Sympathy poem spanish

I'm an American (don't click off) English speaker (please stick with me) learning Spanish - the most easy, obvious, and non-sympathy-garnering language I could choose for this situation. By this point in my life it seems like anyone in any other country would have learned their own language, English, and two others. Half of them also know Latin. It's supposedly an intellectual thing to do. Understanding languages. And they say it helps with your brain. Or something. There's probably some useful purposes in the outside world. I'm not familiar with them. Or where I would find them.
In essence, I've never needed to do anything and I put upon myself the easiest challenge. But I'm not enjoying it.
I'm taking Spanish classes in university right now. It's a requirement I should have fulfilled by Summer. I'm just not interested. Maybe its the teachers or students or modern classes, but I'm really losing interest. I move on in a frustrated rush to this week's new prefix or suffix that we're going to attach to verbs, immediately after we finished learning another different conjugative form for them - and right as I'd barely even written all the irregulars down in my notes. Now I'm hardly paying attention to whatever new addition we are about to make. I'm struggling keeping up with the verb meanings in the first place. I'm not stupid.
I mean no disrespect with my language, as I foresee this unfortunately coming off as. Maybe this is just another post complaining about gendered nouns. Maybe my teacher is really unengaging and inefficient. I don't know.
I'm not watching any shows or movies. I don't even watch any English shows. I'm not reading any books. They would be nice, but I feel like there's so much I already would like to (and already may!) read in English. A few minutes a day would be fine...? I'm not doing the apps. The apps would work out. However, there's no better way for me to say it, I feel unmotivated and completely apathetic. Brain wiring...a handy skill...the bare minimum...all this, but I just haven't found myself interested in the straightforward and useful process. Maybe there's some cool cultural tale about the guy who decided decir needed to be conjugated with a J. And I'll go in to next class and learn the word for this noun, which we speak about like a man. Whatever. I don't really care.
I want to restate (and I hope you read this part) that I am trying to speak in good faith here. If there were more neutral terms and phrases that I could think of off the top of my head than the likes of "I don't care," which we associate as negative, I would use those. I mean to say that I feel uncaring towards learning Spanish or any other language despite everything it is supposed to give me. The thought of learning how to talk about wildlife in Spanish doesn't move me to action. It doesn't move me at all. It's a serious, useful, common thing; but somehow I'm not interested. I see this pattern in more than a few parts of my life, so maybe it's deeper than just Spanish. It could be quite major. But that's a topic for a different place.
I suppose my question is what could I do to try and raise my interest level in learning (which I recognize is important despite my stubborn inactivity)? Something I've mentioned? Something else? Why?

1. Clerihew:

- *Definition:* A whimsical, four-line biographical poem with irregular meter. - *Example:* Craft a clerihew about a famous historical figure or a friend with a humorous twist. 

1. Quatrain:

- *Definition:* A stanza or poem consisting of four lines, often rhymed. - *Example:* Write a quatrain reflecting on the beauty of simplicity in everyday life. 

1. Double Dactyl:

- *Definition:* A light, humorous poem with strict structure and two quatrains. - *Example:* Create a double dactyl capturing a comical moment or character. 

1. Terzanelle:

- *Definition:* A hybrid of the terza rima and villanelle, with 19 lines and a specific rhyme scheme. - *Example:* Craft a terzanelle exploring the cyclical nature of seasons and life. 

1. Haibun:

- *Definition:* A combination of prose and haiku, often describing a journey or experience. - *Example:* Write a haibun narrating a meaningful travel experience, complemented by haikus. 

1. Golden Shovel:

- *Definition:* A form where the last word of each line is taken from an existing poem. - *Example:* Create a golden shovel poem using a line from your favorite poem or song. 

1. Villancico:

- *Definition:* A Spanish poetic and musical form, often festive and celebratory. - *Example:* Craft a villancico capturing the joy of a special occasion or holiday. 

1. Tercet:

- *Definition:* A stanza or poem consisting of three lines. - *Example:* Write a tercet expressing the beauty of resilience in the face of adversity. 

1. Sevenling:

- *Definition:* A seven-line poem with a specific pattern and often narrative in nature. - *Example:* Compose a sevenling reflecting on a vivid childhood memory. 

1. Palindrome Poetry:

- *Definition:* A poem that reads the same backward as forward. - *Example:* Write a palindrome poem exploring the balance between chaos and order. 

I don't know what the proper flair should be for this. I'm certain Megan Stack doesn't consider herself antisemitic.
Anyway, I was at dinner a few days ago, and one person (a 70-year old male Jewish physician, child of poor Holocaust survivors) announced he was (roughly) "done with Israel" after having read a report in the New York Times written by someone named Megan Stack. Of course, if you Google that name you'll learn as much about her as I know. I don't have a NYT subscription and even if I did, I probably wouldn't want to read that article. Two of his friends were there (at dinner). One was 80+ and a child of the sort of Jewish leftists who volunteered to fight in the Spanish Civil War. The other (mid-70s) is a widower whose late wife was Jewish, and was apparently radicalized during his days as a student at Stanford. So a mostly Jewish group although with a shared assumption of sympathy for the Palestinian side of the ongoing conflict.
I might add that the person speaking has expressed the idea that Israel is an "Apartheid State" for many years, just so you know where he's coming from, and he has been there and has relatives there.
So anyhow, the gist of the Stack report was how since 17 October, the mainstream Israeli opinion has been one of wanting to expel Palestinians from all parts of the area generally thought of as Palestine ("from the River to the Sea") also an implication that the real IDF mission in Gaza is to simply kill as many people as possible and that the vast majority of Israelis are on board with that. The other thing he talked about is Israelis being arrested, or punished in some other way, for expressing doubts about the current Gaza policy etc. According to him, there is absolutely no freedom of speech in Israel regarding this topic (note that very few countries have tolerated much "freedom of speech" when in the middle of a war directly affecting the country's interests). He says it's the same as the current policy in Russia regarding criticism of the Ukraine invasion. Please understand this is a rough impression I had, I may have gotten some of this wrong.
He gave the impression that Megan Stack was reporting from within Israel, however from Google I could get no indication she's actually there.
I don't know her views in general. She seems to be a militant feminist however is married to a man and has children. But she does seem a very angry person.
Can anyone here add to this?
Thanks!

I had a strange relationship with deconstruction as my dad was trained at a university level to do apologetics. He was an LDS chaplain in the Army, and every night for scripture study, we got discourses on the nuances of our faith and justifications for every question we ever had. I didn’t swear until I was 18 years old, or drink caffinated anything until about that time as well, because it was never a matter of justification. It was what my family, my tribe, my people did, to go to church on Sunday, and to be worthy. I was senior patrol leader and assistant to the bishop if that clarifies who I was. I didn’t have “God will reveal it in due time” parents. I had “Here’s the answer, here’s contemporary discussion about it. Here’s some reading material if you want to learn more” parents, except for they were wicked smart, and had biased conclusions.
I was called to serve in the Mexico City East mission. Shortly before opening my mission call, I broke up with my girlfriend at the time. i left BYU-I and went home to prepare. I received my endowments after lying to my stake president about my worthiness to enter the house of the lord. I came clean, and he threatened to not let me go out for a year because I was unclean. The prick made me talk to a therapist to be cleared for the mission field. The therapist had a brain and let me go out. When I was giving my mission farewell speech, I wrote it to include the teachings of many religions in it. I had drawn inspiration from the 13th article of faith “We believe all things, hope all things-“ and wrote a poem about how Adam and Eve related to the Resurection and Atonement of christ. My dad tells me the stake president was shifting in his seat like he wanted to pull me down from the pulpit. Prick.
The CCM was a pleasure to attend because of my district. The guys in my district there held a secret thanksgiving feast after hours when we were supposed to be in bed with food we had smuggled out of the cafeteria. We had look outs so we wouldn’t be caught by the patrolling teachers. My district was placed under surveillance because of politics against our spanish teacher who we could tell actually cared about us, and we were transferred into a classroom with one sided mirrors, and microphones hanging from the ceiling. An apostle came to speak to the entire CCM, and I thought we would get a chance to meet with him directly, or that he would be even remotely accessible in some way. He was kept away from us, separate and removed even though we had the same mission. I played a lot of volley ball, and got into shape enough that I touched the rim of a basketball hoop for the first time while I was there.
My first companion was a native speaker, and liked to spend the mornings in the cyber (Internet Cafe). He would make sure I was on LDS.org while he looked at softcore porn on instagram. We would spend hours there, and I was disappointed that this was the mission.
We went to a previous investigators house, and while there, we saw preparations for an animal sacrifice. These guys were putting alcohol, cocaine, and blowing smoke onto a white chicken, and placed in into a cardboard box with a bunch of black chickens. They showed us a room full of weapons, with blood and feathers strewn all over the floor. We noped the fuck out, and went home.
I requested an emergency transfer after spending most days in the cyber, watching my companion deface JW’s property, and being an all around dick to me by telling me how to shower and how to sleep.
For his replacement, the person that would help me with his bastion of knowledge, they gave me a white guy who spoke as much Spanish as I did because he was only a transfer further into his mission than me. They made this poor kid senior companion to me before his first transfer was over. Why? Because the kid was a workaholic.
The first thing this elder and I did when we got to our apartment was to pick up and leave to go to the house of a member who had just died. We sang at the wake. I sang in a language I didn’t know, for people I didn’t know, with a companion I didn’t know. We sounded pretty damn good. The elder began setting appointments with the non-believing family members during the service. I just sat and watched the mindless kids chase the family dog.
This elder skipped lunch every day, and made me do the same. We knocked every door in our area twice that transfer. One time, he got very sick, and was delirious out in the sun with me while we were walking. I made us go home for lunch that day, and he made me promise to wake him up after thirty minutes so we could get back to the Lord’s work. Three hours later he woke up, chewed me out for letting him sleep that long, and then begrudgingly thanked me for making him rest.
One time, while walking, this Elder expressed to me that he also had some questions, but he was afraid to share the details because he knew my own testimony was fragile. I pressed him for details of his plight, and he revealed to me the darkest part of church history that he had learned while we were in the CCM, that Joseph Smith had drank alcohol while in Carthage Jail before he died. Thoughts of Fanny Alger, of Mountain Meadows Massacre, and of my own mother’s rather recently implemented looser interpretation of the word of wisdom all flashed through my head. This guy was supposed to be my teacher? All I could do was express how sorry I was for his confusion, and told him to have faith. Heaven knew I couldn’t help him.
One night with this companion, it was storming hard, and the streets were flooded. This guy refused to let us go home. We climbed along fences to avoid getting our already wet shoes soaked, and waded through a foot of water to get to the doors that were slammed in our faces. There was a loose wire on a door bell, and when I rang it, I was shocked by the completed circuit the water made. Rejection after rejection piled up. Finally, my “senior” companion said that this was the last row of houses. On the last house of the last row, there was a family that was all deaf. The father opened the door, and was suprised to see us and didn’t know who we were. I remembered the sign for Jesus from my grandparents who started and ran the ASL endowment ceremony in the Saint George temple. The family was thrilled we knew the sign. When I asked if we could come in, the family politely waved goodbye and closed the door on our faces.
Another time when it rained, something fell into my eye. It was one of those freak nature accidents, and small enough that I couldn’t figure out how to get it out without a mirror. The thing stayed wedged in the corner of my eye for hours before we got home and I could finally get the foreign object out. Looking at it on my finger, I could see it was a small green spider. Days later, still in pain, I pulled what I can only assume was accumulated webbing from the spider that I’d crushed against my eyeball off of my lower eye lid. The pain stopped after that.
I bought a $500 camera. It was stolen within a month.
This Elder and I had the good luck before transfers to baptize two children. They would have been baptized anyways, so I didn’t do any actual converting, but I taught a few lessons, got in the water and did the dunk. Bucket list item, check.
I didn’t have enough time for laundry on P-Day, so I’d wash my outfit and dry in on the radiator through the night. Transfers happen, and my new companion lied to our land lords about the electricity bill, paying it in full but not giving a reason as to why it was so high. I didn’t care anymore, I just needed something clean to wear, but these land lord had treated me and my previous companion well, better than the previous landlord who had stolen our cleaning supplies. I felt these people deserved honesty. My senior companion capitulated eventually, and he and I butted heads regularly after that on the morality of things. I think in hindsight he was a smarter and better man than I was.
The new land lords, the “Lagunez Family”, were wonderful. They included us in their activities, and I felt like I had some people in my corner. When I eventually came home from my mission, a daughter of the family had written me a goodbye letter. She is currently serving a mission. They made some great music, and I have “Infiltradors” on CD, the official name of the band the father of the family was a part of (he was the drummer).
I knew the whole area by heart by that point, so I navigated us to our appointments. Half of the landmarks I watched for to know our location were interesting buildings with unique colors. The other half of my landmarks were dead dogs whose decaying corpses had become second nature to see. I began marking how much time had passed by how deeply a certain dog on a certain dirt path’s chest was caved in.
There was an apartment complex in my area that I had been told not to proselytize in because “It’s dangerous.” Turns out, those people didn’t have any money, so the church didn’t want them. That complex was past the dog and to the east about ten blocks.
My companion and I knocked on a door, and visited a man who was missing his legs. His daughter was there, putting dirty water on the aching wounds. He had a single room for a house, and wheezed when he spoke. He couldn’t afford medication. He still went out and worked all day for his daughter, and gave her whatever money he made, trusting her to keep him alive somehow. The church expected this man to pay tithing. The church expected me to tell this man to pay tithing.
I got the chance to hike up a mountain. At the top, I played chess with a chess set I’d procured from one of the best rapid chess players I’ve ever met. He had been the ward mission leader. He was a good man, a good father, and I wish him the best.
I found another man who was deaf and spoke sign language. I sat with him, and convinced him to come to church all by myself while my companion talked with some tienda tender. I was so excited because this was my own personal project and it was going well. The man came to church, and I sat with him through sacrament meeting. In Sunday school (I can’t believe I did this), I accidentally drooled on the guy. I was just talking so he could read my lips, and I guess I forgot to swallow at some point because a dolup of spit landed on his arm. I apologized profusely, and he played it off, but I never saw that investigator again.
My companion and I knocked a door one day, and a man answered. He wore tattered clothes, and maggots were burrowing into and out of his feet. He muttered something about the stars, missing his wife, and he began to tear up. My eyes stung from the stench. The door closed. Somehow, I knew the man would be dead in a matter of weeks.
I had lost hope that I was doing anything worth while. I looked down on the Doc Martins that had stayed with me five months at this point. I was angry with myself for being so useless in the field, angry with the church for giving me leaders that didn’t listen to my needs or perspective, angry with my mom for drinking while I had to teach people that it was a sin, angry with my dad for giving me the skills and knowledge to justify anything, even pedophilia in the early days of the church, to the point where I could look someone in the eye, and knowing the kind of man Smith was, tell them he was a good man and a true prophet of God. Suddenly a man approached us. He said he recognized us as missionaries, and asked about our message. This never happened. People didn’t just come up to us unless they were crazy or dangerous. But this was a public place, and this guy was genuine. My companion talked to him, and gathered his story, but I was plotting something else. I was done with not caring about these people in a way that mattered. I was tired of walking in another man’s shoes, a man who wasn’t me, who believed different things than me. The chopped leg, the rotting dogs, the infested feet, it all swirled into a single thought in that moment.
What would Jesus do?
I walked over to the man, and in broken Spanish asked him to stand next to me. He did so, and I compared my shoe size to his foot. It was a perfect match. He protested, but I didn’t let him get a word in edge wise. I took off my shoes, put them on his dirty feet, and laced them up nice and tight. Those shoes had cost a ton, and had been meant to last the whole mission. All I had left at this point were my fancy dress shoes that gave my blisters back at the apartment. I didn’t care. I walked home in my socks that day, happy as a lark.
Covid-19 hit a month later. I was one of the few they brought home instead of quarantining. After having served only 6 months. I told God if he wanted me to stay home, he’d have to make them release me.
They released me. I think I was one of maybe a hundred missionaries that were released due to Covid. The church realized their mistake pretty soon after I was released. Once Covid infrastructure began to develop, they didn’t release any more. I guess I didn’t serve a full two years, but I did serve a full mission.
My brother served, and he nearly killed himself due to intense depression brought on by Covid quarantine and poor leadership (I’ve got a few mission president stories, but those are for another time).
I learned lying to someone’s face from my mission, and spent the rest of my time at BYU-I as “nuanced” until the last two years, over which the most epic hoe phase imaginable became my new mission. I spent those years terrified of getting a call from the honor code office.
I’m married now, with my degree irrevocably in my possession. I have friends and loved ones that are in the church and are working on their mission papers. I’m beginning to feel powerless again. I’m seeing the decay again, not on legs, feet, or dogs anymore, but in the souls of the people who the church raises to do their dirty volunteer work. I see them like the animal sacrifices I saw being prepared. I’m not sure what shoes I have left to give to those people that I know are going to be in pain.
My parents are out completely now. It was a long time coming, but they are out and so much happier. I’m working on building a new relationship with my family, one based off of the fact that we won’t be together forever, so we have to make the most of our time together now.
Happy Sunday guys, best of luck to you all. And most importantly, chupa la piña.

Ok so basically my year 9 EOY tests have just finished and I fucked up big time. For biology i got 64% physics 73% and chemistry 48%. I really tried studying the stuff we learnt but a lot of it was stuff we have rarely ever seen.
For my language Spanish it was a multiple choice reading test. This test was very difficult as my fellow peers said but some of the really dumb ones got extremely lucky and got 30 out of 45 and more meanwhile, I got a 16/45.
I am in the middle set for english and i fucked up the poem analysation test and got a 7/15 because I read the question wrong.
The only thing I didnt royally screw up was math were i got 85% and 92% on the two tests.
I have been really de-motivated and I really hope these don't go on my record. Just so you know I started studying the week before these tests.
Is there anything I can do better next time or any study habitats I should learn? And do these tests affect anything about my college application or anything?
Thanks for reading :)

The amount of people who have died “in the name of god” in history is truly astonishing, and it still happens daily today. Some of the worst atrocities in history have been people trying to wipe people out for not sharing the same beliefs ( Ex. The Holocaust, the Spanish Inquisition, the crusades, etc.) Even in America where we have religious freedom, you’re kinda looked down on if you don’t hold Christian values. Peoples religion should be a personal spiritual thing, and the organized religions have always been so corrupt. There are so many good hearted people out there who are misguided into thinking they know the ONE true way in to heaven or Valhalla, and feel sympathy or resentment towards someone for not believing the same thing. I know a lot of people who are convinced I am going to hell, not for being a bad person, but because I don’t go to Church or except Jesus as my savior. Same thing goes for pretty much all organized religion, they are taught, “here is what god said, it’s in this book, it’s all true and if you don’t believe it and follow it exactly as it says then you are damned”. I’d love to hear some takes from people currently involved in an organized religion, much love.

Poem: remains
Quote: "Blood-stained shadow"
Language devices: Symbolism, imagery
Link(s):
1- COULD suggest bystander-like symbolism (ironic because they're a robber)
2- Suggests impermeability, and a burnt-in memory
Context:
(Generic) Poem presents Guardsman Tromans' first hand account of the PTSD he got from shooting the robber in the form of burnt-in visuals in the aftermath

• Simon Armitage's "Remains" was based off the ITV documenary called 'The Not Dead'.

(Controversial take)

• The 'blood stained' shadow COULD be a reference to the Hiroshima bombing, where civilians were permanently imprinted onto the infrastructure of the city, hence the title of the poem, 'remains'. This brings about a secondary interpretation where the robber is seen as innocent (despite what they did) in a way that evokes sympathy from the reader, which is done by Armitage to show the lasting impact of memory.

Hello all, below are a selection of letters sent from, to, and about J. R. R. Tolkien in the week of 13 to 19 May. (Links lead to our 'On This Day' page where you can search all dates and see other letters on any day.)
13 May
JRRT to C.A. Furth (at George Allen & Unwin) 13 May 1937 - Tolkien writes, offering his thoughts on a potential publication of The Hobbit in the US. He says that he can produce the illustrations requested or if they prefer, they can contract another artist for the work. He does however say that he would want to veto anything that is too alike to a Disney style.
JRRT to Rayner Unwin (at George Allen & Unwin) 13 May 1954 - Tolkien expresses his pleasure at the opinions of The Lord of the Rings. He is not pleased with the Houghton Mifflin edition for the USA market and offers some suggestions to improve it.
JRRT to Joy Hill (at George Allen & Unwin) - 13 May 1966 - Writing to his secretary, Tolkien thanks her for the packets sent to him. He would like a ticket for a Donald Swann concert and notes that he will not send anything to be used in the Tolkien Reader. He notes that The Homecoming of Beorhtnoth would be much more suited to a collected volume than anything connected to The Lord of the Rings, which had been suggested by Stanley Unwin.
14 May
G.B. Smith to JRRT ?14 May 1915 - Smith writes to Tolkien asking him to send his poem, 'Goblin Feet' to the editor of Oxford Poetry, 1915.
Christopher Wiseman to JRRT 19 May 1917 - Wiseman returns manuscripts of G.B. Smith's poetry to Tolkien.
JRRT to Christopher Tolkien 14 May 1944 - Writing to his son Christopher, Tolkien gives updates on The Lord of the Rings among other happenings. He has heard C.S. Lewis reading from some chapters of his work, The Great Divorce.
JRRT to Joy Hill (at George Allen & Unwin) 14 May 1962 - Tolkien sends corrected proofs for The Adventures of Tom Bombadil.
JRRT to Jonathan Wordsworth 14 May 1972 - Tolkien writes to Wordsworth accepting an invitation to dine with 'The Society', an Oxford Dining club.
15 May
JRRT to Florence Williams (wife of Charles Williams) 15 May 1945 - Tolkien writes expresses his sympathy to Florence and her son on the death of Charles Williams.
George S. Gordon to Kenneth Sisam 15 May 1924 - Tolkien's co-editor on the Clarendon Chauver writes to Kenneth Sisam to say that Tolkien has agreed to retire from the project.
16 May
JRRT to Rayner Unwin (at George Allen & Unwin) 16 May 1958 - Tolkien gives Rayner Unwin an update on his health, namely after some dental issues. he notes that he has not been able to work on the matter of the Zimmerman Lord of the Rings movie but includes some commentary.
Edith Tolkien to Alan Rook 16 May 1939 - Edith writes to Alan Rook, a student from Oxford, inviting him to the Tolkien's home at the weekend.
17 May
JRRT to H.S. Bennet 17 May 1954 - Tolkien writes on C.S. Lewis' proposed move to Cambridge.
JRRT to David Best 17 May 1967 - Tolkien replies to a fan who had written to Tolkien, including a version of Tom Bombadil written in English runes.
18 May
JRRT to Robert Theodore Meyer 18 May 1972 - Tolkien writes, declining a request to be interviewed.
Henry Willink to JRRT 18 May 1949 - Willink gives Tolkien an update on his wifes ill-health. he also remarks on his admiration and appreciation for The Hobbit.
19 May
JRRT to Miss Turnbull 19 May 1955 - Tolkien thanks Miss Turnbull for a gift and says that he at last sent proofs for The Return of The King to his publisher.
JRRT to Dr. Zettersten 19 May 1959 - Tolkien writes, remarking that Ancrene Wisse is now at the press and publication will depend on hwo quickly he can return the proofs.
Tags on the letters above include The Hobbit, Illustrations, US publishing, The Lord of the Rings, C.S. Lewis, Fæder his suna, The Adventures of Tom Bombadil, Oxford University, Poetry, World War I, Catholocism, Charles Williams, Clarendon Chaucer, George S. Gordon, The Lord of the Rings movie, Runes, The Return of the King, Ancrene Wisse, Health, A Spring Harvest.

Pretty much title. Any classics that can help show off the beauty of the language?

La llarona
Known as Maltinzin in her original nomenclature, today, the lore of La Llorona is well known in Mexico and the southwestern United States.
The earliest documentation of La Llorona is traced back to 1550 in Mexico City. But there are theories about her story being connected to specific Aztec mythological creation stories. "The Hungry Woman" includes a wailing woman constantly crying for food, which has been compared to La Llorona's signature nocturnal wailing for her children. The motherly nature of La Llorona's tragedy has been compared to Chihuacoatl, an Aztec goddess deity of motherhood. Her seeking of children to keep for herself is significantly compared to Coatlicue, known as "Our Lady Mother" or Tonantsi (who's also comparable to the Virgen de Guadalupe, another significant mother figure in Mexican-culture), also a monster that devours filth or sin.
The legend of La Llorona is traditionally told throughout Mexico, Central America and northern South America. La Llorona is sometimes conflated with La Malinche, the Nahua woman who served as Hernán Cortés' interpreter and also bore his son. La Malinche is considered both the mother of the modern Mexican people and a symbol of national treachery for her role in aiding the Spanish.
Stories of weeping female phantoms are common in the folklore of both Iberian and Amerindian cultures. Scholars have pointed out similarities between La Llorona and the Cihuacōātl of Aztec mythology,as well as Eve and Lilith of Hebrew mythology. Author Ben Radford's investigation into the legend of La Llorona, published in Mysterious New Mexico, found common elements of the story in the German folktale "Die Weisse Frau" dating from 1486.La Llorona also bears a resemblance to the ancient Greek tale of the demigoddess Lamia, in which Hera, Zeus' wife, learned of his affair with Lamia and killed all the children Lamia had with Zeus. Out of jealousy over the loss of her own children, Lamia kills other women's children.
The Florentine Codex is an important text that originated in late Mexico in 1519, a quote from which is, "The sixth omen was that many times a woman would be heard going along weeping and shouting. She cried out loudly at night, saying, "Oh my children, we are about to go forever." Sometimes she said, "Oh my children, where am I to take you?"
While the roots of the La Llorona legend appear to be pre-Hispanic, the earliest published reference to the legend is a 19th-century sonnet by Mexican poet Manuel Carpio.The poem makes no reference to infanticide, rather La Llorona is identified as the ghost of a woman named Rosalia who was murdered by her husband

Claude Debussy, a prominent figure in Impressionist music, revolutionized harmony, melody, and cultural perceptions in music through his innovative compositions. Let's break down his impact statistically:

1. Harmony:
   
   • Debussy's harmonic language moved away from traditional functional harmony, embracing modal and pentatonic scales, whole-tone scales, and parallel chords.
   • Statistical analysis could show a decrease in the prevalence of traditional tonic-dominant relationships and an increase in the use of non-functional harmonic progressions.
   • Debussy's harmonic vocabulary expanded the tonal palette available to composers, influencing subsequent generations of musicians.
2. Melodies:
   
   • Debussy's melodies often featured fluid contours, incorporating elements of pentatonic and whole-tone scales.
   • Statistical analysis might reveal a departure from conventional melodic structures, with a focus on atmospheric, evocative lines rather than traditional, singable melodies.
   • His melodies often blurred the lines between melody and accompaniment, contributing to the overall impressionistic aesthetic of his music.
3. Culture:
   
   • Debussy's compositions challenged traditional notions of form, structure, and tonality, reflecting the changing cultural landscape of the late 19th and early 20th centuries.
   • His rejection of German Romanticism and embrace of French musical traditions helped to establish a distinct national identity in French music.
   • Through his use of exoticism and non-Western musical elements, Debussy contributed to the broader cultural fascination with the exotic and the mysterious during the fin de siècle period.

Statistical analysis of Debussy's compositions could provide insights into the frequency of specific harmonic progressions, melodic contours, and stylistic features. By examining patterns and trends within his music, researchers can better understand his unique contributions to the development of music harmony, melody, and cultural expression.

• Prelude to the Afternoon of a Faun (Prélude à l'après-midi d'un faune): This orchestral tone poem, inspired by Stéphane Mallarmé's poem, is a quintessential example of Debussy's impressionistic style. Its dreamy atmosphere, fluid melodies, and innovative harmonic language evoke the sensual world of the faun.
• La Mer: Debussy's symphonic sketches for orchestra, La Mer, depict the ever-changing moods of the sea. Through innovative orchestration and harmonic exploration, Debussy creates a vivid sonic portrait of the sea's power and beauty.
• Clair de Lune: This piano piece, part of the Suite Bergamasque, is one of Debussy's most famous works. Its gentle, shimmering harmonies and delicate melodies evoke the moonlit tranquility of a nighttime landscape.

1. Cultural Examples:
   • French National Identity: Debussy's rejection of German Romanticism and his embrace of French musical traditions helped to establish a distinct national identity in French music. His compositions, with their evocative depictions of French landscapes and folklore, contributed to a sense of cultural pride and nationalism.
   • Impressionist Movement: Debussy's music is often associated with the Impressionist movement in painting, which sought to capture the fleeting impressions of light and color. Like the Impressionist painters, Debussy focused on atmosphere, texture, and suggestion rather than precise detail, creating music that is more about mood and impression than literal representation.
   • Cultural Exchange and Exoticism: Debussy's fascination with non-Western music and exoticism is evident in works like Pagodes from Estampes and La soirée dans Grenade from Iberia. These pieces incorporate elements of Javanese gamelan music and Spanish flamenco, reflecting the broader cultural fascination with the exotic and the mysterious during the fin de siècle period.

I am blown away by how much this sub and interest in a female-centric version of Warhammer 40k has become in the last week or so. You’re all amazing!
A few months ago, I had some ideas for a noblebright version of 40k where the primarchs and Emperor were female. The inspiration was cnmbwjx’s incredible art, which I am pleased to see has inspired many of you as well. I considered creating feminine versions of the primarchs’ names and came up with a list. I figure this might be a good time to share it along with my thought process behind them.
Before we begin, this is in no way an attempt to derail anyone’s canon. I have seen several names on this sub that I think are better than what I came up with. I also think there is something to be said for using the original primarchs’ names if that is your preference. Girls don’t have to have “girl names” after all~
Feel free to use these or not. I just wanted to share because I think my thoughts on the origins of the original names and ways to play with them could help others to come up with their own takes on these characters.
This is going to be a very large info dump, so I’m going to divide this thread into multiple threads released daily (hopefully). Some of the names require lengthy discussions (brace yourselves for Konrad Curze) while others require relatively little. I will go through the list according to the numbered order of the primarchs. I think about two primarchs per day will work.

• Edit: Links to the next posts in this series will be provided here.

Part 2 (III-IV): https://www.reddit.com/PrimarchGFs/comments/1cttrb4/primarch_names_and_etymologies_part_2_iiiiv/
Part 3 (V-VI): https://www.reddit.com/PrimarchGFs/comments/1culiut/primarch_names_and_etymologies_part_3_vvi/
Part 4 (VII-VIII): https://www.reddit.com/PrimarchGFs/comments/1cvdtpq/primarch_names_and_etymologies_part_4_viiviii/
Part 5 (IX-XII): https://www.reddit.com/PrimarchGFs/comments/1cwuget/primarch_names_and_etymologies_part_5_ixxii/
My goal was to come up with satisfying names that stay true to the original names and their meanings / inspirations as possible. Where that was not possible or seemed to produce an unsatisfactory result, I afforded myself more creative liberties to try and capture the themes of the character and the sound of the original name.
I preserved alliteration with the all but one of the original names. I left surnames unchanged.
The majority of my posts will be an analysis of the original primarch names and an explanation of my reasoning for my feminine twist on them. It is my hope these explanations will assist others in their creative processes.
I have also included my suggested pronunciations for the names I think have unclear pronunciations. I did not use IPA phonetic notation because I do not think it is accessible for a casual reader since it requires using a reference list for the symbols. I instead use approximations of English syllables. Please let me know if any are unclear.
Several of these explanations may be straightforward to English-speakers and those familiar with 40k lore, but I think a detailed explanation is more inclusive. I have a feeling this sub will introduce many people to 40k that wouldn’t otherwise get into the official setting, so I want to help make your lore journeys easier.
Finally, I relied on Wiktionary and Wikipedia in researching the etymologies here. I am aware these are not ideals sources, but they’re the best I can do because of my work life. I would appreciate any corrections and supporting evidence. I certainly discovered some issues in my initial research going back through this list.
I: Leona Es’Jonson (Lion El’Jonson):
Edit: Originally I had "Lioness El'Jonson" here. My explanation for the change is detailed below.
A lioness is a female lion, so I felt compelled to stick to that. However, Lion El’Jonson is one of the cleverer primarch names.
It’s a reference to Lionel Johnson, a nineteenth-century English poet who was both a devout Catholic and a gay man. Lionel was at war with his own identity, which led him to write the poem “The Dark Angel.” The poem is an expression of forbidden desire and the torment of keeping secrets while trying to stay loyal to a higher power that you believe will condemn you if it found out who you really are. Sounds just like the Dark Angels space marine chapter with their secret shame over something that wasn’t their fault.
While Lioness loses this literary reference, I do feel that valor and fierceness are much more a part of Lion’s character than the secretiveness of his chapter. Therefore, I stuck with referencing the animal, which is synonymous with themes of ferocity and bravery.
Edit: A few days after posting this, I remembered that "El'Jonson" is not a surname, but a title. It was given to Lion upon his discovery by the people of Caliban after he had been living in the woods alone. In the language of Caliban, it means "Son of the Forest." My girlfriend likes the name "Leona Es'Jonson," which forms a double pun by making the Spanish word for "lioness" sound more like the English word "lioness."
Perhaps "Es'Jonson" means "Daughter of the Forest" on Caliban~
II: REDACTED: SIGILLITE-LEVEL AUTHORIZATION REQUIRED.
A mind without purpose will wander in dark places
Feel free to leave a comment on these submissions and this project generally. I look forward to sharing more with you next time~

Monday is the first day of the work week that many people dread. Not all people dread it, but some. Let's take a look into the Numerology of Monday to decode the energy and what it can be used for to work with it and not against it.
M - this is the 13th letter of the alphabet vibrating at the energy of 4. The energy of 1 is action and the energy of 3 is connecting with others through collaboration. This puts a focus on responsibilities and for most people, it's a work or school day which connects with this. Although it is about being responsible, it's still the energy of 4 which is mellow and controlled energy. O - this is the 15th letter of the alphabet vibrating at the energy of 6 which is about using your creativity constructively to take care of the tasks or duties you need to take care of. 6 is the number of beauty, duty, and routine. N - 14th letter of the alphabet vibrating at the energy of 5. This is about using your energy to be responsible and making space for enjoyment while doing so. 14 is a karmic number, but not when used correctly. As a karmic number, 14 is about someone who ditched their responsibilities and now have to deal with some challeneges(5). Proper use of this energy is using it for creative purposes. D - 4th letter vibrating at the purest energy of 4 which is about calmness, caution, and security. A - vibrating at 1 as the first letter of the alphabet, this is about action and energy. Y - The 25th letter of the alphabet vibrating at the energy of 7, but through cooperation with others(2) and compassion for others(2) and with the use of creativity (5) or even humor(5). Big lover energy as 5 can point to romance and 2 can point to soulmates.
Monday full numerology comes down to 8 and 8 can represent long and drawn out processes, wait times, and pressure. The dreadful energy can be moreso due to this 8 energy. People can work with this energy by being patient as 8 points to tedious tasks. With this insight, you can now simply start expected a little time in between things and pacing yourself. It can seem like a long day or your duties may be plentiful.
This is a day best utilized in a constructive (8) way with the use of wisdom and calculation(7). The 7 is the soul urge influence of Monday based on the vowels. 2 vowels A and O which equals 7. Being calculating and seeking depth will allow you to master the energy of Monday. Use this day to get the most done with your projects or workloads.
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1. Terza Rima: A poetic form consisting of tercets (three-line stanzas) with interwoven rhymes, often used by Dante in "The Divine Comedy."
   
2. Clerihew: A humorous and whimsical poem of four lines, with irregular meter and rhymes, focusing on a person, often the poet.
   
3. Triolet: An eight-line poem with a specific rhyme scheme (ABaAabAB), featuring repeated lines.
   
4. Ballad: A narrative poem often set to music, telling a story with a strong rhythm and rhyme.
   
5. Renga: A collaborative form of Japanese linked-verse poetry, typically composed by multiple poets in alternating stanzas.
   
6. Senryu: Similar to haiku, but focuses on human nature and emotions rather than nature itself.
   
7. Paradelle: A complex and rare form of poetry that repeats lines with variations, creating a challenging structure.
   
8. Golden Shovel: A form where each word in a line of an existing poem is used as the end word in a line of the new poem.
   
9. Haibun: A combination of prose and haiku, often describing a journey or a nature experience.
   
10. Villancico: A medieval Spanish poetic form often used in songs and carols, characterized by repetition and refrains.
    
11. Palindrome Poetry: A poem that reads the same backward as forward, creating a mirrored effect.
    
12. Blackout Poetry: Creating poetry by selectively redacting or highlighting words from an existing text, often creating a visual element.
    
13. Tetractys: A five-line poem with a syllable count of 1, 2, 3, 4, 10, creating a pyramid shape.
    
14. Rubaiyat: A Persian form of poetry with quatrains, typically written in iambic pentameter with the rhyme scheme AABA.
    
15. Fibonacci Poem: A poem following the Fibonacci sequence for syllable counts in each line (0, 1, 1, 2, 3, 5, 8, 13, etc.).
    
16. Calligram: A visual poem in which the words or letters are arranged in a shape that reflects the poem's subject.
    
17. Shape Poetry: Poems that take on a visual shape related to their subject, enhancing the overall meaning.
    
18. Tanka Prose: A prose poem followed by a tanka, combining the concise nature of prose with the emotional depth of tanka.
    
19. Found Poetry: Creating poetry from existing texts or found materials, rearranging and recontextualizing words.
    
20. Blitz Poem: A form of poetry with a rapid, stream-of-consciousness style, using repetition and wordplay.
    
21. Sevenling: A seven-line poem with specific guidelines, including three lines with three elements, and a concluding statement in one line.
    
22. Pantun: A Malay poetic form with quatrains, featuring an interlocking rhyme scheme between stanzas.
    
23. Cento: A collage-like poem composed entirely of lines from other poems.
    
24. Cinquain Chain: Connecting multiple cinquains to create a longer poem or narrative.
    
25. Rhyme Royal: A seven-line stanza with a specific rhyme scheme (ABABBCC), used by Geoffrey Chaucer.
    
26. Haiga: A combination of haiku and visual art, where an image complements the haiku.
    
27. Minute Poem: A strict 60-syllable poem with a 8-4-4-4 structure and specific rhyme scheme (aabb).
    
28. Nonet: A nine-line poem with a descending syllable count in each line, often 9-8-7-6-5-4-3-2-1.
    
29. Tanka Tumble: A series of linked tanka poems, creating a flowing narrative.
    
30. Dramatic Monologue: A poem in which a character speaks directly to an audience, revealing their thoughts and emotions.
    

numb to my own emotions but constantly caught in the tidal wave of everyone else's broken dragged under into a sea of glass pierced by the turbulence of their ever changing emotions treading shards just to stay afloat words of consolement and sympathy slipping out amongst the gasping breaths frigid arms outstretched endlessly seeking the shoreline but engulfed by the undertow pulled beneath the oceans depth crushed by the waves of their emotions
This is the first poem I have written since I was a teenager. Capitalization and punctuation felt weird, so I left it out. I have been feeling a bit overwhelmed by the emotions and needs of those around me, and wanted to put into words the daunting feeling of managing their emotions and my own.
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