it even sat on my shouldres, would killing him take that away? Could I live with myself if I did this? Knowing I took the easy way out at his expense. No… I couldn’t, it would make me just as bad as him. It just wasn’t right I shouldn’t be the one to decide if he dies. Besides, whatever sliver of sentience remained in him deserved to watch as he shriveled and died in his own way, in some ways that was far worse but he didn’t deserve an easy way out either. The room spun as I made my choice and pulled my hand back from the plug. Sending my vision spiraling as my body collapsed to the cold hospital floor. When I finally fought my way through my spinning vision and back to my feet I was somewhere else. I was in Imalone and if I had to guess it was the night I first saw Shaoni.
I was somewhere in the town square where I got chained into the wooden monstrosity the cultists had made. Shaoni was circling in the sky so I guess I was watching this memory from outside of myself. I was made absolutely sure of this when I saw myself being carried out of the old rotting bar. I watched as the situation played out exactly as I remembered it. Right up until Shaoni landed and came to speak with the one masked cultist. What had been gibberish to me before was suddenly crystal clear english.
“What IS this! You think this is right!? This is what you think I stand for, human sacrifice?!”
Shaoni shouted with such intensity and force I jumped back, looking for a place to take cover.
“Brother Aaron foretold your approach, this outsider wandered in so we thought he would make an excellent gift to you.”
The masked cultist answered, missing the point entirely as Shaoni’s eyes flashed with fury.
“There will be a sacrifice alright, a price must be paid for everything you’ve done here. You have no understanding of what I stand for, You’ve spit in the face of it in fact and for that, each and every one of you will make a sacrifice. Release that poor boy, NOW!”
Shaoni commanded the cultists with a voice so stern I almost ran to try and free the trapped version of myself. None of them budged, they didn’t even seem to realize what kind of danger they were in. Shaoni strode past them over to me where she offered me her all to familiar deal. I was stunned, I never stopped to think that she fully intended to let me go either way. Sure, now I knew that these guys weren’t her usual followers. I still never thought she came here intending to wipe them out. I didn’t really have a chance to dwell on it. Before I knew it Shaoni was transforming again causing a tornado to appear in the middle of town as lightning struck around the area like machine gun fire. As the wall of wind rain and lighting reached me I felt a familiar falling sensation and blacked out again.
When I came to I was back on the cave floor again. I wasn’t sure if I was still in a vision until I felt a sharp kick to my side.
“Oh… that felt… very real. Oh god why?”
I groaned as I looked up at the smirking Katrina.
“He’s awake, that’s everyone then.”
She called out to the rest of the group who were all standing around me. She and the others walked off in the direction of the exit, leaving me there on the floor. With nothing better to do I followed them out. Outside the full moon had shown itself, bathing the camp in shimmering moonlight. Shaoni walked up to greet all of us who’d just collectively decided to just go outside.
“You’ve all made it through it would seem, I hope your experiences weren’t to unpleasant.”
Brooke charged straight past her, I could practically see the steam coming out of his ears. Obviously he’d seen something he didn’t like while he was under the influence of that plant. Katrina seemed completely unaffected, marching by Shaoni filled with the same confidence she had when I first saw her. Robert and John seemed completely unaffected by whatever they had seen but something told me they might be used to it. Me, I wasn’t doing so great. I wasn’t all that pleased about revisiting my father and all those old memories and whatever that flower was called had really done a number on me. I weakly waved to Shaoni as I walked by, just trying to focus on walking straight. She didn’t seem to surprised that none of us wanted to talk to her. She didn’t say anything to us as we all quietly sat and ate. I didn’t like the silence, it felt like everyone was just waiting for something to happen but no-one had any idea what. So I got up and headed back to my tepee, maybe Rocco had turned something up on Brooke.
Rocco was waiting for me atop his mountain of food when I got back.
“I found somethin yous might be interested in”
He said triumphantly, waving around a polaroid photo he had clutched in his paw.
“Give that to me!”
I snapped, ripping it right out of his paw.
“Well someones in a mood.”
“Getting drugged will do that to you.”
I snapped as Rocco stared at me, paws on his hips like he was about to give me attitude.
“I’m sorry My heads still just spinning from… well everything today.”
I sighed, holding my head in one hand as I shook it. Apologizing to a raccoon, my life really was something wasn’t it? I looked down to the picture enemy hand and immediately ice shot through my veins. It was a picture of Bianca taken not too long ago by the looks of it. She was walking back into her house in the photo and it looked like it was taken from a passing car. The photo itself isn’t what really concerned me though, the message written on the back did that. “What you seek can be found in the town of Eagles Peak”, the note read in a singsongy way. I’d never seen Shaoni’s handwriting but given the circumstances I was sure that’s what I was looking at.
I looked up at Rocco who looked more serious than I’d ever seen him.
“Now I don’t know what happened to that girl but somethin’ hurt her before we knew her. If that’s the somethin’ that did, and I’m guessin’ it is lookin’ atcha’. I say we should hurt em’ back.”
Rocco told me with cold steel in his voice. It was weird, hearing him speak without a hint of a joke or over exaggerated movement. We finally found something that the little menace to society could focus on, something… productive.
“My hands are tied, I don’t think anyone here would take kindly to me just attacking someone. Besides, look at him, he’s taller and obviously stringer than me. I’m just a scrawny guy who’s way out of his element, I don’t want a fight. Just… keep an eye on him, maybe we can find something to turn the others against him?”
It wasn’t the answer Rocco was looking for, that’s for sure. He deflated at my words, I’m sure he wanted to go in guns blazing and confront Brooke with what we thought we knew. That wasn’t really going to be an option here, even if it was I’d rather not do that.
“Oh, one more thing, Don’t let Brooke go back into town if he tries to leave, I don’t care how you do it just don’t let him leave.”
I added as an evil grin crossed Rocco’s face.
“Aye’ aye’ captain!”
He cried, raising a paw to his head and saluting me.
Just then I heard someone knocking, no rustling? Screwing around with the front flap to the tepee trying to get my attention. I opened it only to see, “Shaoni?”
“I wanted to ask about the visions today, I’ve talked to everyone else but I couldn’t find you so I guessed you’d be at… is that a raccoon?”
Shaoni stopped, seeing Rocco frozen mid step behind me as he tried and failed to run before she saw him. Realizing he’d been seen Rocco twirled around and in a way only he could announced,
“Whatcha’ think you were looking at Pocahontas?”
“Oh? It talks as well?”
Shaoni said, somewhere between bewildered and bemused as she looked between me and the mouthy Raccoon.
“Course I talk! I thought you woulda’ seen somethin’ like that when you were busy painting with all the colors of the wind!”
Rocco yelled back at her. I wasn’t sure if he was actually offended by Shaoni’s questions, or just deliberately trying to be a nuisance, probably the second thing. I whirled around and glared at Rocco, holding my finger to my mouth in an attempt to shut him up. For once he actually listened.
“I… sorry about him, he’s always like that, part of his charm you know.”
I said with a shrug and a nervous chuckle. Shaoni shook her head dismissively and continued.
“Did you see anything in the cave that you wanted to talk about?”
She asked me, now sounding a little annoyed. I thought back to my father and that hospital room, I wasn’t really ready to talk about that with anyone just yet. But I did have some new questions about how I got into this whole mess in the first place.
“You said back in Imalone you saved me because I realized there was a price for being saved. That wasn’t really it though was it? I saw it again, I could understand you this time. You were going to save me regardless. So why mark me Shaoni? Why did you really bring me here?!”
I said, my voice raising outside of my control as I spoke. I had to finally admit to myself that I was sick and tired of being dragged around in the dark. I was suddenly furious and I didn’t care who it was standing in front of me, I wanted an answer.
“Those men were ruining my name, they thought they were following the Thunderbird but it was just some idea of me they had come up with. They used me to justify their horrid actions and I came to put a stop to it. You were there and when I offered you a deal you didn’t fight it. That’s why I marked you.”
Shaoni spoke quickly, like she wanted to avoid the subject, all but turning around and leaving right then.
“Bullshit! I want an answer Shaoni, a real answer!”
I yelled at her, my fury taking full control of me. Shaoni was silent for a minute, when she finally spoke she looked down, never meeting my eyes as she softly said.
“You remind me of someone from a long time ago. They were blind to the way of things at first, an outsider even. In time though, he became what bound our people together as one family. I don’t have a better answer for you than that. I wasn’t sure I should’ve chosen you at first, I had a feeling that day and I followed it. What you’ve done since you’ve got here, how you’ve handled learning what little you know about the world of the supernatural. Those things are what tell me I made the right choice.”
As she walked away I thought I saw tears reflecting in the moonlight shown on her face. As I settled down I swore I heard soft sobs, echoing across the camp long into the night.

I reside in Japan, so it's normal to ask about blood type (血液型占い) upon having a date or relationship. (It's even featured on some anime, as it's s trope found in romance types, if you know the right scenes for it.) But I was surprised that it's also a thing in South Korea, as one of my friends from there mentioned it. I even heard this type of question asked on K-drama's.
Let's say a Japanese / Korean Man / Woman decides to date and start an interracial relationship with a American / British Man / Woman (or any other foreigner), but the Japanese or Korean individual asked them this question: "What's your blood type?" As it is a rough equivalent of asking for their zodiac sign. (It's even a question asked in anime, when you come across scenes involving dating or relationships.)
From both within Japanese or Korean culture, blood type is seen as an indicator for personality to marriage compatibility. (Okay, from a medical standpoint it kind of makes sense since you want the future child to be healthy, as if you have a kid with blood type that differs from you and your partner, it can cause problems if you need a blood transfusion, as you need a blood type that is compatible.)
Even on dating apps, people from both countries actually list their blood type within their profiles (both male and female), as you can literally see it within their bio. Another thing, on apps like Tinder: Japanese women tend to hide their faces a lot, it's like they are camera shy, as opposed to Western women they take a full picture of themselves, not camera shy, when they upload their profile picture.
Basically its explained like this, just to list a few attributes. (Personality) -

Type A	Type B	Type AB	Type O
Kind	Optimistic	They are bookworms	Realistic
Hardworking	Gets lonely easily	Calm and rational	Very cautious
Big on cleaniness	Love festivals and parties	Chasing their ideals and dreams	Dream of getting rich quick
Good at hospitality	Quick to adapt	Have various hobbies	Romanticists
Safe drivers	Likes to play	Have strong spirituality	Heading straight toward their goal
Strong on taking responsibility	Afraid of being alone	Sensitive and easily hurt	Vigorous at earning a living
Can be calm even when accidents happen	Have unique ideas and are creative	Doesn't like interference from other people	Good at developing economic concepts

The affinity of type A

If a partner has blood type A: that means they have many points in common, both of them are highly strung, so that means they can become irritated with each other.
If a partner has blood type B: an individual with type A envies type B happy to go personality, but on the flip side type A worries about type B's personality.
If a partner has blood type AB: the individual with type AB is reliable for a person with type A, they can turn to and rely on them for advice and assistance. They can have a stable relationship.
If a partner has blood type O: that individual is protective of type A, but if type A discusses about every small thing, the relationship will end on a bad note.

The affinity of type B

If a partner has blood type A: that individual will be willing to help a person who is type B, but in return they easily get fatigued. Type A complains and nags about type B.
If a partner has blood type B: both parties are not careful. That leads the both of them on doing stuff that is considered off the rails and may regret later.
If a partner has blood type AB: they quickly start having a liking for each other, hence their relationship starts. They love each other a lot.
If a partner has blood type O: they can understand each other easily, the type O covers for type B's bad points, hence they are a still a great match.

The affininty of type AB

If a partner has blood type A: an type AB individual respects type A, they have a passionate love for each other, but they end up fighting and quarreling.
If a partner has blood type B: They are a good match connecting with each other easily, hence the chemistry between them is compatible.
If a partner has blood type AB: the relationship proceeds along parallel lines, but they cannot open their minds to each other. It's best to be not be too close, but also not too far.
If a partner has blood type O: they can both succeed in both business along various activities together, as they can produce new things easily.

The affinity of type O

If a partner has blood type A: that individual will always want to take the lead for type A, they are a good match for each other.
If a partner has blood type B: they can talk and freely express while having a comfortable relationship, but type O gets confused about type B's moody persona at times.
If a partner has blood type AB: their thoughts are a match, but if both parties are in the same 'arena' they compete with each other.
If a partner has blood type O: both parties don't understand each other easily, so they feel alienated. It's suggested that they should not be close together.

I mean, what would be the reaction of a Westerner or any other foreigner, like Europeans, Hispanics or Arabs, etc. if a Japanese or Korean individual asked them this question: "What blood type are you?" upon dating, are they going to literally think they have ill intentions on harvesting their organs selling it to traffickers or something? (When it is not connotated like that at all!)
My guess is that, it's just a cultural difference that may needs explaining, as they may not fully grasp what they had just asked them. Since their dating cultures are different in their own way, how would an American, Brit, Aussie or any other foreigner be able to answer back? Would they be creeped out or consider it weird, as it may not be a question they have been asked before.

Alright, buckle up because we're diving into why Vancouver's food scene is straight-up legendary. Forget the regular city vibes; Vancouver is a melting pot of flavors, a culinary carnival that beats anything else in North America. Join me on this personal quest to unravel why the combo of Asian influence, Pacific Northwest goodness, and chill dining vibes makes Vancouver the top pick for foodies.
Asian Culinary Delights: Tradition and Creativity Unleashed
Vancouver's streets resonate with the aromas of traditional Asian dishes, prepared with a touch of authenticity that transports you across borders. Picture slurping savory ramen in Chinatown or savoring hand-pulled noodles in a cozy corner of East Van. But what makes Vancouver's Asian food scene truly exceptional is its fusion of tradition with modern creativity.
In this city, innovation meets tradition on a plate. Take, for instance, squid ink brioche with sea urchin pâté – a daring yet harmonious blend of flavors that pushes the boundaries of culinary expectations. Vancouver's chefs are culinary artists, creating dishes that not only pay homage to traditional recipes but also elevate them into extraordinary, palate-pleasing experiences.
And let's not forget the matcha mochi croissants that have taken the city by storm. A fusion of Japanese mochi and French croissants, these delectable pastries are a testament to Vancouver's culinary diversity. Each bite is a dance of textures and tastes, showcasing the city's flair for seamlessly blending cultures and cuisines.
Pacific Northwest's Grocery List: Seafood Galore and More
Living next to the Pacific Ocean is like having a seafood aisle in your backyard. Fresh salmon, sweet Dungeness crab, and chubby spot prawns – Vancouver's seafood game is on point. And let's not forget the local veggies and meats, straight from the region's green landscapes. It's like nature’s way of saying, "Hey, enjoy the good stuff!"
Nature Vibes: Dining with a View
Vancouver's layout is like a dating app for food and nature; they're a match made in heaven. Whether you're brunching in a leafy neighborhood or devouring seafood with an ocean panorama, the city serves up an Instagrammable backdrop for every meal. Picture this: a patio, a breeze, and the scent of fir trees – eating out just got a whole lot cooler.
Neighborhood Chronicles: Culinary Adventures Off the Beaten Path
Downtown is cool, but venture out, and you'll hit foodie gold. Commercial Drive's eclectic spots or Richmond's legit Asian flavors – Vancouver's neighborhoods are like culinary treasure maps. Each area has its own flavor story, tempting you to be the food explorer you were born to be.
Conclusion
Vancouver isn't just a city with good food; it's a food fiesta waiting to happen. The Asian vibes, the Pacific Northwest's goodies, and the city's chill connection with nature make dining here a full-blown experience. Vancouver isn't just North America's food champion; it's a vibe, a journey through flavors, and a big, fat stamp on your foodie passport. So, next time you're craving a culinary adventure, Vancouver's got your back, fork, and knife.
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Hear me out, pretty much all the stupid social media wars are about how sexable a person is.
Mras? They only complain about women because they don't like how fat American women are. That's it..they become conspicuously silent about "degenerate women" when they're skinny, relatively young, not tattooed, and preferably white or fair skinned.
Incels? Just based on people being unfuckable and mad they're not the top preference.
White supremacists? Literally hate all the "ugly" races and give a pass to attractive WOC like some Asian women because they're fuckable to them. Obsess over interracial sex a lot.
Fat hate? Just based on how ugly fat people are to many people. There's nowhere near hatred for druggies and such the same way.
Religion hate? Hate is based on how they feel it controls other people's sexuality and makes people's daughters harder to fuck if they're too pious.
Racism? Advanced lookism.
Pretty much everything is about how fuckable the person is. There's no personality or merit that matter online. It's all about pornographic images, sexual themes, how fuckable or easily fuckable one is, that counts at the end of the day. Of course this doesn't work like this in the real world, but this dominates on the internet. It is very dehumanizing and soulless.

My phone vibrated. As did my smartwatch. I glimpsed up from my laptop, which was sitting in my lap so I could go over my presentation again. I was in the car, my boss was driving and we were headed to a conference, where both of us were supposed to speak. We were traveling for more than 7 hours now due to numerous traffic jams on our way.
Looking at my watch, I saw, it was the doorbell which caused the vibration. Already distracted from my presentation I pulled out my phone. Opening the doorbell app, I just so see, that my wife asks Becky, our young black dogsitter with her DD boobs into the house. "Curious" I thought, my wife hadn't told me, she wanted to go out that evening. It was a Tuesday, so it was her usual day for her Zumba class, but that would have meant leaving the dogs alone for about 1 and a half hours, so no need for a dogsitter. However, judging from what little I had seen, Becky was wearing an extremely short black latex skirt and a minimalist latex crop top, the full outfit barely covering her tits, ass and pussy. In addition to a black leather collar, it looked like my wife had ordered her in with other stuff in mind than just watching the dogs, even if there was the possibility, Becky's outfit was just due to the 30+ degree heatwave we were having.
A few minutes later, my phone vibrated again. It was a text from my wife. "Heading out to Zumba". She followed it up with a picture of her in her sports dress. Due to the heat she only wore tight short pants, a very tight revealing top and her sports bra. So her petite size combined with her chubby figure and her big tits were easy to spot. "Looking great" I answered. "Have fun, love you". "You have any plans later?" She asked. "No" I answered. "I won't be able to make it to swimming today. I'm not even at the hotel yet. So just dinner with my boss and then I will head for the bed." I replied. "Ok" was the only answer I got.
My boss and I checked into the hotel and found a place to eat, when I got another message from my wife. It was a shower selfie from the gym, showing her having her tits soaped up. I had to make sure, nobody saw my developing boner below a napkin. And this was also unusual, as my wife normally prefers to shower at home. What did she have planned. "Going out?" I asked her. I didn't get an answer for a while. Then I got another selfie. My wife was now wearing a long, tight, black PU skirt, and a black leather corsage, which was barely able to keep her G-Cups inside. She also had makeup on and her black hair with a tint of red worked perfectly with her black lipstick. A second picture showed, that she did not wear panties, but a buttplug. "Gonna surprise Becky" was her answer to my previous question. "Let's check whether she obeyed" was the next text I got, before I had an incoming videocall from the group my wife had created for the three of us. I excused myself from the table and left the table, while keeping the lid of my phone case closed. I took a Bluetooth headset out of my pocket and went outside to take the call. As soon as I did, I had to hold my breath. My wife held up her phone in her car in a way, that Becky and I had perfect view of her cleavage, while Becky was clearly sitting on our terrace, wearing the earlier described outfit, her legs spread apart and her camera clearly showing that she also had inserted a buttplug and additionally a vibrator in her pussy, pleasuring herself. From her position I could see, that there was a very slim, but not zero chance she could be seen by a passing neighbor. "Good girl" I heard my wife's voice. "Expect me home in 20 minutes. Keep going with the vibrator but do not come before I'm home or you will regret it". "Yes Madam" was Becky's answer. "Now put on a show for my husband" my wife again commanded. I watched the vibrator going in and out her pink pussy, which contrasted nicely with her chocolate skin, before commanding her, to take down her top, revealing her double D's to the camera (and potentially the neighbors). She was hesitant at first. "I will tell my wife of your disobedience" was all I had to say. However, as much as I loved the show, I could not watch it till the end, as my boss now also came out of the restaurant, having paid the bill. So I cut the connection and we went on our way to the hotel.
When we arrived at the hotel, my boss asked, whether we wanted to go for a drink at the bar. At the same time, my wife had already sent me a selfie with our car on the garage and her playing on her pussy, presumably watching Becky somehow. "Are you ready to watch" was the caption. So I thanked my boss again for the dinner and excused myself to my hotel room. "Give me a couple of minutes" was my answer to my wife. "Hurry up" she wrote, accompanied by a picture below her skirt, showing her pink pussy and her fluids already flowing down her legs. I quickly setup my tablet and connected it to the WIFI. While I was doing this I received several messages from my wife. The first one was a picture, showing a top view into her corsage, showing clearly, that it was unable to really tame her tits, with her areolas already visible. If a neighbor saw her on the way from the car to the house, he would have quite a look. I was secretly hoping for that to happen. I know some of the neighbors had already checked out Becky or other visitors to our house when they arrived in playtime "clothes" but my wife so far had mostly gone unnoticed by the neighbors. The second picture was a screenshot from one of our bedroom cameras on my wife's phone, showing Becky, lying on her back, her tits once again hidden by her latex top, her legs spread wide open towards the camera. Her skirt had moved upwards and was lying on her hips. The buttplug was replaced by a vibrator, and she also had a vibrator inserted into her pussy. I admired once again the contrast of her pink flesh to the dark chocolate color of her body. "I have the remotes" my wife wrote with a winking emoji. "Hurry up, I'm horny". "Me too" I thought, "and it's not helping that you send me these pictures". Finally I had an internet connection ready and connected onto our home VPN to access the cameras. "I'm in" I wrote to my wife. "Going in" was her answer.
While I waited for my wife to appear, I watched Becky on the tablet. She was still pretty much in the same pose as before and I could only imagine, that she was in this pose, because my wife had ordered her so. She really loved to submit herself to both of us, what made the evenings with her fun. Suddenly I could see her shiver and heard hear moans getting louder. I could see her fighting, but ultimately losing the fight against her orgasm, induced by the two vibrators in her pussy and ass, controlled by my wife. Only a few seconds later I hear high heels coming up the stairs and my wife entering the room. She had added black, knee high leather boots to her already seducing outfit and held a small whip in her hand. I saw Becky's eyes widen, it was a mixture of lust and fear. "You know you can tell me to stop at any time if it is too much," my wife said ."It is fine, I dreamed about playing with a whip, just haven't done it yet. But please be gentle, "was Becky's answer. "Did I stutter, when I told you not to come?" My wife now said in a fake angry voice. She followed it up with a lash onto her top and the boob below. I could hear the sound and I saw Becky flinch for a split-second. But her eyes told, that she was okay with what happened. "Sorry Madam. It was just to much pleasure you gave me with the vibrators," Becky whispered. "So now this is my fault you cannot control yourself?" My wife asked while still faking anger, followed by a lash onto the other boob. "No Madam, I did not obey your orders. What can I do to make it up?" "That will be up to me, I already have some ideas." My wife said to her, while she positioned a few whiplashes around Becky's pussy. You could already see the mixture of pain and lust in Becky's eyes.
From the messages before, and the show I got on camera my cock was already more than rock hard and I hurried to get rid off my pants and boxers, to release the pain this was causing me. That was when I realized, the blinds were still open, so I corrected this mistake quickly. No need to be seen masturbating in a conference hotel.
On my screen the action now got more intense. "Why are you still dressed?" My wife asked. I laughed out, because the short top and the extremely short skirt that was already hanging on Becky's hips could barely be counted as dressed, as she didn't even wear any underwear. "Get these skimpy clothes of your body" was the next command. To reinforce this statement two whiplashes onto each boob were added. Becky quickly got up, robbing me of the view between her legs and wanted to pull her top over her head, her back to my wife and the camera. She was interrupted by a whiplash onto her ass, as the skirt still was hanging on her hips. This time my wife seemingly had put more force into it, as for a short time you could see the impact on Becky's chocolate skin. "No need to hide. Make it a show for me and the camera". Becky obeyed. She turned around and started pulling up her top above her DD tits, covering them with her hands, playing a little bit by pushing them left right and up and down before performing a boob drop and finally pushing her top over her head. She let it turn around one of her fingers before throwing it on the general direction of my wife. While her boobs are a lot smaller than my wife's G-Cups, due to her taller but skinnier stature and chocolate color, those were my second favorite boobs. Her areolas were forward facing and she had quite a gap in between them. And they looked incredibly sexy in the current lighting, bouncing with every of Becky's movements. My wife nodded approvingly. Afterwards Becky started pulling down her skirt while moving laszivly. Her boobs and her hips moving while she slowly hid her pussy before revealing it again. She got down on her knees, spreading her legs for my wife and me before she got out of the skirt, pushed it aside and got up again. Unfortunately for her, the vibrator fell out of her pussy during this movement. A second later she got another whiplash on her pussy. "Did I tell you to loose the vibrator?" My wife said in a harsh voice. "No Madam." Becky said, lowering her head. "Well, then pick it up and put it where it belongs again. Becky started bending her knees and lowering her back, when she was once again interrupted by a whiplash targeted at her right tit. "Not like that. Turn around and bend over, we want to see your ass." I think I caught a short grin on Becky's face. She definitely did not mind what my wife did to her. She turned around, spread her legs so I would be able to see her face and upper body between them, bent over, wiggled with her ass, which of course also caused her tits to wiggle in front of her face. This of course also revealed the vibrator in her butt. Just when Becky had her fingers on the vibrator on the floor I could hear her moan and saw her legs shaking. My wife now stood besides her, facing the camera holding the remote in the hand that did not hold the whip. With shaking hands from arousal Becky tried to take up the vibrator again, and just when her fingers were there, my wife increased the intensity with the remote again, leading to Becky losing control and collapsing on the floor. As soon as her body hit the floor another whiplash hit her ass. "Am I talking incomprehensibly? You are not to come without my permission and you are asked to get this vibrator into your worthless pussy while showing your fucking ass. What is so hard about that?" While talking, my wife added additional whiplashes onto her ass with a couple of them also hitting the pussy area. "I'm sick of this, now get your worthless body onto the bed and open your legs to the camera". "Yes Madam" was the only answer from Becky. When she got up I glimpsed a look in her face and saw it was pure lust, despite the pain.
Up until now I had started playing with myself. The view and sound on my tablet were just to arousing. I realized, that I was already close to cumming, but there would be more action for me to watch. Nevertheless I couldn't stop, and a few quick strokes and I came in 3 high squirts over my upper body. In the meanwhile the action on the screen continued.
As ordered, Becky lay down as she had been before only now her tits were also clearly visible on camera. My wife bent down herself, making sure I got a good show and picked up the vibrator Becky had failed to pick up twice. She shoved it into Becky's pussy again, before she used the remote again to set both vibrators in Becky's ass an pussy to their lowest setting again. Becky's pelvis moved, as the overstimulation was to much again. My wife once again addressed her: "This should be about me, not you! Time you put your body to some use. Now get me out of my skirt." She ordered, standing next to the bed, with her ass to the camera. Becky sat up, her open pussy still facing the camera and giving me a prime look at her tits. She undid my wife's belt and started pulling down the skirt. My wife supported this with very erotic moves and just a few seconds later I had the perfect view onto the greatest ass in the galaxy. The right roundness, perfect size, perfect shape and feel and just overall perfect for me. My wife pushed Becky back onto the bed, while at the same time bending over, revealing the buttplug and vibrator she had in herself. This movement was also to much for her corsage and her tits fell out. "Make yourself useful and suck on my tits!" was her next command, to which Becky promptly obeyed while my wife made quite a show out of removing the vibrator from her pussy. She spread her legs, shaking that great ass and slowly pulled out the vibrator millimeter by millimeter and pushing it in 5 millimeters in again for every 10 millimeters she had pulled it out. When she was done, she climbed onto the bed sat up and pushed Becky's upper body down. She then climbed over Becky's face and began riding on her face. Becky understood what to do and gave her best to luck my wife's pussy. My wife's boobs jumped around on her chest, which made her abandon her whip and she started massaging and playing with them, while leaning slightly backwards. This gave me a great view and made me hard again in an instant. Also due to my wife's movements on the bed, Becky's tits started to wiggle, but she needed her hands to ensure my wife's thighs had sufficient space in between for her not to suffocate. This got more and more difficult, as my wife quickly approached her orgasm. It took her less than 2 minutes before she collapsed forward, her face more or less falling onto Becky's pussy. My wife catched her breath for half a minute or so, before she pulled herself up again, grabbed her whip and climbed down from Becky. Becky's face was covered in my wife's fluids, it almost looked like my wife had squirted onto Becky's face. Becky also sat up and catched her breath.
My wife held up Becky's face by placing her whip below her chin. "Good girl, seems like you are good for something. I think you have earned some reward." She said and gave Becky two gentle whiplashes onto her nipples, which made Becky moan again. My wife bent down beside the bed, showing me her great ass with the buttplug again and opened our toy drawer. She grabbed a blindfold and tossed it to Becky. "Put that on, and get on your knees, face to the camera." Becky went on her knees and elbows, what resulted in a harsh whiplash on her ass. "On your hands, not your elbows" and as Becky took to long for her liking, a second whiplash followed. Now Becky obeyed and stayed more upright. Next my wife went, and repositioned the camera, so now the camera was low enough to look between Becky's legs. Next, my wife pulls out a dual vibrator we had bought recently. She inserted the short part as advertised into her vagina and went behind Becky. She then removed the vibrators from Becky's pussy and ass and slowly started to insert the long part of the double vibrator into Becky's pussy. I was able to see Becky's surprised look through the blindfold, as my wife's pelvis touched Becky's ass and she realized, what was happening. The next surprise came, when my wife activated the vibrations and started fucking her Doggystyle. I was almost in heaven. Seeing a pair of DD tits bouncing in the big picture, and my wife's G-Cups also bouncing in the background while my wife grabbed Becky by the hips and gave her a pounding was an absolutely fantastic view. This went on for about 10 minutes, with me wanking of in my hotel bed, my wife pounding the dogsitter Doggystyle and the dogsitter moaning loudly. It seemed, the double vibrator had some kind of burst mode, as both women increased and decreased their volume in regular intervals. After 10 minutes the two women collapsed over each other from their orgasm and I also came again.
After everyone had catched their breath again, my wife told Becky she could go home now, she would still make the last train even with some time to wash herself. After Becky was gone, my wife and myself had video call under our showers. After that we said goodnight. My wife told me, to have fun on the conference reception the next day, but to not forget my camera...

Well here we are, FG, our first decades tournament, the 2010’s. Thank you to everyone who nominated movies, and let’s get right into it!
Results of Round 1

• Spider-Man Into the Spider-Verse (2018) (9) beat 10 Cloverfield Lane (2016) (8) and Sorry to Bother You (2018) (6)
• Snowpiercer (2013) (11) beat 12 Years a Slave (2013) (7), and Spotlight (2015) (6)
• Skyfall (2012) (9) beat 127 Hours (2010) (8) and Spring Breakers (2012) (7)
• First Reformed (2017) (10) beat Skate Kitchen (2018) (3), and Steve Jobs (2015) (3)
• 1917 (2019) (9) beat Sing Street (2016) (6), and Stoker (2013) (6)
• Silence (2016) (14) beat 20th Century Women (2016) (4) and Stray Dogs (2013) (3)
• Sicario (2015) (17) beat Sunset (2017) (3) and 50/50 (2011) (3)
• Shutter Island (2010) (11) beat A Field in England (2013) (5), and Tabu (2012) (2)
• A Ghost Story (2017) (13) beat Short Term 12 (2013) (6), and Tehran Taboo (2017) (1)
• A Separation (2011) (7) tied with Shoplifters (2018) (7), and beat The Act of Killing (2012) (3)
• The American (2010) (8) beat A Silent Voice (2016) (2), and Shin Godzilla (2016) (2)
• The Assassin (2015) (11) beat Shame (2011) (7), and A Star is Born (2018) (5)
• Scott Pilgrim vs the World (2010) (11) beat Ad Astra (2019) (6), and The Avengers (2012) (4)
• The Babadook (2014) (10) beat All is Lost (2013) (7) and Rubber (2010) (4)
• Annihilation (2018) (15) beat Room (2015) (5), and The Babysitter (2017) (2)
• Roma (2018) (12) beat April and the Extraordinary World (2015) (4), and The Conjuring (2013) (3)
• The Big Short (2015) (7) beat Aquarius (2016) (5), and Right Now, Wrong Then (2015) (0)
• Arrival (2016) (16) beat Raw (2016) (3), and The Big Sick (2017) (1)
• Atomic Blonde (2017) (6) beat Rango (2011) (5) and The Captain (2017) (3)
  
• The Ballad of Buster Scruggs (2018) (8) beat Post Tenebras Lux (2012) (3), and Bait (2019) (1)
  
• Portrait of a Lady on Fire (2019) (10) beat Barbara (2012) (1), and The Counselor (2013) (1)
  
• The Death of Stalin (2017) (8) beat Popstar: Never Stop Never Stopping (2016) (6), and Beasts of No Nation (2015) (3)
  
• Birdman (2014) (7) tied Phoenix (2014) (7) and beat The Double (2013) (2)
  
• Black Swan (2010) (11) beat Phantom Thread (2017) (8), and The Drop (2014) (3)
  
• Blade Runner 2049 (2017) (11) beat The Florida Project (2017) (9), and The House That Jack Built (2018) (2)
  
• The Grand Budapest Hotel (2014) (15) beat Blindspotting (2018) (2), and Paddington 2 (2017) (1)
  
• Blue is the Warmest Color (2013) (7) beat Only Lovers Left Alive (2013) (6), and The Great Beauty (2013) (2)
  
• The Handmaiden (2016) (11) beat Bone Tomahawk (2015) (7), and Only God Forgives (2013) (4)
  
• Once Upon a Time....In Hollywood (2019) (15) beat The Hateful Eight (2015) (8), and Bridge of Spies (2015) (4)
  
• Boyhood (2014) (7) beat Once Upon a Time in Anatolia (2011) (5), and The Hollars (2016) (2)
  
• O.J. Made in America (2016) (10) beat Parasite (2019) (9), and Brooklyn (2015) (5)
  
• Nightcrawler (2014) (12) beat Burning (2018) (7), and The Hunger Games: Catching Fire (2013) (1)
  
• Nebraska (2013) (7) beat The Hunt (2012) (4), and Byzantium (2012) (4)
  
• Mysteries of Lisbon (2010) (4) beat Carlos (2010) (3), and The Imposter (2012) (2)
  
• Carol (2015) (12) beat The Irishman (2019) (6), and mother! (2017) (3)
  
• The Lighthouse (2019) (9) beat Moonrise Kingdom (2012) (8), and Cemetery of Splendour (2015) (4)
  
• Moonlight (2016) (9) beat The Killing of a Sacred Deer (2017) (5), and Chappie (2015) (3)
  
• Molly’s Game (2017) (8) beat Coherence (2013) (7), and Cloud Atlas (2012) (4)
  
• The Master (2012) (11) beat Mission Impossible: Fallout (2018) (6), and The Martian (2015) (5)
  
• Cold War (2018) (5) ties Meek's Cutoff (2010) (5), and beats The Missing Picture (2013) (2)
  
• The Nice Guys (2016) (14) beat Contagion (2011) (5), and Mary Poppins Returns (2018) (2)
  
• Margaret (2011) (9) beat The Place Beyond the Pines (2012) (6), and Creed (2015) (2)
  
• Dawn of the Planet of the Apes (2014) (8) tied with The Raid 2 (2014) (8), and beat Maps to the Stars (2014) (3)
  
• Drive (2011) (17) beat The Revenant (2015) (6), and Mandy (2018) (4)
  
• Django Unchained (2012) (11) beat The Salesman (2016) (3) and Made in Dagenham (2010) (2)
  
• Mad Max: Fury Road (2015) (9) beat Train to Busan (2016) (5), and Diamantino (2018) (1)
  
• Eighth Grade (2018) (5) beat Elle (2016) (4), and Long Way North (2015) (2)
  
• The Turin Horse (2011) (10) beat Logan (2017) (9), and El Camino: A Breaking Bad Movie (2019) (0)
  
• The Way Back (2010) (8) beat Locke (2013) (5), and The Tree of Life (2011) (4)
  
• Embrace of the Serpent (2015) (10) beat Little Women (2019) (6), and The Whispering Star (2015) (2)
  
• Enemy (2013) (6) tied with The Wind Rises (2013) (6) and beat Like Someone in Love (2012) (3)
  
• Life of Pi (2012) (9) beat The Witch (2015) (8), and Evangelion 3.0 You Can (Not) Redo (2012) (1)
  
• The Wolf of Wall Street (2013) (7) beat Leave No Trace (2018) (6) and Exit Through the Gift Shop (2010) (3)
  
• Ex Machina (2014) (9) beat Thoroughbreds (2017) (4), and Le Havre (2011) (3)
  
• Three Billboards Outside Ebbing, Missouri (2017) (13) beat Ladybird (2017) (9), and Extremely Wicked, Shockingly Evil and Vile (2019)
  
• La La Land (2016) (13) beat 13 Assassins (2010) (4), and White Boy Rick (2018) (1)
  
• The Social Network (2010) (11) Four Lions (2010) (5), and Kung Fu Panda 2 (2011) (2)
  
• Get Out (2017) (7) beat Two Days, One Night (2014) (5), and Konosuba Legend of Crimson (2019) (1)
  
• Uncle Boonmee Who Can Recall His Past Lives (2010) (7) beat Girlhood (2014) (4), and Klaus (2019) (1)
  
• Under the Skin (2013) (13) beat Kingsman: The Secret Service (2014) (3), and God Bless America (2011) (2)
  
• Upstream Color (2013) (8) beat Killer Joe (2011) (7), and I Saw The Devil (2010) (4)
  
• Good Time (2017) (11) beat Joker (2019) (6), and Us (2019) (2)
  

View Poll

My family (F51, M54, M24, F21) hasn’t taken a proper vacation together since before Covid. We live in the US and our closest airport only flies nonstop to London (as far as Europe goes). I have been to Europe 3 times (Germany, Austria, Italy, Amsterdam, Spain and Portugal) but my husband and son have never been to Europe. Daughter’s only been to Spain and Portugal) We have decided that we want to go to Italy next year but I was thinking we fly non stop to London and spend a couple of days first rather than have a layover. Is that a good idea or would a layover make more sense? Then we have the issue of where to go in Italy. When I was there (30 years ago) I went to Rome, Florence and Sienna. I feel like Rome is non negotiable since I want my family to experience the history. Here’s where we get lost. My daughter wants to go to Pompeii and I’m really interested in Lake Como but we’ll only have 10 days including London so I just don’t see doing both as feasible. I’m willing to leave Lake Como for a future trip with my husband. We are in the early planning stages. Some likes and dislikes- we are all in good shape but aren’t big outdoorsy people. We don’t go on hikes or really do anything adventurous lol. We love culture, history, good food and wine and beautiful scenery. We prefer small quaint towns to big cities. We do like the beach but not for more than a couple of days. ****my daughter also wants to go to Greece and it looks gorgeous in pictures but to do that we’d definitely have to skip London and then split the time between Italy and Greece. Ideally we’d do 10 days but open to 12. Itinerary suggestions? Thanks!

Long story short , was diagnosed with extremely high E2 levels at 16Y wich caused me not to develop enough male features during puberty I am 26y now .
My E2 back then was 58pg while T never was above 280ng . I was officially diagnosed with estrogen dominance, had a gyno surgery 2years ago too and doc put me on Aromasin mono-therapy wich did not work for me at ALL , it made my E2 spike even more higher with slightly improved Testosterone levels .... I was still estrogen dominant .
Finally, I was put on TRT 200mg a week though that I found the solution finally but it was really just the beginning of big troubles for me . 11 weeks into TRT my E2 was that of a women on HER PERIODE . I could not move past bed and the smallest tasks feels like climbing everest mountain I would get up to cook my dinner while crying because of how overwhelmed I felt , physically I was severely bloated, increased body fat despite eating clean and managing to workout at least twice a week ( I have no energy whatsoever .... ) , I also developed some female features gyno is one wich I had to do a surgery to remove , fat distribution ( hips , tights ) , puffy rounded face and my voice is that of a 14y kid ...
All this while Testosterone barely raised slightly last blood-work shows E2 levels of 146pg while T was up to 485ng on 200mg TRT a week .
Why in the hell my body converts all of my testosterone into estrogen ?? I guess it has something to do with my genes ...
Doc suggested treating my E2 aggressively with Arimidex

I grew up in a small town in Florida. I remember close to nothing about my childhood and honestly, I feel like my brain started producing memories near the 10th grade (I'm 19 and graduated now). I've been in a handful of relationships (2 long distance, 1 not) and each time I feel like I've pressured myself into saying "I love you" in pursuit of chasing some Disney channel love story fantasy. I don't really know what it means to truly love someone if I'm being honest. We usually say those words to our parents to show endearment, but I don't, or at least haven't for as long as I can remember. I don't know what it means to love someone. My family is very small (Mother, Grandmother, Sister) All of my other family members either passed or just really aren't in the picture. My grandmother isn't all there mentally anymore and my sister lives across the country and she's high 98% of the time. So its really just me and my mother here. My mother isn't a person you talk to about things. The typical responses are "suck it up" "be a man" "boo hoo" or any other way to belittle what I feel or what I say. She's been like that since I was a kid. So I don't really have any connections or people to talk to since I've graduated last year. I've been stuck in this house for upwards of 5 months now, I've been filling out job applications like crazy and luckily I have a job orientation later this week. At my previous job, I met this girl. Long story short, she ended up confessing to me on her way out after her shift. When I was younger, I grew up "ugly" it wasn't until 11-12 grade when I got my growth spurt and became who I am now and it took until the end of my senior year to learn how to dress, so at school I wasn't getting any play, only after highschool was I talking to women. That was the first time a woman had confessed to me like that. I knew I was able to be found attractive and to be liked, but never loved. Eventually down the line she had said she loved me, and of course I said it back, but I didn't mean it. After she had said that, the only thing I could think is "why me?" "Why some kid from nowhere Florida". I don't even have a license, my mother was driving me to work, and this woman says she loves me? Really? I had became absorbed in thoughts of not being enough, of not being worth it. Love is one of the strongest words we hold as people, and she used it on me. Doesn't loving someone mean they're at the center of your world? They're the reason you get up every day? The reason you go to work, or take a shower, or get dressed? I can't comprehend that. I shouldn't have that amount of power over a person. I shouldn't mean that much to a person. It was all I could think. I'd ask her why she loves me and she'd say "I don't know, I just feel it" and sometimes I'd say "I don't know why you love me so much" and she'd say "You dont need to know" which in retrospect, maybe she actually did love me, but why? Eventually I started telling myself that she was just lying to me for some external reason, and combined with the shitty dating world we live in-in 2024 it was very easy to convince myself of that. Eventually I ended things. Explaining to her that I don't know what it means to love someone and that I have to work on myself. I just. I don't know. I'm tired.

Burgerpants is the most overrated card in the game.I cant stand it when people think burgerpants is good.Guys,this is a 4 cost 4/3.Mediocre stats .Now let's look at his ability.Turn end:Both players earn 5- just no.Think about it .You are giving your opponent 5g On the first turn of the game.The fact that people think that is a good idea means you have no idea how to play undercards. It's way too much! If you want to earn g that badly,just use fortune or don't play anything!did i mention he plays into mtt ex, one of the best cards in the game? I mean he's so overrated,he's just a big piece of trash.I mean look at this guy,he's just a ugly fat idiot. By the way he is also based on the worst character in undertale, burgerpants. Who is a simp,a douchebag and constantly trashtalks mettaton,the best character in the game.It's so overrated this is absolutely in f tier i don't even care.

I grew up in a small town in Florida. I remember close to nothing about my childhood and honestly, I feel like my brain started producing memories near the 10th grade (I'm 19 and graduated now). I've been in a handful of relationships (2 long distance, 1 not) and each time I feel like I've pressured myself into saying "I love you" in pursuit of chasing some Disney channel love story fantasy. I don't really know what it means to truly love someone if I'm being honest. We usually say those words to our parents to show endearment, but I don't, or at least haven't for as long as I can remember. I don't know what it means to love someone. My family is very small (Mother, Grandmother, Sister) All of my other family members either passed or just really aren't in the picture. My grandmother isn't all there mentally anymore and my sister lives across the country and she's high 98% of the time. So its really just me and my mother here. My mother isn't a person you talk to about things. The typical responses are "suck it up" "be a man" "boo hoo" or any other way to belittle what I feel or what I say. She's been like that since I was a kid. So I don't really have any connections or people to talk to since I've graduated last year. I've been stuck in this house for upwards of 5 months now, I've been filling out job applications like crazy and luckily I have a job orientation later this week. At my previous job, I met this girl. Long story short, she ended up confessing to me on her way out after her shift. When I was younger, I grew up "ugly" it wasn't until 11-12 grade when I got my growth spurt and became who I am now and it took until the end of my senior year to learn how to dress, so at school I wasn't getting any play, only after highschool was I talking to women. That was the first time a woman had confessed to me like that. I knew I was able to be found attractive and to be liked, but never loved. Eventually down the line she had said she loved me, and of course I said it back, but I didn't mean it. After she had said that, the only thing I could think is "why me?" "Why some kid from nowhere Florida". I don't even have a license, my mother was driving me to work, and this woman says she loves me? Really? I had became absorbed in thoughts of not being enough, of not being worth it. Love is one of the strongest words we hold as people, and she used it on me. Doesn't loving someone mean they're at the center of your world? They're the reason you get up every day? The reason you go to work, or take a shower, or get dressed? I can't comprehend that. I shouldn't have that amount of power over a person. I shouldn't mean that much to a person. It was all I could think. I'd ask her why she loves me and she'd say "I don't know, I just feel it" and sometimes I'd say "I don't know why you love me so much" and she'd say "You dont need to know" which in retrospect, maybe she actually did love me, but why? Eventually I started telling myself that she was just lying to me for some external reason, and combined with the shitty dating world we live in-in 2024 it was very easy to convince myself of that. Eventually I ended things. Explaining to her that I don't know what it means to love someone and that I have to work on myself. I just. I don't know. I'm tired.