GENERAL THOUGHTS
Definitely more relaxed than LB6, as many people already said. Despite that, it was really fun and interesting to read, definitely the story is what keeps me playing this game. I still have some complains regarding some characters, which I'll discuss later on this post; even then, really enjoyable and left me with some sour feelings regarding the end
SPECIFIC THOUGHTS

1. Don Quixote. Fucking goated, by far my favourite character. I had really high hopes for him and I was not disappointed. His concerns and fear due to seeing a lot of heroes being crushed down in Atlantis and his realizing of his own reality really makes sense; that's why his decision to fight Konstantinos alone is so goddamn epic. He understood that heroes do fear, but they do not let that stop'em. He still fears and sometimes wants to scape, he is a really human character and this makes him highly likable (glad I got him from the banner)
   
   1. Charlemagne. This is tbh my main complain, I can understand that he was really weakened but, at the end of the day, he had the decision on when to show up. Couldn't he show up earlier during the battle againts the Reinstatement Realm? Dude appeared when the Righteous Realm was about to be wiped out; yes, he helped to prevent that, but he could've prevented even more deaths imo. His character was good, he is likable, but I didn't find him very impressive.
   2. Holmes. I already knew he was going to die due to spoilers, but I definitely wasn't expecting him to kill himself like OMFG WHY. I can understand the reasons, very noble of him. Honestly, I think a lot of us were expecting him to be a Disciple of the Foreign God or a Foreigner or something sus; in spite of that, we were not expecting that he was betraying the FG instead. I still can't totally grasp why he decided to side with Chaldea and seal his memories to avoid the FG influence so, if someond can give some insight regarding this topic, I'd be really grateful. I am a little bit mad about the game not revealing his mission; yeah, we know he was spying Chaldea and trying to understand the nature of the Incineration of Humanity (which I get was not exactly due to Goetia), but why? He disliked the FG's nature, but why? He avoids following his true creed and being impartial but I still can't get why
   3. The unknown servants. I know that a lot of people liked the Rider of Sicily cuz, hell yeah, he is really funny. Personally, I liked the Righteous Assassin more, he is just too silly, I want to befriend him. Overall, the characters were good and funny, no doubts
   4. Xu Xu. Yeah I love this woman, definitely. I find her Lady Yu plushie really cute.
   5. Siegfried. Buff man who is invincible until he is against you/with Kriemhild. Feels like a Deus ex machina to me xd
   6. Konstantinos and Johanna. Beautiful relationship, I can absolutely get why Konstantinos falls for her, she is just that sweet. I also like that her love for him is the reason why she can set her inner conflict aside
   7. Johana's conflict. On point, she makes a good point when she mentions that other fantastical characters at least are part of a bigger story/legend/myth (e. g. Holmes, Don), but she is totally alone against all of Humanity denying her existence. Charlemagne makes a good point too, if she was created in the first place it means that humanity wanted her to exist, and the fact that scholars discussed her existence for so long also is an indicator that she is important to humans, even if she is not real.
   8. Krimhield-Siegfried conflict. At the beginning I didn't get at all why Krimhield was mad at Siegfried since I am totally unaware of their legend, but when the story went on and we finally reached Kriemhild it made a lot of sense that she felt betrayed. I used to think that her hatred was towards those who killed him, so it seamed illogical for her to want to fight Siegfried; yet, it was Siegfried who she felt hatred towards due to him being so heroic and letting himself and his relationship with Kriem go in order to stop the war. Objectively, this conflict is better than the Konstantinos-Johana.
   9. Zhang Jue. CAN YOU JUST FUCKING DIE!?!
   10. Moriarty. He is obsessed with Holmes, no doubt. How would he direct Chaldea against the FG? No fucking idea. Why was he betraying the FG? No damn idea. His character was good, not exactly amazing but hia relationship with Holmes makes me enjoy him. It makes a lot of sense that he loses due to his pride and his ego, since he is just a younger Moriarty AND he had the power to alter fate.
   11. Kadoc. HOLLY SHIT my second favourite character. His sarcasm and pessimism is genuinely enjoyable, he makes a good contrast with all the nonsense that is going at Chaldea. He (almost) sacrificing himself to save Ritsuka was marvelous, it means so much to his character since he valued being alive more that anything, but now he sees that all those betrayals he did to keep himself alive only led him to humiliation, so it's not worth it to continue in that path.
   12. Vlad. Even nerfed that guy is just awesome
   13. Narrative. At the beginning we see Vinci and Sion talking bout what is a perfect human. I find it really cool that Holmes ultimately reaches something very close to that, he chooses to ignore a problem not because he is not capable of solving it but because it leads to a bigger good.

We also see Holmes mention that he surely would be able to seal himself similar to the way Vlad did, this makes an apreciable pay-off when he reveals that he sealed himself to avoid obeying the FG.

1. The end. The body of the alien, the singularity being marked as "Ex falso quodlibet". Wtf just happened? Did the alien arrived at 1919 or at 2019? Why is the body of David Bluebook not there? I have so much doubts rn

I’m looking for one more 5 color land for my cube and am wondering what experiences y’all have had with 5 color stuff. I have at various times run some combination of [[Gemstone Mine]], [[Gemstone Caverns]], and [[Forbidden Orchard]] but I’m not really enamored with any of them.
I made a list of 23 5 color lands that i could consider for various cubes, most of which are not good. Here’s how I’d tier them:
F tier. The absolute worst, for someone intentionally trying to make a cube of terribad cards, but since that exists, so do these.
[[Rainbow Vale]] always brings a smile and some serious confusion when I play it, and it’s in the dual land stack for the worst cube ever alongside an even more rancid land.
[[Rhystic Cave]] is a comical reminder of how terrible card design used to be. Ok, now to the real cards.
E tier. Some of these are excellent in very specific, niche cubes, but that’s the only place to use them.
[[Pillar of the Paruns]] would likely excel in a heavy multicolor environment, but be terrible elsewhere. I’m elsewhere.
[[Tarnished Citadel]] might do work in a commander cube like it does in cEDH, but even if you have Death’s Shadow it’s a stretch to play this in cubes with 20 starting life.
[[Tendo Ice Bridge]] would be good in an environment with heavy proliferate but hard to justify anywhere else.
I suspect this summer we’ll start to see a fair number of [[Aether Hub]]s added to cubes as MH3 blasts us with a bunch of energy counters and “The Reserved List, but with Energy™️” cards. It’ll be a great shout in a heavy energy cube, but not for me.
[[Cavern of Souls]] could be amazing in a tribal cube but doesn’t cast enough spells for me in any of my current cubes.
D tier. A strict upgrade exists, or you get rolled by board wipes.
[[Lotus Vale]] is fun if you’re trying to do degenerate things but has no protection and sets you up to just die if it’s destroyed. Plus, Field exists.
[[Grand Coliseum]] is a bad City of Brass that ETBs tapped. Yuck.
[[Glimmervoid]] and [[Thran Quarry]] are functionally identical, huge risks that tap for all the colors but set you back massively if a board wipe removes them.
C Tier. Maybe these are useful in some decks but overall the downside is a bit much.
[[Ancient Ziggurat]] is probably fine in creature Beatdown decks with only a few spells in them but much of the degenerate stuff my cube wants to do isn’t creature based.
[[Forbidden Orchard]] is unconditional 5 colors all the time but, as creatures get pushed and shrapnel slash fodder becomes more valuable, it’s often a bad strategy to give your opponents dudes.
I love me some [[Undiscovered Paradise]] and it gets better as your landfall cards get better, but sometimes the tempo loss is a significant problem. It feels close to Vintage Cube power but not quite.
B Tier. I can see playing these but I’m not super excited. Should I be?
[[Spire of Industry]] having the colorless option and not dying to board wipes is pretty great, and it’s pretty easy to have an artifact sitting around in Vintage Cube. This is one of the ones I’ve never run in my cube but thought about all the time.
[[City of Ass]] can ramp you in conjunction with Thespian’s Stage, Snap, Frantic Search, etc. But….
[[Exotic Orchard]] is probably the one I most want to try. My cube has great fixing, so I always assume I’ll have a couple color options. That’s probably enough for the decks that want this. If you play Fellwar Stone in your vintage cube, isn’t this the same thing?
[[Lotus Field]] is a fine combo piece and can make some swingy plays. I don’t see any reason not to run it.
A tier. Vintage Cube staples, including one I doubt and hate having in my cube.
[[Gemstone Caverns]] is a high tier powerhouse that has just never worked for me in cube, in cEDH, anywhere. Tell me stories, try to sell me on this one.
At the same time, I’m higher than many on [[Gemstone Mine]] and currently run it as an absolute stud in aggro and combo. I just want one more 5 color land that’s better in slower, grindier decks.
The people who have started cutting [[City of Brass]] are lunatics, as this is one of those staples that belongs in every cube.
S tier. The best.
[[Mana Confluence]] isn’t going anywhere. Ever.
[[Nearby Planet]] is a stunning, fetchable target that fixes mana, turns on domain, and has a bunch of sweet niche interactions with tons of random cards. I don’t care if it’s an acorn, it’s given me the earliest Scion of Draco and Leyline Binding casts known to man.
TLDR version: Should I add Exotic Orchard, Spire of Industry, or do nothing?
Your thoughts on five color lands are most appreciated.

I sit alone in my room on the seventh floor, writing what will surely be my last will and testament. The heroin which allowed me to forget and to sleep for the last couple of years has lost its power to keep the screaming terrors away. The drug destroyed my body and mind, gradually eating away at them like a corrosive acid. Now I have become a slave to it. And yet, without it, I do not sleep for weeks, but instead continuously see the scenes from that terrible night running through my head on repeat as worsening waves of madness crash on the shores of my consciousness.
In the caverns under the town of Frost Hollow, I found the meaning of true madness. Ever since I escaped that den of horrors, it is difficult to tell what is real and what is only the feverish delirium of an unhinged mind.
Even now, they wait behind the door to this cheap, bare rented room. They drag their claws over the wood. I hear them hissing in that strange, ancient tongue, the one I first heard in the tombs of rock that had been undisturbed for countless millennia.
***
I had first heard rumors of an unexplored cavern from my friend, an experienced caver named Sonia who had explored caverns all over the world. I had been looking for some excitement in my life, some break from the constant monotony and boredom of simply working and sleeping. I had gone caving quite a few times over the year leading up to the trip, but I was not nearly as experienced and had never explored a supposedly virgin passageway of cavern before.
“How do you know no one’s gone down there?” I asked, curious. We sat across from each other at a local diner, getting some early breakfast before our planned descent. The sunrise was still another half-hour away, the sky flat and dark. We would be joined by Sonia’s husband, Phil, who would meet us there shortly after sunrise. I repressed an urge to yawn, chugging half of the steaming hot coffee in one long swallow. Sonia leaned close to me, her nearly colorless blue eyes reminding me of chunks of ice floating down a muddy stream.
“Phil’s friend just found it randomly,” she whispered before glancing around conspiratorially, as if she feared someone would care enough to eavesdrop on a conversation about a cave. “Well, it’s in the middle of a farm, and Phil’s friend, Jack Graysole, owns the entire property and surrounding woods. Jack says he noticed the cows kept going over to a certain spot in the field when it got really hot during the summertime. They would all gather around this little indentation in the grass. After seeing it a few times, Jack got curious and went to investigate what the cows were doing.
“He found a small hole in the ground, almost entirely covered by weeds and grass. He said he felt a cool breeze constantly blowing out of the hole, a breeze that smelled like burning matches and charred metal. After bringing out some shovels and digging down a couple feet, Jack realized that the hole wasn’t a hole at all, but the beginning of a steep passageway leading deep into the bowels of the earth.”
***
The owner of the land decided to unofficially call the newly-discovered cavern Graysole Caverns. Out of respect for him, this is also the name we all used. This is the story of how I found myself in the bowels of a strange subterranean tunnel, a tunnel where creatures beyond my comprehension slunk and hunted, skittering monstrosities who would be more at home in a nightmare.
After grabbing a couple coffees to take with us, Sonia drove over to Graysole Farms. Cows stood out in the grassy fields, huddled in tight circles as they repetitively chewed. The thin silhouette of Jack Graysole waited for us next to the herd. He had a face like a raisin, I thought to myself. I watched his thin, shaking body standing in the middle of an overgrown grassy field. Jack stared down blankly at something only he could see. Sonia and I started unloading some equipment from the car while we waited for Phil.
Once we had the backpacks loaded with some simple supplies, such as water, food, headlamps, rope, a couple extra batteries, some buck knives, and radios, we headed over to accompany Jack. We weren’t taking much, as we didn’t really expect to be down there for more than six or seven hours at the most.
Jack Graysole’s withered old face was as slack and expressionless as that of a corpse. He stared down at the ground as if he were in a trance, waving back and forth slowly on his feet like a plant in a light breeze.
“Jack?” Sonia called out as we approached. I could hear the man’s teeth chattering as we got nearer.
“Hey, what are you doing over here this early? You interested in accompanying us down there?” Sonia joked. But Jack might as well have been totally deaf for all the reaction he gave. Sonia glanced over at me with an anxious expression. I wondered if the old man was having a stroke.
I quickly walked over to where he stood, staring down at a black circular hole about three feet across directly in front of his feet. The entrance to Graysole Caverns stared up at us like a sightless pupil. As I drew within a few feet of Jack and looked straight into his blank eyes, I noticed something alarming.
His pupils were quickly dilating and constricting before my eyes. They would shrink to tiny pinpoints, then, a couple seconds later, rapidly expand until they became dark and serious. I could see his thready, rapid heartbeat pulsating in a vein on the side of his temple. Alarmed, I reached forward and put my hand on his shoulder.
Instantly, he came to life, like a man waking up from a nightmare. Shrieking, he looked at me with fully dilated pupils, reminding me of a panicked deer surrounded by wolves. His quavering old man’s voice shook with ineffable existential horror and mortal fear.
He took a step back away from us, seeming to realize where he was and what he was doing. He looked around, confused, then straight at me and Sonia. His eyes focused with anger and fear, as if we were demons here to drag him down to Hell. His eyes flicked back and forth between us constantly. Jack raised a trembling hand and pointed it straight at my heart.
“It’s you,” he said, his voice dropping to a harsh whisper. His teeth chattered despite the warm spring air. His skin looked deathly pale. “You’re the one who will bring an end to humanity, who will release the ruler of nightmares upon us.” He continued to point accusingly for a long moment at me, his face turning chalk-white. Then his eyes rolled up in his head. Slowly, he stumbled and fell backwards onto the soft grass of the field.
“Jack!” Sonia cried, running over to the old man. Jack’s breaths had started to come in slow, drawn-out gurgles, like a man with a slit throat trying to breathe. Frothy blood bubbled from his lips as they turned blue. Staring up at the endless expanse of cloudless sky, he exhaled one last shuddering breath and died.
***
Phil showed up only a couple minutes later. He found me and Sonia in a state of utter panic, both of us bent double over the still body of Jack. Sonia was on the phone with 911, and I was trying to give Jack chest compressions. The way his fingernails and lips shone with that cyanotic blue cast made me feel sick and weak. I knew it was futile, that I was simply playing with a corpse at this point, but I didn’t know what else to do. I felt if I didn’t do something, I might explode.
I heard the faint wailing of sirens approaching as Sonia’s panicked voice continued babbling to the 911 operator. Phil stood by her side, his tall, dark features searching and lost.
“Oh God, I think he’s dead!” Sonia cried over and over to the operator, as if she thought the operator could do anything about it. I didn’t hear what the operator said in response. As the ambulance pulled in, I gave up on chest compressions. I stood up and took a step back, looking sadly down on the kindly old man’s dead body.
The paramedics ran over. Phil, Sonia and I stood back while they worked on the corpse, trying to shock the heart back into life. But Jack’s open eyes stayed glazed as they stared sightlessly up into eternity.
***
The paramedics left. A couple police officers stayed behind to ask us a few routine questions. Eventually, after an hour or so, they left, too.
“What a fucked-up day,” Phil said, shaking his head grimly. “Do you guys still want to do this? Maybe it’s an omen from God telling us to go home.” Sonia and I exchanged a glance, then we both nodded at the same time.
“Definitely,” she said. “It’s sad what happened to Jack, but realistically, we don’t know what’s going to happen to this property now that he’s passed away. It might get sold or taken by the bank for all we know. This could be our one and only chance to explore this cave.”
“I don’t believe in omens. I’m still down,” I said, feeling slightly sick from the experience. I still remembered how Jack’s body had cracked under the weight of my chest compressions, how his ribs had snapped like bones shattering in greedy hands. “We’ll do it in memory of Jack. I plan to put this up on YouTube.” I pulled my GoPro out of my bag, turning it on. Phil groaned at that.
“Do we have any idea how far down this cave goes?” Phil asked. I felt a sense of relief now that the topic had changed from the death of the old man.
“I sent a little camera down on a rope, but it only went about a hundred feet,” Sonia responded. “It’s pretty steep at first, then it levels out. I couldn’t really see much after it leveled out, but it looks like it should be easy to climb down. There’s plenty of handholds, lots of jutting rocks.”
Phil put on his headlamp and small pack. As he crawled down into the hole, his tanned face looked up at us and gave us one last devilish grin. Once he had gone down a few dozen feet, Sonia started descending. She looked excited and happy. I noticed how she couldn’t stop smiling as she disappeared from view.
I watched their lights grow smaller and dimmer in the circular tunnel. I marveled at how perfectly circular the entrance was. It almost didn’t even look natural.
Taking a deep breath in, I followed my friends down into the dark.
***
“This isn’t too bad,” I said as I climbed down. The jutting rocks gave plenty of handholds and footholds for us. It wasn’t so tight that it felt like a coffin, either.
“It only gets easier from here!” Sonia called up.
“How do you know?” I asked. “You said you’ve never been here before.” She laughed.
“I know. Probably just wishful thinking,” she said. Far below us, Jack’s voice drifted up, faint and weak. He had already reached the bottom.
“The tunnel really opens up down here, guys,” he called. “It’s somewhat… bizarre, though.”
“What do you mean by that?” Sonia asked. I looked down, seeing Sonia and I would reach the bottom in seconds. “Forget it, I’ll let it be a surprise.” I heard her drop down. Slowly and carefully, I lowered myself down the last few feet. There was a short fall onto a smooth granite floor. I looked up, seeing what Phil and Sonia were so mesmerized by.
“Oh, wow,” I said, speechless. I blinked rapidly, wondering if the image would clear like a mirage. The tunnel was cut into a perfectly triangular shape, each side about seven feet long. The ceiling met in a point above our heads.
All along the smooth walls of gray rock, I saw thousands of black orbs peeking out. They looked similar to obsidian, but they were perfectly smooth and circular, each about the size of an orange. They were formed into interlocking diagonal patterns and followed the tunnel straight down as far as the eye could see.
“What is this place?” Sonia asked, taking a tentative step forward. I looked up, seeing the distant pinpoint of sunlight far above our heads. Our voices continued to echo off down the massive tunnels, disappearing in eerie waves into the thick curtain of shadows.
“Are you recording all this?” Phil asked me. I laughed, giddy.
“Of course! This is internet gold right here,” I said. “No one’s going to believe that this isn’t man-made, however. I can’t even believe it. Do you think Jack was playing a joke on us or something?”
“Jack had the sense of humor of a wet paper towel,” Phil whispered, shaking his head. “No, he wouldn’t do something like this.”
“Well, let’s go check it out,” Sonia said, taking a step forward. Her headlamp bobbed up and down rapidly, throwing dancing shadows through the triangular tunnel. It continued straight ahead, without the slightest deviation or curve, disappearing off into a dark point in the distance.
***
We walked as fast as we could, excited to see where, if anywhere, the strange tunnel led. Phil, always the conspiracy theorist, babbled excitedly.
“This has to be aliens, man,” he said, running his fingers through his dark hair. “I bet that scientists will find out this shit is millions of years old when we get back up and tell everyone. Maybe aliens came to earth in ancient times and made a bunch of stuff underground.” Gradually, as we walked, I noticed the tunnel opening up. The pointed triangular ceiling rose up higher above our heads and the walls moved outwards, as we were walking up a triangular funnel. At first, it was so subtle that I didn’t believe it when Sonia pointed it out.
“No, look,” she said, raising her hand above her head. “When we first started down this weird tunnel, my fingers were only maybe a foot away from the top. Now it’s a couple feet.” I was about to respond when our headlamps illuminated something standing in the middle of the tunnel.
“What the fuck is that?” I whispered, stopping cold in my tracks. Phil and Sonia looked up at the abomination at the same time. Its back was to us. It stood nearly as tall as the tunnel, which was now about twenty feet high.
The bottom half looked black and spidery with dozens of long, jointed legs. A bloody, white spine rose out of the mass of legs. Inhumanly long, skeletal arms stretched out in front of it. Its face was pointed away from us, but the back of its head resembled an enormous pointed skull with deep fissures like the cracks of an earthquake running through the bone. The abomination stayed as still as a statue, and for a long moment, I wondered if we were looking at some macabre work of art.
Then, suddenly, one of its insectile legs twitched. A moment later, the other legs started jerking and twisting. There was a sound like bones shattering as it rose up to its full height, turning around to face us.
Its face was like something from a nightmare, melting and reforming constantly like dripping candle wax. I would see a black eye appear on its forehead, then a grinning mouth on its chin, then the features would get sucked back into the folds of melting flesh. After a few moments, two enormous eyes appeared on its face, dark and cold like craters on the surface of the Moon. The mouths and noses disappeared back into the dripping skin, and only the two lidless eyes remained, emanating a cold, reptilian consciousness beyond the ability of my mind to comprehend. I felt terror radiating from its body like freezing waves.
“Free me,” it cried in a gurgling voice that seethed with insanity. It had a shrieking, metallic ringing behind every word that gave it an alien quality. “Free me, and I will give you the waters of eternal life. Within me, I contain the seeds of immortality. Within the nightmares, we live forever, always together, never alone.”
“Who are you?” I asked, terrified. The black reptilian skin of the enormous beast glistened as it knelt down, its massive face drawing near to mine. A sideways mouth burst out of the liquified flesh, showing hundreds of fangs growing like tumors from its white, bloodless gums. The fangs varied in size from only a couple inches to long, sword-like projections that stabbed into the creature’s flesh, causing white blood glittering with rainbows to fall like raindrops all around me.
“I have many names,” it hissed, its thousand voices rising and falling in crashing waves of sound. “I was present at the beginning, when this planet was no more than dead cliffs and endless freezing oceans. Those holy ones who search for us, the ancient ones, call me Niralahoth.”
“How do we free you?” Phil asked, looking terrified. He held Sonia’s hand tightly.
“By letting me into your mind and body,” Niralahoth cried, shaking the cavern. “I was thrown down here, cursed and forgotten. I cannot leave this place of shadows within this body. But in the body of another, my consciousness can be free, and the seeds of new life can spread beyond this prison.”
“There’s no way anyone’s going to do that,” I said, my eyes widening as Niralahoth’s reptilian skull turned towards me in fury. “I mean, you’re asking one of us to give up our individuality, our lives, right?”
“I am asking you to become one with me and gain power undreamt of by mortals,” it cried. “I have within me the fountain of life, the waters that send death away screaming.” I glanced anxiously at Phil and Sonia, wondering if we would have to run.
“The answer is no,” I said. “I’m sorry.”
“Yeah, we can’t do that,” Phil said, backing me up. “But, anyways, I think our trip has ended. It’s time to turn around…”
“You will never return,” Niralahoth cried, skittering away from us. “If you will not accept salvation, then you must accept death.” Within seconds, it slunk away from us, backpedaling on its many skittering legs into the shadows.
***
All around us, a rumbling started.
There was a pounding that crashed through the rock tunnel, as if an insane blacksmith were hammering on a massive anvil. The ringing of crashing rock started off slowly, with a few stones smashing down around us with heavy blasts of sound. Within seconds, the cacophony sped up, rising into a constant stream of destruction. The black orbs were spinning in place all up and down the tunnel, their glossy obsidian surfaces flashing with sparks of blue light.
“It’s collapsing!” Phil cried, running back in the direction we came, holding Sonia’s hand as she tried to keep up with him. I could only stare for a long moment, not sure what to do. It seemed that the direction Phil was heading stood closer to total collapse.
“Wait!” I cried, but my voice was drowned out in the destruction all around us. I felt a rock smash into my shoulder, sending me down to my feet. I heard Phil give a scream of pain, then another stone came down and smashed into my forehead. I remember seeing everything spinning around me as the world went black.
***
I awoke to find my headlamp still shining straight up in the dusty tunnel. Large chunks of the tunnel had slid out of place and crashed to the stone floor. The granite chunks that had fallen looked unnaturally smooth, most of them in the shapes of cylinders or cubes and varying in size from that of an egg to that of a small car.
My head throbbed. It felt as if a tight belt of fire were wrapped around my temples. Groaning, I put my fingers up to my forehead. They came away slick with blood.
Slowly, I started pushing myself up on my feet. I was relieved that nothing seemed broken. I had a deep gash running from the center of my scalp down to my left temple and some shallower cuts on my shoulders and back, but I knew none of that was life-threatening.
“Sonia?” I whispered, my voice coming out weak and strained. I reached into my pack and found a bottle of water. I chugged it quickly in one long swallow.
“Phil?” I cried again, this time stronger. I heard a soft weeping nearby. Staggering, I followed the sound.
Sonia was bloody and covered in cuts and scrapes, sitting next to Phil’s prone form. I saw Phil’s right arm pinned under a massive slab of granite. His arm disappeared from the elbow down in a spreading puddle of thick, dark blood.
“Oh God, Max, I think he’s hurt really bad,” she wept. Phil’s eyes rolled wildly in his head, his face pale and bloodless. I looked down the way we had come, seeing the entire tunnel blocked by large slabs of stone, many with strange, black orbs peeking out like the lenses of cameras.
***
I don’t know how much time passed. My phone died after a day, and then we were counting the endless darkness in breaths and tears.
Phil swam in and out of consciousness as his arm putrefied and blackened around the crush site. After a couple days, Sonia and I agreed that something had to be done. We told Phil we would need to amputate his arm. He was half-delirious, but he came back long enough to understand us and nod weakly.
We made a fire with Phil’s pack, trying to find fuel to throw in it to get it roaring. As it grew, I saw one of the black orbs near the flames abruptly ignite, as if it had been covered in gasoline. Blue, almost colorless flames rose from its surface. We started throwing the small black orbs on the fire until it rose high in the air. I sanitized the buck knife with the flames and pulled a rope tourniquet tight around Phil’s arm. He was conscious but seemingly insane, talking to himself more than anyone else.
“How are we going to get the car started without a key?” he gurgled to someone only he could see. “We need to look around. It has to be here somewhere.”
“Phil, can you hear me, bud? We need to fix your arm. We need to get you out of this mess. OK?” I said as comfortingly as I could. Phil’s eyes rolled wildly, but they didn’t meet my own. I sighed and looked over at Sonia.
“Let’s do it,” I said, giving a grim nod.
I pulled the buck knife out, slicing quickly down through the flesh next to the tourniquet. His veins throbbed like fat worms as the blackened, necrotic skin split easily under the blade, releasing a rancid-smelling gas that hissed out of the wound.
I couldn’t believe how hard it was to slice all the way through the arm. It felt like I was stuck in that hellish task forever. Phil’s eyes rolled in his head as his skin turned the color of clotted milk.
“God, Jesus, make it stop,” Phil whispered over and over, exhaling ragged, pain-filled breaths. The blood spurted from the blackened, dying tissue all over the dust-covered cavern floor, covering my hands in its warm, slick embrace.
After what was probably only three or four minutes, but felt like hours, I had sliced all the way down to the bone. The infected tissue of his arm spurted great gouts of orange pus mixed with rivulets of blood. The hard part was over.
Standing up, I took my steel-toe sneaker and stomped down on his arm as hard as I could. Phil cried out in a powerful voice, as if all the agony and suffering in the world was contained in that one shriek. The bone snapped under my weight with a sound like a tree branch cracking. A moment later, Phil rolled away from the rock that had pinned me in place for so long. Something alien and spongy was shoved into my face, a mass of destroyed red tissue pulsating in time with a runaway heartbeat. At first, shell-shocked and revolted, my mind couldn’t comprehend that I was looking at the stump of Phil’s mutilated arm. I hardened my heart and forced the giddiness and madness to the back of my mind. The time had come to cauterize the wound.
“Sonia, give it to me,” I said with a tremor in my voice. I reached out a hand towards her, a hand stained with Phil’s blood. It looked as if I were wearing a wet, crimson glove. Sonia only stared blankly at me for a long moment, however. A surge of anger ran up my chest.
“Sonia, toughen the fuck up! He’s going to die if you just sit there!” I swore at her, hearing my deep, angry voice bounce around the caverns. Sonia pulled back, as if she were struck. Inwardly, I cursed having a woman as my only able-bodied companion in this situation. She was a competent enough caver, but what would happen if violence and blood came over us? What would happen if, or more realistically when, we needed to fight?
Grimly, Sonia leaned forward and yanked the burning black orb out of the roaring fire, handing it to me on the end of a buck knife that had just barely pierced its hard, strange exterior. The handle of the knife felt coarse and splintery under my filthy skin. I put it to the spongy stump of Phil’s arm. The stump twitched violently. Phil tried to pull away as black smoke rose from the burning flesh.
There was a smell like bacon sizzling. The searing meat of Phil’s arm blackened and crisped under the heat of the orb, which had become no more than a cylinder of glowing blue embers by this point. I felt simultaneously sick and giddy. I didn’t know if I wanted to laugh or vomit. I felt like I was on the verge of some kind of madness, that the stress and insanity of the experience had started to shatter my mind.
His eyes rolled back in his head and he appeared to go into a seizure for a few seconds. With a long exhalation of breath, he finally, mercifully, lost consciousness. It’s hard to admit it, even this close to the end, but a small, sick piece of me was jealous of Phil. Most likely, he would be dead soon, maybe within hours, while Sonia and I would slowly starve and dehydrate like animals over a period of weeks. I looked at her lithe body and soft skin, seeing the feminine curves of her hips and chest. She was a beautiful woman. I knew Phil to be a lucky man. At least, before this trip, he was.
I watched her body, wondering if I had what it took to eat her or Phil if I had to. Did I have an iron heart that would allow me to slice into my friends and consume their raw, cold flesh? Perhaps, by that point, it would be hunger and madness driving me forward, and I wouldn’t even hesitate. I shuddered at the very thought.
***
I fell asleep that night, having strange dreams of massive gods with melting faces sitting in judgment in a circle around me. We had very little food or water left. No one knew we were down here. Rescue was not coming.
When I awoke, I found myself alone. Phil had died from his injuries while I slept, the black streaks of septic shock spreading up his arm towards his heart. His eyes stared sightlessly up at the rock ceiling.
“Sonia?” I called out, my heart racing as I sat up. “Where are you?” My headlamp was growing dim. I looked in my pack, realizing I was on the last of my batteries. I saw a silhouette walking out of the darkness, the thin, pale form of Sonia. She was trembling badly.
“I saw them,” she said. “Niralahoth and its priests. The priests aren’t human. They look reptilian with sideways mouths and too many eyes.” She shuddered.
“Why would you do that?” I asked. Her eyes grew distant.
“You know we’re not getting out of here alive,” she said. “Not on our own. I wanted to see what it offered. It says that if we take a piece of its nightmare into us, we will gain the power to leave this place, that it simply wants to see the surface and spread its nightmares there.” I shook my head.
“Insanity,” I muttered. “We’d be better off dead.” Sonia nodded.
“My thoughts exactly,” she responded grimly. I didn’t realize what she meant until the next day, when I woke up and found her hanging next to Phil’s body, her tongue swollen and blue as it poked out of her cyanotic lips. And then I was truly alone.
***
Soon after Sonia committed suicide, the last of the batteries for the headlamp died. I had run out of food and had only a small sip of water left. I don’t know how much time passed in the darkness, starving and raving, following the tunnel by running my hands over the walls. I heard many things skittering in the darkness, and a few times, I heard the demonic voice of Niralahoth as it split and distorted.
“You are on death’s door,” it hissed. “Will you not drink from the fountain of life?” I couldn’t tell where the voice came from in the maddening blackness. It seemed to come from everywhere and nowhere. I had lost nearly all of my sanity in that pit of shadows by this point. I tried laughing constantly to keep my spirits up, and when that failed, I simply cried.
“I’ll do it,” I wailed. “I’ll do it. Just let me see the sky again. Get me out of here, Niralahoth.” Everything went deathly silent all around me, then a laugh rang out like the grinding of glass.
In front of me, I saw a tornado of fire descending from the ceiling, surrounding the massive, spidery form of Niralahoth. It rose its skeletal arms upwards, as if it were Zeus calling down lightning. In the sudden brightness, I saw the fiery form of snakes slithering and centipedes skittering forwards in that tornado, each massive creature sculpted from flames in the spinning cyclone of energy. Niralahoth reached into the tornado of fire with its sharp points of fingers and plucked something small from it. The fire instantly dissipated. In its hand, I saw a tiny, swirling orb that looked like it contained a firestorm within it.
“The nightmare seed,” Niralahoth gurgled as it skittered forward towards me. I could only stare, open-mouthed and starving. I hadn’t slept for days, it felt like, and everything seemed slow and unreal.
In a blur, its skeletal arm shot out and forced the orb into my mouth. Despite the fire raging within it, it felt freezing cold. As it touched my tongue, it gave off a sensation like frostbite all throughout my mouth. I screamed and tried spitting it out, but it seemed to have a mind of its own. It started liquifying, dripping down my throat.
I felt something cancerous and sick spreading throughout my body, radiating out from my heart and stomach to every inch of it. I tried to scream, but it caught behind my teeth. I fell to my knees, clawing at my face as that insane, alien laugh continued resounding all down the tunnel. I fell unconscious and woke up under a beautiful sky in the fields of Graysole Farms.
***
Soon after, I realized that my life would never be the same. Everywhere I went, I could hear the wailing voice of Niralahoth. Behind the trees, I always saw skittering shadows, creatures with long, spidery legs that stalked me every day and night. I slept with every light in the house turned on, yet when I woke up, they would all be shut off, and I would find myself in darkness, next to something in the bed with far too many legs and a face that dripped like burning wax.
I sold everything I owned and tried to move far away, to give as much distance between myself and those cursed caverns as I could, but the nightmares followed me like a shadow. I realize what a fool I was in those ephemeral moments of madness. Sonia was much wiser than myself; I should have killed myself or died rather than allowing that thing inside of me.
Even now, I can feel it creeping through my heart, spreading through my blood. I feel it trying to crawl its way out of my throat, the thin, black legs peeking out at the back of my esophagus.
I only hope that, when I finally jump and feel my bones shatter against the concrete far below, I will kill whatever is inside of me. For I fear the consequences for the world if it were to escape.

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• Ken Follett's The Pillars of the Earth
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• Knock-knock
• Koi-Koi Japan [Hanafuda playing cards] *Koi-Koi Japan : UKIYOE tours Vol.1 DLC *Koi-Koi Japan : UKIYOE tours Vol.2 DLC *Koi-Koi Japan : UKIYOE tours Vol.3 DLC
• Konung 2
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• Labyrinthine
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• Learn Japanese To Survive! Hiragana Battle
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• Rebel Galaxy
• Rebel Galaxy Outlaw
• Recipe For Disaster
• Red Faction Guerrilla Re-Mars-tered
• Red Faction: Armageddon
• Red Riding Hood - Star Crossed Lovers
• Red Ronin
• RED SOLSTICE 2: SURVIVORS
• Redout Complete Bundle
• Redout: Enhanced Edition
• Redout: Enhanced Edition + DLC pack
• Regular Human Basketball
• REKT! High Octane Stunts
• Relicta
• REMNANT: FROM THE ASHES - COMPLETE EDITION
• Republique
• Rescue Party: Live!
• Resident Evil 0 HD REMASTER
• Resident Evil 5 Gold Edition
• Resident Evil 7 Biohazard
• Resident Evil Revelations
• Resort Boss: Golf
• RETROWAVE
• rFactor 2
• RiME
• Ring of Pain
• Rise of Industry + 2130 DLC
• Rise of the Slime
• Rising Storm 2: Vietnam + 2 DLCs
• Riven: The Sequel to MYST
• River City Girls
• River City Ransom: Underground
• Roarr! Jurassic Edition
• Roboquest
• Robot Squad Simulator 2017
• Rogue : Genesia
• ROGUE HEROES: RUINS OF TASOS
• ROGUE LORDS
• Rogue Stormers
• rollercoaster tycoon 2
• ROTASTIC
• Roundguard
• ROUNDS
• RUNNING WITH RIFLES
• Rustler
• Ryse: Son of Rome
• S.W.I.N.E. HD Remaster
• Sailing Era
• Saint Row
• Saints Row 2
• Saints Row: Gat Out of Hell
• Sam and Max Devil's Playhouse
• SAMUDRA
• Sands of Aura
• Sands of Salzaar
• Saturday Morning RPG
• Save Room - Organization Puzzle
• Scarlet Tower
• Scorn
• SCP: 5K
• SCUM
• SEARCH PARTY: Director's Cut
• Second Extinction
• Secret Government
• Serious Sam 3 Bonus Content DLC, Serious Sam 3: Jewel of the Nile, and Serious Sam 3: BFE
• SEUM speedrunners from hell
• SEUM: Speedrunners from Hell
• Severed Steel
• Shadow Tactics: Aiko's Choice
• Shadowgate
• SHADOWS: AWAKENING
• Shape of the World
• She Sees Red - Interactive Movie
• Shenmue I & II
• SHENZHEN I/O
• Shift Happens
• Shing!
• Shoppe Keep 2 - Business and Agriculture RPG Simulation
• Shotgun King: The Final Checkmate
• Sid Meier's Civilization VI
• Sid Meier's Railroads!
• Sifu Deluxe Edition Upgrade Bundle (EPIC)
• Silver Chains
• SimCity 4 Deluxe Edition
• Sinking Island
• SINNER: Sacrifice for Redemption
• Siralim Ultimate
• Skautfold Chapters 1-4
• Skullgirls 2nd Encore
• Slain: Back from Hell
• Slap City
• Slash It
• Slash It 2
• Slash It Ultimate
• Slay the Spire
• Small World
• Smart Factory Tycoon
• Smile For Me
• Smoke and Sacrifice
• Smoke and Sacrifice
• Smushi Come Home
• Snail bob 2 tiny troubles
• Sniper Elite 3
• Sniper Elite 3 + Season Pass DLC
• Sniper Elite 4 Deluxe Edition
• Sniper Ghost Warrior 3 - Season Pass Edition
• Sniper Ghost Warrior Contracts
• Snooker 19
• SONG OF HORROR COMPLETE EDITION
• Songs of Conquest
• Sonic Adventure 2
• Sonic Adventure DX
• Sonic and SEGA All Stars Racing
• Sonic Generations Collection
• Soulblight
• Souldiers
• SOULSTICE
• Soundfall
• Source of Madness
• Spartan Fist
• Spec Ops
• Speed Limit
• Spelunx and the Caves of Mr. Seudo
• Spidersaurs
• Spin Rush
• Spirit Hunter: Death Mark
• Spirit of the Island
• Spirit of the North
• Spring Bonus
• Stairs
• STAR WARS - Knights of the Old Republic
• STAR WARS - The Force Unleashed Ultimate Sith Edition
• Star Wolves
• Starsand
• STASIS: Bone Totem
• State of Decay 2: Juggernaut Edition
• Steel Rats™
• Stick Fight: The Game
• Still Life
• Still Life 2
• Stirring Abyss
• STONE
• Strange Brigade
• Strange Brigade Deluxe Edition
• STRANGER
• Strategic Command: World War I
• Strategic Mind: Blitzkrieg
• Strategic Mind: Fight for Freedom
• Strategic Mind: Spectre of Communism
• Strategic Mind: Spirit of Liberty
• Strategy & Tactics: Wargame Collection
• Streamer Life Simulator
• Street Fighter V
• Strider
• Strikey Sisters
• Stygian: Reign of the Old Ones
• Styx: Master of Shadows
• Styx: Shards of Darkness
• SuchArt
• Sudden Strike Gold
• Suite 776
• Sumoman
• Sunblaze
• SUNLESS BUNDLE
• Sunset Overdrive
• Super Buff HD
• Super Mag Bot
• Superbugs: Awaken
• Superhot
• Surgeon Simulator 2
• Survive the Nights
• Surviving Mars
• Surviving Mars
• Surviving The Aftermath
• Swag and Sorcery
• Sword Legacy Omen
• Sword of the Necromancer
• Swords and Soldiers 2 Shawarmageddon
• Syberia 3
• Symphonic Rain
• Symphony of War: The Nephilim Saga
• Synthwave Dream '85
• Tacoma
• Take Off - The Flight Simulator
• Tales
• Tales from the Borderlands
• Tales of Vesperia™: Definitive Edition
• Talk to Strangers
• Tallowmere
• Tangledeep
• Tank Mechanic Simulator
• Tannenberg
• Team Sonic Racing
• TEKKEN 7
• TEMTEM
• Terminus: Zombie Survivors
• Terror of Hemasaurus
• Textorcist
• Tharsis
• The Adventure Pals
• The Amazing American Circus
• The Anacrusis
• The Ascent
• The Battle of Polytopia
• The Battle of Polytopia *DLC1. Cymanti Tribe *DLC2. ∑∫ỹriȱŋ Tribe *DLC3. Aquarion Tribe *DLC4. Polaris Tribe
• The Blackout Club
• The Callisto Protocol™
• The Chess Variants Club
• The Citadel
• The Colonists
• The Dark Pictures Anthology: House of Ashes
• THE DARK PICTURES ANTHOLOGY: LITTLE HOPE
• The Darkest Tales
• The Dungeon Beneath
• The Dungeon of Naheulbeuk: The Amulet of Chaos
• The Elder Scrolls Adventures: Redguard
• The Elder Scrolls III: Morrowind® Game of the Year Edition
• The Elder Scrolls IV: Oblivion® Game of the Year Edition
• The Elder Scrolls Online
• The Escapists 2
• THE GAME OF LIFE 2
• The Golf Club™ 2019 featuring PGA TOUR
• The Haunted Island, a Frog Detective Game
• The Hong Kong Massacre
• The Horror Of Salazar House
• The Innsmouth Case
• The Invisible Hours
• The Jackbox Party Pack 9
• The Knight Witch
• The Last Campfire
• The LEGO Movie 2 Videogame
• The Letter - Horror Visual Novel
• The Long Dark
• The Manhole: Masterpiece Edition
• The Mortuary Assistant
• The Mummy Demastered
• The Outer Worlds
• THE OUTER WORLDS: SPACER'S CHOICE EDITION
• THE PALE BEYOND
• The Quarry
• The Quarry deluxe
• The Ramp
• The Red Lantern
• The Rewinder
• The Sacred Tears TRUE
• The Sexy Brutale
• The Tarnishing of Juxtia
• The Tenants
• The Uncertain - The Last Quiet Day
• THE UNCERTAIN: LAST QUIET DAY
• The Uncertain: Light At The End
• The USB Stick Found in the Grass
• The Walking Dead
• The Walking Dead - 400 Days
• The Walking Dead Saints and Sinners
• The Walking Dead: A New Frontier
• The Walking Dead: Final Season
• The Walking Dead: Michonne - A Telltale Miniseries
• The Walking Dead: Saints & Sinners
• The Walking Dead: Season 1
• The Walking Dead: Season Two
• The Way
• The Wild At Heart
• The Wild Eight
• The Witness
• Them and Us
• They Bleed Pixels
• Thief of Thieves
• This War of Mine
• This Way Madness Lies
• Three Kingdom: The Journey
• Time on Frog Island
• Tinkertown
• Tiny Tina’s Wonderland(EU)
• TINY TINA'S WONDERLANDS CHAOTIC GREAT EDITION
• Tiny Troopers
• Tinykin
• Tinytopia
• TIS-100
• Titan Quest
• Tokyo Xanadu eX+
• Tools up
• Tooth and Tail
• Torchlight
• Total Tank Simulator
• Tour de France 2020
• Tower Unite
• Trail Out
• Trailblazers
• Trailmakers
• Train Sim World 3: Standard Edition
• Train Simulator Classic
• Train Valley 1
• Transport INC
• Treasure Hunter Simulator
• TRIBES OF MIDGARD
• Trine 4
• Trinity Fusion
• Trombone Champ
• Tropico 5 - Complete Collection
• Trover Saves the Universe
• Tunche
• Turmoil
• Turok 2: Seeds of Evil
• Twin Mirror
• Two Point Campus
• Two Point Hospital
• TYPECAST
• Tyrant's Blessing
• Ultimate Chicken Horse
• Ultimate Zombie Defense
• Ultra Space Battle Brawl
• Unavowed
• Undead Horde
• Unexplored 2: The Wayfarer's Legacy
• Unity of Command: Stalingrad Campaign
• Universim
• UNLOVED
• Unpacking
• Until I have you
• Unto The End
• Upside Down
• URU: Complete Chronicles
• Vagante
• Valfaris
• Valfaris: Mecha Therion
• Valkryia Chronicles 4 Complete Edition
• Valkyria Chronicles 4 Complete Edition
• Valkyria Chronicles 4: Complete Edition
• Vambrace: Cold Soul
• Vampire Survivors
• Vectronom
• Velocity Noodle
• Venba
• Verne: The Shape of Fantasy
• Victoria 3
• Victoria II
• Viking: Battle For Asgard
• Virgo Versus The Zodiac
• VirtuaVerse
• Visage
• Viscerafest
• Void Bastards
• VOIDIGO
• Volcanoids
• Voltage High Society
• V-Rally 4
• Wanderlust: Travel Stories (GOG)
• Wargroove
• Warhammer 40,000 Sanctus Reach - Complete Edition
• Warhammer 40,000: Armageddon - Imperium Complete
• Warhammer 40,000: Battlesector
• Warhammer 40,000: Gladius - Relics of War
• Warhammer 40,000: Mechanicus
• Warhammer 40,000: Space Wolf Special Edition
• WARHAMMER AGE OF SIGMAR: REALMS OF RUIN – ULTIMATE EDITION
• Warhammer vermintide collector's edition
• Warhammer: End Times - Vermintide
• Warhammer: Vermintide 2
• Warman
• Wasteland 3
• Wayward
• WE NEED TO GO DEEPER
• We should talk.
• We Were Here Together
• We Were Here Too
• Webbed
• What Lies in the Multiverse
• When Ski Lifts Go Wrong
• while True: learn()
• Whos Your daddy
• Wick
• Windward
• Witch It
• Witchy Life Story
• wizard of legends
• Wolfenstein 3D
• Worms Rumble
• WRC 6 FIA World Rally Championship
• WRC 7 FIA World Rally Championship
• WWE 2K Battlegrounds
• WWE 2K23
• WWZ Aftermath
• Wytchwood
• X-COM: COMPLETE PACK
• XCOM: ULTIMATE COLLECTION
• XIII - Classic
• X-Morph: Defense + European Assault, Survival of the Fittest, and Last Bastion DLC
• X-Morph: Defense Complete Pack
• Yakuza Kiwami
• Yakuza: Like A Dragon
• Yumeutsutsu Re:After
• Yumeutsutsu Re:Master
• Zen Chess: Mate in One, Mate in 2 , Mate in 3 , Mate in 4 , Champion's Moves (5 games)
• Ziggurat
• Zombie Army 4
• Zombie Army Trilogy
• Zool Redimensioned

DLCs and Softwares:

• For The King: Lost Civilization Adventure Pack
• Train Simulator: Isle of Wight Route Add-On
• Train Simulator: Woodhead Electric Railway in Blue Route Add-On
• Train Simulator: North Somerset Railway Route Add-On
• Train Simulator: Union Pacific Heritage SD70ACes Loco Add-On
• Train Simulator: London to Brighton Route Add-On
• BR Class 170 'Turbostar' DMU Add-On
• DB BR 648 Loco Add-On
• Europa Universalis IV: Wealth of Nations
• Expansion - Europa Universalis IV: Conquest of Paradise
• Expansion - Europa Universalis IV: Res Publica
• Grand Central Class 180 'Adelante' DMU Add-On
• Peninsula Corridor: San Francisco - Gilroy Route Add-On
• SONIC ADVENTURE 2: BATTLE
• Small World - A Spider's Web
• Small World - Cursed
• Small World - Royal Bonus
• The Dungeon Of Naheulbeuk: The Amulet Of Chaos - Goodies Pack
• The Dungeon Of Naheulbeuk: The Amulet Of Chaos - OST
• Thompson Class B1 Loco Add-On
• Total War: Shogun 2 - Rise of the Samurai
• Train Sim World® 3: Birmingham Cross-city line
• Train Sim World®: BR Class 20 'Chopper' Loco
• Train Sim World®: Brighton Main Line: London Victoria - Brighton
• Train Sim World®: Caltrain MP36PH-3C 'Baby Bullet'
• Train Sim World®: Cathcart Circle Line: Glasgow - Newton & Neilston
• Train Sim World®: Clinchfield Railroad: Elkhorn - Dante
• Train Sim World®: Great Western Express
• Train Sim World®: Hauptstrecke Hamburg - Lubeck
• Train Sim World®: LIRR M3 EMU
• Train Sim World®: Long Island Rail Road: New York - Hicksville
• Train Sim World®: Nahverkehr Dresden - Riesa
• Train Sim World®: Northern Trans-Pennine: Manchester - Leeds
• Train Sim World®: Peninsula Corridor: San Francisco - San Jose
• Train Sim World®: Rhein-Ruhr Osten: Wuppertal - Hagen
• Train Sim World®: Tees Valley Line: Darlington - Saltburn-by-the-sea
• Worms Rumble - Armageddon Weapon Skin Pack
• Worms Rumble - Captain & Shark Double Pack
• Worms Rumble - Legends Pack
• Worms Rumble - New Challengers Pack
• Ashampoo Photo Optimizer 7
• Dagon: by H. P. Lovecraft - The Eldritch Box DLC
• Duke Nukem Forever Hail to the Icons
• Duke Nukem Forever The Doctor Who Cloned Me
• GRIP: Combat Racing - Cygon Garage Kit
• GRIP: Combat Racing - Nyvoss Garage Kit
• GRIP: Combat Racing - Terra Garage Kit
• GRIP: Combat Racing - Vintek Garage Kit
• GameGuru
• GameMaker Studio 2 Creator 12 Months
• Intro to Game Development with Unity
• Music Maker EDM Edition
• Neverwinter Nights: Darkness Over Daggerford
• Neverwinter Nights: Enhanced Edition Dark Dreams of Furiae
• Neverwinter Nights: Enhanced Edition Tyrants of the Moonsea
• Neverwinter Nights: Enhanced Edition
• Neverwinter Nights: Infinite Dungeons
• Neverwinter Nights: Pirates of the Sword Coast
• Neverwinter Nights: Wyvern Crown of Cormyr
• PDF-Suite 1 Year License
• Pathfinder Second Edition Core Rulebook and Starfinder Core Rulebook
• RPG Maker VX
• WWE 2K BATTLEGROUNDS - Ultimate Brawlers Pass
• We Are Alright
• The Outer Worlds Expansion Pass
• A Hat in Time - Seal the Deal DLC
• City Skylines:mass transit
• A Game Of Thrones - A Dance With Dragons
• A Game Of Thrones - A Feast For Crows
• Blood Rage: Digital Edition - Gods of Asgard
• Blood Rage: Digital Edition - Mythical Monsters
• Blood Rage: Digital Edition - Mystics of Midgard
• Carcassonne - The Princess and The Dragon DLC
• Carcassonne - Traders & Builders DLC
• Carcassonne - Winter & Gingerbread Man DLC
• Carcassonne - Inns & Cathedrals
• Carcassonne - The River
• Splendor: The Trading Posts DLC
• Splendor: The Strongholds DLC
• Splendor: The Cities DLC
• Small World - Be Not Afraid... DLC
• Small World - Grand Dames DLC
• Small World - Cursed!
• Sands of Salzaar - The Ember Saga
• Sands of Salzaar - The Tournament
• Monster Train: The Last Divinity DLC
• WARSAW

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Wishlist
Region: NA (Canada)
Fees on buyer if any, currency is USD unless specified
CTRL + F to find your games in terms of name

• 10 Second Ninja X
• 11-11 Memories Retold
• 112 Operator
• 12 is Better Than 6
• 198X
• 1993 Space Machine
• 60 Parsecs
• 7 Billion Humans
• 8 DOORS
• 8-bit Adventure Anthology: Volume I
• 9 Years of Shadows
• 911 Operator
• A Game of Thrones: The Board Game
• A Hat in Time
• A Hole New World
• A JUGGLER'S TALE
• A Long Way Down
• A PLAGUE TALE: INNOCENCE
• A Robot Named Fight!
• A Tale for Anna
• A.I.M.2 Clan Wars
• Abalon (Summoners Fate)
• Ace Combat Assault Horizon Enhanced Edition
• Adore
• Aeterna Noctis
• AETHERIS
• Agatha Christie Hercule Poirot The First Cases
• AIdol
• Airborne Kingdom
• Alba: A Wildlife Adventure
• Alder's Blood: Definitive Edition
• Alfred Hitchcock - Vertigo
• Alien Breed Trilogy
• Aliens vs. Predator™ Collection
• All-Star Fruit Racing
• Almost There: The Platformer
• American Fugitive
• American Truck Simulator
• Amerzone: The Explorer’s Legacy
• AMID EVIL
• Amnesia rebirth
• Amnesia: The Dark Descent + Amnesia: A Machine for Pigs
• Anomalous
• Another World – 20th Anniversary Edition
• Antigraviator
• Anuchard
• APICO
• APICO
• Aragami
• Aragami 2
• Arboria
• Arcade Paradise
• Arcade Paradise - Arcade Paradise EP
• Arcade Spirits
• Arkham Horror: Mother's Embrace
• Armada 2526 Gold Edition
• Army Men RTS
• army of ruin
• Arto
• Ary and the Secret of Seasons
• As Far as the Eye
• Ascension to the Throne
• Assemble With Care
• Assetto Corsa Competizione
• Assetto Corsa Ultimate Edition
• Astebreed Definitive Edition
• Astro Colony
• Astronarch
• Attack of the Earthlings
• Automachef
• Automobilista
• Automobilista 2
• AUTONAUTS
• AUTONAUTS VS PIRATEBOTS
• Avatar: Frontiers of Pandora™ - Ubisoft Connect
• AVICII Invector: Encore Edition
• Awesomenauts All Nauts pack
• Axiom Verge
• Axiom Verge 2
• Baba is you
• Back 4 Blood
• Back 4 blood (EU)
• Backbone
• Baldur's Gate II: Enhanced Edition
• Baldur's Gate: Enhanced Edition
• Banners of Ruin
• Bartlow's Dread Machine
• BASEMENT
• Batbarian: Testament of the Primordials
• Batman: Arkham Asylum Game of the Year Edition
• Batman: Arkham Origins
• Battle Royale Tycoon
• Battlecruisers
• Battlestar Galactica Deadlock
• BATTLESTAR GALACTICA DEADLOCK SEASON ONE
• Battlestar Galactica Deadlock: Complete
• BATTLETECH MERCENARY COLLECTION
• BATTLETECH Shadow Hawk Pack
• BEAUTIFUL DESOLATION
• BEFORE WE LEAVE
• Beholder 2
• Ben 10
• Ben 10: Power Trip
• Bendy and the Ink Machine™
• Between the Stars
• Beyond a Steel Sky
• Beyond The Edge Of Owlsgard
• BEYOND THE WIRE
• Beyond: Two Souls
• BIOMUTANT
• Bionic Commando
• Bionic Commando Rearmed
• BioShock: The Collection
• BLACK BOOK
• Black Moon Chronicles
• Black Paradox
• BLACK SKYLANDS
• BLACKHOLE: Complete Edition
• Blacksad: Under the Skin
• Blade of Darkness
• Blasphemous
• Blazing Chrome
• Blightbound
• Blood And Zombies
• Blood Rage: Digital Edition
• Bloodstained: Ritual of the Night
• Bomber Crew
• Boneless Zombie
• Boomerang Fu
• Borderlands 3
• Borderlands 3 Super Deluxe
• Borderlands 3 Super Deluxe Edition
• Borderlands: The Handsome Collection
• Bot Vice
• Bounty of One
• Brawlout
• Breakout: Recharged
• Breathedge
• bridge constructor
• Bridge constructor medieval
• bridge constructor stunts
• Broken Lines
• Brothers: A Tale of Two Sons
• Brutal Legend
• Bug Fables: The Everlasting Sapling
• Buggos
• BUILDER SIMULATOR
• calico
• Call of Duty® Modern Warfare 3™ (2011)
• Call of Juarez: Gunslinger
• Car Mechanic 2018
• Car Mechanic Simulator 2015
• Car Mechanic Simulator 2018
• Cardboard Town
• Castle Morihisa
• Castle on the Coast
• castle storm
• CastleStorm
• Cat Cafe Manager
• Caveblazers
• Celeste
• Centipede: Recharged
• CHANGE: A Homeless Survival Experience
• Charlie's Adventure
• Chenso Club
• Chernobylite: Enhanced Edition
• Chess Ultra
• Chicago 1930 : The Prohibition
• Chivalry 2
• Chop Goblins
• Chorus
• Circuit Superstars
• Cities Skylines + After Dark
• Cities: Skylines
• City of Beats
• CivCity: Rome
• Click and Slay
• Cloud Gardens
• Cloudpunk
• Code Vein
• Coffee Talk
• Comedy Night
• Command & Conquer Remastered (Origin)
• Complete Dread X Collection
• Conarium
• Construction Simulator (2015) Deluxe Edition
• Constructor Plus
• Control
• Cook, Serve, Delicious! 3?!
• Cookie Cutter
• cornucopia
• Corridor Z
• Cosmic Osmo and the Worlds Beyond the Mackerel
• Cosmonautica
• Crash Drive 2
• Crash Drive 3
• Creaks
• Creepy Tale
• Crookz the big heist
• CROSSBOW: Bloodnight
• Crush Your Enemies
• Cube Runner
• Cultist Simulator: Anthology Edition
• Curse: The Eye of Isis
• Cyber Ops
• Cybercube
• Danger Scavenger
• Dark Deity
• DARK PICTURES ANTHOLOGY: HOUSE OF ASHES
• Darkwood
• DARQ: Complete Edition
• Day of the Tentacle Remastered
• days of war definitive edition
• Dead by Daylight
• Dead Estate
• Dead Rising 2
• Dear Esther: Landmark Edition
• Death Stranding Directors Cut
• DEATH STRANDING DIRECTOR'S CUT
• Death's Gambit
• Deceased
• DECEIVE INC.
• Degrees of Separation
• Delicious! Pretty Girls Mahjong Solitaire
• Deliver Us The Moon
• Demetrios - Deluxe Edition
• Depraved
• DESCENDERS
• DESOLATE
• Destiny 2: Beyond Light
• DESTROYER: THE U-BOAT HUNTER
• Detention
• Devil May Cry HD Collection
• Devilated
• Dicey Dungeons
• Dirt 5
• dirt rally
• Dirt Rally 2.0
• Disaster Band
• Disciples III: Reincarnation
• Discolored
• DISTRAINT 2
• Distrust
• DmC: Devil May Cry
• Do Not Feed the Monkeys
• Don't Be Afraid
• Doomed Lands
• Door Kickers: Action Squad
• Doorways: Prelude
• Downfall
• Dragons Dogma Dark Arisen
• Dragon's Dogma: Dark Arisen
• Draugen
• Draw Slasher
• Drawful 2
• Dreams in the Witch House
• Dreamscaper
• DreamWorks Dragons: Dawn of New Riders
• DRIFT21
• Driftland: The Magic Revival
• drive!drive!drive!
• Drone Swarm
• Due Process
• Duke Nukem: Manhattan Project
• Duke of Alpha Centauri
• Dungeon Rushers
• Dungeons 2
• Dungeons 3
• DUSK
• Dusk Diver
• Dust to the End
• Dynopunk
• Earth Defense Force 4.1 The Shadow of New Despair
• Eastern Exorcist
• Eiyuden Chronicle: Rising
• El Matador
• Elderand
• ELDEST SOULS
• Electrician Simulator
• Elemental Survivors
• Elex
• Elex II
• Elite Dangerous
• Embr
• Empire: Total War - Definitive Edition
• Empyrion - Galactic Survival
• ENCASED: A SCI-FI POST-APOCALYPTIC RPG
• Endless Space 2
• Endless Space 2 - Digital Deluxe Edition
• Endless Space® 2 - Digital Deluxe Edition
• Endzone - A World Apart
• Epistory - Typing Chronicles
• Escape the backrooms
• Eternal Threads
• Europa Universalis IV
• European Ship Simulator
• Everdream Valley
• Evil Genius 2: World Domination
• Exorder
• EXPEDITIONS: ROME
• Explosionade
• F1 2018
• F1 2019 Anniversary Edition
• F1 2020
• F1 RACE STARS Complete Edition Include DLC
• Fable Anniversary
• Factory Town
• Fallback uprising
• FALLOUT 1
• Family Mysteries 3: Criminal Mindset
• FANTASY BLACKSMITH
• FARMER'S DYNASTY
• Farming Simulator 17
• Farming Simulator 19
• Fictorum
• Field of Glory II
• Fights in Tight Spaces
• Filthy Animals Heist Simulator
• Firefighting Simulator - The Squad
• Fishing Adventure
• Flashback
• FLATLAND Vol.2
• FlatOut
• FLING TO THE FINISH
• Floppy Knights
• Fluffy Horde
• FOBIA - ST. DINFNA HOTEL
• For the King
• Forgive me Father
• Forts
• Fred3ric
• Fresh Start Cleaning Simulator
• Friends vs Friends
• Frogun
• From Space
• Frostpunk: Game of the Year Edition
• Frozenheim
• Fun with Ragdolls: The Game
• Funtasia
• Gamedec
• Gamedec - Definitive Edition
• Gang Beasts
• GARAGE bad trip
• Garden Story
• Garfield Kart
• GAS STATION SIMULATOR
• Gelly Break Deluxe
• Genesis Alpha One Deluxe Edition
• Gevaudan
• Ghost Song
• Ghostrunner
• Giana Sisters 2D
• GIGA WRECKER
• Gigantosaurus: Dino Kart
• Glitch Busters: Stuck On You
• Gloria Victis
• Go Home Dinosaurs
• GOAT OF DUTY
• GOD EATER 3
• Godlike Burger
• Godstrike
• Going Under
• Golf Gang
• Golf It!
• Gone Home + Original Soundtrack
• Good Knight
• Gotham Knights
• GREAK: MEMORIES OF AZUR
• GREEDFALL
• Gremlins, inc
• grey goo
• GRID - 2019
• grid ultimate
• GRIP: Combat Racing
• Gungrave G.O.R.E
• Guppy
• Guts and glory
• GYLT
• Hacknet
• Haegemonia: Legions of Iron
• Hamilton's Great Adventure
• Hammerwatch
• Hands of Necromancy
• Havsala: Into the Soul Palace
• Headsnatchers
• Heartwood Heroes
• Heat Signature
• Helheim Hassle
• Hell Let Loose
• Hellblade: Senua's Sacrifice
• Hellbound
• Hellslave
• Hellstuck: Rage With Your Friends
• Hero of the Kingdom III
• Hero of the Kingdom: The Lost Tales 2
• Heroes of Hammerwatch
• Heros hour
• Hexologic
• Hidden & Dangerous 2: Courage Under Fire
• Hidden & Dangerous: Action Pack
• Hidden Deep
• High On Life
• Hitman (2016) Game of the Year Edition
• HITMAN 2 - Gold Edition
• Hoa
• Hob
• Hollow Knight
• Holy Potatoes! A Spy Story?!
• Home Sweet Home
• Home Sweet Home EP2
• Homestead Arcana
• Hood: Outlaws & Legends
• Hoplegs
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Hi! After reading many books in my early childhood, I stopped completely at the age of 9. Now, at the age of 27 I just re-discovered the hobby and want to start by reading 'the essentials' or the classics of literature. I am kind of lost at the moment since I dont know where to start. I really like stories with philosophical takes that make me think and get new perspectives. I also like metaphorical and clever writing (seeing literature as an artform which 'enhances' the topics that are present in my mind and maybe also the way I talk). And I like ancient and modern myth.
It doesn't matter if its fictional or scientific books or if its old or new.
I hope you understand what I am looking for, its kind of hard to describe. But basically, if I wished for a signpost for movies you would recommend me the movies of Stanley Kubrick, Alfred Hitchcock, David Fincher, Martin Scorcese, David Lynch, Denis Villeneuve, Christopher Nolan etc. and maybe even Star Wars and Harry Potter.
Thanks in advance :)

Hey everyone!
I'm a 26-year-old guy looking to join a D&D 5e or Pathfinder 2e group in the Rotterdam area. I recently moved to Rotterdam from Budapest and I'm eager to find a local group to play with regularly. Here are a few details about me:

• Experience: I have quite a bit of experience with both D&D 5e and PF2e, but I'm always excited to learn more and I would also be open to try out new systems as well.
• Availability: My schedule is pretty flexible, and I'm open to both weekday evenings and weekends.
• Interests: I enjoy a mix of role-playing and combat, and I'm always up for a good story with interesting characters and plot twists.
• Preferences: I'm looking for a friendly and welcoming group, whether you're veterans or newcomers to the game.
• Language: My Dutch is not good yet, so I can only speak English for the game.

If you have a spot available in your group or know of any local groups looking for players, please let me know! I'm looking forward to rolling some dice and embarking on epic adventures.
Thanks!

I stumbled across this video, yesterday, and, it took me by surprise when it said, "The Greek Gods existed in the Mycenaean Age. I'm sorry if everybody actually knew this already. But I was taken aback by it.
A part of the reason why I feel a certain way, is b/c I grew up on Christianity, and the Christian god is supposed to be the oldest God. This might be evidence that the Greek Gods are actually far older than the Christian God.
Even if you were to ONLY go by the torah only, the torah was composed in 250 BCE. The Mycenaean Age was from 1700-1100 BCE. (I used the whole age b/c from my understanding, it's mostly an oral tradition. I also prefer an oral tradition than a written tradition. Like when it comes to the modern tellings of these stories, I don't think the ancient Gods hate them. I think the ancient gods actually love the modern retelling of them, as long as you're not trying to insult them or humiliate them. But if you're telling these stories in their honor, I think it'll make them happy. Like, when I drew the Gods, I can feel their happiness.)
But, idk, the aforementioned video was a shocker. Poseidon was the king of the underworld. Hades didn't exist. Hermes didn't exist. Persephone pre-dates Hades. Not only does Persephone pre-dates Hades, but she had a different name all together.
It's just a lot to take in. The video seems to be made by an atheist that just likes the folklore, so she's rather harsh on Zeus.
My take on Zeus. The way I view it, nobody considers the Christian God a rapist (except for anti-theists.) In Christian traditions, Mary being pregnant by God puts her in a very high honor. Many Christians worship Mary b/c she was the mortal chosen by God.
More likely than not, back during that time period, sleeping with a God was considered an extremely high honor. I can only surmise this by how Christians treat their God. Nobody goes, "Does Mary consent to having baby Jesus?"
From my understanding Semele gets to hang out at Mt Olympus because she gave birth to Dionysus, and IO has became an Egyptian Goddess. Sleeping with a god puts you in high regard. (I haven't read any of the original work. I've read the toned down versions of it. In the versions I've read, Zeus doesn't rape anybody. Everytime he cheated on Hera, the other woman consented.)

Relevant information first off: My party is 3 players, level 12, and they have already beaten the whole tomb and Ace. Currently they’re in the Fane, while one of their NPCs ascends into a yuan-to malison. Artus is with them.
One of the players, the fighter, sees Artus as a father figure and admires him. Another, the cleric, is doubtful and suspicious of Artus. The third, the warlock, spent 200 years as a petrified statue in the tomb, and now has a soft spot for anyone she believes is trapped in eternal imprisonment.
The Ring has been watching them. It knows this. So, when the warlock approaches Artus and asks him how he resists the siren call of the Ring, she is naturally skeptical of his answer being that he believes the Ring is meant to be used for good, and is a test to eliminate those unworthy to bear it.
As she turns to leave the conversation, she sees icy writing on the wall: SAVE ME.
I’m really happy with the drama of this story so far. The players are going back and forth: “The Ring is probably manipulating us into attacking Artus… but what if Artus is actually trapped inside of the Ring?”
I’m not concerned about the party having the Ring in their possession. It’s already essentially an epic-level party at level 12. They commune with gods and are extremely important figures in the world. A quest to destroy the Ring would fit right into their campaign.
Still, I’m not sure what I want the truth to be. I’m considering having whichever thing they assume true to be wrong, for the drama. But is that cheap?
tldr; The Ring reached out to a player with an icy message while Artus wasn’t looking, saying “SAVE ME” and then melting away. Now the players are stuck between thinking the Ring is manipulating them or thinking Artus is actually trapped inside of it. What would you do with these circumstances?

I love good world building. I even love info dumps if they are well written and the world is interesting. So, whenever there is a story line about characters uncovering an ancient secret, solving a mystery I looove it. City of stairs is a brilliant example of this. Blood over bright haven is another.
Please recommend me some books along these linese that are not too grim dark. I've read most mainstream authors.
TIA :)

Supposedly it'd always been this way, stretching way back to when my Grandpa opened this place almost 97 years ago. I inherited it when he passed a decade or so ago given that my father didn't want anything to do with the place, and since then I've made sure to diligently follow his final wish.
He might've left me the theater, but there was one condition. Not that it'd be enforceable if I went against his wish - more about that later - but the condition was present nonetheless.
Never, ever let the film stop running in Screen 6.
Now, I'd practically grown up in that theater given it was a nice little hang-out spot after closing time - but I never knew anything about the existence of a sixth screen. It had always been five. Grandpa left that sentence and a little picture guide to find the controls for that screen as well as the security footage system for it. He also left a letter, only to be opened once I had been running the theatre for long enough to understand the importance of Screen 6. It baffled me at the time, but I kept that wish too and tucked the letter away. He never told me where to find the screen itself, either. The first thing I did was check the cameras, only to find they showed nothing of interest. No movie-goers were present in this secret little screen, nor were any employees. The black and white footage from the vantage point of a camera positioned above the screen of a silent, empty room filled with rows and rows and endless rows of dusty chairs stared back at me. Somehow it was larger than all of our other screens. After unlocking the neat little contraption he described, I realised the system for that screen was digital. "Huh, strange" I mumbled given the fact our theater was always quite proud of being the only film-only establishment in town.
I suppose digital files make running the screen endlessly an easier task. Something jumped out at me, though. The digital file being used to loop over and over was just that, a singular file. It wasn't cycling through a library of movies. The same one was playing over. And over. The file name?
"sacrifice.mxf"
I've always been a curious person, and part of me wanted to resist. Some instinct was screaming at me to stop. But I couldn't. I had to take a glimpse at the little outdated screen synced up to the projector. It was grainy and degraded, footage that looked like it had been shot in the mid-20th century or so. A group of men dressed in black and women dressed in white circled a tree with interlocked hands. They looked like they were speaking. Maybe singing. Regardless, there was no audio. They went round and round this great old tree for what felt like forever, before stopping in their tracks and just standing there for a minute or two. The footage cut an unspecified amount of time forward to reveal their black and white garments blowing in the wind as they hung from various branches of the tree. All of them. It didn't matter that there wasn't any audio, I could feel the silence seeping out of that screen.
Cut to black.
Part of me was horrified, and another part retained some morbid sense of fascination with what I'd seen. I wasn't planning on going against Grandpa's wishes anyway, but at least I'd seen something that spooked me enough to justify the strangeness of it all. Was that the entire film that had been playing over and over for god knows how long? How was such a massive auditorium just hidden away somewhere? What the fuck was that video?
I needed to find out. God, I wish I hadn't. But I did.
The next few weeks were spent meticulously researching everything I could possibly find about our little family-owned theater. My little theater. I spent hours on end in that projector room trying to make sense of what was being played. The footage described above wasn't alone but remained similar to the others I've since seen. All feature large groups of people in what looks like pre-war Europe. 1930 or so is my best guess. They start off peaceful enough, almost joyous, but I've learned by now to reject the faux happiness depicted. It grabs a hold of you before the violent sacrifices that soon follow rip your heart out. Sometimes I wonder about the people shown. There are so many of them across the different short films, probably more than I've known in my entire lifetime. All of them met such a gruesome end. It might sound easy to throw away their collective existence as mere pixels on a screen, but I can't.
The local newspaper allowed me access to their archive to find out a little more, and things began to tie themselves together. I had to sift through cardboard box after cardboard box to find what I'd been looking for, but I eventually did. Back in 1931, there had been an awful incident at our theater. At the time it was owned by Grandpa, and things were looking up given it was the only establishment of its kind in town - unfortunately something terrible was to happen soon. It was a cool October evening when local police were alerted to a disturbance down at the movie theater by terrified patrons. You see, back then there was a screen 6. Nestled right next to screen 5, it was the focal selling point as a state-of-the-art screen showing only the finest films. Those in screen 5 began to realise something was badly wrong when the sound of an incessantly crying and screaming child began to drown out the more pleasant sound of their film. "The Talkies", as films with spoken audio were known in their 1930s heyday, were a phenomenon and it took a lot to distract those in screen 5 from their entertainment. The child screamed for as long as it could until annoyance turned to worry and eventually fear.
By the time police swung open the double doors to Screen 6, the leather white seats were soaked in crimson red blood and the patrons inside had long since taken their last breaths.
Except one.
Still the child screamed.
I've always been open-minded when it comes to the unseen, not a believer per se, but not dismissive of the idea. Things began to come into a clearer focus. Hundreds of people had sacrificed themselves in that screen all those years ago, and now the screen is forever condemned to forever playing films of similar occurrences. The two had to be connected.
The letter.
It was time to open the letter. I was convinced I satisfied Grandpa's requirement for doing so, and it would fill in the parts of this deranged story I was missing. I slipped the letter out of its glum, off-white envelope and began to read.
"To my beloved Grandson,
By now you probably know much more about the story of our little theater than you did when I left it to you. I'm sorry it took until we were separated for you to learn the truth, but it was something that had to be done. Those people that are in the films playing on Screen 6 were part of an ancient cult. The Men of Mephistopheles they called themselves. They would live in communes and the peaceful images you've come to see are of their day-to-day lives, and as you have also come to see they would eventually offer themselves en masse in blood sacrifices. One of these sacrifices happened to take place in Screen 6 of our theater, and once again I'm sure you have come to learn of this given you are reading this letter.
The locations in which these sacrifices take place are forever bound to the souls lost there in some form or another. To illustrate, that great big tree in one of the films is now the site of countless suicides. Their crime? Daring to walk where the Men of Mephistopheles once walked, and where they left this Earth. Our particular curse happens to be that Screen 6 began to be the site of similar suicides, and so did our other screens. We could never figure out why they weren't contained to the immediate site of the original sacrifice, but needed to find a way to stop them. Times were tough, and the money the theater brought in was important to all of our lives. An occultist suggested the endless film screening as a way to stem the flow whilst we found a more permanent solution, but before long we realised it stopped the awful goings-on entirely. So we let the films play and then play some more. Screen 6 had originally been downstairs since the building only allowed for that kind of space down there, so we turned it into a tomb. Maybe the misguided souls lost there found some peace in the dusty catacomb of a theater left behind.
Now if you know the story of the sacrifice at our theater, you know there was a singular child who survived it all.
That child?
Your father.
I'm so sorry for keeping the truth locked away from you the way I did, you deserved to know whilst I was still there with you. Please know I only ever had your best interests at heart.
I love you always,
Poppy"
It's been a few weeks since I found out the truth about our small-town theater. Sleeping has been difficult because of the endless nightmares, as has bothering to keep up maintenance of the place.
Still, though, the film on Screen 6 plays.

In the annals of history, Blackwood Manor stands as a monument to the darker facets of human ambition and the unyielding allure of the unknown. Its story begins in a time when the land was still wild, and the forests whispered secrets known only to the ancient trees. Lord Nathaniel Blackwood, a figure cloaked in mystery and shadow, emerged from the depths of obscurity to carve his legacy upon the landscape.
Some whispered that Lord Blackwood was a sorcerer of unparalleled power, while others speculated that he had made a Faustian bargain with the very forces of darkness that lurked beyond the veil of mortal understanding. Regardless of the truth, one thing was certain: Lord Blackwood's ambitions knew no bounds, and he spared no expense in the construction of his grand estate.
Blackwood Manor rose from the earth like a specter of the night, its towering spires reaching towards the heavens and casting ominous shadows across the surrounding countryside. Its walls, adorned with intricate carvings and mysterious symbols, seemed to pulse with a malevolent energy that sent shivers down the spines of those who dared to approach.
As the years passed, tales of Blackwood Manor spread like wildfire through the nearby villages, each whispered rumor adding another layer of fear and superstition to its already ominous reputation. Stories of strange lights flickering in the windows at night, of eerie chants echoing through the forest, and of travelers who vanished without a trace after daring to approach its gates became the stuff of legend, woven into the very fabric of the region's folklore.
But perhaps the most chilling legend of all was that of the curse said to haunt Blackwood Manor and all who dared to set foot within its walls. It was said that those who entered the mansion were doomed to never leave, their souls forever bound to its twisted corridors and shadowy chambers, forced to wander its halls for all eternity.
Despite the passage of centuries, Blackwood Manor remained standing, a silent sentinel in the heart of the wilderness, its secrets hidden behind locked doors and shuttered windows, waiting for the brave or foolhardy soul who dared to uncover them.
And so, the legend of Blackwood Manor endured, a dark reminder of the dangers that lurked in the shadows and the allure of the unknown. For as long as the mansion stood, so too would the whispers of its haunted history echo through the ages, drawing adventurers and thrill-seekers alike into its depths, where mysteries waited to be unraveled and darkness lay in wait around every corner.

I was doing some digging around about the meaning of Cryo and it’s “ideal”, and stumbled across a few interesting connections. I am not sure if anyone else has found these connections already (from a quick check) – I tend to only hop on here when I have a crazy theory I want to share. Hopefully I am not rehashing something that's already been covered!
The main theory is that the power of Cryo, like Anemo, is related to Time.
To be more specific, I think Cryo may be the power that creates the "Seeds" that are carried by "the winds of time".
I came across this idea when trying to look into the "ideal" of Cryo.
From what we have seen in the game, all elements are tied to an “ideal”, and each “ideal” is tied to a deeper meaning connected to the world itself. To give some brief examples:

• Anemo – freedom, time and perhaps Death
• Geo – Contracts(perhaps between mortal and divine?) and perhaps history.
• Electro – Eternity and what is eternal, and Change is eternal or constant.
• Dendro – Wisdom, memories and knowledge through experience.
• Hydro – Justice, life and emotion.
• Pyro – War and rebirth and the erasure of memories (as seen from Arlecchino).

From what we know, it seems like the Cryo Archon’s ideal is likely to have been “Love”. So what deeper meaning does “Love” mean and how does it relate to ice or “Cryo”?
And then from there I kind of spiralled!
The main theory here is explained in the first two sections, and the rest of the sections I try and use this theory to explain other mysteries in the game. Those sections might be heavier in speculation.
The Meaning of Cryo
While I'm not sure I have a concrete “meaning” or understanding of Cryo yet, I came across a few interesting themes surrounding the Cryo Element:

• The descriptions of both the Large Cryo Slime and Cryo Abyss Mage mention their protective shields, despite the fact that similar enemies don’t mention this in their description (Geo Slime and other Abyss Mages)
• The Cryo Abyss Mage description also says that their body is vulnerable (hence its need for protection).
• Cryo Hypostasis gameplay has the Hypostasis create a shield while it is healing (protection while vulnerable)
• Tiara of Frost artefact description: “facing fatal flaws. Fatal flaws are born of a fear of death. Fear of death is born of having things and people to care about” (Fatal flaws are the “vunerability” to protect?)
• Tiara of Frost artefact description: “life as weak, and earth blanketed in unending ice” (weakness is a vulnerability – and also I am not sure if the ice is a bad thing here, perhaps the ice was meant to protect the “weak” life?)
• The Spirit Locket Of Boreas description mentions that Andrius let his power seep into the land to “protect” it.
• Childe who is from Shneznaya says “it’s all about family where I am from” (family and love are easy to relate to each other)
• Qiqi Vision Story: Qiqi has a Cryo Vision and apparently before she received it she missed her family.

To summarise, there seems to be themes of protection(perhaps preservation?),family, and vulnerability.
Thematically I can see the ties between these – we love our family(typically) and want to protect them, and the things we protect can be seen as our vulnerability(and/or, we protect things that are vulnerable).
So "love" inspires us to "protect".
Love and it's connection to "protection" is an important part of this theory.
Cryo and Time
There are a few instances in descriptions where both ice/snow/Cryo and time are mentioned together.

• Qiqi Vision story: before receiving her Cryo vision (while she was dying or on the verge of dying), Qiqi wished that time could stop.
• Cryo Hypotasis drop, the Crystalline Bloom, says: “Perhaps it is stagnant time, that never-thawing bosom, that is the essence of this undying flower.”
• Blizzard Strayer artefact set, Frozen Homeland’s Demise, says: “An ancient hourglass with fine powdered snow flowing in it. Even the coldest winter cannot freeze the flow of time. "The cold that descends from the sky can freeze time itself."
  • To me, this might be drawing a distinction between ice and “Cryo”. Like how Hydro and water are not considered the same thing because Hydro is toxic, as seen in the description of Hydro slimes. So normal winters can’t freeze time but perhaps Cryo can?

Furthermore:

• We are able to melt frozen boars in game and when melted, they are completely fine. It seems that they were literally “frozen in time”.
• We also have that quest with Xiangling, where we find Olaf who was frozen by a Cryo Regisvine 300 years ago - and seems to have survived this process unscathed. He effectively time travelled from the past to the future.

So overall, there seems to be a lot of talk about “freezing time”, and it seems like freezing a living organism can preserve them in a way that doesn't kill them (like in real life).
We have seen how Cryo might be related to the idea of “protection” as well, or perhaps preservation?.
So perhaps we can say that the Cryo element seems to be able to "protect" things from the flow of time?
“Seeds of stories, brought by the wind and cultivated by time. Stories brought on the wind will bloom into legends in due time.” - Sundial in Mondstadt related to the God of Time.
In this quote above, it says that “seeds” are brought by the wind/Anemo.
But what are these “seeds”?
While I can’t say exactly what they are, I think that perhaps these “seeds” are at least partially created through the powers of Cryo.
I came to this conclusion after looking at the themes that surround Cryo: love, protection and vulnerability.
These themes, to me, seem to apply perfectly to the concept or function of “seeds”.
A seed tends to need a protective shell, to shield the “vulnerable” parts within.
A seed waits for the correct conditions to sprout, remaining dormant otherwise.
This dormancy can be seen as being “frozen in time”. A seed is effectively “frozen in time” and won’t sprout until the correct conditions are met. This power of protection from time being related to Cryo may be similiar to how the power of Dendro is related to the power of dreams.
Also, remember that when asked about the Cryo Archon, Venti said that “500 years ago, I knew her well.”?
Sure, they are both Archons, but perhaps they were also close because either 1) they both served the God of Time or 2)Cryo Archon is a god of time (perhaps less likely, though).
So the “seeds” frozen in time and/or protected from time, by Cryo, are then carried by the winds of Anemo, to the correct moments that allow them to sprout.
The Love of the Three Moons
This part gets a little more speculative, but fun!
So the three Moon Sisters are suspected to be possible Gods of Time, and also seemed to rule over the Seelie in some capacity.
Love seems related to the fall of the Seelie – as the Seelie seemed to have been forbidden from falling in love with humans. It was after one of the Seelie married a “traveller from afar” that the Seelie fell – some catastrophe struck as a result, soon after this “marriage”.
With the added context that love possibly means or results in the protection from time – that could explain why falling in love with a human was seen as bad. Abusing your powers to protect a human from time sounds bad, for sure.
And maybe, just maybe, the “love” the Seelie had were finite in some way? Which would explain why they couldn’t dish it out to humans freely. Maybe, they had none of this “protection” left over for themselves after giving it away… leaving them to deteriorate and become the lifeforms we see them in today?
In fact, if this is true, then the Seelie gave their love to a “Traveller from afar” which sounds like it could have been an entity similar to the Traveller. The Traveller is said to be a star themselves.
What’s interesting about that is both the Abyss Sibling and the Travellers are stars, and they are possibly very old. In fact, in the We Will Be Reunited quest, the Abyss Sibling tells the Traveller that “I have more than enough time to wait for you, we’ve always had enough time.”
While this seems to be hinting that they have a lot of time, not necessarily immunity from time, it is interesting when you remember that the book Moonlit Bambo Forest says that the Moon Sisters “shared but one love, the stars of daybreak”.
If love is the protection from time, then it could mean that the twins have gained an immunity from the flow of time. Time does not affect them – as they have received the love of the Moon Sisters, who are possibly Gods of Time.
Khaenri’ah, Dainsleif and the Inteyvat
While the pure-blooded Khaenri’ahns are cursed with Immortality, they still seem to be under the effects of time. They don’t seem to be immune.
They seem to still be undergoing some sort of decay – whether it be their memories, mental state, or decaying “from within” (As Chlothar speculates).
HOWEVER – remember how Dainsleif said that he was able to resist the effects of his curse due to the presence of “it”? It was somewhere in the Chasm questline, where he was unsure how the Black Serpent Knights were able to retain some of their humanity without “it”.
Perhaps Dainsleif has also received the “love” of a Seelie/Moon SisteTime god (or whatever the Cryo Archon actually is)?
In fact, now I am wondering if this is also related to the Inteyvat flower, which would harden when In Teyvat, and then return to normal when back in Khaenri’ah.
Khaenri’ah might be located somewhere in the Abyss, and the Abyss seems to have a strange flow of time, after all.
So it might not be too far of a stretch that the Inteyvat flowers are also “protected from time” with this power of love/Cryo until the flower returns to the correct “time” – Khaenri’ah. Though that would also mean that Khaenri’ah is located in a different place in time – in the future or the past, which would be interesting. But probably not impossible from what we have seen in Ei’s second story quest and the Perilous Trails Chasm quest.
Possible Links between Paimon and the Tsaritsa
So there seems to be possible links between the element of Cryo, love, and protection.
The God of Cryo, who is potentially the God of Love and, by extension, potentially the God of Protection…hm.
Remember the “About Yashiori Island” voice lines?
In those voice lines, Paimon claims to be the “god of protection”.
Sure she seems cheeky about it, and was probably joking, but who knows at this point! She might have remembered something subconsciously or this may just be foreshadowing, etc, etc.
Either way, I started digging around to see if I can find any mythological links in real life.
A few interesting things I found:

• Aphrodite, the greek goddess of love, according to some myths, was born from sea foam. And we first met Paimon after we fished her out of the sea.
• Aphrodite seems to be related to the Cherubs (She mothered Eros, who together with its roman equivalent Cupid, influenced the iconography of the Cherubs) and apparently Paimon in the Ars Goetia might have been a Cherub (at least according to Wikipedia).
  
• Paimon in the Ars Goetia could “bestow dignities and lordships”. Genshin Paimon gives people nicknames – but the Tsaritsa bestows “new names” upon her Harbingers. Maybe a coincidence, but you could say that both of them “bestow dignities and lordships”.
  
• Paimon in the Ars Goetia is said to be able to create “visions” (as in dreams) and we do know the Tsaritsa’s Fatui have Delusions, which are fake Visions.
  
• Paimon in the Ars Goetia is also said to have the power of “acquiring and dismissing servant spirits” –perhaps the Fatui Harbingers?
  

I’ve already made a theory previously on this subreddit about the Tsaritsa and the Moon Sisters. So if Paimon is also related to the Seelies and/or Moon Sisters, perhaps these connections between her and the Tsaritsa is not too strange if the theory about Cryo and time are true.
In fact, the goddess Hathor is said to be the Egyptian version of Aphrodite, god of love, and from reading the wikipedia page, Hathor seems very similar to the Goddess of Flowers – who was a Seelie - and the Seelie served the Moon Sisters, who may have been gods of Time.
There isn’t much more for me to say here – I am not saying that Paimon and Tsaritsa are the same person, but just that I find it interesting that there may be some overlaps between the two characters. I can’t say for sure what this overlap means. Maybe Paimon is a fragment of the Tsaritsa, maybe Paimon was a servant of the God of Time along with the Tsaritsa, maybe Paimon is the God of Time and is therefore the Tsaritsa’s boss. Who knows. Just interesting.
Time and the Preservation of Memories
In the Parable of the Lethied Lotus in the Book of Sun and Moon, it says:
"A ship captain searching for the way back to the surface discovered a tribe of people who ate these lotuses. Some crew members stayed in that place. Others rejected that temptation."
In this story, staying where people ate these lotuses is said to be a "temptation". The title of this Parable described the lotuses as "lethied" which is related to the Lethe river of greek mythology, where drinking from it causes you to "forget". In other words, forgetting is a temptation they wanted to avoid.
This is in the same book that mentions the God of Time, and Enkanomiya, where they worshipped the God of Time.
Now, Ganyu, a Cryo character, uses Amos Bow, and the literal translation of this weapon, according to the wiki, is "Determination to Not Forget".
So perhaps this power of "protection" can also protect memories.
Since time causes memories to "fade" (best example, Dainsleif's own faded memory due to his long life) then perhaps this power of time immunity can also be used on memories.
TLDR:
Cryo protects things from time, and those things are then carried by Anemo. Cryo seems to have the ability to freeze things in time (possibly), or in other words, to protect them from the flow of time. The Tsaritsa, as the Cryo Archon, may have a deeper relationship to the God of Time (or she is a god of time – if you think that there are multiple aspects that rule different types of time).
There are also some interesting possible connections between Paimon and the Tsaritsa, which, if they are both related to the god of time, makes sense.
The twins may have also received some sort of protection of time, since they are stars and the Moon sisters loved the stars of daybreak.
Also this might also be related to Dainsleif and his ability to resist his curse somewhat, and Inteyvat flowers.
And this "protection from time" may also be used to preserve more intangible things - like memories.
Discussion/Conclusion
So what does “Love” mean in the world of Teyvat?
In Genshin, the power of Cryo, and therefore the power of love, may be the power to protect things from the flow of time. It protects things from the flow of time, creating a "seed", and that seed stays dormant or "frozen in time" until its the perfect moment for those things to “sprout”.
If true, this calls a lot of things into question.
The Tsaritsa’s plans to possible recreate the world may also link back to this idea of “seeds” – she may blanket the world in snow to make it a “seed” for the next world.
I also think that if this is true, then it is quite poetic that Shneznaya – the land of the Cryo Archon – is the last region in Teyvat we visit (Khaenri’ah probably/possibly not being counted as “in Teyvat” if its located in the Abyss).
Anemo also seems to signify death in some ways (Venti’s Story Quest), and if Cryo is related to the concept of “seeds”, then Cryo represents life or birth.
“Seeds brought on the wind will bloom into legends in due time.”
Anemo is death, and is the wind that carries the seeds, and Cryo is birth, the creation of the seeds.
We started the game in the land of Anemo, of wind, and death – we started our journey in the land of “endings” and, if this theory holds true, then the last place we’ll visit in Teyvat will be the land of Cryo, of ice, seeds, and birth.
We started at the end, and will end at the start.
That is more or less it. I hope you all enjoyed reading my descent into madness! Hopefully not too wordy as I have trouble making things concise and I was getting real tired towards the end of this ha ha. What do you guys think? I would love to hear any thoughts or input, or even corrections if I got some things wrong.

So, as of right now my group is about 3-4 sessions in but hasn’t technically started the campaign (had to wait to officially start because of some scheduling, so I made what I thought was a quick “how you all met” mission which has lasted much longer than expected). But to get me in a pumped headspace I have been watching the Stream of Many Eyes to get some inspiration for the upcoming campaign. During one of the round tables Chris Perkins made a comment that I thought was interesting. That WDH’s downtime is setup in a way where you could run another module right in the middle of it. That got me thinking, that could be very interesting depending on what other campaign you chose. So I started thinking and had the “brilliant” idea that I could work in Tyranny of Dragons into this and have a urban heist romp that bleeds into this sprawling epic with dragons. I think for my table especially they’ll enjoy this and have the best of both worlds.
So here are the changes that I am planning on making in both modules to make them mesh and jive.

1. I am running the Alexandrian Remix first off to add depth to the city and give my party a reason to want to resolve things in the city and not just run off looking for dragons.
   
2. I will be replacing the Grulhunds with a sect of cultists and a Purple Robe. There will be a few correspondents in the villa vaguely describing some of the goings on of the cult in other regions. This will also be taking the place of the Grulhunds in the Grand Game and they are currently track the Stone of G. With the ultimate goal of acquiring the cache of dragons to offer to Tiamat. (The goal here is to shroud these cultists in mystery and not directly tie them to the Cult of the Dragon. Just like WDH we want the PCs to be unsure of the intentions and not give too much away.)
   
3. This Purple Robe will be responsible for the fireball at the start of chapter 3, and will have a Nblewright with a necklace of fireballs that steals the Stone of G. The encounter at Grulhund villa with commence in a very similar fashion to what is laid out in the Alexandrian and depending on who the PCs talked to will determine who is there.
   
4. Once the PCs have the Stone, or at least have an idea where it is the progression will resemble the Alexandrian. The difference being the Cassalanterns involvement and the faction missions. Most of these missions will be geared toward odd cult like activity in the city and surrounding areas. All of these will culminate at the Asmodean shrine as added by the Alexandrian.
   
5. The Cassalanters will be worshipers of Tiamat and will be trying to recruit the PCs to get them the 500k dragons for the offering to Tiamat under the same ploy that their children were cursed at birth etc. They know of the other cultists taking the place of the Grulhunds, but the others don’t know about them.
   
6. Per the Alexandrian the inserted shrine to Asmodeus will be the Dragon Egg hatchery from chapter 3 of HotDQ. Here we will basically have the same encounter as the original chapter. There will be vague correspondence letter between Mondath and Victoro and with high enough rolls the PCs could potentially find the connection. Also held captive here will be Leosin Erlanthar from HotDQ and this will be where the PCs get filled in on much of the info regarding the Cult of the Dragon (as provided in the first 2 chapters of HotDQ) and presumably what their intentions with Neverembers embezzled gold. After his rescue Leosin says he must go meet Ontharr Frume to gather more intel but he will rendezvous with them back in the city. This will give the players a pause enough from HotDQ storyline to focus on the cache of dragons.
   
7. The rest of WDH should play out as normal, with a few smatterings of cultist announcements from town cryers as the PCs walk in the streets.
   
8. Other mechanic changes is Aurinax does not have the dragonstaff. What wards off all potential dragon attacks on the city is the black staff and the Walking statues of Waterdeep who are the sentries of the city.
   
9. The ultimate goal is the PCs give over the gold to the Cassalanterns, in the process of the game to potentially sow distrust towards Vasraj via the Cassalanterns and make the PCs turn on her or if that is unlikely to happen have her assassinated and the black staff destroyed. With the statues rendered useless Victoro initiated an adult from a chromatic dragon and cultists on the city. The gold is taken away and then the proceedings of Tyranny of Dragons can proceed.
   

Clearly this is still in the early stages of being worked out and there will definitely be some balancing that needs to take place along with working in some more of the early chapters of HotDQ along side the storyline of WDH (maybe as faction missions?). and you can probably tell that we remove the first couple of chapters of Hoard to interstate the story into our Waterdeep session.
I know this is wild, and will probably bite me in the butt, but I think this might have potential to be something real fun, and keep Waterdeep at the heart of the story.
Let me know what you think, if you have any suggestions that could potentially help with laying the foundation and making everything cohesive. And I will try to update this as the game progresses!
Happy rolling guys!

Taken from: https://www.theringer.com/movies/2024/5/21/24161120/greatest-movie-car-chase-scenes-ranked-furiosa-mad-max-saga
In honor of the imminent ‘Furiosa: A Mad Max Saga,’ we’re shifting into high gear to determine the best chase scene in cinema history
By Miles Surrey May 21, 2024, 6:30am EDTGetty Images/Ringer illustration
After wowing audiences with Mad Max: Fury Road, director George Miller returns to the franchise’s post-apocalyptic wastelands for Furiosa, the epic origin story of the eponymous heroine (now played by Anya Taylor-Joy), premiering on Friday. As the follow-up to one of the greatest action films ever made, it’s hard to overstate the hype for Furiosa, and that was before word got out about a showstopping 15-minute sequence that required nearly 200 stuntpeople and took 78 days to shoot. While Furiosa will have its own distinct flavor, as is true of every Mad Max movie, there’s one thing that unites these projects: intense, jaw-dropping scenes of vehicular mayhem. And what better way to honor the franchise than by celebrating what it does best?
Ahead of Furiosa’s release, we’ve put together our definitive ranking of the best car chases in cinema. There weren’t any strict rules in place, other than capping the list at 20—mostly for my own sanity—and limiting every franchise to one entry. (Apologies to Fury Road’s kickass predecessor The Road Warrior.) We also won’t discriminate against scenes that feature motorbikes, so long as cars (and/or trucks) remain part of the equation. As for what, exactly, constitutes a good car chase? Like list making, it’s bound to be subjective, but I tend to gravitate toward two key elements: the skill of the stuntwork on display and the ways in which a filmmaker conveys the action in relation to the story. (Also, the less CGI, the better.) Buckle up, ’cause we’re not wasting any time shifting into high gear.

20. Quantum of Solace (2008)

There have been some memorable car chases in the James Bond franchise: the first sequence featuring the iconic Aston Martin DB5 in Goldfinger, the corkscrew jump in The Man With the Golden Gun, the Lotus Esprit submarine in The Spy Who Loved Me. But I’m going with a somewhat controversial pick here: Quantum of Solace. There are many issues with Quantum of Solace—namely, it was one of the most high-profile blockbusters affected by the 2007-08 writers strike—but its opening scene isn’t one of them. Picking up right where Casino Royale left off, we find Bond (Daniel Craig) evading henchmen through the narrow roads around Italy’s Lake Garda. The frenetic, furious chase mirrors Bond’s sense of anguish after losing Vesper Lynd (Eva Green), the woman he opened his heart to, and his relentless quest for answers. It’s a thrilling tone-setter for Quantum of Solace and one that doesn’t overstay its welcome, capped off by Bond sending his final pursuers flying off a cliff:
If we’re being honest, though, it feels like James Bond has yet to create a franchise-defining car chase. Perhaps that’s a mission the newest 007, whoever it ends up being, can undertake.

19. Mission: Impossible—Rogue Nation (2015)

The Mission: Impossible franchise is no stranger to electrifying chase scenes, the best of which find Tom Cruise’s Ethan Hunt working up his heart rate. When it comes to action behind the wheel, though, Fallout tends to dominate the discussion—even on this very website. But I think the vehicular chase in Rogue Nation is being slept on. What we have is effectively two sequences for the price of one: The first finds Hunt pursuing Ilsa Faust (Rebecca Ferguson) by car through the narrow streets of Casablanca alongside some nefarious henchmen; the second sees him continue the chase outside the city on motorbike. (Adding to the chaos: Hunt had only just been resuscitated, and he’s clearly not all there.) In terms of death-defying stunts for the audience’s entertainment, a helmetless Cruise taking corners like a MotoGP racer is child’s play compared to his other exploits, but the actor’s authentic reaction to scraping his knee on the road underlines that there’s no one else in Hollywood doing it like him:
We’ll be sure to update this ranking if and when Cruise does something even more dangerous down the road, pun unintended.

18. Vanishing Point (1971)

A movie that counts the likes of Steven Spielberg and Quentin Tarantino among its biggest fans, Vanishing Point is the first of a few entries on this ranking that’s essentially one extended car chase. The film stars Barry Newman as Kowalski, a man tasked with delivering a Dodge Challenger T 440 Magnum from Colorado to California while eluding police across four states. One of Kowalski’s most memorable run-ins comes when a guy driving a Jaguar E-Type convertible challenges him to an impromptu race. Incredibly, we’re expected to believe the man in the Jag comes out of this crash in one piece:
Vanishing Point might not boast the impressive production values of other movies on this list, but considering Tarantino would go on to feature a white Challenger in Death Proof, its influence in the car cinema canon is undeniable.

17. Fast Five (2011)

Let’s face it, Fast & Furious has seen better days. Some believe the franchise’s dip in quality coincided with the death of Paul Walker; others are dismayed by the pivot from street racing to absurd feats of superherodom—emphasis on the Dom. Perhaps it’s a bit of both, but the very best movie in the series, Fast Five, manages to strike the perfect balance: It’s a relatively grounded heist thriller that nevertheless takes the franchise to ridiculous new heights. After Dominic Toretto (Vin Diesel) and his crew steal $100 million from a Brazilian kingpin, they drag the entire bank vault holding the money through the streets of Rio de Janeiro, all while being pursued by authorities. It’s a delightfully destructive sequence that does untold damage to Rio’s infrastructure and features some of the most bone-crunching crashes committed to film:
If the Fast franchise is going to break out of its recent slump, it would do well to remember that there’s nothing better than letting its heroes live their lives a quarter mile at a time—no detours to outer space required.

16. The Blues Brothers (1980)

A good car chase isn’t reserved just for action flicks: Comedies can get in on the act, too. In The Blues Brothers, starring the recurring Saturday Night Live characters played by John Belushi and Dan Aykroyd, the beloved bandmates must prevent the foreclosure of the orphanage where they were raised by scrounging together $5,000. Naturally, that’s easier said than done: Along the way, the Blues Brothers draw the attention of neo-Nazis, a country-and-western band, and local police. While The Blues Brothers has amusing gags and musical numbers, its chase sequences with the Brothers behind the wheel of a 1974 Dodge Monaco are what really steal the show—and none are better than a climactic pursuit across Chicago. More than 60 old police cars were used in the film, some of which are wrecked in a comically over-the-top pileup:
The sheer scale of The Blues Brothers’ final set piece is commendable in and of itself—as is the movie’s commitment to treating real-life cars like a bunch of Hot Wheels.

15. Baby Driver (2017)

For good and for ill, Edgar Wright’s movies exude an abundance of style, and Baby Driver is no exception. Baby Driver is centered on a clever gimmick: The action works in tandem with its soundtrack because the film’s protagonist, Baby (Ansel Elgort), suffers from tinnitus and constantly plays music to drown out the ringing. When everything’s clicking into place, Baby Driver feels like a supersized series of music videos, and nothing hits quite like its opening sequence. Baby acts as the getaway driver for a bank robbery while listening to the Jon Spencer Blues Explosion’s “Bellbottoms.” The ensuing chase works around rhythms of the song, as if Baby’s Subaru WRX were the star of its own dance number. Take nothing away from the actual driving, either, which puts the rally car to good use:
Baby Driver’s gimmick stretches a little thin by the end, but it’s hard to deny the crowd-pleasing power of Wright’s film when it’s firing on all cylinders.

14. The Raid 2 (2014)

With a trio of kickass Indonesian martial arts films under his belt, Gareth Evans has established himself as one of the most exciting action directors on the planet—someone who seems most in his element staging positively brutal hand-to-hand combat. In The Raid 2, however, Evans also brought his signature brand of carnage to the road. While there’s some cleverly executed close-quarters fighting within the confines of an SUV, courtesy of Iko Uwais’s hard-hitting protagonist, what really cements this sequence’s greatness are the moments when Evans turns the cars into an extension of the characters’ fists:
This belongs in an entirely new category of combat: car fights. There are so many action scenes in The Raid 2 worth writing home about—the kitchen showdown is an all-timer—but the fact that Evans casually tossed in an unforgettable car chase shows why he’s one of one.

13. The Driver (1978)

I’ll say this for Walter Hill’s The Driver: It sure lives up to its title. In this stripped-down thriller—one where none of the characters have a name—we follow the Driver (Ryan O’Neal), a getaway driver who has become a thorn in the side of the LAPD. In the film’s best scene, we see its taciturn protagonist living up to his reputation. With the Driver behind the wheel of a 1974 Ford Galaxie, a cat-and-mouse game unfolds when a handful of police cars are hot on his tail. What I love about this sequence is the pared-down nature of it all: The Driver outwits the cops as much as he outraces them. (Though, ironically, that wasn’t entirely by design: As Hill later explained, an accident on the last night of shooting meant they had to cobble together what had already been filmed.) Frankly, you’d never know the difference from the finished article:
If the general vibes of The Driver seem familiar, that’s because it was a major inspiration for Nicolas Winding Refn’s Drive, which just so happened to feature an unnamed protagonist (Ryan Gosling) evading police through the streets of Los Angeles.

12. The Bourne Supremacy (2004)

The shaky-cam style of the Bourne franchise isn’t for everyone—just ask John Woo—but credit where it’s due: These movies know how to deliver a good chase scene. (A friendly reminder that The Bourne Legacy is an underrated gem with an awesome motorbike sequence to boot.) But there’s one Bourne chase that stands above the rest: the Moscow getaway in The Bourne Supremacy. After being wounded by the Russian assassin Kirill (Karl Urban), Jason Bourne (Matt Damon) hijacks a taxi, with both the police and Kirill in hot pursuit. This isn’t the kind of sequence that lingers on any one shot; instead, what makes it work is the frenetic nature of the editing, which allows the viewer to feel like they’re in Bourne’s fight-or-flight headspace:
If I’m being honest, I’m usually one of those people who doesn’t like the Bourne movies’ shaky-cam style, but when it’s executed with such craftsmanship, you can’t help but get caught up in its adrenaline-pumping power.

11. The Seven-Ups (1973)

Philip D’Antoni was the producer of two movies featuring Hall of Fame car chases, Bullitt and The French Connection, the latter of which won him an Oscar for Best Picture. And with his lone directorial feature, The Seven-Ups, D’Antoni sought to craft an iconic sequence of his own. The film stars Roy Scheider as NYPD detective Buddy Mannuci (elite Italian American name; I can practically smell the gabagool), who commands a unit handling major felony cases that lead to seven-plus-year prison sentences; that’s why they’re known as the Seven-Ups. Midway through the movie, when one of the team members is killed by two shooters who flee the scene, Buddy chases after them. The 10-minute sequence, which starts in the Upper West Side before moving out of the city, is thrillingly immersive, alternating between close-ups of the characters and wider shots of all the damage they’ve caused. But the chase’s defining moment comes right at the end, when Buddy narrowly avoids a grisly death:
The sequence isn’t quite at the level of Bullitt or The French Connection—very few are—but D’Antoni still manages to leave an unmistakable imprint on the car chase canon.

10. Death Proof (2007)

If you ask Quentin Tarantino, Death Proof, his knowingly trashy tribute to exploitation cinema, is the worst movie he’s ever made. But that doesn’t mean there isn’t a lot to admire about the film, which honors the unsung heroes of Hollywood: stunt performers. The first half of Death Proof follows three female friends who cross paths with Stuntman Mike (Kurt Russell), a misogynistic serial killer who takes them out in his “death-proof” Chevy Nova. Fourteen months later, a group that includes stuntwoman Zoë Bell, playing herself, also lands on Mike’s radar. As Bell and her friends test out a ’70s Challenger, she performs a “ship’s mast” stunt, clinging onto the hood of the car with fastening belts. Unfortunately, when Mike pursues the women, it puts Bell in a precarious situation. Most of the entries on this list celebrate some next-level driving skills, but Death Proof’s inclusion is all about Bell pulling off one of the wildest stunts you’ll ever see. She’s quite literally hanging on for dear life:
If the Academy handed out Oscars to stunt performers—and let’s hope it does happen one day—Bell would’ve won in a landslide.

9. To Live and Die in L.A. (1985)

William Friedkin was already responsible for an all-time great car chase in The French Connection (more on that later), but the filmmaker made a commendable bid to outdo himself with To Live and Die in L.A. In this neo-noir thriller, Secret Service agent Richard Chance (William L. Petersen) is hell-bent on arresting an expert counterfeiter, Rick Masters (Willem Dafoe), who kills Chance’s partner days before his retirement. To capture Masters, Chance and his new partner, John Vukovich (John Pankow), attempt to steal $50,000 from a jewelry buyer for an undercover operation. The sting goes bad when the buyer, who is later revealed to be an undercover FBI agent, is killed and a group of gunmen goes after Chance and Vukovich. It’s a clever inversion of the usual car chase formula—this time, it’s the lawmen running away from the criminals. The outside-the-box thinking extends to the film’s most astonishing stretch, in which Chance evades the gunmen by driving into oncoming traffic:
The fact that Friedkin shot the chase at the end of filming—in case anything disastrous happened to the actors—underscores just how risky the endeavor was. The pulse-pounding results speak for themselves.

8. The Matrix Reloaded (2003)

The Matrix sequels have never been held in high esteem, but I’m ready to live my truth: The Matrix Reloaded fucking rules. (If anyone’s got a problem with this take, file your complaints with the Architect.) What’s more, the film happens to boast the finest action set piece of the franchise: the highway chase. After Morpheus (Laurence Fishburne) and Trinity (Carrie-Anne Moss) free the Keymaker (Randall Duk Kim), a program capable of creating shortcuts within the Matrix, they’re pursued by the Twins (Neil and Adrian Rayment). Morpheus once warned that going on the freeway was “suicide,” and it doesn’t take long to see why: The chase draws the attention of several Agents, who repeatedly take over the bodies of other drivers on the road. The scene is the best of both worlds: There’s some incredible stuntwork on display, including when Moss weaves around on a Ducati, and CGI augments some feats of superhuman strength. But the most jaw-dropping aspect of the sequence is how it came together, as the production spent $2.5 million to construct its own highway (!) on California’s Alameda Island. If that weren’t unique enough, I’m pretty sure Reloaded is also the only movie in existence in which a katana takes out an SUV:
The Matrix remains the Wachowskis’ masterpiece, but don’t get it twisted: The filmmakers were still cooking with gas in the sequel.

7. Gone in 60 Seconds (1974)

Size isn’t everything, but for H. B. Halicki, who produced, wrote, directed, and starred in Gone in 60 Seconds, it’s certainly part of the package. The indie action flick follows Maindrian Pace (Halicki), a Los Angeles insurance investigator who has a lucrative side hustle jacking high-end cars. The plot kicks into motion when a South American drug lord enlists Pace to nab 48 cars within five days in exchange for $400,000. Of course, Gone in 60 Seconds is best known for what happens after Pace is caught stealing a 1973 Ford Mustang Mach 1, when he leads police on a chase that lasts a whopping 40 minutes. (More than 90 cars were destroyed in the process.) Halicki, for his part, did all the driving himself, including a spectacular jump off a makeshift ramp of crashed cars:
While Halicki wound up making a few more indies after Gone in 60 Seconds, he died in an accident on the set of its sequel. His legacy as a do-it-all daredevil, however, lives on.

6. Terminator 2: Judgment Day (1991)

Long before James Cameron immersed himself in the world of Pandora, he was a pioneer of state-of-the-art visual effects. Case in point: Terminator 2: Judgment Day is credited for having the first CGI character in a blockbuster, the T-1000 (Robert Patrick), a killing machine composed of a futuristic liquid metal. But Cameron also understood that the CGI of that era shouldn’t be the main attraction: It worked best as a complement to the practical effects, as seen in Judgment Day’s epic viaduct chase. When the T-1000 tracks down a young John Connor (Edward Furlong) in a shopping mall, he’s saved at the last minute by the Terminator (Arnold Schwarzenegger), giving John a chance to escape on his dirt bike. As the T-1000 gives chase, the David and Goliath vibes between man and machine are further epitomized by the T-1000’s commandeering of a truck. The sequence already has a terrifying sense of urgency, but it hits another level when the T-1000 crashes through the viaduct like the Kool-Aid Man:
Big Jim is still revolutionizing what can be achieved with visual effects in the Avatar franchise, and while I cherish those movies, nothing beats his old-school showmanship.

5. Duel (1971)

The feature-length debut of Steven Spielberg—perhaps you’ve heard of him—the TV movie Duel is essentially one extended chase sequence between salesman David Mann (Dennis Weaver) and a sinister trucker determined to drive him off the road. I’ve attached a clip from the ending of the film, but that doesn’t do Duel justice. What cements this movie’s greatness is how it sustains an unbearable level of tension across its 90-minute running time—with a budget under $500,000, no less. Spielberg’s masterstroke is never once showing us the other driver, anthropomorphizing the truck itself as a monster. (You can see a lot of similarities with how he would build suspense in Jaws.) When Mann finally gets the upper hand, tricking his adversary into driving off a cliff, it feels like you can breathe again:
Spielberg would move on to bigger and better things after Duel, but considering how much the director accomplished with so little, you can’t help but wonder what else he could conjure up with limited resources.

4. Mad Max: Fury Road (2015)

Like Duel, Fury Road is basically one long car chase—the difference is Miller got to work with a blockbuster budget, and made every cent of it count. It’s hard to pick a single standout sequence in Fury Road, but if I had to choose, I’d go with the first attack on the War Rig after Furiosa (Charlize Theron) flees with the wives of Immortan Joe (Hugh Keays-Byrne). Here’s why: Think back to when you saw Fury Road for the first time, before you fully grasped the vehicular carnage that was in store. And then stuff like this kept happening:
To quote Steven Soderbergh’s thoughts on Fury Road: “I don’t understand how they’re not still shooting that film and I don’t understand how hundreds of people aren’t dead.” Whether or not Miller manages to one-up the action in Furiosa, the director is already in the pantheon.

3. The French Connection (1971)

We return to the Friedkin-verse for what may be his best film, The French Connection, the crime thriller based on Robin Moore’s 1969 nonfiction book of the same name. The story concerns two NYPD detectives, Jimmy “Popeye” Doyle (Gene Hackman) and Buddy “Cloudy” Russo (Roy Scheider), and their tireless pursuit of a French heroin smuggler. But while there’s plenty to admire about how The French Connection illustrates the thin line between police and criminals, its greatest claim to fame is its car chase. After Popeye narrowly survives a sniper attack, he goes after the shooter, who escapes on an elevated train. The ensuing sequence is true daredevil filmmaking that Friedkin shot without permits, leading to real crashes with New Yorkers that made the final cut. But Friedkin’s finest touch was mounting a camera to the front of the car, making the audience feel like they’re part of the action:
My Ringer colleague Justin Sayles believes The French Connection’s chase should’ve landed at no. 1, and I’m sure many folks will agree with him. Being the only film on this list to win Best Picture, however, is a solid consolation prize.

2. Bullitt (1968)

When it comes to modern car chases, all roads lead back to Bullitt. A Dad Cinema classic, the film stars Steve McQueen as Frank Bullitt, a San Francisco detective who pursues a group of mobsters after a key witness is killed in protective custody. In his search for answers, Bullitt realizes he’s being tailed by a couple of hitmen, and then turns the tables on them. From there, the chase is on. Aside from McQueen doing most of his own stunts behind the wheel of a Ford Mustang GT 390 Fastback, what’s so impressive about the sequence is how timeless it is. Even the little imperfections, like hubcaps repeatedly coming off the wheels, work to the film’s advantage, stressing just how much these drivers are living on a razor’s edge. It’s been more than 50 years since Bullitt revolutionized the car chase, and yet few movies since have felt like they’re pushing the envelope to such an exhilarating degree:
That the car driven by McQueen was recently sold at auction for $3.74 million, a then-record price for a Mustang, underlines Bullitt’s enduring legacy.

1. Ronin (1998)

“If I’m going to do a car chase,” filmmaker John Frankenheimer said in an interview with the American Society of Cinematographers, “I’m going to do a car chase that’s going to make somebody think about whether or not they want to do another one!” Boy, did he ever. In Frankenheimer’s late-career masterpiece, Ronin, the director actually incorporated several chases, but it’s the climactic sequence that stands alone as the greatest ever filmed. The movie concerns an international group of mercenaries who are hired to steal a mysterious briefcase; a series of double-crosses and double-bluffs ensue. But for the final chase, all you need to know is that Sam (Robert De Niro), a mercenary with ties to the CIA, is in pursuit of Deirdre (Natascha McElhone), an IRA operative in possession of the case. Winding through the streets and tunnels of Paris, what’s most striking is just how fluid it all feels. You’re completely engrossed in the chase’s forward momentum, captured from every conceivable angle; a symphony of controlled chaos. The driving styles even reflect the characters: Deirdre is reckless and impulsive, while Sam remains calm and controlled.
There are many worthy car chases in this ranking, but in my view, Ronin takes pole position. And while I can’t imagine a movie ever topping what Frankenheimer achieved, I’d love nothing more than to be proved wrong.

First Chapter. Link for all the chapters available here: Engines of Arachnea on Royal Road
They made for the hillock that Rene had seen earlier that day. It was the closest bit of high ground they had seen, and it had hatched the beginnings of a cruel idea in his mind, one that he wished to turn into reality.
“Stay close to me,” he told Zildiz as they strode, “We stand a better chance of living through this if we act as a unit.”
“A unit of what?” she inquired, puzzled by his use of the word, “Weight, length or time?”
“No, it means that we should work together,” he tried to explain, quickening his pace to a light jog. The hunting parties had gone silent—they hadn’t the talk of their drums in ages. The quiet was somehow more unnerving than the screams.
“We watch each other’s backs,” he continued, running along a fallen log, “It’s a sort of code we Pathfinders have. No man or woman dies alone.”
Try telling that to Lethway, said a snide voice in his head.
“I have no wish to die alongside you, Fleet-man.”
“That’s not what I…ah, never mind. Here,” Rene handed her back her severed blades, “As promised.”
How had these people ever managed to survive this long? Zildiz wondered as she held her weapons again, manually sheathing them in her arms. It was like taking sugarcane from a baby.
The fog was thinning noticeably. They had forded the river and reached the base of the hillock when they heard another shout from the southwest, sounding much closer this time. The drums began to speak again, the music almost keeping time with Rene’s triphammering heartbeat. Rene led them round the flank of the rise into a deep gully, trying to use the terrain to hide their movements.
“How’s their sense of smell, Zildiz?” he asked her as they picked their way up a pebbly, bone-dry creek. Rene hopped across the boulders and offered her his arm for assistance.
“Depends on the Leaper and their grafted organs,” she told him, leaping past him and pointedly ignoring his efforts at playing the gentleman, “But they are all excellent trackers. They will find us. It is inevitable.”
“Aye, but we’ll be ready for em by then. Hopefully,” Rene added with certain lack of conviction, “To be frank, I don’t know a power on this earth that can stop that horde we saw earlier.”
“They will not use the creatures of the jungle against us. The warband that is hunting us now cannot be larger than thirty to fifty braves.”
“And you know this how?”
Zildiz said nothing. She was under no obligation to tell a child of the Betrayers of the Vitalus’ capabilities. The more creatures the Leapers involved in this secret hunt, the greater the chances that the Vitalus would discover their violation of the truce. It would be a small and private war, and that suited her down to the ground.
She felt stronger now and surer of her footing, as if the chase had breathed new life into her muscles and lungs. Why, she felt as if she could fight a dozen Leapers. Either her innards had adjusted to the workload or her exomorph was regaining some of its functions. She dashed ahead, rejoicing in the steel-spring action of her sinews. The weak-spined Rene, on the other hand, was dawdling below her in the creek, up to some foolishness as usual.
He had stopped to gather fistfuls of gravel which he stuffed into his socks and pockets until they bulged. He even opened his kit and crammed pebbles in the loose corners of the case.
“Hurry up,” she called to him, speaking softly now that danger was close.
“I’d have to agree with Zildiz here, tovarisch,” Exar chimed in, “Now’s not the best time to be gathering mineral samples.”
Rene shook his head and refused to explain. After some minutes of the uphill marching, he spoke to Exar, saying:
“This high enough for you?”
“Ten more meters above sea level should do it.”
They were almost at the summit of the landmass, in a grove of benguet pines and thin pygmy dipterocarps growing amid a hardscrabble sand. On the right shoulder of the hill were the clusters of fire gourd trees whose seeds he had mistaken for cannon fire, the ground plastered with dried-up foam. Beyond this stretched a scorched and blasted hellscape of blackened, dead trees.
“We don’t have ten more meters,” Rene said, “That is, unless…”
He craned his neck to see the tops of the pines, which had straight smooth trunks and sported no lower limbs to grab onto. Most were stunted and malnourished by the poor soil, but at least one of the adults looked like a good candidate. It would be hard climbing.
“It’s times like these that I wish these commercial kits still came with thruster packs,” Exar said regretfully, “But all those models got phased out. Budget cuts, whatcha gonna do, eh?”
“What’s a thruster pack?”
“Never heard of one? That’s funny,” Exar paused as if he had come to a sudden realization, “That’s real funny, you sayin that…”
Rene unsheathed the monomachete and emptied his kit of all gear except for the panel and the allcomm antenna. He cut out some footholds with the monomachete and began his ascent. Rene nearly made it to the top without making the mistake of looking down. As it was, he risked a peek at Zildiz gawping up at him all the way down there and nearly swooned, his scrotum tightening round his pearls like the jaws of death. He clamped the sword of the ancients between his teeth and bit down hard to steady himself.
“Join the Pathfinders, they said,” he growled around the bare metal, “See the sights and look pretty for the girls, they said. What was I flipping thinking?”
He swung up to the slender upper boughs and carefully wedged the solar panel amid the branches, angling it so that it caught the weakening gaze of the suns. Then he balanced the allcomm antenna and its tripod on the uppermost twigs and hooked up the cabling.
“Good work, bhaisap,” Exar said when it began to rotate, “I’ll start transmitting our coordinates to any and all stations while getting a fix on our position.”
“Splendid. Say, you’ve got some nice sight lines up here, Exar.”
From where he stood Rene could see for leagues around in all directions, and he kept his eyes peeled for movement.
There! Specters gliding above the murk, twenty or so klicks out and moving fast. A hoarse scream from the east confirmed his worst suspicions: the Leapers knew exactly where they were. The cannibals were hemming them in, herding Rene and Zildiz they had done with the army of beasts. He could imagine them spreading out in a wide crescent whose horns would envelop the hill from both sides.
Rene estimated that he had little more than an hour to prepare.
“Exar, could I ask you to be our lookout from up here?”
“Thy wish is my command. A la mi presente, al vostra signori, as they used to say.”
As who used to say? Rene thought. Much of what the sphere said tended to be incomprehensible. Rene unfastened the sphere and Exar extended his spike legs to fix himself in place.
“But wouldn’t it be safer for you to stay up top with me?” Exar pointed out.
“Yes, it would. For them,” Rene replied with as much false bravado as he could dredge up. Scattering pines and bark shavings, he slid back down and ran over to the stand of fire gourds. To his relief some of the fruit on the outlying trees furthest from the blaze had not gone off. Rene reached up and picked as many of the gourds as he could fit in his arms. He carried them back to the pines, making several trips to amass a sizable collection.
Zildiz had her swords out and was cooly sharpening them one against the other.
“So they’ve finally run us down,” she said in a flat tone, “Are you ready?”
“Not quite,” Rene said shortly.
He began the project by arranging his other components. Spool of webbing, check. Socks full of pebbles, check. Gauntlet, check.
“Exar, how much longer till our rescue gets here?” he hollered up at the sphere.
“I’ve hailed a shuttle from one of the toroidal stations. ETA 128 minutes.”
“You’ll have those minutes,” Rene promised him, then spoke to Zildiz, “Heads up, Gallivant. From this moment on, our sole objective is to hold off the enemy for at least two hours. We live or die on this hill. Get me?”
“Brave words. And how do you intend to back them up?”
“With the help of a little friend I call firepower,” Rene said, getting right to work. He wound the silk around one of the sloshing gourds until it was sticky all over, then took fistfuls of gravel from his socks, densely studding the fruit with them. Rene held up the finished prototype and grinned evilly. All in all, it had taken him less than five minutes to put it together.
Defensive tactics required careful selection and preparation of the ground. Half the battle was won if one could dictate where the fighting took place.
Pathfinders were scouts above all else and did not specialize in fighting sieges. Rene tried his best anyway, choosing a spot among the pygmy pines and with a deep ravine on his right and a spread of open ground some twenty meters wide and sixty long on his left where nothing grew but itchy buffalo grasses. At his back was a sheer bluff, only four meters tall or so, but still a solid feature upon which to anchor his defense. He placed the prototype in the center of the field and ran back, going prone behind a shallow bank of earth and taking up his gauntlet.
“Come on,” he pleaded with it, training the beam on the gourd’s hard shell, “Sing for daddy…”
Nothing happened for a long moment. Rene blinked; the gourd had abruptly disappeared. In the next instant, shards of shell and rock and specks of foam lacerated the air above his position, ricocheting off the hard cliff face. Rene clapped his hands to his ringing ears and got up. Inspecting his position, he found the bank of earth studded with his improvised shrapnel and arrowhead-shaped seeds.
“Pop! Goes the weasel!” he shouted, overjoyed by the result, “That ought to ruin someone’s day.”
Link for all the chapters available here: Engines of Arachnea on Royal Road

I’ve been floating this idea around in my head for awhile, especially in light of some ‘ancient history’ mods we’ve received in the past.
Though this mod is far from guaranteed (please don’t get your hopes up), and may take continuous trial and error, I would love to present to you all Homer’s classic epic in TCT format.
It would certainly be a challenge, especially with the map and all having to incorporate most of the Mediterranean, considering Odysseus traveled a good chunk of the known world at the time in the myth. Further, the Odyssey certainly wasn’t an election, which TCT is all about (shocker!). So, we’d definitely have to tinker extensively with the code to make something work and make it make sense, which has been done in the past for other concepts and mods that didn’t focus on an election for its premise.
Not sure if there’s any other Greek mythology nerds here, but I’d love to hear your feedback on this potentially becoming a mod.

Welcome to the Tuesday content creator roundup on a Wednesday!
This thread will feature some noteworthy contributions from Flesh & Blood content creators. Lots of gameplay, box openings, discussions etc. Catch up on content by reviewing the links below!
Videos

• SNEEP brings us a Wayyy To Early Nats Tier List with Charles Dunn !!! Flesh and Blood...
• Flesh and Blood TCG streamed Flesh and Blood TCG Calling: Tokyo - Part the Mistveil Draft & Top 8
• DMArmada discusses the MASSIVE LIVING LEGEND POINT CHANGE Flesh and Blood TCG
• AggroBlaze96 streamed Updated Enigma! Flesh and Blood TCG !discord !deck
• Flesh and Blood TCG gives us a Part the Mistveil Sealed Tutorial
• OK&Y Podcast shows the Enigma vs Kayo Flesh and Blood Classic Constructed 340
• Dice Commando investigates an AMAZING Adjustment to Living Legend Points! Flesh and Blood TCG
• FaBled Hunters bring us Flesh and Blood Judge of Judges In Witness Protection
• Cardboard Swords showcases DASH I/O Vs KASSAI - Classic Constructed Armory Gameplay
• AlanLube has a Part the Mistveil Ninja Set Review feat Nghia Tran
• We Make Best streamed Nuu Gameplay Part the Mistveil CC
• Table Games TCG shares My thoughts on the FULL Part the Mistveil Set Flesh and Blood
• Klloo ooyy explains a 693 DMG Turn 1 Max Damage Zen Combo Flesh and Blood TCG
• Kugane shows their 296 Damage > Zen Combo > Zen should stop breeding more tigers
• Infinite Gaming Respawn has a Flesh and Blood Bright Lights Booster Box Rip!
• DcGero shared some Flesh and Blood - CC Practice (Prism vs Azalea)
• CupofTCG shared the Victor vs Viserai - Pro Quest S5 FINALS [Commentary]
• Legacy Tournament Series streamed Kayo CC Armory vs 2x Blitz decks! Flesh and Blood - Zero to Hero
• Game Nerdz TCG bring us a Flesh and Blood: Dusk till Dawn Booster Box Opening
• Lupinefiasco continues Daily FaB #187 Kayo vs. Olympia Flesh and Blood Heavy Hitters
• Samuel Graham Does TCGs says Flesh and Blood: Uprising Is Still One Of My Favorite Sets To Open
• MrE of Rathe shares the Dash I/O Hero Story - Flesh and Blood Lore
• Stefan's Basement asks Can the luck continue??? - Welcome to Rathe Booster box

Blogposts & Other Resource

• Legend Story Studios announced a Living Legend Adjustment
• Legend Story Studios showcased the Summer Convention Exclusive Promo
• Joshua Scott brings us Rules Reprise #19: Part the Mistveil Limited
• Alex Kivitz has a Calling: Tokyo Live Blog
• Organized Play Team announced the June 2024 Armory Kit
• Kasharn Rao gives us a Recap: Calling: Warsaw and a Recap: Battle Hardened: Taichung
• Joshua Scott updates us with Back Alley Oracle #14: Forked Lightning, Concessions, and more
• Kasharn Rao have moved Into the Mist...
• Ethan Van Sant wrote about the Part the Mistveil Set Review - Expansion Slots
• Donnie K discusses An Epic Comeback at Calling: Warsaw
• Jose Lau has their Part the Mistveil Set Review - Assassin
• Jonah Lara does the Part the Mistveil Set Review - Ninja and Generic

Podcasts

• Red Zone Rogue brings us Flesh and Blood Heroes Ranking! (super serious) > Living Legends Podcast Ep 100
• AdventureCo. Gaming posted MST Cards Are Insane! BattleWorn 09 - A Flesh and Blood Podcast
• Runaways Podcast ponders Runaways Podcast Episode 24: How Good is MST?
• Arsenal Pass has Arsenal Pass Ep162 - Part the Mistveil Limited Review
• Fresh and Buds posted 144. Part The Mistveil First Impressions w/ DMArmada
• M-n-R Cast brings us The M-n-R Cast: Nuu Hero, Who Diss?
• Instant Speed: A Flesh and Blood Podcast has a blast from the past in REWIND: A Chat with Bryan Gottlieb of LSS, March 23, 2023 Instant Speed
• Fluke And Box brings us James White - Mistveil Edition #fabtcg
• FaBcast der Flesh and Blood Podcast uploaded Ruckblick Calling Warschau - FaBcast - def Flesh and Blood
• Siblings in Cardboard - A Flesh and Blood Podcast brings us The Veil Has Been Lifted Siblings in Cardboard Podcast Episode 37
• Pitch It To Me Podcast shared Ep. 40 -- Hidden Information

This was another long one! We know this can never be an exhaustive list and many of the creators listed above put out more than one video just this week so feel free to peruse and view past content as well.
Did I miss some great FaB content from last week? Share links and details in the comments below!