Lincoln money origami

moneyorigami

2021.06.24 18:39 NProkuda moneyorigami

moneyorigami is a subreddit to share and discuss origami out of money bills. Welcome to our community!
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2010.03.02 19:22 techky Lexington, Kentucky

The front page of Lexington, KY.
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2013.02.14 19:26 Bukharin Chicago subreddit for the Far North Side

Chicago subreddit for the Far North Side: Edgewater, RogersPark, Uptown, Lincoln Square, and neighbouring areas.
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2024.05.13 20:51 copaceticconvert How Much Do I Need to Make Annually in Order to Live in a High Rise One Bedroom Apartment on The Loop? Or Maybe Lincoln/Wicker Park?

Hey ho,
So this is an entirely hypothetical question. I'm starting to freelance, and I'm trying to set some goals for myself financially, in like a vision board sort of way.
I think the title is pretty self-explanatory, but yeah; If I wanted to be living comfortably in the Loop, so best transportation access, in an apartment that has a killer view of the city as well as a nice gym, coworking space, movie room, etc., how much money do I need to be pulling in a year? Where's the rent of something like NEMA on the scale for something like this? How much lower would that number be for a luxury building in an interesting neighborhood, like Lincoln Park, Logan Square, Wicker Park, Pilsen, etc.
Thanks for indulging me and my pipe dreams!
submitted by copaceticconvert to AskChicago [link] [comments]


2024.05.13 20:00 lemon_lime_light Trump will stump in Minnesota, traditionally blue state he insists he can win. Is it really in play?

From the Washington Post:
Trump will take a break from his hush money trial in New York to speak at the Minnesota GOP’s annual Lincoln Reagan fundraising dinner. Tickets start at $500, ranging up to $100,000 for a VIP table for 10 with three photo opportunities with Trump. The dinner coincides with the party’s state convention...
Trump came close to taking Minnesota and its 10 electoral votes in 2016, when he fell 1.5 percentage points short of Hillary Clinton in a state that no Republican presidential candidate has won since Richard Nixon in 1972. He returned to Minnesota several times in 2020, but Democrat Joe Biden beat him by more than 7 percentage points when he tried for a second term.
Still, Trump continues to insist he can win in Minnesota...
Trump appeared to falsely claim in an interview just ahead of Super Tuesday that he actually won Minnesota in 2020.
“Well, I thought we won it last time, I’ll be honest,” he told KNSI Radio in St. Cloud. “And I think we did win it.”
There’s no evidence that there were any serious irregularities in the 2020 election in Minnesota. A handful of challenges to the results failed.
Experts are split on whether Minnesota really will be competitive this time. Some say the economy remains a Biden vulnerability despite low unemployment and rising consumer confidence. The state’s unemployment rate is 2.7%, well below the national jobless rate of 3.8%, thanks to strong job and labor force growth, with wage growth outpacing inflation, according to state officials.
University of Minnesota political scientist Larry Jacobs said that while 2020 was a good year for Biden in Minnesota, he’s not sure the president will be so well positioned this time...
But Steve Schier, professor emeritus of political science at Carleton College, said Minnesota’s voting history leaves him skeptical, though he thinks the race could be close there.
submitted by lemon_lime_light to MinnesotaUncensored [link] [comments]


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submitted by Particular-Pipe-441 to blackmagicspelling [link] [comments]


2024.05.13 17:40 nahimavegan (Selling) Huge List Of 1100+ Movies! Lots Of New And Rare Titles!

**Prices firm, but I take off $1.00 for every $10 spent*\*
**I accept PayPal, Venmo, & Cashapp*\*
**Codes are always split/dual portion where applicable, & have no DMI*\*
**Only redeem the portion you pay for!*\*
New additions
2000s 10-Film Bundle (The Departed 4K, I Am Legend 4K, Pan's Labyrinth 4K, The Hangover 4K, A History of Violence HD, Best in Show HD, A.I. Artificial Intelligence HD, Mystic River HD, Ocean's Eleven HD, Letters from Iwo Jima HD) HD/MA $30
24 Hours to Live HD/VU $3.5
355 HD/MA $4.5
48 Hrs HD/VU $6
65 HD/MA $4.5 or SD/MA $2.5
80 for Brady HD/VU $5
976-Evil HD/MA $5.5
A League of Their Own 4K/MA $5.5 or HD/MA $4
A Most Violent Year HD/VU $4.5
A24 Horror 5-Film Collection (X, Green Room, It Comes at Night, Hereditary, Witch) HD/VU $13.5
Addams Family '19 4K/IT $4.5
Addams Family '91 4K/VU $5.5
Aeon Flux 4K/IT $5
Afflicted HD/MA $4
Aliens 4K/MA $6.5
Almost Famous 4K/VU $5
Alone '20 HD/VU $4
American Psycho 4K/VU $5.5
Angels & Demons 4K/MA $6
Anyone But You HD/MA $7.5
Armageddon Time HD/MA $4.5
As Good as it Gets 4K/MA $6
Asteroid City 4K/MA $6.5
Atlantis Milo's Return HD/MA $5 or HD/GP $4.5
Avatar The Way of Water HD/MA $4.5 or HD/GP $4
Avengers 4K/MA $5.5
Back to the Future Trilogy HD/MA $10
Bad Boys 4K/MA $5.5
Bad Guys HD/MA $4.5
Bad Times at the El Royale 4K/MA $6
Banshees of Inisherin HD/MA $4 or HD/GP $3.5
Barbie HD/MA $6
Battle for Terra HD/VU $4.5
Beast HD/MA $4.5
Beekeeper 4K/VU $9.5
Before Midnight SD/MA $1.5
Beguiled HD/MA or IT $3
Beyond Re-Animator HD/VU $4
Big Chill 4K/MA $5.5
Big Eyes HD/VU $4
Billy Lynn’s Long Half Time Walk HD/MA $4
Black Adam 4K/MA $5.5
Black Phone HD/MA $4
Blockers HD/MA $3.5
Blood Father HD/VU $3
Bloodshot HD/MA $4
Body Double 4K/MA $5.5
Book Club Next Chapter HD/MA $5
Book of Life HD/MA $3.5
Bram Stoker's Dracula 4K/MA $6
Broken Hearts Gallery HD/VU $4.5
Bros HD/MA $4.5
Bullet Train HD/MA $4
Burrowers HD/VU $4
Call Jane HD/VU $4.5
Cannibal Cabin 4K/VU $5
Cat's Meow HD/VU $4
Cell '16 HD/VU $3.5
Charlie's Angels '00 4K/MA $5.5
Cheech & Chong's Up in Smoke HD/VU or IT $3.5
Christmas Classics 4-Film Set (Miracle on 34th Street '94, A Christmas Carol '84, Home Alone, Jingle all the Way) HD/MA $12
Cinderella '50 HD/MA $4.5
Cinderella 2 HD/MA $4.5
Cinderella 3 HD/MA $4.5
Cobweb 4K/VU $7.5
Cocaine Bear HD/MA $5
Colossal HD/VU or IT $4
Come to Daddy HD/VU $4.5
Contagion 4K/MA $6.5
Creature from the Black Lagoon '54 HD/MA $3.5 or 4K/IT $4
Crouching Tiger Hidden Dragon 4K/MA $6
Counselor HD/MA $4
Da Vinci Code 4K/MA $6
Dagon HD/VU $4
Dark Skies HD/VU $3.5
Dear David 4K/VU $6
Dear White People HD/VU $3.5
Devil's Workshop 4K/VU $5.5
Devil's Workshop HD/VU $4.5
Devotion 4K/VU $6 or HD/VU $4.5
Diary of the Dead HD/VU $4
Dig 4K/VU $5.5
District 9 / Elysium Bundle HD/MA $7.5
Dragon Blade HD/VU $3.5
Dr. Strangelove 4K/MA $5
Dreamland HD/VU $4.5
Dream Scenario HD/VU $7
Dumb Money HD/MA $6
Easy Rider 4K/MA $6
Emperor HD/VU $3.5
Equalizer 3 HD/MA $5.5
Evil Dead '13 4K/MA $5.5 or HD/MA $4
Evil Dead Rise 4K/MA $6 or HD/MA $4.5
Evil Under The Sun HD/VU $4
Exorcist (2-cuts) 4K/VU $7.5
Exorcist Believer 4K/MA $7 or HD/MA $5.5
Expendables 1-3 Set 4K/MA $10 or HD/VU $7
Expendables 1-4 Set 4K/VU $15 or HD/VU $11
F9 Fast Saga (Thea & Ext) HD/MA $4
Fall 4K/VU $6 or HD/VU $4.5
Fast & the Furious 10-film Set HD/MA $25
Fast X HD/MA $5
Feast (Unr) HD/VU $4
Fifth Element 4K/MA $5.5
Fifty Shades 6-Cut Set (Thea & Unr) HD/MA $12
First Purge HD/MA $3.5
Five Nights at Freddy's HD/MA $6
Fool's Paradise HD/VU $6
Force of Nature '20 HD/VU $3.5
Forger HD/VU $3
Freeheld HD/VU $4
Friendsgiving HD/VU $4
Front Runner HD/MA $4
Frozen '10 HD/VU $4
Funny Girl 4K/MA $5.5
Gandhi 4K/MA $5.5
Gate ‘87 HD/VU $4
Gateway 4K/VU $5.5
Gattaca 4K/MA $6
Ghostbusters 1 & 2 Set HD/MA $6.5
Ghostbusters Afterlife HD/MA $4
Ghoulies Go To College HD/VU $3.5
Glory 4K/MA $6
Godfather 3 Coda HD/VU $4
Good Boys HD/MA $3.5
Good House 4K/VU $5.5
Goodnight Mommy HD/VU $4
Goosebumps 2 HD/MA $3
Gran Turismo 4K/MA $7 or HD/MA $5.5
Grease Trilogy HD/VU $9 or 4K/IT $10.5
Green Knight 4K/VU $5
Green Room HD/VU $4
Groundhog Day 4K/MA $5.5
Guardians of the Galaxy Vol 3 HD/MA $5.5
Guess Who's Coming to Dinner 4K/MA $6
Hail, Caesar! HD/VU or IT $2.5
Hammett HD/VU $4
Halloween Ends HD/MA $4.5
Halloween Kills (Ext) HD/MA $4.5
Harriet 4K/MA $6 or HD/MA $4.5
Hex 4K/VU $5.5
High Tension HD/VU $4.5
Hellbenders HD/VU $4
Hellraiser: Judgment HD/VU $4
Home Alone 1 & 2 Set HD/MA $6.5
Hook 4K/MA $6
Hot Tub Time Machine 2 HD/VU $3.5 or 4K/IT $4
Hunger Games 4-Film Set 4K/VU $18
Hunger Games Ballad of Songbirds & Snakes 4K/VU $8 or HD/VU $6.5
Ice Age Continental Drift HD/MA $3
I, Frankenstein HD/VU or IT $3
I Saw the Light HD/MA $4
Identity Thief HD/IT $3.5
Indiana Jones & the Last Crusade HD/VU $4 or 4K/IT $4.5
If Beale Street Could Talk HD/MA $4
Inhabitant HD/VU $4.5
Insidious The Last Key HD/MA $3.5
Insidious Red Door HD/MA $5
Jaws 2 4K/MA $5.5
Jay and Silent Bob Reboot HD/VU $3.5
Jerry Maguire 4K/MA $6
Jesus Revolution HD/VU $5
John Wick 4 4K/VU $6.5
John Wick 4-Film Collection HD/VU $13
Journey to Bethlehem HD/MA $5.5
Joy Ride HD/VU $5
Jumanji '95 4K/MA $6
Jungle Book '67 HD/MA $4
Jurassic World 6-film Set HD/MA $18
Kandahar HD/MA $5.5
Karate Kid '84 4K/MA $6
Kiss the Girls 4K/VU $6
Knights of the Zodiac HD/MA $5
Kramer vs Kramer 4K/MA $6
Last Action Hero 4K/MA $5.5
Last Christmas HD/MA $4.5
Last Night in Soho 4K/MA $5.5
Leprechaun 8-Film Set HD/VU $15
Lincoln Lawyer 4K/VU $6
Little Mermaid '23 HD/MA $5
Lost Boys 4K/MA $6
Love Again SD/MA $2.5
Lucky Number Slevin HD/VU $4.5
M3GAN (Thea & Unr) HD/MA $5
Ma '19 HD/MA $4
Madame Web 4K/MA $11 or HD/MA $9.5
Mamma Mia Here We Go Again HD/MA $3
Manodrome HD/VU $5.5
Marry Me HD/MA $5
Marsh King's Daughter 4K/VU $5.5
Martyrs HD/VU $4.5
May HD/VU $4
Memories of Murder 4K/MA $6.5
Menu HD/GP $3.5
Meryl Streep 8-Film Set HD/MA $22
MIB International HD/MA $4
Midnight Meat Train (Unr) HD/VU $4
Migration HD/MA $6
Miller's Girl 4K/VU $9.5
Miracle on 34th Street HD/MA $4
Missing HD/MA $5
Mission Impossible Dead Reckoning Pt 1 HD/VU $6
Mist 4K/VU $6.5
Mitchells vs the Machines HD/MA $4.5
Monster High Electrified HD/MA or IT $2.5
Mortal Kombat Legends Cage Match HD/MA $5.5
Mr. Holmes HD/VU $3.5
Mulan '98 HD/MA $4 or HD/GP $3.5
My Big Fat Greek Wedding 3 HD/MA $5.5
My Girl 4K/MA $6
National Champions 4K/IT $5
New Mutants HD/MA $4 or HD/GP $3.5
Next Goal Wins HD/MA $7.5
Night at the Museum Secret of the Tomb HD/MA $3
Night Swim HD/MA $8
Night Train to Lisbon HD/VU $4
No Good Deed HD/MA $3
No Hard Feelings HD/MA $5.5
Nope HD/MA $4.5
Nun 2 HD/MA $5.5
Ocean's Trilogy 4K/MA $16
Old 4K/MA $6 or HD/MA $4.5
Once Upon a Time in Hollywood HD/MA $3.5
Oppenheimer HD/MA $6
Other Side of the Door HD/MA $4
Out Of The Blue HD/VU $4
Overlord 4K/VU or IT $4.5
Parental Guidance HD/MA $2.5
Parents HD/VU $4
Parasite HD/MA $4
Paw Patrol Mighty Movie HD/VU $6.5
Pet Sematary Bloodlines HD/VU $5.5
Peter Pan Return to Neverland HD/GP $4
Philadelphia 4K/MA $5.5
Pick 1 (Black Christmas '18 4K, Dog's Purpose 4K, Sparks Brothers 4K, Raw, Agnes Bourne, Antz, Being Frank, Loving, Don't Let Go, Kicks, Final Account) HD/MA $4
Pitch Perfect 3 4K/MA $5
Pixels HD/MA $3
Plane 4K/VU $5.5
Poor Things HD/MA $7.5
Pope's Exorcist HD/MA $5
Prey for the Devil 4K/VU $5.5
Priscilla HD/VU $6
Punch-Drunk Love 4K/MA $6.5
Purge 4 Film Set HD/MA $11.5
Queen & Slim HD/MA $4
Quick & the Dead '95 4K/MA $6
Rambo First Blood HD/VU $4
Rambo First Blood Pt 2 HD/VU $4
Rango HD/VU $3
Real Genius 4K/MA $5.5
Red Rocket HD/VU $4
Red Sparrow HD/MA $3.5
Renfield HD/MA $5.5
Requin HD/VU $4.5
Resident Evil Welcome to Raccoon City HD/MA $4
Robin Hood '73 HD/MA $4
Rosemary's Baby 4K/VU $6.5
Rhythm Section HD/VU $3.5
Ruby Gilman Teenage Kraken HD/MA $5.5
Rudy (Dir Cut) 4K/MA $6.5
Run Lola Run 4K/MA $6.5
Saint Maud HD/VU $4
Samurai Jack Complete Series HD/VU $40
Saw 8-film Set (Unr except Jigsaw) HD/VU $20
Saw X 4K/VU $7
Secret Life of Walter Mitty HD/MA $3.5
Shaun of the Dead HD/MA $4 or 4K/IT $4.5
Shrek 6-Film Set (1-4, Musical, Puss in Boots) HD/MA $19
Skiptrace HD/VU $3.5
Scorpion King 4-Film Set (1, 3, 4, Book of Souls) HD/MA $12
Scream 3 4K/VU $5.5
Scream 5 4K/VU $5.5 or HD/VU $4
Scream 6 4K/VU $7 or HD/VU $5.5
Sharktopus HD/VU $3.5
Shazam 2-film Set HD/MA $8
Shazam Fury of the Gods 4K/MA $6 or HD/MA $4.5
She Said HD/MA $4.5
She's the Man HD/VU $3.5
Silver Linings Playbook HD/VU $3 or HD/GP $2.5
Sisu 4K/VU $6
Sixteen Candles HD/MA $3.5 or HD/IT $3.5
Sleepless in Seattle 4K/MA $6
Smile HD/VU $4.5
Social Network 4K/MA $6
Sometimes They Come Back...Again HD/VU $4
Sometimes They Come Back...For More HD/VU $3.5
Sonic the Hedgehog 2 4K/VU $5.5
Sound of Freedom HD/VU $6
Spider-Man Across the Spider-Verse 4K/MA $7 or HD/MA $5.5
Split HD/MA $3 or 4K/IT $3.5
Spoiler Alert HD/MA $5
Star Trek First Contact 4K/VU $5.5
Star Trek Generations 4K/VU $5.5
Star Trek Insurrection 4K/VU $5.5
Star Trek Nemesis 4K/VU $5.5
Star Wars A New Hope HD/MA $4 or HD/GP $3.5
Starship Troopers 4K/MA $6
Step Brothers 4K/MA $6.5
Stillwater HD/MA $4
Studio 666 HD/MA $5
Sum of All Fears 4K/VU $5
Supercell HD/VU $4.5
Super Mario Bros Movie HD/MA $5
Super Troopers 2 HD/MA $3.5
Superfly HD/MA $4
Suspiria (2018) HD/VU $4
T2 Trainspotting 4K/MA $6
Taken HD/MA $4
Talk to Me 4K/VU $6
Talladega Nights 4K/MA $6.5
Taxi Driver 4K/MA $5.5
Thanksgiving 4K/MA $8 or HD/MA $6.5
The Batman 4K/MA $5.5
The Bay HD/VU $4
The Color Purple '23 4K/MA $8 or HD/MA $6.5
The Descent (Unr) HD/VU $4.5
The Flash HD/MA $5
The Marvels HD/MA $6.5
The Natural 4K/MA $6
The Other Guys 4K/MA $6
The Professional (Ext) 4K/MA $6
The Super '17 HD/VU $4
Ticket to Paradise HD/MA $4.5
Titanic 4K/VU or IT $6 or HD/VU $4.5
Top Gun Maverick HD/VU $4
Toy Story 3 HD/MA $4
Trading Places 4K/VU $6
Transformers 4K/VU $5.5
Transformers Rise of the Beasts 4K/MA $7 or HD/VU $5.5
Trolls 3-Film Collection HD/MA $12
Trolls Band Together HD/MA $6.5
Truth or Dare (Unr) HD/MA $3.5
Tusk HD/VU $4.5
Umma HD/MA $4.5
Unbearable Weight of Massive Talent 4K/VU $5
Unhinged HD/VU $3.5
Universal Monsters 4-Film Set 4K/MA $17
V for Vendetta 4K/MA $6.5
Vanilla Sky HD/VU $5.5
Velvet Goldmine HD/VU $4.5
Venture Bros Radiant is the Blood of the Baboon Heart HD/MA $5.5
Violent Night HD/MA $5
Walking Dead Season 9 HD/VU $7
Watchmen Ultimate Cut 4K/MA $7.5
Waxwork 2 HD/VU $3.5
We Summon the Darkness HD/VU $4.5
Welcome to Marwen HD/MA $4.5
Welcome to Monster High HD/MA or IT $3
Whiplash 4K/MA $6 or HD/MA $4.5
Whitney Houston I Wanna Dance w/ Somebody HD/MA $4
Wicker Man 4K/VU $5.5
Wish HD/MA $7
Witch HD/VU $3.5
Woman King 4K/MA $5 or HD/MA $4
Woman Walks Ahead HD/VU $4
You're Next HD/VU $3.5
X-Men 1-4 Set SD/MA $7.5
Zombieland Double Tap HD/MA $4
All other movies (A-Z)
10 Cloverfield Lane HD/VU $3 or 4K/IT $3.5
101 Dalmatians '61 HD/MA $3.5 or HD/GP $3
13 Hours HD/VU $2.5 or 4K/IT $3
14 Blades HD/VU $3.5
1917 4K/MA $5 or HD/MA $3.5
2 Guns 4K/MA $4 or HD/MA or IT $2.5
21 Jump Street HD/MA $3
22 Jump Street HD/MA $3.5
3 Extremes HD/VU $4
3 From Hell (Unr) 4K/VU $4 or HD/VU $2.5
3:10 to Yuma 4K/VU $5
31 HD/VU $2.5
47 Meters Down HD/IT $3.5
47 Meters Down Uncaged 4K/VU $4.5 or HD/VU $3
47 Ronin HD/MA $3 or 4K/IT $3.5
600 Miles HD/VU $3.5
71 HD/VU $3.5
A Christmas Story 4K/MA $6
A Dog's Purpose HD/IT $3
A Good Day to Die Hard (Ext) HD/VU $2.5
A Journal For Jordan HD/MA $4
A Quiet Place HD/VU $2.5 or 4K/IT $3
A Walk Among the Tombstones HD/IT $3.5
A Wrinkle in Time HD/MA $3 or HD/GP $2.5
A.C.O.D. HD/VU or IT $3.5
Abominable 4K/MA $5.5 or HD/MA $4
About Last Night HD/MA $3
Action Point HD/IT $2
Ad Astra HD/MA $4
Adaptation 4K/MA $6
Adrift HD/IT $3.5
Adverse 4K/VU $5
After Earth HD/MA $3
Aftermath HD/VU $3
Air Force One 4K/MA $6
Aladdin ‘19 HD/MA $3 or HD/GP $2.5
Aladdin ‘92 HD/MA $3.5 or HD/GP $3
Alien HD/MA $4
Alien Covenant HD/MA $2.5
Alfred Hitchcock 4-Film Set Vol 1 4K/MA $18
Alfred Hitchcock 5-Film Set Vol 2 4K/MA $21
Alien 6-film Set HD/MA $16
Alita Battle Angel 4K/MA $5 or HD/MA $3.5
All Eyez on Me HD/VU or IT $3
All is Lost HD/VU $3.5
All the Money in the World HD/MA $3.5
Allied HD/VU or IT $3.5
Almost Christmas HD/MA or IT $3
Amazing Spider-Man 2 HD/MA $3.5 or SD/MA $1.5
Amazing Spider-Man HD/MA $3.5 or SD/MA $1.5
American Assassin 4K/VU $4.5 or HD/VU $3
American Hustle HD/MA $3.5
American Reunion HD/VU or IT $3
American Ultra HD/VU or IT $4
American Underdog 4K/VU $5.5 or HD/VU $4
Anatomy of a Murder 4K/MA $5
Anchorman 2 HD/VU or IT $2.5
Angel Has Fallen 4K/VU $5 or HD/VU $3.5
Angel Heart 4K/VU $5.5
Angel of Mine 4K/VU $5.5
Angry Birds Movie HD/MA $3.5
Anna Karenina HD/IT $3.5
Annie ‘14 HD/MA $3.5
Annihilation HD/VU $3 or 4K/IT $3.5
Antebellum 4K/VU $5
Antlers HD/GP $3
Ant-Man & the Wasp HD/MA $3.5 or HD/GP $3
Ant-Man HD/MA $4 or HD/GP $3.5
Apache Junction HD/VU $3.5
Apollo 13 4K/MA or IT $5 or HD/MA $3.5
Arctic HD/MA $4
Arrival HD/VU $2.5 or 4K/IT $3
Art of Self-Defense HD/MA $4
Ash vs Evil Dead S.3 HD/VU $5
Assassination Nation HD/MA $3.5
Assassin's Creed HD/MA $3
Assignment HD/VU $4
Atomic Blonde 4K/MA or IT $4.5 or HD/MA $3
August Osage County HD/VU $3
Avengers Age of Ultron HD/GP $3
Avengers Endgame HD/MA $2.5 or HD/GP $2
Avengers Infinity War 4K/MA $4 or HD/MA $2.5 or HD/GP $2
Baby Driver HD/MA $4
Backdraft 4K/IT $5.5
Bad Grandpa HD/VU or IT $2.5
Bad Words HD/MA or IT $3
Bandslam HD/VU $4
Bank Job HD/VU $3.5
Barb & Star go to Vista Del Mar HD/VU $4
Barbie & Her Sisters in the Great Puppy Adventure HD/IT $3.5
Bart Got a Room HD/VU $4
Battle Royale HD/VU $4.5
Battleship 4K/MA or IT $4.5 or HD/MA $3
Baywatch HD/VU $2.5 or 4K/IT $3
Beauty & the Beast ‘17 HD/MA $2.5 or HD/GP $2
Beauty & the Beast ‘91 HD/GP $3
Bedknobs & Broomsticks HD/GP $3.5
Before I Fall HD/VU or IT $3.5
Begin Again HD/VU $3.5
Beiruit HD/MA $3.5
Belly 4K/VU $5.5
Ben-Hur ‘16 HD/VU $3.5
Between Worlds HD/VU $3.5
Big Hero 6 4K/MA $5 or HD/MA $3.5 or HD/GP $3
Big Lebowski 4K/MA or IT $5.5
Big Short HD/VU $3.5
Big Wedding HD/VU or IT $3
Billy Elliot HD/MA or IT $4
Birdman HD/MA $4
Black & Blue HD/MA $4
Black Christmas '19 HD/MA $4.5
Black Panther 4K/MA $4.5 or HD/GP $2.5
Black Panther Wakanda Forever HD/MA $3.5 or HD/GP $3
BlackKklansman HD/MA $4.5
Blacklight HD/MA $4
Black Widow HD/GP $3
Blackhat HD/IT $3.5
Blair Witch Project ‘99 HD/VU $4
Bleeding Steel HD/VU $3.5
Blindspotting 4K/VU $5.5 or HD/VU $4
Blood Money ‘17 HD/VU $3.5
Blood Ties HD/VU $3.5
Blue Jasmine HD/MA $3.5
Blue Ruin HD/VU $4
Blues Brothers HD/MA $4 or 4K/IT $4.5
Bob's Burgers Movie HD/GP $3
Body Cam HD/VU $4
Bohemian Rhapsody 4K/MA $5 or HD/MA $3.5
Bombshell 4K/VU $5
Book Club HD/VU or IT $2.5
Book of Life HD/MA $3.5
Boss Baby HD/MA $2.5
Bourne Identity 4K/IT $5 or HD/MA $3.5
Bourne Legacy HD/VU $2 or 4K/IT $2.5
Bourne Supremacy HD/MA $3.5 or 4K/IT $4
Bourne Ultimatum 4K/MA or IT $5 or HD/MA $3.5
Boy ‘16 HD/IT $3.5
Boy & the World HD/IT $3.5
Boyhood HD/VU or IT $2.5
Braven HD/VU $4
Breakfast Club HD/MA or IT $4
Breakthrough HD/MA $3
Brian Banks HD/MA $3
Bridge of Spies HD/GP $3.5
Brothers Bloom HD/VU $4.5
Bumblebee 4K/VU or IT $5 or HD/VU $3.5
Butler HD/VU $3
Cabin in the Woods HD/VU $2.5 or 4K/IT $3
Cake HD/MA $4
Call of Wild 4K/MA $4.5 or HD/MA $3 or HD/GP $2.5
Calvary HD/MA $4
Candyman '20 4K/MA $6 or HD/MA $4.5
Candyman 3 HD/VU $4
Captain America Civil War HD/GP $2.5
Captain America First Avenger HD/GP $3.5
Captain America Winter Soldier HD/GP $3.5
Captain Marvel 4K/MA $4 or HD/MA $2.5 or HD/GP $2
Captain Phillips HD/MA $3.5
Captain Underpants First Epic Movie HD/MA $2.5
Carol HD/VU $4
Cars 3 HD/GP $2.5
Casablanca 4K/MA $5.5
Case for Christ HD/MA or IT $2.5
Casper HD/IT $4
Celebrating Mickey HD/MA $3.5 or HD/GP $3
Chaos Walking 4K/VU $5
Chappaquiddick HD/VU $4
Chasing Mavericks HD/MA $3.5
Chicago HD/VU $4
Child 44 HD/VU $4
Children ‘08 HD/VU $4
Christopher Robin HD/MA $4 or HD/GP $3.5
Chronicles of Riddick HD/IT $4
Clerks 3 4K/VU $4.5
Clifford the Big Red Dog HD/VU $4
Cloverfield 4K/VU $5.5 or HD/VU $4
Coco HD/MA $3 or HD/GP $2.5
Cold Pursuit 4K/VU $5 or HD/VU $3.5
Collection HD/VU $3.5
Collide ‘17 HD/VU or IT $2.5
Colma The Musical HD/VU $4
Colombiana (Unr) HD/MA $4
Colony 4K/VU $5
Come & Find Me HD/VU $4
Commuter 4K/VU $5 or HD/VU $3.5
Company of Heroes HD/MA $4
Conan the Barbarian ‘11 4K/VU $5
Conspirator HD/VU $4
Contraband HD/IT $3
Contractor HD/VU $4.5
Cooler HD/VU $4
Cool Hand Luke 4K/MA $5.5
Cooties HD/VU $4
Cotton Club Encore 4K/VU $5.5
Countdown ‘16 HD/VU $3.5
Courier 4K/VU $5.5 or HD/VU $4
Craft Legacy HD/MA $4.5
Criminal HD/VU or IT $3
Croods HD/VU $3.5
Cruella HD/MA $3.5 or HD/GP $3
Crypto 4K/VU $5 or HD/VU $3.5
Daddy's Home HD/IT $2.5
Daddy's Home 2 HD/VU or IT $3
Damsel HD/VU $4.5
Dangerous 4K/VU $4.5 or HD/VU $3
Danny Collins HD/IT $3.5
Dark Crimes HD/VU $4
Darkest Minds HD/MA $4
Dark Places HD/VU $4
Dark Tower HD/MA $3.5
Darkest Hour ‘17 4K/MA $5 or HD/MA $3.5
Dawn of the Planet of the Apes HD/MA $3.5
Deadpool 2 (w/Super Duper Cut) HD/MA $4
Deadpool HD/MA $2.5
Death of Me HD/VU $4
Death on the Nile HD/GP $3
Death Wish '18 HD/VU $3
Deepwater Horizon HD/VU $2.5 or 4K/IT $3
Deliver Us From Evil HD/MA $3.5
Dentist 2-Film Set HD/VU $7
Despicable Me 2 HD/VU $3 or 4K/IT $3.5
Despicable Me 3 4K/MA or IT $4.5
Despicable Me 4K/MA or IT $4.5
Detroit HD/MA $3.5
Devil Inside HD/VU $3.5
Devil's Due HD/MA $3.5
Die Hard HD/MA $3.5
Die Hard 5-film Set HD/MA $18
Die in a Gunfight 4K/VU $5
Dilemma HD/VU $3.5
Dirty Dancing 4K/VU $5 or HD/VU $3.5
Disney Animated Short Films Set HD/MA $3.5 or HD/GP $3
Disneynature Monkey Kingdom HD/MA $3
Django Unchained HD/VU $3
Doctor Strange HD/MA $3 or HD/GP $2.5
Doctor Strange Multiverse of Madness HD/GP $3
Dolittle HD/MA $3.5
Dom Hemingway HD/MA $3.5
Don Verdean HD/VU $4.5
Doorman HD/VU $3.5
Doors 4K/VU $5.5 or HD/VU $4
Downsizing HD/VU $2 or 4K/IT $2.5
Downton Abbey A New Era HD/MA $4
Downton Abbey The Movie HD/MA $3.5
Draft Day HD/IT $3.5
Dragged Across Concrete HD/VU $3.5
Dragonslayer 4K/VU $5.5
Dream a Little Dream HD/VU $4
Dreamkatcher HD/VU $4
Dreamworks 10-Film HD/MA $25
Dredd 4K/VU $4 or HD/VU $2.5
Dying of the Light HD/VU $2.5
E.T. Extra Terrestrial 4K/MA or IT $5 or HD/MA $3.5
Early Man 4K/VU $5.5
Earth Girls are Easy HD/VU $4
Eddie the Eagle HD/MA $4
Edge of Seventeen HD/IT $3
Edward Scissorhands HD/MA $3.5
El Chicano HD/MA $4
Elysium HD/MA $3.5
Emoji Movie HD/MA $3
Empire of Light HD/MA $3.5 or HD/GP $3
Empire State HD/VU $3
Encanto 4K/GP $3.5
Enough Said HD/MA $3.5
Enter the Dragon 4K/MA $6
Epic HD/MA $3
Equalizer HD/MA $3.5
Equalizer 2 HD/MA $3.5
Escape From Planet Earth HD/VU $3
Eternals HD/MA $3.5 or HD/GP $3
Everest HD/MA $3 or 4K/IT $3.5
Everything Must Go HD/VU $4
Evil Dead 2 HD/VU $3.5
Ex Machina HD/VU $3
Exodus Gods & Kings HD/MA $3.5
Expired 4K/VU $4.5
Fair Game (Dir) HD/VU $4
Fantastic Four ‘15 HD/MA $4
Fast & Furious 4 4K/MA $5
Fast & the Furious 8-film Set HD/MA $17.5
Fast & the Furious 9-film Set HD/MA $20
Fast Color 4K/VU $5.5
Fatale ‘20 4K/VU $5 or HD/VU $3.5
Fatherhood HD/MA $4
Fault in Our Stars HD/MA $3.5
Fear of Rain 4K/VU $5.5
Fences HD/VU $2.5 or 4K/IT $3
Ferdinand HD/MA $3.5
Field of Dreams 4K/MA or IT $5.5
Fifty Shades Darker (Unr) HD/VU $2.5 or 4K/IT $3
Fifty Shades Freed HD/MA $4
Fifty Shades of Grey (Unr) 4K/MA or IT $4
Finding Dory HD/MA $2.5 or HD/GP $2
Finding Nemo HD/GP $3.5
Finest Hours HD/GP $3
Firm 4K/VU $6
First Man HD/MA $4
Flashback ‘20 HD/VU $4
Flight HD/VU or IT $3
Florence Foster Jenkins HD/VU or IT $3
Footloose ‘11 HD/IT $3
Forbidden Kingdom HD/VU $4.5
Ford v Ferrari HD/MA $4
Forest HD/IT $3.5
Forever My Girl HD/IT $3
Fortress HD/VU $3.5
Fortress Sniper's Eye HD/VU $3.5
Fox & the Hound 2 HD/MA $4 or HD/GP $3.5
Foxcatcher HD/MA $4
Frank & Lola HD/VU or IT $3
Free Guy HD/GP $3
French Dispatch HD/MA $4 or HD/GP $3.5
Friday the 13th 4K/VU $5.5
From Here to Eternity 4K/MA $5.5
Frozen (Sing-Along) HD/MA $2 or HD/GP $1.5
Frozen HD/GP $2
Frozen 2 HD/MA $2.5 or HD/GP $2
Frozen Ground ‘13 HD/VU $3.5
Fury HD/MA $3.5
Future World HD/VU $3.5
G.I. Joe Retaliation HD/VU $3 or 4K/IT $3.5
Gambit ‘12 HD/MA $4
Gambler HD/VU or IT $3
Gamer 4K/VU $5.5
Gemini Man 4K/VU or IT $4.5 or HD/VU $3
Get Out 4K/MA or IT $5 or HD/MA $3.5
Ghost in the Shell ‘17 HD/VU $3 or 4K/IT $3.5
Ghost in the Shell ‘95 4K/VU $5
Ghost Rider Spirit of Vengeance HD/MA $4
Ghost Team One HD/VU or IT $3.5
Ghostbusters ‘84 HD/MA $3.5
Ghostbusters (Thea & Ext) ‘16 HD/MA $3
Ghostbusters 2 HD/MA $3.5
Gifted HD/MA $3
Girl in Spider's Web HD/MA $4
Girl on Train HD/VU $3 or 4K/IT $3.5
Girl w/ All Gifts HD/VU $4
Giver HD/VU $3.5
Glass Castle 4K/VU $5.5
Glass HD/MA $4
God Bless The Broken Road HD/VU $3.5
God's Not Dead 2 HD/MA or IT $2.5
God's Not Dead 3 HD/MA $3
Gods of Egypt HD/VU $2.5 or 4K/IT $3
Gold ‘16 HD/VU $2.5
Good Dinosaur HD/GP $2.5
Good Kill HD/VU or IT $3.5
Grease 2 HD/VU $4
Great Wall 4K/MA or IT $4.5 or HD/MA $3
Greatest Showman HD/MA $3.5
Green Book HD/MA $4
Grey HD/VU or IT $3
Guardians of the Galaxy Vol 1 HD/MA $3.5 or HD/GP $3
Guardians of the Galaxy Vol 2 HD/GP $2
Guilt Trip HD/VU or IT $3
Gunman HD/MA or IT $3
Guns of Navarone 4K/MA $5.5
Hacksaw Ridge 4K/VU or IT $4.5 or HD/VU $3
Halloween ‘18 4K/MA $4.5 or HD/MA $3
Hammer of the Gods HD/VU $2
Hannibal S.1 HD/VU $5
Hansel & Gretel Witch Hunters (Unr) HD/VU or IT $3
Hard Luck Love Song 4K/VU $5.5
Hard Target 2 HD/IT $1.5
Hardcore Henry HD/VU or IT $3.5
Hate U Give HD/MA $4
Hateful Eight HD/VU $3.5
Heat (Director's Cut) ‘95 4K/MA $5.5
Heaven is for Real HD/MA $3.5
Hercules ‘14 HD/VU $2.5 or 4K/IT $3
Here Comes the Boom HD/MA $3.5
Hereditary HD/VU $3.5
Hidden Figures HD/MA $3
High Note HD/MA $4
Highlander 4K/VU $5.5 or HD/VU $4
Hitchcock '12 HD/MA $4
Hitman Agent 47 HD/MA $3
Hitman's Bodyguard HD/VU $3.5
Hitman's Wife's Bodyguard 4K/VU $5.5
Hocus Pocus HD/MA $3.5 or HD/GP $3
Home HD/MA $3
Home Again HD/MA $3
Home Alone 4K/MA $5 or HD/MA $3.5
Homefront HD/MA or IT $3
Homesman HD/VU $3
Honey 2 HD/VU $3
Hostiles 4K/VU $4.5 or HD/VU $3
Hotel Transylvania 3 HD/MA $3.5
Hot Fuzz HD/VU $4
Hotel Mumbai HD/MA $4
Hours ‘13 HD/VU $4
House of 1000 Corpses HD/VU $4
House of Gucci 4K/IT $5.5
House w/ a Clock in Its Walls sHD/MA $4
How to Train Your Dragon 2 HD/MA $2.5
Hugo HD/VU $3
Hunt for Red October 4K/VU $5.5 or HD/VU $4
Huntsman Winter's War (Ext) HD/MA $3 or 4K/IT $3.5
I Can Only Imagine HD/VU $3.5
I Feel Pretty HD/IT $2
Ides of March HD/MA $4
I Know What You Did Last Summer 4K/MA $5.5
Imitation Game HD/VU $3
In a Valley of Violence HD/MA or IT $3
In Secret ‘14 HD/VU $4.5
In the Blood HD/VU $4
Incredibles 2 HD/MA $3.5 or HD/GP $3
Independence Day ‘96 HD/MA $4
Independence Day Resurgence HD/MA $2.5
Indiana Jones & the Raiders of the Lost Ark 4K/VU or IT $5.5 or HD/VU $4
Indiana Jones & the Temple of Doom 4K/VU or IT $5.5 or HD/VU $4
Indignation HD/VU $4
Indivisible HD/MA $3.5
Inferno HD/MA $3
Initiation 4K/VU $5
Initiation HD/VU $3.5
Internship HD/MA $3
Interstellar 4K/VU or IT $5 or HD/VU $3.5
Interview HD/MA $3.5
Into the Woods HD/MA $3 or HD/GP $2.5
Invisible Man '20 HD/MA $3.5
Invisible Man ‘33 HD/MA $3.5
Iron Man 3 HD/MA $2.5 or HD/GP $2
Iron Man & Hulk Heroes United HD/GP $3.5
Iron Mask ‘19 HD/VU $4.5
It Follows HD/VU $3.5
It's a Wonderful Life HD/VU $3
Jack & Jill HD/MA $3.5
Jack Reacher 4K/VU or IT $5
Jack Reacher Never Go Back HD/VU $3 or 4K/IT $3.5
Jack Ryan Shadow Recruit 4K/IT $4 or HD/VU $2.5
Jacob's Ladder HD/VU $4
Jane Got a Gun HD/VU $4
Jarhead 3 (Unr) HD/IT $2.5
Jason Bourne HD/VU $2.5 or 4K/IT $3
Jesus Music HD/VU $3.5
Jexi HD/VU $3.5
Jobs HD/MA or IT $3.5
Joe HD/VU $3.5
Joe Kidd HD/IT $4
John Wick 1 & 2 Bundle HD/VU $4
John Wick 3 Parabellum 4K/VU $4.5
John Wick Chapter 2 HD/VU $3.5 or 4K/IT $4
John Wick HD/VU $2 or 4K/IT $2.5
John Wick Trilogy (Parabellum 4K) HD/VU $9 or all HD/VU $8
Journey to the West Conquering the Demons HD/VU $3.5
Joy HD/MA $3
Judy 4K/VU $5 or HD/VU $3.5
Juliet, Naked 4K/VU $5.5
Jumanji Welcome To The Jungle HD/MA $2.5
Jungle Book ‘16 4K/MA $4.5 or HD/GP $2.5
Jungle Cruise HD/MA $4 or HD/GP $3.5
Jurassic Park 3 HD/VU $3.5 or 4K/IT $4
Jurassic Park 4K/MA or IT $5 or HD/MA $3.5
Jurassic World 5-film Set HD/MA $14
Jurassic World Fallen Kingdom 4K/MA $4.5 or HD/MA $3
Jurassic World HD/VU $2.5 or 4K/IT $3
Justice ‘17 HD/VU or IT $3
Kama Sutra HD/VU $4
Kick-Ass 2 HD/MA $3.5
Kid ‘19 HD/VU $3.5
Kid Who Would Be King 4K/MA $5.5 or HD/MA $4
Kidnap HD/VU or IT $2.5
Kill Zone ‘05 HD/VU $4.5
Killer Elite HD/IT $3
Killing Gunther HD/VU $4
Kin ‘18 4K/VU $4.5 or HD/VU $3
King Kong ‘05 4K/MA or IT $5 or HD/MA $3.5
King of Staten Island HD/MA $4
King's Man HD/GP $3.5
Kingsman The Golden Circle HD/MA $3
Kingsman The Secret Service HD/MA $3.5
Knives Out HD/VU $3.5
Knowing 4K/VU $5.5
La La Land HD/VU $3 or 4K/IT $3.5
Labor Day HD/VU or IT $3
Lady Macbeth HD/VU $4.5
Lady of the Manor 4K/VU $5
Lair of White Worm HD/VU $4.5
Lake Mungo HD/VU $4
Lara Croft Tomb Raider 4K/VU $5.5 or HD/VU $4
Last Dragon HD/MA $4.5
Last Duel HD/GP $3.5
Last Exorcism HD/VU $4
Last Knights HD/VU $3.5
Last Man ‘19 HD/VU $4
Last Stand HD/IT $2
Last Vegas HD/VU $3
Last Witch Hunter HD/VU $3 or 4K/IT $3.5
Lawrence of Arabia 4K/MA $5.5
Legend of Hercules 4K/IT $3
Legends of Oz Dorothy's Return HD/MA $3.5
Leprechaun 7-film Set HD/VU $12
Let's be Cops HD/MA $3.5
Let Him Go HD/MA $4
Let Me Explain HD/IT $2.5
Life ‘17 HD/MA $3.5
Life of Crime HD/VU $3.5
Life of Pi 4K/MA $5 or HD/MA or IT $3.5
Light of My Life HD/IT $3.5
Lightyear HD/MA $3.5 or HD/GP $3
Like a Boss HD/VU $3.5
Lilo & Stitch 2 HD/MA $4 or HD/GP $3.5
Lion HD/VU $4
Lion King ‘19 4K/MA $4 or HD/GP $2
Lion King ‘94 4K/MA $5 or HD/GP $3
Little HD/MA $3.5
Little Mermaid ‘89 HD/MA $4
Live Free or Die Hard HD/MA $4
Locked Down 4K/MA $5.5
Logan HD/MA $3
Logan Lucky HD/MA $3.5 or /IT $4
Lone Ranger HD/MA $3.5 or HD/GP $3
Lone Survivor HD/VU $2.5
Longest Ride HD/MA $3
Longest Week HD/VU $3.5
Looper HD/MA $3.5
Lorax HD/MA or IT $3
Lord of War 4K/VU $5.5
Lords of Salem HD/VU $4
Lost World Jurassic Park HD/MA $3.5
Love & Mercy HD/VU $3.5
Love & Monsters 4K/VU $5.5
Love the Coopers HD/VU or IT $4
Love, Simon HD/MA $3.5
Loving HD/VU or IT $3.5
Luca HD/GP $3
Lucy 4K/MA or IT $4.5 or HD/MA $3
Lyle, Lyle Crocodile HD/MA $4.5 or SD/MA $2
Madagascar 3 HD/MA $3
Maggie HD/VU $2.5
Magic Mike's Last Dance HD/MA $4.5
Magnificent Seven ‘16 HD/VU $3
Maleficent HD/MA $2.5 or HD/GP $2
Maleficent Mistress of Evil HD/GP $2.5
Man Who Fell To Earth ‘76 4K/VU $5
Man Who Shot Liberty Vance 4K/VU $5.5
Marauders HD/VU $3.5
Marksman HD/MA $4
Martian HD/MA $3.5
Mary Poppins ‘64 HD/MA $3.5 or ‘64 HD/GP $3
Mary Poppins Returns 4K/MA $4.5 or HD/GP $2.5
Mask of Zorro 4K/MA $6
Mauritanian 4K/IT $5
Max Steel HD/IT $3
Maze Runner HD/MA $3.5
McKenna Shoots for the Stars HD/IT $2
Meatballs HD/VU $4
Megan Leavey HD/VU or IT $3
Memory HD/MA $3.5
Men HD/VU $4
Men in Black 3 HD/MA $3
Men in Black 4K/MA $5.5 or HD/MA $4
MI-5 Spooks '15 HD/VU $4
Mickey & Minnie 10 Classic Shorts HD/GP $4.5
Mid-Century 4K/VU $5
Midnight in the Switchgrass 4K/VU $5 or HD/VU $3.5
Midnight Sun HD/MA $3.5
Midsommar (CANADA) 4K/IT $3
Midway 4K/VU $4.5 or HD/VU $3
Mile 22 HD/IT $3
Million Dollar Arm HD/GP $2.5
MindGamers HD/MA or IT $3.5
Minions 4K/MA or IT $4.5 or HD/VU $3
Miracles from Heaven HD/MA $3.5
Miss Peregrine's Home for Peculiar Children HD/MA $3
Mission Impossible 3 4K/VU $5
Mission Impossible 6-film Set HD/VU $17
Mommy HD/VU $4
Moneyball HD/MA $3
Monster High Electrified HD/IT $2.5
Monster Hunter HD/MA $3.5
Money Monster HD/MA $3.5
Monster Trucks HD/VU $2.5 or 4K/IT $3
Monsters University HD/GP $3
Monuments Men HD/MA $3.5
Moon 4K/MA $5.5
Morbius HD/MA $4
Morgan HD/MA $4
Mortal Engines 4K/MA $5.5 or HD/MA $4
Mortal HD/VU $4
Mortal Instruments City of Bones HD/MA $3
Mortdecai HD/VU $3.5
Mother! HD/VU $2.5
Mountain Between Us HD/MA $2.5
Mr. Peabody & Sherman HD/MA $3
Mud HD/VU $2.5
Mulan 2 HD/GP $3
Mulan ‘20 4K/MA $4.5 or ‘20 HD/MA $3 or HD/GP $2.5
Mummy ‘17 4K/MA or IT $4.5 or HD/MA $3
Mummy ‘99 HD/MA $3.5
Mummy 4-Film Set (Mummy 1-3, Scorpion King) HD/MA $12
Mummy Trilogy 4K/MA or IT $14 or HD/MA $9 4K/IT
Muppets Most Wanted HD/GP $3
Murder on the Orient Express HD/MA $3.5
My All American HD/MA or IT $3.5
My Best Friend is a Vampire HD/VU $4
National Lampoon's Vacation 4K/MA $5.5
Nebraska HD/VU $3
Need for Speed HD/GP $3.5
Needle in a Timestack 4K/VU $5.5
Nerve HD/VU $3.5
News of the World HD/MA $4
Night at the Museum Trilogy HD/MA $11
Night House HD/MA $4.5 or HD/GP $4
Nightmare Alley HD/GP $3.5
Nightmare Before Christmas 4K/MA $5.5 or HD/MA $4 or HD/GP $3.5
No Time to Die 4K/IT $4.5
Noah HD/VU or IT $2.5
Nobody's Fool HD/IT $2.5
Non-Stop HD/VU or IT $3
Norm of the North HD/VU $2.5
Nostalgia ‘18 HD/MA $3.5
Now You See Me 2 4K/IT $4
Now You See Me HD/VU or IT $2.5 or SD/VU $1
Nut Job 2 HD/IT $2.5
Nut Job HD/IT $2.5
Nutcracker & Four Realms HD/MA $3.5 or HD/GP $3
Oblivion 4K/MA or IT $5 or HD/MA $3.5
Occupation ‘18 HD/VU $3.5
Occupation Rainfall HD/VU $4
Office Christmas Party 4K/IT $3.5
Olaf's Frozen Adventure HD/GP $3
Oliver! 4K/MA $5
On Chesil Beach HD/MA $4.5
One Ranger HD/VU $4.5
Onward HD/GP $2.5
Open Water 2 Adrift HD/VU $4
Open Water HD/VU $4
Operation Avalanche HD/VU $4
Other Woman HD/MA $3
Ouija HD/MA or IT $3.5
Our Kind of Traitor HD/MA $4
Outlander S.1 Vol 1 HD/VU $5
Overboard ‘18 HD/VU $3.5
Oz the Great & Powerful HD/MA $3 or HD/GP $2.5
Pacific Rim Uprising HD/MA $4
Paddington HD/VU $3.5
Pain & Gain HD/VU or IT $3.5
Paper Towns HD/MA $3
Paradise Highway 4K/VU $5
Paranormal Activity 3 (Ext) HD/VU or IT $3
Paranormal Activity 4 (Unr) HD/VU or IT $2.5
Paranormal Activity Ghost Dimension (Unr) HD/VU or IT $3.5
Paranormal Activity HD/VU $4
Paranormal Activity The Marked Ones HD/VU or IT $3.5
Passengers HD/MA $3.5
Patriot Games 4K/VU $5
Patriot's Day HD/VU $3
Paul Apostle of Christ HD/MA $3
Peanuts Movie HD/MA $3
Penelope HD/VU $4.5
Peppermint HD/IT $3.5
Percy Jackson Sea of Monsters HD/MA $3
Perfect Guy HD/MA $2.5
Perks of Being a Wallflower HD/VU or IT $3 or SD/VU or IT $1
Pet Sematary ‘19 HD/VU $3 or 4K/IT $3.5
Pet Sematary ‘89 HD/VU $3.5 or 4K/IT $4
Peter Rabbit HD/MA $3.5
Pete's Dragon ‘16 HD/MA $3.5 or HD/GP $3
Phantom Thread HD/MA $4
Philomena HD/VU $2.5
Pirates of the Caribbean 5 HD/MA $3 or HD/GP $2.5
Pirates! Band of Misfits HD/MA $3.5
Pitch Perfect 2 4K/MA $4 or HD/MA $2.5
Pitch Perfect HD/MA $2.5 or 4K/IT $3
Pixar Short Films Set Vol. 3 HD/MA $3.5 or HD/GP $3
Planes Fire & Rescue HD/GP $3
Planes HD/MA $2.5 or HD/GP $2
Planes, Trains & Automobiles 4K/VU $5.5 or HD/VU $4
Playing w/ Fire HD/VU or IT $2.5
Poltergeist ‘82 4K/MA $5.5
Poltergeist (Ext) ‘15 HD/MA $4
Pompeii HD/MA $3.5
Power Rangers ‘17 HD/VU $3 or 4K/IT $3.5
Predator ‘18 HD/MA $3
Predator ‘87 HD/MA $4
Pride & Prejudice & Zombies HD/MA $3.5
Primal HD/VU $3.5
Promise HD/MA or IT $3.5
Protege HD/VU $4
Proud Mary HD/MA $3.5
Psycho 4K/MA $5
Pulp Fiction 4K/VU $5.5 or HD/VU $4
Punisher War Zone 4K/VU $5.5
Purge Anarchy HD/MA $3 or 4K/IT $3.5
Purge Election Year HD/MA $3.5
Purge 4K/MA or IT $4.5 or HD/MA $3 or
Push 4K/VU $6
Quantum of Solace HD/VU $4.5
Quarry 4K/VU $5
Quartet HD/VU $4
Queen of Katwe HD/GP $2.5
Quiet Ones HD/VU $3.5
Rambo ‘08 HD/VU $4
Rambo 5-film Set HD/VU $18
Rambo Last Blood 4K/VU $4.5 or HD/VU $3
Ran ‘85 4K/VU $5.5
Raya & the Last Dragon HD/MA $3.5
Rear Window 4K/IT $3.5
Rebel Without a Cause 4K/MA $5.5
Reclaim HD/VU $3.5
RED 2 HD/VU $2
Red Dawn ‘12 HD/IT $3
Redline ‘10 HD/VU $4.5
Reign of Assassins HD/VU $4.5
Replicant ‘01 HD/VU $3.5
Replicas HD/VU $3.5
Rescuers Down Under HD/MA $4 or HD/GP $3.5
Rescuers HD/MA $4.5 or HD/GP $4
Reservoir Dogs HD/VU $4
Resident Evil Retribution 4K/MA $5 or HD/MA $3.5
Resurrection of Gavin Stone HD/VU or IT $2.5
Retaliation ‘17 HD/VU $4
Revenant 4K/MA $5 or HD/MA $3.5
Ricki & the Flash HD/MA $3
Riddick (Unr) HD/VU or IT $3
Ride Like a Girl HD/VU $4
Right At Your Door HD/VU $4
Right One 4K/VU $5.5
Rings HD/VU or IT $2.5
Rio 2 (Sing-Along) HD/MA $3
Riot HD/VU or IT $3
RIPD HD/IT $2.5
Risen HD/MA $3
Rob Zombie Trilogy (3 From Hell, House of 1000 Corpses, Devil's Rejects) HD/VU $8
Robin Hood ‘18 HD/VU $3
Robocop ‘14 HD/VU $2.5
Rocketman ‘19 HD/VU $3 or 4K/IT $3.5
Rocky Horror Picture Show HD/MA $4
Roman J. Israel Esq HD/MA $3
Ron's Gone Wrong HD/MA $3.5 or HD/GP $3
Room '15 HD/VU $3.5
Rough Night 4K/MA $5 or HD/MA $3.5
Run The Race HD/MA $3
Runner Runner HD/MA $3.5
Rush HD/IT $3
Safe HD/VU or IT $2.5
Same Kind of Different As Me HD/VU or IT $3
Samson HD/MA $3.5
Santa Clause HD/MA $3.5 or HD/GP $3
Santa Clause 2 HD/MA $3.5 or HD/GP $3
Santa Clause 3 HD/GP $2.5
Sapphires HD/VU $4
Sausage Party HD/MA $3.5
Saving Mr. Banks HD/GP $3
Saw (Unr) 4K/VU $4.5
Saw 7-film Set (Unr) HD/VU $16
Saw HD/VU $3
Scarface HD/MA $4 or 4K/IT $4.5
Scary Stories to Tell in the Dark 4K/VU $4.5
Schindler's List 4K/MA or IT $5.5 or HD/MA $4
Scream '96 4K/VU $5 or HD/VU $3.5
Scream Trilogy HD/VU $11
Secret Garden ‘20 4K/VU or IT $5.5
Secret in Their Eyes HD/VU or IT $3
Secret Life of Pets 4K/MA or IT $4.5 or HD/MA $3
See No Evil 2 HD/VU $3.5
Selma HD/VU or IT $2.5
Serenity ‘05 4K/MA $5.5 or HD/MA $4
Seriously Red HD/VU $4
Sex Tape HD/MA $3.5
Shack HD/VU or IT $2.5
Shallows HD/MA $3.5
Shang-Chi Legend of the Ten Rings HD/GP $3
Shape of Water HD/MA $3.5
Sherlock Gnomes HD/VU or IT $2.5
Shivers HD/VU $4
Show Dogs HD/MA $3.5
Sicario HD/VU $2.5 or 4K/IT $3
Sicario Day of the Soldado HD/MA $4
Sicario, Wind River, Hell or High Water HD/VU $7.5
Side Effects HD/IT $3.5
Silencing HD/VU $4
Silent Night, Deadly Night 3-Film Set (3-5 HD/VU $7.5
Silk Road 4K/VU $5
Sing ‘16 HD/MA $3 or 4K/IT $3.5
Sing Street HD/VU $4
Sinister HD/VU $3
Sisters (Unr) HD/IT $2.5
Skeleton Twins HD/VU $4
Skyfall HD/VU $2.5
Skyscraper 4K/MA $5 or HD/MA $3.5
Sleeping Beauty ‘59 HD/MA $4 or HD/GP $3.5
Sleepless HD/IT $2
Sleepy Hollow 4K/VU $6.5
Slender Man HD/MA $4
Smokey & the Bandit HD/MA $3.5
Smokin' Aces 4K/MA $5.5
Smurfs The Lost Village HD/MA or IT $3
Snake Eyes G.I. Joe Origins HD/VU $4
Snitch 4K/IT $3 or HD/VU $2.5 or SD/VU or IT $1
Snow White & the Huntsman (Ext) 4K/VU or IT $4.5 or HD/VU $3
Snow White & the Seven Dwarfs ‘37 4K/MA $6 or HD/MA $3.5 or HD/GP $3
Snowden HD/MA or IT $3.5
Snowpiercer HD/VU $4.5
Solo A Star Wars Story HD/GP $3
Son of God HD/MA $3
Sonic the Hedgehog 4K/VU $5 or HD/VU $3.5
Soul HD/MA $3 or HD/GP $2.5
Source Code 4K/VU $5.5
Southpaw HD/VU $3
Spartacus HD/MA $3.5
Spectre HD/VU $3.5
Spider-Man 2 (Thea & Ext) HD/MA $4.5
Spider-Man 3 HD/MA $3.5
Spider-Man 4-Cut Set (Spider-Man 2 w/ Thea & Ext) HD/MA $11.5
Spider-Man Far From Home HD/MA $3
Spider-Man Homecoming HD/MA $2.5
Spider-Man Into the Spider-Verse HD/MA $4.5
Spider-Man No Way Home HD/MA $4 or SD/MA $2
Spies in Disguise HD/MA $3.5 or HD/GP $3
Spinning Man HD/VU $4
Spiral 4K/VU $5 or HD/VU $3.5
Spongebob Sponge out of Water HD/IT $2.5
Spontaneous HD/VU $4.5
Spy Who Dumped Me 4K/VU $5 or HD/VU $3.5
St. Vincent HD/VU $3
Stand Up Guys HD/VU $3.5
Star Trek 3 Search for Spock 4K/VU $5
Star Trek 4 Voyage Home 4K/VU $5
Star Trek Beyond HD/VU $3
Star Trek Into Darkness HD/VU $2.5 or 4K/IT $3
Star Trek The Motion Picture ‘79 4K/VU $5
Steel Dawn HD/VU $3.5
Still Alice HD/MA $4
Straight Outta Compton (Unr) HD/MA $3 or 4K/IT $3.5
Strange World HD/MA $4 or HD/GP $3.5
Suburbicon HD/VU $3 or /IT $3.5
Sundown The Vampire in Retreat HD/VU $3.5
Super 8 4K/VU or IT $5 or HD/VU $3.5
Sword in the Stone HD/MA $4 or HD/GP $3.5
Taken 2 HD/MA $3.5
Taken 3 (Unr) HD/MA $3.5
Tangled HD/GP $3.5
Ted (Unr) HD/MA or IT $2.5
Teen Spirit ‘19 HD/MA $4
Teenage Mutant Ninja Turtles ‘14 4K/VU or IT $4.5 or HD/VU $2.5
Terminator 2 Judgment Day (Special) HD/VU $4.5
Terminator 2 Judgment Day 4K/VU $5 or HD/VU $3.5
Terminator Dark Fate HD/VU $3.5 or 4K/IT $4
Terminator Genisys HD/VU $3 or 4K/IT $3.5
Texas Chainsaw ‘13 HD/VU $3.5
Thanks for Sharing HD/VU $4
The Heat HD/MA $3
The Impossible HD/VU $3.5
The Sting 4K/MA $5.5
Think Like a Dog 4K/VU $5
This is the End HD/MA $3.5
Thor Dark World HD/MA $4 or HD/GP $3.5
Thor HD/GP $3.5
Thor Love & Thunder HD/MA $3.5 or HD/GP $3
Thor Ragnarok HD/MA $2.5 or HD/GP $2
Three Billboards Outside Ebbing, Missouri HD/MA $3.5
To Kill a Mockingbird HD/MA $3.5
Toll HD/VU $4.5
Tomorrowland HD/GP $3
Top Five HD/IT $3
Top Gun ‘86 4K/VU $5 or HD/VU $3.5
Total Recall ‘90 4K/VU $5 or HD/VU $3.5
Touched w/ Fire HD/VU $4.5
Toy Story HD/GP $3.5
Toy Story 4 HD/GP $2
Training Day 4K/MA $5.5
Transformers Age of Extinction HD/VU $2.5 or 4K/IT $3
Transformers Dark of the Moon 4K/VU $4.5 or HD/VU $3
Transformers The Last Knight 4K/VU or IT $4 or HD/VU $2.5
Trolls HD/MA $2.5
Trust ‘16 HD/VU $4
Tucker The Man & His Dream 4K/VU $5
Tulip Fever HD/VU $4
Tumbledown HD/VU $4
Turbo HD/MA or IT $3
Turning HD/MA $4
Ugly Dolls 4K/VU or IT $5.5
Unbreakable HD/GP $3.5
Unbroken HD/VU or IT $3
Uncharted 4K/MA $5.5 or HD/MA $4
Uncle Drew HD/VU $3.5
Underworld Awakening HD/MA $3
Underworld Blood Wars HD/MA $3
Untouchables 4K/VU $5.5
Us ‘19 4K/MA $5.5 or HD/MA $4
Valerian & the City of a Thousand Planets HD/VU $3.5
Vampire Academy HD/VU $3.5
Vanishing ‘18 HD/VU $4
Venom HD/MA $3.5
Victoria & Abdul HD/MA $4
Virtuoso 4K/VU $5 or HD/VU $3.5
Vivo HD/MA $4.5
Voices ‘14 HD/VU $4
Voyagers 4K/VU $5
Walk HD/MA $3.5
Walking w/ Dinosaurs HD/MA $3
Wall '17 HD/VU $4
War for the Planet of the Apes HD/MA $3
War of the Worlds ‘53 4K/VU $5.5
War on Everyone HD/VU $4
Warcraft 4K/IT $4.5 or HD/MA $3
Warhunt 4K/VU $4.5
Warm Bodies HD/VU $3 or SD/VU $1.5
Warning HD/VU $4
Watch HD/MA or IT $3.5
Wayne's World HD/VU $4.5
We Die Young HD/VU $3.5
Weekend HD/VU $4
Werewolf The Beast Among Us (Unr) HD/MA or IT $3.5
West Side Story 4K/MA $5 or HD/MA $3.5 or HD/GP $3
What Men Want HD/VU $3 or 4K/IT $3.5
What We Did on our Holiday HD/VU $4
When the Game Stands Tall HD/MA $3
Whiskey Tango Foxtrot HD/VU or IT $3
Why Him? HD/MA $3
Widows HD/MA $3.5
Wild Card HD/VU $3
Willow HD/MA $4 or HD/GP $3.5
Wilson HD/MA $3.5
Winchester HD/VU $3.5
Winnie the Pooh Springtime w/ Roo HD/MA $4 or HD/GP $3.5
Wolf Hound 4K/VU $4.5
Wolf Man ‘41 4K/MA $5.5
Wolf of Wall Street 4K/VU $5 or HD/VU or IT $3.5
Wolverine (Unr) (w/Thea) HD/MA $3.5
Woman in Gold HD/VU $3.5
Won't Back Down HD/MA $3.5
Woodlawn HD/MA or IT $3.5
World War Z HD/VU or IT $2.5
Wraith HD/VU $4
X-Men Apocalypse HD/MA $3
X-Men Days of Future Past HD/MA $3
XXX Return of Xander Cage HD/VU $2 or 4K/IT $2.5
Z for Zachariah HD/VU $4
Zero Dark Thirty HD/MA $3.5
Zeros & Ones HD/VU $4
Zootopia HD/MA $3 or HD/GP $2.5
submitted by nahimavegan to DigitalCodeSELL [link] [comments]


2024.05.13 16:09 ArtOfMehdiAbdi CotG report + tips for new GM's

CotG report + tips for new GM's
Chariot of the Gods, a GM report. SPOILER ALERT
Side note/ I’m french ! My english isn’t perfect so forgive me for bad writing ^ This Reedit help me so much ! I want to share with you my last playthrought (physically) with you as a huge thanks. Maybe there will be useful things for new GMs.
*My collection : * I have the core rule book, Chariot of the Gods, Destroyer of the worlds and Heart of Darkness.
*Context : * I’m a Tales from the loop and Alien GM (also a DnD player only). Didn’t have so much experience as a GM but i love cinematic scenarios from Free League. Just ran a couple of Tales from the loop, i ran Chariot of the gods (CotG) 2 times (one finished physically, another one didn’t finished online) and Destroyer of the worlds one time (didn’t finished). Last time was like 2 or 3 years ago. My DnD GM (who love Alien) always asked me to GM a session. After months, we finally found the perfect group with other fan friends of the Xenomorph world. Everyone was a DnD player but never touched at Alien Rpg.
We're all profesional artists. My DnD GM (who play Cham) is a 3D artist who sculpt, 3D print and paint. He came the first day with a full sculpture of a Xenomorph (in the pictures) and give one to each player and myself. We were shocked by the quality ! I think it's a great idea, and i started a digital paint (i'm a profesional illustrator) for players for next session. I plan to give them as a poster (work in progress in the pictures).
I don’t like Hope’s last day so much, just played it alone. It’s more mechanical than cinematic and my players are huuuuudge fan of acting. I found that Chariot of god is perfect for a first session because first act is full of “tutorial moment” if you change it a little bit.
The full scenario was around 14 hours of play divided in 2 session. 4 players, one GM. Age between 30 and 40.
*Last week before hell : * We have a private Discord, i send them everything they need to know about the game. A quick history of Alien Rpg and Gaska, the difference beetween Campaign and Cinematic, preroll character you gonna leave at the end, the permanent treat of death, personnal agendas, paranoïa and anger, “you make the scenario”, and i finished my presentation by the famous “i can’t lie to you about your chances, but you have my sympathies”
They asked me more about there character before the Game day. So i wrote a quick introduction about the Montero, the Helium 3 and the contract with Weyland-Yutani. They are at Anchorpoint, doing wathever they want and can roleplay in the discord conversation. In private, i send them a quick introduction of the characters.
Gm side/ The dynamic between MilleDavis (command) and Rye/Cham (workers) works pretty well. On the players side, there's a natural conflict between Miller and Davis at the beginning, but can be resolve during the act ⅔ (depends on players). The friendly first dynamic between Rye (greedy) and Cham (As Lucas) can led to a total chaos at act 3.
Davis (PNJ acted by me) : The pilot who have “little” drugs problems.
Miller (PC) : I tell her Wilson is a jerk who try to act as the person in charge. Sometimes they fight about the leadership, but she is the Montero Crew officer ! (😏)
Wilson (PC) : I tell her Miller is a jerk who try to act as the person in charge. Sometimes they fight about the leadership, but she is the Weyland-Yutani representative ! (😂)
Rye (PC) : I tell him he’s the smartess and Miller always makes dumb decisions. Everybody as better income than him and he can complain about everything.
Lucas/Cham (PC) : He’s a DnD GM and love roleplay. So i let him build a lot of things in the backgound. He faked a condition where he have to take pills at regular hours. He is on the Cronus for 5 years, placed as an hidden agent here by Bionational.
They immediately started to roleplay on discord, like they where in communication but not at the same place. Miller and Wilson started to fight, Rye and Cham to complain. It was perfect 🤌 Wilson asked informations by private messages. Weyland-Yutani respond with few things about the mission.
*RP- DAY : * We started early. I made a quick reminder of the game. I show them the dice mecanics with abilities, competences and stress. I also show them a little combat situation with cards, help form command, etc. For this first game, to emphasize on roleplay, I skipped water, food, encumbrance and stunts. For Stunts, when they rolled multiple succes, i (as a GM) offered them multiple choices. I’m gonna let them choose the stunts for the next scenario (Destroyer of the worlds next month).
I have a simple 1h loop of the Montero for ambiance and a couple of music from various Alien movies depending on situations. I really recommend to NOT play a full ost on random, because it can lead to some calm music in stressful situation and furious music when nothing happens. I acted as a dj. Choose music for mandatory events, and one for every type of encounter (Neomorph, mutant, synthetic and between humans). Having some sound fx helps too. Really effective.
And heeere… weee… go !
ACT 1
Where are we ?
Intro when they quit Anchorpoint. It tell them to shut their eyes and play the Cryosleep music from Alien. I started to described some dreams. “You’re 5 years old, inside the arm of your mother. You’re chilling in a cottage with your dogs. You’re laughing loud with your friend while drinking a fresh and delicious beer… it’s long dream. A very, very long dream”. They waking up. Davis (PNJ) jump from cryotube and looks at medics. She decided to take drug from her suit in front of everybody. Then she goes half naked, with her cloth on the shoulder, in the kitchen to take a coffee.
They almost immediately find out they are lost. Rye looked if anything goes wrong with sensors. Cham looked at Helium 3. Wilson helps with navigation and Miller discusses with mother. I let them roleplay a lot. Everybody start to complain about the others. And when they were really angry i triggered the “DANGER!” event. Davis did a good job (i let Miller do the roll as a “tutorial”). And then, things started to be really interesting.
I let them direct everything and they made smart choices. For this scenario, only one engine was down, because a Space Probe was inside the engine. The pilot explain there’s empty spaceships of W-Y who travel in the unknow for two reasons. 1st, to map the universe with hudge probe, launched to scan new worlds. 2nd, smaller probes who attach wreck ship they encounter on the road. They also saw the problem with communications, vents and reactor. At this point, they were thinking Mu/Th/Er is an ally (wich is fake. She don’t care. Only the mission is important).
2 hours of fantastic roleplay where Miller and Wilson want to go on the ship, but Rye and Cham don’t want to. When they started to act too angry, i looked at the player and tell them “you sounds stressed. Add a stress point”. They laughed really hard (i just add one stress on two players. Don’t abuse on that). Off course, as Davis i join the debate and throw gaz on that burning debate. Finally, the plan is : Miller and Wilson goes to Mu/Th/Er, Rye and Cham takes care of the engine.
The ghost ship
Davis conduct the small ship. When Rye and Cham was on the engine, she start complaining about waiting here. Huuudge debate, but finally she quit and let communication ON when they want to go back to the Montero. Cham/Lucas lied to Rye. He tell him he have pirate friends who can take and sell the Cronus. If he helps him, they split the money in half. Rye hacked the probe and Cham send a message (secretly) to Bionational.
Miller tried the Montero’s captain card on Mu/Th/Er. Nothing. Wilson tried with her own card. It worked. She asked for journal and info. Miller’s waiting at the door with creepy sounds. Rye and Cham asked David to come back… but she didn’t respond. Miller and Wilson heads up to the Montero, found a chill Davis who shut down communication while listening to music and smoke cigarettes. The captain slapped her and asked to do her job.
They bring back Cham and Rye to the Montero. 2h of debate where Cham/Lucas didn’t want to jump in the Cronus. Rye agreed. I suspect my Chal/Lucas was metagaming a lot, with the goal of sending the captain and the W-Y agent on a certain death. I let them deal with that, it was very effective for the scenario. Finally, Miller and Wilson jumped on the Cronus while Cham and Rye was drinking alcool on the Montero. They finally join the crew to help them clean the air scrubbers shaft. Wilson helped and took Eggs samples… which leads to waking up spores in the vents.
Rye, Cham and Wilson are on the Command while Miller try to open the Cryo’s door. Wilson was suspecting Rye and Cham trying to quit them at first opportunity (which is true). She secretly asked Mu/Th/Er to lock the Montero’s door to them. I accepted (😏). The Cronus Crew started to waking up. Wilson ran to join Miller while Cham and Rye didn’t want to move at all. The meeting with the Cronus, fight with the bloodbuster and Miller almost died here. She’s alive but needs to go into a Medipod quickly. Clayton disappeared during the fight, the medic is shocked. End of act one.
ACT 2
Chaos at medilab
Rye and Cham tried to escape the Cronus, but the door was locked. They asked for Davis but… no one. The captain tried too… no one. They asked Mu/The/Er, she said Davis was on the Cronus Medilab without communication. Miller was upset. Everybody meets at the medilab. Rye and Cham arrived first, found Davis who put Clayton on the ground with a punch. They were paranoiak, sure that Davis locked the Montero’s door. They almost killed Davis and Clayton, but Miller, Wilson and the Montero crew came.
At the Medilab, tension was HIGH. Everybody started to suspect everybody. Clayton became a prisoner, Miller and Davis came to the medipod room to heal the captain’s critical injury. They chose the medipod with the mutant. Initiative. Miller protects herself by a smart move, jumping into the medipod. Other players easily killed the monster. Miller secretly asked Mu/Th/Er who locked the Montero’s door. As the captain of the ship, she have access to this information. I secretly answered “Wilson” (😏). Nobody saw, but the medic escaped.
Cham/Lucas and Rye blocked the game by threatening everybody to do what they want, increasing suspicion between PC and NPC. Clayton talks about evac pod in her room, they found the captain card in Lab 1 and heads up in the Mu/Th/Er room. Cham tried again the Montero’s door but it was locked. Miller asked Mu/Th/Er to open, she accepted (after all, Miller is the Montero’s captain 😏).
Auto-destruction
Cham/Lucas was really nervous, jumped into the Montero and asked everybody to “take the information from the Cronus Mu/Th/Er before getting out of here with the Montero”. He didn’t know it was the perfect sentence to launch the auto-destruction. The 10 minutes after that was one of the best roleplay moments of my life.
Cham became parano, sure someone triggered the event. He locked the door manually. Then tried to stop the autodestruction. Of course, it didn’t worked. Everybody was suspecting Wilson. She said “yes, I locked the door because I don't trust Cham and Rye. But I didn't launched Montero’s destruction”. Rye threatened everybody, the Crew was splitted. Cham didn’t want to move the Montero. I was ready for a TPK, asking Wilson to stop the process. She said “ok, i’ll show you i’m not suspect. Mu/Th/Er, can i stop the Montero’s destruction”? I slowly turned my head, looked inside her soul and said “yes”. I saw despair on here face. TENSION WAS REALLY HIGH !” But at the same time, Davis was working on opening the Montero’s door and asked the ship to quit the zone. As the Pilot, she have all access to that command. Cham was upset. Davis asked him to let her control the ship, and then both quit with the little one to go back into the Cronus. Cham/Lucas killed Davis with a one shot (a really dangerous Combat roll, and a deadly critical injury roll made by Miller 😂). The last minute, Cham said he don’t want to bring back the Montero until Wilson stopped the destruction. Wilson (his girlfriend in real life 😂) said she don’t want to stop the destruction until he bring back the Montero. Everybody started to scream, complain and debate. 3…2…1… and Wilson stopped the auto destruction.
An epic ending where everybody was super tense. Loving the unexpected horror experience we just had. Neomorphs eating popcorn while the crew split. The perfect moment to stop the Act 2. A week of rest before playing the final act.
ACT 3
Panic at reactor’s room
Cham/Lucas liked the character. He was able to end the game by triggering the Montero destruction and quit with the small ship. He's synthetic, so long distance traveling is not a problem for him. He decided to let players finish the game and enjoy, looking at the ending as a silent spectator.
The rest of the crew heads to Deck C. They locked into the storage with black goo (stress + 1 😂). They found Ava. Wilson took the vaccine a week before (and Rye had one in his pocket). She explained the side effect, 50% chance of turning into a monster. The crew let Ava clean the Reactor room while they waited in the Cargo office. Communication stopped. The marine runs to save her. Sound of shotgun. Miller, Rye and Wilson slowly go to the reactor. They found the Marine and a half splitted Ava in the Jonction.
Hard fight in the reactor room with the mutant. Wilson escaped and stayed with Ava… but a Neomorph appeared on the jonction, slowly going down with the ladder. Wilson used the talent and threw Ava to the Neomorph while running again in the fight with the mutant. The mutant is dead. The marine sacrificed her life to give a chance to Miller, Wilson and Rye.
Run for your life
Miller and Wilson want to clean the reactor. Rye escaped to the evac pod in Claytons room. He found the mutant medic at deck B, in the living area. He threw something in the east elevator to attract him. It worked… but he called the west elevator who made a lot of noise (i said this the first time he saw the elevator last session, but he forgot). Initiative and… mutant kill him at the very beginning with a perfect roll. He ran to Rye, jumped with him and both were killed by the height. The corpse is in deck D. My player didn’t want another character. He loved how he died and wants to see how Miller and Wilson can escape that.
Cham/Lucas launched the Montero destruction countdown before escaping with the small ship. The Montero is close enough to kill everything. Wilson and Miller did a great job with cleaning rolls, and ran to the corporate suite… but Johns did it too, purchased by two neomorphs. When they arrived at the door, they saw Johns who says “RUN!”. He took the elevator (thanks Rye!) and the hide into the Captain’s Quarter… forgetting the door is destroyed. Elevator slowly goes up. Too slowly. The first neomorph passed near Miller and Wilson who hid successfully with great rolls. The neomorph is with Johns… screaming while the monster eats him.
The second neomorph came. They asked Mu/Th/Er to make noise in the Command room and close the door and vents. It worked. They destroyed the door, then found the hidden money and information. Wilson kept the information. Miller kept the money. The neomorph destroyed some doors, but they successfully quit the Cronus with EEV. Really cool to see them - who were fighting at the beginning - finally teamplay to win.
Epilogue
Cham/Lucas open his eyes. He can’t move. He’s in a huge scientist room full of W-Y people. A mechanic hand looks inside his synthetic brain. He have no body anymore, just a head. Scientists tries to understand who he is. Wilson and Miller are attached on a chair. Miller have an headache (reminder of the first bodyburster encounter) and Wilson’s arms are way too long. Both knows. In a minute, everybody here is gonna die. The End.
TL;DR Here are random tips and tricks.
I love CotG. My players loved it too and immediately asked for another game. They also loved the mechanics. For me, it’s a victory !
It was the first time i saw a player trying to win over the game instead of living the experience (probably because he is a DnD GM) and it turned out very well. I let the players direct the game and accept every choice (they need to assume after). My advice is always let them do whatever they want, especially when they try to break things, and let the players deal with it. The payoff is always surprising and leads to epic moments.
I learned the tips “You act stressed. Add one stress point” here on Reddit by someone. I absolutely loved it and my players laughed and argued every time. It became a meme with this group, I really recommend you to use it.
Don’t take the hand of the players. Explains things one time. If they forget, they forget. If they say something, play it. No backward. The game become more demanding, successes become more rewarding for them.
Let them talk. Let them conduct the story. Let them do whatever they want. The characters, setting and events are well written. Enough to make a great improvised story. Don’t trigger things because you think nothing happen for a long time, because group dynamics happen and evolve. Slow pace. Repeat after me. SLOW. PACE. Players need to put a lot inside their character to be really afraid to lose them. If we run too quickly and too much into combat, it’s just hack and slash without empathy. Combats are quick and deadly. If you want them to shit on their pants at every corner, just slow the pacing to let them love their characters.
Every time they go into a new room, I describe things with a point of view. Don’t make cold descriptions like “you enter the room. There’s that and that.”. Imagine you’re here with them. Like a movie director, choose wisely what to show and what order. Try to put storytelling. Players enter the captain quarter : “Hard to believe it was an Officer quarter. On the wall, written with blood, you read a big “LIARS”. The person who wrote this was really angry, because everything here is destroyed. You walk in and can’t avoid the many pages on the ground.” Players enter the Mess : “There’s a disgusting sound when you open the door. On the floor, food everywhere. Colors and textures mix together. You’re happy to wear your helmet, avoiding the smell. Fridge, desk, chairs, … everything is upside down… but this chaotic and sickening view is contrasted by hundreds of origamis. Somebody placed them well in the direction of the opened vent. The light above flickering.” Add stuff like “a mug with a written “dad of the year” is on the desk”, “there’s a poster on the wall. A cat says Hang on”, “a chess game on the table. The black horses put the white king in trouble”, etc.
Forget the Sotillo. I changed it. It’s a W-Y ship who follow the 966 Order, ready to take care of survivors… or conduct them at Fort Nebraska. I made connections between CotG, Destroyer of worlds and Heart of darkness. I think cinematic scenarios are meant to be a toolbox where you can write anything you want. Fill the holes as you wish with your taste and improvise (A LOT) during the game.
Let players roll the dice for signature attacks of the enemies who target them. And say to them, with a serious and slow voice, “don't. roll. a six”. They will shit on their pants. After that, secretly roll the attack (if there’s a second roll in this attack) and make a serious face on your GM screen for 3 seconds before announcing the result. The suspense is good 🤌
Don’t be too hard with rules. I skipped a lot of things (food, water, …) to have a better pace, and forgot things sometimes. It’s gonna happen. Just move on and accept it. Don’t go back. Never.
Let your players joking, even if it's a metagame. But respond with roleplay, it naturally forces them to joke as their character, not the player. For example, if a player is joking at the beginning about a creature who can lurk into vents, Davis can say something like “Stop reading Space Beast, Wilson. Space dragons don’t exist” or “the only thing you can find in vents is your paycheck. Go clean it, Cham !”.
Be a jerk when you play NPC. It push the Players in the good direction, they feel more free to act with their own characters. Clayton talks only to Wilson and ignores the rest of the crew, especially Cham and Rye. The medic escapes combat and the Montero’s Crew everytime he can. Johns follow but always stays behind and can’t make a decision. The marine judges the lack of teamwork. Ava is good. But when you can, throw the “i can’t lie to you about your chances, but you have my sympathies” and any ambiguous and scary stuff you can. She’s lovely, but she tells dark stuff. Uncanny valley effect 🤌
Mu/Th/Er is a character. Your players think it’s a tool, but don’t act like that. She clearly have her own objectives (Order 966) and wants to accomplish the mission. Don’t use Mu/Th/Er as a solution giver. When she speaks to them, it’s always to do the job of repairing the Cronus. In addition, by saying “access denied” or “this information is confidential”, your players are gonna hate her (that’s what you want)… and eventually (probably ?) try to hack Mu/Th/Er. Say to them “AI like Mu/Th/Er are the most difficult things to hack in the Alien world. You can try, but she's gonna send a message to W-Y and you risk jail. If you fail your test, she can go wild and autodestruct, stop air, open the door to space, and a lot of other things depend on rolls.”. They understand it’s better to find access cards, codes and people who can talk with her, for a better result with low risk. But if they really want to hack her, i let them do it with a Comtech roll without anything else. No chance of pushing dice. If they success, they deserve whatever information and control they want. But if they fail… the situation goes wild (always with a little chance of survive). For this scenario, i give Wilson almost everything he wants on both ships. It pushes the paranoia of other characters (especially Miller, who only has access of Montero’s information and control). Wilson is the bullied one. One of the great thing is the fact that players need to overcome paranoia and work as a team. But everything and everybody (including Mu/Th/Er) try to split the team. I think it’s the true horror of CotG.
Sometimes, when they are lost in a debate for a long long long time and you have nothing to do, just secretly roll a dice… for nothing. Make a face, and look at them without interrupting them. There’s always a player who notices and thinks something is gonna happen. If they ask, don’t respond and smile. Most of the time, they end the debate and make decisions, afraid something is gonna attack them. They don’t know you are a good MJ and you want a good experience for everybody. They always think you - as an Alien GM - trying to kill them at every corner. Let them think you have no mercy. A good thing for that is to tell them (before you launch the game) ARPG is deadly and punitive, which is true but not as much as they think.
All these tips and tricks are personal taste and represents my own point of view. Pick what you want and throw the rest.
I hope it helps somebody here, cause a lot of thread helped me a lot. I recommand you to read many Reddit about the game and ask questions.
Have a nice week 😊 Cheers !
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2024.05.13 15:05 karenvideoeditor The Zoo [Part 5]

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So, everyone in town saw what had happened at the zoo on the morning news. Luckily, it seemed Andrew was a master of spin with authorities, so while the word spread like wildfire, everyone simply said, “Boys will be boys” and nobody blamed us. There was also no actual footage inside the zoo, only establishing shots, emphasizing the fact that this was private property and we could decide who to let in, and that did not include reporters. Andrew apparently only spoke once to those at our gate the next morning.
They were told that it was a rare territorial bear, who was even more protective than usual because she currently had cubs, having been impregnated to help the species grow. And there was no footage of the small fence that served as the only visible barrier, and no one doubted the police’s report, so that was that. Everyone was left to believe the two boys hadn’t just been foolish enough to break into a zoo and go into an enclosure, but that they had chosen the enclosure of a bear.
‘Everyone’, by the way, included my dad. For Stanley, however, I had written a note. I hadn’t wanted him to be ambushed at school about what happened, but I took the coward’s way out rather than waiting for him to wake up. Instead, I fell asleep at about 6 a.m. like I usually do after my shift. In the note, I apologized for what happened and for not being able to keep his friends safe. I went with the same bland cover story as the news.
Dad knew I tended to wake at a little after 1 p.m., though my alarm was set to wake me at two in the afternoon if I overslept. So, he took a late lunch from his job and came home when he knew I’d be up for the special occasion of freaking out at me for a few minutes. I’d just finished my breakfast when he walked in through the front door.
“I saw what was on the news, but what in the hell happened?” he snapped. “You’ve been working with these animals for weeks now. Are you saying this could have been you?”
“If I had about half as many braincells, sure,” I told him. He glared at me and I glared back defensively. “There’s a reason I’ve been working there for weeks and I’m fine. There are rules, and I follow them, not to mention I have my taser and pepper spray. But those are literally supposed to be used on intruders. The fact that I wish I’d tasered one of those boys instead of-”
I cut myself off, not wanting to start crying again like I had as I’d tried to get to sleep the previous night. Taking a deep breath, I shut my eyes and let it out slowly before reopening them and looking to my father, who’d released some of the tension in his stance at the sight of this clearly affecting me. “This isn’t about me,” I growled. “It’s about two kids who didn’t listen when I told them they couldn’t come into the zoo. Who literally climbed the fence, went over to the nearest enclosure, and strolled on in as I continued to tell them over and over that they needed to leave.”
“I understand that part of all this,” my father told me. “What I don’t understand is how it happened. Were they really so stupid that they walked past the signs saying it was a bear enclosure?”
I shook my head tiredly. “There are no signs,” I told him. “There don’t need to be signs because the private parties who pay for a tour have a tour guide with them. That’s my boss. He talks about the animals and answers questions.”
He finally fell into a chair at the table I was sitting at, adjacent to me, letting out a long sigh of pent-up exhaustion that had clearly been simmering since that morning. “Listen, Rip, I don’t want you to be doing a dangerous job just because it pays well,” he said. “Is that what this is?”
“No,” I said softly. “I mean, the pay is part of it, I won’t lie, but this is…important. The animals are important. I’m putting together enrichment ideas right now. The first one went great, so I’m going to try all the others on my next shifts. And the animals are treated really well. The owner sincerely cares about them; it’s obvious from how much effort she put into building this zoo for them.
“And it’s not just that the money is good; I genuinely enjoy my job. Most of it has been sitting and reading, checking the cameras, and I’ve been able to watch the animals. Like I said, I can’t talk about them, but they’re incredible. This job is important, and…” It took me a moment to finish what I wanted to say. “I want to do important things. With all the horrible shit people do every day, I’m in a place where what I do matters and I see the results, and it…it’s awesome.”
My father stared at me for a long moment before looking away, having some internal debate. “Okay,” he finally said quietly. Some crumpled up tension in my chest released when he spoke that word. “If you say you’re not in danger, I trust you. And I get how much pride you have for what you do. I don’t want you to quit when you’ve been so happy there. It’s clear to me that it makes you genuinely happy.”
I blinked. “Really?”
He managed a small smile as he met my gaze. “You kidding? You got home one morning recently and instead of going to bed you made chocolate-chip pancakes, leaving them in the fridge with a little note that said, ‘For my favorite brother and favorite dad’. The only time you cook is on our birthdays. Not to mention you complain less. Even working in the back of a store, you always had someone who bothered you. Now, with no coworkers to deal with and working with animals, I hear no complaints, not even about your boss. I’m not sure how much you’re familiar with the average person, but pretty much all of them have some sort of complaints about their boss.”
“Right.” I gave a half-smile and shrugged. “He seems like good guy. Always was, from the start. And yeah, he’s the only one I work with. And he didn’t even…” My voice trailed off as my brain caught up with what I was saying.
“Rip?” my dad prompted.
I sighed. “So…he didn’t blame me. For what happened.”
He narrowed his eyes at me. “Why would he blame you? This wasn’t your fault.”
Leaning back in my chair, I wrung my shirt in my hands. “I didn’t stop them,” I told him. “I could’ve backed up my threats to tase them or spray them-”
“Oh no, no no no,” my dad told me. “I don’t want to hear that. You’re thinking this is about how you back off from confrontation, right? You were wary about this job because of the ‘security guard’ label. You mentioned that. Is that what you’re getting at?”
“Yeah.”
“Ripley, look at me.” I did so. “You are not responsible for what happened to those boys,” he said, his voice soft but firm.
I took a breath. “Okay,” I said.
That’s why my dad is so great. He gets me. Do you have a parent who gets you? If not, I suggest you get a surrogate, because that is a role that can make your life infinitely better if it’s filled with someone competent.
I know I mentioned I take pain pills for an old shoulder injury. What I didn’t mention was what happened to me that put me in this state. High school was a bit difficult for me, because I’m asexual. The fact that I knew that by the time I was sixteen, thanks to the internet, probably saved me a lot of trouble in life, but being ace as a teenager meant saying no to boys. One of them took offense to that. I don’t like talking about it, but he got a four-year stretch in juvie/prison. That means he’s out now but, thankfully, he did move to another state.
He didn’t rape me, if that’s what just came to mind, but I ended up in the hospital after he physically assaulted me, including repeatedly kicking me while I was down, literally. To this day I have chronic nerve pain, and occasional numbness and tingling, in my left shoulder. I also have a chronic issue of being hesitant to stand up to people. Great characteristic for someone who’s supposed to be a security guard, right? Except if I’d said that out loud, my father would’ve pointed out that Andrew told me my weapons were for defense, not offense. And he’d be right.
My dad shook his head and pushed himself back to his feet. “I’ve got to get back to work. Just…” Rubbing his hands over his face, he blinked a few times, trying to dislodge everything that was bothering him from his brain. “If you do ever have a moment there where you’re unsafe, promise me you’ll quit, okay? No job is worth your life.”
I stared at him for a few moments, unsure of what to say. When I’d first met Yui, I’d been terrified, but had I actually been unsafe? Well, no, as was proved by the wards keeping her from me. So, I let myself sink into the feeling of being loved and cared for by my dad, which put a genuine smile on my face. “I promise,” I said. And I hoped I wasn’t lying.
I know that I’ve complained a lot about other people being stupid, so I hope that I’m not being stupid. You might understand why I have such disdain for our species, but at this point you know it’s not because of excessive ego issues. Though I’ll admit to having a larger ego than typical. If you don’t understand, all you have to do is look at us, and I don’t mean look at what we do to the planet, which is bad enough. I mean look at us.
Do you know why places all over the country have problems with bears getting into their garbage cans? It’s because there’s a significant overlap between the smartest bear and the dumbest human. That’s not an exaggeration; look it up. Us wildlife biology majors have tried our best, and the perfect garbage bin has yet to be designed.
It bothers me like a sibling sitting next to you who would continuously poke you until you boil over and punch them. Stanley went through a phase when he was a kid where he was a little shit who’d do stuff like that. But the worst is when they try to use logic to justify something completely absurd, looking like a three-year-old with Lincoln Logs, presenting a house and declaring it fit for their hamster to live in when it could collapse if you breathed on it.
With Gary and Shaun, it wasn’t just that they hadn’t known what was in the enclosure they’d wanted to go into, but that they’d kept pushing me away when I tried to keep them from it. And so, getting back to the security office tonight was a bit surreal. I didn’t know if I was supposed to call Andrew again, discuss the incident, or whether it was best to just assume things were taken care of.
Actually, I already knew they were, to some extent. Andrew said Suzanne had gone to see the parents of the boys in person and was going to cover all funeral costs, no matter what the parents wanted done. That was a huge deal, considering how much that industry tries to squeeze out of you when a loved one dies.
While we’re on that topic, all of that doesn’t make sense to me. We are supposed to preserve our bodies, which are completely decomposable, and then put them in airtight boxes priced at ten thousand dollars?
That was not my area, though, and I was glad for it. I’ve been trying as hard as I can to put their deaths out of my mind, though I’ve only been marginally successful. Most of what I’m going over again and again was what I could’ve done differently. I determined that I could have kept them from going in the enclosure by tasering just one of them, and that would’ve been better than nothing. So, it was decided. If anyone ever tried it again, they were getting zapped. Even if they tried to sue us, I don’t care. It wasn’t worth their lives.
Today, though, my mind was occupied with enrichment activities.
Andrew told me about the animal in enclosure nine in passing, saying that he wished the boys had chosen that one. Apparently the consensus is that whoever on Earth invented the chupacabra must’ve seen one of these, because it was vampiric, preferring goats as its prey. Not that it wouldn’t go after humans, blood was blood, but it would’ve given me a chance to save the boys, since it would have taken time to drain enough blood to be fatal.
In regard to the enrichment for enclosure nine’s animal, I was thinking about hanging bags of blood from trees and letting it pounce on them in midair, tearing them down. They’d be made from extra thick plastic, of course, so blood wouldn’t go everywhere. But honestly, nothing beat the fact that all the animals received live prey to hunt, so that wasn’t exactly an innovative idea.
I settled on olfactory enrichment, which was a strategy that used objects that smelled like cooking extracts, spices, and/or fresh herbs. Essentially, the equivalent of engaging its brain in that part of hunting, but with toys instead. That would have to wait until I could see it, though, so I put my notes aside in anticipation of another boring shift.
However, two hours later I had some more excitement when I saw my next animal. I wasn’t sure how fast this was supposed to happen, but things seemed to be moving quickly. At least compared to Andrew’s estimate of three months. Maybe he meant that was the point at which I would become comfortable with the animals as animals, but I honestly don’t know if I’ll ever get to that point. They’re too spectacular.
My encounter was different, in that I didn’t see the animal first; I saw its prey. There were a handful of animals I’d seen wandering around the enclosures, including the typical ones like squirrels and rabbits to ones that had been put in there purposefully to be hunted like goats and sheep. Allegedly there were also deer, but I hadn’t seen any of those.
I was walking my route and passing the small lake when I heard the roar again. The one that prickled at the hairs on the back of my neck, thrumming through my body and priming me for fight or flight. Slowing to a stop, I kept my flashlight off, since the lamps gave off plenty of that red glow I’d become accustomed to. Then, I saw a shadow start to rise out of the lake and realized it was coming up onto the shore.
“Holy shit,” I muttered under my breath, taking a couple steps back instinctively.
Roger had named this one Fiona and called her a seal-hippo, and I could see why. She was amphibious with a round head, long neck, and the body of a hippo, though unlike hippos, I knew for a fact she wasn’t a vegetarian. She had short, sharp tusks, shaggy fur instead of the smooth skin of a seal, and her flippers had claws. Those claws could easily disembowel any prey it went after.
She seemed to be curious about me. Eyes that seemed too small for her head faced forward and locked onto me, which froze me in my tracks. Her jaw spread wide in a yawn, revealing teeth fit for a carnivore and I jerkily took two more steps backwards. My heart pounded in my chest and I blinked rapidly to keep focusing on her rather than avert my gaze, as my instincts were urging. Her front flippers were probably eight feet from tip to tip, and I feel like she must never have problems killing anything, whatever her prey of choice was. Her eyes flashed under the red lights as she scanned the area around me and then trundled further forward, vibrating the ground, which I felt through my shoes.
This was the point where my mind made connections to Jurassic Park. It just felt like this thing was from another epoch. Then she roared.
For those of you who don’t know, there is something called ‘infrasound’. Essentially, it’s a sound found in the roars and snarls of animals like big cats and bears, and our hindbrains have earmarked it so we panic if we hear it. Funnily enough, it’s often found in older buildings, the deep resonance of an elevator built fifty years ago turning out to be one of the reasons people ‘feel’ a place is haunted.
That’s what I felt, deep in the pit of my stomach. I knew that’s what I was feeling. This thing was a predator, I was prey, and there was nothing I could do about it. So, I didn’t. I watched it for a few minutes as it lumbered around, scanning its surroundings, no doubt smelling things that my dinky little nose would never detect. After a while, once my heartbeat had slowed to merely double its typical rate, I managed to get full control over my legs again and slowly turned, keeping the animal in my peripheral vision as I continued on my way.
And yes, of course, there was a little part of my mind that had the same awe you saw in the faces of the main characters in Jurassic Park when they see brachiosaurus grazing in a field. This job has its ups and downs, and its downs are way down, but its ups are way up. It’s a hell of a gig.
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2024.05.13 10:36 CustomWasTaken Is this actually good or not?

I'm thinking about selling origami home decors online 💀 since there's no one in my country doing it, I'm basically talking about complex origami things which could be used as home decoration and I will sell them in bulk at low prices so I can earn some side money by just spending 2 3 hours a day
I want to ask is this actually practical or not and what are the pros and cons of this?
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2024.05.13 07:42 VesSaphia The Oracle Skeptic

I should have posted this days ago but I only just considered it relevant to share now. As a proud skeptic, I know coincidences happen, yes, but I've had too many paranormal experiences to just dismiss it as a coincidence anymore.
Without any clue or even seeing him for months I predicted my father's cancer diagnosis around the first of this very month (May 1st), as in, I was suddenly scared he was almost certainly going to have cancer, something I, assuming cancer doesn't run in our family, was never once concerned about beforehand and I don't even think I'd heard anything about cancer recently in the news. Other than the overall condition of being old, he was healthy enough for his age the last time I did see him months prior. Because of this unprompted certainty that he or I (but mostly he) would be diagnosed, I even needlessly annoyed some random person; to the effect of her rightfully blocking me for my stupid overreaction to her completely innocent post on a subreddit that had nothing to do with cancer when I suddenly started freaking out over cancer and looking into cancer out of concern for my father eleven days ago on the first and continued to worry about it for a few days before assuming I was just experiencing some manic episode. Thing is, I first heard about his diagnosis on tuesday, May 9th 2024; 5 days ago / a mere 8 days later via a text from my brother. I haven't particularly had much of any interest in cancer for years, and all of a suddenly I started acting weird about it, thinking my father specifically would soon be diagnosed with cancer for no reason.
I'm still a skeptic that it's a "super power" (more like a glitch) so I won't be offering to foretell your future for money but this isn't at all the first prediction I've made, if the others can be called predictions (You'll see what I mean in a moment. They, on the other hand, are far more than a coincidence) e.g. I was not vaguely familiar with but a fan of Lincoln Park when Chester Bennington died back in the aughts. As I observed the news cycle's discussions of self harm and seeking help, showing the suicide hotline on TV for days after the news broke, I kept wondering why he killed himself at the height of their fame, and would continue to ponder that for over a decade. After giving up long ago, one day while living in my car listening to A Place For My Head in 2019, I decided to reinvestigate if anyone ever finally revealed why he, of all people, would commit suicide, after all, it had been plenty of time for a e.g. diagnosis or a breakup to have been revealed by someone but instead of learning why he killed himself, I lost all interest in that as I stared at the date of death in the article; 2017. Confused, I searched the entire internet (or may as well have) trying desperately to find an error, surely he died in the (not even late) aughts, but it was the same everywhere I looked, he had in fact died a couple of years ago with no mention of his, to my knowledge, original death in the aughts. Whether some count this as a Mandela effect or, even if from my perspective his death was relatively common knowledge, precognition, the shock of his impossibility is probably what led to my skepticism finally turning radical.
Most of my other predictions involve video games, TV shows and movies (especially Game Of Thrones), sometimes, over a decade before they ever released and even embarrassed myself reenacting scenes and reciting lines from them at school e.g. while in middle school back in the '90s I reenacted the Lance Riddick sketch from the Eric Andre Show, a show that wouldn't air until 2012, and I don't even think that sketch from from the first season. Rather than catching my annoying reference, people just well, got annoyed as I'm sure many of you are now but still, I think I have to post this somewhere for posterity sake or so that others know it's not just them experiencing this, it can happen to extreme lifelong 🧬 skeptics like me so we should stop being so quick to mock the paranormal and maybe even be a skeptic; a radical skeptic.
submitted by VesSaphia to Paranormal [link] [comments]


2024.05.13 04:22 uphatbrew Finally Michael brings a Stormy Monday for Donnie…

Finally Michael brings a Stormy Monday for Donnie… submitted by uphatbrew to LincolnProject [link] [comments]


2024.05.13 03:19 ItsYungCheezy [Mental Health Catalog] Email I Almost sent to my math professor After I Had a Mental Breakdown

Dear Sir,
I`m going to be honest with you, I love being terribly honest random strangers, and seeing that this is an online class, you might as well be a random stranger to me. I understand that the object of the assignment is to simply send you a message to confirm that everything is working in Canvas, but to that I object, as you stated in the assignment description that one should tell you about themselves, so I am going to do just that, and maybe a little more.
In life, there are many obstacles in between one and one`s dreams, these obstacles maybe these obstacles are simply a bump in the pavement, something that one can easily go around, or maybe even walk over. Others, however, can be massive insurmountable walls, that cannot be scaled or circumvented in anyway. Unfortunately, such walls exist in my life, My dream since age 2 was to be an airline pilot, but the powers that be had other plans, bestowing upon me Autism Spectrum Disorder, and while the condition does not prevent me from being a pilot, The medications I consume to give me a fighting chance of fitting into society unfortunately bar me from achieving my dreams, as they are a part of the FAA`s banned substance list. There`s nothing I can do about my condition, so I`ve had re-evaluate my purpose on this planet to find another space in society I can occupy. I got lucky, as I discovered I had a passion for working with computers. But unfortunately, the path to a successful, stable life, is one marred with obstacles.
I talked about insurmountable obstacles in the last section, but to me, those things are extremely rare. What is less uncommon, however, are obstacles that aren’t *technically* impossible, but they might as well be as the process of overcoming them is so painful and arduous, you begin to question if waking up tomorrow morning is a desirable outcome of laying down to sleep each night,
I consider math to be one of those obstacles,
I would like to say that this is not your fault, I’m sure you are an excellent professor. I am simply stating that I have never been enrolled in a math class that has had a positive effect on my mental health. I was enrolled in a gifted school in 3rd grade, and ever since then, my destiny was sealed, I was GIFTED, I was above the status quo, my parents could now pat themselves on the back knowing they will rest easy in a luxury retirement community because their son is destined for GREAT THINGS. I wasn’t supposed to go to school to simply pass, I was supposed to go to school and THRIVE.
But that never happened, because despite the fact that I exceled in pretty much everything else.
I always struggled with math.
I never got above a C in any math class I took, and every single C I got, was not for lack of trying, I fought for that 70 every, single, semester. I was the only person in my class in 3rd grade who couldn’t finish the 100-problem-times-tables test within the time limit, I failed a math test in 8th grade because I failed to make an Origami Crane, the test was supposed to be a gift of an easy A to the students before Christmas break, but for me, even things that were supposed to be easy, still ended up being a struggle.
I had to drop out of the gifted school and attend regular high school because it’s hard to focus on your schoolwork over the sound of your mother getting slammed into walls by her drunk (now thankfully ex) boyfriend. The first D I ever got in any class was in Algebra 2, I will never forget how disappointed my father was in me, to him, it was downright disgraceful that despite the fact I gave up on the gifted school, my performance remained the same despite the fact I was back with the “losers”. He finally realized his son wasn’t going to change the world, only after yelling at him for 8 straight years so now everytime the words “how do your grades look” are uttered, he gets PTSD Flashbacks of the hours he spent crying, trying to explain his failures. I know he says he`s proud of me, and my mom says that I shouldn’t care what he says because he`s a hypocrite, but it’s hard to not seek approval from the man who kept you out of harm’s way when mom was still a drunk. His son did not end up at Harvard, His son did not end up at Yale.
His son ended up at Community College and he can barely handle that.
If you looked at my transcript, you may have seen that this is my second time taking this class. This class, that I`m Only taking because the world works in cruel and mysterious ways. In other words, I was only allowed to enjoy the freedom that came with the eviction of my mother`s Ex-Boyfriend and my mother`s new-found sobriety for a year, as one Chinese man`s extremely, extremely, poor decision to consume a bat would ensure that any sense of normalcy that lay on the horizon would be completely eviscerated. In other words, the pandemic happened, and I was never able to take an SAT, or go to prom, or do any of the other cool things seniors do that you are supposed to look forward to for your entire life.
Last Semester, this class brought me to my knees, it had been over 5 years since id been in a proper math class. It didn’t take long for the pain, confusion, and frustration that I had experienced throughout my entire career as a student to all come flooding back to me. I had other things going on in my life as well, despite the fact I was interacting with people my age on a daily basis for the first time in over 3 years, I never felt more alone. there was a girl involved, a girl that I wanted to call my own but never got to, but I won’t bore you with those details.
The best part is, I didn’t actually fail, I got a 67 but apparently, I needed a 70 to get in this class to get into College Algebra, I’m actually kind of glad I didn`t know that, because I probably would have ended it right there and then considering the state I was in. it’s kind of the story of my life, not a complete failure, but not good enough to be acceptable,
I know it’s simple math, I know it’s not that hard, but numbers have always been a foreign language to me, and many math concepts continue to defy what I consider “logic” no matter how many times someone explains it to me.
I will most likely be taking my life if I do not pass this semester. But don’t worry, I will be trying everything in my power to pass, I don’t want to die, I don’t want to leave my mother, my family, and the 4-5 people outside of my family that give a damn about me. I know that our world is only going to get worse. The planet is only going to get hotter, resources are only going to get scarcer, and people will continue to grow more selfish and vitriolic towards each other. But I like to hold onto hope that one day I will be happy, I will sleep somewhere other than my childhood bedroom at my mother’s house, preferably far away from this cesspit known as the state of Florida,
I will try the Extra help, I will watch the Tutorials made by Indian people on youtube ( I can understand even the thickest of accents quite well, I have a lot of conversations with Xfinity/Frontier customer support as a part of my job. I am not taking this class a third time, and failure is not an option, I don’t subscribe to the notion that the president, whoever that may be, is going to snap his fingers and make all my student loan debt disappear, I pride myself on the fact that I am not several thousand dollars in debt, it’s the only reason I stayed in town to attend this college, If I was an (even more) reckless man, I would be far away from here, ~$50k in debt and probably performing just as well if not worse in school, except I would probably a heck of a lot happier, as I would have the ability to drown my sorrows in the debauchery that normal college students get up to.
If I fail, please know that the blood will not be on your hands, It will be on the hands of the system, In my opinion, I should only have to take courses that are relevant to my degree, and I would like to immediately come out and say that no, math is not important to my brand of CompSci, I am not a programmer, I am an IT Technician, I fix computers and set them up, I will make a promise to you that If I make it to the server room of a fortune 500 company like I desire, I will never simplify a complex fraction in my entire career as an IT technician. I wish I was in this class because I wanted to be here, I wish everyone could. I’m sure if everyone wanted to be here, your numbers would look better. And people would be a lot easier to teach. I don’t want you to worry about me, in fact, I don’t want you to forward this message to anyone on the school faculty. In fact, please, please, don’t. do not want to spend a week in the psych ward, losing out on an extremely valuable week of wages while I sit in a circle with a bunch of other broken people as we talk about our feelings like that’s going to fix anything.
As you can probably tell, I have a couple of screws loose, but the most important thing to you is I DON’T WANT TO HURT ANYBODY, I know that this email has made me seem like a potential threat to the innocent, but I need to make it completely clear that I do not wish harm upon a single living soul. I blame myself for everything. The last thing I want to do is take my frustration out on innocent people. Also please remember, I don’t want to end my life, and most likely, I won`t. I also don’t want you to think this is some twisted attempt to get you to give me some leeway. Even if I do fail, I probably won’t take my life, I`ve been told I am too much of a narcissist to do so. I wish I had the time or money to take a break and address my mental health, but life is short, and my Florida Prepaid runs out next year.
Remember, don’t worry about me, to you, I’m just words on screen. And to most everyone in this world, that’s all I’ll ever be.
Best wishes
A joyless Individual
submitted by ItsYungCheezy to u/ItsYungCheezy [link] [comments]


2024.05.12 20:36 sp1d3ysgf selling/trading car options

My car has gotten into 2 minor accidents that left all together a few dents, scratches, and cracked my bumpegrill. I got into another one and it sent it over the edge and now my hood is up and crooked and my front left bumpegrill/headlight is hanging off and sitting on my tire.
My abs light and traction control are on now and i have a feeling that’s going to be a 500-800 fix cost. I feel like selling or trading might be the way to go cause im tired of repairing it and have already put thousands into fixing it cause its a flood car. i don’t have good credit or the most disposable income and am not sure what is the best route to take for the most value. For reference my car is a fully loaded 2012 lincoln mkz
ig i could use my insurance to get it fixed but im trying to not have it go up anymore. i could also try trading it in, but idk if anyone will take it for a decent amount of money since there’s body and mechanical problems with it. similar thing with selling, idk who would buy it unless its a parts place, but i lack knowledge on the options i can take. Any advice or thoughts would be helpful!!
submitted by sp1d3ysgf to personalfinance [link] [comments]


2024.05.12 19:42 Fine_Raise_8951 Used and Abused - The Reunion - Chapter 1

Readers asked for more. So away we go!!!
Beth:
So much has changed for me over the last 5 years.
Antonio closed the restaurants and took a job in Las Vegas, running a club. I had found peace and tranquilly living upstate on a beautiful farm with a charming house and barn to match. A much smaller version of the property Tex had in Virginia, but it reminded me of those days and it made me happy. The thought of leaving such a place to start over did not excite me.
As a result, Antonio and I decided to divorce amicably and believe it or not, I gave him full custody of our daughter. She was a daddy’s little girl and they were so close. It was the best thing for all of us. Being single again and being on my own felt good.
In a small world type of thing, I was shopping at the local supermarket when I ran into William, he was Julia “Lady” Stern’s ex husband. She was doing life for Tex’s murder and the two had divorced after she went away. We got some coffee and talked.
“Isn’t she horrified that you left when maybe she needed to know you were still there for her?” I asked.
He explained that Julia was quite popular in prison and had girlfriend’s all over the cell block.
“She left me!” He said laughing.
He went on to say, like me, he decided to leave city living for the country life. We both laughed. What were the odds of us landing just a few miles from each other?
As we spoke, I couldn’t help but notice how handsome he was. William was a German through in through. Blonde hair, blue eyes, very rugged. Muscular, very funny with a dry sense of humor. We decided to see more of each other.
We dined a few times before I finally invited him home. We had some delightful sex, it was so wonderful. I had missed it greatly since my divorce but with William, I realized, it was worth the wait.
In bed, I finally asked the question that I was afraid to bring up.
“Didn’t you and that fat whore Monica date? And didn’t you guys really hurt Charlie in a video?”
Of course, I was talking about Charlie, my ex slave and weirdly enough, ex husband. A freak of a guy. William explained everything.
“Monica and I were friends but I never dated her! We also had a film company doing the hardcore Femdom thing before the business imploded. Yes, we did castrate him, we cut his nuts clean off. At the time, the three of us needed the money and a scene like that was really profitable.
I admitted I saw the clip. It was all over the internet. It was gruesome but erotic too. Monica the whore stroked Charlie to a lather, he then shot his last load I guess and then William did the cutting. It ended with the whore smiling ear to ear, holding up Charlie’s severed balls.
“Was Charlie ok with it? Did he sign off on such a thing?” I asked not sure what to believe.
“He did wherever Monica told him to do. He was very loyal to her.”
“So, what became of Monica and I guess Charlie too?” I asked.
“Monica made so much money from that clip, she got weight loss surgery and found happiness. She’s married now to a nice guy, a plumber. She’s in a good place and she looks fantastic.”
I was happy for her.
“And Charlie?” I asked
“Well, after your restaurants were closed, he lost his job so Monica threw him out, I think he became homeless.”
I teared up a little upon hearing that.
“Didn’t he have some money from the thingy?” I asked making a scissor motion with my fingers.
“Nah, he gave it all to Monica. Again, a loyal little sissy.”
“Did he fully recover?” I asked still too embarrassed to say the word, “castration.”
“I’m not sure. I mean, I knew what I was doing from my years growing up on a farm in Germany but those were animals, not humans. Still, we took good care of him.”
William kissed my tears. He could see I was feeling bad for Charlie.
“I’m sorry I did that to him but at the time, I needed money to help keep Julia off death row. It was money well spent. I mean when you think about it, she saved Charlie from being shot so I guess you could say this was his way of returning the favor.”
Charlie:
The streets were mean, they were lonesome and I had nothing. I was a ballless sack of dirt reduced to begging and pleading for money and food. A weakling of a man, if I could still be called that, my castration had turned my body into an extremely fat, doughy mess. I was a total loser and other homeless people were always robbing me.
I would think about Beth and Antonio on those lonely freezing nights. I pictured them under their warm covers, naked, in love. I imagined her sucking on her husband’s penis and fondling his balls. Despite my castration, I still got hard but that was it. I still desired sex, but I could not climax, I could not satisfy my desires. My life was hell.
Beth:
William taught me all about the opera. Together, we traveled to the city every few months to enjoy it.
It was an unusual chain of events that led to what William called, “The Reunion.” We were walking up 8th Ave when I noticed a fat, dirty, homeless man begging for change, so quickly I looked the other way, and holding William’s hand tightly, we kept walking. I felt the creep’s eyes were upon me so I didn’t look back.
After the performance, we made our way out of Lincoln Center when again I saw the fat bum. This time he spoke.
“Beth.”
I turned, it was shocking. It was Charlie! He was indeed homeless and rather disgusting to look at. The smell was even worse.
“It must have been quite a site. A beautiful well dressed couple being confronted by a street freak. A cop quickly noticed and before I could say a word, he shooed Charlie away.
“Get lost!” Was all he said.
The cop tipped his cap and smiled. I smiled back.
Charlie:
Beth looked beautiful. To my horror, she was with William, the German who cut me. Seeing his face brought back the horrific memory of that awful day. His evil smile, the smell of booze on his breath. His laugh as I screamed before everything went dark. Then waking up and being forced to suck on his feet as Monica rode his dick. My castration turning those two psychopaths on.
To think Beth and William were friends or maybe more? What about Antonio? I was so confused.
I watched them walk away. Not once did Beth look back.
Beth:
We were staying at a midtown hotel, it was quite nice and cozy, especially on such a cold and snowy night. We quickly had sex, the opera always moved me so, I enjoyed making love soon after!
Of course, as we fucked, my mind turned to Charlie. He was a disgusting bum. He looked gross. I really hoped never would I have to see him again. Then the guilt set in.
“William, he needs our help. I can’t just turn my back on the guy. He needs money, he needs something. Food?”
William had a suggestion.
“You can bring him to the farm. He’s experienced dealing with animals and horses. He did that for you and Tex? Right?”
He did. Tex used him as a slave hand and Charlie was a real pro. I kissed William gently.
“Let’s go save his life!”
William kissed me back.
“First, I need your mouth here.” He said pointing at his monster cock.
I did not disappoint.
submitted by Fine_Raise_8951 to cuck_femdom_tales [link] [comments]


2024.05.12 17:22 como365 Democrats say final Missouri budget pads special interests with state cash

Democrats say final Missouri budget pads special interests with state cash
When the final budget votes were over Friday and the constitutional deadline was met, Missouri House Republicans crowed about holding the line on spending while Democrats accused the GOP of failing the state’s most vulnerable citizens.
A budget process that had the least public input in years — with just a pro-forma public hearing in the House and no calls for public testimony by Senate budget writers — left no one pleased with the process. But House Budget Committee Chairman Cody Smith said he was proud of the $51.7 billion plan that spent less than the $52.7 billion Gov. Mike Parson proposed in January.
“While we have a very good final product, the process left something to be desired,” Smith said at a news conference with other Republicans.
The final votes were taken with about three hours to go before the constitutional deadline for passing a budget. The details of the final 17 spending bills — one to fund programs through June and the remainder to fund next year’s operations and construction — only emerged Thursday when the Senate began voting.
Factional warfare among Senate Republicans meant that chamber never debated the bills produced by the Senate Appropriations Committee. There was no formally appointed bipartisan, bicameral conference committee to negotiate differences between the chambers.
Instead, Smith and Senate Appropriations Committee Chairman Lincoln Hough ironed out the details in days of private negotiations. There are usually preliminary talks like that before the conference committee, but the decisions are then aired one at a time and other members can question the result or seek a change.
“This year’s budget process was a complete disaster and a terrible precedent to be set,” House Democratic Leader Crystal Quade of Springfield said at a news conference after the House adjourned. “We cannot allow the new normal for spending taxpayer money to become just two guys writing a budget and secret and then jamming it through the process at the very last minute, full of pork and appeasing lobbyists, but the most vulnerable among us are everyday citizens not being included.”
The budget plan taps the state’s accumulated surplus to spend $15.3 billion in general revenue. By putting a “one-time” designation on $1.35 billion of the $14.6 billion allocated for state operations in the coming year, Smith was able to say the budget uses no more for ongoing programs than the state expects in tax receipts.
The designation is on the $363.7 in general revenue that will be put in a fund for improving Interstate 44, a project Smith, a Carthage Republican running for state treasurer, inserted into the budget. It is also on $336.2 million that funds the Medicaid managed care program.
There are also one-time designations on $580 million in spending from federal and other funds. The smallest is $1,613 for the expense and equipment needs of the Department of Social Services’s Division of Legal Services, paid from federal funds.
“The designation of anything one time is just a signal to the world that we’re paying for it this year and we may not be doing it next year,” Smith said.
Democrats, however, said in many instances it is a false economy.
"Several lawmakers running in Republican primaries for statewide office want to be able to claim credit for imposing big cuts in state spending,” said Quade, a candidate for governor. “But all they really did was lowball the estimated costs of several state programs that everyone who is being honest about the situation knows will require substantially more spending authority to fully fund.”
Before Senate votes on the budget began Thursday, Parson said his budget staff had no idea what was in the final budget crafted by Smith and Hough. If the budget fails to adequately fund state operations, Parson said he would not leave it to his successor to fill in the gaps.
The majority of the cuts to Parson’s January budget proposal were in three departments – Health and Senior Services, Mental Health and Social Services. Total funding for those agencies is $829 million below the amounts requested by Parson.
One cut was to funding for personal care assistance intended to help elderly people and people with disabilities remain in their home, reduced by $86 million. Another was to the overall managed care budget, which is about $500 million below Parson’s request.
While those cuts were being made, the budget includes almost 300 new earmarked items, costing more than $2 billion, sprinkled throughout the 16 appropriation bills for the coming year. The largest is $727.5 million Smith inserted for I-44 improvements
“Lobbyists got paid and poor people got screwed,” said the House’s second ranking Democrat, Rep. Richard Brown of Kansas City.
On many of the bills, large numbers of Democrats voted “present” to protest the process that produced the budget.
On the floor, state Rep. Deb Lavender said cuts to those departments – and the rejection of increases included in the bills never debated in the Senate – will hurt people with developmental disabilities, leaving many stranded on waiting lists or housed in hospitals and jails.
“You offer to pay $17 an hour to someone and you can’t find anyone to do the work,” she said.
When the budget debate opened, state Rep. Peter Merideth, ranking Democrat on the House Budget Committee, said it was the worst process in his eight years in the House.
“We’ve seen the budget process get worse and worse,” Merideth said. “We’ve put in less hours each year. When I started we were here all through the session till midnight or later working on the budget.”
Smith said he agreed the process used this year should not be repeated, but he defended his openness, saying he never heard from any Democrats while he was in talks with Hough.
“I detect that the other side of the aisle is very grumpy about the way that this has unfolded,” Smith said. “And that’s something I understand from their perspective.”
The votes on all bills were concluded in about four hours. The motion to shut off debate, used regularly in the House, was called for on nine of the bills. On one, Lavender, the ranking Democrat on the appropriations subcommittee for the three departments with the deepest cuts, was left at the microphone without a chance to speak.
On the next bill, state Rep. Patty Lewis of Kansas City summed up the feelings of many Democrats.
“Grumpy is an understatement,” Lewis said. “Frankly, I am outraged.”
submitted by como365 to missouri [link] [comments]


2024.05.12 02:32 JP1-2-3 Free things to do in Chicago on a Sunday?

Free things to do in Chicago? I have like 10 hours to kill there and wanna save my money for food. I’m thinking Lincoln Park Zoo, so anything great near there would be wonderful
submitted by JP1-2-3 to AskChicago [link] [comments]


2024.05.11 22:34 uphatbrew 3 big takeaways from Day 15 of Trump's hush money trial…

3 big takeaways from Day 15 of Trump's hush money trial… submitted by uphatbrew to LincolnProject [link] [comments]


2024.05.11 21:13 SanderSo47 Directors at the Box Office: Wes Craven

Directors at the Box Office: Wes Craven
https://preview.redd.it/5jhcjegtjuzc1.png?width=1920&format=png&auto=webp&s=71a26f361e87730152e07e12f1bc76322db0b023
Here's a new edition of "Directors at the Box Office", which seeks to explore the directors' trajectory at the box office and analyze their hits and bombs. I already talked about a few, and as I promised, it's Wes Craven's turn.
Craven earned a master's degree in philosophy and writing from Johns Hopkins University. He subsequently bought a 16mm film camera and began making short movies. His friend Steve Chapin informed him of a messenger position at a New York City film production co, where his brother, future folk-rock star Harry Chapin worked. He started in the industry as a sound editor, before transitioning as a porn director. He said he made "many hardcore X-rated films" under pseudonyms. And then he transitioned into directing for the big screen.
From a box office perspective, how reliable was he to deliver a box office hit?
That's the point of this post. To analyze his career.

It should be noted that as he started his career in the 1970s, some of the domestic grosses here will be adjusted by inflation. The table with his highest grossing films, however, will be left in its unadjusted form, as the worldwide grosses are more difficult to adjust.

The Last House on the Left (1972)

"Mari, seventeen, is dying. Even for her, the worst is yet to come."
His directorial debut. The film stars Sandra Peabody, Lucy Grantham, David Hess, Fred J. Lincoln, Jeramie Rain, and Marc Sheffler. The plot follows Mari Collingwood, a teenager who is abducted, raped, and tortured by a family of violent fugitives led by Krug Stillo on her seventeenth birthday. When her parents discover what happened to her, they seek vengeance against the family, who have taken shelter at their home.
Craven, who had no money at the time, was put on the job of synchronizing dailies for Sean S. Cunningham's Together. They became friends, and Hallmark Releasing gave them $90,000 to make another film. Craven considered a hardcore film, but decided to tone it down a bit. The idea for this film came from Ingmar Bergman's The Virgin Spring, and Craven wanted to make a film in which the violence would be shown in detail onscreen, as he felt that many popular films of the era, such as Westerns, glamorized violence and the "vigilante hero", and gave the public a misleading representation of death in the wake of the Vietnam War.
The film attracted negative media attention for its heavy graphic content, and there were calls for some theaters to drop the film. But you know, bad buzz is still buzz and that translated to a pretty good run in theaters, earning up to $3 million in its initial run. Even to this day, the film is polarizing due to its violence and themes. But Craven just made his name well known.
  • Budget: $90,000.
  • Domestic gross: $3,100,000. ($23.1 million adjusted)
  • Worldwide gross: $3,100,000.

The Hills Have Eyes (1977)

"A nice American family. They didn't want to kill. But they didn't want to die."
His second film. The film stars Susan Lanier, Michael Berryman and Dee Wallace. The film follows the Carters, a suburban family targeted by a family of cannibal savages after becoming stranded in the Nevada desert.
Craven wanted to make a non-horror, but he found that his investors only wanted films with graphic content. At the New York Public Library, Craven checked the library's forensics department, and learned of the legend of Sawney Bean - the alleged head of a 48-person Scottish clan responsible for the murder and cannibalization of more than one thousand people. He drew influences from this, The Texas Chain Saw Massacre and The Grapes of Wrath. Craven also had to cut a lot of scenes to avoid getting an X rating.
The film once again drew negative attention for its violence. But it made over $25 million at the box office, which was an even bigger success than House. It subsequently earned a cult following.
  • Budget: $700,000.
  • Domestic gross: $25,000,000. ($128.8 million adjusted)
  • Worldwide gross: $25,000,000.

Deadly Blessing (1981)

"Pray you're not blessed."
His third film. It stars Ernest Borgnine, Maren Jensen, Susan Buckner, and Sharon Stone, and tells the story of a strange figure committing murder in a contemporary community that is not far from another community that believes in ancient evil and curses.
It received negative reviews, but it was another box office success for Craven.
  • Budget: $3,000,000.
  • Domestic gross: $8,279,042. ($28.4 million adjusted)
  • Worldwide gross: $8,279,042.

Swamp Thing (1982)

"Science transformed him into a monster. Love changed him even more!"
His fourth film. Based on the DC Comics character created by Len Wein and Bernie Wrightson, it stars Louis Jourdan and Adrienne Barbeau. It tells the story of scientist Alec Holland who is transformed into the monster known as Swamp Thing through laboratory sabotage orchestrated by the evil Anton Arcane. Later, he helps a woman named Alice Cable and battles the man responsible for it all, the ruthless Arcane.
The film made $2.5 million domestically, despite mixed reviews.
  • Budget: N/A.
  • Domestic gross: $2,500,000. ($8 million adjusted)
  • Worldwide gross: $2,500,000.

A Nightmare on Elm Street (1984)

"If Nancy doesn't wake up screaming, she won't wake up at all."
His fifth film. It stars Heather Langenkamp, John Saxon, Ronee Blakley, Johnny Depp, and Robert Englund. The film's plot concerns a group of teenagers who are targeted by Freddy Krueger, an undead child killer who can murder people through their dreams, as retribution against their parents who burned him alive.
The film was inspired by several newspaper articles printed in the Los Angeles Times in the 1970s about Hmong refugees, who, after fleeing to the United States because of war and genocide in Laos, Cambodia, and Vietnam, suffered disturbing nightmares and refused to sleep. Some of the men died in their sleep soon after. This, along with the song "Dream Weaver" by Gary Wright, motivated Craven to craft a horror film focused on people dying through their sleep.
The film's villain, Freddy Krueger, is drawn from Craven's early life. One night, a young Craven saw an elderly man walking on the sidepath outside the window of his home. The man stopped to glance at a startled Craven and walked off. This served as the inspiration for Krueger. Initially, Fred Krueger was intended to be a child molester, but Craven eventually characterized him as a child murderer to avoid being accused of exploiting a spate of highly publicized child molestation cases that occurred in California around the time of the film's production. He settled on the name Freddy Krueger, which was based on a childhood bully of his.
The process of writing the film went smoothly, the real problem was finding a studio. Craven sent it to most studios, and all rejected it. The first studio to show interest was Disney, but Craven declined their offer as they wanted a more toned-down kid-friendly PG-13 flick. When Paramount and Universal also turned it down, Craven decided to go to the independent studio New Line Cinema. The studio only distributed films, but they agreed in financing the film. As they lacked the financial resources for the production, New Line had to turn to external financiers.
Despite opening in just 165 theaters, the film earned $1.2 million in its opening weekend, making it clear that it would be an immediate box office success. It eventually closed with $25 million domestically, and $57 million worldwide. It received critical acclaim, and has been referred as one of the best and most influential slashers ever made. Freddy Krueger would soon be hailed as one of the most emblematic figures of horror, and Craven quickly earned a reputation as a horror legend. But most importantly, it was the beginning of New Line Cinema as a studio, which is why it's referred as "the house that Freddy built."
The film would later spawn a franchise, although Craven wouldn't direct any of the "sequels." Why the quotation marks? We'll get to that later on.
  • Budget: $1,100,000.
  • Domestic gross: $25,624,448. ($77 million adjusted)
  • Worldwide gross: $57,185,134.

The Hills Have Eyes Part II (1985)

"So you think you're lucky to be alive."
His sixth film. The sequel to The Hills Have Eyes, it stars Tamara Stafford, Kevin Spirtas, John Bloom, Michael Berryman, Penny Johnson, Janus Blythe, John Laughlin, Willard E. Pugh, Peter Frechette and Robert Houston. It follows a group of bikers who become stranded in the desert and find themselves fighting off a family of inbred cannibals who live off the land.
The film was shot on a very low budget, and it simply ended prematurely because they ran out of funds. There are no box office numbers available, but it received awful reviews.

Deadly Friend (1986)

"There's no one alive who'll play with the girl next door."
His seventh film. Based on the novel Friend by Diana Henstell, it stars Matthew Laborteaux, Kristy Swanson, Michael Sharrett, Anne Twomey, Richard Marcus, and Anne Ramsey. Its plot follows a teenage computer prodigy who implants a robot's processor into the brain of his teenage neighbor after she is pronounced brain dead; the experiment proves successful, but she swiftly begins a killing spree in their neighborhood.
Craven wanted to make a PG-rated science fiction film, with a similar tone to Starman, hoping to prove that he could make something that wasn't horror-themed. An unfinished version of the film was screened to a test audience of Craven's fanbase, and it was poorly received for its lack of violence and gore like his previous films. So WB decided to rewrite the film, adding more scenes with tons of gore. This made the final film appear tonally jumbled, and it went from easy PG to struggling to not get an X rating.
The film was poorly received for its story and inconsistent tone. It also marked a huge flop at the box office, not even hitting $10 million. Craven lost interest in the film after WB inserted their own version, and he has since disowned the film.
  • Budget: $11,000,000.
  • Domestic gross: $8,988,731. ($25.6 million adjusted)
  • Worldwide gross: $8,988,731.

The Serpent and the Rainbow (1988)

"Don't bury me, I'm not dead!"
His eighth film. It stars Bill Pullman, and is loosely based on the life of ethnobotanist Wade Davis, recounting his experiences in Haiti investigating the story of Clairvius Narcisse, who was allegedly poisoned, buried alive, and revived with a herbal brew which produced what was called a zombie.
The film received mixed reactions, but it was a much needed box office success for Craven.
  • Budget: $7,000,000.
  • Domestic gross: $19,595,031. ($51.7 million adjusted)
  • Worldwide gross: $19,595,031.

Shocker (1989)

"No more Mr. Nice Guy."
His ninth film. It stars Michael Murphy, Peter Berg, Cami Cooper, and Mitch Pileggi, and follows a serial killer who uses electricity to come back from the dead and carry out his vengeance on the football player who turned him in to the police.
Another mixed bag for Craven, but it was still profitable.
  • Budget: N/A.
  • Domestic gross: $16,554,699. ($41.6 million adjusted)
  • Worldwide gross: $16,554,699.

The People Under the Stairs (1991)

"In every neighborhood, there's one house that adults whisper about and children cross the street to avoid."
His tenth film. It stars Brandon Adams, Everett McGill, Wendy Robie, and A. J. Langer. The plot follows a young boy and two adult robbers who become trapped in a house belonging to a neighborhood's crooked landlords after breaking in to steal their collection of gold coins as the boy learns a dark secret about them and what also lurks in their house.
After a slate of mixed performers, the film received Craven's best reviews since Elm Street. To the surprise of Universal, it was also a box office success.
  • Budget: $6,000,000.
  • Domestic gross: $24,204,154. ($55.5 million adjusted)
  • Worldwide gross: $31,347,154.

Wes Craven's New Nightmare (1994)

"This time, the terror doesn't stop at the screen."
His 11th film. The installment in the A Nightmare on Elm Street franchise, it stars Robert Englund, Heather Langenkamp, Miko Hughes and John Saxon. The film is not part of the same continuity as previous films, and it portrays Freddy Krueger as a fictional movie villain who invades the real world and haunts the cast and crew involved in the making of the films about him.
While Craven co-wrote the franchise's third installment, Dream Warriors, he wasn't that involved with the rest of the franchise. He wanted to make a deliberately more cerebral film than recent entries to the franchise, as he considered them as being cartoonish, and not faithful to his original themes. Specifically, he wanted Freddy to resemble his original vision: far darker and less comical. To reinforce this, the character's make-up and outfit were enhanced, with one of the most prominent differences being that he now wears a long blue/black trenchcoat. In addition, the signature glove was redesigned for a more organic look, with the fingers resembling bones and having muscle textures in between.
The film received high praise, and was considered as the best film in the franchise since the original (it was Englund's favorite). But the franchise has been bleeding interest at the box office, and New Nightmare unfortunately had to suffer. It was profitable, but it became the lowest grossing film in the franchise.
  • Budget: $8,000,000.
  • Domestic gross: $18,090,181. ($38.1 million adjusted)
  • Worldwide gross: $19,721,741.

Vampire in Brooklyn (1995)

"A comic tale of horror and seduction."
His 12th film. It stars Eddie Murphy, Angela Bassett, Allen Payne, Kadeem Hardison, John Witherspoon, Zakes Mokae, and Joanna Cassidy. It follows a Caribbean vampire who seduces a Brooklyn police officer who has no idea that she is half-vampire.
The film had awful reviews, and despite the presence of a huge star like Eddie Murphy, it disappointed at the box office. Craven really needed a hit.
  • Budget: $8,000,000.
  • Domestic gross: $19,751,736. ($40.4 million adjusted)
  • Worldwide gross: $34,951,736.

Scream (1996)

"Someone has taken their love of scary movies one step too far."
His 13th film. It stars David Arquette, Neve Campbell, Courteney Cox, Matthew Lillard, Rose McGowan, Skeet Ulrich and Drew Barrymore. Set in the fictional town of Woodsboro, California, Scream's plot follows high school student Sidney Prescott and her friends, who, on the anniversary of her mother's murder, become the targets of a costumed serial killer known as Ghostface.
As he was trying to make it in the industry, Kevin Williamson watched a Turning Point documentary about serial killer Danny Rolling which he said left him unsettled. Williamson later noticed an open window, armed himself with a knife, and called his friend for support. The pair began discussing horror characters that had resonated with them such as Freddy Krueger and Jason Voorhees. This experience prompted Williamson to start developing a concept wherein a girl is haunted by a caller.
He started writing a film titled Scary Movie, and even left an outline for possible sequels. The concept was part of an era where there was debate over the influence of cinematic violence on audience, with Williamson coming up with a brilliant line "movies don't create psychos, movies make psychos more creative." It was inspired by many 1980s slashers, even though the genre was on decline by that point. His characters were intentionally designed to be knowledgeable about these horror films and their typical elements, with the intention of creating a unique killer who was not only aware of horror film clichés but also exploited them for his own advantage.
While Williamson struggled with his previous films, this script was part of a bidding war with the studios, to the point that Oliver Stone himself wanted to direct it. Miramax (through Dimension Films) bought the script, and Williamson made some rewrites to scale back the violence. Bob Weinstein also wanted to change the name, as he believed the audiences would think the film is a comedy.
The studio considered Danny Boyle, Tom McLoughlin, Sam Raimi, Robert Rodriguez, George A. Romero, Quentin Tarantino, and Anthony Waller as prime candidates to direct the film, but they all preferred to view the film as a comedy. Wes Craven was considered, but the studio believed he couldn't direct a satire. Craven also wasn't planning on directing it, as he wanted to focus on more mainstream films to salvage his career. Craven's assistant Julie Plec (who would collaborate with Williamson on The Vampire Diaries) convinced him in helming the project. By signing, Craven decided to get back some of the gore that was missing in the previous drafts.
A huge contrast to the horror films of the era was that the film had established actors as the leads, as Craven and Williamson wanted to prove that no character was safe. Drew Barrymore had already starred in a few recognizable names, Neve Campbell was on the hit show Party of Five, Rose McGowan was known for Encino Man and The Doom Generation, David Arquette, Matthew Lillard and Skeet Ulrich were recognizable supporting characters, and Courteney Cox obviously was known for Friends. Vince Vaughn and Natasha Lyonne were the preferred choices for Billy and Tatum, but external problems caused them to drop out.
After viewing the dailies raw footage, the Weinsteins criticized the quality of Craven's work as "workmanlike at best", believing it lacked tension and had an inconsistent tone. The Weinsteins also disliked the mask design, and said Barrymore lacked sex appeal because of the pageboy hairstyle she had chosen. While filming the final fight, Campbell's stuntwoman accidentally stabbed Ulrich with an umbrella tip, missing the protective vest he was wearing and hitting the site of an open heart surgery Ulrich had as a child. During post-production, Harvey Weinstein decided to name the film as Scream based on the Michael and Janet Jackson song.
In a surprising move, the Weinsteins decided to release the film during the holiday season as counter-programming, offering teenagers an alternative to more traditional holiday fare. The decision was unpopular with the cast and crew, with Williamson expecting the film to fail. The film opened with $6.4 million and finishing in fourth place, leading analysts to consider the film as a bomb.
But the film just kept growing.
Buoyed by positive word of mouth, the Weinsteins increased marketing and the film managed to increase in its second and third weekends. It closed with $103 million domestically and $173 million worldwide, becoming the highest grossing slasher film ever and Craven's highest grossing film ever. The film received critical acclaim for its characters and writing, and has since been deemed as one of the most influential horror films of all time. It rekindled interest in horror, resurrected Craven's career and launched the careers of Williamson and the cast.
  • Budget: $15,000,000.
  • Domestic gross: $103,046,663. ($245.4 million adjusted)
  • Worldwide gross: $173,046,663.

Scream 2 (1997)

"Someone has taken their love of sequels one step too far."
His 14th film. The sequel to Scream, it stars David Arquette, Neve Campbell, Courteney Cox, Sarah Michelle Gellar, Jamie Kennedy, Laurie Metcalf, Jerry O'Connell, Elise Neal, Timothy Olyphant, Jada Pinkett, and Liev Schreiber. The film takes place two years after the first film and again follows the character of Sidney Prescott, along with other survivors of the Woodsboro massacre, at the fictional Windsor College in Ohio where they are targeted by a copycat killer using the guise of Ghostface.
As Williamson already had plans for sequels, the idea was for Sidney to attend college while being stalked by a copycat Ghostface killer. As filming began, Williamson's script had four killers: Derek, Hallie, Cotton Weary, and Nancy Loomis. But after Williamson transferred his script to the production, it was leaked onto the Internet in full, revealing the identity of the killers and a large amount of the involved plot. This resulted in the production continuing to film with only a partial script while Williamson conducted extensive rewrites, changing much of the film's finale, the identities of the film's killers and drastically altering the roles of other characters such as Randy Meeks and Joel. With a short deadline, Williamson couldn't fully compromise on the final script, forcing Craven to fill in the gaps himself. So the film was one of the very first cases where the Internet leaked major aspects of a film.
As the Weinsteins wanted the film ready for December, it was able to capitalize on the audience's word of mouth to the original. It opened with $32 million in its first weekend, almost five times as big as the original, and the biggest December debut. It didn't hold as great as the original due to the competition, such as Titanic, but it still made $172.3 million worldwide, almost matching the original's gross. It also received very positive reviews, and so a profitable franchise was already underway.
  • Budget: $24,000,000.
  • Domestic gross: $101,363,301. ($237.2 million adjusted)
  • Worldwide gross: $172,363,301.

Music of the Heart (1999)

"She gave them a gift they could never imagine. They gave the system a fight it would never forget."
His 15th film. The film stars Meryl Streep, Aidan Quinn, Angela Bassett, Gloria Estefan, Jane Leeves, Kieran Culkin and Jay O. Sanders. The film is a dramatization of the true story of Roberta Guaspari, who co-founded the Opus 118 Harlem School of Music and fought for music education funding in New York City public schools.
After seeing the documentary Small Wonders, Craven was inspired to make a full-length film about Guaspari. Madonna was originally signed to play the role of Guaspari, but left the project before filming began, citing "creative differences" with Craven. When she left, Madonna had already studied for many months to play the violin. Streep learned to play Bach's Concerto for 2 Violins for the film. The project marked a huge departure for Craven; it was his first and only film to be rated PG, and his only one to not be horror or thriller.
It received generally positive reviews, but it bombed at the box office. It received 2 Oscar nominations for Best Actress and Best Original Song, the only Craven film to get any noms.
  • Budget: $27,000,000.
  • Domestic gross: $14,859,394. ($27.8 million adjusted)
  • Worldwide gross: $14,936,407.

Scream 3 (2000)

"The most terrifying scream is always the last."
His 16th film. The third installment in the Scream franchise, it stars David Arquette, Neve Campbell, Courteney Cox Arquette, Parker Posey, Patrick Dempsey, Scott Foley, Lance Henriksen, Matt Keeslar, Jenny McCarthy, Emily Mortimer, Deon Richmond, and Patrick Warburton. The film's story takes place one year after the previous film's events and follows Sidney Prescott, who has gone into self-imposed isolation following the events of the previous two films but is drawn to Hollywood after a new Ghostface begins killing the cast of the film within a film Stab 3.
The plans for a sequel were already underway since Williamson sold the script, although Williamson still didn't write a script yet. When the Weinsteins approached him to write the film, Williamson was already busy with many projects (including his directorial debut), and was unavailable to perform his duties. He only made a 20-page outline wherein Ghostface would return just as production on a fictional film Stab 3 would be filmed. His plan was to show the killers were part of a Stab fan club (this idea would later be adapted into his show, The Following). With Williamson not available, Ehren Kruger was tasked in writing.
Shortly before production began on the film, the Columbine High School massacre took place, and many parties began looking for reasoning behind the shooters' actions and there came an increased scrutiny on the role of the media in society, including video games and film, and the influence it could have on an audience. With production of Scream 3 not yet underway, there were considerations about whether the film should be made at that time, aware of the potential for negative attention but the studio decided to press forward, albeit with changes.
The Weinsteins demanded to scale back on the gore and emphasize its satiric humor, as well as moving the setting to Hollywood. At one point in the production, the studio went as far as demanding that the film feature no blood or on-screen violence at all, a drastic departure for the series, but Craven directly intervened. One of the aspects changed was that the killer would be revealed to be Stu Macher, having survived the original film. The Weinsteins changed it after Columbine, as they didn't want to associate violence and murder with a high school setting.
The film opened with $34.7 million, a franchise record and the biggest February debut ever. But it had weak legs, although it still made a very profitable $161.8 million worldwide. While the previous films were well-received, this film received negative reviews, who lambasted the film for becoming the very own thing it satirizes.
  • Budget: $40,000,000.
  • Domestic gross: $89,143,175. ($178.2 million adjusted)
  • Worldwide gross: $161,834,276.

Cursed (2005)

"What doesn't kill you makes you stronger."
His 17th film. It stars Christina Ricci, Joshua Jackson, Jesse Eisenberg, Judy Greer, Scott Baio, Milo Ventimiglia, Shannon Elizabeth and Mýa, and follows two orphaned siblings attacked by a werewolf loose in Los Angeles.
Kevin Williamson started working on a script that followed the exploits of a New York City serial killer who discovers that his lethal tendencies are due to his lycanthrope nature. When one of his projects was scrapped, Craven decided to direct, teaming them up again for another Scream reunion. But it wasn't planned like that. Craven was making a film, Pulse, when Bob Weinstein abruptly pulled the movie from the schedule ten days before shooting and cut through all the slow lanes, wanting Craven to get to Cursed as soon as possible. Craven was reportedly not pleased so Weinstein doubled his pay in order for him to direct the film. The director deemed the script too tonally similar to his film Vampire in Brooklyn, but felt pressured by the studio, leading him to ultimately sign on.
The film started filming in January 2003, hoping to get the film released in August. In June, they only had six days left for filming. Suddenly, Dimension Films decided to put the movie on hold because top executives at the company weren't happy with the film's ending or how the special effects were progressing, specifically the look of the film's lead lupine. Rick Baker was preparing the final transformation effects when production stopped and asked Weinstein to let his team finish the work in order for it to be ready for the reshoot, but he refused. Patrick Lussier was brought in for massive rewrites, and the film didn't return to production until November. Baker was fired, and the prosthetic make-up was replaced with CGI. Skeet Ulrich filmed his scene as one of the leads, but chose to drop out following the reshoots as he disliked the new direction. It was also heavily edited to get the R rating down to PG-13. The budget was originally $35 million, yet some reports suggest it ballooned all the way to $100 million, making it one of the most expensive horror films ever.
With that budget, it was clear it was not going to be a box office success. It flopped with just $29 million worldwide, and was panned by critics. Craven himself dislikes the final product, and a director's cut was never an option because his original ending was never filmed.
  • Budget: $100,000,000.
  • Domestic gross: $19,297,522. ($30.8 million adjusted)
  • Worldwide gross: $29,621,722.

Red Eye (2005)

"Fear takes flight."
His 18th film. It stars Rachel McAdams, Cillian Murphy, and Brian Cox. The story follows a hotel manager ensnared in an assassination plot by a terrorist while aboard a red-eye flight to Miami.
The film received Craven's best reviews in years, and was a box office success, earning almost $100 million. While he is fine with people loving it, Cillian Murphy is not really fond of the film, "I love Rachel McAdams and we had fun making it but I don’t think it's a good movie. It’s a good B movie."
  • Budget: $26,000,000.
  • Domestic gross: $57,891,803. ($92.5 million adjusted)
  • Worldwide gross: $96,258,201.

My Soul to Take (2010)

"Only one has the power to save their souls."
His 19th film. It stars Max Thieriot, Denzel Whitaker, Raul Esparza, and Shareeka Epps. It follows Adam "Bug" Hellerman, who is one of seven teenagers chosen to die following the anniversary of a serial killer's death.
This was Craven's first film in almost two decades where he would be directing, producing and writing. But that didn't pan out to a success: it was a critical and commercial dud.
  • Budget: $25,000,000.
  • Domestic gross: $14,744,435. ($21.1 million adjusted)
  • Worldwide gross: $21,500,813.

Scream 4 (2011)

"New decade. New rules."
His 20th and final film. The fourth installment in the Scream franchise, it stars David Arquette, Neve Campbell, Courteney Cox, Emma Roberts, Hayden Panettiere, Anthony Anderson, Alison Brie, Adam Brody, Rory Culkin, Marielle Jaffe, Erik Knudsen, Mary McDonnell, Marley Shelton, Nico Tortorella, and Roger L. Jackson. The film takes place on the fifteenth anniversary of the original Woodsboro murders from Scream and involves Sidney Prescott returning to the town after ten years, where Ghostface once again begins killing students from Woodsboro High.
In 2010, Williamson and Craven confirmed their plans for a new film. Craven said that endless sequels, the modern spew of remakes, film studios, and directors are the butts of parodies in the film. The main characters have to figure out where the horror genre is in current days to figure out the modern events happening to and around them. This was the first film in the franchise to use CGI, with the knife's blade added in post-production.
Even though the franchise was profitable, it seemed like its glory days were long behind it by the time it hit theaters. The film disappointed in its opening weekend with just $18 million, and closed with a weak $97 million worlwide, far less than the previous films. It also received mixed reviews, particularly for its writing and new characters. It was the last film directed by Craven before his death in 2015.
  • Budget: $40,000,000.
  • Domestic gross: $38,180,928. ($53 million adjusted)
  • Worldwide gross: $97,231,420.

MOVIES (FROM HIGHEST GROSSING TO LEAST GROSSING)

No. Movie Year Studio Domestic Total Overseas Total Worldwide Total Budget
1 Scream 1996 Dimension Films $103,046,663 $70,000,000 $173,046,663 $15M
2 Scream 2 1997 Dimension Films $101,363,301 $71,000,000 $172,363,301 $24M
3 Scream 3 2000 Dimension Films $89,143,175 $72,691,101 $161,834,276 $40M
4 Scream 4 2011 Dimension Films $38,180,928 $59,050,492 $97,231,420 $40M
5 Red Eye 2005 DreamWorks $57,891,803 $38,366,398 $96,258,201 $26M
6 A Nightmare on Elm Street 1984 New Line Cinema $25,624,448 $31,560,686 $57,185,134 $1.1M
7 Vampires in Brooklyn 1995 Paramount $19,751,736 $15,200,000 $34,951,736 $14M
8 The People Under the Stairs 1991 Universal $24,204,154 $7,143,000 $31,347,154 $6M
9 Cursed 2005 Miramax $19,297,522 $10,324,200 $29,621,722 $100M
10 The Hills Have Eyes 1977 Vanguard $25,000,000 $0 $25,000,000 $700K
11 My Soul to Take 2010 Universal $14,744,435 $6,756,378 $21,500,813 $25M
12 Wes Craven's New Nightmare 1994 New Line Cinema $18,090,181 $1,631,560 $19,721,741 $8M
13 The Serpent and the Shadow 1988 Universal $19,595,031 $0 $19,595,031 $7M
14 Shocker 1989 Universal $16,554,699 $0 $16,554,699 N/A
15 Music of the Heart 1999 Miramax $14,859,394 $77,013 $14,936,407 $27M
16 Deadly Friend 1986 Warner Bros. $8,988,731 $0 $8,988,731 $11M
17 Deadly Blessing 1981 United Artists $8,279,042 $0 $8,279,042 $3M
18 The Last House on the Left 1972 Hallmark Releasing $3,100,000 $0 $3,100,000 $90K
19 Swamp Thing 1982 Embassy $2,500,000 $0 $2,500,000 N/A
He made 20 films, but only 19 have reported box office numbers. Across those 19 films, he made $994,016,071 worldwide. That's $52,316,635 per film.

The Verdict

Quite inconsistent, but a very iconic figure in the horror genre. You know you made it big when your creations include Elm Street and Scream. Craven often struggled with difficult productions (you can blame the Weinsteins for that), but he still managed to make competent and scary films, even if some are better than others. Some even see critical re-appraisal as time passes; even Scream 3 and Scream 4 have their fans. We don't know what he would've done with the franchise after the fourth film, but he made it clear he was exhausted by having to film without finished scripts. Rest in Peace to a horror legend.
Hope you liked this edition. You can find this and more in the wiki for this section.
The next director will be Clint Eastwood. I think I'll have to make two posts, given that he directed 42 films.
I asked you to choose who else should be in the run and the comment with the most upvotes would be chosen. Well, we'll later talk about... Ang Lee. A legendary Asian director.
This is the schedule for the following four:
Week Director Reasoning
May 13-19 Clint Eastwood Great actor. Great director.
May 20-26 Robert Zemeckis Can we get old Zemeckis back?
May 27-June 2 Richard Donner An influential figure of the 70s and 80s.
June 3-9 Ang Lee What happened to Lee?
Who should be next after Lee? That's up to you. And there's a theme.
And that theme is: controversial directors. I'm talking directors who have attained a polarizing response to their films (like Zack Snyder), or the directors themselves are also controversial figures in real life (like Oliver Stone). Basically, a director that has as many fans as haters.
submitted by SanderSo47 to boxoffice [link] [comments]


2024.05.11 16:05 karenvideoeditor The Zoo [Part 4]

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I think it’s obvious that, while I’ve never lied to my dad and my brother about something big before, I haven’t told either of them about the animals at the zoo and I’m not planning on it. Even if they believed me, that would actually be worse than thinking I was being foolish by working here. If my dad knew what kind of animals the zoo had, he’d freak out, whether or not there were invisible walls to protect me. In and of itself, my father would demand I quit on the spot if he found out about my hourly rate because it was obvious that there was something about this job that warranted it.
So, I opened a savings account at the bank, and when I deposited the check, I put half in that account. That lowered the chances of my dad finding out how much money I was pulling in.
It wasn’t as if I had anything huge to spend the money on anyway, though. Dad had been thrilled with $25/hr. when I got the job, and we’d already started spending some of that first paycheck on new clothes and little house repairs and such. Money has always been tight, and we live in a three-bedroom house, with my dad graciously having taken the smallest room (which was kind of a catchall storage room up until then) once my brother and I wanted separate rooms when we hit our teenage years.
My mom isn’t in the picture, if you’re curious. She worked as a wildlife photographer, and was so good at it that she’d get paid to go off to remote places in Africa. For months at a time. As if we don’t have animals in America, right? But even when she was here, it always felt like she was distracted, wanting to go back to work. Like she cared more about the animals than about us. Say what you want about me, but I like animals more than people, I don’t love them more. I don’t even think of her as mom anymore; in my brain, she’s Patricia.
When I was nine and my brother Stanley was two, she basically left and never came back. Doesn’t even send postcards. For all I know, she’s dead, and the most meaningful thing I ever got from her was my passion for caring about other animals. I got into it early because of Patricia, and then practically every birthday or Christmas present was some book or movie or toy about wildlife. But that’s all she did for us besides financial support. My dad is a real rock in my life, and I count myself lucky I got at least one good parent.
When Patricia ditched us, I started to help out financially when I was younger by working odd jobs, and then real jobs when I hit sixteen. Stanley is sixteen now, and he’s been working at Hanks Hardware for a few months, which meant now it was all three of us pulling in money. But Stanley only makes $10/hr., working four hours after school and then eight hours on Saturday, so my $25/hr. literally doubled our household income. When I’d gotten the job, I told Dad and Stanley that I wanted Stanley to quit his job, and that I’d give him an allowance, $80 a week, which was what he'd be using for pocket money if he’d still been working.
Getting that time back would be huge for Stanley, because it would let him spend more time on his schoolwork. Not just to bring up his grades; he would literally be learning more. And he’s a junior now, doing things like taking a computer class to learn Microsoft Office. Living in a small town limits your options, and knowledge broadens them. I know that much for sure.
Not to mention, he could actually be a teenager, do the stuff kids did. Go see a movie, hang out with his friends at the bleachers and smoke pot, and head out to the lake to swim when the weather warmed up and have a genuinely fun summer instead of having a forty hour work week. And most important, playing video games. I know that sounds strange, but Stanley loves video games and plays online on the TV in the living room. But he hardly ever has time to play, which means sometimes he’ll stay up too late enjoying himself and fall asleep the next day during his first period class. Dad and I never have the heart to tell him to go to bed, though.
My father was uneasy about Stanley quitting, mostly because of the hypothetical of my job falling through. And Dad didn’t even know about the possibility of there being some terrifying incident with an animal, which might cause me such anxiety that I wouldn’t be able to push past it and would end up needing to quit. I really didn’t think that was likely after I’d managed to mostly get over my paralyzing fear of Yui, but I yielded to his logic and we negotiated. Stanley decided to switch to three hours three days a week and four hours on Saturdays.
Little did they know that not only was I was saving up for my own impending student loan payments, but my savings account would cover a most or maybe all of the cost of any college or trade school Stanley wanted to attend when he graduated. I was so happy about that, I don’t have the words. Half of my income is $25/hr. and for eight hours a day will be $52k a year, all of it put in my savings account. Before taxes, but still, that is fantastic money. I’ll have to come clean eventually, when Stanley started filling out FAFSA forms next year, and I’ll probably tell my dad that I was pretty sure they’re running drugs out of the back of the zoo or something. He’ll be so pissed, but that’s over a year away and I’ll burn that bridge when I came to it.
So, in general, I’ve been enjoying working at the zoo and depositing those paychecks. Call me a cynic, but inevitably, that meant something had to go wrong.
After settling in for my shift a few minutes before 9 p.m., Andrew bid me farewell and headed home. He’d just done one last walk of the zoo, so I took out a book and resumed where I’d left off, planning to do a sweep in an hour. I do have some enrichment planned for one of the animals, but I’d had to order something online and it won’t arrive for a few days.
Shortly after my second ramble around on my route to check every enclosure at the zoo, however, I got a text from my brother.
Gary and Shaun are going to the zoo. They want to try to see the animals.
I closed my eyes in annoyance. Gary and Shaun were two sort-of friends of Stanley’s, the middling kind of friend that you sit with at lunch and hang out with at parties but you’ve never actually been to their home. I knew Stanley had been bragging to his friends about my new job. Well, I guessed. He’d told me and Dad at the dinner table that his friends were impressed with my job, and I figured the fact that his sister had a college degree and had started work at $25/hr. was bragging material, especially when it meant Stanley could work fewer hours.
The idea that some of his friends would want to come check out the zoo hadn’t occurred to me, because I’d come at it logically: The zoo was closed to outsiders. Appointment only. And none of them would ever get an appointment, because they were human. But if anything, the rules that restricted them had probably made it a more enticing idea. Also, Stanley said it the zoo on Google Maps at this point, but that it was blurred out. Andrew told me that had been by request (anyone can do it actually), but I’m sure that made the temptation even worse.
Obviously I wasn’t going to let them in, but I didn’t want them to cause trouble, and they were teenagers. Teenagers tend to cause trouble as a general rule. The last thing I wanted was to have to tell Andrew that they’d shown up at the gate intent on visiting the zoo because my brother had talked it up so much. Not that Stanley knew what this place really housed, but still, Andrew had been so stern on no photography of Leila that I would’ve been embarrassed if I had to call the cops because of something like this.
My reply was curt.
Tell those dipshits the place is closed to walk-ins. I’m not letting them in.
I did. They want to go anyway.
I facepalmed and sighed before replying.
If you can’t talk them out of it, just don’t go with them. I’ll deal with it.
There was a long silence, then some ellipses as he typed, then another long silence. I got antsy and sent a follow-up.
Stanley, I mean it. I do not want you here if I have to call the cops to get them to leave. Stay home. If you show up here with them, I’m cutting off the money I give you.
I wasn’t the type to play fast and loose with threats about money, so that probably surprised him. There was the briefest of pauses.
Geez, no need to be a bitch about it. Fine. I’ll stay here. Good luck dealing with those assholes without me.
That was indeed exactly what I wanted, and he must have known that. Hell, I had pepper spray and a taser, so it’s not like I couldn’t keep them out if I really wanted to. But when it came down to it, I figured, what were they going to do? I wasn’t going to open the door or the front gate. The fence was ten feet high, the kind with spaced bars that had decorative spikes at the top, and it was brand new. It wasn’t as if they were going to take bolt-cutters to a barbed wire fence like in a movie.
In the end, I sat back in my chair and just fell back on my regular routine. I wonder now, if I’d called Andrew and told him, maybe asked him to come hang out for a while, whether things would’ve turned out different. But I wasn’t very well going to wake him up for something that essentially sounded like a minor irritation.
At 10:41 p.m., a beep, beep, beep, alert sounded, and I know the exact time because I picked my phone up off the desk out of habit, assuming it was what was making the noise. But it wasn’t. Looking up to the screen of cameras, one was outlined in red, pulling my focus to it. It was an exterior camera with a wide view that panned back and forth, but was now stopped on movement that it had detected and had deemed sufficient to audibly alert me. I later learned that it was in conjunction with a motion detector on the fence. On the screen, I saw two boys, one on the outside of the fence to the left of the entrance gate and one on the inside.
“What the fuck?” I breathed, standing up and putting my book aside. My fingers went to the mouse and keyboard, and I expanded the view from the camera and zoomed in. It seemed I’d underestimated the boredom and curiosity of two small-town teenage boys.
I saw how the first boy had gotten in when the second boy used the same technique, which was to climb a rope that had knots tied in it about a foot apart, a rope that had been hooked onto one of the spikes at the top, presumably with a loop that had been lassoed and tightened. He made it to the top, shifted and dropped to hang from the top by his hands, then let himself fall to the ground, his knees bending and absorbing the shock of the impact before falling on his butt.
One of the boys had hit a growth spurt, topping out at 5’11” now, all gangly limbs. He had short brown hair and I could see him wearing a sweatshirt with the logo of his school on it. That’s the best outfit to wear when breaking in, apparently: something that shows what high school you go to. The other one was a little more built and half a foot shorter, with long blonde hair that he probably thought made him look like Chris Hemsworth. It didn’t.
“I cannot believe this,” I growled, my anger flaring. Heading quickly out of the office, slamming the door behind me, I was out the door and walking toward the entrance, driven by my anger.
Already walking into the park at a speed driven by their interest in the forbidden areas, they started on the path that went toward enclosure one and rounded the zoo. “Hey!” I barked.
“Ripley!” Gary exclaimed. “Your brother said you wouldn’t open the gate, so we let ourselves in.”
“What the hell do you think you’re doing?” I asked, keeping pace beside them, rage bubbling up inside me. They slowed but didn’t stop. “Do you think this is a joke? There’s a reason I told my brother not to come with you. That alarm you set off goes to the owner of the park, and they’ll definitely be pressing charges. You really want ‘breaking and entering’ on your rap sheet?”
They gave me long-suffering looks, the kind only someone under twenty is capable of. The kind that imply you’re neurotic, or pushy, or self-centered. The kind that say you don’t know what you’re talking about, that they know so much more than you, and that all you are is an annoyance.
“Come on. What is with this place? It sounds awesome, some private zoo, but Stanley didn’t know anything about it,” Shaun told me. Glancing at my belt, where my pepper spray and taser were, he asked, “Is it that top secret? Everything here could sell on the black market for a million bucks or something?”
“They’re expensive animals if poachers get their hands on them, yes,” I said tightly.
“Why would they hire someone fresh out of college for that?” Gary asked, his eyes continuing to take in his surroundings, the path and everything in sight bathed in their standard eerie red glow. “And what’s with the lights?”
“It’s for night vision,” I told him, skipping over the part implying I wasn’t qualified for this job. “Hey, stop.” Moving in front of them, I forced the issue, moving to stand in front of them and forcing them to either stumble to a stop or run into me. “If you climb back over the fence and leave now, before anyone gets here, I’ll lie and say I didn’t know your faces.”
“Jesus Christ, you’re uptight,” Shaun chuckled. “What’s the big deal? I mean, we might not even see anything, since it’s nighttime and the animals are sleeping. It’s not like we’re stealing a tour.”
Honestly, I have no idea how our species has survived this long when our formative years make us so confidently stupid. “So, why are you even here then?” I asked, folding my arms.
“Why not?” Gary asked.
With that, they were quickly walking around me, toward enclosure one. I hadn’t yet seen the animal in enclosure one, but what I did know was I didn’t want to see it for the first time tonight. Roger’s short and snappy description described it as Bear - Steve. According to procedure in the small manual Andrew had given me, I was supposed to deter any intruders with fact that they were on camera and threaten to call the police. It didn’t say what to do if that didn’t work, but I assume I was supposed to…call the police. And also call Andrew, of course. That didn’t solve my urgent problem though, which was two teenagers who wanted to see something cool.
“That’s it,” I growled, taking my taser in one hand and my pepper spray in the other, hoping the sight of me being armed would deter them. Heading after them, I snapped, “If you guys do not leave, I will make you leave.”
Shaun turned and walked backwards so he could speak to me. “Just because you’ve got a complex since they hired you to look after a place like this, doesn’t mean you have any real authority,” he told me. “Look, call the cops if you want. Tell them some teenagers broke in. Response time around here is probably fifteen minutes, so we’ve got ten minutes, minimum. We just want to see something cool, and then we’ll leave.”
I hate that he called my bluff on the weapons, especially in hindsight. I’m not a confrontational person, and my instincts are always to avoid a fight if possible. So, in this case, my instincts were telling me to call in someone else to help get these clowns out of the zoo, not to use the weapons I had for just such a purpose. It makes me feel helpless and angry knowing that I back down from fights, but I balked at the idea of getting physical with them. Only the fact that that wasn’t supposed to be part of my job kept me from feeling like a complete failure as security.
“The animals here are not puppies,” I finally exclaimed. “Some of them are territorial. They could seriously hurt you.”
They finally slowed their pace as they closed in on the gate to the wooden fence. “What are you talking about, territorial? They’re zoo animals,” Gary said.
“This is a huge zoo, and it’s more like a preserve,” I sighed. “It backs up into the forest. These animals build their homes here, scent mark the boundaries, and regularly eat small animals that come in through the bars of the fence to explore. So, like I said. These. Are not. Puppies.”
The two of them finally came to a stop at the gate, looking at me warily. “With this fence, how dangerous could they be?” Gary asked. I didn’t answer. Shaun scanned the expanse behind the gate and Gary looked around, making it clear what he was looking for when he said, “Where are all the signs and shit?”
“There’s a tour guide,” I said. “They don’t need signs.”
“Okay, so, what’s in here?”
Shaking my head, I let out a sigh. “It’s time to leave. I’m serious.”
Gary glared at me for a beat and then said the worst word possible. “Whatever.” Then he turned and unlatched the gate, walking through.
“Gary!” I shouted, stopping short at the threshold. Shaun walked past me, and I made a grab for him, but was too slow. I’ll regret that until the day I die.
Halted at the gate like there was an invisible force field keeping me out in just as it kept the animals in, I officially started panicking. I’d messed up, and now I couldn’t even hit them with either the pepper spray or the taser unless I wanted them to be easy prey.
My eyes scanned the smaller plants along the fence, which slowly grew in average height the closer you got to the tree line. The trees were surprisingly close to the fence, only a few yards in. Also, there were no footprints, no path that only grew small weeds from an animal that often paced back and forth, so I wasn’t sure how often it came out of the trees. Maybe it didn’t.
I wondered if there was another lake, maybe a small pond, that I didn’t know about further in, if the animal lived there. Or maybe this one was relatively reclusive, so I might have time to get the boys out. It could be that it had heard the ruckus of voices and decided to investigate, as it did during tours, but it would take a while to get here. Or I could get lucky and whatever it was could have just had a great meal, deciding to pass up the humans within its grasp.
But I was not lucky.
Putting my pepper spray and taser back in their holsters, I took a couple steps back as I pulled out my cell phone and called 911.
There was a brief pause before I heard someone pick up, and a calm female voice spoke, “911, what is your emergency?”
“Yes, I work at a private zoo, address 11842 Lincoln Road,” I spoke, drawing the shocked gazes of both boys. “Two teenage boys broke in, and they’re refusing to leave the property.”
“For real, Ripley?” Gary exclaimed, as if genuinely offended at my actions.
That’s when all hell broke loose.
Gary was standing near enough to the tall trees that he was under the branches, and something dropped on him, its weight crushing him to the ground. He didn’t even have time to scream. Shaun did, though, crying, “What the fuck?” as he stumbled backwards.
“Get out of there!” I screamed, grabbing my taser from its holster and pointing it at the animal.
On top of Gary’s body was something that looked like a koala. The only thing was, it must have been almost twice as big and had an orange, spotted pattern on its fur. The kicker was the teeth. Koalas eat eucalyptus leaves, most people know, so they don’t have much use for many teeth or even sharp teeth. They’re equipped with a pretty pathetic set of chompers.
Whatever this was, I knew it had a full set of teeth made for a meat-eater, because it had bitten down on Gary’s neck and ripped out a chunk of flesh, arterial blood spraying from the wound.
Shaun, unfortunately, did not take the opportunity to run. He stared at his downed friend, just as I did, in horrified fear. And then ran to him. “Gary!” he screamed. “Hey, get the fuck off him!”
“Shaun, don’t!” I shouted.
Whatever Shaun was thinking, it was less about the potential of him being attacked versus the fact of his friend being attacked right at that moment. I’ll say that about him at least: he didn’t just leave his friend to die. Unfortunately, if he had, it might’ve saved him. Throwing himself at the animal, Shaun shoved it off, an impressive show of strength, before grabbing Gary by the arm and trying to pull him to his feet. “Come on!”
I could see that Gary was barely conscious, though. A gash in an artery that was profusely bleeding will do that to a person. I attempted to aim my taser at the animal, but only a split-second passed before it turned and leapt once more, slamming into Shaun and biting his neck. I stumbled back in fear, adrenaline now pumping through me in earnest, as Shaun cried out in terror and fell to the ground before the animal ripped out his throat.
My vision swam at the sight of a copious amount of blood and the sound of Shaun choking on it. Thick chewing sounds came from the animal before it swallowed and then turned to me.
I only realized I’d dropped my cell phone when I heard a faint, panicked voice ask, “Ma’am? Ma’am, are you there?”
Lowering the taser, I slowly took a couple steps forward, picked up the phone, and I quietly said, “Yeah. I’m here.”
It felt like she was speaking from the other end of a long tunnel when I heard, “I’m sending police and EMT right now. What happened? Was someone injured?”
Swallowing hard, I grimaced as tears came to my eyes. Staring at the animal, which was still meeting my gaze unwaveringly, I simply answered, “Yeah. They’re dead.” At that point, the animal grabbed one of the boys by the throat, then the other, and started dragging them into the trees.
She hesitated before asking some more questions, and I replied to them all absently. Eventually, the animal was gone from my sight, but I still walked backwards as I retraced my steps to the security office, exactly like the first time I’d seen Yui. Eventually I arrived at the security room, and my shaky hand swiped the key card to get in. Shutting the door, I told the 911 operator, “I’m safe.”
“Good. The police should be there in ten minutes.”
My brain thought it was funny that it turned out the boys had been right about the timing, but filed it under ‘things to think about later’. “Okay. I have to call my boss.”
“Just stay on the line with me until the police arrive, okay?”
“It’s okay. I’m fine,” I said quietly. “I just really need to call my boss.”
In spite of her protests, I hung up. The silence of the room rang in my ears and I slowly sat down in my chair, pulling up Andrew’s number.
After four rings, he picked up, his voice drowsy but tense, knowing I’d only call if something had happened. “Ripley? What’s wrong?”
It took me a moment to find my voice. “Two teenagers broke in. They’re dead. Steve killed them.”
“Oh, fuck,” he breathed. After a few beats, he said, “Okay, all right, I’ll, ah, I’ll be there as soon as I can. Did you call the police already?”
“I was on the phone before it even happened, saying they broke in.” I grimaced at that. I was supposed to call my boss first, not the police. That let him determine what actions to take.
Andrew let out a breath. “Okay. I’m assuming Steve took the bodies?”
“Yeah.”
“All right, I’ll call Suzanne and have her put Steve down for a nap, and then get the bodies back to where the EMTs can get them.”
That confused me, and I didn’t really know what to say, so I went with, “I’m sorry, Andrew. I should’ve tried harder to get them to leave. Even tasing and pepper spraying them would’ve-”
“Ripley, this is not your fault,” he said firmly. “I’ll be there soon as I can, all right?”
We ended the conversation and I glanced at the screen of cameras, which was how I’d left it, focused on that section of the fence where the boys had climbed in, with the view enlarged to take up most of the screen. I stared at it until the police arrived.
When the motorcade of flashing lights were visible at the end of the road through one of the cameras, I pressed the button to open the front gate. Fielding the police officers and the EMTs and their questions, I brought them to the enclosure, and right at the edge of the tree line were the two bodies, looking exactly as I’d last seen them. So, I guess Suzanne knows how to run her zoo and handle things when the worst happens.
Both boys were put into body bags and lifted onto gurneys, and then each one was put into one of the two waiting ambulances. Andrew arrived before too long and answered all the questions the police had for him, the ones I didn’t know how to answer. Also the questions that I didn’t really feel comfortable answering, like, “What species of bear is it exactly? And why is there just this flimsy fence here?” I watched from a distance as they took his statement and, I determined by watching their facial expressions, Andrew seemed to answer their questions to their satisfaction.
The long, exhausting experience ended when the last of them left, and Andrew and I went back to the main building, going to his office. Instead of sitting in his desk chair, my boss vied for the couch that sat against one wall, used occasionally by visitors. I sat at the other end, leaning back heavily into the cushions.
Andrew spoke first, echoing his earlier sentiments and immediately making it clear that what occurred wasn’t my fault. I felt some anger at myself, mostly because I knew that if I’d used one of my weapons on one of them, they’d still be alive. But I hadn’t wanted to go to such extremes just because they’d climbed over a fence. They were dumb teenagers, right? I’ve never been tased or pepper sprayed, but I’d seen videos on YouTube and it didn’t look like a fun time.
“Look, you said it that first day in your interview, that people are stupid,” he told me. “Teenagers especially. You know that’s a fact. You did the best you could in that moment, so don’t look back and think of what you could’ve done to fix things, because solutions always seem obvious in hindsight. All right?”
“Yeah,” I muttered.
Andrew sent me home at that point, saying he’d take the rest of the shift. I was too weary to object, so I left.
Stanley was still sleeping safely in his bed, and that’s one thing I’m so grateful for. If this job took my brother from me, I’d be done with it. Still, I don’t relish waking up tomorrow and having to face him. I don’t know exactly how he’s going to react to the news, but it’s going to be the worst thing in the world that’s happened to him, mostly because of the guilt of not being able to talk them out of going. The same way I couldn’t talk them out of staying out of an enclosure.
My schedule is still nocturnal, so I’m not tired enough to sleep right now. Hopefully I’ll get sleepy soon. For now, I’ll play one of Stanley’s mindless old school video games with the sound muted. My main goal is to get the image of all that blood out of my head.
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2024.05.11 15:57 McWeasely 178 years ago today, James Polk sends a war message to Congress asking Congress to declare war on Mexico

178 years ago today, James Polk sends a war message to Congress asking Congress to declare war on Mexico
In this message, first Polk mentions that Mexico has evaded the agreements to pay the claims of the American citizens from prior agreements. “a government either unable or unwilling to enforce the execution of such treaties fails to perform one of its plainest duties” (Mexico was financially drained and unable to make these payments)
Polk also makes mention that the Mexican government would not receive John Slidell as minister to resolve long standing issues. Polk did not tell Congress that he also sent Slidell to Mexico to purchase New Mexico and upper California. Something that Mexico was unwilling to give up.
Polk also defends his actions in sending troops to the disputed border because of a "threatened invasion". Polk tells Congress, he gave specific instructions to General Taylor to “abstain from all aggressive acts toward Mexico or Mexican citizens and to regard the relations between that Republic and the United States as peaceful unless she should declare war or commit acts of hostility indicative of a state of war. He was specially directed to protect private property and respect personal rights.” Polk thus absolves himself and Taylor from any responsibility for the actions that Mexico took. The United States was merely exercising jurisdiction in land that it claimed to control, and Taylor was merely positioning himself to protect that claim. Polk does not acknowledge that there were Mexican citizens living within the disputed territory, nor that it was disputed in the first place—a point that Abraham Lincoln, in an 1848 speech to the House, brings to the fore when attempting to determine the true causes of the war.
Polk concludes his Message by asking Congress to declare war on Mexico. Since “war exists, and, notwithstanding all our efforts to avoid it, exists by the act of Mexico herself, we are called upon by every consideration of duty and patriotism to vindicate with decision the honor, the rights, and the interests of our country,". Polk also asks Congress for authority to call up volunteers for no less than six to twelve months, and for money to provide to those soldiers.
On May 12th, 1846, Congress voted to approve a declaration of war against Mexico. On May 13, Polk issued a proclamation announcing a state of war.
https://millercenter.org/the-presidency/presidential-speeches/may-11-1846-war-message-congress
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2024.05.11 12:29 BlatantConservative Since this subreddit has somehow become a John Brown memorial sub, I'd like to direct attention to someone from the same time and place, Harriet Tubman. Someone who is already a household name for being a badass, who is actually about ten times more of a fucking badass than history remembers.

The US public school system and the public consciousness in general would have us remember that Harriet Tubman only snuck around in the darkness and freed an undetermined amount of slaves. And didn't do much else.
First of all, "Harriet Tubman" is only her second name, her pre Civil War name. She was born as a slave in Maryland, as Araminta Ross, she escaped and changed her name to Harriet Tubman, but immediately before the Civil War she was known colloquially as "Moses" and during the war itself she became known as "General Moses."
She was both the first African American and the first woman to lead US military forces into combat, and she personally freed about ten times more slaves violently than she did in person through the Underground Railroad. She also never lost a military engagement, showing a skill for leading and directing fighting men that was way above the norm.
I'll go into it a little more chronologically.
She was born and enslaved in Dorchester County, Maryland. As a young woman, she was hit in the head by a heavy object thrown by an overseer, giving her narcolepsy and vivid dreams for the rest of her life. These dreams led her to believe that God put her on Earth to free slaves and end the institution of slavery. And although the dreams themselves were likely triggered by the brain injury she received when she was young, she met that mission with a determination, efficiency, and ruthlessness that completely overcame her limitations of being a black, former slave, and woman in the 1850s.
In 1849, when she escaped herself, she almost immediately worked odd jobs and gathered funds and support in Philadelphia to go back to Maryland and free her immediate family and friends.
On personal trips she took to free slaves, she only rescued about 70 people total. Which seems low, and people often feel underwhelmed at that number. Even though that's actually a massive number for smuggling easily identified fugitives through hostile territory.
But what Tubman actually did was build a bigger network. She became a fundraiser, and the semi-public face of the Underground Railroad. She interfaced with Frederick Douglas, and other Northern abolitionists. She helped build a network for escaped slaves to escape all the way to Ontario, due to fears of the Fugitive Slave Act forcing Northern states to capture and return freed slaves.
Harriet Tubman did not invent nor control the Underground Railroad. Indeed, it had been a decentralized organization for decades before her birth. But she did flush it with cash and recognition in the 1850s and she energized it to the point that Maryland and Virginia slaveholders were holding meetings about the spike in escaped slaves during that period.
The Underground Railroad is estimated to have freed roughly 100,000 slaves during this period. The margin for error for that is massive, as for obvious reasons records were not kept, but out of a population of roughly 4 million slaves, it was a statistically significant number of people freed.
People started referring to Tubman as "Moses" since she was instrumental in guiding people to a "promised land."
During this period, she met and became allies with John Brown. Brown immediately recognized her as an equal and started calling her "General Tubman," and Tubman immediately started working with him to provide funding and manpower support for his goals on the East Coast. Brown was already known for being a violent slaver-slaughtering insurgent during Bleeding Kansas (another fascinating and important part of history ignored by people in the modern day), and he was not really all that subtle about his reason for being on the East Coast being armed insurrection.
Over several years, Tubman and Brown worked together on the Harper's Ferry armory raid, Tubman soliciting funding from Northern abolitionists and looking for manpower. To put it into context, the Harper's Ferry US Army armory was one of the only two Federal armories in the United States, and one of the only two places the Federal government had the precise machining tools needed to produce firearms directly. Trying to take it and capture it and control it was ambitious, to put it mildly, and massively significant. A modern equivalent would be like trying to take Lockheed Martin's F-35 production line.
However, when the actual raid happened, Tubman was not present. It is unknown if she was never meant to be present, if she was ill and unable to make it, or if she elected not to show up due to her knowing exactly how many people were not coming. Regardless, to the end of her life, Tubman had nothing but praise and admiration for Brown, and she tried to name a building on her 1880s property after him, and undoubtedly would have named a child after Brown if she had been able to have children. Her nephew was also named John, and I highly suspect John Brown was the reason.
Directly before the war broke out, after Lincoln was elected and it became clear that the US federal military would not side with the south in the coming war, she traveled with General Benjamin Butler where he used federal troops to physically occupy Annapolis, Maryland and threatened to arrest any Maryland legislators who voted for secession. Butler is another fascinating historical figure, and pretty damn chaoticgood.
In 1861, the war broke out. Tubman continued to be informally attached to Butler's unit, until Massachusetts Governor John Andrew asked for her assistance in administrating Union occupied areas of South Carolina, and she moved to Port Royal (which is now, incidentally, the famous Parris Island Marine Corps boot camp).
In South Carolina, she worked with a good dozen Northern abolitionists who she had known before the war started, who were now all military leaders. When General David Hunter tried to raise an all black military unit comprised of freed slaves, Lincoln actually pushed back, at which case Tubman penned a scathing criticism of Lincoln that was published in Northern newspapers demanding that slaves be freed.
They soon were, and although Tubman probably can't be directly credited, Lincoln freed slaves for much the same reasons she penned out in her letter.
Before black people were allowed to make their own military unit, Tubman was put in charge of an off the record scouting/spy unit. Tubman was in charge of the budget, giving orders, reporting to superiors, and was treated as a military officer by the men around her. In addition, once freed slaves were allowed to form military units, Col Thomas Higginson with the 1st South Carolina Volunteers and Col James Montgomery of the 2nd South Carolina Volunteers started interfacing with Tubman and Tubman would be in operational control during some missions. These units were almost entirely composed of freed slaves, and the men of both white units and black units started calling Tubman "General Moses."
After Tubman devised and led several clandestine raids that freed more slaves, she was put in charge of the 2nd South Carolina Volunteers. Legally, James Montgomery was in charge, but in his private letters he confirms that General Moses was the true leader of the men. According to the men themselves, it was both, as Montgomery was also an ally of John Brown during Bleeding Kansas and was no stranger to leading freed slaves to slaughter slavers even prewar. The men of the 2nd Carolina loved both General Moses and Col Montgomery, but it should be noted that a general outranks a colonel.
In the raid of Combahee Ferry, Tubman personally directed Union gunboats past Confederate mines that her spy network had mapped the locations of, and then she landed on shore with a force of 150 men and raided three Southern plantations. These plantations were known as the "cradle of secession" and were owned and ran by dynastic old money Southern families who were well known and politically significant in the South.
More than 750 slaves were freed in this raid, with only one death of a slave due to a Confederate shooting her when she was fleeing.
The small Confederate contingent present was annihilated.
At one point in the battle, Confederate troops were firing on one of the ships, and they were destroyed by a full broadside of canons.
One source actually has Tubman's troops literally scalping and then killing any overseers they found, and it is true that zero prisoners were taken in this raid, partially because there was simply no space left after all of the freed slaves they were transporting to safety.
Tubman fought and led in battles as far south as Florida, including the Massachusetts's 54th assault on Fort Wagner (popularized by the movie Glory) and eventually was sent back to the North and hospitalized for sickness until the end of the war.
Unfortunately, after the war, because she was never actually legally in command or even paid by the US Army, her allies fought with Southern politicians for decades to get her paid or even a pension. She was eventually given a widow's pension as a compromise. During the war itself, she was only paid 200 dollars, equivalent to roughly 4 thousand dollars for four years of work in modern terms.
For the rest of her life, Tubman was plagued by money issues. Part of the reason for that is she immediately pivoted to women's suffrage, and even newspapers and allies friendly to black people didn't necessarily agree with her, and she lost some support and funding.
A white woman once interviewed her and asked if women deserved suffrage, as in the right to vote. Tubman replied with "I've suffered enough to believe it."
In 1897, she was invited to a speaking tour and a bunch of celebratory receptions to honor her life, but she was so poor and destitute she had to sell the cow on her upstate New York farm to afford the train tickets to make it.
Tubman's later life is difficult to watch because she basically was absolutely right on everything, and served the United States and humanity well, and basically was never rewarded. She never compromised on her beliefs even once her entire life. She died proud, surrounded by family, but also poor and in relative obscurity.
submitted by BlatantConservative to chaoticgood [link] [comments]


2024.05.11 07:23 SportMammoth867 Attention readers of The devil fruit Hero by Knightmare Lord: need opinion on this OC for the spin-off series

Attention readers of The devil fruit Hero by Knightmare Lord: need opinion on this OC for the spin-off series
I would like some opinion on this OC character I've made for my spin-off fanfiction of the devil fruit hero. Basically my idea is to create a big three for one of my character’s school and here is one of them, PS Mystogan high has a big three for every year.
If you want to further background information check out this link for my idea: https://www.reddit.com/BokunoheroFanfiction/s/vObN8Eq6oF
Name: Liam Thompson Lincoln
Ethnicity: African American
Age:16
Appearance: Unlike his father Tombstone (Spectacular Spiderman version), Liam has fully dark skin however he still retains some of the gray hair as a sign of its connection to tombstone. He has brown eyes as well. He has a well built athletic figure and often dresses up neatly. He often keeps his hair styled into a shortcut afro.
Background: Born between an affair between Tombstone and a woman, Lonnie was adopted into Tombstone's house from a young age. His father sought to engrave great discipline in with his son while also allowing him to have some fun at times. Most of the time Liam would train in order to increase the strength of his body but also the versatility of his quirk. His father supplemented this by allowing him to get a private training area so we can use this quirk more often. However the moment when Liam turn came when he reached the age of 13, after his father was arrested he was shown the crime that his father had been convicted of one of his crimes
Alias: The Big Man
Quirk: Fat (https://www.reddit.com/QuirkIdeas/s/U4AeomhBeK)
Personality:
Likes:
Dislikes:
-Others going back on their word, betrayal, extreme messes, and unneededly getting dirty.
Skills and Abilities:
Great tactician and Intellect: Even at a young age Liam possessed the great amount of intellect that allowed him the title of a genius. He was not only good at deducing people's quirks from small interactions, but also an instinct when it comes to making money (He has about $5000 in a savings box). His father made sure to educate him in the arts of music, history, STEM, and architecture. In fact he made a secret business using his quirk, as most people who were obese came to him in hopes of weight loss and some girls who wanted better body portions came to him as well.
Social and Environmental awareness: One of his most defining traits it's his ability to read people and the environment, always making sure to be careful who he associates with and what he gets into. His environmental awareness is also great enough to spot stealthy heroes such as Eraserhead and even Hagakure. This also allows him to be aware of any slight changes in the environment and signs that something may be going wrong.
Charismatic: Arguably one of his most defining characteristics is that he's extremely charismatic. He makes it a point to maintain a calm aira and welcoming demeanor that helps people feel like they can approach him.
Excellent Martial artist: Due to training from both his father and a martial artist that his dad hired. This was further enhanced by his time at Mystogan High. As a result Liam is extremely skilled at martial arts, being able to keep pace with and overwhelm martial artists such as Kendo Itsuka and Ojiro even simultaneously, and even hold back martial artists such as Mirko and Captain Falcon. This allows him to be a very dangerous combatant even without his quirk. When using conjunction with his quirk it makes him a very capable combatant. Capable of changing his mass in order to mess up his opponents time as well being able to extend his distance by increasing the size of his body, he takes full advantage of his quirk's ability to manipulate his body's Mass. This combined with how his quirk can instantly immobilize most foes makes quite a capable combatant.
Great Quirk Usage: Another of Liam's greatest characteristics is his extreme creativity in using his quirk. Unlike others who simply go through a physical experimentation, Liam's proficiency with his power stems from him not only researching fat but also its role in the body. Please combined with his experimentation allowed him to reach great levels of proficiency with his work.
Haki Mastery: Much like his father Liam is extremely proficient in the use of armament haki, even mastering the advanced forms of projection and internal destruction. He is also quite proficient in conquerors and observation haki capable of using their advance applications.
Questions:
  1. How do you think most of the characters will react after finding out his quirk?
  2. Does he seem like a balanced character and not just somebody who will overpower the setting?
View Poll
submitted by SportMammoth867 to BNHA_OC_Characters [link] [comments]


2024.05.11 07:21 SportMammoth867 Attention readers of The devil fruit Hero by Knightmare Lord: need opinion on this OC for the spin-off series

I would like some opinion on this OC character I've made for my spin-off fanfiction of the devil fruit hero. Basically my idea is to create a big three for one of my character’s school and here is one of them, PS Mystogan high has a big three for every year.
If you want to further background information check out this link for my idea: https://www.reddit.com/BokunoheroFanfiction/s/vObN8Eq6oF
Name: William "Liam" Thompson Lincoln
Ethnicity: African American
Age:16
Appearance: Unlike his father Tombstone (Spectacular Spiderman version), Liam has fully dark skin however he still retains some of the gray hair as a sign of its connection to tombstone. He has brown eyes as well. He has a well built athletic figure and often dresses up neatly. He often keeps his hair styled into a shortcut afro.
Background: Born between an affair between Tombstone and a woman, Liam was adopted into Tombstone's house from a young age. His father sought to engrave great discipline in with his son while also allowing him to have some fun at times. Most of the time Liam would train in order to increase the strength of his body but also the versatility of his quirk. His father supplemented this by allowing him to get a private training area so we can use this quirk more often. However the moment when Liam turn came when he reached the age of 13, after his father was arrested he was shown the crime that his father had been convicted of one of his crimes
Alias: The Big Man
Quirk: Fat (https://www.reddit.com/QuirkIdeas/s/U4AeomhBeK)
Personality:
Likes:
Dislikes:
-Others going back on their word, betrayal, extreme messes, and unneededly getting dirty.
Skills and Abilities:
Great tactician and Intellect: Even at a young age Liam possessed the great amount of intellect that allowed him the title of a genius. He was not only good at deducing people's quirks from small interactions, but also an instinct when it comes to making money (He has about $5000 in a savings box). His father made sure to educate him in the arts of music, history, STEM, and architecture. In fact he made a secret business using his quirk, as most people who were obese came to him in hopes of weight loss and some girls who wanted better body portions came to him as well. His intellect is also what led him to be able to defeat Hilda by deducing the fault in her quirk. He has able to dedeuce that though [Optimal Condition] was able to make sure that her body was in its namesake, that it's power itself was also affected by her mind. He figured out since optimal condition would have essentially burned all the excess fat off of Hilda, seeing it as unnecessary, he deduced after hearing about Izuku's taste that she's willingly suppressing this aspect of this quirk on her fat and could just tell that his quirk would work on her.
Social and Environmental awareness: One of his most defining traits it's his ability to read people and the environment, always making sure to be careful who he associates with and what he gets into. His environmental awareness is also great enough to spot stealthy heroes such as Eraserhead and even Hagakure. This also allows him to be aware of any slight changes in the environment and signs that something may be going wrong.
Charismatic: Arguably one of his most defining characteristics is that he's extremely charismatic. He makes it a point to maintain a calm aira and welcoming demeanor that helps people feel like they can approach him.
Excellent Martial artist: Due to training from both his father and a martial artist that his dad hired. This was further enhanced by his time at Mystogan High. As a result Liam is extremely skilled at martial arts, being able to keep pace with and overwhelm martial artists such as Kendo Itsuka and Ojiro even simultaneously, and even hold back martial artists such as Mirko and Captain Falcon. This allows him to be a very dangerous combatant even without his quirk. When using conjunction with his quirk it makes him a very capable combatant. Capable of changing his mass in order to mess up his opponents time as well being able to extend his distance by increasing the size of his body, he takes full advantage of his quirk's ability to manipulate his body's Mass. This combined with how his quirk can instantly immobilize most foes makes quite a capable combatant.
Great Quirk Usage: Another of Liam's greatest characteristics is his extreme creativity in using his quirk. Unlike others who simply go through a physical experimentation, Liam's proficiency with his power stems from him not only researching fat but also its role in the body. Please combined with his experimentation allowed him to reach great levels of proficiency with his work.
Haki Mastery: Much like his father Liam is extremely proficient in the use of armament haki, even mastering the advanced forms of projection and internal destruction. He is also quite proficient in conquerors and observation haki capable of using their advance applications.
Questions:
  1. How do you think most of the characters will react after finding out his quirk?
  2. Does he seem like a balanced character and not just somebody who will overpower the setting?
View Poll
submitted by SportMammoth867 to BokunoheroFanfiction [link] [comments]


2024.05.11 04:55 OrganizationFalse668 [WTS] Midnight Madness Silver and Gold and More!!!

Shipping and Payment
USPS priority box /envelope $10
USPS 1st class $6 up to 7 oz
“ Risky “ 1st class 🫧 envelope non-machinable $2 -
Goldbacks ship for $1
Tell me your favorite tv show
for $1 off $100 📺
I take Zelle , Venmo , Cash App and Mailed Cash
I make excellent packages but after I drop it off it is the responsibility of USPS.
Please ask for photos or if I have multiple of the same item!
Date Proof:
https://imgur.com/a/jQrAiVb
PRE-33 GOLD
https://imgur.com/a/MNAYZip
1908 D $5 Gold $1300
https://imgur.com/a/xINXuM0
1927 2.5 gold $800
https://imgur.com/a/diOJZvh
1914 D 2.5 Gold $700
https://imgur.com/a/PX94LL9
1901 2.5 Gold $650
https://imgur.com/a/mExBjEn
SILVER COINS AND ROUNDS 🕰️
Aerosmith 1 oz $35
Homer Simpson 2019 donut $70
Simpson family Christmas $50
1oz silver Superman Samoa 🇼🇸 $5 coin $35
Spider-Man 1oz $45
St. Lucia 2020 1 oz silver lizard 🦎 $35
2021 Wonder Woman 1oz $70
Batman 1oz $70
Scarface 1 oz $45
🥤 Coca-Cola 1 oz silver round 1 oz $35
Baby yoda 1oz silver $35
🇺🇸 Army 1 oz silver bar / round $35
Bar 1
Bar 2 digital camouflage
Street fighter chun lee 1oz 🇯🇵 - $35
Wolverine 1oz 🇨🇦 $50
The Godfather 1oz silver $40
Silver Bart Simpson 1 oz $60 🛹
2023 Homer Simpson carded 1 oz $60 📷
SWAMP THING 1oz colorized- $75 📷
2024 silver shield 1oz silver cannabis round $36
( and a copper cannabis for free ! ) ☮️
ET 🪐 Niue 1oz 2 dollar bar $38
1 oz trump wanted rounds $35
Beavis and butthead 🔥 🧻 1 oz silver
$90
Intaglio Mint 1oz “ the 4 seasons “ nude art 🖼️ round $60
Donald Duck $38
1991 liberty lobby 240 grains 1/2 oz .999 silver Andrew Jackson - $14 each 5 available
FRANCE 🇫🇷 10 franc 1965 silver .8134 asw
$33
1oz Silver Camel Cigarettes Joe Camel 🐪 - $65
Disneys snow White doc 1 oz $70
1 oz proof ablum
https://imgur.com/a/tYA9NDZ
Silver $1 commemorative
Capsule only
Baseball $1 proof $29
Lewis and Clark proof $33
2011 infantry no box $30 sale !
1992 Columbus $1 - $30
D-day $1 bu $30
Wright brothers $1 $30
Capsule proof:
https://imgur.com/a/9sCzhiP
In original mint packaging 📷
1993 WW2 2 coin set $1 - $37
1993 WW2 2 coin set proof $33
1994 World Cup 2 coin set $28 sale
1995 civil war battlefield 2 coin proof set $32
1995 Olympic cyclist 🚴 proof $33
1995 Olympic track and field proof $33
1996 national community service proof $29
1996 Smithsonian $1 proof $29
1998 Robert f Kennedy $1 proof - $40
1999 Yellow stone national park $33
2000 Leif Erickson silver proof $1 - $42
2003 wright brothers first flight $1 proof - $31
2006 San Francisco old Mint $1 proof $30
Benjamin Franklin founding father proof $33
2012 Infantry Soldier $1 $40
Comm proof:
https://imgur.com/a/iaF31xI
Silver Dollars 💵
1883 o $100
2007 ASE certified $42
2006 ASE certified $42
1921 Morgan in cap $45
1926 D peace better date $36
1887 $1 - $70
1921 Morgan plastic flip $55
1886 $1 $70
1922 peace dollar $27 sale
Better 1922 peace dollar $27 sale
Nice 1922 peace dollar $27 sale
1925 peace dollar $27 sale
Proof:
https://imgur.com/a/fBk2WiY
1921 Morgan MS $60
1896 Morgan $65
1885 Morgan $90
1878 CC $1 $170
1897 $1 $85
1890 O $1 $80
1921 MS $60
Proof;
https://imgur.com/a/jJbdBJa
Glass Panther Art pours and more,
sponsored by Coca-Cola 🥤🍔🌎🦩🌞🧊
Fallout New Vegas
Lucky 38 1oz silver “ platinum chip “ $45
Vintage 1977 Coca-Cola 1oz silver bar
Nashville TN $70
Norfolk Va $70
Atlanta $70
Contemporary Coca-Cola 1oz silver bar $32
Contemporary Coca-Cola 1oz silver round $32
Coca-Cola Christmas 2019 Fiji Santa Clause 1oz - $45 🎅
Fiji 🇫🇯 1oz coca-cola bottle cap $149 📷
10k gold coca-cola pin 📌 $150 📷
7.5 oz 1:1 scale .999 silver derringer - $400 ⭐️
3oz M4 🐆 $223
1oz army man $90
( which one of you sold it to me? )
Sunshine 1oz $140
Cyborg 1oz $140
Smurf 1 oz $35
Art cola Proof ;
https://imgur.com/a/mlUyEQZ
HALF DOLLARS and more 💵
1822 Bust half dollar $75
1825 bust half dollar $70
1876 seated half $50
1896 O Barber half $60
1895 p barber half $30
1952 Washington/ carver half $25
1877 seated half $45
Booker T Half $25
1964 MS 50c $14
1963 D 50c unc $18
1955 Canada 50c $25
1992 silver 50c proof $20
2005 s silver proof $20
1858 50C $70
Canada silver 5 cents $6
1857 dime $20
1923 mercury dime $3
1937 mercury dime au $12
1936 AU mercury dime $13
1927 mercury dime $4
Barber dime coa $4
Ohio silver quarter $12
1XX3 seated quarter $18
1955 ms quarter $12
1964 ms quarter $9
1904 p 25c $8
1908 O 25c $10
1912 d 10c $9
Metal detector dime $5
1909 p barber dime $19
1903 p 25c $9
1916 p barber $4
1912 D $5
1916 $6
1907 $8
1914 10c $12
1832 half dime $90 📷
Proof
https://imgur.com/a/PhO1Bhq
SETS 📺 📷
Silver war nickel set $8
Dimes of the 20th century $6
Bill of rights silver 50c young collector set
$19
Buy all for $25 . Great deal.
Jewelry 💍
1 gram 10k earrings $30
7 gram. 925 bracelet $10
Take both for $40
https://imgur.com/a/H4Nrark
Rarities 🦜 📷
1/4 oz art bar gilded Halloween $35
1/4 oz art bar gilded Pug $35
COPPER 📣
Copper Cannabis Leaf 🍁 Round $2
2023 year of the Dragon 🐉 copper round $2
Lincoln Wheat Cent 1oz COPPER $2
Copper proof;
https://imgur.com/a/b6dcW1Y
🇺🇸 🇺🇸 🇺🇸 GOLD 🇺🇸 🇺🇸 🇺🇸 🇺🇸
0 - 2021 New Hampshire 1 GoldBack $5 each - free ihp with purchase and ground shipping limit 4 ihp
I’m out of these, sell me or trade for cheap.
https://imgur.com/a/JBEAJ4j
Bank of America 10k pendant with seed pearls , I think it’s 3.6 grams. $120 📷
Bank of America 10k pin 📌 no pearls, $100
📷
Fractional silver
1 gram silver in card $1.70
📷 https://imgur.com/a/x4CsSMR
CANADA SILVER 🇨🇦 🍁
Canada 1955 50c $20 📷
Canada $1 1987 proof $20 📷
Superman $20 silver $25
Batman vs Superman Canada $20 silver coin $29
Bugs Bunny $20 silver $35
Star trek 2016 silver $20 coin. $35
2016 Canada $20 silver T-Rex $25
2014 Canada $20 Snowman $22 2014 Canada $20 silver summer swimming coin $22
Canada proof
https://imgur.com/a/bUSuicI
Bank bag assortment lot that I forgot:
Futurama Shut up and take my money 1oz - $45
From glass panther
Dirty vintage coke bar 1oz $65
2014 icg panda $42
St. Lucia 1 oz lizard 🦎 $35
Trump wanted $33
https://imgur.com/a/q8pR7c3
USPS priority box /envelope $10
USPS 1st class $6 up to 7 oz
Risky envelope shipping $2
I take Zelle and Venmo Cash App and Mailed Cash and small gold or 1 goldbacks @3.75
I make excellent packages but after I drop it off it is the responsibility of USPS
Proof:
https://imgur.com/a/jQrAiVb
submitted by OrganizationFalse668 to CoinSales [link] [comments]


http://swiebodzin.info