I'm going to try to translate those top comment from Hupu for MSI, I might skip some of them as they are Chinese internet memes that I've no idea how to translate, and those comment related to Honor of Kings, a popular league like mobile game made by Tencent.
The rating is user poll generated, you can give a rating between 2 and 10, and average is used. A total of 725k people participated in this series' rating.
Hupu rating is an in APP feature so it doesn't really have a link, but here is the post match thread for the match, and on the top there is an link you can click on that get you to that page. link

MATCH 1: BLG vs. T1

Bilibili Gaming

	Player Rating	Top Comment
Bin Twisted Fate	9.8	This is our BLG's double marksman!
Xun Xin Zhao	8.3	Good tempo, but what give you the confidence to so steal blue by yourself?
Knight Taliyah	9.7	This game Trist kept getting fed kills, while you are the one controlling the tempo of the game, and give all the kill to your teammates, you are the true MVP of this game.
Elk Kalista	3.7	This game just treat Kalista like Tahm Kench.
ON Renata Glasc	9.6	"I didn't say you could go, did I?"
BigWei	5.5	Don't ban Nid against Gen.G but ban it against T1, are you drunk?

T1

	Player Rating	Top Comment
Zeus K'Sante	6.0	I often think what if Sang-hyeok brother is 10 years younger.
Oner Sejuani	3.8	Tarzan: I logged on.
Faker Tristana	2.8	Hey bro, maybe you should go tryout for the Old Guy Cup.
Gumayusi Senna	3.6	That herald in the baron pit, directly give BLG a way to go in, pure comedy.
Keria Nautilus	7.9	Looks a bit red from player cam.
kk0ma	3.4	Kenzhu: I'm going to keep picking Neeko next game.

MATCH 2: BLG vs. T1

Bilibili Gaming

	Player Rating	Top Comment
Bin K'Sante	8.9	So weird, you are the most in form, but bot lane is getting the highest priority.
Xun Wukong	3.5	You the only one pick Wukong this whole MSI, and last time you tried you got giga gapped, why pick it again, J4 and Xin would be so much better.
Knight Neeko	8.6	Not your fault, same like last series against Gen.G, bot feed a lot of kills and then blame you invisible.
Elk Varus	2.6	You were not human in any of the recent games.
ON Kalista	2.7	If you keep playing like this, I'm gonna go watch KPL.
BigWei	2.7	BigWei and rest of the coaching stuff come out and face the flame, why are you so focused on strong lanes, didn't you learn. Don't waste so many ban for mid, just tell left hand be more confident and pick a tempo champ, don't always think about laning. Pick some engage champ like Naut, Rell, Alistar, Camille for On, Xun could pick carry jungle like Nid or Kindred if there are engage already, else just pick J4, Sej, Maokai, Wukong. Bin watch out for Zeus last pick counter pick, don't be cocky, BLG fighting, please win this!

T1

	Player Rating	Top Comment
Zeus Camille	8.7	Using the T1 formula, if Zeus can carry, this game will be a stomp.
Oner Sejuani	8.7	You tempo is so good, so why are you kept picking Viego.
Faker Akali	7.1	Dude, what use do you have? I mean seriously, you are not really useful.
Gumayusi Draven	9.3	Why kept picking me Senna, am I weaker than them?
Keria Ashe	7.4	If you didn't ult the real Wukong, that last fight will turn out different.
kk0ma	6.8	No difference compared to Ham. (Laker coach.)

MATCH 3: BLG vs. T1

Bilibili Gaming

	Player Rating	Top Comment
Bin Twisted Fate	9.9	Fine red wine glitters in a jade chalice that glows in the night, next card will be a ace of heart. (The first part is a famous Chinese poem "葡萄美酒夜光杯", and the second part rhymes with that in Chinese.)
Xun Xin Zhao	9.2	That flash for flash at top was so critical, as a Yasuo main I felt the pain.
Knight Annie	9.8	Knight: Yagao, I don't know what to do. Yagao: ZhuoDing, maybe its time for Annie.
Elk Senna	9.5	WE.Jiumeng, UP.ELK, BLG.Husband is fighting for control of the body, husband is winning right now. (past name and nickname for Elk.)
ON Ornn	9.7	Gift a kill when fountain diving, champion at karma.
BigWei	7.7	Wow, did you just first pick Senna? (This was a 1 star rating comment, probably made right after the draft.)

T1

	Player Rating	Top Comment
Zeus Yasuo	2.5	Come duo with me, I'm silver, my username is weird top. (It is the name for a steamer 霸哥 that is known for been bad，farming under tower, and possibly using 3rd party software to cheat.)
Oner Nidalee	2.8	Oner: Nidalee, I don't know what to do now. Nidalee: What, who are you again?
Faker Zac	2.8	This Zac pick is like a summary of T1, once Faker dies, four turd pop out.
Gumayusi Kalista	2.8	So you are really an egg, either fried egg, or egg drop soup. (Those are dishes in China, and dish is called 菜, which also means bad when used in league.)
Keria Nautilus	2.9	OP
kk0ma	3.1	Kenzhu:Hmm, did you reuse your old password? 1557, such an easy password.

MATCH 4: BLG vs. T1

Bilibili Gaming

	Player Rating	Top Comment
Bin Twisted Fate	9.6	Tried your best.
Xun Vi	2.4	Fully responsible.
Knight Corki	7.2	When Chovy's Corki had an advantage, his teammate didn't decide to int.
Elk Varus	3.5	You finally got you condition under control, your jungler's is acting up again.
ON Nautilus	6.6	OK I guess, the support Naut is the only one that could face check.
BigWei	3.2	Xun's Vi, Elk's Varus, game is GG at BP.

T1

	Player Rating	Top Comment
Zeus K'Sante	8.0	Showmaker.jpg.
Oner Viego	8.5	Oner: Viego, I don't know what to do now. Viego: Who are you? Oner: I'm Zhao "JieJie" Li-Jie, don't turn around to look.
Faker Aurelion Sol	6.5	Head scratcher, inted at least 4 times.
Gumayusi Senna	8.3	Your ult is so clutch, so many key shields.
Keria Ornn	8.1	I upgrade based on age, Zeus sad :C.
kk0ma	6.0	Kenzhu: You still haven't change your password yet, I get to pick Senna and Asol again.

MATCH 5: BLG vs. T1

Bilibili Gaming

	Player Rating	Top Comment
Bin Camille	9.9	Best top in the world, LPL's pride, you deserves it!
Xun Xin Zhao	7.6	Your entire purpose this game is to facecheck.
Knight Neeko	9.7	Watching you whole game, you were laughing the whole game.
Elk Senna	9.3	I think I kinda get LCK's love for Senna now, and your Senna last year G5 against Gen.G, maybe Senna is actually good.
ON Ornn	9.8	Everyone is even before Letme.
BigWei	5.7	So dumb, I guess you've made enough money and want to retire, how did you BP like this?

T1

	Player Rating	Top Comment
Zeus K'Sante	2.8	Now you really became Bin's son.
Oner Viego	2.6	Viego: Wait, your are not Zhao "JieJie" Li-Jie, byebye.
Faker Taliyah	3.2	Faker, now its time to wake up from the sweet dream.
Gumayusi Varus	2.8	A kid came to T1, his Varus is flying. (A copy pasta for TheShy, original one is something like: A kid came to WE, his Riven is flying. It was an compliment, but in this case Guma's Varus was literality in the sky.)
Keria Nautilus	2.6	That flash hook clone is a bit cringe.
kk0ma	4.1	Password too hard, let me try other side's.

My Dad is bringing up a very important word,
"No"
Actually, I think that was his favorite word.
I had a great habit of using it when I was under his roof. What he said is usually what happens first. He was the head of the house and the leader of his own reality. When he was intoxicated or not, what he saw and thought in his mind came to life, even when it never took place in real time.
Why did I give him so much respect when he clearly was showing me toxicity in our relationship at home?
He pretended to be a person of high stature when we are in public. No one would have guessed his bad habits with substances at home and the way he acted behind closed doors. When I reached out for emotional support at school or church, I was mostly shunned by anyone that listened to my story. They taught me that my feelings were wrong and asking for help gets me in trouble. When I told my mom anything, she was busy at work and came home tired. She trusted everything my father would tell her and I got in trouble for speaking out for his behavior. I was kept at home and if anything that could get me out of the house was already planned to be declined if I asked to do anything.
It was hard to please anyone at this point.
I kept my room spotless and vacuumed everyday, just so my dad couldn't say no and tell me to clean my room if I had a friend standing next to me wanting to hang out.
I had one friend in my life that saw my father for who he really is and he scared her pretty bad. He chased me to her car when I was trying to leave my house, he was on oxy at the time. My friend hesitated and kept the car in the driveway and told me to go do what he said. I wanted her to drive as fast as she could away from him, because he took the battery out of my car and I couldn't leave to be with Suz.
Well, after that incident, I lost my friend. She told her parents what happened and she broke all contact with me and stopped talking to me at church. Rumors went around and her mom I sang with on stage started to be disrespectful towards me.
I learned a valuable lesson that day....
When you feel safe enough to speak out and let someone see your true self, you scare people away.
When I trusted someone, I was abandoned when they saw my life for what it is.
The truth was hard to swallow and I had to stay around my father regardless of trying to find help in some form of way I felt heard. I tried to be emancipated, I went to church and sought out resources, I researched about how to prevent suicidal tendencies, I was speaking to a child psychologist. I was working on being more respectful towards my parents, but when my dad got high and made up stories to be angry and attack me. I had no way to protect myself and prove that it was just my father being an addict going through a psychotic episode.
This is why the Lord forced me into psychology.
I didn't want anything to do with it! (Working in a psych ward.... It sucked.)
Suz was the first person to really allow me to learn how to understand it with her version of explaining reality. She is a psychic medium. A very good one! She was very outspoken, rude and funny.... I can take the hard criticism. Nothing amounted to the trauma my father already caused me to feel. I survived high school band.... My director was exactly like my father and I was verbally abused at school by certain individuals.
I kept it all to myself and I planned very strategically my way to "heaven". I kept a journal on purpose for someone to find later. I wrote about everything I was feeling and how I was being treated, my poems, other interesting facts about spirituality, death and dying.
Suz taught me how to have a "book of shadows"..... Well, she is a witch..... It shouldn't be scary when I say that, she was a very proud "light witch". She only worked for the good of humanity. Christianity shuns such practices, but it really is part of the culture before religion became a thing. She taught me so many things that my Dad made me swear I would never get involved in.....
My Dad went into psychology after he decided he wasn't going to be a pastor. His past marriage was a major roadblock for him that he lost faith in God and didn't feel it was right for him to lie on stage to other believers when he wasn't being honest about his own walk in faith anymore.
A divorce would literally kill my soul. I can't imagine what betrayal feels like until you promise your life in vows to someone and it doesn't work out....My Dad made sure to show me that marriage is a special connection and I had to be very cautious who I accept as my spouse. I never forgotten how important it was for him to see me with the right man, but he was so overprotective, he never allowed me to learn how to date or even go to a school dance.
I blame the drugs for interfering in our relationship as a family. My Father was a very smart man, until he took a pill, shot up, or drink... My dad worked in anesthesia, he knew how to mix his own concoction and by pass the system to get his fix. He was forced to retire don't worry, but his knowledge to get drugs was phenomenal all that he knew about medicine.
It really sucked that he knew psychology and ways to manipulate people to get what he wanted. He was a very skilled hypnotherapist on top of that. My family is the result of a head narcissist raising more products of himself.
If you see my family now, we are estranged for good reasons, but they still hurt me personally. I really tried to keep us together after my father passed away, but the rest of my family chose to ignore my advances to keep in contact. I'm not even invited to the family reunions.
It's okay, because we have a lot of family history of incest and "S.A." and I understand why we are not invited.... I know a lot of things about our family after my father passed away. I know why he turned to be a pastor and then went in psychology to help himself and others, but then he lost his way and turned to drugs to mask his pain. The enemy stepped in and my Dad gave into his weaknesses..... He tried and he fought hard. Even when he attacked me my whole life. I still sat there and listened to him and I was forced to listen and not leave the room, but then God showed me to talk back to my Dad.....
So, I started to read more about the Bible and relate to him.
That's why I went to church...
I went to church 4 times a week to get away from the house, but to also just understand why I want to end my life and know that I would go to heaven if I actually tried it.....I was worried about my Mom and how my actions would affect her, she was a big reason why I stalled my plans and then my Dad had this wise idea to get me to work at a mortuary. Told me to walk into one and ask for a job.
Crazy how I jump topics all of a sudden, but this is how my Dad and I got along with each other. Weird and comical. lol
If it wasn't about music, it was about spirituality. I was into a lot of death related shows because I was suicidal. If you remember any of these, they came out around the time I was in high school.
Six Feet Under
Dead Like Me
Dr. G Medical Examiner
1000 Ways to Die
Ghost hunters
Crime Scene Clean Up Crew shows.
I would walk in the dining room while he was chillin in his hospital bed. Watching Finding Big Foot.
"Hey DAD! check this out."
It was a nice distraction to his day. It brought up his own fears with common daily interactions because of my odd obsession with the topic of dying.
My father at this point in his cancer diagnosis, he was on something they call,
Palliative care.
My mom explained to me that it means he was going to die. Lovely how blunt my mother is, but that's how she said it without sugar coating it....
But it was in a way it would be under his terms. My father at this point died once while receiving radiation therapy. His heart stopped and was revived. When he woke up angry and violent towards at the medical team. He yelled at my mom that he was ready to "go". So, after that incident he got the right person to sign him up for his new journey to his death.
That was a weird way of telling you what palliative care is, but that's how I found out and understood that he had a "DNR" to his name after that incident. Sometimes he was in a hospice home for a few months to give us a break at home dealing with his drama.
My Dad was surrounded by death, so it made me really research death and dying very deeply. I was afraid for anyone to see the books I read because they were about taboo topics you shouldn't see a teenager obsessing over. Death and dying, crossing over, letting go of loved ones, suicide survivors, decomposition of human remains, the death process, how a body is embalmed, what medical examiners while cutting open a corpse.
Then I got into the spiritual side of things that involve the devil and crossing over. How to avoid walking back towards hell when you are deceived by dark forces. How to fight your inner hell and not be trapped in that mindset when you are passing away.
I would have the craziest dreams after learning about these topics. But in a weird way, all I wanted to do was sleep to escape my reality. I would talk to my Dad about the stuff I found about those topics and it helped him be closer to me as a father. Something my little brother doesn't understand and ridiculed about me when he criticized my relationship with him. He had his own way to being with Dad, but my way, was with deeper meaning and serious topics. Stuff only Dad and I knew what that meant. It wasn't supposed to make sense to my mom or brother the special talks we had when he was in pain laying in bed.
I showed my Dad the other side to life....
I helped my Dad not be afraid to die, and do it with dignity and strength.
I helped my Dad understand that his addictions didn't ruin our connection as father and daughter and that I wanted to forgive him for his past before he died. He really appreciated my understanding that the drugs turned him into a different person, but inside of him, God was always there. My father told me, because of me, I allowed him to find love for God again and he was closer to his Mom because I showed him to not be afraid of my friend Suz.
That my friend wasn't evil and she taught me so much about angels and spirits, he was learning about them because I had the best mentor in the world. She helped me find my relationship with my Dad, that brought me to be closer to God and because I learned about God in a metaphysical way, I helped myself grow in my own understanding to where I wasn't going to end my life.
I found a reason to live even through the pain of watching the enemy run through my family and take away everyone and everything that means something to me.....
(I would like to post this, but I know it's not ready. I have so much to say and I know my story will help someone else not be afraid.)
I am still writing my story.
This is the book I was supposed to write about....
The one about death and dying.
Not about my background in psychology.
*That is a message for someone else. hint hint... That is your topic to write about. I hope you receive that message with understanding and go forth wisely. You asked me to remind you, so I am, quietly...
I am working with others in a way the Lord leads me.
It takes up my energy from writing and I have to prioritize what is more important. When it comes to someone's transition. I feel led to help someone cross over. I've done this since I was a child. No one taught me to understand how I do this. I also dream about meeting certain individuals and speak to them about life and death, God allows me to remember my dreams and I share them with the people it is about.
Most times, God will send people to talk to me and then I learn about them dying or having a terminal illness that is difficult to get through. That is where I am reminded of my life with my father and my jobs in the medical field and bring up all that I learned about death, dying, spirituality, religion, crossing over, eastern medicine, etc....
Then I become friends, or we have nice conversations that are very engaging and healing in general. I am later told that I have helped them in some way and they are happy to have met me. Then my dad shows up in my presence and shows me how I am doing what I am supposed to and to trust my gut feelings from now on. He promised me when he was alive, he was always going to be by my side and teach me about life.
Now I finally understand what he meant by that and I now that I know how to
"Listen with my HEART"
That is how he spoke to his mom before he crossed over. I taught him how and he was able to go deeper with it since his soul was ascending and leaving the physical body. The dream state plays a big part of crossing over and communicating with loved ones. That is where my gifts come into play. I am sensitive enough to feel him and learn his lessons that he encourages me to write it all down.
I'm not the writer I wish to become yet, but as long as it's getting out there for someone to find, that's all that matters.
Don't forget to realize that we are all dying. Don't allow your diagnosis or reality to have you feel stuck in misery until you die. Don't allow the pain and confusion to stop you from gaining understanding to the karma you're experiencing.Being a medium for me has been traumatizing, because I had to earn my way to understanding. I had to experience hell in order to seek solitude and want to create peace with my sanity and not let the forces around me cause me to go insane. I went "within" so I can heal my trauma and know what triggers me to thinking about the negative side to things.
That is all the enemy fighting with you spiritually.
When we die, we lose our vessel, not our spirit.
We are the spirit having the human experience.
This isn't forever.
Thank God for that!
Pain does end, but learn what the pain wants to teach you about life around you. You will help someone else with your story when you're meant to cross paths.
Everyone in your life is there to teach you something.
Are you ready for the lesson?
Are you ready to understand your lesson?
So, it's crazy how I end up writing these posts, but they are all for a reason that I don't understand right now, but I'm doing as I'm told.
I'm not afraid of death, I'm not afraid of anyone stalking me because I speak of life in a way no one else has, because this is my story.
I don't know why I wrote it this way before I got here.
My destiny, I mean.....
I know my purpose now and of all the things I pushed away in my life, God forced me to go back into it and learn more about myself. The things I didn't want to face and be reminded about my Dad.... I just want to live my life in peace. I didn't want to think about my past love, but I meet people that remind me of my life back home and that person in particular.....
So, it's all hitting at once. It's a slow process, my father has been gone for 11 years now. I'm getting the hang of it now...... Writing this isn't a race for me, the lessons are exciting to finally understand why I went through them, but again.... Time helps me explain things better when I see it in a different perspective. I couldn't have accomplished that goal until I went through the pain and worked on my character to change my outcomes to my problems. I had to change myself first.
I hope those that are part of this journey with me understand that I am only putting out there tools to help them succeed.
I'm not going out of my way to create another trauma bond or narcissistic injury towards anyone. I love them very much and I want them to work on themselves and gain abundance correctly, not with the use of black magic and occult practices.
That's another story for another day. Suz wants them to know that she was in my life to warn me about my lessons in my future, but I can't run from them. I am here to learn lessons and teach others how to learn theirs.
That's all this is about.
Life is a stage, how do you want to play it?
I choose to grow and allow myself to see the positive to where I feel the emotion of bliss, love, joy and acceptance of all things coexisting together.
I be back soon,
I hope you have a nice weekend.
<3,
Tina,

Hello all, below are a selection of letters sent from, to, and about J. R. R. Tolkien in the week of 13 to 19 May. (Links lead to our 'On This Day' page where you can search all dates and see other letters on any day.)
13 May
JRRT to C.A. Furth (at George Allen & Unwin) 13 May 1937 - Tolkien writes, offering his thoughts on a potential publication of The Hobbit in the US. He says that he can produce the illustrations requested or if they prefer, they can contract another artist for the work. He does however say that he would want to veto anything that is too alike to a Disney style.
JRRT to Rayner Unwin (at George Allen & Unwin) 13 May 1954 - Tolkien expresses his pleasure at the opinions of The Lord of the Rings. He is not pleased with the Houghton Mifflin edition for the USA market and offers some suggestions to improve it.
JRRT to Joy Hill (at George Allen & Unwin) - 13 May 1966 - Writing to his secretary, Tolkien thanks her for the packets sent to him. He would like a ticket for a Donald Swann concert and notes that he will not send anything to be used in the Tolkien Reader. He notes that The Homecoming of Beorhtnoth would be much more suited to a collected volume than anything connected to The Lord of the Rings, which had been suggested by Stanley Unwin.
14 May
G.B. Smith to JRRT ?14 May 1915 - Smith writes to Tolkien asking him to send his poem, 'Goblin Feet' to the editor of Oxford Poetry, 1915.
Christopher Wiseman to JRRT 19 May 1917 - Wiseman returns manuscripts of G.B. Smith's poetry to Tolkien.
JRRT to Christopher Tolkien 14 May 1944 - Writing to his son Christopher, Tolkien gives updates on The Lord of the Rings among other happenings. He has heard C.S. Lewis reading from some chapters of his work, The Great Divorce.
JRRT to Joy Hill (at George Allen & Unwin) 14 May 1962 - Tolkien sends corrected proofs for The Adventures of Tom Bombadil.
JRRT to Jonathan Wordsworth 14 May 1972 - Tolkien writes to Wordsworth accepting an invitation to dine with 'The Society', an Oxford Dining club.
15 May
JRRT to Florence Williams (wife of Charles Williams) 15 May 1945 - Tolkien writes expresses his sympathy to Florence and her son on the death of Charles Williams.
George S. Gordon to Kenneth Sisam 15 May 1924 - Tolkien's co-editor on the Clarendon Chauver writes to Kenneth Sisam to say that Tolkien has agreed to retire from the project.
16 May
JRRT to Rayner Unwin (at George Allen & Unwin) 16 May 1958 - Tolkien gives Rayner Unwin an update on his health, namely after some dental issues. he notes that he has not been able to work on the matter of the Zimmerman Lord of the Rings movie but includes some commentary.
Edith Tolkien to Alan Rook 16 May 1939 - Edith writes to Alan Rook, a student from Oxford, inviting him to the Tolkien's home at the weekend.
17 May
JRRT to H.S. Bennet 17 May 1954 - Tolkien writes on C.S. Lewis' proposed move to Cambridge.
JRRT to David Best 17 May 1967 - Tolkien replies to a fan who had written to Tolkien, including a version of Tom Bombadil written in English runes.
18 May
JRRT to Robert Theodore Meyer 18 May 1972 - Tolkien writes, declining a request to be interviewed.
Henry Willink to JRRT 18 May 1949 - Willink gives Tolkien an update on his wifes ill-health. he also remarks on his admiration and appreciation for The Hobbit.
19 May
JRRT to Miss Turnbull 19 May 1955 - Tolkien thanks Miss Turnbull for a gift and says that he at last sent proofs for The Return of The King to his publisher.
JRRT to Dr. Zettersten 19 May 1959 - Tolkien writes, remarking that Ancrene Wisse is now at the press and publication will depend on hwo quickly he can return the proofs.
Tags on the letters above include The Hobbit, Illustrations, US publishing, The Lord of the Rings, C.S. Lewis, Fæder his suna, The Adventures of Tom Bombadil, Oxford University, Poetry, World War I, Catholocism, Charles Williams, Clarendon Chaucer, George S. Gordon, The Lord of the Rings movie, Runes, The Return of the King, Ancrene Wisse, Health, A Spring Harvest.

So would I be considered an A-hole if I told this girl who rejected me a year ago to go kick rocks after what she did?
We became really close friends after three years of working for a social media giant as content moderators. Since I was her senior, I helped her out a lot with the policies, and she also in turn helped me become more sociable as I am a high functioning autistic person, and she has social anxiety disorder, since she doesn't have money, I supported her by paying for her acidity therapies and SAD therapies, where she borrowed some money from me.
I also helped her with dieting, and going to the gym, since she has an unhealthy bodyweight.
I thought our feelings are mutual and I confessed she said no, and I told her I hoped you find a man who loves you more than myself and I moved away from her for about a week ( no more talking, no more reading books, or exchanging letters), and she left messages saying a LJBF spiel, which I said no to a lot I also told her that I would not pay for her therapy anymore because I need to be far away from her as it ruins the chance of me moving on she said okay, but kept asking me time and time again for money, because she likes this new guy, and they went to a beach with her friends and team mates so I didn't lend her anymore, and cried when I found out she didn't attend the last therapy I booked and refunded the money to buy him reebok shoes.
She has called me multiple times to try and become friends again after this bad rejection and falling out because she spoke badly of me to her friends and when I heard that they were laughing at me, calling me names like stalker, maniac, and ugl and autistic, also and using the system data to stalk my profile because I unfollowed and I blocked her from all of my social media pages. She also threw away a bouquet we bought for her mother, her meds for her stomach ulcer, and the tablet and nicholas spark book I bought for her at fully booked.
I was angry and yelled at her, and told her to never contact me again.
I found out that our close friends were influencing her decision to date that other fellow, who was applying for the position I had and they made up stories of me harassing her and they were close with our female boss who believed them, She even said she vomits at the sight of me, and gets sick when she hears my name seriously I never talked to them again, and when our boss chose the guy she likes for promotion as team lead for the Insights project, I left the job in disgust because I was actually the one contributing to our account with awards and insights for four years, and improving their policies I even got a Eureka award but nothing came out of it because they gave him the project I worked hard for 4 months and I didn't get the LEAN certification, since it was awarded to that dude.
Then yesterday, She then became really apologetic and wanted to repair the damage, but I don't want to be friends and develop any feelings for her again. The company also gave me another job offer after I resigned but I don't want to return there anymore due to bad memories, and people backstabbing me, especially the one I thought who loved me.
I gave her an e-book of the poems she asked me for her birthday and blocked her again and all our mutual friends, because she contacts me through them. I also made mention that this would be the last time I'm ever speaking with her.
She made a new insta and initiated a follow but i blocked it. She left a voicemail crying about this and she wants to see me and talk things out, but I don't want to be reminded of her because I feel that she's plotting something again and I trust my instincts. I felt used, but I can't stand the sight of a loved one crying over the phone, since it triggers me and it has never happened before.
I don't want to go back to that job so I don't meet her again, but I'm out of money and destitute as my mother retired and my father is busy with our farm, so I'm all alone in the city and need the job again since there's no boxing fights right now I can join the card so what should I do? Do I go back to the same company who used me and threw me away like nothing.

Thanks to Scott Burke for pointing out this Doka ("poem/song of the way") by Morihei Ueshiba that appeared in "Aikibudo o Kiku", from Shin Budo Magazine, October 1941.
Aikibudo o Kiku - 1941
”惟神光と熱の合気道, 世をば清めん八紘の玉”
Kannagara hikari to netsu no Aikidō, Yo wo ba kiyomen, Hakkō no tama
Aikido,
The Light and Heat of Kannagara,
Jewel of the Eight Directions,
Purifies the World.
Briefly, "Kannagara" refers to the "Way of the Gods", a metaphorical reference Morihei Ueshiba often used to refer to the interaction of Yin and Yang.
The interaction of Yin and Yang creates heat and light - a reference to the creation of internal power - martial power.
The "jewel" is a term that Morihei Ueshiba often used to refer to the Dantian - so, the interaction of Yin and Yang here creates internal power, martial, physical power through the Dantian.
What about the last section about the eight directions? Well, here we see, once again, Morihei Ueshiba's fondness for multiple layers of meaning.
In one layer we see that he is saying that the interaction of Yin and Yang creates internal power, martial power, physical power, through the Dantian, expressed in all directions through the body.
But that's not all! Yin/Yang and Heaven-Earth-Man cosmologies in China and Japan were commonly seen as kind of "universal field theories" that explained physical theories of martial body usage, mental theories of psychological balance, health oriented theories, and socio-politically oriented theories.
Here Morihei Ueshiba uses the Kanji for "Eight Cords", in reference to "Hakko Ichiu", the Japanese political slogan meaning the divine right of the Empire of Japan to "unify the eight corners of the world.", a slogan that formed the basis of the empire's ideology. It was popularized in a speech by Prime Minister Fumimaro Konoe, Morihei Ueshiba's patron and student, on January 8, 1940. Konoe was also on the board of directors of Morihei Ueshiba's Kobukai organization, the predecessor for the modern Aikikai.
In other words, there was another layer of meaning, in which Aikido was meant to be a process through which one worked to purify the world in order to unite it in a ultra-nationalist right wing Empire under the aegis of Japan and the Japanese imperial family.
Ellis Amdur referred to this concept in "Hidden in Plain Sight":
"Ueshiba saw himself as a kind of avatar, instrumental in ushering in a golden age of redemption, the unification of Heaven, Earth, and Man. To a considerable degree, he was unconcerned about whether others became avatars like himself. He regarded aikidō practitioners as living out their fate as appointed by their ‘chief guardian deity,’ doing the work of the ‘spiritual proletariat,’ accumulating merit and energy through aikidō practice, just as the followers of the Byakkokai did by prayer, while Goi, another avatar, did the hard work."
Morihei Ueshiba restated this basic idea in 1960:
合気道は宇宙万世一系の大いなる道なり。
"Aikido is the Great Way of the Universal Bansei Ikkei."

• Morihei Ueshiba in the "Takemusu Aiki" lectures, 1958~1961

"Bansei Ikkei" is the "unbroken Japanese Imperial line", and here Morihei Ueshiba again refers to one of his primary goals for Aikido, expressed both before and after the war, as a way towards establishing a "paradise on Earth" - in other words (as he would say elsewhere in the same post-war lectures), a right-wing ultra-nationalist religious utopia under the aegis of the Japanese empire.
One last thing - notice the interesting use of the word "Aikido"? The Aikikai states that the name "Aikido" was adopted in 1942. Minoru Hirai, who often claims credit for the implementation of the name through his work with Dai Nippon Butokukai, also stated that this occurred in 1942. But here we see that the phrase was actually in use somewhat earlier, concurrent with "Aiki Budo" (as in the title of the article).
This persisted after the war, as recounted by Hiroshi Tada:
"GuillaumeErard.com: When you started, was it already called "Aikido"?
Tada Hiroshi: When I was admitted it was not called that yet, it was called “Aiki-Budo”. There was no official name. "
Morihei Ueshiba himself stated in a post-war interview that the name "Aikido" was adopted some time after the war, at the suggestion of an official from the Ministry of Education, which throws another issue on the pile.
What does the naming mean? Likely, much less than many people think. It's common to read significant meaning into name changes, but the name of Morihei Ueshiba's art changed many times over the years, primarily, it seems, due to the influence of parties...other than Morihei Ueshiba, who was, as far as I can tell, massively disinterested in what the art was actually called.

Naturally, I came to know Orwell with 1984, which I read roughly three years ago in a Russian translation. I was at my humble beggining in discovering literature, and the book impressed me chiefly trough its deep theoretical base, the atmosphere of utter lack of hope and ingenious terms such as 'doublethink' - anyway, you probably know what I am talking about
Yet it was only much later that I read his other literary works - namely, those indicated in the title. There, I discovered Orwell as a great analytic of human psychology, an inventive storyteller. Both novels have a bleak atmosphere with a bit of dark humor and somewhat foreshadow themes that would appear in 1984.
In Keep the Aspidistra Flying, Orwell depicts a peculiar intellectual named Gordon Constock, almost thirty and "already moth-eaten." The gist is that he refused his status and prospects of a "good job" in order to avoid being subservient to "the Money God" - that is, he lowers himself on the social scale, living in self-imposed penury, working in a bookshop. Generally, this Gordon would seem like an off-putting person, constantly frustrated, whining and complaining, raving about the 'end of civilization', a little bit sexist, and a great deal pessimist. The reader is plunged into his interior monologue and obsessive thoughts, which are captivating to follow. The plot revolves around his fight with the Consumerist system - however, as you might have guessed, he is not a valliant knight in shining armor, but rather a vain nihilist with questionable worldview. This affects the relationship with other characters - his friend Ravelstorm (a self-proclaimed Marxist, who is distracted from thougths about the rough conditiond of the Proletariat by the soft appearance of his mistress), his self-abnegating sister Julia, etc. Also, Gordon tries to write poetry - and one of the poems is gradually 'conceived' throughout the novel, containing his impressions and emotions in a self-piteous, frustrated style - with quite a decent result I'd say. Besides, Orwell realistically describes some unpleasant aspects of London's life through the protagonist's actions: slums, squalor, drunkenness, and prostitution. Per general, a great read!
On the other hand, 'Coming up for air' describes a character who is an organic part of the system - a middle-aged clerk from a London's suburb, on the surface - a typical lower-middle-class and a family man, called George Bowling. The novel is written entirely through his perspective and keeps a rather melancholic tone. The narrator, with a rueful humor, talks a bit about himself, expressing a dissatisfaction with his menial life, yet remaining fatalistic about it. Then he starts an 80-or-so pages description of his pre-WW1 life and memories from a small town - and, frankly, it stirred my interest, being related in a vivid language. His rustic life is placed in contrast with the modern, after-war existence. This leads to nostalgia, and basically, the plot of the novel consists of an attempt to chase this feeling, to make it come true, to revive what has been long forgotten. The novel (published some months before the WW2) contains a distinct feeling of uncertainty, fear, and anguish about the future, expressed in various instances. The narrator asks himself what would become if the war starts - if the bombers arrive - which, as he thinks, will happen in 1941. But he fears not the destruction itself, but what would come after the pains of war - a new world of "rubber truncheons", slogans, suppression, hate. Something that Orwell will describe 11 years later in '1984'.
Overall, I think both books are worth reading. However, you have to expect that the protagonists - Gordon Comstock and George Bowling - might not be quite prepossesing.

By popular demand, I guess...
I was kinda just being a smart-ass, but some of you wanted more so here it is: epilogues for every NPC as if they didn't continue to travel with Gorion's Ward and instead just decided to live their own life. Obviously, there are some implied alignment changes here.
This turned out to be longer than I expected and I kinda just threw it all together while I was working. Please excuse any typos or sloppy writing.
I want to apologize for one thing, though. Viconia's epilogue really only works if GW is a male, so I had to make that assumption for the sake of her story. If it matters any, I easily play just as many female GWs as I do male GWs. In fact, I probably play more female GWs because I don't care for the romances, frequently play the canon party, and want to nip the lame Jah romance in the bud.
But, to have them all in one place, I included my original smart-ass epilogues with the additional ones I created. Now, every character from BG1 and BG2 has an epilogue. I don't have the EE characters, though, because I play the original games and don't really know them.
So, just for funsies, which one is your favorite and why?
"Anomen continued to wait at the Copper Coronet for a party of adventurers willing to travel with him. Maybe it was the grating sound of his voice, or perhaps the way he leered at women, but he continued to remain alone. Eventually, he needed to find work to make ends meet. With Gorion's Ward having disbanded the slave traders and pit fights, Hendak had to find a new form of entertainment for the patrons. As such, he invented an all male review ladies night, and Anomen found work as a 'dancer'. He left the Most Noble Order of the Radiant Heart to join the less noble order of the pole. He also renounced his faith to Helm and instead allied himself with Waukeen because if you wanna see some groin, you gotta have some coin."
"Despite Gorion's Ward clearing the trolls from her keep, Nalia was not able to reclaim her lands and instead lost her estate to Lord Roenall. The lord offered to let her retain residence in her family's ancestral home, but only in exchange for her hand in marriage. Nalia found the proposition to be repugnant. Instead, she salvaged whatever wealth she could from her family's keep and moved to Athkatla to start a new life. She no longer helped the less fortunate, as she was now among their numbers and had her own problems. Nalia's lack of any practical skills combined with her sense of entitlement sent her into a life of failure followed by drinking and debauchery. She now spends more time back at the Copper Coronet than anywhere else. It is hard to say where she squanders her wealth more, the alcohol, or on the dancers during Ladies Night."
"After the incident with the Planar Sphere, Valygar was finally free of his past, could retire to his cabin, and pursue his true passion: writing. Ironically, the only inspiration he found ended up stemming from his family's checkered past. Valygar's only works that even had middling success were 'Tuesdays with Lavok' and 'Dude, Where's My Planar Sphere', with the latter being made into a production at the Five Flagoons Theater."
"Haer'Dalis continued to work as a performer at the Five Flagoons Theater. Unfortunately, it struggled due to poor management. It might have turned out better if an outside agent with fresh ideas had stepped in, but Gorion's Ward had better things to do than be a bard. While the work was generally steady, the returns were not great and the material was a little low-brow for Haer'Dalis' liking. The tiefling realized he reached rock bottom when he was cast as the lead in a play about a buffoon who apparently lost a plane-shifting apparatus the size of a small castle and had to find it before his parents returned from Neverwinter. After the opening night, he took his own life in his dressing room. His body was found the next morning with a note saying, 'Art is dead and I am art, so I shall join art in death.' Biff the Understudy stepped in for Haer'Dalis despite never having an opportunity to read the script. Nevertheless, the production was a resounding success and launched Biff's career to new heights."
“A heartbroken Garrick found work as a character actor at the Five Flagoons Theater, but eventually gained more success as a writer and director. He found it to be a mostly agreeable situation, aside from a tiefling primadonna who would constantly belittle his work and call it ”trite" and “drivel”. Fortunately, that situation worked itself out in time and Garrick found Biff to be much easier to direct. With the tiefling gone, his ideas had room to grow. He invented a new kind of love story, one where the protagonist doesn't always get the girl at the end but the journey to that ending would be quite amusing. He labeled this genre “the Comedy of Romance” and the works were mostly based on his own life. His plays were quite popular among the commoners, with his top selling shows being 'Sleepless in Saradush', 'Silverymoon Linings Playbook', and 'Crazy Rich Aasimars'. He eventually fully transitioned off the stage into the director's chair. By the peak of his fame, he was married to none other than Queen Ellesime."
“Aerie continued to work at the circus and WOULD NOT SHUT UP ABOUT HER DAMN WINGS. Even Quayle eventually grew sick of hearing about it. This put strain on their relationship. Things took a turn for the better when Ribald Barterman acquired a new curiosity for his shop. It was a magical ring which he sold to Quayle at a reduced rate out of sympathy. This ”treasure" was actually a cursed Ring of Deafness, which Quayle found to be anything but a curse and wore it for the rest of his days."
“Xzar and Montaron were both slain at the hands of the Athkatla Harpers, but this is actually where their story begins. Xzar, as he had done so many times before, had a backup plan of an arcane nature should death befall either he or the halfling. Their mortal essences were pulled to a pocket plane he created. There they could be channeled into restored bodies cloned at his estate. With this particular round of ritual, Xzar had incidentally made a slight error in the incantation and the two found themselves in a time suspended state in Xzar's pocket plane. It was only five minutes for the rest of the world, but it was fifty years for them. This turned out to be a pivot point in their relationship. Having only each other's company in this shadowy void, they were finally able to work out their feelings for each other. When they had returned to the prime material plane, they discovered their mutual animosity was replaced with love. Rather than pick up their life where they left off with the Zhentarim, they decided to pack it all in, moved to Bryn Shander, and start a bed and breakfast. Montaron rediscovered his halfling roots and love for the culinary arts while Xzar would perform seances to connect guests with their late loved ones. Scones and Bones became an overnight success and was consistently listed as a “must see” in Volo's travel guides. In their golden years, the couple co-wrote a memoir of their journey, ‘Brokeback Montaron’, which is sold in bookstores everywhere."
“After briefly crossing paths with Gorion's Ward, Mazzy Fentan continued her crusade as a de facto halfling paladin. She eventually found herself petitioning for membership at the Most Noble Order of the Radiant Heart in Athkatla after she had singlehandedly saved a village from an ancient dracolich. Despite the extent of her virtue and accomplishment, her petition was denied on the basis that halflings could not possibly be real paladins. This inspired her next crusade, one to break down vocational barriers for all demihuman races. Why couldn't halflings be paladins or dwarves be wizards? And why did gnomes always have to be illusionists? It simply made no goddamn sense. She began to get traction with her quest when she attended lectures by the wizards of the (sword) coast in Candlekeep. With their help, she ushered Faerun into a new edition era where there would be no vocational barriers for adventurers based on their race. Soon, the world began to see roguish halflings that also venerated Helm, while tending to the wilds as a druid. Half-orc bards also studied as wizards while manifesting natural arcane abilities as sorcerers. Tiefling paladins took their crusades to the wilderness and served as rangers, while sidelining as clergy to Mystra. The world was now a liberated place, free to not make any goddamn sense in a myriad of new ways. At one point, Lady Mazzy Fentan of Trademeet (now formally a paladin) crossed paths with a dwarven shadowdancebard and in that moment she regretted everything. Seriously, just take a moment and picture that. It would look fucking ridiculous.”
“Yeslick's clanhome was flooded once again. Despondent and without options, he took work at a smithy in Baldur's Gate but never stopped dreaming of finding both a clan and a home. He found a way to bring this dream to life after a courageous halfling paladin broke down the barriers for, among other things, dwarves to be wizards. Yeslick had an idea. He studied magic diligently until he was able to cast two spells of great importance: Water Breathing and Permanence. He then searched the lands for other clanless dwarves who would be willing to try something new. With the new clan he formed, Yeslick permanently gave all his fellow clansman the ability to breath underwater. They then moved into the flooded Cloakwood Mines and built the first underwater dwarven stronghold. Using his arcane powers, Yeslick also developed the ability to speak with the marine life that shared this stronghold. And, with that, the clan Aquadwarf was born. At one point, Valygar visited and wrote a play based on Yeslick's story. However, he couldn't even get it to stage at the Five Flagoons Theater. The illustrious director Garrick was quoted as saying, “A hero that can breath underwater and talk to fish? Nobody would go for that!"
“Keldorn finally retired from the Most Noble Order of the Radiant Heart and looked forward to a much simpler life. He rekindled his marriage with Lady Maria and life seemed to improve. It was rather early on when the couple discovered that Maria had become pregnant again. It was also not long after that when Peony, the housekeeper, also became pregnant. Maria started to ask Keldorn about this, but Keldorn started to get defensive and asked, ”Hey, who's the Inquisitor here?" Then Keldorn started to do the math with her to track the conception of Maria's pregnancy. She certainly did not want him to get to the end of that equation, so she quickly changed the subject. She suggested getting a new maid, but Keldorn chastised her for abandoning someone in their time of need who had been like family for years. He forbade Peony's departure claiming that his god, Torm, would not stand for it. Maria then made a passive aggressive comment about Torm being the god of loyalty, but she was mostly just muttering under her breath to get the last word in. Eventually, both children were born and had probably the most awkward upbringing of anyone in Faerun."
“After Gorion's Ward helped Coran take down a wyvern, the rogue brought the beast's head back to the mayor of Beregost for the reward and accolades. He thought this put him in a position to be a hero of great renown and perhaps, just maybe, people would stop mocking him for his flashy attire and completely superfluous eye mask. They didn't. He only gained acceptance when he crossed paths with a ranger who seemed indifferent towards Coran's keen fashion sense. Coran traveled the Sword Coast with his ranger sidekick, righting the wrongs against the ‘little guy’ and taking the law into their own hands when needed. This partnership dissolved when he discovered that the ranger thought Coran was the sidekick. As if! Coran tried to correct the ranger, whose argument was, 'Really, man, if that outfit doesn't scream sidekick then I'm Elminster's twin brother.' The ranger was not related to Elminster and shared no resemblance.
“Kivan never was able to get his revenge on Tazok. Unbeknownst to him, that honor was taken by Gorion's Ward. His thirst for vengeance continued to eat away at him until he found himself in a bat infested cave in the wilderness. It was then he snapped. He turned the cave into his secret hideaway, put together a disguise and started wandering the sword coast looking for evil-doers to punish. He would leave his calling card wherever he saved the day, a token of a bat with longer ears like an elf. And bats already had rather long ears so these bat ears were almost comically obtrusive. Nevertheless, his deeds were generally appreciated and the people stared calling him Bat-elf. For a short spell, another elf tagged along with him and tried to help, but he was so flamboyantly dressed that one could pick his sidekick out of the shadows blindfolded. Kivan eventually had to send him on his way. Unfortunately, his vigilante crusade abruptly ended after receiving a cease and decist order from DC Comics. Kivan could fight both monster and marauder all day, but his 14 Constitution wouldn't hold up against a lawsuit for trademark infringement.”
“Skie was deeply affected by both the death of her brother and the assassination of her father. And yes, her father was actually murdered and didn't lol-jk back to life in some crappy DLC. In any event, through these traumas, she came to realize the puerility of what she thought was her brilliant criminal masterminding. Instead, she decided to settle down and live a more responsible life as an upstanding citizen of Baldur's Gate. She took the reins of her father's estate after his death and rose to prominence as one of the Grand Dukes of the city. She maintained her relationship with Eldoth for quite some time, inexplicably, as he refused to get a job because he didn't want to take attention from his band which he swore was going to make it. However, the bard spent most of the day either lounging at Skie’s estate or gambling away his allowance with games of three-dragon-ante at the Helm and Cloak. Eventually, inspired by the book “Men Are From Menzoberranzan, Women Are From Immilmar," she decided to call it quits with Eldoth and sent him packing. Shortly thereafter, she met a man who was nothing like Eldoth and they settled down together to start a family."
“Eldoth's dreams of being a world-famous musician fronting the greatest band in Faerun never reached fruition. This was partly because he didn't actually have a band and partly because he didn't have the talent to write music. Instead, he just had a lute he purchased at Lucky Aello's Discount Store that only had one A-string and was missing the E-string. Also, Eldoth could only play power chords and he couldn't really sing and play at the same time. Most of the time he would just strum a chord or two and then talk about what the song would do next, often describing a solo and half playing it on an ”air lute" (while he was still holding an actual lute, mind you) to give people the idea as to how the song would sound when it was finally written. Yeah, he was one of those guys. After Skie kicked him to the curb, he bounced between various barmaids who clearly had low self-esteem, but not low enough to keep him around for long. Eventually, he got one of them pregnant and was forced into a shotgun wedding by the barmaid's father. He now works in the kitchen at the same inn as his barmaid wife. She helps the customers up front and he cooks eggs in the back. Eldoth continues to tell himself that this experience will just provide inspiration for his music and that someday he was going to get the band back together."
“After being rescued by Gorion's Ward, Xan made his way to Baldur's Gate to regroup. He spent an inordinate amount of time beating himself up over his failures and trying to muster the gumption to continue his quest to unravel the political turmoil of the region. However, it took him months to get to this point, and by that time, Gorion's Ward already sorted out the problems in the region. Discovering this, he deemed himself a failure yet again and sunk into a deeper depression. He pulled himself out of it when he met a woman who lost most of her family to violent deaths during the iron crisis, yet she still kept herself together and became a local success in a few short years. Xan immediately fell in love with the recently single Skie Silvershield and began to court her. They eventually married and started a family. At Xan's insistence, and inspired by his wife's name, their two daughters were named Sunshine and Rainbow. Xan was a staunch supporter of his wife's career and stayed home to raise the kids. When they were older and needed less attending, he followed a new dream and became a motivational speaker.”
“Korgan had his revenge against his backstabbing crew and employer, but he felt...empty. It was done, but he felt no satisfaction. Disgruntled and disappointed, he decided to lose himself in his cups at the Copper Coronet. Even this did nothing to alleviate his malaise. One night, having passed out drunk in a peasant room at the Copper Coronet, he dreamt of that final fight but something was different. In the background of the battle, there was a glow coming from the door of a shack and he heard the whispering of a language that sounded like it was from Kara-Tur. When he woke the next morning, Korgan returned to the rooftop and found the shack from his dream. He knocked and was greeted by a priest of Illmater. Korgan told the priest of his dream and he was led into the backroom where he found a man from Kara-Tur infirm and huddled over a cup of tea. The priest explained that he had just reincarnated this man of the faith using a heart delivered by a passing adventurer. Korgan took this as a sign, converted to the faith, and the two paired up to help those in suffering as a result of the schemes of others. The tales of Korgan and Yoshimo were not only told in many of a tavern by the bards, but also collected in graphic serials that were popular among the children of Athkatla.”
“Ajantis' death sent him into an afterlife at Everwatch, the realm of Helm. For his honor and diligence, the devout knight was granted an audience with his patron. Ajantis then told Helm what utter bullshit the god was. I mean, c'mon, he's the god of protection, the Vigilant One, and he couldn't protect a group of knights from a dragon's cheap illusion spell that a mage even tried to dispel with True Sight? It was like Helm wasn't even trying. Helm was stunned by the confrontation but also had no valid defense. Ajantis called Helm to a trial that was mediated by Tyr. After careful deliberation, Tyr determined that Helm was sleeping on the job and the judgment was to demote him to a lesser deity. Now, Helm was the patron of guards, but not actual guards that ever see action, just the ceremonial ones whose weapons and armor are super shiny and probably not even real. Ajantis was then granted Helm's old portfolio and became a god that truly protected his followers.”
“Viconia left Athkatla's government district perplexed. She was rescued from burning at the stake by Gorion's Ward and then immediately dismissed. She found this to be unusual behavior for a male. She was accustomed to men either trying to bed her or kill her, but this casual indifference was completely new. Viconia came to be obsessed with Gorion's Ward from a distance. She spiraled into a fantasy where the two of them had a future together. It was pretty bad. There were some extremely embarrassing vision boards involved and that wasn't even the worst of it. When her mania reached critical mass, her obsession actually collapsed and she had an epiphany. She came to realize that she did not need this man, or any for that matter. She started on a journey of self discovery and took a moral inventory of her past relationships. She wrote about it in the book, “Men Are From Menzoberranzan, Women Are From Immilmar”. She then used the revenue from the book sales to open Athkatla's first feminist bookstore. In Her Words became a mecca for women, particularly those who felt trapped in bad relationships. The community that emerged here created the group, Friends of Galia, which strove to free women from abusive relationships. Eventually, the bookstore expanded to include an apartment block above that became a shelter for such women. Occasionally, the partners of these victims would come around to In Her Words in an attempt to drag their partners back home. You can probably guess how a confrontation between a drunken 0-level commoner and a Drow priestess of Shar ends."
“Faldorn was defeated by Jaheira in Trademeet and lost her title of Arch-Druid. In truth, she was relieved to be relieved of the position. Years of pushing forward the Shadow Druid agenda led Faldorn to realize that she had lost touch with the real Faldorn along the way. After some soul-searching, she reinvented herself as a lifestyle guru and developed an entire line of organic health and beauty products under the name, She-Wolf. Both her products and seminars were all the rage in Athkatla, specifically among noblewomen who clearly had too much free time. Faldorn eventually gave up her residence in natural environs for a lavish estate in Athkatla's government district. Her following soon pressured her to petition to join the Council of Six after the fall of the Cowled Wizards left the position open (aside from a short-term replacement). Her petition was a success and she soon found herself on the Council of Six. Under her leadership, she created created the FDAA, the Food and Drink Association of Athkatla. Now, instead of draconian rules governing magic in the city, equally restrictive rules and standards were applied to the food and drink that the people consumed.”
“Barely surviving being gravely wounded by Irenicus, Tiax left Spellhold for Athkatla where he intended to do what he did best: rule. Learning from his past campaign mistakes in Baldur's Gate, he changed his slogan from ”Tiax Rules!" to “Make Athkatla Great Again”. Of course, what he thought would make Athkatla great was putting himself in charge as a despotic leader. But, he toned down that aspect of his platform and instead focused on the history of scheming and backroom dealing of the Cowled Wizards (as if he was any less evil or scheming) and promised the people he would be different than all the other corrupt politicians. Miraculously, despite his obviously apparent character flaws, he succeeded in replacing the Cowled Wizards' representative on the Council of Six. He decided to take their stance on restrictive magic to the next level and banned magic entirely. Since he didn't study the arcane himself, it was no skin of his nose. This move undermined his support base leaving him with only the most backwards and ignorant followers. He was ultimately removed from his position when he insisted the city build a wall around the planar sphere and was expecting that the city's wizards would be the ones to pay for it. After his removal, his few remaining extreme supporters organized an invasion of the main government building under the guise of freedom of assembly. All nine of these “rebels” were rounded up, tried, and sent to prison. Tiax was convicted of treason and reincarnated in Spellhold, which was now just a common prison. After his eventual release, he was prohibited from seeking any position of power in Amn."
"Edwin Odesseiron continued to lay low with the Shadow Thieves for a while. The Cowled Wizards suffered a crippling blow as a side effect of the conflict between Gorion's Ward and Irenicus. Edwin decided to step in and finish the job. His thought was that he could wipe out the Cowled Wizard remnants and then take credit for their defeat, thereby gaining him more clout among the Red Wizards of Thay. After many conspicuous mage battles in the streets of Athkatla, he succeeded. However, the people who noticed his efforts the most were actually the people of Athkatla. They were tired of living under the Cowled Wizards' iron fist and Edwin was lauded as a liberator and hero. He even had a statue in his image raised in Waukeen's Promenade. Edwin was initially nonplussed over people finally giving him the credit he always felt he so rightfully deserved. But, he quickly came to accept their praise and bought in to being a champion for the people. Edwin continued his agenda of liberation when a clearly insane gnome who found his way on the Council of Six tried to ban magic entirely in the city. Edwin and his followers were primarily responsible for having the madman removed from his seat.
“Shar-Teel, Safana, Branwen, and Alora all happened to cross paths with each other at Elfsong one evening. Shar-Teel was looking to fight a man, Safana was looking to shag a man, Branwen was recently petrified by a man, and Alora was just excited to be somewhere new. The four got to talking with each other and, despite having wildly different personalities, seemed to hit it off. Shar-Teel was sarcastic and aggressive, Safana was self-absorbed and man-hungry, Alora was kind and sweet, and Branwen was the matriarch of the group. You wouldn't think this lot would get along, but they actually did, and their differences merely become the fuel for innocuous hi-jinks week after week.”
"With Gorion's Ward's help, Cernd was able to rescue his child that he then abandoned again at the druid grove near Trademeet. He promised that he would return to raise the child, he just needed to run to the general shop in Trademeet for some pipeweed. He never returned, but that was pretty obvious since he didn’t even smoke. Cernd continued to wander Faerun. It came to light in Cormyr that Cernd had actually married, and had children, with numerous women in Cormyr, Amn, the Sword Coast, Tethyr, Calimshan, Turmish, Halruaa, Icewind Dale, Chondath, Sembia, Impiltur, the Silver Marches, and even the Troll Hills (don't ask). Furthermore, it was discovered that Cernd was not actually a druid, just a werewolf that had a Ring of Goodberries. The druid con was so that he could have a reason to abandon his wives and children and move on to a new situation. You would be surprised at how many women could fall for a guy that can conjure an impromptu picnic in the park. Unfortunately for Cernd, Cormyr was not the kind of place to run afoul of the legal system. For the crime of bigamy, he was sentenced to life in prison. He never set foot near a druid grove again, but he was allowed to participate in a work-release program tending to the gardens of nobles.
“Kagain returned to his shop and grew even more bitter, but not over what the death of Entar Silvershield's son had done to his reputation and business. Instead, he resented that even the Enhanced Edition of the game didn't give him a remotely decent companion quest. By Moradin's hammer, Cernd even had a pretty involved companion quest and the story there both starts and ends with a deadbeat dad! Also, Kagain can regenerate! Korgan can't even do that. And another thing! He was sick of people confusing the two of them as if all dwarves look alike or something. Ok, granted, they're both old dwarves with greying beards, but Korgan's beard is tied while Kagain's beard is brushed out. Of course, none of this made sense to anyone, even to Kagain who never actually crossed paths with Cernd or Korgan. However, the dwarf had nothing to do with his time except stand in his shop, isolated and alone, until he was done in by insanity and plantar fasciitis.”
“The death of Khalid shook Jaheira to the core. She convinced herself that she could never love again, certainly not so soon after his death nor with anyone that would be a child in her eyes. That would be absurd and rather tacky. After her escape from Irenicus' prison and deposing Faldorn from the druid grove, she took over as Arch-Druid. Being a Harper just wouldn't be the same without Khalid. However, the grove would allow her to explore a new, but comfortingly familiar, phase of life. She had barely been installed as the Arch-Druid when Cernd dropped off his child and disappeared again. He did not even stay long enough to tell Jaheira the child's name. Knowing he would likely not return, she named the child Khalid after her lost love. Realizing there were other children our there without families to care for them, Jahaeira would send her subordinates to wander nearby lands and bring them to the grove for a better life. Perhaps not surprisingly, many of these children happened to be Cernd's. She eventually renamed the grove to Kinder Garden in honor of the grove's new purpose of giving these children a kinder upbringing. Jaheira's headstrong personality served her well with these lost children, who all loved her as they would any mother. The Kinder Garden became the most thriving druid grove in all of Faerun. Jaheira eventually died in 1547 DR, with hundreds of children haven been rescued in her lifetime, and a memorial was erected in her honor at the grove. The inscription read, 'Nature's Servant Awaits.'"
“After being freed from Irenicus' dungeon, Minsc put his boots on the ground at the Copper Coronet. Being the simple man that he was, he found himself unwittingly recruited into fighting in the gladiator pits (before Gorion's Ward was able to free the slaves). Yet again, Minsc took a blow to the head. But this time, its effects were something completely new. No longer was he the slow-witted evil-slaying ranger, armed to the teeth and packing a hamster. Instead, his intelligence and wisdom started to blossom and he explored, through dissertation, the impact of modern civilization on the overall ecosystem of Faerun. Indeed, before Minsc started his work, the people of Faerun didn't even have the concept of an ”ecosystem". He left Athkatla to pursue a residency at Jaheira's grove where he could study and work in peace. He published works like, “The Intersection of Geopolitics and Biodiversity: Living More but Dying Sooner”, “The Essential Symbiosis Between the Savage and Civilization”, and “Moral Urbanization: Seeking a More Comprehensive Prosperity”. Minsc continued his studies and writing and ultimately produced enough groundbreaking works to have his own annex in Candlekeep. It was shortly after the dedication of this annex that Minsc disappeared from Faerun, never to be seen again."
“Jan Jansen's fate was the most impressive of all as his endeavors shaped the very fabric of Faerun for centuries to come. His story truly serves as a moral lesson for everyone and we should heed its virtue quite seriously. Helping Lissa and Jaella planted a seed of regret in Lissa with regards to her marriage to Vaelag. Speaking of seeds, this reminds Jan of a time when he was helping his Uncle Scratchy with his turnip farm. However, Uncle Scratchy was hoodwinked and the seeds he received were actually purple carrot seeds. You can imagine Uncle Scratchy's surprise when they sprouted and he suddenly had a field of purple carrots. Well, as you probably know, you can't make turnip stew, or turnip casserole, or turnip pie with purple carrots. But it just so happened there was a mage tower nearby and the resident mage needed a vast number of carrots. Apparently, her plan was to animate them as a kind of vegetable army to combat a myconid infestation in cave system rather close to her tower. Of course, animated carrots are quite self-assured and were immune to myconoid's confusion spores. Anyway, Jan had a once-removed cousin, Bobil, that was lost in those caves when he was a young gnome. He had wandered so deep that he found himself in the den of a solitary xvart who was obsessed with a magic ring. Bobil happened to purloin that ring but it turned out to not be magic at all. However, it was still worth enough for Bobil to buy himself a nice cottage in Trademeet. He then started his own turnip farm and had better luck than Uncle Scratchy. Wait, what were we talking about, again?”
“Boo continued his mission to study the sentient life forms of Faerun and determine their potential impact on the metaverse. He preferred the continued company of Minsc due to the ranger's kindness and protectiveness. Boo found this to be quite valuable in his current miniaturized state. Even after Minsc's accident, where his intellect began to expand, Minsc never lost his good heart and inherent kindness and the two remained the best of friends. It was a number of years later that the term of Boo's mission was complete. A team of his fellow people arrived on a spelljammer to collect the giant miniaturized space hamster. Minsc (and Boo) were on a retreat in a remote part of the Neverwinter Wood when a vessel shaped like a giant acorn landed in a nearby clearing. A number of human-sized anthropomorphic hamster-like beings, who called themselves the Ysoki, emerged and met with Boo. One had a strange crystalline device which it used to restore Boo to his proper size. Minsc naturally remained composed while all this was happening. He and Boo talked often and he knew this day would be coming. Boo returned to the spelljammer with his brethren to debrief on the mission. The Ysoki wanted to bring a sample back to their homeworld for further learning and study. Boo offered Minsc for the task, as the exemplar human would fit in nicely with the Ysoki's advanced culture and society. Everyone was in agreement and made the offer to the ranger. Minsc felt like he had made every contribution he could to the people of Faerun, so he accepted and boarded the ship. Boo, excited to finally be on a spelljammer again, took the helm and plotted a course for his homeworld. At his side sat his friend and faithful companion, Minsc.”

Edit: If you are going to comment on the length of this post, please don't. This is not a simple snark but rather an actual critical think piece about feminism and Taylor Swift.

Introduction

Pertaining to Taylor Swift, "Female Rage" has deviated from its intended meaning after Swift debuted a new performance of The Tortured Poets Department during the Eras Tour. Now, according to Swift's use of the phrase, female rage is interpreted as public backlash against Swift's dating choices rather than as a response to the broader injustices against women and women's rights. This post examines Taylor Swift's flawed feminism, philanthropy, branding, and the controversial trademark petition for the phrase "Female Rage: The Musical". Swift's background as an entertainer, indeterminate politics, and alignment with capitalism over feminism pervades her legacy, again threatening her public tolerance as not just an individual but as a brand.

Once Upon a Female Rage...

If you were cognizant in the early 2010's, you've heard countless jabs at Taylor Swift in the media. Magazines, radio, or online. Music critics did not take her seriously as a songwriter; parents put a woman on an unrealistic pedestal as the ideal role model for their children; she dated too much and used men as lyrical fodder. No matter the story, it inevitably spread, conjoined with everyone's respective opinions, and you'd be left to wonder, "Why does everyone hate this girl so much?"
Taylor's target demographic has always been young or adolescent girls, more so when Swift herself was one. She made music that spoke to the awkward misfit, cultivating a para-social relationship with fans on MySpace, then later twitter, Instagram, and YouTube, where Taylor posted relatable vlogs showcasing the life of a homegrown American girl. Taylor had a delayed public "growing up" and, compared to her female pop contemporaries, Swift never "gratuitously sexualized her image and seems pathologically averse to controversy" (and, apparently, never even had a sip of alcohol until she turned 21). She was more than happy to spin this narrative to allude to an inherent moral superiority above other women in the industry (Better Than Revenge, heard of it?), engaging in the very slut-shaming that she herself endured (the Madonna and Whore archetypes). The victim complex arose with the need to prove Taylor as a different type of pop girl. Based upon her holy and clean image, Swift had been dubbed "a feminist's nightmare", and that "[To Swift] other girls are obstacles; undeserving enemies who steal Taylor’s soulmates with their bewitching good looks and sexual availability." Feminism and Tennessee-Christian country values don't exactly mix, it seems.
Years later, Swift befriended Lena Dunham and thus experienced white feminism osmosis, where Dunham taught Swift that real feminists defend rapists, makes insensitive jokes about rape and abortion, and prioritize all-white casts. Swift then declared herself a feminist in 2014, saying,

"Becoming friends with Lena – without her preaching to me, but just seeing why she believes what she believes, why she says what she says, why she stands for what she stands for – has made me realize that I’ve been taking a feminist stance without actually saying so."

I suppose the male-centric songwriting subject that permeates Swift's discography contained covert feminism and that we just didn't see that. Perhaps, the "Bad Blood" song and music video were written only in jest and not about poor Katy Perry, for Swift, as a feminist, would "never make it a girl fight" or tear other women down (though all Katy did was date your terrible ex-boyfriend and allegedly steal three backup dancers from your tour). In 2013, Swift said, in response to Tina Fey and Amy Poehler's joke towards her serial dating, "There is a special place in hell for women who don't help other women."
There was that time in 2015 Taylor said that Nicki Minaj was "invited to any stage [she is] on" (as if Taylor expects to have access to every stage, award, and platform that Nicki might not otherwise have as a black female artist...yikes!) in response to Nicki's criticism of the white + thin VMA nominations. Later, Nicki responded with confusion, as Swift continued, "It’s unlike you to pit women against each other. Maybe one of the men took your slot..". Of course, this 'beef' was 'squashed' when Nicki performed with Taylor at the VMAs, with Nicki quite literally only having 38 seconds of stage time without Taylor. Maybe all that parading around with a legion of famous white women - similar to the way Taylor might've done with her numerous 1989-era handbags - was in fact a stance against gender inequality, and that this display of "girl power" should be enough to constitute Swift as a feminist icon.
Even while Swift says that Dunham informed her feminist outlook, she dances around the exact contents of those beliefs: "what she believes, what she says, what she stands for" is not exactly insightful towards what beliefs Swift might have inherited. Taylor never broaches women's rights topics such femicide, FGM, forced pregnancy & marriage, sex trafficking, women in slavery, women's financial and political oppression, women's educational rights, women's health, or women's autonomy, so we can assume she only gives a fuck about "girls supporting girls" (whatever that fucking means).
Despite some questionable (and sometimes vindictive) behavior, Taylor as a young woman did not deserve every media lashing that she received. We cannot deny that most headlines and criticisms perpetuated a misogynistic rhetoric which has plagued Swift for a majority of her career. Acknowledging events such as the development of her ED, her sexual assault trial, "Famous" lyric and MV depiction of Taylor, and the explicit Twitter deepfakes, for example, as both disgusting and unfortunate things that happened to a young woman in Hollywood does not negate the fact that Taylor is mostly a performative feminist.

Get Your Fucking Ass Up and Be a Philanthropist, It Seems Like Nobody Wants to Be a Philanthropist These Days

In 2013, Taylor Swift cut the ribbon at the grand opening of the Taylor Swift Education Center at the Country Music Hall of Fame in Nashville, Tennessee. The donation amount - $4 million - was the largest individual artist gift ever donated to the Country Music Hall of Fame, which is, of course, mentioned on Swift's website. The two-story facility features three classrooms, an instrument room, and an interactive children's exhibit gallery. Swift also performed at "All for the Hall" charity shows and has donated numerous artifacts from her career (such as notable guitars, tour costumes, etc) to the museum.
This was over 11 years ago, and it is still the only notable philanthropic contribution Taylor Swift has made.
For a woman of her net worth and stature, and a woman who recognizes the difficulties for women in film and music, you would think that Taylor Swift might establish a scholarship program for women to study the arts or something. Perhaps Swift might even consider becoming a member of organizations that support female artists, or one that supports LGBTQ+ causes (since she is now proudly an ally), yet she remains superficial with her graces. Broader philanthropy, such as donating relief aid to Palestinian women or women impacted by violence and discrimination will probably never receive any financial support from Miss Swift because then she'd be using her money towards philanthropies involving anyone but white entertainers.
She even says herself in Miss Americana, "My entire moral code as a kid and now is a need to be thought of as 'good'." Well, she's certainly thought of as good, though her actions say otherwise. She's more than happy to do a vaguely altruistic song and dance for a clip-worthy interview quote and mass appeasement, then fuck off to one of her mansions on a 20 minute private jet flight, rather than actually contribute to anything pertaining to the causes she has endorsed. Yet, far too many people continue to give a woman such as her their money, time, and energy, and she hoards these resources to herself.

I Like Some of the Taylor's Songs, But What the Fuck Does She Know About Feminism?

Swift continued with her self-proclaimed feminist campaign, positioning herself as a political activist and LGBTQ+ ally in the Miss Americana documentary. The primary focus of the documentary consists of the sexual assault trial, Andrea Swift's cancer diagnosis, Taylor's ED and body dysmorphia, media scrutiny, and, largely, finally speaking up about her politics publicly, mostly her opposition to the 2018 Tennessee Republican senate candidate, Marsha Blackburn, and Blackburn's beliefs. Swift says, following a scene discussing her experience during the trial,

"I just couldn't really stop thinking about it. And I just thought to myself, next time there is any opportunity to change anything, you had better know what you stand for and what you want to say."

We must ask ourselves, though: when has Swift ever spoken up to change anything? Okay, pulling her entire catalogue from Spotify because they didn't pay their artists enough and similarly pulling her catalogue from Apple Music are changes that she leveraged due to her revenue potential and power, but they are not pertinent to the average woman's rights. Moreover, these are issues that directly impacted Taylor's income, which was enough reason for her to protest in the first place. Swift has sold the most units for a female artist in first week sales, is the first female artist with 100k monthly Spotify listeners, is the first female artist to win the Album of the Year Grammy 4 times, and is the first female artist to do X, Y, and Z, all while being inoffensive and family-friendly to boot. The actual Taylor Swift seems unwilling to compromise the brand of Taylor Swift by contributing in meaningful ways to feminist causes, especially if it is for women outside of America and Hollywood.
The reason political anthems such as "The Man" and "Only the Young" of the Lover era feel disingenuous and corporate is because, well, it is. Taylor has taken every opportunity to advance her career or public image at the expense of other women. What is truly genuine to Taylor's outlook on other women is vying for male attention, taking down female competition, and vocalizing feminist injustices only if they directly impact her and her money. Some will argue that it's satisfactory for a woman with such a huge platform to even TALK about feminism, but that just isn't enough. It's even less impressive when you candidly look at the scope of her feminist lens: "If I was the man, then I'd be THE MAN", or "I really resent the ‘Be careful, buddy, she’s going to write a song about you’ angle, because it trivialises what I do", and, of course, "We all got crowns". Feminism, but only when it happens to me. It gets worse when you look at Taylor's track record of copying other famous women and removing other female artists as potential threats to her pop prowess.
It's good for PR to align yourself with certain blanket feminist and political beliefs, therefore good for branding, therefore good for ticketing and merchandise sales, therefore good for business. And Taylor Swift is a business.
She's not a feminist. Taylor Swift is a capitalist.

I Can't Pay Those Sweatshop Workers a Livable Wage or Benefits! How Else Would I Make My Billions?

Recently, Taylor's team filed to trademark the phrase "Female Rage: The Musical" after Taylor said during Paris N1 of the Eras Tour,

"So you were the first ones to see The Tortured Poets at the Eras Tour...or as I like to call it, 'Female Rage: The Musical'."

This trademark petition was filed last week on Saturday, and news comes about just as numerous unofficial fan-made merch designs have cropped up with this phrase plastered on Fruit of the Loom basics. I'm of the opinion Swift's team motioned for a trademark so that they can send out cease & desists to all those that make knockoff merch, which disrupts potential sales for Bravado, UMG's choice merchandising company; however, since it was filed earlier, perhaps Swift has bigger plans with the bizarre use of the gendered phrase. One Swiftie referred to the phrase "female rage" as "a funny Eras Tour joke". Could it be a possible fourth version of the Eras Tour Movie? Whatever the reason, the motion to capitalize off of such a concept is disgusting, but not unsurprising, for a woman that profits on her vain feminism.
Swift, through her company, TAS Rights Managements, has also trademarked over 200 phrases, including "1989", where she owns the property rights to this calendar year on keychains, phone cases, sunglasses, stationary, bags, beverage ware, clothing, entertainment services, your subconscious, and, of course, Christmas ornaments.
The vapid consumerism in Swiftie culture is, frankly, disgusting. Bravado's sustainability statement is non-existent, the quality control is abysmal, and the materials they use are horrible. The materials, such as acrylic and polyester, are made from petrochemicals. This means they are non-renewable, shed microplastics, and are quite toxic in production. The manufacturing process to make all of those lazy-rushed Eras Tour logo graphic tees is a huge blow to environmental well-being. Apparently, though, Swifties don't give a fuck. They sell out products in seconds and either have to face the manufactured scarcity or buy from a scalper that resells for 200% of the already ridiculous retail price. This doesn't include the environmental impact of vinyl records, CD, and cassette production, of which Taylor produces many variants that sell unsustainable amounts.
If we're talking about women's rights violations, why is no one acknowledging the women that work in the inhumane sweatshop conditions that have to pump out fugly t-shirts and hats? The millions of plastic microfiber dander they are inhaling, or the toxic dyes that touch their bare skin? Are they being compensated fairly for their skilled labour and are they in safe working environments? Do these women have minimal bargaining power, and do they have authority over their worker's rights? Is Taylor Swift female raging at their injustices? Does Taylor Swift ever feels bad that her wealth was built on the backs of women of color, disadvantaged by the demands of the global economy and garment industry? Do you think she ever says a little white feminist prayer for them before she goes to sleep at night?
What's even crazier is not that Taylor herself doesn't care, it's that Swifties don't care. There CANNOT BE ethical billionaires. You only make a billion dollars if you are exploiting other human beings for capital gain. Based on public perception of the possible "Female Rage: The Musical" trademark, it seems like Swifties are already asking for merch with this phrase. "If Taylor made it, I'd buy it." Oh, cool. So not only do you champion Miss Swift's avarice and billionaire status, but you also are unashamed to admit to your blind consumption of her music and merchandise, no matter where they might originate in production or sincerity. Just as Swift takes and takes and takes, Swifties' consumerism of Taylor Swift cannot be quelled.
The tortured artist's most vulnerable and sincere poetry...available now in 21 different versions!

I Am Tortured Poet, Hear Me Whinge

Look - even if Taylor's intention is to characterize TTPD as more "tortured" and "angry", the main thread of the album is "I was ghosted by my decade-long situationship with a controversial indie boy and my fucking stupid fans wrote a 'Speak Up Now' open letter prompting me to drop him" anger, which is adequately expressed in the lyrics and performances. The extent of Taylor's "female rage" on TTPD is on tracks such as "Who's Afraid of Little Old Me?", which contends with relentless media scrutiny; "But Daddy I Love Him", where Swift firmly states she'll date whoever she likes no matter how "Sarahs and Hannahs" may react; and "The Albatross", a track mythologizing her reputation and the consequences of dating her. Of course, these coincide with deep psychological wounds that formed during Swift's early years in the media, and so, from her feminist perspective, these subjects tackle the misogyny and double standards that she faced.
Yet Taylor Swift still has no grounds to be claiming that TTPD best exemplifies female rage and therefore she, in the context of this album, is female rage incarnate. As the daughter of a stock broker and mutual fund marketing executive, Taylor was born into wealth and allowed privileges like trips and subsequent relocation to Nashville all so that she might get a record deal. Her father even invested at least $120,000 into the then-fledgling label, Big Machine Records, which ensured Taylor's place with Borchetta after leaving her dead-end development deal with Sony. The fact that her parents were able to buy her a fucking brand new guitar for Christmas and pay for music lessons says so much about the financial security and safety of her childhood.
Money is privilege and protection, and despite Swift's experiences with misogyny and loser boyfriends, she does not know what female rage is.
Her rage is derived from her frustrations with her obsessive fans pulling the moral superiority card on Taylor in response to her rebound with Matty Healy. That's literally it. She's just pissed that the monster she created is no longer obediant, it's become a feral, sovereign entity that depletes the world of its natural resources and thinks it is more intelligent than it actually is because it's mommy has started to talk to it with big words. Apparently, 'illicit', 'elegy', 'nonchalant', and 'precocious' are considerably big words for the oafish monster, and I find it strange that this level of literacy is present in a group of fans that allegedly have GPAs of 3.5 or higher, but I digress.
Taylor Swift has never been one paycheck away from destitution. Taylor Swift has never experienced racial discrimination. She may have instances of gender discrimination, but she possesses the ideal white, blonde American beauty standard and therefore reaps the benefits of being a conventionally attractive woman. Taylor Swift has sufficient social capital. Taylor Swift is a billionaire woman prolonging her victimhood though she, as a woman, has mostly had control over her image and music (unlike her contemporaries). Taylor Swift is NOT entitled to be championed for her "female rage", nor should she be. Taylor Swift has never even been the struggling artist, for fuck's sake. I don't give a fuck if she's trying to fill the empty lunch tables of her past. Taylor Swift purporting herself, her unpolished album, and her lukewarm feminism as a musical bleeding with female rage is asinine.

Sigh Try and Come For My Job, Poors

Out there in the world right now is a 23-year-old woman, a recent college grad, who works as a barista. She has to wake up and get ready to go into a minimum wage job because she cannot get a job in her field. She doesn't have healthcare benefits or sick time, so she has to go into work no matter how she's feeling. All day long she is berated by vicious customers and creepy men, and, exhausted from being on her feet, she knows she has to go home to her shitty roommate that never does the dishes and her roommate's shitty dog. To comfort herself, she considers getting a treat, but thinks against it when she remembers that matcha lattes cost $15 and they taste like milky dirt. She knows that she needs to buy groceries this week, and so the woman resolves to go home, but notices that her gas tank is low. She goes to put gas in the car, but the pump stops at $27.86 because that's all that she has in her checking account. The woman, bereft and reeling, sinks into the driver's seat. "Well," she thinks, her head in her hands, "at least I don't have Taylor Swift's job. I just couldn't imagine."
Fame is somewhat of a choice. If at any moment Taylor feels that she is misunderstood, misconstrued, or overwhelmed by public opinion, she can LEAVE the public eye - Lord knows she has the retirement fund and residuals to do so. In "I Can Do It With a Broken Heart", the TTPD song about meeting the demands of your career-zenith mega-tour while in the relationship trenches, Taylor ends the song by rambling,

"You know you're good when you can even do it with a broken heart...you know you're good...and I'm good, cause I'm miserable, and no one even knows!...try and come for my job."

Yeah, obviously we wouldn't know, you recently passed the billionaire threshold and are the most famous and in-demand performer in the world right now. Taylor Swift makes an estimated $10 to $13 million dollars A NIGHT on the Eras Tour. Furthermore, the Eras Tour movie grossed $261.6 million globally, (which, as the producer, Taylor takes home 57% of the ticket sales) not counting the streaming revenue from Amazon Prime Video and the estimated $75 million deal that Disney paid to have it on Disney+. We're not even considering the income from cheap plastic popcorn buckets and drink cups plastered with colored squares in her Era-specific likeness.
It's funny. Taylor Swift often said that being famous wasn't hard, that she "isn't complaining". I'm sure it is difficult to always have to present in a good mood, else you'll end up misrepresented in the media, and I'm sure it's invasive to virtually have no privacy or semblance of anonymity. Still, Taylor Swift shows up each night of tour and performs. For a majority of her career, she has penned her sad songs while on the road. Most of "Red", her breakup album, was written in the thick of the Speak Now World tour. Now, some Swifties say they almost "feel bad" for attending the Eras Tour with Swift's revelations in this song, that they have had a 'dimmed experience' upon hearing Taylor's misery whilst performing. Despite the fact that Taylor said that "this was the happiest she's ever been" at Gilette Stadium in May, the lyrics "boohoo, woe is me, smile for the cameras and make the fans happy!!!" are jarring for Eras attendees.
While Taylor Swift was making double-digit millions a night in Rio de Janeiro, Brazil and feeling miserable, Ana Clara Benevides Machado passed away due to heat exposure. The concert promoters, Time For Fun, are now the subject of a criminal investigation due to their lack of adequate hydration and safety. Taylor Swift cancelled the Sunday show that was to follow and offered VIP tent tickets to Benevides Marchado's family, which was a kind gesture, but perhaps incongruous to the incident of which they were offered as consolation. Everyone grieves differently, of course, but I'm not sure attending the very show at the very same venue that my daughter or sister passed away in two days prior, where the singer CONTINUED the show despite her death, would be healthy for closure.
There was no female rage at the show as Swift never saw Benevides Machado pass out. There was no female rage towards the disregard for fans as humans while Swift elected to proceed with her Brazil tour dates despite the country being in historic heatwaves (at risk of overheatting herself). If Taylor Swift was so shaken by touring with a broken heart or a fan's passing, she wouldn't have added an additional North American leg of Eras just two months after the Matty breakup. She's brokenhearted but willing to mend the cracks with your money and move onward with her worldwide female rage induced pillaging.
No matter what happens, even if you die at a Taylor Swift concert, Taylor collects a big fat check and flies away. She doesn't know you as anything other than a conversion rate or earning potential despite what her nearly 20-year long parasocial relationship with fans might otherwise indicate. She knows that, while some Swifties are without disposable income, they feel obligated to spend on a "48 Hours Only!" exclusive vinyl variant instead of necessities because they are so entrenched in Taylor Swift's intoxicating celebrity, they'll prioritize materialistic fandom before their needs. This is good enough for her because this means she can expand her real estate portfolio and finance her cat's lavish lifestyles. They're worth an estimated $100 million dollars. Her three cats could pool their net worth and solve world hunger.
While you and I might be denied bereavement leave and barely surviving the current political and economic climate, Taylor Swift has to, instead of gets to, perform for stadiums at full attendance for three nights in a row across the globe. You and I might be replaced by AI at our longtime jobs, but Taylor Swift is threatened with losing more and more money each time you listen to a "Stolen Version" of her songs. If we don't buy every variant of all of her albums, then who is going to pay for the fucking cats?
It is tone deaf to spend as she spends and lives as she lives in this economy, but this is her reality. She was able to donate $100,000 to all of her tour truck drivers, and that's wonderful, but it leads me to wonder about the ethos of the 2020s where one woman can hoard such life-changing amounts of money. Remember in 2014 when she gave a fan $90 ($120 in today's money) to get Chipotle because she had no fucking clue how much it cost? This is a 34-year-old woman who is increasingly out of touch with the reality for working class people and women in general. Normal everyday adults must wake up and go to their thankless jobs, and yet Taylor Swift, despite all her riches, incessantly references the lows of her life and career as a public figure and entertainer to farm sympathy and drive sales. And still, the corporate women have latched onto "I cry a lot, but I am so productive! It's an art!" as their cubicle battle cry.
Do you think that, from up in her private jet, Taylor Swift gazes at the world through her poetic, tortured eyes, and thinks, "All the little people, in their cars, walking, going about their lives...all those girls that don't support girls...do they know that I've made an album about female rage?"

Conclusion/TLDR

Thank you for reading. I would love to hear your critical insights towards this entire ordeal: TTPD, the trademark, the implications of it all.
TLDR: Taylor Swift is a bad feminist and is delusional to think that the TTPD eras set exemplifies female rage at women's injustice.

In this edition of “Odd Titanica”, we are going to dive into the sleazy, opportunistic world of show business. A world that comedian Fred Allen said of, “you can take all the sincerity in Hollywood, place it in the navel of a fruit fly, and still have room for three caraway seeds and a producer’s heart”. Hyperbolic? Let’s take a look at Hollywood’s response to the Titanic disaster to see that there really is no business like show business.
Dorothy Gibson and the lost, first, film are well worn trivia by now. The traumatized actress rushed into production, her inability to process her trauma causing her mental breakdown, collapse, and retirement from acting immediately after the film was finished - it’s a perfect story to demonstrate the callousness of the film industry. But there is more to the story, and digging deeper shows us that “Saved” may have been the least sleazy project undertaken by the studios.
Dorothy’s account of the sinking and the suffering she endured filming “Saved from the Titanic” are predominantly found in two sources - The New York Dramatic Mirror and Moving Picture World. These were trade magazines, published weekly, and consisting solely of material related to the stage and screen business. These would be announcements of upcoming features, casting news, celebrity gossip, technical news - anything the movie star to the man sweeping the floor at the cinema needed to know. And they included ads … lots and lots of ads.
Immediately realizing that Titanic was not only a horrible tragedy but an incredible business opportunity, Moving Picture World got to work. As people stormed White Star Line offices, and raided newspaper carts for any drop of news regarding the sinking, Moving Picture World provided the latest in Titanic news; or perhaps we should say “Titanic” news.
The headlines of the April 27th issue may have screamed TITANIC, but as the public grabbed their copy and hurriedly flipped through the pages, they found that what they were actually given was ads. Those eye grabbing headlines were followed by much smaller print-
TITANIC EFFORTS... are being exerted by Champion to put before the exhibitors that will make them regular Champ Patrons! Get the following latest [releases] and you’ll be convinced!.
UNSINKABLE … is the reputation of Rep productions, but these two releases will sink into the minds of everyone who sees them and will remain there as worthy object lessons.
THE CRY OF THE CHILDREN …suggested by the poem of Elizabeth Barret Browning in 2 reels this Tuesday!
THE GREATEST MOTION PICTURE OF NATIONAL INTEREST - THE SINKING OF…. the big battleship. Remember the Maine!
THE DEATH SHIP...a sensational two reel drama of the sea containing one of the most thrilling dynamite explosions imaginable!
For all the slimy marketing tricks, flipping through the pages still has plenty of legitimate ads for real Titanic newsreels, movies, and a specific type of presentation known a Myriorama involving painting, music, and recitation. But, show business would strike again - the ads were legitimate, but what they were advertising was not. History has sort of forgotten the huge demand for Titanic media in the wake of the sinking, something that didn’t really exist. When cinema owners would order these “only surviving genuine negatives of the disaster” complete with lobby display package, they instead received-

our astonishment to find the Lusitania and Olympic, and one or two scratch films of ancient days posing as pictures of Titanic.

But they didn’t stop. Animated Weekly advertised that they were “the first to reach the wreck… chartered a tug from Cape Breton and rushed to the scene while the survivors were still in the water”. Cinemas began to promote footage of the sinking. Audiences wrote their disgust to Moving Picture World-

These representations are to the point of criminality … Take, for instance, the picture showing the Titanic with about a sixth of her forward length stuck into the iceberg. Everybody knows the collision did not occur in that manner!

They pointed to the following ad as an example - FIRST PICTURES OF THE TITANIC OCEAN DISASTER. The cinema owners responded by noting that they had misread, crammed in tiny letters were the words “sunk in” so that ad actually read FIRST PICTURES OF THE TITANIC sunk in OCEAN DISASTER. It was the customer's fault, they said, to be stupid enough to think anyone could have actually filmed the sinking.
Once this ruse was discovered, the studios shifted gears. The next step was to advertise film along with presentations by “A Lecturer who was on board”. When the audience realized the lecturer was not on Titanic and demanded a refund - the response from the managers was

Those signs didn’t say he was a survivor.

… and any attempt to charge him with the crime of fraud was absurd because, in his own words-

Of course I didn’t give him his money back. The sign didn’t misrepresent anything. West was on the Titanic, the sign didn’t say when he was.

…which was true. The lecturer, Eugene West, had visited Titanic while she was under construction at Belfast.
As for the movies themselves?

We said we had pictures. If people were foolish enough to think we meant moving pictures, that was their fault.

This particular cheated audience member was told if he wanted his money back, to go on the street and sing for it. Whether it was this, or something else, eventually the public snapped and began hauling out cinema managers and beating them in the streets. By May, the mayors of Boston and Memphis had banned the showing of any Titanic pictures - moving or still- within the city.
But, where was Dorothy in all this? Tucked in the very back of the magazine, after another newsreel ad,, we get to the celebrity sighting and gossip section. Ed Lux of the Rex Film Exchange was in town, Dan Markowitz of Fox Pictures was as well, Arthur Schmidt of the Victor Film Company was seen having a lovely spa at a Turkish Bath, Sam Gobel of the St Louis Motion Picture Company has been walking up and down 42nd street, we don’t know if Southern film maker Henry Wasserman is still here but he might be, Dorothy Gibson survived the sinking of the Titanic, and the Director of Selig Pictures took some actresses to Santa Catalina for a swim and a photoshoot and they had a great time.
By the following edition, on May 2nd, Moving Picture World was also able to provide its readers with the first stills from “Saved from the Titanic” and a feature on Dorothy. Along with this, tucked in the editorials, the magazine finally published a piece of truthful news about the Titanic disaster-

Senator William Alden Smith … declined to grant permission to have the cinematopgraph make a record of the sessions of the committee. “The sessions” he is quoted as saying…”are solemn affairs and must not be hippodromed or commercialized”. He is, however, falling into a serious error in judgement-

…they sniffed.

As a matter of right, the camera man ought to have been permitted. The day of the enfranchisement of the motion picture will surely come .. which will give equal rights to the cinematographer and the newspaper man.

Then, among the illegal false advertising and reports of public brawls at the cinema, they ended with-

The lesson of the Titanic disaster and all its incidents can be made far more impressive by pictures that move than by mere words in cold letters.

In this edition of “Odd Titanica”, we are going to dive into the sleazy, opportunistic world of show business. A world that comedian Fred Allen said of, “you can take all the sincerity in Hollywood, place it in the navel of a fruit fly, and still have room for three caraway seeds and a producer’s heart”. Hyperbolic? Let’s take a look at Hollywood’s response to the Titanic disaster to see that there really is no business like show business.
Dorothy Gibson and the lost, first, film are well worn trivia by now. The traumatized actress rushed into production, her inability to process her trauma causing her mental breakdown, collapse, and retirement from acting immediately after the film was finished - it’s a perfect story to demonstrate the callousness of the film industry. But there is more to the story, and digging deeper shows us that “Saved” may have been the least sleazy project undertaken by the studios.
Dorothy’s account of the sinking and the suffering she endured filming “Saved from the Titanic” are predominantly found in two sources - The New York Dramatic Mirror and Moving Picture World. These were trade magazines, published weekly, and consisting solely of material related to the stage and screen business. These would be announcements of upcoming features, casting news, celebrity gossip, technical news - anything the movie star to the man sweeping the floor at the cinema needed to know. And they included ads … lots and lots of ads.
Immediately realizing that Titanic was not only a horrible tragedy but an incredible business opportunity, Moving Picture World got to work. As people stormed White Star Line offices, and raided newspaper carts for any drop of news regarding the sinking, Moving Picture World provided the latest in Titanic news; or perhaps we should say “Titanic” news.
The headlines of the April 27th issue may have screamed TITANIC, but as the public grabbed their copy and hurriedly flipped through the pages, they found that what they were actually given was ads. Those eye grabbing headlines were followed by much smaller print-
TITANIC EFFORTS are being exerted by Champion to put before the exhibitors that will make them regular Champ Patrons! Get the following latest [releases] and you’ll be convinced!.
UNSINKABLE … is the reputation of Rep productions, but these two releases will sink into the minds of everyone who sees them and will remain there as worthy object lessons.
THE CRY OF THE CHILDREN …suggested by the poem of Elizabeth Barret Browning in 2 reels this Tuesday!
** THE GREATEST MOTION PICTURE OF NATIONAL INTEREST - THE SINKING OF**…. the big battleship. Remember the Maine!
THE DEATH SHIP...a sensational two reel drama of the sea containing one of the most thrilling dynamite explosions imaginable!
For all the slimy marketing tricks, flipping through the pages still has plenty of legitimate ads for real Titanic newsreels, movies, and a specific type of presentation known a Myriorama involving painting, music, and recitation. But, show business would strike again - the ads were legitimate, but what they were advertising was not.
History has sort of forgotten the huge demand for Titanic media in the wake of the sinking, something that didn’t really exist. When cinema owners would order these “only surviving genuine negatives of the disaster” complete with lobby display package, they instead received-

our astonishment to find the Lusitania and Olympic, and one or two scratch films of ancient days posing as pictures of Titanic.

But they didn’t stop. Animated Weekly advertised that they were “the first to reach the wreck… chartered a tug from Cape Breton and rushed to the scene while the survivors were still in the water”. Cinemas began to promote footage of the sinking. Audiences wrote their disgust to Moving Picture World-

These representations are to the point of criminality … Take, for instance, the picture showing the Titanic with about a sixth of her forward length stuck into the iceberg. Everybody knows the collision did not occur in that manner!

They pointed to the following ad as an example - FIRST PICTURES OF THE TITANIC OCEAN DISASTER. The cinema owners responded by noting that they had misread, crammed in tiny letters were the words “sunk in” so that ad actually read FIRST PICTURES OF THE TITANIC sunk in OCEAN DISASTER. It was the customers fault, they said, to be stupid enough to think anyone could have actually filmed the sinking.
Once this ruse was discovered, the studios shifted gears. The next step was to advertise film along with presentations by “A Lecturer who was on board”. When the audience realized the lecturer was not on Titanic and demanded a refund - the response from the managers was

Those signs didn’t say he was a survivor.

… and any attempt to charge him with the crime of fraud was absurd because, in his own words-

Of course I didn’t give him his money back. The sign didn’t misrepresent anything. West was on the Titanic, the sign didn’t say when he was.

…which was true. The lecturer, Eugene West, had visited Titanic while she was under construction at Belfast.
As for the movies themselves?

We said we had pictures. If people were foolish enough to think we meant moving pictures, that was their fault.

This particular cheated audience member was told if he wanted his money back, to go on the street and sing for it. Whether it was this, or something else, eventually the public snapped and began hauling out cinema managers and beating them in the streets. By May, the mayors of Boston and Memphis had banned the showing of any Titanic pictures - moving or still- within the city.
But, where was Dorothy in all this? Tucked in the very back of the magazine, after another newsreel ad,, we get to the celebrity sighting and gossip section. Ed Lux of the Rex Film Exchange was in town, Dan Markowitz of Fox Pictures was as well, Arthur Schmidt of the Victor Film Company was seen having a lovely spa at a Turkish Bath, Sam Gobel of the St Louis Motion Picture Company has been walking up and down 42nd street, we don’t know if Southern film maker Henry Wasserman is still here but he might be, Dorothy Gibson survived the sinking of the Titanic, and the Director of Selig Pictures took some actresses to Santa Catalina for a swim and a photoshoot and they had a great time.
By the following edition, on May 2nd, Moving Picture World was also able to provide its readers with the first stills from “Saved from the Titanic” and a feature on Dorothy. Along with this, tucked in the editorials, the magazine finally published a piece of truthful news about the Titanic disaster-

Senator William Alden Smith … declined to grant permission to have the cinematopgraph make a record of the sessions of the committee. “The sessions” he is quoted as saying…”are solemn affairs and must not be hippodromed or commercialized”. He is, however, falling into a serious error in judgement-

…they sniffed.

As a matter of right, the camera man ought to have been permitted. The day of the enfranchisement of the motion picture will surely come .. which will give equal rights to the cinematographer and the newspaper man.

Then, among the illegal false advertising and reports of public brawls at the cinema, they ended with-

The lesson of the Titanic disaster and all its incidents can be made far more impressive by pictures that move than by mere words in cold letters.

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enterprise, entertain, entertainment, entire, entirely, entrance, entry, environment, environmental, episode, equal, equally, equipment, equivalent, era, error, escape, especially, essay, essential, essentially, establish, establishment, estate, estimate, etc, ethics, ethnic, European, evaluate, evaluation, evening, event, eventually, ever, every, everybody, everyday, everyone, everything, everywhere, evidence, evolution, evolve, exact, exactly, exam, examination, examine, example, exceed, excellent, except, exception, exchange, exciting, executive, exercise, exhibit, exhibition, exist, existence, existing, expand, expansion, expect, expectation, expense, expensive, experience, experiment, expert, explain, explanation, explode, explore, explosion, expose, exposure, express, expression, extend, extension, extensive, extent, external, extra, extraordinary, extreme, extremely, eye, fabric, face, facility, fact, factor, factory, faculty, fade, fail, failure, fair, fairly, faith, fall, 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The novel begins September 3, 2006, a Sunday. In "physical time," our reality, Andre Agassi played and lost his final match of his career. Steve Irwin, the croc hunter, would die the following day from a stingray's three barbed venomous spinal blades puncturing his heart. Senator Barak Obama was still denying he was intending to run for President (he would announce in February 2007.) The number 1 song in America and the UK is Sexyback by Justin Timberlake. Egypt warned of Palestinian terror attacks against Israelis vacationing in Sinai. Charlie Sheen turned 41. 200 Taliban are killed in a major battle in Kandahar, Afghanistan. Iraqi leaders announce the capture of the #2 leader of Al Qaeda. Europe's space agency purposely crash-lands a lunar probe into the moon.
In short, nothing, on balance seems to have happened in the world that has any particular world-historical or even US-historical import. Just a day. Even searching back 4 extra days from September 3 - since we are told that the man viewing the art installation is now on his fifth straight day in the museum - nothing all that *important* seems to have happened on any of those dates, the way saying a novel is starting on June 6, 1944, or (obviously) September 10, 2001, or July 16, 1945 or November 22, 1962 would be of course trying to tell us something.
Q: why is Delillo's purpose (is there one?) for telling us this specific date? Why is it important that the man is there on September 3, 2006 watching this: https://www.youtube.com/watch?v=a31q2ZQcETw over and over.
Q: who is the man? Delillo himself? Just a random unnamed character? Is it definitely Finley and Elster who are the two men who come into the room? The description of the older man "long white hair braided at the nape" [p.7, Scribner] certainly seems to suggest it is Elster, described in Ch. 1 as a man "with silvery hair, as always, was braided down into a short ponytail." If it is definitely them, what does it mean they attended a museum show together? Anything?
This is not the first Delillo novel to open with a scene where a movie, and anonymous characters' responses to watching it, is central to the narrative - Players opens with a movie being shown on a plane that is basically a silent movie of a terrorist machine-gun attack on waspy golfers, only accompanied by a pianist (yes a pianist) in the airplane bar filling in the suspense with improvised show tunes - and it is not the first to open with an examination of an art installation - Underworld, after the fantastic baseball game section - opens at Klara Sax's airplane bomber art installation commune. But this opening seems to introduce two characters obliquely, and of course only if you've paid close attention to the description of Elster's hair could you think back to it being him, perhaps.
"The nature of the film permitted total concentration and also depended on it." "The less there was to see, the harder he looked, the more he saw." [p.5, Scribner]
Q:Who is this person watching and why should we care?
Q: Did the opening sequence provide you any insight other than , perhaps, confusion? Something other than "what the hell did I just read?" What? Does your reaction to the opening sequence change when you know (if you did before this post) that the Psycho installation was and is real?
Moving on to Chapter 1 [p. 17, Scribner], we learn that we are on Day 10 of a 12-day period of time that relates the initial relationship between Elster and Finley. Finley, who is probably in his early to mid-30s and 73-year-old Elster are spending time at Elster's house in the desert to record a one-take movie of Elster's testimony of what it was like to serve in an administration that went to war under less than honest circumstances.
Our narrator is Jim Finley, a documentary filmmaker who has made exactly one film about Jerry Lewis's telethon appearances - Lewis, a "rampaging comic" to whom Elster would merely be a "straight man." [p.27] Elster, who Finley also describes as "not a man who might make space for even the gentlest correction," [p.22] is a non-political theorist being brought in to an administration to provide narrative to their war. I've seen references to him being based on Paul Wolfowitz, the political scientists who became Deputy SecDef in the Bush II Administration who famously nearly swallowed his comb to wet it to comb his hair in an image that likely sealed his fate in D.C. as unserious and ridiculous who was then shuffled off to the World Bank, but would Delillo ape the man AND mention him in the narrative? If so, that seems clumsy.
Q: Do you even take Elster serious as a character or believable as a "brain" behind the narrative of an administration going to war? A man who speaks in bad koans and aphorisms like "Time becomes blind." [p.23] and who reads Louis Zukovsky into the night? (Zukovsky famously worked on an epic poem called "A" for over almost 50 years, finally finishing it a few years before his death in 1978.)
Finley tells us: "To Elster, sunset was human invention, our perceptual arrangement of light and space into elements of wonder." [p.18, Scribner]. Elster has come to the desert to seek - something - we know not what and are not told definitively - but his narrative of what his role was in Washington was to create a interpretation of the "closed world" for the "plotters, the strategists" [p. 28] and ends up delivering to Finley what I think Finley was after - the cynical idea that Elster was giving form and shape to the government's bullshit narrative - "The state has to lie. There is no lie in war or in preparation for war that can't be defended. We went beyond this. We tried to create new realities overnight, careful sets of words that resemble advertising slogans in memorability and repeatability."
Q: Is Elster ultimately right? Did the country have a "shadowy need" [p.34] for such a narrative? See, for instance: "Let's roll." [probably in reality, "Let's roll it" referring to a beverage cart to break into the cockpit.]
"Shock and awe." "Global War on Terror" "Slam dunk" "WMDs" "The Surge" And perhaps most infamously "Enhanced Interrogation Techniques"
At the ends of the chapter, we get what counts as a cliffhanger in this slim novel: Elster's adult daughter would be coming for a visit, Jessie who was "otherworldly" [p. 36].

When I found this forum about a month ago I was reading the back posts and weeping the whole time.
Background:
I have processed this in therapy, made my peace, and have empathy for the situations that made her who she is.
I don't want to cause her harm, and fortunately I am really bad at relationships, and do not have children. Because it would be very painful if she had grandchildren that she has no access to. My sister and BIL can't have kids. (Details omitted for TW)
I work in the MH field, I'm an Nurse Practitioner. I worked as part of a DBT team. I am not DBT trained or certified but I got really good at boundaries, and sensing manipulation, without having an emotional response.
Before I went NC I would directly and clearly set limits. I stopped her when she would try to split my Sister and I, or gossip about her. There were several times every visit where I would stop her, and explain how I would not engage, did not want to hear, or set a reasonable expectation. Her reply a few times was "Don't analyze me."
Which is amusing because after the last estrangement, I asked her to go to therapy.... never happened.
​
Current Situation:
My Mother visited my Uncle who is dying of cancer and has by his estimation about 2 months to live.
My Mother sent me a text that I should visit him that she was down there and he does not have much time to live. I forgot I hadn't blocked her number on the new phone.
I have been NC for 9 years other then sending her a 9th Step (AA) letter. I intend to be NC for the rest of her life or mine whichever ends first.
I asked if she was present in the room. She left the morning of him calling me. I said I appreciated him not doing "One of those Ophra type interventions" as it's usually destructive.
I asked about visiting. Everyone has been invited down but me. He says he would like a visit.
He wants me "As a personal favor" to reconcile with her. I should mention he's a retired corporate attorney. Yes it's not amateur hour on either side of the phone. He said she was "Distraught that I would not talk with her."
I said let's address the second item, as you may not want me to visit depending on how I answer.
I would prefer having this conversation in person and to not have this conversation on a 2 sided Cell phone call either.
I said "no."
He pushed back and said this was not normal. I explained how it's more common then you would think both from people I know and also from being in clinical practice for almost 20 years.
He said "I can hear it in your voice that you want to reconcile." (Defining my feelings) I said I am speaking to you in the same tone I use with my patients.
I said that I will not be interacting with her for the rest of our lives. That this was a carefully made and considered decision.
I said we can discuss my reasons if you would like.
He said that was not his concern that it was between my Mother and I.
My mind formulates, "So no matter what happened, there is no reason that would cause you to find estrangement acceptable." Secondly you are implicating that I am being unreasonable, or worse yet cruel.
This goes in circles.
He bounces off a few boundaries, answer stays the same.
​
I figure I am going to let him know some of the situation. Because he's dying and I don't want him to think I am just being unreasonable and stubborn.
I then explain a little of how our childhood was. The abuse that my mother and I got. I also said I suspect my sister getting other abuse. Left that one hanging out there... Remember this is what I do for a living so that should have significant weight.
The things I did that I regret, and have made amends, as well as going to therapy, stopped drinking, worked the steps, and so forth.
I mentioned my sister goes to Trauma therapy, partially because of me.
Which also puts out there "Has your Sister ever had any therapy for all the stuff she has been through?"
​
He says "I can hear you are angry at your mother.." (defining feelings again) "
"Help me understand why do you feel that way."
"Based on what you said (above)" I said back, I am not angry at her. I have accepted and made my peace with this situation. I only listed my part in it, and what I have done to become a better person."
Which floats the unsaid question "What is her part in this?"
​
I said the offer is on the table to talk about this, or not talk about it. That is up to him. If you do want to have this conversation then it needs to be scheduled so I can have my notes.
The offer of a visit is "We shall see, and depends on how I am doing, check back in a week." I know the answer already. I also explained if I visit I will be getting a hotel room and a rental car, and that it's probably better if we do 2-3 hour visits so I don't tire him out.
The unsaid part is I want to be able to leave if I need to immediately, I want to be able to go to daily AA meetings, I want my own space process this coming loss. I
wrote a poem about this situation and read it in at my AA homegroup (The meeting you go to most and help keep it going.) I haven't written a poem since HS writing class. I've been weepy about the whole situation on and off.
​
I have a letter penned to my cousins, who I am in contact with explaining that he is a father figure in my life, that this is a very painful situation for me anticipating his passing, and that I apologize for not attending major life events in their lives and their children's lives because of this estrangement. That I won't be attending his service because it's the place for my Mother to mourn her last living sibling.
​
​
Conclusion:

1. That firstly he feels that there is nothing that would justify estrangement.
2. That my Mother probably said she has no insight into why I estranged her.
3. Based on #2 I am guessing that she has had no therapy. A good therapist would turn that around and use certain questions to help her develop insight.
4. That he feels I am angry and I want to reconcile.
5. Defining my feelings is a huge red flag for me.
6. I bet he didn't expect me to be calm, collected and give a rational and consistent dialogue.
7. Having to hear about his Sister's home life probably hurts. The fact that he probably had no clue until my father passed, he has a lot of guilt.
8. He's formally trained and skilled in negotiation tactics.
9. He's dying so he has a huge ability to guilt me.
10. I gave him the option to understand, that I would visit if asked, that I would limit exposure, and that we did not have to address this, or we can look at photos and tell stories, etc. What is not on the table is reconciliation with my Mother.

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KEEP GOING

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keep going work quotes
why does my brightness keep going down
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why does my internet keep going out
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controller keeps going xbox
xiaomi keep going to recovery mode
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keep up or keep going
is there a reason to keep going
xfinity pods keep going offline
xbox.com/xboxone/network to keep going
xfinity prices keep going up
xiaomi volume keep going up
xbox controller keep going up
xiaomi volume keep going down
x-files keep going fbi woman
xfinity wifi keep going out
xbox controller keep going down
keep going you got this
keep going you can do it
keep going you're good
keep going you're doing great
keep going you're almost there
keep going youtube
keep going you are doing great
keep going you're halfway to the weekend
keep going you've got this
keep going you will get there
you either quit or keep going
you gotta keep going
you nice keep going
prevent zoom going full screen
larry june keep going zip
zox keep going
keep going keep growing meaning
keep going or keep on going
zero turn tires keep going flat
zmodo cameras keep going offline
how do zoos keep animals from going extinct
how to keep zucchini from going bad
why does my iphone keep going to zoom
how to keep zoom from going idle
how to keep zoom from going full screen
how to keep zipper from going down
is nami going to keep zeus
keep going 04 limited sazabys lyrics
keep going 04 limited sazabys
keep going 04
keep going o que significa
keep going o que quer dizer
always keeps or keep
02 sensors keep going bad
04 limited sazabys keep going lyrics
04 limited sazabys keep going
04 keep going
steam downloads keep going to 0
04 limited sazabys keep going 歌詞
04 limited sazabys keep going 歌词
keep going 歌詞 04
why doesn't auto stop always work
are not likely to stop suddenly
keep going 100 reasons to stay alive
keep going 1 year
100 reasons to keep going
10 reasons to keep going
13 reasons to keep going
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you keep going
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2pac keep going
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2048 keep going
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21 savage keep going
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2024 keep going
risk of rain 2 how to keep going
should you go for 2 every time
keep u going 365
keep you going 365 ltd
keep 360 moving
why am i up and down all the time
3 fingers keep going numb
why does my phone keep going to 3g
why does my iphone keep going to 3g
my 3 fingers keep going numb
office 365 emails keep going to quarantine
cool 3d world keep going
office 365 emails keep going to junk
why does 360 keep going off
3 things to keep a relationship going
sims 3 how to keep plants from going dormant
keep going 4 pack
keep going 4 pack jordans
keep moving 407
keep going for a wee
keep going for your dreams
keep going poop
keep going for a wee at night
keep going for the peak lifeline
keep going pee all the time
keep going for
401k keep going down
keep going wallpaper 4k
why does my phone keep going to 4g
why does my iphone keep going off wifi to 4g
i keep going to sleep at 4am
why do i keep going to bed at 4am
why does youtube keep going to 480p
why does my 401k keep going down
why does my 4g keep going off
why is my 401k keep going down
keep going 5k
keep going 5k/10k/13.1 run miami
keep going examples
keep going high meaning
keep losing 5g connection
50 reasons to keep going
5 reasons to keep going
why does my phone keep going to 5g
i'm going to keep it a buck 50 with you
will the s&p 500 keep going up
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why does the s&p 500 keep going up
crossword clue keep going 6 letters
always goes up never comes down
why is it so hard to keep going
keep going your hardest times
keep going kat
why does my nest keep going to 68
why does my thermostat keep going to 62
why does my thermostat keep going down to 60
6 elements that keep the ecosystem going
6 lots of 6
keep going 7 little words
keep going 7 letters
keep moving 7/8 pant
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keep going crossword clue 7 letters
24/7 keep it going on
they keep the game going 7 letters
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keep going 8 letters crossword
keeps going 8 letters
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keep going or keep up(8)
why does my day keep getting worse
how to stop life going so fast
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why does my thermostat keep going to 85
why does curie keep going to vault 81
8 ways to keep relationship going
8 times 8 trick
how long is 8 stops away
while keep_going = 999
keep going over 9 letters
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keep going meaning in english
keep seeing 911 everywhere
keep seeing 99
what motivates her to keep going class 9th
what motivates maria to keep going class 9
what motivated maria to keep going class 9
why does the number 9 keep showing up
how many times does 9 go into 9
9 hours away from now

1. Ask and answer questions about mottos, tattoos, names, book titles, lines for your poem, slogans for your bowling club’s t-shirt, etc. in the comments of this thread. Separate posts for these types of requests will be removed.
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