Written 5/8/2024- updates attached below

I tried posting this on kendrick almost a week ago and it got no response, I messaged the mods to ask about Karma restrictions or account age requirements and they never replied. I made a new account and it was the same issue, but I found out last night I wasn’t fully banned, so I figured I’d throw it up and see if anyone finds it valuable. It’s written for people who have no prior knowledge of the rap game/music business. I don’t have to go as hard on obscuring names this time. One of the influencers I mentioned in my last post is known for doxxing and threatening violence against people who mention the many contradictions in their stories. (Sorry for any typos/mistakes I want to go to bed.)
Origins
I believe the current Drake and Kendrick Lamar beef is either completely or partially fabricated by certain industry leaders or the parties involved in an effort to distract from something bigger going down behind the scenes. If you were an influential label owner facing major accusations, and you needed to deflect media attention from yourself, recreating one of the most defining moments in rap history during the social media era would be a way to do it. It also wouldn’t hurt that two of the biggest rappers in the world were already sending shots at each other in their music for years prior. The public consensus is they are simply two famous rappers who hate each other and fighting over the spot for the top like in the 90’s. Only people who were directly involved could paint a more cohesive picture of the whole story. Even when all the cards drop, there is a good chance the average person won’t be able to find direct sources on their own and will continue to support their favorite artists and dismiss any evidence of their crimes like the drizzy subreddit or Ak fans.

As I said the beef between Kendrick and Drake has been brewing in the background for years, with both rappers sending shots and sneak dissing each other over the course of at least 8 years. The most agreed upon origin story is the first diss was the 2016 Big Sean and Kendrick collaboration, “Control,” and Drake responded with, “The Language”. Things stayed relatively lighthearted for a while and both were intentionally vague for many years. Before I go deep into the Kendrick and Drake stuff, it’s really important to examine some of Drake’s prior beefs because they add a ton of context to my theory. In my opinion Kendrick and Co. started scheming all of this some time around Mid 2020-Mid 2022, well after the whole Pusha T beef had transitioned into the Kanye beef.

What exactly started the beef is debatable, but at the time many attributed it to rumors of Drake pursuing Ye’s ex Amber Rose. Unfortunately the timeline isn’t 100 percent clear, and if I included every detail this would be at least 200+ pages so I’ll stick with the important stuff. The ultimate outcome of the Pusha T battle in 2018 was the revelation of Drake’s son Adidon that he had previously been hiding from the world along with getting Ye directly involved in the beef.

Here are some more examples of Drake antagonizing Ye and of him trying to use women as pawns to get material for his diss tracks. The Drake line, “Yeah, I probably go link to Yeezy, I need me some Jesus, but as soon as I start confessin' my sins, he wouldn't believe us," could be a reference to sleeping with Kim Kardashian, trying to double down on his threats to harm him or his family, or it could be a double entendre. Another example is using the name Kiki in another song, which was apparently one of Kim’s nicknames. Some other possible examples include the theories he may have tried the same thing with Kendrick’s wife Whitney around 2020-2021 in an attempt to use as ammo against Kendrick, which I’ll go into later. I don’t listen to much of either artist's music, but there are probably many of other examples in Drake’s catalogue that I’m leaving out. There is also his song Omerta released in 2019, which I'll go into below.

“Your baby mother call me when she lonely My tailor see me twice a week, he like my homie Forever grateful, forever thankful Diamond necklace, but she wears it on her ankle”

(Probably referring to Kim Kardashian since she had a few pictures with her wearing diamond ankle bracelets and was trying to make it into a trend.

“I plan to buy your most personal belongings when they up for auction”

(There were various rumors floating around for a while that Drake was blackmailing Ye with something and he was fighting to keep it from the public. I thought about it and this line might be referencing a sex tape with Kim or her little sister who me was very touch before she turned 18. In 2022 there was a whole storyline on Kim’s show where Ye flies to LA to prevent her second sex tape from being released.)

West Hollywood, know my presence is menacing
Cosa Nostra, shady dealings
Racketeering, the syndicate got they hand in plenty things The things that we've done to protect the name are unsettling But no regrets, though, the name'll echo Years later, none greater
Death to a coward and a traitor, that's just in my nature, yeah
(Drake and Ye both frequented the Delilah Nightclub located in West Hollywood and lived closeby on the same street for a while.)
"I don't carry cash 'cause the money is digital
It's the American Expresser, the debt collector"

(Sounds a lot more like it could be crypto to launder or send large amounts of ill gotten gains. It started becoming mainstream around them)

"Last year, niggas really feel like they rode on me
Last year, niggas got hot 'cause they told on me
I'm 'bout to call the bluff of anybody the fold on me"

These lines stood out because they could be referring to Ye telling the public about Drake's alleged threats a couple months before the songs release. This happened not long after the release of Sicko mode which was towards the end of 2018 as well. Ye was discussing the incident on Twitter and reached out to Drake and Travis to talk to him in private. In the next set of tweets Kanye publicly accused Drake of threatening him and his family in a major way. Surprisingly Ye seemed genuinely scared and amongst his, “crazy rants,” some of the stuff he said makes a ton of sense in hindsight. This also the beginning of his second serious public struggles with Bipolar disorder after being committed in 2016 shortly after an on stage rant where he calls out Jay Z for selling out and says he's afraid he might kill him.. As someone who shares the same diagnosis, I have a pretty good understanding of mania and psychosis and firmly believe that it's important not to write people off right away due to their mental illness. Some of my most thoughtful, creative, and productive periods were inspired by mania. Industry bigwigs have also been using mental illness to discredit influential black celebrities and visionaries going back decades, but it really picked up in the 80’s.

Dave Chappelle has gone into this a lot in the past and claims he experienced something similar before he quit show business and dipped to Africa. Their stories have a lot of interesting parallels if you’re familiar or curious. I remember he actually visited Ye at his house in Wyoming after he was reported to have had a, "mental breakdown," during his presidential run in 2020 thus marking his third breakown in six years.. The reason I put it in quotes is because it happened right after he publicly accused Kim of cheating and delivered his legendary speech on abortion. Dave went as far as going on live tv and telling the public he wasn’t crazy, he was just really struggling because he was the only one at the time fighting against the narrative, which can often be a suicide mission or a ticket to obscurity. These are three examples of someone speaking up and being deemed crazy, two years later came the nazi stuff and I'm sure we'll have plenty in store for 2024.

This is just the tip of the iceberg when it comes to the very common pattern of artists dying or having their careers destroyed either after they try to leave their label or threaten to reveal industry secrets. A few more interesting industry connections I made in my research include the connections between:

T.U.G. records and J Cole's independent label Dreamville are both managed by Interscope Records, whose parent company is Universal Music Group.

Universal Music Group also hac Drake's label OvO label as well as Ye and Kendrick's old labels on their roster before they left to form their own independent labels in 2022 (around the same time the disses between Kendrick and Drake started escalating). Finally Bad Boy Records, which is owned by Diddy, and Motown Records who own Diddy's other R&B label Love Records, are also both owned by Universal. This means every label I mention is currently or was previously owned by Universal Music Group.

Ye tried for years to get out of his contract with Defjam, which happens to be ran by Jay Z who is known to be a close associate of Diddy. Jay would always used his money and power to fight against it. Ye even spoke out publicly on a few occasions, including when he said Jay Z was trying to kill him during one of his concerts. My theory is after years of getting nowhere and having his reputation skewered, in 2022 Ye finally said, "Fuck it," and dropped all the anti- Semetic stuff intentionally in a successful attempt to force his label to into using their morality clause, which requires labels to drop an artist if they're accused of any major controversy that could hurt the label’s profits. For the fourth time in four years the media reported he was having a breakdown. Even though they tried to punish him by cutting off all of his sources of income and freezing his accounts he still managed to bounce back pretty quickly. It was often reported how much he was losing, but it rarely discussed how he still was filthy rich in spite of the retrictions. His label wanted to discourage other artists from trying the same thing. My theory is he might have bought Kim or Kylie's alleged sex tape and used it for his own leverage. For Kendrick, his transition to his independent label ApLang went a lot smoother, but he had to split ownership of his new label with the previous manager owner Dave Free. Sadly it's still difficult for new or more niche artists to establish themselves without the some help.

He may be a lot of things but Ye isn’t dumb just because he has a mood disorder and the guys at the top know this, which is why I think he has really played up his diagnosis when it benefitted him. He’s still one of the most talented musicians in the game and I really think he sees his bipolar like a superpower as he says. It’s like his own invisibility cloak. He can go off his meds for a little, make an album after staying up for 72 hours, go on a “psychotic” twitter rant dropping facts throughout, then start up again once he makes enough news headlines. I think it’s worth noting the first divorce rumors in 2020 coincided with Ye’s abortion speech during his presidential run and the cheating accusations. that led to him dropping out and moving to Wyoming, and a couple months ago in February 2024 he was committed again.

The point I’m making is bipolar is complex, but pretty manageable especially if you have a ton of money to find meds that work for you and a good doctor and can keep substance abuse and stress at a manageable level. I think Ye is smart enough to know this, but it’s just safer for him to really play up the mental issues in the media. He’s proven he can literally say whatever he wants after getting cancelled and the average person is just going to write it off as psycho babble. While bias in health care is a sad fact of society, if you can use it to your advantage I say go for it. It might’ve just kept the microscope off of him long enough to plan his attack.

Ye v. Drake: Quotes of 2018
(Start of the beef, drake threats, and suspicion towards Kardashian family. )

“ It’s not about rap. It’s about family. We have to be close as a family and never let these people infiltrate just for radio spins”

“We need to show the world that people can talk without people ending up dead or in jail.”

”This is a man speaking to a man that has been placed in the program to fuck with Kanye West head and set me up“

”See when you care about your family you don’t let no man push you to do nothing that could risk your freedom“

These first four tweets by Ye were all in reference to perceived threats made by Drake after their beef escalated circa 2018. He began speaking on the industry and talking more about his psych hospital commitment two years prior and how he thought they were going to kill him. It's pretty obvious how the whole thing was planned by the sketchy doctor who called it in and his physical trainer who has a ton of connections to weird shit involving his celebrity clients.

I found interesting that Ye might not have been the first major league rapper whose life Drake threatened. During a similar period of mental illness the up and coming rapper XXXtentacion accused Drake of stealing his flow and dissed him a few times. Not long after he made a post online saying if he dies, it was Drake who did it. There are tons of conspiracies online, but none of the evidence is strong enough to draw a definitive connection. Also while it maybe be coincidental, Kendrick’s latest album Mr Morale also painted the picture that Kendrick was dealing with some serious personal issues. Some lines throughout the album may have been used to bait Drake into escalating, but it wasn’t until The Weekend, Future, and Metro Booming dropped, “We Don’t Trust You,” then Drake and J. Cole dropped, “First Person Shooter,” which was followed a couple days later with, “Like That,” where Kendrick started the chain of events that has led us to today.

Kanye vs. Drake: Quotes of 2020

Summary: Ye runs for president and gets suppressed for saying what very well could be the truth and was immediately deemed insane by the media. Kim did a couple interviews and everything he said was immediatly false. There is almost guarenteed to be some sketchy shit going down revolving her and her family. Ye was absolutely terrified of her keeping the kids away from him and it seems like there are still efforts being made to this day to paint a certain image of him for ulterior motives.

Below are six more quotes from a fan taking a deep dive into his 2020 tweets courtesy of u/ thehatstore42069 on Yeezy
”NORTHY I AM GOING TO WAR AND PUTTING MY LIFE ON THE LINE AND IF I AM MURDERED DON’T EVER LET WHITE MEDIA TELL YOU I WASNT A GOOD MAN,” West, 43, wrote in the tweet, adding, “WHEN PEOPLE THREATEN TO TAKE YOU OUT OF MY LIFE JUST KNOW I LOVE YOU”

"I need a public apology from J Cole and Drake to start with immediately... I'm Nat Turner... I'm fighting for us."

"the utmost respect for all brothers" and said "we need to link and respect each other... no more dissing each other on labels we don't own"

"Ye is constantly trying to tell people that his family does not have his or his kids best interests at heart. He goes on to list others, linking them together with the thinking emoji. These people include rap artist Drake and Larsa Pippen, wife of Scottie Pippe. Kim K is goddaughter to Pippen's daughter, showing how close the families actually are. All of these families that associate with Ye through Kardashian connections, as well as Drake, have been accused of the same thing Kris has. EVERY SINGLE ONE of these people have mixed race children that are groomed from a young age to fuck around with celebrities so the parents can remain famous. Drake on numerous occasions has been accused of grooming girls and then getting handsy on their 18th birthday.”

“These labels want their artists to make them money and they dont care about anything else. When Kanye says things like this in an attempt to expose him, the first thing they wanna do is drug him up and put him back in the studio.”
“Righteous indignation is typically a reactive emotion of anger over mistreatment, insult, or malice of another. It is akin to what is called the sense of injustice. This is how they keep the black man down. Keep people outraged about trivial things and distract them from the real issues in the world. The real problems in the industry. If you tell people enough times that they are unequal or discriminated against they start to believe it. Drug them when they step out of line and toss them aside when the checks run out. Ye is realizing he is pawn in a bigger game, and now that he has all these roots in the game such as Yeezy or the Gap or his music, too many people cant risk (Afford) a Ye who speaks his mind.”
(End of quotes)

Amongst the twitter rant, Ye warned about the predatory nature of record deals and discussed trying to get out of his own deal, and said again how his life may be in danger if it wasn’t already and was doing anything he could to protect his kids. The most fascinating part to me though is the public call to arms he made to Drake, J Cole, and Kendrick on twitter. After inviting them to all link up, he said, “It’s time to get free, we will not argue amongst each other while some guy we don’t know in Europe is getting paid and putting that money in a hedge fund.” I believe if Ye was able to pull off this meeting, there is an ever so slight chance that all four artists might be working together to take down a greater enemy. Weirdly there have been times throughout the last couple years where these supposed enemies were photographed together being friendly or praise each other in interviews, then out of no where the disses would start flying again.

To wrap things up I want to share my a few of my theories about the Drake/Kanye beef

A. Everything is exactly as it seems and the beef is over. Ye let his mental illness ruin his life and career so Drake simply picked another target after Ye stopped putting out disses. All of these connections are just a coincidence and all of this was choreographed to boost Drake and Kendrick’s music sales and possibly distract people from the Diddy trial and possibly the complicated geopolitical issues currently facing the U.S.

C. There is also the possibility that all four rappers are in cahoots and Drake’s dirt isn’t as extreme as people are theorizing, at least in comparison to the rest of the business. This could explain why everything has played out like a movie and how they were able to predict each other’s moves so well. This could either mean they’re all just trying to boost their sales or they’re all trying to take down the “slave masters,” as Ye calls them, and change the dynamic of the music industry in favor of the artist.

D. They may be trying to help their friends in the industry who are being abused or in shitty contracts. I know a lot of famous rappers have done a lot of collaborations with Jhene Aiko and Anderson Paak, who were both signed to T.U.G. records which I mentioned above in the connections to Universal Music Group. Considering they are both frequent collaborators with all of the artists involved on both sides, it’s not unlikely they may have played some part in influencing the takedown.

T.U.G was started by Chris Stokes with his partner Ketrina Askew. Back in the early to mid 90’s were gaining popularity attracting lots of young up and coming talent. They often collaborated with Diddy and his associates. In the 2000’s Raz B from the boy band B2K claimed he was molested by Stokes and his friend Marques Houston, then quickly retracted his claims. Years later he came forward again and said we was bribed into silence and that the rest of the victims were bribed with hush money and had another singer corroborate his story and they came forward together to level the accusations. After some of his former B2K members made fun of him for his claims and accused it of being a shakedown, Raz B revealed Stokes and Houston had preyed a lot of the children associated with the label including at least one of the former bandmates and paid them off.

I thought it was worth noting that the second whistleblower named Quindon Tarver died young in a car crash after mentioning his abuse again a few years prior. He seems to have left the industry not long after the incidents occurred and has few credits to his name. To this day Raz B is still trying to get his justice, while Stokes and his partner Askew, who was also involved in the abuse are still running the label to this day. Askew also has a ton of lawsuits, accusing her of using shady tactics to try to foreclose on houses. (Don’t quote me if a lawyer wants to take a look just google her full name), and has been tied to a ton of LLCs, similar to Drake. This is a good example of a shitty record deal, but I'm sure they have countless other friends in the industry who have even worse. While they were never convicted even Chris Stokes' wife confirmed it to be true.

E. The theory I personally think fits the narrative best and is the most realistic conspiracy is that Kendrick and possibly J. Cole went to the meeting, but not Drake due to his close relationship with Lucian Grange, the president of Drake’s label. Silence often speaks louder than words and this could explain why Kendrick was so ruthless and put so much effort into finding dirt on Drake. Ye, Cole, and Kendrick co-writing would be like the rap allstar team and if J. Cole wasn’t involved, it would also answer the question of whether or not he baited Drake into the battle by asking him to feature. I don’t think Drake is really their primary target though, which would explain letting him off easy. Compared to his bosses and their bosses he’s a small fish. If you take the big guys down you stand a better chance of landing a bigger blow on their operation.

Another really interesting connection is Kendrick and Ye were both signed under Universal Music Group and they both got out of their deals around couple months apart in 2022. As we speak U.M.G’s CEO Lucian Grange, who is often acccused of giving Drake special treatment, is facing charges related to sex trafficking by no other than P Diddy. This could very well explain the timing of it all. The craziest timeline would be Diddy masterminding all of this and using his connections to get it done and all the allegations are bullshit. The guy does seem pretty confident all things considered and constantly posts himself in his Batman costume which could mean he’s a vigilante.

It seems like there's a slight religious angle as well. (Ye and Diddy are both very vocal advocates of Christianity and Drake and Lucian Grange are both Jewish.) Obviously this is a reach, but they’ve been saying rap music was specifically promoted by mostly white label owners in the 80’s to help in the ongoing effort to expedite the systematic oppression of those living in black neighborhoods and the destruction of their family systems. Apparently it was an intentional decision to heavily promote rappers that promoted the very things that were destroying their neighborhoods. (So people know I'm and atheist and have zero agenda, I just thought it was interesting, please stay away from anything antisemitic. War is wrong on both sides.)

*** If my favorite theory is true, there is a possibility the Kendrick and Ye are going after Drake due to their mutual disdain for him and because he’s got a ton of power to dominate the charts and hog the radio airtime like Meek Mill and OG Maco claimed years ago. Even him dropping a record the same day as you could really fuck your album sales up. I’m also sure some of the many rumors throughout the years have had a least some truth and he will most likely snitch to avoid cell block one. I think that Drake could have been instructed to instigate this whole mess in order to draw attention away from the UMG charges brought about by Diddy. Or on the other hand it could be that Kendrick, Ye, and possibly Cole, may have had intel that Drake was going to be involved in the Diddy trial and are just gonna let the receipts show themselves. It might not have been the original plan, but they’ve already accomplished their mission of humiliating him, assuring he couldn’t use his influence to slide through the cracks, and taking over the throne.

Please take everything I say with a grain of salt I have no connection to this world or lifestyle. Regardless I believe all of the knowledge above does a pretty solid job at painting a picture of what may have let up to this and what may have been the source.
——————————-
More details found the last couple days…

Drake and Diddy Connections+Coincidences

Drake- In the P Diddy wig video from 2016 he talks about going to party with Drake, Cash, and The Weeknd in Toronto. Drake is also one of Birdman’s protégées who is known for being a predator and is rumored to have used label artists to lure young women.

Travis Scott- Interview where he comes out and says Diddy tried to lure him. Still has a long history of associating with him, video of him running from Diddy, his connection to Ruby Rose while underage.

Tim Westwood- Diddy had connections with sex offender Tim Westwood who also inspired the Drake song, “Westwood”. They also both were victims of drive by shootings along with The Weekend and they were all facing some type of allegations.

T.I.- Also has been associate with Diddy through the years, in 2021 his kid died and 11 women can forward at the same time to accuse him and his wife of drugging and assaulting them. Clearly someone wanted to fuck his life up. Possibly due to him getting arrested so many times for wild shit and people wondering how he continued to get away with it shining a light on how powerful industry lawyers are. He also had recently talked about having a gynecologist check to see if his daughter is still a Virgin, which sounds like it could have been an industrty secret. Could have been because he worried about someone trying to take advantage of her to get to him? Regardless that shit is fucking insane.

50 Cent- Has been saying pretty much the same thing as Travis Scott and has trolled Diddy for most of his career. It came out that his wife was a sex worker who was possibly recruited Diddy to help ruin his career. It sort of worked, which raises the question if 50 Cent is the only victim.

Ray J- Him and his sister worked with T.U.G. records when they were very young. Chris Stokes in the nineties who had connections with Diddy. He has been involved in a lot of sex scandals and allegedly may have played a part in Whitney Houston's death. (Which is also allegedly connected to Michael Jackson's death and both were deemed suspicious and happened during their final tours when their masters (song rights), became more valuable than their lives. Sony Records and Tommy Motolla, who also abused Mariah Carey when she was trying to start her career. These are just a few of the alleged examples of labels taking out musicians when they were worth more dead, another is the signing of high risk artists and requiring them to get life insurance so they can profit beyond releasing all their posthumous records. Also the ever so common story of the rising star artist that die at 21 after their first album or two.

He also partied with Diddy in Vegas with along Floyd Mayweather and a bunch of other famous industry people and athletes.

Tory Lanez- Tons of blackmail, also was signed by Interscope under UMG. got sent to prison for ten years after trying to leave his label. Also history of SA and and other allegations of violence towards women.

French Montana- On Diddy's label, close with Rick and Khaled, tons of drug and sexual assault allegations, also dated a Kardashian. Generally grimy.

DJ Khaled- Diddy said he could get anything in Miami, either referring to drugs or women, could explain his connections and lack of any notable talent. (New update, he was one of the first to promote Chris Alvarez’s instagram not long after he turned 18).

Rick Ross- Diddy said some weird shit about him and licked his lips and kissed him at a show. Ross is also signed to Bad Boy under Diddy. He ended up getting involved in the current feud and spamming social media nonstop dissing and threatening Drake.

A lot of the back and forth was both of them threatening to release dirt on each other. One strange coincidence I found was Drake recently trolled Ross about the 20 million dollar renovation to his home on Star island, where Diddy is currently residing. It’s rumored back in the day that P Diddy was caught in a room full of rich guys on ecstasy possibly at the beginning stages of a gay orgy. Drake also mentioned in the same tweets about Rick Ross that Birdman owned a house on the island and asked Rick Ross why he didn’t help him out.

Considering Ross is so sketchy and Drake claims the house isn’t that big, that’s a ridiculous amount of money. He may be covering up evidence, or creating tunnels in his house to escape if shit pops off and Drake might know what’s good. Interestingly enough Ross is very close with French Montana and also signed to Bad. He said his beef was related to something involving French, and Drake’s tweet popped up the same day the info came out concerning the Chris Alvarez stuff.

The famous line from U.O.E.N.O.

Meek Mill- “OG Maco called himself defending his friend Quentin Miller by substantiating the ghostwriting claims and agreeing with Meek. He hit up Twitter saying, "Some of us been knew. Meek just put it in the air. Sucks to have to compete with 6 n****s and get compared to”

Meek mill also had a short beef with Drake, some disses included lines referring to TI’s homie pissing on Drake at the movie theater, which is also interesting considering the current case against him. He also dropped a line saying Diddy almost got a domestic charge when he smacked Drake, which could either be saying that Drake is like a woman, or saying he was Drake’s boyfriend/sugar daddy.

I thought it was interesting how the beef just kind of disappeared and even Meek said it didn’t seem genuine. Considering the allegations against Meek in the Diddy trial, and his rumored affair with Kim contributing to ending Kanye’s marriage, Meek Mill definitely did some dirt on him.

“Niggas frauds I told the truth, don't ask me shit
All this industry fake enemy and rap shit”

“Money make a sucker that told look trill again”

One of the many chapters in Drake's history in which he is seen paying his way out of trouble and starting beefs randomly.
“Now when that shit went down with Chris, you wrote a check”
This line is referring to Chris brown beef, another beef that was lost to time. All I can remember off the top was someone throwing a champagne bottle at the other’s entourage.

Ty Dolla $ign- Huge feature artist, close with Ye. Grew up in the industry and talks about growing up on the road and being in the studio with his dad and Rick James who was should have already been in prison for life for dragging, torturing, and S assaulting multiple women and children throughout his career and was himself a victim of the industry. May be part of Ye's motivation, considering their recent close working relationship. (If you made it to the end comment with the number 8)
The end.
Courtesy of,
The Randomest Moniker

Hi, I'm very much a visitonew guy here, and plus I'm pasty af and from Austin suburbs, so I very much have not been immersed in this environment or community before now. Ironically, as a kid I tended to avoid rap altogether bc 1, Texas suburbs, being covertly racist and weird about black art is kinda the norm even for kids (I know I still got problems on that front but I'm really tryna work on myself in that regard) and 2, I grew up in the 2010s and I could not STAND Drake or the folks that came off his wave. It was just boring and lame to me and I figured if those guys were mega popular that must be all there is to it. I was a dumb kid, what can I say, lol. SO, given all that, and I know that people in this fanbase tend to be both old guard hip-hop/rap fans and a healthy dose of my age, I figured asking some questions that've been bugging me about the beef, Kendrick, and hip-hop culture in general that Google isn't helping with. I'm sorry if I say something that ticks anybody off, I am simply trying to educate myself on this. Frankly I wish I could flair this both beef and discussion XD.
If there's a better subreddit to direct this to, please let me know!
Aight so:

1. Why is Drake hiding kids such a big deal? I know this came up with Pusha T awhile back too, so I'm particularly interested in this one. Cause like, we've seen what happens multiple times when kids get put in the limelight too early (hell just look at all those kiddie sitcoms from Nick and Disney Channel), and celebrities not sharing their children's faces and names with the world actually seems kinda responsible.
2. Why is Drake getting plastic surgery such a big deal? Idk maybe it's just cause I'm trans and my gut instinct is always "why do you care about what somebody else is doing with their own body," but I also know dude has a tendency to mock people who aren't conventionally attractive (particularly women) so idk.
3. As a white person whose experience is informed by a middle-class upbringing interacting with a predominantly black, impoverished art form and culture, how do I best avoid bringing harm to the space? Obviously you ask 3 people a question like that and you'll get 45 answers, but that's good, I wanna know.
4. Obviously, I've really been getting into Kendrick since all this (Auntie Diaries made me cry I ain't gonna lie, he sounds just like my mom about my own transness in that song XD), and I'm working my way through his discography. Honestly it seems a lot of people round here talk about him the same way we in the emo/rock scene talk about My Chemical Romance lol. Can y'all recommend some other artists, both old and new, that might work for someone coming outta the emo and metal scenes (also before anybody says it cause I mentioned being queer, yes I love Lil Nas X, M:CMBYN was actually one of the catalysts to my coming out as trans XD)?

(I know I had some other ones but my dumb ass completely forgot as I was writing. I'll ask any others in the comments)

Hello everyone looking at this post. I’m looking for a friend I can vibe chill and get to know on a deeper personal level I hope. I crave more relationships in my life and/or just people to talk to.
Here’s a bit about myself. I enjoy playing video games the most. I’m a pc gamer, and I have a crap ton of games. But I mostly play league, valorant and cs. Recently been getting into Terraria and currently playing persona 5 and elden ring . Favorite game all time is portal 2 or Luigi’s mansion. I love watching shows, anime or regular. Currently watching jjk and AoT, and caught up in one piece. I occasionally like the outdoors and do things like fishing, camping, hiking, just enjoying the nature and vibes. For music, I enjoy rap and rock but I also like other niche stuff. Favorite artist is juice wrld. Oh and I guess a favorite movie of mine is Donnie Darko, love physiological thrillers.
Overall, I’m a pretty laidback person and would like to get to meet some new people. Have a good day/night!

I got 90 rank in nift exam and was so happy .. and my photo with caption also came in newspaper . My family was so proud of me , after seeing the result I burst out of tears of happiness (it was like all one year prep, sleepless nights, breakdowns, finally I made it) So coming back to my so called friends … I had taken drop of one year after 12th and came out of my town for my coaching.. I met three girls there doing the same coaching in my hostel .. we were roomates.. I was always a bright student in my coaching .. and teachers were impressed by me.. meanwhile they were sugar coaters you can say.. but bhai at the end teachers need rank not your Maska malai yar.. these three girls were kind of living in a delululu world like the more you get attention on social media like Instagram and all .. the more “COOL” and popular you are But I was not like this.. social media always gave me stress .. so usually it was always deactivated At the starting we were sharing good bond.. but by time when I was gaining good marks .. things changed.. the three were on there own , never call me, never invite me in anything , this gave me a kind of depression for being left out always They always used to tag me on social media for showing the world “ best friends tags” but bhai if you didn’t mean it then don’t show off it .. I never shared back on my story .. it was my Choice .. ki you all ignoring me in real then doing this wtf Yar On the topic of studies, they always used to take my advice ( coz bhai Kon fayda ni uthana chahta) and apart from all they did to me I always used to guide them … but bhai consistency is the key .. one day you are studying hard and next you are sleeping whole day.. then it will not work On the last day of hostel.. one of them says to me .. ki listen be wise in college otherwise you’ll suffer .. like seriously this make sense? After one month we had exams I used to call them ki how much they have studied or for any doubt.. but they never called first We met at the exam centre it was all good After that one month more, our results came.. I was happy with mine and tried to call them but none of them picked up After 1 day one of them picked and I told her about my result she was shocked with disappointment as it was my fault Asked her about other she told she can’t tell because they have warned her to tell me I said okay That day in evening .. I put the status of my photo on the newspaper and family members too Each of them saw that… but replayed nothing .. my coaching institute also posted it .. at night I just up there ids on Instagram … what I saw that they all have blocked me from everywhere… snap, insta, wp everywhere… I was totally disheartening and shocking I told my mom about this .. she said leave it Beta .. you have achieved what you wanted … our own people cants watch us grow higher in life…. When you have lovers then you have haters too… Still it will take time to heal..

Felt like a time warp.
I decided to visit mom at the old neighborhood which I usually take the faster route. This time decided to take the longer route and drive by my old stomping grounds. As I approached the old park where I spent most of my time, couldn’t help myself but to park and take a stroll around the paths. I felt like I was back in 1995 as Park was packed with kids and teens of all ages. Some were playing a game of pickup basketball, others were at the skate park, the younger ones were on the plastic playhouses since the metal slide, monkey bars, teeter-totters and marry go rounds were long gone. another group was riding their bikes along the paths avoiding the dog walkers and joggers. another group was trying to catch something at the local pond, one of the kids was ankle deep on the lookout for authority. Then you had a group of teens hanging out under the ramadas, sitting on park benches and tables. Made me wonder how these kids will look back in 20-30 years and reminisce about these times being the best of their lives, just like we look back at the 90’s. You always hear about the good ol’ kids no longer play outside because they’re on their phones, but I remember hearing the same argument because we were stuck indoors all day playing Nintendo and Segas and watching that rap and grunge videos on Mtv.
Thought I’d share this wonderful experience and prove that things aren’t as bad we think they are.

"The family matter and the truth of the matter it was god's plan to show y'all the liar" (Family Matters) plus his third verse in Not Like Us is a whole ass rebuttal of "rapping like youre trying to get the slaves freed" "homie still doubled down by calling us some slaves". Do you guys even read lyrics. At least the whole third verse was recorded after he heard Family Matters.
And depending on whether you believe Kendrick had/has a mole, it's possible he heard Aubrey's tracks in advance. I mean he was moving stupidly pronounced by playing Push Ups to Rory and Mal, telling Kai Cenat and Ak that he was about to drop, etc. Both euphoria and 6:16 In LA indicate he had some notion of what Drake was up to "Fabricatin' stories on the family front cause you heard Mr. Morale" + "I see somebody lyin', i smell somebody lyin' I don't see no fire" He doesen't have a tight circle. Hell his first diss was a leak with an old reference track beat and bars he scrapped. We never did talk about wtf happened there. The Weeknd also mentioned "Leaks in their operation" so it wouldn't shock me if that was the case.
MTG has several rebuttals:
.Fuck what Ozempic did (Drake talked about Rick Ross being on ozempic)
.He called Adonis a black man to call bluff on Drake's "oh you hate lightskins but your wife is mixed" narrative. "Never code-switch whether right or wrong you a black man even if it don't benefit your goals" he clarifies that he attacks Drake for "code switching" and not for his skin-color
."Its only big D and there is videoproof" to "they be leaking videos of themselves to further push they agendas"
. "He rather destroy families than taking care of his own"
.You lied about the only artist that can offer you some help
Unless Kendrick has insane levels of foresight (which i'm not sure he is Nostradamus like that) to rebuke these things before they come his way (if that's what you think you're basically saying he's a genius, and if so it doesen't matter that he didn't directly address certain bars) he most definitely heard Family Matters.
Another thing. Spending a whole track in rebuttals comes off as defensive, which was Drake's grave mistake. It's aways better to be on the offence, gives the impression of dominance.
Also Drake just saying "If i was fucking young girls I promise i'd been arrested" was not helpful, just saying "nuh huh" is not a move that's better than mostly attacking like Kendrick did. The only new angle Drake provided was a fairly misguided attack to flip Mother I Sober On Kendrick and it just made him look stupid and kinda weird.
Also if you believe Kendrick didn't address certain things, Drake hasn't addressed the following laundry list of insults:
. He has sex offenders on payroll (amongst them Baka, to whom Drake gave several celebratory bars about being released from prison. Baka was arrested for a sexual assault charge, originally a sex trafficking charge that was dropped due to the victim not testifying, this can mean several things)
. He has substantial help from ghost-writers
. He's addicted to popping percocets
. He's addicted to visiting whore-houses
. He's a degenerate gambler
. He sculpted his abs and does ozempic (the medication which he supposedly planted but then was confirmed to belong to whomever the fuck EbonyPrince2k24 is supposed to be, is hard nosed evidence he's on several pills, ozempic included)
. T.I's friend pissed on his leg and he did nothing about it
. He's unmasculine and even next to Sexy Redd he presents himself this way
. He's a mysoginist
. He's a body-shamer
. He hates black women
. He uses his father to validate his image and in return his father squeezes money out of him
. He's not a present father
. He's a narcissist
. He keeps bringing family into rap beef and it backfires on him
. He harrases good, uninvolved people like Anthony Saleh, Dave Free, Whitney; to appear tough and in control "Ain't no brownie points for beating your chest harrasing Ant. Fucking with good people make good people go to bat"
. He payed 500 thou to settle a sex assault case he had years ago
. He belittled Kendrick for his contract splits but he's also signed to a multitude of people despite getting a massive record deal
. He attaches himself to people like J. Prince or Birdman for streed cred and then washes his image by making gun violence consciousness ads for the city of Toronto
. He violated Pac's name by using him in a diss track
. He dissed Pharell for no fucking reason and is scared to go against an actual threat like Pusha T.
. He code-switches depending of racial/cultural context
. He attaches himself to younger people like Lil Yachty to stay relevant
. He exploits twitter bots and is posted up with people like Ak, Zack Bia and XqC to control internet narratives
. He's a culture vulture (according to Kendrick, a colonizer) profiting off of black men that come from more perilous circumstances to construct an image of street life he's not familiar with

Hi guys. Apologies if the question "is the used car market still bad" is asked a lot. I'm not knowledgeable about cars and I view them as more of an appliance to get me from point A to point B.
I'm having a really hard time finding a car I want. I'm going to move back to Chicago proper soon and the car will be street-parked. With my previous car, it got scratched to hell. I initially was looking for a used car, but so many options seem overpriced. I found a 2011 Toyota Corolla with 50k miles for $13,900. I read in a reddit thread that this would have gone for maybe $8k just a couple years back !! I've found other listings from used dealerships that seemed good, but reviews would often indicate major issues with the store, such as wanting you to do a credit check before test driving. I even went to go see a 2017 VW Jetta, 96k miles, $10,500, but when I got to the dealer, they brought out an entirely different Jetta and my dad immediately spotted a significant issue when he opened the hood! Not only has finding a decent used car been a pain, I'm getting the sense that they're generally overpriced at the moment as well.
My parents are the kind of people who only buy new cars because they want to avoid problems with used, so they've been telling me to just buy a new one. I can afford a new car, cash even, but I don't want to drop that kinda money knowing people are going to fuck it up the first month I'm in the city. I was thinking of buying a new Mitsubishi Mirage as a last resort, spend the extra money to have something new and guaranteed to not have a history. They get a horrible rap for being slow, but they save money on gas and are generally reliable. However, I feel even these are overpriced these days as the cheapest I can find one in my area is $19,500. I heard these used to go for $10-13k, ugh.
would anyone have any advice? My budget and preferences are below:

• $15,000 max (could stretch a bit for a new one that's priced decently)
• preferably under 100k miles
• preferably not too old. ideally 2015+, but am okay with up to 2011
• very reliable and not costly to repair
• generally good condition
• not an suv
• compact for street parking
• backup camera
• android auto or the ability to install my own module at the very least

thanks in advance!

My name is Chance! My career is in public accounting where I'm currently a senior manager. Sadly as a result, my usual workday is all boring and spreadsheets and making sure people did their stuffs right (companies, not people). Nothing to do with taxes, all just normal boring accounting for every day business stuffs. I'm decent enough at the job and it pays well enough that I don't really see myself changing careers unless something external pops up and causes me to give it a second thought.
Physically - I'm white, 5'8", blue eyed, salt and pepper hair (been getting more gray since high school!), bearded currently, and have a bit of a belly that I'm working on losing. I'm a stockier built guy so I don't look as big as my weight makes me sound, but I could definitely use losing some weight!
Politically - I lean left. People are people regardless of their beliefs, what gender they were both with and/or identify with. People deserve for their government to have their backs if they're in need, society would be better if everyone were a tiny bit more kind. There's more to be said, but you get my general idea there. I am conservative in some ways, just usually more fiscal rather than social ones.
​
Hobbies:
- I'm an absolutely *avid* gamer and enjoyer of great stories. With regards to gaming, I usually hyper-focus on 1-2 games and then have a smattering of all different kinds of stuff in alongside whatever that main game might be. At the moment that means loads of GTA RP and a little bit of a whole lot else.
- With my partner - I love watching movies, playing random spooky games with scared people watching, dragging friends into spooky games, and just chatting and kind of existing in a call while we do our own things. If we game together then awesome, but just kind of *being together* while not actually being together is nice too.
- Genres for entertainment? Action, Fantasy, Sci-fi, Family, Adventure, Drama, Horror, more!- I honestly love all kinds of music (Metal, classical, orchestral, K-stuff, J-stuff, you name it). That said, I'm not a big rap/hiphop fan
- I'm a general animal lover. Dogs, cats, all things cute and furry. Cats are def something I've never had and always wanted though!
- Reading! You'll almost always find me with a book or three in progress. Currently reading Supreme Magus by Legion alongside some various other things.- I'm a fan of all things humor, be it dark, raunchy, normal, etc.
Relationship stuffs:
- I'm a big texter and love calls. I love being in contact with my s/o little bits throughout the day, sharing memes, laughing at jokes, checking in from time to time. I'll usually be the first to send a good morning and the one to say good night.
- In-person, I'm a physical touch and cuddles kind of guy. I love showing affection through touching, cuddling, holding hands, snuggling up on the couch for a movie, etc. Just being able to show affection this way is one of my favorite things.
- I'm a very loyal and empathetic person. Once I decide that I like someone, I'm solid in my commitment to them and to making sure that I can do everything in my power to make them feel the same way that they make me feel. I'm not one to wander, think of others, or focus on the things about my person that aren't perfect. I take the good and enjoy it as best I can.
- I absolutely value communication. I'm open with what I think and feel, and hope that my partner is the same way. I don't like to hide things from them, and typically expect the same in return. It may end up being a lot from me if things make me feel passionately about them, but I'd rather you know than wonder.
​
General Bits:
I've been in... not very many relationships, and never in a "normal" relationship. I was in a 4.5 year long Long-Distance relationship as a late teen early 20's that ended with her cheating on me and getting knocked up, and a 7-month long relationship with a friend with whom things didn’t work out. Otherwise? I'm just a generally friendly and laughing kinda guy. I try not to take myself too seriously and try to keep things fairly simple and straightforward to the best of my ability. I'm a smartass, I joke, I pick, I try to make everyone feel as welcome as I can without breaking myself in the process. I'm opinionated but more than happy to hear opposing views.
Anyway, if you're still here, I'd love for you to reach out with some of your own interests, hobbies, and more! Maybe we'll be friends, maybe we'll be more? Only time will tell! :)

getting into rap and hip hop since I've honestly only been listening to rock and pink floyd all these years. Listened to some of the top rated rap albums like Madvillainy, TPAB, Good kid m.a.A.d City. Y'know, the basic stuff and I recently listened to Illmatic and one song in particular that has me replaying it non stop is "The World Is Yours". The instrumental on that song, while relatively simple, god it hooks you into its vibe without it ever sounding repetitive and the flow is divine. So are there any more hip-hop songs with a just a similar sorts vibe n feel to it?

Patrick Williams is a 6'7 22 year old power forward for the Chicago Bulls. He's got a 7'0 wing span, can play big, and is generally considered a good defender. Since coming into the NBA his main concerns have been offensive aggressive and personal shot creation. Both of these could very well be a result of playing behind 2 extremely ball dominant guards in Lavine and DeRozan. PAW is also decent catch and shoot player as he is 41% for his career from 3. I believe he'd be a good fit here behind Dame and Giannis as they can initiate the offense and kick out to PAW while PAW can play the 4 on defense and allow us to run Giannis at the 5 without sacrificing spacing.
Chicago seems to want to move on from PAW and many rumors of him being traded with the Raps emerging as a potential suitor. It would obviously take some assets to get PAW but I hope out FO considers it.

Hey there! Let me introduce myself: I'm an exceptional listener and an enthusiastic cookie connoisseur. If you're cool with me devouring cookies like the Cookie Monster, then we'll hit it off just fine. I'm all about having a good time and embracing adventure! Traveling is my passion, along with immersing myself in diverse cultures and indulging in their cuisines. So, if you're feeling a bit bored and in need of a pal, let's brainstorm some unique handshakes!
Here's a bit more about me:
-I'm a tech-savvy, sarcastic nerd.
-My taste in music varies depending on my mood. Feeling ambitious? It's rap/hip-hop time. Otherwise, EDM, jazz, oldies, blues, and pop hit the spot.
-When it comes to video games, you'll find me diving into Warzone, Valorant, GTA, Rust, and CS:GO. Beware though, I may shed a tear or two when those 12-year-olds start bullying me.
-Food is my love language. Cake, cookies, ice cream, pizza... basically anything that isn't a green vegetable (yuck!). And tattoos? Count me in—I'm inked up myself!
-As for sports, I'm a fan of basketball, baseball, and football. Although, I have a knack for getting hit in the... well, you know where, quite frequently with those balls.

The Toronto Raptors' need for rangy combo forwards is a good illustration of how quickly rosters can change in the NBA. It wasn't so long ago that the Raps were deep into the positionless experiment many dubbed "Project 6'9"", during which they over-indexed on exactly that player type.
Scottie Barnes and Jalen McDaniels are the only such players under contract in Toronto for next year, which means a good chunk of the Raptors' projected cap space should probably go to a free agent who can man the 3 or the 4 in flexible lineups. ... The Bulls have DeMar DeRozan's unrestricted free agency to consider and tend to operate in a misguided win-now mode that could marginalize their 22-year-old former lottery pick. This is a bet that Toronto will swoop in with an offer sheet competitive enough to pry away the so-far underwhelming forward.
With Immanuel Quickley, Barnes and R.J. Barrett, Toronto is skewing younger with its core. That makes it a logical fit for Williams ahead of his age-23 season. A low-usage offensive player who hasn't shown any knack for self-sufficient shot creation, Williams has quietly pumped his career hit-rate on threes up to 41.0 percent.

Source: https://bleacherreport.com/articles/10120163-10-nba-free-agency-predictions-klay-thompson-paul-george-and-more

It’s simple. Their fanatics and hate money. No matter what type of currency it is. They will destroy and attack anyone that wish to have or produce money. How do you stop this army of 30 million money haters. Armed with m14 and standard u.s armor. With 8 months of rations at their disposable. And toilet paper. Also maybe like 5,000 aircraft transporter as well.
So richie rich? How do you plan on fighting against a well armed group without collapsing the economy ? You spend it all and money becomes WORTHLESS! I’m such a good devil.

True Crime is a huge interest for a lot of people. And alternative media is a fantastic source of additional coverage. But there are concerns that haven’t been addressed.
Obviously a witness crying in the stand about being harassed, is really bad news for the defense. And they’re probably wishing they had never gotten involved with their campaign to “embrace friendly media”. Nothing good has come of it so far.
But even further, alternative media doesn’t play by “the rules”. This is a blessing and a curse. As our curiosity demands more details before a trial occurs, there’s more and more content providers ready to give us the deets. Cool. Except.
There’s weirdos out there. And just passionate supporters. There’s haters. And more weirdos. I’m gonna harp on the weirdos for a minute. Because they’re the biggest reason that mainstream media tries to maintain some sort of journalistic integrity. They’re not, “not going after the story”. They’re reporting responsibly so that nobody gets hurt, no harm is done, and fairness can prevail in a court.
Beyond the Turtleboy situation, which is obviously what I’m referencing. There’s also the media pool drama happening outside, cops and assault charges, and a journalist receiving a letter from the court that their tweets about the jury are now under investigation.
If you follow other trials or true crime, I’m hearing that this is becoming more and more the norm surrounding alternative media outlets. I don’t even want to approach the Bryan Kronberger thing. It’s probably twice the shitshow that this is, from what I’m hearing. And buffer zones are becoming more and more common around these high profile proceedings.
Don’t get me wrong. I’m all for transparency. Sunlight is the best disinfectant, and I welcome this new breed of journalism to the arena. But witnesses crying on the stand because they were harassed is a bad fucking look and I hope these experienced attorneys are recognizing their mistakes right now. Good gawd that was awful to watch.

Ok so today we have quite the topic, today I'll be going over why DC fans and haters are the absolute worst scaling fandom online (if you are name dropped don't take it personally, this is just to outline the issues airh the fandom)
First we will talk about DC haters
DC Haters strawman, appeal to people and don't read
Ok so this is the first big issue but there are hundreds of discussions I've had with DC haters where they genuinely don't argue in good faith one discussion I had was about the overvoid where a person legit took what I said to mean "I swear, you'll do anything to downplay Lucifer and the Presence because you want Monitor-Mind to be supreme." Which the day before I said the opposite and said who I actually think the supreme beings are
Another issue is DC fans appealing to almost any source they can the same guy once used the DC wiki as a source of information in a debate as if a fucking wiki is a valid source for powerscaling over the COMIC'S
The last issue for DC haters is they don't read 😭 you have people like profectus who explicitly don't read DC comics (or if he does he has major confirmation bias since he admitted to purposefully looking for reasons to downgrade it) and have to rely on strawman arguments or even using appeals just because they Never read (the same person doubled so far down they ADMITTED they don't see appealing to authority as a fallacy)
Now onto DC fans
DC fans wank DC and shit on anything not DC if it doesn't scale as high
DC fans are basically db fans but slightly worse because DC fans somehow care even less about what's valid and will argue anything even if they don't believe it, a good example is DC fans arguing "regular humans in DC are outerversal" which blatantly isn't true under any means by any standard, so much so actual DC fans laugh at it and the haters or DC, then you have heralds at outer now, under some AMPS this notion is true (parallax and spectre Hal, anti crisis wonder woman etc) but definitely not the base form
DC fans hate everything else
Ok now this is an issue slightly unrelated to scaling but it's a genuine critique, DC fans hate everything not dc, a good example was a person I know hating everything besides fucking superman and saying superman beats everyone at complete random (which is annoying and a showing of how little they care about accuracy or how close they are to it) since superman can't even beat everyone in DC let alone the all of fiction
All in all the majority of the DC scaling fandom (lovers and haters) are trash and need to get their shit together (don't get me wrong not every DC fan is bad just a majority of the ones who scale)

Aka a thinly veiled rant about the good and bad sides of 3.23 from the view of my group so far.
Aka our perspective and complaints. This is me/us letting off steam not hating on the game. We love it, we're playing it more 2mrw. It's great.
The main Reason it is being put to text is because it seems all too common for events to end with big updates that break parts of them. It's concerning how often the final week is unplayable and IIRC last time even got extended, right?
AS is, Xenothreat was fun, even if we cant finish it ourselves~
Let me preface this by saying, fuck yes, 3.23 has performance wise netted some of the FPS I have ever experienced in Star Citizen and the Server Replication has saved me from frustrations so many times already. I know some people were afraid it would be another 3.18, but by god it might be my favorite update so far.
Let's start with a positive change; Master Modes. I know some people hate them, but I have to say I love them. I find them to be more responsive for some reason, I like the new Quantum overlays albeit GM and MM are almost as bad as feet as far as measurements go.
The Gimbal Changes I will have to get used to, mostly because at this point in time as a fixed gun purist I really have no idea what gimbals do anymore and am too afraid to ask.
HUD 2.0 is a godsent, the map, the new icons, the way it just works and doesn't get halfway covered up by my arm all the time. I think nothing has delighted me as much in an update as this ever, at least not in star citizen. Kudos to the devs on this one it is one of very few changes in SC where I believe most players can't help but like it more than its predecessor.
Let's move straight to the main reason 3.23 so far has left a sour taste in my mouth. Xenothreat Overdrive.
Me and my group had not been able to play at all during 3.22 with bugs and just straight up login errors galore so we decided when 3.23 went live, "You know what, we have a week of free time let's do a phase a week." so lemme break it down into our attempts so far and the absolute downfall of a great event at least in OUR community.
Day 1: Intel Raids, they were great fun. The Intel raids pretty much went from "this fuckery is broken" to a nice few rounds of bunkers with purpose. Our first Intel Raid had no card spawn. Ai stuck in unreachable places still shooting and multiple lacks of rendering screens, so we learned our lesson early. Bring Tigerclaws like a madman , abort and restart the screen until it works and stay safe.
The Gameloop itself was good fun both solo and in a group and overall I could see myself doing this type of mission over and over for the right pay (Personally I'd prolly consider doing it for 20k solo). Once we learned the few tips and tricks, it all worked fine and we left for day two in high spirits.
Day 2: Priority Targets, Introducing the Star Teenagers favorite Dance "The Server Hop" We all like space fights, so seeing we only had to do three of them filled us with a bit of sadness beforehand but we thought we could bash out three in the nine hours we had put aside easy and move on to Phase 3.
God we were wrong. In total it took us seven attempts to get our first card, not because we died or a server crashed but because the cards simply did not spawn. QT'd in and out. Flew away and back and even waited up to half an hour. Nothing helped but hop servers try again, Hop servers try again, which then led us to with a good few tries under our belt getting our third card after a frustrating and admittedly mediocre night of Star Citizen.
It's essentially just a bounty with double the Quantum Jumps needed, though we had to say 3.23s AI really makes you consider if you wanna take any fighters into a fight against ballistic Valks.
Day 3, The Breaking, the Fuckening, the examples for haters to feed upon.
Fleet battles against five hammerheads and their escorts? Server Wide assaults? Lets go! Or so we thought as here are just a few issues we had before even getting to the event.

• Corsairs cant leave the hangar because of a massive hitbox in front of them.
• Stations suddenly engage our ships despite 0 crimestat (netted us almost 7 deaths throughout these 3 days)
• Asteroid fields not rendering
• Entire FLEETS not rendering.

Those of course are just serverside issues and honestly, We are used to those by now aren't we, we know not to let them infuriate us~ We still love this game after all.
And then came the fights... oh boy.

• We spent about 3/10h we played not getting the mission, having to serverhop as once one player died all ships suddenly disappeared and became "missionmarker_xyz" instead.
• The ballistics on Cutty blacks shreds (Aint bad but oh boy was it unexpected)
• Hammerheads rubberband like crazy, no other ships did, just them. And being QT Jumped by a hammerhead only to die instantly ain't fun.
• ARMISTICE ZONES being serverwide causing you to be unable to even fight.
• Lagging ships one-shotting you with a rocket they never fired on any of your orgmates screens.

And then there was the biggest offender. The Gladius. We would love to fight them, but they don't want to fight us. Instead the Xenothreat pilots all embraced their inner Fanatic and Suicide Rammed our ships multiple times.
We counted almost 10 attempts in total and we ain't talking maneuvers here accidentally flying into them. We are talking nearly stationary ships from our end, being boosted into by a Gladius.
10h later, we didn't complete one bit of Phase 3.
Did we expect to finish XT in one week? Honestly not but it's still sad that its impossible because of such disheartening factors.
Do we expect CIG to lengthen the even into 3.23.1? Not really.
Do we expect anything we experienced to be normal to all other people? Also no.
This was but a rant by someone who loves this game and plays it with a passion letting out the steam I built up over hours of playing it and being kept from playing it~
CIG, we love you, but whatever you gave that AI, please take it back.
On a more positive note though~<3
a positive change; Master Modes. I know some people hate them, but I have to say I love them. I find them to be more responsive for some reason, I like the new Quantum overlays albeit GM and MM are almost as bad as feet as far as measurements go.
The Gimbal Changes I will have to get used to, mostly because at this point in time as a fixed gun purist I really have no idea what gimbals do anymore and am too afraid to ask.
HUD 2.0 is a godsent, the map, the new icons, the way it just works and doesn't get halfway covered up by my arm all the time. I think nothing has delighted me as much in an update as this ever, at least not in star citizen. Kudos to the devs on this one it is one of very few changes in SC where I believe most players can't help but like it more than its predecessor.

Omnivoracious Listeners New Music Newsletter (Week of May 19th):
New LPs:
🇺🇸 Ahem - 'Avoider' (Genre: Indie Rock, Pop Punk)
🇺🇸 Almanac Man - 'Terrain' (Genre: Noise Rock)
🇺🇸 Altar of Gore - 'Litanies of the Unceasing Agonies' (Genre: Black Death)
🇻🇪 Ancient Settlers - 'Oblivion's Legacy' (Genre: Melodic Death Metal, Metalcore)
🇺🇸 Animal, Surrender! - 'Animal, Surrender!' (Genre: Post-Rock)
🇺🇸 Ape Vermin - 'Andromedas Colossus' (Genre: Prog Sludge Metal)
🇺🇸 August Winter - 'Redemption' (Genre: Post Rock)
🇳🇱 Baardvader - 'When the Stars Arrive' (Genre: Stoner Doom)
🇺🇸 Babylon A.D. - 'Rome Wasn't Built in a Day' (Genre: Hard Rock)
🇬🇧 Bad Breeding - 'Contempt' (Genre: Hardcore Punk, Anarcho Punk)
🇺🇸 Baphorator - 'I.B.L.I.S.' (Genre: Black Death)
🇺🇸 Bat - 'Under the Crooked Claw' (Genre: Speed Metal)
🇺🇸 Bermuda Squares - 'Outsider' (Genre: Garage Punk)
🇺🇸 Billie Eilish - 'Hit Me Hard and Soft' (Genre: Pop)
🇺🇸 Blitzen Trapper - '100's of 1000's, Millions of Billions' (Genre: Alt Country, Folk Rock)
🇮🇹 Boleskine House - 'Miserabilist Blues' (Genre: Atmo Black Metal)
🇨🇦 Bootlicker - '1000 Yd. Bars' (Genre: D-Beat, Hardcore Punk)
🇺🇸 Botanist - 'Paleobotany' (Genre: Experimental Post-Black Metal)
🇺🇸 Burnt Sherpa - 'Last of Later' (Genre: Stoner Rock)
🇺🇸 Cage the Elephant - 'Neon Pill' (Genre: Alt Rock, Indie Rock)
🇺🇸 Candy Apple - 'Comatose' (Genre: Hardcore Punk)
🇺🇸 Cardiac Arrest - 'The Stench of Eternity' (Genre: Death Metal)
🇳🇱 Celestial Season - 'Mysterium III' (Genre: Death Doom)
🇺🇸 Childish Gambino - 'Atavista' (Genre: R&B, Rap)
🇧🇷 Chococorn and the Sugarcanes - 'Siamês' (Genre: Midwest Emo, Power Pop)
🇺🇸 Cognitive - 'Abhorrence' (Genre: Tech Death Metal, Deathcore)
🇷🇺 Cold Blooded Murder - 'From Russia With Hate' (Genre: Brutal Death Metal)
🇺🇸 Collective Soul - 'Here to Eternity' (Genre: Alt Rock, Post-Grunge)
🇳🇴 Combichrist - 'CMBCRST' (Genre: Industrial Metal)
🇺🇸 Crumb - 'Amama' (Genre: Psych Rock)
🇦🇺 Danielle Whalebone - 'Whispers of Shadows' (Genre: Noise Rock)
🇺🇸 Dawnbreaker - 'Banisher of Unlight' (Genre: Blackened Death Metal)
🇫🇷 Dead Horse One - 'Seas of Static' (Genre: Shoegaze, Psych Rock)
🇬🇧 Demon - 'Invincible' (Genre: Heavy Metal, Hard Rock)
🇮🇸 Demored - 'Well of Liquid Souls' (Genre: Hardcore Punk)
🇺🇸 Devitalized - 'State of Aggression' (Genre: Deathcore)
🇺🇸 Dog Party - 'Dangerous' (Genre: Punk Rock)
🇺🇸 Don McLean - 'American Boys' (Genre: Folk Rock)
🇮🇹 Duft - 'Altar of Instant Gratification' (Genre: Metalcore)
🇺🇸 Dystopica - 'Infinite Reflection' (Genre: Prog Metal)
🇺🇸 Early Internet - 'Ruminator' (Genre: Indie Pop)
🇨🇦 Earth Ball - 'It's Yours' (Genre: Experimental Rock)
🇺🇸 Egg Drop Soup - 'One Hit Woman' (Genre: Garage Punk, Surf Punk)
🇸🇪 Eigenstate Zero - 'The Malthusian' (Genre: Prog Death Metal)
🇮🇪 El Morta - 'The Man Who Laughs' (Genre: Doom Metal)
🇩🇪 Elvellon - 'Ascending Synergy' (Genre: Symphonic Metal)
🇧🇷 Eminent Shadow - 'Dawn of the Dark Age - Inferno Diaboli' (Genre: Death Metal)
🇪🇸 Esclavitud - 'Stronger Than a God' (Genre: Heavy Metal)
🇫🇷 Etwas - 'Rites of the Damned - Chvpter. II' (Genre: Symphonic Metal)
🇺🇸 Excuse Me, Who Are You? - 'Double Blind' (Genre: Midwest Emo, Post-Hardcore)
🇺🇸 Extinguish - 'One Less Enemy' (Genre: Hardcore Punk)
🇺🇸 Extortionist - 'Devoid of Love & Light' (Genre: Deathcore)
🇮🇹 Forever Falling - 'The Determinism of Essence in Matter' (Genre: Death Doom)
🇸🇪 Freedom - 'Stay Free!' (Genre: Hard Rock)
🇺🇸 From Indian Lakes - 'Head Void' (Genre: Indie Pop)
🇺🇸 Gatecreeper - 'Dark Superstition' (Genre: Death Metal)
🇬🇧 Ghost Keeper - 'The Dread Legion' (Genre: Thrash Metal)
🇩🇪 Goblyns - 'Hunki Bobo' (Genre: Psych Rock)
🇺🇸 Göden - 'Vale of the Fallen' (Genre: Death Doom)
🇬🇧 Gumshoes - 'Cacophony' (Genre: Indie Pop, Indie Folk)
🇺🇸 Guppy - 'Something Is Happening' (Genre: Garage Rock)
🇺🇸 Guster - 'Ooh La La' (Genre: Art Rock, Pop Rock)
🇬🇧 Halloweens - 'Opera Singing at the Salsa Bar' (Genre: Pop Rock)
🇺🇸 Hardy - 'Psycho' (Genre: Country Rock, Post-Grunge)
🇺🇸 Heavy Feather & the Magic Word - 'Two-Way Mirror' (Genre: Psych Rock)
🇺🇦 Hell:On - 'Shaman' (Genre: Death Thrash)
🇺🇸 Hemotoxin - 'When Time Becomes Loss' (Genre: Prog Death Metal)
🇸🇪 Henry Kane - 'Circle of Pain' (Genre: Crust Punk, Grindcore)
🇺🇸 High Noon Kahuna - 'This Place Is Haunted' (Genre: Noise Rock)
🇺🇸 Home Invasion - 'Enemy' (Genre: Hardcore Punk)
🇧🇪 Hudič - 'Into the Abyss' (Genre: Heavy Metal)
🇺🇸 If Not for Me - 'Everything You Wanted' (Genre: Metalcore)
🇮🇹 I Hate My Village - 'Nevermind the Tempo' (Genre: Psych Rock)
🇫🇷 Inner Landscape - '3H33' (Genre: Post Metal)
🇨🇦 Intervals - 'Memory Palace' (Genre: Prog Metal)
🇺🇸 Jack Name - 'Fabulous Soundtracks' (Genre: Hypnagogic Pop, Neo Psychedelia)
🇺🇸 Jasta - '...And Jasta for All' (Genre: Thrash Metal)
🇺🇸 Jeff Kollman - '2023 AD' (Genre: Hard Rock, Heavy Metal)
🇬🇧 Jeff Slate - 'The Last Day of Summer' (Genre: Hard Rock)
🇺🇸 John Larson and the SIlver Fields - 'Constellation Prize' (Genre: Power Pop)
🇺🇸 John Oates - 'Reunion' (Genre: Blue Eyed Soul, Pop Rock)
🇺🇸 Joywave - 'Permanent Pleasure' (Genre: Indie Rock)
🇺🇸 Kate Hudson - 'Glorious' (Genre: Pop, Soft Rock)
🇺🇸 Kerry King - 'From Hell I Rise' (Genre: Thrash Metal)
🇺🇸 Kev and Cam - 'Kevin's Gate' (Genre: Prog Metal)
🇳🇱 Krezip - 'Music for Maximum' (Genre: Alt Pop Rock)
🇬🇧 Kulk - 'It Gets Worse' (Genre: Sludge Metal, Noise Rock)
🇺🇸 Lightheaded - 'Combustible Gems' (Genre: Jangle Pop)
🇺🇸 Littered With Arrows - 'No Doves Fly Above' (Genre: Sludge Metal, Noise Rock)
🇺🇸 Little Feat - 'Sam's Phone' (Genre: Southern Rock)
🇧🇪 Lovelorn Dolls - 'Deadtime Stories' (Genre: Alt Rock, Synthpop)
🇳🇱 Lucassen & Soeterboek's Plan Nine - 'The Long-Lost Songs' (Genre: Hard Rock)
🇫🇮 Lucidity - 'Escherian' (Genre: Melodic Death Metal)
🇧🇷 Madame Frankenstein - 'The Eyes of the Mountain Are Mine' (Genre: Stoner Doom)
🇺🇸 Magic Fig - 'Magic Fig' (Genre: Psych Rock, Psych Pop)
🇩🇰 Mansfield - 'For All the Right Reasons' (Genre: Indie Rock)
🇮🇹 Marea - 'The Silene of Rust' (Genre: Black Doom, Post Metal)
🇺🇸 Marty Friedman - 'Drama' (Genre: Prog Rock, Prog Metal)
🇩🇪 Meanwhile Project LTD - 'Sir Mandrill' (Genre: Prog Rock, Post-Rock)
🇺🇸 Mia Day - 'Hellier, Forever' (Genre: Indie Rock)
🇺🇸 Mineshaft - 'We've Taken This Too Far' (Genre: Screamo)
🇲🇽 Moonlight - 'Skogstronen' (Genre: Black Metal)
🇩🇰 Morbid Grave - 'The Slime Crawlers' (Genre: Death Metal)
🇺🇸 Mortal Reminder - 'Mortal Reminder' (Genre: Metalcore, Djent)
🇬🇧 Mutes - '...Buried Where You Stand' (Genre: Post-Punk, Noise Rock)
🇷🇸 Nadsvest - 'Slovo Meseca I Krvi' (Genre: Black Metal)
🇨🇦 Naomi King - 'Black Water' (Genre: Alt Rock)
🇨🇦 Necht - 'The Prophect of Karnifor' (Genre: Black Metal)
🇷🇸 Neven - 'U Svakom Srcu Gore Svetla' (Genre: Hardcore Punk)
🇺🇸 New Kids on the Block - 'Still Kids' (Genre: Boy Band)
🇺🇸 Nobody - 'Despair Is Where My Thoughts Swim' (Genre: Post-Black Metal)
🇺🇸 Nocturnus AD - 'Unicursal' (Genre: Tech Death Metal)
🇭🇺 Norms - '100% Hazaárulás' (Genre: Hardcore Punk)
🇦🇺 Northeast Party House - 'Enhancer' (Genre: Dance Punk)
🇺🇸 Of Montreal - 'Lady on the Cusp' (Genre: Indie Pop)
🇨🇦 Olim - 'Because' (Genre: Post-Black Metal)
🇺🇸 One Step Closer - 'All You Embrace' (Genre: Straight Edge Hardcore)
🇪🇸 Orion Child - 'Aesthesis' (Genre: Power Metal)
🇸🇪 Pain - 'I Am' (Genre: Industrial Rock, Electronic Rock)
🇺🇸 Pallbearer - 'Mind Burns Alive' (Genre: Doom Metal)
🇨🇦 Passage - 'Crystal' (Genre: Doom Metal)
🇺🇸 Pathology - 'Unholy Descent' (Genre: Brutal Death Metal)
🇦🇺 Peter Freebairn - 'Silhouettes & Cigarettes' (Genre: Pop Rock, Singer-Songwriter)
🇬🇧 Pig - 'Red Room' (Genre: Industrial Rock,, Industrial Metal)
🇪🇸 Pòstum-0 - 'Nueva Humanidad' (Genre: Hard Rock, Heavy Metal)
🇸🇪 PreHistoric Animals - 'Finding Love in Strange Places' (Genre: Prog Rock)
🇺🇸 Radar - 'Radar' (Genre: Pop Punk, Supergroup)
🇫🇮 Rats Will Feast - 'Hellhole' (Genre: Hardcore Punk)
🇳🇿 Rendered Helpless - 'From Nothing Comes All' (Genre: Slam Death Metal)
🇮🇩 Reveals - 'Attachment, Destruction and Extinction' (Genre: Atmo Black Metal)
🇩🇪 Rope Sect - 'Estrangement' (Genre: Gothic Rock)
🇨🇱 Rotten Tomb - 'The Relief of Death' (Genre: Death Metal)
🇺🇸 Salt on Sunday - 'A Docket of Votive Offerings' (Genre: Experimental Metal)
🇺🇸 Secrecies - 'Perfect Bite' (Genre: Dreampop)
🇺🇸 Sekengard - 'Creation's Veil' (Genre: Folk Metal)
🇬🇷 Serement - 'Abhorrent Invocations' (Genre: Blackened Death Metal)
🇲🇽 Servus - 'Cyclical Existence' (Genre: Black Metal)
🇺🇸 Shellac - 'To All Trains' (Genre: Noise Rock)
🇷🇺 Shokran - 'Duat' (Genre: Prog Metalcore)
🇬🇧 Shoshy - '誰​に​も (Darenimo)' (Genre: Dreampop)
🇳🇴 Sibiir - 'Undergang' (Genre: Hardcore Punk)
🇺🇸 Sludgeworth - 'Together Not Together' (Genre: Punk Rock)
🇺🇸 So Much Hope, Buried - 'I'd Be Lying to Say I'm Not Weak' (Genre: Post-Hardcore)
🇨🇭 SoulLine - 'Reflections' (Genre: Melodic Death Metal)
🇺🇸 SQÜRL - 'Music for Man Ray' (Genre: Psych Rock, Post-Rock)
🇧🇪 Stacks - 'Want' (Genre: Synthpop)
🇩🇰 Strychnos - 'Armageddon Patronage' (Genre: Black Death)
🇬🇷 Subfire - 'Blood Omen' (Genre: Symphonic Power Metal)
🇺🇸 Suck Brick Kid - 'The End Is What I Want' (Genre: Pop Punk)
🇺🇸 Sweat FM - 'You and I, We Were Born to Cry' (Genre: Punk Rock)
🇺🇸 System Exclusive - 'Click' (Genre: Synthpop)
🇺🇸 Telltale - 'Telltale' (Genre: Pop Punk)
🇮🇹 Tezza F. - 'Key to Your Kingdom' (Genre: Prog Power Metal)
🇨🇦 The Anti-Queens - 'Disenchanted' (Genre: Punk Rock)
🇺🇸 The Co Founder - 'Never Miss a Good Opportunity to Shut the Fuck Up' (Genre: Indie Rock)
🇬🇧 The Dave Foster Band - 'Maybe They'll Come Back for Us' (Genre: Prog Rock)
🇬🇧 The Howlers - 'What You've Got to Lose to Win It All' (Genre: Indie Rock)
🇺🇸 The Last of Lucy - 'Godform' (Genre: Tech Death)
🇬🇧 The Lovely Eggs - 'Eggistentialism' (Genre: Egg Punk, Psych Punk)
🇺🇸 The Macks - 'The Macks Are a Knife' (Genre: Indie Rock, Indie Punk)
🇺🇸 The Mountain Movers - 'Walking After Dark' (Genre: Psych Rock, Neo Psychedelia)
🇺🇸 Tim Easton - 'Find Your Way' (Genre: Country Blues, Roots Rock)
🇺🇸 Tolls - 'Plummet Through Agony' (Genre: Hardcore Punk)
🇺🇸 Torturer's Lobby - 'Deadened Nerves' (Genre: Death Thrash)
🇯🇵 角松敏生 (Toshiki Kadomatsu) - 'MAGIC HOUR ~Lovers at Dusk~' (Genre: City Pop, Jazz Fusion)
🇦🇺 Tropical Strength - 'Tropical Strength & the Silverbeats' (Genre: Indie Pop)
🇬🇧 Troy Redfern - 'Invocation' (Genre: Blues Rock)
🇺🇸 Twenty One Pilots - 'Clancy' (Genre: Indie Pop, Alt Rock)
🇺🇸 Tzompantli - 'Beating the Drums of Ancestral Force' (Genre: Death Doom)
🇮🇹 Ufomammut - 'Hidden' (Genre: Psych Doom)
🇸🇪 Universe III - 'Universe III' (Genre: Hard Rock)
🇩🇪 Unwesen - 'Irrsinnfonie' (Genre: Black Metal)
🇺🇸 (Un)worthy - 'This Present Darkness' (Genre: Death Metal, Deathcore)
🇯🇵 Valhalla - 'Memories of Yggdrasil' (Genre: Power Metal)
🇺🇸 Vitskär Süden - 'Vessel' (Genre: Heavy Psych)
🇺🇸 Ward White - 'Here Come the Dowsers!' (Genre: Art Rock)
🇺🇸 Warren Dunes - 'Aquamarine' (Genre: Indie Pop)
🇨🇦 William Shatner - 'Where Will the Animals Sleep? Songs for Kids and Other Living Things' (Genre: Indie Rock, Spoken Word)
🇺🇸 Winter Aid - 'Pull the Sky Inside' (Genre: Indie Folk)
🇺🇸 Your Ghost in Glass - 'Drowning to Escape the Fire' (Genre: Post-Hardcore)
🇬🇧 Zayn - 'Room Under the Stairs' (Genre: Pop, Singer-Songwriter)
🇺🇸 Zero Point Energy - 'Tilted Planet' (Genre: Shoegaze, Indie Rock)
🇺🇸 Zig Zags - 'Strange Masters' (Genre: Crossover Thrash, Garage Punk)
🇺🇸 Zombeast - 'Heart of Darkness' (Genre: Punk Rock)
New EPs:
🇺🇸 Ameonna - 'Goddes Reign' (Genre: Deathcore, Prog Metalcore)
🇸🇪 Aspernamentum - 'Primal Judgement Manifesto' (Genre: Black Metal)
🇺🇦 Azimut - 'Nun' (Genre: Atmo Sludge Metal)
🇮🇹 Barbarian - 'A Kiss of a Whisper' (Genre: Speed Thrash)
🇫🇷 Black Velvet - 'Identity?' (Genre: Heavy Metal)
🇺🇸 Black Water Sunset - 'When Man and Machine Collide - A Tribute to Control Denied' (Genre: Prog Death Metal)
🇵🇪 Culmen - 'De Un Soplo La Creacion' (Genre: Black Metal)
🇬🇧 Darko - 'Greyscale' (Genre: Melodic Hardcore)
🇬🇧 De'Lour - 'The Ghost You Left Behind' (Genre: Post-Hardcore)
🇦🇺 Divine Grave - 'Traumapieces' (Genre: Prog Metalcore)
🇺🇸 Draag - 'Actually, the Quiet Is Nice' (Genre: Dreampop, Shoegaze)
🇨🇦 Erythrite Throne - 'Thy Bastard Offspring Birthed of the Gallows Tree' (Genre: Black Doom)
🇩🇪 Evoked - 'Immoral Arts' (Genre: Death Metal)
🇧🇪 Fatal Move - 'Fugazi' (Genre: Hardcore Punk)
🇺🇸 Female Gaze - 'Tender Futures' (Genre: Hard Rock)
🇩🇰 Gradience - 'Ironsight' (Genre: Deathcore)
🇬🇧 I Häxa - 'Part 2' (Genre: Folk Metal)
🇲🇽 Imperator - 'Diable' (Genre: Black Metal)
🇦🇹 Insanity Alert - 'Moshemian Thrashody' (Genre: Crossover Thrash)
🇬🇧 Irked - 'Irked' (Genre: Punk Rock)
🇧🇷 Katástrofe - 'Terra Sombria' (Genre: Thrash Metal)
🇯🇵 Loyal to the Grave - 'Rectitude' (Genre: Hardcore Punk)
🇺🇸 Mechanistic Butchery - 'Post-Human Putridity' (Genre: Grindcore, Cybergrind)
🇨🇦 MLRiffage - 'Bleak II' (Genre: Death Thrash)
🇺🇸 Night Sins - 'A Silver Blade in the Shadow' (Genre: Gothic Rock, Darkwave)
🇯🇵 Nothing's Carved in Stone - 'Brightness' (Genre: J-Rock, Alt Rock)
🇩🇰 Omsorg - 'Echoes' (Genre: Post-Hardcore)
🇩🇰 Pretext - 'Force the Hand of Fate' (Genre: Hard Rock, Heavy Metal)
🇺🇸 Psithurism - 'A Dead Sun' (Genre: Metalcore, Deathcore)
🇯🇵 Purple Hell - 'Asthenia Soul 灵​魂​病​症' (Genre: Melodic Death Metal, Metalcore)
🇬🇧 Queen Laya - 'Queen Laya' (Genre: Alt Rock)
🇨🇭 ReDraw - 'The Party' (Genre: Thrash Metal)
🇺🇸 Soften the Glare - 'EP III' (Genre: Prog Rock)
🇪🇸 Sons of Cult - 'Desolation' (Genre: Heavy Metal, Hard Rock)
🇺🇸 Stylogaster - 'Keepsake' (Genre: Slowcore)
🇺🇸 Vanquishment - 'Dogfights' (Genre: Melodic Black Metal)
🇺🇸 Virologist - 'Ameliorating Vicissitudes' (Genre: Brutal Death Metal)
🇺🇦 Wallflower - 'The Place Where I Feel Free' (Genre: Hardcore Punk)
🇺🇸 We're All Wrong - 'Leerer' (Genre: Prog Metalcore)
New Cover Albums:
🇨🇦 Arkells - 'Disco Loadout' (Genre: Alt Rock)
🇺🇸 Slash - 'Orgy of the Damned' (Genre: Hard Rock, Blues Rock)
Off to Detroit tomorrow for some live music! Cage The Elephant dropping this week, and thanks to concert week I got tickets for that also! Anyone you're seeing on the list this week?
https://discord.gg/atDujWqf9P
Feel free to contribute to our ever-growing newsletter:
Just DM Seffial!
Happy Listening!

Him and Kendrick make such a fucking good duo.

• Range Brothers
• Hillbillies
• Savior
• Savior Interlude
• Family ties

Baby Keem Snaps on all these and matches Kendricks rapping so well. At The Kendrick concert here in Tampa, dude went fucking insane. The moshpit we had during his songs went fucking insane i was nearly crushed. Shit was some of the best fun i have had in years
Melodic Blue and Die for my bitch are great albums too, melodic blue was rap album of the year material too. Unfortunately it came out during a super stacked year
Him and Kendrick are like cereal and milk, salt on fries, Chicken tenders with fries, Thing 1 and thing 2, ect
I seriously can’t wait for baby keem to drop more dude is 23 and already dropped a solid mixtape and 2 banger albums.

Dear old me, I'm here in the here and now. It it beautiful here. I want you to know I am so proud of you and who you grew into the new you! You are healing your old childhood traumas, you are breaking generational curses, you are showing no fear and you are getting stronger every day!
Forgive your self for not knowing and forgive yourself for letting it go on to long with all relationships you had in your life! You are so smart and amazing you deserve to love your self and yes all of this past stuff hurt you and destroyed you but look at you in the future ! You are so loved not by people in the past but by god ! And he has been with you and even now in the present he's here for you !
You are a spiritual being having a human experience. You are learning and growing in leap and bounds ! I'm proud of you! Your pain will no longer hurt you in this present and you will take that pain and transform it into power and you did such a good job getting through your trial and tribulations!
Your about to transform into a beautiful butterfly! So fly my beautiful butterfly fly take in the beauty of God's grace and peace !
Love is all you need in self and to others even your haters for love is the highest frequency and when you love the world but are not of it, you will feel free and you can fly !

For the first time since his incarceration, Bankman-Fried described his daily life in a detailed interview with journalist William D. Cohan of Puck:

On a recent Tuesday, I went to the Metropolitan Detention Center in Brooklyn for an intimate chat with America’s most famous prisoner, Sam Bankman-Fried. During our 75-minute conversation, we discussed everything from Caroline Ellison and the travails of his new life, to his regrets about the demise of FTX and his forthcoming appeal.
I got the distinct impression that Sam still doesn’t believe he committed any crimes, only that he was the one responsible for putting FTX in a position where it was vulnerable to a bank run and the devious actions of its competitors

WILLIAM D. COHAN -- May 9, 2024
On Tuesday afternoon, I found myself in the most unusual circumstances—sitting on a small plastic chair at a cramped table in the Metropolitan Detention Center, the federal prison on 29th Street in Sunset Park, in Deep Brooklyn. Outside, it was a gorgeous day, the sort of picturesque and slightly humid one that inevitably reminds longtime New Yorkers of the weather on the morning of September 11th. Inside the prison’s visiting room, however, there was no natural light, no sunshine, only the Hitchcockian buzz of fluorescent bulbs and three vending machines standing in a corner. Posters on the wall attempted to compensate for the bleak atmosphere by buoyantly welcoming visiting families.
I first met Sam Bankman-Fried in December 2021, during the height of his power and influence, when he was the richest person in the world under 30. My friend Anthony Scaramucci, a.k.a. The Mooch, had connected us. On a cold winter night at the One Hotel, on Sixth Avenue, I interviewed him for a documentary I am part of making about Bitcoin and its developer, Satoshi Nakamato. Sam showed up an hour late, in a black t-shirt and cargo shorts, apparently having just flown in via private jet from the Bahamas. A month later, Sam’s cryptocurrency exchange, FTX, would raise its final $400 million round of financing from a group of highfalutin investors—led by Softbank, Temasek, and Paradigm—at a valuation of $32 billion, making the company one of the most valuable in the sector. At that moment, Sam was said to be worth $26 billion.
This week, we reconnected amid very different circumstances. Sam and I arranged for this visit through his Corrlinks email account, at the suggestion of his mother, Barbara Fried, and the family’s prison advisor. We met on Tuesday around 1 p.m. because that was the only day that visiting hours are permitted at MDC, a hangover from the Covid era. Prisoners can have visitors for one of two sessions, either starting at noon or at five in the afternoon.
We were meeting later than noon because of the staffing shortage at the facility. I was allowed to bring in $1 or $5 bills, up to a total of $30, in case I wanted to buy Sam some water, soda, or snacks from the humming vending machines. I was told to put my $20 bill as well as my wallet and iPhone into a locker. Sam was not permitted to buy anything himself.
Following about an hour of bureaucratic snafus (I went to the wrong building at first, and I wasn’t wearing dark pants—although an exception was made for me) and other forms of prison processing (shoes and belt off, metal detection, sticking my hand in a scanner) I was finally allowed inside the prison, without a phone, a watch, a recording device, or even a pad of paper and a pencil. (I knew this in advance, of course, and set about preserving my recollections of our conversation immediately after leaving the facility.)
After a few minutes of waiting, I looked up to see Sam Bankman-Fried, over in the corner, dressed head to toe in a chocolate-brown prison jumpsuit, along with the still-wild frizzy hair that has been his trademark. These days, Sam looks considerably thinner than the last time we met—it appeared he’d lost 25 pounds, at least. But he looked better and fitter than I thought he would, to be honest—less pudgy, less manic, less fidgety, no bags under his eyes.
He was sustaining himself on rice and beans, he said, because the prison food was unsurprisingly inedible, especially the vegan entrées he was served, which his fellow inmates thought literally smelled like shit. He wasn’t complaining, mind you; he noted that he was just trying to make the best of a bad situation. The rice he buys at the prison commissary has become one of the currencies of the realm inside MDC. We joked briefly about how the arbitrage opportunities in jail were better than anything he experienced trading crypto at Jane Street Capital or buying and selling assets at Alameda. He looked me in the eye pretty much the whole time, something he rarely did with people in the old days.
After we shook hands, he sat down in his own plastic chair as a camera watched us from the ceiling. We were surrounded by a couple of other inmates, dressed similarly, facing their visitors. Sam declined my initial offer to buy him some snacks but ultimately agreed to a $4 bottle of water and a small $2 package of Wheat Thins, which he eagerly consumed.
We talked for the next 75 minutes or so, the first in-person interview he has given to a journalist since he was locked up in the MDC last August and then subsequently convicted of two counts of wire fraud, conspiracy to commit wire fraud, securities fraud, commodities fraud, and money-laundering at his federal trial in November. In March, he was sentenced to 25 years in prison. Our chat, under these rather drastic circumstances, was a profoundly jarring and fascinating experience.

Prison Diaries

Sam began by answering my question about his life in prison. According to him, he lives in an area of the jail that was dedicated mostly to incarcerated women, save for the 35 men with whom he shares a dormitory-style existence in a big open room—bunk beds, no privacy, extreme boredom, and four television sets tuned to ESPN, Telemundo, BET, and a news channel. Sam said he could try to persuade his fellow inmates to change up the channel selection, but television bores him, so he has no interest in that challenge. He prefers watching a small selection of movies or playing some inferior video games on a tablet, without an internet connection, that the prison provides him and other inmates.
When I told him he seemed better than I had anticipated, he replied that he’d become good at faking it. So, yes, life inside the MDC is not the Bahamas. But, truly, I had expected to see him coping less well. At the MDC, Sam has mostly been permitted his prescription medications, and the cocktail he’s been allowed has him thinking clearly, he said, and energized for the legal battle he plans to wage soon against the verdict.
In the meantime, he told me, he doesn’t fear for his safety. He can use the bathroom and shower a couple of times a week in peace. He’s always been a light sleeper, and he’s still not sleeping soundly at the MDC, but mostly because people sometimes bug him during the night about those bags of rice, which they intend to use to barter. He has not been touched or abused, and he seemed notably thankful for that.
He acknowledged that he has a unique rap sheet at MDC, and his fellow prisoners indeed recognize him. He estimated that about half of the other 35 men in his unit were murderers who had been turned into cooperating witnesses for the prosecution in exchange for not serving a life sentence. In prison, many inmates consider cooperating witnesses the lowest form of vermin, lower even than child molesters. Sam also told me that some of the other prisoners tried to get close to him, thinking they would benefit financially from the proximity to a former billionaire. He doesn’t play along, he said.
We didn’t talk about his trial strategy or whether he intentionally siphoned off the $8 billion of FTX customer funds into Alameda. Both topics seemed moot at this point. We did discuss his onetime girlfriend, Caroline Ellison, whom he selected to run Alameda after lawyers kept hounding him about the inherent conflicts in him running both FTX and the hedge fund. (He chose to run FTX.) He acknowledged that he had asked a few other people if they would be interested in the role, but they turned him down. Ellison, he said, was a good manager of people and a good administrator but didn’t like making big investments and didn’t like taking risks. (Obviously, this seems like a bizarre aversion for a hedge fund manager, but I didn’t belabor the point.) In any event, Alameda ended up doing both.
He regretted that he had not tried harder to find another executive. He also said he should have ignored the lawyers and just kept running both FTX and Alameda, conflicts be damned, sort of like how Elon Musk oversees his various companies. Wishing he had ignored his lawyers’ advice emerged as a theme of Sam’s during our visit.

Legal Therapy

We did talk a fair amount about his appeal and about how he believed he was set up to be the fall guy—the victim of the old build-’em-up-only-to-tear-’em-down narrative arc. His theory of the case was that by the fall of 2022, it was every man for himself on a boat that looked to be sinking. By early November 2022, FTX was facing a liquidity crunch. Sam first sought a deal with Binance, which quickly fell apart or was never truly real, and was in the process of trying to raise billions in capital when his lawyers advised him to turn the keys of FTX over to John J. Ray III, which he did. Ray quickly filed FTX for bankruptcy and installed Sullivan & Cromwell, the company’s outside counsel, as counsel to the debtor.
Sam became the target of federal prosecutors, he told me, soon after FTX’s outside counsel at Sullivan & Cromwell made a presentation to them, on November 9, 2022, a day or so before the bankruptcy filing, about what they believed Sam may have engineered between FTX and Alameda, which has been described as the theft of $8 billion of customer money. In a sworn declaration about that meeting, S&C attorney Andrew Dietderich said he reported to the D.O.J. only what Ryne Miller, FTX’s U.S. general counsel, told him about a problem of “reconciling digital assets with entitlements” on FTX’s U.S. exchange, and nothing about Sam and his alleged transgressions.
Sam told me that had he not been persuaded by Sullivan & Cromwell and then by his personal attorneys to relinquish his job as C.E.O. to Ray, the company would not have filed for bankruptcy, and it would still be a thriving enterprise, worth $80 billion now. In this alternate reality, he would be worth $40 billion and he certainly wouldn’t be at the MDC. (S&C declined to comment on Sam’s theory of the case. It’s also fair to reiterate here that Sam was sentenced to 25 years in prison after a jury convicted him of the crimes described above.)
I got the distinct impression that Sam still doesn’t believe he committed any crimes, only that he was the one responsible for putting FTX in a position where it was vulnerable to a bank run and the devious actions of its competitors, not unlike how both Bear Stearns and Lehman Brothers failed in 2008. Why, Sam wondered, was he prosecuted when no one at either Bear or Lehman faced criminal prosecution? During our chat, Sam was contrite and certainly chastened, but not exactly apologetic: He was adamant about his innocence, aside from a few degrees of negligence—punishable, in his view, perhaps by civil consequences, not criminal penalties and a quarter-century sentence.
According to Sam’s theory, he isn’t in prison for commingling assets of FTX and Alameda. Instead, he’s an innocent guy who didn’t get a chance to negotiate a deal with the federal prosecutors, and wonders why he was even prosecuted at all for what he believes was a form of a bank run. Instead, they just presented him with his indictment and told him he could eat it— accept it and plead guilty and then get sentenced, or go to trial and try to fight it. Since there was no plea bargain on the table, he said, he fought the charges at trial, and lost. Unlike his fellow inmates, he told me, Sam speaks to his new attorney nearly every weekday for an hour or so, as the focus of his appeal comes into view. He expects to file it this fall. Yes, he will appeal, but most people think he faces long odds of success.
On the day of my visit, Sullivan & Cromwell, still counsel to the debtor-in-possession in FTX’s bankruptcy case, filed a first draft of a plan of reorganization that appears to give its customers and creditors all of their money back, plus a little more—a return of $15 billion on $12 billion of claims—in large part because of the investments Sam made through Alameda. The plan, which still has a long way to go before being confirmed, also gives Sullivan & Cromwell, along with other FTX advisors, “exculpation” from future lawsuits related to its conduct in the matter. This is not unusual in a plan of reorganization. But Sam has exhaustive thoughts on this subject, which I may explore with him in a follow-up conversation.

Go West, Young Man

I’m not sure how much longer Sam will be at the MDC, and neither is he. He has asked to remain in Brooklyn at least until the fall, when his appellate brief will be filed. But that’s not up to him, of course. If he gets moved, which could come at any moment without warning or explanation, I’m told, it would probably be to California, closer to Palo Alto, where he grew up, the son of two Stanford Law professors. At that point, the question will be whether he gets to spend his incarcerated years in a federal penitentiary, which are mostly nasty places filled with hardened criminals, or in more of a minimum security prison, as Mike Milken once did.
If he does get moved out of Brooklyn, his family and legal team worry, he could spend as long as four months on a bus, handcuffed to the seat, making his way, slowly, across the country. Such prison buses make frequent stops—picking up new prisoners, dropping off others—which explains why they take so long to reach their final destinations. There’s also a remote possibility that he could be placed on one of the many planes operated by the U.S. Marshals Service, a.k.a. “Con Air.” But he’s more likely to get the infamous “diesel therapy,” they fear. Either way, during this hypothetical cross-country journey, Sam would be completely incommunicado with both his family and his lawyers until he reaches his new home in California, deprived of the minimal access to the internet and email he now enjoys in Brooklyn.
Just as we were getting ready to discuss some knotty issues, such as his choices during his trial or the fact that many of the people who once worked for him had turned against him to save themselves, our visiting time was up. It was non-negotiable. We quickly shook hands again. Then Sam went back to his dormitory and I went back outside into a glorious spring afternoon.
Credits/Via: https://puck.news/exclusive-prison-chat-with-sam-bankman-fried/

I wasn't planning on watching Thrice Upon A Time. I had not liked the previous films and they seemed like a very inferior product compared to the original anime. However, the good reviews and opinions I saw about it encouraged me to do so. I did it with as open and tolerant a mind as possible, knowing that there was a good chance I wouldn't like the film. "What's the worst that could happen? That I don't like it and continue to prefer the original series? At least I'll be entertained for two and a half hours," I thought. What I did not expect at all is the deep feeling of disgust and repulsion that this film provoked in me, in a way that no other film has provoked in years.
I hated the movie from start to finish. I could spend hours talking about the boring action sequences, about its ugly, excessive CGI that ruins the already ugly mecha, about its disgusting hypersexualization of fucking 14-year-old girls, about how Misato's plans don't make sense, about how Last Kiss almost made me tear my ears off, or its plot full of Deus Ex Machinas with concepts conveniently taken by Hideaki Anno from the place that his last name suggests; but the real reason I'm writing this is because I feel like these movies spit on everything the excellent original work represents.
Not only because as adaptations they fail miserably, but also because they retroactively damage the original work (we'll talk about that later).
Before I begin to explain why the rebuilds are bad adaptations, I want to warn that I am going to do a relatively exhaustive review of the 4 films, so this rant is going to be very long, like staying up late on a winter night with chronic insomnia. That said, let's start to see the reasons:
WHAT IS NEON GENESIS EVANGELION?:
To understand why rebuilds fail as remakes, I must first ask you, dear reader: What does Neon Genesis Evangelion mean to you? (it should at least be familiar to you, unless you've spent your life under a bridge) What do you think about when you read that title, apart from Shinji fucking in front of a comatose Asuka? What comes to mind when you hear the most famous opening in anime history, apart from Shinji strangling the otter against Happy Thursday's throat? (in more ways than one). If your answer is: "It's a mecha anime for emos with a coomer protagonist", that's fine, I respect that; but please press the red "X" in the top right corner of your screen, you can now leave.
Now, I'm going to get serious and explain my definition: Evangelion is a work about the hedgehog's dilemma and the difficulties of forming emotional bonds that human beings have, as well as the consequences of trying to separate from them for fear of rejection. It is not a story about heroes. It's not a story about saving the world. In Evangelion there are neither heroes nor villains, but rather a group of emotionally broken characters trying to be happy in a world just as broken as them. The real enemy of Evangelion is not the angels. It is the lack of communication and empathy.
https://es.wikipedia.org/wiki/Dilema_del_erizo
It is that same lack of communication and empathy that progressively causes everything to go to hell to conclude with a cathartic and bleak ending, but consistent with the themes of the work. It is therefore an existentialist work about human relationships disguised as a mecha anime. This, added to a unique visual style, daring direction, and mechas like never before seen on television, made Evangelion one of the most influential anime in all of history, as well as a true commercial success for Gainax Studio. Success that encouraged other studios to carry out projects such as Cowboy Bebop or Serial Experiment Lain, taking anime towards a new golden age.
Even today you can hear the echoes of that Third Impact of End of Evangelion in 1997. The list of works influenced by Evangelion both inside and outside of Japan is endless. Of course, it is not a perfect work, nor extensive in errors: its target audience is ambiguous, many of the biblical references are more for decoration than anything else, and several aspects of the ending(s) could have been explained better. However, many of these errors can be attributed to a lack of time and budget during the production of the original anime (which was quite chaotic and improvised); therefore, they are understandable and forgivable.
In summary, we can conclude that Evangelion is a dark, introspective, provocative and unique work (at least at its time). This is also combined with a unique visual identity and complex characters whose relationships intertwine and interconnect throughout the work. The sum of all these factors is what led Evangelion to be such a critically acclaimed work that it transcended its own genre and became an icon of popular culture. And this in turn constitutes the biggest mistake of rebuilds; because they commit the biggest sin that an adaptation can commit: denying everything that made the original work great.
ADAPTING WITHOUT A CLEAR PURPOSE:
One of the biggest problems with these remakes (as well as a clear example of what I'm saying) is their total narrative inconsistency. Let me explain: the first rebuilds movie (1.11) is a literal copy-paste of the first 6 chapters of the original anime, with practically the same scenes, dialogues and even music. This makes the film completely redundant and unnecessary (and makes one wonder why it exists); But in any case, the message is being conveyed that the purpose of these remakes is to adapt the original series as faithfully as possible to the cinema with a current animation style.
However, the second movie (2.22) is a... something. A pastiche of new and old things where the plot broadly follows that of the original anime, but with many things changed (of course, for the worse) and a different ending. All this compressing no less than 14 chapters of the original anime into two and a half hours. Here the message that one can infer is that it seeks to adapt the original story (very briefly) by changing and rearranging certain elements, now more in line with what an adaptation is.
However, then we get to 3.33 and... well, after a 14-year because reasons timeskip, we're now in a post-post-apocalyptic world (repetition intended) where ex-Nerv members fight against Nerv itself. Nerv in giant spaceships, there are mechas everywhere, Misato is a sociopath, and Shinji and Asuka still look exactly the same because "DAMN JEBA." Here we can infer that what is sought is to create a totally new story and take it in different directions than the original. The following movie (3.0+1.01) is the only one that is consistent with this purpose.
Whether all these narrative pirouettes were planned in advance or not (clearly not), we can see that there is a clear incongruity between what is intended to be done and what is finally done. All of this generates a strong narrative chaos where the elements and themes of the original anime are mixed with the new ones, creating a total inconsistency. Since also in 3.0+1.01 it is revealed (unfortunately to me) that everything is part of the same universe and this is not really a remake, the excuse of "they are different universes, they don't have to be the same" doesn't work either.
In fact, one thing that you will see me comment a lot throughout this article is the lack of narrative consistency of these remakes, especially in comparison to the original work.
A HEDGEHOG WITHOUT TICKS:
No character in Evangelion better embodies the central theme of the work than Shinji Ikari, its own protagonist. Shinji is not a hero: he is not brave. He is not a genius. He is not charismatic. He is not selfless. He doesn't want to save the world. His reason for piloting the Eva is to gain recognition and appreciation from others; especially from his father, whom he hates, but at the same time admires; He feels that she despises him, but he also wants (and needs) that she loves him. Shinji spends the entire series in the dilemma between escaping from what hurts him (classic avoidance behavior) or accepting it and moving on, even at the risk of being hurt again.
This theme is rock solid throughout the entire original series: from the first to the last chapter of the anime, and from minute one to the very end of End of Evangelion. Even the opening itself makes several visual references to Shinji's hedgehog dilemma. This can make Shinji an infuriating character for audiences accustomed to typical anime protagonists; but it's those same things that make Shinji such a unique and special character. He deconstructs and subverts the hero's journey. And it's not as if this hinders the plot: Shinji is not proactive, but he also does not spend the series crying, as many often claim.
https://files.catbox.moe/eolho0.mp4
https://es.wikipedia.org/wiki/Monomito
And as you may already be imagining, the Shinji of the rebuilds does not have a hedgehog's dilemma. Or rather, he has it, but only during the first movie (copy-paste of the original anime) and part of the second. This is a problem, because it creates a strong narrative inconsistency (again) where it seems that two Shinjis exist at the same time or that this one is bipolar. As of 3.33, Shinji's entire character arc is based on trying to redeem himself for his past mistakes first by unleashing "Almost Third Impact" (what a stupid name) and subsequently preventing Kaworu's death while trying to right said mistake.
Is this a bad thing? Not necessarily. The problem is that I have already seen the arc of the hero who fails to eventually rise up and succeed in 100 trillion works, while the hedgehog's dilemma in none more than in Evangelion (at least in my case). Which makes Shinji a much less interesting character. Some might argue that in 3.0 + 1.01 Shinji does have such a dilemma because he spends half the movie crawling on the ground; but there is not a hedgehog's dilemma, but rather depression for having seen Kaworu's head go KAWOOM (I know, the joke was very bad, but if he didn't do it, I would explode too).
End of Evangelion's Shinji did have such a dilemma because the reason for his depression was having been manipulated and used by someone he had previously opened up to and then forced to kill him, not for failing in his mission (in fact, he was very efficient in her mission to separate Kaworu's head from her body), which in turn brings sexual (and later, deadly) results for Asuka. I insist: narrative consistency. But this is not the worst: the worst thing is that at certain moments in these films, Shinji becomes the typical shonen savior hero, betraying the central point of his character in the original series.
https://youtu.be/E-x-f2OrWeA
A perfect example of this is the ending of 2.22, where the fight in chapter 19 (COINCENTLY from where the original anime starts to get more introspective) is transformed into a ridiculous shipping attempt, with Rei turned into a damsel in distress and Shinji into a savior hero while spouting all the typical cliché lines, topped off with a disgustingly cheesy ending. But of course, how could it end otherwise? With Shinji's Eva practicing cannibalism on Zeruel's corpse (the original scene)? Too disturbing for current times. Shinji and Rei fighting as a team to defeat him? Yes of course. Rei has enough not being in the kitchen. Besides, Asuka already takes care of that, hoping to receive her alpha male's cock as a reward.
https://youtu.be/TPS0Uk0TkP0
Because, like any good modern anime protagonist, Shinji now has a harem.
FETISHING WITHOUT CONTROL:
Of all the characters who are now part of Shinji's harem, the one who is most harmed by this is Rei (Asuka's case is different, and the other character is an infernal creation from Anno's sick mind). Not only because acting like a bitch in heat goes totally against her personality and because of the murky situation, considering that she is a clone of Shinji's mother, but also because her character is reduced to a mere fetish object that does things cute to produce tenderness in the viewer and make coomers buy their figurines.
Rei is an interesting character because he raises numerous existential questions based on the ship of Theseus paradox: the concept of identity, to what extent we can consider ourselves still ourselves, the construction and definition of a "self", etc. But here, her screen time piloting her Unit 00 is minimal (COINCENTLY most of it in 1.11) and her exploits are practically irrelevant or non-existent, also being reduced to a mere damsel in distress at the end of 2.22, as I said before.
https://es.wikipedia.org/wiki/Paradoja_de_Teseo
In 3.0+1.01 he doesn't even get to pilot an Eva. Her role in the film is to cause pity and produce tenderness with her total ignorance (I see that the idiot Anno forgot that all the Reis are born with basic knowledge) while she is seen with different hairstyles, different outfits, working as a farmer, taking care of a baby, etc. In short, a fetish object where she wants the public to value her for how "moe" she is instead of for her abilities or as a character. In Anno's mind, feminism advances in reverse. Ironic, considering that it was precisely Rei who unintentionally started the moe culture.
Of course, it goes without saying that Rei is not the only one who suffers from this extreme fetishization of her character in these films. Under the excuse of paying homage to End of Evangelion, Asuka now always wears an eye patch (needless to say it has nothing to do with having been injured there), a cap with cat ears, in addition to having a very convenient trend for the coomer public of walking naked and semi-naked through other people's houses. She sometimes puts on the plugsuit, but near the end of the movie, it is conveniently torn off, lest we forget that this is made by the Japanese.
One of the best examples of how this hareminication has destroyed the main female characters is in the elevator scene. In the original anime, Rei tries to advise Asuka in a time of particular vulnerability and depression. Rei's limited social skills, coupled with Asuka being Asuka, cause her to misinterpret the attempt to help as mockery and an act of condescension, triggering a slap from her towards Rei and a worsening of her already strained relationship and Asuka's mental state. Rei doesn't fight back because she knows that doing so would only make things even worse.
It is an excellent dramatic scene because it once again brings to the foreground the hedgehog's dilemma and the difficulties between human relationships, very much in line with what Evangelion is. In 2.22, this scene is gratuitously introduced and turned into two horny bitches fighting over which of the two will let their alpha male penetrate first, with a highly OC Rei stopping the assault attempt in a 100% gangsta way to make her see more "cool." The scene doesn't even make plot sense, because Asuka at that moment is not even depressed, and in the original anime this occurs at a much later time under a very different context.
and speaking of asuka...
SOMEONE CALLED ASUKA:
When I started watching these movies, I was afraid that Asuka's character had undergone modifications to make her more "palatable" to new audiences. What took me completely by surprise was how radically different this Asuka is from the original. So different that they can't even be considered the same character. To show it very clearly, we are going to review the personality of both:
Asuka from the original anime: An energetic and outgoing half-German, half-Japanese girl (actually it's 1/4, but who cares) who loves to be the center of attention and have everyone praise her due to the lack of parental love received during her childhood having been abandoned by her father and supplanted by her mother, who suffered from severe mental disorders. She is extremely proud and competitive because she feels that being Eva's pilot is the only thing that gives her an identity and purpose, which makes her tend to become quickly frustrated when things don't go her way and become defensive when she feels like she is being outmaneuvered. . He loves to make fun of others (especially Shinji), to the point of being cruel at times, but he does not do it out of malice, but rather to compensate for his enormous inferiority complex due to the rejection suffered by his mother and having witnessed her. committed suicide (and possibly even tried to kill her) the day she was chosen as Eva's pilot and came running to wish her a Happy Thursday. She admires Kaji and wants to fuck him because she hates her own adolescence, she needs to feel adult and independent due to suffering from a certain Electra complex for having lacked a true father figure during her childhood. She has a sweet and vulnerable nature, but she rarely expresses it to anyone except her best friend Hikari and I better stop this now because too much text.
Rebuild Asuka (hereinafter "Asuka"): A girl soldier created by Nerv as part of a series of clones who has always been alone and thinks she doesn't need anyone, although she secretly wishes to have a family. She hits and insults others for no reason, she yells a lot, never smiles or makes jokes, and hates socializing with others, which doesn't stop her from looking for Shinji's dick within 2 days of meeting him. She always plays video games while someone is talking to her and at night she talks to herself with a doll like an autistic person.
As we can see, these two characters not only look nothing alike: several of their traits directly contradict each other. Because they look alike, they are not even alike in aesthetics: the original Asuka had red hair and dressed in the traditional feminine way, while "Asuka" is light brown and dresses in a tomboy style (which I'm not saying is wrong, I'm just commenting to show the radical difference). It's not that they have changed Asuka: it's that they have directly murdered her to supplant her by someone with whom she only shares her first name (not even her last name). And needless to say, the change has been VERY for the worse.
To describe the first character, I had to spend 15 damn lines, and even then I had to leave out many important facets of his personality, his development in the original series and his entire character arc in EoE, because if I didn't have one endless bible For the second, 6 lines were enough for me, and I could have had more left over if I had been more concise. The first character is a complex and three-dimensional character, with multiple facets, edges and layers. She feels like a real person. The second character is a generic tsundere that you can find in any mecha anime of the week. She is not even comparable to the first; She's not even a good character.
We cannot speak of Flanderization because not even the most basic traits of the character have been respected. Nor can we speak of a deconstruction because that same absence of basic traits means that there is no character construction on which to stand in the first place. Obviously, this change greatly resents the interactions between characters: the original Asuka was a charismatic and fun character with the ability to drive the plot on her own (as soon as she appears in chapter 8 of the original anime she is already changing the entire dynamic between characters) , while "Asuka" is mostly only in the background or to fight; He doesn't even have a character arc as such. In fact, in 2.22 he has even less screen time than several supporting characters.
His chemistry with Shinji is also non-existent (and I'm not just referring to the romantic level) and they barely have any development together. They like each other here because... ehhhh... she likes how he cooks and he thinks she's hot? It's not that the AsuShinji (or ShinSuka, or whatever the hell it's called) here is forced: it's just that it doesn't even make sense. The only reason people still ship them together is because they did it in the 90s. Yūko Miyamura's performance also feels very lackadaisical and lacks passion, which is quite unlike her. Although perhaps this is intentional, since her character always talks as if she has the spear of Longinus permanently stuck up her rectum. In fact, the few times she says her iconic "Anta baka?" This one feels very forced, in addition to not having her characteristic high-pitched tone.
In short, the character has suffered the same fetishization as Rei (gamer girl, tomboy, one-eyed, etc.), but also with the aggravating factor that not even her basic characteristics have been respected here. This is especially disconcerting when we take into account that the rest of the characters have their original personalities more or less intact (albeit simplified). Even more disconcerting if we take into account that Asuka is possibly the most popular character in all of Evangelion, and even more so if we consider that she is Anno's favorite character (in fact, the initial idea was for Asuka to be the protagonist).
https://evaresources.wordpress.com/der-mond/
Given this, the inevitable question arises: "Why?" What was the point of turning Asuka into an inferior and tsundere copy of Rei, even more so when there are already three clones? It has always been rumored that Asuka is not popular in Japan, but that is completely false. The only semi-rational explanation I can think of is that they did it to please the haters. It's no secret that a portion within the Evangelion fandom (and outside of it) hates Asuka with a passion. They see her as someone toxic and cruel who dedicates herself to screwing others for no reason, without understanding that you don't have to like a well-written character.
https://imgur.com/a/KznXE1x
What these people fail to understand is that Asuka's verbal abuse is a defense mechanism to avoid opening up to others, since Asuka constantly says things that do not fit with what she really feels or thinks (clear proof is chapter 16 from the original series). It's not like it matters much, considering they were never more than an extremely vocal minority. That the character is so popular is proof of this. The great irony of all this is that the new "Asuka" is a much more unpleasant and detestable character than the original, since she lacks the redeemable qualities of the original and her moments of comic relief.
And if until now I have been more or less benevolent with this remake, this is something I cannot forgive: because changing a character just because a group of people doesn't like it is one of the most cowardly and pathetic acts in the world. that a writer can fall. The fact that this was also at the expense of one of the best female characters in the history of anime and with a wonderful story arc makes it even more bloody. Any other halfway competent writer would have responded with this.
https://youtu.be/5Js0ea6yPKM
...although if we go by Ockham's razor, the most likely explanation is simply that Hideaki Anno is mentally retarded.
A CHARACTER TO DESTROY A FRANCHISE AND BIND IT TO DARKNESS:
Mari Makinami Illustrious A.K.A María Iskariote (what an appropriate last name) is one of the worst creations ever made by humans. Not since the atomic bombs has humanity created something so horrible. Worse than the holocaust. Worse than fascism. Worse than Facebook memes. Worse than stepping on a lego. I would even dare to say that it is worse than pizza with pineapple. No character better reflects Anno's mental decline or better embodies all the problems of the current anime industry than this trash.
This character contributes absolutely nothing to the plot, he does not contribute at any time to its advancement, he lacks his own development or story, he does absolutely nothing relevant in the 3 films in which he appears, and he does not even have a defined personality. So much so, that all of her scenes could be eliminated or replaced by any other character and she would barely affect the plot, or not affect it at all.
The character is so frighteningly one-dimensional that she doesn't even show different emotions or moods during the three films in which she appears, always being perpetually happy and carefree even in tense situations for literally no reason. This leads to moments as surreal as her starting to sing and hum in scenes that are intended to be serious or dramatic (or so I think; perhaps what they wanted was to turn this into an unintentional comedy), again generating a gigantic narrative dissonance. The last third of 3.33 is the best example of this.
But that's not the worst: this character is clearly made for otaku coomers to masturbate to. She has almost every fetish possible: glasses/lenses (whatever they call it in your country), pigtails, miniskirt, schoolgirl, saying "nya", big tits, obsession with smell and tight outfits, etc. To make matters worse in 3.0 + 1.01 we discover that she is 48 years old, so we can also add the milf fetish. Evidently, her tits always bounce in her plugsuit (she would swear that never happened in the original series) and there are many close-ups of her ass. In addition to constantly making sexual advances towards Shinji, which also turns this piece of shit into a potential pedophile.
If the thing simply ended there, we could say that this character remains a mere annoying and unnecessary secondary character. Unfortunately, the character is also disruptive to the plot, occupying long filler scenes that do nothing more than waste time that is already scarce in a film, and that could have been used on something else more interesting; like Pen Pen watching TV, Pen Pen eating a sardine, etc. Without going any further, both 2.22, 3.33 and 3.0+1.01 begin with a long filler scene of her hitting on her. Well, to be honest, the 3.33 one is more Asuka, but this abortion is still out there fucking and singing.
It would not be an exaggeration to say that discussing why this character exists is much more interesting than any other debate that can be created about these films. I still think about it. However, the ending of 3.0+1.01 gives a good clue: the character was created solely and exclusively to stay with Shinji. I can only imagine that Anno made this tired of the fandom shipping and the arguments over who Shinji should stay with, so he decided to end the matter by creating his own ideal waifu with all the fetishes he likes in a woman to end it. with this. It's disgusting, but considering we're talking about a Japanese, totally possible.
It's surreal coming from the man who harshly criticized the use of anime as escapism and the excessive female objectification and sexualization in it, but it's the only semi-decent explanation I can think of. Basically, he is what is called a mascot character in literature. That would explain why this character never shows doubts, nor any kind of internal conflict, or why he is a better Eva pilot than Asuka and Rei themselves. It is also very revealing about the quality of the Rebuilds: creating a self-insert OC just to be the partner of the protagonist or another main character is the quintessential trait of all bad fanfiction.
However, among all this tsunami of disqualifications, I also have to say something positive: spending three movies giving hope to the shippers only to have Shinji be cuckolded simultaneously by Rei and Asuka in the last one and end up with a character with which had zero development (before 3.0+1.01 I didn't even know its name) is a true trolling masterclass, worthy of the best of ball pumpers. Only a true emperor of evil would have come up with such a twisted and at the same time perfect way to screw over a large part of the fandom. I give you my tens, Anno.
THE ANTI-UNIVERSE OF ANTI-NARRATIVE:
Of all the new concepts that Anno brings up at the last minute from the place named after his last name, none stands out more than the "anti-universe." Or, as I like to call it, the "anti-good writing." Basically because it perfectly represents all the problems of the rebuilds and their script. In the final stretch of 3.0+1.01 we have the last-minute revelation of a quantum plane of existence capable of turning imagined worlds into reality and changing this through Lilith, which cannot be understood by the human mind (wow, WHAT CONVENIENT!) and whose existence has never been mentioned or even hinted at in the entire franchise until CONCIDENTLY the aforementioned last third of the film.
In other words, a gigantic Deus Ex Machina created in an improvised way to avoid repeating End of Evangelion and forcing a happy ending where Shinji creates an ideal universe for each character (although that is questionable, as we will see later). And it is far from being the only one: the spear of Cassius, the Eva of Infinity, the key of Nebuchadnezzar, the Book of Life, and so on. None of these concepts are integrated into the plot in an organic and natural way, but rather they arise spontaneously at its convenience when it needs it. Except for the new "Super Berserker Mode" of the Evas, which is simply a power-up to sell figurines.
As I said before, if at least this were an alternate universe separate from the original anime, all this bombardment of concepts pulled out of the ass would be a little better justified. But the revelation that everything is a cycle and we are in the same universe as the original work only makes it even worse, generating countless inconsistencies about why they never mentioned this or never used that (what's the point of the seeds of life If you can create universes simply by imagining them?). Although without a doubt, the worst of all these new concepts is "the curse of Eve."
Here we have a new concept with very strong repercussions completely launched, which is not even an explanation in itself, it does not answer anything and to make matters worse, the same films contradict each other several times. Needless to say, this is a cheap excuse for the three main characters not to grow up and continue sexualizing 14-year-old girls after the most gratuitous timeskip ever seen. And speaking of timeskip, putting such a long one in the middle of the story is a first-time writing error. If you are writers, never do that: the bigger the time jump, the more things you will be forced to explain, since the less you do it, the more plot holes will form as a result.
And of course, here it explains little to nothing of what happened these 14 years. Like where Nerv got such a tremendous base from, if in 3.33 it seemed that together with Rei and Kaworu it was made up of four people. Or how they have gotten such an army of pseudo-Evas, especially when these are supposed to be extremely expensive (wow, and SEELE with all her unlimited resources was barely 9 in EoE). Or worse yet, how Kaji managed to stop Almost Third Impact (seriously, the name couldn't be stupider). None of these questions are answered at any time. Obviously because they can't do it.
Evangelion has always been characterized by leaving things up to the public's interpretation, but here I feel that they are vilely taking advantage of it so as not to have to give any kind of explanations. And in the case at hand, do not even pay attention to contradictions. Like Touji and Kensuke got on Unit 01 and that doesn't stop them from being 28 after the timeskip. Or that Mari appears to be 14 despite looking like an adult in Gendo's photos and flashbacks, plus the fact that Evas, by simple logic, could not exist back then.
The height of absurdity is when near the end of 3.0+1.01 the "unexpected" revelation occurs (actually we all saw it coming) that everything is a cycle and we are facing a reboot of the original timeline, of which only Kaworu seems to be conscious. He let them guess without giving them any clues how many times Kaworu mentioned or even hinted at such a thing in the original series. Needless to say, nothing is ever explained about it: Who created that cycle? (Adam? Lilith? The First Ancestral Race? Hideaki Anno's last name?) For what purpose? How does it work? How long does it last? Why is Kaworu the only one who remembers him? Do these remakes make sense?
THE DEATH OF A STYLE:
Fortress-cities folding in on themselves. Designs and constructions oscillating between the nineties, the utopian and the cyberpunk. Meshes of flesh and blood animated with the souls of the dead fighting with classical music in the background. A mysterious and ambiguous lore where aliens, technology and conspiracies mix with gnostic, cabalistic elements and the most esoteric aspects of Christianity (did the History Channel predict Evangelion?). Minimalist posters moving quickly between frames. Monochrome backgrounds flashing aggressively (bad luck if you were epileptic). So consistent with its themes that the A.T. fields themselves. They were an allegory of the hedgehog's dilemma (I'm not making this up, Kaworu himself says it in chapter 23).
https://imgur.com/a/2M0eDVK
The sum of all these factors is what allowed Evangelion to build an absolutely unique identity, the one that allowed people to say "hey, that's an Eva!". Starting in 3.33, all that is lost to disappear in 3.0+1.01 in favor of giant spaceships, mechanical mechas made of pure CGI, battles full of colored lights, multiverses and time loops. I'm not saying these elements are bad in and of themselves, but I've already seen a thousand mecha stories with these. For that, I start watching any of the versions of Gundam or Macross. I could also complain about the boring shots without audiovisual language and always using the same color palette, but to be fair, that is an endemic evil of current anime.
And like any bad remake, 3.0+1.01 can't help but pay homage to several scenes from the original work, completely failing to understand the point of said scenes. As an example, we have Ritsuko shooting Gendo for no reason other than to pay homage to End of Evangelion, ignoring that the context between both scenes is very different. Furthermore, here they never explain the relationship that exists between the two, so the scene makes no sense; especially for those who never saw the original series, who will also find mentions of facts that these films have never shown or bothered to explain.
Even worse is when they try to pay homage to the iconic battle between Asuka and the Eva Series. Not only because of the total absence of the graphic violence and choreography of the original, but because what makes that fight so remembered is its emotional component, since it is preceded by a narrative catharsis in which Asuka discovers that the Her mother's soul was always in Unit 02, in addition to being marked by the constant tension of knowing if she will be able to finish the fight before the Eva's energy supply runs out. Here the Evas never run out of energy (why do they need the power supply, then?), so there is no such tension.
In the original fight Asuka may not be shooting 1387945 Evas with a super cannon larger than her as she falls through an... interdimensional hole?; But there you feel every blow, you can appreciate every movement in detail, and the dramatic tension in crescendo only improves the result. If this were a shonen, the logical thing is that Asuka would win. After all, her character arc has been wrapped up in a climactic way. Unfortunately, this is Evangelion. When the Evas Series manage to cause a mortal wound with the pseudo-spear of Longinus and the energy counter reads zero, the outcome is already decided. What happens next is horrific (Asuka's enemies are cruel to her even after she is dead), and just as horrifying are Yūko Miyamura's screams and Miki Nagasawa's performance as Maya announcing that Asuka is dead. In the Rebuilds there are no performances anywhere near that level.
End of Evangelion will be as dark and uncomfortable to watch as you want, but it is a film where all those responsible put their souls into achieving the best possible result, both on a technical and artistic level.
and well, I think that for today I have already downloaded too much, an apology for the large amount of text, I will make a second part at another time because I have so many things to comment on... anyway, I hope you have a good day/afternoon/night or when you read this .